(1) LET THE REST OF THE WORLD GO BY Q)
With some one like you
A pal good and true
I'd like to leave it all behind and go
and find
Sonc place that's known to God alone
Jura, a spot to call our own
We'll find perfect peace
Whore joys never cease
Ouo there beneath a kindly sky
We'll build a sweet little nest
Out: there in the west
Are lot the rest of the world go by#
(?) MARCHING ALONG TOGETHER (2)
M^ohing along together
Sh ring every smile and tear
Hovehing along together
Whittling till the skies are clear
Swinging along the highway
Ovo^ a road that's wide
Without a bugle? without r drum
We ..ioan to chase the jinx, oh,
Rum. Ti-did-dle-di, here we cone
We're happy Anphib ginks, oh,
Marrliing along together
Lif is wonderful side by side.
(?) LADY OF SPAIN <3)
Lady of Spain I adore you
Right from the night I first saw you
My heart has been yearning for you
What else could any heart do
Lady of Spain I'm appealing
Why should my lips be concealing
All that my eyes are revealing
Lady of Spain I love you,
(4) NEAR YOU (4)
There's just one plr.ee for me--near you
It's like heaven to he Near you
Times when we're apart---I can't face
my heart
Say you'll never stray, more than two
lips away
If my hours could be spent Near You
I'd be more than content, Hear You
Make my life worth while,
By tellinf me that I'll spend the rest
Of n.y days Near You.
(5) BASIN STREET BLUES (5)
Won'tcha coma alon.^- with me
T:; the Mississippi
We'll take the boat to the Ian' of dreams
Stream down the river, down to New Orleans
The bands there to meet us
Old friends to ^reet us
Where all the li^ht and dark folks meet
Heaven on earth, they call it Basin Street
Basin Street is the street
Where the elite, always meet in New Orleans
Lan' of dreams, you'll never know; how nice
it seems
Or just how much it really means
Glad to be, yes sir-ree
Whore the welcome's free, dear to me
Where can I lose
My Basin Street blues
Let your hair down and flap a wine,
This is the ni^ht to drink and sinpll
(6) PEOPLE WILL SAY WE'RE IN LOVE (6)
Don't throw bouquets at me
Don!t please- my folks too much
Don't lauah at my jokes too much
People will say we're in love
Don't siah and C"2( rt no
Your sirhs are so like mine
Y-mr eyes mustn't jlow like mine
Pc^olo will say we're in love
Don't start collecting things
Give me my rose and my p.love
Sweetheart they're suspecting things
Pc-plo will say we're in love.
(7) SUNNY SIDE OF THE STREET (7)
Grab your coat, and. f?et your hat
Leave your worry on the do^r step.
Just direct your feet--
T> the Sunny side of the Street
Can't you hear a pitter pat?
And that happy tune is your step
Life can be so sweot
On the Sunny Side of the Street.
I used to walk in the shade
With those blues on parade
But I'm not afraid
This Rover, crossed over,
If I never have a cent
I'll be rich as Rockefeller
Gold dust at my feet
On the Sunnyside of the Street.
If you don't feel sonic--
Try Gin and TonjLc
(8) A PRETTY-GIRL IS LIKE A MELODY (8)
A pretty - irl is like a melody
That haunts you ni^ht and day
Just like the strain of a haunting refrain
She'll start upon a marathon
And run around your brain
You can't escape, shefs in your memory
By morning, nic>ht and noon
She will leave you and then, come back arain
A pretty (rirl is just like a pretty tune.
<9) MY BLUE HEAVEN (9)
When whip-poor-wills call and ev'ninf is ni^h
I hurry to my blue heaven
A turn to the rirht
A little white lirht
Will lead you to my blue heaven
You'll see a snilino face, a fireplace,
a cozy room
A little nest that's nestled where the roses
blrm
Just Mo Hie and me
And b.aby makes three
We're happy in my blue heaven,
(10) DREAM (10)
Dream when you're feelin' blue
Dream that's the thin^ to do
Just watch the smoke rinr-s rise in the air
You'll find yiur share of memories there
So dream when the day is thru
Dream and they nioht come true
Things never are as bad as they seem
So dream, c'rean, dream.
(11) ALABAMY BOUND (11)
I'm Alabamy bound
There'll be no "Heevie Jeebies" hanpin' !round
Just pave the meanest ticket man on earth
All I'm worth
To put my tootsies in an upper berth
Just hear that choo ch v> sound
My love needs a dor-pie to protect her pround
And then I'll holler so the world will know
Here I po
I'm Alabany b^unc.
(12) THE SINGING MARINE (12)
Over the sea let's po men
Wo're shovin1 ripht off, we're shovin'
ripht off apain
Nobody knows where or when
We're shovin' ri<ht off, we're shovin'
ripht off arain
It may be Shanghai, farewell and pood-bye
Sally one Sue, don't be blue
We111 just be p )ne for years and years
and then
"We'll be shevin' ri-->ht off for home,
s hov i o.' r i ^h t off f o r hone,
shovin1 ripht off for home a~ain.
(13) IF YOU KIIEW SUSIE (13)
If you knew Susie like I know Susie
Oh! Oh! Oh! what a pirl
There's none so classy as this fair lassy
Oh! Oh! Holy Moses what a chassis
We went ridinn she didn't balk
Back from Yonkers I'm the one that had to walk
If you knew Susie like I know Susie
Oh! Oh! What a pirl.
(14) SENTIMENTAL JOURNEY <14)
Gonna take a sentimental journey
Gonna set my heart at ease
Gonna make a sentimental journey
To renew old memories
Got my bag, I got ny reservation
Spent each dine I could afford
Like a child in wild anticipation
Long to hoar that "All aboard"
Seven, that's the Time we leave at seven
I'll be waiting up for heaven
Countin' every mile of railroad track
that takes me back
Never thought ny heart could be so
"yearny"
Why did I decide to roan
Gotta take this sentimental journey
Sentimental journey home,
(15)- MARGIE (15)
Margie, I'm always thinking of you Margie
I'll tell the world I love you
Don't forget your promise to me
I have bought a home and ring anci- everything
For Margie, you are my inspiration
Days are never blue
After all is sale and cone
There is really only one
Oh Margie, Margie it's you.
\mz:.] GONGe DIICOI-S RISQUE- --
JOM'T LI .ME IT ON WHISQUE
(16) SIDE BY SIDE (16)
Oh! we ain't pot a barrel of money
Maybe we1 re. rappee1 and funny
But we'll travel alonf
Sin^in1 a senr side by side
Don't know what's comin' tomorrow
Maybe it's trouble and sorrow
But we'll travel the road
Sharin' our load si-'e by side
Thru all kinds of weather
WKat if the sky should fall
Just as lori£ as we're together
It doesn't ratter at all
When they've all had their quarrels
and parted
We'll be thf same as we starter1
Just travf 1 in' a 1 onr
Sinain' a son,q si'e by side,
(17) LOUISE (17)
Every little breeze seems to whisper
I uxse
Birds in the trees seem to twitter Louise
Each little rose tells me it knows I love
you, love you
Every little beat that I feel in my heart
Ceems to repeat what I felt at the start
Each little sifdi tells ne that I adore you,
L uise,
Just to sec and hear you
Erings joy I never knew
But to be so near you
Thrills me through and through
Any one can see why I wanted your kiss
It had to be but the wonder is this
Can it be true, someone like you
Could love me, Louise.
(18) WHEN IRISH EYES ARE SMILING (18)
When Irish eyes are smiling
Sure 'tis like a morn in spring
In the lilt of Irish laughter
You can hear the angels sing
When Irish eye-; are happy
All the world se-u-c bright and ray
But when Irish eye-v aee smiling
Sure they'll steal your heart away,
(19) MEMORIES (-9)
Memor i e s, nemo ri e s
Dreaos of love so true
0!er the sea of memory
I1 re drifting back to you
Childhood days, wildwoid ways
Among the birds and bees
You've left me alone
But still you're my own
In my beautiful nonoricc,
(20) MY WILD IRISH ROSE (20)
My wild Irish rose
Tk j sweetv rt cl a r l\ t* r rows
d )U m: y se°rnh ( v^ryvh^r*-
r:y - wii . -: s c n
My wild Irish a .-s^
The dearest flower that grows
And. c .)mo day for my srke
She may let me take
The bloom from ray wild Irish rose,
(21) BEAR OLD GIRL (21)
Dear old £irl tho robins sina above you
Dear old girl they sinp of how I love you
The blinding tsars are falling
When I think of my lost pearl
And ray broken heart is calling-
Calling for you, Dear Old Girl.
(22) STOUT HEARTED MEN (22)
Give nc some men, who are stout hearted men
Who will fipht for the ripht they adore
Start me with ten who ^.rd stout hearted nan
And I'll soon pive you ten thousand imre
Oh, shoulder to shoulder and bolder and
bolder
They prow as they po t > the fore
Then therefs nothing in this world can
halt or nr:r a plan
When stout hearted men
Can stick together man t'^ man.
(23) itM FOREVER BLOWING BUBBLES (23)
I'm forever bl >winp bubbles
I ratty bubbles in the air
They fly s^ hiph
Nearly reach the sky
Then like my 'reams they fade an;7 die
Fortune's always hidinr
I've looked everywhere
I'm forever blowing bubbles
Pretty bubbles in the air.
(24) BELL-BOTTOM TROUSERS (24)
Once there was a serving naid down in
Drury Lane
Her master was so kind to her
Her mistress was the same
Then cane a sailor hone from the sea
And he was the cause of all her misery.
Singing bell-bottom trousers, coat of navy blue
He can clinb the riggin like his daddy used
to do
Ke asked for a candle to light him up to bed
He asked for a pillow to place beneath his
head
And she like a silly girl, thinking it no
ham
Junped into bed to keep the sailor warn.
(CHORUS)
Early in the rorning before the break of day
Ke handed her a five-pound note and this he
had to say
Maybe you111 have a daughter, oaybe you'll
have a son
Take this rr.y darling for the dnnage I have
done.
(CHORUS)
If you have a oauakt^r bounce her on your
knee
But if you have a son send the rascal out
to sea
Now the moral of this story is plain as
you can see
Never trust a sailor an inch above your knee!!
(CHORUS)
IF YOU RECOGNIZE THE PERSON SINGING NEXT
TO YOU--SEE THE BARTENDER, YOU NEED A DRINK!!!
(25) I'M SITTING ON TOP OF THE WORLD (25)
I'm sitting or top of the world
Just rolling along, just rolling along
I'm quitting the blues of the world
Just singing i song, just singing a song
Glory Hallelujah I just phoned the parson
Hey Par get ready to call
Just like Humpty Dumpty, I'm going to fall
I'm sitting or top of the world
Just rolling ilong, just rolling along,
(25) WHISPERING (26)
.^Whispering while you cuddle near me
Whispering so no one can hear me
Each little whisper scons to cheer me
I know it's true there's no one dear but you
You're whispering why you'll never leave me
Whispering why you'll never grieve me
Whisper and say that y%u believe me
Whispering that I love you.
(27) SIDEWALKS OF NEW YORK (27)
Eastside, Westside
All around the t-^wn
The ^irls sang ring-around-r>sie
London Bridge is falling down
Boys and firls together
Me ana Mamie O'Rourke
Tripped thu light fantastic
On the sidewalks of Mew York
NOTICE TO CIGARETTE SMOKERS
The best cure for lung cancer is loud and
boisterous singing--so sound off, do you want
to die young??
(28) MELANCHOLY EABY (28)
Come to me ray melancholy baby
Cuddle up and don't be blue
All your fears are foolish fancy naybe
You know dear that I'm in love with you
Every cloud oust have a silver lining
Wait until the sun shines through
Snile ay honey dear
While I kiss away each tear
Or else I shall be melancholy too.
(29) MOONLIGHT AID ROSES (29)
Moonlight and roses, bring wonderful
metrics of vju
My heart reposes in beautiful thoughts
so true*
June light discloses, love's olden dreans
sparkling anew
Moonlight cir\(l roses, brin."- rien'rias of
you ♦
(30) ALWAYS (30)
I'll be loving you always
With a love that's true always
When the things you've planned
deed a helping hand
1 will understand always, always
Days oay not -bo fair always
That's when I'll be there always
Mot for just an hour
Wot for just a day
Not for just a year
But always.
(31) IT HAD TO BE YOU (3D
It had to be you--it bad to be you
I wandered around and finally found
the somebody who
Could make me be true, could make
me be blue
And oven be glad, just to be sad,
Thinking of you
Souk- others I've seen--Might never be
mean
Might nover b< cross or try to be boss,
tut they wouldn't do
For nobody else--pave me a thrill
With all your faults I love you still
It had to be you, wonderful you. It
had to be you.
(32) DOWN BY THE OLD HILL STREAM (32)
Down by the old mill stream
Where I first met you
With your eyes so blue
Drjcsed in girgham too
It was there I know
That you loved me true
You were sixteen, my village queen
Down by the old mill stream.
(33)WHEi! I GROW TOO OLD TO DREAM<33)
When I grow too old to dream
I'll have you to remember
When I grow too old to dream
Your love will live in my heart
So kiss me my sweet
And so let us part
And when I grow too old to dream
That kiss will live in my heart.
(34) JINGLE JANGLE JINGLE (34)
I got spurs that jingle jangle jingle
As I go ridin' merrily along
And they sing "Oh ain't you glad you're
single"
And that song ain't so very far from wrong
Oh Lillie Belle, oh Lillie Belle
Though I may have done some foolin1
This is why I never fell
I got spurs that jingle jangle jingle
As I go ridin' merrily along
And they sing ,f0h ain't you glad you're
single"
And that song ain't so very far from wrong.
(35) LILLI MARLENE (35)
Underneath the lantern by the barrack gate,
Darling I remember the way you used to wait;
'Twas there that you whispered tenderly,
That you loved me,
You'd always be My Lilli of the lamplight,
My own Lilli Mcrlenc..
Tine would come for roll call, time for
us to part
Darling I'd caress you and press you to my
heart,
And there 'north that far off lantern light,
I'd hold you tight,
We'd Kiss "Good-night"
My Lilli of the lamplight,
My own Lilli Marlene.
NOTICE
Anyone seen drinking a Moscow Mule will
be investigated.
(36) FOGGY FOGGY DEW (36)
I am a bachelor and I live all alone
And I work at the weavers trade
And the only only thing that I ever did wrong
Was to woo a pretty maid,
I wo ;ed her in the summer tine
And the winter too
And the only, only thing that I ever did
wrong
Was t > shield her from the foggy foggy dew,
One nisht she came to my bedside
When I was fast asleep
She threw her arms around my neck
And then began t> weep
She wept she cried, she damn near died
My G -.d* what cculd I do
Come hop into bed little maid I said
And I'll shield you from the foggy
f^gry dew
Wow I'm still a bachelor, and I live with
my son
And r..7e work at the weavers trade
And every damn time I look into his
eyes
It reminds me of that maid
Reirinds me of the summertime
Ana or the winter too
When the only, only thing that I ever
C-iS. wrong
Was to shield her from the foggy
foggy dew#
A DRUNKEN BUM SHOULD HAVE HIS RUM--BUT~
HIS TEENAGE DAUGHTER HADN'T OUGHTER!!!!!!
(37)THERE'S A LONG, LONG TRAIL (37)
There's a long, long trail a winding
Into the land of my dreams
Where the nightingales are singing
And a white moon beams
There's a long, long night of waiting
Until my dreams all come true
Till the day when I'll be going down
That long, long trail with you.
(38) PENNSYLVANIA POLKA (33)
Strike up the music
The band has begun
The Pennsylvania Polka
Pick out your partner
And join in the fun
The Pennsylvania Polka
It started in Scranton
It's now number one
It's bound to entertain ya
Everybody has a mania
To do the Polka from Pennsylvania
While they're dancing
Everybody's cares are quickly gone
Sweet romancing
This goes on and on until the dawn
They're so carefree
Gay with laughter
Happy as can be
They stop to have a beer
Then the crowd begins to cheer
They kiss and then they start to dance
again.
(39) SCHOOL DAYS (39)
School days, school days
Dear old golden rule days
Reading and 'ritin1 and frithmetic
Taught to the tune of a hickory stick
You were my queen and calico
I was your bashful barefoot beau
And you wrote on my slate 1 love you Joe
When we were a couple of kids*
(40) BYE BYE BLACKBIRD (40)
Back up all my care and woe
Here I go, singing low,
Bye Bye Blackbird.
Where somebody waits for me
Sugar's sweet, so is she,
Bye Bye Blackbird,
No one here can love and understand
me
Oh what hard luck stories they all
hand me,
Make my bed and light the light
I'll arrive late tonight,
Blackbird, Bye, Bye.
(41) LIVENING BY THE MOONLIGHT (41)
In the evening by the moonlight
You c .uld hoar those darkies singing
In the evening by the. moonlight
You could hecr de banjo ringin1
How the old folks would enjoy it
They would sit all night cj\d listen
As we sang in the evening by the
moonlight.
For The Best in Flicks -~ Visit Mount
RAMSEY
(42) BLESS fEM ALL (42)
Bless 'em All, Bless 'en All
The long and the short end the tall,
Bless every blondie and every brunette
Some we remember and some we forget
But we1re riving our eye to them all
The ones that appeal or appall;
We stall and we tarry while, they want
to narry
But never the less, Bless "En All!
L-less "em all, Bless 'en All,
The long and the short and the tall
Bless all the bloncies and all the
brunettes
Each lad is happy to take what he gets*
Cause we're giving the eye to then a. 11
The ones that attract or appall
Maud, Maggie or Susie,.you can't be
too choosey
Whcn you are in camp, L1ess 'en All,
Bless 'em All, Bless •err: All.
The long and the short and the tall
Bless all the red heads, each blonde
and brunette
With all those curves, who looks at
hair yet?
Go we're giving the eye to them all,
Where ever duty may call
No port can be gru-sorae, with boy
and girl tw.>-sones.
How hear this you lads, Bless 'em ALL!
IF YOUR VALENTINE IS NOT TRUE---
GO TO THE BAR, YOU NEED A BREW
(43) STORMY WEATHER (43)
Don't know why there's no sun up in
the sky, stcmy weather
Since my man rnc1 I ain't together
Keeps raining all the time
Life is bare, aliom ant' misery every-
where, storny weather
Just can't ret my poor self together
I'm weary all the time, the tine
So weary all the time
When he went away the blues walked
in and net ne
If he stays away old rockin' chair will
fet me
All I do is pray the Lord above will
let me
Walk in the sun once more
Can't go on every thin£ I had is r-one
Stormy weather, since my man and I
ain't together
Keeps raining all the time, keeps
raining all the time,
(44) CALIFORNIA HERE I COME (44)
California here I come
Right back where 1 started from
Where bowerc :>f flowers bloom in the
sun
Each morning at dawning
i-irdies sin;; and everything
A sunkist miss said don't be late
That's why I can hardly wait
Open up that Golden Gate
California here I come.
(45)GIVE MY REGARDS TO BROADWAY (45)
Give my roparc's to hroac'way
Rononher ae to Ho rale' Scuarc
Tc^J '* n . **■ "' ^i '-'':"" Strict
That 1 •.-;/.- ;. . - Le du re
Tull u-:^i • : ' T T'-a y-ja/avirr
To *:i, la :--r 'he u-.J .v^w' there
Givv. ay r^-ara.'c to olc. hrorawry
Ane ciy that 1 will soon he th.-re.-
(46) MARY (46)
For It was Mary Mary, plain as any
hut with propriety, society will say
Due it: was Mary, Mary, loop heforc the
fashions came
A:*..! there is seaethinp there
That sounds go square
Itfs a pranc old na.nc#
(47) RED RIVER VALLEY (47)
Fron thic valley they nry you are poxnp
We will also your hripnt'eyes ana
sweet smile
T -r *:hov .— * v .n -re l-hina tho cuns^ine
C.y a -a_ i-,; ' y i a; *;i- if y)U L jVe UG
D ) oat '• , - 'a ■ ' ' "-1
1 ut ra._ 1 .a . ,. . . v\.» Uy
An« the p_L,> . ^ :vc i >v.-<- y^ ^ true.
(48) PUT YOUR ARMS AROUND ME HOMEY (48)
Put your arms around me honey hold
me tight
Huddle up and cuddle up with all your
might
Oh babe won't you roll them eyes
Eyes that I just idolize
When they look at me my heart begins
to float
Then it starts a-rockin like a motor boat
Oh Oh I never knew any girl like you.
(49) PRETTY LADY (49)
Everybody loves a baby that's why I'm
in love with you
Pretty Baby, Pretty Baby
And I'd like to be your sister, brother
cad and mother too
Pretty Baby, Pretty Baby
Won't you come and le me rock you in
my cradle of love
And we'll cuddle all the time
Oh I want a lovin' baby and it might as
well be you
Pretty biby cf mine.
(50)WHEN THE SAIIJTS GO MARCHIN III(50)
When the saints go marching in--
Oh when the saints go marching in
Let's all get together and join !eni--
When the saints go marching in
When the saints--Go marching in
When the saints go marching in
Let's all get together and join 'em
When the saints go marching in.
(51) YANKEE DOODLE DAUBY (5
I'm a Yankee Doodle Dandy
A Yankee Doodle do or die
A real live nephew of. ny Uncle Sao
Born on the fourth of July
Ifve a Yankee Doodle .Sweetheart
She's cy Yankee Doodle joy
Oh Yankee Doodle went to London
Just to ride the ponies
I an that Yankee Doodle boy#
(52) MOOHLIGHT BAY (52)
We were sailing along, on Moonlight
Bay
We could, hear the boices singing
They seemed to say
You have stolen my heart
How don't go 'way
As we sang Love's Old Sweet Song
On Moonlight Bay,
(53) EMBRACEABLE YOU (53)
Embrace me
My sweet ombraceable you
Embrace mo
You irreplaceable you
Jv.?t Dne look at you
My heart grew tipsy in oe
You and you alone bring out the
gipsy in r.e
I love all the many charns about you
Ab:>va all
I want ny arruc about you
Don't be a naughty baby
Cone to papa
Cone to papa do
My sweet eiubraceabie you*
(54) SWEET ROSIE 0'GRADY <54)
Sweet Rosie O'Grady, ny dear little Rose
She's ay steady lady, most everyone knows
And when we are married
How happy we'll be
I love sweet Rosie 0'Grady
And R.»sie O'Grady loves me,
(55) WIIEN YOU WORE A TULIP (55)
When you wore a tulip, a big yellow tulip
And I wore a tig red rose
And when you carressec me
•Twas then heaven blessed me
What a blessing no one knows
You made life cheery, when you called
me dearie
'Twas down where the blue grass grows
Your lips were sweeter than julip
When you wore a tulip
And I wore a big red rose,
(56) if I HAD MY WAY (55)
If I had my way dear, forever therefd be
A garden of roses for you and for me
A thousand and one things for you I
w:>uld do
Just for you, just for you, just for you
If I had ny way dear, you'd never prow
old
And sunshine I'd bring every day
You would reigh all alone
Like a queen on a throne
If I had my way.
(57) BICYCLE BUILT FOR TWO (57)
Daisy, Daisy, give me your answer do
I'm half crazy over the love of you,
It won't be a sjzylish marriage
I can't afford a carriage,
But you'd look sweet
Upon the seat
Of a bicycle built for two,
Harry, Harry, there is ny answer true,
I'm half crazy all for the love of you
I don't want a stylish marriage
And I don't need a carriage
But I'll be damned
If I'll be crannied
On a bicycle built for two*
(58) I HAD A DREAM DEAR (58)
I had a dream dear,* you had one too
Mine was the best dear
Because it was of you
Come sweetheart tell ne
Mow is the time
You tell me your dream
And I'll tell you mine.
■■ ■«
(59) BABY FACE (59)
Baby face, you've got the cutest little
baby face
There's not another one could take your
place, baby face
My poor heart is junpin1
You sure have started somethin1
Baby face, I'm up.in heaven when I'm
in your fond embrace
I didnft need a shove
Cause I just fell in love
With your pretty babyface,
(50) BEER BARREL POLKA (-0)
There's a garden, what a garden
Only happy faces bloon there
And there1 s never any roora there
For a worry or a glooin there
Oh there's music and there's dancing
And a lot of sweet rorancing
When they play a polka they all begin
to swing
Every time they hear that oorpapa
Everybody feels so tra-la-la
They want to throw their cares away
They all goo lah-de-la-de-ay
Then they hear a rubble on the floor
It's the big surprise they're waiting for
And all the couples form a ring
For uilcs around yoti'll hear then sing
Roil out the barrel
We'll have a barrel of fun
Roll out the barrel
We've got the blues on the run
Zing J Boom I Tararre I
Rinr; out a song of good cheer
How's the time to roll the barrel
For the gang*s all here !
(&i) i wonim wrio's kissiiig r-iE;i how (51)
I wonder who's kissing her now
I wonder who's teaching her how
I wonder who's looking into her eyes
Breathing sighs, telling lies
I wonder who's buying the wine
For the lips that I used to call nine
I wonder if she ever tells him of me
I wonder who's kissing her now*
If Your Vocal Chords Are Mot Too Friskey—
Go To The ^Bar You Heed Whiskey i
(62)WAIT TILL THE SUN SHINES NELLIE<62)
Wait till the sun shines Nellie
When the clouds go drifting by
We w&ll be happy Nellie, don't you sioh
Down lover's lane we'll wander
Sweethearts you and I
Wait till the sun shines Nellie
Bye and bye*
♦
(63) TAKE ME OUT TO THE BALL GAME (63)
Take me out to the ball game
Take me out to the crowd
Buy me some peanuts and cracker jack
I don't care if I never ret back
And I'll root root root for the hone team
If they don't win it's a shame
For it's ONE TWO THREE STRIKES you're out
At the old ball rame#
(64)S0MEB0DY STOLE MY GAL (64)
Somebody stole my ral
Somebody stole my pal
Somebody came and took her away
She didn't even say she was leavin1
The kisses I loved so
He's getting now I kn;v
And Gee! I know that she
Would come to me
If she could see
Her broken hearted lonesome pal
Somebody stole my ral*
(65) NAVY BLUE 6c GOLD (65)
Now college men from sea to sea may
sing of colors true,
But who has better right than we to
hoist a symbol hue?
For sailor men in battle fair, Since
fighting days of old
Have proved a sailors right to wear
the Navy Blue and Gold,
(6f) T?p ;^D AT1 EM NAVEE! (66)
Up and at fEm Navee
Let's £) sailing down the field
Tear right through lem Navee
Our old line will never yield.
Fight! Fight! Fight! Touchdown after
touchdown
Man for man we're back of you
Victory for us today, Now we're getting
underway
Mavy Blue, Let's go through!
(67) NAVY VICTORY MARCH (67)
Fight on--Navy blue and gold--
Fight on down the field--
Vic-try for us to day--
So sot your sights for this new fray
And hold the foe at bay.
Fight I Fight! Fight! on men and never
rest--
Till stands high that Navy crest--
Carry on, Blue and Gold, both in thought
and action bold, for a Navy Victory.
(Whistle all alumni) repeat chorus:—
(68) SWEET GEORGIA BROWN (68)
No gal made has got a shade on
sweet Georgia Brown,
Two left feet but oh, so neat has sweet
Georgia Brown.
They all sigh and wanna die for sweet
Georgia Brawn,
I'll tell you just why
Fur you know I don't lie, not mucM
It's been said she knocks fem dead
When she lands in town
Since she cane why it's a shame
How she cools fem down,
Fellows she can't get, are fellows she
ain1t met,
Georgia claimed her, Georgia named
her,
Sweet Georgia Brown.
(69) FIVE FOOT TWO, EYES OF BLUE (69)
Five Foot Two, Eyes of Blye
But Oh, what those five foot co&ld do,
Has anybody seen ny girl?
Turned up nose, turned down hose,
Never had no other beaus
Has anybody seen ny girl?
Now if you run in to a five foot two
Covered with fur,
Diamond rings and all those things
Bet-cha life it isn't her,
But could she love, could she woo?
Could she, could she, could she coo
Has anybody seen my girl?
(70) PEG OF MY HEART (70)
Peg of my heart I love you
Don't let us part, I love you.
I always knew, it would be you
Since I heart your lilting laughter,
It's your Irish heart I'm after.
Peg of my heart, your glances
Make my heart say, how's chances?
Come, be my own; Cyme, make your
home in my heart.
(7DYES CIR, THAT'S MY BABY (71)
Yes Sir, That's my Baby
No Sir, Don't mean Maybe
Yes Sir, That's my Baby now.
Yes ma'mam, we've decided
No ma.'mam we won't hide it
Yes ma'mam, you're invited now.
By the way, By the way
When we reach the preacher I'll say
Yes Sir, That's my Baby
No Sir, don't mean maybe
Yes Sir, That's my Ba^qnow*
(72) MA (H3'S MAKING EYES AT ME) (72)
Ma, he's making eyes at me
Ma, he's awful nice to me
Ma, he's almost breaking my heart
I'm beside him, mercy let his
conscience guide him
Ma, he wants to marry me
Be my honey tee
Every minute he gets bolder
Now he's leaning on my shoulder,
Ma, he's kissing me.
(73) FOR YOU (73)
I will gather stars out of the blue
for you--for you
(BOY) I111 make a string of pearls out
of the dew
(GIRL) I'll wear a string of pears made
of the dew for you--for you
Over the highway and over the street
Carpets of clover I'll lay at your feet
Oh, there's nothing in this world I
wouldn't do for you--for you*
(74) SAN ANTONIO ROSE (74)
Deep within my heart lies a memory,
a song of old San Antone.
Where in dreams I live with a meraoryn
beheath the stars all alone
It was there I found, beside the Alamo,
Enchantment strange as the moon up bbove
A moonlit pass, that only she could know
Still lives in my broken song of love*
Moon in all your ^splendor, alone in my
heart,
Call back my rose," Rose of San Antonc
Lips so sweet and tender, like petals
falling apart♦
Speak once again of my love, my own*
Broken songs, empty words I know
still live in my heart all alone
And that moonlit past by the Alamo,
and Rose, my Rose of San Antone•
(75) TAVERN IN TIE TOWN <75)
There is a tavern in the town, in the town
And there my true love sits him down, sits hin
down
J
And drinks his wine as merry as can be ^
And never rever thinks of me.
Fare thee well, for I nust leave thee
Do net let this parting grieve thee
For the tine has cone for you and ne
to say goodbye
Adieu, adieu, kind friends, adieu, yes
adieu
I can no longer stay with you, stay with you
I111 hang ny harp on a weeping willow tree
And nay the world go well with Thee*
(76) WALK INS MY BABY BACK HOME (76)
Gee, but it's great after being out late,
Walking ny baby back hone
Arm in am, over readow and farn
Walking ny baby back hone.
We go along harmonizing a song
Or reciting a poem
Owls go by, and they give ne the eye
We stop for awhile—She gives ne a snile
And snuggles her head to ny chest
Wo start in to pet, And that's when I get
Her talcun all over ny vest
After I kind-a straighten ny tie
She has to borrow ny conb
One kiss, then I continue again
Walking ny Baby back hone.
Notice Fron the I.-anagenent--Please Don't Spill
Beer on the Hano Slayer, His Suit Isn't*
Sanforized.
(77) HEART OF MY HEART (77)
Heart o£ my heart, how I love that nelody
Heart of ny heart, bring back fond *?TOr1^ e
When we were kids on the corner of the sq
We were rough and ready guys
But oh how we could harnonize,~~to then
Heart of ny heart, how friends were dearer
Too bad we had to part
I know a tear would glisten
If once aore I could listen
To that gang that sang, heart of ny heart.
(78) 1IY GAL SAL (78)
They call her frivilous Sal
A peculiar sort of a gal
With a heart that is nellow
An all 'round good fellow
Was ny old pal
Your troubles, sorrows and care
She is always willing to share
A wild sort of devil
But dead on the level
Was ny gal Sal#
(79) K-K-K-KATY (79)
K-K-IOKaty, beautiful Katy
You*re the only 3-3-5-girl that I adore
When the n-n-n-noon shines
Over the cow-shed
I'll be waiting at the k-k-k-kitchen door*
Standing Order ilunbcr One, Rogers Ran^ero
DONfT FORGET NOTHING*
(80) WHY DO I LOVE YOU (80)
Why do I love you, why do you love me
Why should there be two happy as we
Can you see the why or where for
I should be the one you care for
You're a lucky girl, I am lucky too
All our dreams of joy seem to come true
Maybe that's because you love me
Maybe that's why I love you,
(81) HONEY (81)
I'm in love with you, Honey
Say you love me too, Honey
No one else will do, Honey
Seems funny, but it's true,
Loved you from the start, Honey,
Bles your little heart, Honey
Every day would be so sunny Honey,
with you*
(82) ALL OF ME (82)
All of me
Why not take all of me
Can't you see
I'm no good without you
Take my lips
I want to loee them
Take my'arms I'll never use them
Your good-bye
Left me with eyes that cry
How can I
Go on dear without you
You took the part
That once was my heart
So why not take all of me.
(83) BATTLE HVMN OF THE REPUBLIC (83)*
Mine eyes have seen the glory--
Of the coming of the Lord
He is trampling out the bintage--
wbere the grapes of wrath ate stored
He hath los'd the fateful lightning--
Of His terrible swift sword
His Truth is marching on«
(CHORUS)
Glory, Glory, Hallelujah
Glory, Glory, Hallelujah
Glory, Glory, Hallelujah,
His truth is marching on.
I have seen Him in the watchfires
Of a hundred circling camps
They have bullded Him an altar
In the evening dews.and damps
I can read His righteous sentence
By the dim and flaring lamps
His Da.37 is marching on.
(REPEAT CHORUS)
(84) ANCHORS AWEIGH <84)
Anchors Aweigh my boys,
Anchors a Weigh
Farewell to college joys,
We sail at break of day©day-
da#*day
Through our last night on shore--
Drink to the foam--
Until we meet once more
Here's wishing you a happy voyage
home*---
(85) OKLAHOMA, (85)
Oklahoma, where the wind comes sweepin1
down the plain
And the wavin' wheat can sure smell
sweet
When the wind comes right behind the
rain
Oklahoma, every night my honey lamfe
and 1
Sit alone and watch a hawk makin1 lazy
circles in the sky
We know we belong to the land
And the land we belong to is grand
And when we say Yeow! A-Yip-i-O-ee
ay!
We're only sayin' you're doing fine,
Oklahoma! Oklahoma, 0. K#
(86) CHICAGO (86)
Chicago, Chicago, That toddling town,
toddling town
Chicago, Chicago, I'll show you around
I love it
Bet your bottom dollar you lose the
blues in Chicago, Chicago
The town that Billy Sunday could not
shut down
On State Street that Great Street, Ijust
want to say,--Just want to say
They do things they don't do on Broadway
Say, they have the time, the time of
their life
I saw a man, he danced with his wife
In Chicago, Chicago, my hone town,
(87) YELLOW ROSE OF TEXAS (87)
There's a yellow rose in Texas
That I am going to see
Nobody else could miss her
Mot half as ouch as me
She cried so when I left her
It like to broke her heart
And if I ever find her1
We never more shall part*
She's the sweetest little rosebud
That Texas ever knew
Her eyes are bright as diamonds
That sparkel like the dew
You nay talk about your Clementine
And sing of Rosalee
But the yellow rose of Texas
Is the only girl for me#
Where the Rio Grande is flowing
And the starry skies are bright
She walks along the river
In the quiet summer night
I know that she remembers
When we parted long ago
I promised to return
And nit to leave her so*
(REPEAT REFRAIH)
Oh, now I'm going to find her
Fir my heart is full of woe
We'll do the things tDgether
We die so long ago
We'll play the banjo gaily
She'll love me like before
And the yillow rose of Texas
Shall be mine for evermore.
(REPEAT REFRAIN)
(88) SOMEBODY ELSE IS TAKING MY PLACE (88)
Somebody else is taking my place
Somebody else now shares your embrace
While I am trying to keep from crying
You go around with a smile on your face
Little yiu care for vows that you made
Little ym care how much I have paid
My heart is aching, my heart is breaking
For somebody's taking my place,
(89) SWEET AND LOVELY (89)
Sweet and lovely
Sweeter than the roses in May
Sweet and lovely
Heaven must have sent her my way
Skies above me
Never were as blue as her eyes
And she loves me
Who would want a sweeter surprise
When she nestles in my arms so tenderly
There's a thrill that words cannot
express
In ny heart a song of love is taunting
me
Melody haunting me
Sweet and lovely
Sweeter than the roses in May
And she loves me
There is nothing more I can say.
( ANYONE WHO HAS BEEN TO IRELAND OR HAS
K?JOWN AN IRISHMAN OR HAS DRUNK IRISH WHISKEY
OR HAS CELEBRATED ST. PATRICKS DAY'MAY CON-
SIDER HIMSELJ AN IRISHMAN!!!)
(90XET HER SLEE? UHDE2. THE BAR (90)
T»was a cold winter evening
The guests were all leaving
01Leery was closing the bar
When he turned lround and said
To the lady in red~~3et out I
You canft sleep where you are
She wept a sad tear
In her bucket of beer
As she thought of the cold night ahead
When a gentleman dapper stepped out
of the phone booth
And these are the words that he said:
Her mother never told her
The things a young girl should know
About the ways e£ Havy nen
±»nd how they come and 2>o
Though age has taken her beauty
And sin has left its deep scar
Just think of your mother and sisters
boys
And let her sleep under the bar.
(91)1 LOVE YOU TRULY (91)
I love you truly, truly dear
Life with its sorrows
Life with its tears
Fades into drear*
When I feel you are near
For I love you truly, truly dear,
If Your Voice Has No Cheer, Drink Another Glass
Of Beer J
(92) THE DESERT SONG (92)
Blue heaven and you and I
And sand kissing a moonlit sky
A desert breeze whisp'ring a lullaby
Only stars above you to see I love you
Oh give me that night divine
And lut my arms in yours entwine
The desert song calling, it's voice
enthralling
Will make you nine.
(c.3)- PENNIES FROM HEAVEN (93)
Everytine it rains it rains pennies from
heaven
Don't you know each cloud contains
pennies from heaven
You'll find your fortune falling all
over town
Be sure that your umbrella is upside
down
Trace them for a package of sunshine
and flowers
If you want the things you love
You must have showers
So when you hear it thunder don't
run under a tree
There'll be pennies 'from heaven
For you and ire.
Valentines Dcy is like an H-bomb at
bikini--If ycu chase each beer with
a quick martini!I
(94) THERE'LL DE SOME CHANGES MADE (S4)
For there's a change in the weather
There1s a change in the sea
So from now on there111 be a change in ne
My walk will be cliff rent
.My talk and. my name
K^thin1 about me is goin1 to be the sane
I goin1 to change my way of livin1
If that ain't enough
Then I'll change the way that I strut my
stuff
'Cfciuse nobody wants you when you're old
and gray
They'll be cone changes made today
There'll be some changes nadc.
(95) LADY BE GOOD (95)
Oh sweet and lovely lacy be good
Oh lady be good to me
I an so awf'ly misunderstood
So lady be good to me
Oh please have some pity
I'm all alone in this big city
I tell you I'm just a lonesome babe in
the wood
So lady be good to me«
(96) GOOD OLD SUMMERTIliE (96)
In the good old summer tine
In the good old summer tine
Strolling down the shady lane
With your baby nine
She holds your hand and you hold hers
And that's a very good sign
That she's your tootsy-wootsy
In the good old summertime,
(97) BLOW THE MAM DOWN (97)
Come all ye yong fellows that follow
the sea
With a veo-he , we'll blow the man down
And please pay attention and listen to m£
Give us some time to blow the man down
On board the Black Bailer I first served
ray t line
With a yeo-he, blow the man down
And in-the Black Bailer I wasted my
tine
Give ud some time to blow the man down.
There were tinkers and tailors and
sailors and all
With a yeo-he, blow the man down
That shipped for good seamen aboard
the Black Ball
Give- us time to blow the man down,
*Txs larboard and starboard you jump
to the call
With a yeo-he,we111 blow the man down
When kicking Jack Williams commands
the Black Ball
GiVi_ us some time to blow the nan down.
(93) i*LL GET BY (98)
I111 get by cg long as I have you
Tho1 there be rain and darkness too
I'll not complain, I'll see it through
Tho1 I may be far away itfs true
Say what care I dear
I111 get by cs long as I have you.
(99) HARBOUR LIGHTS <99)
I sav.r fcb.o her.'be *-?'*' *?. ehts
They ,j;-:U' eei~.h .;;,:; e.; >;r? parting
The r.,.o ...be :;,;,:.;,,, ■ ' -:;-:s
Thar. • ? ■;■<• '■'• •:-t.j;-:..\ >..■- • e:C
I v ■■.•:. ■-.• ;■ }. ■■ .... :-..-:: /•-< •> <;- V ,:; *.?:.". s
Ho--, /.obbi ; ee_e ; ^-— o .vore starting?
Goe..;L,.; ;e roe.- ■ .- = ,'':,L« -
Bee,.;.'. t--a :;-:;.,■;-:; eee.o
I longed re he-: ; yru near and kiss you
just oner. -eoo,
But yea vc.o oo *he ship and I was on
the ;L<.:.:.:,
Novv ;: r,e e ie-;,::y tv^hts
For ; : he while e:y heart is
T'.V.-./.pv. ;'/ . 0>?
Sci-} .■ i,;.!"- - ':r;:'boer le. rhts
Will b- ear. yer:Ae ;..ovo iron me.
(100) Gti TOP OF OLD SROKY (100)
On too of O'er eneky
All cev;e;ec eer:e .-.^ow,
I Icec hj: t-re .lover
Come a ee-ert.i:: ■ ere ,3 low.
A ceier.j.rex a v;cr,rfvre
But: ;eee; ee' ;:-c{
Ane ■■ y .:.;••:; Ivk ::.:-e lover
lo v-:- ,; br- e ::"- r;b
Foe -- •■ b r.r or; e >. . .': -eh vou
And ;.:■,- .:-:; vee *, .
Bu:: o - i ■ .. , boe--,r .'■■--. or
She/ li our you aed biee you
And teli you more lies
Than the cross ties on thd railroad
Or the stars in the sky*
(101) DANMY BOY (101)
Oh Danny boy the pipes, the nines
are calling
From glen to glen and down the moun-
tain side
The summer's gone and all the r <ses
falling
It's you, it's y^u must go and I must
Lid.e
But cime ye lack when summer's in the
readow
Or -.'hen the valley's hushed and white
with snow
It's I'll be here in sunshine or in
shadow
Oh Danny bjy, oh Danny boy I love
you so.
(102)TKE MAN Oil THE FLYING TRAPEZE (102)
Once I was happy but now I'm forlorn
Juctiike an old coat that is tattered and
torn
I':a left in this wide world to fret and to
corn
Be tray'd by a maid in her teens
Mow this girl that I loved she was handsome
And I tried all I knew her to please
But I never could please her one quarter
so well
As the man on the flying trapeze
Oh, hefd float through the air with the
greatest of ease
The daring young nan on the flying
trapeze
His movements are graceful
All girls he does please
Any my love he has purloined away.
(103) HARVEST MOON < 103)
Shine on, shine on harvest noon
Up in the sky
I ain't had no lovin' since
January, February, June or July
Snow time ain't no tine to sit
Outdoors and spoon
So chine on, shine on harvest moon
For ne and ny gal*
(104) FOR ME AND MY GAL (104)
The bells are ringing for,.ne and ny gal
The birds are singing for ne and my gal
Everybody's been knowing to a wedding
they're going
And for .weeks they've been sewing-
Eve ry Susie and Sal
They're congregating for me and. my gal
The parson's waiting for ne and my gal
And someday we'll build a little home
for twD
Or three or four or more
In 1 weland for me and my gal#
(105) FOUR LEAF GLOVER (105)
I'm looking over a four leaf clover
That I overlooked before
One lenf is sunshine the second is rain
Third is the roses that grow in the lane
No need explaining the one remaining
Is somebody I adore
IJm looking over a four leaf clover
That I overlooked before.
(106) BY THE LIGHT OF THE SILVERY M0ONU06)
By the light of the silvery moon
I want to spoon, to my honey I'll croon
loves tune
Honey noon, keep a shining in June
Your silvery beams will bring love
creams
We'll be cuddling soon
Dy the silvery moon.
(107) MARINE CORPS HYMN (107)
From the Kail of Montezuma
To the shores of Tripoli,
Wc fight our country's battles
>n the land as on the sea,
First to fight for ripht and freedom
And to keep our honor clean,
We are proud to claim the title
of UNITED STATES MARINES.
(108)OH YOU BEAUTIFUL DOLL (108)
Oh, you beautiful doll
You great big beautiful doll
Let ne put my arms around you
I could never live without you
Oh, you beautiful doll
You great big big beautiful doll
If you ever leave me how my heart
will ache
I want to hug you but I fear you'd break
OH OH OH OH OH you beautiful d^ll«
SPEND YOUR VACATION IN DENMARK---
YOU TOO CAN BE A SOPRANO!!!!
(109) GRAND OLD FLAG (109)
You're a grand old flag
You're a high flyin' flag
And forever in peace may you wave
You are the enblen of the land I love
The home of the free and the brave
Every heart beats true for the red white
and blue
Where there's never a boast or brag
Should old acquaintance be forgot
Keep your eye on the grand old flag*
(110) OVER THERE (110)
Over there, over there
Send the word, send the word over there
That the Yanks arc coming, the Yanks
are coming
The drums rumtunininp everywhere
So prepare, say a prayer
Send the word, send the word to beware
We'll be over, we're coning over
And we won't be back till it's over,
over there*
(111) TIPPERARY (111)
It's a long way to Tippcrary
It's a long way to go
It's a long way to Tipperary
To the sweetest girl I know
Goodbye Piccadilly, farewell Leichester
Square
It's a long, long way to Tipperary
But oy heart's right there.
Don't Step On The Grass—You Might
Move the Sand
m2THOSE WEDDING BELLS ARE BREAK-(1i2)
IMG UP THAT OLD GANG OF MINE
Not a soul down on the corner
That's a pretty certain sign
That those wedding bells are breaking up
That old gang of mine
All the guys are singing love songs
They've forgot Sweet Adeline
Those wedding bells are breaking up.
That old gang of mine
Thrro soes Jack, there goes Jim
Strolling down lovers lane
Now and then, we meet again
But things don't seem the same
How I get that lonesome feeling
When I hear those church bells chime
Thoce wedding bells are breaking up
That old gang of mine,
(113) AIN'T SHE SWEET (113)
Ain't she sweet, see her comiri' down
the street
Now I ask you very confidentially
Ain't she sweet
Ain't she nice, look her over once
or twice
Now I ask you very confidentially
Ain't she nice
Just cast an eye in her direction
Oh me oh my fin't that perfection
Now I repeat, don't you think she's
kinda sweet
And I ask you very confidentially
Ain't she sweet.
(114) I'M ALWAYS CHASING RAINBOWS (U4)
I'm always chasing rainbows
Watching clouds drifting by
My schemes arc just like all my dreams
Ending in the sky
Some fellows look and find the sunshine
I always look and find the rain
Some fellows make a winning sometime
I never even make a gain, believe me
I'm always chasing rainbows
Waiting to find a little bluebird in vain.
(115) DON'T GIVE UP TOE SHIP (U5)
Shipmates stand together
Don't give up the ship
Fair or stormy weather
We won't [;ive up, we won't give up the
ship
Friends and pals forever
It's a long long trip
So if you have to take a lickin'
Carry on and quit your kickin'
Don't rive up the ship,
(116) HOW IS THE HOUR (116)
Now is the hour when we must say goodbye
Scon you'll be sailing far across the sea
While you're away
Oh then remember me
Mien you return you'll find me waiting here#
IF YOUR VALENTINE IS NOT TRUE---
GO TO THE BAR, YOU NEED A BREW!!
(U7)IN THE SHADE OF THE OLD APPLE TREE (117)
In the shade of the old apple tree
Where the love in your eyes I could see
And the voice that I heard
Like the song of the bird
Seemed to whisper sweet music to me
We could hear the dull buzz of the bee
In the blossoms as you said to me
With a heart that is true
Ifll be waiting for you
In the shade of the old apple tree.
(118) it«S ONLY A PAPER MOON <H8)
Say it's only a paper moon
Sailing over a cardboard sea
But it wouldn't be make believe
If you believed in me
Yes itfs only a canvas sky
Hanging over a muslin tree
But it wouldn't be make believe
If you believed in me
Without your love it's a honky tonk
parade
Without you love it's a melody played
in a penny arcade
It's a Barnum and Bailey world
Just as phoney as it can be
But it wouldn't be make believe
If you believed in me.
(119) LITTLE ANNIE ROONEY <119>
She's my sweetheart, I'm her beau
She's my Annie, I'm her Joe
Soon we'll merry, never to part
Little Annie Rooney is my sweetheart.
(120) I WANT A GIRL (And a beer) (120)
I went a girl just fiko the girl
That married dear old dad
She was a pearl and the only girl
That daddy ever had
A good old-fashioned girl
With heart so true
One who loves nobody else but you
I want a girl just like the girl
That married dear old dad.
I want a beer just like the beer
That pickled my old can
It was a beer and the only beer
That daddy ever had
A good old-fashioned beer
with lots of foan
It took six men to carry daddy home
I want a beer just like the beer
That pickled ny old nan,
(121) BEAUTIFUL DREAMER (121)
Beautiful dreamer wake unto ne
Starlight and dewdrop are waiting for thee
Sounds of the rude world heard in the day
Lull'd by the moonlight are all passed
away
Beautiful dreamer queen of ny -song
List while I woo thee with soft nelody
Gone are the cares of life's busy throng
Beautiful dreamer awake unto ne
Beautiful dreamer awake unto ne.
(122) BLUE TAIL FLY (122)
When I was youn(r I used to wc.it
On the boss and rive him his plate
And pass the bottle "when he -ot dry
And brush away the Blue Tail Fly.
Jimmy crack ccrn end 1 don't care
Jimmy crack ccrn csid I donft care
Jimmy crack corn and I don't care
My master's zcnc- away.
Anc when he'd ride in the afternoon
I'd follow after with a hickory br~»om
The pony beinj- rather shy
When bitten by a Blue Tail Fly.
(CHORUS)
One coy he rode around the farm
The flies so numerous they did swam
One chanced to bite hin ^n the thi-h
The devil take the Blue Tail Fly
(CHORUS)
Tht Pony run, he jump, he pitch
He threw my master in the ditch
He died and the jury wondered, why
Verdict was the Blue Tail Fly.
(CHORUS)
They laid him under a 'simroon tree
His epitaph is there to see
Beneath this stone I'm forced to lie
Victim of a Blue Tail Fly.
(CHORUS)
(123) CONY ISLAiID BABY (123)
Goodbye my Coney Islend baby
Farewell my own true love
Ifm gonna sail away and leave you
Never to see you any--
Never gonna see you any--
I'm gonna sail upon a ferry boat
Never to return again
So,, goodbye, farewell, so-long forever
Goodbye my Coney Island,
Goodbye my Coney Island,
Goodbye oy Coney Island Ba.be9
We all fall for
Some girl that dresses neat
Some girl that's got big feet
You meet her on the street
Then x^o'll join the army of married
boobs
To the altar, just like leading lambs to
slaughter
When it's over, oh boy we'll get it good
Bachelor days we'll then recall
Rich man, poor man, beggar r:\an, thief
Doctor, lawyer, merchant, chief
WE all arc bound for--
(REPEAT FIRST PART)
(124) PACK UP YOUR TROUBLES (124)
Pack up your troubles in your old kit bag
And smile, smile, smile
While you've a lucifer to light y)ur fag
Smile boys that^s the style
What's the use of worrying
It never was worth while, so
Pack up your troubles in your old kit ba^g
And smile, smile, smile.
(125) SMILES (125)
There are smiles that make us happy
There are smiles that make us blue
There are smiles that steal away the
tear-drops
As the sunbeams steal away the dew
There are smiles that have a tender
meaning
That the eyes of love alone may see
But the smilos that fill my life with
e1. n shine
Are thv smiles that you give to me,
(126) APPLE BLOSSOM TIME (126)
I'll be with you in apple blossom time
Is11 be with you to change your name to mine
One day in May, I'll come arid say
Happy the bride the sun shines on today
What a wonderful wedding there will be
What a wonderful day for you and me
Church-belIs will chime, you will be mine
In apple blossom time.
(127) AFTER THE BALL (127)
Aftor the ball is over
After the break of morn
After the dancers' leaving
After the stars have pone
Many a heart is achinr
If you coulc read them all
Many the hopes that have vanished
After the bell.
PLEASE CHECK YOUR GUNS AT THE DOOR!!!
(12J) ALICE BLUE GOWN (128)
In her sweet little Alice Blue r-own
When she first wandered down into town
She was both proud and shy
As she felt every eye
And in every shop window she'd primp
passino by
Then in manner of fashion she'd, frown
And the world seem'd to smile all around
Till it wilted she wore it
I'll always adore it
That sweet little Alice Blue Gown.
(129) LITTLE BROWN JUG (129)
My wife and I live all alone
In a little brown hut we call our own
She loves ~in and I love rum
Tell you what it is, don't we have fun.
Ha Ha Ha 'tis you and me
Little brown jug don't I love thee
Ec. Ha Ha 'tis you and me
Little brown jup; don't I love thee.
(130) PEGGY O'NEAL (130)
If her eyes are blue a^s skies
That's Pe^y O'lleil
If she's smiling all the while
That's Eer>cy O'lleil
If she walks like a sly little ro^ue
If she talks with a cute little brogue
Sweet personality
Full of rascality
That's Peoey O'Neil
(131) BILL BAIIEY, WON'T YOU (131)
PLEASE COME HOME?????
Won't you cone home, Bill Bailey
won't you come hone?
She no ens the wtmle day l^ng,
I'll do the cooking darling, I'll
pa}7 the rent;
I know I've done you wrong.
Remember that rainy evoninr I
dr ->vc you cut
With nothing but a fine t.>oth comb?
I know I'm to blame; well, ain't
it r shame?
Bill Bailey, won't you please
come home???
(132) OLD Mid] RIVER (132)
01 man river, dat ol men river
He must know sumpin but don't say
nothin'
Hi just keeps rollin, he keups on
rollin along
He don't plant taters, he don't plant
^tt ai
And den dat plants em is soon forgotten
But oi man river, he just keeps rollin
You and me, we sweat and strain
Body all achin1' and racked wid pain
T.>te dat barge, lift dat bale
Git a little drunk an ya land in jail
Ah gets weary and sick of tryin
Ahm tired of livin and feared of d^in
But ol man river he jest keeps rollin
along.
(133) I DON'T CARE IF THE SUN DON'T SHINE (133
I don't care if the sun don't shine
I ^et my lovin1 in the evenin' tine
When I'm x^ith ray baby
It's no fun with the sun aroun1
But I get po in 'when the suit r>;oes down
And I meet ray baby
That's when we kiss and kiss and kiss
And then we kiss some more
Don't ask how many times we kiss
At a time like this who keeps score
So I don't care if the sun don't shine
I'll ret my lovin' in the evenin* time
When I'm with my baby.
(134) THE MARINES' HYMN (134)
From the Halls of Montezuma--
To the shores of Tripoli,
We fiaht our country's battles--
In the air, en land and sea.--
First to fi^ht for rirht and freedom--
And to ""keep our honor clean;
We are proud to claim the title
X3f United States Marines*
Here's to health to you and to our Corp6"
l/hich we are proud to serve
In many a strife we've fouoht for li£~
And never list 'our nerve
If the Army and the Navy,
Ever look on Heaven's scenes;
They will find the streets are guarded
By the United States Marines.
Don't shoot our piano player---
You might damage the piano#
(135) EWANEE (135)
Swan-ee How I love you - How I love
you, My deer old Swan-ee
I'd give the world to be, among the
folks in D-I-X-I-E-ven know my
Mam-my's - Weiting for me -
praying for me, down by the
Swan-ee
The folks up north will see mo-
no more
WT"-'n I go to the Swan-ee shore
Swan-ee -- Swan-ee I am com-ing
back to Swen-ec
Swan-:-.: - Sw£n--ee 1 love the old
folks at home.
(136) BANKS OF THE WABASH (136)
Oh the moonlight's fair tonight along
the Wabash
From the fields there comes the scent of
new mown hey
In the sycamores the candle lights are
gloaming
On the banks of the Wabash far away.
(137) IDA (137)
Ida sweet as apple cider
Sweeter than all. I know
Cone out in the silvery moonlight
Of love we111 whisper, so soft and low
Seems though can't live without you
Listen, Oh honey do
Ida, I idolize ya
I love you Ida 'deed I do.
(138) MISTER SANDMAN (138)
Mister Sandman- -bring rue a dream,
Make her complexion like peaches and cream
Give her two lips like roses in clover
Then tell me that my lone-some nights are over
Sandman - I'm so alone--
Don't have nobody to call my own--
Please turn on your magic beam,
Mister Sand-Man bring me a dream.
(139) YOU ARE MY SUNSHII-IE (139)
You are my sunshine, ny only sunshine,
You make me happy when skies are grey;
You'll never know dear,
How much I love you,
Please don't take my sunshine away.
The other night dear, as I lay sleeping
I dreamt I held you in ny arms; but when
I awoke, Dear
I was mistaken, and I hung my head and
I cried.
You are my sunshine, ny only sunshine,
You make me happy when skies are grey;
You'll never know dear,
How much I'love you,
Please don't take my sunshine away.
As Your Eyes Get Dim And Bleary---
Your Songs Become A Little Less Cheery.
(140) IF I LCVED YOU (140)
If I loved you
Time and age in* I would try to say
All I'd want you to know
If I loved you
Words wouldn't come in an easy way
Round in circles I'd po
Lonf inp to tell you but afraid and shy
I'd let my polden chances pass me by
S oon you'd 1eave me
Of* you would po in the mist of day
Never, never to kmw
How I loved you
If I loved you.
(141 )lisj THE CHAPEL IN THE MOONLIGHT <141>
How I'd love to hear the orpan--
In the Chapel in the moonlipht
While we're strvllinp down the aisle-
Where roses entwine,
How I'd love to hear you whisper-
In the Chapel in the M von- lipht
That the love-lifht in your eyes
For-ever will shine---
Til the roses--turn to ashes--
Till the or ran turns to rust
If you never cninc I'll still be there
Till the no on- lipht turns toe dust--
How I'd love to hear the choir--
In the Chrpel in the Moonlipht
As they sinr "Oh! Fromise Mcff
Forever be mine.
Some Folks Sinp, Some Folks Yell---
If You're The Latter, Go To Hell!!!
(142) OK, MY DARLING CLEMENTINE (142)
In a cavern, in a canyon
Excavating for a mine,
Dwelt a miner, forty niner
And his daughter Clementine
Refrain:
Oh, my darling, oh my darling,
Oh, my darling Clementine
You are lost and gone forever,
Dreadful sorry, Clementine,
Light she was and like a fairy,
And her shoes were number nine;
Herring boxes, without tops
Sandals were for Clementine,
(REFRAIN)
She was poor but she was honest,
The victim of a rich man's whim,
He seduced her, then forgot her,
And she bore a child by him,
(REFRAIN)
It's the same the whole world overr
It's the po ;r who get the blame
While the rich get all the blessings,
Ain't it all a dirty shame.
(REFRAIN)
Now he sits in the House of Commons,
Making laws for all mankind,
While she roams the streets of London
Selling grapes from off her vine,
(REFRAIN)
(143)PISTOL PACKIN' MAMA (143)
Drinkin' beer in a cabaret
And was I havin1 fun
Until one nipht she caupht me rif-ht
And now Ifm on the run.
Lay that pistol down Babe
Lay that pistol down
Iistol Packin' mama
lay that pistol down!
She kicked out my windshield
She hit me over the head
5,he cusses and cried and said I'd lied
And wished that I was dead,
(,ntTr»nTTn \
Drinkin1 beer in a Cabaret
And dancing with a blonde
Until one nipht she shot out the lir-ht
Ban: ! that blonde was pone
(CHORUS)
I'll see you every ni-ht Babe
I'll woo you every day
I'll bo you're regular daddy
If you'll put that pun away#
(CHORUS)
Now there was old Al Dexter
He always had his fun
But with some lead she shot bin dead
His honkin1 days are done,
(144) SWEETHEART OF SIGMA CHI (144)
The girl of my dreams is the sweetest g^rl
Of all the girls I know
Each sweet coed like a rainbow trail
Fades in the after glow
The blue of her eyes and the gold of
her hair
Are a blend of the western sky
And the moonlight beans
On the girl of my dreams
She's the Sweetheart of Signs. Chi.
(145) LET ME CALL YOU SWEETHEART (145)
Let me call you sweetheart
I'm in love with you
Let ne hear you whisper
That you love ne too
Keep the love light glowing
In your eyes so true
Let me call you sweetheart
I'm in love with you,
(146) OHE DOZEN ROSES (146)
Give me one dozen roses
Put ny heart in beside them
And send them to the one I love,
She111 be glad to receive them
And I know she'll believe them
That's something we've been talking ^f
There nay be orange blossoms later
Kind of think that there will
"Cause she's done something to ne
And my heart won't keep still
Give me one dozen roses
Put my heart in beside them
And send then to the one I love.
Courtesy of
Qmuissioned Officers Mfess (Open)
little Oteek Virginia
and
WF CRC Supply Departnent
(Maxie's Rangers)