View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 08:18:33 -0700
Content-Type:TEXT/PLAIN
Parts/Attachments:

TEXT/PLAIN(58 lines)


  Of course (in line with John Garst's comment on hymns and hymn tunes)
"Amazing Grace" itself has at least one other traditional tune that I
learned from the Folk Legacy LP of traditional singer Horton Barker(?);
besides being a great tune (not associated, to the best of my knowledge,
with any other hymn) it has the great advantage of a repeated chorus: "I
want to live a Christian life, I want to die a shouting, I want to feel
my Savior near, when soul and body's parting."  In fact, you begin with
the chorus, which one might choose to see as a different hymn, to which
"Amazing Grace" was grafted on (except that any such "grafting" occurred
well before the "Amazing Grace" became popular). I wonder if Jean Ritchie
can help us out here...
  And withoug going into all the Corpus Christi stuff, does anyone know
the history of "The Two Ravens" as sung to the tune of "Ye Banks and
Braes"?  It seems to be an expanded version -- of necessity, to fit an
extended melody line -- of the Scottish "Twa Corbies," which in turn is
sung to what I am told is an old Breton melody.  I love them both, and
they've obviously very close.  Any thoughts? On Sat, 13 Aug 2005, Fred McCormick wrote:>
> You can say that again. Someone else might have a more precise figure, but
> as far as I recall, While Shepherds is sung in West Yorkshire alone to around
> 25  different tunes. One of them is reputed to be Ghost Riders in the Sky.
>
> The first time I went carolling in that part of the world (For anyone who
> doesn't know, the region to the west of Sheffield is home to a still thriving
> tradition of local carols. They are normally sung in local pubs in the six week
>  run up to Christmas.), I heard While Shepherds sung three times to three
> different tunes. I asked one of the locals how many tunes they'd got for that
> carol. He replied eleven. When I went back the following year, probably  1972,
> he told me that they'd now got twelve. I asked what the twelfth was. He
> replied, "Amazing Grace".
>
> Of course Judy Collins had a big hit with AG that year, and in Britain, its
> success was repeated by a pipe band instrumental version. Obviously,  someone
> had realised that the metre of AG fits the words of WS and it has been  staple
> part of that particular tradition ever since.
>
> Cheers,
>
> Fred McCormick. (Thinks. Only three and a bit months to go.)
>
>
> In a message dated 13/08/2005 13:32:36 GMT Standard Time,
> [unmask] writes:
>
> The novel _Winged Victory_ (1934), by V. M. Yeates, refers to a version  of
> "Our Goodman" being sung by British pilots to the tune of "While Shepherds
> Watched Their Flocks." The words seem to fit with difficulty.  Is  the carol
> actually sung to more than one tune ?
>
> JL
>
>
>
>
>

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Red River Valley again
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 11:21:26 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(24 lines)


>This may have been mentioned before, but if so I missed it: Tinsley,
>"He Was Singing This Song" (University of Central Florida 1981) has a
>two page history of Red River Valley (pp.210-211, with footnotes at
>p.242). He makes a strong case for the Canadian origin and has evidence
>that traces it back to at least the 1860's, and he discusses a bit about
>its transformation to a cowboy song. If this hasn't been previously
>mentioned, I can supply more info.
>
>Lew BeckerI went to the library and took a quick look at this book.  The notes 
are a good summary of Fowke's work.  I didn't see anything original 
there.The 1860s dates are unreliable and, I suspect, wrong.  I've come to 
believe that the desire to believe that songs are older than they 
actually are must be genetic.John-- 
john garst    [unmask]

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: Andy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 10:26:59 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


on 8/13/05 8:45 AM, Fred McCormick at [unmask] wrote:> However, Husock repeats David Dunway's statement that, on being arraigned
> before the HUAC, Seeger pleaded the first amendment to the constitution,
> rather than the fifth. As neither author makes the difference clear, I'd be
> glad if anyone on this board could enlighten me.Fred,The first ten amendments to the Constitution are known as the Bill of
Rights. They are being skinnied up by this administration, but they are not
yet all gone away. The first amendmentrefers to freedom of speech, which the
Republicans insist, includes how much money you are allowed to spend for
political attack ads, political speech also being protected. The fifth
amendment is the right against self incrimination, or being forced to answer
a question that would incriminate oneself. The litany that you hear in old
movies, "I refuse on the advice of counsel to answer that question on the
grounds that it may tend to incriminate me" is how many people addressed the
question "Are you now or have you ever been a member of the Communist Party"
during the HUAC days.Andy Cohen

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: Andy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 10:34:40 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(15 lines)


on 8/13/05 10:18 AM, Jean Lepley at [unmask] wrote:> "Amazing Grace" itself has at least one other traditional tune that I
> learned from the Folk Legacy LP of traditional singer Horton Barker(?);
> besides being a great tune (not associated, to the best of my knowledge,
> with any other hymn) it has the great advantage of a repeated chorus: "I
> want to live a Christian life, I want to die a shouting, I want to feel
> my Savior near, when soul and body's parting."I don't know about that one, but my old friend Jim Brewer, Maxwell Street's
best sight-challenged blues singer, used to sing Amazing Grace to the tune
of Floyd Kramer's 'Last Date'.  He said he learned it that way from his wife
Fanny's people down in West Virginia.Andy Cohen

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 11:53:34 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(54 lines) , text/html(62 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: Tom Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 11:55:45 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(57 lines) , text/html(62 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: CAMSCO
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 12:42:24 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(8 lines)


I'm sorry to say that deliveries on stuff people have ordered (including 
Rouse's book) won't be filled until early September. The reason (I'm 
happy to say) is that I'm leaving for England on the 15th, for Whiby 
Week and some visiting.Sorry for any inconvenience.dick greenhaus

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 13:23:06 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(9 lines)


>   Of course (in line with John Garst's comment on hymns and hymn tunes)
>"Amazing Grace" itself has at least one other traditional tuneIndeed, one other tune was so consistently associated with "Amazing 
grace!" that G. P. Jackson considered it to be the "old" tune for 
that hymn.  The "new" tune was first published with that text in 
1835, as I recall.John

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 10:29:54 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(15 lines)


--- Jean Lepley <[unmask]> wrote:>   Of course (in line with John Garst's comment on
> hymns and hymn tunes)
> "Amazing Grace" itself has at least one other
> traditional tune that I
> learned from the Folk Legacy LP of traditional
> singer Horton Barker(?);Unfortunately, my field recording of Horton Barker was
given to Folkways a few months before I started
Folk-Legacy (1961). If I owned the rights to it, it
would be on CD and readily available. Mr. Barker was a
real gem!
     Sandy

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: While Shepherds Watched
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 13:41:55 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(30 lines) , text/html(37 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 13:48:46 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(11 lines) , text/html(19 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 11:34:17 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(17 lines)


--- Fred McCormick <[unmask]> wrote:> My thanks to everyone who replied to my query about
> Pete and the American  
> constitution. Of course, in Britain, we do things so
> much better :-). Here we  
> have a constitutional monarchy, a constitutional
> House of Commons, a  
> constitutional House of Lords, and no constitution.
> And  our treason legislation goes 
> all the way back to 1351.
>  
> Cheers,
>  
> Fred McCormick. (Thinks. Go easy with that axe 
> lads.)
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 11:35:58 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


Sorry, folks. Clumsy of me. Hit the wrong button.--- Sandy Paton <[unmask]> wrote:> --- Fred McCormick <[unmask]> wrote:
> 
> > My thanks to everyone who replied to my query
> about
> > Pete and the American  
> > constitution. Of course, in Britain, we do things
> so
> > much better :-). Here we  
> > have a constitutional monarchy, a constitutional
> > House of Commons, a  
> > constitutional House of Lords, and no
> constitution.
> > And  our treason legislation goes 
> > all the way back to 1351.
> >  
> > Cheers,
> >  
> > Fred McCormick. (Thinks. Go easy with that axe 
> > lads.)
> > 
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Amazing Grace versions
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 17:03:37 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(27 lines) , text/html(38 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 16:15:42 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(19 lines)


Fred McCormick wrote:
> My thanks to everyone who replied to my query about Pete and the American  
> constitution. Of course, in Britain, we do things so much better :-). Here we  
> have a constitutional monarchy, a constitutional House of Commons, a  
> constitutional House of Lords, and no constitution. And  our treason legislation goes 
> all the way back to 1351.Britain _did_ have a written constitution, once.  But Cromwell found the 
Instrument of Government inconvenient.-- 
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Clutterers Anonymous unofficial community 
http://www.livejournal.com/community/clutterers_anon/
Decluttering http://decluttering.blogspot.com
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/13/05 (Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Aug 2005 18:46:17 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(65 lines)


Hi!	I think that many of the sellers are on vacation. The list is
short this week. 	MISCELLANEOUS	4756994888 - SONGS OF AN IRISH TINKER LADY by Barry, LP, 1955, 
$6.99 (ends Aug-17-05 18:14:00 PDT)	SONGS & BALLADS	7342029653 - The Lonely Mountaineer's Album Of Mountain Ballads And 
Cowboy Songs, 1930s, $9.99 (ends Aug-14-05 14:00:32 PDT)	7342047058 - Salty Sea Songs and Chanteys, 1943, $9.99 (ends 
Aug-14-05 15:31:57 PDT)	7342071972 - lot of 8 miscellaneous song books, $10.49 (ends 
Aug-14-05 17:42:01 PDT)	4568334587 & 4568333918 - Jane Hicks Gentry by Smith, 1998, $9.99
(ends Aug-14-05 19:05:35 PDT)	6552012176 - ENGLISH AND SCOTTISH BALLADS by Child, volume 7, 
1859, $14.99 (ends Aug-14-05 19:35:51 PDT)	6552251653 - Seventeenth Century Songs and Lyrics by Cutts, 1959, 
$14.99 (ends Aug-15-05 18:02:00 PDT)	4567638394 - Ballads and Sea Songs of Newfoundland, 1968 reprint, 
$30 (ends Aug-16-05 04:29:35 PDT)	5229296041 - Where is Saint George? Pagan Imagery In English 
Folksong by Stewart, 1977, 3.50 GBP (ends Aug-17-05 14:31:03 PDT)	4563344335 - Rise of the English Street Ballad 1550-1650 by 
Wurzbach, 1990, $168 (ends Aug-18-05 08:12:49 PDT)	7342199335 - A SELECTION OF COLLECTED FOLK SONGS by Sharp & 
Williams, volume 1, 1.50 GBP (ends Aug-18-05 09:27:43 PDT)	6552849191 - Songs of the Smokies by Graber, 1945, $19.99 (ends 
Aug-18-05 10:36:26 PDT)	 4568461790 - COWBOY JAMBOREE: WESTERN SONGS & LORE by Felton, 
1951, $9.99 (ends Aug-19-05 12:25:07 PDT)	8326033722 - The Overlander Songbook by Edwards, 1986 printing, 
9.99 GBP (ends Aug-21-05 13:04:57 PDT)	8326269762 - Fflat Huw Puw a cherddi erail by Davies, 1992, 4.99 
GBP (ends Aug-19-05 13:56:48 PDT)	8326019540 - Chapbooks of the Eighteenth Century by Ashton, 1990
reprint, 6 GBP (ends Aug-21-05 12:18:54 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Amazing Grace versions
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 14 Aug 2005 10:48:58 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(16 lines) , text/html(17 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Amazing Grace versions
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 14 Aug 2005 13:38:21 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(20 lines)


>I believe my second* husband was responsible for introducing the 
>standard Amazing Grace tune to a Scottish pipe band - he went out 
>with a pipe-major's daughter at one point.Glad to hear this.  Several people have told me, essentially, that I 
was an idiot for not accepting the notion that pipers have played 
this tune for centuries.John>Whether this is a Good Thing or a Bad Thing depends on your 
>tolerance for bagpipes.
>
>Heather
>
>
>* "how many husbands have you had?"
>     "two of my own."
>
>H

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 01:28:50 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(49 lines)


Hi folks:I think there needs to be a little clarification on Pete's First Amendment
defense. The House Coummittee on Un-American Activities (HUAC) was
conducting an inquiry on "Communism in the entertainment industry" and
subpoenaed Pete and fellow-member of the Weavers Lee Hays, both of whom had
been members of the Communist Party USA in years past. Pete had left the
party a few years earlier; I don't know when Lee left.The Committee's questions mostly bore on a single pair of issues: for what
groups, Communist-linked or otherwise, had Pete performed, and what people
had he known who were Communists. In other words, he was being asked to
"name names" to add further cannon fodder for the ongoing witch-hunt. He
told his lawyer that he was willing to admit his former membership in the
party -- he wasn't ashamed of it -- but he was unwilling to discuss other
people, or groups who had hired him. His grounds under the First Amendment
were subtle, because the amendment guarantees freedom of speech, freedom of
the press, freedom of religion (and freedom from a state-established
religion), and the freedom to assemble and petition for redress of
grievances. It does not specifically guarantee freedom of association or a
right of privacy, but those were central to Pete's position. He believed
(still believes) that he has the right to sing for whomever he chooses, and
that no govenmental agency has the legitimate power to demand that he say
for whom he has sung. Nor Pete asserted, do they have the legitimate power
to inquire into the political associations of anyone.As I said, freedom of association and a right of privacy are not explicitly
guaranteed, but the theory behind's Pete's beliefs was that they were
implicit in the explicitly declared rights, particularly those of speech and
petition.. As the Supreme Court put it in a much later, unrelated case, the
rights guaranteed under the First Amendment possess "penumbras", rights
which are implied by the Amendment without being explicitly stated. As usual
Pete was ahead of his time. (The case in which the idea was explicitly
stated by the Supreme Court was Griswold vs. Connecticut, in which the court
found that a state law against contraceptives violated a right of privacy
that existed as a penumbra to the First Amendment. Griswold, in turn, was
the major precedent cited in Roe vs. Wade, which found the laws then
regulating abortions in America unconstitutional.)Having refused to answer the committee's questions about his associations
without invoking the Fifth Amendment, which protects against
self-incrimination, Pete was cited for contempt of Congress, tried,
convicted, and sentenced to a year in prison. He got out on bail pending
appeal (after spending an afternoon in jail, during which he learned a
folksong from one of his fellow inmates); the conviction and sentence were
eventually voided on technical grounds.Peace,
Paul

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Amazing Grace versions
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 14 Aug 2005 21:01:38 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


John Garst wrote:> ...Several people have told me, essentially, that I was an idiot for
> not accepting the notion that pipers have played this tune for
> centuries.It just seems like it.-- 
Nigel Gatherer, Crieff, Scotland
mailto:[unmask]

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pete Seeger, The World's Most Incredible Communist
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 07:50:32 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(52 lines)


One possible clarification about the issue concerning "naming names" before the HUAC or other govenment committees (state or federal) investigating "communism" in decades past. None of the names ever mentioned in all of the committees' hearings were new to the committees, since the FBI had infiltrated the CP for many decades and had membership lists, informers' testimony, and much else. So, when Paul notes that Pete's naming names would "add further cannon fodder for the ongoing witch-hunt" this is somewhat misleading. "Naming names" was designed NOT to get new names, but only to make those testifying grovel, abase themselves, rat on their old friends, that sort of thing. It was a ritual device to demonstrate power, and it certainly often served its purpose, but not with Pete or others who chose to challenge the witch hunt. They knew the ritual and refused to cooperate in order not only to protect old friends but, perhaps more importantly, to preserve their own integrity. Read Victor Navasky's NAMING NAMES or other studies to understand these issues. Ronald CohenHi folks:I think there needs to be a little clarification on Pete's First Amendment
defense. The House Coummittee on Un-American Activities (HUAC) was
conducting an inquiry on "Communism in the entertainment industry" and
subpoenaed Pete and fellow-member of the Weavers Lee Hays, both of whom had
been members of the Communist Party USA in years past. Pete had left the
party a few years earlier; I don't know when Lee left.The Committee's questions mostly bore on a single pair of issues: for what
groups, Communist-linked or otherwise, had Pete performed, and what people
had he known who were Communists. In other words, he was being asked to
"name names" to add further cannon fodder for the ongoing witch-hunt. He
told his lawyer that he was willing to admit his former membership in the
party -- he wasn't ashamed of it -- but he was unwilling to discuss other
people, or groups who had hired him. His grounds under the First Amendment
were subtle, because the amendment guarantees freedom of speech, freedom of
the press, freedom of religion (and freedom from a state-established
religion), and the freedom to assemble and petition for redress of
grievances. It does not specifically guarantee freedom of association or a
right of privacy, but those were central to Pete's position. He believed
(still believes) that he has the right to sing for whomever he chooses, and
that no govenmental agency has the legitimate power to demand that he say
for whom he has sung. Nor Pete asserted, do they have the legitimate power
to inquire into the political associations of anyone.As I said, freedom of association and a right of privacy are not explicitly
guaranteed, but the theory behind's Pete's beliefs was that they were
implicit in the explicitly declared rights, particularly those of speech and
petition.. As the Supreme Court put it in a much later, unrelated case, the
rights guaranteed under the First Amendment possess "penumbras", rights
which are implied by the Amendment without being explicitly stated. As usual
Pete was ahead of his time. (The case in which the idea was explicitly
stated by the Supreme Court was Griswold vs. Connecticut, in which the court
found that a state law against contraceptives violated a right of privacy
that existed as a penumbra to the First Amendment. Griswold, in turn, was
the major precedent cited in Roe vs. Wade, which found the laws then
regulating abortions in America unconstitutional.)Having refused to answer the committee's questions about his associations
without invoking the Fifth Amendment, which protects against
self-incrimination, Pete was cited for contempt of Congress, tried,
convicted, and sentenced to a year in prison. He got out on bail pending
appeal (after spending an afternoon in jail, during which he learned a
folksong from one of his fellow inmates); the conviction and sentence were
eventually voided on technical grounds.Peace,
Paul

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 17:32:15 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(162 lines)


Some time in the middle of next year Ted Anthony's book on HORS will 
be published.  Till then, I've got some questions.ROUNDER'S LUCK
Callahan Brothers
(recorded in 1934, I think - JG)
(transcribed by "Arkie"
http://www.mudcat.org/thread.cfm?threadid=8592 )The only thing that a rounder wants
Is a suitcase and a trunk.
And the only time he's satisfied
Is when he is on a drunk.He'll (loft) those glasses to the brim
Let the drinks go merrily round
We'll drink to the health of the rounder poor boy
Who hobos from town to town.My Mother she's a seamstress.
She cuts and sews them jeans.
My Daddy he's a gambling man.
He gambles in New Orleans.Oh Mama, mama how could you go
And treat that rounder so cold.
(For he's a rounder for all his strife)
And to wear your crown of gold.Theres a place down in New Orleans
That's called the Rising Sun.
Where many poor boy (to judgment have gone)
And me oh lord for one.O tell my youngest brother
Not to do what I have done
And to shun that place down in New Orleans
That's called the Rising Sun.I'm going back to New Orleans
My race is almost run.
Gonna spend the rest of my weekly pay
Beneath that Rising Sun.RISING SUN BLUES
("Tom" Ashley, 1960s)
(also recorded in 1934)
(transcribed by "Stewie", Mudcat link above)There is a house in New Orleans
They call the Rising Sun
Where many a poor boy to destruction has gone
And me, Oh God, I'm oneJust fill the glass up to the brim
Let the drinks go merrily round
We'll drink to the life of a rounder, poor boy
Who goes from town to townAll in this world does a rounder want
Is a suitcase and a trunk
The only time he's satisfied
Is when he's on the drunkNow, boys, don't you believe what a girl tells you
Let her eyes be blue or brown
Unless she's on some scaffold high
Saying, 'Boy's I can't come down'I'm going back - back to New Orleans
For my race is almost run
Gonna spend the rest of my wicked life
Beneath the Rising SunBoth of these are "boy" versions of the song.  To me, the evidence 
suggests that "boy" versions are older and more widespread than 
"girl" versions that are popular nowadays.  (This is not to deny that 
there are some older "girl" versions.)  In this post, I'm sticking to 
"boy" versions.I am struck by the dichotomy of the themes of the verses above.  Over 
half of the verses are about the hard times of a "rounder," with 
little or no link to the house of the rising sun, and one is about 
the no-goodness of women.  Among the "rising sun" verses, there is 
precious little detail, not even enough to establish for sure that 
the house of the rising sun is a bordello rather than, as Dave van 
Ronk suggested, a prison.The prison idea is forcibly dispelled by some verses in 
Randolph/Legman's publication of "unprintable Ozark folksongs."Beware the red light out in front
An' the pictures on the wall,
An' yellow gals dressed in purple shoes
Without no clothes at all.Shun the red light an' flowin' bowl,
Beware of too much drink,
Them whores will take an' lead you on
To hell's eternal brink.---There is a house in New Orleans,
They call it the Rising Sun,
An' when you want your pecker spoilt
That's where you get it done.They drink all day an' fuck all night
Until your money's gone;
They kick you ass out in the street
When the second shift comes on.That's much better, IMHO.  Using these verses we could put together 
quite a respectable song without using any of the "rounder" verses, 
and I imagine the possibility that that's how HORS started out in 
life, as both a celebration of and complaint about a bordello, 
perhaps a particular one.My candidate, as I've noted before, is Lulu White's place at 235 N. 
Basin Street, Mahogany Hall, or Hall of Mirrors, which has a rising 
sun pattern in the glass transom over the front door (illustrated in 
Al Rose's Storyville, New Orleans).  I think the song is likely to 
celebrate a famous place, and Lulu's certainly fits.We might not have to settle for that, however.  The first of the 
Randolph/Legman verses quoted above gives some particulars about the 
house.  Did Lulu White's place literally have a "red light out in 
front"?  (I don't know.)  Which New Orleans bordello, if any, 
featured "yellow gals dressed in purple shoes without no clothes at 
all"?  (I don't know, but perhaps some Storyville expert might!  Lulu 
White did feature "octoroons.")Another question:  Does Randolph/Legman contain the only sexually 
explicit verses of this song ever collected?  If not, where are 
others found, and what are they?And another:  What does it mean to have "your pecker spoilt"?  I 
think of three possibilities, (1) that "spoilt" refers to 
detumescence of the phallus following ejaculation, (2) that it refers 
to getting a disease, and (3) that it has a meaning like that in "to 
spoil a child," i.e., to cater to its every whim.  I think I lean 
toward the third meaning.Finally, I find the song one might put together using only the 
bordello verses above very satisfying, more than the usual bawdy 
song.  I suspect that the description of the operations of the New 
Orleans parlor houses given in the Randolph/Legman verses is 
essentially correct.  This stands in welcome contrast to the typical 
bawdy song full of exaggeration, impossibility, and rawness for its 
own sake.John-- 
john garst    [unmask]

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 16:42:50 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(46 lines)


> Another question:  Does Randolph/Legman contain the only sexually
> explicit verses of this song ever collected?  If not, where are others
> found, and what are they?From the Max Hunter Collection:         THE RISING SUN  Th whore house bells are ringing
  An' a man stood in th door
  All day long with a big hard on
  Tryin' to fuck a whore
  She had a dark an' rolling eye
  She belonged to th rougish crew  Well, I rustled her, I tustled her
  Till I got her hearts content
  I slipped five dollars in her hand
  An' off t' bed we went
  She had a dark an' rolling eye
  She belonged to th rougish crew  Well, I teased her, I tumbled her
  Till I got my hearts desire
  In about ten days, after that
  My ass was set on fire
  She had a dark an rolling eye
  She belonged to th rougish crew  Well, now, when you go down to New Orleans
  Just stop at the Rising Sun
  There'll you'll see three pretty French whores
  An' that damn bitch is one
  She had a dark an' rolling eye
  She belonged to th rougish crewCat. #0504 (MFH #547) - As sung by Mr. Joe Walker, Berryville, Arkansas on 
February 9, 1960.

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 16:22:17 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(57 lines) , text/html(6 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 18:43:34 -0500
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(15 lines) , text/html(38 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 20:16:12 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(21 lines)


----- Original Message ----- 
From: "John Garst" <[unmask]><<Some time in the middle of next year Ted Anthony's book on HORS will 
be published.  Till then, I've got some questions.ROUNDER'S LUCK
Callahan Brothers
(recorded in 1934, I think - JG)>>It's really a Homer Callahan solo, recorded 4/11/1935, issued Feb., 1936.<<RISING SUN BLUES
("Tom" Ashley, 1960s)
(also recorded in 1934)>>Actually 9/6/1933, probably released later that year.Peace,
Paul

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Aug 2005 20:21:16 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(46 lines)


----- Original Message ----- 
From: "John Mehlberg" <[unmask]>> Another question:  Does Randolph/Legman contain the only sexually
> explicit verses of this song ever collected?  If not, where are others
> found, and what are they?<<From the Max Hunter Collection:         THE RISING SUN  Th whore house bells are ringing
  An' a man stood in th door
  All day long with a big hard on
  Tryin' to fuck a whore
  She had a dark an' rolling eye
  She belonged to th rougish crew  Well, I rustled her, I tustled her
  Till I got her hearts content
  I slipped five dollars in her hand
  An' off t' bed we went
  She had a dark an' rolling eye
  She belonged to th rougish crew  Well, I teased her, I tumbled her
  Till I got my hearts desire
  In about ten days, after that
  My ass was set on fire
  She had a dark an rolling eye
  She belonged to th rougish crew  Well, now, when you go down to New Orleans
  Just stop at the Rising Sun
  There'll you'll see three pretty French whores
  An' that damn bitch is one
  She had a dark an' rolling eye
  She belonged to th rougish crew>>I wouldn't class that as a version of "House of the Rising Sun", although it
may have been written about the same establishment. And despite the
beginning, it doesn't sound like "The Whorehouse Bells Were Ringing",
either.Peace,
Paul

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/17/05 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 17 Aug 2005 18:29:25 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(71 lines)


Hi!	Gosh - It's quiet around here. Where did everyone go? For anyone
reading this, here is the first of the weekly lists.	JOURNALS	6552929072 - Green Mountain Whittlin's, 1977-78, $3.99 (ends 
 Aug-18-05 16:10:06 PDT)	6200599179 - Ozark Folklore, 1951, $9.99 (ends Aug-18-05 19:38:12 
PDT)	8326445794 - Journal of the English Dance and Song Society, 1934, 
8 GBP (ends Aug-20-05 11:41:01 PDT)	6973213755 - Journal of American Folklore, 6 issues, 1991-92, $5 
(ends Aug-23-05 18:40:00 PDT)	BOOKS 	4568216413 - Folk Housing in Middle Virginia: A Structural Analysis
by Glassie, 1996 printing, $18.99 (ends Aug-18-05 08:52:05 PDT)	4568612639 - Gib Morgan by Boatright, 1965, $4.50 (ends Aug-18-05 
10:18:24 PDT)	7343169260 - LORE OF THE BIBLE by Gaer, 2 volumes, 1951, $12.50 
(ends Aug-19-05 18:40:51 PDT)	6553274223 - The Folklore of Maine by Beck, 1957, $2.99 (ends 
Aug-20-05 10:23:44 PDT)	6553279003 - Witch Stories of New Mexico by Delgado, 1994, $7.50 
(ends Aug-20-05 10:48:18 PDT)	4568724502 - Jelly-Roll...A Black Neighborhood in a Southern Mill 
Town by Thomas, 1986, $18.96 (ends Aug-21-05 04:21:48 PDT)	8326672189 - All Silver and No Brass An Irish Christmas Mumming by 
Glassie, 1983, 15 EUR (ends Aug-21-05 11:17:36 PDT)	8326825067 - American Negro Folktales by Dorson, 1968, $0.99 (ends 
Aug-21-05 22:47:35 PDT)	6972620622 - Country Moods and Tenses by Olivier, 1942 reprint, 
2.50 GBP (ends Aug-22-05 09:28:06 PDT)	6973109942 - THE FOLKLORE OF AMERICAN HOLIDAYS by Cohen & Coffin,
1998, $9.99 (ends Aug-22-05 20:11:11 PDT)	4569255343 - History of the Texas Folklore Society by Abernathy, 
volumes 2 & 3, 2000, $22.99 (ends Aug-23-05 12:46:09 PDT)	8327252493 - Ned Kelly by Meredith & Scott, 1980, $10 AU (ends 
Aug-23-05 16:42:10 PDT)	8326786966 - The Study of Folklore by Dundes, 1965, $4.50 (ends 
Aug-24-05 18:46:32 PDT)	5231135792 - DICTIONARY OF OMENS AND SUPERSTITIONS by Waring, 
0.20 GBP (ends Aug-25-05 13:38:54 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/18/05 (Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 18 Aug 2005 22:54:34 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(89 lines)


Hi!	OK - This is it for this week. No songsters at the moment. :-(	MISCELLANEOUS	4757997059 - Shipshape & Bristol by Ilott, LP, 1973, 0.99 GBP 
(ends Aug-21-05 07:44:49 PDT)	4758570648 - THE WRECK OF THE SHENANDOAH AND THE LETTER EDGED IN 
BLACK by Dalhart, 78 RPM, $8.88 (ends Aug-22-05 18:31:28 PDT)	6424230026 - Ballad Of A Mountain Man, VHS, $1.99 (ends Aug-21-05 
18:37:39 PDT)	SONGS & BALLADS	6553464027 - DISCOVERING ENGLISH FOLKSONG by Pollard, 1982, $9.99 
(ends Aug-19-05 09:02:06 PDT)	8326407426 - Rowdy Rhymes & Bibulous Ballads gathered from many gay 
minstrels by Martin, 1952, $3 (ends Aug-20-05 08:38:49 PDT)	6553313641 - Songs of the Sea and Sailors' Chanteys by Frothingham,
 1924, $18 (ends Aug-20-05 13:42:41 PDT)	6553348617 - A BOOK of BRITISH BALLADS by Brimley Johnson, 1931, 
$0.99 (ends Aug-20-05 17:45:56 PDT)	7344481723 - GARNERS GAY by Hammer, 1967, 1 GBP (ends Aug-21-05 
14:48:04 PDT) 	6972935089 - A BOOK OF NURSERY RHYMES by Swabey, 1928, 0.99 GBP 
(ends Aug-21-05 15:05:36 PDT)	7343567897 - ELMORE VINCENT's LUMBER JACK SONGS, 1932, $5.45 (ends 
Aug-21-05 15:24:41 PDT)	4568227860 - Singing Family of the Cumberlands by Ritchie, 1988 
edition, $19.99 (ends Aug-21-05 16:00:00 PDT)	6199255504 - BALLADS OF BY-GONE DAYS Vol. 2, 1931, $5 (ends 
Aug-21-05 19:45:00 PDT)	6554095413 - The Original Mother Goose's Melody, 1892 reprint, 
$3.99 w/reserve (ends Aug-21-05 20:10:17 PDT)	6553722667 - THE BALLAD OF THE WIND, THE DEVIL AND LINCOLN MINSTER
by Frost, 1898, $3.99 (ends Aug-22-05 08:55:52 PDT)	6553785761 - SONGS of BRITAIN by Kidson & Shaw, 1913, $24.99 (ends 
Aug-22-05 17:49:04 PDT)	4758761820 - Eight Traditional British-American Ballads by 
Flanders, 1953, $4.99 (ends Aug-23-05 11:18:44 PDT)	4569274976 - Taboo Tunes: A History of Banned Bands and Censored 
Songs by Blecha, $12.50 (ends Aug-23-05 14:42:18 PDT)	6553870965 - SONGS OF THE SOLDIERS by Moore, 1864, $25.25 (ends 
Aug-23-05 15:26:18 PDT)	6554300973 - English Folk Song and Dance by Kidson & Neal, 1915, 
$5 (ends Aug-24-05 13:33:57 PDT)	7344323808 - Songs of the Hebrides by Kennedy-Fraser & MacLeod, 
Volume 2, 1917, $45 (ends Aug-24-05 23:04:08 PDT)	8327605810 - Folk Revival by Woods, 1979, 1.25 GBP (ends 
Aug-25-05 06:38:40 PDT)	7344373586 - The Scottish Folksinger by Buchan & Hall, 1978, 1.25
GBP (ends Aug-25-05 06:50:05 PDT)	8327466106 - THE BALLAD AND THE FOLK by Buchan, 1997 edition, 0.99 
GBP (ends Aug-27-05 13:44:49 PDT)	8327627828 - Discovering English Folksong by Pollard, 1982, 1.99 
GBP (ends Aug-28-05 08:37:40 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Stage singers' alterations
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 10:29:38 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(69 lines)


On Wed, 10 Aug 2005 15:54:00 -0700, Jonathan Lighter wrote:>I always thought this was the James Stevens (1892-1971) who wrote the very successful kid's book _Paul Bunyan_(1925) and a few other books about the logging industry. He also wrote a pretty good World War I novel entitled _Mattock_ (1926).
> 
>But if the name is spelled "Stephens," it's a different guy.Just returned from Raleigh & getting caught up...I spent some time looking the guy up.  He was a favorite local newswriter in
Seattle.  Writer of many Paul Bunyan stories and he's generally credited
with "Frozen Logger" though I don't have specific earliest copyright info.James Stevens was born in Albia, Iowa, 15 Nov 1892 [SS #535-05-0909 from
Social Security Death Index -http://www.ancestry.com] and died in Seattle on
12/30/1971 [according to the the Seattle Times of 12/31/1971.][Info thanx Stephen Kiesow, librarian, Seattle Public Library & Don Firth
[unmask]] The ASCAP site gives:1.  FROZEN LOGGER THE      (Title Code: 060013312)  
  Writers:
   FASCINATO JACK 
   TAYLOR CATHERINE   Performers:
(none found)     !!!!  Variations:
  (none found)  Publishers/Administrators:
  GLENWOOD MUSIC CORPORATION 
    % EMI MUSIC PUBLISHING INC 
    ATTN: JENNIFER INSOGNA 
    810 SEVENTH AVENUE 
    NEW YORK , NY, 10019That "Writers: FASCINATO JACK"  needn't be considered too much, I think.  He
is also credited with the 23rd Psalm, ADESTE FIDELIS, etc. BMI gives:Songwriter/Composer Current Affiliation CAE/IPI # 
STEVENS JAMES NA 0 
Publishers 
FOLKWAYS MUSIC PUBLISHERS INC BMI 10456722 but continues with three othere writers as well.
====
As noted by TradManFL, there's been a consistant change in the first verse.
I am amused that the generally sung first verse is:	As I sat down one evening inside of a small cafe, 
	A forty year-old waitress to me these words did say: However, as revival singers, especially female ones, aged close to and past
that "ridiculously elderly" figure, many seemed to discover and change to
the originally published line:	As I sat down one evening within a small cafe,
	A 6-foot-seven waitress to me these words did say: -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
	          I am Abby Sale - in Orlando, Florida
	                Boycott South Carolina!
	     http://www.naacp.org/news/2001/2001-01-12.html

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 15:33:16 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


I haven't yet listened to this, but from the text it seems pretty clear to
me that this is not the "same" song as "House of the Rising Sun.">> Another question:  Does Randolph/Legman contain the only sexually
>> explicit verses of this song ever collected?  If not, where are others
>> found, and what are they?
>
> From the Max Hunter Collection:
>
>          THE RISING SUN
>
>   Th whore house bells are ringing
> ....

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 15:08:07 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(19 lines)


>I haven't yet listened to this, but from the text it seems pretty clear to
> me that this is not the "same" song as "House of the Rising Sun."Yes, this "The Rising Sun" song is not the "same" song but the evidence is
so spotty for bawdy songs that I wanted to point it out as it might be 
"related".>
>>> Another question:  Does Randolph/Legman contain the only sexually
>>> explicit verses of this song ever collected?  If not, where are others
>>> found, and what are they?
>>
>> From the Max Hunter Collection:
>>
>>          THE RISING SUN
>>
>>   Th whore house bells are ringing
>> ....

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 14:48:45 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(29 lines) , text/html(6 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 17:57:58 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(37 lines)


Curious.  The song was widely enough known to be recorded commercially and
to be collected a number of times, yet not widely enough known to be
obtained in raw form by more than one collector.  Strange!  What is the
explanation?J> So far as I know Randolph is the only collector to report bawdy verses in
> what is clearlythe undiluted "The House of the Rising Sun."
>
> JL
>
> John Mehlberg <[unmask]> wrote:
>>I haven't yet listened to this, but from the text it seems pretty clear
>> to
>> me that this is not the "same" song as "House of the Rising Sun."
>
> Yes, this "The Rising Sun" song is not the "same" song but the evidence is
> so spotty for bawdy songs that I wanted to point it out as it might be
> "related".
>
>
>>
>>>> Another question: Does Randolph/Legman contain the only sexually
>>>> explicit verses of this song ever collected? If not, where are others
>>>> found, and what are they?
>>>
>>> From the Max Hunter Collection:
>>>
>>> THE RISING SUN
>>>
>>> Th whore house bells are ringing
>>> ....
>
>
> ---------------------------------
>  Start your day with Yahoo! - make it your home page

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 15:32:13 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(60 lines) , text/html(18 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 16:46:59 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(76 lines)


Gentlemen:Let me add that I have two collections of some size gathered in the 1920s, as well as copies of the Gordon collections at  the Library of Congress and University of Oregon.  There is no trace of  "House of the Rising Sun" in these.Ed----- Original Message -----
From: Jonathan Lighter <[unmask]>
Date: Saturday, August 20, 2005 3:32 pm
Subject: Re: House of the Rising Sun (long)> Actually, we've no way of knowing how many bawdy versions were in 
> circulation, since Randolph was one of the few collectors to 
> 
> a)  accept and record bawdy folk material, 
> 
> b) put the material into shape for publication, and
> 
> c) be lucky enough to find a competent editor, who
> 
> d) worked for years doing background on the material, and who
> 
> e) was able to find a publisher.
> 
> 
> JL
> 
> 
> [unmask] wrote:
> Curious. The song was widely enough known to be recorded 
> commercially and
> to be collected a number of times, yet not widely enough known to be
> obtained in raw form by more than one collector. Strange! What is the
> explanation?
> 
> J
> 
> > So far as I know Randolph is the only collector to report bawdy 
> verses in
> > what is clearlythe undiluted "The House of the Rising Sun."
> >
> > JL
> >
> > John Mehlberg wrote:
> >>I haven't yet listened to this, but from the text it seems pretty 
> clear>> to
> >> me that this is not the "same" song as "House of the Rising Sun."
> >
> > Yes, this "The Rising Sun" song is not the "same" song but the 
> evidence is
> > so spotty for bawdy songs that I wanted to point it out as it 
> might be
> > "related".
> >
> >
> >>
> >>>> Another question: Does Randolph/Legman contain the only sexually
> >>>> explicit verses of this song ever collected? If not, where are 
> others>>>> found, and what are they?
> >>>
> >>> From the Max Hunter Collection:
> >>>
> >>> THE RISING SUN
> >>>
> >>> Th whore house bells are ringing
> >>> ....
> >
> >
> > ---------------------------------
> > Start your day with Yahoo! - make it your home page
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 18:18:53 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(87 lines) , text/html(8 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: The Scattering of the Rising Sun
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 20 Aug 2005 23:35:09 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


Gentlefolk:The "early" (ca. 1920-30) collections I have in my files were generated by advertisement (like Gordon did for Adventure magazine).  They are hardly representative of the entire corpus os Ameriocan folk song, nor would they prove that the absence of a particular song meant anything atall.Ed

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Aug 2005 11:25:42 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(33 lines)


>> Another question:  Does Randolph/Legman contain the only sexually
>> explicit verses of this song ever collected?  If not, where are others
>> found, and what are they?
>
> From the Max Hunter Collection:
>
>          THE RISING SUN
>   ...
>   Well, now, when you go down to New Orleans
>   Just stop at the Rising Sun
>   There'll you'll see three pretty French whores
>   An' that damn bitch is one
>   She had a dark an' rolling eye
>   She belonged to th rougish crew
>
>
> Cat. #0504 (MFH #547) - As sung by Mr. Joe Walker, Berryville, Arkansas on
> February 9, 1960This is much like the British song that mentions the Rising Sun, often
quoted in discussions.  Was it sung by Sam Larner?  Or someone else?The similarity suggests that this has an origin that is independent of
House of the Rising Sun.  The setting in New Orleans, however, suggests
perhaps that someone was aware of both the British song and House of the
Rising Sun.As for details, they conflict - the Ozark song has the House of the Rising
Sun populated by "yellow gals," presumably octoroons, while the song above
has "three pretty French whores."  I don't that that both octoroons and
whites would have been at the same bordello in New Orleans.J

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/21/05 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Aug 2005 22:05:55 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(80 lines)


Hi!	Here I sit in the heat waiting the air conditioner to be
repaired. Meanwhile, I present the first half of the weekly lists. The
second half will be posted tomorrow. 	MISCELLANEOUS	4760330594 - Maggi Peirce Live, cassette, 1982, $0.99 (ends 
Aug-28-05 18:58:17 PDT) *seller - Dolores Nichols :-)	JOURNALS	6201633155 - Pennsylvania Folklife, Summer 1958, $9.99 (ends
Aug-23-05 11:03:36 PDT)	6973533599 - 6 issues of NORTH CAROLINA FOLKLORE JOURNAL, 
1989-98, $12.50 (ends Aug-28-05 17:02:36 PDT)	BOOKS 	6973360669 - A Highland Chapbook by Cameron, 1928, 3 GBP (ends 
 Aug-22-05 13:22:48 PDT)	5229982488 - Highland Folk Ways by Grant, 1977, 3.50 GBP (ends 
22-Aug-05 21:57:00 BST)	7707596392 - THE FIRST LIAR NEVER HAS A CHANCE by Garry, 1994, 
$9.99 (ends Aug-24-05 13:42:28 PDT)	8327491717 - Stiff as a Poker by Randolph, 1993 reprint, $2.95 
(ends Aug-24-05 18:00:00 PDT)	4569526948 - The Miners of Wabana: The Story of the Iron Ore Miners 
of Bell Island by Weir, 1989, $9.95 (ends Aug-24-05 20:08:00 PDT)	8327707401 - Folk Lore of the Lake Counties by Findler, 1968, 
1.50 GBP (ends Aug-25-05 13:14:08 PDT)	4569684825 - PENNSYLVANIA DUTCH FOLKLORE, $1.99 (ends Aug-25-05 
17:31:30 PDT)	6554761718 - FOLKLORE OF LUNENBURG COUNTY, NOVA SCOTIA by 
Creighton, 1950, $9.99 (ends Aug-26-05 09:59:41 PDT)	8328052458 - The Folklore of Wiltshire by Whitlock, 1976, 1.99 
GBP (ends Aug-27-05 03:51:49 PDT)	6554285172 - The Regular Bang-Up Reciter, and curious Story Teller, 
1860?, $4.87 w/reserve (ends Aug-27-05 12:43:15 PDT)	4570119443 - Texas Play-Party by Munson, 1992, $9.95 (ends 
Aug-27-05 14:55:10 PDT)	5232613438 - Our Highland Folklore Heritage by Polson, 1926, 7.50
GBP (ends Aug-29-05 15:33:00 PDT)	8327953534 - The Road to the Isles by Macleod, 1933, 7.50 GBP 
(ends 29-Aug-05 23:51:00 BST)	5232613633 - Popular Tales of the West Highlands by Campbell, 4 
volumes, 1983, 20 GBP (ends 30-Aug-05 00:07:00 BST)	5232613727 - Shetland Folk-Lore by Spence, 1999 reprint, 4.50 GBP 
(ends 30-Aug-05 00:29:00 BST)	5232613759 - Tales of Galloway by Temperley, 1979, 4.50 GBP 
(ends 30-Aug-05 00:37:00 BST)	5232847230 - Folk Tales of the British Isles by Foss, 1977, 1.99 
GBP (ends Aug-30-05 08:39:28 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Colorado Newspapers
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Aug 2005 14:10:43 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


I know a few of you will find this interesting.Searchable. full text images of most Colorado newspapers from the turn 
of the century [the last one]. 825 hits for the word "ballad" including 
[13 Feb. 1905] a $100 prize for the best ballad on the subject of the 
"trail"; [22 March 1882] an "Anglo-American Romany Ballad" by Charles G 
Leland and [18 Sept. 1914] a "Plea for the Old Ballads" ["far superior 
to the Present Day Lyrics"]. "Put a volume of fine old ballads on the 
piano and begin you child's education not only in song but romance."http://host1.cdpheritage.org/newspapers/

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/22/05 (Songsters & Broadsides)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Aug 2005 22:31:21 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(44 lines)


Hi!	While sitting by the malfunctioning air conditioner, I found the
following on Ebay.	SONGSTERS & BROADSIDES	7343919925 - HELLO CENTRAL, GIVE ME HEAVEN, $9.99 (ends Aug-23-05 
06:36:16 PDT)	7343919933 - Holding Hands, $9.99 (ends Aug-23-05 06:36:21 PDT)	7343919949 - Take Back Your Gold Songster, $9.99 (ends Aug-23-05 
06:36:32 PDT)	6554412416 - The Red White and Blue Songster, $5 (ends Aug-24-05 
23:25:51 PDT)	7345151298 - Sheet music advertising broadside, 1898?, $9.90 (ends 
Aug-28-05 16:44:02 PDT)	6554673782 - Broadside, Give Us Back Our Old Commander, 1862, 
$49.98 (ends Aug-29-05 17:57:00 PDT)	6555223815 - The Universal Songster or Museum of Mirth, volume 1,
1826?, $24.95 (ends Aug-28-05 15:45:00 PDT)	6555224488 - The Universal Songster or Museum of Mirth, volume 2, 
1826?, $24.95 (ends Aug-28-05 15:45:00 PDT)	7345169584 - Adam Forepaugh and Sells Bros. Clown Songster, 190?, 
$8 (ends Aug-28-05 18:02:40 PDT)	6554645697 - Broadside, Camp Song or One Day in Camp, 1863?, $9.95 
(ends Aug-31-05 20:22:00 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged shanties Pt. 10 [I think]
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 23 Aug 2005 14:32:21 -0500
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(9 lines) , text/html(23 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/23/05 (Songs and Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 23 Aug 2005 22:03:44 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(89 lines)


Hi!	As summer winds down, here is other Ebay list. :-)	MISCELLANEOUS	6973750554 - SCOTTISH STUDIES, 1974, 3.88 GBP (ends Aug-27-05 
11:13:14 PDT)	6974084234 - Scottish Studies, 1976, 3 GBP (ends Aug-29-05 
14:00:34 PDT)	SONGS & BALLADS	6554465587 - Roll Me Over by Babad, 1972, $24.95 (ends Aug-25-05 
07:19:54 PDT)	4569869770 - The Tri Coloured Ribbon: Rebel Songs Of Ireland, 
1969, $7.50 (ends Aug-26-05 10:55:38 PDT)	6554787843 - The Festival of Love, or A Collection of Cytherean 
Poems, 1770, $73 w/reserve (ends Aug-26-05 11:53:05 PDT)	7344684901 - Cumbrian Songs & Ballads by Gregson, 1980, 1.99 GBP 
(ends Aug-26-05 12:58:22 PDT)	7344724438 - Barbershops, Bullets, and Ballads by Studwell & 
Schueneman, 1999, $9.99 (ends Aug-26-05 17:24:09 PDT)	6973749761 - Legendary Ballads of England and Scotland by Roberts,
1900?, 2.50 GBP (ends Aug-27-05 11:07:35 PDT)	7344872273 - Ozark Folksongs by Randolph, 1982, $7 (ends Aug-27-05 
13:07:12 PDT)	6554296723 - MERRY MUSES OF CALEDONIA by Burns, 1905, $1.25 (ends 
Aug-27-05 13:20:31 PDT)	8328217997 - The Overlander Songbook by Edwards, 1971, $2 AU (ends 
Aug-27-05 18:47:37 PDT)	6555101022 - Nursery Rhymes of England and POPULAR RHYMES AND 
NURSERY TALES OF ENGLAND by Halliwell, 2 volumes, 1970, $12.50 AU (ends 
Aug-28-05 00:30:45 PDT)	7344463581 - Northumbrian Minstrelsy by Collingwood Bruce & Stokoe,
1998 reprint, 5.61 GBP (ends Aug-28-05 13:16:06 PDT)	7344468939 - A Book of British Ballads by Palmer, 1998 reprint, 
1.99 GBP (ends Aug-28-05 13:39:00 PDT)	7344690816 - Joe Davis' "Songs of the Roaming Ranger", 1935, $5 
(ends Aug-28-05 17:00:00 PDT)	6555317498 - Keesler Field Song Book, 1943, $2.99 (ends Aug-28-05 
17:59:23 PDT)	4570377567 - Devil's Ditties by Thomas, 1931, $19 (ends Aug-28-05 
19:19:30 PDT)	6555348228 - Songs and Ballads from Nova Scotia by Creighton, 1966
Dover reprint, $13.99 (ends Aug-28-05 19:37:50 PDT)	6973989546 - Mountain Ballads & Old Time Songs No.13 by Kincaid, 
1936?, $3 (ends Aug-28-05 23:27:10 PDT)	7345433113 - English Folk Songs from the Southern Appalachians by 
Sharp, 2 volumes, 1932, $31 (ends Aug-29-05 19:48:18 PDT)	6973702788 - Traditional Nursery Rhymes by Foss, 1976, 2.99 GBP 
(ends Aug-30-05 03:58:32 PDT)	4547559965 - Warrior Women and Popular Balladry 1650-1850 by 
Dugaw, 1989, $74.95 (ends Aug-31-05 08:07:43 PDT)	6973851429 - Ballads, Songs & Poems of Robin Hood by Gutch &
Hicklin, 1866, 29.99 GBP (ends Aug-31-05 13:30:00 PDT)	6973851804 - Naval Songs and Ballads by Firth, 1908, 29.99 GBP (ends
Aug-31-05 13:55:00 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged shanties Pt. 10 [I think]
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 23 Aug 2005 19:17:13 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(23 lines) , text/html(20 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 24 Aug 2005 13:42:54 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(10 lines)


Does anyone know of a location for _Wehman's
Collection of Songs_ No. 42 (New York: Henry J.
Wehman, 1894)?stephen_r1937 at yahoo.com__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 24 Aug 2005 15:39:29 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


Stephen:This question you must take to the acknowledged master, Norm Cohen.  Indeed, he may have a copy of the songster.Ed----- Original Message -----
From: Stephen Reynolds <[unmask]>
Date: Wednesday, August 24, 2005 1:42 pm
Subject: Wehman's Collection of Songs> Does anyone know of a location for _Wehman's
> Collection of Songs_ No. 42 (New York: Henry J.
> Wehman, 1894)?
> 
> stephen_r1937 at yahoo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 25 Aug 2005 13:54:14 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(32 lines)


Library of Congress, Music Division.  There is a WWW site for 
something like the Music Reading Room, and at that site is a form 
through which you can request assistance.  In response to my request 
for an item in Wehman's Collection, I was told that they have it, 
that it is currently unavailable, and that I should make another 
request after the first of the year.John>Stephen:
>
>This question you must take to the acknowledged master, Norm Cohen. 
>Indeed, he may have a copy of the songster.
>
>Ed
>
>----- Original Message -----
>From: Stephen Reynolds <[unmask]>
>Date: Wednesday, August 24, 2005 1:42 pm
>Subject: Wehman's Collection of Songs
>
>>  Does anyone know of a location for _Wehman's
>>  Collection of Songs_ No. 42 (New York: Henry J.
>>  Wehman, 1894)?
>>
>>  stephen_r1937 at yahoo.com
>>
>>  __________________________________________________
>>  Do You Yahoo!?
>>  Tired of spam?  Yahoo! Mail has the best spam protection around
>>  http://mail.yahoo.com
>>

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: bull
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 25 Aug 2005 13:07:12 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(6 lines)


While reading an article in The New Yorker last night about the "new" academic field of studying bullshit and its academic implications, I was reminded of my reaction to "Restoration of Cock Robin" by Norman Iles, in which he bulls his way through what he thinks might be the original meanings to carols and nursery rhymes, without any references to anyone's previous work.Any glaring instances of bullshit in the ballad world that we should steer clear of? Posting to this list aside, of course.Beth Brooks
Indianapolis, IN

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bull
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 25 Aug 2005 11:43:01 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(27 lines) , text/html(15 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Wehman's Collection
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Aug 2005 05:13:58 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


> Subject: Re: Wehman's Collection of SongsI have gotten some very obscure, scarce material by
interlibrary loan through our regular public library.
Pretty fast too (usually about 7-10 days).Some items can't be checked out, at the request of the
lending institution. However, a librarian-to-librarian
telephone call will circumvent this restriction most
of the time.C.

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Songs about the Railroad in Nevada
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Aug 2005 06:09:06 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(10 lines)


A friend sent this interesting query:"...I have to write an article on the V & T [Virginia and Truckee] 
railroad.  Do you know of any songs to do with Nevada and railroads in 
the lyrics?"Any suggestions?-Adam Miller
Woodside, CA

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Songs about the Railroad in Nevada
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Aug 2005 10:27:16 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


Now it's my turn to invoke the name of Norm Cohen as
the master of the game.Stephen--- Adam Miller <[unmask]> wrote:> A friend sent this interesting query:
> 
> "...I have to write an article on the V & T
> [Virginia and Truckee] 
> railroad.  Do you know of any songs to do with
> Nevada and railroads in 
> the lyrics?"
> 
> Any suggestions?
> 
> -Adam Miller
> Woodside, CA
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Aug 2005 10:32:16 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(35 lines)


Multnomah County Public Library does an admirable job
(bless you, Ann and Julie!) of getting things on
interlibrary loan. However, aside from the
circumstance that interlibrary borrowing is currently
suspended for a month while they install a new digital
catalog, they require a reference in WorldCat;
otherwise I would have to supply the location, and
that is just what I don't have!Stephen--- Cliff Abrams <[unmask]> wrote:> > Subject: Re: Wehman's Collection of Songs
> 
> I have gotten some very obscure, scarce material by
> interlibrary loan through our regular public
> library.
> Pretty fast too (usually about 7-10 days).
> 
> Some items can't be checked out, at the request of
> the
> lending institution. However, a
> librarian-to-librarian
> telephone call will circumvent this restriction most
> of the time.
> 
> C.
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/26/05 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Aug 2005 22:10:43 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(90 lines)


Hi!	As I enjoy the return of air conditioning, here is another Ebay
list. :-)	JOURNALS	6973371656 - Scottish Studies, 1971, 2 issues, 4.88 GBP (ends 
Aug-27-05 14:42:32 PDT)	6974177093 - Scottish Studies, 1987, 3 GBP (ends Aug-30-05 
08:13:52 PDT)	5234885855 - Folklore, Spring 1964, 2.99 GBP (ends Sep-04-05 
11:05:05 PDT)	5234885944 - Folklore, Autumn 1965, 2.99 GBP (ends Sep-04-05 
11:05:13 PDT)	5234886004 - Folklore, Summer 1967, 2.99 GBP (ends Sep-04-05 
11:05:18 PDT)	5234887488 - Folklore, Autumn 1968, 2.99 GBP (ends Sep-04-05 
11:07:21 PDT)	5234887537 - Folklore, Summer 1968, 2.99 GBP (ends Sep-04-05 
11:07:26 PDT)	BOOKS 	4570621025 - Ozark Superstitions by Randolph, 1947, $5 (ends 
Aug-27-05 17:25:54 PDT)	8328480076 - Complete Book of Australian Folklore by Scott, 1976, 
$3.95 (ends Aug-28-05 17:22:39 PDT)	8329081543 - Who Blowed Up the Church House by Randolph, 1952, 
$4.99 (ends Aug-28-05 23:28:13 PDT)	8328661241 - Yellow, Gray, Green, Red & Crimson Fairy Books by Lang,
1966 Dover editions, $9.50 (ends Aug-29-05 10:40:32 PDT)	8328750593 - Folklore of the Scottish Highlands by Ross, 1993, 
$6.99 (ends Aug-29-05 16:58:42 PDT)	4570619740 - What They Say In New England & Other American Folklore 
by Johnson, 1963, $4.99 (ends Aug-29-05 17:17:36 PDT)	4570674372 - Pinelands Folklife by Williams, 1987, $3 (ends 
Aug-29-05 22:48:29 PDT)	4570749187 - Urban Myths by Brown & Flynn, 2003, $0.99 (ends 
Aug-30-05 09:05:56 PDT)	8329047957 - Florida Folktales by Reaver, 1987, $12.95 (ends 
Aug-30-05 19:10:02 PDT)	4571388835 - 2 books (ENGLISH CUSTOMS AND TRADITIONS & DISCOVERING 
THE FOLKLORE OF BIRDS AND BEASTS), 1968 & 1971, 3 GBP (ends Sep-01-05 
12:03:09 PDT)	6556368790 - Folklore of Springfield, Vermont by Baker, 1922, 
$15.50 (ends Sep-01-05 13:35:24 PDT)	5234947060 - West Country Folklore by Radford, 1998, 1.25 GBP 
(ends Sep-04-05 12:24:55 PDT)	5234952513 - Folklore of Cornwall by Deane & Shaw, 2003, 3.99 GBP 
(ends Sep-04-05 12:32:13 PDT)	8329347213 - THE FOLKLORE OF HAMPSHIRE & THE ISLE OF WIGHT by 
Boase, 1976, 2.99 GBP (ends Sep-04-05 12:45:00 PDT)	8329597409 - FOLKLORE OF TAYSIDE by Gibson, 1960?, 1.70 GBP (ends 
Sep-04-05 13:13:54 PDT)	8329610889 - FOLKLORE OF GUERNSEY by DeGaris, 2.99 GBP (ends 
Sep-04-05 13:43:42 PDT)	4571432678 - The Folklore of the Welsh Border by Simpson, 1976, 
10 GBP (ends Sep-04-05 14:24:52 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Truman and Suzanne Price <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Aug 2005 23:04:34 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(36 lines)


This is all that WorldCat shows:Wehman's collection of songs].
          Type: English : Book : Non-fiction
          Publisher: New York : Henry J. Wehman, [ca. 1890]
          Subjects: Songsters.
University of Delaware
Newark,DE 19717 Wehman's collection of 102 songs.
          Type: English : Book : Non-fiction
          Publisher: New York : Wehman, ©1886.
Brown University
 Providence,RI 02912Microform 
The Latest and best collection of popular songs of
    the day as sung at this show
          Type: English : Book : Non-fiction
          Publisher: New York : H.J. Wehman, [1893?]
          Subjects: Songsters. | Popular music -- Texts. -- To 1901
Brown University
Providence,RI 02912Truman
-- 
Suzanne and Truman Price
Columbia Basin Books
7210 Helmick Road
Monmouth, OR 97361email [unmask]
phone 503-838-5452
abe URL: http://dogbert.abebooks.com/abep/il.dll?vci=3381Abe Heritage Seller

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 04:21:37 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(86 lines)


Thanks for looking this up for me. Multnomah County Library does have WorldCat--they
don't tie their e-mail system to it and then leave the
patron to find it as best he can--but no participating
library  reports the needed volume. Few libraries have
much of this sort of thing. It was probably printed on
something like newsprint and the value of this sort of
material has never been widely recognized. The bottom
line is, WorldCat has an exiguous listing of Wehman's
songsters, and the one I need is not among them.
Brown's collection is thin for the period when Wehman
flourished; it's strength is in the pre-Civil-War
period, for which it is excellent. And Brown's
special-collection librarians are most helpful. But
they are not able to provide much assistance with
Wehman's publications, and as far as I know no library
has systematically collected them, as Brown has done
for the earlier songsters. An internet search of book dealers turns up a few
Wehman publications, including instruction books on
dancing and the like, but nothing like the songster in
view here. A couple of Wehman songsters in library collections
other than Brown, and not included in WorldCat, can be
located on the internet, but not Collection of Songs
No. 42. Not even the Internet has everything.Stephen--- Truman and Suzanne Price
<[unmask]> wrote:> This is all that WorldCat shows:
> 
> Wehman's collection of songs].
>           Type: English : Book : Non-fiction
>           Publisher: New York : Henry J. Wehman,
> [ca. 1890]
>           Subjects: Songsters.
> University of Delaware
> Newark,DE 19717 
> 
> Wehman's collection of 102 songs.
>           Type: English : Book : Non-fiction
>           Publisher: New York : Wehman, ©1886.
> Brown University
>  Providence,RI 02912
> 
> Microform 
> The Latest and best collection of popular songs of
>     the day as sung at this show
>           Type: English : Book : Non-fiction
>           Publisher: New York : H.J. Wehman, [1893?]
>           Subjects: Songsters. | Popular music --
> Texts. -- To 1901
> Brown University
> Providence,RI 02912
> 
> Truman
> -- 
> Suzanne and Truman Price
> Columbia Basin Books
> 7210 Helmick Road
> Monmouth, OR 97361
> 
> email [unmask]
> phone 503-838-5452
> abe URL:
> http://dogbert.abebooks.com/abep/il.dll?vci=3381
> 
> Abe Heritage Seller
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 09:02:53 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(62 lines)


This just in from Steve Roud. I don't know. I'm
dependent on Cazden, Haufrecht, & Studer for the
reference; earlier (before 1982) writers were not
aware of 'Flying Cloud' in a Wehman songster (the next
discussion in print, as far as I know, was in the
_Boston Evening Transcript_ in 1916, twelve years
after the date assigned by C,,H,, & S, to the Wehman
collection, and the latter is not mentioned there).
__Notes & Sources for Folk Songs of the Catskills_ in
some ways sets new standards for folksong
bibliography, but at the same time it is too
compressed; for example, it fails to give the date of
the songster to which it assigns the number 42 in the
series of Wehman's Collecions of Songs. The date is
given in _Folk Songs of the Catskills_, to which
_Notes & Sources_ is a companion: "A songster text of
1894 was copyrighted by Henry J. Wehman . . ." (p.
429), but the title and other data of publication
appear only in _Notes & Sources_. A misprint anywhere
in the references could be seriously misleading. I don't have Norm Cohen's Bibliography, and as I
explained earlier I cannot even request an
interlibrary borrowing for a month, until the new
catalog is set up. It's this sort of thing, in fact, that led me to begin
putting together a bibliography; in addition to being
a bit out of date by now, the list in _Notes &
Sources_ does have some lacunae, and no other
bibliography on the song is as thorough as C, H, & S
are. But unless I can verify an earlier reference
there is no point in listing it at all. I'm still
trying to get to the bottom of some anomalies in
subsequent citations of the _Evening Transcript_ text.
I hope I can save others in the future the hassle of
trying to make sense of incomplete and contradictory
references.StephenDate:	 Sat, 27 Aug 2005 15:39:48 +0100 (BST)
From:	"STEVE ROUD" <[unmask]>  
Subject:	Re: Wehman's Collection of Songs
To:	[unmask]
Stephen
I'm away from home, and the list won't accept a direct
posting from my daughter's computer - so could you
forward this the List?
 
Does Wehman 42 exist anyway? If I remember rightly
meade says 'Wehman Nos. 1-42'  but Norm Cohen's
Songster Bibliography only lists up to No.41.
 
Steve Roud		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 13:39:21 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(33 lines)


Title:         Wehman's collection of ... songs.
Published:     New York, Henry J. Wehman, 1886-1891.
LC Call No.:   M1628.W4C5>Library of Congress, Music Division.  There is a WWW site for 
>something like the Music Reading Room, and at that site is a form 
>through which you can request assistance.  In response to my request 
>for an item in Wehman's Collection, I was told that they have it, 
>that it is currently unavailable, and that I should make another 
>request after the first of the year.
>
>John
>
>>Stephen:
>>
>>This question you must take to the acknowledged master, Norm Cohen. 
>>Indeed, he may have a copy of the songster.
>>
>>Ed
>>
>>----- Original Message -----
>>From: Stephen Reynolds <[unmask]>
>>Date: Wednesday, August 24, 2005 1:42 pm
>>Subject: Wehman's Collection of Songs
>>
>>>  Does anyone know of a location for _Wehman's
>>>  Collection of Songs_ No. 42 (New York: Henry J.
>>>  Wehman, 1894)?
>>>
>>>  stephen_r1937 at yahoo.com
-- 
john garst    [unmask]

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 13:42:27 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


>Gentlemen:
>
>Let me add that I have two collections of some size gathered in the 
>1920s, as well as copies of the Gordon collections at  the Library 
>of Congress and University of Oregon.  There is no trace of  "House 
>of the Rising Sun" in these.
>
>EdGus Meade cites Gordon #925, Ed.  Do you have that one?Thanks.J

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 13:55:01 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(18 lines)


The notes for Old Homestead Records OHCD-4031, The Callahan Brothers, 
say that Homer C. "Bill" Callahan "and his family continue to reside 
in Dallas."  This CD is dated 2000, apparently, although this appears 
to be a CD reissue of a 1975 LP.  Bill Callahan was born March 27, 
1912, it says.  If he is still living, he would be 93 years old, not 
at all an unheard-of age.Let's hope.Does anyone know?Is there anyone living in Dallas who could visit him?The purpose would be to see if he remembers any verses of "House of 
the Rising Sun" that were not included in his 1935 recording entitled 
"Rounder's Luck."J

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 11:09:04 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(79 lines) , text/html(13 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 14:30:27 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(32 lines)


Can anyone understand Roscoe Holcomb's "House in New Orleans"?  My 
effort at transcription from Smithsonian Folkways SF CD 40079, Roscoe 
Holcomb: the high lonesome sound, follows.Away on down in-a New Orleans,
Tell all juh Rising Sun,                  (?)
(It's) A many poor boy has kicked his arm (?)
And-a me, Oh Lord, for one.(It's) I'll never listen what another girl says,
Let her eye be dark or brown
Saying, 'less she's on that ol' scaffold high,
Saying, "Oh, Boys, I (?) cain't come down."Go tell my youngest brother
Not to do as I have done,
Let him shun the house down in New Orleans,
That they call the Rising Sun.The only thing that a ramb-er-ler needs
Is a suitcase or a trunk,
But the only time that he's satisfied
Is when he's on a drunk.Look up, look down that lonesome road,
Hang down your head and cry,
(It's) If you love me as I did you,
(Lord) You'd go with me or die.J

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 14:44:10 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(13 lines)


For HORS Gus Meade citesMcMurray, Vance
Home Songs
Oxford, OH: Vance McMurray
1937I don't find this "hillbilly song folio" in either the LOC catalog or WorldCat.Does anyone have it, or have a suggestion for locating a copy?J

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 15:23:02 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(75 lines) , text/html(64 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 14:18:30 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


Thanks, Jonathan!  This definitely goes into the
biblio!Stephen--- Jonathan Lighter <[unmask]> wrote:> Re: "The Flying Cloud"
>  
> In his 1913 autobiography, _John Barleycorn_, Jack
> London mentions having learned "The Flying Cloud"
> and other sea songs on the Oakland waterfront in
> 1890-91 :
>  
>
http://sunsite.berkeley.edu/London/Writings/JohnBarleycorn/chapter6.html
>  
> Unfortunately he gives no text of it. This is the
> earliest specifically recollected date for the song
> I know of.
>  
> JL
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 14:20:57 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(32 lines)


OK, John, LC looks like the best bet. I'll do this and
let you know what happened. Thanks.Stephen--- John Garst <[unmask]> wrote:> Title:         Wehman's collection of ... songs.
> Published:     New York, Henry J. Wehman, 1886-1891.
> LC Call No.:   M1628.W4C5
> 
> 
> >Library of Congress, Music Division.  There is a
> WWW site for 
> >something like the Music Reading Room, and at that
> site is a form 
> >through which you can request assistance.  In
> response to my request 
> >for an item in Wehman's Collection, I was told that
> they have it, 
> >that it is currently unavailable, and that I should
> make another 
> >request after the first of the year.
> >		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Wehman's Collection
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 14:37:59 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


Stephen,That's interesting. I'm looking at the interlibrary
request form from our library. They ask for author,
title, publisher, year, call number, ISBN (though i've
gotten material with only the title or author), and
borrower's data. The reference librarian looked up
other needed data-- including a list of holding
institutions-- on the spot. Perhaps you should try a
different library.C.Date:    Fri, 26 Aug 2005 10:32:16 -0700
From:    Stephen Reynolds <[unmask]>
Subject: Re: Wehman's CollectionMultnomah County Public Library does an admirable job
(bless you, Ann and Julie!) of getting things on
interlibrary loan. However, aside from the
circumstance that interlibrary borrowing is currently
suspended for a month while they install a new digital
catalog, they require a reference in WorldCat;
otherwise I would have to supply the location, and
that is just what I don't have!Stephen

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 16:39:33 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


Name:    Homer C. Callahan   SSN:    272-12-4470    Last Residence:    
75211  Dallas, Dallas, Texas, United States of America   Born:    27 Mar 
1912   Died:    12 Sep 2002   State (Year) SSN issued:    Ohio (Before 
1951 )John Garst wrote:> The notes for Old Homestead Records OHCD-4031, The Callahan Brothers, 
> say that Homer C. "Bill" Callahan "and his family continue to reside 
> in Dallas."  This CD is dated 2000, apparently, although this appears 
> to be a CD reissue of a 1975 LP.  Bill Callahan was born March 27, 
> 1912, it says.  If he is still living, he would be 93 years old, not 
> at all an unheard-of age.
>
> Let's hope.
>
> Does anyone know?
>
> Is there anyone living in Dallas who could visit him?
>
> The purpose would be to see if he remembers any verses of "House of 
> the Rising Sun" that were not included in his 1935 recording entitled 
> "Rounder's Luck."
>
> J
>

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 14:50:41 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(39 lines) , text/html(7 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 15:02:20 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(47 lines)


--- Cliff Abrams <[unmask]> wrote:> Stephen,
> 
> That's interesting. I'm looking at the interlibrary
> request form from our library. They ask for author,
> title, publisher, year, call number, ISBN (though
> i've
> gotten material with only the title or author), and
> borrower's data. The reference librarian looked up
> other needed data-- including a list of holding
> institutions-- on the spot. Hello, Cliff! Yes, but dollars to doughnuts he or she
looked it up in WorldCat! They will do that at
MultCoLib too, if you can't do it yourself, but I am
happy to do it myself because I always have a chance
of serendipitously finding something relevant that I
didn't know about. WorldCat replaces the old hard-copy National Union
Catalog. I might be able to find it in another union
catalog such as ARLN or whatever they call it now, but
the nearest library that subscribes to it (it's more
academically oriented and pretty pricey) is 100 miles
away and I just haven't got there yet. > Perhaps you should try a different library.Locally, I think MultCo is about as good as it gets
for this sort of thing. None of our local institutions
of higher education, as far as I know, subscribes to
one of the expensive specialized catalogs. I have been
in this area for six years now, and I haven't found
any library with superior catalog resources so far. 
> 
Thanks for the suggestion, though. I suppose it
wouldn't do any harm to vist the three or four best
colleges/universities in the area if LC doesn't come
through.Stephen__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 15:22:19 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(38 lines)


The ILL Librarian will have to check this anyhow;
depending on which library they decide to request it
from, the relevant call number may be Dewey Decimal or
Library of Congress, and they are entirely different
from one another.Stephen--- Jonathan Lighter <[unmask]> wrote:> Our ILL form doesn't even ask for a call number.  (A
> WorldCat Accession Number is suggested but not
> required.)
>  
>  
> JL
> 
> Cliff Abrams <[unmask]> wrote:
> Stephen,
> 
> That's interesting. I'm looking at the interlibrary
> request form from our library. They ask for author,
> title, publisher, year, call number, ISBN (though
> i've
> gotten material with only the title or author), and
> borrower's data. The reference librarian looked up
> other needed data-- including a list of holding
> institutions-- on the spot. Perhaps you should try a
> different library.
> 
> C.
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 8/27/05 (Songsters, Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Aug 2005 19:13:22 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(79 lines)


Hi!	Relevant to the current discussion, please note the songster
section of this list. :-)	SONGSTERS	6555862637 - Charles Diamond's Original Milanese Minstrel Songster, 
1880, $24.99 (ends Aug-30-05 19:02:10 PDT)	7345870527 - Wehman's Collection of 98 Songs No. 18, 1888, $5.99 
(ends Aug-31-05 18:30:08 PDT)	4552892243 - WEHMAN'S IRISH SONG BOOK NO 1, 1887, $39.75 (ends 
Sep-24-05 07:31:25 PDT)	4552892584 - WEHMAN'S IRISH SONG BOOK NO 3, 1893, $19.85 (ends 
Sep-24-05 07:32:07 PDT)	MISCELLANEOUS	4761786611 - Coppersongs, Copper Family, cassette, 1.99 GBP (ends 
Sep-04-05 10:58:38 PDT)
	
	SONGS & BALLADS	7344467078 - 2 books (Traditional Tunes by Kidson, 1999 reprint &
the Besom Maker and other Country Folk Songs by Sumner, 1998 reprint), 
6.01 GBP (ends Aug-28-05 13:30:14 PDT)	4571523893 - FOLKSONGS OF THE MARITIMES by Pottie & Ellis, 1982, 
$38 (ends Aug-28-05 21:30:23 PDT)	4570878136 - MORMON SONGS FROM THE ROCKY MOUNTAINS by Cheney, 1968,
$9.99 (ends Aug-30-05 20:21:46 PDT)	8329217385 - FOLK SONGS OF ABERDEENSHIRE by Duncan/SHULDHAM-SHAW, 
1967, 1.95 GBP (ends Aug-31-05 12:43:21 PDT)	6974354047 - THE MERRY MUSES by Burns, 1827 printing, 150 GBP 
(ends Aug-31-05 12:54:06 PDT)	4571178002 - WIT AND MIRTH OR PILLS TO PURGE MELANCHOLY by D'Urfey, 
6 volumes, 200? reprint, $175 (ends Aug-31-05 14:03:25 PDT)	4571487102 - Tall Ship Shanties by Davis, 1982, $4.99 (ends 
Sep-01-05 18:38:37 PDT)	4571595766 - Songs of the Sea by Hugill, 1977, $5 (ends Sep-02-05 
07:58:39 PDT)	6974178306 - THE SCOTS MUSICAL MUSEUM, 1787?, 50 GBP (ends 
Sep-02-05 11:00:00 PDT)	8329766182 - The Ballad Literature And Popular Music Of The Olden 
Time by Chappell, 2 volumes, 1965 Dover reprint, $9.99 (ends Sep-02-05 
04:16:00 PDT)	6554168073 - SINGING FAMILY OF THE CUMBERLANDS by Ritchie, 1955, 
$9.99 (ends Sep-03-05 10:30:00 PDT)	8329588435 - OLD ENGLISH DITTIES, 0.99 GBP (ends Sep-04-05 12:55:53 
PDT)	4567109839 - Pills To Purge Melancholy The Evolution of the 
English Ballett by Pike, 2004, $103.45 (ends Sep-05-05 08:13:08 PDT)	5235395830 - The Merry Muses of Caledonia by Burns, 1966 edition, 
3.50 GBP (ends Sep-05-05 15:24:00 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 06:05:02 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(99 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 11:34:07 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(142 lines)


I am writing this from memory, so please bear with me in the case of
obvious errors. Last night I went looking to see if I could find any
early printed version of the Flying Cloud but was unsuccesful. However,
an 1880's origin seems  late.  I recall that there was a discussion in
either Songs of the Catskills or the Frank and Anne Warren Collection
that discussed the song;  the opinion of some commentators (was it
Beck?) placed it as of  a much earlier date. It seems unlikely to me 
that a song would be widely prevalent in 1890 when it originated in some
isolated and obscure printed form in 1880. For a song to become
instantaneously well known  (instantaneous in the sense that it first
appeared in 1880 but was so well known by 1890 that both Jack London and
Gordon's informant heard it), wouldn't it have shown up in a lot of
songsters or broadsides, to reflect its popularity? I am thinking here
of The Rose of Allandale. This appeared in print about 1835 and is
attributed to a Charles Jefferys.  Whether or not it was written by him,
it became an instanteous hit and appeared in a lot of songsters.So I tend not to buy an 1880 origin and tend to think that an earlier
date is the way to go. I will look at what I have this evening.LewLewis Becker
Professor of Law
Villanova University School of Law
(610.519.7074)
(Fax - 610.519.5672)>>> [unmask] 8/28/2005 9:05:02 AM >>>
After R. W. Gordon printed a text of "TFC" in _Adventure_ magazine, he
received the following recollection from Frederic T. O. Wood of Chicago,
dated Oct. 13, 1926 :
 
". . .We had an old buck on my last ship, some thirty-five years ago
who sang this song [i.e., ca1890-91, at exactly the same time that Jack
London claimed he learned it], and his version of one verse was like
this :
 
          "Oh, the Flying Cloud was as fine a ship
           As ever swam the sea,
           Her topsails and her royals set
           So noble for to see.
           Her sails were white as the driven snow
           On them there was no speck.
           And twenty brass ten-pounder guns
           She carried on her deck.
           I have often seen that gallant ship
           With the wind abaft the beam,
           Her sheets all stiffened as she rolled,
           Decks water to our knees.
 
"His version of the song used the name Matthew Hollander who claimed to
hail from Waterford's fair town--another slight change to the published
version .. . .  "I thank you, boy. I sat here tonight and sang this old song over and
lived again the happy days that are gone, and now are only dreams. But
dreams are all we old fellows have left, and no one can take them
away...."  [Gordon Collection, L. of C., _Adventure_ Correspondence, No.
1938]
 
My impression is that the song very possibly originated in the 1880s or
a bit earlier, perhaps in a dime novel as no early broadside has ever
been discovered. The evocative name "Flying Cloud" may have been chosen
because the fame of the real ship had long been forgotten by the general
public.
 
Wood's last two quoted lines are unique so far as I know.
 
JL
 
 Stephen Reynolds <[unmask]> wrote:
This just in from Steve Roud. I don't know. I'm
dependent on Cazden, Haufrecht, & Studer for the
reference; earlier (before 1982) writers were not
aware of 'Flying Cloud' in a Wehman songster (the next
discussion in print, as far as I know, was in the
_Boston Evening Transcript_ in 1916, twelve years
after the date assigned by C,,H,, & S, to the Wehman
collection, and the latter is not mentioned there).
__Notes & Sources for Folk Songs of the Catskills_ in
some ways sets new standards for folksong
bibliography, but at the same time it is too
compressed; for example, it fails to give the date of
the songster to which it assigns the number 42 in the
series of Wehman's Collecions of Songs. The date is
given in _Folk Songs of the Catskills_, to which
_Notes & Sources_ is a companion: "A songster text of
1894 was copyrighted by Henry J. Wehman . . ." (p.
429), but the title and other data of publication
appear only in _Notes & Sources_. A misprint anywhere
in the references could be seriously misleading. I don't have Norm Cohen's Bibliography, and as I
explained earlier I cannot even request an
interlibrary borrowing for a month, until the new
catalog is set up. It's this sort of thing, in fact, that led me to begin
putting together a bibliography; in addition to being
a bit out of date by now, the list in _Notes &
Sources_ does have some lacunae, and no other
bibliography on the song is as thorough as C, H, & S
are. But unless I can verify an earlier reference
there is no point in listing it at all. I'm still
trying to get to the bottom of some anomalies in
subsequent citations of the _Evening Transcript_ text.
I hope I can save others in the future the hassle of
trying to make sense of incomplete and contradictory
references.StephenDate: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
From: "STEVE ROUD" 
Subject: Re: Wehman's Collection of Songs
To: [unmask] 
Stephen
I'm away from home, and the list won't accept a direct
posting from my daughter's computer - so could you
forward this the List?Does Wehman 42 exist anyway? If I remember rightly
meade says 'Wehman Nos. 1-42' but Norm Cohen's
Songster Bibliography only lists up to No.41.Steve Roud____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 09:34:22 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(162 lines) , text/html(22 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 13:51:28 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(56 lines) , text/html(64 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 14:19:42 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


>Here's a transcription of Holcomb's singing from the booklet of 
>Folkways LP 2363, which presumably is the same recording.
>...
>Away on down in a-New Orleans, towards the rising sun
>A many poor boy has stretched his arm, and me, Oh Lord, for one.
>
>Fred McCormickThanks, Fred.  I see that those transcribers had as much trouble as 
me - or does this make more sense to someone else than to me?J
-- 
john garst    [unmask]

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 14:21:48 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(20 lines) , text/html(28 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (short)
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 14:05:06 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


Homer Callahan died September 12, 2002.----------AB>From: John Garst <[unmask]>>The notes for Old Homestead Records OHCD-4031, The Callahan Brothers, say 
>that Homer C. "Bill" Callahan "and his family continue to reside in 
>Dallas."  This CD is dated 2000, apparently, although this appears to be a 
>CD reissue of a 1975 LP.  Bill Callahan was born March 27, 1912, it says.  
>If he is still living, he would be 93 years old, not at all an unheard-of 
>age.
>
>Let's hope.
>
>Does anyone know?
>
>Is there anyone living in Dallas who could visit him?
>
>The purpose would be to see if he remembers any verses of "House of the 
>Rising Sun" that were not included in his 1935 recording entitled 
>"Rounder's Luck."
>
>J

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 14:19:02 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(206 lines)


1880 seems late to me too, but unfortunately the song
does *not* appear in broadsides and songsters, the
sole exception being the Wehman songster that was the
original topic of the thread. You can see why I am so
eager to locate a copy and confirm the ref. in Cazden,
Haufrecht, & Studer. 1894 is the earliest publication;
beyond that we have a few who learned the song
earlier, and not much else.Stephen--- Lewis Becker <[unmask]> wrote:> I am writing this from memory, so please bear with
> me in the case of
> obvious errors. Last night I went looking to see if
> I could find any
> early printed version of the Flying Cloud but was
> unsuccesful. However,
> an 1880's origin seems  late.  I recall that there
> was a discussion in
> either Songs of the Catskills or the Frank and Anne
> Warren Collection
> that discussed the song;  the opinion of some
> commentators (was it
> Beck?) placed it as of  a much earlier date. It
> seems unlikely to me 
> that a song would be widely prevalent in 1890 when
> it originated in some
> isolated and obscure printed form in 1880. For a
> song to become
> instantaneously well known  (instantaneous in the
> sense that it first
> appeared in 1880 but was so well known by 1890 that
> both Jack London and
> Gordon's informant heard it), wouldn't it have shown
> up in a lot of
> songsters or broadsides, to reflect its popularity?
> I am thinking here
> of The Rose of Allandale. This appeared in print
> about 1835 and is
> attributed to a Charles Jefferys.  Whether or not it
> was written by him,
> it became an instanteous hit and appeared in a lot
> of songsters.
> 
> So I tend not to buy an 1880 origin and tend to
> think that an earlier
> date is the way to go. I will look at what I have
> this evening.
> 
> Lew
> 
> Lewis Becker
> Professor of Law
> Villanova University School of Law
> (610.519.7074)
> (Fax - 610.519.5672)
> 
> >>> [unmask] 8/28/2005 9:05:02 AM >>>
> After R. W. Gordon printed a text of "TFC" in
> _Adventure_ magazine, he
> received the following recollection from Frederic T.
> O. Wood of Chicago,
> dated Oct. 13, 1926 :
>  
> ". . .We had an old buck on my last ship, some
> thirty-five years ago
> who sang this song [i.e., ca1890-91, at exactly the
> same time that Jack
> London claimed he learned it], and his version of
> one verse was like
> this :
>  
>           "Oh, the Flying Cloud was as fine a ship
>            As ever swam the sea,
>            Her topsails and her royals set
>            So noble for to see.
>            Her sails were white as the driven snow
>            On them there was no speck.
>            And twenty brass ten-pounder guns
>            She carried on her deck.
>            I have often seen that gallant ship
>            With the wind abaft the beam,
>            Her sheets all stiffened as she rolled,
>            Decks water to our knees.
>  
> "His version of the song used the name Matthew
> Hollander who claimed to
> hail from Waterford's fair town--another slight
> change to the published
> version .. . .  
> 
> "I thank you, boy. I sat here tonight and sang this
> old song over and
> lived again the happy days that are gone, and now
> are only dreams. But
> dreams are all we old fellows have left, and no one
> can take them
> away...."  [Gordon Collection, L. of C., _Adventure_
> Correspondence, No.
> 1938]
>  
> My impression is that the song very possibly
> originated in the 1880s or
> a bit earlier, perhaps in a dime novel as no early
> broadside has ever
> been discovered. The evocative name "Flying Cloud"
> may have been chosen
> because the fame of the real ship had long been
> forgotten by the general
> public.
>  
> Wood's last two quoted lines are unique so far as I
> know.
>  
> JL
>  
>  
> 
> 
> Stephen Reynolds <[unmask]> wrote:
> This just in from Steve Roud. I don't know. I'm
> dependent on Cazden, Haufrecht, & Studer for the
> reference; earlier (before 1982) writers were not
> aware of 'Flying Cloud' in a Wehman songster (the
> next
> discussion in print, as far as I know, was in the
> _Boston Evening Transcript_ in 1916, twelve years
> after the date assigned by C,,H,, & S, to the Wehman
> collection, and the latter is not mentioned there).
> __Notes & Sources for Folk Songs of the Catskills_
> in
> some ways sets new standards for folksong
> bibliography, but at the same time it is too
> compressed; for example, it fails to give the date
> of
> the songster to which it assigns the number 42 in
> the
> series of Wehman's Collecions of Songs. The date is
> given in _Folk Songs of the Catskills_, to which
> _Notes & Sources_ is a companion: "A songster text
> of
> 1894 was copyrighted by Henry J. Wehman . . ." (p.
> 429), but the title and other data of publication
> appear only in _Notes & Sources_. A misprint
> anywhere
> in the references could be seriously misleading. 
> 
> I don't have Norm Cohen's Bibliography, and as I
> explained earlier I cannot even request an
> interlibrary borrowing for a month, until the new
> catalog is set up. 
> 
> It's this sort of thing, in fact, that led me to
> begin
> putting together a bibliography; in addition to
> being
> a bit out of date by now, the list in _Notes &
> Sources_ does have some lacunae, and no other
> bibliography on the song is as thorough as C, H, & S
> are. But unless I can verify an earlier reference
> there is no point in listing it at all. I'm still
> trying to get to the bottom of some anomalies in
> subsequent citations of the _Evening Transcript_
> text.
> I hope I can save others in the future the hassle of
> trying to make sense of incomplete and contradictory
> references.
> 
> Stephen
> 
> Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> From: "STEVE ROUD" 
> Subject: Re: Wehman's Collection of Songs
> To: [unmask] 
> Stephen
> I'm away from home, and the list won't accept a
> direct
> posting from my daughter's computer - so could you
> forward this the List?
> 
> Does Wehman 42 exist anyway? If I remember rightly
> meade says 'Wehman Nos. 1-42' but Norm Cohen's
> Songster Bibliography only lists up to No.41.
> 
> Steve Roud
> 
> > 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 15:58:35 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(181 lines)


MacColl's version does have some unusual features--'I
was born ten miles from Dublin town, down by the salt
sea strand'--so it would be nice to have a reliable
account of its origins. That Barney Hand is otherwise
unknown does not, of course, necessarily mean that
MacColl made up the version himself and passed it off
as from oral tradition. He might has misremembered the
singer's name, or forgotten it and made up a name. Who
knows? MacColl was a complex man and some of his
assertions, esp. autobiographical ones, are
unreliable, but that does not prove that the song is a
fake. At this point, we simply don't know where it
came from. And if the Wehman songster ever does turn
up, we almost certainly won't know where Wehman got
his version  either.The lack of information about the origins or early
history of the song has caused writers to squeeze what
there is, particularly the text of the song, for
information. Beck, in consultation with some top
experts on these things, observed that some aspects of
the ship's construction and armament seem to point to
the eighteenth century rather than the ninteenth.
However, if one looks at all the available variants it
appears that there are also some details that appear
to date from the nineteenth. Joanna Colcord thought it dated from the second or
third decade of the nineteenth century, when piracy
and the slave trade were both being suppressed. She
also notes that there was a British ship named Dunmore
that saw action in the War of 1812 (others have
_Dungeon_). Her version is from a Joseph McGinnis, who
as she writes 'imperfectly recalled' the name of the
vessel in the song--she printed is as _Dungeness_ in
1924 but as _Dunmore_ in 1938. Beck apparently tried
to get the log of the historical _Dunmore_ to see if
it ever captured a pirate ship, but without success,
and no one since has mentioned it. The historical _Flying Cloud_ (the famous clipper) has
nothing to do with the ballad except sharing its name
with the ship; and the _Ocean Queen_ (a notoriously
slow transatlantic packet) does not fit the song well
either. There are simply a lot of inconsistencies.
Doerflinger's suggestion that it was based on the
_Dying Declaration of Nicholas Fernandez_ has won
little support, most later writers seeing no more than
similar commonplaces of nineteenth-century literature
about the ills of piracy. Some versions make Capt. Moore's nemesis a British
man-o'-war, others assign her to Spain. In the former,
the pirates are taken to Newgate to be hanges; in the
latter, to Cuba; in the A. F. Nelson's version,
published by Belden, they are taken to Rulawarp, which
is no more to be identified than Barney Hand. Beck also found a historical Captain Moore, but unlike
the villainous character of the song he was an officer
of the Royal Navy who was a plague to pirates. Robert
Waltz suggest that the name might have originally been
a reference to a pirate who was a Moor (North Africa
was notorious for pirates in the earlier nineteenth
century). Charles Ives published a version from
Welcome Tilton of Martha's Vinyard in which the
villainous captain is "William Moore" (usually no
forename is provided); now, that is the name of the
gunner whom Captain Kidd killed in 1697, and who is
mentioned in the "Captain Kidd" goodnight song; could
the name "Moore" in TFC have come from "Captain Kidd"?
Of course, Captain Kidd was a William too, but the
song usually turns him into a Robert for some reason.
And the name in the Tilton version could equally have
been suggested by the Waterford cooper, William or
Willie Brown. In Greig's version, from James Ewen or
Ewing, the protagonist is William (in most versions
Edward).And that's the way it goes: plenty of fodder for
speculation, few facts. I would be delighted to turn
up some sort of hard evidence of the source of the
song and/or to a historical event, or several events,
to which it refers; but it isn't in the cards. We
don't know, and barring some serendipitous discovery
we are not likely to know.Stephen--- Fred McCormick <[unmask]> wrote:>  
> I don't wish to comment on the authenticity of
> MacColl's version, but I  once 
> met a man (name temporarily forgotten) from
> Waterford who knew The Flying  
> Cloud. When I asked him where he got it, he said
> that he had learned it from  
> someone in Belfast in the 1940s. I am almost certain
> that his source was  
> connected with shipbuilding, possibly a welder or a
> ship's engineer.
>  
> Could this be the Barney Hand of MacColl fame? 
>  
> Incidentally, I believe the Waterford sean nos
> singer, Nioclas Toibin, had  a 
> truncated version of The Flying Cloud which covered
> about half the story.  
> Unfortunately, I never heard Toibin sing it, but I
> have an idea that it skipped  
> the slavery episode.
>  
> I'll ruminate further in the recesses of my memory
> and see if I can come up  
> with any more detail.
>  
> Cheers,
>  
> Fred McCormick.
>  
> In a message dated 28/08/2005 17:34:38 GMT Standard
> Time,  
> [unmask] writes:
> 
> , Doerflinger and Horace Beck both argued for an
> origin before ca1820.  
> Doerflinger pointed to some verbal and plot
> similarities between TFC and an  early 
> 19thC. prose pamphlet called, I believe, "The Dying
> Declaration of  Nicholas 
> Fernandez."  My feeling is that the similarities re
> more than  likely generic 
> and coincidental.
>  
> Beck thought the song might have been even older, a
> conflation of two  
> different ballads.  His article in JAF did not
> persuade me.
>  
> Certainly the ballad may antedate 1880 or even 1870.
>  But we don't  know how 
> widely known it was in 1890.  Once it had caught on
> among  sailors, it could 
> have spread to both coasts (and even the Great
> Lakes)  relatively quickly. 
> Remember that no "collector" seems to have heard it
> till  1916 - a full generation 
> after a presumptive ' 80s origin.
>  
> The fact that TFC is almost always sung to a single
> tune, with close  
> variants, may point to a vaudeville/ music hall
> origin with a traveling  performer.
>  
> BTW, Ewan MacColl's version, now well-known among us
> folkies, has  been 
> impugned as some kind of fake because the song is
> rare in the British  Isles and no 
> one has traced his source, "Barney Hand of Belfast."
>  Big  deal.  MacColl's 
> version is entirely typical of  mainstream versions 
> in both text and tune, 
> though the text is a little on the short side.
>  
> My prime favorite, though, is Doerflinger's (from
> Patrick Tayluer, I  think), 
> with its uncommon come-all-ye stanza.
>  
> JL
> 
> 
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 19:15:55 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


I notice also the existence of a book, which I have not seen: Flying
Cloud and one hundred and fifty other Old Time Songs and Ballads of
Outdoor Men, Sailors, Lumber Jacks, soldiers, Men of the Great Lakes,
Railroadmen, Miners, etc. by M.C. Dean and published by The Quickprint
[1922]., Virginia, Minnesota. I don't know whether it sheds any light. 
A most puzzling question.Lew Becker  

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 16:57:52 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(22 lines) , text/html(6 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 17:56:23 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(199 lines) , text/html(19 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 20:17:37 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


On 8/28/05, Jonathan Lighter wrote:>To my mind, there's nothing in the song itself that would indicate or preclude composition at virtually any time in the 19th C.  Personally, I find the language insufficiently flowery and far too concrete in detail to make a pre-1860 date at all likely, but I've been wrong before.This isn't decisive, but *why* would anyone write such a song after
1865? The setting is pretty clearly between 1807 (when importation
of slaves was outlawed) and 1865 (when it all became moot). Generally
speaking, enforcement was stiffer later on, so later in that period is
better than earlier, but historical folk songs are not a very common
entity -- they generally reflected current events.If the song is addressed to British trade, they effectively stopped
it even earlier than the Americans.And if it's a "pirate" song, well, piracy was dying in the late
nineteenth century; it's not really practical when you need to
refuel periodically.Note that I'm not expressing a real opinion; I'm hoping for good
stuff I can put in the Ballad Index. :-)
-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 21:33:57 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(33 lines)


Trying to trace down the origin is especially difficult because the song
had a wide circulation. It was prevalent in Canada - it appears in
Mackenzie's Songs of Nova Scotia (1928) and Greenleaf  (Songs of
Newfoundland - 1933?) . And it also appears in the collection of Gavin
Greig, the Scottish collector, under the title, "William Hollander." It
appears, as number CXVIII, in the two volume edition of Folk Song of the
Northeast (Folklore Associates reprint). The original edition collected
articles from the Buchan Observer published by Grieg between December
1907 and June 1911, so Greig collected the song at some time prior to
that. The song, as published by Greig seems to adhere to the normal
model (except perhaps that the Ocean Queen is bound for "Balfrasur's
shore").  It also seems to end prematurely - the last verse printed is
that Captain Moore has gotten killed and a bombshell set our ship on
fire, with the last line being -  "And we'll have to surrender now." 
Greig's comment is: "William Hollander is a a specimen of the later
popular ballad, consisting of a personal narration. These
autobiographies are professed records either of crime or misfortune,
dished up by the ballad monger and set agoing by the ballad sheet. Our
version of William Hollander shows the effects of tradition and
imperfect recollection. I have a record of the tune as sung by Mr. James
Ewing. It bears some resemblance to The Banks of the Inverurie."" Volume 1 of the Grieg Duncan Folk Song Collection edited by Patrick
Shuldham Shaw and Emily Lyle contains William Hollander at page 93.The
notes in the back don't seem to add anything about the text or origin,
but they MAY - I really don't understand the abbreviations - indicate a
date of August 1906. They basically repeat Greig's comments. It is
interesting though that there is only the one version with simply a
variant verse from someone else.  It is also interesting to note that a
search for the song has to include the possibility of variant titlesd,
based on the variant names of the protagonist.Lew Becker

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 18:36:27 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(40 lines) , text/html(10 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 18:48:46 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(44 lines) , text/html(7 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 04:15:23 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(21 lines)


Lewis Becker wrote:> Volume 1 of the Grieg Duncan Folk Song Collection edited by Patrick
> Shuldham Shaw and Emily Lyle contains William Hollander at page 93.The
> notes in the back don't seem to add anything about the text or origin,
> but they MAY - I really don't understand the abbreviations - indicate a
> date of August 1906.The abbreviations are listed on pp xix-xx; the date is certainly 1906. 
The additional fragment from Annie Shirer is not dated, nor is any tune 
indicated; though the form of chorus attached to it might, perhaps, 
indicate something on the lines of 'Henry Hunt' ('The Nutting Girl'); or 
then again it might not.I haven't yet seen the final volume, whch may contain additional details 
concerning the singers; would James Ewen, I wonder, have been a former 
sailor or employed in an allied trade? The *very* small number of 
examples found in the British Isles might tend to suggest that the song 
was an import from the Americas rather than the other way around.Malcolm Douglas

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 21:19:30 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(33 lines)


This book is readily available through interlibrary
loan. It provides a text of the ballad without tune or
headnotes, probably from Dean's own repertory. See
Laurie Kay Sommers, ‘Ivan H. Walton and American
Folklore’, introduction to Ivan H. Walton, _Songquest:
The Journals of Great Lakes Folklorist Ivan H.
Walton_, ed. Joe Grimm (Detroit: Wayne State
University Press, 2005), p. 5. Stephen--- Lewis Becker <[unmask]> wrote:> I notice also the existence of a book, which I have
> not seen: Flying
> Cloud and one hundred and fifty other Old Time Songs
> and Ballads of
> Outdoor Men, Sailors, Lumber Jacks, soldiers, Men of
> the Great Lakes,
> Railroadmen, Miners, etc. by M.C. Dean and published
> by The Quickprint
> [1922]., Virginia, Minnesota. I don't know whether
> it sheds any light. 
> A most puzzling question.
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 00:03:15 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(4 lines)


When was the importation of slaves to Cuba outlawed?Peace,
Paul

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 28 Aug 2005 22:05:12 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(23 lines)


This is an exceptionally rare volume.  In six years of looking I have never found it offered.Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Sunday, August 28, 2005 4:15 pm
Subject: Re: "The Flying Cloud"  (Was Re: Wehman's Collection of Songs)> I notice also the existence of a book, which I have not seen: Flying
> Cloud and one hundred and fifty other Old Time Songs and Ballads of
> Outdoor Men, Sailors, Lumber Jacks, soldiers, Men of the Great Lakes,
> Railroadmen, Miners, etc. by M.C. Dean and published by The Quickprint
> [1922]., Virginia, Minnesota. I don't know whether it sheds any 
> light. 
> A most puzzling question.
> 
> Lew Becker
> 
> 
> 
> 
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 00:01:43 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


edward cray wrote:>This is an exceptionally rare volume.  In six years of looking I have never found it offered.
>
>Ed
>
>----- Original Message -----
>From: Lewis Becker <[unmask]>
>Date: Sunday, August 28, 2005 4:15 pm
>Subject: Re: "The Flying Cloud"  (Was Re: Wehman's Collection of Songs)
>
>  
>
>>I notice also the existence of a book, which I have not seen: Flying
>>Cloud and one hundred and fifty other Old Time Songs and Ballads of
>>Outdoor Men, Sailors, Lumber Jacks, soldiers, Men of the Great Lakes,
>>Railroadmen, Miners, etc. by M.C. Dean and published by The Quickprint
>>[1922]., Virginia, Minnesota. I don't know whether it sheds any 
>>light. 
>>A most puzzling question.
>>
>>Lew Becker
>>
>>
>>I see a copy of this book (Dean's presentation copy to Carl Sandburg) is for sale at $480 in Saint Paul MN (details on Abebooks).  I have myself seen and handled a copy but can't think where.  Wilgus in "Anglo-American Folksong Scholarship" refers to it as "a wretchedly printed pamphlet containing 163 texts of well-known popular songs of the turn of the century...." and I concur, though he also noted it was reprinted by Norwood Editions, Norwood, PA, 1973.  Jon Bartlett
>>    
>>

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 05:17:16 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(127 lines) , text/html(105 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 06:11:41 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(60 lines) , text/html(49 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 08:29:31 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


On 8/28/05, edward cray wrote:>This is an exceptionally rare volume.  In six years of looking I have never found it offered.Never found it here in Minnesota, either, and believe me, I've looked!-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 08:32:39 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(17 lines)


On 8/29/05, Paul Stamler wrote:>When was the importation of slaves to Cuba outlawed?I'd have to look that up, but I don't think it's very relevant.
Nor Brazil. IIRC, they allowed importation until slavery was
banned altogether. It's pretty clear that Moore's behavior was
*smuggling* slaves, not legal importation; his brutal treatment
made sense only when the supply was limited. When importation was
legal, the slaves were (slightly) better treated.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 06:46:21 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(51 lines)


It doesn't appear in the used book trade--probably the
print run was pretty small--but it is easily obtained
by interlibrary loan. A candidate for a reprint
edition?It's not as rare as Wehman's Collection of Songs No.
42!Stephen--- edward cray <[unmask]> wrote:> This is an exceptionally rare volume.  In six years
> of looking I have never found it offered.
> 
> Ed
> 
> ----- Original Message -----
> From: Lewis Becker <[unmask]>
> Date: Sunday, August 28, 2005 4:15 pm
> Subject: Re: "The Flying Cloud"  (Was Re: Wehman's
> Collection of Songs)
> 
> > I notice also the existence of a book, which I
> have not seen: Flying
> > Cloud and one hundred and fifty other Old Time
> Songs and Ballads of
> > Outdoor Men, Sailors, Lumber Jacks, soldiers, Men
> of the Great Lakes,
> > Railroadmen, Miners, etc. by M.C. Dean and
> published by The Quickprint
> > [1922]., Virginia, Minnesota. I don't know whether
> it sheds any 
> > light. 
> > A most puzzling question.
> > 
> > Lew Becker
> > 
> > 
> > 
> > 
> > 
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 07:28:27 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(244 lines)


--- Fred McCormick <[unmask]> wrote:>  
> Hi Stephen and everyone,
>  
> As you say, there's much fodder for speculation
> there, and I doubt there's  
> much you could rule in or out. Regarding the
> authenticity of MacColl's piece,  
> from what I remember, the opening lines apart, the
> text is not all that  
> different from other versions, which suggests to me
> that he really did learn it  
> from our Mr. Hand. However, I recall that MacColl
> was singing it a lot in  the 
> early '70s (possibly a little earlier), which
> suggests that he may have  
> dredged it from the depths of his memory around
> then, and filled in a few  missing 
> lines.Yes, I think this is quite possible; he may have
filled in the name of the singer, too, which would
explain why no one knows of him. >  
> Regarding my friend from Waterford, whose name still
> has not come back to  
> me, I am fairly certain that I recorded the song
> from him and still have it on  
> tape. Unfortunaely, my tape collection is in a hell
> of a mess at the moment  
> (otherwise known as rationalisation). If and when it
> comes to light, I'll  
> transcribe the text.Yes, please do!>  
> One textual bit I do remember though, the early
> phase of the ballad was  
> located either in Wicklow or Waterford, and the
> central character was  apprenticed 
> to a butcher named "Pearse of Stone Row". That
> puzzled my friend,  for he had 
> been unable to locate a Stone Row in whichever
> location the ballad it  was 
> that the ballad referred to.The majority reading here is the cooper, usually named
William Brown; as Beck notes, this would explain
Captain Moore's eagerness for Edward to sign on with
him; coopers were indispensible on board ship. The
alternative butcher reading is nice from a literary
perspective; Edward is still young and innocent at
this point, but the bloody apron foreshadows the
crimes in which he will participate. Stan Hugill's version: "My father he rose up one morn
an' wid him I did go, / He bound me as a butcher boy
to Kearney's of Wicklow; / I wore the bloody apron
there for three long years or more, / Then I shipped
aboard the _Erin's Queen_ the pride of ol' Tramore."MacColl's version: "My father he rose up one day and
with him I did go, / He bound me as a butcher bow to
Pearson of Wicklow; / I wore the bloody apron there
for three long years or more, / Till I shipped on
board of _The Ocean Queen_ belonging to Tramore."I think these are the only butcher texts that I have
so far, so I would be happy to have your
transcription. Beck did a deal of research, although
that did not help his hypotheses to find acceptance;
he found that the records of the pre-1820 jouneyman
cooper's guild in Waterford had been lost, and that
after 1820 there was a William Browner, but no William
Brown, working as a cooper in Waterford. (The
possibility of a pre-1820 William Brown was attractive
to Beck, who favored an early date for the song, but
purely hypothetical.) It might be worth looking into
the archives in Wicklow (possible also in Waterford)
for nineteenth or ever eighteenth century butchers
named Pearse, Pearson, or Kearney.In any case, if your singer has Pearse the butcher,
this confirms MacColl's version with Pearson as being
more than something MacColl hoked up; the names are
too close to appeal to coincidence, so there must have
been an oral tradition in Ireland including a butcher
named Pears(on). Stephen>  
> Finally, I'd have thought the 1880s was a bit late
> for contemporary  ballads 
> of piracy, and certainly very late for songs about
> slavery.  
>  
> Cheers,
>  
> Fred McCormick.
> In a message dated 28/08/2005 23:58:57 GMT Standard
> Time,  
> [unmask] writes:
> 
> MacColl's version does have some unusual
> features--'I
> was born ten  miles from Dublin town, down by the
> salt
> sea strand'--so it would be nice  to have a reliable
> account of its origins. That Barney Hand is 
> otherwise
> unknown does not, of course, necessarily mean that
> MacColl  made up the version himself and passed it
> off
> as from oral tradition. He  might has misremembered
> the
> singer's name, or forgotten it and made up a  name.
> Who
> knows? MacColl was a complex man and some of his
> assertions,  esp. autobiographical ones, are
> unreliable, but that does not prove that  the song
> is a
> fake. At this point, we simply don't know where it
> came  from. And if the Wehman songster ever does
> turn
> up, we almost certainly  won't know where Wehman got
> his version  either.
> 
> The lack of  information about the origins or early
> history of the song has caused  writers to squeeze
> what
> there is, particularly the text of the song,  for
> information. Beck, in consultation with some top
> experts on these  things, observed that some aspects
> of
> the ship's construction and armament  seem to point
> to
> the eighteenth century rather than the  ninteenth.
> However, if one looks at all the available variants 
> it
> appears that there are also some details that appear
> to date from the  nineteenth. 
> 
> Joanna Colcord thought it dated from the second  or
> third decade of the nineteenth century, when piracy
> and the slave  trade were both being suppressed. She
> also notes that there was a British  ship named
> Dunmore
> that saw action in the War of 1812 (others  have
> _Dungeon_). Her version is from a Joseph McGinnis,
> who
> as she  writes 'imperfectly recalled' the name of
> the
> vessel in the song--she  printed is as _Dungeness_
> in
> 1924 but as _Dunmore_ in 1938. Beck apparently 
> tried
> to get the log of the historical _Dunmore_ to see if
> it ever  captured a pirate ship, but without
> success,
> and no one since has mentioned  it. 
> 
> The historical _Flying Cloud_ (the famous clipper)
> has
> nothing  to do with the ballad except sharing its
> name
> with the ship; and the _Ocean  Queen_ (a notoriously
> slow transatlantic packet) does not fit the song 
> well
> either. There are simply a lot of inconsistencies.
> Doerflinger's  suggestion that it was based on the
> _Dying Declaration of Nicholas  Fernandez_ has won
> little support, most later writers seeing no more 
> than
> similar commonplaces of nineteenth-century
> literature
> about the  ills of piracy. 
> 
> Some versions make Capt. Moore's nemesis a  British
> man-o'-war, others assign her to Spain. In the
> former,
> the  pirates are taken to Newgate to be hanges; in
> the
> latter, to Cuba; in the  A. F. Nelson's version,
> published by Belden, they are taken to Rulawarp, 
> which
> is no more to be identified than Barney Hand. 
> 
> Beck also found  a historical Captain Moore, but
> unlike
> the villainous character of the song  he was an
> officer
> of the Royal Navy who was a plague to pirates. 
> Robert
> Waltz suggest that the name might have originally
> been
> a  reference to a pirate who was a Moor (North
> Africa
> was notorious for  pirates in the earlier nineteenth
> century). Charles Ives published a  version from
> Welcome Tilton of Martha's Vinyard in which the
> villainous  captain is "William Moore" (usually no
> forename is provided); now, that is  the name of the
> gunner whom Captain Kidd killed in 1697, and who  is
> mentioned in the "Captain Kidd" goodnight song;
> could
> the name  "Moore" in TFC have come from "Captain
> Kidd"?
> Of course, Captain Kidd was a  William too, but the
> song usually turns him into a Robert for some 
> reason.
> And the name in the Tilton version could equally
> have
> been  suggested by the Waterford cooper, William or
> Willie Brown. In Greig's  version, from James Ewen
> or
> Ewing, the protagonist is William (in most  versions
> Edward).
> 
> And that's the way it goes: plenty of fodder  for
> speculation, few facts. I would be delighted to turn
> up some sort of  hard evidence of the source of the
> song and/or to a historical event, or  several
> events,
> to which it refers; but it isn't in the cards. We
> don't  know, and barring some serendipitous
> discovery
> we are not likely to  know.
> 
> Stephen
> 
> 
> 
> 
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 08:16:00 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(126 lines) , text/html(38 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 08:38:11 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(260 lines) , text/html(19 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Aboard the Flying Cloud
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 09:00:49 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(32 lines)


Folks:A hasty search by Google yielded this short history of the famous American vessel "The Flying Cloud."   While there may have been previous vessels given that name, the celebrated TFC was launched in 1851.  Perhaps an older ballad naming another vessel is the precursor of TFC, but it would have to be after 1851 and the TFC's record run to San Francisco that  the ballad was attached to its namesake.EdShips of the World: An Historical EncyclopediaFlying CloudClipper (3m). L/B/D: 235 × 40.8 × 21.3 (71.6m × 12.4m × 6.5m). Tons: 1,782 om. Hull: wood. Built: Donald McKay, East Boston, Mass.; 1851.Built for Enoch Train of Boston and sold to Grinnell, Minturn & Company, of New York, Flying Cloud was one of the fastest—if not the fastest—clipper ship ever launched. The largest merchant sailing ship afloat until the launch of Challenge shortly before her first voyage, great things were expected of her, as a New York paper reported five days before her first voyage:    We dined on board yesterday with as fine a "band of brothers" as any man could desire for companions in a Flying Cloud. Indeed, so familiar were the voices of many that we could not realize that we had mounted to the nebular regions. Yet all admitted that we actually were inside a Flying Cloud whose destination was California, and of which Captain Cressy, over whose keen eye and intelligent face there was assuredly no mist, had command; and we can only say that more table luxury, more tasteful and costly furniture, more ample ventilation and comfort of every kind, we never knew even in an earth-built packet ship or steamer.    The Flying Cloud is just the kind of vehicle, or whatever else it may be called, that a sensible man would choose for a ninety days voyage.Under command of the hard-driving Josiah P. Cressy, she departed New York on June 2, 1851, and arrived at San Francisco on August 31 after a record run of only 89 days, 21 hours. Only a handful of ships ever made the same passage in under 100 days; the average time for all clipper ships was more than 120 days, and for full-built merchant ships 150 days or more. It was quite remarkable, then, when three years later Flying Cloud bettered her own time on the same run by 13 hours. Her time of 89 days, 8 hours, anchor to anchor, stood as the record until 1860 when Andrew Jackson sailed the same course in 89 days, 4 hours. (The record of 89 days under sail stood until bettered by the high-performance racing sloop Thursday's Child in 1988-89.)Continuing her fourth voyage, Flying Cloud sailed for Hong Kong, as she had on her first two voyages, to load tea. A few days out from Whampoa on her homeward run, she grounded on a coral reef and began leaking at a rate of 11 inches an hour. With the pumps manned continuously, Flying Cloud arrived at New York on November 24 with her million-dollar cargo intact. On her next voyage, under Captain Reynard, the ship proved badly strained and put into Rio de Janeiro. After five weeks in port, during which her spars were cut down, she resumed her voyage and went on to post her best day's run—402 miles—and arrived at San Francisco on September 14, 1856, after 113 days at sea from New York.Laid up until the next January, she made her last Cape Horn passage in 1857 and then was laid up at New York for nearly three years. In December 1859, she sailed for England and loaded for Hong Kong. After three years in trade between England, Australia, and Hong Kong, Flying Cloud was sold to T. M. Mackay & Company, a partner in James Baines's Black Ball Line. Put in the immigrant trade, she plied between England and Queensland carrying as many as 515 passengers outbound, and returning with full cargoes of wool. In 1871, Flying Cloud was sold to Harry Smith Edwards of South Shields who put her in trade between Newcastle and St. Johns, New Brunswick, carrying coal and pig-iron out and timber back. In June 1874, she grounded on Beacon Island bar and was forced to return to St. Johns. With her back broken, the following year she was burned for her metal fastenings.Cutler, Greyhounds of the Sea. Howe & Matthews, American Clipper Ships. Stammers, Passage Makers.BORDER=0
Site Map | Partners | Press Releases | Company Home | Contact Us
Copyright Houghton Mifflin Company. All Rights Reserved.
Terms and Conditions of Use, Privacy Statement, and Trademark Information
BORDER="0"

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Leslie Shepard's Broadsides
From: Steve Roud <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 17:40:38 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


Leslie Shepard, the English bibliographer and collector who died last year, 
had one the best collections of broadsides and chapbooks still in private 
hands, and we hoped that it would be deposited in a public repository such 
as the Vaughan Williams Memorial Library, but it was apparently not to be. A 
whole chunk of Leslie's material has been listed for auction at Bonhams in 
London
Sale No.11945, 20 Sep 2005, lots 72 onwards
The following link should get you there, but only look if you have serious 
money to spend:http://www.bonhams.com/cgi-bin/public.sh/pubweb/publicSite.r?sContinent=EUR&screen=catalogue&iSaleNo=11945Lot 73, for example is:
AMERICAN BROADSIDE BALLADS A collection of approximately 120 broadside 
ballads
Estimate: £400 - 600and remember that's pounds, not dollars.Happy bidding, as Dolores says!Steve Roud 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 12:49:01 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


Just to add to the accumulation of information -I note from a Google
search the following publication by Professor J.H. Ingraham: The Steel
Mask; or, The Mystery of the Flying Cloud. A Romance of Sea and Shore.
May, 1899. Beadle's New York Dime Library 1024 [Appeared earlier as
DeWitt's Ten Cent Romances No. 93.] I don't know the content and it could be interesting to our discussion.
 One Google hit shows that the book  appears in an on line bibliography
devoted to piracy books:
http://larryvoyer.com/Piratical/pirate%20pages/dime_novels_pennys3.htm.The Northern Illinois University has an online site about the
publishing firm of Beadle and Adams. It also contains a biography of
Ingraham. Portions that I find interesting are:  Joseph Holt Ingraham
was born in Portland, Maine, January 26, 1809.  His grandfather, Joseph
Holt, was a ship builder and trader, and the grandson shipped on board
of one of his vessels as a sailor before he was seventeen and went to
Buenos Ayres. Ingraham died in 1860. Novel followed novel in rapid
succession. Ingraham told Longfellow, in 1846, "that he had written
eighty novels, and of these, twenty during the past year." Had he
written less, he would have been appreciated more. Many of these novels
appeared only in the weekly story papers, and luckily no collected
edition has ever been made. All of Joseph Holt Ingraham's novels
antedated the establishment of Beadle's publishing house, and the
various stories in the Dime and other libraries, are simply reprintsLew

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Keith Briggs' CD collection on eBay
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 13:08:29 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


I just came across these listings on eBay, auctioning the CD collection of
the late Keith Briggs. From the listing info:"We are pleased to have on offer CD's from the very private collection of a
renowned, now deceased, former reviews editor of the very popular Blues and
Rhythm magazine (from 1984 until his untimely death in March of this year).
This was none other than Keith Briggs who had amassed an enormous number of
CD's, many of which are original CDs, some remixed from the very early blues
artists, roots music, hillbilly, bluegrass, classical works, gospel and soul
music, and much more. These CD's will be offered singly and in groups. This
is a collection that transcends the ordinary, from a man passionate about
his music, whose depth of understanding made him a leading authority in the
B&R world. Here is your chance to own some of his private stock, keeping
alive the passion for such music, passing along this bit of history. All the
CDs appear to be in perfect condition, cared for by someone who took pride
in everything he did."http://search.ebay.com/_W0QQfrtsZ0QQfsooZ1QQfsopZ1QQsassZthosmawerThis should take you to the listings of Thos Mawer & Sons Ltd., auctioneers
- if for some reason it doesn't work an eBay search should get you there.
The items are listed in the UK, priced in GBP, but the ones I came across
seem to be in the US eBay site. They may also be listed on eBay UK.I thought this might be of considerable interest to many list members, (if
you can afford it after going wild on the Leslie Shepherd broadside
collection).John Roberts

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 10:25:04 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(44 lines) , text/html(12 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 10:34:45 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(40 lines) , text/html(9 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 13:29:01 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


This just in from Library of Congress. They may have
it but seem to have misplaced it.StephenLibrarian 1: Thank you for consulting the Reader 
Services Section of 
the Music Division at The Library of Congress.
Actually, someone from the Music Library List brought
this to the 
attention of one of my colleagues who was in the
process of tracking down 
this songster. We have a card catalog entry for the
1894 Wehman's 
Collection, but it is not anywhere on the shelf with
the other songsters. We 
are now trying to track down other possible places
where the volume may 
be found. 
We will get back to you as soon as we know something.
D.G.__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 13:54:10 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(253 lines)


Well, I had just the same opinion of the MacColl/Lloyd
anthology of Child ballads--I loved it! And I still
admire MacColl's singing and all, (and I don't like
some of the abuse to which Lloyd has been
subjected--he badly misjudged some things, mostly
political things, but also contributed a lot to the
study of folk song). I have no objection if MacColl
forgot the exact wording he heard and filled in the
gap with something appropriate--as you say, this must
be a major factor in the rise of variants in oral
tradition. I think the appearance, in an unpublished
version of which MacColl can hardly have known, of
'Pearse' as the butcher's name, where MacColl has
'Pearson' and no one else, in published versions at
least, has any such thing, is a pretty good indication
that he got it from oral tradition. No use worrying
about whether he forgot a line or two and invented
something to replace it; it looks true bill to me. I don't know how much the authenticity of his version
has been discussed; all I have seen is a comment from
John Moulden to the effect that no one seems to have
heard of a singer named Barney Hand. This is
significant because, as far as I can see, John Moulden
knows everything knowable about Ulster folk song; so
it raises some question about where MacColl got the
song, but that is not at all the same thing as
accusing him of making it up and passing it off as
something it isn't. It could be just as he heard it
from a singer whose name he simply forgot, as most of
us forget names from time to time. MacColl, as I said in an earlier message, was a
complex man and apparently was sometimes a bit
tendentious about his own life history, but so what?
That doesn't mean we have to treat his repertory as
suspect. We have other versions of unknown provenance,
and don't make an issue of it--Dean's in _The Flying
Cloud_ is a good example. Stephen  --- Jonathan Lighter <[unmask]> wrote:> Not meaning at all to be invidious, but if MacColl
> "hoked up" a couple of lines and a name he
> imperfectly remembered, his version fits the
> definition of  a "traditional song" to a T !
>  
> To one who remembers the glory days of The Kingston
> Trio, The Limeliters, and so many others, MacColl's
> practices - even Lloyd's liberties - don't quite
> rise to the level of "hoked up." 
>  
> Maybe I'm touchy about MacColl's reputation as a
> singer / interpreter of traditional songs. 
> If so, it's only because his records knocked me for
> a loop as a callow teen, resulting in many
> thoroughly fruitless hours trying to get my friends
> to appreciate his style and repertoire.  Same for
> Lloyd.  (They thought Peter Paul & Mary were truly
> groovy, however.)
>  
> JL.
> 
> Stephen Reynolds <[unmask]> wrote:
> --- Fred McCormick wrote:
> 
> > 
> > Hi Stephen and everyone,
> > 
> > As you say, there's much fodder for speculation
> > there, and I doubt there's 
> > much you could rule in or out. Regarding the
> > authenticity of MacColl's piece, 
> > from what I remember, the opening lines apart, the
> > text is not all that 
> > different from other versions, which suggests to
> me
> > that he really did learn it 
> > from our Mr. Hand. However, I recall that MacColl
> > was singing it a lot in the 
> > early '70s (possibly a little earlier), which
> > suggests that he may have 
> > dredged it from the depths of his memory around
> > then, and filled in a few missing 
> > lines.
> 
> Yes, I think this is quite possible; he may have
> filled in the name of the singer, too, which would
> explain why no one knows of him. 
> 
> > 
> > Regarding my friend from Waterford, whose name
> still
> > has not come back to 
> > me, I am fairly certain that I recorded the song
> > from him and still have it on 
> > tape. Unfortunaely, my tape collection is in a
> hell
> > of a mess at the moment 
> > (otherwise known as rationalisation). If and when
> it
> > comes to light, I'll 
> > transcribe the text.
> 
> Yes, please do!
> 
> > 
> > One textual bit I do remember though, the early
> > phase of the ballad was 
> > located either in Wicklow or Waterford, and the
> > central character was apprenticed 
> > to a butcher named "Pearse of Stone Row". That
> > puzzled my friend, for he had 
> > been unable to locate a Stone Row in whichever
> > location the ballad it was 
> > that the ballad referred to.
> 
> The majority reading here is the cooper, usually
> named
> William Brown; as Beck notes, this would explain
> Captain Moore's eagerness for Edward to sign on with
> him; coopers were indispensible on board ship. The
> alternative butcher reading is nice from a literary
> perspective; Edward is still young and innocent at
> this point, but the bloody apron foreshadows the
> crimes in which he will participate. 
> 
> Stan Hugill's version: "My father he rose up one
> morn
> an' wid him I did go, / He bound me as a butcher boy
> to Kearney's of Wicklow; / I wore the bloody apron
> there for three long years or more, / Then I shipped
> aboard the _Erin's Queen_ the pride of ol' Tramore."
> 
> MacColl's version: "My father he rose up one day and
> with him I did go, / He bound me as a butcher bow to
> Pearson of Wicklow; / I wore the bloody apron there
> for three long years or more, / Till I shipped on
> board of _The Ocean Queen_ belonging to Tramore."
> 
> I think these are the only butcher texts that I have
> so far, so I would be happy to have your
> transcription. Beck did a deal of research, although
> that did not help his hypotheses to find acceptance;
> he found that the records of the pre-1820 jouneyman
> cooper's guild in Waterford had been lost, and that
> after 1820 there was a William Browner, but no
> William
> Brown, working as a cooper in Waterford. (The
> possibility of a pre-1820 William Brown was
> attractive
> to Beck, who favored an early date for the song, but
> purely hypothetical.) It might be worth looking into
> the archives in Wicklow (possible also in Waterford)
> for nineteenth or ever eighteenth century butchers
> named Pearse, Pearson, or Kearney.
> 
> In any case, if your singer has Pearse the butcher,
> this confirms MacColl's version with Pearson as
> being
> more than something MacColl hoked up; the names are
> too close to appeal to coincidence, so there must
> have
> been an oral tradition in Ireland including a
> butcher
> named Pears(on). 
> 
> Stephen
> 
> > 
> > Finally, I'd have thought the 1880s was a bit late
> > for contemporary ballads 
> > of piracy, and certainly very late for songs about
> > slavery. 
> > 
> > Cheers,
> > 
> > Fred McCormick.
> > In a message dated 28/08/2005 23:58:57 GMT
> Standard
> > Time, 
> > [unmask] writes:
> > 
> > MacColl's version does have some unusual
> > features--'I
> > was born ten miles from Dublin town, down by the
> > salt
> > sea strand'--so it would be nice to have a
> reliable
> > account of its origins. That Barney Hand is 
> > otherwise
> > unknown does not, of course, necessarily mean that
> > MacColl made up the version himself and passed it
> > off
> > as from oral tradition. He might has misremembered
> > the
> > singer's name, or forgotten it and made up a name.
> > Who
> > knows? MacColl was a complex man and some of his
> > assertions, esp. autobiographical ones, are
> > unreliable, but that does not prove that the song
> > is a
> > fake. At this point, we simply don't know where it
> > came from. And if the Wehman songster ever does
> > turn
> > up, we almost certainly won't know where Wehman
> got
> > his version either.
> > 
> > The lack of information about the origins or early
> > history of the song has caused writers to squeeze
> > what
> > there is, particularly the text of the song, for
> > information. Beck, in consultation with some top
> > experts on these things, observed that some
> aspects
> > of
> > the ship's construction and armament seem to point
> > to
> > the eighteenth century rather than the ninteenth.
> > However, if one looks at all the available
> variants 
> > it
> > appears that there are also some details that
> appear
> > to date from the nineteenth. 
> > 
> > Joanna Colcord thought it dated from the second or
> > third decade of the nineteenth century, when
> piracy
> > and the slave trade were both being suppressed.
> She
> > also notes that there was a British ship named
> > Dunmore
> > that saw action in the War of 1812 (others have
> > _Dungeon_). Her version is from a Joseph McGinnis,
> > who
> > as she writes 'imperfectly recalled' the name of
> > the
> > vessel in the song--she printed is as _Dungeness_
> > in
> > 1924 but as _Dunmore_ in 1938. Beck apparently 
> > tried
> 
=== message truncated ===__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Leslie Shepard's Broadsides
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 14:00:09 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(54 lines)


Well, I'll buy a lottery ticket. Steve, it must have been four years ago, maybe five,
when I got your CD, and I have made good use of it, I
think--I cite Roud numbers for songs I mention every
time, and have been able to trace variants more
efficiently and thoroughly than ever before--but it
seems like time to inquire about updates, because I
know you have not been on vacation in all the
intervening time.Stephen R.--- Steve Roud <[unmask]> wrote:> Leslie Shepard, the English bibliographer and
> collector who died last year, 
> had one the best collections of broadsides and
> chapbooks still in private 
> hands, and we hoped that it would be deposited in a
> public repository such 
> as the Vaughan Williams Memorial Library, but it was
> apparently not to be. A 
> whole chunk of Leslie's material has been listed for
> auction at Bonhams in 
> London
> Sale No.11945, 20 Sep 2005, lots 72 onwards
> The following link should get you there, but only
> look if you have serious 
> money to spend:
> 
>
http://www.bonhams.com/cgi-bin/public.sh/pubweb/publicSite.r?sContinent=EUR&screen=catalogue&iSaleNo=11945
> 
> Lot 73, for example is:
> AMERICAN BROADSIDE BALLADS A collection of
> approximately 120 broadside 
> ballads
> Estimate: £400 - 600
> 
> and remember that's pounds, not dollars.
> 
> Happy bidding, as Dolores says!
> 
> Steve Roud 
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 14:17:41 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(36 lines)


According to Belden, _Ballads and Songs Collected by
the Missouri Folk-Lore Society_, p. 128, what Finger
published is a Michigan version received by the editor
of _Adventure_ in 1919. Belden does not name the
editor;  at that time it would have been Arthur
Sullivant Hoffman. Fingers version  is *not* that
published in _Adventure_ by Robert Winslow Gordon in
1926, although Hoffman remained the editor of the
magazine until June 1927, when he resigned, apparently
because of the publisher's efforts to turn it into an
upscale magazine. Gordon's column, 'Old Songs that Men
have Sung', was discontinued four months after Hoffman
resigned.Stephen--- Jonathan Lighter <[unmask]> wrote:<snip>
>  
> Another nugget of inconclusiveness.  Charles J.
> Finger's _Frontier Ballads_ (1927) includes a pretty
> typical version of TFC.  Finger (ca1867-1941) was a
> seaman only briefly, though he did manage to collect
> a few songs and shanties.  The year: 1890. 
>
(http://libinfo.uark.edu/specialcollections/findingaids/finger.html)
>  		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 14:23:37 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(79 lines)


If this "Stephen R." is who I suspect, he intends to
try to get Ingraham's great literary work, and an
apparent sequel, by interlibrary loan. Who knows, we
may find that Ingraham is the author of the ballad.
Conversely, if anyone has the quiddity to purchase
Shepherd's broadside collection, it could turn up
there in the only surviving copy of an Irish broadide
from 1827 . . . .Stephen who?--- Jonathan Lighter <[unmask]> wrote:> This Mudcat thread has some good info, much of the
> best from somebody with the impenetrable alias of
> "Stephen R."
>  
>
http://www.mudcat.org/thread.cfm?threadid=54665#1273022
>  
> JL
> 
> Lewis Becker <[unmask]> wrote:
> Just to add to the accumulation of information -I
> note from a Google
> search the following publication by Professor J.H.
> Ingraham: The Steel
> Mask; or, The Mystery of the Flying Cloud. A Romance
> of Sea and Shore.
> May, 1899. Beadle's New York Dime Library 1024
> [Appeared earlier as
> DeWitt's Ten Cent Romances No. 93.] 
> 
> I don't know the content and it could be interesting
> to our discussion.
> One Google hit shows that the book appears in an on
> line bibliography
> devoted to piracy books:
>
http://larryvoyer.com/Piratical/pirate%20pages/dime_novels_pennys3.htm.
> 
> 
> The Northern Illinois University has an online site
> about the
> publishing firm of Beadle and Adams. It also
> contains a biography of
> Ingraham. Portions that I find interesting are:
> Joseph Holt Ingraham
> was born in Portland, Maine, January 26, 1809. His
> grandfather, Joseph
> Holt, was a ship builder and trader, and the
> grandson shipped on board
> of one of his vessels as a sailor before he was
> seventeen and went to
> Buenos Ayres. Ingraham died in 1860. Novel followed
> novel in rapid
> succession. Ingraham told Longfellow, in 1846, "that
> he had written
> eighty novels, and of these, twenty during the past
> year." Had he
> written less, he would have been appreciated more.
> Many of these novels
> appeared only in the weekly story papers, and
> luckily no collected
> edition has ever been made. All of Joseph Holt
> Ingraham's novels
> antedated the establishment of Beadle's publishing
> house, and the
> various stories in the Dime and other libraries, are
> simply reprints
> 		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 14:56:43 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(92 lines) , text/html(10 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 17:50:48 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(134 lines) , text/html(129 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud"
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 19:15:12 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(154 lines)


Oh boy! Thanks for this!  I intend to look at the
Gordon Coll. in Eugene, but haven't got there yet. Interesting that it was from British Columbia that
Gordon got two of his contributed versions. And the
wording from "Sheffield Apprentice" and "Ye Rambling
Boys" is interesting.  I don't recall seeing the
phrase about "walk[ing] the plank like sheep" before
either. Stephen--- Jonathan Lighter <[unmask]> wrote:> Some years ago I photocopied items that interested
> me in the Gordon collection at the Library of
> Congress.  My copies are somewhat disarrayed now,
> but I did find this text of TFC. It was sent to
> _Adventure_ on June 14, 1926, by C. E. Duffy, of
> Port Alice, B.C.  Duffy also sent a text of "Bold
> Jack Donahue."   If he enclosed any further
> information of interest, I neglected to note it.  In
> stz. 1, dig the echoes of "The Sheffield Apprentice"
> and "Ye Rambling Boys of Pleasure" !  
>  
>                            The Flying Cloud
>  
>                                   Verse 1
> My Name is Edward Holland, as you may understand
> I was born and raised in Waterford in Erin's happy
> land
> My parents loved me tenderly, they had no child but
> me
> And I being young and foolish with them could not
> aggree.
>  
>                                    V 2
> My father bound me to a trade in Waterfords fair
> town
> He bound me to a Cooper by the name of William Brown
> I served my master faithfully for 18 months & more
> Till I stepped on board of the Ocean Que[e]n
> Bound for Belle Fraziers shore.    
> And when we reached Belle Fraziers shore     V 3
> I met with Capt Moore
> The Commander of the Flying Cloud
> Coming down from Baltimore
> He asked me if Id sail with him
> On a slavery voyage to go
> To the burning plains of Africa
> Where the sugar cane does grow
> The Flying Cloud is a gallant ship as    V 4
> ever sailed the seas
> Or ever spread a maintopsail
> Before a lively breeze
> Her sails as white as the driven snow
> And on them was no specks
> There [were] 49 brass pivot guns
> all mounted on her deck
> We sailed along quite merrily     V 5
> Till we reached the African shore
> 500 of those noble youths
> From their natives homes we bore
> We made them walk our plank lik[e] sheep
> and we stowed them down below
> scarcely eighteen inches to a man
> was all they had to go
> And then we put to sea again     V 6
> With our cargo of slaves
> Twould been better far for those young youths
> Had they been in their graves
> For a plague and fever came on board
> Swept half of them away
> We dragged their dead bodies out on deck
> And heaved them in the sea
> We sailed along quite merrily       V 7
> Till we reached the Cuban shore
> We sold them to the planters
> To be slaves forever more
> To plant the coffee corn & rice
> Beneath the southern sun
> And to lead a hard and wretched life
> until their carreer was done.
> And when our money was all spent   V 8
> We put to sea again
> And Captain Moore he came on board
> and said unto his men
> There's gold and silver to be had
> If with me you'll remain
> We'll hoist a lofty pirate flag
> And scour the Spanish main
> We all consented but five young lads  V 9
> And they were rowed to land
> Two of them were Boston boys
> And two from Newfoundland
> Another was an Irish lad
> Who lately had came o'er
> I wished to God I'd joined those boys
> And gone with them on shore
> For we robbed and plundered many a ship  V 10
> Down on the Spanish Main
> Left many a widow and orphan child
> In sorrow to remain
> For we made them walk our plank like sheep
> Till they found a watery grave
> For the motto of our Captain was 
> a dead man tells no tales
> We were pursued by many a ship  V 11
> By liners & frigates too
> Till a Spanish ship a Man of War
> Her topsails hove in view
> Till a Spanish ship a Man of War
> Her cannons roar[e]d aloud
> Twas all in vain for us to try
> to save the Flying Cloud
> We prepared our deck for action  V 12
> As they hove up along side
> And soon across our quarter deck
> There flew a crimson tide
> We fought till Captain Moore was killed
> And eighty of his men
> When the bombshells set our ship on fire
> We were forced to surrender then
> Then I was taken to Waterford  V 13
> Bound down in iron chains
> For the robbing and plundering of hose ships
> down on the Spanish Main
> Drinking & gambling was the cause
> That made wreck of me
> So come all ye young fellows take advise
> and shun bad company
> So fare ye well ye shady groves  V 14
> And girls whom I adore
> Like wise the music soft & sweet
> That ne'er shall cheer me more
> I ne'er shall kiss your ruby lips
> Nor squeeze your lily white hand
> For I must die a scornful death
> All in some foreign land.
>  
>                  Finis
>                                       C E Duffy
>                                            Pt Alice
>                                                    B
> C
>  
>  
> JL__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 29 Aug 2005 19:32:01 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(77 lines) , text/html(36 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Leslie Shepard's Broadsides
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 30 Aug 2005 12:29:22 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(9 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 30 Aug 2005 09:53:20 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(155 lines)


Aha! the plot thickens! Yesterday the earliest
recollected date for the song was that given
independently by Jack London and by another of
Gordon's correspondents, Frederic Wood, both dating it
to ca 1890-91. Now comes Joseph McGinnis, who pushes
the date back to ca 1883. Colcord clearly changed the name of the FC's nemesis
from Dungeness, which McGinness gave her, to Dunmore
after she found a historical reference to a ship of
the latter name that could have been the one mentioned
in the song. She also took care in the earlier
publication  to put a question mark in parentheses
after Dungeness and tell her readers that McGinness
was not sure of the name--it was something like
Dungeness. It appears in other versions as Dungeon,
which has elicited the proposal that the ship was
really the Don Juan. Both McGinness and Colcord are
scrupulous about the uncertainty of the name. Now I
suppose if anyone wants to continue the search for a
historical event underlying the capture of the FC in
the song, there must be a search for a frigate
Diogenes. When I can once again use ILL, I will see if I can
find _Sea Stories_. In any event, I must get to Eugene
and look at the Gordon Collection, as I have been
meaning to do for months. By the way, Finger's version mentioned by Belden was
subsequently published by Frank Shay in _More Pious
Friends and Drunken Companions_ (1928, conveniently
reprinted with its predecessor volume as _My Pious
Friends and Drunken Companions and More Pious Friends
and Drunken Companions_ by Dover in 1961); and in
_American Sea Songs & Chanteys_ (1948, rp. 1969) Stephen--- Jonathan Lighter <[unmask]> wrote:> Stephen and all,
>  
> An earlier post in one of these "Flying Cloud"
> threads mentioned the name of Joseph F.McGinnis, who
> supplied the text of TFC  which Joanna Colcord
> published in _Roll and Go_ and again in _Songs of
> American Sailormen_.
>  
> McGinnis was a retired seaman, a resident of
> Brooklyn, N.Y. when he corresponded with Gordon
> beginning, it seems, on Oct. [or it may be Nov.: see
> below] 13, 1926.
>  
> That letter contains the following information :
>  
>       "The version of the song 'Flying Cloud'
> published in the Nov. 8 [sic] issue of Adventure has
> all the ear marks of a re-written version of the
> original song.
>  
>       "I learned (what I think is the original) song
> in the foc'sle in about 1883 from an old Liverpool
> Western Ocean sailor and it gives the name as Edward
> Hollander and it has a very tuneful melody to it.
>  
>       "I sent it in to 'The Log' in Sea Stories
> about Aug 1924 (words only) and they published it.
>  
>       "I gave Miss J. C. Colcord the words and music
> later on and she published it in her book 'Roll and
> Go.' , , ,
>  
>       "The name of the man-o-war I gave her was the
> 'Dungeness[' ] I thought at the time it was the
> wrong name. I have came to the conclusion since that
> it was the 'Diogenes'.  As I have reeled of[f] sixty
> years I am not always too positive about matters
> that happened years ago....
>  
>       "There is no dates given in the song and it is
> likely to have taken place any time between
> 1800-1850.
>  
>       "It was and is a popular song wherever sung
> and particularly with Sailors."
>  
> I tried about two tears ago to obtain, by ILL,
> issues of the old pulp magazine _Sea Stories_, only
> to discover that no library would admit to saving
> them.  Maybe that's changed.
>  
> McGinnis had a bit more to say about TFC :
>  
>        "I am going to put it in my collection along
> with a lot of old Sea Songs which have not appeared
> in any other Chantey Collection."
>  
> He corresponded with Gordon now and again, sending
> him a few songs and fragments, perhaps most notably
> the uncommon "Tiger Bay," in a version much like
> that recorded sixty years later by Stan Hugill. 
> McGinnis spoke several times of his sea song
> collection and his desire to see it published.  But
> after his sudden death, the songs, as usual,
> vanished without a trace. 
>  
> 
> JL
>  
> 
> Stephen Reynolds <[unmask]> wrote:
> According to Belden, _Ballads and Songs Collected by
> the Missouri Folk-Lore Society_, p. 128, what Finger
> published is a Michigan version received by the
> editor
> of _Adventure_ in 1919. Belden does not name the
> editor; at that time it would have been Arthur
> Sullivant Hoffman. Fingers version is *not* that
> published in _Adventure_ by Robert Winslow Gordon in
> 1926, although Hoffman remained the editor of the
> magazine until June 1927, when he resigned,
> apparently
> because of the publisher's efforts to turn it into
> an
> upscale magazine. Gordon's column, 'Old Songs that
> Men
> have Sung', was discontinued four months after
> Hoffman
> resigned.
> 
> Stephen
> 
> --- Jonathan Lighter wrote:
> 
> 
> > 
> > Another nugget of inconclusiveness. Charles J.
> > Finger's _Frontier Ballads_ (1927) includes a
> pretty
> > typical version of TFC. Finger (ca1867-1941) was a
> > seaman only briefly, though he did manage to
> collect
> > a few songs and shanties. The year: 1890. 
> >
>
(http://libinfo.uark.edu/specialcollections/findingaids/finger.html)
> > 
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 30 Aug 2005 13:33:51 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(9 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Leslie Shepard's Broadsides
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 30 Aug 2005 20:08:14 +0000
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


John,
I'm equally puzzled.
Quite a while ago I was at the VWML and I'm sure Malcolm said they had all 
of Lesley Shepard's material and were awaiting someone to index it all. 
Curiouser and curiouser!SteveG>From: [unmask]
>Reply-To: Forum for ballad scholars <[unmask]>
>To: [unmask]
>Subject: Re: Leslie Shepard's Broadsides
>Date: Tue, 30 Aug 2005 12:29:22 EDT
>
>I'm very puzzled. Leslie's Irish material has been deposited at ITMA and
>Nicholas Carolan had the co-operation of Lesie's family in checking his 
>house in
>Dublin for anything that remained. I had understood that the remainder (or
>was  it only the English material) was to be deposited in the VWML as a 
>result
>of  Leslie's bequest.
>
>John Moulden_________________________________________________________________
Use MSN Messenger to send music and pics to your friends 
http://messenger.msn.co.uk

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Leslie Shepard's Broadsides
From: Steve Roud <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 30 Aug 2005 22:05:46 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(47 lines)


Can I put the record straight here.
Leslie's books (his folksong/folklore ones at least) were deposited in the 
VWML a couple of years ago, I helped him pack them up. But he wanted to hang 
onto his street literature material because he was working on a new book.
He made it clear to several of us that he wanted his broadsides to go to the 
VWML, but as he did not say so in his will,  his family are quite within 
their rights to do what they like with it. He may have said somrething about 
the Irish material in his will.
It is a shame, but nothing can be done.
Steve Roud----- Original Message ----- 
From: "Steve Gardham" <[unmask]>
To: <[unmask]>
Sent: Tuesday, August 30, 2005 9:08 PM
Subject: Re: Leslie Shepard's Broadsides> John,
> I'm equally puzzled.
> Quite a while ago I was at the VWML and I'm sure Malcolm said they had all 
> of Lesley Shepard's material and were awaiting someone to index it all. 
> Curiouser and curiouser!
>
> SteveG
>
>
>>From: [unmask]
>>Reply-To: Forum for ballad scholars <[unmask]>
>>To: [unmask]
>>Subject: Re: Leslie Shepard's Broadsides
>>Date: Tue, 30 Aug 2005 12:29:22 EDT
>>
>>I'm very puzzled. Leslie's Irish material has been deposited at ITMA and
>>Nicholas Carolan had the co-operation of Lesie's family in checking his 
>>house in
>>Dublin for anything that remained. I had understood that the remainder (or
>>was  it only the English material) was to be deposited in the VWML as a 
>>result
>>of  Leslie's bequest.
>>
>>John Moulden
>
> _________________________________________________________________
> Use MSN Messenger to send music and pics to your friends 
> http://messenger.msn.co.uk
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Tommys Tunes 1st Edition on ebay
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 11:01:06 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(17 lines)


Hello everyone.I just wanted to say that I will be bidding of the following item.  If I 
win, I will scan it and make it available for download.Yours,John Mehlberg
~
      Item name:                ****Tommys Tunes****F T Nettleingham****
      Price:                    GBP 9.99
      Bids:                     0
      End date:                 Sep-09-05 13:05:28 PDT
      View item:
      http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=6975339375 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Tommys Tunes 1st Edition on ebay
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 10:54:52 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


John:It and its companion, _More Tommy's Tunes,_ are valuable, if expurgated.Ed----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Wednesday, August 31, 2005 9:01 am
Subject: Tommys Tunes 1st Edition on ebay> Hello everyone.
> 
> I just wanted to say that I will be bidding of the following item.  
> If I 
> win, I will scan it and make it available for download.
> 
> Yours,
> 
> John Mehlberg
> ~
>      Item name:                ****Tommys Tunes****F T 
> Nettleingham****      Price:                    GBP 9.99
>      Bids:                     0
>      End date:                 Sep-09-05 13:05:28 PDT
>      View item:
>      http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=6975339375
> 
> 
> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Tommys Tunes 1st Edition on ebay
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 13:09:29 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(57 lines)


Hello everyone,My confusion.  I already *have* a copy of the 1st edition and the 2nd 
edition available for download.   See here:http://immortalia.com/html/categorized-by-type-of-informant/military-songs/fighter-pilot-songs.htmI am looking for the _More Tommy's Tunes_.    So feel free to bid on this 
book.Yours,John Mehlberg----- Original Message ----- 
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Wednesday, August 31, 2005 12:54 PM
Subject: Re: Tommys Tunes 1st Edition on ebay> John:
>
> It and its companion, _More Tommy's Tunes,_ are valuable, if expurgated.
>
> Ed
>
> ----- Original Message -----
> From: John Mehlberg <[unmask]>
> Date: Wednesday, August 31, 2005 9:01 am
> Subject: Tommys Tunes 1st Edition on ebay
>
>> Hello everyone.
>>
>> I just wanted to say that I will be bidding of the following item.
>> If I
>> win, I will scan it and make it available for download.
>>
>> Yours,
>>
>> John Mehlberg
>> ~
>>      Item name:                ****Tommys Tunes****F T
>> Nettleingham****      Price:                    GBP 9.99
>>      Bids:                     0
>>      End date:                 Sep-09-05 13:05:28 PDT
>>      View item:
>>      http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=6975339375
>>
>>
>> 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Tommys Tunes 1st Edition on ebay
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 14:16:46 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(41 lines) , text/html(43 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Alan Lomax and John W. Work III
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 11:16:52 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(9 lines)


Folks:The _New York Times_ of Monday, 8/29, had a lead story on the first arts page headlined: "Book Says Lomax Neglected Black Scholars."  The story by Marc Weingarten is essentially advance publicity of a new book edited by Robert Gordon (not THE Robert W. Gordon) and Bruce Nemerov, "Lost Delta Blues" (Vanderbilt University Press).The essential argument is that musicologist John W. Work III of Fisk University, Lewis W. Jones, a sociologist and a grad student, Samuel C. Adams, did the initial field work that turned up Muddy Waters (McKinley Morganfield) and other informants whom Lomax  later recorded in 1941 and 42.  The editors argue that Lomax gave them scant, even begrudging credit.That aside, the book does contain no fewer than 158 transcriptions of field recordings in the Mississippi Delta by Work, Jones and Adams.  That alone would make it valuable.  I do not know how many of the songs here are also in Work's two collections of black songs and spirituals.Ed

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Alan Lomax and John W. Work III
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 13:22:38 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(16 lines)


PS: In addition to Ed's notice, I encourage folks to read the review of this book by Elijah Wald in the current issue of Sing Out!, which does not deal with the Work/Lomax issue but instead gets to the value of Work's original research. Very informative (and critical). The book has been out for a while and is getting a lot of attention, although unfortunately, I believe, because of the controversy over the Lomax connection, which Gordon first brought up in his biography of Muddy Waters of a few years ago. Ronald CohenCc:	
Subject:	Alan Lomax and John W. Work IIIFolks:The _New York Times_ of Monday, 8/29, had a lead story on the first arts page headlined: "Book Says Lomax Neglected Black Scholars."  The story by Marc Weingarten is essentially advance publicity of a new book edited by Robert Gordon (not THE Robert W. Gordon) and Bruce Nemerov, "Lost Delta Blues" (Vanderbilt University Press).The essential argument is that musicologist John W. Work III of Fisk University, Lewis W. Jones, a sociologist and a grad student, Samuel C. Adams, did the initial field work that turned up Muddy Waters (McKinley Morganfield) and other informants whom Lomax  later recorded in 1941 and 42.  The editors argue that Lomax gave them scant, even begrudging credit.That aside, the book does contain no fewer than 158 transcriptions of field recordings in the Mississippi Delta by Work, Jones and Adams.  That alone would make it valuable.  I do not know how many of the songs here are also in Work's two collections of black songs and spirituals.Ed

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Alan Lomax and John W. Work III
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 14:41:25 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(55 lines) , text/html(58 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Alan Lomax and John W. Work III
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 14:30:57 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


This is really the most important point. My own feeling about the 
uncorrected errors is that not a lot of lay persons are going to buy this 
Vanderbilt University Press book anyway and little damage will be done. 
It's fascinating material and I'm glad it's finally in our hands.Paul GaronAt 01:41 PM 8/31/2005, you wrote:
>
>That lot said, though, I feel this is the most important book on the blues 
>to hit the bookshops in a very long time and I would thoroughly recommend 
>it to anyone seriously interested in the idiom.
>
>Cheers,
>
>Fred McCormick.
>Paul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Alan Lomax and John W. Work III
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 12:41:10 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(19 lines) , text/html(7 lines)


Sorry, your browser doesn't support iframes.


Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Alan Lomax and John W. Work III
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 31 Aug 2005 15:14:28 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


I agree that this is an interesting and important book, despite the slurs regarding Lomax which detract from the book's value (but seem to have captured the bulk of the publicity), but I would recommend Elijah Wald's ESCAPING THE DELTA, which draws upon the Work study, as the best exploration of the Delta blues in some years. Ron CohenThis is really the most important point. My own feeling about the 
uncorrected errors is that not a lot of lay persons are going to buy this 
Vanderbilt University Press book anyway and little damage will be done. 
It's fascinating material and I'm glad it's finally in our hands.Paul GaronAt 01:41 PM 8/31/2005, you wrote:
>
>That lot said, though, I feel this is the most important book on the blues 
>to hit the bookshops in a very long time and I would thoroughly recommend 
>it to anyone seriously interested in the idiom.
>
>Cheers,
>
>Fred McCormick.
>Paul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com 

Original Message:

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:09:42 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(162 lines)


Anne & Frank Warner' s book states:   "Horace Beck cites Franz Rickaby: "at one time the ability to sing this song was a prerequisite to being allowed to work in Michingan lumber camps: Beck questions the song's British origin, since ony one version has been found in the British Isles and versions are widespread from Ontarion and Maine and throughout the Middle West.  
  Beck says that a ship called the Flying Cloud was built in1851 in Boston by David McKay, but it was never a pirate ship and the song is earlier.  William Doerflinger says it may have originated as early as 1830."    I find it terribly intriguing to learn a sea song that was required material for a logging camp.  Sounds like my kind of camp.        A reference was made to MacColl's version, Does anyone know if it is in one his publications, if so which one it might be?  ThanksSammy Rich> 
> Lewis Becker <[unmask]> wrote:
> I am writing this from memory, so please bear with me in the case of
> obvious errors. Last night I went looking to see if I could find any
> early printed version of the Flying Cloud but was unsuccesful. However,
> an 1880's origin seems late. I recall that there was a discussion in
> either Songs of the Catskills or the Frank and Anne Warren Collection
> that discussed the song; the opinion of some commentators (was it
> Beck?) placed it as of a much earlier date. It seems unlikely to me 
> that a song would be widely prevalent in 1890 when it originated in some
> isolated and obscure printed form in 1880. For a song to become
> instantaneously well known (instantaneous in the sense that it first
> appeared in 1880 but was so well known by 1890 that both Jack London and
> Gordon's informant heard it), wouldn't it have shown up in a lot of
> songsters or broadsides, to reflect its popularity? I am thinking here
> of The Rose of Allandale. This appeared in print about 1835 and is
> attributed to a Charles Jefferys. Whether or not it was written by him,
> it became an instanteous hit and appeared in a lot of songsters.
> 
> So I tend not to buy an 1880 origin and tend to think that an earlier
> date is the way to go. I will look at what I have this evening.
> 
> Lew
> 
> Lewis Becker
> Professor of Law
> Villanova University School of Law
> (610.519.7074)
> (Fax - 610.519.5672)
> 
> >>> [unmask] 8/28/2005 9:05:02 AM >>>
> After R. W. Gordon printed a text of "TFC" in _Adventure_ magazine, he
> received the following recollection from Frederic T. O. Wood of Chicago,
> dated Oct. 13, 1926 :
> 
> ". . .We had an old buck on my last ship, some thirty-five years ago
> who sang this song [i.e., ca1890-91, at exactly the same time that Jack
> London claimed he learned it], and his version of one verse was like
> this :
> 
> "Oh, the Flying Cloud was as fine a ship
> As ever swam the sea,
> Her topsails and her royals set
> So noble for to see.
> Her sails were white as the driven snow
> On them there was no speck.
> And twenty brass ten-pounder guns
> She carried on her deck.
> I have often seen that gallant ship
> With the wind abaft the beam,
> Her sheets all stiffened as she rolled,
> Decks water to our knees.
> 
> "His version of the song used the name Matthew Hollander who claimed to
> hail from Waterford's fair town--another slight change to the published
> version .. . . 
> 
> "I thank you, boy. I sat here tonight and sang this old song over and
> lived again the happy days that are gone, and now are only dreams. But
> dreams are all we old fellows have left, and no one can take them
> away...." [Gordon Collection, L. of C., _Adventure_ Correspondence, No.
> 1938]
> 
> My impression is that the song very possibly originated in the 1880s or
> a bit earlier, perhaps in a dime novel as no early broadside has ever
> been discovered. The evocative name "Flying Cloud" may have been chosen
> because the fame of the real ship had long been forgotten by the general
> public.
> 
> Wood's last two quoted lines are unique so far as I know.
> 
> JL
> 
> 
> 
> 
> Stephen Reynolds wrote:
> This just in from Steve Roud. I don't know. I'm
> dependent on Cazden, Haufrecht, & Studer for the
> reference; earlier (before 1982) writers were not
> aware of 'Flying Cloud' in a Wehman songster (the next
> discussion in print, as far as I know, was in the
> _Boston Evening Transcript_ in 1916, twelve years
> after the date assigned by C,,H,, & S, to the Wehman
> collection, and the latter is not mentioned there).
> __Notes & Sources for Folk Songs of the Catskills_ in
> some ways sets new standards for folksong
> bibliography, but at the same time it is too
> compressed; for example, it fails to give the date of
> the songster to which it assigns the number 42 in the
> series of Wehman's Collecions of Songs. The date is
> given in _Folk Songs of the Catskills_, to which
> _Notes & Sources_ is a companion: "A songster text of
> 1894 was copyrighted by Henry J. Wehman . . ." (p.
> 429), but the title and other data of publication
> appear only in _Notes & Sources_. A misprint anywhere
> in the references could be seriously misleading. 
> 
> I don't have Norm Cohen's Bibliography, and as I
> explained earlier I cannot even request an
> interlibrary borrowing for a month, until the new
> catalog is set up. 
> 
> It's this sort of thing, in fact, that led me to begin
> putting together a bibliography; in addition to being
> a bit out of date by now, the list in _Notes &
> Sources_ does have some lacunae, and no other
> bibliography on the song is as thorough as C, H, & S
> are. But unless I can verify an earlier reference
> there is no point in listing it at all. I'm still
> trying to get to the bottom of some anomalies in
> subsequent citations of the _Evening Transcript_ text.
> I hope I can save others in the future the hassle of
> trying to make sense of incomplete and contradictory
> references.
> 
> Stephen
> 
> Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> From: "STEVE ROUD" 
> Subject: Re: Wehman's Collection of Songs
> To: [unmask] 
> Stephen
> I'm away from home, and the list won't accept a direct
> posting from my daughter's computer - so could you
> forward this the List?
> 
> Does Wehman 42 exist anyway? If I remember rightly
> meade says 'Wehman Nos. 1-42' but Norm Cohen's
> Songster Bibliography only lists up to No.41.
> 
> Steve Roud
> 
> 
> 
> ____________________________________________________
> Start your day with Yahoo! - make it your home page 
> http://www.yahoo.com/r/hs 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 
> 		
> ---------------------------------
>  Start your day with Yahoo! - make it your home page 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 08:18:34 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(173 lines)


MacColl included TFC in The Singing Island.  Be somewhat wary of Beck; he declared The Shoals of Herring to be a traditional fisherman's song.
> 
> From: Sammy Rich <[unmask]>
> Date: 2005/09/01 Thu AM 08:09:42 CDT
> To: [unmask]
> Subject: Re: "The Flying Cloud"  (Was Re: Wehman's Collection of Songs)
> 
> Anne & Frank Warner' s book states:
> 
>    "Horace Beck cites Franz Rickaby: "at one time the ability to sing this song was a prerequisite to being allowed to work in Michingan lumber camps: Beck questions the song's British origin, since ony one version has been found in the British Isles and versions are widespread from Ontarion and Maine and throughout the Middle West.  
>   Beck says that a ship called the Flying Cloud was built in1851 in Boston by David McKay, but it was never a pirate ship and the song is earlier.  William Doerflinger says it may have originated as early as 1830."
> 
>     I find it terribly intriguing to learn a sea song that was required material for a logging camp.  Sounds like my kind of camp.  
> 
>       A reference was made to MacColl's version, Does anyone know if it is in one his publications, if so which one it might be?  
> 
> Thanks
> 
> Sammy Rich
> 
> > 
> > Lewis Becker <[unmask]> wrote:
> > I am writing this from memory, so please bear with me in the case of
> > obvious errors. Last night I went looking to see if I could find any
> > early printed version of the Flying Cloud but was unsuccesful. However,
> > an 1880's origin seems late. I recall that there was a discussion in
> > either Songs of the Catskills or the Frank and Anne Warren Collection
> > that discussed the song; the opinion of some commentators (was it
> > Beck?) placed it as of a much earlier date. It seems unlikely to me 
> > that a song would be widely prevalent in 1890 when it originated in some
> > isolated and obscure printed form in 1880. For a song to become
> > instantaneously well known (instantaneous in the sense that it first
> > appeared in 1880 but was so well known by 1890 that both Jack London and
> > Gordon's informant heard it), wouldn't it have shown up in a lot of
> > songsters or broadsides, to reflect its popularity? I am thinking here
> > of The Rose of Allandale. This appeared in print about 1835 and is
> > attributed to a Charles Jefferys. Whether or not it was written by him,
> > it became an instanteous hit and appeared in a lot of songsters.
> > 
> > So I tend not to buy an 1880 origin and tend to think that an earlier
> > date is the way to go. I will look at what I have this evening.
> > 
> > Lew
> > 
> > Lewis Becker
> > Professor of Law
> > Villanova University School of Law
> > (610.519.7074)
> > (Fax - 610.519.5672)
> > 
> > >>> [unmask] 8/28/2005 9:05:02 AM >>>
> > After R. W. Gordon printed a text of "TFC" in _Adventure_ magazine, he
> > received the following recollection from Frederic T. O. Wood of Chicago,
> > dated Oct. 13, 1926 :
> > 
> > ". . .We had an old buck on my last ship, some thirty-five years ago
> > who sang this song [i.e., ca1890-91, at exactly the same time that Jack
> > London claimed he learned it], and his version of one verse was like
> > this :
> > 
> > "Oh, the Flying Cloud was as fine a ship
> > As ever swam the sea,
> > Her topsails and her royals set
> > So noble for to see.
> > Her sails were white as the driven snow
> > On them there was no speck.
> > And twenty brass ten-pounder guns
> > She carried on her deck.
> > I have often seen that gallant ship
> > With the wind abaft the beam,
> > Her sheets all stiffened as she rolled,
> > Decks water to our knees.
> > 
> > "His version of the song used the name Matthew Hollander who claimed to
> > hail from Waterford's fair town--another slight change to the published
> > version .. . . 
> > 
> > "I thank you, boy. I sat here tonight and sang this old song over and
> > lived again the happy days that are gone, and now are only dreams. But
> > dreams are all we old fellows have left, and no one can take them
> > away...." [Gordon Collection, L. of C., _Adventure_ Correspondence, No.
> > 1938]
> > 
> > My impression is that the song very possibly originated in the 1880s or
> > a bit earlier, perhaps in a dime novel as no early broadside has ever
> > been discovered. The evocative name "Flying Cloud" may have been chosen
> > because the fame of the real ship had long been forgotten by the general
> > public.
> > 
> > Wood's last two quoted lines are unique so far as I know.
> > 
> > JL
> > 
> > 
> > 
> > 
> > Stephen Reynolds wrote:
> > This just in from Steve Roud. I don't know. I'm
> > dependent on Cazden, Haufrecht, & Studer for the
> > reference; earlier (before 1982) writers were not
> > aware of 'Flying Cloud' in a Wehman songster (the next
> > discussion in print, as far as I know, was in the
> > _Boston Evening Transcript_ in 1916, twelve years
> > after the date assigned by C,,H,, & S, to the Wehman
> > collection, and the latter is not mentioned there).
> > __Notes & Sources for Folk Songs of the Catskills_ in
> > some ways sets new standards for folksong
> > bibliography, but at the same time it is too
> > compressed; for example, it fails to give the date of
> > the songster to which it assigns the number 42 in the
> > series of Wehman's Collecions of Songs. The date is
> > given in _Folk Songs of the Catskills_, to which
> > _Notes & Sources_ is a companion: "A songster text of
> > 1894 was copyrighted by Henry J. Wehman . . ." (p.
> > 429), but the title and other data of publication
> > appear only in _Notes & Sources_. A misprint anywhere
> > in the references could be seriously misleading. 
> > 
> > I don't have Norm Cohen's Bibliography, and as I
> > explained earlier I cannot even request an
> > interlibrary borrowing for a month, until the new
> > catalog is set up. 
> > 
> > It's this sort of thing, in fact, that led me to begin
> > putting together a bibliography; in addition to being
> > a bit out of date by now, the list in _Notes &
> > Sources_ does have some lacunae, and no other
> > bibliography on the song is as thorough as C, H, & S
> > are. But unless I can verify an earlier reference
> > there is no point in listing it at all. I'm still
> > trying to get to the bottom of some anomalies in
> > subsequent citations of the _Evening Transcript_ text.
> > I hope I can save others in the future the hassle of
> > trying to make sense of incomplete and contradictory
> > references.
> > 
> > Stephen
> > 
> > Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> > From: "STEVE ROUD" 
> > Subject: Re: Wehman's Collection of Songs
> > To: [unmask] 
> > Stephen
> > I'm away from home, and the list won't accept a direct
> > posting from my daughter's computer - so could you
> > forward this the List?
> > 
> > Does Wehman 42 exist anyway? If I remember rightly
> > meade says 'Wehman Nos. 1-42' but Norm Cohen's
> > Songster Bibliography only lists up to No.41.
> > 
> > Steve Roud
> > 
> > 
> > 
> > ____________________________________________________
> > Start your day with Yahoo! - make it your home page 
> > http://www.yahoo.com/r/hs 
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam protection around 
> > http://mail.yahoo.com 
> > 
> > 		
> > ---------------------------------
> >  Start your day with Yahoo! - make it your home page 
> > 
> Tom Hall  --  Master Wordworker  
and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:47:49 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(40 lines) , text/html(45 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:09:31 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


On 9/1/05, Tom Hall wrote:>MacColl included TFC in The Singing Island.  Be somewhat wary of Beck; he declared The Shoals of Herring to be a traditional fisherman's song.
>>
>> From: Sammy Rich <[unmask]>
>> Date: 2005/09/01 Thu AM 08:09:42 CDT
>> To: [unmask]
>> Subject: Re: "The Flying Cloud"  (Was Re: Wehman's Collection of Songs)
>>
>> Anne & Frank Warner' s book states:
>>
> >    "Horace Beck cites Franz Rickaby: "at one time the ability to sing this song was a prerequisite to being allowed to work in Michingan lumber camps:The quote is roughly accurate. Rickaby's _Ballads and Songs of the
Shanty-Boy_, p. 223, in the notes to "The Flying Cloud," states "This
is the ballad of which it was said that, in order to get a job in the
Michigan camps, one had to be able to sing it through from end to end!"Of course, that doesn't make it true; note that Rickaby reports it
as hearsay.Hearsay from 1926 or earlier, whatever that says about the date of the
song.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 10:30:25 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(28 lines) , text/html(29 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:52:49 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(38 lines)


The only song I could find on the discography at stanhugill.com was titled "The Pilots of Tiger Bay."  Is this the song you seek?> From: John Roberts <[unmask]>
> Date: 2005/09/01 Thu AM 09:30:25 CDT
> To: [unmask]
> Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
> 
> I am interested in tracking down versions of Tiger Bay, which I have only
> heard ³second hand,² after Hugill. Is this (McGinnis) version available
> anywhere? And where is Stan Hugill¹s version recorded?
> 
> John Roberts
> 
> 
> 
> 
> On 8/29/05 10:32 PM, "Jonathan Lighter" <[unmask]> wrote:
> >  
> > McGinnis had a bit more to say about TFC :
> >  
> >        "I am going to put it in my collection along with a lot of old Sea
> > Songs which have not appeared in any other Chantey Collection."
> >  
> > He corresponded with Gordon now and again, sending him a few songs and
> > fragments, perhaps most notably the uncommon "Tiger Bay," in a version much
> > like that recorded sixty years later by Stan Hugill.  McGinnis spoke several
> > times of his sea song collection and his desire to see it published.  But
> > after his sudden death, the songs, as usual, vanished without a trace.
> > 
> > JL
> >  
> > 
> 
> 
> Tom Hall  --  Master Wordworker  
and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 11:06:48 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(45 lines)


Aye, that is indeed the one.
JROn 9/1/05 10:52 AM, "Tom Hall" <[unmask]> wrote:> The only song I could find on the discography at stanhugill.com was titled
> "The Pilots of Tiger Bay."  Is this the song you seek?
> 
>> From: John Roberts <[unmask]>
>> Date: 2005/09/01 Thu AM 09:30:25 CDT
>> To: [unmask]
>> Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
>> 
>> I am interested in tracking down versions of Tiger Bay, which I have only
>> heard ³second hand,² after Hugill. Is this (McGinnis) version available
>> anywhere? And where is Stan Hugill¹s version recorded?
>> 
>> John Roberts
>> 
>> 
>> 
>> 
>> On 8/29/05 10:32 PM, "Jonathan Lighter" <[unmask]> wrote:
>>>  
>>> McGinnis had a bit more to say about TFC :
>>>  
>>>        "I am going to put it in my collection along with a lot of old Sea
>>> Songs which have not appeared in any other Chantey Collection."
>>>  
>>> He corresponded with Gordon now and again, sending him a few songs and
>>> fragments, perhaps most notably the uncommon "Tiger Bay," in a version much
>>> like that recorded sixty years later by Stan Hugill.  McGinnis spoke several
>>> times of his sea song collection and his desire to see it published.  But
>>> after his sudden death, the songs, as usual, vanished without a trace.
>>> 
>>> JL
>>>  
>>> 
>> 
>> 
>> 
> 
> Tom Hall  --  Master Wordworker
> and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 11:49:20 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(25 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:53:02 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(172 lines) , text/html(13 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 10:29:52 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(248 lines)


In Atlantic Canada and in New England, winter was a
slack time for sailors (and for farmers too). Many
sailors, and many farmers who had others to whom they
could leave the necessary chores, signed on in lumber
camps to make some money in the winter. There was a
"lumber camp repertory," which in this way became
commingled with sea songs--forebitters rather than
shanties--and with the ballads and other songs sung in
farmhouses. 'The _Flying Cloud_' became a favorite in
the shanties (< Fr _chantier_, meaning among other
things, in Canadian French, a bunkhouse in a logging
camp; our word _shanty_ 'hut' is of this origin,
probably reinforced by Gaelic _sean tigh_ 'old
house').  
It was no doubt this logging-camp connection that
enabled the song to spread inland, although Great
Lakes shipping is another obvious route by which it
could have reached the Upper Midwest. MacColl's version: Peggy Seeger and Ewen MacColl,
comps eds, _The Singing Island: A Collection of
English and Scots Folksongs_ (London: Mills Music,
1960), p. 53, No. 60, notes on p. 111. It was
reprinted in _Sing Out_, June-July 1969, pp 20-21; in
Dan Milner, _The Bonnie Bunch of Roses_ (New York,
London, & Sydney: Oak Pubns, 1983), pp 96-97; and,
without the courtesy of an attribution, in Jerry
Silverman, _(Mel Bay Presents) Songs of Ireland: 103
Favourite Irish and Irish-American Songs_ (Pacific,
Missouri: Mel Bay Pubns, 1991), pp 30-31 (the
accompanying notes are lifted from Colcord, also
without acknowlegment). MacColl sings it on _Haul on
the Bowlin'_ (Stinon Records SLP 81. --- Sammy Rich <[unmask]> wrote:> Anne & Frank Warner' s book states:
> 
>    "Horace Beck cites Franz Rickaby: "at one time
> the ability to sing this song was a prerequisite to
> being allowed to work in Michingan lumber camps:
> Beck questions the song's British origin, since ony
> one version has been found in the British Isles and
> versions are widespread from Ontarion and Maine and
> throughout the Middle West.  
>   Beck says that a ship called the Flying Cloud was
> built in1851 in Boston by David McKay, but it was
> never a pirate ship and the song is earlier. 
> William Doerflinger says it may have originated as
> early as 1830."
> 
>     I find it terribly intriguing to learn a sea
> song that was required material for a logging camp. 
> Sounds like my kind of camp.  
> 
>       A reference was made to MacColl's version,
> Does anyone know if it is in one his publications,
> if so which one it might be?  
> 
> Thanks
> 
> Sammy Rich
> 
> > 
> > Lewis Becker <[unmask]> wrote:
> > I am writing this from memory, so please bear with
> me in the case of
> > obvious errors. Last night I went looking to see
> if I could find any
> > early printed version of the Flying Cloud but was
> unsuccesful. However,
> > an 1880's origin seems late. I recall that there
> was a discussion in
> > either Songs of the Catskills or the Frank and
> Anne Warren Collection
> > that discussed the song; the opinion of some
> commentators (was it
> > Beck?) placed it as of a much earlier date. It
> seems unlikely to me 
> > that a song would be widely prevalent in 1890 when
> it originated in some
> > isolated and obscure printed form in 1880. For a
> song to become
> > instantaneously well known (instantaneous in the
> sense that it first
> > appeared in 1880 but was so well known by 1890
> that both Jack London and
> > Gordon's informant heard it), wouldn't it have
> shown up in a lot of
> > songsters or broadsides, to reflect its
> popularity? I am thinking here
> > of The Rose of Allandale. This appeared in print
> about 1835 and is
> > attributed to a Charles Jefferys. Whether or not
> it was written by him,
> > it became an instanteous hit and appeared in a lot
> of songsters.
> > 
> > So I tend not to buy an 1880 origin and tend to
> think that an earlier
> > date is the way to go. I will look at what I have
> this evening.
> > 
> > Lew
> > 
> > Lewis Becker
> > Professor of Law
> > Villanova University School of Law
> > (610.519.7074)
> > (Fax - 610.519.5672)
> > 
> > >>> [unmask] 8/28/2005 9:05:02 AM
> >>>
> > After R. W. Gordon printed a text of "TFC" in
> _Adventure_ magazine, he
> > received the following recollection from Frederic
> T. O. Wood of Chicago,
> > dated Oct. 13, 1926 :
> > 
> > ". . .We had an old buck on my last ship, some
> thirty-five years ago
> > who sang this song [i.e., ca1890-91, at exactly
> the same time that Jack
> > London claimed he learned it], and his version of
> one verse was like
> > this :
> > 
> > "Oh, the Flying Cloud was as fine a ship
> > As ever swam the sea,
> > Her topsails and her royals set
> > So noble for to see.
> > Her sails were white as the driven snow
> > On them there was no speck.
> > And twenty brass ten-pounder guns
> > She carried on her deck.
> > I have often seen that gallant ship
> > With the wind abaft the beam,
> > Her sheets all stiffened as she rolled,
> > Decks water to our knees.
> > 
> > "His version of the song used the name Matthew
> Hollander who claimed to
> > hail from Waterford's fair town--another slight
> change to the published
> > version .. . . 
> > 
> > "I thank you, boy. I sat here tonight and sang
> this old song over and
> > lived again the happy days that are gone, and now
> are only dreams. But
> > dreams are all we old fellows have left, and no
> one can take them
> > away...." [Gordon Collection, L. of C.,
> _Adventure_ Correspondence, No.
> > 1938]
> > 
> > My impression is that the song very possibly
> originated in the 1880s or
> > a bit earlier, perhaps in a dime novel as no early
> broadside has ever
> > been discovered. The evocative name "Flying Cloud"
> may have been chosen
> > because the fame of the real ship had long been
> forgotten by the general
> > public.
> > 
> > Wood's last two quoted lines are unique so far as
> I know.
> > 
> > JL
> > 
> > 
> > 
> > 
> > Stephen Reynolds wrote:
> > This just in from Steve Roud. I don't know. I'm
> > dependent on Cazden, Haufrecht, & Studer for the
> > reference; earlier (before 1982) writers were not
> > aware of 'Flying Cloud' in a Wehman songster (the
> next
> > discussion in print, as far as I know, was in the
> > _Boston Evening Transcript_ in 1916, twelve years
> > after the date assigned by C,,H,, & S, to the
> Wehman
> > collection, and the latter is not mentioned
> there).
> > __Notes & Sources for Folk Songs of the Catskills_
> in
> > some ways sets new standards for folksong
> > bibliography, but at the same time it is too
> > compressed; for example, it fails to give the date
> of
> > the songster to which it assigns the number 42 in
> the
> > series of Wehman's Collecions of Songs. The date
> is
> > given in _Folk Songs of the Catskills_, to which
> > _Notes & Sources_ is a companion: "A songster text
> of
> > 1894 was copyrighted by Henry J. Wehman . . ." (p.
> > 429), but the title and other data of publication
> > appear only in _Notes & Sources_. A misprint
> anywhere
> > in the references could be seriously misleading. 
> > 
> > I don't have Norm Cohen's Bibliography, and as I
> > explained earlier I cannot even request an
> > interlibrary borrowing for a month, until the new
> > catalog is set up. 
> > 
> > It's this sort of thing, in fact, that led me to
> begin
> > putting together a bibliography; in addition to
> being
> > a bit out of date by now, the list in _Notes &
> > Sources_ does have some lacunae, and no other
> > bibliography on the song is as thorough as C, H, &
> S
> > are. But unless I can verify an earlier reference
> > there is no point in listing it at all. I'm still
> > trying to get to the bottom of some anomalies in
> > subsequent citations of the _Evening Transcript_
> text.
> > I hope I can save others in the future the hassle
> of
> > trying to make sense of incomplete and
> contradictory
> > references.
> > 
> > Stephen
> > 
> > Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> > From: "STEVE ROUD" 
> > Subject: Re: Wehman's Collection of Songs
> > To: [unmask] 
> > Stephen
> > I'm away from home, and the list won't accept a
> direct
> 
=== message truncated ===		
__________________________________ 
Yahoo! Mail for Mobile 
Take Yahoo! Mail with you! Check email on your mobile phone. 
http://mobile.yahoo.com/learn/mail 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:35:05 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(36 lines) , text/html(34 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:58:19 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(190 lines) , text/html(187 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 11:04:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(82 lines)


"This is the ballad of which it was said that, in
order to get a job in the Michigan camps, one had to
be able to sing it through from end to end!" Franz
Rickaby, comp. ed., _Ballads and Songs of the
Shanty-Boy_ (Cambridge, Massachusetts: Harvard
University Press, 1926), p. 223; cited in Albert B.
Friedman, ed., _The Viking Book of Folk Ballads of the
English-Speaking World_ (New York: The Viking Press,
1956), p. 411; Edith Fowke, ed., _The Penguin Book of
Canadian Folk Songs_ (Harmondsworth, Middlesex:
Penguin Books, 1973), p. 194; Anne Warner, ed.,
_Traditional American Folk Songs from the Anne & Frank
Warner Collection_ (Syracuse, New York: Syracuse
University Press, 1984), p. 47; Roy Palmer, _The
Oxford Book of Sea Songs_ (Oxford: Oxford University
Press, 1986), p. 185. Several others mention its
popularity in lumber camps without referring to the
song as a requirement for employment."Regularly reported from the lore of the lumbercamps
is the legend that in order to qualify for a job in
the woods, a man had to be able to sing _The 'Flying
Cloud'_ straight through. Taken as metaphor, that
legend has great validity, for the shantyman who could
not give good account of himself on the 'deacon seat'
might prove to be a dull companion during a long
winter of isolation and drudgery. . . . Most versions
of _The 'Flying Cloud'_ do come to us from lumbercamp
settings. Many others are known particularly from the
related lore of sailing ships."Cazden, Haufrecht, & Studer, _Folk Songs of the
Catskills (Albany: State University of New York Press,
1982), p. 429.Stephen--- Tom Hall <[unmask]> wrote:> MacColl included TFC in The Singing Island.  Be
> somewhat wary of Beck; he declared The Shoals of
> Herring to be a traditional fisherman's song.
> > 
> > From: Sammy Rich <[unmask]>
> > Date: 2005/09/01 Thu AM 08:09:42 CDT
> > To: [unmask]
> > Subject: Re: "The Flying Cloud"  (Was Re: Wehman's
> Collection of Songs)
> > 
> > Anne & Frank Warner' s book states:
> > 
> >    "Horace Beck cites Franz Rickaby: "at one time
> the ability to sing this song was a prerequisite to
> being allowed to work in Michingan lumber camps:
> Beck questions the song's British origin, since ony
> one version has been found in the British Isles and
> versions are widespread from Ontarion and Maine and
> throughout the Middle West.  
> >   Beck says that a ship called the Flying Cloud
> was built in1851 in Boston by David McKay, but it
> was never a pirate ship and the song is earlier. 
> William Doerflinger says it may have originated as
> early as 1830."
> > 
> >     I find it terribly intriguing to learn a sea
> song that was required material for a logging camp. 
> Sounds like my kind of camp.  
> > 
> >       A reference was made to MacColl's version,
> Does anyone know if it is in one his publications,
> if so which one it might be?  
> > 
> > Thanks
> > 
> > Sammy Rich
> > __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:12:03 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(38 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:43:19 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(31 lines) , text/html(24 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 16:58:25 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(25 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 14:03:10 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(264 lines) , text/html(22 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 14:09:09 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(36 lines) , text/html(9 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 15:32:20 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(97 lines)


It's true that the earlier stanzas, until Captain
Moore turns up, could be the beginning of an
emigration song, but one feels even in them that the
protagonist is going to come to a Bad End. An only
child raised tenderly by doting parents always does.
If it weren't for this, I would be more willing to see
a confluece of an emigration song, something like
'Paddy's Green Shamrock Shore', with a pirate ballad.
But it starts out with too many marks of the
cautionary good-night. The slaving episode could be the centerpiece of a
separate song, but it serves well to lead poor Edward
into piracy and murder. I don't see sufficiently clear
stylistic disjunctions to serve as a basis for a
division, either. But, as Jonathan says, anything's
possible when there is so little to go on.Stephen --- Jonathan Lighter <[unmask]> wrote:> Anything's possible, but it doesn't much appeal to
> me to replace one ballad of unknown origin with two
> of them. 
>  
> Beck's research in his article looks excellent, but
> his argument doesn't impress me. 
>  
> Re "Shoals of Herring," my recollection is that he
> collected a somewhat mangled fragment of it from a
> fisherman and, unfamiliar with the song, assumed
> that it was a new "folk" song that was "still
> inchoate," or words to that effect.
>  
> JL
> 
> 
> Fred McCormick <[unmask]> wrote:
> Re., Beck and Rickaby. I throw this in purely
> because nobody has mentioned it so far. However,
> Edith Fowke's note to The Flying Cloud (Penguin Book
> of Canadian Folk Songs) says the following:
> 
> ................Horace Beck, who wrote an extensive
> article on 'The Riddle of The "Flying Cloud" , (JAF
> 66, 123-33), argues that this was originally two
> separate ballads of which the one dealing with
> slavery was the older. If this theory is correct, it
> is strange that no trace of the separate ballads has
> been reported.
> The 'Flying Cloud' was immensely popular both aboard
> sailing ships and in the lumber camps. Indeed,
> Rickaby tells us that 'This is the ballad of which
> ii was said that in order to get a job in the
> Michigan camps, one had to be able to sing it
> through from end to end!'. ........... 
>  
> I'm intrigued by Beck's suspicion about the song
> originally being two seperate ballads, inconclusive
> though his argument sounds. If there's anything in
> what he says, it might support theories that TFC as
> we know it didn't surface until 1880/90.
>  
> Cheers,
>  
> Fred McCormick
>  
> In a message dated 01/09/2005 14:10:01 GMT Standard
> Time, [unmask] writes:
> Anne & Frank Warner' s book states:
> 
>    "Horace Beck cites Franz Rickaby: "at one time
> the ability to sing this song was a prerequisite to
> being allowed to work in Michingan lumber camps:
> Beck questions the song's British origin, since ony
> one version has been found in the British Isles and
> versions are widespread from Ontarion and Maine and
> throughout the Middle West.  
>   Beck says that a ship called the Flying Cloud was
> built in1851 in Boston by David McKay, but it was
> never a pirate ship and the song is earlier. 
> William Doerflinger says it may have originated as
> early as 1830."
> 
> 		
> ---------------------------------
>  Start your day with Yahoo! - make it your home page		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re Shining some light on Shoals
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 09:08:34 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


Ewan was a friend of mine - traveled in Australia/Scotland a couple of 
times together etc.I distinctly recall Ewan telling me that when he recorded Shoals of 
Herring he asked Sam Larner where he got the song. "I wrote it," Sam 
replied. It was later that Ewan realised that the old fisherman and 
traditional song carrier had meant that he had 'written it down' from a 
traditional source - another singer - and , as was the custom, he had 
'written' it down as a means of learning to write and spell. Words can 
be deceiving.Warren Fahey

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Re Shining some light on Shoals
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 19:33:48 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(26 lines) , text/html(29 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: shoals
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 09:47:22 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(2 lines)


Ooops - I take it back - wasn't that song at all! Ewan did write Shoals 
from Sam's actualities. Warren

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 18:53:25 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(17 lines)


A comment from one of the many Mudcat threads on this song:Ewan wrote 'Shoals Of Herring ' for the radio ballad 'Singing the Fishing'
Charles Parker and Ewan had analysed Sam Larners speech patterns and this was used by Ewan to write the song, Sam Larner thought he had known it all his life because he was listening to his own speech patterns and rythms.
It is still a great song.> From: Warren Fahey <[unmask]>
> Date: 2005/09/01 Thu PM 06:47:22 CDT
> To: [unmask]
> Subject: shoals
> 
> Ooops - I take it back - wasn't that song at all! Ewan did write Shoals 
> from Sam's actualities. Warren
> Tom Hall  --  Master Wordworker  
and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 17:40:29 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Re Shining some light on Shoals
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 18:52:30 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(28 lines) , text/html(14 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 10:49:16 +0200
Content-Type:text/plain
Parts/Attachments:

text/plain(6 lines)


Dear Warren (and anyone else),Has anyone ever written anything scholarly (or otherwise) about Peter 
Kennedy's "The Transports"? I'd be grateful for any info.Andy

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 04:49:37 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(16 lines) , text/html(26 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 18:54:04 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


assume you mean BELLAMY
well, Peter did a pretty decent job and was inspired by the available 
writing on the Kables.On 02/09/2005, at 6:49 PM, Andy Rouse wrote:> Dear Warren (and anyone else),
>
> Has anyone ever written anything scholarly (or otherwise) about Peter 
> Kennedy's "The Transports"? I'd be grateful for any info.
>
> Andy
>

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 10:20:46 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


They told me that it would be available after the first of the year.I suspect that it is being microfilmed, or some such.J>This just in from Library of Congress. They may have
>it but seem to have misplaced it.
>
>Stephen
>
>Librarian 1: Thank you for consulting the Reader
>Services Section of
>the Music Division at The Library of Congress.
>Actually, someone from the Music Library List brought
>this to the
>attention of one of my colleagues who was in the
>process of tracking down
>this songster. We have a card catalog entry for the
>1894 Wehman's
>Collection, but it is not anywhere on the shelf with
>the other songsters. We
>are now trying to track down other possible places
>where the volume may
>be found.
>We will get back to you as soon as we know something.
>D.G.
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Cliff Ocheltree
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 10:24:31 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(9 lines)


Doesn't Clifford Ocheltree live in New Orleans?Has anyone heard from or of him?Cliff, are you okay?John
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 12:20:58 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(49 lines)


Aha! Well, that's it then. It's to teach me patience.
Thanks! 2006 it will be then.Stephen--- John Garst <[unmask]> wrote:> They told me that it would be available after the
> first of the year.
> 
> I suspect that it is being microfilmed, or some
> such.
> 
> J
> 
> >This just in from Library of Congress. They may
> have
> >it but seem to have misplaced it.
> >
> >Stephen
> >
> >Librarian 1: Thank you for consulting the Reader
> >Services Section of
> >the Music Division at The Library of Congress.
> >Actually, someone from the Music Library List
> brought
> >this to the
> >attention of one of my colleagues who was in the
> >process of tracking down
> >this songster. We have a card catalog entry for the
> >1894 Wehman's
> >Collection, but it is not anywhere on the shelf
> with
> >the other songsters. We
> >are now trying to track down other possible places
> >where the volume may
> >be found.
> >We will get back to you as soon as we know
> something.
> >D.G.
> -- 
> john garst    [unmask]
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/2/05 Part 1 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 18:45:43 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(70 lines)


Hi!	Happy Labor Day to everyone in the US! This is part 1. Part 2
which will contain songsters, broadsides, songs & ballads books will be
posted later today. 	JOURNALS	8330093245 - Ulster Folklife, 1964, 5 GBP (ends Sep-06-05 14:29:13 
PDT)	8330167622 - Ulster Folklife, 1977, 5 GBP (ends Sep-07-05 01:03:18 
PDT)	8330168619 - Ulster Folklife, 1966, 4 GBP (ends Sep-07-05 01:13:48 
PDT)	BOOKS 	4571842225 - Piled Higher & Deeper he Folklore of Campus Life by 
Bronner, 1990, $1.49 (ends Sep-03-05 15:07:47 PDT)	4571847418 - ABOVE BELOW by Knoblock, 1952, $9.95 (ends Sep-03-05 
23:00:00 PDT)	6557032378 - VANCE RANDOLPH, AN OZARK LIFE by Cochran, 1985, $18.75
(ends Sep-04-05 11:46:30 PDT)	4572001346 - OZARK FOLKLORE: An Annotated Bibliography by 
Randolph & McCann, 1987, $19.99 (ends Sep-04-05 14:02:29 PDT)	5235336774 - Selected Highland Folktales by Robertson/Bruce-Watt, 
1961, 7.50 GBP (ends Sep-05-05 13:30:00 PDT)	5235336787 - More Highland Folktales Robertson/Bruce-Watt, 1964, 
7.50 GBP (ends Sep-05-05 13:33:00 PDT)	4572256589 - THE ORAL TRADITION OF THE AMERICAN WEST by Cunningham, 
1990, $9.99 (ends Sep-05-05 20:21:04 PDT)	4572344488 - FOLK TALES OF THE SOUTHERN MOUNTAINS by Chase, 1958 
edition, $3.50 (end Sep-06-05 10:52:47 PDT)	6556898143 - Pinelands Folklife by Moonsammy, Cohen & Williams, 
1987, $9.99 (ends Sep-06-05 23:09:37 PDT)	8331139797 - Scenes and Legends of the North of Scotland by Miller, 
1890, $39.99 (ends Sep-07-05 19:00:11 PDT)	8331364504 - The Folklore of Hampshire & The Isle of Wight by 
Boase, 1976, 2.50 GBP (ends Sep-08-05 12:50:39 PDT)	5237123449 - Peasant Customs and Savage Myths: SELECTIONS FROM THE 
BRITISH FOLKLORISTS by Dorson, Volume 2, 2.99 GBP (ends Sep-10-05 09:32:35 
PDT)	5237528478 - The Folklore of East Anglia by Porter, 1974, 2.99 
GBP (ends Sep-11-05 10:07:15 PDT)	5237528809 - The Folklore of the Cotwolds by Briggs, 1974, 2.99 
GBP (ends Sep-11-05 10:08:05 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/2/05 Part 2 (Songsters, Broadsides, Songs &
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 22:53:07 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(103 lines)


Ballads)
Reply-To: Dolores Nichols <[unmask]>
Organization: D and D DataHi!	Hope that everyone is enjoying the weekend! :-)	This should finish the lists for a few days. 	SONGSTERS & BROADSIDES	6557382615 - Broadside, Song of All Songs, 1863?, $20 (ends 
Sep-03-05 16:18:32 PDT)	6557996495 - THE BUNKER HILL SONGSTER, 1865?, $74.99 (ends 
Sep-08-05 09:12:06 PDT)	MISCELLANEOUS	4763301378 - The Long Harvest No. 6 by MacColl & Seeger, LP, 
1967, $14.99 (ends Sep-05-05 19:30:06 PDT)	4763331404 - Obray Ramsey - Sings Folksongs From The Three Laurels, 
LP, $8.99 (ends Sep-09-05 17:46:00 PDT)	SONGS & BALLADS	4571847008 - The Whorehouse Bells Were Ringing by Logsdon, 1989,
$9.99 (ends Sep-03-05 15:54:24 PDT)	8328682458 - Chapbooks of the Eighteenth Century by Ashton, 1990 
reprint, 6 GBP (ends Sep-04-05 13:30:00 PDT)	6557090259 - A Book Of Shanties by Smith, 1931, $5.99 (ends 
Sep-04-05 15:08:46 PDT)	6557093431 - Chamber's Miscellany, 1847, $48.95 (ends Sep-04-05 
15:25:45 PDT)	8330359328 - American Folk Poetry by Emrich, 1974, $15 (ends 
Sep-04-05 15:29:33 PDT)	7346849028 - Munro's Musical Library, 1880, $2.99 (ends Sep-04-05 
17:47:13 PDT)	7346948819 - New Zealand Folk Songs by Colquhoun, 1.99 GBP (ends 
Sep-05-05 07:08:28 PDT)	4572239365 - SCANDINAVIAN BALLADS by Rossel, 1982, $9.50 (ends 
Sep-05-05 18:37:08 PDT)	5236672507 - The Penguin Book of English Folk Songs by Lloyd & 
Williams, 1969, 3.99 GBP (ends Sep-06-05 02:35:32 PDT)	7347397682 - The Life of a Man by Stubbs, 1970, 3.99 GBP (ends 
Sep-07-05 07:33:16 PDT)	7347397700 - Garners Gay by Hamer, 1967, 3.99 GBP (ends Sep-07-05 
07:33:21 PDT)	7346772886 - The Gesto Collection of Highland Music by MacDonald, 
1995 reprint, 2.99 GBP (ends Sep-07-05 12:12:51 PDT)	7347522403 - Folk Songs of the Kentucky Mountains by McGill, 1917, 
$5.99 (ends Sep-07-05 18:28:35 PDT)	4572686789 - The English and Scottish Popular Ballads by Child, 
Volume 3, 1965 Dover edition, $3 (ends Sep-07-05 18:56:59 PDT)	8331378258 - Old Australian Ballads by Palmer, 1950, 1.95 GBP 
(ends Sep-08-05 13:24:25 PDT)	6558075740 - Where Is Saint George? Pagan Imagery In English 
Folksong by Stewart, 1977, $7.99 (ends Sep-08-05 19:15:00 PDT)	7347827259 - 4 cowboy songbooks, 1935-1950, $5 (ends Sep-09-05 
06:50:04 PDT)	8330807077 - English Folk Song & Dance by Williams, 1955, 1.99 
GBP (ends Sep-09-05 12:02:42 PDT)	6975337739 - Nursery Songs from the Appalachian Mountains by 
Sharp, 1921, 9.99 GBP (ends Sep-09-05 12:54:31 PDT)	6557873288 - Scottish Songs Scottish Ballads by Chambers, 3 
volumes, 1829, $55.99 w/reserve (ends Sep-10-05 19:51:34 PDT)	6975619569 - POPULAR BALLADS AND SONGS, FROM TRADITION,MANUSCRIPTS, 
AND SCARCE EDITIONS by Jamieson, 2 volumes, 1806, 20 GBP w/reserve 
(ends Sep-11-05 02:35:34 PDT)	8331313662 - Grey Funnel Lines by Tawney, 1987, 6.05 GBP (ends 
Sep-11-05 10:44:44 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 3 Sep 2005 15:05:49 +0200
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


Warren Fahey wrote:> assume you mean BELLAMY
> well, Peter did a pretty decent job and was inspired by the available 
> writing on the Kables.
>
>
> On 02/09/2005, at 6:49 PM, Andy Rouse wrote:
>
>> Dear Warren (and anyone else),
>>
>> Has anyone ever written anything scholarly (or otherwise) about Peter 
>> Kennedy's "The Transports"? I'd be grateful for any info.
>>
>> Andy
>>
>
>
Dear Warren (and anyone else who noticed the glitch),I really must start checking myself... it's age, I think. I've just 
written to a very good friend by e-mail, and the message came back- I'd 
sent it to his brother,  and it started Dear brother's name instead of 
Dear his name. They rhymed about the same as Bellamy and Kennedy - Dani 
and Vili! My typing fingers constantly produce spelling spoonerisms, too.
Nevertheless, I think my question was unambiguous. I have a reasonable 
amount of information about the Kables, and know the story upon which 
BELLAMY based his ballad opera. I was more interested in articles etc. 
about the opera itself (hence the ".....").
Andy

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Cliff Ocheltree
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 4 Sep 2005 01:03:38 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(24 lines)


Yep. Mary and I live in New Orleans, French Quarter to be specific. Mary and I rode out the storm, plenty of food and water thanks to my wife. Only minor damage to the house and no flooding. There was an explosion about 10 blocks away early Thursday, tank car, scared the ... out of Mary. We were evacuated courtesy of DHS this afternoon at 5:30 and are in Austin this evening. We'll be flying to Chicago in the AM [fingers crossed].I think that most of our local friends are safe but about a dozen of them have lost their homes. This afternoon, when I knew we were leaving I took a quick walk around Jackson Square. Most of the trees are gone [down] and I sat on the curb and cried.Mary and I will be in Chicago for about two weeks and then we'll head back. I've lived in Chicago and Philadelphia but my heart belongs in New Orleans.Thanks for your concern.> 
> From: John Garst <[unmask]>
> Date: 2005/09/02 Fri AM 10:24:31 EDT
> To: [unmask]
> Subject: Cliff Ocheltree
> 
> Doesn't Clifford Ocheltree live in New Orleans?
> 
> Has anyone heard from or of him?
> 
> Cliff, are you okay?
> 
> John
> -- 
> john garst    [unmask]
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Cliff Ocheltree
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 4 Sep 2005 06:54:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(47 lines)


Cliff:God keep.Ed----- Original Message -----
From: Clifford J OCHELTREE <[unmask]>
Date: Saturday, September 3, 2005 10:03 pm
Subject: Re: Cliff Ocheltree> Yep. Mary and I live in New Orleans, French Quarter to be specific. 
> Mary and I rode out the storm, plenty of food and water thanks to 
> my wife. Only minor damage to the house and no flooding. There was 
> an explosion about 10 blocks away early Thursday, tank car, scared 
> the ... out of Mary. We were evacuated courtesy of DHS this 
> afternoon at 5:30 and are in Austin this evening. We'll be flying 
> to Chicago in the AM [fingers crossed].
> 
> I think that most of our local friends are safe but about a dozen 
> of them have lost their homes. This afternoon, when I knew we were 
> leaving I took a quick walk around Jackson Square. Most of the 
> trees are gone [down] and I sat on the curb and cried.
> 
> Mary and I will be in Chicago for about two weeks and then we'll 
> head back. I've lived in Chicago and Philadelphia but my heart 
> belongs in New Orleans.
> 
> Thanks for your concern.
> 
> > 
> > From: John Garst <[unmask]>
> > Date: 2005/09/02 Fri AM 10:24:31 EDT
> > To: [unmask]
> > Subject: Cliff Ocheltree
> > 
> > Doesn't Clifford Ocheltree live in New Orleans?
> > 
> > Has anyone heard from or of him?
> > 
> > Cliff, are you okay?
> > 
> > John
> > -- 
> > john garst    [unmask]
> > 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Pardon!!!
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 05:56:08 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(26 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 05:28:39 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(61 lines)


Why not look at a library copy first, to see if the
book is written in the same postmodern jargon as the
review. Then it's a matter of deciding whether you
want to wade through however many pages of this stuff
there are.Stephen--- Fred McCormick <[unmask]> wrote:>  
> Hi Folks, 
> I've found a, Internet review article at 
>
_http://www.findarticles.com/p/articles/mi_m2822/is_4_22/ai_56952189_
> 
>
(http://www.findarticles.com/p/articles/mi_m2822/is_4_22/ai_56952189)
>  ,  covering a book by one Jon Michael Spencer. 
> Re-Searching Black Music.  Knoxville: University of
> Tennessee Press, 1996. The 
> first paragraph reads as  follows: 
> "Jon Michael Spencer's Re-Searching Black Music acts
> as a textual conduit  
> through which an organicity and intertextuality of
> African-American culture  
> emerges. Cutting through the Cartesian metaphysical
> separation of mind and body,  
> and historicizing and contextualizing the Kantian
> construction of the 
> sublime,  Spencer provides the reader with a
> fascinating hermeneutical lens through 
> which  African-American expressive culture is seen
> as a site of 
> interpenetrating  features. Indeed, on this score,
> sacred, cultural, profane, religious, 
> sexual,  and spiritual elements blend to form the
> complex nature that is the  
> African-American Lebenswelt. What, then, is the
> relationship between enslaved  
> Blacks who daily engaged in illocutionary moans and
> sang liberating spirituals,  
> and the musical renditions of Bessie Smith, James
> Brown, Thelonius Monk, A1  
> Green, Marvin Gaye, M. C. Hammer, postmodern Hip Hop
> artists, African-American  
> homiletical musicality, and the literary work of
> Toni Morrison and others? 
> And  assuming that there is such a unified narrative
> to be told, what 
> hermeneutical  tool will allow us to best tell it?" 
> Should I buy the book to find out what the review is
> about ? 
> Fred McCormick
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 08:44:04 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(24 lines) , text/html(28 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 06:05:31 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(24 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 08:32:12 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(15 lines)


Verbage like this is the reason I've decided not to get my PhD in Ethnomusicology!Beth "Jon Michael Spencer's Re-Searching Black Music acts as a textual conduit through which an organicity and intertextuality of African-American culture emerges. Cutting through the Cartesian metaphysical separation of mind and body, and historicizing and contextualizing the Kantian construction of the sublime, Spencer provides the reader with a fascinating hermeneutical lens through which African-American expressive culture is seen as a site of interpenetrating features. Indeed, on this score, sacred, cultural, profane, religious, sexual, and spiritual elements blend to form the complex nature that is the African-American Lebenswelt. What, then, is the relationship between enslaved Blacks who daily engaged in illocutionary moans and sang liberating spirituals, and the musical renditions of Bessie Smith, James Brown, Thelonius Monk, A1 Green, Marvin Gaye, M. C. Hammer, postmodern Hip Hop artists, African-American homiletical musicality, and the literary work of Toni Morrison and others?
 And assuming that there is such a unified narrative to be told, what hermeneutical tool will allow us to best tell it?"Should I buy the book to find out what the review is about ?Fred McCormick		
---------------------------------
 Click here to donate to the Hurricane Katrina relief effort.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 08:43:05 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


Spencer's grand project seems to be that "a holistic, integrative approach 
to black music" requires that a theology be joined to a musicology (from 
the end flap of the dj). His BLUES AND EVIL was another attempt to put the 
religion back into blues interpretation, after horrible critics like Paul 
Oliver and yours truly removed it. I was denounced as an "Oliverian" in 
BLUES AND EVIL.Paul GaronAt 08:05 AM 9/5/2005, you wrote:
>Sounds like it's about black music, with cultural stuff related to it.
>
>"Illocutionary moans" is good.
>
>JL
>
>Fred McCormick <[unmask]> wrote:
>
>Hi Folks,
>
>I've found a, Internet review article at 
><http://www.findarticles.com/p/articles/mi_m2822/is_4_22/ai_56952189>http://www.findarticles.com/p/articles/mi_m2822/is_4_22/ai_56952189 
>, covering a book by one Jon Michael Spencer. Re-Searching Black Music. 
>Knoxville: University of Tennessee Press, 1996. The first paragraph reads 
>as follows:
>
>"Jon Michael Spencer's Re-Searching Black Music acts as a textual conduit 
>through which an organicity and intertextuality of African-American 
>culture emerges. Cutting through the Cartesian metaphysical separation of 
>mind and body, and historicizing and contextualizing the Kantian 
>construction of the sublime, Spencer provides the reader with a 
>fascinating hermeneutical lens through which African-American expressive 
>culture is seen as a site of interpenetrating features. Indeed, on this 
>score, sacred, cultural, profane, religious, sexual, and spiritual 
>elements blend to form the complex nature that is the African-American 
>Lebenswelt. What, then, is the relationship between enslaved Blacks who 
>daily engaged in illocutionary moans and sang liberating spirituals, and 
>the musical renditions of Bessie Smith, James Brown, Thelonius Monk, A1 
>Green, Marvin Gaye, M. C. Hammer, postmodern Hip Hop artists, 
>African-American homiletical musicality, and the literary work of Toni 
>Morrison and others? And assuming that there is such a unified narrative 
>to be told, what hermeneutical tool will allow us to best tell it?"
>
>Should I buy the book to find out what the review is about ?
>
>Fred McCormick
>
>
><http://store.yahoo.com/redcross-donate3/>Click here to donate to the 
>Hurricane Katrina relief effort.Paul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 07:24:57 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(69 lines) , text/html(8 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 07:37:58 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(77 lines)


But, hey, it's good to know someone sees Black music as a medium of 
expressing complicated (social??? and) cultural situations involving 
the ups and downs of everyday life, sex, religion, spirit and joy 
(although "work" [""laboriosity""?] seems to be missing: I guess I'll 
refrain from drawing any political - or "social" - conclusions :-).And it's good to know that someone is offering us the tools to 
interpret all this (must have a bigger garage than you or I have!).And in addition it is also comforting to know that someone will 
explain to us "all" of Black Music, even if they have to scurry back 
to their garage to find the right wrench. ..I guess the only thing lacking is that the reviewer, at least, ain't 
got rhythm [and - double misfortune - makes a point of it!].No, personally, I'm going to buy the CD ;-)(Unless, of course, someone on the list lets us know that the book 
behind the review has some tasty morsels!   One can never know ...)Oh, BTW: "Lebenswelt" means "(social) environment," I guess, although 
why the reviewer picked an uncommon- if immediately understandable- 
German word in this context is best known to the reviewer: it's 
nothing 'special' like "Gemuetlichkeit" or "Ueberheblichkeit."Sorry for the diatribe - sometimes the moniker of "Professor of 
German and of Folklore" sends one upon the soapbox...David Engle>Verbage like this is the reason I've decided not to get my PhD in 
>Ethnomusicology!
>
>BethA loss to the profession ...>"Jon Michael Spencer's Re-Searching Black Music acts as a textual 
>conduit through which an organicity and intertextuality of 
>African-American culture emerges. Cutting through the Cartesian 
>metaphysical separation of mind and body, and historicizing and 
>contextualizing the Kantian construction of the sublime, Spencer 
>provides the reader with a fascinating hermeneutical lens through 
>which African-American expressive culture is seen as a site of 
>interpenetrating features. Indeed, on this score, sacred, cultural, 
>profane, religious, sexual, and spiritual elements blend to form the 
>complex nature that is the African-American Lebenswelt. What, then, 
>is the relationship between enslaved Blacks who daily engaged in 
>illocutionary moans and sang liberating spirituals, and the musical 
>renditions of Bessie Smith, James Brown, Thelonius Monk, A1 Green, 
>Marvin Gaye, M. C. Hammer, postmodern Hip Hop artists, 
>African-American homiletical musicality, and the literary work of 
>Toni Morrison and others?
>  And assuming that there is such a unified narrative to be told, 
>what hermeneutical tool will allow us to best tell it?"
>
>Should I buy the book to find out what the review is about ?
>
>Fred McCormick
>
>
>
>---------------------------------
>  Click here to donate to the Hurricane Katrina relief effort.-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 07:46:48 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


--- Beth Brooks <[unmask]> wrote:> Verbage like this is the reason I've decided not to
> get my PhD in Ethnomusicology!
> 
I don't know, Beth; it could be an opportunity to have
a little fun. For example: 'intertextuality' is pretty
well exhausted by now, so you could introduce into
your dissertation some new terms, such as
abditextuality, aegritextuality, angustitextuality,
atritextuality, caletextuality, punctitextuality,
pennitextuality--I mean, the possibilities are almost
endless. A few of these, strategically placed, could
earn you cum laude, and for several years you might
see them popping up all over the place. Then you would
be a buzzwordifacient ethnomusicologist. Stephen	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 09:53:47 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(91 lines)


I remember that, some years ago, at AFS, Judy McCulloh, in her presidential address, challenged us all to "write for the world."  From what I see in most academic writing, her plea seems to have been ignored.Peace.	Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of David G. Engle
Sent: Monday, September 05, 2005 9:38 AM
To: [unmask]
Subject: Re: Pardon!!!But, hey, it's good to know someone sees Black music as a medium of 
expressing complicated (social??? and) cultural situations involving 
the ups and downs of everyday life, sex, religion, spirit and joy 
(although "work" [""laboriosity""?] seems to be missing: I guess I'll 
refrain from drawing any political - or "social" - conclusions :-).And it's good to know that someone is offering us the tools to 
interpret all this (must have a bigger garage than you or I have!).And in addition it is also comforting to know that someone will 
explain to us "all" of Black Music, even if they have to scurry back 
to their garage to find the right wrench. ..I guess the only thing lacking is that the reviewer, at least, ain't 
got rhythm [and - double misfortune - makes a point of it!].No, personally, I'm going to buy the CD ;-)(Unless, of course, someone on the list lets us know that the book 
behind the review has some tasty morsels!   One can never know ...)Oh, BTW: "Lebenswelt" means "(social) environment," I guess, although 
why the reviewer picked an uncommon- if immediately understandable- 
German word in this context is best known to the reviewer: it's 
nothing 'special' like "Gemuetlichkeit" or "Ueberheblichkeit."Sorry for the diatribe - sometimes the moniker of "Professor of 
German and of Folklore" sends one upon the soapbox...David Engle>Verbage like this is the reason I've decided not to get my PhD in 
>Ethnomusicology!
>
>BethA loss to the profession ...>"Jon Michael Spencer's Re-Searching Black Music acts as a textual 
>conduit through which an organicity and intertextuality of 
>African-American culture emerges. Cutting through the Cartesian 
>metaphysical separation of mind and body, and historicizing and 
>contextualizing the Kantian construction of the sublime, Spencer 
>provides the reader with a fascinating hermeneutical lens through 
>which African-American expressive culture is seen as a site of 
>interpenetrating features. Indeed, on this score, sacred, cultural, 
>profane, religious, sexual, and spiritual elements blend to form the 
>complex nature that is the African-American Lebenswelt. What, then, 
>is the relationship between enslaved Blacks who daily engaged in 
>illocutionary moans and sang liberating spirituals, and the musical 
>renditions of Bessie Smith, James Brown, Thelonius Monk, A1 Green, 
>Marvin Gaye, M. C. Hammer, postmodern Hip Hop artists, 
>African-American homiletical musicality, and the literary work of 
>Toni Morrison and others?
>  And assuming that there is such a unified narrative to be told, 
>what hermeneutical tool will allow us to best tell it?"
>
>Should I buy the book to find out what the review is about ?
>
>Fred McCormick
>
>
>
>---------------------------------
>  Click here to donate to the Hurricane Katrina relief effort.-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 08:33:10 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(169 lines) , text/html(166 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 11:41:40 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(31 lines) , text/html(36 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:22:17 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(34 lines)


"The presumptive avoidance of gratuitous obfuscatory verbiage is a 
categorical imperative."
(from greenhaus' 9 rules of pedagogy)Fred McCormick wrote:> Well, academics frequently deal in complicated ideas, and there's 
> doubtless a need for a specialist vocabulary to deal with specialist 
> concepts. On the other hand, I'm currently reading Stephen Mithen's 
> The Singing Neanderthals, which is about the social and neurological 
> origins of music. To someone like me, who knows nothing about how the 
> brain works, it is all very deep and could easily be completely 
> baffling. Yet Mithen takes the reader through the discussion, 
> explaining the various concepts as he develops the argument, without 
> losing sight of the fact that we're not all brain specialists.
>  
> If he can do it, why can't other people?
>  
> Cheers,
>  
> Fred McCormick.
> In a message dated 05/09/2005 15:54:04 GMT Standard Time, 
> [unmask] writes:
>
>     I remember that, some years ago, at AFS, Judy McCulloh, in her
>     presidential address, challenged us all to "write for the world." 
>     From what I see in most academic writing, her plea seems to have
>     been ignored.
>
>     Peace.
>
>         Marge
>
>  

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Cliff Ocheltree
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:40:37 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(44 lines)


That's great news, Cliff.How did the Williams Research Center and the New Orleans Public 
Library fare?  Tulane?Thanks.John>Yep. Mary and I live in New Orleans, French Quarter to be specific. 
>Mary and I rode out the storm, plenty of food and water thanks to my 
>wife. Only minor damage to the house and no flooding. There was an 
>explosion about 10 blocks away early Thursday, tank car, scared the 
>... out of Mary. We were evacuated courtesy of DHS this afternoon at 
>5:30 and are in Austin this evening. We'll be flying to Chicago in 
>the AM [fingers crossed].
>
>I think that most of our local friends are safe but about a dozen of 
>them have lost their homes. This afternoon, when I knew we were 
>leaving I took a quick walk around Jackson Square. Most of the trees 
>are gone [down] and I sat on the curb and cried.
>
>Mary and I will be in Chicago for about two weeks and then we'll 
>head back. I've lived in Chicago and Philadelphia but my heart 
>belongs in New Orleans.
>
>Thanks for your concern.
>
>>
>>  From: John Garst <[unmask]>
>>  Date: 2005/09/02 Fri AM 10:24:31 EDT
>>  To: [unmask]
>>  Subject: Cliff Ocheltree
>>
>>  Doesn't Clifford Ocheltree live in New Orleans?
>>
>>  Has anyone heard from or of him?
>>
>>  Cliff, are you okay?
>>
>>  John
>>  --
>>  john garst    [unmask]
>>

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 18:51:29 +0100
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(23 lines) , text/html(28 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 11:10:19 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(25 lines) , text/html(17 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:16:50 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(32 lines)


On 9/5/05, Jonathan Lighter wrote:>Capt. A. K. Sinclair, of Vancouver, B.C., sent this text to Gordon on Dec. 16, 1925 (No. 1517 of the Gordon _Adventure_ Correspondence) :
> 
>                                                   The Flying Cloud
> 
>Come all you Jolly sailor Lads
>And listen unto me
>I am Heavy Bound in Irons strong
>to die for Piracy
>With Eighteen more I am Condemned
>In sorrow to Complain
>For aplundering and Burning ships
>Down on the Spamish MainIs there more information about this version? The capitalization
is, to say the least, interesting; it looks more like a seventeenth
century broadside -- which is, of course, completely impossible --
than a modern writing. If it were a semi-literate writing it, that
of course might be possible -- but if it were a semi-literate, then
why is the spelling so good?My basic question is, was the orthography Sinclair's, or Gordon's,
or someone else's, and if so, does that source use such peculiar
forms in other writings.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:21:18 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(23 lines)


On 9/5/05, Jonathan Lighter wrote:>Not *any fool.*  One must be carefully taught.I can't agree, really. Extremely complex writing is very often the
work of the under-educated and pretentious. Trust me; I edit a
bluegrass magazine. I *know*.I would add that, if something is well-written, professors will
probably approve even if they don't know why. :-) They are unlikely
to notice the lack of pomposity -- and you can always add jargon
by defining it carefully.My general rule in reading history, say, is, If I can't read it
comfortably, it's not worth reading. The writer is probably as
fuzz-minded as his writing.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 11:25:31 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(20 lines)


--- Jonathan Lighter <[unmask]> wrote:> Makes me long for the days when people objected to
> the use of "contact" as a verb. 
>  
> JL
> 
Jonathan, I had assumed you were younger than that. I
doubt the a majority of AARP members recall those
days. And nowadays, of course, everyone seems to be
nouning when they should be verbing.Stephen	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 11:40:34 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


--- "David G. Engle" <[unmask]>
wrote:<snip>
> 
> Oh, BTW: "Lebenswelt" means "(social) environment,"
> I guess, although 
> why the reviewer picked an uncommon- if immediately
> understandable- 
> German word in this context is best known to the
> reviewer: it's 
> nothing 'special' like "Gemuetlichkeit" or
> "Ueberheblichkeit."Just to manifest Zeitgemäßigkeit and
Gaunersprachenfachkundigkeit, don't you suppose?Stephen__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 12:16:08 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


With luck, the good captain's original letter to
Gordon will turn up in the collection in Eugene. Stephen--- "Robert B. Waltz" <[unmask]> wrote:> On 9/5/05, Jonathan Lighter wrote:
> 
> >Capt. A. K. Sinclair, of Vancouver, B.C., sent this
> text to Gordon on Dec. 16, 1925 (No. 1517 of the
> Gordon _Adventure_ Correspondence) :
> > 
> >                                                  
> The Flying Cloud
> > 
> >Come all you Jolly sailor Lads
> >And listen unto me
> >I am Heavy Bound in Irons strong
> >to die for Piracy
> >With Eighteen more I am Condemned
> >In sorrow to Complain
> >For aplundering and Burning ships
> >Down on the Spamish Main
> 
> Is there more information about this version? The
> capitalization
> is, to say the least, interesting; it looks more
> like a seventeenth
> century broadside -- which is, of course, completely
> impossible --
> than a modern writing. If it were a semi-literate
> writing it, that
> of course might be possible -- but if it were a
> semi-literate, then
> why is the spelling so good?
> 
> My basic question is, was the orthography
> Sinclair's, or Gordon's,
> or someone else's, and if so, does that source use
> such peculiar
> forms in other writings.
> 
> -- 
> Bob Waltz
> [unmask]
> 
> "The one thing we learn from history --
>    is that no one ever learns from history."
> 	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: "The Eighteen Pouder"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 15:11:39 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(60 lines)


Hello everyone,Below is the song "The Eighteen Pounder" as sung by Oscar Brand
on his Singalong Bawdy Songs LP (ca 1959, #8 or #9 in the
series).  I ran across variant fragments of this song in the
Miscellaneous Bawdy Songs folder at the Indiana University
Folklore Archives.Does anyone know of non-bawdy or cleaned up versions of this 
song?Any help is appreciated.Yours,John Mehlberg
~
     THE EIGHTEEN POUNDER           Load her up and bang away
           Load her up and bang away
           Load'er up and bang away
           With my 18 pounder.  Well up she came and down she got
  Then she show me her you know what
  Asked if me if I'd like a shot
  With my eighteen pounder  I tried her box, I found it blocked
  So I tried the back door, found locked
  I just went off half cocked
  With my eighteen pounder  Then I took her to a shady dell
  I released my safety bang like hell
  I missed the bulls eye but I drilled the well
  With my eighteen pounder  So I took her down by the docks
  I sighted at her pretty box
  I missed the box but I crushed the rocks
  With my eighteen pounder  Two hot barrels in the bed
  I missed her snatch and I hit her head
  It ricochet and killed her dead
  With my eighteen pounder  Then I took her to the burial ground
  I dug a hole and laid her down
  And just for practice one more round
  With my eighteen pounder.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:15:04 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(52 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:26:38 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(39 lines) , text/html(12 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:31:18 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(32 lines) , text/html(8 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:38:17 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(73 lines) , text/html(8 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 13:42:05 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(73 lines) , text/html(8 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 22:01:25 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(13 lines)


Jonathan said:(snip)... the denser they are, they more respected they become.  The inverse is
also true.
 Are we talking here about the texts or the writers, Jonathan? ;o)CheersSimon

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 14:52:39 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(25 lines) , text/html(8 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 14:57:20 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(2 lines)


It would be interesting to know a) the name of the pretentious nyaff who
authored the review; b) the publication that had the gall to print it.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 17:08:02 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(37 lines)


On 9/5/05, Jonathan Lighter wrote:>I do trust you, Bob, implicitly. But I could name more than one book by professorial colleagues which are comparably written. Some of them have been influential.
> 
>"Undereducated," in the usual sense, does not apply in those cases.Oh, I know. I'm just saying that you can't tell anything about a
writer based on the (lack of) lucidity in writing. My point (which
is backed by bitter experience) is that it is often very poorly
educated people, and poor thinkers, who produce the most laboured
prose. Often on purpose, because they think big words will hide
how silly they sound.>What amazes me about such writing is that anyone in a position to do it must have passed freshman English which, traditionally anyway, emphasizes a reasonable degree of lucidity.But it doesn't, exactly. For example, my Freshman Comp class spent
a lot of time on a thing called a "five sentence five paragraph
essay." This was a perfectly good organizational tool for a topic
of a certain length. But it didn't teach anything about constructing
a good sentence, and it taught even less about constructing anything
longer than a page. They didn't really teach us good writing, really;
they taught us writing gimmicks. (Poor kids are lucky they don't have
*me* as a professor; I'd pound them till they either got it or dropped
the class. :-)Besides -- you doubtless took a trig class at some point. Very
possibly calculus, too; my high school, at least, taught everybody
differential calculus, whether we were bound for the sciences or
not. But do you remember how to construct an epsilon-delta proof?
Why should you remember how to write any better.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 17:21:37 -0500
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(54 lines) , text/html(50 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 15:40:17 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(50 lines) , text/html(9 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 15:46:00 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(70 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 16:40:05 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


Aha! Well, my memory stretches back to the Second
World War, when, I gather, this usage of "contact"
instead of "make contact with" arose, probably in
military usage. I don't recall anyone still fighting
it in 1966, but it's good to hear that there was
resistance in the '60s. 'Finalize' is, I understand, an Australianism; I have
the impression that it arrived in American English a
bit later than 'contact' vb.'Hopefully'; well, the sentence adverb in general
strikes me as an inherently somewhat sloppy usage;
alas that we don't have the elegant solution found in
German. Nowadays I find myself wishing that someone could
*persuade* NPR not to use *convince* with infinitives;
convice *of* or *that* but *persuade* to. The verb 'to
persuade' is disappearing as 'convince' invades its
territory. Stephen--- Jonathan Lighter <[unmask]> wrote:> Don't know about you, but I was warned against
> "contact" as a verb meaning "to get in touch with"
> about 1966.  It was regarded with as much horror as
> "finalize."
>  
> As for "hopefully," meaning "one hopes" -
> Fuhgeddaboudit !!!!!!
>  
> JL
> 
> Stephen Reynolds <[unmask]> wrote:
> --- Jonathan Lighter wrote:
> 
> > Makes me long for the days when people objected to
> > the use of "contact" as a verb. 
> > 
> > JL
> > 
> Jonathan, I had assumed you were younger than that.
> I
> doubt the a majority of AARP members recall those
> days. And nowadays, of course, everyone seems to be
> nouning when they should be verbing.
> 
> Stephen
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 20:00:40 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(16 lines)


On 2005/09/05 at 01:15:04PM -0700, Jonathan Lighter wrote:> The random capitalization is entirely Sinclair's, as is his
> peculiarity of using a comma in some places for an apostrophe.	I had noticed that, and had ascribed it to misbehaviour of
an OCR program running on an antique typeface.  There were a couple of
locations where I saw a space, and would have expected an apostrophe, too.	Thanks for posting it,
		DoN.-- 
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 17:02:18 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(93 lines)


It might be interest to compare 'The Brown Hen'; I
have seen this only as a broadside song, and not from
oral tradition. The imagery is rather similar but in
the context of hunting rather than of the military.Stephen--- Jonathan Lighter <[unmask]> wrote:> John, 
>  
> Does Legman mention Brand by name ?  My recollection
> is that he concealed  the singer's identity,
> although Brand would be a good guess.
>  
> I'm not aware of any other texts, although I think
> there are some "organ-grinder" texts in a couple of
> the USAF songsters.  I'd be interested in seeing
> those pre-Brand fragments.
>  
> Have almost given up on Buchan, but I know I
> couldn't have thrown it away. Will look till I find
> it.
>  
> Jon
> 
> John Mehlberg <[unmask]> wrote:
> Jonathan,
>  
> The "My eighteen pounder" and the ordnance
> references are found in the folklore archives. 
> Sorry I am unable to post them as this would be
> considered "publishing" and need permission first.  
> Most of these fragments are just a little bawdier
> than Brand's and predate the LP (1949-1958) and are
> from the Dordson collection.
>  
> "My Organ Grinder" verses are in Cray but he doesn't
> have any with military connotations.  Legman
> mentions Brand's singing "My Eighteen Pounder" at a
> private party in 1963 and says Brand learned this
> song in Canada.
>  
> Are there other military versions bawdy or not?
>  
> Yours,
>  
> John Mehlberg
> ~
> THE EIGHTEEN POUNDER
> 
> Load her up and bang away
> Load her up and bang away
> Load'er up and bang away
> With my 18 pounder.
> 
> Well up she came and down she got
> Then she show me her you know what
> Asked if me if I'd like a shot
> With my eighteen pounder
> 
> I tried her box, I found it blocked
> So I tried the back door, found locked
> I just went off half cocked
> With my eighteen pounder
> 
> Then I took he! r to a shady dell
> I released my safety bang like hell
> I missed the bulls eye but I drilled the well
> With my eighteen pounder
> 
> So I took her down by the docks
> I sighted at her pretty box
> I missed the box but I crushed the rocks
> With my eighteen pounder
> 
> Two hot barrels in the bed
> I missed her snatch and I hit her head
> It ricochet and killed her dead
> With my eighteen pounder
> 
> Then I took her to the burial ground
> I dug a hole and laid her down
> And just for practice one more round
> With my eighteen pounder	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 20:12:36 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(27 lines) , text/html(5 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 20:15:29 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(103 lines) , text/html(9 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 23:21:40 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(16 lines)


----- Original Message ----- 
From: "Stephen Reynolds" <[unmask]><<Nowadays I find myself wishing that someone could
*persuade* NPR not to use *convince* with infinitives;
convice *of* or *that* but *persuade* to. The verb 'to
persuade' is disappearing as 'convince' invades its
territory. >>I'd be satisfied if someone could persuade NPR to quit talking about
nego-see-ations. This may be a BBC-ism, since I've heard it on the World
Service; wherever it came from, it's an annoyance. If they can't pronounce
"negotiations" they should just say "bargaining" and let it go.Peace,
Paul

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 22:09:08 -0700
Content-Type:TEXT/PLAIN
Parts/Attachments:

TEXT/PLAIN(66 lines)


On Mon, 5 Sep 2005, Jonathan Lighter wrote:> Points well taken. But while I cannot construct an epsilon-delta proof, and never could, which is why I flunked high-school calculus, I'm not mathematician.
>
> People of the sort we're discussing are, at least in the primitive sense, writers.
>
> JLIndeed! But did they EVER learn to write in a clear and iintelligent way
-- i.e., were they ever pushed to think and not just follow cookie cutter
"rules" (like that 5-point paragraph!) for the perfect "English paper"?
And what about the rest of their university careers?   Many PhD candidates
from all disciplines sought belated help from our "writing workshop" (in
the U. of Pittsburgh's English Department) -- and they needed it, I often
thought, every bit as much as the Eng.101 students for whom this remedial
workshop was originally set up.  These remedial PhD's weren't
"uneducated," but their education surely hadn't done much for their
writing, which wasn't intentionally "pretentious" either. It just sounded
that way because, basically, it was lazy writing.  Hard on the reader,
easy on the writer, who only has to let the jargon roll.....OK, so I'm off my soapbox. > > "Robert B.
Waltz" <[unmask]> wrote: > On 9/5/05, Jonathan Lighter wrote:
>
> >I do trust you, Bob, implicitly. But I could name more than one book by professorial colleagues which are comparably written. Some of them have been influential.
> >
> >"Undereducated," in the usual sense, does not apply in those cases.
>
> Oh, I know. I'm just saying that you can't tell anything about a
> writer based on the (lack of) lucidity in writing. My point (which
> is backed by bitter experience) is that it is often very poorly
> educated people, and poor thinkers, who produce the most laboured
> prose. Often on purpose, because they think big words will hide
> how silly they sound.
>
> >What amazes me about such writing is that anyone in a position to do it must have passed freshman English which, traditionally anyway, emphasizes a reasonable degree of lucidity.
>
> But it doesn't, exactly. For example, my Freshman Comp class spent
> a lot of time on a thing called a "five sentence five paragraph
> essay." This was a perfectly good organizational tool for a topic
> of a certain length. But it didn't teach anything about constructing
> a good sentence, and it taught even less about constructing anything
> longer than a page. They didn't really teach us good writing, really;
> they taught us writing gimmicks. (Poor kids are lucky they don't have
> *me* as a professor; I'd pound them till they either got it or dropped
> the class. :-)
>
> Besides -- you doubtless took a trig class at some point. Very
> possibly calculus, too; my high school, at least, taught everybody
> differential calculus, whether we were bound for the sciences or
> not. But do you remember how to construct an epsilon-delta proof?
> Why should you remember how to write any better.
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
> is that no one ever learns from history."
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 05:12:53 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(36 lines) , text/html(44 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 07:33:58 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(10 lines)


On Monday, September 05, 2005 11:15 PM Jonathan Lighter  wrote
> "The Brown Hen" is not in the Bodelian ballad collection. You're not 
> thinking of "The Bonny Brown Hare" ?See Bodleian Harding B 11(402) , "The bonny brown hen" ("The wind from the 
north-ward so chilling was blowing"). athttp://bodley24.bodley.ox.ac.uk/cgi-bin/acwwweng/ballads/image.pl?ref=Harding+B+11(402)&id=01290.gif&seq=1&size=0Ben Schwartz 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 08:00:04 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(6 lines)


Indeed TFC was in "The Singing Island" along with a half dozen on Shanteys that  I was unfamiliar with and in the process of looking through my MacColl materials, I found yet another that is being worked into repertoire, "North Sea Holes"  by Ewan in his Ewan MacColl Peggy Seeger Songbook.  The song is what I like to dub a real singer.  Thanks for allowing my elementary questions and discussions.  The responses are simply outstanding.  Sammy Rich
[unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 07:42:02 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


On 9/5/05, Paul Stamler wrote:>----- Original Message -----
>From: "Stephen Reynolds" <[unmask]>
>
><<Nowadays I find myself wishing that someone could
>*persuade* NPR not to use *convince* with infinitives;
>convice *of* or *that* but *persuade* to. The verb 'to
>persuade' is disappearing as 'convince' invades its
>territory. >>
>
>I'd be satisfied if someone could persuade NPR to quit talking about
>nego-see-ations. This may be a BBC-ism, since I've heard it on the World
>Service; wherever it came from, it's an annoyance. If they can't pronounce
>"negotiations" they should just say "bargaining" and let it go.If these critiques are the worst we can come up with to say about NPR --
doesn't it occur to people here that they really *are* too liberal? :-)Me, I get mad at a lot of things I hear on NPR. It's just that I get
mad at *everything* I hear on most other media outlets. :-)-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 06:47:06 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(90 lines) , text/html(21 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 07:14:12 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(30 lines) , text/html(15 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 08:21:07 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(52 lines)


Jonathan, Ben:I wonder just how  different is the "modern" trend to chaos and destruction when compared to the lamentable mockery and satire that befell some of the Child ballads in the 18th and 19th Centuries.  Ed----- Original Message -----
From: Jonathan Lighter <[unmask]>
Date: Tuesday, September 6, 2005 7:14 am
Subject: Re: "The Eighteen Pouder"> Thanks, Ben. I'd not seen this song before.
> 
> In this and "The Bonny Black Hare," the "ordnance metaphors" are 
> simply that - harmless metaphors; nobody is killed or mangled. In 
> "The Eighteen Pounder," though, the metaphors are inflated to truly 
> giant size and exploited in some kind of frenzy of sadistic 
> destruction.  Compare the explosive sexual sadism of "The Big 
> Wheel" with the far milder, asexual slapstick of "The Steam Arm."
> 
> I wish I knew the societal significance - if any - of the apparent 
> escalation of such fantasies in the direction of chaos and 
> obliteration, both clearly regarded in the two modern songs as the 
> most hilarious things imaginable. 
> 
> Legman has some relevant discussion in his dirty-joke volumes, but 
> I'd prefer to see his apocalyptic interpretations as vastly 
> overstated, if not themselves succumbing to a similar fantastic 
> impulse. 
> N.b., "I'd prefer to."
> 
> JL
> 
> 
> bennett schwartz <[unmask]> wrote:
> On Monday, September 05, 2005 11:15 PM Jonathan Lighter wrote
> > "The Brown Hen" is not in the Bodelian ballad collection. You're 
> not 
> > thinking of "The Bonny Brown Hare" ?
> 
> See Bodleian Harding B 11(402) , "The bonny brown hen" ("The wind 
> from the 
> north-ward so chilling was blowing"). at
> 
> http://bodley24.bodley.ox.ac.uk/cgi-
> bin/acwwweng/ballads/image.pl?ref=Harding+B+11(402)&id=01290.gif&seq=1&size=0
> Ben Schwartz 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Wisdom Prevails
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 08:25:41 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


 Fred wrote:"I only looked the review up because the Re-Searching Black Music was included in a catlogue of 2nd hand books. After reading that first paragraph, I settled for Sandy Ives' Drive Dull Care Away instead."
 
To which Cray replies:Smart choice, Fred.Ed 
 
 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 08:42:02 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


Jonathan, it's "The Bonny Brown Hen," broadside by
Walker of Durham, Bodleian shelf number Harding B
11(402). I haven't looked for "Bonny Brown Hare," but
in this song it pretty well has to be a hen, to rhyme
with "can" and "men."Stephen--- Jonathan Lighter <[unmask]> wrote:> "The Brown Hen" is not in the Bodelian ballad
> collection. You're not thinking of "The Bonny Brown
> Hare" ?
>  
> JL
> 
> Stephen Reynolds <[unmask]> wrote:
> It might be interest to compare 'The Brown Hen'; I
> have seen this only as a broadside song, and not
> from
> oral tradition. The imagery is rather similar but in
> the context of hunting rather than of the military.	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 08:53:06 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


--- "Robert B. Waltz" <[unmask]> wrote:
> 
> If these critiques are the worst we can come up with
> to say about NPR --
> doesn't it occur to people here that they really
> *are* too liberal? :-)
> 
> Me, I get mad at a lot of things I hear on NPR. It's
> just that I get
> mad at *everything* I hear on most other media
> outlets. :-)
> 
<snip>We were discussing English usage; I brought NPR in in
that context. Hey, if we start talking about *content*
everyone in the list will have uncountable reasons to
be pissed off by the news media!  :-)Stephen__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 16:04:48 +0000
Content-Type:text/plain
Parts/Attachments:

text/plain(60 lines)


Hi, Jonathan,
re 'societal significance'. Hope the following throws some light on it for 
you.
Having taken part on many occasions in drunken orgies of bawdry, one of the 
aims is to stretch the boundaries of belief with the worst excesses of 
sexual degradation and violence in the honest belief that if sexual excesses 
are funny then even more excessive excesses are even funnier. You had to be 
there I'm afraid.
SteveG>From: Jonathan Lighter <[unmask]>
>Reply-To: Forum for ballad scholars <[unmask]>
>To: [unmask]
>Subject: Re: "The Eighteen Pouder"
>Date: Tue, 6 Sep 2005 07:14:12 -0700
>
>Thanks, Ben. I'd not seen this song before.
>
>In this and "The Bonny Black Hare," the "ordnance metaphors" are simply 
>that - harmless metaphors; nobody is killed or mangled. In "The Eighteen 
>Pounder," though, the metaphors are inflated to truly giant size and 
>exploited in some kind of frenzy of sadistic destruction.  Compare the 
>explosive sexual sadism of "The Big Wheel" with the far milder, asexual 
>slapstick of "The Steam Arm."
>
>I wish I knew the societal significance - if any - of the apparent 
>escalation of such fantasies in the direction of chaos and obliteration, 
>both clearly regarded in the two modern songs as the most hilarious things 
>imaginable.
>
>Legman has some relevant discussion in his dirty-joke volumes, but I'd 
>prefer to see his apocalyptic interpretations as vastly overstated, if not 
>themselves succumbing to a similar fantastic impulse.
>
>N.b., "I'd prefer to."
>
>JL
>
>
>bennett schwartz <[unmask]> wrote:
>On Monday, September 05, 2005 11:15 PM Jonathan Lighter wrote
> > "The Brown Hen" is not in the Bodelian ballad collection. You're not
> > thinking of "The Bonny Brown Hare" ?
>
>See Bodleian Harding B 11(402) , "The bonny brown hen" ("The wind from the
>north-ward so chilling was blowing"). at
>
>http://bodley24.bodley.ox.ac.uk/cgi-bin/acwwweng/ballads/image.pl?ref=Harding+B+11(402)&id=01290.gif&seq=1&size=0
>
>Ben Schwartz
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com_________________________________________________________________
Be the first to hear what's new at MSN - sign up to our free newsletters! 
http://www.msn.co.uk/newsletters

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Cliff Ocheltree
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 12:18:53 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(54 lines)


In spite of what may have learned from the media all of the French Quarter remained dry with minimal storm damage. The Williams Center was fine, as far as I could tell, when I went past on Wednesday. From what Mary and I saw Tuesday the Public Library is probably at least partially under water and, worst of all, most of the Parish's historical records held by the library were in a basement. I never got up by Tulane and have had conflicting stories about water on campus so I will not speculate. On our flight from Austin to Chicago I saw a flood map in the NY Times but I know for a fact that is was inaccurate as several friends homes which would appear, from the map to be under water I know to be bone dry.
> 
> From: John Garst <[unmask]>
> Date: 2005/09/05 Mon PM 01:40:37 EDT
> To: [unmask]
> Subject: Re: Cliff Ocheltree
> 
> That's great news, Cliff.
> 
> How did the Williams Research Center and the New Orleans Public 
> Library fare?  Tulane?
> 
> Thanks.
> 
> John
> 
> >Yep. Mary and I live in New Orleans, French Quarter to be specific. 
> >Mary and I rode out the storm, plenty of food and water thanks to my 
> >wife. Only minor damage to the house and no flooding. There was an 
> >explosion about 10 blocks away early Thursday, tank car, scared the 
> >... out of Mary. We were evacuated courtesy of DHS this afternoon at 
> >5:30 and are in Austin this evening. We'll be flying to Chicago in 
> >the AM [fingers crossed].
> >
> >I think that most of our local friends are safe but about a dozen of 
> >them have lost their homes. This afternoon, when I knew we were 
> >leaving I took a quick walk around Jackson Square. Most of the trees 
> >are gone [down] and I sat on the curb and cried.
> >
> >Mary and I will be in Chicago for about two weeks and then we'll 
> >head back. I've lived in Chicago and Philadelphia but my heart 
> >belongs in New Orleans.
> >
> >Thanks for your concern.
> >
> >>
> >>  From: John Garst <[unmask]>
> >>  Date: 2005/09/02 Fri AM 10:24:31 EDT
> >>  To: [unmask]
> >>  Subject: Cliff Ocheltree
> >>
> >>  Doesn't Clifford Ocheltree live in New Orleans?
> >>
> >>  Has anyone heard from or of him?
> >>
> >>  Cliff, are you okay?
> >>
> >>  John
> >>  --
> >>  john garst    [unmask]
> >>
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wisdom Prevails
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 09:35:05 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


--- edward cray <[unmask]> wrote:>  Fred wrote:
> 
> 
> "I only looked the review up because the
> Re-Searching Black Music was included in a catlogue
> of 2nd hand books. After reading that first
> paragraph, I settled for Sandy Ives' Drive Dull Care
> Away instead."
>  
> To which Cray replies:
> 
> Smart choice, Fred.
> 
Absolutely; a pleasure to read, in contrast to the
pomo jargon. And it ties into the Flying Cloud thread
too: you get to hear Clifford Wedge sing his
marvellous version.Stephen	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 11:35:58 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(34 lines)


> Hi, Jonathan,
> re 'societal significance'. Hope the following throws some light on it for
> you.
>
> Having taken part on many occasions in drunken orgies of bawdry, one of
> the aims is to stretch the boundaries of belief with the worst excesses of
> sexual degradation and violence in the honest belief that if sexual
> excesses are funny then even more excessive excesses are even funnier. You
> had to be there I'm afraid.Some people find shocking people funny.  And some songs are the verbal
equivalent of having someone jump out from behind a door.Here is a song from a local bartender.  He didn't remember when
he picked the ditty up but he said its purpose was to shock people.            RAPING YOUR DATE
    (Tune - Walkin' My Baby Back Home)       Gee it's great after raping your date
       Dragging the body back home
       Arm in arm over meadow and farm
       Dragging the body back homeA version of this is in the IU folklore archives dated 1967.  It was sung by
a woman to a woman folklorist.  No details on where the woman learned the
ditty..

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 12:45:33 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(48 lines)


I remember - and aoplogize if anyone is offended -Gee but it's great after eating your date,
Brushing your teeth with a comb.Lew Becker>>> [unmask] 9/6/2005 12:35:58 PM >>>
> Hi, Jonathan,
> re 'societal significance'. Hope the following throws some light on
it for
> you.
>
> Having taken part on many occasions in drunken orgies of bawdry, one
of
> the aims is to stretch the boundaries of belief with the worst
excesses of
> sexual degradation and violence in the honest belief that if sexual
> excesses are funny then even more excessive excesses are even
funnier. You
> had to be there I'm afraid.Some people find shocking people funny.  And some songs are the verbal
equivalent of having someone jump out from behind a door.Here is a song from a local bartender.  He didn't remember when
he picked the ditty up but he said its purpose was to shock people.            RAPING YOUR DATE
    (Tune - Walkin' My Baby Back Home)       Gee it's great after raping your date
       Dragging the body back home
       Arm in arm over meadow and farm
       Dragging the body back homeA version of this is in the IU folklore archives dated 1967.  It was
sung by
a woman to a woman folklorist.  No details on where the woman learned
the
ditty..

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wisdom Prevails
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 13:20:00 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(21 lines) , text/html(24 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 5 Sep 2005 - Special issue (#2005-366)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 10:22:33 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(4 lines)


"For aplundering and Burning ships
Down on the Spamish Main"With John Cleeese, probably.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 5 Sep 2005 - Special issue (#2005-366)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 13:31:19 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(15 lines) , text/html(5 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 16:50:20 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(13 lines)


>I remember - and aoplogize if anyone is offended -
>
> Gee but it's great after eating your date,
> Brushing your teeth with a comb.Lew,Is this all there is to your version?  When & where did you learn it?  When 
have you *used* the song?  In what context?Thanks!John Mehlberg 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 07:57:57 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(18 lines)


I am OFFENDED there is no more to this !On 07/09/2005, at 7:50 AM, John Mehlberg wrote:>> I remember - and aoplogize if anyone is offended -
>>
>> Gee but it's great after eating your date,
>> Brushing your teeth with a comb.
>
> Lew,
>
> Is this all there is to your version?  When & where did you learn it?  
> When have you *used* the song?  In what context?
>
> Thanks!
>
> John Mehlberg

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bawdy songs (Was: the eighteen pounder).
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 18:32:20 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


John,Unfortunately, that's all that I remember, although I think there
probably was another two lines.  The song is circa 1954 - when I was a
senior in high school. There was a girl in our high school class who
always seemed to be aware of off color parodies of commercially
successful songs. I remember two others from her (I don't know whether
she wrote them or just relayed them).One was to the tune of "That's Amore" made famous by Dean Martin.  The
verse was -"When a rock hits your jock and you yell, "That's my cock"
That's a rupture.
When you walk down the street with your balls at your feet,
That's a rupture."The only other one that I remember is a parody on the song, "Don't get
around much anymore."The verse of the song is:Missed the Saturday dance,
heard they crowded the floor
It's awfully different without you,
don't get around much anymore 
Thought I visit the club,
got as far as the door
I just couldn't bear without you,
I don't get around much anymoreThe parody was:Missed the toilet last night,
Shit all over the floor,
Wiped it up with my toothbrush,
Don't brush my teeth much anymore.Anyway, that's it. Don't tell my wife I told you these songs.Lew>>> [unmask] 9/6/2005 5:50:20 PM >>>
>I remember - and aoplogize if anyone is offended -
>
> Gee but it's great after eating your date,
> Brushing your teeth with a comb.Lew,Is this all there is to your version?  When & where did you learn it? 
When 
have you *used* the song?  In what context?Thanks!John Mehlberg 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bawdy songs (Was: the eighteen pounder).
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 15:43:17 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(85 lines)


"See the prostitutes along the Nile
Playing grab-ass with a crocodile . . . ."Stephen--- Lewis Becker <[unmask]> wrote:> John,
> 
> Unfortunately, that's all that I remember, although
> I think there
> probably was another two lines.  The song is circa
> 1954 - when I was a
> senior in high school. There was a girl in our high
> school class who
> always seemed to be aware of off color parodies of
> commercially
> successful songs. I remember two others from her (I
> don't know whether
> she wrote them or just relayed them).
> 
> One was to the tune of "That's Amore" made famous by
> Dean Martin.  The
> verse was -
> 
> "When a rock hits your jock and you yell, "That's my
> cock"
> That's a rupture.
> When you walk down the street with your balls at
> your feet,
> That's a rupture."
> 
> The only other one that I remember is a parody on
> the song, "Don't get
> around much anymore."
> 
> The verse of the song is:
> 
> Missed the Saturday dance,
> heard they crowded the floor
> It's awfully different without you,
> don't get around much anymore 
> Thought I visit the club,
> got as far as the door
> I just couldn't bear without you,
> I don't get around much anymore
> 
> The parody was:
> 
> Missed the toilet last night,
> Shit all over the floor,
> Wiped it up with my toothbrush,
> Don't brush my teeth much anymore.
> 
> Anyway, that's it. Don't tell my wife I told you
> these songs.
> 
> Lew
> 
> 
> >>> [unmask] 9/6/2005 5:50:20 PM >>>
> >I remember - and aoplogize if anyone is offended -
> >
> > Gee but it's great after eating your date,
> > Brushing your teeth with a comb.
> 
> Lew,
> 
> Is this all there is to your version?  When & where
> did you learn it? 
> When 
> have you *used* the song?  In what context?
> 
> Thanks!
> 
> John Mehlberg 
> 	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 15:49:34 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(21 lines)


--- Jonathan Lighter <[unmask]> wrote:
<snip>OK, I looked at "Bonny Black Hare" in the Bodleian
site--three versions, but not all legible. Frank Purslow has interestint notes in "Constant
Lovers," available on-line at
www.folkinfo.org/songs/displaysong.asp?SongID=215This and "Bonny Brown Hen" are so similar that one
could be a rewrite of the other. Probably the hare has
priority here--more broadsides and a documented
existence in oral tradition. Stephen__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Camouflaged sea shanties - Pt. 11
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 16:45:17 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(42 lines) , text/html(37 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 16:58:28 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(43 lines) , text/html(17 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged sea shanties - Pt. 11
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 17:16:54 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(140 lines)


What I think was a bowdlerized version of "Cruising
'Round Yarmouth" was popular in the early 1950s--the
sailor responds enthusiastically to a come-on by a
"lofty clipper ship" and comes to grief in an
unspecified way--"she was nothing but a pirate ship
rigged up in a disguise." In those days one could not
even hint broadly at a sexually transmitted disease;
and the public would not have known what to make of
"fire ship" either literally or as a metaphor.Several Hit Parade songs of that period were
bowdlerized bawdy trad. songs. I wonder how many were
aware of the originals.In any case, I await the appearance of your essay.Stephen--- Jonathan Lighter <[unmask]> wrote:> RATCLIFFE HIGHWAY (200-202) : "Verses 6 and 7
> omitted....Much of the wording of this forebitter
> points to a naval origin, and that of the censored
> bawdy parts even more so."  Doerflinger prints an
> expurgated version from Capt. Patrick Tayluer with
> the editor's discreet "etc." on p.115.
>  
> Hugill printed a full version, with a different tune
> and chorus, in _Shanties & Sailor's Song_, pp.
> 211-213. Even this may be toned down here and there
> in terms of blunt diction, if the two minimal
> fragments collected by the late Cyril Tawney were
> typical of the song as often sung; these appear in
> _Grey Funnel Lines_ under the title of "Whale Island
> Anthem."  
>  
> Tawney and, in his footsteps, Louis Killen, have
> both recorded a version that is nearly identical to
> Hugill's 1969 text, but sung to a different tune.  A
> private note from Tawney revealed that the song was
> collected by Patrick Suldham-Shaw in the Orkneys,
> and that its original LP performance on Topic's
> _Farewell Nancy_ in 1964 was exactly as Suldham-Shaw
> noted it.
>  
>  
> Aficionados will recognize "Cruising 'Round
> Yarmouth" as a variant of Hugill's song.  According
> to a private communication from Jerry Silverman a
> few years back, the related "China Town Bumboat," in
> _The Dirty Song Book_ was noted during the '40s by a
> collector who has declined to take credit publicly.
> Rather than blow his cover here, I will only say
> that the collector confirmed Silverman's info in a
> personal note to me a few weeks later. 
>  
> Hugill wrote a series of articles on various songs
> mentioning the street Ratcliffe Highway for the now
> defunct English magazine _Spin_ in 1969. Most or all
> of those songs then appeared in _Ships, Songs and
> Shanties_ in 1977.  In _Spin_ VI, No. 6, pp.16-17,
> Hugill finally printed the two stanzas missing from
> his 1961 publication.  They're pretty graphic
> whether you understand nautical jargon or not :
>  
>         She clewed up her courses, we had much
> sea-room,
>         I raked her from for'ard with a shot from me
> gun;
>         I manned me stern-chaser and caught her at
> large,
>         Fired  into the stern-gallery a hefty
> discharge.
>  
>         We closed alongside, boys, I hauled in me
> slack,
>         I busted me bobstay and then changed me
> tack;
>         Me shot locker's empty, me powder's all
> spent,
>         Me gun needs repairin', it's choked at the
> vent.
>  
> In _The Erotic Muse_, first edition, Ed published
> the lone version of the text collected by Gordon,
> app. in California in the early '20s. I wonder why
> he dropped it from the 2nd ed. It is not as full as
> either of Hugill's two uncensored texts.
>  
> 
> I could say more about this song, whose stanzas were
> often adapted for singing as a shanty to the tune of
> "Blow the Man Down," but will refrain so as to build
> suspense for the appearance of an essay on the
> subject which I've been working on for a number of
> years.  I'm also waiting to see the text which Edith
> Folb collected in Canada many years ago.  Watch this
> space.
>  
> ROLLIN' HOME BY THE SILVERY MOON (180-181) : The
> later stanzas, rhyming on "rum," "claret," and
> "cider," Hugill says, are "mainly bawdy."  The song
> is basically a version of the well known "Drink It
> Down."
>  
> SACRAMENTO (107-114) : Hugill sang his unexpurgated
> version, which is thematically related to "Ratcliffe
> Highway" but is verbally much cruder, at Mystic in
> 1988.  Richard Docker's recent _Uncensored Sailor
> Songs_CD offers that text and tune.  "The Milkmaid"
> in  Rabeliaisian form was also sung to the
> "Sacramento"/ "Camptown Races" tune.
>  
> SALLY BROWN (161-167) : "There were many obscene
> verses."  In _Sea Songs..._ (p.125), Hugill adds
> that these were "often about Sally's daughter." The
> only one known to come from the old days is that in
> Randolph-Legman as part of "Shenandoah" (see below),
> with Sally's name replacing the other.  Doerflinger
> gives the song, with ellipsis and "etc.," on p. 76. 
> 
>  
> A bit more to come.
>  
> JL
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bawdy songs (Was: the eighteen pounder).
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 18:58:43 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(72 lines)


Lew:You sure you didn't just violate some federal statute?Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Tuesday, September 6, 2005 3:32 pm
Subject: Re: bawdy songs (Was: the eighteen pounder).> John,
> 
> Unfortunately, that's all that I remember, although I think there
> probably was another two lines.  The song is circa 1954 - when I 
> was a
> senior in high school. There was a girl in our high school class who
> always seemed to be aware of off color parodies of commercially
> successful songs. I remember two others from her (I don't know whether
> she wrote them or just relayed them).
> 
> One was to the tune of "That's Amore" made famous by Dean Martin.  The
> verse was -
> 
> "When a rock hits your jock and you yell, "That's my cock"
> That's a rupture.
> When you walk down the street with your balls at your feet,
> That's a rupture."
> 
> The only other one that I remember is a parody on the song, "Don't get
> around much anymore."
> 
> The verse of the song is:
> 
> Missed the Saturday dance,
> heard they crowded the floor
> It's awfully different without you,
> don't get around much anymore 
> Thought I visit the club,
> got as far as the door
> I just couldn't bear without you,
> I don't get around much anymore
> 
> The parody was:
> 
> Missed the toilet last night,
> Shit all over the floor,
> Wiped it up with my toothbrush,
> Don't brush my teeth much anymore.
> 
> Anyway, that's it. Don't tell my wife I told you these songs.
> 
> Lew
> 
> 
> >>> [unmask] 9/6/2005 5:50:20 PM >>>
> >I remember - and aoplogize if anyone is offended -
> >
> > Gee but it's great after eating your date,
> > Brushing your teeth with a comb.
> 
> Lew,
> 
> Is this all there is to your version?  When & where did you learn 
> it? 
> When 
> have you *used* the song?  In what context?
> 
> Thanks!
> 
> John Mehlberg 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bawdy songs (Was: the eighteen pounder).
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 6 Sep 2005 22:07:36 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(86 lines)


Ed,I thought of two responses to your question.      1. God, I hope not.       2. Again?Lew>>> [unmask] 9/6/2005 9:58:43 PM >>>
Lew:You sure you didn't just violate some federal statute?Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Tuesday, September 6, 2005 3:32 pm
Subject: Re: bawdy songs (Was: the eighteen pounder).> John,
> 
> Unfortunately, that's all that I remember, although I think there
> probably was another two lines.  The song is circa 1954 - when I 
> was a
> senior in high school. There was a girl in our high school class who
> always seemed to be aware of off color parodies of commercially
> successful songs. I remember two others from her (I don't know
whether
> she wrote them or just relayed them).
> 
> One was to the tune of "That's Amore" made famous by Dean Martin. 
The
> verse was -
> 
> "When a rock hits your jock and you yell, "That's my cock"
> That's a rupture.
> When you walk down the street with your balls at your feet,
> That's a rupture."
> 
> The only other one that I remember is a parody on the song, "Don't
get
> around much anymore."
> 
> The verse of the song is:
> 
> Missed the Saturday dance,
> heard they crowded the floor
> It's awfully different without you,
> don't get around much anymore 
> Thought I visit the club,
> got as far as the door
> I just couldn't bear without you,
> I don't get around much anymore
> 
> The parody was:
> 
> Missed the toilet last night,
> Shit all over the floor,
> Wiped it up with my toothbrush,
> Don't brush my teeth much anymore.
> 
> Anyway, that's it. Don't tell my wife I told you these songs.
> 
> Lew
> 
> 
> >>> [unmask] 9/6/2005 5:50:20 PM >>>
> >I remember - and aoplogize if anyone is offended -
> >
> > Gee but it's great after eating your date,
> > Brushing your teeth with a comb.
> 
> Lew,
> 
> Is this all there is to your version?  When & where did you learn 
> it? 
> When 
> have you *used* the song?  In what context?
> 
> Thanks!
> 
> John Mehlberg 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 00:13:07 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(54 lines)


I do believe it was on the "Byker Hill" album which came out in 1967 and is available on CD. Alas, with my copy in NOLA, I cannot confirm.Think I'm going to do a TRUE desert island list. CDs I slected to take while fleeing Katrina. 24 discs in all, about 1 disc for every 500 or so I own.For the record, it looks like I'm going back early next week with a few friends as part of a United Way team. 
> 
> From: Jonathan Lighter <[unmask]>
> Date: 2005/09/06 Tue PM 07:58:28 EDT
> To: [unmask]
> Subject: Re: "The Eighteen Pouder"
> 
> Carthy and Swarbrick recorded "The Bonny Black Hare" on their album of that name ca1967. It seems not to have been released on CD. I think Lloyd did the same text and tune on _The Bird in the Bush_, maybe a year earlier.
>  
> As for the "raping your date" song, a friend of mine learned this much in Kalamazoo, Mich., in 1962 :
>  
> Gee, but it's great after raping your date,
> Dragging her body back home.
> Wading through mud with pud on your stud,
> Dragging her body back home.
>  
> "Crud on your pud" would be more idiomatic than "pud on your stud," but hey.
>  
> Despite my inquisitorial collecting methods, that's all he knew in 1979. Now he's a famous physicist, messing with the fabric of the universe. Go figure.
>  
> JL
> 
> Stephen Reynolds <[unmask]> wrote:
> --- Jonathan Lighter wrote:
> 
> 
> OK, I looked at "Bonny Black Hare" in the Bodleian
> site--three versions, but not all legible. 
> 
> Frank Purslow has interestint notes in "Constant
> Lovers," available on-line at
> www.folkinfo.org/songs/displaysong.asp?SongID=215
> 
> This and "Bonny Brown Hen" are so similar that one
> could be a rewrite of the other. Probably the hare has
> priority here--more broadsides and a documented
> existence in oral tradition. 
> 
> Stephen
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 01:26:54 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(13 lines)


For the record, it was indeed on Byker Hill. Carthy got a lot of his earlier
material from Bert Lloyd: he was at school with Lloyd's son, and he credits
a visit to a folk club with him, where Sam Larner was the guest, as his
epiphany.JR. On 9/7/05 12:13 AM, "Clifford J OCHELTREE" <[unmask]> wrote:> I do believe it was on the "Byker Hill" album which came out in 1967 and is
> available on CD. Alas, with my copy in NOLA, I cannot confirm.
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Eighteen Pouder"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 00:39:12 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(19 lines)


----- Original Message ----- 
From: "Jonathan Lighter" <[unmask]><<Carthy and Swarbrick recorded "The Bonny Black Hare" on their album of
that name ca1967. It seems not to have been released on CD. I think Lloyd
did the same text and tune on _The Bird in the Bush_, maybe a year
earlier.>>With Swarbrick on fiddle. Swarbrick once told me that Lloyd never sang the
songs for him until the recording sessions; wanted him to have them fresh.
Clearly Swarb learned it well, since he recorded it with Carthy a year later
and Fairport four years on. The Lloyd version seems to have become the
canonical folk-revival one. He credited it to "an immigrant potato-lifter"
from Walberswick, but "he learned it in England". He noted that Vance
Randolph had collected a version as well, then unpublished.Peace,
Paul

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged sea shanties - Pt. 11
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 06:10:21 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(155 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: New Orleans
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 10:55:31 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(1 lines)


There was an earlier question about the archives at Tulane. I forgot to mention that what may be at risk is the jazz material at the Old Mint. From what I could see they lost most of the roof and any number of windows. Probably some water damage as well and I doubt it will get any high priority repair work done so future water damage might prove to be a big problem.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 6 Sep 2005 - Special issue (#2005-372)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 07:57:26 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(6 lines)


42 Man, right?> Should have been "Squamish Main" - with Alfred E.
> Newman .
>  
> JL

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged sea shanties - Pt. 11
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 07:58:57 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(68 lines)


--- Jonathan Lighter <[unmask]> wrote:> That was the related song, "The Fireship," and Ed
> printed the only complete, unexpurgated traditional
> version back in 1969.  Aha. OK, when time permits I'll look up Ed's version.>  
> The Weavers toned it down and faked it up ("I took
> her for some fish and chips") in 1950 under the
> title "The Roving Kind." They even removed the word
> "fireship."The American public of that period would not have
picked on the metaphorical meaning of "fireship"--of
course a song complaining that someone contracted
syphilis from a woman of dubious occupation would not
have been tolerated then--but also the public would
not have know the literal meaning of "fireship," and
the few who might have done a bit of research to find
out what it was might have also stumbled across the
metaphorical sense. So "pirate ship," which everyone
understood, was the safer course. " 'twas there she made me walk the plank and pushed me
under too," if I remember correctly, was the most
specific description of the wrong she done him. Hadn't thought about that song in years. Stephen>  
> Both "Ratcliffe Highway" and "The Fireship" are
> remarkable for their metaphoric exploitation of
> nautical jargon.  As I will show in my essay, this
> particular gimmick is centuries old. 
>  
> JL
> 
> Stephen Reynolds <[unmask]> wrote:
> What I think was a bowdlerized version of "Cruising
> 'Round Yarmouth" was popular in the early 1950s--the
> sailor responds enthusiastically to a come-on by a
> "lofty clipper ship" and comes to grief in an
> unspecified way--"she was nothing but a pirate ship
> rigged up in a disguise." In those days one could
> not
> even hint broadly at a sexually transmitted disease;
> and the public would not have known what to make of
> "fire ship" either literally or as a metaphor.
> 
> Several Hit Parade songs of that period were
> bowdlerized bawdy trad. songs. I wonder how many
> were
> aware of the originals.
> 
> In any case, I await the appearance of your essay.
> 	
		
______________________________________________________
Click here to donate to the Hurricane Katrina relief effort.
http://store.yahoo.com/redcross-donate3/

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Folksongs Are Your Friends
From: "Lawlor, Susan" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 11:08:04 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(29 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bawdy songs (Was: the eighteen pounder).
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 10:13:03 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


>
> Missed the toilet last night,
> Shit all over the floor,
> Wiped it up with my toothbrush,
> Don't brush my teeth much anymore.
>This ditty is found on the Ron & the Rude Boys cassettes from 
the early 1990s.  I have seen it printed a few times but don't 
remember where (_Jacksing_?)Thanks for putting a very early date on this.Later today I will try tracking down variants of the "That's 
Amore" parody.Yours,John Mehlberg
~
PS   Ed & Jonathan, I have a copy of _The Ultimate Rugby 
Songbook_ with 352 songs, ditties and recitations.  This 
undated (ca1987) perfect bound trade paperback has a lot of 
material which I have not seen before..

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 6 Sep 2005 - Special issue (#2005-372)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 09:17:01 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(19 lines) , text/html(7 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Dropped Song
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 10:06:08 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


Jonathan asked:  "In _The Erotic Muse_, first edition, Ed published the lone version of the text collected by Gordon, app. in California in the early '20s. I wonder why he dropped it from the 2nd ed. It is not as full as either of Hugill's two uncensored texts."The best answer I can give is that I had some doubts about the oral currency of the ballad.  I think.  Damn, but it was almost 15 years ago.Ed

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 6 Sep 2005 to 7 Sep 2005 - Special issue (#2005-375)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 15:56:36 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(40 lines)


BALLAD-L automatic digest system <[unmask]>, in
the person of Stephen Reynolds, writes:> --- Jonathan Lighter <[unmask]> wrote:
>
>> That was the related song, "The Fireship," and Ed printed the only
>> complete, unexpurgated traditional version back in 1969.
>
> Aha. OK, when time permits I'll look up Ed's version.
>
>>  
>> The Weavers toned it down and faked it up ("I took her for some
>> fish and chips") in 1950 under the title "The Roving Kind." They
>> even removed the word "fireship."
>
> The American public of that period would not have picked on the
> metaphorical meaning of "fireship"--of course a song complaining
> that someone contracted syphilis from a woman of dubious occupation
> would not have been tolerated then--but also the public would not
> have know the literal meaning of "fireship," and the few who might
> have done a bit of research to find out what it was might have also
> stumbled across the metaphorical sense. So "pirate ship," which
> everyone understood, was the safer course.
>
> " 'twas there she made me walk the plank and pushed me under too,"
> if I remember correctly, was the most specific description of the
> wrong she done him.In the version I learned in highschool, ca. 1956, it was "'Twas then I
got my mizzen sprung and strongbox broken, too", which is a bit more
suggestive.I have always relished the stanza containing her protestation of
innocence, especially the delightfully ironic line "My mother is a
Methodist -- I do the best I can".  But that, perhaps, is too delicate
to be authentic.
-- 
---  Joe Fineman    [unmask]||:  Felicificity:  Happiness per unit luck.  :||

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: bawdy songs (Was: the eighteen pounder).
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 12:57:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(98 lines)


Lew:You still out on bail?Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Tuesday, September 6, 2005 7:07 pm
Subject: Re: bawdy songs (Was: the eighteen pounder).> Ed,
> 
> I thought of two responses to your question.
> 
>      1. God, I hope not.
> 
>       2. Again?
> 
> Lew
> 
> >>> [unmask] 9/6/2005 9:58:43 PM >>>
> Lew:
> 
> You sure you didn't just violate some federal statute?
> 
> Ed
> 
> ----- Original Message -----
> From: Lewis Becker <[unmask]>
> Date: Tuesday, September 6, 2005 3:32 pm
> Subject: Re: bawdy songs (Was: the eighteen pounder).
> 
> > John,
> > 
> > Unfortunately, that's all that I remember, although I think there
> > probably was another two lines.  The song is circa 1954 - when I 
> > was a
> > senior in high school. There was a girl in our high school class who
> > always seemed to be aware of off color parodies of commercially
> > successful songs. I remember two others from her (I don't know
> whether
> > she wrote them or just relayed them).
> > 
> > One was to the tune of "That's Amore" made famous by Dean Martin. 
> The
> > verse was -
> > 
> > "When a rock hits your jock and you yell, "That's my cock"
> > That's a rupture.
> > When you walk down the street with your balls at your feet,
> > That's a rupture."
> > 
> > The only other one that I remember is a parody on the song, "Don't
> get
> > around much anymore."
> > 
> > The verse of the song is:
> > 
> > Missed the Saturday dance,
> > heard they crowded the floor
> > It's awfully different without you,
> > don't get around much anymore 
> > Thought I visit the club,
> > got as far as the door
> > I just couldn't bear without you,
> > I don't get around much anymore
> > 
> > The parody was:
> > 
> > Missed the toilet last night,
> > Shit all over the floor,
> > Wiped it up with my toothbrush,
> > Don't brush my teeth much anymore.
> > 
> > Anyway, that's it. Don't tell my wife I told you these songs.
> > 
> > Lew
> > 
> > 
> > >>> [unmask] 9/6/2005 5:50:20 PM >>>
> > >I remember - and aoplogize if anyone is offended -
> > >
> > > Gee but it's great after eating your date,
> > > Brushing your teeth with a comb.
> > 
> > Lew,
> > 
> > Is this all there is to your version?  When & where did you learn 
> > it? 
> > When 
> > have you *used* the song?  In what context?
> > 
> > Thanks!
> > 
> > John Mehlberg 
> > 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 6 Sep 2005 to 7 Sep 2005 - Special issue (#2005-375)
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 16:08:10 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(50 lines)


Joe Fineman wrote:
> BALLAD-L automatic digest system <[unmask]>, in 
>>--- Jonathan Lighter <[unmask]> wrote:
>>
>>>That was the related song, "The Fireship," and Ed printed the only
>>>complete, unexpurgated traditional version back in 1969.
>>
>>Aha. OK, when time permits I'll look up Ed's version.
>> 
>>>The Weavers toned it down and faked it up ("I took her for some
>>>fish and chips") in 1950 under the title "The Roving Kind." They
>>>even removed the word "fireship."
>>
>>The American public of that period would not have picked on the
>>metaphorical meaning of "fireship"--of course a song complaining
>>that someone contracted syphilis from a woman of dubious occupation
>>would not have been tolerated then--but also the public would not
>>have know the literal meaning of "fireship," and the few who might
>>have done a bit of research to find out what it was might have also
>>stumbled across the metaphorical sense. So "pirate ship," which
>>everyone understood, was the safer course.
>>
>>" 'twas there she made me walk the plank and pushed me under too,"
>>if I remember correctly, was the most specific description of the
>>wrong she done him.
>  
> In the version I learned in highschool, ca. 1956, it was "'Twas then I
> got my mizzen sprung and strongbox broken, too", which is a bit more
> suggestive.
> 
> I have always relished the stanza containing her protestation of
> innocence, especially the delightfully ironic line "My mother is a
> Methodist -- I do the best I can".  But that, perhaps, is too delicate
> to be authentic.What I remember (don't know from where):
My father is a [minister/Methodist]
A good and honest man.
My mother is an acrobat
And I do the best I can.-- 
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Clutterers Anonymous unofficial community 
http://www.livejournal.com/community/clutterers_anon/
Decluttering http://decluttering.blogspot.com
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BALLAD-L Digest - 6 Sep 2005 to 7 Sep 2005 - Special issue (#2005-375)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 7 Sep 2005 14:45:18 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(63 lines) , text/html(15 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Audit Checklist for Certifying Digital Repositories
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 8 Sep 2005 11:24:44 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(44 lines)


Hope these resources will be found useful.Audit Checklist for Certifying Digital RepositoriesThis draft report is the first guide for determining whether a digital
repository can be certified as a trusted location for digital collections.
Developed by a task force of experts assembled by RLG and National Archives
and Records Administration (NARA), the draft is available for public
comment. Please see a copy below and comment by January 2006.
Audit Checklist for Certifying Digital Repositories (pdf)
Comment on this draft
http://www.rlg.org/en/page.php?Page_ID=20769Sound Recordings
Source: Council on Library and Information Resources and Digital Library 
Federation
New Report, Survey of Reissues of U.S. Recordings
http://www.clir.org/pubs/reports/pub133/contents.html
"The purpose of this study was to determine the legal accessibility
of sound recordings published in the United States. The survey was
designed to quantify the degree to which rights holders of historical
sound recordings have made available, either directly or through
licensees, past recordings that they control."Karen Ellis
Educational CyberPlayGround<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
© The Educational CyberPlayGround
http://www.edu-cyberpg.com/© National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/© Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: folklorist job, North Carolina...
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 8 Sep 2005 15:55:53 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


this from another list.......>>Subject: Folklorist opportunity
>>To: undisclosed-recipients: ;
>>Organization: North Carolina Arts Council
>>
>>FOLKLORIST OPPORTUNITY ... The Hiddenite Center is a twenty-five year old 
>>not-for-profit organization located in the foothills of the Blue Ridge 
>>Mountains in the rural community of Hiddenite, North Carolina.  The 
>>Center is currently seeking a qualified and trained folklorist to develop 
>>program initiatives and concepts to enhance the learning experiences of 
>>visitors to the area and to the local community.  The successful 
>>applicant will possess a minimum of a Masters Degree in Folklore, 
>>experience in programming, documentation, research, and delivering this 
>>information to the general public.  This person will be involved in 
>>heritage arts presentations for students and adults, while working to 
>>find funding sources to keep the position in place for the 
>>future.  Salary range:  $25-32K based on experience and 
>>qualifications.  The Hiddenite Center is proud to be an equal opportunity 
>>employer.  Interested applicants should apply to:  Hiddenite Center, Post 
>>Office Box 311, Hiddenite, North Carolina  28636 or FAX information 
>>to:  828.632.3783.  We are ready to move, so applicants should apply now!
>>
>>Thank you!
>>dwaine c. coley
>>Executive Director
>>Hiddenite Center, Inc.
>>828.632.6966

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/8/05 (Songsters, Broadsides, Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 8 Sep 2005 20:05:31 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(79 lines)


Hi!	As the summer ends and the school year begins, we have more
books on Ebay. :-)	SONGSTERS & BROADSIDES	6558313021 - Songs for the Grange, 1874, $74.99 (ends Sep-09-05 
14:09:09 PDT)	7711007093 - W.E. Burke's Barnum and Great London Circus Songster, 
1882, $5 (ends Sep-11-05 20:10:04 PDT)	SONGS & BALLADS	4573149957 - HE WAS SINGIN' THIS SONG by Tinsley, 1981, $19.99 
(ends Sep-09-05 20:03:13 PDT)	4573254725 - Shanties from the Seven Seas by Hugill, 1994 reprint,
$9 (ends Sep-10-05 12:20:09 PDT)	8331868030 - The Bawdy Bedside Reader by Hart, 1971, $5 (ends 
Sep-10-05 13:12:27 PDT)	4573276850 - American Ballads by Kennedy, 1952, $9.99 (ends 
Sep-10-05 15:27:56 PDT)	6976182124 - Ancient Poems, Ballads and Songs of the Peasantry of
 England by Bell, 1861, 4.99 GBP (ends Sep-11-05 12:16:32 PDT)	4571830870 - Singing Family of the Cumberlands by Ritchie, 1988 
printing, $19.99 (ends Sep-11-05 16:45:00 PDT)	8332236942 - 6 booklets of Australian folk songs, 1956-1980, $19.95
AU (ends Sep-11-05 19:55:58 PDT)	6976695496 - The New American Songster by Darling, 1991, $5 (ends
Sep-11-05 20:49:04 PDT)	7711016113 - FOLK SONGS OF THE AMERICAN NEGRO, 1907, $17.50 (ends 
Sep-11-05 21:27:52 PDT)	8332320066 - Sea Shanties by Hugill, 1977, 22 GBP (ends Sep-12-05 
07:06:27 PDT)	8331617246 - Garners Gay by Hamer, 1967, 3.70 GBP (ends Sep-12-05 
12:32:38 PDT)	7348591274 - The Cumberland Ridgerunners Mountain Ballads and Home 
Songs, 1936, $4.25 (ends Sep-12-05 17:03:52 PDT)	4573137052 - Early Songs of Uncle Sam by Jackson, 1933, $12 (ends 
Sep-12-05 18:38:55 PDT)	6559096177 - Indian Folk Songs of Pennsylvania by Shoemaker, 1927, 
$49.99 (ends Sep-12-05 20:27:11 PDT)	8332573332 - Scone Ceilidh Songbook Folk Songs Old & New, 1965, 
2.99 GBP (ends Sep-13-05 01:57:26 PDT)	7711594374 - 2 books (RELIGIOUS FOLK SONGS OF THE NEGRO by Fenner, 
1920 edition and AMERICAN NEGRO SONGS AND SPIRITUALS by Work, 1940), $9.99 
(ends Sep-13-05 14:07:39 PDT)	7349209759 - KERR'S "CORNKISTERS" (BOTHY BALLADS), 1950, 4.50 GBP 
(ends Sep-14-05 13:50:35 PDT)	4574193055 - BEYOND THE HEBRIDES by Fergusson, 1977, $14 (ends 
Sep-15-05 01:46:12 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged sea shanties - Pt. 11
From: Gerald Porter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 12:46:25 +0300
Content-Type:text/plain
Parts/Attachments:

text/plain(24 lines)


"The Fireship" is one of the songs that makes me wonder why Stan Hugill ever
wrote (in Sea Shanties, 1977, p.125) "the sailor rarely used double entendre,
such as sexual symbolism".  At any rate, the broadside version contains my
favourite metaphor in bawdry:And then he let fly at her,
A shot twixt wind and water.Gerald PorterLainaus Jonathan Lighter <[unmask]>:> That was the related song, "The Fireship," and Ed printed the only complete,
> unexpurgated traditional version back in 1969.
>
> The Weavers toned it down and faked it up ("I took her for some fish and
> chips") in 1950 under the title "The Roving Kind." They even removed the word
> "fireship."
>
> Both "Ratcliffe Highway" and "The Fireship" are remarkable for their
> metaphoric exploitation of nautical jargon.  As I will show in my essay, this
> particular gimmick is centuries old.
>
> JL

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged sea shanties - Pt. 11
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 06:51:10 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(36 lines) , text/html(9 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: HORS and Motherless Child Blues
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 11:01:34 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(51 lines)


In Country Music Sources, in which Dick Spottswood and Douglas S. 
Meade edit for publication the unpublished work of the late Guthrie 
T. Meade, Jr., Gus gives the following citations of works he 
considers to be related to HORS.(2) Gordon Ms. #925 (1925); FSV, p. 309.
(4) McMurray, p. 18
(5) "Motherless Child Blues," Elvie Thomas, 03/1930, Pmt 12977, Yaz 
2007 (cd); "Rising Sun Blues," Tom Ashley and Doc Watson, FW FA2359, 
SF 40029/30 (cd)He then cites as as "country music sources" commercial recordings by 
Ashley & Foster (1933), Homer Callahan (1935), and Roy Acuff & His 
Smoky Mountain Boys (1938). I've read of an Ernest Tubb recording 
that Gus seems to have missed.Anyhow, I don't have Gordon #925 (Ed Cray, do you?), I haven't yet 
gone over to the library to check out Folk Songs of Virginia (FSV), 
and I don't have Vance McMurray's Home Songs (Oxford, Ohio: Vance 
McMurray, 1937), a "hillbilly song folio."What I do have, in Gus' list, is Yaz 2007 with Elvie Thomas, 
"Motherless Child Blues," and, sad to say, I cannot understand the 
relationship that Gus saw between this song and HORS.Here's the text.My mother told me, just before she died (4x)Oh, daughter, daughter, please don't be like me (3x)
To fall in love with every man you seeBut I did not listen to what my mother said (3x)
That's the reason why I'm sitting here in HattiesburgBaby, now she's dead and six feet in the ground (3x)
And I'm her child and I am drifting aroundDo you remember the day, Baby, you drove me from your door (3x)
Go away from here woman and don't come here no moreI walked away and I wrang my hands and cried (3x)
Didn't have no blues, I couldn't be satisfiedThomas' tune is the one familiarly associated in blugrass music with 
"I'm broke and I do not have a dime (3x) Singing, oh, oh, oh, oh" 
"Ev'ry good man has a little hard luck some time ...."Does anyone see a connection between "Motherless Child Blues" and HORS?
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Camouflaged sea shanties - Pt. 11
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 09:29:40 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(41 lines)


Gerald:In Hugill's defense, I would suggest that one example might be defined as "rare."Ed
----- Original Message -----
From: Gerald Porter <[unmask]>
Date: Friday, September 9, 2005 2:46 am
Subject: Re: Camouflaged sea shanties - Pt. 11> "The Fireship" is one of the songs that makes me wonder why Stan 
> Hugill ever
> wrote (in Sea Shanties, 1977, p.125) "the sailor rarely used double 
> entendre,such as sexual symbolism".  At any rate, the broadside 
> version contains my
> favourite metaphor in bawdry:
> 
> And then he let fly at her,
> A shot twixt wind and water.
> 
> Gerald Porter
> 
> Lainaus Jonathan Lighter <[unmask]>:
> 
> > That was the related song, "The Fireship," and Ed printed the 
> only complete,
> > unexpurgated traditional version back in 1969.
> >
> > The Weavers toned it down and faked it up ("I took her for some 
> fish and
> > chips") in 1950 under the title "The Roving Kind." They even 
> removed the word
> > "fireship."
> >
> > Both "Ratcliffe Highway" and "The Fireship" are remarkable for their
> > metaphoric exploitation of nautical jargon.  As I will show in my 
> essay, this
> > particular gimmick is centuries old.
> >
> > JL
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: HORS and Motherless Child Blues
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 09:45:29 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(66 lines)


John:I do NOT have Gordon 925.  Sorry.Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Friday, September 9, 2005 8:01 am
Subject: HORS and Motherless Child Blues> In Country Music Sources, in which Dick Spottswood and Douglas S. 
> Meade edit for publication the unpublished work of the late Guthrie 
> T. Meade, Jr., Gus gives the following citations of works he 
> considers to be related to HORS.
> 
> (2) Gordon Ms. #925 (1925); FSV, p. 309.
> (4) McMurray, p. 18
> (5) "Motherless Child Blues," Elvie Thomas, 03/1930, Pmt 12977, Yaz 
> 2007 (cd); "Rising Sun Blues," Tom Ashley and Doc Watson, FW 
> FA2359, 
> SF 40029/30 (cd)
> 
> He then cites as as "country music sources" commercial recordings 
> by 
> Ashley & Foster (1933), Homer Callahan (1935), and Roy Acuff & His 
> Smoky Mountain Boys (1938). I've read of an Ernest Tubb recording 
> that Gus seems to have missed.
> 
> Anyhow, I don't have Gordon #925 (Ed Cray, do you?), I haven't yet 
> gone over to the library to check out Folk Songs of Virginia (FSV), 
> and I don't have Vance McMurray's Home Songs (Oxford, Ohio: Vance 
> McMurray, 1937), a "hillbilly song folio."
> 
> What I do have, in Gus' list, is Yaz 2007 with Elvie Thomas, 
> "Motherless Child Blues," and, sad to say, I cannot understand the 
> relationship that Gus saw between this song and HORS.
> 
> Here's the text.
> 
> My mother told me, just before she died (4x)
> 
> Oh, daughter, daughter, please don't be like me (3x)
> To fall in love with every man you see
> 
> But I did not listen to what my mother said (3x)
> That's the reason why I'm sitting here in Hattiesburg
> 
> Baby, now she's dead and six feet in the ground (3x)
> And I'm her child and I am drifting around
> 
> Do you remember the day, Baby, you drove me from your door (3x)
> Go away from here woman and don't come here no more
> 
> I walked away and I wrang my hands and cried (3x)
> Didn't have no blues, I couldn't be satisfied
> 
> Thomas' tune is the one familiarly associated in blugrass music 
> with 
> "I'm broke and I do not have a dime (3x) Singing, oh, oh, oh, oh" 
> "Ev'ry good man has a little hard luck some time ...."
> 
> Does anyone see a connection between "Motherless Child Blues" and 
> HORS?-- 
> john garst    [unmask]
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 14:05:33 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(56 lines)


I wrote:>...Using these verses we could put together quite a respectable song 
>without using any of the "rounder" verses, and I imagine the 
>possibility that that's how HORS started out in life, as both a 
>celebration of and complaint about a bordello, perhaps a particular 
>one.OK, here's the result of my foray as described.  All of these verses 
are from Vance Randolph's collections or one of the early commercial 
recordings (Tom Ashley, Homer Callahan).THE HOUSE OF THE RISING SUNThere is a house in New Orleans,
They call it the Rising Sun,
An' when you want your pecker spoilt
That's where you get it done.O tell my youngest brother
Not to do what I have done
And to shun that place down in New Orleans
That's called the Rising Sun.Beware the red light out in front
An' the pictures on the wall,
An' yellow gals dressed in purple shoes
Without no clothes at all.Shun the red light an' flowin' bowl,
Beware of too much drink,
Them whores will take an' lead you on
To hell's eternal brink.They drink all day an' fuck all night
Until your money's gone;
They kick you ass out in the street
When the second shift comes on.There is a house in New Orleans
They call the Rising Sun
Where many a poor boy to destruction has gone
And me, Oh God, I'm oneI'm going back to New Orleans
My race is almost run.
Gonna spend the rest of my weekly pay
Beneath that Rising Sun.To me, this is a far more satisfying song (I hesitate to call it 
"ballad," but I suppose it does have narrative elements) than the 
ones we usually encounter.J
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Libby Holman HORS
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 14:32:08 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(8 lines)


According to Dixon, Godrich, Rye, B&GR, House of the Rising Sun was 
recorded by Libby Holman, a "white musical-comedy actress," in 1942. 
She is accompanied by Josh White, and HORS was issued as Decca 18306. 
Does anyone have this recording?  Has anyone heard it?Thanks.John

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Libby Holman HORS
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 14:48:56 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(8 lines)


>According to Dixon, Godrich, Rye, B&GR, House of the Rising Sun was 
>recorded by Libby Holman, a "white musical-comedy actress," in 1942. 
>She is accompanied by Josh White, and HORS was issued as Decca 
>18306.  Does anyone have this recording?  Has anyone heard it?I now find that it is available on CD, and I have ordered a copy.J

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Libby Holman HORS
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 14:53:52 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(33 lines) , text/html(38 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Libby Holman HORS
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 15:00:44 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(15 lines)


http://www.cduniverse.com/productinfo.asp?pid=6828638&style=music&cart=270317977 
<http://www.cduniverse.com/productinfo.asp?pid=6828638&style=music&cart=270317977>John Garst wrote:> According to Dixon, Godrich, Rye, B&GR, House of the Rising Sun was 
> recorded by Libby Holman, a "white musical-comedy actress," in 1942. 
> She is accompanied by Josh White, and HORS was issued as Decca 18306. 
> Does anyone have this recording?  Has anyone heard it?
>
> Thanks.
>
> John
>
>

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Libby Holman HORS
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 15:03:08 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(43 lines) , text/html(59 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/9/05 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 9 Sep 2005 22:37:22 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(99 lines)


Hi!	I am ending the week with another Ebay list. :-)	JOURNALS	6558743081 - JOURNAL OF THE GYPSY LORE SOCIETY, 1936, 16 GBP 
(ends Sep-11-05 14:12:51 PDT)	6559483865 - Journal of American Folklore, 1917, $24.50 (ends 
Sep-13-05 18:06:27 PDT)	BOOKS 	4573254285 - Too Good to Be True by Brunvand, 1999, $2 (ends 
Sep-10-05 12:16:06 PDT)	4573261850 - Folklore of the Great West by Greenway, 1970, $4.99 
(ends Sep-10-05 13:07:53 PDT)	4573286110 - Foxfire, 3 volumes, 1972, $20.51 (ends Sep-10-05 
17:06:59 PDT)	8332060017 - DORSETSHIRE FOLK-LORE by Udal, 1970 reprint, 3 GBP 
(ends Sep-11-05 09:22:44 PDT)	4573375225 - SKETCHES OF SOUTH GEORGIA FOLKLIFE by Marshall & 
FLEISCHHAUER, 1977, $7.50 (ends Sep-11-05 09:57:34 PDT)	4573385560 - Funk&Wagnall Dictionary of Folklore Mythology & Legend, 
2 volumes, 1949, $14.99 (ends Sep-11-05 10:56:19 PDT)	8332166311 - Florida Folktales by Reaver, 1987, $12.95 (ends 
Sep-11-05 14:09:44 PDT)	6558842054 - Mansions on Rails - The Folklore of the Private Railway 
Car by Beebe, 1959, $19.99 (ends Sep-11-05 20:52:05 PDT)	5239036279 - British Myths and Legends by Barber, 1998, 9.49 GBP 
(ends Sep-12-05 09:31:53 PDT)	4573565193 - An American Sailor's Treasury by Shay, 1991 edition, 
$6.25 (ends Sep-12-05 10:27:27 PDT)	4573594317 - Gumbo Ya-Ya by Dreyer & Saxon, 1973, $10.99 (ends 
Sep-12-05 13:11:09 PDT)	4573606085 - Gumbo Ya-Ya by Dreyer & Saxon, 1987 edition, $10 
(ends Sep-12-05 14:24:40 PDT)	8332485990 - Folk Tales from French Louisiana by Saucier, 1962, 
$5 (ends Sep-12-05 17:31:42 PDT)	6559246438 - Cajun Country, $5.99 (ends Sep-13-05 08:32:52 PDT)	4573795663 - WANDER-SHIPS:FOLK-STORIES OF THE SEA by Bassett, 
1917, $15 (ends Sep-13-05 11:03:38 PDT)	4573855964 - Witchcraft and Folklore of Dartmoor by St.Leger-Gordon, 
1972, $4.99 (ends Sep-13-05 13:57:19 PDT)	6976671347 - Interpreting Folklore by Dundes, 1980, $5 (ends 
Sep-13-05 17:05:26 PDT)	6976095904 - A Guide to Australian Folklore by Davey & Seal, 2005, 
$12.99 AU (ends Sep-14-05 05:08:49 PDT)	6207460867 - FOLKLORE OF THE EMPIRE STATE by Thompson, 1937, $2 
(ends Sep-14-05 07:37:44 PDT)	4573262831 - Passing the Time in Ballymenone by Glassie, 1995, 
$7 (ends Sep-14-05 08:00:00 PDT)	4574169820 - Fish and Brewis, Toutens and Tales by Margaret, 
1980, $4.95 (ends Sep-14-05 21:13:21 PDT)	8333474966 - 2 booklets, OLD DEVON CUSTOMS & LEGENDS OF DEVON by 
Coxhead, 1957 & 1954, 3.99 GBP (ends Sep-15-05 13:42:51 PDT)	6977032116 - Down in the Holler by Randolph & Wilson, 1953, $8 
(ends Sep-15-05 19:02:21 PDT)	4574506815 - Folklore on the American Land by Emerich, 1972, 
$5.99 (ends Sep-16-05 09:56:47 PDT)	5239818689 - Nebraska Folklore by Pound, 1989 edition, 1.99 GBP 
(ends Sep-16-05 14:40:14 PDT)	8333665712 - Ghosts & Legends Of The Peak District, 1996, 1 GBP 
(ends Sep-19-05 07:25:50 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Identifying a Civil War era songster
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 10 Sep 2005 12:15:08 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(45 lines)


My mother just found a songster, clearly from the Civil War era
(or a reprint of same). Unfortunately, it has lost its cover and
possibly one interior leaf as well. No title page. So I can't
tell what it is.Here is what I have: The contents list starts with            CONTENTS.
America...........................34
Army Bean, The....................60
Auld Land Syne....................56
Babylon is Fallen............Work 10
Battle Cry of Freedom........Root  5etc.The last song listed is "Year of Jubilee" (that's not "Year of
Jubilo," which is in there under the proper title "Kingdom Coming")As a wild guess, it was published by Root and Cady, because about
half the songs are either by George F. Root or Henry Clay Work --
and all of their songs are identified by author, but other popular
songs under copyright ("When This Cruel War is Over," "Tenting on
the Old Camp Ground") do *not* have authors listed.It must date from 1865 or after, since it includes "Marching
Through Georgia."The last page I have is page 94, but the contents refer to a
song on page 95. There are no references to pages higher than
that.Incidentally, "The Star Spangled Banner" (p. 37) is listed as by
"Francis H. Key."Can anyone identify this find?Thanks in advance.
-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Identifying a Civil War era songster
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 10 Sep 2005 13:45:44 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


>My mother just found a songster,By "songster," do you mean a words-only book?  Or does this contain 
musical notation?Also, is it hard cover or not?J>Bob Waltz
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Identifying a Civil War era songster
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 10 Sep 2005 14:36:00 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(28 lines)


On 9/10/05, John Garst wrote:>>My mother just found a songster,
>
>By "songster," do you mean a words-only book?  Or does this contain musical notation?Words only. Looks very much like a songster.I notice that it is constantly plugging sheet music printed by
S. Brainard's Sons.>Also, is it hard cover or not?No cover, remember?The pages are sewn, not glued, which is usually the sign of a
hardcover, but I've never seen a hardcover that small. It's
slightly smaller than a standard paperback.In fact -- this is interesting. The dimensions are *exactly* 17 cm.
tall by 11 cm. wide. Roughly 6-11/16" by 4-3/8". So it appears to
have been printed on paper made for a European standard.
-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 11 Sep 2005 16:44:47 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(16 lines) , text/html(25 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 11 Sep 2005 15:55:53 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(14 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Identifying a Civil War era songster
From: "Kirsten M. Schultz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 11 Sep 2005 23:56:37 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(82 lines)


The "Army Bean" seems to have been associated with the melody of "Sweet By
and By" (1868), composed by J.P. Webster of "Lorena" fame.  Of course, the
lyrics may have been written earlier and possibly linked to other melodies.Mudcat has a set of lyrics online:
[unmask]">http:[unmask]
According to the information on the Mudcat site, this song appears in the
Glass anthology, but I do not have a copy on hand and do not know whether
Glass identifies the lyricist.  I did not find any references to sheet music
or broadsides at the Levy, American Memory, or Middle Tennessee State
University's Center for Popular Music websites.  If Norm Cohen or anyone
else is unable to provide more information about this piece, then I can look
through a few more sources at UT later this week.  My initial guess would be that your songster might be one of the postwar
anthologies of Civil War songs, or perhaps a publication for the use of
veterans.  Since the firm of S. Brainard's Sons is mentioned frequently, two
possibilities are 1) _Grand Army War Songs : A Collection of War Songs..._ /
edited by Wilson G. Smith. Cleveland, OH : S. Brainard's Sons, c1886; 2)
_Our War Songs North and South_ Cleveland, Ohio: S. Brainard's Sons, 1887. Best regards,Kirsten M. Schultz, Ph. D.
Toronto, Ontario
E-mail: [unmask]
 -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of Robert B. Waltz
Sent: Saturday, September 10, 2005 1:15 PM
To: [unmask]
Subject: Identifying a Civil War era songsterMy mother just found a songster, clearly from the Civil War era
(or a reprint of same). Unfortunately, it has lost its cover and
possibly one interior leaf as well. No title page. So I can't
tell what it is.Here is what I have: The contents list starts with            CONTENTS.
America...........................34
Army Bean, The....................60
Auld Land Syne....................56
Babylon is Fallen............Work 10
Battle Cry of Freedom........Root  5etc.The last song listed is "Year of Jubilee" (that's not "Year of
Jubilo," which is in there under the proper title "Kingdom Coming")As a wild guess, it was published by Root and Cady, because about
half the songs are either by George F. Root or Henry Clay Work --
and all of their songs are identified by author, but other popular
songs under copyright ("When This Cruel War is Over," "Tenting on
the Old Camp Ground") do *not* have authors listed.It must date from 1865 or after, since it includes "Marching
Through Georgia."The last page I have is page 94, but the contents refer to a
song on page 95. There are no references to pages higher than
that.Incidentally, "The Star Spangled Banner" (p. 37) is listed as by
"Francis H. Key."Can anyone identify this find?Thanks in advance.
-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay-Rice/Deloney
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 13 Sep 2005 09:22:24 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


Hi,
A couple of important pieces on Ebay at the moment which are due to finish 
soon. Sadly they're going beyond my budget.
a) 7711754669 has several interesting pieces of sheet music c1829 -1839 
including Daddy Rice's 'Long Time Ago' which starts 'As I was a gwine down 
Shinbone Alley' and appears to be the original of the shanty. No bids yet, 
one day to go at $50. If anyone gets it I'd appreciate a p/copy of the Rice 
piece.
b) 6559895488  An extremely rare original of Thomas Deloney's 'The Garland 
of Goodwill' 1700. I've already requested a list of contents and may bid 
further if nobody else does but it's getting past my pocket at £29.
SteveG

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/14/05 (Songsters, Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 14 Sep 2005 14:29:15 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(110 lines)


Hi!	As we run out the door, here is the weekly list. The General
Folklore list will be posted in a couple of days.	SONGSTERS & BROADSIDES	7712233195 - Waukesha County Songster, $6 (ends Sep-16-05 23:44:34 
PDT)	6560681781 - The Sweet Songster, 1888, $5.99 (ends Sep-18-05 
08:20:46 PDT)	6977432040 - The Songsters Multum in Parvo, 1805, 9.99 GBP (ends
Sep-18-05 10:54:24 PDT)	7712395605 - ROBBINS & COLVIN CONCERT COMPANY GREAT CIRCUS CONCERT 
SONGSTER, $4.99 (end Sep-18-05 18:00:00 PDT)	MISCELLANEOUS	4766983960 - The Kirkland Recordings, LP, $9.99 (ends Sep-15-05 
21:01:32 PDT)	4766921347 - The Shepherd?s Song: Border Ballads by Scott, LP, 
$19.99 (ends Sep-18-05 16:35:51 PDT)	4768362486 - A Garland Of Scots Folksong by Miller & MacColl, 
$0.98 (ends Sep-19-05 16:34:06 PDT)	4768384919 - Ontario Ballads & Folksongs, LP, $8.99 (ends 
Sep-19-05 17:40:01 PDT)	SONGS & BALLADS	7349302861 - Songs of Britain by Kidson & Shaw, 1913, 0.99 GBP 
(ends Sep-15-05 01:36:52 PDT)	4574362757 - American Sea Songs and Chanteys by Shay, 1948, $9.99 
(ends Sep-15-05 16:23:59 PDT)	7349489343 - 2 songbooks by Robison, 1930, $5 (ends Sep-15-05 
17:12:36 PDT)	8333651767 - The Idiom of the People by Sharp, 1958, 4.70 GBP 
(ends Sep-16-05 06:16:26 PDT)	7349676641, 7349677888, 7349681919 - The Songs of England by Hatton,
volumes 1-3, 0.99 GBP per auction/volume (ends Sep-16-05 15:18:39 PDT)	8333783037 - Folk Song Today Book 3, 1970, 0.99 GBP (ends 
Sep-16-05 16:21:58 PDT)	8333784699 - Folk Song Today Book 4, 1970, 0.99 GBP (ends 
Sep-16-05 16:34:10 PDT)	6977234857 - SCOTTISH SONGS AND BALLARDS by Ritson, 1866 edition, 
7 GBP (ends Sep-17-05 07:10:16 PDT)	6977267195 - Folk Songs of the Upper Thames by Williams, 1923, 
10 GBP (ends Sep-17-05 11:00:55 PDT)	4574757728 - SONGS I SANG ON AN IOWA FARM by Rogers, 1958, $4.95
(ends Sep-17-05 14:08:18 PDT)	7545022484 - Songs of the Midlands by Palmer, 1972, 4.99 GBP 
(ends Sep-18-05 02:57:11 PDT)	7349312537 - Folk Songs and Ballads of Scotland by MacColl, 0.99
GBP (ends Sep-18-05 03:14:01 PDT)	7349375764 - Folk Songs From Sussex by Merrick, 1932, 4.99 GBP 
(ends Sep-18-05 09:37:00 PDT)	6561250272 - Discovering English Folksong by Pollard, 1982, $9.99 
(ends Sep-18-05 10:14:57 PDT)	7350116686 - 11 items, cowboy songbooks & sheet music, 1890-1940, 
$4.99 (ends Sep-18-05 15:23:06 PDT)	7545895614 - Mountain and Western Ballads As sung by Jim & Jane and 
Their Western Vagabonds, 1940?, $7.50 (ends Sep-18-05 16:08:44 PDT)	4575005293 - Blood and Knavery by Marshburn, 1973, $7.99 (ends 
Sep-18-05 18:12:03 PDT)	4575014694 - Texas Folk Songs by Owens, 1976, $9.99 (ends 
Sep-18-05 18:55:51 PDT)	6977714559 - MINSTRELSY OF THE SCOTTISH BORDER, 3 volumes, 1810 
edition, 10 GBP (ends Sep-20-05 04:48:46 PDT)	6561203292 - SONGS & BALLADS OF SPORT AND PASTIME by Tomlinson, 
1900?, $9.99 (ends Sep-20-05 06:12:16 PDT)	4575409396 - Southern Folk Ballads Volume 2 by McNeil, 1988, $7.75
(ends Sep-20-05 12:22:19 PDT)	8333967370 - 2 books (The Singing Street & The Golden City) by 
Ritchie, 1965, 4.98 GBP (ends Sep-20-05 12:34:08 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/14/05 (Songsters, Songs & Ballads)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 14 Sep 2005 14:48:11 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(10 lines)


FWIW, I shall definitely be bidding on this (though I may snipe!).JohnOn 9/14/05 2:29 PM, "Dolores Nichols" <[unmask]> wrote:> 6977267195 - Folk Songs of the Upper Thames by Williams, 1923,
> 10 GBP (ends Sep-17-05 11:00:55 PDT)

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Wouldn't Say Quit
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 15 Sep 2005 13:34:20 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(55 lines)


I'm browsing in Stefan Grossman, "Rev. Gary Davis: The Holy Blues," 
NY: Robbins Music Co., 1970.  On p 56 I find Wouldn't Say Quit.  I 
guess it's a ballad, told in first person, describing a series of 
acts against the singer's "little girl."  Since, "I tried to make her 
drunk" is included, I suspect that the "little girl" is not his 
daughter.  Anyhow, it is labeled "traditional."  It is not familiar 
to me.  Anybody?  I'm not quite sure how to interpret, either.  It 
seems to be a list of acts of domestic violence.The first verse gives the patternI had a little girl
    And she wouldn't say quit,
    She wouldn't say quit,
    She wouldn't say quit.
I had a little girl
    And she wouldn't say quit,
    Oh, please don't tell nobody.Taken her out to rideI took her on the beachI took her off for fishingWhen I took her to the barI tried to make her drunkWell, I took her back homeI caught her by the jawI pulled her up her tentI took her to the pinesI cut my poleI tried my best to kill herI whipped her all I wante toI began to choke herI began to stomp herI put her in the carI took her back homeI throwed her into bed-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wouldn't Say Quit
From: Andy Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 15 Sep 2005 14:34:14 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(67 lines)


John,"Wouldn't Say Quit" has been intimated in what sparse Davis literature there is,  to be a vaudeville or medicine show routine. Check out Stefan Grossman's transcription of about a dozen of his songs, it's in there, don't remember the  title.  It's not in 'Holy Blues' I don't think.  Andy Co hen-----Original Message-----
From: John Garst <[unmask]>
Sent: Sep 15, 2005 1:34 PM
To: [unmask]
Subject: Wouldn't Say QuitI'm browsing in Stefan Grossman, "Rev. Gary Davis: The Holy Blues," 
NY: Robbins Music Co., 1970.  On p 56 I find Wouldn't Say Quit.  I 
guess it's a ballad, told in first person, describing a series of 
acts against the singer's "little girl."  Since, "I tried to make her 
drunk" is included, I suspect that the "little girl" is not his 
daughter.  Anyhow, it is labeled "traditional."  It is not familiar 
to me.  Anybody?  I'm not quite sure how to interpret, either.  It 
seems to be a list of acts of domestic violence.The first verse gives the patternI had a little girl
    And she wouldn't say quit,
    She wouldn't say quit,
    She wouldn't say quit.
I had a little girl
    And she wouldn't say quit,
    Oh, please don't tell nobody.Taken her out to rideI took her on the beachI took her off for fishingWhen I took her to the barI tried to make her drunkWell, I took her back homeI caught her by the jawI pulled her up her tentI took her to the pinesI cut my poleI tried my best to kill herI whipped her all I wante toI began to choke herI began to stomp herI put her in the carI took her back homeI throwed her into bed-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wouldn't Say Quit
From: Andy Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 15 Sep 2005 14:36:49 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(67 lines)


Jeez,Did I say it wasn't in Holy Blues? Duhhh...Cohen-----Original Message-----
From: John Garst <[unmask]>
Sent: Sep 15, 2005 1:34 PM
To: [unmask]
Subject: Wouldn't Say QuitI'm browsing in Stefan Grossman, "Rev. Gary Davis: The Holy Blues," 
NY: Robbins Music Co., 1970.  On p 56 I find Wouldn't Say Quit.  I 
guess it's a ballad, told in first person, describing a series of 
acts against the singer's "little girl."  Since, "I tried to make her 
drunk" is included, I suspect that the "little girl" is not his 
daughter.  Anyhow, it is labeled "traditional."  It is not familiar 
to me.  Anybody?  I'm not quite sure how to interpret, either.  It 
seems to be a list of acts of domestic violence.The first verse gives the patternI had a little girl
    And she wouldn't say quit,
    She wouldn't say quit,
    She wouldn't say quit.
I had a little girl
    And she wouldn't say quit,
    Oh, please don't tell nobody.Taken her out to rideI took her on the beachI took her off for fishingWhen I took her to the barI tried to make her drunkWell, I took her back homeI caught her by the jawI pulled her up her tentI took her to the pinesI cut my poleI tried my best to kill herI whipped her all I wante toI began to choke herI began to stomp herI put her in the carI took her back homeI throwed her into bed-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Robin Hood's Death
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 06:53:46 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(18 lines)


. . .or "The Death of Robin Hood". I was listening to
this on an old Regal Slip (reissued) CD. According to
the liner notes, the tune was composed by Graham
Pratt. The tune is pretty upbeat-- unlike the versions
found in Bronson and elsewhere-- and seems to have
become, willy-nilly, the tune of choice for the ballad
(Chicagoan Art Theme does a slightly different tune,
but still kind of up-tempo.)Interestingly, Regal's text is longer and slightly
different than Bronson's. It seems to have been taken,
almost exactly, from the words in "Song of Robin
Hood", Malcomson/Castagnetta, Houghton-Mifflin, 1947,
and this, except for a word or two, is Theme's text--
where did this version come from? And why didn't
Bronson pick it up? Thanks.C.

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Katrina - help for musicians
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 09:59:42 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(79 lines) , text/html(17 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Olson Site
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 11:24:42 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(8 lines)


Is there a link that can be posted for the Olson website?  I thought it was going to Cal State Fresno.  David, EdThanksSammy Rich
[unmask] 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Olson Site
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 10:55:17 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(33 lines)


Happy to oblige:http://www.csufresno.edu/folklore/Olson/however Murphy would have it that I tried yesterday to update a link 
on that site and managed to erase the old main page.  But the system 
is not allowing me to do anything useful about restoring the updated 
main page.  It should have been fixed by now, but I would hazard a 
guess that by this evening things should be back on line at the above 
address. Sorry.David>Is there a link that can be posted for the Olson website?  I thought 
>it was going to Cal State Fresno. 
>
>David, Ed
>
>Thanks
>
>Sammy Rich
>[unmask]-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Libby Holman HORS
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 14:12:33 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(16 lines)


I got the Libby Holman CD yesterday and this morning I listened to 
"House of the Rising Sun," on which she is accompanied by Josh White. 
To me, she sounds like a female John Jacob Niles or Richard 
Dyer-Bennett.  The notes say that at about this time she had had her 
"natural" voice "trained out of her."  HORS is performed emotively 
and very slowly.  It is about 3:24 long.  I don't recall an 
instrumental break past the introduction.  Yet she gets in only three 
verses - each verse takes about a minute.A good thing about her version is that it is "pure."  Her three 
verses are all about HORS, no "rounder" stuff.  (1) There is a 
house...ruin of many poor girl... (2) Go tell...sister...  (3) I'm 
going back...  (These may not be exact quotes of her particular 
words, but they should allow you to identify the stanzas.)
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 15:43:43 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(121 lines)


Gus Meade refers to Gordon #925, which I have received in the mail 
today.  925 is from GORDON MANUSCRIPTS, Volume IV, Letters 651-950. 
It does not bear a date (I wonder if there is another part that I 
wasn't sent).  Anyhow, it was contributed by William F. Burroughs (I 
think he may have been one of Gordon's repeat correspondents, 
although his name is not indexed in Kodish, Good Friends and Bad 
Enemies), who wrote:I heard it from a southerner.  He was of the type that generally call 
themselves: "One o' th' boys."  He was not a crook, and not exactly a 
bum.  His working activities were confined to "Pearl diving" and 
other restaurant jobs.  This and an occasional strike at the dice 
kept him away from the Associated Charities.  However he called on 
them at times.  When he lacked the funds for railroad fare he simply 
stayed where he was until something "turned up."  He "took his fun as 
he found it", and as a consequence had spent a total of something 
like five years in penal servitude on various misdemeanor charges.THE RISING SUNThere is a house in New Orleans
It's called the Rising Sun
It's been the ruin of many poor girl,
Great God and I for one.If I had of listened to what my mother said,
I'd be at home today,
But I was young and foolish poor girl
Let a rounder lead me astray.Oh mother, mother, tell me why
You treat that rounder cold,
I'd rather be that rounder's wife
Than to wear your crown of gold.Now tell my sister in Baltimore,
Not to do as I have done
To shun that house in New Orleans,
It's called the Rising Sun.Since the Gordon Collection date range is 1921-1930, this is 
somewhere in there, and I imagine it to be ca 1925.Previously, I had suspected that Georgia Turner's 1937 recording (for 
the Lomaxes) was the earliest "girl" version.  That's clearly wrong - 
the present item makes it clear that "girl" versions were around by 
the 1920s, at least.  I still think, however, that the "boy" versions 
are more coherent, and they date (by informant's recollections) to ca 
1905, at least.The present version is unusually coherent for a rounder/girl version, 
although it seems to me that the positions of verses 2 and 3 ought to 
be exchanged.  Actually, I guess I would put the verses in the order 
3-2-1-4.  (I realize that singers often don't care about such things, 
particularly in a blues ballad, which is a reasonable classification 
for many versions of HORS.)These verses do a reasonable job of integrating the "rounder" and 
"prostitute" themes.  If the stanza "My mother is a tailor / She sews 
those new blue jeans / My sweetheart he's a gambler, Lord / Gambles 
down in New Orleans" had been included, the integration would have 
been even better.  Even so, it still seems to me likely that the 
"rounder" and HORS stanzas once belonged to separate songs.  Part of 
this belief on my part may be the recognition that stanzas 2 and 3 
above have couterparts in other songs.  I suppose that floaters have 
to originate somewhere, and they could have originated as part of 
HORS, but that seems to me unlikely.  More likely, these stanzas were 
inspired by parallels that were adapted for HORS or a separate 
"rounder" song that became mixed with HORS.That said, these considerations soften a bit my confidence that the 
"rounder" verses belong to a different original song and that "boy" 
versions of HORS are earlier than "girl" versions.What do you think?Another thought:I suspect that HORS predates Storyville, the famous "legal" Red Light 
District of New Orleans, which became a legal entity on Jan. 1, 1898.If the song were new in 1905, it would probably refer to a place in 
Storyville, which had then existed for 7 years, but we don't *know* 
that it was new in 1905.  New Orleans prostitution existed from its 
beginning, at least from ca 1721, so by 1905 there had been nearly 
200 years of prostitution there.  Especially after the Civil War, 
prostitution flourished as madams and whores occupied houses all over 
the city ranging from crib places to lavish mansions.  Storyville was 
the solution to the "problem" that anyone could find themselves 
living next door to a brothel.  Before 1898, "houses" were anywhere 
and everywhere, with many being in the French Quarter.The period ca 1880-1920 was an especially rich one for originating 
American ballads, and perhaps the 1890s was the richest decade within 
this period.  Storyville existed only at the *end* of the 1890s, 
suggesting a likelihood that HORS predates it.A stanza collected by Vance Randolph begins, "Beware the red light 
out in front."  Al Rose states, "Except for the St. James Methodist 
Church, every building in the area (Storyville) was devoted to 
prostitution.  Consequently it is very doubtful that red lights were 
used in Storyville.  There was no need for them.  If we suppose that 
Randolph's verse carries an historical implication, that implication 
is that HORS predates Storyville.Another, sort'a odd, thought:There was at least one "house" in pre-Storyville New Orleans that 
featured Japanese whores.  A verse collected by Randolph refers to 
"yellow gals."  Japan is the "Land of the Rising Sun."  This all 
hangs together to suggest that HORS could have been the place with 
Japanese women.  (Unfortunately, mulattos, quadroons, and octoroons 
were, and are, also commonly called "yellow.")Against this, it goes against my grain to imagine that HORS would 
refer to such a special, unusual house.John
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 17:05:08 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


 From Al Rose, Storyville, p 27: From The Mascot, October 27, 1894 (before Storyville), a report of a 
meeting of the Society of Venus and Bacchus:"...Miss Julia Dean stated stated that she had been informed that a 
Japanese house had been opened on Customhouse Street at Annie 
Merrit's old stand, and that it should be discountenanced as much as 
possible.  Miss Wilcox said that she was sure the Japs were niggers 
dressed up."I wish I knew more about this "Japanese house."J

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Olson site up again
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 14:28:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(18 lines)


sammy et alOur techs repaired the problem and the Olson site is up and running again.http://www.csufresno.edu/folklore/Olson/Thank you for your patience!David
-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 15:53:19 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(132 lines) , text/html(14 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 19:02:18 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(20 lines)


I'm shooting from the hip now, but it seems logical that a "Japanese house" would be a geisha house would be a whore house, esp. in 1894 when Japan was still very exotic, and octaroon or other light skinned black women would seem equally exotic. Just an idea.Beth Brooks
Indianapolis>>> [unmask] 09/16/05 4:05 PM >>>
 From Al Rose, Storyville, p 27: From The Mascot, October 27, 1894 (before Storyville), a report of a 
meeting of the Society of Venus and Bacchus:"...Miss Julia Dean stated stated that she had been informed that a 
Japanese house had been opened on Customhouse Street at Annie 
Merrit's old stand, and that it should be discountenanced as much as 
possible.  Miss Wilcox said that she was sure the Japs were niggers 
dressed up."I wish I knew more about this "Japanese house."J

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wouldn't Say Quit
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 17:50:07 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(70 lines) , text/html(13 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 23:09:24 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(7 lines)


I doubt this would have been the case in New Orleans.> From: Beth Brooks <[unmask]>
 
> octaroon or other light skinned black women would seem 
> equally exotic. 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Olson site up again
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 16 Sep 2005 21:37:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(36 lines)


And thank you for keeping it going. Bruce's work lives
on after him thanks to those who keep this site up.Stephen--- "David G. Engle" <[unmask]>
wrote:> sammy et al
> 
> Our techs repaired the problem and the Olson site is
> up and running again.
> 
> http://www.csufresno.edu/folklore/Olson/
> 
> Thank you for your patience!
> 
> David
> -- 
> David G. Engle
> 
> California State University, Fresno
> [unmask]
> Tel: (559) 278-2708; FAX: (559) 278-7878
> 
> The Traditional Ballad Index Web Site:
>
http://www.csufresno.edu/folklore/BalladIndexTOC.html
> 		
__________________________________ 
Yahoo! Mail - PC Magazine Editors' Choice 2005 
http://mail.yahoo.com

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: House of the Rising Sun (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 17 Sep 2005 10:36:43 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(31 lines)


>I'm shooting from the hip now, but it seems logical that a "Japanese 
>house" would be a geisha house would be a whore house, esp. in 1894 
>when Japan was still very exotic, and octaroon or other light 
>skinned black women would seem equally exotic. Just an idea.
>
>Beth Brooks
>Indianapolis
>
>>>>  [unmask] 09/16/05 4:05 PM >>>
>  From Al Rose, Storyville, p 27:
>
>  From The Mascot, October 27, 1894 (before Storyville), a report of a
>meeting of the Society of Venus and Bacchus:
>
>"...Miss Julia Dean stated stated that she had been informed that a
>Japanese house had been opened on Customhouse Street at Annie
>Merrit's old stand, and that it should be discountenanced as much as
>possible.  Miss Wilcox said that she was sure the Japs were niggers
>dressed up."
>...
>JI should have mentioned that The Mascot was a newspaper devoted 
entirely to the activities of the demimonde and that the Society of 
Venus and Bacchus was an organization of madams of brothels.  There 
was nothing "retiring" or "modest" about the oldest profession in 
late 19th-century New Orleans.J
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: tunes & texts: Clamanda, Old Churchyard, etc.
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 18 Sep 2005 22:16:13 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(145 lines)


Hello all,In our little local Sacred Harp group we recently sang Clamanda for the 
first time, and I said, "I've heard that somewhere before..." It turned 
out to be Waterson:Carthy's "The Old Churchyard" I had in my head. Well, 
of course that's not an English song; they got it from Almeda Riddle. 
And, it shows up in the Randolph collection vol. 14, as well as in the 
Max Hunter and the John Quincy Wolf collections (now online). And 
Southern Harmony has the Clamanda tune and text (but 4 more verses) 
entitled "Social Band" (112).Well, one thing led to another, as they say, and there's another Sunday 
with not much accomplished...My first question is about the source of the Sacred Harp text and tune. 
Sacred Harp attributes Clamanda to "Collection of Hymns and Spiritual 
Songs, 1814."The Early American Imprints collection contains several items with 
similar names (this list is from the Appalachian State University's 
collections finding aids online):A Choice Collection of Hymns & Spiritual Songs: Designed for the Use of 
the Pious of All Denominations. 240 pages. Hartwick, NY: Todds, Clark & 
Crandal, 1814. ASU MICROFORMS: Shaw-Shoemaker #31145A Choice Collection of Hymns and Spiritual Songs: Intended for the 
Edification of Sincere Christians, of All Denominations . Samson Occom, 
Minister of the Gospel, ed. 119 pages. New-London, CT: Timothy Green, 
1774. ASU MICROFORMS: EVANS 13507A Choice Selection of Hymns & Spiritual Songs, Designed for the Use of 
the Pious. 168 pages. Philadelphia: Dickinson & Heartt, 1805. ASU 
MICROFORMS: Shaw-Shoemaker #50513_____. New York: John C. Totten, 1807. 168 pages. ASU MICROFORMS: 
Shaw-Shoemaker #12299_____. New York: Eastburn, Kirk & Co., 1813. 164 pages. ASU MICROFORMS: 
Shaw-Shoemaker #28127_____. Philadelphia: Jonathan Pounder, 1814. 162 pages. ASU MICROFORMS: 
Shaw-Shoemaker #31147A Choice Selection of Hymns and Spiritual Songs, Designed to Aid in the 
Devotions of Prayer, Conference, and Camp Meetings. 168 pages. Concord, 
NH: 1828. ASU MICROFORMS: LAC---Here are some questions:Two of those are 1814, neither are strictly "Collection of Hymns and 
Spiritual Songs," and that title (or variations on it) seems to be very 
commonly used.
- Does anyone know which (if any) was used in the compilation of the 
Sacred Harp?
- Does anyone know anything about the relationship between those 
collections? (E.g., are some of them basically reprints of the same thing?)
- Does anyone know of any resource that indexes the contents of those 
hymnals?The other threads of the story I've been pursuing are the origins of the 
song "The Old Churchyard," possibly dating after Clamandra's 
publication, and the relationship with other, mostly earlier, songs, 
through the tune.The Old Churchyard / Church Yard dates from at least 1847 (The Christian 
Psalmist. Silas W Leonard and A D Fillmore. Indexed in Enos E. Dowling 
Hymnal Collection, Hymnals of the Stone-Campbell Movement (Lincoln 
Christian College & Seminary, Lincoln IL)). (But see The Old Granite 
State, at bottom, which apparently took the tune in 1843.)- Anyone know of any earlier publication?http://rootslady.com/RootsLady/church/churchyard.htm and another no 
longer functioning site (cited in a Mudcat inquiry) attribute "The Old 
Churchyard" to William Sanford (ca 1773 - 1866).- Anyone know anything about him? (I found a Reverend William Sanford, 
abolitionist, of Boylston, Mass., but have no idea whether the two are 
related.)Here are other songs I've found (heard* and/or seen mentioned), that are 
related by tune:Jeremiah Ingalls's "Shouting Hymn" in his Christan Harmony (1805); see 
http://singingalls.org/TCH%201805%20Online.htm [Coincidentally, Clamanda 
is from the Latin clamo, to shout, proclaim or declare.]mentioned in Jackson’s Spiritual Folk-Songs of Early America (1953), as 
cited in http://www.ibiblio.org/fiddlers/PAR_PAY.htm information on 
"Parting Glass":
- English folk-song "Just as the Tide was a-Flowing"
- English Christmas carol beginning "Come all ye faithful Christians, 
That dwell within this land…"from Malcolm Douglas on folkinfo.org in discussion of the tune of "Just 
as the Tide was A-flowing:"
- English Morris dance tune "The Blue Eyed Stranger"
- Ramsay for his "Corn Riggs are bon[n]y" (1729)
- Thomas D'Urfey's song "Sawny Will Never Be My Love Again," which he 
wrote for his play The Virtuous Wife; or, Good Luck at Last (1679)
- song "The Parting Glass"* [in Scots Musical Museum (1803), but 
mentioned earlier -- see Burns, below]
- tune "Sweet Cootehill Town" (also called The Peacock*)(The Peacock is also known as The Peacock's Feathers)Robert Burns's "Masonic[k] Farewell" or "The Farewell to the bretheren 
of St. James’s Lodge, Tarbolton" (1786) is noted to be to the tune "Good 
night, and Joy be wi’ you a’!" (presumably the same as Parting Glass).
See Warren Steel's site: http://www.mcsr.olemiss.edu/~mudws/)Note the appearance of "social band" in this verse of Burns's poem:
     Oft have I met your social band,
     And spent the cheerful, festive night:
     Oft, honour'd with supreme command,
     Presided o'er the Sons of Light,
(A [no doubt mere] coincidence with its tune name in the Southern 
Harmony, and the start of the hymn text: "Say, now ye lovely social 
band...")"The 'Old Granite State,'" by the Hutchinson Family Singers, 1843,
at http://memory.loc.gov, Music for the Nation: American Sheet Music, 
1820-1860, and the Lester Levy Sheet Music Collection. There's a whole 
site on them, too http://www.geocities.com/unclesamsfarm/homestead.htm. 
it says:
"Members of the Hutchinson Family quartet were at the Milford [Conn.] 
homestead, probably in late April or early May 1843, when brother Jesse 
Hutchinson, Jr., came up from Lynn. He brought a new set of lyrics  - 
'The Old Granite State'  -  to be sung to the Second Advent tune, 'The 
Old Church Yard.'Randolph says The Old Church Yard was said to be a "Millerite" tune; 
this fits with the "Second Advent" idea; both indicate an earlier date 
that the Stone-Campbell movement's Christian Psalmist mentioned above 
(publ. 1847).I'd greatly appreciate anything you might have to add to this little 
collection of threads of connection. For no particular use... but I'll 
summarize it all on the Mudcat, at least.~ Becky Nankivell
Tucson, Arizona

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: tunes & texts: Clamanda, Old Churchyard, etc.
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 18 Sep 2005 22:23:44 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


Correction - the Hutchinson family was in Milford, New Hampshire, of 
course (the Granite State), and brother Jesse came up from Lynn, NH. 
(I'm not sure why I thought of Connecticut. It's getting late.)~ Becky

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: tunes & texts: Clamanda, Old Churchyard, etc.
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 19 Sep 2005 08:24:35 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(209 lines)


Becky:The UCLA Department of Special Collections holds the entire collection of hymnals (shape note and otherwise) of George Pullen Jackson.  There is a finding list which I have somewhere -- at hiome, but not here in my office.You might see if they have the hymnal and will send you a text/tune.Ed----- Original Message -----
From: Becky Nankivell <[unmask]>
Date: Sunday, September 18, 2005 10:16 pm
Subject: tunes & texts: Clamanda, Old Churchyard, etc.> Hello all,
> 
> In our little local Sacred Harp group we recently sang Clamanda for 
> the 
> first time, and I said, "I've heard that somewhere before..." It 
> turned 
> out to be Waterson:Carthy's "The Old Churchyard" I had in my head. 
> Well, 
> of course that's not an English song; they got it from Almeda 
> Riddle. 
> And, it shows up in the Randolph collection vol. 14, as well as in 
> the 
> Max Hunter and the John Quincy Wolf collections (now online). And 
> Southern Harmony has the Clamanda tune and text (but 4 more verses) 
> entitled "Social Band" (112).
> 
> Well, one thing led to another, as they say, and there's another 
> Sunday 
> with not much accomplished...
> 
> My first question is about the source of the Sacred Harp text and 
> tune. 
> Sacred Harp attributes Clamanda to "Collection of Hymns and 
> Spiritual 
> Songs, 1814."
> 
> The Early American Imprints collection contains several items with 
> similar names (this list is from the Appalachian State University's 
> collections finding aids online):
> 
> A Choice Collection of Hymns & Spiritual Songs: Designed for the 
> Use of 
> the Pious of All Denominations. 240 pages. Hartwick, NY: Todds, 
> Clark & 
> Crandal, 1814. ASU MICROFORMS: Shaw-Shoemaker #31145
> 
> A Choice Collection of Hymns and Spiritual Songs: Intended for the 
> Edification of Sincere Christians, of All Denominations . Samson 
> Occom, 
> Minister of the Gospel, ed. 119 pages. New-London, CT: Timothy 
> Green, 
> 1774. ASU MICROFORMS: EVANS 13507
> 
> A Choice Selection of Hymns & Spiritual Songs, Designed for the Use 
> of 
> the Pious. 168 pages. Philadelphia: Dickinson & Heartt, 1805. ASU 
> MICROFORMS: Shaw-Shoemaker #50513
> 
> _____. New York: John C. Totten, 1807. 168 pages. ASU MICROFORMS: 
> Shaw-Shoemaker #12299
> 
> _____. New York: Eastburn, Kirk & Co., 1813. 164 pages. ASU 
> MICROFORMS: 
> Shaw-Shoemaker #28127
> 
> _____. Philadelphia: Jonathan Pounder, 1814. 162 pages. ASU 
> MICROFORMS: 
> Shaw-Shoemaker #31147
> 
> A Choice Selection of Hymns and Spiritual Songs, Designed to Aid in 
> the 
> Devotions of Prayer, Conference, and Camp Meetings. 168 pages. 
> Concord, 
> NH: 1828. ASU MICROFORMS: LAC
> 
> ---
> 
> Here are some questions:
> 
> Two of those are 1814, neither are strictly "Collection of Hymns 
> and 
> Spiritual Songs," and that title (or variations on it) seems to be 
> very 
> commonly used.
> - Does anyone know which (if any) was used in the compilation of 
> the 
> Sacred Harp?
> - Does anyone know anything about the relationship between those 
> collections? (E.g., are some of them basically reprints of the same 
> thing?)- Does anyone know of any resource that indexes the contents 
> of those 
> hymnals?
> 
> The other threads of the story I've been pursuing are the origins 
> of the 
> song "The Old Churchyard," possibly dating after Clamandra's 
> publication, and the relationship with other, mostly earlier, 
> songs, 
> through the tune.
> 
> The Old Churchyard / Church Yard dates from at least 1847 (The 
> Christian 
> Psalmist. Silas W Leonard and A D Fillmore. Indexed in Enos E. 
> Dowling 
> Hymnal Collection, Hymnals of the Stone-Campbell Movement (Lincoln 
> Christian College & Seminary, Lincoln IL)). (But see The Old 
> Granite 
> State, at bottom, which apparently took the tune in 1843.)
> 
> - Anyone know of any earlier publication?
> 
> http://rootslady.com/RootsLady/church/churchyard.htm and another no 
> longer functioning site (cited in a Mudcat inquiry) attribute "The 
> Old 
> Churchyard" to William Sanford (ca 1773 - 1866).
> 
> - Anyone know anything about him? (I found a Reverend William 
> Sanford, 
> abolitionist, of Boylston, Mass., but have no idea whether the two 
> are 
> related.)
> 
> Here are other songs I've found (heard* and/or seen mentioned), 
> that are 
> related by tune:
> 
> Jeremiah Ingalls's "Shouting Hymn" in his Christan Harmony (1805); 
> see 
> http://singingalls.org/TCH%201805%20Online.htm [Coincidentally, 
> Clamanda 
> is from the Latin clamo, to shout, proclaim or declare.]
> 
> mentioned in Jackson’s Spiritual Folk-Songs of Early America 
> (1953), as 
> cited in http://www.ibiblio.org/fiddlers/PAR_PAY.htm information on 
> "Parting Glass":
> - English folk-song "Just as the Tide was a-Flowing"
> - English Christmas carol beginning "Come all ye faithful 
> Christians, 
> That dwell within this land…"
> 
> from Malcolm Douglas on folkinfo.org in discussion of the tune of 
> "Just 
> as the Tide was A-flowing:"
> - English Morris dance tune "The Blue Eyed Stranger"
> - Ramsay for his "Corn Riggs are bon[n]y" (1729)
> - Thomas D'Urfey's song "Sawny Will Never Be My Love Again," which 
> he 
> wrote for his play The Virtuous Wife; or, Good Luck at Last (1679)
> - song "The Parting Glass"* [in Scots Musical Museum (1803), but 
> mentioned earlier -- see Burns, below]
> - tune "Sweet Cootehill Town" (also called The Peacock*)
> 
> (The Peacock is also known as The Peacock's Feathers)
> 
> Robert Burns's "Masonic[k] Farewell" or "The Farewell to the 
> bretheren 
> of St. James’s Lodge, Tarbolton" (1786) is noted to be to the tune 
> "Good 
> night, and Joy be wi’ you a’!" (presumably the same as Parting Glass).
> See Warren Steel's site: http://www.mcsr.olemiss.edu/~mudws/)
> 
> Note the appearance of "social band" in this verse of Burns's poem:
>     Oft have I met your social band,
>     And spent the cheerful, festive night:
>     Oft, honour'd with supreme command,
>     Presided o'er the Sons of Light,
> (A [no doubt mere] coincidence with its tune name in the Southern 
> Harmony, and the start of the hymn text: "Say, now ye lovely social 
> band...")
> 
> "The 'Old Granite State,'" by the Hutchinson Family Singers, 1843,
> at http://memory.loc.gov, Music for the Nation: American Sheet 
> Music, 
> 1820-1860, and the Lester Levy Sheet Music Collection. There's a 
> whole 
> site on them, too 
> http://www.geocities.com/unclesamsfarm/homestead.htm. 
> it says:
> "Members of the Hutchinson Family quartet were at the Milford 
> [Conn.] 
> homestead, probably in late April or early May 1843, when brother 
> Jesse 
> Hutchinson, Jr., came up from Lynn. He brought a new set of lyrics  
> - 
> 'The Old Granite State'  -  to be sung to the Second Advent tune, 
> 'The 
> Old Church Yard.'
> 
> Randolph says The Old Church Yard was said to be a "Millerite" 
> tune; 
> this fits with the "Second Advent" idea; both indicate an earlier 
> date 
> that the Stone-Campbell movement's Christian Psalmist mentioned 
> above 
> (publ. 1847).
> 
> I'd greatly appreciate anything you might have to add to this 
> little 
> collection of threads of connection. For no particular use... but 
> I'll 
> summarize it all on the Mudcat, at least.
> 
> ~ Becky Nankivell
> Tucson, Arizona
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Scott Nelson's John Henry Scenario
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 19 Sep 2005 19:01:59 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(265 lines)


Your attention is drawn to a recent publication:Scott Nelson
Who Was John Henry?  Railroad Construction, Southern Folklore, and 
the Birth of Rock and Roll
Labor: Studies in Working-Class History of the Americas
Volume 2, Issue 2
2005If your institution subscribes, you may find this article athttp://docserver.ingentaconnect.com/deliver/cw/dup/15476715/v2n2/s7/p53.pdf?fmt=dirpdf&tt=10401&cl=11&ini=connect&bini=&wis=connect&ac=0&acs=32629,75000325,80004025&expires=1126971234&checksum=263B9E0541A5F8428BB2B615664D7B35&cookie=1350681344Nelson has done a wonderful job of digging up records of the C & O 
pertaining to its construction, records that had been believed, for 
many years (since ca 1925) to have been lost.  His writing here is 
also a thing of beauty.For me, the most important of Nelson's conclusions is that the John 
Henry incident did *not* occur at Big Bend Tunnel, Summers County, 
WV.  The Big Bend site is the received wisdom from the 1920s studies 
of Guy B. Johnson and Louis W. Chappell, who may have been in a kind 
of race to affirm it as the authentic place.  About 40% of the 
versions of "John Henry" collected by 1933 place its action at the 
"Big Bend Tunnel on the C & O road," which would have been ca 1871, 
the building of the C & O having occurred in 1869-73.My view of Big Bend is stated in my 2002 paper, Chasing John Henry in 
Alabama and Mississippi, Tributaries: Journal of the Alabama Folklife 
Association, Issue No. 5, pp 91-129:"In my opinion, the data of Johnson and Chappell make it very 
unlikely that John Henry raced a steam drill at Big Bend Tunnel.  The 
evidence for this conclusion can be summarized as follows.  (1) 
Intensive efforts to find John Henry at Big Bend failed.  (2) No 
documentary evidence of John Henry or a contest was found.  (3) The 
positive testimonial evidence contains significant inconsistencies. 
(4) The negative testimonial evidence is strong and plausible.  (5) 
Alabama, a plausible alternative to Big Bend, is supported by 
substantive, coherent, and detailed reports that were not 
investigated satisfactorily."  The failure to obtain substantive, 
coherent, and detailed reports favoring Big Bend is especially 
significant because Johnson and Chappell were able to interview a 
dozen or so men who had actually worked on the construction of Big 
Bend Tunnel.  Included among the testimonies is one that claims, in 
essence, that the steam-drill contest could not have occurred at Big 
Bend because the informant was there - if it had happened he would 
have seen or heard about it.  He is supported by a couple of others. 
A few others offer weak testimony favoring Big Bend.Nelson concurs, in part, but he ignores Alabama in favor of a 
different tunnel on the C & O line, Lewis Tunnel, Virginia, which 
Nelson says is "on the border between Virginia and West Virginia:"In the song, the tunnel where John Henry died is the Big Bend, but 
in fact he died working on the Lewis Tunnel, which was dug in the 
same years.  Big Bend Tunnel works better as a lyric, and as many 
later versions of the song demonstrate, workers turned their own 
tunnels, or nearby tunnels, into the tunnel that killed John Henry. 
Thus, while the event occurred in Lewis Tunnel, it was probably first 
sung at Big Bend Tunnel nearby.  In fact, when Johnson and Chappell 
were doing their research in the late 1920s, many local informants 
mentioned the Lewis Tunnel, dug by convicts, as the source of the 
song; both Johnson and Chappell failed to follow these leads...."I'm not impressed with Nelson's confidence - "in fact he died working 
on the Lewis Tunnel." Indeed, his entire paper is written as if his 
inferences are the gospel truth.  I *am* impressed with the massive 
amount of work, the fact that he has found and consulted several 
previously unavailable resources, and the rich picture of the 
construction of Lewis Tunnel that he is been able to paint.  Also, he 
gives an excellent brief history of the collecting history of the 
song.He errs, understandably, in citing "the first description of the 
song's performance" as that provided by William Aspenwall Bradley in 
Harper's Monthly Magazine, 1915.  I'm greatly impressed that he found 
the 1915 description - it illustrates how thorough he has been.  Only 
a little luck allowed me to find, recently, an earlier description of 
"John Henry" singing, in court in Atlanta (Atlanta Constitution, 
September 2, 1913, p 14).One problem with Big Bend as the John Henry site has always been that 
the evidence indicating that steam drills were never used there. 
Johnson and Chappell were well aware of this.  To accommodate, it was 
supposed that a steam drill was brought in on a temporary basis and 
raced against a steel driver as a test.  The argument for Big Bend 
might have been stronger had such an ad hoc assumption been 
unnecessary.  Johnson and Chappell knew that steam drills *had* been 
used at Lewis Tunnel but nonetheless, they rejected (or, at least, 
did not pursue) the possibility that the John Henry incident occurred 
there.Nelson has taken up that cause, and he believes that he has found the 
historic John Henry.  Here is a summary of his findings as they 
pertain to the historic John Henry.(1) Lines like "They took John Henry to the White House / And they 
buried him in the sand" are occasionally found in versions of "John 
Henry."(2) A workshop built in 1825 on the grounds of the Virginia 
penitentiary (Richmond) was plastered with lime, making it white. 
This white house no longer exists.(3) A burial site containing about 400 bodies, stacked "sometimes two 
deep, with  thin layer of sand between them," has been found at a 
location that would have been next to the white house, near a local 
connecting railroad along which locomotives would have come "roaring 
by."(4) Virginia penitentiary convicts were used in the construction of 
Lewis Tunnel.(5) Penitentiary records document John William Henry: received 1866 
Nov. 16 for "Housebreak & larceny"; sentenced in Prince George County 
to 10 years; b Elizabeth City, NJ; age 19; height 5' 1-1/4"; left 
penitentiary by transfer.(6) According to the prison register, John William Henry was 
"contracted out to work on the C & O railroad in 1868, charged to 
Capt. Goodlow, an employee of C. R. Mason, railroad contractor."  The 
date is later given as December 1.(7) Mason was a contractor at Lewis Tunnel.(8) A stipulation of the contract between the State of Virginia and 
the C & O was that each prisoner had to be returned.  The penalty for 
a failure to return was $100.  That ensured that prisoners' dead 
bodies would be shipped back to Richmond, to the penitentiary.  If 
John Henry had died on the job, his body would have been shipped back 
for burial after marking him off a list.(9) Beginning in August 1870, many men ("nearly 200") worked 
alongside steam drills (number unspecified, perhaps just one?).  Both 
men and steam drills presented many problems, and eventually J. J. 
Gordon, the boss at Lewis Tunnel, ran out of boilers.(10) In October, 1871, Gordon wrote to Chief Engineer Whitcomb, "I am 
very anxious to get that boiler to run Burleigh Drill in East 
approach.  If you have done anything in regards to furnishing it 
please inform me, if not I will have to double on it with hammers."(11) Gordon quit and "The steam drills left the tunnel by the end of 
October 1871."(12) John William Henry is not listed among prisoners who died at the 
penitentiary.  "He does, however, disappear from prison records by 
1874, with no mention of pardon, parole, or release." From this material, Nelson concocts a scenario, much as I have done 
for Alabama using other data.  Whereas I admit that I have not 
provided definitive evidence of John Henry in Alabama, Nelson appears 
to believe that he has solved the problem definitively.Nelson's scenario:As a prisoner at the Virginia penitentiary in Richmond, John William 
Henry was sent to work under C. R. Mason, the labor contractor for 
the construction of Lewis Tunnel, Virginia.  From August 1870 to 
October 1871 steam and hand drilling were both employed at Lewis 
Tunnel.  In a period leading up to October 1871, they were 
"apparently drilling two sets of holes in the rock face of the East 
approach, one with convicts, one with the Burleigh drill."  This was 
the contest between men and machine that "John Henry" is about. 
After October 1871, only manual labor was used.  "Men had triumphed 
over machines, but at a terrible cost.  For two years, between the 
last month of steam drill operation and the completion of the tunnel 
- between September 1871 and September 1873 - close to one hundred 
convicts had died."  John William Henry was among those who died. 
According to contract, his body was sent back to the Virginia 
penitentiary, where he was buried "in the sand" by the side of the 
white house.Here are some of the deficiencies of Nelson's scenario.(1) Men named "John Henry," "Something John Henry," "John Something 
Henry," and "John Henry Something" are plentiful.  As Uncle Beverly 
Standard said, "Which John Henry do you want to know about?  I've 
known so many John Henry's."  Finding a man named John Henry in 
Virginia penitentiary records is very weak evidence that this man was 
the legendary John Henry, even though he was shipped off to work on 
the C & O.  It would have been surprising if the records did not 
contain at least one "John Henry."  It may be surprising that Nelson 
found only one.(2) There is no evidence that John William Henry was a steel driver.(3) At 5' 1-1/4" tall, it certainly doesn't spring to mind that John 
William Henry would have become a steel driver.  I must admit, 
however, that a large frame was not necessary.  My own favored 
candidate, John Henry Dabney, is described 5' 10-11" tall and 
147-"near" 180 lb.  That's not huge, but it's a damn sight less 
comical than a 5' 1-1/4" steel driver.(4) There is no evidence of a contest between a man, or men, and a 
steam drill or steam drills.  Nelson's inference of this from 
Gordon's statement, "I will have to double on it with hammers," is, I 
think, a gross misunderstanding.  The common term for drilling by a 
two-man team, driver and shaker, was "double-jack."  It seems clear 
to me that Gordon was simply stating that he would have to do the job 
with hand labor.  I see his "double" as short for "double-jack," 
having nothing to do with having, or having had, two rows of holes, 
one previously drilled by machine and one by hand, as Nelson imagines.(5) As with all elements of "John Henry" ballads, it is possible that 
"white house" is an artifact.  Indeed, having found a plausible 
precursor to "white house" in "white road," which occurs in at least 
one version of "John Henry," my scenario assumes that "white house" 
is a mutation of "white road."  There is a "white road" (sand 
covered) leading to Sand Ridge Cemetery, Dunnavant, Alabama.  This 
cemetery is within sight of the C & W tracks (now Norfolk Southern) 
near the traditional (around Dunnavant) site of John Henry's contest 
with a steam drill.  My scenario definitely accounts for "buried him 
in the sand" and Nelson's.  Both scenarios also account for "every 
locomotive come roarin' by," but I think accounting is much less 
contrived than Nelson's.  His railroad is not even a main line.(6) I am not aware of any tradition or claims that John Henry raced a 
steam drill at Lewis Tunnel.  A few people interviewed did name Mason 
as the boss, and he was at Lewis, not Big Bend.  Even so, if Lewis 
Tunnel were the site, it would be surprising that no accurate ballad 
version or testimony survived.(7) I have a plausible explanation of how Big Bend came to be named 
in versions of the ballad (stemming from "big bad tunnel," a 
reference to "long" (Coosa) tunnel, which gave much grief in the 
construction of the C & W (which isn't far from "C & O")).  Nelson 
assumes that the John Henry incident, whatever he thinks it might 
have been (which is not at all clear), occurred at Lewis Tunnel but 
was first sung about it at Big Bend, hence the transfer of locale. 
Why this should be is also not at all clear.(8) Perhaps this is just Nelson's oversight, but the only mention of 
the occurrence of sand that I found in his article is in the sentence 
"Boxes were stacked sometimes two deep, with a thin layer of sand 
between them."  This does not imply that the convicts were "buried in 
the sand," although that *would* be the case if the source of the 
thin layer were the soil at the burial site.  If I didn't overlook a 
mention of sand at the burial site, Nelson needs to clear this up.(9) Nelson does not address the evidence favoring Alabama.  His only 
mention of my work is a citation of my article, his footnote 27, as 
follows: "Both researchers (Johnson and Chappell) considered claims 
that the contest took place in Alabama in the 1880s, which also had a 
few firsthand accounts, but gave up on that site when they could find 
no evidence of a Cruzee mountain in Alabama.  See Johnson, John 
Henry, 19-22; see also John Garst, 'Chasing John Henry in Alabama and 
Mississippi: A Personal Memoir of Work in Progress,' Tributaries: 
Journal of the Alabama Folklife Association 5 (2002): 92-129."I hope that Nelson now turns his considerable talent as an historian 
to Alabama.  Perhaps he can find evidence refuting my scenario.  If 
he could, that might enhance the logical standing of his.I'll be out of town for nearly a week now, but I look forward to 
reading some commentary on this when I get back in town.Thanks.John-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 19 Sep 2005 23:11:02 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(113 lines)


Hi!	Between numerous other activities, my Ebay searches revealed the
following items of possible interest. :-)	SONGSTERS & BROADSIDES	7182948232 - Grange Songster, 1915, $9.99 (ends Sep-20-05 18:18:15 
PDT)	6561392810 - Popular Songs and Ballads, 1882, $5.99 (ends 
Sep-20-05 20:29:42 PDT)	7350858525 - PATTERSON'S IDEAL SONGSTER, $4.50 (ends Sep-21-05 
18:16:30 PDT)	7350859722 - PATTERSON'S IDEAL SONGSTER, $4.50 (ends Sep-21-05 
18:20:48 PDT)	6561890241 - Broadside of 3 World War I songs, $9.99 (ends 
Sep-22-05 20:05:54 PDT)	MISCELLANEOUS	4769171766 - Great British Ballads Not Included In The Child 
Collection by MacColl & Lloyd, LP, $11.99 (ends Sep-21-05 16:50:47 PDT)	4769708377 - It's Just the Same Today: BARNICLE-CADLE FIELD 
RECORDINGS, LP, $9.99 (ends Sep-22-05 21:57:30 PDT)	4769997129 - These Prison Blues, LP, $19.99 (ends Sep-25-05 
18:30:00 PDT)	4769950368 - PASS THE JUG ROUND Songs of Cumberland, LP, 1980?,
9.99 GBP (ends Sep-26-05 12:03:54 PDT)	8336077388 - Irish Folk Music Studies, 1981, 1.99 GBP (ends 
Sep-28-05 08:54:01 PDT)	SONGS & BALLADS	4575426544 - The Blackwell Guide to Blues Records by Oliver, 1991
edition, $3.99 (ends Sep-20-05 13:58:37 PDT)	6561499573 - AMERICAN BALLADRY FROM BRITISH BROADSIDES by Laws, 
1957, $25 (ends Sep-21-05 10:39:49 PDT)	6561512026 - Robin Hood/A Collection of Poems,Sons & Ballads by 
Ritson, 1884 edition, $22 (ends Sep-21-05 11:28:51 PDT)	6977458214 - A Touch on the Times by Palmer, 1974, 4.99 GBP (ends 
Sep-21-05 12:41:15 PDT)	6977523904 - The Poems of Ossian by Macpherson, 1807, $49.99 AU 
(ends Sep-21-05 21:34:32 PDT)	8334545983 - The Mercier Book of Old Irish Street Ballads by 
Healy, 1969, 1.25 GBP (ends Sep-22-05 13:24:25 PDT)	6978139676 - A Century of Australian Song by Sladen, 1888, 8 GBP 
(ends Sep-22-05 13:32:05 PDT)	8335400086 - 2 books (21 lincolnshire folk songs and More 
lincolnshire folk songs), 1983, 10.20 GBP (ends Sep-22-05 13:55:13 PDT)	7350350536 - The Oxford Song Book by Wood, 1927, 2.99 GBP (ends 
Sep-22-05 14:10:04 PDT)	8335408953 - THE BIG BOOK OF AUSTRALIAN FOLK SONG by Edwards, 
1976, $58 AU (ends Sep-22-05 14:36:23 PDT)	4575563367 - Folk Revival by Woods, 1979, $5 (ends Sep-22-05 
17:00:00 PDT) 	6561851368 - The Book of British Ballads by Hall, 1853, $4.99 
(ends Sep-22-05 17:24:50 PDT)	6561899761 - booklet of which 2nd half is titled Witt Humor and Song, 
$99 (ends Sep-22-05 20:59:14 PDT)	4576102860 - 4 books of sea songs, 1944-1986, $16.49 (ends 
Sep-23-05 11:48:28 PDT)	5244019061 - POPULAR RHYMES & NURSERY TALES OF ENGLAND by 
Halliwell, 1 GBP (ends Sep-24-05 04:59:55 PDT)	8335896861 - A Ballad History of England by Palmer, 1979, 4.99 GBP 
(ends Sep-24-05 12:51:50 PDT)	6561574136 - English Songs by Ritson, 3 volumes, 1813, $200 (ends 
Sep-24-05 16:05:49 PDT)	6562464929 - Songs of the Civil War by Silber, 1995 Dover edition, 
$19.95 (ends Sep-24-05 20:30:56 PDT)	6561679275 - Goldrush Songster by Anderson, 1958, $19 AU (ends 
Sep-25-05 04:14:01 PDT)	4576638125 - Folksongs of Florida by Morris, 1950, $4.50 (ends 
Sep-25-05 14:40:08 PDT)	6563238473 - Songs and Ballads of the Maine Lumberjacks by Gray, 
1924, $6.50 (ends Sep-26-05 09:13:29 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 01:39:33 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(10 lines)


----- Original Message ----- 
From: "Dolores Nichols" <[unmask]><<4769171766 - Great British Ballads Not Included In The Child 
Collection by MacColl & Lloyd, LP, $11.99 (ends Sep-21-05 16:50:47 PDT)>>I will be bidding on this one.Peace,
Paul

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 08:28:57 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(18 lines)


Paul Stamler wrote:> ----- Original Message ----- 
> From: "Dolores Nichols" <[unmask]>
> 
> <<4769171766 - Great British Ballads Not Included In The Child 
> Collection by MacColl & Lloyd, LP, $11.99 (ends Sep-21-05 16:50:47 PDT)>>
> 
> I will be bidding on this one.And I will be bidding on6561499573 - AMERICAN BALLADRY FROM BRITISH BROADSIDES by Laws,
1957, $25 (ends Sep-21-05 10:39:49 PDT)this time (well, again, to be strictly accurate).Malcolm Douglas

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 12:53:09 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(6 lines)


Hi,
I have put in a bid on The Australian song book item 6978139676.
My ebay monica is GRIPPERFOLK.
Who the heck is nicktherecorder? Keeps pipping me in the dying seconds.SteveG

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 14:32:03 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(38 lines)


On 2005/09/20 at 12:53:09PM -0500, Steve Gardham wrote:> Hi,
> I have put in a bid on The Australian song book item 6978139676.
> My ebay monica is GRIPPERFOLK.> Who the heck is nicktherecorder? Keeps pipping me in the dying seconds.	He is someone who knows how to use eBay.  You should never put
in your bid until the last moments of an auction, and then put in the
*maximum* which you are willing to pay for the item.  (You'll only pay
that maximum if someone else bids almost as much.)	If you put it in early, you'll often encounter people who will
keep incrementing their bid until they either top you, or reach their
own threshold.  (And they are likely to go over their own threshold just
trying to top you.)  This means that either you lose the item, or you
wind up paying more for it than you otherwise would have.	So a last-minute bid is only vulnerable to others who are also
putting in serious last-minute bids -- nobody has time to react to your
bid.  If it is worth more to them, they will get it.  If not, you will
get it.	This practice is known as "sniping", and there are programs to
and services to accomplish that for you.  The problem with programs is
that eBay constantly changes their format, so what worked one day may
well not the next day.  The problem with services is that you have to
release your eBay password to a third party, so their program can place
the bid for you.	Good Luck,
		DoN.-- 
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 18:56:49 +0000
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


Hi DoN,
Thanks for the advice.
The other aspect to this is that some of us have an agreement between us 
that whoever puts in the first bid, the others won't bid against it and I've 
been sticking to this one. I'll probably stick with it as I can't currently 
afford to go very high anyway.SteveG>From: "DoN. Nichols" <[unmask]>
>Reply-To: Forum for ballad scholars <[unmask]>
>To: [unmask]
>Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
>Date: Tue, 20 Sep 2005 14:32:03 -0400
>
>On 2005/09/20 at 12:53:09PM -0500, Steve Gardham wrote:
>
> > Hi,
> > I have put in a bid on The Australian song book item 6978139676.
> > My ebay monica is GRIPPERFOLK.
>
> > Who the heck is nicktherecorder? Keeps pipping me in the dying seconds.
>
>	He is someone who knows how to use eBay.  You should never put
>in your bid until the last moments of an auction, and then put in the
>*maximum* which you are willing to pay for the item.  (You'll only pay
>that maximum if someone else bids almost as much.)
>
>	If you put it in early, you'll often encounter people who will
>keep incrementing their bid until they either top you, or reach their
>own threshold.  (And they are likely to go over their own threshold just
>trying to top you.)  This means that either you lose the item, or you
>wind up paying more for it than you otherwise would have.
>
>	So a last-minute bid is only vulnerable to others who are also
>putting in serious last-minute bids -- nobody has time to react to your
>bid.  If it is worth more to them, they will get it.  If not, you will
>get it.
>
>	This practice is known as "sniping", and there are programs to
>and services to accomplish that for you.  The problem with programs is
>that eBay constantly changes their format, so what worked one day may
>well not the next day.  The problem with services is that you have to
>release your eBay password to a third party, so their program can place
>the bid for you.
>
>	Good Luck,
>		DoN.
>
>--
>  Email:   <[unmask]>   | Voice (all times): (703) 938-4564
>	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
>            --- Black Holes are where God is dividing by zero ---_________________________________________________________________
MSN Messenger 7.5 is now out. Download it for FREE here. 
http://messenger.msn.co.uk

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 16:11:38 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(84 lines)


I tend to handle ebay auctions two ways.Either I am very interested in an item and I know what it is worth to 
me.....I will bid something near that ammount. It doesnt mean that I pay 
that ammount but I pay it if the bidding gets up there. At least it gets 
things going and If someone bids higher I can always go in and expand a 
bit to the total ammount I am interested in paying. I am bidding against 
all of those who have the same value on the item.....It will also put it 
on the watch list. I just hate not to bid and find someone has won for 
some silly very low number.I will also check the item in the final minutes....If I am not terribly intersted I will put in a token bid to keep it on 
my watch list....If I am outbid I will check back in the last minutes or so.For importnt items I can see going in and putting down your highest bid 
in the last minutes as well but I am never having that sort of time to 
keep watching things....So...some thoughts....CBSteve Gardham wrote:
> Hi DoN,
> Thanks for the advice.
> The other aspect to this is that some of us have an agreement between us 
> that whoever puts in the first bid, the others won't bid against it and 
> I've been sticking to this one. I'll probably stick with it as I can't 
> currently afford to go very high anyway.
> 
> SteveG
> 
> 
>> From: "DoN. Nichols" <[unmask]>
>> Reply-To: Forum for ballad scholars <[unmask]>
>> To: [unmask]
>> Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
>> Date: Tue, 20 Sep 2005 14:32:03 -0400
>>
>> On 2005/09/20 at 12:53:09PM -0500, Steve Gardham wrote:
>>
>> > Hi,
>> > I have put in a bid on The Australian song book item 6978139676.
>> > My ebay monica is GRIPPERFOLK.
>>
>> > Who the heck is nicktherecorder? Keeps pipping me in the dying seconds.
>>
>>     He is someone who knows how to use eBay.  You should never put
>> in your bid until the last moments of an auction, and then put in the
>> *maximum* which you are willing to pay for the item.  (You'll only pay
>> that maximum if someone else bids almost as much.)
>>
>>     If you put it in early, you'll often encounter people who will
>> keep incrementing their bid until they either top you, or reach their
>> own threshold.  (And they are likely to go over their own threshold just
>> trying to top you.)  This means that either you lose the item, or you
>> wind up paying more for it than you otherwise would have.
>>
>>     So a last-minute bid is only vulnerable to others who are also
>> putting in serious last-minute bids -- nobody has time to react to your
>> bid.  If it is worth more to them, they will get it.  If not, you will
>> get it.
>>
>>     This practice is known as "sniping", and there are programs to
>> and services to accomplish that for you.  The problem with programs is
>> that eBay constantly changes their format, so what worked one day may
>> well not the next day.  The problem with services is that you have to
>> release your eBay password to a third party, so their program can place
>> the bid for you.
>>
>>     Good Luck,
>>         DoN.
>>
>> -- 
>>  Email:   <[unmask]>   | Voice (all times): (703) 938-4564
>>     (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
>>            --- Black Holes are where God is dividing by zero ---
> 
> 
> _________________________________________________________________
> MSN Messenger 7.5 is now out. Download it for FREE here. 
> http://messenger.msn.co.uk

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads)
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 16:41:27 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(21 lines)


On 2005/09/20 at 06:56:49PM +0000, Steve Gardham wrote:> Hi DoN,
> Thanks for the advice.
> The other aspect to this is that some of us have an agreement between us 
> that whoever puts in the first bid, the others won't bid against it and 
> I've been sticking to this one. I'll probably stick with it as I can't 
> currently afford to go very high anyway.	O.K.  In that case -- put in a lowball bid at the start (the
minimum needed to get on record), and then at the last minute, put in
your maximum bid -- assuming that it has not already gone up over what
you are willing to pay.	Good Luck,
		DoN.-- 
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/19/05 (Songsters, Broadsides, Songs & Ballads) - Australian song
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 21 Sep 2005 08:05:06 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


I see there is a bit of interest in the AUSTRALIAN SONGSTERS so please 
excuse my blatant commercial plug.I'm pleased to advise that ABC Books has recently published OLD BUSH 
SONGS - the centenary edition of A.B.Paterson's 1905 Collection. This 
is a completely revised and enlarged edition by me (Warren Fahey) and 
Graham Seal (Australia's first Prof of Folklore). Over 75 songs with 
extensive notes plus essays on what is a 'bush song' and how it fits 
into the ballad tradition. Lots of rare old photogrpahs etc. We reckon 
it's pretty bloody good.It retails at Australian $34.95 plus post but I can supply 
cheaper...... at USA$30 and I accept PayPal.
You might also consider my three recent CDs of bush music and songs:
A Panorama of Bush Songs - Aust $24  Your cost US$15
Larrikins, Louts & Layabouts.                                          
$15
Classic Bush Poetry							 $15
Al;l above post free.
There's about 30 other CDs and books on my site and that would be the 
easiest way to Paypal order as there is now a form.
www.warrenfahey.com

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: tunes & texts: Clamanda, Old Churchyard, etc.
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 20 Sep 2005 21:25:39 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(47 lines)


An update:After madly Googling Sunday, I finally thought to look closer to home in 
the catalog of the U of Arizona library. They've got the Early American 
Imprints collections, and electronic access to Series I: Evans 
(pre-1800). Since I'm now a university employee, I have access to the 
access, and it's quite amazing. (See 
http://www.readex.com/digital/digcoll.html) Unfortunately, we don't seem 
to have purchased access to the digital versions of Series II: 
Shoemaker-Shaw (post 1800) yet, so the 1814 Sacred Harp citation date 
for Clamanda is a problem.I did look at the pre-1800 materials and none of the hymnbooks 
containing in the title, "collection of hymns and spiritual songs" had 
anything with "social band". (You can actually search the text of the 
materials! It's like magic.)These collections are not available to everyone but they do contain 
ballads, broadsides, and all sorts of interesting stuff, so if you can 
wangle your way in, have fun! (There are only 59 entries under "Ballads" 
in the Series I: Evans collection, so I mind post a listing someday.)Ed, the UCLA library has electronic access to
  "Index to the George Pullen Jackson collection of Southern hymnody, 
1800-1953. Physical description: 6 oversize boxes."I get no hits from my searches there, either, but thanks for the tip.~ Becky NankivellBALLAD-L automatic digest system wrote:> Date:    Mon, 19 Sep 2005 08:24:35 -0700
> From:    edward cray <[unmask]>
> Subject: Re: tunes & texts: Clamanda, Old Churchyard, etc.
> 
> Becky=3A
> 
> The UCLA Department of Special Collections holds the entire collection o=
> f hymnals (shape note and otherwise) of George Pullen Jackson=2E  There =
> is a finding list which I have somewhere -- at hiome=2C but not here in =
> my office=2E
> 
> You might see if they have the hymnal and will send you a text/tune=2E
> 
> Ed
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: tunes & texts: Clamanda, Old Churchyard, etc.
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 21 Sep 2005 09:35:40 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


Of Course!  How smart of you, Becky.Lots of college/university libraries have these on line, both Evans and 
Shoemaker-Shaw.  And if they don't, they may have them on 
micro-form.  That's not as convenient, in some ways, because you have to go 
into the library to access them.  But the library will usually let anyone 
use them on site.  And there are good indexes.  I've used micro-form Evans 
and Shoemaker-Shaw for other types of folk materials.  You just plunk the 
card in the reader and there's the book or pamphlet you want, right there 
to read.  If you want a copy of something, just print it up--or in some 
libraries you have to let the library print it up for you.  In either case, 
at a price, but not too exhorbitant.  (Becky, you might check whether U of 
Ariz has Series II on microform.  It may serve your purposes.)-- Bill McCarthyAt 12:25 AM 9/21/2005, you wrote:
>An update:
>
>After madly Googling Sunday, I finally thought to look closer to home in 
>the catalog of the U of Arizona library. They've got the Early American 
>Imprints collections, and electronic access to Series I: Evans (pre-1800). 
>Since I'm now a university employee, I have access to the access, and it's 
>quite amazing. (See http://www.readex.com/digital/digcoll.html) 
>Unfortunately, we don't seem to have purchased access to the digital 
>versions of Series II: Shoemaker-Shaw (post 1800) yet, so the 1814 Sacred 
>Harp citation date for Clamanda is a problem.
>
>I did look at the pre-1800 materials and none of the hymnbooks containing 
>in the title, "collection of hymns and spiritual songs" had anything with 
>"social band". (You can actually search the text of the materials! It's 
>like magic.)
>
>These collections are not available to everyone but they do contain 
>ballads, broadsides, and all sorts of interesting stuff, so if you can 
>wangle your way in, have fun! (There are only 59 entries under "Ballads" 
>in the Series I: Evans collection, so I mind post a listing someday.)
>
>Ed, the UCLA library has electronic access to
>  "Index to the George Pullen Jackson collection of Southern hymnody, 
> 1800-1953. Physical description: 6 oversize boxes."
>
>I get no hits from my searches there, either, but thanks for the tip.
>
>~ Becky Nankivell
>
>BALLAD-L automatic digest system wrote:
>
>>Date:    Mon, 19 Sep 2005 08:24:35 -0700
>>From:    edward cray <[unmask]>
>>Subject: Re: tunes & texts: Clamanda, Old Churchyard, etc.
>>Becky=3A
>>The UCLA Department of Special Collections holds the entire collection o=
>>f hymnals (shape note and otherwise) of George Pullen Jackson=2E  There =
>>is a finding list which I have somewhere -- at hiome=2C but not here in =
>>my office=2E
>>You might see if they have the hymnal and will send you a text/tune=2E
>>Ed

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: BBC - BBC Four Music - Coppersongs
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 21 Sep 2005 12:23:44 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(1 lines)


http://www.bbc.co.uk/bbcfour/music/features/coppersongs.shtml

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: BBC - BBC Four Music - Coppersongs
From: Dean clamons <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 21 Sep 2005 13:10:27 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(18 lines)


I saw this documentary this summer at Pinewoods Camp. It is an excellent 
piece that really captures the essence of Bob and his family. Well worth 
watching.Dean Clamons
PO Box 217
Clifton, VA 20124
703-631-9655 (h)----- Original Message ----- 
From: "Thomas Stern" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 21, 2005 12:23 PM
Subject: BBC - BBC Four Music - Coppersongs> http://www.bbc.co.uk/bbcfour/music/features/coppersongs.shtml
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/22/05 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 22 Sep 2005 23:08:19 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(83 lines)


Hi!	Here is part 2 for this week. :-)	I hope that no one is in the path of the latest hurricane.	JOURNALS	6978858875 - The Island, Spring/Summer 1995, 47 (ends Sep-26-05 
18:41:21 PDT)	4577057406 - The Journal Of The Folklore Of Ireland Society, 1977, 
$25 (ends Sep-27-05 09:05:43 PDT)	BOOKS 	8335722617 - The Best of Texas Folk and Folklore 1916 - 1954 by 
Boatwright, Hudson & Maxwell, 1998 edition, $4.95 (ends Sep-23-05 19:34:15 
PDT)	4576189997 - Tales from Tennessee Lawyers by Montell, 2005, $0.99 
(ends Sep-23-05 21:40:25 PDT)	8337014943 - STORIES,CUSTOMS,SUPERSTITIONS,TALES,LEGENDS & folklore 
of the black country & staffordshire by Raven, 3.99 GBP (ends Sep-24-05 
05:37:05 PDT)	5243427739 - 2 books (Celtic Fairy Tales & More Celtic Fair Tales) 
by Jacobs, Dover editions, 2.99 GBP (ends Sep-25-05 13:43:11 PDT)	4576637774 - A History & Folklore of Harsen's Island & the St. Clair 
Flats by Harrison, 1987, $5.95 (ends Sep-25-05 14:37:53 PDT)	6978691073 - The Folklore of Maine by Beck, 1957, $9.99 (ends 
Sep-25-05 17:12:21 PDT)	7351797412 - Eastertide in Pennsylvania by Shoemaker, 1960, $9.99
(ends Sep-25-05 17:41:52 PDT)	4576690100 - A Celebration of American Family Folklore by Zeitlin, 
Kotkin & Baker, 1982, $1.25 (ends Sep-25-05 18:49:48 PDT)	8335626365 - The Book of Sandy Stewart by Leitch, 1988, 7.50 GBP 
(ends Sep-26-05 13:16:00 PDT)	8336525534 - Maryland Folklore and Folklife by Carey, 1970, $3 
(ends Sep-26-05 15:37:15 PDT)	6561970679 - Nooks and Corners of the New England Coast by Drake, 
1876, $33 (ends Sep-26-05 20:00:00 PDT)	4577052661 - FOLKLORE OF THE GREAT WEST by Greenway, 1969, $6.50 
(ends Sep-27-05 08:44:04 PDT)	4577426956 - the Wolfpen Notebooks by Still, 1991, $1.99 (ends 
Sep-28-05 17:46:32 PDT)	4577308017 - TALES AND TOWNS OF NORTHERN NEW JERSEY by Beck, 1964,
$4.99 (ends Sep-28-05 21:00:00 PDT)	4577306016 - The Roads of Home Lanes and Legends of New Jersey by 
Beck, 1956, $4.99 (ends Sep-28-05 21:00:00 PDT)	8336513826 - The Folklore of the Scottish Highlands by Ross, 1 GBP 
(ends Sep-29-05 14:44:21 PDT)	4577029404 - Passing the Time in Ballymenone by Glassie, 1995 
reprint, $7 (ends Sep-30-05 07:11:10 PDT)	5245942765 - Lincolnshire Folklore by Rudkin, 2003 reprint, 0.99 
GBP (ends Oct-01-05 11:38:25 PDT)	5245942018 - Legends of the Fenland People by Marlowe, 1976 
reprint, 1.99 GBP (ends 01-Oct-05 19:36:20 BST)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: A Veritable Dungheap
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 23 Sep 2005 08:38:01 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


Hi,
Anyone interested in the relationship between oral tradition and broadside 
ballads + themes in traditional and broadside ballads might be interested 
in taking a glance at the articles on the Musical Traditions website. Just 
Googling 'Mustrad' should get you there quickly. Most of these articles 
appeared in previous editions of English Dance and Song. Comments to be 
added to the website are also welcome. Apart from that its a cracking good 
website anyway. There is also a great series of articles on Baring Gould's 
collecting by Roly Brown.Steve (Dungbeetle) Gardham

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: A Veritable Dungheap
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 23 Sep 2005 08:41:08 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


OOPS.
I forgot to add.
If anyone has already spotted the Child misquote, it is deliberate.
Child used the word 'Dung-hill'. I like 'Dungheap'
Steve

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Folklore Films
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 23 Sep 2005 13:11:04 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(15 lines)


Folks:Mary Katherine Aldrin -- who should be on this list but is not -- sends the following:From  	 [unmask] 
Sent  	Friday, September 23, 2005 10:11 am
To  	[unmask] 
Subject  	Wonderful music web site du jourYou may already know about this, but being a day late and a dollar short as usual, I just discovered it. Warning, you will get lost in this wonderful world of musical traditions! Have fun!http://www.folkstreams.net/Ed

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: A Veritable Dungheap
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 24 Sep 2005 05:20:56 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(29 lines) , text/html(34 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/25/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 25 Sep 2005 22:08:02 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(121 lines)


Hi!	While the list is relatively quiet, here is another Ebay list.	SONGSTERS & BROADSIDES	7352037787 - REED'S MINSTRELS SONGSTER, 1880?, $7.50 (ends 
Sep-26-05 17:14:28 PDT)	MISCELLANEOUS	4771774422 - English Folk Songs Miss Pringle Never Taught Me by
Purslow & Peace, LP, $9.99 (ends Sep-26-05 18:18:57 PDT)	4772303571 - Long Steel Rail, Jackson, LP, $5.99 (ends Sep-30-05 
05:08:28 PDT)	8336678363 - Folk Music Journal, 2003, 1.99 GBP (ends Sep-30-05 
05:55:57 PDT)	4771667087 - Tennessee:  The Folk Heritage, Volume I:  The Delta, 
LP, 1978, $4.95 (ends Sep-30-05 12:04:00 PDT)	8337610352 - Folk Music Journal, 1979, 3.99 GBP (ends Oct-03-05 
08:23:41 PDT)	8337610380 - Folk Music Journal, 1982, 3.99 GBP (ends Oct-03-05 
08:23:47 PDT)	8337610397 - Folk Music Journal, 1971, 3.99 GBP (ends Oct-03-05 
08:23:53 PDT)	8337610426 - Folk Music Journal, 1978, 3.99 GBP (ends Oct-03-05 
08:23:59 PDT)	8337610453 - Folk Music Journal, 1989, 3.99 GBP (ends Oct-03-05 
08:24:06 PDT)	SONGS AND BALLAD BOOKS	6563309528 - 32 volumes of BIBLIOTHECA CURIOSA published by 
Goldsmid inc. Maidement, A New Book Of Old Ballads and Kinloch, A Ballad 
Book, 1884-5, $199.99 (ends Sep-26-05 13:49:56 PDT)	6978831795 - BALLADS ANCIENT AND MODERN WITH A FEW OF THE TRADITIONAL 
AIRS by MacIntyre, 1929, 1.99 GBP (ends Sep-26-05 14:13:26 PDT)	7352041536 - THE JACK AND EVY BOOK OF MOUNTAIN BALLADS, 1942, $4 
(ends Sep-26-05 17:32:47 PDT)	4576902874 - The People's Song Book by Hille, 1948, $5 (ends 
Sep-26-05 17:42:42 PDT)	6563365349 - MORE PIOUS FRIENDS & DRUNKEN COMPANIONS by Shay, 
1928, $4.98 (ends Sep-26-05 18:23:12 PDT)	4576933132 - The English and Scottish Popular Ballads by Child, 
volume 1, 1965 Dover edition, $5.99 (ends Sep-26-05 19:36:19 PDT)	8336773775 - Everymans Book Of English Country Songs by Palmer, 
1979, 2 GBP (ends Sep-27-05 10:35:55 PDT)	6563732071 - COUNTRY SONGS OF VERMONT by Flanders, 1937, $9.99 
(ends Sep-27-05 19:12:57 PDT)	7352960978 - Popular Song Index by Havlice, 3 volumes, 1975-84, 
$9.99 (ends Sep-28-05 12:09:58 PDT)	6979279382 - English Country Songs by Broadwood & Maitland, 1893,
9.99 GBP (ends Sep-29-05 09:56:43 PDT)	7714726468 - Slave Songs - Traditional Black Music by Silverman, 
1994, $1.99 (ends Sep-29-05 18:18:27 PDT)	8337565907 - The Big Book of Australian Folk Song by Edwards, 1976,
$9.95 AU (ends Sep-30-05 04:19:05 PDT)	4577821047 - Folk Songs of Old New England by Linscott, 1939, 
$4.99 (ends Sep-30-05 08:04:51 PDT)	7353047237 - Songs of the Hebrides by Kennedy-Fraser & MacLeod, 
volume 2, 1917, $45 (ends Sep-30-05 20:22:56 PDT)	8337803705 - Pint Pot and Billy by Fahey, 1977, $2 AU (ends 
Oct-01-05 03:22:30 PDT)	6564626703 - Popular British Ballads by Brimley-Johnson, volume 4, 
1900?, $8 (ends Oct-01-05 06:17:42 PDT)	7353116140 - Melodious Scotland Volumes 2 and 3, 19.99 GBP (ends 
Oct-01-05 08:19:47 PDT)	6564697692 - American Ballads and Songs by Pound, 1922, $9 (ends 
Oct-01-05 12:21:43 PDT)	4578134946 - Everyman's Book of Sea Songs by Baker & Miall, 1982, 
$4.95 (ends Oct-01-05 12:51:22 PDT)	8337954823 - Genuine Liverpool Street Songs and Broadside Ballads, 
1.99 GBP (ends Oct-01-05 16:06:39 PDT)	4578177720 - Folk Songs of Australia by Meredith & Anderson, 1968, 
$6.49 (ends Oct-01-05 19:00:24 PDT)	6979713060 - Songs of Ireland by Hatton & Molloy, 1899?, 12.99 GBP
(ends Oct-02-05 09:50:15 PDT)	6564316395 - English and Scottish Ballads by Child, 2 volumes, 1857, 
$12 (ends Oct-02-05 18:03:35 PDT)	8337610477 - TRADITIONAL TUNES by Kidson, 1999 reprint, 4.99 GBP 
(ends Oct-03-05 08:24:12 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/25/05
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 26 Sep 2005 09:50:36 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(19 lines)


Dolores Nichols wrote:> 	7353047237 - Songs of the Hebrides by Kennedy-Fraser & MacLeod, 
> volume 2, 1917, $45 (ends Sep-30-05 20:22:56 PDT)That seems an awful lot for what has been (or seems to me to have been)
a ubiquitous book here. Is volume two a rare specimen?> 	7353116140 - Melodious Scotland Volumes 2 and 3, 19.99 GBP (ends 
> Oct-01-05 08:19:47 PDT)I've never heard of this one - any info on it, just for my curiosity?(Just for my curiosity! I must not buy any more song books, I must not
buy any more song books...)-- 
Nigel Gatherer, Crieff, Scotland
mailto:[unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/26/05 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 26 Sep 2005 23:19:10 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(62 lines)


Hi!	This list is short this week. No idea why. :-\	BOOKS 	5254234940 - The Folklore of the Lake District by Rowling, 1976, 
4.50 GBP (ends Sep-28-05 08:59:28 PDT)	4577951237 - Shaping Traditions - Folk Arts in a Changing South by 
Burrison, 2000, $9.50 (ends Sep-28-05 18:29:13 PDT)	4578124818 - Christmas In Pennsylvania by Shoemaker, 1959, $18 
(ends Sep-29-05 11:34:27 PDT)	8337570913 - Complete Book of Australian Folk Lore by Scott, 1986, 
$7.50 AU (ends Sep-30-05 04:54:20 PDT)	5252293573 - Derbyshire Folklore by Merrill, 1988, 1.50 GBP (ends 
Sep-30-05 05:57:11 PDT)	4578102968 - The Sunny Slopes of Long Ago by Hudson, 1966, $0.99 
(ends Oct-01-05 08:44:42 PDT)	4578125563 - Buying the Wind by Dorson, 1964, $7 (ends Oct-01-05 
11:40:51 PDT)	8337284738 - Folklife Our Living Heritage Report, 1987, $0.99 AU 
(ends Oct-02-05 05:19:15 PDT)	8338236597 - Celtic Folklore by Rhys, Volumes 1 & 2, 1980, 4 GBP 
(ends Oct-02-05 15:12:48 PDT)	8338249339 - Florida Folktales by Reaver, 1987, $12.95 (ends 
Oct-02-05 16:11:40 PDT)	8337476929 - Virginia Folk Legends by Barden, 1991, $4 (ends 
Oct-02-05 17:00:00 PDT)	4578344549 - A Treasury of Georgia Folklore by Killion & Waller, 
1972, $9.99 (ends Oct-02-05 17:17:11 PDT)	8337582357 - Scottish Fairy Belief by Henderson & Cowan, 2001, 
7.49 GBP (ends Oct-03-05 14:00:00 PDT)	8337888417 - Bothy Nights and Days by Adams, 1992, 1.99 GBP (ends 
Oct-04-05 10:46:50 PDT)	8338101703 - The Folklore of Sussex by Simpson, 1973, 5 GBP (ends 
Oct-05-05 08:41:32 PDT)	8338425846 - Sailortown by Hugill, 1967, 14.99 GBP (ends 
Oct-06-05 08:38:42 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Scarce Book?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 27 Sep 2005 11:24:02 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


Folks:Can anyone tell me about this book and/or its author?  The price, as you can see, is high, higher than I am wont to pay, particularly when I do not know  author or book by reputation.Ed62. MUSIC. PARRY, JOHN.: British Harmony Being a Collection of Antient Welsh Airs The Traditional Remains of those Originally Sung by the Bards of Wales. Ruabon, Denbighshire, John Parry/ London, P Hodgson, 1781. Folio, pp [4, including 1 leaf letterpress List of Subscribers], 38 pages of engraved music by Hodgson, London, title page within engraved wreath border incorporating the arms of the work's dedicatee Sir Watkin Williams Wynn, sewn as issued in original plain wrappers, a very good unsophisticated copy, FIRST EDITION. An important collection of Welsh traditional tunes; 42 are given altogether, some with arrangements and variations. This was Parry's last collection of Welsh music; very scarce. £150.00The description is from the new John Wilbraham, London, catalogue.Ed

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Scarce Book?
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 27 Sep 2005 15:04:52 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


I am not familiar with the book. I found the following online, I believe from Frank Kidson:Blind John Parry of Rhuabon, assisted by one Evan Williams, issued his Antient British Music in London, in 1742.  Lewis Morris, who, it is stated, first put the harp into the hands of Parry, had some share in this work, for he contributed an anonymous Historical Dissertation, and probably concocted the title which speaks of the melodies as 'supposed by the learned to be the remains of the music of the Antient Druids'.  The airs (twenty- four in number) are unnamed, and were probably the general tunes then played by the harpers of North Wales. Parry in London got some degree of fame, fostered by the belief that the tunes he played were of the highest antiquity.  He was appointed harper to the king, and fired the poet Gray to write 'The Bard'.  Gray, writing to a friend, says: 'Mr. Parry has been here and scratched out such ravishing blind harmony such tunes of a thousand years old, with names enough to choke you'.  No other musician after Parry's first volume ventured on a Welsh collection, but in 1781 (the year before he died) Parry issued a further collection, this time introducing a large number of variations for the harp).  Edward Jones followed in 1784, 1794, and 1802, still claiming the melodies as 'Bardic tunes from very remote antiquity' and 'Ancient war tunes of the Bards', also that they were 'never before published.' Lew>>> [unmask] 9/27/2005 2:24:02 PM >>>
Folks:Can anyone tell me about this book and/or its author?  The price, as you can see, is high, higher than I am wont to pay, particularly when I do not know  author or book by reputation.Ed62. MUSIC. PARRY, JOHN.: British Harmony Being a Collection of Antient Welsh Airs The Traditional Remains of those Originally Sung by the Bards of Wales. Ruabon, Denbighshire, John Parry/ London, P Hodgson, 1781. Folio, pp [4, including 1 leaf letterpress List of Subscribers], 38 pages of engraved music by Hodgson, London, title page within engraved wreath border incorporating the arms of the work's dedicatee Sir Watkin Williams Wynn, sewn as issued in original plain wrappers, a very good unsophisticated copy, FIRST EDITION. An important collection of Welsh traditional tunes; 42 are given altogether, some with arrangements and variations. This was Parry's last collection of Welsh music; very scarce. £150.00The description is from the new John Wilbraham, London, catalogue.Ed

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Scarce Book?
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 27 Sep 2005 15:15:13 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(16 lines)


I just looked at COPAC and the only British research library that I see owning this book is the British Library. On the other hand, when I search for John Parry and Welsh, I see subsequent books in the 1800's that seem to incorporate Parry's work.  So perhaps you should check it out first.Lew>>> [unmask] 9/27/2005 2:24:02 PM >>>
Folks:Can anyone tell me about this book and/or its author?  The price, as you can see, is high, higher than I am wont to pay, particularly when I do not know  author or book by reputation.Ed62. MUSIC. PARRY, JOHN.: British Harmony Being a Collection of Antient Welsh Airs The Traditional Remains of those Originally Sung by the Bards of Wales. Ruabon, Denbighshire, John Parry/ London, P Hodgson, 1781. Folio, pp [4, including 1 leaf letterpress List of Subscribers], 38 pages of engraved music by Hodgson, London, title page within engraved wreath border incorporating the arms of the work's dedicatee Sir Watkin Williams Wynn, sewn as issued in original plain wrappers, a very good unsophisticated copy, FIRST EDITION. An important collection of Welsh traditional tunes; 42 are given altogether, some with arrangements and variations. This was Parry's last collection of Welsh music; very scarce. £150.00The description is from the new John Wilbraham, London, catalogue.Ed

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Scarce Book?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 27 Sep 2005 14:54:41 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(69 lines)


Lew:Thank you.What we have here then is an 18th C.  John J. Niles.Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Tuesday, September 27, 2005 12:04 pm
Subject: Re: Scarce Book?> I am not familiar with the book. I found the following online, I 
> believe from Frank Kidson:
> 
> Blind John Parry of Rhuabon, assisted by one Evan Williams, issued 
> his Antient British Music in London, in 1742.  Lewis Morris, who, 
> it is stated, first put the harp into the hands of Parry, had some 
> share in this work, for he contributed an anonymous Historical 
> Dissertation, and probably concocted the title which speaks of the 
> melodies as 'supposed by the learned to be the remains of the music 
> of the Antient Druids'.  The airs (twenty- four in number) are 
> unnamed, and were probably the general tunes then played by the 
> harpers of North Wales. 
> 
> Parry in London got some degree of fame, fostered by the belief 
> that the tunes he played were of the highest antiquity.  He was 
> appointed harper to the king, and fired the poet Gray to write 'The 
> Bard'.  Gray, writing to a friend, says: 'Mr. Parry has been here 
> and scratched out such ravishing blind harmony such tunes of a 
> thousand years old, with names enough to choke you'.  No other 
> musician after Parry's first volume ventured on a Welsh collection, 
> but in 1781 (the year before he died) Parry issued a further 
> collection, this time introducing a large number of variations for 
> the harp).  Edward Jones followed in 1784, 1794, and 1802, still 
> claiming the melodies as 'Bardic tunes from very remote antiquity' 
> and 'Ancient war tunes of the Bards', also that they were 'never 
> before published.' 
> 
> Lew
> 
> 
> 
> >>> [unmask] 9/27/2005 2:24:02 PM >>>
> Folks:
> 
> Can anyone tell me about this book and/or its author?  The price, 
> as you can see, is high, higher than I am wont to pay, particularly 
> when I do not know  author or book by reputation.
> 
> Ed
> 
> 62. MUSIC. PARRY, JOHN.: British Harmony Being a Collection of 
> Antient Welsh Airs The Traditional Remains of those Originally Sung 
> by the Bards of Wales. Ruabon, Denbighshire, John Parry/ London, P 
> Hodgson, 1781. Folio, pp [4, including 1 leaf letterpress List of 
> Subscribers], 38 pages of engraved music by Hodgson, London, title 
> page within engraved wreath border incorporating the arms of the 
> work's dedicatee Sir Watkin Williams Wynn, sewn as issued in 
> original plain wrappers, a very good unsophisticated copy, FIRST 
> EDITION. An important collection of Welsh traditional tunes; 42 are 
> given altogether, some with arrangements and variations. This was 
> Parry's last collection of Welsh music; very scarce. £150.00
> 
> The description is from the new John Wilbraham, London, catalogue.
> 
> Ed
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Scarce Book?
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 27 Sep 2005 18:09:07 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(74 lines)


It still probably is a nice book to have. Even if the tunes are not as old as Parry claimed, they are still 1740-ish.  It all comes down to a question of price - i.e., what's it worth to a purchaser.  It is described as a sewn unsophisticated copy - probably not much to look at from the exterior.   Also - please see my earlier email about my attempt to research it on COPAC.Lew>>> [unmask] 9/27/2005 5:54:41 PM >>>
Lew:Thank you.What we have here then is an 18th C.  John J. Niles.Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Tuesday, September 27, 2005 12:04 pm
Subject: Re: Scarce Book?> I am not familiar with the book. I found the following online, I 
> believe from Frank Kidson:
> 
> Blind John Parry of Rhuabon, assisted by one Evan Williams, issued 
> his Antient British Music in London, in 1742.  Lewis Morris, who, 
> it is stated, first put the harp into the hands of Parry, had some 
> share in this work, for he contributed an anonymous Historical 
> Dissertation, and probably concocted the title which speaks of the 
> melodies as 'supposed by the learned to be the remains of the music 
> of the Antient Druids'.  The airs (twenty- four in number) are 
> unnamed, and were probably the general tunes then played by the 
> harpers of North Wales. 
> 
> Parry in London got some degree of fame, fostered by the belief 
> that the tunes he played were of the highest antiquity.  He was 
> appointed harper to the king, and fired the poet Gray to write 'The 
> Bard'.  Gray, writing to a friend, says: 'Mr. Parry has been here 
> and scratched out such ravishing blind harmony such tunes of a 
> thousand years old, with names enough to choke you'.  No other 
> musician after Parry's first volume ventured on a Welsh collection, 
> but in 1781 (the year before he died) Parry issued a further 
> collection, this time introducing a large number of variations for 
> the harp).  Edward Jones followed in 1784, 1794, and 1802, still 
> claiming the melodies as 'Bardic tunes from very remote antiquity' 
> and 'Ancient war tunes of the Bards', also that they were 'never 
> before published.' 
> 
> Lew
> 
> 
> 
> >>> [unmask] 9/27/2005 2:24:02 PM >>>
> Folks:
> 
> Can anyone tell me about this book and/or its author?  The price, 
> as you can see, is high, higher than I am wont to pay, particularly 
> when I do not know  author or book by reputation.
> 
> Ed
> 
> 62. MUSIC. PARRY, JOHN.: British Harmony Being a Collection of 
> Antient Welsh Airs The Traditional Remains of those Originally Sung 
> by the Bards of Wales. Ruabon, Denbighshire, John Parry/ London, P 
> Hodgson, 1781. Folio, pp [4, including 1 leaf letterpress List of 
> Subscribers], 38 pages of engraved music by Hodgson, London, title 
> page within engraved wreath border incorporating the arms of the 
> work's dedicatee Sir Watkin Williams Wynn, sewn as issued in 
> original plain wrappers, a very good unsophisticated copy, FIRST 
> EDITION. An important collection of Welsh traditional tunes; 42 are 
> given altogether, some with arrangements and variations. This was 
> Parry's last collection of Welsh music; very scarce. £150.00
> 
> The description is from the new John Wilbraham, London, catalogue.
> 
> Ed
>

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Scarce Book?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 27 Sep 2005 20:38:13 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(106 lines)


Lew:Hey, fake is fake, regardless of when it was faked.  Especially at these prices.Still, I do appreciate your shoulder-to-the-wheel bibliographic insights.Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Tuesday, September 27, 2005 3:09 pm
Subject: Re: Scarce Book?> It still probably is a nice book to have. Even if the tunes are not 
> as old as Parry claimed, they are still 1740-ish.  It all comes 
> down to a question of price - i.e., what's it worth to a purchaser. 
> It is described as a sewn unsophisticated copy - probably not much 
> to look at from the exterior.   Also - please see my earlier email 
> about my attempt to research it on COPAC.
> 
> Lew
> 
> >>> [unmask] 9/27/2005 5:54:41 PM >>>
> Lew:
> 
> Thank you.
> 
> What we have here then is an 18th C.  John J. Niles.
> 
> Ed
> 
> ----- Original Message -----
> From: Lewis Becker <[unmask]>
> Date: Tuesday, September 27, 2005 12:04 pm
> Subject: Re: Scarce Book?
> 
> > I am not familiar with the book. I found the following online, I 
> > believe from Frank Kidson:
> > 
> > Blind John Parry of Rhuabon, assisted by one Evan Williams, 
> issued 
> > his Antient British Music in London, in 1742.  Lewis Morris, who, 
> > it is stated, first put the harp into the hands of Parry, had 
> some 
> > share in this work, for he contributed an anonymous Historical 
> > Dissertation, and probably concocted the title which speaks of 
> the 
> > melodies as 'supposed by the learned to be the remains of the 
> music 
> > of the Antient Druids'.  The airs (twenty- four in number) are 
> > unnamed, and were probably the general tunes then played by the 
> > harpers of North Wales. 
> > 
> > Parry in London got some degree of fame, fostered by the belief 
> > that the tunes he played were of the highest antiquity.  He was 
> > appointed harper to the king, and fired the poet Gray to write 
> 'The 
> > Bard'.  Gray, writing to a friend, says: 'Mr. Parry has been here 
> > and scratched out such ravishing blind harmony such tunes of a 
> > thousand years old, with names enough to choke you'.  No other 
> > musician after Parry's first volume ventured on a Welsh 
> collection, 
> > but in 1781 (the year before he died) Parry issued a further 
> > collection, this time introducing a large number of variations 
> for 
> > the harp).  Edward Jones followed in 1784, 1794, and 1802, still 
> > claiming the melodies as 'Bardic tunes from very remote 
> antiquity' 
> > and 'Ancient war tunes of the Bards', also that they were 'never 
> > before published.' 
> > 
> > Lew
> > 
> > 
> > 
> > >>> [unmask] 9/27/2005 2:24:02 PM >>>
> > Folks:
> > 
> > Can anyone tell me about this book and/or its author?  The price, 
> > as you can see, is high, higher than I am wont to pay, 
> particularly 
> > when I do not know  author or book by reputation.
> > 
> > Ed
> > 
> > 62. MUSIC. PARRY, JOHN.: British Harmony Being a Collection of 
> > Antient Welsh Airs The Traditional Remains of those Originally 
> Sung 
> > by the Bards of Wales. Ruabon, Denbighshire, John Parry/ London, 
> P 
> > Hodgson, 1781. Folio, pp [4, including 1 leaf letterpress List of 
> > Subscribers], 38 pages of engraved music by Hodgson, London, 
> title 
> > page within engraved wreath border incorporating the arms of the 
> > work's dedicatee Sir Watkin Williams Wynn, sewn as issued in 
> > original plain wrappers, a very good unsophisticated copy, FIRST 
> > EDITION. An important collection of Welsh traditional tunes; 42 
> are 
> > given altogether, some with arrangements and variations. This was 
> > Parry's last collection of Welsh music; very scarce. £150.00
> > 
> > The description is from the new John Wilbraham, London, catalogue.
> > 
> > Ed
> >
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Ebay List - 9/25/05
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 29 Sep 2005 10:50:20 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(36 lines)


Nigel:Volume 2 is part of a three volume set. It contains Sea-rapture songs, Sea-longing croons, Heroic Pagan Lays and Chants, Labour Lilts and Croons, Bardic Chant,  Clan Chants and Laments, Lullabies and cradle Songs, Island Tragedies and "of the Island Saints"  242 pages, about the same size as Vol's 1 and 3.  Collected and arranged for Voice and Pianoforte with Gaelic and English Words by Marjory Kennedy-Fraser and Kenneth Macleod.   Mine is dated 1917.  Knowing your interest in Scottish Song, I am surprised you don't have it all ready. I think the price is reasonable. Sammy Rich
[unmask]> 
> From: Nigel Gatherer <[unmask]>
> Date: 2005/09/26 Mon AM 04:50:36 EDT
> To: [unmask]
> Subject: Re: Ebay List - 9/25/05
> 
> Dolores Nichols wrote:
> 
> > 	7353047237 - Songs of the Hebrides by Kennedy-Fraser & MacLeod, 
> > volume 2, 1917, $45 (ends Sep-30-05 20:22:56 PDT)
> 
> That seems an awful lot for what has been (or seems to me to have been)
> a ubiquitous book here. Is volume two a rare specimen?
> 
> > 	7353116140 - Melodious Scotland Volumes 2 and 3, 19.99 GBP (ends 
> > Oct-01-05 08:19:47 PDT)
> 
> I've never heard of this one - any info on it, just for my curiosity?
> 
> (Just for my curiosity! I must not buy any more song books, I must not
> buy any more song books...)
> 
> -- 
> Nigel Gatherer, Crieff, Scotland
> mailto:[unmask]
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: "Raw Rum and Toddy O"
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 29 Sep 2005 21:02:41 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(11 lines) , text/html(23 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Hustvedt book on eBay
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Sep 2005 00:19:12 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(7 lines)


Just spotted this and thought maybe Dolores' list wouldn't be out in 
time - there's 5 days to go.  It'll make someone very happy (it's got 
the Child-Grundvig correspondence as an Appendix).Ballad Books & Ballad Men by Hustvedt 1930.    Item number: 4579011305   Jon Bartlett

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Madden Ballads Lists available
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Sep 2005 04:27:47 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(26 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:09:42 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(162 lines)


Anne & Frank Warner' s book states:   "Horace Beck cites Franz Rickaby: "at one time the ability to sing this song was a prerequisite to being allowed to work in Michingan lumber camps: Beck questions the song's British origin, since ony one version has been found in the British Isles and versions are widespread from Ontarion and Maine and throughout the Middle West.  
  Beck says that a ship called the Flying Cloud was built in1851 in Boston by David McKay, but it was never a pirate ship and the song is earlier.  William Doerflinger says it may have originated as early as 1830."    I find it terribly intriguing to learn a sea song that was required material for a logging camp.  Sounds like my kind of camp.        A reference was made to MacColl's version, Does anyone know if it is in one his publications, if so which one it might be?  ThanksSammy Rich> 
> Lewis Becker <[unmask]> wrote:
> I am writing this from memory, so please bear with me in the case of
> obvious errors. Last night I went looking to see if I could find any
> early printed version of the Flying Cloud but was unsuccesful. However,
> an 1880's origin seems late. I recall that there was a discussion in
> either Songs of the Catskills or the Frank and Anne Warren Collection
> that discussed the song; the opinion of some commentators (was it
> Beck?) placed it as of a much earlier date. It seems unlikely to me 
> that a song would be widely prevalent in 1890 when it originated in some
> isolated and obscure printed form in 1880. For a song to become
> instantaneously well known (instantaneous in the sense that it first
> appeared in 1880 but was so well known by 1890 that both Jack London and
> Gordon's informant heard it), wouldn't it have shown up in a lot of
> songsters or broadsides, to reflect its popularity? I am thinking here
> of The Rose of Allandale. This appeared in print about 1835 and is
> attributed to a Charles Jefferys. Whether or not it was written by him,
> it became an instanteous hit and appeared in a lot of songsters.
> 
> So I tend not to buy an 1880 origin and tend to think that an earlier
> date is the way to go. I will look at what I have this evening.
> 
> Lew
> 
> Lewis Becker
> Professor of Law
> Villanova University School of Law
> (610.519.7074)
> (Fax - 610.519.5672)
> 
> >>> [unmask] 8/28/2005 9:05:02 AM >>>
> After R. W. Gordon printed a text of "TFC" in _Adventure_ magazine, he
> received the following recollection from Frederic T. O. Wood of Chicago,
> dated Oct. 13, 1926 :
> 
> ". . .We had an old buck on my last ship, some thirty-five years ago
> who sang this song [i.e., ca1890-91, at exactly the same time that Jack
> London claimed he learned it], and his version of one verse was like
> this :
> 
> "Oh, the Flying Cloud was as fine a ship
> As ever swam the sea,
> Her topsails and her royals set
> So noble for to see.
> Her sails were white as the driven snow
> On them there was no speck.
> And twenty brass ten-pounder guns
> She carried on her deck.
> I have often seen that gallant ship
> With the wind abaft the beam,
> Her sheets all stiffened as she rolled,
> Decks water to our knees.
> 
> "His version of the song used the name Matthew Hollander who claimed to
> hail from Waterford's fair town--another slight change to the published
> version .. . . 
> 
> "I thank you, boy. I sat here tonight and sang this old song over and
> lived again the happy days that are gone, and now are only dreams. But
> dreams are all we old fellows have left, and no one can take them
> away...." [Gordon Collection, L. of C., _Adventure_ Correspondence, No.
> 1938]
> 
> My impression is that the song very possibly originated in the 1880s or
> a bit earlier, perhaps in a dime novel as no early broadside has ever
> been discovered. The evocative name "Flying Cloud" may have been chosen
> because the fame of the real ship had long been forgotten by the general
> public.
> 
> Wood's last two quoted lines are unique so far as I know.
> 
> JL
> 
> 
> 
> 
> Stephen Reynolds wrote:
> This just in from Steve Roud. I don't know. I'm
> dependent on Cazden, Haufrecht, & Studer for the
> reference; earlier (before 1982) writers were not
> aware of 'Flying Cloud' in a Wehman songster (the next
> discussion in print, as far as I know, was in the
> _Boston Evening Transcript_ in 1916, twelve years
> after the date assigned by C,,H,, & S, to the Wehman
> collection, and the latter is not mentioned there).
> __Notes & Sources for Folk Songs of the Catskills_ in
> some ways sets new standards for folksong
> bibliography, but at the same time it is too
> compressed; for example, it fails to give the date of
> the songster to which it assigns the number 42 in the
> series of Wehman's Collecions of Songs. The date is
> given in _Folk Songs of the Catskills_, to which
> _Notes & Sources_ is a companion: "A songster text of
> 1894 was copyrighted by Henry J. Wehman . . ." (p.
> 429), but the title and other data of publication
> appear only in _Notes & Sources_. A misprint anywhere
> in the references could be seriously misleading. 
> 
> I don't have Norm Cohen's Bibliography, and as I
> explained earlier I cannot even request an
> interlibrary borrowing for a month, until the new
> catalog is set up. 
> 
> It's this sort of thing, in fact, that led me to begin
> putting together a bibliography; in addition to being
> a bit out of date by now, the list in _Notes &
> Sources_ does have some lacunae, and no other
> bibliography on the song is as thorough as C, H, & S
> are. But unless I can verify an earlier reference
> there is no point in listing it at all. I'm still
> trying to get to the bottom of some anomalies in
> subsequent citations of the _Evening Transcript_ text.
> I hope I can save others in the future the hassle of
> trying to make sense of incomplete and contradictory
> references.
> 
> Stephen
> 
> Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> From: "STEVE ROUD" 
> Subject: Re: Wehman's Collection of Songs
> To: [unmask] 
> Stephen
> I'm away from home, and the list won't accept a direct
> posting from my daughter's computer - so could you
> forward this the List?
> 
> Does Wehman 42 exist anyway? If I remember rightly
> meade says 'Wehman Nos. 1-42' but Norm Cohen's
> Songster Bibliography only lists up to No.41.
> 
> Steve Roud
> 
> 
> 
> ____________________________________________________
> Start your day with Yahoo! - make it your home page 
> http://www.yahoo.com/r/hs 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 
> 		
> ---------------------------------
>  Start your day with Yahoo! - make it your home page 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 08:18:34 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(173 lines)


MacColl included TFC in The Singing Island.  Be somewhat wary of Beck; he declared The Shoals of Herring to be a traditional fisherman's song.
> 
> From: Sammy Rich <[unmask]>
> Date: 2005/09/01 Thu AM 08:09:42 CDT
> To: [unmask]
> Subject: Re: "The Flying Cloud"  (Was Re: Wehman's Collection of Songs)
> 
> Anne & Frank Warner' s book states:
> 
>    "Horace Beck cites Franz Rickaby: "at one time the ability to sing this song was a prerequisite to being allowed to work in Michingan lumber camps: Beck questions the song's British origin, since ony one version has been found in the British Isles and versions are widespread from Ontarion and Maine and throughout the Middle West.  
>   Beck says that a ship called the Flying Cloud was built in1851 in Boston by David McKay, but it was never a pirate ship and the song is earlier.  William Doerflinger says it may have originated as early as 1830."
> 
>     I find it terribly intriguing to learn a sea song that was required material for a logging camp.  Sounds like my kind of camp.  
> 
>       A reference was made to MacColl's version, Does anyone know if it is in one his publications, if so which one it might be?  
> 
> Thanks
> 
> Sammy Rich
> 
> > 
> > Lewis Becker <[unmask]> wrote:
> > I am writing this from memory, so please bear with me in the case of
> > obvious errors. Last night I went looking to see if I could find any
> > early printed version of the Flying Cloud but was unsuccesful. However,
> > an 1880's origin seems late. I recall that there was a discussion in
> > either Songs of the Catskills or the Frank and Anne Warren Collection
> > that discussed the song; the opinion of some commentators (was it
> > Beck?) placed it as of a much earlier date. It seems unlikely to me 
> > that a song would be widely prevalent in 1890 when it originated in some
> > isolated and obscure printed form in 1880. For a song to become
> > instantaneously well known (instantaneous in the sense that it first
> > appeared in 1880 but was so well known by 1890 that both Jack London and
> > Gordon's informant heard it), wouldn't it have shown up in a lot of
> > songsters or broadsides, to reflect its popularity? I am thinking here
> > of The Rose of Allandale. This appeared in print about 1835 and is
> > attributed to a Charles Jefferys. Whether or not it was written by him,
> > it became an instanteous hit and appeared in a lot of songsters.
> > 
> > So I tend not to buy an 1880 origin and tend to think that an earlier
> > date is the way to go. I will look at what I have this evening.
> > 
> > Lew
> > 
> > Lewis Becker
> > Professor of Law
> > Villanova University School of Law
> > (610.519.7074)
> > (Fax - 610.519.5672)
> > 
> > >>> [unmask] 8/28/2005 9:05:02 AM >>>
> > After R. W. Gordon printed a text of "TFC" in _Adventure_ magazine, he
> > received the following recollection from Frederic T. O. Wood of Chicago,
> > dated Oct. 13, 1926 :
> > 
> > ". . .We had an old buck on my last ship, some thirty-five years ago
> > who sang this song [i.e., ca1890-91, at exactly the same time that Jack
> > London claimed he learned it], and his version of one verse was like
> > this :
> > 
> > "Oh, the Flying Cloud was as fine a ship
> > As ever swam the sea,
> > Her topsails and her royals set
> > So noble for to see.
> > Her sails were white as the driven snow
> > On them there was no speck.
> > And twenty brass ten-pounder guns
> > She carried on her deck.
> > I have often seen that gallant ship
> > With the wind abaft the beam,
> > Her sheets all stiffened as she rolled,
> > Decks water to our knees.
> > 
> > "His version of the song used the name Matthew Hollander who claimed to
> > hail from Waterford's fair town--another slight change to the published
> > version .. . . 
> > 
> > "I thank you, boy. I sat here tonight and sang this old song over and
> > lived again the happy days that are gone, and now are only dreams. But
> > dreams are all we old fellows have left, and no one can take them
> > away...." [Gordon Collection, L. of C., _Adventure_ Correspondence, No.
> > 1938]
> > 
> > My impression is that the song very possibly originated in the 1880s or
> > a bit earlier, perhaps in a dime novel as no early broadside has ever
> > been discovered. The evocative name "Flying Cloud" may have been chosen
> > because the fame of the real ship had long been forgotten by the general
> > public.
> > 
> > Wood's last two quoted lines are unique so far as I know.
> > 
> > JL
> > 
> > 
> > 
> > 
> > Stephen Reynolds wrote:
> > This just in from Steve Roud. I don't know. I'm
> > dependent on Cazden, Haufrecht, & Studer for the
> > reference; earlier (before 1982) writers were not
> > aware of 'Flying Cloud' in a Wehman songster (the next
> > discussion in print, as far as I know, was in the
> > _Boston Evening Transcript_ in 1916, twelve years
> > after the date assigned by C,,H,, & S, to the Wehman
> > collection, and the latter is not mentioned there).
> > __Notes & Sources for Folk Songs of the Catskills_ in
> > some ways sets new standards for folksong
> > bibliography, but at the same time it is too
> > compressed; for example, it fails to give the date of
> > the songster to which it assigns the number 42 in the
> > series of Wehman's Collecions of Songs. The date is
> > given in _Folk Songs of the Catskills_, to which
> > _Notes & Sources_ is a companion: "A songster text of
> > 1894 was copyrighted by Henry J. Wehman . . ." (p.
> > 429), but the title and other data of publication
> > appear only in _Notes & Sources_. A misprint anywhere
> > in the references could be seriously misleading. 
> > 
> > I don't have Norm Cohen's Bibliography, and as I
> > explained earlier I cannot even request an
> > interlibrary borrowing for a month, until the new
> > catalog is set up. 
> > 
> > It's this sort of thing, in fact, that led me to begin
> > putting together a bibliography; in addition to being
> > a bit out of date by now, the list in _Notes &
> > Sources_ does have some lacunae, and no other
> > bibliography on the song is as thorough as C, H, & S
> > are. But unless I can verify an earlier reference
> > there is no point in listing it at all. I'm still
> > trying to get to the bottom of some anomalies in
> > subsequent citations of the _Evening Transcript_ text.
> > I hope I can save others in the future the hassle of
> > trying to make sense of incomplete and contradictory
> > references.
> > 
> > Stephen
> > 
> > Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> > From: "STEVE ROUD" 
> > Subject: Re: Wehman's Collection of Songs
> > To: [unmask] 
> > Stephen
> > I'm away from home, and the list won't accept a direct
> > posting from my daughter's computer - so could you
> > forward this the List?
> > 
> > Does Wehman 42 exist anyway? If I remember rightly
> > meade says 'Wehman Nos. 1-42' but Norm Cohen's
> > Songster Bibliography only lists up to No.41.
> > 
> > Steve Roud
> > 
> > 
> > 
> > ____________________________________________________
> > Start your day with Yahoo! - make it your home page 
> > http://www.yahoo.com/r/hs 
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam protection around 
> > http://mail.yahoo.com 
> > 
> > 		
> > ---------------------------------
> >  Start your day with Yahoo! - make it your home page 
> > 
> Tom Hall  --  Master Wordworker  
and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:47:49 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(40 lines) , text/html(45 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:09:31 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


On 9/1/05, Tom Hall wrote:>MacColl included TFC in The Singing Island.  Be somewhat wary of Beck; he declared The Shoals of Herring to be a traditional fisherman's song.
>>
>> From: Sammy Rich <[unmask]>
>> Date: 2005/09/01 Thu AM 08:09:42 CDT
>> To: [unmask]
>> Subject: Re: "The Flying Cloud"  (Was Re: Wehman's Collection of Songs)
>>
>> Anne & Frank Warner' s book states:
>>
> >    "Horace Beck cites Franz Rickaby: "at one time the ability to sing this song was a prerequisite to being allowed to work in Michingan lumber camps:The quote is roughly accurate. Rickaby's _Ballads and Songs of the
Shanty-Boy_, p. 223, in the notes to "The Flying Cloud," states "This
is the ballad of which it was said that, in order to get a job in the
Michigan camps, one had to be able to sing it through from end to end!"Of course, that doesn't make it true; note that Rickaby reports it
as hearsay.Hearsay from 1926 or earlier, whatever that says about the date of the
song.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 10:30:25 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(28 lines) , text/html(29 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:52:49 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(38 lines)


The only song I could find on the discography at stanhugill.com was titled "The Pilots of Tiger Bay."  Is this the song you seek?> From: John Roberts <[unmask]>
> Date: 2005/09/01 Thu AM 09:30:25 CDT
> To: [unmask]
> Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
> 
> I am interested in tracking down versions of Tiger Bay, which I have only
> heard ³second hand,² after Hugill. Is this (McGinnis) version available
> anywhere? And where is Stan Hugill¹s version recorded?
> 
> John Roberts
> 
> 
> 
> 
> On 8/29/05 10:32 PM, "Jonathan Lighter" <[unmask]> wrote:
> >  
> > McGinnis had a bit more to say about TFC :
> >  
> >        "I am going to put it in my collection along with a lot of old Sea
> > Songs which have not appeared in any other Chantey Collection."
> >  
> > He corresponded with Gordon now and again, sending him a few songs and
> > fragments, perhaps most notably the uncommon "Tiger Bay," in a version much
> > like that recorded sixty years later by Stan Hugill.  McGinnis spoke several
> > times of his sea song collection and his desire to see it published.  But
> > after his sudden death, the songs, as usual, vanished without a trace.
> > 
> > JL
> >  
> > 
> 
> 
> Tom Hall  --  Master Wordworker  
and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 11:06:48 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(45 lines)


Aye, that is indeed the one.
JROn 9/1/05 10:52 AM, "Tom Hall" <[unmask]> wrote:> The only song I could find on the discography at stanhugill.com was titled
> "The Pilots of Tiger Bay."  Is this the song you seek?
> 
>> From: John Roberts <[unmask]>
>> Date: 2005/09/01 Thu AM 09:30:25 CDT
>> To: [unmask]
>> Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
>> 
>> I am interested in tracking down versions of Tiger Bay, which I have only
>> heard ³second hand,² after Hugill. Is this (McGinnis) version available
>> anywhere? And where is Stan Hugill¹s version recorded?
>> 
>> John Roberts
>> 
>> 
>> 
>> 
>> On 8/29/05 10:32 PM, "Jonathan Lighter" <[unmask]> wrote:
>>>  
>>> McGinnis had a bit more to say about TFC :
>>>  
>>>        "I am going to put it in my collection along with a lot of old Sea
>>> Songs which have not appeared in any other Chantey Collection."
>>>  
>>> He corresponded with Gordon now and again, sending him a few songs and
>>> fragments, perhaps most notably the uncommon "Tiger Bay," in a version much
>>> like that recorded sixty years later by Stan Hugill.  McGinnis spoke several
>>> times of his sea song collection and his desire to see it published.  But
>>> after his sudden death, the songs, as usual, vanished without a trace.
>>> 
>>> JL
>>>  
>>> 
>> 
>> 
>> 
> 
> Tom Hall  --  Master Wordworker
> and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 11:49:20 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(25 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 09:53:02 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(172 lines) , text/html(13 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 10:29:52 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(248 lines)


In Atlantic Canada and in New England, winter was a
slack time for sailors (and for farmers too). Many
sailors, and many farmers who had others to whom they
could leave the necessary chores, signed on in lumber
camps to make some money in the winter. There was a
"lumber camp repertory," which in this way became
commingled with sea songs--forebitters rather than
shanties--and with the ballads and other songs sung in
farmhouses. 'The _Flying Cloud_' became a favorite in
the shanties (< Fr _chantier_, meaning among other
things, in Canadian French, a bunkhouse in a logging
camp; our word _shanty_ 'hut' is of this origin,
probably reinforced by Gaelic _sean tigh_ 'old
house').  
It was no doubt this logging-camp connection that
enabled the song to spread inland, although Great
Lakes shipping is another obvious route by which it
could have reached the Upper Midwest. MacColl's version: Peggy Seeger and Ewen MacColl,
comps eds, _The Singing Island: A Collection of
English and Scots Folksongs_ (London: Mills Music,
1960), p. 53, No. 60, notes on p. 111. It was
reprinted in _Sing Out_, June-July 1969, pp 20-21; in
Dan Milner, _The Bonnie Bunch of Roses_ (New York,
London, & Sydney: Oak Pubns, 1983), pp 96-97; and,
without the courtesy of an attribution, in Jerry
Silverman, _(Mel Bay Presents) Songs of Ireland: 103
Favourite Irish and Irish-American Songs_ (Pacific,
Missouri: Mel Bay Pubns, 1991), pp 30-31 (the
accompanying notes are lifted from Colcord, also
without acknowlegment). MacColl sings it on _Haul on
the Bowlin'_ (Stinon Records SLP 81. --- Sammy Rich <[unmask]> wrote:> Anne & Frank Warner' s book states:
> 
>    "Horace Beck cites Franz Rickaby: "at one time
> the ability to sing this song was a prerequisite to
> being allowed to work in Michingan lumber camps:
> Beck questions the song's British origin, since ony
> one version has been found in the British Isles and
> versions are widespread from Ontarion and Maine and
> throughout the Middle West.  
>   Beck says that a ship called the Flying Cloud was
> built in1851 in Boston by David McKay, but it was
> never a pirate ship and the song is earlier. 
> William Doerflinger says it may have originated as
> early as 1830."
> 
>     I find it terribly intriguing to learn a sea
> song that was required material for a logging camp. 
> Sounds like my kind of camp.  
> 
>       A reference was made to MacColl's version,
> Does anyone know if it is in one his publications,
> if so which one it might be?  
> 
> Thanks
> 
> Sammy Rich
> 
> > 
> > Lewis Becker <[unmask]> wrote:
> > I am writing this from memory, so please bear with
> me in the case of
> > obvious errors. Last night I went looking to see
> if I could find any
> > early printed version of the Flying Cloud but was
> unsuccesful. However,
> > an 1880's origin seems late. I recall that there
> was a discussion in
> > either Songs of the Catskills or the Frank and
> Anne Warren Collection
> > that discussed the song; the opinion of some
> commentators (was it
> > Beck?) placed it as of a much earlier date. It
> seems unlikely to me 
> > that a song would be widely prevalent in 1890 when
> it originated in some
> > isolated and obscure printed form in 1880. For a
> song to become
> > instantaneously well known (instantaneous in the
> sense that it first
> > appeared in 1880 but was so well known by 1890
> that both Jack London and
> > Gordon's informant heard it), wouldn't it have
> shown up in a lot of
> > songsters or broadsides, to reflect its
> popularity? I am thinking here
> > of The Rose of Allandale. This appeared in print
> about 1835 and is
> > attributed to a Charles Jefferys. Whether or not
> it was written by him,
> > it became an instanteous hit and appeared in a lot
> of songsters.
> > 
> > So I tend not to buy an 1880 origin and tend to
> think that an earlier
> > date is the way to go. I will look at what I have
> this evening.
> > 
> > Lew
> > 
> > Lewis Becker
> > Professor of Law
> > Villanova University School of Law
> > (610.519.7074)
> > (Fax - 610.519.5672)
> > 
> > >>> [unmask] 8/28/2005 9:05:02 AM
> >>>
> > After R. W. Gordon printed a text of "TFC" in
> _Adventure_ magazine, he
> > received the following recollection from Frederic
> T. O. Wood of Chicago,
> > dated Oct. 13, 1926 :
> > 
> > ". . .We had an old buck on my last ship, some
> thirty-five years ago
> > who sang this song [i.e., ca1890-91, at exactly
> the same time that Jack
> > London claimed he learned it], and his version of
> one verse was like
> > this :
> > 
> > "Oh, the Flying Cloud was as fine a ship
> > As ever swam the sea,
> > Her topsails and her royals set
> > So noble for to see.
> > Her sails were white as the driven snow
> > On them there was no speck.
> > And twenty brass ten-pounder guns
> > She carried on her deck.
> > I have often seen that gallant ship
> > With the wind abaft the beam,
> > Her sheets all stiffened as she rolled,
> > Decks water to our knees.
> > 
> > "His version of the song used the name Matthew
> Hollander who claimed to
> > hail from Waterford's fair town--another slight
> change to the published
> > version .. . . 
> > 
> > "I thank you, boy. I sat here tonight and sang
> this old song over and
> > lived again the happy days that are gone, and now
> are only dreams. But
> > dreams are all we old fellows have left, and no
> one can take them
> > away...." [Gordon Collection, L. of C.,
> _Adventure_ Correspondence, No.
> > 1938]
> > 
> > My impression is that the song very possibly
> originated in the 1880s or
> > a bit earlier, perhaps in a dime novel as no early
> broadside has ever
> > been discovered. The evocative name "Flying Cloud"
> may have been chosen
> > because the fame of the real ship had long been
> forgotten by the general
> > public.
> > 
> > Wood's last two quoted lines are unique so far as
> I know.
> > 
> > JL
> > 
> > 
> > 
> > 
> > Stephen Reynolds wrote:
> > This just in from Steve Roud. I don't know. I'm
> > dependent on Cazden, Haufrecht, & Studer for the
> > reference; earlier (before 1982) writers were not
> > aware of 'Flying Cloud' in a Wehman songster (the
> next
> > discussion in print, as far as I know, was in the
> > _Boston Evening Transcript_ in 1916, twelve years
> > after the date assigned by C,,H,, & S, to the
> Wehman
> > collection, and the latter is not mentioned
> there).
> > __Notes & Sources for Folk Songs of the Catskills_
> in
> > some ways sets new standards for folksong
> > bibliography, but at the same time it is too
> > compressed; for example, it fails to give the date
> of
> > the songster to which it assigns the number 42 in
> the
> > series of Wehman's Collecions of Songs. The date
> is
> > given in _Folk Songs of the Catskills_, to which
> > _Notes & Sources_ is a companion: "A songster text
> of
> > 1894 was copyrighted by Henry J. Wehman . . ." (p.
> > 429), but the title and other data of publication
> > appear only in _Notes & Sources_. A misprint
> anywhere
> > in the references could be seriously misleading. 
> > 
> > I don't have Norm Cohen's Bibliography, and as I
> > explained earlier I cannot even request an
> > interlibrary borrowing for a month, until the new
> > catalog is set up. 
> > 
> > It's this sort of thing, in fact, that led me to
> begin
> > putting together a bibliography; in addition to
> being
> > a bit out of date by now, the list in _Notes &
> > Sources_ does have some lacunae, and no other
> > bibliography on the song is as thorough as C, H, &
> S
> > are. But unless I can verify an earlier reference
> > there is no point in listing it at all. I'm still
> > trying to get to the bottom of some anomalies in
> > subsequent citations of the _Evening Transcript_
> text.
> > I hope I can save others in the future the hassle
> of
> > trying to make sense of incomplete and
> contradictory
> > references.
> > 
> > Stephen
> > 
> > Date: Sat, 27 Aug 2005 15:39:48 +0100 (BST)
> > From: "STEVE ROUD" 
> > Subject: Re: Wehman's Collection of Songs
> > To: [unmask] 
> > Stephen
> > I'm away from home, and the list won't accept a
> direct
> 
=== message truncated ===		
__________________________________ 
Yahoo! Mail for Mobile 
Take Yahoo! Mail with you! Check email on your mobile phone. 
http://mobile.yahoo.com/learn/mail 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:35:05 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(36 lines) , text/html(34 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:58:19 -0400
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(190 lines) , text/html(187 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 11:04:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(82 lines)


"This is the ballad of which it was said that, in
order to get a job in the Michigan camps, one had to
be able to sing it through from end to end!" Franz
Rickaby, comp. ed., _Ballads and Songs of the
Shanty-Boy_ (Cambridge, Massachusetts: Harvard
University Press, 1926), p. 223; cited in Albert B.
Friedman, ed., _The Viking Book of Folk Ballads of the
English-Speaking World_ (New York: The Viking Press,
1956), p. 411; Edith Fowke, ed., _The Penguin Book of
Canadian Folk Songs_ (Harmondsworth, Middlesex:
Penguin Books, 1973), p. 194; Anne Warner, ed.,
_Traditional American Folk Songs from the Anne & Frank
Warner Collection_ (Syracuse, New York: Syracuse
University Press, 1984), p. 47; Roy Palmer, _The
Oxford Book of Sea Songs_ (Oxford: Oxford University
Press, 1986), p. 185. Several others mention its
popularity in lumber camps without referring to the
song as a requirement for employment."Regularly reported from the lore of the lumbercamps
is the legend that in order to qualify for a job in
the woods, a man had to be able to sing _The 'Flying
Cloud'_ straight through. Taken as metaphor, that
legend has great validity, for the shantyman who could
not give good account of himself on the 'deacon seat'
might prove to be a dull companion during a long
winter of isolation and drudgery. . . . Most versions
of _The 'Flying Cloud'_ do come to us from lumbercamp
settings. Many others are known particularly from the
related lore of sailing ships."Cazden, Haufrecht, & Studer, _Folk Songs of the
Catskills (Albany: State University of New York Press,
1982), p. 429.Stephen--- Tom Hall <[unmask]> wrote:> MacColl included TFC in The Singing Island.  Be
> somewhat wary of Beck; he declared The Shoals of
> Herring to be a traditional fisherman's song.
> > 
> > From: Sammy Rich <[unmask]>
> > Date: 2005/09/01 Thu AM 08:09:42 CDT
> > To: [unmask]
> > Subject: Re: "The Flying Cloud"  (Was Re: Wehman's
> Collection of Songs)
> > 
> > Anne & Frank Warner' s book states:
> > 
> >    "Horace Beck cites Franz Rickaby: "at one time
> the ability to sing this song was a prerequisite to
> being allowed to work in Michingan lumber camps:
> Beck questions the song's British origin, since ony
> one version has been found in the British Isles and
> versions are widespread from Ontarion and Maine and
> throughout the Middle West.  
> >   Beck says that a ship called the Flying Cloud
> was built in1851 in Boston by David McKay, but it
> was never a pirate ship and the song is earlier. 
> William Doerflinger says it may have originated as
> early as 1830."
> > 
> >     I find it terribly intriguing to learn a sea
> song that was required material for a logging camp. 
> Sounds like my kind of camp.  
> > 
> >       A reference was made to MacColl's version,
> Does anyone know if it is in one his publications,
> if so which one it might be?  
> > 
> > Thanks
> > 
> > Sammy Rich
> > __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:12:03 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(38 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 13:43:19 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(31 lines) , text/html(24 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 16:58:25 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(25 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 14:03:10 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(264 lines) , text/html(22 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Aboard the Flying Cloud (to Tiger Bay)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 14:09:09 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(36 lines) , text/html(9 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 15:32:20 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(97 lines)


It's true that the earlier stanzas, until Captain
Moore turns up, could be the beginning of an
emigration song, but one feels even in them that the
protagonist is going to come to a Bad End. An only
child raised tenderly by doting parents always does.
If it weren't for this, I would be more willing to see
a confluece of an emigration song, something like
'Paddy's Green Shamrock Shore', with a pirate ballad.
But it starts out with too many marks of the
cautionary good-night. The slaving episode could be the centerpiece of a
separate song, but it serves well to lead poor Edward
into piracy and murder. I don't see sufficiently clear
stylistic disjunctions to serve as a basis for a
division, either. But, as Jonathan says, anything's
possible when there is so little to go on.Stephen --- Jonathan Lighter <[unmask]> wrote:> Anything's possible, but it doesn't much appeal to
> me to replace one ballad of unknown origin with two
> of them. 
>  
> Beck's research in his article looks excellent, but
> his argument doesn't impress me. 
>  
> Re "Shoals of Herring," my recollection is that he
> collected a somewhat mangled fragment of it from a
> fisherman and, unfamiliar with the song, assumed
> that it was a new "folk" song that was "still
> inchoate," or words to that effect.
>  
> JL
> 
> 
> Fred McCormick <[unmask]> wrote:
> Re., Beck and Rickaby. I throw this in purely
> because nobody has mentioned it so far. However,
> Edith Fowke's note to The Flying Cloud (Penguin Book
> of Canadian Folk Songs) says the following:
> 
> ................Horace Beck, who wrote an extensive
> article on 'The Riddle of The "Flying Cloud" , (JAF
> 66, 123-33), argues that this was originally two
> separate ballads of which the one dealing with
> slavery was the older. If this theory is correct, it
> is strange that no trace of the separate ballads has
> been reported.
> The 'Flying Cloud' was immensely popular both aboard
> sailing ships and in the lumber camps. Indeed,
> Rickaby tells us that 'This is the ballad of which
> ii was said that in order to get a job in the
> Michigan camps, one had to be able to sing it
> through from end to end!'. ........... 
>  
> I'm intrigued by Beck's suspicion about the song
> originally being two seperate ballads, inconclusive
> though his argument sounds. If there's anything in
> what he says, it might support theories that TFC as
> we know it didn't surface until 1880/90.
>  
> Cheers,
>  
> Fred McCormick
>  
> In a message dated 01/09/2005 14:10:01 GMT Standard
> Time, [unmask] writes:
> Anne & Frank Warner' s book states:
> 
>    "Horace Beck cites Franz Rickaby: "at one time
> the ability to sing this song was a prerequisite to
> being allowed to work in Michingan lumber camps:
> Beck questions the song's British origin, since ony
> one version has been found in the British Isles and
> versions are widespread from Ontarion and Maine and
> throughout the Middle West.  
>   Beck says that a ship called the Flying Cloud was
> built in1851 in Boston by David McKay, but it was
> never a pirate ship and the song is earlier. 
> William Doerflinger says it may have originated as
> early as 1830."
> 
> 		
> ---------------------------------
>  Start your day with Yahoo! - make it your home page		
____________________________________________________
Start your day with Yahoo! - make it your home page 
http://www.yahoo.com/r/hs 
 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re Shining some light on Shoals
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 09:08:34 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


Ewan was a friend of mine - traveled in Australia/Scotland a couple of 
times together etc.I distinctly recall Ewan telling me that when he recorded Shoals of 
Herring he asked Sam Larner where he got the song. "I wrote it," Sam 
replied. It was later that Ewan realised that the old fisherman and 
traditional song carrier had meant that he had 'written it down' from a 
traditional source - another singer - and , as was the custom, he had 
'written' it down as a means of learning to write and spell. Words can 
be deceiving.Warren Fahey

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Re Shining some light on Shoals
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 19:33:48 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(26 lines) , text/html(29 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: shoals
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 09:47:22 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(2 lines)


Ooops - I take it back - wasn't that song at all! Ewan did write Shoals 
from Sam's actualities. Warren

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 18:53:25 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(17 lines)


A comment from one of the many Mudcat threads on this song:Ewan wrote 'Shoals Of Herring ' for the radio ballad 'Singing the Fishing'
Charles Parker and Ewan had analysed Sam Larners speech patterns and this was used by Ewan to write the song, Sam Larner thought he had known it all his life because he was listening to his own speech patterns and rythms.
It is still a great song.> From: Warren Fahey <[unmask]>
> Date: 2005/09/01 Thu PM 06:47:22 CDT
> To: [unmask]
> Subject: shoals
> 
> Ooops - I take it back - wasn't that song at all! Ewan did write Shoals 
> from Sam's actualities. Warren
> Tom Hall  --  Master Wordworker  
and Intellectual Handyman

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: "The Flying Cloud" (Was Re: Wehman's Collection of Songs)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 17:40:29 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(18 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Re Shining some light on Shoals
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 1 Sep 2005 18:52:30 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(28 lines) , text/html(14 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 10:49:16 +0200
Content-Type:text/plain
Parts/Attachments:

text/plain(6 lines)


Dear Warren (and anyone else),Has anyone ever written anything scholarly (or otherwise) about Peter 
Kennedy's "The Transports"? I'd be grateful for any info.Andy

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 04:49:37 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(16 lines) , text/html(26 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 18:54:04 +1000
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


assume you mean BELLAMY
well, Peter did a pretty decent job and was inspired by the available 
writing on the Kables.On 02/09/2005, at 6:49 PM, Andy Rouse wrote:> Dear Warren (and anyone else),
>
> Has anyone ever written anything scholarly (or otherwise) about Peter 
> Kennedy's "The Transports"? I'd be grateful for any info.
>
> Andy
>

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 10:20:46 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


They told me that it would be available after the first of the year.I suspect that it is being microfilmed, or some such.J>This just in from Library of Congress. They may have
>it but seem to have misplaced it.
>
>Stephen
>
>Librarian 1: Thank you for consulting the Reader
>Services Section of
>the Music Division at The Library of Congress.
>Actually, someone from the Music Library List brought
>this to the
>attention of one of my colleagues who was in the
>process of tracking down
>this songster. We have a card catalog entry for the
>1894 Wehman's
>Collection, but it is not anywhere on the shelf with
>the other songsters. We
>are now trying to track down other possible places
>where the volume may
>be found.
>We will get back to you as soon as we know something.
>D.G.
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Cliff Ocheltree
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 10:24:31 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(9 lines)


Doesn't Clifford Ocheltree live in New Orleans?Has anyone heard from or of him?Cliff, are you okay?John
-- 
john garst    [unmask]

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Wehman's Collection of Songs
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 12:20:58 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(49 lines)


Aha! Well, that's it then. It's to teach me patience.
Thanks! 2006 it will be then.Stephen--- John Garst <[unmask]> wrote:> They told me that it would be available after the
> first of the year.
> 
> I suspect that it is being microfilmed, or some
> such.
> 
> J
> 
> >This just in from Library of Congress. They may
> have
> >it but seem to have misplaced it.
> >
> >Stephen
> >
> >Librarian 1: Thank you for consulting the Reader
> >Services Section of
> >the Music Division at The Library of Congress.
> >Actually, someone from the Music Library List
> brought
> >this to the
> >attention of one of my colleagues who was in the
> >process of tracking down
> >this songster. We have a card catalog entry for the
> >1894 Wehman's
> >Collection, but it is not anywhere on the shelf
> with
> >the other songsters. We
> >are now trying to track down other possible places
> >where the volume may
> >be found.
> >We will get back to you as soon as we know
> something.
> >D.G.
> -- 
> john garst    [unmask]
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/2/05 Part 1 (General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 18:45:43 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(70 lines)


Hi!	Happy Labor Day to everyone in the US! This is part 1. Part 2
which will contain songsters, broadsides, songs & ballads books will be
posted later today. 	JOURNALS	8330093245 - Ulster Folklife, 1964, 5 GBP (ends Sep-06-05 14:29:13 
PDT)	8330167622 - Ulster Folklife, 1977, 5 GBP (ends Sep-07-05 01:03:18 
PDT)	8330168619 - Ulster Folklife, 1966, 4 GBP (ends Sep-07-05 01:13:48 
PDT)	BOOKS 	4571842225 - Piled Higher & Deeper he Folklore of Campus Life by 
Bronner, 1990, $1.49 (ends Sep-03-05 15:07:47 PDT)	4571847418 - ABOVE BELOW by Knoblock, 1952, $9.95 (ends Sep-03-05 
23:00:00 PDT)	6557032378 - VANCE RANDOLPH, AN OZARK LIFE by Cochran, 1985, $18.75
(ends Sep-04-05 11:46:30 PDT)	4572001346 - OZARK FOLKLORE: An Annotated Bibliography by 
Randolph & McCann, 1987, $19.99 (ends Sep-04-05 14:02:29 PDT)	5235336774 - Selected Highland Folktales by Robertson/Bruce-Watt, 
1961, 7.50 GBP (ends Sep-05-05 13:30:00 PDT)	5235336787 - More Highland Folktales Robertson/Bruce-Watt, 1964, 
7.50 GBP (ends Sep-05-05 13:33:00 PDT)	4572256589 - THE ORAL TRADITION OF THE AMERICAN WEST by Cunningham, 
1990, $9.99 (ends Sep-05-05 20:21:04 PDT)	4572344488 - FOLK TALES OF THE SOUTHERN MOUNTAINS by Chase, 1958 
edition, $3.50 (end Sep-06-05 10:52:47 PDT)	6556898143 - Pinelands Folklife by Moonsammy, Cohen & Williams, 
1987, $9.99 (ends Sep-06-05 23:09:37 PDT)	8331139797 - Scenes and Legends of the North of Scotland by Miller, 
1890, $39.99 (ends Sep-07-05 19:00:11 PDT)	8331364504 - The Folklore of Hampshire & The Isle of Wight by 
Boase, 1976, 2.50 GBP (ends Sep-08-05 12:50:39 PDT)	5237123449 - Peasant Customs and Savage Myths: SELECTIONS FROM THE 
BRITISH FOLKLORISTS by Dorson, Volume 2, 2.99 GBP (ends Sep-10-05 09:32:35 
PDT)	5237528478 - The Folklore of East Anglia by Porter, 1974, 2.99 
GBP (ends Sep-11-05 10:07:15 PDT)	5237528809 - The Folklore of the Cotwolds by Briggs, 1974, 2.99 
GBP (ends Sep-11-05 10:08:05 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Ebay List - 9/2/05 Part 2 (Songsters, Broadsides, Songs &
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 2 Sep 2005 22:53:07 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(103 lines)


Ballads)
Reply-To: Dolores Nichols <[unmask]>
Organization: D and D DataHi!	Hope that everyone is enjoying the weekend! :-)	This should finish the lists for a few days. 	SONGSTERS & BROADSIDES	6557382615 - Broadside, Song of All Songs, 1863?, $20 (ends 
Sep-03-05 16:18:32 PDT)	6557996495 - THE BUNKER HILL SONGSTER, 1865?, $74.99 (ends 
Sep-08-05 09:12:06 PDT)	MISCELLANEOUS	4763301378 - The Long Harvest No. 6 by MacColl & Seeger, LP, 
1967, $14.99 (ends Sep-05-05 19:30:06 PDT)	4763331404 - Obray Ramsey - Sings Folksongs From The Three Laurels, 
LP, $8.99 (ends Sep-09-05 17:46:00 PDT)	SONGS & BALLADS	4571847008 - The Whorehouse Bells Were Ringing by Logsdon, 1989,
$9.99 (ends Sep-03-05 15:54:24 PDT)	8328682458 - Chapbooks of the Eighteenth Century by Ashton, 1990 
reprint, 6 GBP (ends Sep-04-05 13:30:00 PDT)	6557090259 - A Book Of Shanties by Smith, 1931, $5.99 (ends 
Sep-04-05 15:08:46 PDT)	6557093431 - Chamber's Miscellany, 1847, $48.95 (ends Sep-04-05 
15:25:45 PDT)	8330359328 - American Folk Poetry by Emrich, 1974, $15 (ends 
Sep-04-05 15:29:33 PDT)	7346849028 - Munro's Musical Library, 1880, $2.99 (ends Sep-04-05 
17:47:13 PDT)	7346948819 - New Zealand Folk Songs by Colquhoun, 1.99 GBP (ends 
Sep-05-05 07:08:28 PDT)	4572239365 - SCANDINAVIAN BALLADS by Rossel, 1982, $9.50 (ends 
Sep-05-05 18:37:08 PDT)	5236672507 - The Penguin Book of English Folk Songs by Lloyd & 
Williams, 1969, 3.99 GBP (ends Sep-06-05 02:35:32 PDT)	7347397682 - The Life of a Man by Stubbs, 1970, 3.99 GBP (ends 
Sep-07-05 07:33:16 PDT)	7347397700 - Garners Gay by Hamer, 1967, 3.99 GBP (ends Sep-07-05 
07:33:21 PDT)	7346772886 - The Gesto Collection of Highland Music by MacDonald, 
1995 reprint, 2.99 GBP (ends Sep-07-05 12:12:51 PDT)	7347522403 - Folk Songs of the Kentucky Mountains by McGill, 1917, 
$5.99 (ends Sep-07-05 18:28:35 PDT)	4572686789 - The English and Scottish Popular Ballads by Child, 
Volume 3, 1965 Dover edition, $3 (ends Sep-07-05 18:56:59 PDT)	8331378258 - Old Australian Ballads by Palmer, 1950, 1.95 GBP 
(ends Sep-08-05 13:24:25 PDT)	6558075740 - Where Is Saint George? Pagan Imagery In English 
Folksong by Stewart, 1977, $7.99 (ends Sep-08-05 19:15:00 PDT)	7347827259 - 4 cowboy songbooks, 1935-1950, $5 (ends Sep-09-05 
06:50:04 PDT)	8330807077 - English Folk Song & Dance by Williams, 1955, 1.99 
GBP (ends Sep-09-05 12:02:42 PDT)	6975337739 - Nursery Songs from the Appalachian Mountains by 
Sharp, 1921, 9.99 GBP (ends Sep-09-05 12:54:31 PDT)	6557873288 - Scottish Songs Scottish Ballads by Chambers, 3 
volumes, 1829, $55.99 w/reserve (ends Sep-10-05 19:51:34 PDT)	6975619569 - POPULAR BALLADS AND SONGS, FROM TRADITION,MANUSCRIPTS, 
AND SCARCE EDITIONS by Jamieson, 2 volumes, 1806, 20 GBP w/reserve 
(ends Sep-11-05 02:35:34 PDT)	8331313662 - Grey Funnel Lines by Tawney, 1987, 6.05 GBP (ends 
Sep-11-05 10:44:44 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: shoals
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 3 Sep 2005 15:05:49 +0200
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


Warren Fahey wrote:> assume you mean BELLAMY
> well, Peter did a pretty decent job and was inspired by the available 
> writing on the Kables.
>
>
> On 02/09/2005, at 6:49 PM, Andy Rouse wrote:
>
>> Dear Warren (and anyone else),
>>
>> Has anyone ever written anything scholarly (or otherwise) about Peter 
>> Kennedy's "The Transports"? I'd be grateful for any info.
>>
>> Andy
>>
>
>
Dear Warren (and anyone else who noticed the glitch),I really must start checking myself... it's age, I think. I've just 
written to a very good friend by e-mail, and the message came back- I'd 
sent it to his brother,  and it started Dear brother's name instead of 
Dear his name. They rhymed about the same as Bellamy and Kennedy - Dani 
and Vili! My typing fingers constantly produce spelling spoonerisms, too.
Nevertheless, I think my question was unambiguous. I have a reasonable 
amount of information about the Kables, and know the story upon which 
BELLAMY based his ballad opera. I was more interested in articles etc. 
about the opera itself (hence the ".....").
Andy

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Cliff Ocheltree
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 4 Sep 2005 01:03:38 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(24 lines)


Yep. Mary and I live in New Orleans, French Quarter to be specific. Mary and I rode out the storm, plenty of food and water thanks to my wife. Only minor damage to the house and no flooding. There was an explosion about 10 blocks away early Thursday, tank car, scared the ... out of Mary. We were evacuated courtesy of DHS this afternoon at 5:30 and are in Austin this evening. We'll be flying to Chicago in the AM [fingers crossed].I think that most of our local friends are safe but about a dozen of them have lost their homes. This afternoon, when I knew we were leaving I took a quick walk around Jackson Square. Most of the trees are gone [down] and I sat on the curb and cried.Mary and I will be in Chicago for about two weeks and then we'll head back. I've lived in Chicago and Philadelphia but my heart belongs in New Orleans.Thanks for your concern.> 
> From: John Garst <[unmask]>
> Date: 2005/09/02 Fri AM 10:24:31 EDT
> To: [unmask]
> Subject: Cliff Ocheltree
> 
> Doesn't Clifford Ocheltree live in New Orleans?
> 
> Has anyone heard from or of him?
> 
> Cliff, are you okay?
> 
> John
> -- 
> john garst    [unmask]
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Cliff Ocheltree
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 4 Sep 2005 06:54:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(47 lines)


Cliff:God keep.Ed----- Original Message -----
From: Clifford J OCHELTREE <[unmask]>
Date: Saturday, September 3, 2005 10:03 pm
Subject: Re: Cliff Ocheltree> Yep. Mary and I live in New Orleans, French Quarter to be specific. 
> Mary and I rode out the storm, plenty of food and water thanks to 
> my wife. Only minor damage to the house and no flooding. There was 
> an explosion about 10 blocks away early Thursday, tank car, scared 
> the ... out of Mary. We were evacuated courtesy of DHS this 
> afternoon at 5:30 and are in Austin this evening. We'll be flying 
> to Chicago in the AM [fingers crossed].
> 
> I think that most of our local friends are safe but about a dozen 
> of them have lost their homes. This afternoon, when I knew we were 
> leaving I took a quick walk around Jackson Square. Most of the 
> trees are gone [down] and I sat on the curb and cried.
> 
> Mary and I will be in Chicago for about two weeks and then we'll 
> head back. I've lived in Chicago and Philadelphia but my heart 
> belongs in New Orleans.
> 
> Thanks for your concern.
> 
> > 
> > From: John Garst <[unmask]>
> > Date: 2005/09/02 Fri AM 10:24:31 EDT
> > To: [unmask]
> > Subject: Cliff Ocheltree
> > 
> > Doesn't Clifford Ocheltree live in New Orleans?
> > 
> > Has anyone heard from or of him?
> > 
> > Cliff, are you okay?
> > 
> > John
> > -- 
> > john garst    [unmask]
> > 
> 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Pardon!!!
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 05:56:08 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(26 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Stephen Reynolds <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 05:28:39 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(61 lines)


Why not look at a library copy first, to see if the
book is written in the same postmodern jargon as the
review. Then it's a matter of deciding whether you
want to wade through however many pages of this stuff
there are.Stephen--- Fred McCormick <[unmask]> wrote:>  
> Hi Folks, 
> I've found a, Internet review article at 
>
_http://www.findarticles.com/p/articles/mi_m2822/is_4_22/ai_56952189_
> 
>
(http://www.findarticles.com/p/articles/mi_m2822/is_4_22/ai_56952189)
>  ,  covering a book by one Jon Michael Spencer. 
> Re-Searching Black Music.  Knoxville: University of
> Tennessee Press, 1996. The 
> first paragraph reads as  follows: 
> "Jon Michael Spencer's Re-Searching Black Music acts
> as a textual conduit  
> through which an organicity and intertextuality of
> African-American culture  
> emerges. Cutting through the Cartesian metaphysical
> separation of mind and body,  
> and historicizing and contextualizing the Kantian
> construction of the 
> sublime,  Spencer provides the reader with a
> fascinating hermeneutical lens through 
> which  African-American expressive culture is seen
> as a site of 
> interpenetrating  features. Indeed, on this score,
> sacred, cultural, profane, religious, 
> sexual,  and spiritual elements blend to form the
> complex nature that is the  
> African-American Lebenswelt. What, then, is the
> relationship between enslaved  
> Blacks who daily engaged in illocutionary moans and
> sang liberating spirituals,  
> and the musical renditions of Bessie Smith, James
> Brown, Thelonius Monk, A1  
> Green, Marvin Gaye, M. C. Hammer, postmodern Hip Hop
> artists, African-American  
> homiletical musicality, and the literary work of
> Toni Morrison and others? 
> And  assuming that there is such a unified narrative
> to be told, what 
> hermeneutical  tool will allow us to best tell it?" 
> Should I buy the book to find out what the review is
> about ? 
> Fred McCormick
> __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 08:44:04 EDT
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(24 lines) , text/html(28 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink




--

LISTSERV 15.5 - BALLAD-L Archives

View:

Next Message | Previous Message


Options:

Reply


Subject: Re: Pardon!!!
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 5 Sep 2005 06:05:31 -0700
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(24 lines) , text/html(16 lines)


Sorry, your browser doesn't support iframes.


Original Message:  

Permalink