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Subject: Re: [pre-war-blues] Tricks Ain't Walking No More
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:16:58 -0400
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With the permission of John Schott and Elijah Wald, I forward this 
from the pre-war-blues list because I think there are people here 
interested in it.John>I hope somebody will prove me wrong, but I'd bet there was no sheet
>music. However....I have always wondered whether someone, somewhere, has
>a collection of this sort of material. Reading Willie "The Lion" Smith's
>memoir, he talks about the bawdy songs that used to be sung in the shows
>in (I believe) Atlantic City, which also seem to be lost. Clearly, there
>was a whole world of fully composed cabaret and show material that was
>not clean enough for sheet music or record release, but that was written
>and played by the same kinds of artists who were writing mainstream pop
>standards. It has always seemed to me that this is a missing piece in
>American music history, since who knows how many double-entendre blues
>songs are simply reworkings of more formal compositions -- as may well
>be the case with "Tricks Ain't Walkin' No More."
>
>
>john schott wrote:
>
>>Ok, so Lucille Bogan and Memphis Minnie both recorded a song 
>>entitled "Tricks Ain't Walking No More." It's a modified blues, 
>>with two visits to the IV chord before going to the turnaround. 
>>Great performances, both, as I'm sure most of you know.
>>
>>Jelly Roll Morton sang a brief a capella version of a DIFFERENT 
>>"Tricks Ain't Walking No More" for Alan Lomax in 1938. It would 
>>seem to be a verse-chorus type of song, each probably being about 
>>32 measures. Some of the words (rather hazily remembered by Morton, 
>>it would seem) are:
>>
>>"...Everytime I see that woman, she meets me,
>>I'm going to tell you she's got that lovely fee,
>>
>>But tricks ain't walking no more
>>While they're passing right by that whore
>>I've never seen things so bad before, 'cause
>>
>>II7                V7                I                VI7
>>Tricks ain't walking no more, I'll tell you,
>>II7                  V7               I
>>Tricks ain't walking no more.
>>
>>I want you to be mine, if you'll come with me,
>>and be with me, I'll love you all  the time,
>>so won't you be mine, I'm going to take you to grind
>>
>>Just then, her man would come, and I would run,
>>That would be the end of me, 'cause,
>>Tricks ain't walking no more
>>
>>Every time you see a man coming down the street,
>>He won't stop, he'll pass her door
>>Tricks ain't walking no more
>>She can't get a dime, that poor whore
>>I've never seen things so bad before, 'cause
>>Tricks ain't walking no more"
>>
>>     Is anyone familiar with this song beyond the Morton LOC 
>>recording? I am trying to find the original sheet music or a more 
>>fleshed out (ugh - no pun intended, but not denied either) 
>>recording of the song. I have visited countless sheet music 
>>archives on the web to no avail.
>>
>>thanks,
>>
>  >John Schott
>--
>Elijah Wald

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Subject: Re: Town Names - LONG
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:11:37 -0400
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That's the one! Thank you
George
George F Madaus
Professor Emeritus
Boston College
On Apr, 21, 2005, at 3:59 PM, Mary Cliff wrote:> That would be John Forster's "Entering Marion," also title cut of one 
> of
> his CDs.  Words from his site:
>
> Every year I drive out to Cape Cod for the last part of June.
> Leave the city by ten and you're there in the late afternoon.
> On the way there's a village called Marion that you pass through.
> The first time I approached it, I'll always remember the sign that came
> into view.
>
> It said, "Entering Marion."
> And I thought, "What a fun little sign!"
> But the feeling of entering Marion
> Had a kick that was hard to define...
> A rapturous rush, a physical flush,
> Chills up and down the spine.
> For the few minutes I was in Marion
> All Massachusetts was mine.
>
> (spoken) Well, it got to be kind of an annual thing...the event that 
> would
> start each vacation off with a bang!
>
> Then one year--who knows why?--I decided to try a new route.
> So I got out my map and I traced one I thought was a beaut.
> After driving all morning, I came to the top of a hill,
> Where a sign stood before me that promised a new kind of thrill.
>
> It said, "Entering Beverly,"
> Which was lovely and not overbuilt.
> And the pleasure of entering Beverly
> Far outweighed any feelings of guilt.
> I could say I'm contrite but it wouldn't be right,
> For the truth is that later that day,
> I found myself entering Sharon.
> It was there. So was I. We enjoyed it. Hey, what can I say?
>
> By the next year I'd try any route, just for novelty's sake.
> I was cursed with a thirst that no single township could slake.
> Oh, at the wheel I looked calm but inside I was running amok,
> When a sign in the road dead ahead sent me straight into shock:
>
> "Entering Lawrence."
> My God! I was out of control.
> And I'd no sooner finished with Lawrence
> Than Boom! I was entering Lowell.
> Then I backtracked and re-entered Lawrence,
> Then Quincy and Norton as well.
> Around midnight I pulled into Athol
> And flopped in a fleabag motel.
>
> I slept fitfully in my clothing
> And awoke in a pool of sweat and self-loathing.
> Lying there, feeling lower than carrion,
> A name came clear as a clarion.
> I jumped in my car
> And before very far--
>
> I was entering Marion.
> How totally, wonderfully great!
> How grand to be entering Marion
> After tramping all over the state.
> Every sleaze-bucket burb,
> Every tryst by the curb
> Had really just helped me to find
> I'm happiest entering Marion.
> I guess I'm the Marion kind.
> Oh yes, I'm the Marion kind.
> 	
> 	c 1988 Limousine Music Co (ASCAP)

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Subject: Re: Town Names
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:33:57 -0400
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Outside Buffalo, there's a small suburb (actually more like
a suburb of a suburb, part of Hamburg, NY) called Athol
Springs. Unfortunately, they spoil the fun by pronouncing it
"ATH-all." But on the other side of Buffalo is Depew
(dee-PEW, long "e" on the first syllable, accent on the
second), which gets its fair share of mockery. 
Tom Bingham
> At 01:36 PM 4/21/2005 -0400, you wrote:
> >>At one time I had a CD of various singers from a
> Martha's Vineyard  >>session. On it is a very clever song
> about Massachusetts town names.  >>Can't find it and it is
> driving me nuts. Anyone have a clue as to the CD  >>or the
> title of the song? >>
> >>Speaking of  town names there is the old MASS gem about
> having a a  >>governor with three towns named after him
> --- Peabody, Marblehead and Athol. >>
> >>George F Madaus
> >
> >I recall visiting Athol in 1975 and marveling with my
> children at the  >signs that adorned the trash cans on the
> streets:  "Keep Athol clean" >
> >John
> 
> 
> Coincidentally, I was just in Athol, MA this past weekend,
> but I didn't see  any of those signs.  (sigh....)
> I asked a friend who lives in a neighboring town if they
> had gotten used to  the name yet and could say it without
> "the" mental association, and they  said after 20 years
> they still couldn't. Lisa

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Subject: Re: Villikins Once More
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:35:46 -0500
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Hi,
Few versions of William and Dinah exist with a tune and those that do exist
don't have the Villikins tune, however, many versions of the
widespread 'All Jolly fellows that follow the Plough' do use this tune and
it dates, like William and Dinah from the Pitts/Catnach era of broadside
printing, i.e., early 19thc.
Lucy Broadwood states in ECS (1891) that it was sung to Villikins tune in
Surrey and Berkshire. Certainly all the versions I've ever heard are sung
to it, including those from Shropshire and Yorkshire, but I must add there
are plenty of other tunes used. It's a great pity Lucy's Uncle John didn't
collect a version and publish it in 1842 with his other songs. This would
have given us a good benchmark.
SteveG

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Subject: Re: "Five costipated Men of the Bible"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:41:45 -0500
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Hi,
The tune I've always heard it sung to is the student song 'The
Quartermaster's Store'. Is there another tune?
I recently had it put on a homemade CD of my 2 lads and their aunty Jane
Sherburn, all aged about 5 some 25 years ago from an old cassette recording
they made themselves. They all got a copy as a Christmas present. Boy were
they embarrassed!
SteveG

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Subject: Re: "Five constipated Men of the Bible"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:43:43 -0500
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Apologies for typo error.
SteveG

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Subject: Re: UF STUDY
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:49:24 -0400
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At 01:05 PM 4/21/2005 -0700, you wrote:> > I don't know for sure just how seriously neglected folk music is in
> > American elementary schools, but if the situation is as they say it
> > must be in large part because today's educators (many of them
> > products of the '70s and '80s) have decided (or been instructed)
> > that the music is dull and insignificant, particularly in
> > comparison with whatever's taking its place.
> >
> > Does anyone have further insights into this possibility ?  What
> > *is* taking its place ?  Symphonic studies ?  (Goak.)
> >
> > JLIn our little town of Chatham in upstate NY, both the public Middle school 
and the High school do still have bands, orchestras, and choirs.
The orchestra usually gets sheet music for classical or pop-classical stuff 
(might be some "folky" Bartok or Copland in there), and an occasional 
modern or swingy piece.  The bands play mostly jazz music (both old and 
new) and also themes from pop media, Braodway shows, or movies, -like Star 
Wars, "Cats", Batman, and modern popular tunes.  The choir sings a more 
widespread selection, but with an emphasis on modern popular music that is 
"pleasing" to the audience's ears.  Lots of soaring & inspiring chords and 
crescendos.     8-(
I'd guess about 2% of the overall music chosen might have some traditional 
folk music content.  I remember 35 years ago playing 'cello in the same 
high school orchestra in this little town, and while I myself loved playing 
"Rodeo" excerpts, the occasional Vivaldi, and Corelli's Christmas Concerto, 
the other kids mostly begged the orchestra teacher to order more pop music 
to play, like the theme from the Pink Panther, Goldfinger, the Beatles' 
Yesterday, etc.  It all made me cringe, but then again I was kind of a 
weirdo.  When I finished attending the high school concerts a few years ago 
when my daughters graduated, it seemed little had changed concerning the 
music fare.
I do remember way back in Kindergarten (1959) and in the first few grades 
in New York City public school 41 in Greenwich Village though, I remember 
fondly Mr. Shapiro showing us international folk dances (including polkas 
and square dances) and my black teachers Mr. Brown and Mr. Smith taught us 
some black spiritual songs and African dances and Mrs. Mintz taught us 
Silent Night in German.  They also taught us singing games, but I can't 
remember them.  I remember enjoying that all very much.
Lisa Johnson

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Subject: Re: Town Names
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:56:48 -0400
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I can't seem to find an  Endicott  Massachusetts and the many times I 
heard the joke it was always the trio of Peabody, Marblehead and
> Athol. True that Endicott was Peabody's first name. He was always. it 
> seems, referred to as Endicott "Chub" Peabody or just Chub PeabodyGeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Apr, 21, 2005, at 2:04 PM, Paul Stamler wrote:> ----- Original Message -----
> From: "George Madaus" <[unmask]>
>
> <<Speaking of  town names there is the old MASS gem about having a a
> governor with three towns named after him --- Peabody, Marblehead and
> Athol.>>
>
> *Four* towns -- Endicott being the fourth. Richard Tuck is credited 
> with
> originating this witticism.
>
> Peace,
> Paul
>

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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 14:41:14 -0700
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--- "Lisa - S. H." <[unmask]> wrote:> At 09:38 AM 4/21/2005 -0700, you wrote:
> >Been to Bucksnort, Tennessee? Fellow that runs the
> >greasy spoon there told me it got it's name from
> the
> >still maintained by a man named Buck where one
> could
> >"get a snort." Frankly, I doubt it. Surprisingly,
> this
> >was a town William Least Heat Moon missed on his
> tour
> >of our Blue Highways (enjoyable book).
> >      Sandy
> 
> 
> Bucks are well known for letting out a very loud
> warning snort when 
> startled.  That buck snort can scare the life out of
> you when you surprise 
> a buck unexpectedly in the woods.
> Lisa
>
My thought exactly, Lisa, despite what the feller told
me, but I don't think he was trying to pull my leg.
     Sandy 

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Subject: Re: Town Names
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:44:28 -0500
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----- Original Message ----- 
From: "edward cray" <[unmask]><<Is this Dick Tuck the famous California political prankster, ca.
1950-1970?>>Yes.Peace,
PaulEd
----- Original Message -----
From: Paul Stamler <[unmask]>
Date: Thursday, April 21, 2005 11:04 am
Subject: Re: Town Names> ----- Original Message ----- 
> From: "George Madaus" <[unmask]>
>
> <<Speaking of  town names there is the old MASS gem about having a a
> governor with three towns named after him --- Peabody, Marblehead and
> Athol.>>
>
> *Four* towns -- Endicott being the fourth. Richard Tuck is credited
> withoriginating this witticism.
>
> Peace,
> Paul
>

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Subject: Re: Villikins Once More
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:54:07 -0500
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----- Original Message ----- 
From: "Steve Gardham" <[unmask]><<Few versions of William and Dinah exist with a tune and those that do
exist
don't have the Villikins tune, however, many versions of the
widespread 'All Jolly fellows that follow the Plough' do use this tune and
it dates, like William and Dinah from the Pitts/Catnach era of broadside
printing, i.e., early 19thc.
Lucy Broadwood states in ECS (1891) that it was sung to Villikins tune in
Surrey and Berkshire. Certainly all the versions I've ever heard are sung
to it, including those from Shropshire and Yorkshire, but I must add there
are plenty of other tunes used. It's a great pity Lucy's Uncle John didn't
collect a version and publish it in 1842 with his other songs. This would
have given us a good benchmark.>>Earliest version in the Ballad Index, presumably sans tune:M31A: before 1821 (broadside, Bodleian 2806 c.17(469))Peace,
Paul

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Subject: Re: "Five costipated Men of the Bible"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:57:46 -0500
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----- Original Message ----- 
From: "Steve Gardham" <[unmask]><<The tune I've always heard it sung to is the student song 'The
Quartermaster's Store'. Is there another tune?>>My former wife told me that this tune (the same as "Quartermaster's Store")
was actually a hymn tune, but I've forgotten which one.Peace,
Paul

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Subject: Re: Villikins Once More
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 17:05:45 -0500
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Hi, Paul,
Thanks for that.
Looking at this broadside, although the woodcut looks quite early the type
doesn't look much older than say 1820, certainly not 18thc. Thompson of
Liverpool was printing 1789 to 1820 but this looks like one of his later
efforts, although it might predate Catnach/Pitts.
SteveG

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Subject: Re: "Five Constipated Men of the Bible"
From: [unmask]
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Date:Thu, 21 Apr 2005 18:14:51 EDT
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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:23:37 -0700
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North Carolina traditional singer Frank Proffitt lived
in an area called "Pickbritches Valley" near Sugar
Grove, so-called because the first folks entering
there went through briar patches so thick it "like to
picked their britches right off'n 'em." After the
introduction of television to the holler, his
neighbors became self-conscious about it having such
an old-fashioned name. They decided to call it
"Mountaindale," instead. Very suburban! "But I call it
Pickbritches yet!," Frank assured me.
     I recorded Ally Long Parker in a rustic Ozark
area called "Hog Scald Holler." You'll find neither
that nor Pickbritches Valley on your maps, I fear.
     Sandy--- Jean Lepley <[unmask]> wrote:> Has anyone else observed a class aspect to this
> business of names?  When I
> lived on Long Island in a very ordinary residential
> area, just on the edge
> of "old money" estate country (Locust Valley), I
> observed an ongoing clash
> over the name of a shared road.  Locust Valley
> signposts proclaimed it
> "Skunks Misery Lane"; they said "Lattingtown(ton?)
> Road" in my more
> self-consciously nice neighorhood, and at least one
> critical signpost kept
> on switching names as a result, I imagined, of late
> night "local action."
> If asked, of course, I'd have joined with the Skunks
> Misery Laners (who I
> assumed were also the people who owned the woods and
> ponds and stables
> that were so much fun to explore...)
> 

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Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:32:35 +1000
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here's just a few from our side of the world.WET BEAVER CREEK
MIDDLE INTERCOURSE ISLAND
CHINAMAN'S KNOB
TITTY BONG
COCKBURN
DUNNYDOO
FUKING
IRON KNOB
MOUNT MEE
BAGDAG
BANG BANG JUMP UP
BURRUMBUTTOCK
CAPE CATASTROPHE
COME-BY-CHANCE
WOY WOY
WAGGA WAGGA
(oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
say 'Woy' - it is always Woy Woy)
BONG BONG
USELESS LOOP
UNNAMED (yep, that's the name)
HELL'S GATE
INNALOO (a loo in Australia is a toilet)
KOOLYANOBBING
CADIBARRAWIRRACANNA
NAR NAR GOON
POOWONG
BEVERLEY HILLS
TEXAS
PARIS
WYOMING
GUNBARREL HIGHWAY
GRONG GRONG
DOOTOWN
GOONOO GOONOO (pronounced gunna g'noo)
WOOLLOOMOOLOO
TOOWOOMBAIn relation to the last two I'd like to ask the forum if many towns 
with difficult names have sung traditional rhymes to teach people how 
to spell them?eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
Point) is an old suburb (200 years) and is obviously an Aboriginal wordThe oldtimers used to sing:W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
WOOLLOOMOOLOO
REPEAT

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Subject: Re: "Five Constipated Men of the Bible"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:31:51 -0400
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Hi John-
I've only heard it sung to "The Quartermaster Corps" (It's the beer, 
beer beer, that makes you feel so queer, in the corps etc.)
dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>Does anyone on the list sing "Five Constipated Men of the Bible"? 
>If yes, would you mind singing it for me over the phone?  I ask 
>because I believe that there are two tunes for this song.
>
>Any help is appreciated.
>
>Yours,
>
>John Mehlberg
>~
>Afternoons:  314.647.3883
>Evenings:     314.381.0492 
>
>
>  
>

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Subject: Re: "Five constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:32:47 -0500
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Hello everyone,So far three people from ballad-l have all sung this song to
"The Quartermaster's Store".     I have an interview tonight
with a woman who learned it in 1977-78.  She does not recognise
the tune.Steve when did you learn the song?   Anybody have a date earlier
than 1977?Yours,John Mehlberg----- Original Message ----- 
From: "Steve Gardham" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 3:41 PM
Subject: Re: "Five constipated Men of the Bible"Hi,
The tune I've always heard it sung to is the student song 'The
Quartermaster's Store'. Is there another tune?
I recently had it put on a homemade CD of my 2 lads and their
aunty Jane
Sherburn, all aged about 5 some 25 years ago from an old cassette
recording
they made themselves. They all got a copy as a Christmas present.
Boy were
they embarrassed!
SteveG

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Subject: Raised 6th in minor
From: John Garst <[unmask]>
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Date:Thu, 21 Apr 2005 18:48:49 -0400
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Subject: Re: Town Names
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:51:44 -0400
Content-Type:text/plain
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Well you keep talking 'bout my neck o' the woods(Bucksnort that is) , so I thought I should assure you that the boy's down here in Tennessee can sure fire brew up some good home brew.  Why I would venture to say that if any buck got a hold of some it would surely make him snort.  If you ever happen to be this way on I-40 just west of Nashville about an hour stop in and have some of the finest bologna sandwiches ever made anywhere.  Y'all come back now you here -  I know there's a ballad in there somewhereSammy Rich[unmask]
> 
> From: Sandy Paton <[unmask]>
> Date: 2005/04/21 Thu PM 05:41:14 EDT
> To: [unmask]
> Subject: Re: Town Names
> 
> --- "Lisa - S. H." <[unmask]> wrote:
> 
> > At 09:38 AM 4/21/2005 -0700, you wrote:
> > >Been to Bucksnort, Tennessee? Fellow that runs the
> > >greasy spoon there told me it got it's name from
> > the
> > >still maintained by a man named Buck where one
> > could
> > >"get a snort." Frankly, I doubt it. Surprisingly,
> > this
> > >was a town William Least Heat Moon missed on his
> > tour
> > >of our Blue Highways (enjoyable book).
> > >      Sandy
> > 
> > 
> > Bucks are well known for letting out a very loud
> > warning snort when 
> > startled.  That buck snort can scare the life out of
> > you when you surprise 
> > a buck unexpectedly in the woods.
> > Lisa
> >
> My thought exactly, Lisa, despite what the feller told
> me, but I don't think he was trying to pull my leg.
>      Sandy 
> 

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Subject: Re: "Five Constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:08:44 -0700
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Thanks for pointing that out to us, Mark. Most of us
heathen folkies would know it better as "There is
power, there is power in a band of working men, when
they stand, hand in hand... etc. -- one Industrial
Union grand!" 
     Sandy --- [unmask] wrote:>  
> One of the tunes commonly used is "There is Power in
> the  Blood" .  I've 
> heard another as well but I can't remember what it 
> was.
>  
> Mark G
>  
> In a message dated 4/21/2005 1:36:25 PM Central
> Standard Time,  
> [unmask] writes:
> 
> Hello  everyone,
> 
> Does anyone on the list sing "Five Constipated Men
> of the  Bible"? 
> If yes, would you mind singing it for me over the
> phone?  I  ask 
> because I believe that there are two tunes for this
> song.
> 
> Any  help is appreciated.
> 
> Yours,
> 
> John  Mehlberg
> ~
> Afternoons:  314.647.3883
> Evenings:   314.381.0492 
> 
> 
> 
> 
> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:20:45 -0700
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BAGDAG -- Now there's a guitar tuning I've yet to try!I hitch-hiked through Flush, Kansas, once, which I'll
always  remember. Kinda thought the Kohler Company
oughta move there.
     S.--- Warren Fahey <[unmask]> wrote:> here's just a few from our side of the world.
> 
> WET BEAVER CREEK
> MIDDLE INTERCOURSE ISLAND
> CHINAMAN'S KNOB
> TITTY BONG
> COCKBURN
> DUNNYDOO
> FUKING
> IRON KNOB
> MOUNT MEE
> BAGDAG
> BANG BANG JUMP UP
> BURRUMBUTTOCK
> CAPE CATASTROPHE
> COME-BY-CHANCE
> WOY WOY
> WAGGA WAGGA
> (oddly enough we Australians will call Wagga Wagga
> 'Wagga' but we never 
> say 'Woy' - it is always Woy Woy)
> BONG BONG
> USELESS LOOP
> UNNAMED (yep, that's the name)
> HELL'S GATE
> INNALOO (a loo in Australia is a toilet)
> KOOLYANOBBING
> CADIBARRAWIRRACANNA
> NAR NAR GOON
> POOWONG
> BEVERLEY HILLS
> TEXAS
> PARIS
> WYOMING
> GUNBARREL HIGHWAY
> GRONG GRONG
> DOOTOWN
> GOONOO GOONOO (pronounced gunna g'noo)
> WOOLLOOMOOLOO
> TOOWOOMBA
> 
> In relation to the last two I'd like to ask the
> forum if many towns 
> with difficult names have sung traditional rhymes to
> teach people how 
> to spell them?
> 
> eg: Wooloomooloo (an inner Sydney suburb close to
> where I live at Potts 
> Point) is an old suburb (200 years) and is obviously
> an Aboriginal word
> 
> The oldtimers used to sing:
> 
> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
> WOOLLOOMOOLOO
> REPEAT
> 

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Subject: Re: "Five constipated Men of the Bible"
From: [unmask]
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Date:Thu, 21 Apr 2005 19:34:10 EDT
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Subject: Re: "Five Constipated Men of the Bible"
From: [unmask]
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Date:Thu, 21 Apr 2005 19:36:17 EDT
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Subject: Re: "Five Constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:40:43 -0700
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--- [unmask] wrote:>  
> LOL
>   I guess that comes from living in Texas these days
> (-:
>  
> In a message dated 4/21/2005 6:11:43 PM Central
> Standard Time,  
> [unmask] writes:
> 
> Thanks  for pointing that out to us, Mark. Most of
> us
> heathen folkies would know it  better as "There is
> power, there is power in a band of working men, 
> when
> they stand, hand in hand... etc. -- one Industrial
> Union grand!"  
> Sandy 
> 
> 
> 
> 
> 

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Subject: Re: Town Names
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 19:07:39 -0500
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John Forster  "Entering Marion"The title of the CD is something about Winter
Songs for a Winter's Night    ???>At one time I had a CD of various singers from a Martha's Vineyard
>session. On it is a very clever song about Massachusetts town names.
>Can't find it and it is driving me nuts. Anyone have a clue as to the
>CD or the title of the song?
>
>Speaking of  town names there is the old MASS gem about having a a
>governor with three towns named after him --- Peabody, Marblehead and
>Athol.
>
>
>George
>
>George F Madaus
>Professor Emeritus
>Boston College

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Subject: Re: Town Names
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 17:26:49 -0700
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Sammy:Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not even in Bucksnort.Ed----- Original Message -----
From: Sammy Rich <[unmask]>
Date: Thursday, April 21, 2005 3:51 pm
Subject: Re: Town Names> Well you keep talking 'bout my neck o' the woods(Bucksnort that is) 
> , so I thought I should assure you that the boy's down here in 
> Tennessee can sure fire brew up some good home brew.  Why I would 
> venture to say that if any buck got a hold of some it would surely 
> make him snort.  If you ever happen to be this way on I-40 just 
> west of Nashville about an hour stop in and have some of the finest 
> bologna sandwiches ever made anywhere.  
> 
> Y'all come back now you here -  
> 
> I know there's a ballad in there somewhere
> 
> Sammy Rich
> 
> [unmask]
> > 
> > From: Sandy Paton <[unmask]>
> > Date: 2005/04/21 Thu PM 05:41:14 EDT
> > To: [unmask]
> > Subject: Re: Town Names
> > 
> > --- "Lisa - S. H." <[unmask]> wrote:
> > 
> > > At 09:38 AM 4/21/2005 -0700, you wrote:
> > > >Been to Bucksnort, Tennessee? Fellow that runs the
> > > >greasy spoon there told me it got it's name from
> > > the
> > > >still maintained by a man named Buck where one
> > > could
> > > >"get a snort." Frankly, I doubt it. Surprisingly,
> > > this
> > > >was a town William Least Heat Moon missed on his
> > > tour
> > > >of our Blue Highways (enjoyable book).
> > > >      Sandy
> > > 
> > > 
> > > Bucks are well known for letting out a very loud
> > > warning snort when 
> > > startled.  That buck snort can scare the life out of
> > > you when you surprise 
> > > a buck unexpectedly in the woods.
> > > Lisa
> > >
> > My thought exactly, Lisa, despite what the feller told
> > me, but I don't think he was trying to pull my leg.
> >      Sandy 
> > 
> 

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Subject: Re: Town Names
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 19:47:42 -0500
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On 4/21/05, edward cray wrote:>Sammy:
>
>Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not even in Bucksnort.Why do you think they make the home brew? :-)-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "Five constipated Men of the Bible"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 21:09:50 -0400
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Don't recall exactly when I first learned it, but it was certainly 
earlier than the mid-1940s--I trecogbized it when I heard it on "Songs 
of the Lincoln Brigade" (Seeger et al)dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>  
>

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Subject: Re: "Five constipated Men of the Bible"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 21:11:16 -0400
Content-Type:text/plain
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Oops- I meant the tune. I first heard the song ca 1962.dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>  
>

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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:13:50 -0700
Content-Type:text/plain
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Gawdamighty! You guys must have been to that
restaurant in Bucksnort, too.
    S.--- edward cray <[unmask]> wrote:> Sammy:
> 
> Bologna and butter on Wonder Bread does not
> constitute fine cuisine.  Not even in Bucksnort.
> 
> Ed
> 
> ----- Original Message -----
> From: Sammy Rich <[unmask]>
> Date: Thursday, April 21, 2005 3:51 pm
> Subject: Re: Town Names
> 
> > Well you keep talking 'bout my neck o' the
> woods(Bucksnort that is) 
> > , so I thought I should assure you that the boy's
> down here in 
> > Tennessee can sure fire brew up some good home
> brew.  Why I would 
> > venture to say that if any buck got a hold of some
> it would surely 
> > make him snort.  If you ever happen to be this way
> on I-40 just 
> > west of Nashville about an hour stop in and have
> some of the finest 
> > bologna sandwiches ever made anywhere.  
> > 
> > Y'all come back now you here -  
> > 
> > I know there's a ballad in there somewhere
> > 
> > Sammy Rich
> > 
> > [unmask]
> > > 
> > > From: Sandy Paton <[unmask]>
> > > Date: 2005/04/21 Thu PM 05:41:14 EDT
> > > To: [unmask]
> > > Subject: Re: Town Names
> > > 
> > > --- "Lisa - S. H." <[unmask]>
> wrote:
> > > 
> > > > At 09:38 AM 4/21/2005 -0700, you wrote:
> > > > >Been to Bucksnort, Tennessee? Fellow that
> runs the
> > > > >greasy spoon there told me it got it's name
> from
> > > > the
> > > > >still maintained by a man named Buck where
> one
> > > > could
> > > > >"get a snort." Frankly, I doubt it.
> Surprisingly,
> > > > this
> > > > >was a town William Least Heat Moon missed on
> his
> > > > tour
> > > > >of our Blue Highways (enjoyable book).
> > > > >      Sandy
> > > > 
> > > > 
> > > > Bucks are well known for letting out a very
> loud
> > > > warning snort when 
> > > > startled.  That buck snort can scare the life
> out of
> > > > you when you surprise 
> > > > a buck unexpectedly in the woods.
> > > > Lisa
> > > >
> > > My thought exactly, Lisa, despite what the
> feller told
> > > me, but I don't think he was trying to pull my
> leg.
> > >      Sandy 
> > > 
> > 
> 

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Subject: Re: Town Names
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 21:26:13 -0400
Content-Type:text/plain
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Ed and Bob:  I am going to try and give out this secret recipe for an "onie" samich one more time. If you have already received this, please forgive. Ed your are right about the wonder bread, two slices is all you need along with a couple of leaves of iceberg lettuce, and a slice of home grown t'mater, seasoned with salt and pepper slithered next to that quarter inch slice of Hillshire Farms Bologna with mustard and you have a sure fired southern delicacy that any southerner at heart has indulged in. And yes, you can get your very own right there in Bucksnort!  Leave that butter at home it is fattening you know.  They make the brew to supplement the lack of income from the vegetable gardens and deer hunting.Ed:  Your package got in the mail the day I said I would send it so you should have it soon. Sammy Rich
[unmask]> 
> From: "Robert B. Waltz" <[unmask]>
> Date: 2005/04/21 Thu PM 08:47:42 EDT
> To: [unmask]
> Subject: Re: Town Names
> 
> On 4/21/05, edward cray wrote:
> 
> >Sammy:
> >
> >Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not even in Bucksnort.
> 
> Why do you think they make the home brew? :-)
> 
> -- 
> Bob Waltz
> [unmask]
> 
> "The one thing we learn from history --
>    is that no one ever learns from history."
> 

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Subject: Re: "Five constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 20:34:39 -0500
Content-Type:text/plain
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text/plain(75 lines)


Hello everyone,Two questions.     1) Who was the Englishman I interview this afternoon?  I was 
unable to get this recorded.
     2) Who left me the song on my home recorder?   It sounds like 
Sandy...You can email me privately at [unmask] or reply to this 
email.Thanks for the help.  Four field recordings in one day.  A record.Yours,John Mehlberg----- Original Message ----- 
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 8:11 PM
Subject: Re: "Five constipated Men of the Bible"Oops- I meant the tune. I first heard the song ca 1962.dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>
> 

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Subject: Re: "Five constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:48:06 -0700
Content-Type:text/plain
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text/plain(96 lines)


'Tweren't me, John! I've heard the song, but I don't
know it. 
     The Connecticut Sandy--- John Mehlberg <[unmask]> wrote:> Hello everyone,
> 
> Two questions.
> 
>      1) Who was the Englishman I interview this
> afternoon?  I was 
> unable to get this recorded.
>      2) Who left me the song on my home recorder?  
> It sounds like 
> Sandy...
> 
> You can email me privately at [unmask] or
> reply to this 
> email.
> 
> Thanks for the help.  Four field recordings in one
> day.  A record.
> 
> Yours,
> 
> John Mehlberg
> 
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "dick greenhaus" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 21, 2005 8:11 PM
> Subject: Re: "Five constipated Men of the Bible"
> 
> 
> Oops- I meant the tune. I first heard the song ca
> 1962.
> 
> dick greenhaus
> 
> John Mehlberg wrote:
> 
> >Hello everyone,
> >
> >So far three people from ballad-l have all sung
> this song to
> >"The Quartermaster's Store".     I have an
> interview tonight
> >with a woman who learned it in 1977-78.  She does
> not recognise
> >the tune.
> >
> >Steve when did you learn the song?   Anybody have a
> date earlier
> >than 1977?
> >
> >Yours,
> >
> >John Mehlberg
> >
> >
> >
> >----- Original Message ----- 
> >From: "Steve Gardham" <[unmask]>
> >To: <[unmask]>
> >Sent: Thursday, April 21, 2005 3:41 PM
> >Subject: Re: "Five constipated Men of the Bible"
> >
> >
> >Hi,
> >The tune I've always heard it sung to is the
> student song 'The
> >Quartermaster's Store'. Is there another tune?
> >I recently had it put on a homemade CD of my 2 lads
> and their
> >aunty Jane
> >Sherburn, all aged about 5 some 25 years ago from
> an old cassette
> >recording
> >they made themselves. They all got a copy as a
> Christmas present.
> >Boy were
> >they embarrassed!
> >SteveG
> >
> >
> >
> >
> >
> > 
> 

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Subject: Re: "Five Constipated Men of the Bible"
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 23:29:25 EDT
Content-Type:text/plain
Parts/Attachments:

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I'vbe heard the song, but can't remember amost of it.  What I know is this:There were five, fivb contipated men
   In te Bible, in the Bible.
There were five five constitpated men
   In the first five books of Moses.Now the cirst first constipated man
   Was Moses. He took the Tablets.
The first, first constipated man
    Was Moses, who took the tablets.
 Th second second constipated man
    Was David;; he sat For seven years!
***********************************I heard Wally Macnow sing it at a Festival that I think was in Massachusetts; 
 he might still remember all the words!I hope you find the whole thing!  I apologize for my forgetfulness.Sam Hinton
La Jolla, CA

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Subject: Re: Town Names
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 00:18:04 -0500
Content-Type:text/plain
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> From: "Robert B. Waltz" <[unmask]>
> Date: 2005/04/21 Thu PM 08:47:42 EDT
> To: [unmask]
> Subject: Re: Town Names
>
> On 4/21/05, edward cray wrote:> >Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not
even in Bucksnort.
>
> Why do you think they make the home brew? :-)Y'all don't understand. Bologna is the only thing that makes Wonder Bread
edible. And vice versa.Peace,
Paul

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Subject: Re: "Five Constipated Men of the Bible"
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 05:24:23 -0500
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I learned it at a Jewish summer camp, and here are the verses as I know themThe first, first constipated man
Was Cain, he wasn't AbelThe second, .. was Moses, he took two tabletsThe third ... was Sampson, he brought the house downThe fourth was Sampson, he sat for forty yearsThe fifth ... was Balaam, he couldn't move his ass.As I taught it to festival types, I learned that a Buffalo Morris dance team added the following two verses:The sixth ... was Joshua, heblew the walls downAnd here's my favorite:The seventh ... was Noah.
Oh, he sailed forty days and he sailed forty nights, and he passed nothing but water!	Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of [unmask]
Sent: Thursday, April 21, 2005 10:29 PM
To: [unmask]
Subject: Re: "Five Constipated Men of the Bible"I'vbe heard the song, but can't remember amost of it.  What I know is this:There were five, fivb contipated men
   In te Bible, in the Bible.
There were five five constitpated men
   In the first five books of Moses.Now the cirst first constipated man
   Was Moses. He took the Tablets.
The first, first constipated man
    Was Moses, who took the tablets.
 Th second second constipated man
    Was David;; he sat For seven years!
***********************************I heard Wally Macnow sing it at a Festival that I think was in Massachusetts; 
 he might still remember all the words!I hope you find the whole thing!  I apologize for my forgetfulness.Sam Hinton
La Jolla, CA

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Subject: Re: "Five constipated Men of the Bible"
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 05:25:49 -0500
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I just sent a message on "The Five Constipated Men?"  Did the whole list get it?	Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Mehlberg
Sent: Thursday, April 21, 2005 8:35 PM
To: [unmask]
Subject: Re: "Five constipated Men of the Bible"Hello everyone,Two questions.     1) Who was the Englishman I interview this afternoon?  I was 
unable to get this recorded.
     2) Who left me the song on my home recorder?   It sounds like 
Sandy...You can email me privately at [unmask] or reply to this 
email.Thanks for the help.  Four field recordings in one day.  A record.Yours,John Mehlberg----- Original Message ----- 
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 8:11 PM
Subject: Re: "Five constipated Men of the Bible"Oops- I meant the tune. I first heard the song ca 1962.dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>
> 

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Subject: Re: "Five constipated Men of the Bible"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 05:57:55 -0500
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Hi, John,
I'm in the UK by the way. My oldest was about 5 when he sang it so that
makes it about 1980 and if I remember rightly we'd all just learnt it by
singing it at a local Yorkshire folk festival where it had been performed
by one of the artists. I'll make enquiries to find out the sources. I'd go
along with Jon and say the song is a parody directly from the hymn tune
rather than from Quartermaster, even though I'm not familiar with the hymn.
From what I've read of other postings it sounds like it probably originated
in America rather than over here. I'd certainly not heard it before the
c1980 performances.
Steve

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Subject: Re: "Five constipated Men of the Bible"
From: Heather Wood <[unmask]>
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Date:Fri, 22 Apr 2005 08:03:16 EDT
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Subject: Re: "Five constipated Men of the Bible"
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:38:01 -0400
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1) That would have been me. To summarize, I seem to know the same version as
everyone else here, learned from Wally Macnow at Pinewoods Camp (Folk Music
camp that is, not kids' camp!), probably ca. 1980 - might have been earlier.
Same verses as Heather just posted.John RobertsOn 4/21/05 9:34 PM, "John Mehlberg" <[unmask]> wrote:> Hello everyone,
> 
> Two questions.
> 
>    1) Who was the Englishman I interview this afternoon?  I was
> unable to get this recorded.
>    2) Who left me the song on my home recorder?   It sounds like
> Sandy...
> 
> You can email me privately at [unmask] or reply to this
> email.
> 
> Thanks for the help.  Four field recordings in one day.  A record.
> 
> Yours,
> 
> John Mehlberg
> 
> 

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Subject: Re: Town Names
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 09:31:05 -0500
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On 4/22/05, Paul Stamler wrote:> > From: "Robert B. Waltz" <[unmask]>
>> Date: 2005/04/21 Thu PM 08:47:42 EDT
>> To: [unmask]
>> Subject: Re: Town Names
>>
>> On 4/21/05, edward cray wrote:
>
>> >Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not
>even in Bucksnort.
>>
>> Why do you think they make the home brew? :-)
>
>Y'all don't understand. Bologna is the only thing that makes Wonder Bread
>edible. And vice versa.Yes, but why would anyone *want* to make Wonder Bread edible -- unless
under the influence of home brew? :-)-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "Five constipated Men of the Bible"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:52:50 -0700
Content-Type:text/plain
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yep.ed----- Original Message -----
From: "Steiner, Margaret" <[unmask]>
Date: Friday, April 22, 2005 3:25 am
Subject: Re: "Five constipated Men of the Bible"> I just sent a message on "The Five Constipated Men?"  Did the whole 
> list get it?
> 
> 	Marge 
> 
> -----Original Message-----
> From: Forum for ballad scholars [[unmask]]On
> Behalf Of John Mehlberg
> Sent: Thursday, April 21, 2005 8:35 PM
> To: [unmask]
> Subject: Re: "Five constipated Men of the Bible"
> 
> 
> Hello everyone,
> 
> Two questions.
> 
>     1) Who was the Englishman I interview this afternoon?  I was 
> unable to get this recorded.
>     2) Who left me the song on my home recorder?   It sounds like 
> Sandy...
> 
> You can email me privately at [unmask] or reply to this 
> email.
> 
> Thanks for the help.  Four field recordings in one day.  A record.
> 
> Yours,
> 
> John Mehlberg
> 
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "dick greenhaus" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 21, 2005 8:11 PM
> Subject: Re: "Five constipated Men of the Bible"
> 
> 
> Oops- I meant the tune. I first heard the song ca 1962.
> 
> dick greenhaus
> 
> John Mehlberg wrote:
> 
> >Hello everyone,
> >
> >So far three people from ballad-l have all sung this song to
> >"The Quartermaster's Store".     I have an interview tonight
> >with a woman who learned it in 1977-78.  She does not recognise
> >the tune.
> >
> >Steve when did you learn the song?   Anybody have a date earlier
> >than 1977?
> >
> >Yours,
> >
> >John Mehlberg
> >
> >
> >
> >----- Original Message ----- 
> >From: "Steve Gardham" <[unmask]>
> >To: <[unmask]>
> >Sent: Thursday, April 21, 2005 3:41 PM
> >Subject: Re: "Five constipated Men of the Bible"
> >
> >
> >Hi,
> >The tune I've always heard it sung to is the student song 'The
> >Quartermaster's Store'. Is there another tune?
> >I recently had it put on a homemade CD of my 2 lads and their
> >aunty Jane
> >Sherburn, all aged about 5 some 25 years ago from an old cassette
> >recording
> >they made themselves. They all got a copy as a Christmas present.
> >Boy were
> >they embarrassed!
> >SteveG
> >
> >
> >
> >
> >
> > 
> 

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Subject: Re: "Five constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 10:26:45 -0700
Content-Type:text/plain
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Barbara Millikan, who is having e-mail conflicts with
her internet provider, asked me to forward this
message to the list. Here 'tis:On Fri, 22 Apr 2005 05:24:23 -0500, Steiner, Margaret
wrote
> I learned it at a Jewish summer camp, and here are
the verses as I 
> know themI first heard this in 1975 or 76, from a Jewish friend
in California, 
(Bay 
Area), only he sang... 
 
 There were five, five constipated men
    In the Torah, in the Torah.
 There were five, five constipated men
    In the five books of Moses.Tune was very similar to the Quartermaster's Store.
Blessings, 
Barbara

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Subject: Re: "Five constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 12:27:19 -0500
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Hello everyone,Thanks for singing for me.   Links to your mp3s are listed here:         http://immortalia.com/html/what-s-new.htmPatricia Wells also sang the song to "Quartermaster's Store".
She suspects a different tune is used by Jim Griffith as his text
is different and doesn't scan.   I have sent him an email.Thanks again.Yours,John Mehlberg

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Subject: Re: "Five constipated Men of the Bible"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 14:10:56 -0400
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According to The New Broadman Hymnal, There is Power in the Blood, 
words and music, was written by Lewis E. Jones in 1899.>Oops- I meant the tune. I first heard the song ca 1962.
>
>dick greenhaus
>
>John Mehlberg wrote:
>
>>Hello everyone,
>>
>>So far three people from ballad-l have all sung this song to
>>"The Quartermaster's Store".     I have an interview tonight
>>with a woman who learned it in 1977-78.  She does not recognise
>>the tune.
>>
>>Steve when did you learn the song?   Anybody have a date earlier
>>than 1977?
>>
>>Yours,
>>
>>John Mehlberg
>>
>>
>>
>>----- Original Message ----- From: "Steve Gardham" <[unmask]>
>>To: <[unmask]>
>>Sent: Thursday, April 21, 2005 3:41 PM
>>Subject: Re: "Five constipated Men of the Bible"
>>
>>
>>Hi,
>>The tune I've always heard it sung to is the student song 'The
>>Quartermaster's Store'. Is there another tune?
>>I recently had it put on a homemade CD of my 2 lads and their
>>aunty Jane
>>Sherburn, all aged about 5 some 25 years ago from an old cassette
>>recording
>>they made themselves. They all got a copy as a Christmas present.
>>Boy were
>>they embarrassed!
>>SteveG
>>
>>
>>
>>
>>-- 
john garst    [unmask]

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Subject: Re: Town Names
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 14:14:16 -0400
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>Leave that butter at home it is fattening you know.
>Sammy RichSomething I learned when I went north (to Iowa) in 1954: Yankees 
butter the bread when making sandwiches, any kind, as I recall. 
Growing up in Mississippi, I'd never seen that.  Our sandwiches, if 
they need a condiment, used mayonnaise, mustard, or (rarely) ketchup, 
but never butter.J

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Subject: Cyril Tawney
From: Heather Wood <[unmask]>
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Date:Fri, 22 Apr 2005 17:06:40 EDT
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Subject: Re: Town Names
From: Heather Wood <[unmask]>
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Date:Fri, 22 Apr 2005 17:14:32 EDT
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Subject: Ebay List - 4/22/05 (Part 1 - General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 17:55:25 -0400
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Hi!	For all of you constipated folklorists, here is part 1 of this
week's Ebay lists. Part 2 will follow later tonight. The
songster/broadside list will be posted in a couple of days. :-)	JOURNALS	5188923382 - Folklore, March 1960, 2.99 GBP (ends Apr-28-05 
14:00:53 PDT)	BOOKS	4543945429 - TREASURES OF IRISH FOLKLORE by Duggan, 1983, $2.95 
(ends Apr-23-05 20:45:09 PDT)	6956590949 - GUMBO YA-YA: A COLLECTION OF LOUISIANA FOLK TALES by
Saxon, Dreyer & Tallant, 1991, $5.95 (ends Apr-23-05 20:50:34 PDT)	6956593322 - FOLKLORE OF THE ADIRONDACK FOOTHILLS by Thomas, 1958,
$2.99 (ends Apr-23-05 21:15:35 PDT) also 6957165302 - $9.99 (ends 
Apr-27-05 19:01:31 PDT)	4543978218 - VANCE RANDOLPH An Ozark Life by Cochran, 1985, $5 
(ends Apr-24-05 04:44:38 PDT)	8302066602 - Legends Of Devon by Jones, 1981, 0.75 GBP (ends 
Apr-24-05 13:16:41 PDT)	3970668581 - Stealing Stick Folklore of Pioneer East Texas by 
Davidson, 1969, $14.99 (ends Apr-24-05 18:50:45 PDT) also 4544900772 - 
$7.99 (ends Apr-28-05 11:15:25 PDT)	4544153246 - Canadian Wonder Tales by MacMillan, 1974, $1.75 (ends
Apr-24-05 19:26:38 PDT)	4544273816 - Ozark Superstitions by Randolph, 1947, $4.95 (ends 
Apr-25-05 11:48:32 PDT)	4544290609 - The Folklore of the Scottish Highlands by Ross, 1993,
$5 (ends Apr-25-05 12:59:41 PDT) also 8302368194 - 0.99 GBP (ends 
Apr-27-05 03:46:49 PDT)	4544376867 - Vance Randolph in the Ozarks - A Collection of the 
Folklorist's Writings, 1984, $7.25 (ends Apr-25-05 21:15:09 PDT)	8302279432 - Legends of Cornwall by Jones, 1980, 0.99 GBP (ends 
Apr-26-05 09:43:40 PDT)	4544449354 - Foolish Tales and Folklore of Newfoundland by Earle, 
1988, $8.99 (ends Apr-26-05 09:44:44 PDT)	8302307330 - The Australian Yarn by Edwards, 1977, $6.50 AU (ends 
Apr-26-05 13:03:24 PDT)	4543935449 - Mas Antes by Garcia, 1997, $4.99 (ends Apr-26-05 
18:15:00 PDT)	4544589521 - Midwestern Folk Humor by Leary, 1991, $2.93 (ends 
Apr-26-05 21:40:47 PDT)	6527092113 - The Music and Musical Instruments of the Pennsylvania 
Mountaineers by Shoemaker, 1923, $9.99 (ends Apr-27-05 18:40:31 PDT)	4544780570 - THE FOXFIRE BOOK, 1971, $9.99 (ends Apr-27-05 20:09:29 
PDT)	6957225908 - Tales, Legends and Historical Reminiscences of the 
Scottish Covenanters by Guthrie, 1862, 0.99 GBP (ends Apr-28-05 06:39:14 
PDT)	5188932612 - THE FOLKLORE OF EAST ANGLIA by Porter, 1974, 0.19 
GBP (ends Apr-28-05 14:23:10 PDT)	6957346750 - Who Blowed Up the Church House by Randolph, 1953, 
$9.50 (ends Apr-28-05 16:32:10 PDT)	4545050131 - Body, Boots & Britches by Thompson, 1940 edition, 
$3.98 (ends Apr-29-05 05:35:53 PDT)	5188116036 - Rites & Riots:Folk Customs of Britain and Europe by 
Pegg, 1981, 3.99 GBP (ends Apr-29-05 12:24:37 PDT)	5188720324 - THE WEARING OF THE GREEN by Wannan, 1968, 0.99 GBP 
(ends May-01-05 05:39:44 PDT)	8302579775 - In Praise of Bells. The Folklore and Tradition of 
British Bells by Camp, 1988, 14.99 GBP (ends May-01-05 11:18:46 PDT)	8302626196 - THE FOLKLORE OF WARWICKSHIRE by Palmer, 1976, 2.99 
GBP (ends May-01-05 14:59:11 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Town Names
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 18:09:44 -0500
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Oronogo, Missouri (near Joplin) was a mining boom town which got its name
from the local cathouse, where the prostitutes would tell the potential
customers "Ore, or no go."EdieEdie Gale Hays
[unmask]

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Subject: Re: Town Names
From: [unmask]
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Subject: Ebay List - 04/22/05 (Part 2 - Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 22:56:14 -0400
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Hi!	While we take a break from unusual town names, here is the
second part of the weekly Ebay list. :-)	MISCELLANEOUS	6526632587 - Occupational Folk Songs of the US Air Force, CD, $2 
(ends Apr-25-05 14:50:05 PDT)	SONGBOOKS, ETC.	7316024667 - The Plain Brown Tune Book, 6.50 GBP (ends Apr-23-05 
12:39:11 PDT)	4543958663 - Some Current Folk-Songs of the Negro by Thomas, 1936, 
$4.93 (ends Apr-23-05 23:23:19 PDT)	6956676640 - Pills to Purge Melancholy, volumes 5 & 6, 1720, 9.99 
GBP (ends Apr-24-05 11:11:27 PDT)	8302296343 - Ballads from the Pubs of Ireland by Healy, 1965, 0.99
GBP (ends Apr-24-05 11:46:49 PDT)	8302065170 - The Border Ballads by Reed, 1973, 3 GBP (ends 
Apr-24-05 13:08:05 PDT)	7316299322 - Sea Songs & Shanties by Whall, 1930 reprint, 6.05 GBP
(ends Apr-24-05 13:55:11 PDT)	4543682906 - Irish Street Ballads by O'Lochlainn, 1960, $12 (ends 
Apr-24-05 16:00:00 PDT)	7316348961 - 2 songbooks (33 Prison and Mountain Songs & Carson 
Robison's Mountain Ballads & Old Time Songs), 1932 & 1930, $9.95 (ends 
Apr-24-05 17:27:51 PDT)	6171222548 - THE FIRST BOOK OF IRISH BALLADS by O'Keefe, 1968, 
0.99 GBP (ends Apr-25-05 02:59:37 PDT)	6956367809 - IRISH STREET BALLADS NO 2 by Healy, 1969, 0.99 GBP
(ends Apr-25-05 03:09:16 PDT)	7316459508 - 2 books (SONGS AND BALLADS OF DUNDEE by Gatherer), 
1986 & 2000, 5.50 GBP (ends Apr-25-05 07:08:49 PDT)	454423101 - Ancient and Modern Scottish Songs Heroic Ballads etc., 
2 volumes, 1869 edition, $75 (ends Apr-25-05 08:00:56 PDT)	4544257784 - Sir Walter Scott and the Border Minstrelsy by Lang, 
1910, $19.99 (ends Apr-25-05 10:38:39 PDT)	7315845600 - Pint Pot and Billy by French, 1977, $5 (ends Apr-25-05 
18:30:00 PDT)	4544593558 - BALLADS AND FOLK SONGS OF THE SOUTHWEST by Moore, 
1966, $8 (ends Apr-26-05 22:48:14 PDT)	6957124754 - THE MAINE WOODS SONGSTER by Barry, 1939, $6 (ends 
Apr-27-05 12:48:06 PDT)	6956796171 - Covent Garden Drollery, 1927, 4 GBP (ends Apr-28-05 
06:28:14 PDT)	7317184466 - One Hundred Songs of England For Low Voice by 
Bantock, 1914, $8.50 (ends Apr-28-05 07:09:54 PDT)	7510138955 - Mountain Ballads by Kincaid, 1936, $5 (ends 
Apr-28-05 09:33:01 PDT)	5188855834 - English Songs and Ballads by Crosland, 1902, 1.10 
GBP (ends Apr-28-05 11:48:14 PDT)	7317369542 - Everymans Book of Sea Songs by Baker & Miall, 0.99 
GBP (ends Apr-28-05 15:18:29 PDT)	4545148465 - Traditional Ballads of Virginia by Davis, 1969, 
$7.50 (ends Apr-29-05 13:05:55 PDT)	6957456128 - Scottish Life and History in Songs & Ballads by 
Gunnyon, 1879, 9.99 GBP (ends Apr-29-05 14:33:37 PDT)	7317130596 - FOLK SONGS COLLECTED BY Ralph VAUGHAN WILLIAMS by 
Palmer, 2.43 GBP (ends May-01-05 00:30:55 PDT)	7317133003 - A BALLAD HISTORY OF ENGLAND FROM 1588 by Palmer, 
1979?, 1.99 GBP (ends May-01-05 00:58:23 PDT)	8302499918 - Ships, Sea Songs & Shanties by Whall, 1910, 1.99 
GBP (ends May-01-05 05:09:24 PDT)	8302626828 - The English and Scottish Popular Ballads by Child, 
1965 Dover edition, 9.99 GBP (ends May-01-05 15:04:21 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Town names
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Apr 2005 09:06:01 -0400
Content-Type:text/plain
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BALLAD-L automatic digest system <[unmask]>, in
the person of Mark, writes:> A classical example of folk etymology.  Undoubtably Oronogo is
> actually a native American name.Says the judicious & learned George R. Stewart in _American
Place-Names_:  *Oronoco, Oronogo*  A variant spelling of the name of the South
  American river, usually Orinoco.  In MN the name was given by
  settlers who lived on a large river, and were interested in
  developing water power.  *Orinogo* MO is probably another
  variant.  Some of the spellings suggest an origin from Thomas
  Southerne's often-staged tragedy Oroonoko.
-- 
---  Joe Fineman    [unmask]||:  Clowns, not clones.  :||

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Subject: More constipation
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Apr 2005 20:32:21 +0200
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Well folks I've joined up here several days late... the band released 
its new CD on Wednesday and I haven't really been near a computer since, 
so 150 messages to steam through... most of them constipated.We sang this at school and  for us it was Samson who split his ass-bone, 
which seems to make more sense. Ditto Job who sat for  hours. The other 
verses more or less tally.For those who are interested:Simply English (Andy Rouse, Bulcsú Babarci and Tamás Zajzon) celebrated 
the band's tenth anniversary with a birthday concert and the release of 
their new CD, CANAKINS. We got the date as close as we could to 
Shakespeare's birthday and St. George's Day in a series of Wednesday 
evening concerts with a vaguely folky nature.About half of the songs are related to Shakespeare's dramas. Most of the 
others come from the 16th and 17th centuries. As we are not a 
Renaissance group, they have things done to them - without giving 
everything away, "Back and Sides" includes an acoustic bass guitar, 
while Ophelia's Tomorrow is St. Valentine's Day is given the slide 
guitar treatment and the 16th-c. spoof of the 14th-century romance of 
Sir Eglamour gets a snare-drum. In short, we've had great fun 
simultaneously paying homage and being utterly disrespectful. As usual.
The title come from Iago's song, And Let Me the Canakin Drink. Which 
means, I suppose, that in modern parlance the CD is called Beer Tankards.At the risk of being drubbed for advertising, you can get a CD direct 
from me for 11 Euros + whatever it costs to post. Sorry I can't make it 
less but economies of size make it rather more expensive than buying 
Beethoven's 9th in TESCO. At least this time we managed to afford a full 
16-page booklet with all the words.Time to do some more essay marking... something else that's been pushed 
into the shadows over the past week or so!Andy
 

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Subject: Re: "Five Constipated Men of the Bible"
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Apr 2005 20:33:35 +0200
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John Mehlberg wrote:>Hello everyone,
>
>Does anyone on the list sing "Five Constipated Men of the Bible"? 
>If yes, would you mind singing it for me over the phone?  I ask 
>because I believe that there are two tunes for this song.
>
>Any help is appreciated.
>
>Yours,
>
>John Mehlberg
>~
>Afternoons:  314.647.3883
>Evenings:     314.381.0492 
>
>
>  
>
Oh, and John, I'm happy to sing the tune so long as I know when to from 
Hungary!Andy

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Subject: Re: BALLAD-L Digest - 22 Apr 2005 to 23 Apr 2005 (#2005-169)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 08:30:11 -0700
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"And Let Me the Canakin Drink."I think the canakins "Clink" (Othello, Act II, Scene
3).C.

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Subject: Re: BALLAD-L Digest - 22 Apr 2005 to 23 Apr 2005 (#2005-169)
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 20:21:26 +0200
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Cliff Abrams wrote:>"And Let Me the Canakin Drink."
>
>I think the canakins "Clink" (Othello, Act II, Scene
>3).
>
>C.
>
>
>  
>
You're absolutely right, and I am pleased to say that they do on the CD 
as well. Just a slip of the keyboard. Why then. let a soldier drink x 2!Andy

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Subject: Re: Town Names
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 14:58:05 -0400
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Over In NY State there is a dirt road going west from Route 22 named "Rabbit 
College Road".  When I was teaching in NYC and making the round trip twice a 
week, I used to wonder about that every time I passed it.  Come to think of 
it, I used to see the sign every time I went to Indian Neck at Freedman.  I 
don't think I've seen the sign in the last few years; either the road has 
been renamed, or the sign has just been stolen and never replaced, or I 
imagined the whole thing...
----- Original Message ----- 
From: "Susanna Holstein" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 2:35 PM
Subject: Re: Town Names> West Virginia has a rich supply of unusual town names,
> too. My son moved to Gay, WV, and all his brothers
> claim he's "gone Gay." The town actually had a vote a
> few years ago to change the name, but the old-timers
> decided that the name was in place before the new
> definition, and the community would probably outlast
> the new use of the word. I'm not convinced they're
> right, but I like them for sticking with it.
>
> We have lots of bottoms here--my favorites are Youngs
> Bottom and Boomer Bottom. Lots of licks too--Mud Lick,
> Salt Lick, Log Lick. No Lick Bottom that I know of,
> although anything's possible.
>
> Other good names--Big Ugly, Pinch, Quick (last two are
> neighboring communities so their names are together on
> signs), Pickle Street, Romance, Odd, Left Hand....and
> lots more. My favorite road name is Flinderation Road.
> I have no idea of its origins.
>
>
> Granny Sue
> Stories from the Mountains and Beyond
> R2 Box 110
> Sandyville WV 25275
> 304-372-5861
> tollfree 1-866-643-1353
> [unmask]
> 

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Subject: Re: Town Names
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 14:59:40 -0400
Content-Type:text/plain
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There's also a Gaysville here in VT...named a long time before the VT 
Supreme Court got into the legislating business...
----- Original Message ----- 
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 2:46 PM
Subject: Re: Town Names> >My son moved to Gay, WV, and all his brothers
>>claim he's "gone Gay." The town actually had a vote a
>>few years ago to change the name, but the old-timers
>>decided that the name was in place before the new
>>definition, and the community would probably outlast
>>the new use of the word....
>>
>>Granny Sue
>
> There is also Gay, GA, and I don't know whether or not they have 
> considered a name change.
>
> J
> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 15:21:55 -0400
Content-Type:text/plain
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The mention of Wooloomooloo reminded me of a song I heard in a London pub in 
early 1975, I think.  I was visiting with Tom Paley and we were upstairs at 
a pub for a folk club get-together.  A young Australian guy sung a song that 
started "Oh, my name it is McCarty and I am a rowdy party; I'm a 
(something) as a (something)kangaroo". Each stanza ended with the name of 
the town.
Another stanza ended with a reference to McCarty's father, saying, "But one 
thing I owe to him/Is he taught me how to swim/When he threw me off the pier 
at Wooloomooloo"... Does anybody out there know the song?  Possible to send 
me the words?  (As might be guessed, my blood alcohol content that evening 
interfered with my usual razor-sharp photographic memory, and the above is 
all I can remember of a song that really beguiled me.
Thanks in advance...
Roy Berkeley
----- Original Message ----- 
From: "Warren Fahey" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 6:32 PM
Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA> here's just a few from our side of the world.
>
> WET BEAVER CREEK
> MIDDLE INTERCOURSE ISLAND
> CHINAMAN'S KNOB
> TITTY BONG
> COCKBURN
> DUNNYDOO
> FUKING
> IRON KNOB
> MOUNT MEE
> BAGDAG
> BANG BANG JUMP UP
> BURRUMBUTTOCK
> CAPE CATASTROPHE
> COME-BY-CHANCE
> WOY WOY
> WAGGA WAGGA
> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
> say 'Woy' - it is always Woy Woy)
> BONG BONG
> USELESS LOOP
> UNNAMED (yep, that's the name)
> HELL'S GATE
> INNALOO (a loo in Australia is a toilet)
> KOOLYANOBBING
> CADIBARRAWIRRACANNA
> NAR NAR GOON
> POOWONG
> BEVERLEY HILLS
> TEXAS
> PARIS
> WYOMING
> GUNBARREL HIGHWAY
> GRONG GRONG
> DOOTOWN
> GOONOO GOONOO (pronounced gunna g'noo)
> WOOLLOOMOOLOO
> TOOWOOMBA
>
> In relation to the last two I'd like to ask the forum if many towns with 
> difficult names have sung traditional rhymes to teach people how to spell 
> them?
>
> eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
> Point) is an old suburb (200 years) and is obviously an Aboriginal word
>
> The oldtimers used to sing:
>
> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
> WOOLLOOMOOLOO
> REPEAT
> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 12:35:41 -0700
Content-Type:text/plain
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text/plain(131 lines)


 WOOLLOOMOOLOO LAIROn the day that I was born, it was a cold & a frosty morn,
In the famous suburb known as Woolloomooloo.
It was down in Riley Street my folks first heard me bleat
'Cause at the time I'd nothing else to do.
Oh me mother died of fright when she saw me in the light
And my father thought he'd send me to the zoo,
But I owe a lot to him, 'cause he taught me how to swim,
When he heaved me off the pier at Woolloomooloocho: Oh my name it is McCarty & I'm a rorty party
I'm rough & tough as an old man kangaroo
Some people say I'm crazy, I don't work because I'm lazy
And I tag along in the boozing throng, the Push from Woolloomooloo.And when I was just a lad I went straight'way to the bad
A larrikin so hard, you'd strike me blue
But the government was kind and they didn't seem to mind
And in Darlinghurst I spent a night or two.
Now the judge gave me a stare and he said, "You're a lair"
They heaved me into Darlinghurst gaol - you understand
They gave me clothes, they cut my hair, I didn't seem to care
And every night you'd find me in the van.And I spent some years in gaol till I began to quail
I resolved to live upon a different lay
And enlisted in the ranks of the Salvation Army 'cranks'
You can bet I made the bloody business pay!
Well hallelujah! I'm a lout I knows me way about
I kids the mugs that I'm converted too
All the lassies there I mash and I'm never short of cash
'Cause I beats me drum all over Woolloomooloo.Note: In the early days in Sydney a "push" was a street gang. The term
has not been in use much this century. The word derives from the German
Putsch which roughly means riot, unruly crowd etc.
The Bushwackers recorded this song twice. If you have the first
version from "A Shearer's Dream" have a listen to the percussion -
lagerphone & spoons. One of the things I play in a bush band is a
lagerphone & seeing me name's Foster it's the only genuine Fosters's
Lagerphone in existence.
Sorry, the joke probably falls flat outside Oz. AFThis is from Mudcat.Jon Bartlett----- Original Message ----- 
From: "Roy Berkeley" <[unmask]>
To: <[unmask]>
Sent: Sunday, April 24, 2005 12:21 PM
Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA> The mention of Wooloomooloo reminded me of a song I heard in a London pub 
> in early 1975, I think.  I was visiting with Tom Paley and we were 
> upstairs at a pub for a folk club get-together.  A young Australian guy 
> sung a song that started "Oh, my name it is McCarty and I am a rowdy 
> party; I'm a (something) as a (something)kangaroo". Each stanza ended with 
> the name of the town.
> Another stanza ended with a reference to McCarty's father, saying, "But 
> one thing I owe to him/Is he taught me how to swim/When he threw me off 
> the pier at Wooloomooloo"... Does anybody out there know the song? 
> Possible to send me the words?  (As might be guessed, my blood alcohol 
> content that evening interfered with my usual razor-sharp photographic 
> memory, and the above is all I can remember of a song that really beguiled 
> me.
> Thanks in advance...
> Roy Berkeley
> ----- Original Message ----- 
> From: "Warren Fahey" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 21, 2005 6:32 PM
> Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>
>
>> here's just a few from our side of the world.
>>
>> WET BEAVER CREEK
>> MIDDLE INTERCOURSE ISLAND
>> CHINAMAN'S KNOB
>> TITTY BONG
>> COCKBURN
>> DUNNYDOO
>> FUKING
>> IRON KNOB
>> MOUNT MEE
>> BAGDAG
>> BANG BANG JUMP UP
>> BURRUMBUTTOCK
>> CAPE CATASTROPHE
>> COME-BY-CHANCE
>> WOY WOY
>> WAGGA WAGGA
>> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
>> say 'Woy' - it is always Woy Woy)
>> BONG BONG
>> USELESS LOOP
>> UNNAMED (yep, that's the name)
>> HELL'S GATE
>> INNALOO (a loo in Australia is a toilet)
>> KOOLYANOBBING
>> CADIBARRAWIRRACANNA
>> NAR NAR GOON
>> POOWONG
>> BEVERLEY HILLS
>> TEXAS
>> PARIS
>> WYOMING
>> GUNBARREL HIGHWAY
>> GRONG GRONG
>> DOOTOWN
>> GOONOO GOONOO (pronounced gunna g'noo)
>> WOOLLOOMOOLOO
>> TOOWOOMBA
>>
>> In relation to the last two I'd like to ask the forum if many towns with 
>> difficult names have sung traditional rhymes to teach people how to spell 
>> them?
>>
>> eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
>> Point) is an old suburb (200 years) and is obviously an Aboriginal word
>>
>> The oldtimers used to sing:
>>
>> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
>> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
>> WOOLLOOMOOLOO
>> REPEAT
>> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 18:41:22 -0400
Content-Type:text/plain
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text/plain(141 lines)


Thank you *VERY* much!
Roy Berkeley
----- Original Message ----- 
From: "Jon Bartlett" <[unmask]>
To: <[unmask]>
Sent: Sunday, April 24, 2005 3:35 PM
Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA> WOOLLOOMOOLOO LAIR
>
> On the day that I was born, it was a cold & a frosty morn,
> In the famous suburb known as Woolloomooloo.
> It was down in Riley Street my folks first heard me bleat
> 'Cause at the time I'd nothing else to do.
> Oh me mother died of fright when she saw me in the light
> And my father thought he'd send me to the zoo,
> But I owe a lot to him, 'cause he taught me how to swim,
> When he heaved me off the pier at Woolloomooloo
>
> cho: Oh my name it is McCarty & I'm a rorty party
> I'm rough & tough as an old man kangaroo
> Some people say I'm crazy, I don't work because I'm lazy
> And I tag along in the boozing throng, the Push from Woolloomooloo.
>
> And when I was just a lad I went straight'way to the bad
> A larrikin so hard, you'd strike me blue
> But the government was kind and they didn't seem to mind
> And in Darlinghurst I spent a night or two.
> Now the judge gave me a stare and he said, "You're a lair"
> They heaved me into Darlinghurst gaol - you understand
> They gave me clothes, they cut my hair, I didn't seem to care
> And every night you'd find me in the van.
>
> And I spent some years in gaol till I began to quail
> I resolved to live upon a different lay
> And enlisted in the ranks of the Salvation Army 'cranks'
> You can bet I made the bloody business pay!
> Well hallelujah! I'm a lout I knows me way about
> I kids the mugs that I'm converted too
> All the lassies there I mash and I'm never short of cash
> 'Cause I beats me drum all over Woolloomooloo.
>
> Note: In the early days in Sydney a "push" was a street gang. The term
> has not been in use much this century. The word derives from the German
> Putsch which roughly means riot, unruly crowd etc.
> The Bushwackers recorded this song twice. If you have the first
> version from "A Shearer's Dream" have a listen to the percussion -
> lagerphone & spoons. One of the things I play in a bush band is a
> lagerphone & seeing me name's Foster it's the only genuine Fosters's
> Lagerphone in existence.
> Sorry, the joke probably falls flat outside Oz. AF
>
> This is from Mudcat.
>
> Jon Bartlett
>
> ----- Original Message ----- 
> From: "Roy Berkeley" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, April 24, 2005 12:21 PM
> Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>
>
>> The mention of Wooloomooloo reminded me of a song I heard in a London pub 
>> in early 1975, I think.  I was visiting with Tom Paley and we were 
>> upstairs at a pub for a folk club get-together.  A young Australian guy 
>> sung a song that started "Oh, my name it is McCarty and I am a rowdy 
>> party; I'm a (something) as a (something)kangaroo". Each stanza ended 
>> with the name of the town.
>> Another stanza ended with a reference to McCarty's father, saying, "But 
>> one thing I owe to him/Is he taught me how to swim/When he threw me off 
>> the pier at Wooloomooloo"... Does anybody out there know the song? 
>> Possible to send me the words?  (As might be guessed, my blood alcohol 
>> content that evening interfered with my usual razor-sharp photographic 
>> memory, and the above is all I can remember of a song that really 
>> beguiled me.
>> Thanks in advance...
>> Roy Berkeley
>> ----- Original Message ----- 
>> From: "Warren Fahey" <[unmask]>
>> To: <[unmask]>
>> Sent: Thursday, April 21, 2005 6:32 PM
>> Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>>
>>
>>> here's just a few from our side of the world.
>>>
>>> WET BEAVER CREEK
>>> MIDDLE INTERCOURSE ISLAND
>>> CHINAMAN'S KNOB
>>> TITTY BONG
>>> COCKBURN
>>> DUNNYDOO
>>> FUKING
>>> IRON KNOB
>>> MOUNT MEE
>>> BAGDAG
>>> BANG BANG JUMP UP
>>> BURRUMBUTTOCK
>>> CAPE CATASTROPHE
>>> COME-BY-CHANCE
>>> WOY WOY
>>> WAGGA WAGGA
>>> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
>>> say 'Woy' - it is always Woy Woy)
>>> BONG BONG
>>> USELESS LOOP
>>> UNNAMED (yep, that's the name)
>>> HELL'S GATE
>>> INNALOO (a loo in Australia is a toilet)
>>> KOOLYANOBBING
>>> CADIBARRAWIRRACANNA
>>> NAR NAR GOON
>>> POOWONG
>>> BEVERLEY HILLS
>>> TEXAS
>>> PARIS
>>> WYOMING
>>> GUNBARREL HIGHWAY
>>> GRONG GRONG
>>> DOOTOWN
>>> GOONOO GOONOO (pronounced gunna g'noo)
>>> WOOLLOOMOOLOO
>>> TOOWOOMBA
>>>
>>> In relation to the last two I'd like to ask the forum if many towns with 
>>> difficult names have sung traditional rhymes to teach people how to 
>>> spell them?
>>>
>>> eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
>>> Point) is an old suburb (200 years) and is obviously an Aboriginal word
>>>
>>> The oldtimers used to sing:
>>>
>>> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
>>> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
>>> WOOLLOOMOOLOO
>>> REPEAT
>>>
> 

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Subject: Ebay List - 04/24/05 (Songsters)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 20:40:40 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


Hi!	While avoiding the pollen, I found the following on Ebay. :-)	SONGSTERS	7316485296 - Celebrated RENTZ MINSTREL Songster, 1881, $9.95
(ends Apr-25-05 09:24:20 PDT)	7151212121 - Forepaugh's Songster, $9.99 (ends Apr-26-05
19:15:00 PDT)	6957149070 - The Forget Me Not Songster, 1847, $9.99 (ends
Apr-27-05 16:31:51 PDT)	6957317345 - American Songster, 1851, $24.99 (ends May-01-05
13:21:46 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Town Names
From: Barbara Millikan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 20:16:11 -0700
Content-Type:text/plain
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Drove through one today on my way to a handmade musical instrument festival 
at Marylhurst College in the southern end of Portland, Oregon: there's a 
junction on
the map south of Lake Oswego called Wanker's Corner.
(Home of the Wanker family Country Store)
Oregon also has
Boring,
Drain,
Liberal... and, oh, all the usual suspects. Sublimity, Amity...
Blessings,
Barbara-- 
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Subject: Re: Town Names
From: Linn Schulz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 04:41:41 -0700
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Actually, the road in Massachusetts from Athol to
Belchertown is sometimes referred to as the alimentary
canal.Linn******************************************************************
Linn S. Schulz
Writing - Editing - Research - Print Design & Production
phone/fax 603-942-7604
62 Priest Road, Nottingham, NH 03290  USA******************************************************************__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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Subject: Re: Town Names
From: Clifford J OCHELTREE <[unmask]>
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Date:Mon, 25 Apr 2005 07:23:23 -0500
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To venture abroad, while visiting Denmark I had a great meal in the 
coastal town of Middlefart.

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
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Subject: 18thc airs
From: Gerald Porter <[unmask]>
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Date:Mon, 25 Apr 2005 14:17:21 +0300
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Can anyone suggest melodies or analogues for these songs from an eighteenth
century ballad opera?  The first one looks as if it should go to Turpin Hero,
but it doesn't fit the version I know:1) Dogs a-barking, men a-shouting;
Warrener weeping, grinning, pouting;
Women and boys a-laughing, flouting;
   Oh brave boys of Charley, oh!2) Lawyers, biters, bailiffs came,
   Informers, to get money;
With two blue beagles, and a long dog,
   A-hunting of the coney.('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't find it
there; here it really does mean 'rabbit')3) In the rat-trap, pent like mice,
Catching rabbits, fleas and lice,
   Lodging on the ground.
Bread three-halfpence, store of water,
Surly jailors sooner or later
   Bring their stomachs down.Gerald Porter

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Subject: Re: 18thc airs
From: dick greenhaus <[unmask]>
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Date:Mon, 25 Apr 2005 12:14:55 -0400
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It's a reasonably nice fit to "Rakes of Mallow"Gerald Porter wrote:>Can anyone suggest melodies or analogues for these songs from an eighteenth
>century ballad opera?  The first one looks as if it should go to Turpin Hero,
>but it doesn't fit the version I know:
>
>1) Dogs a-barking, men a-shouting;
>Warrener weeping, grinning, pouting;
>Women and boys a-laughing, flouting;
>   Oh brave boys of Charley, oh!
>
>2) Lawyers, biters, bailiffs came,
>   Informers, to get money;
>With two blue beagles, and a long dog,
>   A-hunting of the coney.
>
>('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't find it
>there; here it really does mean 'rabbit')
>
>3) In the rat-trap, pent like mice,
>Catching rabbits, fleas and lice,
>   Lodging on the ground.
>Bread three-halfpence, store of water,
>Surly jailors sooner or later
>   Bring their stomachs down.
>
>Gerald Porter
>
>
>  
>

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Subject: Re: 18thc airs
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 15:42:43 -0400
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What ballad opera are these texts from? They're clearly parodies of known 
songs, but the first lines don't show up in our index of ballad operas. 
It'll take some digging to find the tunes.Kate Van Winkle Keller
www.colonialmusic.org----- Original Message ----- 
From: "Gerald Porter" <[unmask]>
To: <[unmask]>
Sent: Monday, April 25, 2005 7:17 AM
Subject: 18thc airs> Can anyone suggest melodies or analogues for these songs from an 
> eighteenth
> century ballad opera?  The first one looks as if it should go to Turpin 
> Hero,
> but it doesn't fit the version I know:
>
> 1) Dogs a-barking, men a-shouting;
> Warrener weeping, grinning, pouting;
> Women and boys a-laughing, flouting;
>   Oh brave boys of Charley, oh!
>
> 2) Lawyers, biters, bailiffs came,
>   Informers, to get money;
> With two blue beagles, and a long dog,
>   A-hunting of the coney.
>
> ('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't 
> find it
> there; here it really does mean 'rabbit')
>
> 3) In the rat-trap, pent like mice,
> Catching rabbits, fleas and lice,
>   Lodging on the ground.
> Bread three-halfpence, store of water,
> Surly jailors sooner or later
>   Bring their stomachs down.
>
> Gerald Porter
> 

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Subject: Autobiographical Sketch of Peter Buchan
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 00:13:19 -0400
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For any of the members of Ballad-L, I will forward you a copy of this 1839 document "Extracted from a Review of "The Ancient Ballads and Songs of the North of Scotland."  in the "Paisley Magazine" for December 1828. Edited by the Late William Motherwell, Esq.Please reply off-list to:  [unmask]Thanks for all of the information shared on Ballad-L.  I have said before, my eyes have been peeled way back from lurking these e-mails, this is a way of saying thanks. Sammy Rich

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 21:06:39 +1000
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The Woolloomooloo Lair is a song I collected from Mrs Colley of 
Bathurst NSW. Good too. Mrs Colley had over 50 songs in her repertoire 
and was a wonderful concertina player.
warren faheyOn 25/04/2005, at 8:41 AM, Roy Berkeley wrote:> Thank you *VERY* much!
> Roy Berkeley
> ----- Original Message ----- From: "Jon Bartlett" 
> <[unmask]>
> To: <[unmask]>
> Sent: Sunday, April 24, 2005 3:35 PM
> Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>
>
>> WOOLLOOMOOLOO LAIR
>>
>> On the day that I was born, it was a cold & a frosty morn,
>> In the famous suburb known as Woolloomooloo.
>> It was down in Riley Street my folks first heard me bleat
>> 'Cause at the time I'd nothing else to do.
>> Oh me mother died of fright when she saw me in the light
>> And my father thought he'd send me to the zoo,
>> But I owe a lot to him, 'cause he taught me how to swim,
>> When he heaved me off the pier at Woolloomooloo
>>
>> cho: Oh my name it is McCarty & I'm a rorty party
>> I'm rough & tough as an old man kangaroo
>> Some people say I'm crazy, I don't work because I'm lazy
>> And I tag along in the boozing throng, the Push from Woolloomooloo.
>>
>> And when I was just a lad I went straight'way to the bad
>> A larrikin so hard, you'd strike me blue
>> But the government was kind and they didn't seem to mind
>> And in Darlinghurst I spent a night or two.
>> Now the judge gave me a stare and he said, "You're a lair"
>> They heaved me into Darlinghurst gaol - you understand
>> They gave me clothes, they cut my hair, I didn't seem to care
>> And every night you'd find me in the van.
>>
>> And I spent some years in gaol till I began to quail
>> I resolved to live upon a different lay
>> And enlisted in the ranks of the Salvation Army 'cranks'
>> You can bet I made the bloody business pay!
>> Well hallelujah! I'm a lout I knows me way about
>> I kids the mugs that I'm converted too
>> All the lassies there I mash and I'm never short of cash
>> 'Cause I beats me drum all over Woolloomooloo.
>>
>> Note: In the early days in Sydney a "push" was a street gang. The term
>> has not been in use much this century. The word derives from the 
>> German
>> Putsch which roughly means riot, unruly crowd etc.
>> The Bushwackers recorded this song twice. If you have the first
>> version from "A Shearer's Dream" have a listen to the percussion -
>> lagerphone & spoons. One of the things I play in a bush band is a
>> lagerphone & seeing me name's Foster it's the only genuine Fosters's
>> Lagerphone in existence.
>> Sorry, the joke probably falls flat outside Oz. AF
>>
>> This is from Mudcat.
>>
>> Jon Bartlett
>>
>> ----- Original Message ----- From: "Roy Berkeley" 
>> <[unmask]>
>> To: <[unmask]>
>> Sent: Sunday, April 24, 2005 12:21 PM
>> Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>>
>>
>>> The mention of Wooloomooloo reminded me of a song I heard in a 
>>> London pub in early 1975, I think.  I was visiting with Tom Paley 
>>> and we were upstairs at a pub for a folk club get-together.  A young 
>>> Australian guy sung a song that started "Oh, my name it is McCarty 
>>> and I am a rowdy party; I'm a (something) as a (something)kangaroo". 
>>> Each stanza ended with the name of the town.
>>> Another stanza ended with a reference to McCarty's father, saying, 
>>> "But one thing I owe to him/Is he taught me how to swim/When he 
>>> threw me off the pier at Wooloomooloo"... Does anybody out there 
>>> know the song? Possible to send me the words?  (As might be guessed, 
>>> my blood alcohol content that evening interfered with my usual 
>>> razor-sharp photographic memory, and the above is all I can remember 
>>> of a song that really beguiled me.
>>> Thanks in advance...
>>> Roy Berkeley
>>> ----- Original Message ----- From: "Warren Fahey" 
>>> <[unmask]>
>>> To: <[unmask]>
>>> Sent: Thursday, April 21, 2005 6:32 PM
>>> Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>>>
>>>
>>>> here's just a few from our side of the world.
>>>>
>>>> WET BEAVER CREEK
>>>> MIDDLE INTERCOURSE ISLAND
>>>> CHINAMAN'S KNOB
>>>> TITTY BONG
>>>> COCKBURN
>>>> DUNNYDOO
>>>> FUKING
>>>> IRON KNOB
>>>> MOUNT MEE
>>>> BAGDAG
>>>> BANG BANG JUMP UP
>>>> BURRUMBUTTOCK
>>>> CAPE CATASTROPHE
>>>> COME-BY-CHANCE
>>>> WOY WOY
>>>> WAGGA WAGGA
>>>> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we 
>>>> never say 'Woy' - it is always Woy Woy)
>>>> BONG BONG
>>>> USELESS LOOP
>>>> UNNAMED (yep, that's the name)
>>>> HELL'S GATE
>>>> INNALOO (a loo in Australia is a toilet)
>>>> KOOLYANOBBING
>>>> CADIBARRAWIRRACANNA
>>>> NAR NAR GOON
>>>> POOWONG
>>>> BEVERLEY HILLS
>>>> TEXAS
>>>> PARIS
>>>> WYOMING
>>>> GUNBARREL HIGHWAY
>>>> GRONG GRONG
>>>> DOOTOWN
>>>> GOONOO GOONOO (pronounced gunna g'noo)
>>>> WOOLLOOMOOLOO
>>>> TOOWOOMBA
>>>>
>>>> In relation to the last two I'd like to ask the forum if many towns 
>>>> with difficult names have sung traditional rhymes to teach people 
>>>> how to spell them?
>>>>
>>>> eg: Wooloomooloo (an inner Sydney suburb close to where I live at 
>>>> Potts Point) is an old suburb (200 years) and is obviously an 
>>>> Aboriginal word
>>>>
>>>> The oldtimers used to sing:
>>>>
>>>> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
>>>> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
>>>> WOOLLOOMOOLOO
>>>> REPEAT
>>>>
>

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Subject: Re: 18thc airs
From: Gerald Porter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 17:44:26 +0300
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Quoting Kate Van Winkle Keller <[unmask]>:> What ballad opera are these texts from? They're clearly parodies of known
> songs, but the first lines don't show up in our index of ballad operas.
> It'll take some digging to find the tunes.
>
> Kate Van Winkle Keller>
> www.colonialmusic.org
>
The opera is the anti-enclosure Charnwood Opera of 1753, currently being
prepared for publication (part of it has already appeared in Roy Palmer's
Ballad History of England, and part in W. E. Tate's The English Village and the
Enclosure Movements (1967). For the first example I didn't cite the first
lines, instead choosing a stanza I thought would be easier to recognise. The
first lines are:
Warrener crouching to his Master:
Rabbits breeding thicker and faster,
Eating up the common pasture!
   Oh brave boys of Charley, oh!Gerald Porter> ----- Original Message -----
> From: "Gerald Porter" <[unmask]>
> To: <[unmask]>
> Sent: Monday, April 25, 2005 7:17 AM
> Subject: 18thc airs
>
>
> > Can anyone suggest melodies or analogues for these songs from an
> > eighteenth
> > century ballad opera?  The first one looks as if it should go to Turpin
> > Hero,
> > but it doesn't fit the version I know:
> >
> > 1) Dogs a-barking, men a-shouting;
> > Warrener weeping, grinning, pouting;
> > Women and boys a-laughing, flouting;
> >   Oh brave boys of Charley, oh!
> >
> > 2) Lawyers, biters, bailiffs came,
> >   Informers, to get money;
> > With two blue beagles, and a long dog,
> >   A-hunting of the coney.
> >
> > ('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't
> > find it
> > there; here it really does mean 'rabbit')> 3) In the rat-trap, pent like mice,
> Catching rabbits, fleas and lice,
>   Lodging on the ground.
> Bread three-halfpence, store of water,
> Surly jailors sooner or later
>   Bring their stomachs down.
>
> Gerald Porter
>

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Subject: [Fwd: Presenting the Alan Lomax Database]
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 12:20:06 -0400
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Subject: Re: 18thc airs
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Apr 2005 21:25:33 +0200
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Gerald Porter wrote:>Quoting Kate Van Winkle Keller <[unmask]>:
>
>  
>
>>What ballad opera are these texts from? They're clearly parodies of known
>>songs, but the first lines don't show up in our index of ballad operas.
>>It'll take some digging to find the tunes.
>>
>>Kate Van Winkle Keller>
>>www.colonialmusic.org
>>
>>    
>>
>The opera is the anti-enclosure Charnwood Opera of 1753, currently being
>prepared for publication (part of it has already appeared in Roy Palmer's
>Ballad History of England, and part in W. E. Tate's The English Village and the
>Enclosure Movements (1967). For the first example I didn't cite the first
>lines, instead choosing a stanza I thought would be easier to recognise. The
>first lines are:
>Warrener crouching to his Master:
>Rabbits breeding thicker and faster,
>Eating up the common pasture!
>   Oh brave boys of Charley, oh!
>
>Gerald Porter
>
>  
>
>>----- Original Message -----
>>From: "Gerald Porter" <[unmask]>
>>To: <[unmask]>
>>Sent: Monday, April 25, 2005 7:17 AM
>>Subject: 18thc airs
>>
>>
>>    
>>
>>>Can anyone suggest melodies or analogues for these songs from an
>>>eighteenth
>>>century ballad opera?  The first one looks as if it should go to Turpin
>>>Hero,
>>>but it doesn't fit the version I know:
>>>
>>>1) Dogs a-barking, men a-shouting;
>>>Warrener weeping, grinning, pouting;
>>>Women and boys a-laughing, flouting;
>>>  Oh brave boys of Charley, oh!
>>>
>>>2) Lawyers, biters, bailiffs came,
>>>  Informers, to get money;
>>>With two blue beagles, and a long dog,
>>>  A-hunting of the coney.
>>>
>>>('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't
>>>find it
>>>there; here it really does mean 'rabbit')
>>>      
>>>
>
>  
>
>>3) In the rat-trap, pent like mice,
>>Catching rabbits, fleas and lice,
>>  Lodging on the ground.
>>Bread three-halfpence, store of water,
>>Surly jailors sooner or later
>>  Bring their stomachs down.
>>
>>Gerald Porter
>>
>>    
>>
>
>
>  
>
Dear Gerald,
Please send me your address so I can send a review CD. Last time I think 
I sent something to an old uni address of yours.Andy

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 09:27:08 -0400
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On Tue, 26 Apr 2005 12:20:06 -0400, Thomas Stern wrote:>The Alan Lomax Database, www.lomaxarchive.com 
><http://www.lomaxarchive.com/>, is a multimedia catalog of the audio and 
>video recordings and photographs made by Alan Lomax from 1946-1994, as 
>well as of recordings made by few of his colleagues.Oh boy!  Thanks for this.Just had a quick look and was pleased to hear  (search on Smith - select
Cindy) Hobart Smith playing a great "Cindy" on piano.  I, I suppose like
many others, idiotically only "allow" certain instruments to be Folk.  I
know that's idiotic and I know the very recent influx of instruments at all.But still, I tend to snub pianos as legitimate folk instruments.  Maybe some
vestigial snobbery on my part spurns the notion that country people can
afford them.  Dopey!  (And I've had Leadbelly's marvelous Eagle Rag on piano
50 years.)Anyway, seems Lomax was much smarter and included this superb cut.  I guess
it's a piano-being-banjo.  Maybe in the same sense that I _feel_ Leadbelly
is really holding the piano under his arm and strumming it for Eagle Rag.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
	          I am Abby Sale - in Orlando, Florida
	                Boycott South Carolina!
	     http://www.naacp.org/news/2001/2001-01-12.html

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 11:53:50 -0500
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----- Original Message ----- 
From: "Abby Sale" <[unmask]><<But still, I tend to snub pianos as legitimate folk instruments.  Maybe
some
vestigial snobbery on my part spurns the notion that country people can
afford them.  Dopey!  (And I've had Leadbelly's marvelous Eagle Rag on piano
50 years.)Anyway, seems Lomax was much smarter and included this superb cut.  I guess
it's a piano-being-banjo.  Maybe in the same sense that I _feel_ Leadbelly
is really holding the piano under his arm and strumming it for Eagle Rag.>>But pianos-being-pianos are an integral part of some folk traditions,
including dance music in New England, the upper Midwest and, for that
matter, the Ozarks. Not usually as a melody instrument, the way Hobart Smith
uses it, but then he never was one to pay attention to artificial
boundaries.Peace,.
Paul

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 16:26:48 -0400
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The piano, fiddle, fife and drum /were /the legitimate folk instruments 
in the US for quite a while. Banjos and guitars came quite a bit later. 
Not to mention bodhrans and bouzoukis and...oh hell! I wan't going to 
mention them.dick greenhausPaul Stamler wrote:>----- Original Message ----- 
>From: "Abby Sale" <[unmask]>
>
><<But still, I tend to snub pianos as legitimate folk instruments.  Maybe
>some
>vestigial snobbery on my part spurns the notion that country people can
>afford them.  Dopey!  (And I've had Leadbelly's marvelous Eagle Rag on piano
>50 years.)
>
>Anyway, seems Lomax was much smarter and included this superb cut.  I guess
>it's a piano-being-banjo.  Maybe in the same sense that I _feel_ Leadbelly
>is really holding the piano under his arm and strumming it for Eagle Rag.>>
>
>But pianos-being-pianos are an integral part of some folk traditions,
>including dance music in New England, the upper Midwest and, for that
>matter, the Ozarks. Not usually as a melody instrument, the way Hobart Smith
>uses it, but then he never was one to pay attention to artificial
>boundaries.
>
>Peace,.
>Paul
>
>
>
>  
>

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 13:37:27 -0700
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Let's not ignore traditional artists like Memphis Slim
and others like him who worked the African-American
circuit of nightclubs, roadhouses and jook joints.
     Sandy--- dick greenhaus <[unmask]> wrote:> The piano, fiddle, fife and drum /were /the
> legitimate folk instruments 
> in the US for quite a while. Banjos and guitars came
> quite a bit later. 
> Not to mention bodhrans and bouzoukis and...oh hell!
> I wan't going to 
> mention them.

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 17:06:44 -0400
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At 04:26 PM 4/28/2005 -0400, you wrote:
>The piano, fiddle, fife and drum /were /the legitimate folk instruments in 
>the US for quite a while. Banjos and guitars came quite a bit later. Not 
>to mention bodhrans and bouzoukis and...oh hell! I wan't going to mention them.
>
>
>dick greenhausAmerican-made banjos are pretty much as old as American slavery.  They were 
originally constructed by the African slaves themselves, modeled after the 
gourd/skin/chanterelle-stringed instruments they had played, brought over, 
or remembered, from Africa.  I believe Spanish guitars were brought over 
later on still, after banjos had been around for awhile.
Lisa

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Subject: Ebay List - 04/28/05 (Part 2 - Ballads & Songs)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 18:49:26 -0400
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Hi!	While the list is relatively quiet, here is the beginning of the
weekly Ebay lists. :-)	MISCELLANEOUS	4722494761 - Ballads and Hymns From the Ozarks by Riddle, LP, 
$9.95 (ends Apr-29-05 20:13:42 PDT)	4722494766 - Granny Riddle's Songs and Ballads, LP, 1977, $33.99 
(ends Apr-29-05 20:13:46 PDT)	SONGBOOKS, ETC.	6957469719 - VAGABOND SONGS and BALLADS of SCOTLAND by Ford, 1904, 
$10.49 (ends Apr-29-05 16:54:31 PDT)	4545218473 -  FOLKSONGS OF THE MARITIMES by Pottie & Ellis, 1992, 
$45 (ends Apr-29-05 20:01:39 PDT)	6957237887 - Ancient Ballads and Songs of the North of Scotland by 
Buchan, volume 1, 1875 reprint, $10.25 (ends Apr-30-05 05:48:40 PDT)	6957616755 - The New Green Mountain Songster by Flanders, Ballard, 
Brown & Barry, 1966 reprint, $24.99 (ends Apr-30-05 19:55:16 PDT)	4722900375 - OLD TIME SONGS & MOUNTAIN BALLADS, 1930, $5.99 (ends 
May-01-05 10:49:18 PDT)	6957720853 - Ballads of the North Countrie by Tomson, 1888, 9.50 
GBP (ends May-01-05 11:47:01 PDT)	7318052967 - One Hundred English folk songs by Sharp, 1975 Dover 
edition, $2.99 (ends May-01-05 15:45:44 PDT)	4545640017 - Ballads and Songs of Indiana by Brewster, 1940, $15 
(ends May-01-05 17:58:37 PDT)	7318105697 - Ballads, Love-Songs and Tragic Legends from the 
Southern Appalachian Mountains by Niles, 1938, $0.99 (ends May-01-05 
19:00:40 PDT)	7318186649 - Eighty English FOLK SONGS by Sharp & Karpeles, 1968, 
2.99 GBP (ends May-02-05 06:44:57 PDT)	4545880494 - Mormon Songs from the Rocky Mountains by Cheney, 1968, 
$19 (ends May-02-05 17:31:07 PDT)	8303116045 - COLONIAL BALLADS by Anderson, 1962, $10 AU (ends 
May-02-05 23:57:15 PDT)	7318540769 -  Copper Sun: A Collection of Negro Folk Songs by Clark, 
1957, $5.99 (ends May-03-05 14:41:17 PDT)	6957964342 - The Overlander Songbook by Edwards, 1971, $7 AU (ends
May-06-05 02:24:45 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Kathy Kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 18:06:14 -0500
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Actually, I think there is evidence of ladies playing early guitars at
Williamsburg in the 18th C.Dave Gardner----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Thursday, April 28, 2005 4:06 PM
Subject: Re: [Fwd: Presenting the Alan Lomax Database]> At 04:26 PM 4/28/2005 -0400, you wrote:
> >The piano, fiddle, fife and drum /were /the legitimate folk instruments
in
> >the US for quite a while. Banjos and guitars came quite a bit later. Not
> >to mention bodhrans and bouzoukis and...oh hell! I wan't going to mention
them.
> >
> >
> >dick greenhaus
>
>
> American-made banjos are pretty much as old as American slavery.  They
were
> originally constructed by the African slaves themselves, modeled after the
> gourd/skin/chanterelle-stringed instruments they had played, brought over,
> or remembered, from Africa.  I believe Spanish guitars were brought over
> later on still, after banjos had been around for awhile.
> Lisa

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 21:29:58 -0400
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The English guitar was a popular upper class ladies instrument from the 
1750s through the early 19th century. The Spanish guitar is a different 
instrument and was present in the British colonies among upper class 
residents, used mostly in theatres, not generally in homes. It was used at 
all levels of society in Spanish settlements throughout the 18th century. 
Neither guitar type would have been considered a "folk instrument" in the 
British colonies.Kate Van Winkle Keller
www.colonialmusic.org----- Original Message ----- 
From: "Kathy Kaiser" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 28, 2005 7:06 PM
Subject: Re: [Fwd: Presenting the Alan Lomax Database]> Actually, I think there is evidence of ladies playing early guitars at
> Williamsburg in the 18th C.
>
> Dave Gardner
>
> ----- Original Message ----- 
> From: "Lisa - S. H." <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 28, 2005 4:06 PM
> Subject: Re: [Fwd: Presenting the Alan Lomax Database]
>
>
>> At 04:26 PM 4/28/2005 -0400, you wrote:
>> >The piano, fiddle, fife and drum /were /the legitimate folk instruments
> in
>> >the US for quite a while. Banjos and guitars came quite a bit later. Not
>> >to mention bodhrans and bouzoukis and...oh hell! I wan't going to 
>> >mention
> them.
>> >
>> >
>> >dick greenhaus
>>
>>
>> American-made banjos are pretty much as old as American slavery.  They
> were
>> originally constructed by the African slaves themselves, modeled after 
>> the
>> gourd/skin/chanterelle-stringed instruments they had played, brought 
>> over,
>> or remembered, from Africa.  I believe Spanish guitars were brought over
>> later on still, after banjos had been around for awhile.
>> Lisa
> 

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Subject: Ebay List - 4/28/05 (Part 2 - General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 21:56:42 -0400
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Hi!	Here is the general folklore list. The songsters and broadsides
will probably be posted on Sunday. 	JOURNALS	6957884982 - 27 issues of The Folklorist magazine, 1958-1964, 
$0.99 (ends May-02-05 11:26:41 PDT)	BOOKS	4545211004 - Legends, Stories and Folklore of Old Staten Island, 
1925, $14.99 (ends Apr-29-05 19:20:17 PDT)	4545870180 - Putting Folklore to Use by Jones, 1994, $0.10 (ends
Apr-30-05 16:28:53 PDT)	4545534339 - LEGENDS OF NOTTINGHAMSHIRE by Mayfield, 1976, $2.25 
(ends May-01-05 10:16:20 PDT)	6957747583 - 	The Folklore of Love and Courtship by Emrich, 1970, 
$5 (ends May-01-05 13:49:37 PDT)	4545587276 - Down in the Holler: A Gallery of Ozark Folk Speech by 
Randolph & Wilson, 1986 printing, $1.99 (ends May-01-05 13:50:08 PDT)	4545639898 - Roaming the Mountains by Parris, 1955, $11.39 (ends 
May-01-05 17:58:07 PDT)	6957780907 - 2 books (English Folk-Song and Dance by Kidson & 
Neal, 1972 reprint and The Country Dance Book (Part VI) by Sharp, 1927)
$9.95 (ends May-01-05 18:06:01 PDT)	8303000309 - FOLKLORE OF THE AUSTRALIAN PUB by Wannan, 1972, $5 
AU (ends May-02-05 00:51:14 PDT)	6957916329 - The Chestnut Pipe; Folklore of Shelburne County by 
Robertson, 1991, $6.99 (ends May-02-05 14:52:52 PDT)	6957921523 - AMERICAN FOLK MASTERS National Heritage Fellows by 
Siporin, 1992, $12.98 (ends May-02-05 15:54:48 PDT)	8302894203 - In Ireland Long Ago by Danagher, 1964 reprint, 3.50 
GBP (ends May-04-05 08:52:15 PDT)	5188744535 - THE FOLKLORE OF WARWICKSHIRE by Palmer, 1994 reprint, 
5 GBP (ends May-04-05 13:30:00 PDT)	8303002374 - THE AUSTRALIAN by Wannan, 1963, $6 AU (ends May-05-05 
01:41:31 PDT)	4546398126 - Folklore of Canada by Fowke, 1976, $9.99 (ends 
May-05-05 05:20:09 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]/guitars&banjos
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 23:48:13 -0400
Content-Type:text/plain
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At 09:29 PM 4/28/2005 -0400, you wrote:
>The English guitar was a popular upper class ladies instrument from the 
>1750s through the early 19th century.In America?>  The Spanish guitar is a different instrument and was present in the 
> British colonies among upper class residents, used mostly in theatres, 
> not generally in homes. It was used at all levels of society in Spanish 
> settlements throughout the 18th century. Neither guitar type would have 
> been considered a "folk instrument" in the British colonies.
>
>Kate Van Winkle Keller
>www.colonialmusic.orgThough it may have been an upper class parlor instrument, I agree in that I 
don't think guitar was used with fiddle & dance music until later on.
Here is a wonderful article on the history of American Appalachian music, 
and it discusses banjos, fiddles, guitars, and ballads too:
http://www.mustrad.org.uk/articles/appalach.htmLisa Johnson

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]/guitars&banjos
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 08:22:38 -0400
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Yes, the English guitar was widely used in colonial America among upper 
class people in private settings. I agree, it was probably not used for 
dancing, but it was used to accompany singing of all types of songs, from 
traditional ballads to opera arias.  It is a wire-strung instrument tuned in 
the key of C. For citations on both guitar types in colonial America, see 
"The Performing Arts in Colonial American Newspapers, 1690-1783", a CD-ROM 
published by University Music Editions. It's available at 
www.colonialmusic.org.
Kate----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Thursday, April 28, 2005 11:48 PM
Subject: Re: [Fwd: Presenting the Alan Lomax Database]/guitars&banjos> At 09:29 PM 4/28/2005 -0400, you wrote:
>>The English guitar was a popular upper class ladies instrument from the 
>>1750s through the early 19th century.
>
> In America?
>
>>  The Spanish guitar is a different instrument and was present in the 
>> British colonies among upper class residents, used mostly in theatres, 
>> not generally in homes. It was used at all levels of society in Spanish 
>> settlements throughout the 18th century. Neither guitar type would have 
>> been considered a "folk instrument" in the British colonies.
>>
>>Kate Van Winkle Keller
>>www.colonialmusic.org
>
> Though it may have been an upper class parlor instrument, I agree in that 
> I don't think guitar was used with fiddle & dance music until later on.
> Here is a wonderful article on the history of American Appalachian music, 
> and it discusses banjos, fiddles, guitars, and ballads too:
> http://www.mustrad.org.uk/articles/appalach.htm
>
> Lisa Johnson
> 

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Subject: Re: BALLAD-L Digest - 27 Apr 2005 to 28 Apr 2005 (#2005-175)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 08:46:09 -0400
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BALLAD-L automatic digest system <[unmask]>, in
the person of Abby Sale, writes:> But still, I tend to snub pianos as legitimate folk instruments.  Just imagine that I am playing an 88-string guitar.  -- Tom Lehrer
-- 
---  Joe Fineman    [unmask]||:  Eating beef is the second most overrated pleasure in  :||
||:  America.                                              :||

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Subject: Re: BALLAD-L Digest - 27 Apr 2005 to 28 Apr 2005 (#2005-175)
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 08:56:24 -0400
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At 08:46 AM 4/29/2005 -0400, you wrote:>||:  Eating beef is the second most overrated pleasure in  :||
>||:  America.                                              :||Ooh, ooh, I know the first.....watching tv?  ;)
Lisa 

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Subject: Re: BALLAD-L Digest - 27 Apr 2005 to 28 Apr 2005 (#2005-175)
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 20:01:28 -0400
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Many years ago, in another life, I knew a guy who was fond of saying that 
the three most over-rated things in the world were home cooking, home 
f***ing and the Central Intelligence Agency...
YMMV
----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Friday, April 29, 2005 8:56 AM
Subject: Re: BALLAD-L Digest - 27 Apr 2005 to 28 Apr 2005 (#2005-175)> At 08:46 AM 4/29/2005 -0400, you wrote:
>
>>||:  Eating beef is the second most overrated pleasure in  :||
>>||:  America.                                              :||
>
> Ooh, ooh, I know the first.....watching tv?  ;)
> Lisa 

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Subject: More on Go Down, Moses (long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 30 Apr 2005 15:16:16 -0400
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text/plain(175 lines) , text/html(189 lines)


Sorry, your browser doesn't support iframes.


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Subject: Single-stirnged instrument?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 30 Apr 2005 20:53:14 -0400
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I've forgotten already the name for the single stringed instrument we had 
been discussing, the one with the wire strung between two nails, etc.
Lisa 

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Subject: Ballad Index Version 2.0 Released
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 1 Apr 2005 11:44:53 -0600
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Balladeers --It's been a *long* eleven months, but we have quite a Ballad Index
for you. Eleven new books, 800 new songs, 2000 new book citations,
400 new recording citations."But wait, there's more."We decided to do something special for Version 2.0, so there are two
major new features in the Index. The first (thanks mostly to Ben
Schwartz) is that we are now doing broadsides.There is, of course, nothing new about indexing broadsides; it will be
years, e.g. before we catch up with Bruce Olson -- but we're stressing
online broadsides: Those in the Library of Congress, Murray, National
Library of Scotland, and Bodleian collections. We've added about 1200
references to those catalogs.And, finally, we've added what we call "The Supplemental Tradition."
This is a collection of song texts and sample stanzas. I must admit
that it has a complicated history: It started out as a database I
was making to compare song texts. So there are some oddities in there,
such as the critically reconstructed text of "Boney on the Isle of
Saint Helena." The proportion of those is likely to decrease over
time; at this point, I'm adding mostly sample stanzas rather than
full texts. But there are over 600 sample texts in there; between
that and the Digital Tradition and the broadside libraries, there
is now an online sample for nearly a third of the songs in the
Index.(If someone wants to take those SuppTrad songs and put them in
the Digital Tradition, that's fine; I just don't have time. And,
of course, there are no tunes.)I regret to report that the search engine at CSU Fresno is a few
days behind (it always is); right now, you can't find any of
the new songs, though the new references can be found for the
old songs. That should cure itself over the next few days, and
you can always download the text version of the Index if you're
so inclined.I hope people will find it helpful.-- 
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site: 
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Folklore Ebay List - 04/01/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 1 Apr 2005 21:44:54 -0500
Content-Type:text/plain
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Hi!	NO - This is not an April Fool's joke. :-)	The songsters & books will be posted on Sunday. 	JOURNALS	6521804920 - Hoosier Folklore, 2 issues, 1949 & 1950, $3 (ends 
Apr-03-05 12:08:15 PDT)
		
	6953697692 - New York Folklore Quarterly, Aug. 1946, $2.50 (ends
Apr-03-05 13:57:30 PDT)	6953714870 - Journal of American Folklore, 5 issues, 1994-97, 
$4.99 (ends Apr-03-05 16:38:25 PDT)	6954289291 - North Carolina Folklore Journal, spring-summer 1981, 
$8 (ends Apr-10-05 19:11:23 PDT)	6954289625 - North Carolina Folklore Journal, summer-fall 1992, 
$8 (ends Apr-10-05 19:13:56 PDT)	6954289956 - North Carolina Folklore Journal, winter-spring 1993, 
$8 (ends Apr-10-05 19:17:01 PDT)	6954290402 - North Carolina Folklore Journal, summer-fall 1994, 
$8 (ends Apr-10-05 19:21:08 PDT)	6954290735 - North Carolina Folklore Journal, winter-spring 1990, 
$8 (ends Apr-10-05 19:24:29 PDT)	6954372501 - Keystone Folklore Quarterly, fall 1966, $3 (ends 
Apr-11-05 12:47:42 PDT)	BOOKS	4538985429 - The Folklore of World Holidays by Griffin & Shurgin, 
1999, $24.99 (ends Apr-02-05 18:53:54 PST0	4539000810 - Folklore of the Scottish Highlands by Ross, 1993, 
$11.01 (ends Apr-02-05 20:01:48 PST)	4534602549 - The State of Jefferson and Other Yarns by Worcester,
1982, $3.50 (ends Apr-03-05 16:15:00 PDT)	6166639320 - FOLKLORE OF THE AUSTRALIAN PUB by Wannan, 1975, 
$9.95 AU (ends Apr-04-05 01:46:15 PDT) also 4539425697 - 1.99 GBP (ends
Apr-04-05 13:05:58 PDT)	5179634772 - The Wearing of the Green by Wannan, 1968, 0.99 GBP 
(ends Apr-05-05 09:31:40 PDT)	4715018611 - J. GOLDEN KIMBALL STORIES, LP, 1964, $4 (ends 
Apr-05-05 14:18:01 PDT)	4538941157 - Oral Folk-Tales of Wessex by Palmer, 1973, 6 GBP (ends
Apr-05-05 15:22:53 PDT)	4539801101 - 3 books of folk tales from Louisiana, $9.99 (ends 
Apr-05-05 20:49:14 PDT)	5180929501 - A GUIDE TO AUSTRALIAN FOLKLORE by Davey & Seal, 2003,
$9.95 AU (ends Apr-06-05 02:10:48 PDT)	4539144151 - The Folklore of Warwickshire by Palmer, 1976, 6.25 
GBP (ends Apr-06-05 12:36:47 PDT)	4539987753 - Urban Legends by Roeper, 1999, $3 (ends Apr-06-05 
14:34:58 PDT)	6954133632 - Folklore of Springfield, Vermont by Baker, 1922, CD, 
$9.99 (ends Apr-06-05 17:52:31 PDT)	4540091412 - ey up mi duck. part 3 by Scollins & Titford, 1977, 
2.99 GBP (ends Apr-07-05 05:10:29 PDT)	5181316946 - FOLKLORE OF GUERNSEY by de Garis, 1986, 1.99 GBP 
(ends Apr-07-05 08:33:47 PDT)	6954277197 - Body Boots and Britches by Thompson, 1940, $9.50 
(ends Apr-07-05 16:55:07 PDT)	8300090545 - The Witchcraft and Folklore of Dartmoor by 
St Leger-Gordon, 1965, 4.99 GBP (ends Apr-08-05 10:38:50 PDT)	5181744495 - Mysterious Dorset by Legg, 1998, 3.50 GBP (ends 
Apr-08-05 12:52:16 PDT)	4539849829 - FOLK LORE OF THE LAKE COUNTIES by Findlay, 1968, 
0.95 GBP (ends Apr-09-05 02:45:18 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
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Subject: Ebay List - 04/03/05 (Part 1 - Songsters & Broadside)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 3 Apr 2005 16:04:20 -0400
Content-Type:text/plain
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Hi!	After surviving April Fool's Day followed by Don's birthday,
here is part 1 of the ballads Ebay List. Part 2 will be posted later
today. 	SONGSTERS & BROADSIDES	6953448661 - Rough and Ready Songster, 1848, 250 GBP (Ends 
Apr-04-05 16:30:00 PDT)	6522519629 - Broadside (We Are For The Union), 1860?, $9.99 (ends 
Apr-04-05 19:07:39 PDT)	3968045866 - Broadside (ANCIENT RAMS No. 2 OF SOUTHWARK), 18??, 
$9.99 (ends Apr-04-05 19:15:38 PDT)	3967673984 - World's Peace Jubilee songster, 1872, $9.99 (ends 
Apr-04-05 20:06:58 PDT)	6522531152 - 5 broadsides, 1850?, $14.99 (ends Apr-04-05 20:07:32 
PDT)	695401119 - 2 books (Songs of the Fireside, 1852 & Wescott's Select 
progressive Hymns and Song, 1874) $9.99 (ends Apr-05-05 19:13:23 PDT)	6523134476 - Gospel and Temperance Songster, 188?, $9.99 (ends 
Apr-09-05 19:32:42 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Ebay List - 04/04/05 (Songbooks & Miscellaneous)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 3 Apr 2005 18:13:42 -0400
Content-Type:text/plain
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Hi!	As promised earlier, here is part 2. See you next week. :-)	MISCELLANEOUS	4714805322 - So Early in the Morning, LP, $6.99 (ends Apr-05-05 
21:00:00 PDT)	6953623741 - 16 issues of the JOURNAL OF THE FOLK SONG SOCIETY
1902-32 plus 2 books (The Penguin Book of English Folk Songs 1959 & The 
Country Dance Book,Part II 1927), 17.50 GBP (ends Apr-06-05 05:23:26 PDT)	4715981143 - The Stewarts of Blair, LP, 1965, 4.99 GBP (ends 
Apr-11-05 23:48:04 PDT)	SONGBOOKS, ETC.	4539502812 - Haulin' Rope & Gaff by Ryan & Small, 1978, $9.95 
(ends Apr-04-05 19:26:21 PDT)	6953881098 - The Legendary Ballads of England and Scotland by 
Roberts, 188?, $14.99 (ends Apr-04-05 20:03:56 PDT)	6953924226 - Border Ballads, 1895, 32.50 GBP (ends Apr-05-05 
07:14:31 PDT)	4539737323 - The Bonnie Bunch of Roses by Milner, 1984, $11.50 
(ends Apr-05-05 16:39:37 PDT)	4539918236 - Texas Folk Songs by Owens, 1976, $14.95 (ends 
Apr-06-05 09:41:43 PDT)	7312052006 - Folk Songs of the British Isles by Gant, 0.99 GBP 
(ends Apr-06-05 11:43:30 PDT)	4539982145 - Tales and Songs of Southern Illinois by Neely, 1998 
edition, $12.50 (ends Apr-06-05 14:10:34 PDT)	6953936660 - A GARLAND OF GREEN MOUNTAIN SONG by Flanders, 1934, 
$3 (ends Apr-07-05 21:15:00 PDT)	7312525238 - EUREKA - THE SONGS THAT MADE AUSTRALIA by Fahey, 
1984, 3.99 GBP (ends Apr-08-05 12:32:41 PDT)	7311887968 - AUTOBIOGRAPHICAL SKETCH OF THE LIFE OF PETER BUCHAN, 
1839, $4.20 (ends Apr-08-05 16:34:51 PDT)	8300148930 - The Book of British Ballads by Hall, 188?, 4.99 GBP 
(ends Apr-09-05 05:05:37 PDT)	7312039703 - The Scottish Orpheus by Hamilton, 1902?, 10 GBP (ends 
Apr-09-05 10:55:38 PDT)	6954152558 - Songs of the North by Lawson, volume 1, 1910, $14.95 
AU (ends Apr-09-05 20:49:35 PDT)	7311737823 - FOLKSONGS FROM THE HIGHLANDS by Stewart, 1987, 4.99 
GBP (ends Apr-10-05 14:31:46 PDT)	8300118618 - Victoria's Inferno: Songs of the Old Mills, Mines, 
Manufactories, Canals and Railways by Raven, 3.99 GBP (ends Apr-11-05 
16:40:17 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Photo of Vern Partlow
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 5 Apr 2005 07:30:25 -0700
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Dear Readers,I just received a note from Richard Weize at Bear Family Records in 
Germany.  He's putting together an album of songs about atomic energy 
and seeks a hi-resolution (300 dpi) scan of a photograph of Vern 
Partlow.Let me know if you can help.Thanks,A. Miller
Woodside, CA

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Subject: Re: Photo of Vern Partlow
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 5 Apr 2005 08:17:46 -0700
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Adam:Sorry.But  Ron Cohen may have a photo.  Or Sam Hinton.Ed ----- Original Message -----
From: Adam Miller <[unmask]>
Date: Tuesday, April 5, 2005 7:30 am
Subject: Photo of Vern Partlow> Dear Readers,
> 
> I just received a note from Richard Weize at Bear Family Records in 
> Germany.  He's putting together an album of songs about atomic 
> energy 
> and seeks a hi-resolution (300 dpi) scan of a photograph of Vern 
> Partlow.
> 
> Let me know if you can help.
> 
> Thanks,
> 
> A. Miller
> Woodside, CA
> 

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Subject: Re: Photo of Vern Partlow
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 5 Apr 2005 08:33:33 -0700
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Dear Ed,Thanks.  I'll check with Sam and Ron.  (Hope the skiing was good!)-AdamOn Apr 5, 2005, at 8:17 AM, edward cray wrote:> Adam:
>
> Sorry.
>
> But  Ron Cohen may have a photo.  Or Sam Hinton.
>
> Ed
>
> ----- Original Message -----
> From: Adam Miller <[unmask]>
> Date: Tuesday, April 5, 2005 7:30 am
> Subject: Photo of Vern Partlow
>
>> Dear Readers,
>>
>> I just received a note from Richard Weize at Bear Family Records in
>> Germany.  He's putting together an album of songs about atomic
>> energy
>> and seeks a hi-resolution (300 dpi) scan of a photograph of Vern
>> Partlow.
>>
>> Let me know if you can help.
>>
>> Thanks,
>>
>> A. Miller
>> Woodside, CA
>>
>

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Subject: Re: Ballad Index Version 2.0 Released
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 5 Apr 2005 10:37:24 -0700
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I'm new to this list, and enjoying the information
shared. This index is amazing. Thank you for making it
available.Susanna--- "Robert B. Waltz" <[unmask]> wrote:
> Balladeers --
> 
> It's been a *long* eleven months, but we have quite
> a Ballad Index
> for you. Eleven new books, 800 new songs, 2000 new
> book citations,
> 400 new recording citations.
> 
> "But wait, there's more."
> 
> We decided to do something special for Version 2.0,
> so there are two
> major new features in the Index. The first (thanks
> mostly to Ben
> Schwartz) is that we are now doing broadsides.
> 
> There is, of course, nothing new about indexing
> broadsides; it will be
> years, e.g. before we catch up with Bruce Olson --
> but we're stressing
> online broadsides: Those in the Library of Congress,
> Murray, National
> Library of Scotland, and Bodleian collections. We've
> added about 1200
> references to those catalogs.
> 
> And, finally, we've added what we call "The
> Supplemental Tradition."
> This is a collection of song texts and sample
> stanzas. I must admit
> that it has a complicated history: It started out as
> a database I
> was making to compare song texts. So there are some
> oddities in there,
> such as the critically reconstructed text of "Boney
> on the Isle of
> Saint Helena." The proportion of those is likely to
> decrease over
> time; at this point, I'm adding mostly sample
> stanzas rather than
> full texts. But there are over 600 sample texts in
> there; between
> that and the Digital Tradition and the broadside
> libraries, there
> is now an online sample for nearly a third of the
> songs in the
> Index.
> 
> (If someone wants to take those SuppTrad songs and
> put them in
> the Digital Tradition, that's fine; I just don't
> have time. And,
> of course, there are no tunes.)
> 
> I regret to report that the search engine at CSU
> Fresno is a few
> days behind (it always is); right now, you can't
> find any of
> the new songs, though the new references can be
> found for the
> old songs. That should cure itself over the next few
> days, and
> you can always download the text version of the
> Index if you're
> so inclined.
> 
> I hope people will find it helpful.
> 
> -- 
> Robert B. Waltz  - - - - - - - - Ballad Index Editor
> 1078 Colne Street
> Saint Paul, MN 55103-1348
> 651-489-1930 - - - - - - - - - - e-mail:
> [unmask]
> 
> The Ballad Index Web Site: 
>
http://www.csufresno.edu/folklore/BalladIndexTOC.html
> Granny Sue
Stories from the Mountains and Beyond
R2 Box 110
Sandyville WV 25275
304-372-5861
tollfree 1-866-643-1353
[unmask]

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Subject: Re: Ballad Index Version 2.0 Released
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 6 Apr 2005 10:18:56 -0500
Content-Type:text/plain
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On 4/5/05, Susanna Holstein wrote:>I'm new to this list, and enjoying the information
>shared. This index is amazing. Thank you for making it
>available.
>
>SusannaI'm glad it's useful; that's why we do it.I should note that there are actually two folk song indices out
there, ours and Steve Roud's. Roud's is much more complete as
a bibliography, and probably always will be; he has a big head
start, and he gets money for his. If you just want a catalog
of where a song is found, his is the way to go.The Traditional Ballad Index is more of a historical resource,
though of course the core of the Index is the bibliographic
references. But we stress background about the song -- history
and location and such. So the two do complement.I should add that the online index at Fresno is now current:
You can find information on all the new songs as well as the
old ones. (We go through this for a few days at every update.)-- 
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: [Fwd: Re: [Fwd: Photo of Vern Partlow]]
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 6 Apr 2005 12:37:25 -0400
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text/plain(16 lines) , text/html(41 lines)


Sorry, your browser doesn't support iframes.


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Subject: Photo at WFMT
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 7 Apr 2005 06:32:07 -0700
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Ask here:
Rich Warren <[unmask]>> I never met Partlow, but I believe they might have a
photo at Chicago's  WFMT.
>
Oscar Brand

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Subject: Harvest home
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Apr 2005 06:50:29 +0200
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Can anyone out there help with the nature of the song (tune?) Harvest 
Home as quoted in the play After Easter? A literary colleague has asked, 
because she thought it was specifically political, but as a poor 
uncltured Westcountryman harvest home has only a religious connotation - 
jolly hymn-singing after the harvest and wheatsheaf-shaped loaves of 
bread, that sort of thing. As the colleague is also my boss, I'd be 
grateful for any crumb!Andy

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Subject: Re: Harvest home
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 7 Apr 2005 22:19:08 -0700
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Harvest Home is a well-known tune; I don't recall any words. What's the
context, the reference??

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Subject: Re: Harvest home
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 7 Apr 2005 22:25:55 -0700
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Harvest Home is a syncopated hornpipe in many sources [Skinner Harp &
Claymore 130; Scottish Violinist 44; Allan's Reels 41; Robertson Athole
Coll. (1884), 298; Kerr's Merry Melodies, 27; Matthew SCD Music (1954), 5
[from Lowe]; Köhler Violin Rep. 37.
-At least.  There's a strathspey with the title, otherwise called "Stirling
Castle".
There are words, actually (beginning "Come all ye jolly lads and lasses"),
by John Anderson, Upper Boyndlie; in Greig Folk Song  of the North-East,
art. clxiv, 2 [8x4 lines + 4-line cho. (begins "Blithe and merry hae we
 been")] - also a version in Ord Bothy Songs & Ballads (1930), 272 (begins
"Come, ye jolly lads and lasses").

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Subject: Re: Harvest home
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Apr 2005 01:31:50 -0400
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"quoted in the play After Easter?"There seems to be a play of that name by Anne Devlin. If this is your
reference, perhaps you could regale us with the quote, rather than leave us
floundering for any old "Harvest Home" referents which do not seem to be
what you need.JohnOn 4/8/05 12:50 AM, "Andy Rouse" <[unmask]> wrote:> Can anyone out there help with the nature of the song (tune?) Harvest
> Home as quoted in the play After Easter? A literary colleague has asked,
> because she thought it was specifically political, but as a poor
> uncltured Westcountryman harvest home has only a religious connotation -
> jolly hymn-singing after the harvest and wheatsheaf-shaped loaves of
> bread, that sort of thing. As the colleague is also my boss, I'd be
> grateful for any crumb!
> 
> Andy

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Subject: Re: Ballad Index Version 2.0 Released
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Apr 2005 09:51:33 -0400
Content-Type:text/plain
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On Fri, 1 Apr 2005 11:44:53 -0600, Robert B. Waltz wrote:>Balladeers --
>
>It's been a *long* eleven months, but we have quite a Ballad Index
>for you. Eleven new books, 800 new songs, 2000 new book citations,
>400 new recording citations.Lovely!  Downloaded & installed.> The first (thanks mostly to Ben
>Schwartz) is that we are now doing broadsides.
>
Excellent. Included in the regular balldidx.txt file, I assume.
>
>And, finally, we've added what we call "The Supplemental Tradition."
>This is a collection of song texts and sample stanzas. I must admitThis looks good.  Is it straightforward a supplemental file or is it
integrated or referred to in the Program?FYI - the following line is on the front page of the web site.
"The current version of the Ballad Index, as of April 3, 2004, is 2.0."Thanks for all you do.
Abby-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
	          I am Abby Sale - in Orlando, Florida
	                Boycott South Carolina!
	     http://www.naacp.org/news/2001/2001-01-12.html

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Subject: Re: Ballad Index Version 2.0 Released
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Apr 2005 10:10:40 -0500
Content-Type:text/plain
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On 4/8/05, Abby Sale wrote:>On Fri, 1 Apr 2005 11:44:53 -0600, Robert B. Waltz wrote:
>
>>Balladeers --
>>
>>It's been a *long* eleven months, but we have quite a Ballad Index
>>for you. Eleven new books, 800 new songs, 2000 new book citations,
>>400 new recording citations.
>
>Lovely!  Downloaded & installed.
>
>> The first (thanks mostly to Ben
>>Schwartz) is that we are now doing broadsides.
>>
>Excellent. Included in the regular balldidx.txt file, I assume.Yes. For songs that have them, they'll be below the references.> >And, finally, we've added what we call "The Supplemental Tradition."
>>This is a collection of song texts and sample stanzas. I must admit
>
>This looks good.  Is it straightforward a supplemental file or is it
>integrated or referred to in the Program?It's not integrated at this point. Just a separate file, which you
can download in text for or view online in HTML. That may change
in future, but just getting it to include a reasonable number of
texts was all I could handle this time. :-)>FYI - the following line is on the front page of the web site.
>"The current version of the Ballad Index, as of April 3, 2004, is 2.0."Well, it's all right except the "2004" part. :-) Thanks.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Harvest home
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Apr 2005 14:00:25 -0500
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Hi,
I have 6 songs actually titled 'Harvest Home' and numerous others
titled 'Harvest Home Song' in my indexes. What collectors would do is if a
song didn't have an obvious title and it was sung regularly at a Harvest
Home then it was simply given this convenience title. Most of them are
little ditties or toasts to the master or the next crop.
Let us have more info if possible and we can come up with possibilities.As a sample there is the common 'Harvest Home Song' by Purcell and Dryden
from the opera King Arthur much reprinted.SteveG

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Subject: Ebay List - 04/08/05 (Ballads & Songs)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Apr 2005 18:26:52 -0400
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Hi!	Here I am again! As the cherry blossoms and tourists, pay their
annual visit to Washington, I begin my weekly visit to ballad-l. 	The songsters & general folklore lists will be posted tomorrow.	MISCELLANEOUS	4717596312 - Bradley Kincaid ~ Album Number Four, LP, $1.99 (ends 
Apr-09-05 17:24:17 PDT)	4716674521 - MOUNTAIN BALLADS & OLD HYMNS by Sizemore, LP, 1960? 
copy of 1930's record, $9.99 (ends Apr-14-05 10:23:24 PDT)	SONGBOOKS, ETC.	7312732454 - Irish Country Songs by Hughes, 1909, $19.99 (ends 
Apr-09-05 13:24:25 PDT)	7312737393 - Folk Songs of Canada by Fowke & Johnston, 1975 
reprint, $2.99 C (ends Apr-09-05 13:47:29 PDT)	4540932615 - The British Broadside Ballad and Its Music by 
Simpson, 1966, $60 (ends Apr-10-05 18:09:25 PDT)	6954691742 - Scottish Songs and Heroic Ballads by Herd, Volume 2, 
1869, $5 (ends Apr-10-05 18:14:26 PDT)	7313137119 - Pint Pot and Billy by Fahey, 1977 printing, $3 AU 
(ends Apr-11-05 06:14:22 PDT)	4541241249 - Sea Songs & Shanties by Whall, 1920 edition, $8.50 
(ends Apr-11-05 18:02:43 PDT)	4541216705 - Ozark Folksongs by Randolph, 4 volumes, 1980, $20.50 
(ends Apr-11-05 18:45:00 PDT)	4541311638 - America Sings by Carmer, 1942, $5 (ends Apr-11-05 
22:57:54 PDT)	4541411127 - Murders and Moralities - English Catchpenny Prints by
Gretton, 1980, $4 (ends Apr-12-05 09:14:35 PDT)	4539994898 - Texas Folk Songs by Owens, 1976, $0.99 (ends 
Apr-12-05 10:00:00 PDT)	4541478254 - Folk Songs of the Southern Appalachians by Ritchie, 
1965, $6 (ends Apr-12-05 13:23:32 PDT)	6954996124 - Folk Songs of Old New England by Linscott, 1962, $7 
(ends Apr-12-05 14:07:36 PDT)	8300622591 - FOLK SONGS COLLECTED BY RALPH VAUGHAN WILLIAMS by 
Palmer, 1983, 3.50 GBP (ends Apr-12-05 14:10:30 PDT)	6955040801 - Folk Songs of the American Negro by Work, 1900?, 
$2.50 (ends Apr-12-05 20:18:22 PDT)	8300685454 - SCOTTISH TRADITIONAL MUSIC by Wood, 1991, 1.99 GBP 
(ends Apr-13-05 04:17:36 PDT)	4541899778 - Songs & Ballads from Nova Scotia by Creighton, 1966 
Dover edition, $5.95 (ends Apr-14-05 07:02:35 PDT)	7313953143 - SOUTH CAROLINA BALLADS by Smith, 1928, $75 (ends 
Apr-14-05 13:10:40 PDT)	6955346235 - Ozark Folksongs by Randolph, volume 1, 1980, $9.99 
(ends Apr-14-05 22:48:47 PDT)	8300755442 - Who Wrote The Ballads by Manifold, 1964, $0.99 AU 
(ends Apr-16-05 15:10:50 PDT)	7313955540 - Ancient Scots Ballads with their traditional airs by 
Eyre-Todd, 4 GBP (ends Apr-17-05 13:18:51 PDT)	5183990367 - Selections from the Early Ballad Poetry of England 
and Scotland by King, 1842, 0.99 GBP (ends Apr-17-05 16:12:04 PDT)	8300931044 - Folk Songs of Australia by Meredith & Anderson, 1979,
$9.99 AU (ends Apr-18-05 00:08:38 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Ebay List - 04/09/05 (part 1 - songsters & broadsides)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 9 Apr 2005 13:08:02 -0400
Content-Type:text/plain
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Hi!	While the flowers bloom & pollen fills the air, here is the next
Ebay list. 	SONGSTERS & BROADSIDES	6953856650 - THE BUNKER HILL SONGSTER, no date, $23.95 (ends 
Apr-10-05 19:00:00 PDT)	6168694542 - Novelty Dramatic Co's Songster (Merchant's Garlgling 
Oil), 1888, $19.99 (ends Apr-12-05 07:41:10 PDT)	7313557186 - Broadside (SINCE TERRY FIRST JOINED THE GANG), 1870, 
$10.49 (ends Apr-12-05 19:04:08 PDT)	3969070729 - The Negro Forget Me Not Songster, 1840?, $190 (ends 
Apr-13-05 18:15:46 PDT)	6955302796 - MERCHANT'S GARGLING OIL SONGSTER, 1890?, $2 (ends 
Apr-14-05 15:03:52 PDT)	OTHER	6955467097 - BROADSIDE BALLADS OF THE RESTORATION PERIOD, 1930, 
$9.99 (ends Apr-15-05 21:24:23 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Ebay List - 04/09/05 (Part 2 - General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 9 Apr 2005 18:24:55 -0400
Content-Type:text/plain
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Hi!	Here is the last posting for this week. Now off to do taxes. :-(	JOURNALS	6954995602 - Journal of American Folklore, Jan-Mar 1981, $9.99 
(ends Apr-12-05 14:05:43 PDT)	6955002381 - Journal of American Folklore, Apr-June 1981, $9.99 
(ends Apr-12-05 14:36:47 PDT)	6955333058 - NORTH CAROLINA FOLKLORE JOURNAL, Summer-Fall 1991, 
$8 (ends Apr-17-05 19:23:40 PDT)	6955333754 - NORTH CAROLINA FOLKLORE JOURNAL, Winter-Spring 1989,
$8 (ends Apr-17-05 19:29:58 PDT)	6955335452 - NORTH CAROLINA FOLKLORE JOURNAL, Fall-Summer 1993, 
$8 (ends Apr-17-05 19:44:45 PDT)	6955336907 - NORTH CAROLINA FOLKLORE JOURNAL, Summer-Fall 1996, $8
(ends Apr-17-05 19:58:42 PDT)	6955337660 - NORTH CAROLINA FOLKLORE JOURNAL, Winter-Spring 1995, 
$8 (ends Apr-17-05 20:05:57 PDT)	BOOKS	4540893736 - Folklore of the Great West by Greenway, $4.99 (ends 
Apr-10-05 16:12:57 PDT)	4540933435 - SIDEWALKS OF AMERICA by Botkin, $5 (ends Apr-10-05 
18:11:52 PDT)	4540268709 - The Summer Walkers by Neat, 1996, $8.99 (ends 
Apr-10-05 20:37:53 PDT)	5182773178 - Dorset, Up Along And Down Along by Dacombe, 1935?, 
3.50 GBP (ends Apr-11-05 12:05:34 PDT)	4541232655 - Folk Art in Texas by Abernethy, 1985, $7.99 (ends 
Apr-11-05 17:44:07 PDT)	4541259148 - Weather Wisdom by Lee, 1990, $0.99 (ends Apr-11-05 
18:44:40 PDT)	4541264684 - Standard Dictionary of Folklore, Mythology and Legend 
by Leach, 2 volumes, 1949, $24.99 (ends Apr-11-05 19:02:31 PDT)	6955136135 - 4 books on the folklore & history of the Erie Canal, 
1945-1977, $17.50 (ends Apr-11-05 20:00:00 PDT)	6168814350 - Ghosts and Legends of Carroll County, Maryland by 
Glass, 1982, $3.99 (ends Apr-12-05 12:43:57 PDT)	4541550256 - Piled Higher and Deeper The Folklore of Campus Life 
by Bronner, 1990, $2.93 (ends Apr-12-05 18:16:50 PDT)	6955100337 -  Forms Upon the Frontier: Folklife and Folk Arts in 
the United States by Fife, Fife & Glassie, 1969, $6 (ends Apr-13-05 
09:40:30 PDT)	4541812427 - Sailortown by Hugill, 1967, $4.25. (ends Apr-13-05 
19:32:05 PDT)	4541848640 - DARK TREES TO THE WIND by Carmer, 1949, $9.88 (ends 
Apr-13-05 23:44:52 PDT)	4541965687 - TUG HILL COUNTRY - Tales from the Big Woods by Samson,
1974, $9.95 (ends Apr-14-05 12:26:36 PDT)	4541985849 - Faiths and Folklore of the British Isles by Hazlitt, 
2 volumes, 1965, $9.99 (ends Apr-14-05 13:12:14 PDT)	4542011282 - The Horn Book by Legman, 1964, $7.99 (ends Apr-14-05 
15:08:55 PDT)	4542045423 - KANSAS FOLKLORE by Sackett & Koch, 1961, $9.98 (ends
Apr-14-05 18:10:39 PDT)	4542066115 - African Folktales by Abrahams, 1983, $4.95 (ends 
Apr-14-05 19:39:03 PDT)	4542074157 - THE TAPE-RECORDED INTERVIEW A Manual for Field Workers 
in Folklore and Oral History by Ives, 1984, $9.99 (ends Apr-14-05 20:23:20 
PDT)	8300569180 - FOLKLORE OF WARMINSTER by Manley, 1987, 0.50 GBP 
(ends Apr-15-05 10:06:55 PDT)	6955401195 - FOLKLORE OF NOVA SCOTIA by Fraser, $9.99 (ends 
Apr-15-05 10:25:47 PDT)	4542182231 - Who Blowed Up the Church House? and Other Ozark Folk 
Tales by Randolph, 1952, $9.99 (ends Apr-15-05 12:11:17 PDT)	4542182939 - Wild Stories from the Ozarks by Randolph, 1943, $6.99
(ends Apr-15-05 12:15:26 PDT)	6955511821 - MYTHS AND FOLKLORE OF IRELAND by Curtin, 1996 
printing, $6.95 (ends Apr-16-05 08:20:28 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Camborne Hill
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 11:45:16 -0400
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Appropos of nothing except that I really enjoyed reading about 
Richard Trevithick, his locomotive, Camborne Hill, and Lady de 
Dunstanville, and also hearing "Camborne Hill," which, I understand, 
is currently available in a rock version.http://www.brycchancarey.com/places/cornwall/songs.htmhttp://www.boswarva.demon.co.uk/music.htmlJohn

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Subject: UF STUDY: CHILDREN’S KNOWLEDGE GAP OF FOLK SONGS THREATENS HERITAGE
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 12:22:39 -0400
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Please take your time to read this all the way through.CRISIS:Study proves that children
do not know their folksongs and that
teachers do not teach them.Is there any registered non-profit organization or
qualified government entity / public arts agency
on this list or for profit company that would be willing work with my
company and John Broomall Executive Director
Pennsylvania Alliance For Arts Education to
protect Children's Music & the Oral Tradition?Find out what you can do to help prevent this
precious resource from slipping away and being lost to us forever.UF STUDY: CHILDREN'S KNOWLEDGE GAP
OF FOLK SONGS THREATENS HERITAGE
http://www.edu-cyberpg.com/NCFR/opportunity.htmlStates are RankedChildren in the United States aren't singing the songs of their heritage, an
omission that puts the nation in jeopardy of losing a long standing and rich
part of its identity.
http://www.edu-cyberpg.com/NCFR/NCFR2.htmlYou Can Keep their Traditions Alive by asking children
to record themselves into  theNATIONAL CHILDRE'NS FOLKSONG REPOSITORY
http://www.edu-cyberpg.com/NCFR/NCFR.htmlThis would be an excellent activity  to promote at
http://www.edu-cyberpg.com/NCFR/participant.htmlWatch the Video
http://www.edu-cyberpg.com/NCFR/ecprm.htmlPlease contact me personally - off list
if you have any questions and  would like to
find out more.thanks,Karen EllisEducational CyberPlayGround
Guavaberry Books
National Children's Folksong Repository<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: UF STUDY
From: Steve Gardham <[unmask]>
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Date:Tue, 12 Apr 2005 14:41:21 -0500
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What a brilliant idea!
I might suggest we do something similar in the UK.
SteveG

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Subject: Mysterious instrument
From: John Garst <[unmask]>
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Date:Tue, 12 Apr 2005 16:08:41 -0400
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 From G. W. Henry, Travels in Egypt, 1853, pp 51-52:(Describing a noon meal on a farm where he worked as a stone layer, 
in about 1820, in Herkimer County, New York, home of the Frankfort 
Furnace Company,
http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html  At the 
time, Henry was about 19 years old.)When the dinner was over, instead of being hurried away into the old 
coal-house, we retired into an adjoining room, or, perhaps, to a 
well-swept barn floor, there to enjoy our "noon spell" in listening 
to the music of an old-fashioned instrument played by the fair hand 
of the farmer's daughter; and many times the neighboring girls would 
bring in their musical instruments and join in the sweet concert, 
while mellifluent voices, bass and treble, filled the rich measure of 
the choir.  How sad that such music is no longer heard - that that 
old instrument, the delight of our grandmothers, is now almost 
obsolete, and its very name is numbered among the things that were; 
an instrument that, while it delighted the ear of the farmer with its 
merry buzz, imparted a glow of freshness and healthful beauty to the 
cheek of his blithesome daughter.  If any of my younger readers are 
at a loss to know what musical instrument I refer to, they can 
inquire of their grandmother, and she will give them a full account 
of it.****What instrument is this?  I have my idea, but I don't want to set it 
down here because I'd like to get unbiased opinions of others.  I 
should say, however, that it is clearly not the fiddle, which Henry 
mentions frequently.John
-- 
john garst    [unmask]

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Subject: Re: Mysterious instrument
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 16:36:43 -0400
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Quite honestly, I don't have any real idea of what the
instrument is. But as I read this, the first thing that
popped into my head was "hammered dulcimer". This was a very
popular instrument throughout New York state during the 19th
century (though I don't know how far back it goes in
American musical history), and in my area of southwestern
New York state there was a hammered dulcimer factory in a
hamlet called Stedman during that century (but I don't know
how early in the century). What makes me think I am probably
totally off-base is that the h.d. was still popular in MY
part of the state well past 1820. (And indeed, still is, on
a revival basis; Dorogi dulcimers were made here in the
1970's and 80's.)Whether it still was in Central NY at that
time I can't say. But it was used a salon instrument, often
played by the female members of the family.
Call this an idle fancy or a grossly unwarranted
speculation, but I've got a hammered dulcimer playing in my
brain at the moment. What it does point out is that I need
to learn much more about our area's involvement with the
instrument!
Tom Bingham
School of Music
SUNY Fredonia> 
>  From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
> 
> (Describing a noon meal on a farm where he worked as a
> stone layer,  in about 1820, in Herkimer County, New York,
> home of the Frankfort  Furnace Company,
>
http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html
>  At the  time, Henry was about 19 years old.)
> 
> When the dinner was over, instead of being hurried away
> into the old  coal-house, we retired into an adjoining
> room, or, perhaps, to a  well-swept barn floor, there to
> enjoy our "noon spell" in listening  to the music of an
> old-fashioned instrument played by the fair hand  of the
> farmer's daughter; and many times the neighboring girls
> would  bring in their musical instruments and join in the
> sweet concert,  while mellifluent voices, bass and treble,
> filled the rich measure of  the choir.  How sad that such
> music is no longer heard - that that  old instrument, the
> delight of our grandmothers, is now almost  obsolete, and
> its very name is numbered among the things that were;  an
> instrument that, while it delighted the ear of the farmer
> with its  merry buzz, imparted a glow of freshness and
> healthful beauty to the  cheek of his blithesome daughter.
>  If any of my younger readers are  at a loss to know what
> musical instrument I refer to, they can  inquire of their
> grandmother, and she will give them a full account  of it.
> 
> ****
> 
> What instrument is this?  I have my idea, but I don't want
> to set it  down here because I'd like to get unbiased
> opinions of others.  I  should say, however, that it is
> clearly not the fiddle, which Henry  mentions frequently.
> 
> John
> -- 
> john garst    [unmask]

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Subject: Re: UF STUDY
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 15:36:27 -0500
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On 4/12/05, Steve Gardham wrote:>What a brilliant idea!
>I might suggest we do something similar in the UK.But if they're taught in the schools, are they folk songs? Serious
question. I suspect that there is no better way to *ruin* folk
songs than to "teach" them.Note that "teaching" them is not the same as making them
accessible.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Mysterious instrument
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 15:43:27 -0500
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I don't have a clue about this instrument, but for the complete story of the hammered dulcimer, consult: Paul Gifford, THE HAMMERED DULCIMER: A HISTORY (Scarecrow Press, 2001), where there is everything anyone would want to know, and more. Ronald CohenCc:	
Subject:	Re: Mysterious instrumentQuite honestly, I don't have any real idea of what the
instrument is. But as I read this, the first thing that
popped into my head was "hammered dulcimer". This was a very
popular instrument throughout New York state during the 19th
century (though I don't know how far back it goes in
American musical history), and in my area of southwestern
New York state there was a hammered dulcimer factory in a
hamlet called Stedman during that century (but I don't know
how early in the century). What makes me think I am probably
totally off-base is that the h.d. was still popular in MY
part of the state well past 1820. (And indeed, still is, on
a revival basis; Dorogi dulcimers were made here in the
1970's and 80's.)Whether it still was in Central NY at that
time I can't say. But it was used a salon instrument, often
played by the female members of the family.
Call this an idle fancy or a grossly unwarranted
speculation, but I've got a hammered dulcimer playing in my
brain at the moment. What it does point out is that I need
to learn much more about our area's involvement with the
instrument!
Tom Bingham
School of Music
SUNY Fredonia> 
>  From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
> 
> (Describing a noon meal on a farm where he worked as a
> stone layer,  in about 1820, in Herkimer County, New York,
> home of the Frankfort  Furnace Company,
>
http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html
>  At the  time, Henry was about 19 years old.)
> 
> When the dinner was over, instead of being hurried away
> into the old  coal-house, we retired into an adjoining
> room, or, perhaps, to a  well-swept barn floor, there to
> enjoy our "noon spell" in listening  to the music of an
> old-fashioned instrument played by the fair hand  of the
> farmer's daughter; and many times the neighboring girls
> would  bring in their musical instruments and join in the
> sweet concert,  while mellifluent voices, bass and treble,
> filled the rich measure of  the choir.  How sad that such
> music is no longer heard - that that  old instrument, the
> delight of our grandmothers, is now almost  obsolete, and
> its very name is numbered among the things that were;  an
> instrument that, while it delighted the ear of the farmer
> with its  merry buzz, imparted a glow of freshness and
> healthful beauty to the  cheek of his blithesome daughter.
>  If any of my younger readers are  at a loss to know what
> musical instrument I refer to, they can  inquire of their
> grandmother, and she will give them a full account  of it.
> 
> ****
> 
> What instrument is this?  I have my idea, but I don't want
> to set it  down here because I'd like to get unbiased
> opinions of others.  I  should say, however, that it is
> clearly not the fiddle, which Henry  mentions frequently.
> 
> John
> -- 
> john garst    [unmask]

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 16:44:57 -0400
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Thanks, Tom."...an instrument that, while it delighted the ear of the farmer with 
its  merry buzz, imparted a glow of freshness and healthful beauty to 
the  cheek of his blithesome daughter."Do you think that "merry buzz" fits the sound of the hammered dulcimer?John>Quite honestly, I don't have any real idea of what the
>instrument is. But as I read this, the first thing that
>popped into my head was "hammered dulcimer". This was a very
>popular instrument throughout New York state during the 19th
>century (though I don't know how far back it goes in
>American musical history), and in my area of southwestern
>New York state there was a hammered dulcimer factory in a
>hamlet called Stedman during that century (but I don't know
>how early in the century). What makes me think I am probably
>totally off-base is that the h.d. was still popular in MY
>part of the state well past 1820. (And indeed, still is, on
>a revival basis; Dorogi dulcimers were made here in the
>1970's and 80's.)Whether it still was in Central NY at that
>time I can't say. But it was used a salon instrument, often
>played by the female members of the family.
>Call this an idle fancy or a grossly unwarranted
>speculation, but I've got a hammered dulcimer playing in my
>brain at the moment. What it does point out is that I need
>to learn much more about our area's involvement with the
>instrument!
>Tom Bingham

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Subject: Re: UF STUDY
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 16:46:52 -0400
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What's going on here?  I've received two messages headed "Re: UF 
STUDY" but no original, so I'm having a hard time deciphering the 
discussion.John>On 4/12/05, Steve Gardham wrote:
>
>>What a brilliant idea!
>>I might suggest we do something similar in the UK.
>
>But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.
>
>Note that "teaching" them is not the same as making them
>accessible.
>
>--
>Bob Waltz

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Subject: Re: UF STUDY
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 15:49:08 -0500
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<<But if they're taught in the schools, are they folk songs? Serious
question. I suspect that there is no better way to *ruin* folk
songs than to "teach" them.>>I've been teaching a Kodaly-based folksong-rich curriculum in the public
schools for 15 years, and I always try to play as many
variants/recordings of each of the songs that I can fine. I also try to
teach the kids that "even though this is the way I learned the tune,
there are many other ways to sing it". I find that because my students generally aren't sung to by their
parents, they don't even know "Home on the Range", except that it's
connected with a recent Disney movie. And even though it may "ruin" the
folk tradition, at least they're hearing a live version of a tune that's
been passed on. Of course the many guest folk artists I've had come play
for the kids over the years helps this immensely, but some day the kids
may be so interested in the tradition that they actually unplug their
guitars and learn new old tunes for themselves.Beth Brooks
"in the trenches"

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
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Date:Tue, 12 Apr 2005 16:49:39 -0400
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Another issue:The original quote suggests that the instrument was used to accompany 
singing.  I don't think of the hammered dulcimer that way.  Am I 
deficient in my thinking?John>Thanks, Tom.
>
>"...an instrument that, while it delighted the ear of the farmer 
>with its  merry buzz, imparted a glow of freshness and healthful 
>beauty to the  cheek of his blithesome daughter."
>
>Do you think that "merry buzz" fits the sound of the hammered dulcimer?
>
>John
>
>>Quite honestly, I don't have any real idea of what the
>>instrument is. But as I read this, the first thing that
>>popped into my head was "hammered dulcimer". This was a very
>>popular instrument throughout New York state during the 19th
>>century (though I don't know how far back it goes in
>>American musical history), and in my area of southwestern
>>New York state there was a hammered dulcimer factory in a
>>hamlet called Stedman during that century (but I don't know
>>how early in the century). What makes me think I am probably
>>totally off-base is that the h.d. was still popular in MY
>>part of the state well past 1820. (And indeed, still is, on
>>a revival basis; Dorogi dulcimers were made here in the
>>1970's and 80's.)Whether it still was in Central NY at that
>>time I can't say. But it was used a salon instrument, often
>>played by the female members of the family.
>>Call this an idle fancy or a grossly unwarranted
>>speculation, but I've got a hammered dulcimer playing in my
>>brain at the moment. What it does point out is that I need
>>to learn much more about our area's involvement with the
>>instrument!
>>Tom Bingham

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Subject: Re: Mysterious instrument
From: Paul Stamler <[unmask]>
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Date:Tue, 12 Apr 2005 15:50:50 -0500
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Well, "merry buzz" brings a hurdy-gurdy to my mind, and the effort involved
in cranking it could well impart "a glow of freshness and healthful beauty
to the  cheek of his blithesome daughter."Peace,
Paul

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
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Date:Tue, 12 Apr 2005 16:52:54 -0400
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Yet another:"Dulcimer," as I recall, is mentioned in the King James Bible.  Is it 
likely that such a well-known name would be lost to the writer, G. W. 
Henry?J>Another issue:
>
>The original quote suggests that the instrument was used to 
>accompany singing.  I don't think of the hammered dulcimer that way. 
>Am I deficient in my thinking?
>
>John
>
>>Thanks, Tom.
>>
>>"...an instrument that, while it delighted the ear of the farmer 
>>with its  merry buzz, imparted a glow of freshness and healthful 
>>beauty to the  cheek of his blithesome daughter."
>>
>>Do you think that "merry buzz" fits the sound of the hammered dulcimer?
>>
>>John
>>
>>>Quite honestly, I don't have any real idea of what the
>>>instrument is. But as I read this, the first thing that
>>>popped into my head was "hammered dulcimer". This was a very
>>>popular instrument throughout New York state during the 19th
>>>century (though I don't know how far back it goes in
>>>American musical history), and in my area of southwestern
>>>New York state there was a hammered dulcimer factory in a
>>>hamlet called Stedman during that century (but I don't know
>>>how early in the century). What makes me think I am probably
>>>totally off-base is that the h.d. was still popular in MY
>>>part of the state well past 1820. (And indeed, still is, on
>>>a revival basis; Dorogi dulcimers were made here in the
>>>1970's and 80's.)Whether it still was in Central NY at that
>>>time I can't say. But it was used a salon instrument, often
>>>played by the female members of the family.
>>>Call this an idle fancy or a grossly unwarranted
>>>speculation, but I've got a hammered dulcimer playing in my
>>>brain at the moment. What it does point out is that I need
>>>to learn much more about our area's involvement with the
>>>instrument!
>>>Tom Bingham
>

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 16:55:33 -0400
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Thanks, Paul.Your suggestion may be plausible, but isn't the hurdy-gurdy a rather 
large instrument?  Was it ever fashionable as a favored instrument of 
women, as the Henry passage implies?John>Well, "merry buzz" brings a hurdy-gurdy to my mind, and the effort involved
>in cranking it could well impart "a glow of freshness and healthful beauty
>to the  cheek of his blithesome daughter."
>
>Peace,
>Paul

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Subject: Re: Mysterious instrument
From: bingham <[unmask]>
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Date:Tue, 12 Apr 2005 16:58:37 -0400
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I think it can, because of the buildup of overtones. A lot
of anecdotal writers from this era just plain didn't
describe what they heard very accurately. I think
"resonance" could translate into "buzz" in a case like this.
For that matter, it could be a hurdy-gurdy, with "drone"
translating into "buzz". As I say, I'm only speculating.
Tom> "...an instrument that, while it delighted the ear of the
> farmer with  its  merry buzz, imparted a glow of freshness
> and healthful beauty to  the  cheek of his blithesome
> daughter."
> 
> Do you think that "merry buzz" fits the sound of the
> hammered dulcimer?
> 
> John

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Subject: Re: Mysterious instrument
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:00:13 -0400
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Guess I missed that one. Thanks for the tip.
Tom
> 
> I don't have a clue about this instrument, but for the
> complete story of the hammered dulcimer, consult: Paul
> Gifford, THE HAMMERED DULCIMER: A HISTORY (Scarecrow Press
> , 2001), where there is everything anyone would want to
> know, and more. Ronald Cohen
> 
> 
> 
> Cc:    
> Subject:    Re: Mysterious instrument
> 
> Quite honestly, I don't have any real idea of what the
> instrument is. But as I read this, the first thing that
> popped into my head was "hammered dulcimer". This was a
> very popular instrument throughout New York state during
> the 19th century (though I don't know how far back it goes
> in American musical history), and in my area of
> southwestern New York state there was a hammered dulcimer
> factory in a hamlet called Stedman during that century
> (but I don't know how early in the century). What makes me
> think I am probably totally off-base is that the h.d. was
> still popular in MY part of the state well past 1820. (And
> indeed, still is, on a revival basis; Dorogi dulcimers
> were made here in the 1970's and 80's.)Whether it still
> was in Central NY at that time I can't say. But it was
> used a salon instrument, often played by the female
> members of the family. Call this an idle fancy or a
> grossly unwarranted speculation, but I've got a hammered
> dulcimer playing in my brain at the moment. What it does
> point out is that I need to learn much more about our
> area's involvement with the instrument!
> Tom Bingham
> School of Music
> SUNY Fredonia> 
> >  From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
> > 
> > (Describing a noon meal on a farm where he worked as a
> > stone layer,  in about 1820, in Herkimer County, New
> > York, home of the Frankfort  Furnace Company,
> >
>
http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html
> >  At the  time, Henry was about 19 years old.)
> > 
> > When the dinner was over, instead of being hurried away
> > into the old  coal-house, we retired into an adjoining
> > room, or, perhaps, to a  well-swept barn floor, there to
> > enjoy our "noon spell" in listening  to the music of an
> > old-fashioned instrument played by the fair hand  of the
> > farmer's daughter; and many times the neighboring girls
> > would  bring in their musical instruments and join in
> > the sweet concert,  while mellifluent voices, bass and
> > treble, filled the rich measure of  the choir.  How sad
> > that such music is no longer heard - that that  old
> > instrument, the delight of our grandmothers, is now
> > almost  obsolete, and its very name is numbered among
> > the things that were;  an instrument that, while it
> > delighted the ear of the farmer with its  merry buzz,
> > imparted a glow of freshness and healthful beauty to the
> >   cheek of his blithesome daughter. If any of my younger
> > readers are  at a loss to know what musical instrument I
> > refer to, they can  inquire of their grandmother, and
> > she will give them a full account  of it. 
> > ****
> > 
> > What instrument is this?  I have my idea, but I don't
> > want to set it  down here because I'd like to get
> > unbiased opinions of others.  I  should say, however,
> > that it is clearly not the fiddle, which Henry  mentions
> > frequently. 
> > John
> > -- 
> > john garst    [unmask]

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Subject: Re: Mysterious instrument
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:02:14 -0400
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Not uncommon if played quietly, but I'm inclined to agree at
this point that the h.d. may be out of contention. 
Tom
> Another issue:
> 
> The original quote suggests that the instrument was used
> to accompany  singing.  I don't think of the hammered
> dulcimer that way.  Am I  deficient in my thinking?
> 
> John
> 

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Subject: Re: Mysterious instrument
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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:52:46 -0400
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At 04:08 PM 4/12/2005 -0400, you wrote:
> From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
>
>(Describing a noon meal on a farm where he worked as a stone layer, in 
>about 1820, in Herkimer County, New York, home of the Frankfort Furnace 
>Company,
>http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html  At the time, 
>Henry was about 19 years old.)
>
>When the dinner was over, instead of being hurried away into the old 
>coal-house, we retired into an adjoining room, or, perhaps, to a 
>well-swept barn floor, there to enjoy our "noon spell" in listening to the 
>music of an old-fashioned instrument played by the fair hand of the 
>farmer's daughter; and many times the neighboring girls would bring in 
>their musical instruments and join in the sweet concert, while mellifluent 
>voices, bass and treble, filled the rich measure of the choir.  How sad 
>that such music is no longer heard - that that old instrument, the delight 
>of our grandmothers, is now almost obsolete, and its very name is numbered 
>among the things that were; an instrument that, while it delighted the ear 
>of the farmer with its merry buzz, imparted a glow of freshness and 
>healthful beauty to the cheek of his blithesome daughter.  If any of my 
>younger readers are at a loss to know what musical instrument I refer to, 
>they can inquire of their grandmother, and she will give them a full 
>account of it.
>****
>What instrument is this?  I have my idea, but I don't want to set it down 
>here because I'd like to get unbiased opinions of others.  I should say, 
>however, that it is clearly not the fiddle, which Henry mentions frequently.
>
>JohnIt is, quite obviously and with no doubt at all, the beautiful mountain 
dulcimer.
(Which I play here today in upstate New York)
Lisa Johnson

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:57:44 -0400
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At 05:52 PM 4/12/2005 -0400, you wrote:
>>What instrument is this?  I have my idea, but I don't want to set it down 
>>here because I'd like to get unbiased opinions of others.  I should say, 
>>however, that it is clearly not the fiddle, which Henry mentions frequently.
>>
>>John
>
>
>It is, quite obviously and with no doubt at all, the beautiful mountain 
>dulcimer.
>(Which I play here today in upstate New York)
>Lisa JohnsonAnd here is a fairly good succinct history article about the mountain 
dulcimer, with some photos of old ones, written by quite probably today's 
leading historian of the instrument:
http://www.dulcimersessions.com/jul03/appalachain.html
and a little more info:
http://www.sci.edu/classes/ellertsen/dulcimer2.html
Lisa Johnson
(mountain dulcimer player)

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Subject: "Dulcimer" in the Bible (Was: Re: Mysterious instrument)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:15:46 -0500
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On 4/12/05, John Garst wrote:>Yet another:
>
>"Dulcimer," as I recall, is mentioned in the King James Bible.  Is it likely that such a well-known name would be lost to the writer, G. W. Henry?"Dulcimer" is mentioned in the KJV of Daniel 3:5, 10, 15.That is, however, a typical KJV error. New Revised Standard Version
renders "drum." It's a Greek loanword, symphonia, literally "with-sound,"
which in Greek means an "accompaniment," but since the Hebrew has its
own word for that, the guess was that it means a drone instrument.
Hence KJV dulcimer and the translation "bagpipe" you see in other
places. But the NRSV rendering seems to be supported by recent
research.If the word applies to a stringed instrument at all, which is
highly doubtful, I think it would be more like the Mountain
Dulcimer than the hammered.FWIW.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: UF STUDY
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:15:58 -0500
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On 4/12/05, Beth Brooks wrote:><<But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.>>
>
>I've been teaching a Kodaly-based folksong-rich curriculum in the public
>schools for 15 years, and I always try to play as many
>variants/recordings of each of the songs that I can fine. I also try to
>teach the kids that "even though this is the way I learned the tune,
>there are many other ways to sing it".
>
>I find that because my students generally aren't sung to by their
>parents, they don't even know "Home on the Range", except that it's
>connected with a recent Disney movie. And even though it may "ruin" the
>folk tradition, at least they're hearing a live version of a tune that's
>been passed on. Of course the many guest folk artists I've had come play
>for the kids over the years helps this immensely, but some day the kids
>may be so interested in the tradition that they actually unplug their
>guitars and learn new old tunes for themselves.
>I'm not trying to deny this. I just wonder about its utility. Is this
oral tradition? And even if it is, will the kids keep singing the
songs?I freely concede that nothing *else* is working....-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: UF STUDY
From: Elizabeth Hummel <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 18:38:12 -0400
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Okay-   Going to step up on this one... as one of the students of they "forced folklore" in the curriculum programs being described.The plan went something like this:Kindergarten: Reading and recitation was nursery rhymes.1-3 Music class was local " child appropriate ballads" ( I lived in The Shenandoah valley)4-6 grades Reading, recitation and spelling words were pulled from English literature and a lot of English and American poetry- markedly, folk storied and "pastoral poets" that required a great deal of sociological context. the emphasis on public speaking and presentation of what you were reading put the tradition in context- and made it alive. 7-8 Middle English, "Ballad" Poetry and a great deal of the " coherent" material ( no fragments) that appears in the Child collection.I am effectively hooked. I remember all these songs fondly and , as a flute player, I am continually stunned by how many marches and polkas I hear as dance tunes that I remember learning words to when in school.   Even though my parents didn't sing most of these songs they are so contextually part of my childhood that I consider these songs "mine".  I teach them to other people.  It starts a conversation.  At that point, it feels like folk music to me.I credit this curriculum as well for providing a great "ear" for a tune and it's words. It is easy for me to pick up the tunes or remember the words after a few repeats of the refrain.   Nothing to my credit and everything to the training I received in grade school.  In short, we can't all live at the knee of a great singer, we might as well pass on what we can.  If that means lining up impressionable kindergarteners and singing Barbara Allen so be it.Liz in new Hampshire, where it opted to snow again.  Sigh.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Robert B. Waltz
Sent: Tuesday, April 12, 2005 5:16 PM
To: [unmask]
Subject: Re: UF STUDYOn 4/12/05, Beth Brooks wrote:><<But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.>>
>
>I've been teaching a Kodaly-based folksong-rich curriculum in the public
>schools for 15 years, and I always try to play as many
>variants/recordings of each of the songs that I can fine. I also try to
>teach the kids that "even though this is the way I learned the tune,
>there are many other ways to sing it".
>
>I find that because my students generally aren't sung to by their
>parents, they don't even know "Home on the Range", except that it's
>connected with a recent Disney movie. And even though it may "ruin" the
>folk tradition, at least they're hearing a live version of a tune that's
>been passed on. Of course the many guest folk artists I've had come play
>for the kids over the years helps this immensely, but some day the kids
>may be so interested in the tradition that they actually unplug their
>guitars and learn new old tunes for themselves.
>I'm not trying to deny this. I just wonder about its utility. Is this
oral tradition? And even if it is, will the kids keep singing the
songs?I freely concede that nothing *else* is working....-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Mysterious instrument
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 17:50:48 -0500
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<<Your suggestion may be plausible, but isn't the hurdy-gurdy a rather
large instrument?  Was it ever fashionable as a favored instrument of
women, as the Henry passage implies?>>Most of the ones I've seen have been smaller than a guitar -- and guitars,
of course, were quite popular among young women in the 19th century.
Hurdy-gurdies sit nicely on the lap.Peace,
Paul

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Subject: Re: UF STUDY
From: Heather Wood <[unmask]>
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Date:Tue, 12 Apr 2005 19:10:08 EDT
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Subject: Re: Mysterious instrument
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 00:10:27 +0100
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A long way from the US of A of course, but the hurdy-gurdy or vielle is
still to this day a relatively common folk instrument in central & southern
France, and is generally played by women, who usually play standing up, with
the instrument held in a shoulder sling.  Just a thought.CheersSimon-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of Paul Stamler
Sent: 12 April 2005 23:51
To: [unmask]
Subject: Re: Mysterious instrument<<Your suggestion may be plausible, but isn't the hurdy-gurdy a rather
large instrument?  Was it ever fashionable as a favored instrument of
women, as the Henry passage implies?>>Most of the ones I've seen have been smaller than a guitar -- and guitars,
of course, were quite popular among young women in the 19th century.
Hurdy-gurdies sit nicely on the lap.Peace,
Paul

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Subject: Re: Mysterious instrument
From: Jane Keefer <[unmask]>
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Date:Tue, 12 Apr 2005 16:06:35 -0700
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How about a bowed psaltery?Jane Keefer----- Original Message ----- 
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Tuesday, April 12, 2005 3:50 PM
Subject: Re: Mysterious instrument> <<Your suggestion may be plausible, but isn't the hurdy-gurdy a rather
> large instrument?  Was it ever fashionable as a favored instrument of
> women, as the Henry passage implies?>>
>
> Most of the ones I've seen have been smaller than a guitar -- and guitars,
> of course, were quite popular among young women in the 19th century.
> Hurdy-gurdies sit nicely on the lap.
>
> Peace,
> Paul

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 19:20:22 -0400
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At 04:06 PM 4/12/2005 -0700, you wrote:
>How about a bowed psaltery?
>
>Jane KeeferBowed psalteries were invented in the 1940's by a music teacher.  Plucked 
psalteries are ancient instruments, but were not common at all in early 
America.
Lisa

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Subject: Re: Mysterious instrument
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 16:30:03 -0700
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And the French vielles that I know and play are really LOUD (for 
dance music), and unless you had an uncommon "ladies' model" or one 
with a guitar shaped body, such as turn up in aristrocratic society 
(especially France) from time to time, I think the hurdy gurdy would 
be ruled out (or at least unlikely) for New England.The hammered dulcimer can give off a buzz, and can be used to 
accompany singing, but I think the mountain dulcimer is a much better 
guess.I have yet to hear a jaw harp characterized as "mellifluent voices", 
so I'll go for mt. dulcimer as my best guess.Any more "mellifluent suggestions?"davidAt 12:10 AM +0100 4/13/05, Simon Furey wrote:
>A long way from the US of A of course, but the hurdy-gurdy or vielle is
>still to this day a relatively common folk instrument in central & southern
>France, and is generally played by women, who usually play standing up, with
>the instrument held in a shoulder sling. 
>
>Just a thought.
>
>Cheers
>
>Simon
>
>-----Original Message-----
>From: Forum for ballad scholars [mailto:[unmask]] On
>Behalf Of Paul Stamler
>Sent: 12 April 2005 23:51
>To: [unmask]
>Subject: Re: Mysterious instrument
>
><<Your suggestion may be plausible, but isn't the hurdy-gurdy a rather
>large instrument?  Was it ever fashionable as a favored instrument of
>women, as the Henry passage implies?>>
>
>Most of the ones I've seen have been smaller than a guitar -- and guitars,
>of course, were quite popular among young women in the 19th century.
>Hurdy-gurdies sit nicely on the lap.
>
>Peace,
>Paul-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Mysterious instrument
From: "Lawlor, Susan" <[unmask]>
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Date:Tue, 12 Apr 2005 19:32:55 -0400
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Subject: Re: Mysterious instrument
From: Jonathan Lighter <[unmask]>
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Date:Tue, 12 Apr 2005 16:41:34 -0700
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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
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Date:Tue, 12 Apr 2005 20:01:38 -0400
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At 04:30 PM 4/12/2005 -0700, you wrote:>I have yet to hear a jaw harp characterized as "mellifluent voices", so 
>I'll go for mt. dulcimer as my best guess.The mental picture of all those delicate maidens lined up producing modest 
and heavenly tones upon their jaws harps for the farmers is pretty funny.
;)
Lisa

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Subject: Re: UF STUDY
From: Jonathan Lighter <[unmask]>
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Subject: UF STUDY
From: Educational CyberPlayGround <[unmask]>
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Date:Tue, 12 Apr 2005 20:27:01 -0400
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Hi Beth,Thanks for the kind words of support - it means a lot
to hear it from a teacher in the trenches.Will you encourage your children to record their songs?best,
Karen Ellis>-----------------------------
>
>Date:    Tue, 12 Apr 2005 12:22:39 -0400
>From:    Educational CyberPlayGround <[unmask]>
>Subject: UF STUDY: CHILDREN's KNOWLEDGE GAP OF FOLK  SONGS THREATENS HERITAGE
>
>Please take your time to read this all the way through.
>
>
>CRISIS:
>
>Study proves that children
>do not know their folksongs and that
>teachers do not teach them.
>
>Is there any registered non-profit organization or
>qualified government entity / public arts agency
>on this list or for profit company that would be willing work with my
>company and John Broomall Executive Director
>Pennsylvania Alliance For Arts Education to
>protect Children's Music & the Oral Tradition?
>
>Find out what you can do to help prevent this
>precious resource from slipping away and being lost to us forever.
>
>UF STUDY: CHILDREN'S KNOWLEDGE GAP
>OF FOLK SONGS THREATENS HERITAGE
>http://www.edu-cyberpg.com/NCFR/opportunity.html
>
>States are Ranked
>
>Children in the United States aren't singing the songs of their heritage, an
>omission that puts the nation in jeopardy of losing a long standing and rich
>part of its identity.
>http://www.edu-cyberpg.com/NCFR/NCFR2.html
>
>You Can Keep their Traditions Alive by asking children
>to record themselves into  the
>
>NATIONAL CHILDRE'NS FOLKSONG REPOSITORY
>http://www.edu-cyberpg.com/NCFR/NCFR.html
>
>This would be an excellent activity  to promote at
>http://www.edu-cyberpg.com/NCFR/participant.html
>
>Watch the Video
>http://www.edu-cyberpg.com/NCFR/ecprm.html
>
>Please contact me personally - off list
>if you have any questions and  would like to
>find out more.
>
>
>thanks,
>
>Karen Ellis
>
>Educational CyberPlayGround
>Guavaberry Books
>National Children's Folksong Repository
>
><>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
>The Educational CyberPlayGround
>http://www.edu-cyberpg.com/
>
>National Children's Folksong Repository
>http://www.edu-cyberpg.com/NCFR/
>
>Hot List of Schools Online and
>Net Happenings, K12 Newsletters, Network Newsletters
>http://www.edu-cyberpg.com/Community/
>
>7 Hot Site Awards
>New York Times, USA Today , MSNBC, Earthlink,
>USA Today Best Bets For Educators, Macworld Top Fifty
><>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
>
>
>Date:    Tue, 12 Apr 2005 15:49:08 -0500
>From:    Beth Brooks <[unmask]>
>Subject: Re: UF STUDY
>
><<But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.>>
>
>I've been teaching a Kodaly-based folksong-rich curriculum in the public
>schools for 15 years, and I always try to play as many
>variants/recordings of each of the songs that I can fine. I also try to
>teach the kids that "even though this is the way I learned the tune,
>there are many other ways to sing it".
>
>I find that because my students generally aren't sung to by their
>parents, they don't even know "Home on the Range", except that it's
>connected with a recent Disney movie. And even though it may "ruin" the
>folk tradition, at least they're hearing a live version of a tune that's
>been passed on. Of course the many guest folk artists I've had come play
>for the kids over the years helps this immensely, but some day the kids
>may be so interested in the tradition that they actually unplug their
>guitars and learn new old tunes for themselves.
>
>Beth Brooks
>"in the trenches"<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: National Children's Folksong Repository
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 20:34:42 -0400
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Thanks Liz, Heather and Beth for your testimonials.This is why it's so important to have children find out about
the National Children's Folksong Repository.best,
Karen Ellis<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: UF STUDY
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 19:54:00 -0500
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Good idea for next year. I always try to find the ones I don't teach
them, mostly hand claps and chants, but recording them is the right
place to start.Beth >>> [unmask] 04/12/05 7:27 PM >>>
Hi Beth,Thanks for the kind words of support - it means a lot
to hear it from a teacher in the trenches.Will you encourage your children to record their songs?best,
Karen Ellis>-----------------------------
>
>Date:    Tue, 12 Apr 2005 12:22:39 -0400
>From:    Educational CyberPlayGround <[unmask]>
>Subject: UF STUDY: CHILDREN's KNOWLEDGE GAP OF FOLK  SONGS THREATENS
HERITAGE
>
>Please take your time to read this all the way through.
>
>
>CRISIS:
>
>Study proves that children
>do not know their folksongs and that
>teachers do not teach them.
>
>Is there any registered non-profit organization or
>qualified government entity / public arts agency
>on this list or for profit company that would be willing work with my
>company and John Broomall Executive Director
>Pennsylvania Alliance For Arts Education to
>protect Children's Music & the Oral Tradition?
>
>Find out what you can do to help prevent this
>precious resource from slipping away and being lost to us forever.
>
>UF STUDY: CHILDREN'S KNOWLEDGE GAP
>OF FOLK SONGS THREATENS HERITAGE
>http://www.edu-cyberpg.com/NCFR/opportunity.html
>
>States are Ranked
>
>Children in the United States aren't singing the songs of their
heritage, an
>omission that puts the nation in jeopardy of losing a long standing and
rich
>part of its identity.
>http://www.edu-cyberpg.com/NCFR/NCFR2.html
>
>You Can Keep their Traditions Alive by asking children
>to record themselves into  the
>
>NATIONAL CHILDRE'NS FOLKSONG REPOSITORY
>http://www.edu-cyberpg.com/NCFR/NCFR.html
>
>This would be an excellent activity  to promote at
>http://www.edu-cyberpg.com/NCFR/participant.html
>
>Watch the Video
>http://www.edu-cyberpg.com/NCFR/ecprm.html
>
>Please contact me personally - off list
>if you have any questions and  would like to
>find out more.
>
>
>thanks,
>
>Karen Ellis
>
>Educational CyberPlayGround
>Guavaberry Books
>National Children's Folksong Repository
>
><>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
>The Educational CyberPlayGround
>http://www.edu-cyberpg.com/
>
>National Children's Folksong Repository
>http://www.edu-cyberpg.com/NCFR/
>
>Hot List of Schools Online and
>Net Happenings, K12 Newsletters, Network Newsletters
>http://www.edu-cyberpg.com/Community/
>
>7 Hot Site Awards
>New York Times, USA Today , MSNBC, Earthlink,
>USA Today Best Bets For Educators, Macworld Top Fifty
><>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
>
>
>Date:    Tue, 12 Apr 2005 15:49:08 -0500
>From:    Beth Brooks <[unmask]>
>Subject: Re: UF STUDY
>
><<But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.>>
>
>I've been teaching a Kodaly-based folksong-rich curriculum in the
public
>schools for 15 years, and I always try to play as many
>variants/recordings of each of the songs that I can fine. I also try to
>teach the kids that "even though this is the way I learned the tune,
>there are many other ways to sing it".
>
>I find that because my students generally aren't sung to by their
>parents, they don't even know "Home on the Range", except that it's
>connected with a recent Disney movie. And even though it may "ruin" the
>folk tradition, at least they're hearing a live version of a tune
that's
>been passed on. Of course the many guest folk artists I've had come
play
>for the kids over the years helps this immensely, but some day the kids
>may be so interested in the tradition that they actually unplug their
>guitars and learn new old tunes for themselves.
>
>Beth Brooks
>"in the trenches"<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: BALLAD-L Digest - 12 Apr 2005 - Special issue (#2005-143)
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 20:57:58 -0400
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Hi Johnathan,I happen to have that amazing book downstairs !Karen>Date:    Tue, 12 Apr 2005 17:06:25 -0700
>From:    Jonathan Lighter <[unmask]>
>Subject: Re: UF STUDY
>
>Our NYC elementary school used "The Fireside Book of Folksongs" in the mid 
>to late '50s.  I loved it. Of course, look at me now....
>
>JL<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: Mysterious instrument
From: [unmask]
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Date:Tue, 12 Apr 2005 21:29:28 EDT
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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 21:50:20 -0400
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At 09:29 PM 4/12/2005 -0400, you wrote:
>...As for the mysterious instrument, it really depends on where the author 
>was located when he wrote about the instrument.  If in America, it would 
>almost certainly be a lap dulcimer.  If in Egypt, I would imagine some 
>type of santur.
>
>Mark GThe quote says:
>(Describing a noon meal on a farm where he worked as a stone layer, in 
>about 1820, in Herkimer County, New York, home of the Frankfort Furnace 
>Company,
And I concur with it most definitely referring to the mountain (or lap) 
dulcimer.  In the Appalachian region (which can include central NY state) 
many 1800's rural households had a lap dulcimer, with it being 
traditionally played by the women (though not exclusively by any means) and 
used also for ballad and hymn accompaniment.  This was truly "grandmother's 
instrument" as the quote describes it.  Played with a noter and quill, with 
its very distinctive and delicate sweet silvery zinging sound that "almost" 
disappeared altogether with the arrival of modern times.
Lisa Johnson
playing mountain dulcimer and singing ballads in 2005 in Columbia County, 
New York. 

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Subject: Re: Mysterious instrument
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 22:14:13 -0400
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    A mouth bow seems to fill the bill for the buzz sound that John alludes to, but a diddley bow may serve as well.  I was inclined to think of the jews harp, but am not sure of the age of this instrument plus it is still fairly common.   The mouth bow is an african instrument, that was borrowed by the white man who in turn gave credit to the Indians for this instrument. SRich    [unmask] > 
> From: "Lisa - S. H." <[unmask]>
> Date: 2005/04/12 Tue PM 05:52:46 EDT
> To: [unmask]
> Subject: Re: Mysterious instrument
> 
> At 04:08 PM 4/12/2005 -0400, you wrote:
> > From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
> >
> >(Describing a noon meal on a farm where he worked as a stone layer, in 
> >about 1820, in Herkimer County, New York, home of the Frankfort Furnace 
> >Company,
> >http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html  At the time, 
> >Henry was about 19 years old.)
> >
> >When the dinner was over, instead of being hurried away into the old 
> >coal-house, we retired into an adjoining room, or, perhaps, to a 
> >well-swept barn floor, there to enjoy our "noon spell" in listening to the 
> >music of an old-fashioned instrument played by the fair hand of the 
> >farmer's daughter; and many times the neighboring girls would bring in 
> >their musical instruments and join in the sweet concert, while mellifluent 
> >voices, bass and treble, filled the rich measure of the choir.  How sad 
> >that such music is no longer heard - that that old instrument, the delight 
> >of our grandmothers, is now almost obsolete, and its very name is numbered 
> >among the things that were; an instrument that, while it delighted the ear 
> >of the farmer with its merry buzz, imparted a glow of freshness and 
> >healthful beauty to the cheek of his blithesome daughter.  If any of my 
> >younger readers are at a loss to know what musical instrument I refer to, 
> >they can inquire of their grandmother, and she will give them a full 
> >account of it.
> >****
> >What instrument is this?  I have my idea, but I don't want to set it down 
> >here because I'd like to get unbiased opinions of others.  I should say, 
> >however, that it is clearly not the fiddle, which Henry mentions frequently.
> >
> >John
> 
> 
> It is, quite obviously and with no doubt at all, the beautiful mountain 
> dulcimer.
> (Which I play here today in upstate New York)
> Lisa Johnson
> 

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Subject: Re: Mysterious instrument
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 22:34:42 -0400
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On 2005/04/12 at 04:58:37PM -0400, bingham wrote:
> X-Mailer: Quality Web Email v3.1b, http://netwinsite.com/refw.htm
> Date:         Tue, 12 Apr 2005 16:58:37 -0400
> From:         bingham <[unmask]>
> Subject: Re: Mysterious instrument
> To:           [unmask]
> 
> I think it can, because of the buildup of overtones. A lot
> of anecdotal writers from this era just plain didn't
> describe what they heard very accurately. I think
> "resonance" could translate into "buzz" in a case like this.
> For that matter, it could be a hurdy-gurdy, with "drone"
> translating into "buzz". As I say, I'm only speculating.
> Tom	And hurdy-gurdys also commonly have a "trumpet" -- which is a
special bridge, pivoted at one end, and with a hardened "foot" to hit an
inlay in the soundboard.  With the wheel cranked in one direction, it
acts like any other bridge.  However, when the wheel is cranked the
other direction, it adds a very distinct "buzz" to the sound mix.	But I find myself wondering whether this could have been a
zither instead.  Too early to be an autoharp, but I think that the
zither is old enough so it would be a possibility.	Or -- could it be a small lap harp?	Enjoy,
		DoN.-- 
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: UF STUDY
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 22:03:43 -0500
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>But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.
>
>Note that "teaching" them is not the same as making them
>accessible.I learned "Sweet Betsy from Pike" at school in the fifth grade (age ten).
I encountered a more entertaining (adult) version in my twenties.Now in my fifties, I can only remember the version I learned when I was ten.Oh well.
Back to calculating taxes.EdieEdie Gale Hays
[unmask]

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Subject: Re: Mysterious instrument
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Apr 2005 22:05:23 -0500
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perhaps a zither?> From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
>
>(Describing a noon meal on a farm where he worked as a stone layer,
>in about 1820, in Herkimer County, New York, home of the Frankfort
>Furnace Company,
>http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html  At the
>time, Henry was about 19 years old.)
>
>When the dinner was over, instead of being hurried away into the old
>coal-house, we retired into an adjoining room, or, perhaps, to a
>well-swept barn floor, there to enjoy our "noon spell" in listening
>to the music of an old-fashioned instrument played by the fair hand
>of the farmer's daughter; and many times the neighboring girls would
>bring in their musical instruments and join in the sweet concert,
>while mellifluent voices, bass and treble, filled the rich measure of
>the choir.  How sad that such music is no longer heard - that that
>old instrument, the delight of our grandmothers, is now almost
>obsolete, and its very name is numbered among the things that were;
>an instrument that, while it delighted the ear of the farmer with its
>merry buzz, imparted a glow of freshness and healthful beauty to the
>cheek of his blithesome daughter.  If any of my younger readers are
>at a loss to know what musical instrument I refer to, they can
>inquire of their grandmother, and she will give them a full account
>of it.
>
>****
>
>What instrument is this?  I have my idea, but I don't want to set it
>down here because I'd like to get unbiased opinions of others.  I
>should say, however, that it is clearly not the fiddle, which Henry
>mentions frequently.
>
>John
>--
>john garst    [unmask]

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Subject: Re: Mysterious instrument
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 01:00:06 -0500
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----- Original Message ----- 
From: "David G. Engle" <[unmask]><<The hammered dulcimer can give off a buzz, and can be used to
accompany singing, but I think the mountain dulcimer is a much better
guess.>>But is there evidence of the presence of mountain dulcimers in upstate New
York? My information is that the instrument was pretty much confined to the
southeast and border states. An I wrong?<<I have yet to hear a jaw harp characterized as "mellifluent voices", >>Well, it's considered a trance instrument in Siberia, while in southern
Italy it's considered seductive; parents used to warn girls about those
treacherous boys who carried jaw-harps in their pockets. (Really.) Its
Italian name is scacciapensiere, or 'drive away thought', which hints at
trance-inducing possibilities too.Peace,
Paul

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Subject: Re: Mysterious instrument
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 01:09:49 -0500
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Can't speak to it's use by women but the instrument itself is not that 
big. There is a gentleman who performs occasionally on Jackson Square 
who plays one and it's not much larger that a guitar.In a "vielle a roue" (wheel fiddle) the bowing action of the fiddle is 
replaced by a wheel cranked by a handle. The wheel, the outer rim is 
coated with resin, makes all the strings resonate at once, whether drone 
or melody strings, and makes a continuous sound. Keys operate sliding 
tangents which were pressed up against the string(s) and then fell back 
into place. The keyboard resembles that of a portative organ and the 
fingering was similar except the key(s) were pressed upward.There is a French performer, Rene Zosso, who recorded frequently with 
the Clemencic Consort playing a hurdy gurdy and, if memory serves, it 
also appears on some recordings by the group Malicorne.John Garst wrote:> Thanks, Paul.
>
> Your suggestion may be plausible, but isn't the hurdy-gurdy a rather 
> large instrument?  Was it ever fashionable as a favored instrument of 
> women, as the Henry passage implies?
>
> John
>
>> Well, "merry buzz" brings a hurdy-gurdy to my mind, and the effort 
>> involved
>> in cranking it could well impart "a glow of freshness and healthful 
>> beauty
>> to the  cheek of his blithesome daughter."
>>
>> Peace,
>> Paul
>
>

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Subject: Re: UF STUDY
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 01:17:01 -0500
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----- Original Message ----- 
From: "Edie Gale Hays" <[unmask]>
To: <[unmask]>
Sent: Tuesday, April 12, 2005 10:03 PM
Subject: Re: UF STUDY>But if they're taught in the schools, are they folk songs? Serious
>question. I suspect that there is no better way to *ruin* folk
>songs than to "teach" them.
>
>Note that "teaching" them is not the same as making them
>accessible.<<I learned "Sweet Betsy from Pike" at school in the fifth grade (age ten).
I encountered a more entertaining (adult) version in my twenties.Now in my fifties, I can only remember the version I learned when I was
ten.>>How could you forget "she showed her bare arse to the whole wagon train"?
Said line, in fact, is in the Fireside Book.Peace,
Paul

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Subject: UF Study
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 05:37:50 -0400
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To get the kids engaging with what they are singing I've found that one
useful way is to teach an old song, write new words with them - sometimes
additional lyrics, sometimes a whole new lyric - then record together what
we have made - nowadays supplying CDs and lyric booklets to the school of
what has been done. As well as the new songs you include some 'old'
favourites that were new to the kids.
Classes write songs based on the themes they are studying.
The same songmaking approach works with groups of elderly people in day
centres, of course. 
Sometimes we get the information from the elders, take it to the kids and
the kids write the songs, then we perfrom the songs for the older folk.
Larry Long does the same kind of thing in the States I believe.
I started the Songmaker in Schools project some 14 years ago, more recently
we have the New Makars Trust which has worked with groups of communities
and songwriters to make many dozens of The New Songs Of Fife, and The New
Songs Of South Lanarkshire - with substantial central government funding.
Not new ideas, but it sure works.Ewan McVicar

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Subject: Re: UF Study
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 07:47:59 EDT
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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 08:39:45 -0400
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At 01:00 AM 4/13/2005 -0500, you wrote:>But is there evidence of the presence of mountain dulcimers in upstate New
>York? My information is that the instrument was pretty much confined to the
>southeast and border states. An I wrong?Yes there have been old dulcimers both constructed and collected in the New 
England, PA and NY state areas.  Not as many as in Kentucky, Tennessee, 
Virginia, etc, but existent nonetheless.
Lisa

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Subject: UF Study
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 09:17:13 -0400
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I preface the following comments by emphasising that they are more
'anecdotal observation' than 'academical research'. 
However.
Over the last few years I've become increasingly aware that more than one
'revival' of 'folksong' [for want of better words] in the UK over the last
100 years has in part been spurred by singing in schools. 
I think through published game song collections I've recognised three
concerted attempts over the period, with debatable effect, to get children
singing singing games in their 'leisure' time. 
Heather Wood and I were involved in the tailend of organised sol fah
singing of folksongs, mostly I think from the publications of Cecil Sharp, 
as an integral part of school education.
I also was taught versions of many Scottish Traditional or National songs.
What differentiated these from  what I heard from 'source' singers was more
the manner of performance [tempi and variation in tempi within songs,
emphasis on narrative as much as melodic sound, accent employed, engagement
with the listener, vigour of performance, etc] than the nature of the songs
themselves. Listening to some of Lomax's 1951 Scottish recordings, a few of
them sound in fact like rendition of versions learned in the schoolroom.
Most are not, of course.
Further, it was the activities with their pupils of Glasgow schoolteachers
Morris Blythman and Norman Buchan that spurred the interest and involvement
of people who are now [irony of ironies!] at times labelled 'source
singers' - Adam MacNaughtan, Gordeanna MacCulloch, Anne Neilson, Andy
Hunter, Nigel Denver. A check with singers might uncover many more whose
interest began at school.Ewan McVicar

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Subject: Re: Mysterious instrument
From: Charles Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 10:28:48 -0400
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Wasn't Herkimer county NY state largly populated by Germans ( 
I'am sure ther were also many Brits as well), but would this 
perhaps provide a clue as to the instrument?Charles Wood---- Original message ----
>Date: Tue, 12 Apr 2005 22:05:23 -0500
>From: Edie Gale Hays <[unmask]>  
>Subject: Re: Mysterious instrument  
>To: [unmask]
>
>perhaps a zither?
>
>
>> From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
>>
>>(Describing a noon meal on a farm where he worked as a 
stone layer,
>>in about 1820, in Herkimer County, New York, home of the 
Frankfort
>>Furnace Company,
>>http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html 
 At the
>>time, Henry was about 19 years old.)
>>
>>When the dinner was over, instead of being hurried away 
into the old
>>coal-house, we retired into an adjoining room, or, perhaps, 
to a
>>well-swept barn floor, there to enjoy our "noon spell" in 
listening
>>to the music of an old-fashioned instrument played by the 
fair hand
>>of the farmer's daughter; and many times the neighboring 
girls would
>>bring in their musical instruments and join in the sweet 
concert,
>>while mellifluent voices, bass and treble, filled the rich 
measure of
>>the choir.  How sad that such music is no longer heard - 
that that
>>old instrument, the delight of our grandmothers, is now 
almost
>>obsolete, and its very name is numbered among the things 
that were;
>>an instrument that, while it delighted the ear of the 
farmer with its
>>merry buzz, imparted a glow of freshness and healthful 
beauty to the
>>cheek of his blithesome daughter.  If any of my younger 
readers are
>>at a loss to know what musical instrument I refer to, they 
can
>>inquire of their grandmother, and she will give them a full 
account
>>of it.
>>
>>****
>>
>>What instrument is this?  I have my idea, but I don't want 
to set it
>>down here because I'd like to get unbiased opinions of 
others.  I
>>should say, however, that it is clearly not the fiddle, 
which Henry
>>mentions frequently.
>>
>>John
>>--
>>john garst    [unmask]

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 10:48:04 -0400
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><<Your suggestion may be plausible, but isn't the hurdy-gurdy a rather
>large instrument?  Was it ever fashionable as a favored instrument of
>women, as the Henry passage implies?>>
>
>Most of the ones I've seen have been smaller than a guitar -- and guitars,
>of course, were quite popular among young women in the 19th century.
>Hurdy-gurdies sit nicely on the lap.
>
>Peace,
>PaulOur time frame for popularity with women is ca 1750 (Henry was born 
in 1801).  The place is upstate New York.  Does the hurdy-gurdy fit 
this?John

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Subject: Re: UF Study
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 11:33:20 -0400
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My view on folk song, tradition, schools, revivals, etc., has changed 
radically over the years.  I started out trying to be a "purist," 
rejecting as "authentic" anything that did not arise in family or 
local tradition, making sharp distinctions between traditional and 
"commercial."  Now I'm just the opposite.  I regard *everything* as 
part of tradition, even Jo Stafford singing "Black is the Color" or 
whatever.  I continue to make value judgments that reflect my own 
tastes (I'd rather hear a field recording of "Black" from the 
southern mountains than a Stafford version) but I don't reject 
*anything* as foreign to "tradition."  Thus, I no longer distinguish 
between "folk" and "popular" music.  Indeed, to a great extent, isn't 
today's "folk" music yesterday's "popular" music?With my present perspective, I am enthusiastic about teaching old 
songs in schools.  That, too, is simply part of tradition, and I see 
it as an exceptionally valuable part.John
-- 
john garst    [unmask]

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Subject: Wife
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 11:41:14 -0400
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 From G. W. Henry, The Golden Harp, 1853, pp 72-73:(Perhaps this qualifies as a ballad, it tells something of a story.)THE WIFE.She clung to him with woman's love,
   Like ivy to the oak,
Whilst o'er his head, with crushing force,
   Earth's chilling tempests broke.And when the world look'd cold on him,
   And blight hung o'er his name,
She soothed his cares with woman's love,
   And bade him rise again.When care had furrow'd o'er his brow,
   And clouded his young hours,
She wove, amidst his crown of thorns,
   A wreath of love's own flow'rs.And never did that wreath decay,
   Or the bright flow'ret wither,
For woman's tears e'er nourish'd them,
   That they might bloom forever.'T is ever thus with woman's love,
   True till life's storms have pass'd,
And, like the vine around the tree,
   *It* braves them to the last.I suspect that Henry himself might have written this, it fits his 
life so well, but he does not claim it in The Golden Harp.Does anyone have any information that might help confirm or refute 
this hypothesis?John
-- 
john garst    [unmask]

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Subject: Re: Mysterious instrument
From: Charles Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 12:16:10 -0400
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Wasn't Herkimer county in great part German. I'am sure there 
were british there as well, but might the german nature of 
the county provide us with a clue?Charles Wood---- Original message ----
>Date: Tue, 12 Apr 2005 16:08:41 -0400
>From: John Garst <[unmask]>  
>Subject: Mysterious instrument  
>To: [unmask]
>
> From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
>
>(Describing a noon meal on a farm where he worked as a stone 
layer, 
>in about 1820, in Herkimer County, New York, home of the 
Frankfort 
>Furnace Company,
>http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html  
At the 
>time, Henry was about 19 years old.)
>
>When the dinner was over, instead of being hurried away into 
the old 
>coal-house, we retired into an adjoining room, or, perhaps, 
to a 
>well-swept barn floor, there to enjoy our "noon spell" in 
listening 
>to the music of an old-fashioned instrument played by the 
fair hand 
>of the farmer's daughter; and many times the neighboring 
girls would 
>bring in their musical instruments and join in the sweet 
concert, 
>while mellifluent voices, bass and treble, filled the rich 
measure of 
>the choir.  How sad that such music is no longer heard - 
that that 
>old instrument, the delight of our grandmothers, is now 
almost 
>obsolete, and its very name is numbered among the things 
that were; 
>an instrument that, while it delighted the ear of the farmer 
with its 
>merry buzz, imparted a glow of freshness and healthful 
beauty to the 
>cheek of his blithesome daughter.  If any of my younger 
readers are 
>at a loss to know what musical instrument I refer to, they 
can 
>inquire of their grandmother, and she will give them a full 
account 
>of it.
>
>****
>
>What instrument is this?  I have my idea, but I don't want 
to set it 
>down here because I'd like to get unbiased opinions of 
others.  I 
>should say, however, that it is clearly not the fiddle, 
which Henry 
>mentions frequently.
>
>John
>-- 
>john garst    [unmask]

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Subject: Re: Mysterious instrument
From: Charles Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 12:40:27 -0400
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Was not Herkimer County a German populated area? If so would 
this provide us with a clue?Charles Wood
---- Original message ----
>Date: Tue, 12 Apr 2005 16:08:41 -0400
>From: John Garst <[unmask]>  
>Subject: Mysterious instrument  
>To: [unmask]
>
> From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
>
>(Describing a noon meal on a farm where he worked as a stone 
layer, 
>in about 1820, in Herkimer County, New York, home of the 
Frankfort 
>Furnace Company,
>http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html  
At the 
>time, Henry was about 19 years old.)
>
>When the dinner was over, instead of being hurried away into 
the old 
>coal-house, we retired into an adjoining room, or, perhaps, 
to a 
>well-swept barn floor, there to enjoy our "noon spell" in 
listening 
>to the music of an old-fashioned instrument played by the 
fair hand 
>of the farmer's daughter; and many times the neighboring 
girls would 
>bring in their musical instruments and join in the sweet 
concert, 
>while mellifluent voices, bass and treble, filled the rich 
measure of 
>the choir.  How sad that such music is no longer heard - 
that that 
>old instrument, the delight of our grandmothers, is now 
almost 
>obsolete, and its very name is numbered among the things 
that were; 
>an instrument that, while it delighted the ear of the farmer 
with its 
>merry buzz, imparted a glow of freshness and healthful 
beauty to the 
>cheek of his blithesome daughter.  If any of my younger 
readers are 
>at a loss to know what musical instrument I refer to, they 
can 
>inquire of their grandmother, and she will give them a full 
account 
>of it.
>
>****
>
>What instrument is this?  I have my idea, but I don't want 
to set it 
>down here because I'd like to get unbiased opinions of 
others.  I 
>should say, however, that it is clearly not the fiddle, 
which Henry 
>mentions frequently.
>
>John
>-- 
>john garst    [unmask]

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Subject: Re: Mysterious instrument
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 12:42:48 -0400
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Ist das nicht der dudlesac?Some variety of bagpipe sounds likely--and likely to have become obselete.dick greenhausCharles Wood wrote:>Wasn't Herkimer county NY state largly populated by Germans ( 
>I'am sure ther were also many Brits as well), but would this 
>perhaps provide a clue as to the instrument?
>
>Charles Wood
>
>---- Original message ----
>  
>
>>Date: Tue, 12 Apr 2005 22:05:23 -0500
>>From: Edie Gale Hays <[unmask]>  
>>Subject: Re: Mysterious instrument  
>>To: [unmask]
>>
>>perhaps a zither?
>>
>>
>>    
>>
>>>From G. W. Henry, Travels in Egypt, 1853, pp 51-52:
>>>
>>>(Describing a noon meal on a farm where he worked as a 
>>>      
>>>
>stone layer,
>  
>
>>>in about 1820, in Herkimer County, New York, home of the 
>>>      
>>>
>Frankfort
>  
>
>>>Furnace Company,
>>>http://www.rootsweb.com/~nyherkim/frankfort/earlyfrank.html 
>>>      
>>>
> At the
>  
>
>>>time, Henry was about 19 years old.)
>>>
>>>When the dinner was over, instead of being hurried away 
>>>      
>>>
>into the old
>  
>
>>>coal-house, we retired into an adjoining room, or, perhaps, 
>>>      
>>>
>to a
>  
>
>>>well-swept barn floor, there to enjoy our "noon spell" in 
>>>      
>>>
>listening
>  
>
>>>to the music of an old-fashioned instrument played by the 
>>>      
>>>
>fair hand
>  
>
>>>of the farmer's daughter; and many times the neighboring 
>>>      
>>>
>girls would
>  
>
>>>bring in their musical instruments and join in the sweet 
>>>      
>>>
>concert,
>  
>
>>>while mellifluent voices, bass and treble, filled the rich 
>>>      
>>>
>measure of
>  
>
>>>the choir.  How sad that such music is no longer heard - 
>>>      
>>>
>that that
>  
>
>>>old instrument, the delight of our grandmothers, is now 
>>>      
>>>
>almost
>  
>
>>>obsolete, and its very name is numbered among the things 
>>>      
>>>
>that were;
>  
>
>>>an instrument that, while it delighted the ear of the 
>>>      
>>>
>farmer with its
>  
>
>>>merry buzz, imparted a glow of freshness and healthful 
>>>      
>>>
>beauty to the
>  
>
>>>cheek of his blithesome daughter.  If any of my younger 
>>>      
>>>
>readers are
>  
>
>>>at a loss to know what musical instrument I refer to, they 
>>>      
>>>
>can
>  
>
>>>inquire of their grandmother, and she will give them a full 
>>>      
>>>
>account
>  
>
>>>of it.
>>>
>>>****
>>>
>>>What instrument is this?  I have my idea, but I don't want 
>>>      
>>>
>to set it
>  
>
>>>down here because I'd like to get unbiased opinions of 
>>>      
>>>
>others.  I
>  
>
>>>should say, however, that it is clearly not the fiddle, 
>>>      
>>>
>which Henry
>  
>
>>>mentions frequently.
>>>
>>>John
>>>--
>>>john garst    [unmask]
>>>      
>>>
>
>
>
>
>  
>

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Subject: Re: UF Study
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 09:44:51 -0700
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I've been reading the posts on this topic, and also
the study itself. It was encouraging to find that my
state (West Virginia) is doing at least some teaching
of old songs.As as storyteller, I often include songs and ballads
in my performances. People love to sing, even when
they say they can't carry a tune. I find it takes
little encouragement to get them to join in. I think some songs are no longer taught or sung in
group settings because they are politically incorrect
these days. Songs about the devil, for example, are
frowned on in school settings, also songs with risque
or bathroom humor or references. Too bad, because
these are often so much fun! I had the experience of a
big "awwww!" when I used the word "heck" in a song at
a school. Had no idea it was a bad word. My granddaughters went to Girl Scout camp last summer
and came back singing The Mermaid Song. I had them
sing it to my mother, who was raised near Cambridge,
England (WW II war bride), and she was delighted--she
sang that song when she was a girl in school. Granny Sue
Stories from the Mountains and Beyond
R2 Box 110
Sandyville WV 25275
304-372-5861
tollfree 1-866-643-1353
[unmask]

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Subject: Re: UF Study
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 12:12:50 -0500
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----- Original Message ----- 
From: "John Garst" <[unmask]><<With my present perspective, I am enthusiastic about teaching old
songs in schools.  That, too, is simply part of tradition, and I see
it as an exceptionally valuable part.>>I strongly agree. I'm a little concerned, though, over the practice of
making the focus of the activity the writing of *new* songs. Yes, it's good
for kids to learn to be creative; yes, this is the folk process in action,
sort of. But it forgets to teach kids that there's something of value in the
old songs besides fodder for their own efforts, that they deserve to be sung
on their own merits, that there's a point to tradition. In short, I'm not
sure it should be our goal to teach kids to be singer-songwriters.Peace,
Paul the Curmudgeon

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Subject: FW: APPALACHIAN BALLADS AND BEYOND
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 13:49:16 -0400
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"Ballads of Appalachia & Beyond"June 5 - 11, 2005at Mars Hill CollegeSheila Kay Adams
Bobby McMillon
Cassie M. Robinsonwww.mhc/edu/conferences/balladsAbout Mars Hill College
Since 1856, Mars Hill College has served as an outpost to both students and communities in western North Carolina and the southern Appalachians. The Liston B. Ramsey Center for Regional Studies, builds on the foundations of the College's Southern Appalachian Center (1978-2003). The Ramsey Center supports the regional studies focus of the Mars Hill College curriculum, houses archival resources for teaching and scholarship, and offers a venue in which faculty, students, and community members come together for a range of regionally oriented programs and events. The extensive holdings of the Appalachian Room   Archives-photographs, documents, sound recordings, and artifacts-document aspects of mountain life and  culture of interest to scholars here and abroad. Currently, special projects are underway to process and make more readily available our wonderful mountain musical collections. The 1st Annual Ballad Week at MHC will be a wonderful  opportunity to explore the Liston B. Ramsey Center for Regional Studies.Helpful Information
Housing and Meals:  Accommodations are provided in campus dormitories.  Rooms are a suite arrangement with two bedrooms and a shared bath.  All bedrooms have two twin beds and none are air-conditioned.  Linens are provided.  Although single accommodations are available, private baths are not.  Meals are all-you-can-eat-buffet style.Transportation:  Mars Hill College is located eighteen miles north of Asheville, North Carolina, the largest city in the Western North Carolina region. Asheville Regional Airport (code: AVL), located 9 miles south of the city, is served by Continental, Delta, and U.S. Airways and their regional affiliates; direct flights are available to and from Atlanta, Charlotte, Cincinnati, Greenville/Spartanburg, Newark, and Raleigh/Durham. The city also has a Greyhound bus terminal one mile from downtown. Shuttle service from the airport or bus station to Mars Hill College may be arranged by contacting Sky Shuttle at (828) 253-0006. Please make shuttle arrangements before arriving in Asheville.  
For detail driving directions to Mars Hill College please visit www.mhc.edu/location.asp.Boogers, Ballads, & Badmen 
taught by Bobby McMillon
Boogers, Ballads, and Badmen will explore the dark sides of ballads, with interpretations by Bobby McMillon, a lifelong ballad hunter. From the supernatural to villainous outlaws, there is a wealth of "darker" ballads. Bobby will discuss the origins of various darker songs, and even perform a few as well. An appreciation of the 'shock and awe.' Tape recorders welcome. Songcatching and Storytelling 
taught by Sheila Kay Adams
Spend a week singing old love songs passed down through seven generations of Madison County singers.  The words will be provided, the tunes you will learn by ear.  You'll hear stories about the singing families that make up the small community of Sodom, and take a trip to this isolated community with the instructor. Bring your tape recorder, a love for traditional singing, and an interest in leaning more about a fascinating culture that is fast disappearing. No instrument needed.
 
Unearthing the Ballad Booty...The Untold Treasures of Bascom Lamar Lunsford's Handwritten Ballad and Folksong Collection
taught by Cassie Robinson
The Bascom Lamar Lunsford Handwritten Ballad   Collection is currently being digitized and transcribed for patron use and for publication. This class will explore the depths of the collection, and allow attendees to search the collection for     versions or variants of songs that they might want to add to their repertoire. Charge for copies, no   instrument needed.   The Carter Family Unfolded ... Personal Family Friends reveal inside information about the Family, Friends, and Music 
taught by Bobby McMillon
A personal friend of June Carter Cash, Bobby will share his memories of spending time at the Carter Fold, while leading a few Carter Family tunes with participants. Instruments and tape recorders are welcome.Bascom Lamar Lunsford Workshop
taught by Cassie Robinson & Bobby McMillon
Curious about Bascom Lamar Lunsford? Come to this workshop to learn more about Bascom the balladeers, Bascom the             performer, Bascom the festival organizer. Other workshops
Shaped Note Singing Workshop
Beginning Bass
Clogging
Country Harmony Singing Blue Ridge Old Time Music Week 
(www.mhc.edu/oldtimemusic)  will be held at Mars Hill College during the same week as the "Ballads of Appalachia and Beyond" program. Registration InformationClass_____________________Instructor__________
Name:______________________________________
Address_____________________________________
City_____________________ST_______Zip________
Daytime Phone_______________________________
Email_______________________________________
I have physical disabilities that require special attention:  No  Yes_____________________________________
Roommate requested__________________________Second person registration:
Name_______________________________________
Class requested______________________________
I have physical disabilities that require special attention:  No  Yes_____________________________________Per person 			       Total Due
Double Occupancy     	$399	_______________
Single Occupancy   	$494	_______________
Commuter 	         	$274  	_______________
Non-participant attendee 	$249	_______________Registration includes tuition, meal, and housing.  Commuter fees include lunch Monday through Friday.  A non-refundable deposit of $100 per person is required to hold your space in class.  Refunds, minus deposit, are available until four weeks before the program begins.Payment Options
o Full Payment  $_______________ 
o Deposit $100/person $_________
o Check Enclosed 
o Credit Card	oMasterCard  oVisa
Card #_______________________Exp.date________ o Mail form to Conferences & Events, 
        P O Box 6785, Mars Hill, NC 28754 
o Fax form to 828.689.1167 or call 828.689-1646
o Register on-line at www.mhc.edu/oldtimemusic

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Subject: Re: FW: APPALACHIAN BALLADS AND BEYOND
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:05:14 -0400
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At 01:49 PM 4/13/2005 -0400, you wrote:
>"Ballads of Appalachia & Beyond"
>
>June 5 - 11, 2005
>
>at Mars Hill College
>
>Sheila Kay Adams
>Bobby McMillon
>Cassie M. Robinson
>
>www.mhc/edu/conferences/balladsIt sounds wonderful!  Am having trouble finding the website specific to the 
conference however....
The link above should have a period after mhc instead of a slash, otherwise 
it will not function at all.  But also- the resulting ballad conference 
page for the corrected url  http://www.mhc.edu/conferences/ballads  says 
the page is not available due to site reorganization.
When I then use the search tool to search the website looking for the 
ballad conference info, I cannot find it.
Do you have a working link for the ballad conference?
Thanks,
Lisa Johnson

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Subject: Mysterious instrument
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 11:13:31 -0700
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I doubt very much that there were Appalachian
dulcimers in the Herkimer area of new York State. On
the other hand, with the presence of many German
residents, the possibility that the German scheitholt
could be the instrument referred to is strong. It was
an ancestor (cousin?) of the mountain dulcimer,
closely resembling it, although it seems to have
almost disappeared in present-day Germany. 
     Otherwise, I'd tend to vote for the zither as the
most likely instrument.
     the Connecticut Sandy

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Subject: Sherman Hill, Big Boy
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:20:27 -0400
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A luncheon friend was raised in Utah and Wyoming.  We were talking 
about folk songs (in school) today, and that triggered some thoughts 
in his mind.  He is familiar with Sherman Hill, which he says lies 
between Laramie and Rock Springs, Wyoming, and the powerful "Big Boy" 
locomotive that was made to pull trains up it.  He says that there 
was another difficult grade between Ogden, UT, and Evanston, WY, 
along or near Ogden Canyon and Echo Canyon.He wonders if there are any folk songs about these things.I checked Long Steel Rail, through the index, for "Union Pacific," 
"Sherman Hill," and "Big Boy," but came up empty.Are there any songs about these things?Thanks.John
-- 
john garst    [unmask]

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:24:34 -0400
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>I doubt very much that there were Appalachian
>dulcimers in the Herkimer area of new York State. On
>the other hand, with the presence of many German
>residents, the possibility that the German scheitholt
>could be the instrument referred to is strong. It was
>an ancestor (cousin?) of the mountain dulcimer,
>closely resembling it, although it seems to have
>almost disappeared in present-day Germany.
>      Otherwise, I'd tend to vote for the zither as the
>most likely instrument.
>      the Connecticut SandyThanks, Sandy.  I've always thought of the scheitholt and 
"Appalachian" dulcimer as the same instrument, and they are clearly 
close cousins of what is called a "zither" in Austria and Hungary. 
What are the characteristics of your "zither"?John

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Subject: Re: FW: APPALACHIAN BALLADS AND BEYOND
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:27:54 -0400
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Lisa, I have contacted the webfolk about the dead link, meanwhile, I do have a pdf of the brochure that I cannot post on Ballad-L. If you would like I can send it to you directly...Cassie Robinson-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Lisa - S. H.
Sent: Wednesday, April 13, 2005 2:05 PM
To: [unmask]
Subject: Re: FW: APPALACHIAN BALLADS AND BEYONDAt 01:49 PM 4/13/2005 -0400, you wrote:
>"Ballads of Appalachia & Beyond"
>
>June 5 - 11, 2005
>
>at Mars Hill College
>
>Sheila Kay Adams
>Bobby McMillon
>Cassie M. Robinson
>
>www.mhc/edu/conferences/balladsIt sounds wonderful!  Am having trouble finding the website specific to the 
conference however....
The link above should have a period after mhc instead of a slash, otherwise 
it will not function at all.  But also- the resulting ballad conference 
page for the corrected url  http://www.mhc.edu/conferences/ballads  says 
the page is not available due to site reorganization.
When I then use the search tool to search the website looking for the 
ballad conference info, I cannot find it.
Do you have a working link for the ballad conference?
Thanks,
Lisa Johnson

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Subject: Re: UF Study
From: Jerry and Bev Praver <[unmask]>
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Date:Wed, 13 Apr 2005 11:30:41 -0700
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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:38:08 -0400
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At 11:13 AM 4/13/2005 -0700, you wrote:
>I doubt very much that there were Appalachian
>dulcimers in the Herkimer area of new York State. On
>the other hand, with the presence of many German
>residents, the possibility that the German scheitholt
>could be the instrument referred to is strong. It was
>an ancestor (cousin?) of the mountain dulcimer,
>closely resembling it, although it seems to have
>almost disappeared in present-day Germany.
>      Otherwise, I'd tend to vote for the zither as the
>most likely instrument.
>      the Connecticut SandyWell we could be talking about a scheitholt or one of the earlier 
scheitholt-ish mountain dulcimer prototypes.  Or Swedish hummles.  Or 
Epinette des Vosges.  People were making their own instruments, sometimes 
relocating, and being influenced by other instruments they observed.  All 
the above are related varieties of fretted zithers with many similarities, 
and some variety of the fretted zither/dulcimer/scheitholt/etc seems the 
most likely choice fitting both the description and the suggestion that 
anyone could ask their grandmother and she would be able to tell them about 
the almost-forgotten instrument.
Lisa 

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Subject: Re: Mysterious instrument
From: Sandy Paton <[unmask]>
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Date:Wed, 13 Apr 2005 11:43:16 -0700
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The zither, as i saw and heard it played in the Tyrol,
was more a cousin of the autoharp, without the chord
bars, of course, but with a similar shape, plucked
with the fingers.  This was in a German
hotel/restaurant in the Italian Alps that were part of
Austria at one time. (My knowledge of the history of
the region is  extremely sketchy, as is my knowledge
of the instrument.) 
     TradMan could probably tell us more. Mark?
     Sandy
     --- John Garst <[unmask]> wrote:> >I doubt very much that there were Appalachian
> >dulcimers in the Herkimer area of new York State.
> On
> >the other hand, with the presence of many German
> >residents, the possibility that the German
> scheitholt
> >could be the instrument referred to is strong. It
> was
> >an ancestor (cousin?) of the mountain dulcimer,
> >closely resembling it, although it seems to have
> >almost disappeared in present-day Germany.
> >      Otherwise, I'd tend to vote for the zither as
> the
> >most likely instrument.
> >      the Connecticut Sandy
> 
> Thanks, Sandy.  I've always thought of the
> scheitholt and 
> "Appalachian" dulcimer as the same instrument, and
> they are clearly 
> close cousins of what is called a "zither" in
> Austria and Hungary. 
> What are the characteristics of your "zither"?
> 
> John
> 

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Subject: Re: Sherman Hill, Big Boy
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 13:45:06 -0500
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----- Original Message ----- 
From: "John Garst" <[unmask]><<A luncheon friend was raised in Utah and Wyoming.  We were talking
about folk songs (in school) today, and that triggered some thoughts
in his mind.  He is familiar with Sherman Hill, which he says lies
between Laramie and Rock Springs, Wyoming, and the powerful "Big Boy"
locomotive that was made to pull trains up it.  He says that there
was another difficult grade between Ogden, UT, and Evanston, WY,
along or near Ogden Canyon and Echo Canyon.He wonders if there are any folk songs about these things.>>L. M. Hilton recorded "Echo Canyon Song (The Railroad's Begun)" for the LoC;
the recording was released on a Folkways LP, "Mormon Folk Songs". It's a
song dating from the construction of the rail line.Peace,
Paul

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Subject: National Children's Folksong Repository
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:57:22 -0400
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I also agree.It is important that children
pass on to each other - it's their oral tradition -
the playground chants, songs, games that they
teach each other and used to play - are given our respect.I want them to teach the adult what they know,
by recording it into the repository.The children keep the tradition alive when they teach
each other - but that's not happening - all this
stuff is disappearing and I want their voices,
I want them to hear themselves on the net.I only ask adults to show the children where to do it.
http://www.edu-cyberpg.com/NCFR/My effort is to get the children to record their music before
it is too late.And what's the point of saving the oral tradition?
http://www.edu-cyberpg.com/NCFR/opportunity.htmlbest,Karen Ellis>Date:    Wed, 13 Apr 2005 12:12:50 -0500
>From:    Paul Stamler <[unmask]>
>Subject: Re: UF Study
>
>----- Original Message -----
>From: "John Garst" <[unmask]>
>
><<With my present perspective, I am enthusiastic about teaching old
>songs in schools.  That, too, is simply part of tradition, and I see
>it as an exceptionally valuable part.>>
>
>I strongly agree. I'm a little concerned, though, over the practice of
>making the focus of the activity the writing of *new* songs. Yes, it's good
>for kids to learn to be creative; yes, this is the folk process in action,
>sort of. But it forgets to teach kids that there's something of value in the
>old songs besides fodder for their own efforts, that they deserve to be sung
>on their own merits, that there's a point to tradition. In short, I'm not
>sure it should be our goal to teach kids to be singer-songwriters.
>
>Peace,
>Paul the Curmudgeon  ~~ Bless the founders of the Net~~
They've allowed me to become a woman of my time instead of ahead of it.
Timing & Luck in the rhythm of life is more important than anything else.
Just a curious grrl . . .
  ~~~ KSE~~~"The illiterate of the year 2000 will not be the individual who cannot read
and write, but the one who cannot learn, unlearn and relearn."
  ~~~Alvin Toffler~~~"Be liberal in what you accept and conservative in what you send."
John B. Postel, RFC 791 quoted by Bob Braden
UCLA Computer Science Dept. "Jon Postel Remembered"  October 30, 1998
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
          ///  Karen Ellis
         ///  Educational CyberPlayGround  http://www.edu-cyberpg.com
   __ ///   Guavaberry Books
   \\\///
    \X/  7 Hot Site Awards from New York Times, USA Today , MSNBC,
     \/ Earthlink USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:04:59 -0400
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At 11:13 AM 4/13/2005 -0700, Sandy wrote:
>I doubt very much that there were Appalachian
>dulcimers in the Herkimer area of new York State. On
>the other hand, with the presence of many German
>residents, the possibility that the German scheitholt
>could be the instrument referred to is strong. It was
>an ancestor (cousin?) of the mountain dulcimer,
>closely resembling it, although it seems to have
>almost disappeared in present-day Germany.This page talks about the history of Herkimer County NY:
http://www.rootsweb.com/~nyherkim/history/herkhist69.html
>The first settlements of the County were made along the river flats above 
>Little Falls, by Palatinates, from Germany, about 1822. Some of them had 
>previously settled upon the Hudson. Accessions were made from time to 
>time, and up to the close of the Revolution they consisted the chief part 
>of the inhabitants. During the French War of 1756 the settlements were 
>twice invaded by French and Indians, many of the inhabitants were killed, 
>a large amount of property was destroyed and numbers of the inhabitants 
>were carried away prisoners.And defining "Palatinates":
http://www.jackson8.com/hxexpl.html
>The more time I spent learning about the Palatinates and German 
>immigration around 1750 (see list below), the more reasons there were to 
>focus the search on the Lower Palatinate:
>1) "The Palatinate" (Pfalz or Kurpfalz) is frequently referred to in 
>Genealogy and nearly always means the Lower Palatinate (Rhine Palatinate).
>2) "Upper Palatinate" is rarely referred to as a location in and of 
>itself. Cities in this area are usually referred to as Bavaria.
>3) the Lower Palatinate (or Rhine Palatinate) was where the influx of 
>Germans came from between 1748 and 1752...Lunenberg, Nova Scotia being one 
>of the main landing points.
>4) The Rhine Palatinate was by far the source of the largest group of 
>German immigrants in America at the time of George Adam Kellenberger.
>5) Bavarian Germans were rare in America at this time.So it does seem that Herkimer County had a large number of early German 
settlers, which does indeed lead to the likelyhood of a Scheitholt being 
the mystery instrument.  The history of the mountain (or lap) dulcimer (an 
American developed instrument) currently considers the Scheitholt as being 
its most direct ancestor.  See Ralph Lee Smith's article: 
http://www.dulcimersessions.com/jul03/appalachain.html
Lisa Johnson

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Subject: Re: UF STUDY
From: Simon Furey <[unmask]>
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Date:Wed, 13 Apr 2005 20:07:11 +0100
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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:16:32 -0400
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>The zither, as i saw and heard it played in the Tyrol,
>was more a cousin of the autoharp, without the chord
>bars, of course, but with a similar shape, plucked
>with the fingers.  This was in a German
>hotel/restaurant in the Italian Alps that were part of
>Austria at one time. (My knowledge of the history of
>the region is  extremely sketchy, as is my knowledge
>of the instrument.)
>      TradMan could probably tell us more. Mark?
>      SandyHungarian zithers can be seen athttp://www.passiondiscs.co.uk/articles/hungarian_folk_instruments1.htm#zither
http://www.springersmusic.co.uk/Library/Instruments/zither-harp/Z%20Hungary.JPG
http://www.talkabouttheworld.com/edition_68/edition68photos.php3
http://www.erturner.ca/luthier.htmlAthttp://images.google.com/images?hl=en&lr=&ie=ISO-8859-1&q=zithers&btnG=Searchcan be seen many instruments called "zithers" by someone.  These seem 
to fall into two classes, "autoharp-like" "scheitholt-like."At
http://www.alpinemelodies.com/pages/2zithers.html
it is claimed that the "monochord" is the predecessor of zithers of 
the type shown (scheitholt-like) and a "modern monochord" is shown 
(looking much like a one-string Appalachian dulcimer).I'm not sure what an Austrian zither is.  It may well be that it is 
an autoharp-like instrument, rather than a scheitholt-like one.In any event, it is my impression from reading that scheitholt-like 
instruments were widespread in Europe and Scandanavia, but I've never 
seen documentation of an old one in the British Isles.The amazing thing about Hungarian (and other scheitholt-like) zithers 
is the number of sympathetic strings - they can be enormous.  The 
fretted strings, on which the melody is played, vary in number but I 
think they are all unison, at least in the simplest style of playing. 
In the Appalachian dulcimer, one traditional style involves fretting 
only the melody string(s), but modern players sometimes chord using 
all three (or four) strings.JohnJohn
-- 
john garst    [unmask]

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:21:27 -0400
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>This page talks about the history of Herkimer County NY:
>http://www.rootsweb.com/~nyherkim/history/herkhist69.html
>The first settlements of the County were made along the river flats 
>above Little Falls, by Palatinates, from Germany, about 1822....
>
>LisaCurious - George Washington Henry says he moved there, as a baby, in 
about 1801.John

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:23:10 -0400
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>The amazing thing about Hungarian (and other scheitholt-like) 
>zithers is the number of sympathetic strings - they can be enormous. 
>The fretted strings, on which the melody is played, vary in number 
>but I think they are all unison, at least in the simplest style of 
>playing. In the Appalachian dulcimer, one traditional style involves 
>fretting only the melody string(s), but modern players sometimes 
>chord using all three (or four) strings.
>
>JohnIncidentally, some players don't bother with tuning all those 
strings, and some deliberately loosen some of them so that they will 
rattle.J

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Subject: Hurdy-gurdy
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 12:26:46 -0700
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One of the best singers I've ever heard was cranking
her stand-up model as she performed in a large public
square in Lyon, France, c. 1985. You could hear her
voice for blocks. Staff at our hotel said that she was
a regular fixture and a gipsy ("gitan").C."Can't speak to it's use by women but the instrument
itself 
is not that big. There is a gentleman who performs
occasionally on 
Jackson Square who plays one and it's not much larger
that a guitar."

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Subject: Camborne Hill
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:34:31 -0400
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Subject: Camborne Hill
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:41:52 -0400
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>...
>Going up Camborne Hill, coming down
>Going up Camborne Hill, coming down
>The horses stood still;
>The wheels went around;
>Going up Camborne Hill coming down
>...
>The tune seems to be close to one of those of "Sam (Jack) Hall."
>
>JohnSo do the words ("coming down"):Up the ladder I did grope,
that's no joke, that's no joke
Up the ladder I did grope, that's no joke.
Up the ladder I did grope,
and the hangman spread the rope,
O but never a word said I,
coming down, coming down,
O never a word said I coming down.
http://www.contemplator.com/england/jackhall.htmlTherefore it seems to me that "Camborne Hill" is based on "Jack Hall."J

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Subject: Names for Appalachian dulcimer
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:51:59 -0400
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I think I've read that the Appalachian dulcimer was called a 
"harmony" in northern Alabama.  Of course, we often hear "dulcimore."What other names has this instrument gone by?Was the scheitholt always so-called, or did it have other names (in America)?Thanks.John
-- 
john garst    [unmask]

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Subject: Re: National Children's Folksong Repository
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 13:18:20 -0700
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How is this repository maintained? Is this a
profit-making venture? (I noticed on the website that
a CD can be purchased?) Who are the sponsors of the
project?Is permission asked of contributors before CDs are
made? Are they listed as contributors on the CD? I know this is a lot of questions, but I am interested
in participating and need to know what I'm getting
into.--- Educational CyberPlayGround
<[unmask]> wrote:
> I also agree.
> 
> It is important that children
> pass on to each other - it's their oral tradition -
> the playground chants, songs, games that they
> teach each other and used to play - are given our
> respect.
> 
> I want them to teach the adult what they know,
> by recording it into the repository.
> 
> The children keep the tradition alive when they
> teach
> each other - but that's not happening - all this
> stuff is disappearing and I want their voices,
> I want them to hear themselves on the net.
> 
> I only ask adults to show the children where to do
> it.
> http://www.edu-cyberpg.com/NCFR/
> 
> My effort is to get the children to record their
> music before
> it is too late.
> 
> And what's the point of saving the oral tradition?
> http://www.edu-cyberpg.com/NCFR/opportunity.html
> 
> 
> best,
> 
> Karen Ellis
> 
> >Date:    Wed, 13 Apr 2005 12:12:50 -0500
> >From:    Paul Stamler <[unmask]>
> >Subject: Re: UF Study
> >
> >----- Original Message -----
> >From: "John Garst" <[unmask]>
> >
> ><<With my present perspective, I am enthusiastic
> about teaching old
> >songs in schools.  That, too, is simply part of
> tradition, and I see
> >it as an exceptionally valuable part.>>
> >
> >I strongly agree. I'm a little concerned, though,
> over the practice of
> >making the focus of the activity the writing of
> *new* songs. Yes, it's good
> >for kids to learn to be creative; yes, this is the
> folk process in action,
> >sort of. But it forgets to teach kids that there's
> something of value in the
> >old songs besides fodder for their own efforts,
> that they deserve to be sung
> >on their own merits, that there's a point to
> tradition. In short, I'm not
> >sure it should be our goal to teach kids to be
> singer-songwriters.
> >
> >Peace,
> >Paul the Curmudgeon
> 
> 
>   ~~ Bless the founders of the Net~~
> They've allowed me to become a woman of my time
> instead of ahead of it.
> Timing & Luck in the rhythm of life is more
> important than anything else.
> Just a curious grrl . . .
>   ~~~ KSE~~~
> 
> "The illiterate of the year 2000 will not be the
> individual who cannot read
> and write, but the one who cannot learn, unlearn and
> relearn."
>   ~~~Alvin Toffler~~~
> 
> "Be liberal in what you accept and conservative in
> what you send."
> John B. Postel, RFC 791 quoted by Bob Braden
> UCLA Computer Science Dept. "Jon Postel Remembered" 
> October 30, 1998
>
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
>           ///  Karen Ellis
>          ///  Educational CyberPlayGround 
> http://www.edu-cyberpg.com
>    __ ///   Guavaberry Books
>    \\\///
>     \X/  7 Hot Site Awards from New York Times, USA
> Today , MSNBC,
>      \/ Earthlink USA Today Best Bets For Educators,
> Macworld Top Fifty
>
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
>  
> Granny Sue
Stories from the Mountains and Beyond
R2 Box 110
Sandyville WV 25275
304-372-5861
tollfree 1-866-643-1353
[unmask]

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 16:21:30 -0400
Content-Type:text/plain
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At 03:21 PM 4/13/2005 -0400, you wrote:
>>This page talks about the history of Herkimer County NY:
>>http://www.rootsweb.com/~nyherkim/history/herkhist69.html
>>The first settlements of the County were made along the river flats above 
>>Little Falls, by Palatinates, from Germany, about 1822....
>>
>>Lisa
>
>Curious - George Washington Henry says he moved there, as a baby, in about 
>1801.
>
>JohnMaybe he was amazingly precocious.

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Subject: Re: Names for Appalachian dulcimer
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 16:23:39 -0400
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At 03:51 PM 4/13/2005 -0400, you wrote:
>I think I've read that the Appalachian dulcimer was called a "harmony" in 
>northern Alabama.  Of course, we often hear "dulcimore."
>
>What other names has this instrument gone by?Hog fiddle, duck-slammer (my personal favorite), lap dulcimer, fretted 
dulcimer.
Lisa

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 16:31:55 -0400
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At 03:16 PM 4/13/2005 -0400, you wrote:>The amazing thing about Hungarian (and other scheitholt-like) zithers is 
>the number of sympathetic strings - they can be enormous.  The fretted 
>strings, on which the melody is played, vary in number but I think they 
>are all unison, at least in the simplest style of playing. In the 
>Appalachian dulcimer, one traditional style involves fretting only the 
>melody string(s), but modern players sometimes chord using all three (or 
>four) strings.
>
>JohnAnd let's not forget the great zither master himself, Anton Karas (The 
Third Man theme), whose cd's are playing in my office as we write.
Here on this Amazon webpage you can sample a few tracks of his wonderful 
zither playing.  His zither had a LOT of strings, needless to say....
http://www.amazon.com/exec/obidos/tg/detail/-/B000005MZ6/ref=pd_sim_music_4/104-0979710-0864743?v=glance&s=music
Incidently, I play my 4 stringed mountain dulcimer in the traditional way 
using a sliding noter stick and open drone strings, fretting only the 2 
identical melody strings.
Lisa

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Subject: Re: Mysterious instrument
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 15:34:11 -0500
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Lisa - S. H. wrote:
> 
> This page talks about the history of Herkimer County NY:
> http://www.rootsweb.com/~nyherkim/history/herkhist69.html
> 
>> The first settlements of the County were made along the river flats 
>> above Little Falls, by Palatinates, from Germany, about 1822. Some of 
>> them had previously settled upon the Hudson. Accessions were made from 
>> time to time, and up to the close of the Revolution they consisted the 
>> chief part of the inhabitants. During the French War of 1756 the 
>> settlements were twice invaded by French and Indians, many of the 
>> inhabitants were killed, a large amount of property was destroyed and 
>> numbers of the inhabitants were carried away prisoners.
> 
> 
> And defining "Palatinates":
> http://www.jackson8.com/hxexpl.html
> 
>> The more time I spent learning about the Palatinates and German 
>> immigration around 1750 (see list below), the more reasons there were 
>> to focus the search on the Lower Palatinate:
>> 1) "The Palatinate" (Pfalz or Kurpfalz) is frequently referred to in 
>> Genealogy and nearly always means the Lower Palatinate (Rhine 
>> Palatinate).
>> 2) "Upper Palatinate" is rarely referred to as a location in and of 
>> itself. Cities in this area are usually referred to as Bavaria.
>> 3) the Lower Palatinate (or Rhine Palatinate) was where the influx of 
>> Germans came from between 1748 and 1752...Lunenberg, Nova Scotia being 
>> one of the main landing points.
>> 4) The Rhine Palatinate was by far the source of the largest group of 
>> German immigrants in America at the time of George Adam Kellenberger.
>> 5) Bavarian Germans were rare in America at this time.Note that the settlers of New Paltz (in Ulster County NY) were 
francophones from the Palatinate -- Protestant refugees from Belgium. 
Most other immigrants from the Palatinate were probably German-speaking; 
but it's quite possible that some of them weren't.-- 
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Decluttering: http://decluttering.blogspot.com
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 16:41:20 -0400
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>At 03:16 PM 4/13/2005 -0400, you wrote:
>
>>The amazing thing about Hungarian (and other scheitholt-like) 
>>zithers is the number of sympathetic strings - they can be 
>>enormous.  The fretted strings, on which the melody is played, vary 
>>in number but I think they are all unison, at least in the simplest 
>>style of playing. In the Appalachian dulcimer, one traditional 
>>style involves fretting only the melody string(s), but modern 
>>players sometimes chord using all three (or four) strings.
>>
>>John
>
>
>And let's not forget the great zither master himself, Anton Karas 
>(The Third Man theme), whose cd's are playing in my office as we 
>write.
>Here on this Amazon webpage you can sample a few tracks of his 
>wonderful zither playing.  His zither had a LOT of strings, needless 
>to say....
>http://www.amazon.com/exec/obidos/tg/detail/-/B000005MZ6/ref=pd_sim_music_4/104-0979710-0864743?v=glance&s=music
>Incidently, I play my 4 stringed mountain dulcimer in the 
>traditional way using a sliding noter stick and open drone strings, 
>fretting only the 2 identical melody strings.
>LisaThe material at
http://www.antonkaras.at/english_instrument.htm
leads me to believe that the "concert zither" and the method of 
playing (and tuning) used by Karas are a far cry from the method 
described by Lisa.  For one thing, the five strings over the 
fingerboard are all tuned to different pitches.  Both my ears and the 
discussion at the site above suggest to me that Karas used rather 
complex methods.  Am I wrong?John-- 
john garst    [unmask]

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Subject: Re: Mysterious instrument
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 14:40:58 -0700
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To my knowledge, a mountain or appalachian dulcimer,  has roughly 
three strings (some of which can be doubled into courses, e.g., 1 
course of two strings has 2 strings but is played as if it were one, 
as in a 12 string guitar which plays generally just like a six 
string). there are frets, so one can play a melody on the first (and 
second) string (or course), and let the third string sound along as 
you strum as a sort of drone (linking dulcimers with hurdy-gurdies 
and banjos and bagpipes).  Some play the third "string" as well.Scheitholz and epinette de voges and mt. dulcimers are really the 
same instrument, differing probably less than classical Spanish 
flamenco guitars and Martin dreadnaught country back-up guitars. 
Thus, this dulcimer is certainly the most likely candidate.To my knowledge, a zither generally has the shape of an autoharp and 
has several strings (often 6) strung over a fretboard.  One can play 
melody and chords on these strings, plucking them (or struming them) 
with the thumb.  The other (dozen or more) strings are not above 
frets, and can be left free to sound sympathetically or can be 
plucked (strummed) with the fingers (or thumb) to give bass notes, 
chords, etc.(for my nickel, the autoharp is a great improvement, escpecially 
Mother Maybelle's way of picking the darned thing up, but I digress..)The pictures referred to by our colleagues are most instructive.I note that dulcimers have a good bass range, while zithers stick 
with the trebble.  Also the zither is capable generally of a lot more 
"musical diversity" in terms of scale and range, while the dulcimer 
is more of a "folk" instrument (gapped scales, individual scales in a 
certain tuning, various tunings).  (Give me the dulcimer, but I 
digress once again...)Also:
let us not forget that there are _two_ hurdy gurdies:
one an instrument with a wheel for a "bow" playing whatever music one 
wants with lots of drones; indigenous especially to France, Hungary 
and Germany (with lots of historic examples from Spain/Portugal, 
Italy, Scandinavia, Eastern Europe, Benelux, etc,etc).
one a "barrel organ" playing standardized (like a piano roll) tunes 
on a machine which sends air through pre-determined pipes.  This 
later is usually played by a "disabled veteran" and accompanied by a 
monkey with a tin cup to "beg" for money.  I believe the French (?) 
government outfitted its disabled veterans with barrel organs (aka 
hurdy gurdies) as a means of earning a "livlihood" after the First 
World War.Let us hope I have been more "instrumental" and less "mysterious" in 
all of this...David Engle
-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 18:09:28 -0400
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At 04:41 PM 4/13/2005 -0400, you wrote:
>The material at
>http://www.antonkaras.at/english_instrument.htm
>leads me to believe that the "concert zither" and the method of playing 
>(and tuning) used by Karas are a far cry from the method described by 
>Lisa.  For one thing, the five strings over the fingerboard are all tuned 
>to different pitches.  Both my ears and the discussion at the site above 
>suggest to me that Karas used rather complex methods.  Am I wrong?
>
>JohnYes, Karas had a very imposing concert zither with many strings, and he 
played it in a very complex style, using fingerpicks and thumbpick, 
fretting many strings, using vibratto, etc.  I saw a movie clip of him 
playing in closeup and it was amazing, you'd swear there was more than one 
zither playing all those notes.
And yes, this is indeed a far cry from the very spare noter/drone playing 
technique I use on my 4 stringed mountain dulcimers.  However, spare can be 
beautiful in it's own way!    ;)
I mostly play to accompany either my ballad singing or to accompany my 
fiddler who plays many older Kentucky and West Virginia fiddle tunes dating 
back to the 1800's.
TradMan Mark knows a lot about this whole subject too.
Lisa Johnson 

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Subject: Re: UF Study
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 18:15:51 -0400
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Well, I'm not sure who is forgetting what here.
For myself, I teach them old songs plus they make 'new'songs.
Both, not one or the other.
They are never singer-songwriters, thank goodness, never so individually
egotistical. The 'new' songs are group compositions made and held in
common, and grounded firmly on the old songs, which in their day were often
remakes of or from older again songs.
"Who made that song?"
"We did."Ewan McVicar

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 18:24:43 -0400
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At 02:40 PM 4/13/2005 -0700, you wrote:>I note that dulcimers have a good bass range, while zithers stick with the 
>trebble.Well it depends on your mountain dulcimer playing style, and how you choose 
to string it and play it.
I use the Galax (Virginia) technique, whereas all strings are the same 
gauge and tuned high, generally in a 1-1-1 or 1-5-1 tuning.  That gives a 
treble zinging sound when played with a sliding noter stick.  There are 
some photos of my Galax style cherry mountain dulcimer on the luthier's 
webpage if anyone is interested in seeing it, here at the bottom of Ben 
Seymour's page (he made the dulcimer for me):
http://www.kudzupatch.net/newinst.htm
It is diatonically fretted, and I play it in mixolydian, Ionian, and dorian 
modes.  I usually play in the keys of A, D, and G, but that is adaptable 
with both retuning and under-string capoing.
Probably more than you want to know...
Lisa Johnson

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Subject: Re: UF STUDY
From: ghost <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 19:08:43 -0400
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>  From [unmask]  Tue Apr 12 19:10:13 2005
>  Date:         Tue, 12 Apr 2005 19:10:08 EDT
>  From: Heather Wood <[unmask]>
>  Subject: Re: UF STUDY
>  To: [unmask]
  >  John PeelYou sang "John Peel"?  That's pretty cool.  We sang it too, in 
northwestern Ohio in the '50s, out of the little red songbook (this was its 
cover color in the Lucas County Public School System, not its politics), 
taught by a teacher who played piano with great enthusiasm & actually 
enjoyed music, singing in particular, & wanted kids to enjoy it too.We also sang all the American patriotic & armed-service-anthem songs, 
which I seem to remember being the only other things that we sang out of 
the book, probably because this was pretty much all that was in the book,
all of them except "G-d Bless America" & "Columbia the Gem of the Ocean" 
which were for some reason not in the book, & "Raggle Taggle Gypsies", 
in a version very close to the one Christy Moore 
but no one else I've heard sings today.I later found out that "John Peel" was "not a real folk song", it was
written by some English lady aristocrat type "in the style of a real 
folk song", or at least that's what I read.  English lady aristocrat
singer-songwriter or not, she knew in 1912 or whatever that little American 
kids in the '50s would like to holler "view hallooooooooooooo" more than 
almost anything.I have never heard anybody (except me in the shower) sing this since.For folk dancing we had square-dancing to records without any music left
on them.  These were probably the remnants of what Ford had donated to
schools in the 20s to stamp out "evil African-American & Jewish music"
(I'm Jewish).  These records put me off of American old-time music for 
a long time, not because I knew about old Henry's scheme but because they 
literally had almost no sound left on them.

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Subject: Where I learned what songs
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 18:29:21 -0500
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I learned "The Unquiet Grave" from a science fiction novel by Poul 
Anderson; most recently published as _The Flowers of Gwdion_.  (A new sf 
novel -- a gaming-related one -- has The Unquiet Grave as its title.) From my father's singing, I learned this, which I'm reasonably sure did 
not have a folk origin:I'm the little Howard label,
And I'm proud as proud can be,
To be sewn on ev'ry garment
In the Howard factory.Probably a radio commercial from the 1920s or 1930s.I learned Ogden Nash's "Four Prominent Bastards" (in a folked-up 
version) at informal gatherings of science fiction fans.I learned part of "Bell Bottom Trousers" at summer camp.  The counselor 
who was singing it from a book reached a point at which she realized it 
wasn't suitable for children.I learned "Little Brown Jug" from a children's record.-- 
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Decluttering: http://decluttering.blogspot.com
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: Re: UF STUDY
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 20:36:34 -0400
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Forum for ballad scholars <[unmask]> on Wednesday,
April 13, 2005 at 6:08 PM -0500 wrote:
>You sang "John Peel"?  That's pretty cool.  My ex & i used to sing that at the Cellar Door in Georgetown DC ...  in
the dark ages.Mary Cliff

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Subject: The Blues
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 18:21:00 -0700
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Leonard Bernstein did a great lecture on (among other
things) the blues. He said, in effect, that as long as
it scanned, it doesn't matter. His example was (with
bluesy piano  accompaniment):"Macbeth shall know neither death nor bane,
Macbeth shall know neither death nor bane,
Till Burnam High Wood
Come to Dunsinane"
                                                      
                                                      
                                                      
                     It occurs to me that "Camborne
Hill" could serve as an 
archetype of  "blues ballads."Camborne HillGoing up Camborne Hill, coming down
Going up Camborne Hill, coming down
The horses stood still;
The wheels went around;
Going up Camborne Hill coming down

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Margaret MacArthur <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 21:49:29 -0400
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  John Garst writes>I think I've read that the Appalachian dulcimer was called a
>"harmony" in northern Alabama.  Of course, we often hear "dulcimore."
>
>What other names has this instrument gone by?In Licking Missouri where i spent most of my childhood, the instrument was
called aither a THREE STRING or a CANE or KANE, not sure how it was spelled
Margaret MacArthur

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Subject: Re: Mysterious instrument
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Subject: Re: Mysterious instrument
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Subject: Re: Names for Appalachian dulcimer
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Subject: Re: UF Study
From: Sammy Rich <[unmask]>
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Date:Wed, 13 Apr 2005 23:05:28 -0400
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Ewen:  Would you expand a little on these game song collections you referred to here?   Were they used in the teaching or were they produced from the teaching of game songs and then produced in these collections? >I think through published game song collections I've recognised three
> concerted attempts over the period, with debatable effect, to get children
> singing singing games in their 'leisure' time. Also: if either your or Heather would expound a little on the organized sol fah singing. I have some Kodaly  training myself but would like to hear of it's use in teaching of tradition.> Heather Wood and I were involved in the tailend of organised sol fah
> singing of folksongs, mostly I think from the publications of Cecil Sharp, 
> as an integral part of school education.
> Ewan McVicarHow many books or parts of books are there to Nelson's New National & Folk Song Book.  I have found at least two, but there may be many more?Thanks:  SRich[unmask] 

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Subject: Re: Mysterious instrument
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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 20:14:16 -0700
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Margaret;Licking, Missouri!  Is that like kissing Texas?  Or hugging Florida?Ed----- Original Message -----
From: Margaret MacArthur <[unmask]>
Date: Wednesday, April 13, 2005 6:49 pm
Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)>  John Garst writes
> 
> >I think I've read that the Appalachian dulcimer was called a
> >"harmony" in northern Alabama.  Of course, we often hear "dulcimore."
> >
> >What other names has this instrument gone by?
> 
> In Licking Missouri where i spent most of my childhood, the 
> instrument was
> called aither a THREE STRING or a CANE or KANE, not sure how it was 
> spelledMargaret MacArthur
> 

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Subject: Re: Mysterious instrument
From: Jane Keefer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Apr 2005 20:14:02 -0700
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Fascinating.   Thanks, Lisa  -  And given that some homemade dulcimers had
frets for only the "melody" string, with the other strings strictly drone,
that sound is both sweet and occasionally a little buzzy, too.  I've heard
some folks did also bow the dulcimer and I have tried that a couple of
times.  a very interesting sound. Jane----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Tuesday, April 12, 2005 4:20 PM
Subject: Re: Mysterious instrument> At 04:06 PM 4/12/2005 -0700, you wrote:
> >How about a bowed psaltery?
> >
> >Jane Keefer
>
> Bowed psalteries were invented in the 1940's by a music teacher.  Plucked
> psalteries are ancient instruments, but were not common at all in early
> America.
> Lisa

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Subject: Re: Mysterious instrument
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 01:58:07 -0500
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----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>At 03:16 PM 4/13/2005 -0400, you wrote:>The amazing thing about Hungarian (and other scheitholt-like) zithers is
>the number of sympathetic strings - they can be enormous.  The fretted
>strings, on which the melody is played, vary in number but I think they
>are all unison, at least in the simplest style of playing. In the
>Appalachian dulcimer, one traditional style involves fretting only the
>melody string(s), but modern players sometimes chord using all three (or
>four) strings.
>
>John<<And let's not forget the great zither master himself, Anton Karas (The
Third Man theme), whose cd's are playing in my office as we write.
Here on this Amazon webpage you can sample a few tracks of his wonderful
zither playing.  His zither had a LOT of strings, needless to say....>>Some Hungarian dulcimer-like zithers have two fingerboards -- one for
ascending scales, one for descending.Peace,
Paul

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Subject: Re: Mysterious instrument
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 02:01:41 -0500
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----- Original Message ----- 
From: "David G. Engle" <[unmask]><<let us not forget that there are _two_ hurdy gurdies:
one an instrument with a wheel for a "bow" playing whatever music one
wants with lots of drones; indigenous especially to France, Hungary
and Germany (with lots of historic examples from Spain/Portugal,
Italy, Scandinavia, Eastern Europe, Benelux, etc,etc).
one a "barrel organ" playing standardized (like a piano roll) tunes
on a machine which sends air through pre-determined pipes.  This
later is usually played by a "disabled veteran" and accompanied by a
monkey with a tin cup to "beg" for money.  I believe the French (?)
government outfitted its disabled veterans with barrel organs (aka
hurdy gurdies) as a means of earning a "livlihood" after the First
World War.>>It was the former to which I referred when I made the suggestion that the
mysterious instrument of the original text might have been a hurdy-gurdy.Peace,
Paul

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: "Steiner, Margaret" <[unmask]>
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Date:Thu, 14 Apr 2005 03:37:05 -0500
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Now, we have French Lick, Indiana!	Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of edward cray
Sent: Wednesday, April 13, 2005 10:14 PM
To: [unmask]
Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)Margaret;Licking, Missouri!  Is that like kissing Texas?  Or hugging Florida?Ed----- Original Message -----
From: Margaret MacArthur <[unmask]>
Date: Wednesday, April 13, 2005 6:49 pm
Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)>  John Garst writes
> 
> >I think I've read that the Appalachian dulcimer was called a
> >"harmony" in northern Alabama.  Of course, we often hear "dulcimore."
> >
> >What other names has this instrument gone by?
> 
> In Licking Missouri where i spent most of my childhood, the 
> instrument was
> called aither a THREE STRING or a CANE or KANE, not sure how it was 
> spelledMargaret MacArthur
> 

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Subject: Re: UF Study
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 06:19:10 -0400
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Well SRich, I'm glad I prefaced my comments with a disclaimer.
I'll list what I have observed, but I've no direct evidence of connections
between them, just woolly assumptions.The publications etc I had in mind are as follows.
a] Children's Singing Games, with the tunes to which they are sung,
collected and edited by Alice B Gomme. First published 1894. In her Preface
she says ".. these games, if faithfully reproduced from the traditional
versions, are capable of giving great enjoyment to children who alas! have
not learnt them in the traditional method."
b] 100 Singing Games, edited by Frank Kidson, 1916. Some are old, some
"boldly invented, entirely on the old, simple lines". For use "as part of
the system of schooling for young children", and "for juvenile parties".
c] The Guides' Book of Singing Games and Dances, published by Mozart Allan
of Glasgow. No date, but the price of 2/- for 40 pages of music and text,
paperback, suggests 1930s or 1940s. 
d] Around the time of JRR Ritchie's 1951 film The Singing Street, and 1960s
Edinburgh collections The Singing Street and Golden City, in Glasgow
several streets were designated 'play streets' with traffic restricted. Re sol fah maybe Heather or someone else will respond. 
I cannot answer your question about Nelson's books. I have casually
acquired various books of folksong intended for schools, but have not
considered them in any systematic way.Ewan McVicar

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Subject: Re: Where I learned what songs
From: Heather Wood <[unmask]>
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Date:Thu, 14 Apr 2005 08:53:56 EDT
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Subject: Re: Mysterious instrument
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 06:23:29 -0700
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I am wondering if the instrument described could be
one I've read about--not really an instrument at all,
but a string (or catgut or whatever) strung between
two nails or pegs on the wall and plucked or bowed to
make music. I have never heard one of these played, so
I don't know if it produced the droning sound
described by the author.It does fit the criteria of being obsolete and
possibly unheard of by subsequent generations,
however.Granny Sue
Stories from the Mountains and Beyond
R2 Box 110
Sandyville WV 25275
304-372-5861
tollfree 1-866-643-1353
[unmask]

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Subject: Re: Licking Missouri
From: Margaret MacArthur <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 09:27:36 -0400
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Ed wrote
>Margaret;Licking, Missouri!  Is that like kissing Texas?  Or hugging Florida?
>EdCould be, never thought of it, but heard that it had to do with natural
salt licks that deer frequented in olden daysShould also mention that I have concert zither, harp zither, dulcimer and
sheitholt here in my study, lovely sounds all, and sights.
Margaret MacArthur

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Subject: Re: Names for Appalachian dulcimer
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 09:30:38 -0400
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At 11:00 PM 4/13/2005 -0400, you wrote:
>And lets not forget the famous "Tennessee music box"Yes.  The funny thing is it seems to me that a lot of modern mountain 
dulcimer players consider the Tennessee music box to be a different 
instrument than the mountain dulcimer, though related.  I think of them as 
the same instrument but simply with varied body shape, along with the 
eliptical shaped Galax dulcimer and other trapezoidal/scheitholt-shaped 
early mountain dulcimers.  The hourglass shape (with heart soundholes) has 
become so pervasive for modern mountain dulcimers that some folks look upon 
early home made box dulcimers as something slightly different altogether, 
or as "prototypes".
Lisa Johnson 

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Subject: Re: UF Study
From: Heather Wood <[unmask]>
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Date:Thu, 14 Apr 2005 09:34:42 EDT
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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 09:41:19 -0400
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At 08:14 PM 4/13/2005 -0700, you wrote:
>Fascinating.   Thanks, Lisa  -  And given that some homemade dulcimers had
>frets for only the "melody" string, with the other strings strictly drone,
>that sound is both sweet and occasionally a little buzzy, too.  I've heard
>some folks did also bow the dulcimer and I have tried that a couple of
>times.  a very interesting sound.
>
>  JaneHi Jane,
Yes, mountain dulcimers were indeed sometimes bowed in Appalachia.
Ken Bloom is a wonderful musician, and he has been promoting bowing the 
mountain dulcimer over the past few years.  He makes some beautiful 
ones.  They sound better when one constructs them specifically for that 
purpose.  A friend of mine will be coming to visit me in 2 weeks with one 
that I hope to experiment on.  My childhood 'cello playing years would 
certainly be handy to me on bowed dulcimer.  Here is Ken's bowed dulcimer 
website, with a video clip where one can see & hear him play one:
http://www.boweddulcimer.com/
Sorry if all this dulcimer talk is so off topic for ballads, I hope nobody 
minds....
Lisa 

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Subject: Re: Mysterious instrument
From: [unmask]
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Date:Thu, 14 Apr 2005 10:41:51 EDT
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In a message dated 04/14/05 6:41:42 AM, [unmask] writes:<< http://www.boweddulcimer.com >>

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Subject: Re: UF STUDY
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 09:44:47 -0500
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Just as in previous centuries there was a free flow back and forth between
oral tradition and street lit tradition there is today a very healthy flow
back and forth between oral tradition and TV ad jingles. These people know
their jobs! Recent ads for several different products have used Wild Rover
and Dance to your Daddy, Wild Mountain Thyme among others in the UK.
SteveG

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 11:06:12 -0400
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The "one-string" or "diddley bow" used to be common among 
African-American teenagers.  It was their homemade "starter" 
instrument leading to guitar and blues.  A few, like Eddie 
"One-String" Jones, stuck to it later in life.John>I am wondering if the instrument described could be
>one I've read about--not really an instrument at all,
>but a string (or catgut or whatever) strung between
>two nails or pegs on the wall and plucked or bowed to
>make music. I have never heard one of these played, so
>I don't know if it produced the droning sound
>described by the author.
>
>It does fit the criteria of being obsolete and
>possibly unheard of by subsequent generations,
>however.
>
>Granny Sue
-- 
john garst    [unmask]

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Subject: Re: Names for Appalachian dulcimer
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 10:53:40 -0500
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There are a few comments in Sibyl Marcuse's "A Survey Of Musical 
Instruments" which may be helpful."In Germany if was called scheitholt (wooden log) except in the maritime 
area where it was known as hummel (drone).""From Europe - more precisely, probably from Germany and Holland - the 
fretted zither was introduced to the United States...""A rectangular 'log' type was formerly played in Pennsylvania but it is 
now obsolete there; it had been imported, probably from Germany.""Despite the fact that its route of introduction to the southeastern 
United States is not known, the form of the instrument combined with 
known patterns of population movements point to Germany via Pennsylvania 
as the probable path taken."Noting her references to a German - Pennsylvania origin keep in mind 
that the largest numbers of Palatinate immigrants settled in Pennsylvania.John Garst wrote:> I think I've read that the Appalachian dulcimer was called a "harmony" 
> in northern Alabama.  Of course, we often hear "dulcimore."
>
> What other names has this instrument gone by?
>
> Was the scheitholt always so-called, or did it have other names (in 
> America)?
>
> Thanks.
>
> John

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Subject: Re: Where I learned what songs
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 12:00:04 -0500
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----- Original Message ----- 
From: "Heather Wood" <[unmask]><<Was just re-reading Dorothy Sayers - she quotes ballads in an early P
Wimsey.>>As I recall, there are ballads and other traditional songs sprinkled through
all of the Wimsey books. I've occasionally thought it would be fun to do a
show of songs from Lord Peter's adventures, along the lines of what the
Mellstock Band did with Thomas Hardy's works.Peace,
Paul

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Subject: National Children's Folksong Repository
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 14:36:55 -0400
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RE: NCFRDate:    Wed, 13 Apr 2005 13:18:20 -0700
From:    Susanna Holstein <[unmask]>
Subject: Re: National Children's Folksong RepositoryThere is no CD.
You may be confused with seeing Google ads.
Kids are asked but names are not required.NCFR
http://www.edu-cyberpg.com/NCFR/NCFR.htmlWatch the video The Arts Education Partnership
http://www.edu-cyberpg.com/NCFR/ecprm.htmlAnswers to all questions
http://www.edu-cyberpg.com/NCFR/NCFR2.htmlKaren Ellis<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: UF STUDY
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 20:35:54 -0500
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>>Now in my fifties, I can only remember the version I learned when
>>I was ten.
>
>How could you forget "she showed her bare arse to the whole wagon train"?
>Said line, in fact, is in the Fireside Book.They say that, as we age, the most-recent learned is the first to go...Edie

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Subject: Re: Mysterious instrument
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Apr 2005 21:11:49 -0500
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>I am wondering if the instrument described could be
>one I've read about--not really an instrument at all,
>but a string (or catgut or whatever) strung between
>two nails or pegs on the wall and plucked or bowed to
>make music. I have never heard one of these played, so
>I don't know if it produced the droning sound
>described by the author.I've seen (and heard) one-string instruments: gut or wire strung between
two nails on a board.  Found in "jug bands" in the late 60s. (I was living
in Chicago back then.) They were played much like a one-string bass,
fingered up top and plucked (between thumb and forefinger, then released)
lower.  More rhythmical than musical.Edie

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Subject: Re: Mysterious instrument
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 05:24:03 EDT
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Subject: Re: Mysterious instrument
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 09:21:39 -0400
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I recall the tale of Eric Von Schmit playing a Nissen Hut [curved shape,
made of corrugated iron] with a length of wire staped across an arc, using
a tobacco tin to 'fret' it. I don't remember what he was said to have used
as a plectrum.Ewan 

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Subject: Re: diddly bow
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 11:47:33 -0400
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Not only John Lee Hooker, but several other blues artists
seem to have had the diddly-bow in their background, judging
from interviews I've seen. Also, one of the studio
guitarists for Motown Records (Eddie something; sorry, but
the last name escapes me). In the DVD of the documentary
film on Motown studio musicians called "Standing In the
Shadows of Motown", one of the extras on disc 2 is a short
profile of Eddie, accompanied by a visual of a young black
boy with a diddly-bow attached to a door. (To be sure,
Motown is outside of the normal bounds of this list, but
since the subject came up . . .)
The CD set accompanying the most recent edition of the Jeff
Titon book (a newer edition will be out soon) includes a
reissue of a track by an electric one-string guitarist who
goes by the name One-String Sam. If I recall correctly, this
cut had previously been reissued by Blues Classics in a
Detroit blues anthology. Specialty Records issued a
rock'n'roll 45 by a singer (once again, memory espcapes me -
Bob Landers?) accompanied by Willie Joe and his Unitar, the
Unitar being billed as an electric one-string guitar. This
has been reissued on LP and CD on more than one occasion and
shouldn't be hard to track down for anyone interested in the
one-string instrument phenomenon. (Should we call these
mono-chordophones?) In both these cases, the one-string
guitar played a simple melody (with a slide in the case of
One-String Sam; haven't heard the Unitar cut in years, but I
don't recall a slide offhand), though the Unitar was used
primarily for rhythmic effect. 
I don't recall any classic-era jug bands using it, either.
Tom Bingham
> 
>  
> My apologies if someone has replied to this already, but
> it's called a   diddly bow. There's a photograph of
> Compton Jones playing one on p 187 of the  Jeff  Todd
> Titon edited Worlds of Music; Schirmer 1996. Titon also 
> supplies a  discourse on the instrument, complete with
> instructions on how  to make one.  According to Titon, the
> instrument can either be portable,  with a wooden back, or
> it can be attached to a wall.
>  
> Compton Jones can be heard playing the diddly bow on
> Afro-American  Folk  Music from Tate and Panola Counties, 
> Mississippi. Rounder 18694-1515-2 CD 001-06.
>  
> The instrument seems to have been fairly common around
> Mississippi at one   time, and I believe that John Lee
> Hooker began by playing one.
>  
> Being a single string instrument, the diddly bow can't
> produce a drone  as  such, but it has a twangy sound,
> which is not unlike an Appalachian  dulcimer  (to my ears
> anyway).
>  
> Regarding its possible adoption by jug bands, I can't
> recall its being  used  by any of the outfits who were
> recording in the heyday of jug bands.  But I  suppose it's
> quite possible that it was adopted by later revival 
> groups.
>  
> Cheers,
>  
> Fred McCormick.  
>  
> In a message dated 15/04/2005 03:10:12 GMT Standard Time, 
> [unmask]  writes:
> 
> >I am  wondering if the instrument described could be
> >one I've read about--not  really an instrument at all,
> >but a string (or catgut or whatever)  strung between
> >two nails or pegs on the wall and plucked or bowed  to
> >make music. I have never heard one of these played, so
> >I  don't know if it produced the droning sound
> >described by the  author.
> 
> I've seen (and heard) one-string instruments: gut or wire 
> strung between two nails on a board.  Found in "jug bands"
> in the late  60s. (I was living in Chicago back then.)
> They were played much like a  one-string bass, fingered up
> top and plucked (between thumb and forefinger,  then
> released) lower.  More rhythmical than  musical.
> 
> Edie
> 
> 

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Subject: Ebay List - 04/15/05 (Part 1 - Songsters & Broadsides)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 15:10:41 -0400
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Hi!	For everyone in the US, Happy Income Tax Day! :-( 	If my fingers hold out, you will get all 3 lists today. So here
goes!	SONGSTERS & BROADSIDES	6524616692 - Fremont Campaign Songsheet, 1856, $51 (ends
Apr-16-05 12:02:20 PDT)	3969577224 - The Republican Campaign Songster, 1860, $149.99
(ends Apr-17-05 10:28:33 PDT)	6525058019 - PADDLE YOUR OWN CANOE SONGSTER, 1868, $9.99 (ends
Apr-18-05 11:11:39 PDT)	7314863674 - Annie Hart's Electric Success! The Pride Of
Shantytown Songster, $2 (ends Apr-18-05 11:12:22 PDT)	6525386698 - Patterson's Ideal Songster, $4.25 (ends Apr-19-05
20:01:21 PDT)	7315316998 - 3 songsters, 189?, $9.99 (ends Apr-20-05 09:28:27
PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Mysterious instrument
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 12:28:55 -0700
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That's the name for it! I couldn't recall it. Several
old-timers around here have told me about how they'd
make on on the wall of the barn, in the kitchen or
wherever. Susanna--- John Garst <[unmask]> wrote:
> The "one-string" or "diddley bow" used to be common
> among 
> African-American teenagers.  It was their homemade
> "starter" 
> instrument leading to guitar and blues.  A few, like
> Eddie 
> "One-String" Jones, stuck to it later in life.
> 
> John
> 
> >I am wondering if the instrument described could be
> >one I've read about--not really an instrument at
> all,
> >but a string (or catgut or whatever) strung between
> >two nails or pegs on the wall and plucked or bowed
> to
> >make music. I have never heard one of these played,
> so
> >I don't know if it produced the droning sound
> >described by the author.
> >
> >It does fit the criteria of being obsolete and
> >possibly unheard of by subsequent generations,
> >however.
> >
> >Granny Sue
> -- 
> john garst    [unmask]
> 

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Subject: Re: Mysterious instrument
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 12:46:03 -0700
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Thank you, Fred. Great information.Susanna
--- Fred McCormick <[unmask]> wrote:
>  
> My apologies if someone has replied to this already,
> but it's called a  
> diddly bow. There's a photograph of Compton Jones
> playing one on p 187 of the  Jeff 
> Todd Titon edited Worlds of Music; Schirmer 1996.
> Titon also  supplies a 
> discourse on the instrument, complete with
> instructions on how  to make one. 
> According to Titon, the instrument can either be
> portable,  with a wooden back, or 
> it can be attached to a wall.
>  
> Compton Jones can be heard playing the diddly bow on
> Afro-American  Folk 
> Music from Tate and Panola Counties,  Mississippi.
> Rounder 18694-1515-2 CD 001-06.
>  
> The instrument seems to have been fairly common
> around Mississippi at one  
> time, and I believe that John Lee Hooker began by
> playing one.
>  
> Being a single string instrument, the diddly bow
> can't produce a drone  as 
> such, but it has a twangy sound, which is not unlike
> an Appalachian  dulcimer 
> (to my ears anyway).
>  
> Regarding its possible adoption by jug bands, I
> can't recall its being  used 
> by any of the outfits who were recording in the
> heyday of jug bands.  But I 
> suppose it's quite possible that it was adopted by
> later revival  groups.
>  
> Cheers,
>  
> Fred McCormick.  
>  
> In a message dated 15/04/2005 03:10:12 GMT Standard
> Time,  [unmask] 
> writes:
> 
> >I am  wondering if the instrument described could
> be
> >one I've read about--not  really an instrument at
> all,
> >but a string (or catgut or whatever)  strung
> between
> >two nails or pegs on the wall and plucked or bowed 
> to
> >make music. I have never heard one of these played,
> so
> >I  don't know if it produced the droning sound
> >described by the  author.
> 
> I've seen (and heard) one-string instruments: gut or
> wire  strung between
> two nails on a board.  Found in "jug bands" in the
> late  60s. (I was living
> in Chicago back then.) They were played much like a 
> one-string bass,
> fingered up top and plucked (between thumb and
> forefinger,  then released)
> lower.  More rhythmical than  musical.
> 
> Edie
> 
> 

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Subject: Ebay List - 04/15/05 (Part 2 - General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 17:16:59 -0400
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Hi!	For anyone not busy doing taxes, here is the 2nd part of the
weekly Ebay Lists.	JOURNALS	4538303367 - New York Folklore, 1998, $5 (ends Apr-23-05 00:28:32
PDT)	6956333656 - NORTH CAROLINA FOLKLORE JOURNAL, Summer-Fall 1995, 
$8 (ends Apr-24-05 17:46:42 PDT)	6956334133 - NORTH CAROLINA FOLKLORE JOURNAL, Summer-Fall 1989, 
$8 (ends Apr-24-05 17:51:13 PDT)	6956335015 - NORTH CAROLINA FOLKLORE JOURNAL, Winter-Spring 1994, 
$8 (ends Apr-24-05 17:58:44 PDT)	6956336021 - NORTH CAROLINA FOLKLORE JOURNAL, Winter-Spring 1991, 
$8 (ends Apr-24-05 18:06:04 PDT)	BOOKS	4542391221 - Snipe The Rim: Montana Legends by Carey, 1985, $1.50 
(ends Apr-16-05 14:09:34 PDT)	4542419782 - The Folklore of Sex by Ellis, 1961, $4.50 (ends 
Apr-16-05 17:26:16 PDT)	6955642795 - ABOVE BELOW. TALES AND FOLKLORE OF THE FABULOUS UPPER 
PENINSULA OF MICHIGAN by Knoblock, 1952, $16 (ends Apr-17-05 18:00:00 PDT)	4542840751 - Folklore from the Working Folk of America by Coffin 
& Cohen, 1973, $0.99 (ends Apr-18-05 13:40:36 PDT)	4542897575 - Miramichi - Tales Tall & True by Underhill, 1999, 
$7.95 (ends Apr-18-05 19:02:29 PDT)	6956089085 - LORE OF FAITH & FOLLY by Cheney, Fife & Brooks, 1974,
$5 (ends Apr-20-05 05:41:18 PDT)	8301703632 - Scenes &Legends of the North of Scotland by Miller, 
reprint, 1.99 GBP (ends Apr-24-05 10:41:02 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Ebay List - 04/15/05 (Part 3 - Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Apr 2005 23:32:00 -0400
Content-Type:text/plain
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Hi!	Here I am again as the clock approaches midnight. :-)	MISCELLANEOUS	8301346548 - Folk Music Journal, 2004, 3.99 GBP (ends Apr-16-05 
10:35:25 PDT)	6524866466 - New Victor Records, November 1915, $6.99 (ends 
Apr-17-05 13:40:29 PDT)	4718817548 - Bluesmen and Songsters - 1926-36, LP, $6.99 (ends
Apr-17-05 20:47:49 PDT)	4718931158 - Street Songs Of England by Lloyd, LP, $6 (ends 
Apr-18-05 09:15:18 PDT)	4718974831 - Treasury Of Field Recordings, volume 2, LP, $7 (ends
Apr-18-05 11:48:51 PDT)	4718987943 - The Hills Of Donegal by Barry, LP, $6 (ends 
Apr-18-05 12:25:30 PDT)	8301784761 - Cecil Sharp by Strangways, 1933, 4.95 GBP (ends 
Apr-22-05 03:32:54 PDT)	SONGBOOKS, ETC.	7314434039 - 2 songbooks (Song and Stories of Uncle Dave Macon, 
1938 & Mountain and Western Ballads, 194?), $40 (ends Apr-16-05 18:22:19 
PDT)	7314563680 - FOLK SONGS OF GEORGIA by Whitefield, 1948, $6 (ends 
Apr-17-05 09:54:09 PDT)	7314484863 - MIKE HARDING Folk Songs of Lancashire, 3 GBP (ends 
Apr-17-05 12:30:00 PDT)	4542618939 - Folksongs from Prince Edward Island by Dibblee, 1973,
$9.99 (ends Apr-17-05 14:50:20 PDT)	4543120442 - Traditional Ballads of Virginia by Davis, 1969, 
$17.50 (ends Apr-17-05 18:38:11 PDT)	6955756579 - Sally Go Round the Sun by Fowke, 1969, $2.99 (ends 
Apr-17-05 18:52:01 PDT)	4542865030 - Songs and ballads by Wright, 1970, $5 (ends Apr-18-05 
16:05:01 PDT)	4542865276 - Norwegian Emigrant Songs and Ballads by Blegen & Ruud,
1979 reprint, $9.99 (ends Apr-18-05 16:06:47 PDT)	4542896450 - MOUNTAIN MINSTRELSY OF PENNSYLVANIA by Shoemaker, 
1931 edition, $13.50 (ends Apr-18-05 18:57:07 PDT)	4542931255 - Rymes of Robyn Hood by Dobson & Taylor, 1976, $2.93 
(ends Apr-19-05 00:08:51 PDT)	7315090066 - Joe Davis Folio Of Carson J. Robison Songs, 1930, 
$1.99 (ends Apr-19-05 10:28:06 PDT)	6956045761 - Folklore-Songs of the United States by Lawrence, 
1959, $200 (ends Apr-19-05 18:01:29 PDT)	7315231962 - Song Sheet, Fair Sally, 1746, $10 (ends Apr-19-05 
20:20:02 PDT)	6524716385 - Fifty Folk Songs by Sharp, 1.99 GBP (ends Apr-20-05 
01:12:59 PDT)	4543222421 - FOLK SONGS OF THE SOUTH by Cox, 1967 Dover reprint, 
$4.99 (ends Apr-20-05 08:13:11 PDT)	7508201497 - Eighty English Folk Songs by Sharp & Karpeles, 1970, 
2.49 GBP (ends Apr-20-05 13:29:08 PDT)	4543358088 - Irish Music Hall, 1968, $6.75 (ends Apr-20-05 
18:17:37 PDT)	7315534879 - Camp Songs, 1938, $4 (ends Apr-21-05 08:10:14 PDT)	6956314536 - HEBRIDEAN LOVE LILTS by Kennedy-Fraser & MacLeod, 
1920, 0.99 GBP (ends Apr-21-05 14:23:39 PDT)	6956364607 -  ROBIN HOOD by Ritson, 1841 printing, 39.99 GBP (ends
Apr-22-05 01:58:07 PDT)	6956386417 - Ballads & Folk Songs of the Southwest by Moore, 1964,
$12 (ends Apr-22-05 07:38:07 PDT)	6956421932 - Scottish Life and History in Songs and Ballads by 
Gunnyon, 1879, 9.99 GBP (ends Apr-22-05 11:52:51 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 04/15/05 (Part 3 - Songs & Ballads)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Apr 2005 02:22:19 -0500
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----- Original Message ----- 
From: "Dolores Nichols" <[unmask]><<4718931158 - Street Songs Of England by Lloyd, LP, $6 (ends 
Apr-18-05 09:15:18 PDT)>>I'm bidding on this one.Peace,
Paul

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Subject: Traditional Music at Newport
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Apr 2005 06:07:51 EDT
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Subject: Re: Traditional Music at Newport
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Apr 2005 07:58:23 -0500
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Fred: I can email the list later today if you don't get a response before that. Ron Cohen-----Original Message-----
From:	Forum for ballad scholars on behalf of Fred McCormick
Sent:	Sat 4/16/2005 5:07 AM
To:	[unmask]
Cc:	
Subject:	Traditional Music at NewportHi Folks,
 
I need a copy of the tracklisting (artists and titles) for the  Vanguard LP, 
Traditional Music at Newport 1964 Part Two. I wonder  if any fellow lister 
would be good enough to email me a scan of  the same ?
 
Many anticipatory thanks,
 
Fred McCormick.

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Subject: Re: Traditional Music at Newport
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Apr 2005 09:11:03 -0400
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Fred:Be Glad to provide a listing of the song book that was produced(it is excellent), but don't have the LP's.  
I didn't even know there was one, much less two. Sammy Rich
[unmask]
> 
> From: Fred McCormick <[unmask]>
> Date: 2005/04/16 Sat AM 06:07:51 EDT
> To: [unmask]
> Subject: Traditional Music at Newport
> 
> Hi Folks,
>  
> I need a copy of the tracklisting (artists and titles) for the  Vanguard LP, 
> Traditional Music at Newport 1964 Part Two. I wonder  if any fellow lister 
> would be good enough to email me a scan of  the same ?
>  
> Many anticipatory thanks,
>  
> Fred McCormick.
> 
> 

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Subject: Re: Traditional Music at Newport
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Apr 2005 14:40:18 -0500
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Fred (and others interested: Here is the lineup for Traditional Music at Newport, Part 2, 1964:
Side One:
Clayton McMichen with Frank Wakefield, "Old Joe Clark" and "Bile Them Cabbage Down"
Phipps Family, "Anchored His Love" and "God Gave Noah the Rainbow Sign"
Robert Pete Williams, "Bulldog Blues"
Seamus Ennis, "Did the Rum-Do-Daddy (penny whistle)," "Piper on the Hearth (uilleann pipes)," "What'll Yd do (with penny whistle," "Father's Maid"
Frank Proffitt, "My Home's Across the Blue Ridge Mountains (with banjo)," "Poor Man (with dulcimer)"
Georgia Sea Island Singers, "Down in the Mire"Side Two:
Mississippi John Hurt, "Coffee Blues"
Glenn Ohrlin, "Montana is My Home," "The Chickens they Grow Tail"
Jean Ritchie, "'Tis the Gift to be Simple (with dulcimer)," "Goin' to Boston (with Edna Ritchie and the Hindman School Dancers)"
Almeda Riddle, "The Hangman"
Phoeba Roscoe Parsons, fiddle and sticks, "Sourwood Mountain," "Shortening Bread"
Reverend Robert Wilkins, with guitar, "I Wish I was in Heaven Sitting Down," "Thank You Jesus (with Georgia Sea Island Singers)"Sorry, I cann't easily do a scan, but hope this helps. The liner notes are by Ralph Rinzler.
Ron CohenCc:	
Subject:	Traditional Music at NewportHi Folks,
 
I need a copy of the tracklisting (artists and titles) for the  Vanguard LP, 
Traditional Music at Newport 1964 Part Two. I wonder  if any fellow lister 
would be good enough to email me a scan of  the same ?
 
Many anticipatory thanks,
 
Fred McCormick.

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Subject: Re: Traditional Music at Newport
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Apr 2005 04:54:37 EDT
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Subject: Re: Traditional Music at Newport
From: Fred McCormick <[unmask]>
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Date:Sun, 17 Apr 2005 04:54:47 EDT
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Subject: Re: Traditional Music at Newport
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Apr 2005 08:35:35 -0500
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Fred: Blue Grass Roy has not yet arrived, but should be soon. Glad to be of help. What I don't have are the two Blues albums from the 1964 Newport, which I assume are rather rare, since I have never seen them. ron
 
Hi Ron,
 
Many thanks for the listing, and for taking the trouble to key that lot in.  
I hope the Blue Grass Roy CDR arrived safely by the way. If not, I sent it 
from  the UK by surface mail about a week ago, so it will still be in transit.
 
Just on the score of the earliest musical usage of the term bluegrass, I've  
come across a record called Blue Grass Twist, made by the South Georgia  
Highballers in 1927 (with Chubby Checker ?). Also, a record by a jazz  group called 
the Seminole Syncopators, called Blue Grass Blues. Harry  Cooper, 
cornet/Prince Robinson, clarinet/Unknown alto sax/Graham W Jackson,  piano/Bernard 
Addison, banjo/H. Williams, dms. That one was cut in New York,  April 1924, so I 
doubt there'd be anything earlier on record.
 
Cheers,

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Subject: Re: Traditional Music at Newport
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Apr 2005 10:05:41 EDT
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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Apr 2005 15:26:24 -0400
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>  >I am wondering if the instrument described could be
>>one I've read about--not really an instrument at all,
>>but a string (or catgut or whatever) strung between
>>two nails or pegs on the wall and plucked or bowed to
>>make music. I have never heard one of these played, so
>>I don't know if it produced the droning sound
>>described by the author.
>
>I've seen (and heard) one-string instruments: gut or wire strung between
>two nails on a board.  Found in "jug bands" in the late 60s. (I was living
>in Chicago back then.) They were played much like a one-string bass,
>fingered up top and plucked (between thumb and forefinger, then released)
>lower.  More rhythmical than musical.
>
>EdieAs I recall, "One-String" Jones played his by hitting the wire with a stick.John-- 
john garst    [unmask]

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Apr 2005 12:15:16 -0700
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Subject: 1990 Bawdy Song Bibliography online
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Apr 2005 19:52:13 -0500
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Hello everyone,I have received permission to publicly issue Legman's 1990
"Erotic Folksongs and Ballads: An International Bibliography"                            http://tinyurl.com/bg3mcAOL Users:
<a href="http://tinyurl.com/bg3mc">Bawdy Songs Bibliography</a>This bibliography is an essential resource for those interested in
bawdy songlore in English, French, German and a few other languages
thrown in.Always yours,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and recitation website:
www.immortalia.com.

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Subject: Re: Mysterious instrument
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Apr 2005 20:57:10 -0400
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At 04:08 PM 4/12/2005 -0400, you wrote:
>What instrument is this?  I have my idea, but I don't want to set it down 
>here because I'd like to get unbiased opinions of others.  I should say, 
>however, that it is clearly not the fiddle, which Henry mentions frequently.
>
>John
>--
>john garst    [unmask]Did I miss hearing what your original idea of what instrument this 
was?  I'd like to know what you thought it was, and what you might think it 
is now after everyone's comments...
Lisa Johnson 

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Subject: Re: 1990 Bawdy Song Bibliography online
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Apr 2005 19:23:29 -0700
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John:Great thanks to you and Mrs. Legman for making this available.Jon Bartlett----- Original Message ----- 
From: "John Mehlberg" <[unmask]>
To: <[unmask]>
Sent: Tuesday, April 19, 2005 5:52 PM
Subject: 1990 Bawdy Song Bibliography online> Hello everyone,
> 
> I have received permission to publicly issue Legman's 1990
> "Erotic Folksongs and Ballads: An International Bibliography"
> 
> 
>                            http://tinyurl.com/bg3mc
> 
> AOL Users:
> <a href="http://tinyurl.com/bg3mc">Bawdy Songs Bibliography</a>
> 
> This bibliography is an essential resource for those interested in
> bawdy songlore in English, French, German and a few other languages
> thrown in.
> 
> Always yours,
> 
> John Mehlberg
> ~
> My, mostly traditional, bawdy songs, toasts and recitation website:
> www.immortalia.com
> 
> 
> 
> .

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Apr 2005 23:29:53 -0500
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<<We got the French Broad river, too.  Hotcha-cha !>>Gotcha beat for bragging rights -- Braggadocio, Missouri.Seriously, anyone study the folk art of town naming? There are some doozies
in Missouri, Tennessee and Arkansas.Peace,
Paul

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Subject: Town names
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 10:17:34 EDT
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Subject: W.K. "Bill" McNeil
From: Mike Luster <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 10:24:23 EDT
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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 08:32:49 -0700
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California's gold country has some choice ones too.  Some are definitely not PC.Ed----- Original Message -----
From: Paul Stamler <[unmask]>
Date: Tuesday, April 19, 2005 9:29 pm
Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)> <<We got the French Broad river, too.  Hotcha-cha !>>
> 
> Gotcha beat for bragging rights -- Braggadocio, Missouri.
> 
> Seriously, anyone study the folk art of town naming? There are some 
> dooziesin Missouri, Tennessee and Arkansas.
> 
> Peace,
> Paul
> 

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 09:39:28 -0700
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I assume you're all familiar with George Stewart's
"Names on the Land." My wife and I always take a copy
of his "Concise Dictionary of American Place Names"
with us when we travel. 
     My two sons are avid whitewater canoeists. I
blush to admit that they have both "paddled the French
Broad."
     (Paul: tell 'em the story of how Peculiar,
Missouri, got its name.)
     The Connecticut Sandy--- Paul Stamler <[unmask]> wrote:> <<We got the French Broad river, too.  Hotcha-cha
> !>>
> 
> Gotcha beat for bragging rights -- Braggadocio,
> Missouri.
> 
> Seriously, anyone study the folk art of town naming?
> There are some doozies
> in Missouri, Tennessee and Arkansas.
> 
> Peace,
> Paul
> 

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 12:16:59 -0500
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<<     (Paul: tell 'em the story of how Peculiar,
Missouri, got its name.)>>The town was founded by a group of religious utopians. According to the
legend (and the WPA guide), one night, while looking for a home for their
prospecive colony, their leader had a dream in which she saw the town site.
The next morning, cresting a hill, she pulled up her horse and said, "That's
peculiar -- this is the place I saw in my dream." And so it was.Peace,
Paul

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Subject: Re: Mysterious instrument
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 14:14:50 -0400
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>At 04:08 PM 4/12/2005 -0400, you wrote:
>>What instrument is this?  I have my idea, but I don't want to set 
>>it down here because I'd like to get unbiased opinions of others. 
>>I should say, however, that it is clearly not the fiddle, which 
>>Henry mentions frequently.
>>
>>John
>>--
>>john garst    [unmask]
>
>
>Did I miss hearing what your original idea of what instrument this 
>was?  I'd like to know what you thought it was, and what you might 
>think it is now after everyone's comments...
>Lisa JohnsonMy first idea was the same as yours, a lap dulcimer, in scheidholt or 
other form, perhaps known by an obscure name ("scheidholt"?)  I'm 
very pleased with all the discussion and other ideas, but I still 
think that the dulcimer is most likely.J

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
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Subject: Re: W.K. "Bill" McNeil
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 13:36:19 -0700
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Folks:The death of Bill McNeil is, indeed, a great loss to folklore and to those who knew him.  It is doubly hard coming on the heels of the death of Alan Dundes of a heart attack about ten days ago.  We are a dwindling band, I fear.Ed----- Original Message -----
From: Mike Luster <[unmask]>
Date: Wednesday, April 20, 2005 7:24 am
Subject: W.K. "Bill" McNeil> Friends,
> 
> It's my sad duty to report that Bill McNeil died last night. he has 
> been in 
> poor health for awhile but I saw him at conference on the John 
> Quincy Wolf 
> collection only last week. An enormous loss for ballad, folklore, 
> and Ozark 
> studies.
> 
> Mike Luster
> 

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 16:55:58 -0400
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In upper NY State one can find Coxsackie, Climax and Gay Head. I've long 
wondered what the nickname of the high school football team is in each of 
those towns...
----- Original Message ----- 
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Wednesday, April 20, 2005 11:32 AM
Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)> California's gold country has some choice ones too.  Some are definitely 
> not PC.
>
> Ed
>
> ----- Original Message -----
> From: Paul Stamler <[unmask]>
> Date: Tuesday, April 19, 2005 9:29 pm
> Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
>
>> <<We got the French Broad river, too.  Hotcha-cha !>>
>>
>> Gotcha beat for bragging rights -- Braggadocio, Missouri.
>>
>> Seriously, anyone study the folk art of town naming? There are some
>> dooziesin Missouri, Tennessee and Arkansas.
>>
>> Peace,
>> Paul
>>
> 

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Subject: Re: Town Names
From: "David G. Engle" <[unmask]>
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Date:Wed, 20 Apr 2005 14:16:34 -0700
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My old standby is Fiddletown, CA 95629, although it is too far away 
from Whiskeytown to do any good...But a town called "Ballads" I have never seen.dge
-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
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Date:Wed, 20 Apr 2005 15:38:51 -0700
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Well, there's "Bardstown" in Kentucky.--- "David G. Engle" <[unmask]>
wrote:> My old standby is Fiddletown, CA 95629, although it
> is too far away 
> from Whiskeytown to do any good...
> 
> But a town called "Ballads" I have never seen.
> 
> dge
> -- 
> David G. Engle
> 
> California State University, Fresno
> [unmask]
> Tel: (559) 278-2708; FAX: (559) 278-7878
> 
> The Traditional Ballad Index Web Site:
>
http://www.csufresno.edu/folklore/BalladIndexTOC.html
> 

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Subject: Re: Town Names
From: "Robinson, Cassie" <[unmask]>
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Date:Wed, 20 Apr 2005 18:41:03 -0400
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We have a community named "Sodom" here in western North Carolina....Cassie Robinson-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of David G. Engle
Sent: Wednesday, April 20, 2005 5:17 PM
To: [unmask]
Subject: Re: Town NamesMy old standby is Fiddletown, CA 95629, although it is too far away 
from Whiskeytown to do any good...But a town called "Ballads" I have never seen.dge
-- 
David G. EngleCalifornia State University, Fresno
[unmask]
Tel: (559) 278-2708; FAX: (559) 278-7878The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 18:31:37 -0500
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Sandy Paton wrote:
> I assume you're all familiar with George Stewart's
> "Names on the Land." My wife and I always take a copy
> of his "Concise Dictionary of American Place Names"
> with us when we travel. Note that Stewart made at least one mistake:  He says that New Paltz, 
New York was named by German settlers from the Palatine.The settlers were indeed from the Palatine, but they were francophones 
-- religious refugees from what is now Belgium.-- 
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Decluttering: http://decluttering.blogspot.com
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: Re: Town Names
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Apr 2005 21:46:55 -0400
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At 06:41 PM 4/20/2005 -0400, you wrote:
>We have a community named "Sodom" here in western North Carolina....
>
>Cassie RobinsonAnd what a bountiful nursery of ballad singing has Sodom NC been!
Lisa 

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 01:42:32 -0500
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----- Original Message ----- 
From: "Roy Berkeley" <[unmask]><<In upper NY State one can find Coxsackie, Climax and Gay Head. I've long
wondered what the nickname of the high school football team is in each of
those towns...>>Well, since you asked...Coxsackie-Athens High School doesn't post its football schedule on their
website at the moment, as it's out of season. They do have an athletic
director, Mr. Proper (I am not making this up) and a baseball team, which on
April 13th played an away game at Ichabod Crane H.S.. They also play a sport
called "modified field hockey", the nature of which I have been unable to
ascertain. No word about the nicknames of any of the squads, and no mascots.
(A virus, perhaps?)Climax, NY is too small to have a public high school of its own. It does,
however, boast Grapeville Christian School.On the other hand, Climax, MN has Climax-Shelly School, home of the
Climax-Fisher Knights.I couldn't find independent confirmation of Gay Head, NY; I think the only
town by that name is the one in Massachusetts: "Until we strike Gay Head off
old Martha's Vineyard/Straight up the channel to New Bedford we'll go".Peace,
Paul

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Subject: Re: Town Names
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 01:02:36 -0700
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Has anyone else observed a class aspect to this business of names?  When I
lived on Long Island in a very ordinary residential area, just on the edge
of "old money" estate country (Locust Valley), I observed an ongoing clash
over the name of a shared road.  Locust Valley signposts proclaimed it
"Skunks Misery Lane"; they said "Lattingtown(ton?) Road" in my more
self-consciously nice neighorhood, and at least one critical signpost kept
on switching names as a result, I imagined, of late night "local action."
If asked, of course, I'd have joined with the Skunks Misery Laners (who I
assumed were also the people who owned the woods and ponds and stables
that were so much fun to explore...)

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Subject: Re: UF STUDY
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 10:08:55 -0400
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On Tue, 12 Apr 2005 17:06:25 -0700, Jonathan Lighter wrote:>Our NYC elementary school used "The Fireside Book of Folksongs" in the mid to late '50s.  I loved it. Of course, look at me now....It's always seemed odd to me...In the mid-tolate-40's, my mother often sat at the piano with me and she
would play, from sheet music, a variety of pop songs, show tunes, occasional
Gilbert&Sullivan and from "The Fireside.."  And later, of course, the usual
stuff in primary school music sessions. Thing is, out of all the material, other than "Marsey Doats," the only songs
that stuck in my head were those based on folk material.  I retained quite a
few pieces of songs.It's always seemed odd to me that these were the only ones I kept.  Makes me
wonder if there is something genetic about it.  I suppose Preferences, in
general, must be at least partly biological.Maybe kids today don't have them because they're not taught in school (a
sad, sick loss) but maybe partly because they don't any more retain those
they _have_ heard from parents or friends.  I blame polution.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
	          I am Abby Sale - in Orlando, Florida
	                Boycott South Carolina!
	     http://www.naacp.org/news/2001/2001-01-12.html

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Subject: Re: UF STUDY
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 10:08:57 -0400
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On Tue, 12 Apr 2005 22:03:43 -0500, Edie Gale Hays wrote:>Now in my fifties, I can only remember the version I learned when I was ten.
>
Early elder moment?  No.Here's the full set from Old Put, as per Irwin Silber along with my random
notes.When I sing it, I first let on that this comic song that most people in the
room will know a bit of, mentions pre-marital sex, starvation, cholera,
slaughter, privation, drunkenness, public disorderliness, public (partial)
nudity, racial slurs, scalping, mortal fear, manslaughter, debility, toxemic
seizure, bickering, morbid frustration, despair and discouragement, terror,
pain, religious slurs, bigamy, kidnap, vehicular breakdown and crash,
possible infanticide, animal abuse & death, alcohol poisoning, jealousy,
unfaithfulness, divorce.But it's funny and everyone laughs.   Hmmm.SWEET BETSY FROM PIKE
by John A. Stone ("Old Put")
 
1.	Did you ever hear tell of sweet Betsy from Pike
Who crossed the wide prairies with her lover Ike,
With two yoke of cattle and one spotted hog,
A tall Shanghai rooster, and old yaller dog?		Sing too rali oorali oorali ay
		Sing too rali oorali oorali ay2.	One evening quite early they camped on the Platte,
'Twas near by the road on a green shady flat;
Where Betsy, quite tired, lay down to repose,
While with wonder Ike gazed on his Pike County rose.3.	They swam the wide rivers and crossed the tall peaks,
And camped on the prairie for weeks upon weeks.
Starvation and cholera and hard work and slaughter,
They reached California spite of hell and high water.4.	Out on the prairie on bright starry night
They broke out the whiskey and Betsy got tight
She sang and she shouted and danced o'er the plain,
And showed her bare arse to the whole wagon train.5.	The Injuns came down in a wild yelling horde,
And Betsy was sceered they would scalp her adored;
Behind the front wagon wheel Betsy did crawl,
And there fought the Injuns with musket and ball.6.	They soon reached the desert, where Betsy gave out,
And down in the sand she lay rollin' about.
While Ike in great terror looked on in surprise,
Sayin' "Betsy, get up! You'll get sand in your eyes."7.	The alkali desert was burning and bare,
And Isaac's soul shrank from the death that lurked there:
"Dear old Pike County, I'll go back to you."
Says Betsy, "You'll go by yourself if you do."
 
8.	Sweet Betsy got up in a great deal of pain
And declared she'd go back to Pike County again;
Then Ike heaved a sigh and they fondly embraced,
And she traveled along with his arm 'round her waist.9.	They stopped at Salt Lake to inquire the way,
And Brigham declared that sweet Betsy should stay.
But Betsy got frightened and ran like a deer
While Brigham stood pawin' the earth like a steer.10.	The wagon tipped over with a terrible crash,
And out on the prairie rolled all sorts of trash,
A few little baby clothes, done up with care,
Looked rather suspicious -- though 'twas all on the square.11.	The Shanghai ran off and the cattle all died,
The last piece of bacon that morning was fried;
Poor Ike got discouraged, and Betsy got mad,
The dog wagged his tail and looked wonderfully sad.12.	One morning they climbed up a very high hill,
And with wonder looked down into old Placerville;
Ike shouted and said, as he cast his eyes down,
"Sweet Betsy, my darling, we've got to Hangtown."13.	Long Ike and sweet Betsy attended a dance,
Where Ike wore a pair of his Pike County pants;
Sweet Betsy was covered with ribbons and rings.
Quoth Ike, "You're an angel, but where are your wings?"14.	A miner said, "Betsy, will you dance with me?"
"I will that old hoss, if you don't make too free;
But don't dance me hard. Do you want to know why?
Doggone you, I'm chock full of strong alkali."15.	Long Ike and sweet Betsy got married, of course,
But Ike, getting jealous, obtained a divorce;
And Betsy, quite satisfied, said with a shout,
"Goodbye, you big lummox, I'm glad you backed out."  
Hangtown is along Hangtown Cheek, now part of Placerville, CA on US Route
50, northeast of Sacramento, one of the first places you'd hit in
California.  Hangtown prostitutes apparently had such a great reputation as
the best whores in California that many girls in other areas falsely claimed
to be from Hangtown.  Nothing new about false advertising.Botkin's "American Folklore" anthology that states that as early as 1850
people from Missouri were known as "Pikes" in the California diggings; the
name came from Pike County, Missouri.First printed in Put's Golden Songster, 1858"A favorite California immigrant song of the fifties.  Carl Sandburg writes:
'It has the stuff of a realistic novel.  It is droll and don't -care, bleary
and leering, as slippery and lackadaisical as some of the comic characters
of Shakespeare.'" 
From John Lomax Cowboy Songs and other Frontier Ballads, 1910 ('Brigham'
verse from recording by Frank Warner. filename[ SWEETBET) As to the tune: 
Herbert Cazden Haufrecht and Norman Studer  Folk Songs of the Catskills, pp
156-158, give a specific date of 1851 for the publication of the sheet music
(in England) of "Vilikins" in a musical farce entitled  The Wandering
Minstrel. George Lyman Kittredge (not a man to be argued with) attributed to
the pen of Henry Mayhew (he of the very important London Labor and London
Poor).Cazden notes that the first publication in the United States of the text of
"Vilikins and His Dinah" was in the "Bobbin Around Songster" of 1851. Seven
years later, he continues, the tune was sufficiently familiar in California
for John A. Stone to use it for the air of his "Sweet Betsy from Pike," as
printed in "Put's Golden Songster."
 From Lomax, Folk Songs of North America:  May 3, 1849.  Fifteen miles to Bull Creek.  The guide pointed out the
continuous rise and fall of the track across what are rightly called the
billows, or little ridges of the prairie.  'No, it's not high mountains ner
great rivers ner hostile Injuns,' says Meek, 'that'll give us most grief.
It's the long grind o' doin' every day's work regler an' not let-up fer
nobody ner nothin'.  Figger it fur yourself; 2,100 miles-four months to do
it in between April rains and September snows- 123 days.  How much a day and
every cussed day?' I saw the point.  Seventeen miles a day.'Yaas,' drawled the scout.  'And every day rain, hail, cholera, breakdowns,
lame 'mules, sick cows, washouts, prairie fires, flooded coulees, lost
horses, dust storms, alkali water.  Seventeen miles every day--or you land
in the snow and eat each other like the Donner party done in '46.'May 13, 1849.  Long pull.  Here we are beginning to meet people who are
turning back, discouraged.  They had seen enough of the 'Elephant'. Graves
are more frequent these last days.  We saw whitening on the plains, bones of
animals which had died on the way.Quote: From '49ers by Archer Butler Hulbert (Little, Brown & Co., Boston,
1931), pp. 16,41.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
	          I am Abby Sale - in Orlando, Florida
	                Boycott South Carolina!
	     http://www.naacp.org/news/2001/2001-01-12.html

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Subject: Re: Town Names
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 10:45:55 -0400
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>We have a community named "Sodom" here in western North Carolina....
>
>Cassie RobinsonI've often wondered if there's Gomorrah near there.J

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Subject: Re: UF STUDY
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 11:03:37 -0400
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>Thing is, out of all the material, other than "Marsey Doats," the only songs
>that stuck in my head were those based on folk material.Not even "Hut sut ralston"?>...Maybe kids today don't have them because they're not taught in school (a
>sad, sick loss) but maybe partly because they don't any more retain those
>they _have_ heard from parents or friends. 
>
>I blame polution.
>
>
>-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>	          I am Abby Sale - in Orlando, FloridaThought pollution, that is?J
-- 
john garst    [unmask]

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 11:15:41 -0400
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I checked the NY State map, it's "Gayhead".
----- Original Message ----- 
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 2:42 AM
Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)> ----- Original Message ----- 
> From: "Roy Berkeley" <[unmask]>
>
> <<In upper NY State one can find Coxsackie, Climax and Gay Head. I've long
> wondered what the nickname of the high school football team is in each of
> those towns...>>
>
> Well, since you asked...
>
> Coxsackie-Athens High School doesn't post its football schedule on their
> website at the moment, as it's out of season. They do have an athletic
> director, Mr. Proper (I am not making this up) and a baseball team, which 
> on
> April 13th played an away game at Ichabod Crane H.S.. They also play a 
> sport
> called "modified field hockey", the nature of which I have been unable to
> ascertain. No word about the nicknames of any of the squads, and no 
> mascots.
> (A virus, perhaps?)
>
> Climax, NY is too small to have a public high school of its own. It does,
> however, boast Grapeville Christian School.
>
> On the other hand, Climax, MN has Climax-Shelly School, home of the
> Climax-Fisher Knights.
>
> I couldn't find independent confirmation of Gay Head, NY; I think the only
> town by that name is the one in Massachusetts: "Until we strike Gay Head 
> off
> old Martha's Vineyard/Straight up the channel to New Bedford we'll go".
>
> Peace,
> Paul
> 

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Subject: Re: Town Names
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 11:12:45 -0400
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     I've often wondered if there's Gomorrah near there.     JI don't know, you might have to ask a preacher around here... some say Sodom got it's name for antebellum wickedness and lawlessness (all the good frolicks, mountain dew, and love songs, I'm sure...)But as far as a semi-official Gomorrah, I don't know of it.Cassie -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Garst
Sent: Thursday, April 21, 2005 10:46 AM
To: [unmask]
Subject: Re: Town Names>We have a community named "Sodom" here in western North Carolina....
>
>Cassie Robinson

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Subject: Sarasponda. I've heard it labelled a Czech song, a camp song and a Spanish song.
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 11:36:47 -0400
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hi all,a friend of mine - a music teacher who happens to be in
germany right now asked if i knew history about a song called
Sarasponda.he heard it labelled a Czech song, a camp song and a Spanish songAny thoughts?SaraspondaSarasponda, sarasponda, sarasponda ret set set.
Sarasponda, sarasponda sarasponda ret set set.
A doray-oh, A doray boomday-oh.
A doray boomday ret set set, ah say pa say oh.
Boom-be-da, boom-be-da, boom-be-da, boom[Split group into 2 parts. Sing through together, then one group continues 
singing the "boom-be-da" part, while the other sings through the verse. 
Then switch.]http://xenia.media.mit.edu/~kristin/songbook/PartSongsAndRounds/Sarasponda.htmlhttp://cnx.rice.edu/content/m11844/latest/thanks,
Karen<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: Town Names
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 12:18:42 -0400
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Actually, I did an google search ("Pennsylvania town names") and came
up with a great site ("Cool Quiz") which had a lengthy state by state
list. My current favorite, just because it is so bizarre, is Toad Suck,
Arkansas. Far more interesting than the more conventional Toadtown
California or even Toad Hop Indiana. Lew Becker

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Subject: Villikins Once More
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 09:29:10 -0700
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Folks:I must modestly refer you to both the first and second editions of "The Erotic Muse" for  extensive notes on the tune for "Villikins and His Dinah"/"Sweet Betsy," which is probably the most common come-all-ye tune in the folk archives.Ed----- Original Message -----
From: Abby Sale <[unmask]>
Date: Thursday, April 21, 2005 7:08 am
Subject: Re: UF STUDY> On Tue, 12 Apr 2005 22:03:43 -0500, Edie Gale Hays wrote:
> 
> >Now in my fifties, I can only remember the version I learned when 
> I was ten.
> >
> Early elder moment?  No.
> 
> Here's the full set from Old Put, as per Irwin Silber along with my 
> randomnotes.
> 
> When I sing it, I first let on that this comic song that most 
> people in the
> room will know a bit of, mentions pre-marital sex, starvation, 
> cholera,slaughter, privation, drunkenness, public disorderliness, 
> public (partial)
> nudity, racial slurs, scalping, mortal fear, manslaughter, 
> debility, toxemic
> seizure, bickering, morbid frustration, despair and discouragement, 
> terror,pain, religious slurs, bigamy, kidnap, vehicular breakdown 
> and crash,
> possible infanticide, animal abuse & death, alcohol poisoning, 
> jealousy,unfaithfulness, divorce.
> 
> But it's funny and everyone laughs.   Hmmm.
> 
> 
> SWEET BETSY FROM PIKE
> by John A. Stone ("Old Put")
> 
> 1.	Did you ever hear tell of sweet Betsy from Pike
> Who crossed the wide prairies with her lover Ike,
> With two yoke of cattle and one spotted hog,
> A tall Shanghai rooster, and old yaller dog?
> 
>        	Sing too rali oorali oorali ay
>        	Sing too rali oorali oorali ay
> 
> 2.	One evening quite early they camped on the Platte,
> 'Twas near by the road on a green shady flat;
> Where Betsy, quite tired, lay down to repose,
> While with wonder Ike gazed on his Pike County rose.
> 
> 3.	They swam the wide rivers and crossed the tall peaks,
> And camped on the prairie for weeks upon weeks.
> Starvation and cholera and hard work and slaughter,
> They reached California spite of hell and high water.
> 
> 4.	Out on the prairie on bright starry night
> They broke out the whiskey and Betsy got tight
> She sang and she shouted and danced o'er the plain,
> And showed her bare arse to the whole wagon train.
> 
> 5.	The Injuns came down in a wild yelling horde,
> And Betsy was sceered they would scalp her adored;
> Behind the front wagon wheel Betsy did crawl,
> And there fought the Injuns with musket and ball.
> 
> 6.	They soon reached the desert, where Betsy gave out,
> And down in the sand she lay rollin' about.
> While Ike in great terror looked on in surprise,
> Sayin' "Betsy, get up! You'll get sand in your eyes."
> 
> 7.	The alkali desert was burning and bare,
> And Isaac's soul shrank from the death that lurked there:
> "Dear old Pike County, I'll go back to you."
> Says Betsy, "You'll go by yourself if you do."
> 
> 8.	Sweet Betsy got up in a great deal of pain
> And declared she'd go back to Pike County again;
> Then Ike heaved a sigh and they fondly embraced,
> And she traveled along with his arm 'round her waist.
> 
> 9.	They stopped at Salt Lake to inquire the way,
> And Brigham declared that sweet Betsy should stay.
> But Betsy got frightened and ran like a deer
> While Brigham stood pawin' the earth like a steer.
> 
> 10.	The wagon tipped over with a terrible crash,
> And out on the prairie rolled all sorts of trash,
> A few little baby clothes, done up with care,
> Looked rather suspicious -- though 'twas all on the square.
> 
> 11.	The Shanghai ran off and the cattle all died,
> The last piece of bacon that morning was fried;
> Poor Ike got discouraged, and Betsy got mad,
> The dog wagged his tail and looked wonderfully sad.
> 
> 12.	One morning they climbed up a very high hill,
> And with wonder looked down into old Placerville;
> Ike shouted and said, as he cast his eyes down,
> "Sweet Betsy, my darling, we've got to Hangtown."
> 
> 13.	Long Ike and sweet Betsy attended a dance,
> Where Ike wore a pair of his Pike County pants;
> Sweet Betsy was covered with ribbons and rings.
> Quoth Ike, "You're an angel, but where are your wings?"
> 
> 14.	A miner said, "Betsy, will you dance with me?"
> "I will that old hoss, if you don't make too free;
> But don't dance me hard. Do you want to know why?
> Doggone you, I'm chock full of strong alkali."
> 
> 15.	Long Ike and sweet Betsy got married, of course,
> But Ike, getting jealous, obtained a divorce;
> And Betsy, quite satisfied, said with a shout,
> "Goodbye, you big lummox, I'm glad you backed out." 
> 
> 
> 
> Hangtown is along Hangtown Cheek, now part of Placerville, CA on US 
> Route50, northeast of Sacramento, one of the first places you'd hit in
> California.  Hangtown prostitutes apparently had such a great 
> reputation as
> the best whores in California that many girls in other areas 
> falsely claimed
> to be from Hangtown.  Nothing new about false advertising.
> 
> Botkin's "American Folklore" anthology that states that as early as 
> 1850people from Missouri were known as "Pikes" in the California 
> diggings; the
> name came from Pike County, Missouri.
> 
> First printed in Put's Golden Songster, 1858
> 
> "A favorite California immigrant song of the fifties.  Carl 
> Sandburg writes:
> 'It has the stuff of a realistic novel.  It is droll and don't -
> care, bleary
> and leering, as slippery and lackadaisical as some of the comic 
> charactersof Shakespeare.'" 
> From John Lomax Cowboy Songs and other Frontier Ballads, 1910 
> ('Brigham'verse from recording by Frank Warner. filename[ SWEETBET) 
> 
> As to the tune: 
> Herbert Cazden Haufrecht and Norman Studer  Folk Songs of the 
> Catskills, pp
> 156-158, give a specific date of 1851 for the publication of the 
> sheet music
> (in England) of "Vilikins" in a musical farce entitled  The Wandering
> Minstrel. George Lyman Kittredge (not a man to be argued with) 
> attributed to
> the pen of Henry Mayhew (he of the very important London Labor and 
> LondonPoor).
> 
> Cazden notes that the first publication in the United States of the 
> text of
> "Vilikins and His Dinah" was in the "Bobbin Around Songster" of 
> 1851. Seven
> years later, he continues, the tune was sufficiently familiar in 
> Californiafor John A. Stone to use it for the air of his "Sweet 
> Betsy from Pike," as
> printed in "Put's Golden Songster."
> 
> 
> From Lomax, Folk Songs of North America:  
> 
> May 3, 1849.  Fifteen miles to Bull Creek.  The guide pointed out the
> continuous rise and fall of the track across what are rightly 
> called the
> billows, or little ridges of the prairie.  'No, it's not high 
> mountains ner
> great rivers ner hostile Injuns,' says Meek, 'that'll give us most 
> grief.It's the long grind o' doin' every day's work regler an' not 
> let-up fer
> nobody ner nothin'.  Figger it fur yourself; 2,100 miles-four 
> months to do
> it in between April rains and September snows- 123 days.  How much 
> a day and
> every cussed day?' I saw the point.  Seventeen miles a day.
> 
> 'Yaas,' drawled the scout.  'And every day rain, hail, cholera, 
> breakdowns,lame 'mules, sick cows, washouts, prairie fires, flooded 
> coulees, lost
> horses, dust storms, alkali water.  Seventeen miles every day--or 
> you land
> in the snow and eat each other like the Donner party done in '46.'
> 
> May 13, 1849.  Long pull.  Here we are beginning to meet people who 
> areturning back, discouraged.  They had seen enough of the 
> 'Elephant'. Graves
> are more frequent these last days.  We saw whitening on the plains, 
> bones of
> animals which had died on the way.
> 
> Quote: From '49ers by Archer Butler Hulbert (Little, Brown & Co., 
> Boston,1931), pp. 16,41.
> 
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --
> -- -
>                  I am Abby Sale - in Orlando, Florida
>                        Boycott South Carolina!
>             http://www.naacp.org/news/2001/2001-01-12.html
> 

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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 09:38:52 -0700
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Been to Bucksnort, Tennessee? Fellow that runs the
greasy spoon there told me it got it's name from the
still maintained by a man named Buck where one could
"get a snort." Frankly, I doubt it. Surprisingly, this
was a town William Least Heat Moon missed on his tour
of our Blue Highways (enjoyable book).
     Sandy
     --- Lewis Becker <[unmask]> wrote:> Actually, I did an google search ("Pennsylvania town
> names") and came
> up with a great site ("Cool Quiz") which had a
> lengthy state by state
> list. My current favorite, just because it is so
> bizarre, is Toad Suck,
> Arkansas. Far more interesting than the more
> conventional Toadtown
> California or even Toad Hop Indiana. 
> 
> Lew Becker
> 

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Subject: Town Names
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 12:39:01 -0400
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At one time I had a CD of various singers from a Martha's Vineyard 
session. On it is a very clever song about Massachusetts town names. 
Can't find it and it is driving me nuts. Anyone have a clue as to the 
CD or the title of the song?Speaking of  town names there is the old MASS gem about having a a 
governor with three towns named after him --- Peabody, Marblehead and 
Athol.GeorgeGeorge F Madaus
Professor Emeritus
Boston College

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Subject: Re: Sarasponda. I've heard it labelled a Czech song, a camp song and a Spanish song.
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 11:46:44 -0500
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I've always heard it was Danish, but there's no provinence in my
sources. Great song! Sarasponda is supposed to be the spinning wheel.Beth Brooks
Indianapolis>>> [unmask] 04/21/05 10:36 AM >>>
hi all,a friend of mine - a music teacher who happens to be in
germany right now asked if i knew history about a song called
Sarasponda.he heard it labelled a Czech song, a camp song and a Spanish songAny thoughts?SaraspondaSarasponda, sarasponda, sarasponda ret set set.
Sarasponda, sarasponda sarasponda ret set set.
A doray-oh, A doray boomday-oh.
A doray boomday ret set set, ah say pa say oh.
Boom-be-da, boom-be-da, boom-be-da, boom[Split group into 2 parts. Sing through together, then one group
continues 
singing the "boom-be-da" part, while the other sings through the verse. 
Then switch.]http://xenia.media.mit.edu/~kristin/songbook/PartSongsAndRounds/Sarasponda.htmlhttp://cnx.rice.edu/content/m11844/latest/thanks,
Karen<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>  

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Subject: Re: Town Names
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:03:12 -0400
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At 09:38 AM 4/21/2005 -0700, you wrote:
>Been to Bucksnort, Tennessee? Fellow that runs the
>greasy spoon there told me it got it's name from the
>still maintained by a man named Buck where one could
>"get a snort." Frankly, I doubt it. Surprisingly, this
>was a town William Least Heat Moon missed on his tour
>of our Blue Highways (enjoyable book).
>      SandyBucks are well known for letting out a very loud warning snort when 
startled.  That buck snort can scare the life out of you when you surprise 
a buck unexpectedly in the woods.
Lisa

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Subject: Re: UF STUDY
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 12:31:27 -0500
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----- Original Message ----- 
From: "Abby Sale" <[unmask]><<It's always seemed odd to me...In the mid-tolate-40's, my mother often sat at the piano with me and she
would play, from sheet music, a variety of pop songs, show tunes, occasional
Gilbert&Sullivan and from "The Fireside.."  And later, of course, the usual
stuff in primary school music sessions.Thing is, out of all the material, other than "Marsey Doats," the only songs
that stuck in my head were those based on folk material.  I retained quite a
few pieces of songs.It's always seemed odd to me that these were the only ones I kept.  Makes me
wonder if there is something genetic about it.  I suppose Preferences, in
general, must be at least partly biological.>>Think about it this way: pop songs, G&S, etc. were not explicitly designed
to be sung by non-professionals. Folk songs, on the other hand, have
survived a pseudo-Darwinian process: the ones that lend themselves to being
sung in families, work groups, etc. are the ones that survive the winnowing.
So you're preferentially remembering songs that are selected for being
rememberable -- where's the oddness in that?Peace,
Paul

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Subject: Re: Town Names
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:36:00 -0400
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>At one time I had a CD of various singers from a Martha's Vineyard 
>session. On it is a very clever song about Massachusetts town names. 
>Can't find it and it is driving me nuts. Anyone have a clue as to 
>the CD or the title of the song?
>
>Speaking of  town names there is the old MASS gem about having a a 
>governor with three towns named after him --- Peabody, Marblehead 
>and Athol.
>
>George F MadausI recall visiting Athol in 1975 and marveling with my children at the 
signs that adorned the trash cans on the streets:  "Keep Athol clean"John

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Subject: Re: Town Names
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:39:05 -0400
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>Actually, I did an google search ("Pennsylvania town names") and came
>up with a great site ("Cool Quiz") which had a lengthy state by state
>list. My current favorite, just because it is so bizarre, is Toad Suck,
>Arkansas. Far more interesting than the more conventional Toadtown
>California or even Toad Hop Indiana.
>
>Lew BeckerMy favorite is Dry Prong.  I think it's in Louisiana, but it could be Texas.J

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Subject: Re: UF STUDY
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 12:40:59 -0500
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----- Original Message ----- 
From: "Abby Sale" <[unmask]><<When I sing it, I first let on that this comic song that most people in
the
room will know a bit of, mentions pre-marital sex, starvation, cholera,
slaughter, privation, drunkenness, public disorderliness, public (partial)
nudity, racial slurs, scalping, mortal fear, manslaughter, debility, toxemic
seizure, bickering, morbid frustration, despair and discouragement, terror,
pain, religious slurs, bigamy, kidnap, vehicular breakdown and crash,
possible infanticide, animal abuse & death, alcohol poisoning, jealousy,
unfaithfulness, divorce.>>But nothing about Mama, trucks or prison.Peace,
Paul

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Subject: Re: Town Names
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:49:24 -0400
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At 01:36 PM 4/21/2005 -0400, you wrote:
>>At one time I had a CD of various singers from a Martha's Vineyard 
>>session. On it is a very clever song about Massachusetts town names. 
>>Can't find it and it is driving me nuts. Anyone have a clue as to the CD 
>>or the title of the song?
>>
>>Speaking of  town names there is the old MASS gem about having a a 
>>governor with three towns named after him --- Peabody, Marblehead and Athol.
>>
>>George F Madaus
>
>I recall visiting Athol in 1975 and marveling with my children at the 
>signs that adorned the trash cans on the streets:  "Keep Athol clean"
>
>JohnCoincidentally, I was just in Athol, MA this past weekend, but I didn't see 
any of those signs.  (sigh....)
I asked a friend who lives in a neighboring town if they had gotten used to 
the name yet and could say it without "the" mental association, and they 
said after 20 years they still couldn't.
Lisa

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 12:53:40 -0500
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----- Original Message ----- 
From: "Roy Berkeley" <[unmask]><<I checked the NY State map, it's "Gayhead".>>Aha! There is no Gayhead High School, though; their high school is John Jay,
in Hopewell Junction.Peace,
Paul

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Subject: Re: Town Names
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 14:01:35 -0400
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Louisiana!! The nearest Texas comes is, "Ding Dong, Texas"Lew Becker>>> [unmask] 4/21/2005 1:39:05 PM >>>
>Actually, I did an google search ("Pennsylvania town names") and came
>up with a great site ("Cool Quiz") which had a lengthy state by state
>list. My current favorite, just because it is so bizarre, is Toad
Suck,
>Arkansas. Far more interesting than the more conventional Toadtown
>California or even Toad Hop Indiana.
>
>Lew BeckerMy favorite is Dry Prong.  I think it's in Louisiana, but it could be
Texas.J

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Subject: Re: Town Names
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:04:29 -0500
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----- Original Message ----- 
From: "George Madaus" <[unmask]><<Speaking of  town names there is the old MASS gem about having a a
governor with three towns named after him --- Peabody, Marblehead and
Athol.>>*Four* towns -- Endicott being the fourth. Richard Tuck is credited with
originating this witticism.Peace,
Paul

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Subject: Re: Town Names
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:12:58 -0500
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----- Original Message ----- 
From: "John Garst" <[unmask]><<My favorite is Dry Prong.  I think it's in Louisiana, but it could be
Texas.>>Louisiana. Pop 419 (est., 2002). The one in Texas is the Dry Prong of Deep
Creek. It rises a mile northeast of Placid.Peace,
Paul

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Subject: Re: Town Names
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 14:24:48 -0400
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On 2005/04/21 at 12:39:01PM -0400, George Madaus wrote:> At one time I had a CD of various singers from a Martha's Vineyard 
> session. On it is a very clever song about Massachusetts town names. 
> Can't find it and it is driving me nuts. Anyone have a clue as to the 
> CD or the title of the song?	Hmm ... could the song be "Entering Beverly"?  I don't know what
CD it is on, but I have heard it on the local folk program a few
times.  Mary -- do you know what CD it is on?> Speaking of  town names there is the old MASS gem about having a a 
> governor with three towns named after him --- Peabody, Marblehead and 
> Athol.	I *love* it. :-)	Enjoy,
		DoN.-- 
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Town Names
From: Susanna Holstein <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 11:35:06 -0700
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West Virginia has a rich supply of unusual town names,
too. My son moved to Gay, WV, and all his brothers
claim he's "gone Gay." The town actually had a vote a
few years ago to change the name, but the old-timers
decided that the name was in place before the new
definition, and the community would probably outlast
the new use of the word. I'm not convinced they're
right, but I like them for sticking with it.We have lots of bottoms here--my favorites are Youngs
Bottom and Boomer Bottom. Lots of licks too--Mud Lick,
Salt Lick, Log Lick. No Lick Bottom that I know of,
although anything's possible.Other good names--Big Ugly, Pinch, Quick (last two are
neighboring communities so their names are together on
signs), Pickle Street, Romance, Odd, Left Hand....and
lots more. My favorite road name is Flinderation Road.
I have no idea of its origins.Granny Sue
Stories from the Mountains and Beyond
R2 Box 110
Sandyville WV 25275
304-372-5861
tollfree 1-866-643-1353
[unmask]

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Subject: "Five Constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:24:55 -0500
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Hello everyone,Does anyone on the list sing "Five Constipated Men of the Bible"? 
If yes, would you mind singing it for me over the phone?  I ask 
because I believe that there are two tunes for this song.Any help is appreciated.Yours,John Mehlberg
~
Afternoons:  314.647.3883
Evenings:     314.381.0492 

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Subject: Re: Town Names
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:36:32 -0500
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On 4/21/05, Lisa - S. H. wrote:>At 09:38 AM 4/21/2005 -0700, you wrote:
>>Been to Bucksnort, Tennessee? Fellow that runs the
>>greasy spoon there told me it got it's name from the
>>still maintained by a man named Buck where one could
>>"get a snort." Frankly, I doubt it. Surprisingly, this
>>was a town William Least Heat Moon missed on his tour
>>of our Blue Highways (enjoyable book).
>>     Sandy
>
>
>Bucks are well known for letting out a very loud warning snort when startled.  That buck snort can scare the life out of you when you surprise a buck unexpectedly in the woods.Having had a few angry confrontations with deer at my parents' house
over who exactly had rights to the birdseed, they do more than just
snort; they also can release a mildly unpleasant musk. Never was too
scared by the snorting, but it a confrontation can be an interesting
experience.-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Town Names
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 14:46:54 -0400
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>My son moved to Gay, WV, and all his brothers
>claim he's "gone Gay." The town actually had a vote a
>few years ago to change the name, but the old-timers
>decided that the name was in place before the new
>definition, and the community would probably outlast
>the new use of the word....
>
>Granny SueThere is also Gay, GA, and I don't know whether or not they have 
considered a name change.J

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Subject: Re: UF STUDY
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Subject: Re: Town Names
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Subject: Re: UF STUDY
From: Paul Stamler <[unmask]>
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----- Original Message ----- 
From: "Jonathan Lighter" <[unmask]><<I don't know for sure just how seriously neglected folk music is in
American elementary schools, but if the situation is as they say it must be
in large part because today's educators (many of them products of the '70s
and '80s) have decided (or been instructed) that the music is dull and
insignificant, particularly in comparison with whatever's taking its place.Does anyone have further insights into this possibility ?  What *is* taking
its place ?  Symphonic studies ?  (Goak.)>>What's happening is that there's no folk music in the schools because
there's no music in the schools. Music programs are being sacrificed as
budgets are cut, and the pressure for schools to score high on standardized
tests (which don't include music) leaves "frivolous" subject like music out
in the cold.Peace,
Paul

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
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Subject: Re: Town Names
From: Jonathan Lighter <[unmask]>
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Date:Thu, 21 Apr 2005 12:35:45 -0700
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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 14:36:38 -0500
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----- Original Message ----- 
From: "Jonathan Lighter" <[unmask]><<But you *are* making up "Ichabod Crane H.S." ?>>Not if I interpret the schedule posted on the website correctly.Peace,
Paul> Coxsackie-Athens High School doesn't post its football schedule on their
> website at the moment, as it's out of season. They do have an athletic
> director, Mr. Proper (I am not making this up) and a baseball team, which
> on
> April 13th played an away game at Ichabod Crane H.S.. They also play a
> sport
> called "modified field hockey", the nature of which I have been unable to
> ascertain. No word about the nicknames of any of the squads, and no
> mascots.
> (A virus, perhaps?)

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Subject: Re: BALLAD-L Digest - 13 Apr 2005 - Special issue (#2005-148)
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:48:06 -0400
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At 12:30 PM 4/21/2005 -0700, you wrote:
>But you *are* making up "Ichabod Crane H.S." ?
>
>JLNo way!  Ichabod Crane H.S. plays sports against our own Chatham H.S. 
"Panthers" teams all the time!
http://www.berk.com/~ichabod/ic01001.html
Lisa Johnson

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Subject: Re: Town Names
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 12:57:46 -0700
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Is this Dick Tuck the famous California political prankster, ca. 1950-1970?Ed
----- Original Message -----
From: Paul Stamler <[unmask]>
Date: Thursday, April 21, 2005 11:04 am
Subject: Re: Town Names> ----- Original Message ----- 
> From: "George Madaus" <[unmask]>
> 
> <<Speaking of  town names there is the old MASS gem about having a a
> governor with three towns named after him --- Peabody, Marblehead and
> Athol.>>
> 
> *Four* towns -- Endicott being the fourth. Richard Tuck is credited 
> withoriginating this witticism.
> 
> Peace,
> Paul
> 

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Subject: Re: Town Names - LONG
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:59:53 -0400
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That would be John Forster's "Entering Marion," also title cut of one of
his CDs.  Words from his site:Every year I drive out to Cape Cod for the last part of June.
Leave the city by ten and you're there in the late afternoon.
On the way there's a village called Marion that you pass through.
The first time I approached it, I'll always remember the sign that came
into view. It said, "Entering Marion." 
And I thought, "What a fun little sign!"
But the feeling of entering Marion
Had a kick that was hard to define...
A rapturous rush, a physical flush,
Chills up and down the spine.
For the few minutes I was in Marion
All Massachusetts was mine. (spoken) Well, it got to be kind of an annual thing...the event that would
start each vacation off with a bang! Then one year--who knows why?--I decided to try a new route.
So I got out my map and I traced one I thought was a beaut.
After driving all morning, I came to the top of a hill,
Where a sign stood before me that promised a new kind of thrill. It said, "Entering Beverly,"
Which was lovely and not overbuilt.
And the pleasure of entering Beverly
Far outweighed any feelings of guilt.
I could say I'm contrite but it wouldn't be right,
For the truth is that later that day,
I found myself entering Sharon.
It was there. So was I. We enjoyed it. Hey, what can I say? By the next year I'd try any route, just for novelty's sake.
I was cursed with a thirst that no single township could slake.
Oh, at the wheel I looked calm but inside I was running amok,
When a sign in the road dead ahead sent me straight into shock: "Entering Lawrence." 
My God! I was out of control.
And I'd no sooner finished with Lawrence
Than Boom! I was entering Lowell.
Then I backtracked and re-entered Lawrence,
Then Quincy and Norton as well.
Around midnight I pulled into Athol
And flopped in a fleabag motel. I slept fitfully in my clothing
And awoke in a pool of sweat and self-loathing.
Lying there, feeling lower than carrion,
A name came clear as a clarion.
I jumped in my car
And before very far-- I was entering Marion.
How totally, wonderfully great!
How grand to be entering Marion
After tramping all over the state.
Every sleaze-bucket burb,
Every tryst by the curb
Had really just helped me to find
I'm happiest entering Marion.
I guess I'm the Marion kind.
Oh yes, I'm the Marion kind. 
	
	c 1988 Limousine Music Co (ASCAP) 

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Subject: Deers and Such
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:03:49 -0700
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Bob Waltz writes:"Having had a few angry confrontations with deer at my parents' house
over who exactly had rights to the birdseed, they do more than just
snort; they also can release a mildly unpleasant musk. "Funny.  I do that myself.Ed

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Subject: Re: UF STUDY
From: edward cray <[unmask]>
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Date:Thu, 21 Apr 2005 13:05:42 -0700
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Jonathan:By an large nothing is taking place.  Too often, music and art programs are being cut so as to meet constricted budgets.Ed----- Original Message -----
From: Jonathan Lighter <[unmask]>
Date: Thursday, April 21, 2005 12:14 pm
Subject: Re: UF STUDY> I don't know for sure just how seriously neglected folk music is in 
> American elementary schools, but if the situation is as they say it 
> must be in large part because today's educators (many of them 
> products of the '70s and '80s) have decided (or been instructed) 
> that the music is dull and insignificant, particularly in 
> comparison with whatever's taking its place.
> 
> Does anyone have further insights into this possibility ?  What 
> *is* taking its place ?  Symphonic studies ?  (Goak.)
> 
> JL
> 
> John Garst <[unmask]> wrote:
> >Thing is, out of all the material, other than "Marsey Doats," the 
> only songs
> >that stuck in my head were those based on folk material.
> 
> Not even "Hut sut ralston"?
> 
> >...Maybe kids today don't have them because they're not taught in 
> school (a
> >sad, sick loss) but maybe partly because they don't any more 
> retain those
> >they _have_ heard from parents or friends. 
> >
> >I blame polution.
> >
> >
> >-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
> - -- -
> > I am Abby Sale - in Orlando, Florida
> 
> Thought pollution, that is?
> 
> J
> -- 
> john garst [unmask]
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

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Subject: Town Names
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 13:07:09 -0700
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Our neighbors have drafted a petition to change the
name of their street: Hooker Lane. The sign keeps
getting stolen.

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Subject: Re: Town Names
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:07:13 -0400
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I remember entering MarionGeorge F Madaus
Professor Emeritus
Boston College
On Apr, 21, 2005, at 2:24 PM, DoN. Nichols wrote:> On 2005/04/21 at 12:39:01PM -0400, George Madaus wrote:
>
>> At one time I had a CD of various singers from a Martha's Vineyard
>> session. On it is a very clever song about Massachusetts town names.
>> Can't find it and it is driving me nuts. Anyone have a clue as to the
>> CD or the title of the song?
>
> 	Hmm ... could the song be "Entering Beverly"?  I don't know what
> CD it is on, but I have heard it on the local folk program a few
> times.  Mary -- do you know what CD it is on?
>
>> Speaking of  town names there is the old MASS gem about having a a
>> governor with three towns named after him --- Peabody, Marblehead and
>> Athol.
>
> 	I *love* it. :-)
>
> 	Enjoy,
> 		DoN.
>
> -- 
>  Email:   <[unmask]>   | Voice (all times): (703) 938-4564
> 	(too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
>            --- Black Holes are where God is dividing by zero ---

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Subject: Re: [pre-war-blues] Tricks Ain't Walking No More
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:16:58 -0400
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With the permission of John Schott and Elijah Wald, I forward this 
from the pre-war-blues list because I think there are people here 
interested in it.John>I hope somebody will prove me wrong, but I'd bet there was no sheet
>music. However....I have always wondered whether someone, somewhere, has
>a collection of this sort of material. Reading Willie "The Lion" Smith's
>memoir, he talks about the bawdy songs that used to be sung in the shows
>in (I believe) Atlantic City, which also seem to be lost. Clearly, there
>was a whole world of fully composed cabaret and show material that was
>not clean enough for sheet music or record release, but that was written
>and played by the same kinds of artists who were writing mainstream pop
>standards. It has always seemed to me that this is a missing piece in
>American music history, since who knows how many double-entendre blues
>songs are simply reworkings of more formal compositions -- as may well
>be the case with "Tricks Ain't Walkin' No More."
>
>
>john schott wrote:
>
>>Ok, so Lucille Bogan and Memphis Minnie both recorded a song 
>>entitled "Tricks Ain't Walking No More." It's a modified blues, 
>>with two visits to the IV chord before going to the turnaround. 
>>Great performances, both, as I'm sure most of you know.
>>
>>Jelly Roll Morton sang a brief a capella version of a DIFFERENT 
>>"Tricks Ain't Walking No More" for Alan Lomax in 1938. It would 
>>seem to be a verse-chorus type of song, each probably being about 
>>32 measures. Some of the words (rather hazily remembered by Morton, 
>>it would seem) are:
>>
>>"...Everytime I see that woman, she meets me,
>>I'm going to tell you she's got that lovely fee,
>>
>>But tricks ain't walking no more
>>While they're passing right by that whore
>>I've never seen things so bad before, 'cause
>>
>>II7                V7                I                VI7
>>Tricks ain't walking no more, I'll tell you,
>>II7                  V7               I
>>Tricks ain't walking no more.
>>
>>I want you to be mine, if you'll come with me,
>>and be with me, I'll love you all  the time,
>>so won't you be mine, I'm going to take you to grind
>>
>>Just then, her man would come, and I would run,
>>That would be the end of me, 'cause,
>>Tricks ain't walking no more
>>
>>Every time you see a man coming down the street,
>>He won't stop, he'll pass her door
>>Tricks ain't walking no more
>>She can't get a dime, that poor whore
>>I've never seen things so bad before, 'cause
>>Tricks ain't walking no more"
>>
>>     Is anyone familiar with this song beyond the Morton LOC 
>>recording? I am trying to find the original sheet music or a more 
>>fleshed out (ugh - no pun intended, but not denied either) 
>>recording of the song. I have visited countless sheet music 
>>archives on the web to no avail.
>>
>>thanks,
>>
>  >John Schott
>--
>Elijah Wald

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Subject: Re: Town Names - LONG
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:11:37 -0400
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That's the one! Thank you
George
George F Madaus
Professor Emeritus
Boston College
On Apr, 21, 2005, at 3:59 PM, Mary Cliff wrote:> That would be John Forster's "Entering Marion," also title cut of one 
> of
> his CDs.  Words from his site:
>
> Every year I drive out to Cape Cod for the last part of June.
> Leave the city by ten and you're there in the late afternoon.
> On the way there's a village called Marion that you pass through.
> The first time I approached it, I'll always remember the sign that came
> into view.
>
> It said, "Entering Marion."
> And I thought, "What a fun little sign!"
> But the feeling of entering Marion
> Had a kick that was hard to define...
> A rapturous rush, a physical flush,
> Chills up and down the spine.
> For the few minutes I was in Marion
> All Massachusetts was mine.
>
> (spoken) Well, it got to be kind of an annual thing...the event that 
> would
> start each vacation off with a bang!
>
> Then one year--who knows why?--I decided to try a new route.
> So I got out my map and I traced one I thought was a beaut.
> After driving all morning, I came to the top of a hill,
> Where a sign stood before me that promised a new kind of thrill.
>
> It said, "Entering Beverly,"
> Which was lovely and not overbuilt.
> And the pleasure of entering Beverly
> Far outweighed any feelings of guilt.
> I could say I'm contrite but it wouldn't be right,
> For the truth is that later that day,
> I found myself entering Sharon.
> It was there. So was I. We enjoyed it. Hey, what can I say?
>
> By the next year I'd try any route, just for novelty's sake.
> I was cursed with a thirst that no single township could slake.
> Oh, at the wheel I looked calm but inside I was running amok,
> When a sign in the road dead ahead sent me straight into shock:
>
> "Entering Lawrence."
> My God! I was out of control.
> And I'd no sooner finished with Lawrence
> Than Boom! I was entering Lowell.
> Then I backtracked and re-entered Lawrence,
> Then Quincy and Norton as well.
> Around midnight I pulled into Athol
> And flopped in a fleabag motel.
>
> I slept fitfully in my clothing
> And awoke in a pool of sweat and self-loathing.
> Lying there, feeling lower than carrion,
> A name came clear as a clarion.
> I jumped in my car
> And before very far--
>
> I was entering Marion.
> How totally, wonderfully great!
> How grand to be entering Marion
> After tramping all over the state.
> Every sleaze-bucket burb,
> Every tryst by the curb
> Had really just helped me to find
> I'm happiest entering Marion.
> I guess I'm the Marion kind.
> Oh yes, I'm the Marion kind.
> 	
> 	c 1988 Limousine Music Co (ASCAP)

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Subject: Re: Town Names
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:33:57 -0400
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Outside Buffalo, there's a small suburb (actually more like
a suburb of a suburb, part of Hamburg, NY) called Athol
Springs. Unfortunately, they spoil the fun by pronouncing it
"ATH-all." But on the other side of Buffalo is Depew
(dee-PEW, long "e" on the first syllable, accent on the
second), which gets its fair share of mockery. 
Tom Bingham
> At 01:36 PM 4/21/2005 -0400, you wrote:
> >>At one time I had a CD of various singers from a
> Martha's Vineyard  >>session. On it is a very clever song
> about Massachusetts town names.  >>Can't find it and it is
> driving me nuts. Anyone have a clue as to the CD  >>or the
> title of the song? >>
> >>Speaking of  town names there is the old MASS gem about
> having a a  >>governor with three towns named after him
> --- Peabody, Marblehead and Athol. >>
> >>George F Madaus
> >
> >I recall visiting Athol in 1975 and marveling with my
> children at the  >signs that adorned the trash cans on the
> streets:  "Keep Athol clean" >
> >John
> 
> 
> Coincidentally, I was just in Athol, MA this past weekend,
> but I didn't see  any of those signs.  (sigh....)
> I asked a friend who lives in a neighboring town if they
> had gotten used to  the name yet and could say it without
> "the" mental association, and they  said after 20 years
> they still couldn't. Lisa

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Subject: Re: Villikins Once More
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:35:46 -0500
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Hi,
Few versions of William and Dinah exist with a tune and those that do exist
don't have the Villikins tune, however, many versions of the
widespread 'All Jolly fellows that follow the Plough' do use this tune and
it dates, like William and Dinah from the Pitts/Catnach era of broadside
printing, i.e., early 19thc.
Lucy Broadwood states in ECS (1891) that it was sung to Villikins tune in
Surrey and Berkshire. Certainly all the versions I've ever heard are sung
to it, including those from Shropshire and Yorkshire, but I must add there
are plenty of other tunes used. It's a great pity Lucy's Uncle John didn't
collect a version and publish it in 1842 with his other songs. This would
have given us a good benchmark.
SteveG

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Subject: Re: "Five costipated Men of the Bible"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:41:45 -0500
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Hi,
The tune I've always heard it sung to is the student song 'The
Quartermaster's Store'. Is there another tune?
I recently had it put on a homemade CD of my 2 lads and their aunty Jane
Sherburn, all aged about 5 some 25 years ago from an old cassette recording
they made themselves. They all got a copy as a Christmas present. Boy were
they embarrassed!
SteveG

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Subject: Re: "Five constipated Men of the Bible"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:43:43 -0500
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Apologies for typo error.
SteveG

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Subject: Re: UF STUDY
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:49:24 -0400
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At 01:05 PM 4/21/2005 -0700, you wrote:> > I don't know for sure just how seriously neglected folk music is in
> > American elementary schools, but if the situation is as they say it
> > must be in large part because today's educators (many of them
> > products of the '70s and '80s) have decided (or been instructed)
> > that the music is dull and insignificant, particularly in
> > comparison with whatever's taking its place.
> >
> > Does anyone have further insights into this possibility ?  What
> > *is* taking its place ?  Symphonic studies ?  (Goak.)
> >
> > JLIn our little town of Chatham in upstate NY, both the public Middle school 
and the High school do still have bands, orchestras, and choirs.
The orchestra usually gets sheet music for classical or pop-classical stuff 
(might be some "folky" Bartok or Copland in there), and an occasional 
modern or swingy piece.  The bands play mostly jazz music (both old and 
new) and also themes from pop media, Braodway shows, or movies, -like Star 
Wars, "Cats", Batman, and modern popular tunes.  The choir sings a more 
widespread selection, but with an emphasis on modern popular music that is 
"pleasing" to the audience's ears.  Lots of soaring & inspiring chords and 
crescendos.     8-(
I'd guess about 2% of the overall music chosen might have some traditional 
folk music content.  I remember 35 years ago playing 'cello in the same 
high school orchestra in this little town, and while I myself loved playing 
"Rodeo" excerpts, the occasional Vivaldi, and Corelli's Christmas Concerto, 
the other kids mostly begged the orchestra teacher to order more pop music 
to play, like the theme from the Pink Panther, Goldfinger, the Beatles' 
Yesterday, etc.  It all made me cringe, but then again I was kind of a 
weirdo.  When I finished attending the high school concerts a few years ago 
when my daughters graduated, it seemed little had changed concerning the 
music fare.
I do remember way back in Kindergarten (1959) and in the first few grades 
in New York City public school 41 in Greenwich Village though, I remember 
fondly Mr. Shapiro showing us international folk dances (including polkas 
and square dances) and my black teachers Mr. Brown and Mr. Smith taught us 
some black spiritual songs and African dances and Mrs. Mintz taught us 
Silent Night in German.  They also taught us singing games, but I can't 
remember them.  I remember enjoying that all very much.
Lisa Johnson

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Subject: Re: Town Names
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:56:48 -0400
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I can't seem to find an  Endicott  Massachusetts and the many times I 
heard the joke it was always the trio of Peabody, Marblehead and
> Athol. True that Endicott was Peabody's first name. He was always. it 
> seems, referred to as Endicott "Chub" Peabody or just Chub PeabodyGeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Apr, 21, 2005, at 2:04 PM, Paul Stamler wrote:> ----- Original Message -----
> From: "George Madaus" <[unmask]>
>
> <<Speaking of  town names there is the old MASS gem about having a a
> governor with three towns named after him --- Peabody, Marblehead and
> Athol.>>
>
> *Four* towns -- Endicott being the fourth. Richard Tuck is credited 
> with
> originating this witticism.
>
> Peace,
> Paul
>

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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 14:41:14 -0700
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--- "Lisa - S. H." <[unmask]> wrote:> At 09:38 AM 4/21/2005 -0700, you wrote:
> >Been to Bucksnort, Tennessee? Fellow that runs the
> >greasy spoon there told me it got it's name from
> the
> >still maintained by a man named Buck where one
> could
> >"get a snort." Frankly, I doubt it. Surprisingly,
> this
> >was a town William Least Heat Moon missed on his
> tour
> >of our Blue Highways (enjoyable book).
> >      Sandy
> 
> 
> Bucks are well known for letting out a very loud
> warning snort when 
> startled.  That buck snort can scare the life out of
> you when you surprise 
> a buck unexpectedly in the woods.
> Lisa
>
My thought exactly, Lisa, despite what the feller told
me, but I don't think he was trying to pull my leg.
     Sandy 

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Subject: Re: Town Names
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:44:28 -0500
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----- Original Message ----- 
From: "edward cray" <[unmask]><<Is this Dick Tuck the famous California political prankster, ca.
1950-1970?>>Yes.Peace,
PaulEd
----- Original Message -----
From: Paul Stamler <[unmask]>
Date: Thursday, April 21, 2005 11:04 am
Subject: Re: Town Names> ----- Original Message ----- 
> From: "George Madaus" <[unmask]>
>
> <<Speaking of  town names there is the old MASS gem about having a a
> governor with three towns named after him --- Peabody, Marblehead and
> Athol.>>
>
> *Four* towns -- Endicott being the fourth. Richard Tuck is credited
> withoriginating this witticism.
>
> Peace,
> Paul
>

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Subject: Re: Villikins Once More
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:54:07 -0500
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----- Original Message ----- 
From: "Steve Gardham" <[unmask]><<Few versions of William and Dinah exist with a tune and those that do
exist
don't have the Villikins tune, however, many versions of the
widespread 'All Jolly fellows that follow the Plough' do use this tune and
it dates, like William and Dinah from the Pitts/Catnach era of broadside
printing, i.e., early 19thc.
Lucy Broadwood states in ECS (1891) that it was sung to Villikins tune in
Surrey and Berkshire. Certainly all the versions I've ever heard are sung
to it, including those from Shropshire and Yorkshire, but I must add there
are plenty of other tunes used. It's a great pity Lucy's Uncle John didn't
collect a version and publish it in 1842 with his other songs. This would
have given us a good benchmark.>>Earliest version in the Ballad Index, presumably sans tune:M31A: before 1821 (broadside, Bodleian 2806 c.17(469))Peace,
Paul

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Subject: Re: "Five costipated Men of the Bible"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:57:46 -0500
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----- Original Message ----- 
From: "Steve Gardham" <[unmask]><<The tune I've always heard it sung to is the student song 'The
Quartermaster's Store'. Is there another tune?>>My former wife told me that this tune (the same as "Quartermaster's Store")
was actually a hymn tune, but I've forgotten which one.Peace,
Paul

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Subject: Re: Villikins Once More
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 17:05:45 -0500
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Hi, Paul,
Thanks for that.
Looking at this broadside, although the woodcut looks quite early the type
doesn't look much older than say 1820, certainly not 18thc. Thompson of
Liverpool was printing 1789 to 1820 but this looks like one of his later
efforts, although it might predate Catnach/Pitts.
SteveG

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Subject: Re: "Five Constipated Men of the Bible"
From: [unmask]
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Date:Thu, 21 Apr 2005 18:14:51 EDT
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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 15:23:37 -0700
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North Carolina traditional singer Frank Proffitt lived
in an area called "Pickbritches Valley" near Sugar
Grove, so-called because the first folks entering
there went through briar patches so thick it "like to
picked their britches right off'n 'em." After the
introduction of television to the holler, his
neighbors became self-conscious about it having such
an old-fashioned name. They decided to call it
"Mountaindale," instead. Very suburban! "But I call it
Pickbritches yet!," Frank assured me.
     I recorded Ally Long Parker in a rustic Ozark
area called "Hog Scald Holler." You'll find neither
that nor Pickbritches Valley on your maps, I fear.
     Sandy--- Jean Lepley <[unmask]> wrote:> Has anyone else observed a class aspect to this
> business of names?  When I
> lived on Long Island in a very ordinary residential
> area, just on the edge
> of "old money" estate country (Locust Valley), I
> observed an ongoing clash
> over the name of a shared road.  Locust Valley
> signposts proclaimed it
> "Skunks Misery Lane"; they said "Lattingtown(ton?)
> Road" in my more
> self-consciously nice neighorhood, and at least one
> critical signpost kept
> on switching names as a result, I imagined, of late
> night "local action."
> If asked, of course, I'd have joined with the Skunks
> Misery Laners (who I
> assumed were also the people who owned the woods and
> ponds and stables
> that were so much fun to explore...)
> 

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Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:32:35 +1000
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here's just a few from our side of the world.WET BEAVER CREEK
MIDDLE INTERCOURSE ISLAND
CHINAMAN'S KNOB
TITTY BONG
COCKBURN
DUNNYDOO
FUKING
IRON KNOB
MOUNT MEE
BAGDAG
BANG BANG JUMP UP
BURRUMBUTTOCK
CAPE CATASTROPHE
COME-BY-CHANCE
WOY WOY
WAGGA WAGGA
(oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
say 'Woy' - it is always Woy Woy)
BONG BONG
USELESS LOOP
UNNAMED (yep, that's the name)
HELL'S GATE
INNALOO (a loo in Australia is a toilet)
KOOLYANOBBING
CADIBARRAWIRRACANNA
NAR NAR GOON
POOWONG
BEVERLEY HILLS
TEXAS
PARIS
WYOMING
GUNBARREL HIGHWAY
GRONG GRONG
DOOTOWN
GOONOO GOONOO (pronounced gunna g'noo)
WOOLLOOMOOLOO
TOOWOOMBAIn relation to the last two I'd like to ask the forum if many towns 
with difficult names have sung traditional rhymes to teach people how 
to spell them?eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
Point) is an old suburb (200 years) and is obviously an Aboriginal wordThe oldtimers used to sing:W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
WOOLLOOMOOLOO
REPEAT

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Subject: Re: "Five Constipated Men of the Bible"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:31:51 -0400
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Hi John-
I've only heard it sung to "The Quartermaster Corps" (It's the beer, 
beer beer, that makes you feel so queer, in the corps etc.)
dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>Does anyone on the list sing "Five Constipated Men of the Bible"? 
>If yes, would you mind singing it for me over the phone?  I ask 
>because I believe that there are two tunes for this song.
>
>Any help is appreciated.
>
>Yours,
>
>John Mehlberg
>~
>Afternoons:  314.647.3883
>Evenings:     314.381.0492 
>
>
>  
>

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Subject: Re: "Five constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:32:47 -0500
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Hello everyone,So far three people from ballad-l have all sung this song to
"The Quartermaster's Store".     I have an interview tonight
with a woman who learned it in 1977-78.  She does not recognise
the tune.Steve when did you learn the song?   Anybody have a date earlier
than 1977?Yours,John Mehlberg----- Original Message ----- 
From: "Steve Gardham" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 3:41 PM
Subject: Re: "Five constipated Men of the Bible"Hi,
The tune I've always heard it sung to is the student song 'The
Quartermaster's Store'. Is there another tune?
I recently had it put on a homemade CD of my 2 lads and their
aunty Jane
Sherburn, all aged about 5 some 25 years ago from an old cassette
recording
they made themselves. They all got a copy as a Christmas present.
Boy were
they embarrassed!
SteveG

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Subject: Raised 6th in minor
From: John Garst <[unmask]>
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Date:Thu, 21 Apr 2005 18:48:49 -0400
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Subject: Re: Town Names
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:51:44 -0400
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Well you keep talking 'bout my neck o' the woods(Bucksnort that is) , so I thought I should assure you that the boy's down here in Tennessee can sure fire brew up some good home brew.  Why I would venture to say that if any buck got a hold of some it would surely make him snort.  If you ever happen to be this way on I-40 just west of Nashville about an hour stop in and have some of the finest bologna sandwiches ever made anywhere.  Y'all come back now you here -  I know there's a ballad in there somewhereSammy Rich[unmask]
> 
> From: Sandy Paton <[unmask]>
> Date: 2005/04/21 Thu PM 05:41:14 EDT
> To: [unmask]
> Subject: Re: Town Names
> 
> --- "Lisa - S. H." <[unmask]> wrote:
> 
> > At 09:38 AM 4/21/2005 -0700, you wrote:
> > >Been to Bucksnort, Tennessee? Fellow that runs the
> > >greasy spoon there told me it got it's name from
> > the
> > >still maintained by a man named Buck where one
> > could
> > >"get a snort." Frankly, I doubt it. Surprisingly,
> > this
> > >was a town William Least Heat Moon missed on his
> > tour
> > >of our Blue Highways (enjoyable book).
> > >      Sandy
> > 
> > 
> > Bucks are well known for letting out a very loud
> > warning snort when 
> > startled.  That buck snort can scare the life out of
> > you when you surprise 
> > a buck unexpectedly in the woods.
> > Lisa
> >
> My thought exactly, Lisa, despite what the feller told
> me, but I don't think he was trying to pull my leg.
>      Sandy 
> 

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Subject: Re: "Five Constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:08:44 -0700
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Thanks for pointing that out to us, Mark. Most of us
heathen folkies would know it better as "There is
power, there is power in a band of working men, when
they stand, hand in hand... etc. -- one Industrial
Union grand!" 
     Sandy --- [unmask] wrote:>  
> One of the tunes commonly used is "There is Power in
> the  Blood" .  I've 
> heard another as well but I can't remember what it 
> was.
>  
> Mark G
>  
> In a message dated 4/21/2005 1:36:25 PM Central
> Standard Time,  
> [unmask] writes:
> 
> Hello  everyone,
> 
> Does anyone on the list sing "Five Constipated Men
> of the  Bible"? 
> If yes, would you mind singing it for me over the
> phone?  I  ask 
> because I believe that there are two tunes for this
> song.
> 
> Any  help is appreciated.
> 
> Yours,
> 
> John  Mehlberg
> ~
> Afternoons:  314.647.3883
> Evenings:   314.381.0492 
> 
> 
> 
> 
> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:20:45 -0700
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BAGDAG -- Now there's a guitar tuning I've yet to try!I hitch-hiked through Flush, Kansas, once, which I'll
always  remember. Kinda thought the Kohler Company
oughta move there.
     S.--- Warren Fahey <[unmask]> wrote:> here's just a few from our side of the world.
> 
> WET BEAVER CREEK
> MIDDLE INTERCOURSE ISLAND
> CHINAMAN'S KNOB
> TITTY BONG
> COCKBURN
> DUNNYDOO
> FUKING
> IRON KNOB
> MOUNT MEE
> BAGDAG
> BANG BANG JUMP UP
> BURRUMBUTTOCK
> CAPE CATASTROPHE
> COME-BY-CHANCE
> WOY WOY
> WAGGA WAGGA
> (oddly enough we Australians will call Wagga Wagga
> 'Wagga' but we never 
> say 'Woy' - it is always Woy Woy)
> BONG BONG
> USELESS LOOP
> UNNAMED (yep, that's the name)
> HELL'S GATE
> INNALOO (a loo in Australia is a toilet)
> KOOLYANOBBING
> CADIBARRAWIRRACANNA
> NAR NAR GOON
> POOWONG
> BEVERLEY HILLS
> TEXAS
> PARIS
> WYOMING
> GUNBARREL HIGHWAY
> GRONG GRONG
> DOOTOWN
> GOONOO GOONOO (pronounced gunna g'noo)
> WOOLLOOMOOLOO
> TOOWOOMBA
> 
> In relation to the last two I'd like to ask the
> forum if many towns 
> with difficult names have sung traditional rhymes to
> teach people how 
> to spell them?
> 
> eg: Wooloomooloo (an inner Sydney suburb close to
> where I live at Potts 
> Point) is an old suburb (200 years) and is obviously
> an Aboriginal word
> 
> The oldtimers used to sing:
> 
> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
> WOOLLOOMOOLOO
> REPEAT
> 

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Subject: Re: "Five constipated Men of the Bible"
From: [unmask]
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Date:Thu, 21 Apr 2005 19:34:10 EDT
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Subject: Re: "Five Constipated Men of the Bible"
From: [unmask]
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Date:Thu, 21 Apr 2005 19:36:17 EDT
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Subject: Re: "Five Constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 16:40:43 -0700
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--- [unmask] wrote:>  
> LOL
>   I guess that comes from living in Texas these days
> (-:
>  
> In a message dated 4/21/2005 6:11:43 PM Central
> Standard Time,  
> [unmask] writes:
> 
> Thanks  for pointing that out to us, Mark. Most of
> us
> heathen folkies would know it  better as "There is
> power, there is power in a band of working men, 
> when
> they stand, hand in hand... etc. -- one Industrial
> Union grand!"  
> Sandy 
> 
> 
> 
> 
> 

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Subject: Re: Town Names
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 19:07:39 -0500
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John Forster  "Entering Marion"The title of the CD is something about Winter
Songs for a Winter's Night    ???>At one time I had a CD of various singers from a Martha's Vineyard
>session. On it is a very clever song about Massachusetts town names.
>Can't find it and it is driving me nuts. Anyone have a clue as to the
>CD or the title of the song?
>
>Speaking of  town names there is the old MASS gem about having a a
>governor with three towns named after him --- Peabody, Marblehead and
>Athol.
>
>
>George
>
>George F Madaus
>Professor Emeritus
>Boston College

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Subject: Re: Town Names
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 17:26:49 -0700
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Sammy:Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not even in Bucksnort.Ed----- Original Message -----
From: Sammy Rich <[unmask]>
Date: Thursday, April 21, 2005 3:51 pm
Subject: Re: Town Names> Well you keep talking 'bout my neck o' the woods(Bucksnort that is) 
> , so I thought I should assure you that the boy's down here in 
> Tennessee can sure fire brew up some good home brew.  Why I would 
> venture to say that if any buck got a hold of some it would surely 
> make him snort.  If you ever happen to be this way on I-40 just 
> west of Nashville about an hour stop in and have some of the finest 
> bologna sandwiches ever made anywhere.  
> 
> Y'all come back now you here -  
> 
> I know there's a ballad in there somewhere
> 
> Sammy Rich
> 
> [unmask]
> > 
> > From: Sandy Paton <[unmask]>
> > Date: 2005/04/21 Thu PM 05:41:14 EDT
> > To: [unmask]
> > Subject: Re: Town Names
> > 
> > --- "Lisa - S. H." <[unmask]> wrote:
> > 
> > > At 09:38 AM 4/21/2005 -0700, you wrote:
> > > >Been to Bucksnort, Tennessee? Fellow that runs the
> > > >greasy spoon there told me it got it's name from
> > > the
> > > >still maintained by a man named Buck where one
> > > could
> > > >"get a snort." Frankly, I doubt it. Surprisingly,
> > > this
> > > >was a town William Least Heat Moon missed on his
> > > tour
> > > >of our Blue Highways (enjoyable book).
> > > >      Sandy
> > > 
> > > 
> > > Bucks are well known for letting out a very loud
> > > warning snort when 
> > > startled.  That buck snort can scare the life out of
> > > you when you surprise 
> > > a buck unexpectedly in the woods.
> > > Lisa
> > >
> > My thought exactly, Lisa, despite what the feller told
> > me, but I don't think he was trying to pull my leg.
> >      Sandy 
> > 
> 

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Subject: Re: Town Names
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 19:47:42 -0500
Content-Type:text/plain
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On 4/21/05, edward cray wrote:>Sammy:
>
>Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not even in Bucksnort.Why do you think they make the home brew? :-)-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "Five constipated Men of the Bible"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 21:09:50 -0400
Content-Type:text/plain
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Don't recall exactly when I first learned it, but it was certainly 
earlier than the mid-1940s--I trecogbized it when I heard it on "Songs 
of the Lincoln Brigade" (Seeger et al)dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>  
>

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Subject: Re: "Five constipated Men of the Bible"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 21:11:16 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(46 lines)


Oops- I meant the tune. I first heard the song ca 1962.dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>  
>

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Subject: Re: Town Names
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:13:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(84 lines)


Gawdamighty! You guys must have been to that
restaurant in Bucksnort, too.
    S.--- edward cray <[unmask]> wrote:> Sammy:
> 
> Bologna and butter on Wonder Bread does not
> constitute fine cuisine.  Not even in Bucksnort.
> 
> Ed
> 
> ----- Original Message -----
> From: Sammy Rich <[unmask]>
> Date: Thursday, April 21, 2005 3:51 pm
> Subject: Re: Town Names
> 
> > Well you keep talking 'bout my neck o' the
> woods(Bucksnort that is) 
> > , so I thought I should assure you that the boy's
> down here in 
> > Tennessee can sure fire brew up some good home
> brew.  Why I would 
> > venture to say that if any buck got a hold of some
> it would surely 
> > make him snort.  If you ever happen to be this way
> on I-40 just 
> > west of Nashville about an hour stop in and have
> some of the finest 
> > bologna sandwiches ever made anywhere.  
> > 
> > Y'all come back now you here -  
> > 
> > I know there's a ballad in there somewhere
> > 
> > Sammy Rich
> > 
> > [unmask]
> > > 
> > > From: Sandy Paton <[unmask]>
> > > Date: 2005/04/21 Thu PM 05:41:14 EDT
> > > To: [unmask]
> > > Subject: Re: Town Names
> > > 
> > > --- "Lisa - S. H." <[unmask]>
> wrote:
> > > 
> > > > At 09:38 AM 4/21/2005 -0700, you wrote:
> > > > >Been to Bucksnort, Tennessee? Fellow that
> runs the
> > > > >greasy spoon there told me it got it's name
> from
> > > > the
> > > > >still maintained by a man named Buck where
> one
> > > > could
> > > > >"get a snort." Frankly, I doubt it.
> Surprisingly,
> > > > this
> > > > >was a town William Least Heat Moon missed on
> his
> > > > tour
> > > > >of our Blue Highways (enjoyable book).
> > > > >      Sandy
> > > > 
> > > > 
> > > > Bucks are well known for letting out a very
> loud
> > > > warning snort when 
> > > > startled.  That buck snort can scare the life
> out of
> > > > you when you surprise 
> > > > a buck unexpectedly in the woods.
> > > > Lisa
> > > >
> > > My thought exactly, Lisa, despite what the
> feller told
> > > me, but I don't think he was trying to pull my
> leg.
> > >      Sandy 
> > > 
> > 
> 

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Subject: Re: Town Names
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 21:26:13 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(32 lines)


Ed and Bob:  I am going to try and give out this secret recipe for an "onie" samich one more time. If you have already received this, please forgive. Ed your are right about the wonder bread, two slices is all you need along with a couple of leaves of iceberg lettuce, and a slice of home grown t'mater, seasoned with salt and pepper slithered next to that quarter inch slice of Hillshire Farms Bologna with mustard and you have a sure fired southern delicacy that any southerner at heart has indulged in. And yes, you can get your very own right there in Bucksnort!  Leave that butter at home it is fattening you know.  They make the brew to supplement the lack of income from the vegetable gardens and deer hunting.Ed:  Your package got in the mail the day I said I would send it so you should have it soon. Sammy Rich
[unmask]> 
> From: "Robert B. Waltz" <[unmask]>
> Date: 2005/04/21 Thu PM 08:47:42 EDT
> To: [unmask]
> Subject: Re: Town Names
> 
> On 4/21/05, edward cray wrote:
> 
> >Sammy:
> >
> >Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not even in Bucksnort.
> 
> Why do you think they make the home brew? :-)
> 
> -- 
> Bob Waltz
> [unmask]
> 
> "The one thing we learn from history --
>    is that no one ever learns from history."
> 

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Subject: Re: "Five constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 20:34:39 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(75 lines)


Hello everyone,Two questions.     1) Who was the Englishman I interview this afternoon?  I was 
unable to get this recorded.
     2) Who left me the song on my home recorder?   It sounds like 
Sandy...You can email me privately at [unmask] or reply to this 
email.Thanks for the help.  Four field recordings in one day.  A record.Yours,John Mehlberg----- Original Message ----- 
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 8:11 PM
Subject: Re: "Five constipated Men of the Bible"Oops- I meant the tune. I first heard the song ca 1962.dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>
> 

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Subject: Re: "Five constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 18:48:06 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(96 lines)


'Tweren't me, John! I've heard the song, but I don't
know it. 
     The Connecticut Sandy--- John Mehlberg <[unmask]> wrote:> Hello everyone,
> 
> Two questions.
> 
>      1) Who was the Englishman I interview this
> afternoon?  I was 
> unable to get this recorded.
>      2) Who left me the song on my home recorder?  
> It sounds like 
> Sandy...
> 
> You can email me privately at [unmask] or
> reply to this 
> email.
> 
> Thanks for the help.  Four field recordings in one
> day.  A record.
> 
> Yours,
> 
> John Mehlberg
> 
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "dick greenhaus" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 21, 2005 8:11 PM
> Subject: Re: "Five constipated Men of the Bible"
> 
> 
> Oops- I meant the tune. I first heard the song ca
> 1962.
> 
> dick greenhaus
> 
> John Mehlberg wrote:
> 
> >Hello everyone,
> >
> >So far three people from ballad-l have all sung
> this song to
> >"The Quartermaster's Store".     I have an
> interview tonight
> >with a woman who learned it in 1977-78.  She does
> not recognise
> >the tune.
> >
> >Steve when did you learn the song?   Anybody have a
> date earlier
> >than 1977?
> >
> >Yours,
> >
> >John Mehlberg
> >
> >
> >
> >----- Original Message ----- 
> >From: "Steve Gardham" <[unmask]>
> >To: <[unmask]>
> >Sent: Thursday, April 21, 2005 3:41 PM
> >Subject: Re: "Five constipated Men of the Bible"
> >
> >
> >Hi,
> >The tune I've always heard it sung to is the
> student song 'The
> >Quartermaster's Store'. Is there another tune?
> >I recently had it put on a homemade CD of my 2 lads
> and their
> >aunty Jane
> >Sherburn, all aged about 5 some 25 years ago from
> an old cassette
> >recording
> >they made themselves. They all got a copy as a
> Christmas present.
> >Boy were
> >they embarrassed!
> >SteveG
> >
> >
> >
> >
> >
> > 
> 

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Subject: Re: "Five Constipated Men of the Bible"
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Apr 2005 23:29:25 EDT
Content-Type:text/plain
Parts/Attachments:

text/plain(24 lines)


I'vbe heard the song, but can't remember amost of it.  What I know is this:There were five, fivb contipated men
   In te Bible, in the Bible.
There were five five constitpated men
   In the first five books of Moses.Now the cirst first constipated man
   Was Moses. He took the Tablets.
The first, first constipated man
    Was Moses, who took the tablets.
 Th second second constipated man
    Was David;; he sat For seven years!
***********************************I heard Wally Macnow sing it at a Festival that I think was in Massachusetts; 
 he might still remember all the words!I hope you find the whole thing!  I apologize for my forgetfulness.Sam Hinton
La Jolla, CA

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Subject: Re: Town Names
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 00:18:04 -0500
Content-Type:text/plain
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text/plain(17 lines)


> From: "Robert B. Waltz" <[unmask]>
> Date: 2005/04/21 Thu PM 08:47:42 EDT
> To: [unmask]
> Subject: Re: Town Names
>
> On 4/21/05, edward cray wrote:> >Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not
even in Bucksnort.
>
> Why do you think they make the home brew? :-)Y'all don't understand. Bologna is the only thing that makes Wonder Bread
edible. And vice versa.Peace,
Paul

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Subject: Re: "Five Constipated Men of the Bible"
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 05:24:23 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(58 lines)


I learned it at a Jewish summer camp, and here are the verses as I know themThe first, first constipated man
Was Cain, he wasn't AbelThe second, .. was Moses, he took two tabletsThe third ... was Sampson, he brought the house downThe fourth was Sampson, he sat for forty yearsThe fifth ... was Balaam, he couldn't move his ass.As I taught it to festival types, I learned that a Buffalo Morris dance team added the following two verses:The sixth ... was Joshua, heblew the walls downAnd here's my favorite:The seventh ... was Noah.
Oh, he sailed forty days and he sailed forty nights, and he passed nothing but water!	Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of [unmask]
Sent: Thursday, April 21, 2005 10:29 PM
To: [unmask]
Subject: Re: "Five Constipated Men of the Bible"I'vbe heard the song, but can't remember amost of it.  What I know is this:There were five, fivb contipated men
   In te Bible, in the Bible.
There were five five constitpated men
   In the first five books of Moses.Now the cirst first constipated man
   Was Moses. He took the Tablets.
The first, first constipated man
    Was Moses, who took the tablets.
 Th second second constipated man
    Was David;; he sat For seven years!
***********************************I heard Wally Macnow sing it at a Festival that I think was in Massachusetts; 
 he might still remember all the words!I hope you find the whole thing!  I apologize for my forgetfulness.Sam Hinton
La Jolla, CA

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Subject: Re: "Five constipated Men of the Bible"
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 05:25:49 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(87 lines)


I just sent a message on "The Five Constipated Men?"  Did the whole list get it?	Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Mehlberg
Sent: Thursday, April 21, 2005 8:35 PM
To: [unmask]
Subject: Re: "Five constipated Men of the Bible"Hello everyone,Two questions.     1) Who was the Englishman I interview this afternoon?  I was 
unable to get this recorded.
     2) Who left me the song on my home recorder?   It sounds like 
Sandy...You can email me privately at [unmask] or reply to this 
email.Thanks for the help.  Four field recordings in one day.  A record.Yours,John Mehlberg----- Original Message ----- 
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 8:11 PM
Subject: Re: "Five constipated Men of the Bible"Oops- I meant the tune. I first heard the song ca 1962.dick greenhausJohn Mehlberg wrote:>Hello everyone,
>
>So far three people from ballad-l have all sung this song to
>"The Quartermaster's Store".     I have an interview tonight
>with a woman who learned it in 1977-78.  She does not recognise
>the tune.
>
>Steve when did you learn the song?   Anybody have a date earlier
>than 1977?
>
>Yours,
>
>John Mehlberg
>
>
>
>----- Original Message ----- 
>From: "Steve Gardham" <[unmask]>
>To: <[unmask]>
>Sent: Thursday, April 21, 2005 3:41 PM
>Subject: Re: "Five constipated Men of the Bible"
>
>
>Hi,
>The tune I've always heard it sung to is the student song 'The
>Quartermaster's Store'. Is there another tune?
>I recently had it put on a homemade CD of my 2 lads and their
>aunty Jane
>Sherburn, all aged about 5 some 25 years ago from an old cassette
>recording
>they made themselves. They all got a copy as a Christmas present.
>Boy were
>they embarrassed!
>SteveG
>
>
>
>
>
> 

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Subject: Re: "Five constipated Men of the Bible"
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 05:57:55 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


Hi, John,
I'm in the UK by the way. My oldest was about 5 when he sang it so that
makes it about 1980 and if I remember rightly we'd all just learnt it by
singing it at a local Yorkshire folk festival where it had been performed
by one of the artists. I'll make enquiries to find out the sources. I'd go
along with Jon and say the song is a parody directly from the hymn tune
rather than from Quartermaster, even though I'm not familiar with the hymn.
From what I've read of other postings it sounds like it probably originated
in America rather than over here. I'd certainly not heard it before the
c1980 performances.
Steve

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Subject: Re: "Five constipated Men of the Bible"
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:03:16 EDT
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Sorry, your browser doesn't support iframes.


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Subject: Re: "Five constipated Men of the Bible"
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:38:01 -0400
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1) That would have been me. To summarize, I seem to know the same version as
everyone else here, learned from Wally Macnow at Pinewoods Camp (Folk Music
camp that is, not kids' camp!), probably ca. 1980 - might have been earlier.
Same verses as Heather just posted.John RobertsOn 4/21/05 9:34 PM, "John Mehlberg" <[unmask]> wrote:> Hello everyone,
> 
> Two questions.
> 
>    1) Who was the Englishman I interview this afternoon?  I was
> unable to get this recorded.
>    2) Who left me the song on my home recorder?   It sounds like
> Sandy...
> 
> You can email me privately at [unmask] or reply to this
> email.
> 
> Thanks for the help.  Four field recordings in one day.  A record.
> 
> Yours,
> 
> John Mehlberg
> 
> 

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Subject: Re: Town Names
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 09:31:05 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


On 4/22/05, Paul Stamler wrote:> > From: "Robert B. Waltz" <[unmask]>
>> Date: 2005/04/21 Thu PM 08:47:42 EDT
>> To: [unmask]
>> Subject: Re: Town Names
>>
>> On 4/21/05, edward cray wrote:
>
>> >Bologna and butter on Wonder Bread does not constitute fine cuisine.  Not
>even in Bucksnort.
>>
>> Why do you think they make the home brew? :-)
>
>Y'all don't understand. Bologna is the only thing that makes Wonder Bread
>edible. And vice versa.Yes, but why would anyone *want* to make Wonder Bread edible -- unless
under the influence of home brew? :-)-- 
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "Five constipated Men of the Bible"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 08:52:50 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(98 lines)


yep.ed----- Original Message -----
From: "Steiner, Margaret" <[unmask]>
Date: Friday, April 22, 2005 3:25 am
Subject: Re: "Five constipated Men of the Bible"> I just sent a message on "The Five Constipated Men?"  Did the whole 
> list get it?
> 
> 	Marge 
> 
> -----Original Message-----
> From: Forum for ballad scholars [[unmask]]On
> Behalf Of John Mehlberg
> Sent: Thursday, April 21, 2005 8:35 PM
> To: [unmask]
> Subject: Re: "Five constipated Men of the Bible"
> 
> 
> Hello everyone,
> 
> Two questions.
> 
>     1) Who was the Englishman I interview this afternoon?  I was 
> unable to get this recorded.
>     2) Who left me the song on my home recorder?   It sounds like 
> Sandy...
> 
> You can email me privately at [unmask] or reply to this 
> email.
> 
> Thanks for the help.  Four field recordings in one day.  A record.
> 
> Yours,
> 
> John Mehlberg
> 
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "dick greenhaus" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 21, 2005 8:11 PM
> Subject: Re: "Five constipated Men of the Bible"
> 
> 
> Oops- I meant the tune. I first heard the song ca 1962.
> 
> dick greenhaus
> 
> John Mehlberg wrote:
> 
> >Hello everyone,
> >
> >So far three people from ballad-l have all sung this song to
> >"The Quartermaster's Store".     I have an interview tonight
> >with a woman who learned it in 1977-78.  She does not recognise
> >the tune.
> >
> >Steve when did you learn the song?   Anybody have a date earlier
> >than 1977?
> >
> >Yours,
> >
> >John Mehlberg
> >
> >
> >
> >----- Original Message ----- 
> >From: "Steve Gardham" <[unmask]>
> >To: <[unmask]>
> >Sent: Thursday, April 21, 2005 3:41 PM
> >Subject: Re: "Five constipated Men of the Bible"
> >
> >
> >Hi,
> >The tune I've always heard it sung to is the student song 'The
> >Quartermaster's Store'. Is there another tune?
> >I recently had it put on a homemade CD of my 2 lads and their
> >aunty Jane
> >Sherburn, all aged about 5 some 25 years ago from an old cassette
> >recording
> >they made themselves. They all got a copy as a Christmas present.
> >Boy were
> >they embarrassed!
> >SteveG
> >
> >
> >
> >
> >
> > 
> 

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Subject: Re: "Five constipated Men of the Bible"
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 10:26:45 -0700
Content-Type:text/plain
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Barbara Millikan, who is having e-mail conflicts with
her internet provider, asked me to forward this
message to the list. Here 'tis:On Fri, 22 Apr 2005 05:24:23 -0500, Steiner, Margaret
wrote
> I learned it at a Jewish summer camp, and here are
the verses as I 
> know themI first heard this in 1975 or 76, from a Jewish friend
in California, 
(Bay 
Area), only he sang... 
 
 There were five, five constipated men
    In the Torah, in the Torah.
 There were five, five constipated men
    In the five books of Moses.Tune was very similar to the Quartermaster's Store.
Blessings, 
Barbara

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Subject: Re: "Five constipated Men of the Bible"
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 12:27:19 -0500
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Hello everyone,Thanks for singing for me.   Links to your mp3s are listed here:         http://immortalia.com/html/what-s-new.htmPatricia Wells also sang the song to "Quartermaster's Store".
She suspects a different tune is used by Jim Griffith as his text
is different and doesn't scan.   I have sent him an email.Thanks again.Yours,John Mehlberg

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Subject: Re: "Five constipated Men of the Bible"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 14:10:56 -0400
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According to The New Broadman Hymnal, There is Power in the Blood, 
words and music, was written by Lewis E. Jones in 1899.>Oops- I meant the tune. I first heard the song ca 1962.
>
>dick greenhaus
>
>John Mehlberg wrote:
>
>>Hello everyone,
>>
>>So far three people from ballad-l have all sung this song to
>>"The Quartermaster's Store".     I have an interview tonight
>>with a woman who learned it in 1977-78.  She does not recognise
>>the tune.
>>
>>Steve when did you learn the song?   Anybody have a date earlier
>>than 1977?
>>
>>Yours,
>>
>>John Mehlberg
>>
>>
>>
>>----- Original Message ----- From: "Steve Gardham" <[unmask]>
>>To: <[unmask]>
>>Sent: Thursday, April 21, 2005 3:41 PM
>>Subject: Re: "Five constipated Men of the Bible"
>>
>>
>>Hi,
>>The tune I've always heard it sung to is the student song 'The
>>Quartermaster's Store'. Is there another tune?
>>I recently had it put on a homemade CD of my 2 lads and their
>>aunty Jane
>>Sherburn, all aged about 5 some 25 years ago from an old cassette
>>recording
>>they made themselves. They all got a copy as a Christmas present.
>>Boy were
>>they embarrassed!
>>SteveG
>>
>>
>>
>>
>>-- 
john garst    [unmask]

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Subject: Re: Town Names
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 14:14:16 -0400
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>Leave that butter at home it is fattening you know.
>Sammy RichSomething I learned when I went north (to Iowa) in 1954: Yankees 
butter the bread when making sandwiches, any kind, as I recall. 
Growing up in Mississippi, I'd never seen that.  Our sandwiches, if 
they need a condiment, used mayonnaise, mustard, or (rarely) ketchup, 
but never butter.J

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Subject: Cyril Tawney
From: Heather Wood <[unmask]>
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Date:Fri, 22 Apr 2005 17:06:40 EDT
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Subject: Re: Town Names
From: Heather Wood <[unmask]>
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Date:Fri, 22 Apr 2005 17:14:32 EDT
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Subject: Ebay List - 4/22/05 (Part 1 - General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 17:55:25 -0400
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Hi!	For all of you constipated folklorists, here is part 1 of this
week's Ebay lists. Part 2 will follow later tonight. The
songster/broadside list will be posted in a couple of days. :-)	JOURNALS	5188923382 - Folklore, March 1960, 2.99 GBP (ends Apr-28-05 
14:00:53 PDT)	BOOKS	4543945429 - TREASURES OF IRISH FOLKLORE by Duggan, 1983, $2.95 
(ends Apr-23-05 20:45:09 PDT)	6956590949 - GUMBO YA-YA: A COLLECTION OF LOUISIANA FOLK TALES by
Saxon, Dreyer & Tallant, 1991, $5.95 (ends Apr-23-05 20:50:34 PDT)	6956593322 - FOLKLORE OF THE ADIRONDACK FOOTHILLS by Thomas, 1958,
$2.99 (ends Apr-23-05 21:15:35 PDT) also 6957165302 - $9.99 (ends 
Apr-27-05 19:01:31 PDT)	4543978218 - VANCE RANDOLPH An Ozark Life by Cochran, 1985, $5 
(ends Apr-24-05 04:44:38 PDT)	8302066602 - Legends Of Devon by Jones, 1981, 0.75 GBP (ends 
Apr-24-05 13:16:41 PDT)	3970668581 - Stealing Stick Folklore of Pioneer East Texas by 
Davidson, 1969, $14.99 (ends Apr-24-05 18:50:45 PDT) also 4544900772 - 
$7.99 (ends Apr-28-05 11:15:25 PDT)	4544153246 - Canadian Wonder Tales by MacMillan, 1974, $1.75 (ends
Apr-24-05 19:26:38 PDT)	4544273816 - Ozark Superstitions by Randolph, 1947, $4.95 (ends 
Apr-25-05 11:48:32 PDT)	4544290609 - The Folklore of the Scottish Highlands by Ross, 1993,
$5 (ends Apr-25-05 12:59:41 PDT) also 8302368194 - 0.99 GBP (ends 
Apr-27-05 03:46:49 PDT)	4544376867 - Vance Randolph in the Ozarks - A Collection of the 
Folklorist's Writings, 1984, $7.25 (ends Apr-25-05 21:15:09 PDT)	8302279432 - Legends of Cornwall by Jones, 1980, 0.99 GBP (ends 
Apr-26-05 09:43:40 PDT)	4544449354 - Foolish Tales and Folklore of Newfoundland by Earle, 
1988, $8.99 (ends Apr-26-05 09:44:44 PDT)	8302307330 - The Australian Yarn by Edwards, 1977, $6.50 AU (ends 
Apr-26-05 13:03:24 PDT)	4543935449 - Mas Antes by Garcia, 1997, $4.99 (ends Apr-26-05 
18:15:00 PDT)	4544589521 - Midwestern Folk Humor by Leary, 1991, $2.93 (ends 
Apr-26-05 21:40:47 PDT)	6527092113 - The Music and Musical Instruments of the Pennsylvania 
Mountaineers by Shoemaker, 1923, $9.99 (ends Apr-27-05 18:40:31 PDT)	4544780570 - THE FOXFIRE BOOK, 1971, $9.99 (ends Apr-27-05 20:09:29 
PDT)	6957225908 - Tales, Legends and Historical Reminiscences of the 
Scottish Covenanters by Guthrie, 1862, 0.99 GBP (ends Apr-28-05 06:39:14 
PDT)	5188932612 - THE FOLKLORE OF EAST ANGLIA by Porter, 1974, 0.19 
GBP (ends Apr-28-05 14:23:10 PDT)	6957346750 - Who Blowed Up the Church House by Randolph, 1953, 
$9.50 (ends Apr-28-05 16:32:10 PDT)	4545050131 - Body, Boots & Britches by Thompson, 1940 edition, 
$3.98 (ends Apr-29-05 05:35:53 PDT)	5188116036 - Rites & Riots:Folk Customs of Britain and Europe by 
Pegg, 1981, 3.99 GBP (ends Apr-29-05 12:24:37 PDT)	5188720324 - THE WEARING OF THE GREEN by Wannan, 1968, 0.99 GBP 
(ends May-01-05 05:39:44 PDT)	8302579775 - In Praise of Bells. The Folklore and Tradition of 
British Bells by Camp, 1988, 14.99 GBP (ends May-01-05 11:18:46 PDT)	8302626196 - THE FOLKLORE OF WARWICKSHIRE by Palmer, 1976, 2.99 
GBP (ends May-01-05 14:59:11 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Town Names
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 18:09:44 -0500
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Oronogo, Missouri (near Joplin) was a mining boom town which got its name
from the local cathouse, where the prostitutes would tell the potential
customers "Ore, or no go."EdieEdie Gale Hays
[unmask]

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Subject: Re: Town Names
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Subject: Ebay List - 04/22/05 (Part 2 - Songs & Ballads)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Apr 2005 22:56:14 -0400
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Hi!	While we take a break from unusual town names, here is the
second part of the weekly Ebay list. :-)	MISCELLANEOUS	6526632587 - Occupational Folk Songs of the US Air Force, CD, $2 
(ends Apr-25-05 14:50:05 PDT)	SONGBOOKS, ETC.	7316024667 - The Plain Brown Tune Book, 6.50 GBP (ends Apr-23-05 
12:39:11 PDT)	4543958663 - Some Current Folk-Songs of the Negro by Thomas, 1936, 
$4.93 (ends Apr-23-05 23:23:19 PDT)	6956676640 - Pills to Purge Melancholy, volumes 5 & 6, 1720, 9.99 
GBP (ends Apr-24-05 11:11:27 PDT)	8302296343 - Ballads from the Pubs of Ireland by Healy, 1965, 0.99
GBP (ends Apr-24-05 11:46:49 PDT)	8302065170 - The Border Ballads by Reed, 1973, 3 GBP (ends 
Apr-24-05 13:08:05 PDT)	7316299322 - Sea Songs & Shanties by Whall, 1930 reprint, 6.05 GBP
(ends Apr-24-05 13:55:11 PDT)	4543682906 - Irish Street Ballads by O'Lochlainn, 1960, $12 (ends 
Apr-24-05 16:00:00 PDT)	7316348961 - 2 songbooks (33 Prison and Mountain Songs & Carson 
Robison's Mountain Ballads & Old Time Songs), 1932 & 1930, $9.95 (ends 
Apr-24-05 17:27:51 PDT)	6171222548 - THE FIRST BOOK OF IRISH BALLADS by O'Keefe, 1968, 
0.99 GBP (ends Apr-25-05 02:59:37 PDT)	6956367809 - IRISH STREET BALLADS NO 2 by Healy, 1969, 0.99 GBP
(ends Apr-25-05 03:09:16 PDT)	7316459508 - 2 books (SONGS AND BALLADS OF DUNDEE by Gatherer), 
1986 & 2000, 5.50 GBP (ends Apr-25-05 07:08:49 PDT)	454423101 - Ancient and Modern Scottish Songs Heroic Ballads etc., 
2 volumes, 1869 edition, $75 (ends Apr-25-05 08:00:56 PDT)	4544257784 - Sir Walter Scott and the Border Minstrelsy by Lang, 
1910, $19.99 (ends Apr-25-05 10:38:39 PDT)	7315845600 - Pint Pot and Billy by French, 1977, $5 (ends Apr-25-05 
18:30:00 PDT)	4544593558 - BALLADS AND FOLK SONGS OF THE SOUTHWEST by Moore, 
1966, $8 (ends Apr-26-05 22:48:14 PDT)	6957124754 - THE MAINE WOODS SONGSTER by Barry, 1939, $6 (ends 
Apr-27-05 12:48:06 PDT)	6956796171 - Covent Garden Drollery, 1927, 4 GBP (ends Apr-28-05 
06:28:14 PDT)	7317184466 - One Hundred Songs of England For Low Voice by 
Bantock, 1914, $8.50 (ends Apr-28-05 07:09:54 PDT)	7510138955 - Mountain Ballads by Kincaid, 1936, $5 (ends 
Apr-28-05 09:33:01 PDT)	5188855834 - English Songs and Ballads by Crosland, 1902, 1.10 
GBP (ends Apr-28-05 11:48:14 PDT)	7317369542 - Everymans Book of Sea Songs by Baker & Miall, 0.99 
GBP (ends Apr-28-05 15:18:29 PDT)	4545148465 - Traditional Ballads of Virginia by Davis, 1969, 
$7.50 (ends Apr-29-05 13:05:55 PDT)	6957456128 - Scottish Life and History in Songs & Ballads by 
Gunnyon, 1879, 9.99 GBP (ends Apr-29-05 14:33:37 PDT)	7317130596 - FOLK SONGS COLLECTED BY Ralph VAUGHAN WILLIAMS by 
Palmer, 2.43 GBP (ends May-01-05 00:30:55 PDT)	7317133003 - A BALLAD HISTORY OF ENGLAND FROM 1588 by Palmer, 
1979?, 1.99 GBP (ends May-01-05 00:58:23 PDT)	8302499918 - Ships, Sea Songs & Shanties by Whall, 1910, 1.99 
GBP (ends May-01-05 05:09:24 PDT)	8302626828 - The English and Scottish Popular Ballads by Child, 
1965 Dover edition, 9.99 GBP (ends May-01-05 15:04:21 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Town names
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Apr 2005 09:06:01 -0400
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BALLAD-L automatic digest system <[unmask]>, in
the person of Mark, writes:> A classical example of folk etymology.  Undoubtably Oronogo is
> actually a native American name.Says the judicious & learned George R. Stewart in _American
Place-Names_:  *Oronoco, Oronogo*  A variant spelling of the name of the South
  American river, usually Orinoco.  In MN the name was given by
  settlers who lived on a large river, and were interested in
  developing water power.  *Orinogo* MO is probably another
  variant.  Some of the spellings suggest an origin from Thomas
  Southerne's often-staged tragedy Oroonoko.
-- 
---  Joe Fineman    [unmask]||:  Clowns, not clones.  :||

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Subject: More constipation
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Apr 2005 20:32:21 +0200
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Well folks I've joined up here several days late... the band released 
its new CD on Wednesday and I haven't really been near a computer since, 
so 150 messages to steam through... most of them constipated.We sang this at school and  for us it was Samson who split his ass-bone, 
which seems to make more sense. Ditto Job who sat for  hours. The other 
verses more or less tally.For those who are interested:Simply English (Andy Rouse, Bulcsú Babarci and Tamás Zajzon) celebrated 
the band's tenth anniversary with a birthday concert and the release of 
their new CD, CANAKINS. We got the date as close as we could to 
Shakespeare's birthday and St. George's Day in a series of Wednesday 
evening concerts with a vaguely folky nature.About half of the songs are related to Shakespeare's dramas. Most of the 
others come from the 16th and 17th centuries. As we are not a 
Renaissance group, they have things done to them - without giving 
everything away, "Back and Sides" includes an acoustic bass guitar, 
while Ophelia's Tomorrow is St. Valentine's Day is given the slide 
guitar treatment and the 16th-c. spoof of the 14th-century romance of 
Sir Eglamour gets a snare-drum. In short, we've had great fun 
simultaneously paying homage and being utterly disrespectful. As usual.
The title come from Iago's song, And Let Me the Canakin Drink. Which 
means, I suppose, that in modern parlance the CD is called Beer Tankards.At the risk of being drubbed for advertising, you can get a CD direct 
from me for 11 Euros + whatever it costs to post. Sorry I can't make it 
less but economies of size make it rather more expensive than buying 
Beethoven's 9th in TESCO. At least this time we managed to afford a full 
16-page booklet with all the words.Time to do some more essay marking... something else that's been pushed 
into the shadows over the past week or so!Andy
 

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Subject: Re: "Five Constipated Men of the Bible"
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Apr 2005 20:33:35 +0200
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John Mehlberg wrote:>Hello everyone,
>
>Does anyone on the list sing "Five Constipated Men of the Bible"? 
>If yes, would you mind singing it for me over the phone?  I ask 
>because I believe that there are two tunes for this song.
>
>Any help is appreciated.
>
>Yours,
>
>John Mehlberg
>~
>Afternoons:  314.647.3883
>Evenings:     314.381.0492 
>
>
>  
>
Oh, and John, I'm happy to sing the tune so long as I know when to from 
Hungary!Andy

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Subject: Re: BALLAD-L Digest - 22 Apr 2005 to 23 Apr 2005 (#2005-169)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 08:30:11 -0700
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"And Let Me the Canakin Drink."I think the canakins "Clink" (Othello, Act II, Scene
3).C.

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Subject: Re: BALLAD-L Digest - 22 Apr 2005 to 23 Apr 2005 (#2005-169)
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 20:21:26 +0200
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Cliff Abrams wrote:>"And Let Me the Canakin Drink."
>
>I think the canakins "Clink" (Othello, Act II, Scene
>3).
>
>C.
>
>
>  
>
You're absolutely right, and I am pleased to say that they do on the CD 
as well. Just a slip of the keyboard. Why then. let a soldier drink x 2!Andy

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Subject: Re: Town Names
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 14:58:05 -0400
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Over In NY State there is a dirt road going west from Route 22 named "Rabbit 
College Road".  When I was teaching in NYC and making the round trip twice a 
week, I used to wonder about that every time I passed it.  Come to think of 
it, I used to see the sign every time I went to Indian Neck at Freedman.  I 
don't think I've seen the sign in the last few years; either the road has 
been renamed, or the sign has just been stolen and never replaced, or I 
imagined the whole thing...
----- Original Message ----- 
From: "Susanna Holstein" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 2:35 PM
Subject: Re: Town Names> West Virginia has a rich supply of unusual town names,
> too. My son moved to Gay, WV, and all his brothers
> claim he's "gone Gay." The town actually had a vote a
> few years ago to change the name, but the old-timers
> decided that the name was in place before the new
> definition, and the community would probably outlast
> the new use of the word. I'm not convinced they're
> right, but I like them for sticking with it.
>
> We have lots of bottoms here--my favorites are Youngs
> Bottom and Boomer Bottom. Lots of licks too--Mud Lick,
> Salt Lick, Log Lick. No Lick Bottom that I know of,
> although anything's possible.
>
> Other good names--Big Ugly, Pinch, Quick (last two are
> neighboring communities so their names are together on
> signs), Pickle Street, Romance, Odd, Left Hand....and
> lots more. My favorite road name is Flinderation Road.
> I have no idea of its origins.
>
>
> Granny Sue
> Stories from the Mountains and Beyond
> R2 Box 110
> Sandyville WV 25275
> 304-372-5861
> tollfree 1-866-643-1353
> [unmask]
> 

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Subject: Re: Town Names
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 14:59:40 -0400
Content-Type:text/plain
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There's also a Gaysville here in VT...named a long time before the VT 
Supreme Court got into the legislating business...
----- Original Message ----- 
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 2:46 PM
Subject: Re: Town Names> >My son moved to Gay, WV, and all his brothers
>>claim he's "gone Gay." The town actually had a vote a
>>few years ago to change the name, but the old-timers
>>decided that the name was in place before the new
>>definition, and the community would probably outlast
>>the new use of the word....
>>
>>Granny Sue
>
> There is also Gay, GA, and I don't know whether or not they have 
> considered a name change.
>
> J
> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 15:21:55 -0400
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The mention of Wooloomooloo reminded me of a song I heard in a London pub in 
early 1975, I think.  I was visiting with Tom Paley and we were upstairs at 
a pub for a folk club get-together.  A young Australian guy sung a song that 
started "Oh, my name it is McCarty and I am a rowdy party; I'm a 
(something) as a (something)kangaroo". Each stanza ended with the name of 
the town.
Another stanza ended with a reference to McCarty's father, saying, "But one 
thing I owe to him/Is he taught me how to swim/When he threw me off the pier 
at Wooloomooloo"... Does anybody out there know the song?  Possible to send 
me the words?  (As might be guessed, my blood alcohol content that evening 
interfered with my usual razor-sharp photographic memory, and the above is 
all I can remember of a song that really beguiled me.
Thanks in advance...
Roy Berkeley
----- Original Message ----- 
From: "Warren Fahey" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 21, 2005 6:32 PM
Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA> here's just a few from our side of the world.
>
> WET BEAVER CREEK
> MIDDLE INTERCOURSE ISLAND
> CHINAMAN'S KNOB
> TITTY BONG
> COCKBURN
> DUNNYDOO
> FUKING
> IRON KNOB
> MOUNT MEE
> BAGDAG
> BANG BANG JUMP UP
> BURRUMBUTTOCK
> CAPE CATASTROPHE
> COME-BY-CHANCE
> WOY WOY
> WAGGA WAGGA
> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
> say 'Woy' - it is always Woy Woy)
> BONG BONG
> USELESS LOOP
> UNNAMED (yep, that's the name)
> HELL'S GATE
> INNALOO (a loo in Australia is a toilet)
> KOOLYANOBBING
> CADIBARRAWIRRACANNA
> NAR NAR GOON
> POOWONG
> BEVERLEY HILLS
> TEXAS
> PARIS
> WYOMING
> GUNBARREL HIGHWAY
> GRONG GRONG
> DOOTOWN
> GOONOO GOONOO (pronounced gunna g'noo)
> WOOLLOOMOOLOO
> TOOWOOMBA
>
> In relation to the last two I'd like to ask the forum if many towns with 
> difficult names have sung traditional rhymes to teach people how to spell 
> them?
>
> eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
> Point) is an old suburb (200 years) and is obviously an Aboriginal word
>
> The oldtimers used to sing:
>
> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
> WOOLLOOMOOLOO
> REPEAT
> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 12:35:41 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(131 lines)


 WOOLLOOMOOLOO LAIROn the day that I was born, it was a cold & a frosty morn,
In the famous suburb known as Woolloomooloo.
It was down in Riley Street my folks first heard me bleat
'Cause at the time I'd nothing else to do.
Oh me mother died of fright when she saw me in the light
And my father thought he'd send me to the zoo,
But I owe a lot to him, 'cause he taught me how to swim,
When he heaved me off the pier at Woolloomooloocho: Oh my name it is McCarty & I'm a rorty party
I'm rough & tough as an old man kangaroo
Some people say I'm crazy, I don't work because I'm lazy
And I tag along in the boozing throng, the Push from Woolloomooloo.And when I was just a lad I went straight'way to the bad
A larrikin so hard, you'd strike me blue
But the government was kind and they didn't seem to mind
And in Darlinghurst I spent a night or two.
Now the judge gave me a stare and he said, "You're a lair"
They heaved me into Darlinghurst gaol - you understand
They gave me clothes, they cut my hair, I didn't seem to care
And every night you'd find me in the van.And I spent some years in gaol till I began to quail
I resolved to live upon a different lay
And enlisted in the ranks of the Salvation Army 'cranks'
You can bet I made the bloody business pay!
Well hallelujah! I'm a lout I knows me way about
I kids the mugs that I'm converted too
All the lassies there I mash and I'm never short of cash
'Cause I beats me drum all over Woolloomooloo.Note: In the early days in Sydney a "push" was a street gang. The term
has not been in use much this century. The word derives from the German
Putsch which roughly means riot, unruly crowd etc.
The Bushwackers recorded this song twice. If you have the first
version from "A Shearer's Dream" have a listen to the percussion -
lagerphone & spoons. One of the things I play in a bush band is a
lagerphone & seeing me name's Foster it's the only genuine Fosters's
Lagerphone in existence.
Sorry, the joke probably falls flat outside Oz. AFThis is from Mudcat.Jon Bartlett----- Original Message ----- 
From: "Roy Berkeley" <[unmask]>
To: <[unmask]>
Sent: Sunday, April 24, 2005 12:21 PM
Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA> The mention of Wooloomooloo reminded me of a song I heard in a London pub 
> in early 1975, I think.  I was visiting with Tom Paley and we were 
> upstairs at a pub for a folk club get-together.  A young Australian guy 
> sung a song that started "Oh, my name it is McCarty and I am a rowdy 
> party; I'm a (something) as a (something)kangaroo". Each stanza ended with 
> the name of the town.
> Another stanza ended with a reference to McCarty's father, saying, "But 
> one thing I owe to him/Is he taught me how to swim/When he threw me off 
> the pier at Wooloomooloo"... Does anybody out there know the song? 
> Possible to send me the words?  (As might be guessed, my blood alcohol 
> content that evening interfered with my usual razor-sharp photographic 
> memory, and the above is all I can remember of a song that really beguiled 
> me.
> Thanks in advance...
> Roy Berkeley
> ----- Original Message ----- 
> From: "Warren Fahey" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 21, 2005 6:32 PM
> Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>
>
>> here's just a few from our side of the world.
>>
>> WET BEAVER CREEK
>> MIDDLE INTERCOURSE ISLAND
>> CHINAMAN'S KNOB
>> TITTY BONG
>> COCKBURN
>> DUNNYDOO
>> FUKING
>> IRON KNOB
>> MOUNT MEE
>> BAGDAG
>> BANG BANG JUMP UP
>> BURRUMBUTTOCK
>> CAPE CATASTROPHE
>> COME-BY-CHANCE
>> WOY WOY
>> WAGGA WAGGA
>> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
>> say 'Woy' - it is always Woy Woy)
>> BONG BONG
>> USELESS LOOP
>> UNNAMED (yep, that's the name)
>> HELL'S GATE
>> INNALOO (a loo in Australia is a toilet)
>> KOOLYANOBBING
>> CADIBARRAWIRRACANNA
>> NAR NAR GOON
>> POOWONG
>> BEVERLEY HILLS
>> TEXAS
>> PARIS
>> WYOMING
>> GUNBARREL HIGHWAY
>> GRONG GRONG
>> DOOTOWN
>> GOONOO GOONOO (pronounced gunna g'noo)
>> WOOLLOOMOOLOO
>> TOOWOOMBA
>>
>> In relation to the last two I'd like to ask the forum if many towns with 
>> difficult names have sung traditional rhymes to teach people how to spell 
>> them?
>>
>> eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
>> Point) is an old suburb (200 years) and is obviously an Aboriginal word
>>
>> The oldtimers used to sing:
>>
>> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
>> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
>> WOOLLOOMOOLOO
>> REPEAT
>> 

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 18:41:22 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(141 lines)


Thank you *VERY* much!
Roy Berkeley
----- Original Message ----- 
From: "Jon Bartlett" <[unmask]>
To: <[unmask]>
Sent: Sunday, April 24, 2005 3:35 PM
Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA> WOOLLOOMOOLOO LAIR
>
> On the day that I was born, it was a cold & a frosty morn,
> In the famous suburb known as Woolloomooloo.
> It was down in Riley Street my folks first heard me bleat
> 'Cause at the time I'd nothing else to do.
> Oh me mother died of fright when she saw me in the light
> And my father thought he'd send me to the zoo,
> But I owe a lot to him, 'cause he taught me how to swim,
> When he heaved me off the pier at Woolloomooloo
>
> cho: Oh my name it is McCarty & I'm a rorty party
> I'm rough & tough as an old man kangaroo
> Some people say I'm crazy, I don't work because I'm lazy
> And I tag along in the boozing throng, the Push from Woolloomooloo.
>
> And when I was just a lad I went straight'way to the bad
> A larrikin so hard, you'd strike me blue
> But the government was kind and they didn't seem to mind
> And in Darlinghurst I spent a night or two.
> Now the judge gave me a stare and he said, "You're a lair"
> They heaved me into Darlinghurst gaol - you understand
> They gave me clothes, they cut my hair, I didn't seem to care
> And every night you'd find me in the van.
>
> And I spent some years in gaol till I began to quail
> I resolved to live upon a different lay
> And enlisted in the ranks of the Salvation Army 'cranks'
> You can bet I made the bloody business pay!
> Well hallelujah! I'm a lout I knows me way about
> I kids the mugs that I'm converted too
> All the lassies there I mash and I'm never short of cash
> 'Cause I beats me drum all over Woolloomooloo.
>
> Note: In the early days in Sydney a "push" was a street gang. The term
> has not been in use much this century. The word derives from the German
> Putsch which roughly means riot, unruly crowd etc.
> The Bushwackers recorded this song twice. If you have the first
> version from "A Shearer's Dream" have a listen to the percussion -
> lagerphone & spoons. One of the things I play in a bush band is a
> lagerphone & seeing me name's Foster it's the only genuine Fosters's
> Lagerphone in existence.
> Sorry, the joke probably falls flat outside Oz. AF
>
> This is from Mudcat.
>
> Jon Bartlett
>
> ----- Original Message ----- 
> From: "Roy Berkeley" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, April 24, 2005 12:21 PM
> Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>
>
>> The mention of Wooloomooloo reminded me of a song I heard in a London pub 
>> in early 1975, I think.  I was visiting with Tom Paley and we were 
>> upstairs at a pub for a folk club get-together.  A young Australian guy 
>> sung a song that started "Oh, my name it is McCarty and I am a rowdy 
>> party; I'm a (something) as a (something)kangaroo". Each stanza ended 
>> with the name of the town.
>> Another stanza ended with a reference to McCarty's father, saying, "But 
>> one thing I owe to him/Is he taught me how to swim/When he threw me off 
>> the pier at Wooloomooloo"... Does anybody out there know the song? 
>> Possible to send me the words?  (As might be guessed, my blood alcohol 
>> content that evening interfered with my usual razor-sharp photographic 
>> memory, and the above is all I can remember of a song that really 
>> beguiled me.
>> Thanks in advance...
>> Roy Berkeley
>> ----- Original Message ----- 
>> From: "Warren Fahey" <[unmask]>
>> To: <[unmask]>
>> Sent: Thursday, April 21, 2005 6:32 PM
>> Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>>
>>
>>> here's just a few from our side of the world.
>>>
>>> WET BEAVER CREEK
>>> MIDDLE INTERCOURSE ISLAND
>>> CHINAMAN'S KNOB
>>> TITTY BONG
>>> COCKBURN
>>> DUNNYDOO
>>> FUKING
>>> IRON KNOB
>>> MOUNT MEE
>>> BAGDAG
>>> BANG BANG JUMP UP
>>> BURRUMBUTTOCK
>>> CAPE CATASTROPHE
>>> COME-BY-CHANCE
>>> WOY WOY
>>> WAGGA WAGGA
>>> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we never 
>>> say 'Woy' - it is always Woy Woy)
>>> BONG BONG
>>> USELESS LOOP
>>> UNNAMED (yep, that's the name)
>>> HELL'S GATE
>>> INNALOO (a loo in Australia is a toilet)
>>> KOOLYANOBBING
>>> CADIBARRAWIRRACANNA
>>> NAR NAR GOON
>>> POOWONG
>>> BEVERLEY HILLS
>>> TEXAS
>>> PARIS
>>> WYOMING
>>> GUNBARREL HIGHWAY
>>> GRONG GRONG
>>> DOOTOWN
>>> GOONOO GOONOO (pronounced gunna g'noo)
>>> WOOLLOOMOOLOO
>>> TOOWOOMBA
>>>
>>> In relation to the last two I'd like to ask the forum if many towns with 
>>> difficult names have sung traditional rhymes to teach people how to 
>>> spell them?
>>>
>>> eg: Wooloomooloo (an inner Sydney suburb close to where I live at Potts 
>>> Point) is an old suburb (200 years) and is obviously an Aboriginal word
>>>
>>> The oldtimers used to sing:
>>>
>>> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
>>> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
>>> WOOLLOOMOOLOO
>>> REPEAT
>>>
> 

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Subject: Ebay List - 04/24/05 (Songsters)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 20:40:40 -0400
Content-Type:text/plain
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text/plain(26 lines)


Hi!	While avoiding the pollen, I found the following on Ebay. :-)	SONGSTERS	7316485296 - Celebrated RENTZ MINSTREL Songster, 1881, $9.95
(ends Apr-25-05 09:24:20 PDT)	7151212121 - Forepaugh's Songster, $9.99 (ends Apr-26-05
19:15:00 PDT)	6957149070 - The Forget Me Not Songster, 1847, $9.99 (ends
Apr-27-05 16:31:51 PDT)	6957317345 - American Songster, 1851, $24.99 (ends May-01-05
13:21:46 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: Town Names
From: Barbara Millikan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Apr 2005 20:16:11 -0700
Content-Type:text/plain
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text/plain(17 lines)


Drove through one today on my way to a handmade musical instrument festival 
at Marylhurst College in the southern end of Portland, Oregon: there's a 
junction on
the map south of Lake Oswego called Wanker's Corner.
(Home of the Wanker family Country Store)
Oregon also has
Boring,
Drain,
Liberal... and, oh, all the usual suspects. Sublimity, Amity...
Blessings,
Barbara-- 
No virus found in this outgoing message.
Checked by AVG Anti-Virus.
Version: 7.0.308 / Virus Database: 266.10.2 - Release Date: 4/21/2005

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Subject: Re: Town Names
From: Linn Schulz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 04:41:41 -0700
Content-Type:text/plain
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text/plain(18 lines)


Actually, the road in Massachusetts from Athol to
Belchertown is sometimes referred to as the alimentary
canal.Linn******************************************************************
Linn S. Schulz
Writing - Editing - Research - Print Design & Production
phone/fax 603-942-7604
62 Priest Road, Nottingham, NH 03290  USA******************************************************************__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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Subject: Re: Town Names
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 07:23:23 -0500
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To venture abroad, while visiting Denmark I had a great meal in the 
coastal town of Middlefart.

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 10:14:05 EDT
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text/plain(9 lines) , text/html(10 lines)


Sorry, your browser doesn't support iframes.


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Subject: 18thc airs
From: Gerald Porter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 14:17:21 +0300
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Can anyone suggest melodies or analogues for these songs from an eighteenth
century ballad opera?  The first one looks as if it should go to Turpin Hero,
but it doesn't fit the version I know:1) Dogs a-barking, men a-shouting;
Warrener weeping, grinning, pouting;
Women and boys a-laughing, flouting;
   Oh brave boys of Charley, oh!2) Lawyers, biters, bailiffs came,
   Informers, to get money;
With two blue beagles, and a long dog,
   A-hunting of the coney.('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't find it
there; here it really does mean 'rabbit')3) In the rat-trap, pent like mice,
Catching rabbits, fleas and lice,
   Lodging on the ground.
Bread three-halfpence, store of water,
Surly jailors sooner or later
   Bring their stomachs down.Gerald Porter

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Subject: Re: 18thc airs
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 12:14:55 -0400
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It's a reasonably nice fit to "Rakes of Mallow"Gerald Porter wrote:>Can anyone suggest melodies or analogues for these songs from an eighteenth
>century ballad opera?  The first one looks as if it should go to Turpin Hero,
>but it doesn't fit the version I know:
>
>1) Dogs a-barking, men a-shouting;
>Warrener weeping, grinning, pouting;
>Women and boys a-laughing, flouting;
>   Oh brave boys of Charley, oh!
>
>2) Lawyers, biters, bailiffs came,
>   Informers, to get money;
>With two blue beagles, and a long dog,
>   A-hunting of the coney.
>
>('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't find it
>there; here it really does mean 'rabbit')
>
>3) In the rat-trap, pent like mice,
>Catching rabbits, fleas and lice,
>   Lodging on the ground.
>Bread three-halfpence, store of water,
>Surly jailors sooner or later
>   Bring their stomachs down.
>
>Gerald Porter
>
>
>  
>

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Subject: Re: 18thc airs
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 25 Apr 2005 15:42:43 -0400
Content-Type:text/plain
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What ballad opera are these texts from? They're clearly parodies of known 
songs, but the first lines don't show up in our index of ballad operas. 
It'll take some digging to find the tunes.Kate Van Winkle Keller
www.colonialmusic.org----- Original Message ----- 
From: "Gerald Porter" <[unmask]>
To: <[unmask]>
Sent: Monday, April 25, 2005 7:17 AM
Subject: 18thc airs> Can anyone suggest melodies or analogues for these songs from an 
> eighteenth
> century ballad opera?  The first one looks as if it should go to Turpin 
> Hero,
> but it doesn't fit the version I know:
>
> 1) Dogs a-barking, men a-shouting;
> Warrener weeping, grinning, pouting;
> Women and boys a-laughing, flouting;
>   Oh brave boys of Charley, oh!
>
> 2) Lawyers, biters, bailiffs came,
>   Informers, to get money;
> With two blue beagles, and a long dog,
>   A-hunting of the coney.
>
> ('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't 
> find it
> there; here it really does mean 'rabbit')
>
> 3) In the rat-trap, pent like mice,
> Catching rabbits, fleas and lice,
>   Lodging on the ground.
> Bread three-halfpence, store of water,
> Surly jailors sooner or later
>   Bring their stomachs down.
>
> Gerald Porter
> 

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Subject: Autobiographical Sketch of Peter Buchan
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 00:13:19 -0400
Content-Type:text/plain
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For any of the members of Ballad-L, I will forward you a copy of this 1839 document "Extracted from a Review of "The Ancient Ballads and Songs of the North of Scotland."  in the "Paisley Magazine" for December 1828. Edited by the Late William Motherwell, Esq.Please reply off-list to:  [unmask]Thanks for all of the information shared on Ballad-L.  I have said before, my eyes have been peeled way back from lurking these e-mails, this is a way of saying thanks. Sammy Rich

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Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 21:06:39 +1000
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The Woolloomooloo Lair is a song I collected from Mrs Colley of 
Bathurst NSW. Good too. Mrs Colley had over 50 songs in her repertoire 
and was a wonderful concertina player.
warren faheyOn 25/04/2005, at 8:41 AM, Roy Berkeley wrote:> Thank you *VERY* much!
> Roy Berkeley
> ----- Original Message ----- From: "Jon Bartlett" 
> <[unmask]>
> To: <[unmask]>
> Sent: Sunday, April 24, 2005 3:35 PM
> Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>
>
>> WOOLLOOMOOLOO LAIR
>>
>> On the day that I was born, it was a cold & a frosty morn,
>> In the famous suburb known as Woolloomooloo.
>> It was down in Riley Street my folks first heard me bleat
>> 'Cause at the time I'd nothing else to do.
>> Oh me mother died of fright when she saw me in the light
>> And my father thought he'd send me to the zoo,
>> But I owe a lot to him, 'cause he taught me how to swim,
>> When he heaved me off the pier at Woolloomooloo
>>
>> cho: Oh my name it is McCarty & I'm a rorty party
>> I'm rough & tough as an old man kangaroo
>> Some people say I'm crazy, I don't work because I'm lazy
>> And I tag along in the boozing throng, the Push from Woolloomooloo.
>>
>> And when I was just a lad I went straight'way to the bad
>> A larrikin so hard, you'd strike me blue
>> But the government was kind and they didn't seem to mind
>> And in Darlinghurst I spent a night or two.
>> Now the judge gave me a stare and he said, "You're a lair"
>> They heaved me into Darlinghurst gaol - you understand
>> They gave me clothes, they cut my hair, I didn't seem to care
>> And every night you'd find me in the van.
>>
>> And I spent some years in gaol till I began to quail
>> I resolved to live upon a different lay
>> And enlisted in the ranks of the Salvation Army 'cranks'
>> You can bet I made the bloody business pay!
>> Well hallelujah! I'm a lout I knows me way about
>> I kids the mugs that I'm converted too
>> All the lassies there I mash and I'm never short of cash
>> 'Cause I beats me drum all over Woolloomooloo.
>>
>> Note: In the early days in Sydney a "push" was a street gang. The term
>> has not been in use much this century. The word derives from the 
>> German
>> Putsch which roughly means riot, unruly crowd etc.
>> The Bushwackers recorded this song twice. If you have the first
>> version from "A Shearer's Dream" have a listen to the percussion -
>> lagerphone & spoons. One of the things I play in a bush band is a
>> lagerphone & seeing me name's Foster it's the only genuine Fosters's
>> Lagerphone in existence.
>> Sorry, the joke probably falls flat outside Oz. AF
>>
>> This is from Mudcat.
>>
>> Jon Bartlett
>>
>> ----- Original Message ----- From: "Roy Berkeley" 
>> <[unmask]>
>> To: <[unmask]>
>> Sent: Sunday, April 24, 2005 12:21 PM
>> Subject: Re: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>>
>>
>>> The mention of Wooloomooloo reminded me of a song I heard in a 
>>> London pub in early 1975, I think.  I was visiting with Tom Paley 
>>> and we were upstairs at a pub for a folk club get-together.  A young 
>>> Australian guy sung a song that started "Oh, my name it is McCarty 
>>> and I am a rowdy party; I'm a (something) as a (something)kangaroo". 
>>> Each stanza ended with the name of the town.
>>> Another stanza ended with a reference to McCarty's father, saying, 
>>> "But one thing I owe to him/Is he taught me how to swim/When he 
>>> threw me off the pier at Wooloomooloo"... Does anybody out there 
>>> know the song? Possible to send me the words?  (As might be guessed, 
>>> my blood alcohol content that evening interfered with my usual 
>>> razor-sharp photographic memory, and the above is all I can remember 
>>> of a song that really beguiled me.
>>> Thanks in advance...
>>> Roy Berkeley
>>> ----- Original Message ----- From: "Warren Fahey" 
>>> <[unmask]>
>>> To: <[unmask]>
>>> Sent: Thursday, April 21, 2005 6:32 PM
>>> Subject: SO YOU THINK YOU'VE GOT WEIRD PLACE NAMES? TRY AUSTRALIA
>>>
>>>
>>>> here's just a few from our side of the world.
>>>>
>>>> WET BEAVER CREEK
>>>> MIDDLE INTERCOURSE ISLAND
>>>> CHINAMAN'S KNOB
>>>> TITTY BONG
>>>> COCKBURN
>>>> DUNNYDOO
>>>> FUKING
>>>> IRON KNOB
>>>> MOUNT MEE
>>>> BAGDAG
>>>> BANG BANG JUMP UP
>>>> BURRUMBUTTOCK
>>>> CAPE CATASTROPHE
>>>> COME-BY-CHANCE
>>>> WOY WOY
>>>> WAGGA WAGGA
>>>> (oddly enough we Australians will call Wagga Wagga 'Wagga' but we 
>>>> never say 'Woy' - it is always Woy Woy)
>>>> BONG BONG
>>>> USELESS LOOP
>>>> UNNAMED (yep, that's the name)
>>>> HELL'S GATE
>>>> INNALOO (a loo in Australia is a toilet)
>>>> KOOLYANOBBING
>>>> CADIBARRAWIRRACANNA
>>>> NAR NAR GOON
>>>> POOWONG
>>>> BEVERLEY HILLS
>>>> TEXAS
>>>> PARIS
>>>> WYOMING
>>>> GUNBARREL HIGHWAY
>>>> GRONG GRONG
>>>> DOOTOWN
>>>> GOONOO GOONOO (pronounced gunna g'noo)
>>>> WOOLLOOMOOLOO
>>>> TOOWOOMBA
>>>>
>>>> In relation to the last two I'd like to ask the forum if many towns 
>>>> with difficult names have sung traditional rhymes to teach people 
>>>> how to spell them?
>>>>
>>>> eg: Wooloomooloo (an inner Sydney suburb close to where I live at 
>>>> Potts Point) is an old suburb (200 years) and is obviously an 
>>>> Aboriginal word
>>>>
>>>> The oldtimers used to sing:
>>>>
>>>> W DOUBLE O DOUBLE L O M DOUBLE O L DOUBLE O
>>>> I BET YOU A DOLLAR THERE ISN'T A SCHOLAR CAN SPELL
>>>> WOOLLOOMOOLOO
>>>> REPEAT
>>>>
>

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Subject: Re: 18thc airs
From: Gerald Porter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 17:44:26 +0300
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Quoting Kate Van Winkle Keller <[unmask]>:> What ballad opera are these texts from? They're clearly parodies of known
> songs, but the first lines don't show up in our index of ballad operas.
> It'll take some digging to find the tunes.
>
> Kate Van Winkle Keller>
> www.colonialmusic.org
>
The opera is the anti-enclosure Charnwood Opera of 1753, currently being
prepared for publication (part of it has already appeared in Roy Palmer's
Ballad History of England, and part in W. E. Tate's The English Village and the
Enclosure Movements (1967). For the first example I didn't cite the first
lines, instead choosing a stanza I thought would be easier to recognise. The
first lines are:
Warrener crouching to his Master:
Rabbits breeding thicker and faster,
Eating up the common pasture!
   Oh brave boys of Charley, oh!Gerald Porter> ----- Original Message -----
> From: "Gerald Porter" <[unmask]>
> To: <[unmask]>
> Sent: Monday, April 25, 2005 7:17 AM
> Subject: 18thc airs
>
>
> > Can anyone suggest melodies or analogues for these songs from an
> > eighteenth
> > century ballad opera?  The first one looks as if it should go to Turpin
> > Hero,
> > but it doesn't fit the version I know:
> >
> > 1) Dogs a-barking, men a-shouting;
> > Warrener weeping, grinning, pouting;
> > Women and boys a-laughing, flouting;
> >   Oh brave boys of Charley, oh!
> >
> > 2) Lawyers, biters, bailiffs came,
> >   Informers, to get money;
> > With two blue beagles, and a long dog,
> >   A-hunting of the coney.
> >
> > ('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't
> > find it
> > there; here it really does mean 'rabbit')> 3) In the rat-trap, pent like mice,
> Catching rabbits, fleas and lice,
>   Lodging on the ground.
> Bread three-halfpence, store of water,
> Surly jailors sooner or later
>   Bring their stomachs down.
>
> Gerald Porter
>

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Subject: [Fwd: Presenting the Alan Lomax Database]
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Apr 2005 12:20:06 -0400
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Subject: Re: 18thc airs
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Apr 2005 21:25:33 +0200
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Gerald Porter wrote:>Quoting Kate Van Winkle Keller <[unmask]>:
>
>  
>
>>What ballad opera are these texts from? They're clearly parodies of known
>>songs, but the first lines don't show up in our index of ballad operas.
>>It'll take some digging to find the tunes.
>>
>>Kate Van Winkle Keller>
>>www.colonialmusic.org
>>
>>    
>>
>The opera is the anti-enclosure Charnwood Opera of 1753, currently being
>prepared for publication (part of it has already appeared in Roy Palmer's
>Ballad History of England, and part in W. E. Tate's The English Village and the
>Enclosure Movements (1967). For the first example I didn't cite the first
>lines, instead choosing a stanza I thought would be easier to recognise. The
>first lines are:
>Warrener crouching to his Master:
>Rabbits breeding thicker and faster,
>Eating up the common pasture!
>   Oh brave boys of Charley, oh!
>
>Gerald Porter
>
>  
>
>>----- Original Message -----
>>From: "Gerald Porter" <[unmask]>
>>To: <[unmask]>
>>Sent: Monday, April 25, 2005 7:17 AM
>>Subject: 18thc airs
>>
>>
>>    
>>
>>>Can anyone suggest melodies or analogues for these songs from an
>>>eighteenth
>>>century ballad opera?  The first one looks as if it should go to Turpin
>>>Hero,
>>>but it doesn't fit the version I know:
>>>
>>>1) Dogs a-barking, men a-shouting;
>>>Warrener weeping, grinning, pouting;
>>>Women and boys a-laughing, flouting;
>>>  Oh brave boys of Charley, oh!
>>>
>>>2) Lawyers, biters, bailiffs came,
>>>  Informers, to get money;
>>>With two blue beagles, and a long dog,
>>>  A-hunting of the coney.
>>>
>>>('A-hunting of the coney' sounds like a song from D'Urfey but I couldn't
>>>find it
>>>there; here it really does mean 'rabbit')
>>>      
>>>
>
>  
>
>>3) In the rat-trap, pent like mice,
>>Catching rabbits, fleas and lice,
>>  Lodging on the ground.
>>Bread three-halfpence, store of water,
>>Surly jailors sooner or later
>>  Bring their stomachs down.
>>
>>Gerald Porter
>>
>>    
>>
>
>
>  
>
Dear Gerald,
Please send me your address so I can send a review CD. Last time I think 
I sent something to an old uni address of yours.Andy

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 09:27:08 -0400
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On Tue, 26 Apr 2005 12:20:06 -0400, Thomas Stern wrote:>The Alan Lomax Database, www.lomaxarchive.com 
><http://www.lomaxarchive.com/>, is a multimedia catalog of the audio and 
>video recordings and photographs made by Alan Lomax from 1946-1994, as 
>well as of recordings made by few of his colleagues.Oh boy!  Thanks for this.Just had a quick look and was pleased to hear  (search on Smith - select
Cindy) Hobart Smith playing a great "Cindy" on piano.  I, I suppose like
many others, idiotically only "allow" certain instruments to be Folk.  I
know that's idiotic and I know the very recent influx of instruments at all.But still, I tend to snub pianos as legitimate folk instruments.  Maybe some
vestigial snobbery on my part spurns the notion that country people can
afford them.  Dopey!  (And I've had Leadbelly's marvelous Eagle Rag on piano
50 years.)Anyway, seems Lomax was much smarter and included this superb cut.  I guess
it's a piano-being-banjo.  Maybe in the same sense that I _feel_ Leadbelly
is really holding the piano under his arm and strumming it for Eagle Rag.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
	          I am Abby Sale - in Orlando, Florida
	                Boycott South Carolina!
	     http://www.naacp.org/news/2001/2001-01-12.html

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 11:53:50 -0500
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----- Original Message ----- 
From: "Abby Sale" <[unmask]><<But still, I tend to snub pianos as legitimate folk instruments.  Maybe
some
vestigial snobbery on my part spurns the notion that country people can
afford them.  Dopey!  (And I've had Leadbelly's marvelous Eagle Rag on piano
50 years.)Anyway, seems Lomax was much smarter and included this superb cut.  I guess
it's a piano-being-banjo.  Maybe in the same sense that I _feel_ Leadbelly
is really holding the piano under his arm and strumming it for Eagle Rag.>>But pianos-being-pianos are an integral part of some folk traditions,
including dance music in New England, the upper Midwest and, for that
matter, the Ozarks. Not usually as a melody instrument, the way Hobart Smith
uses it, but then he never was one to pay attention to artificial
boundaries.Peace,.
Paul

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 16:26:48 -0400
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The piano, fiddle, fife and drum /were /the legitimate folk instruments 
in the US for quite a while. Banjos and guitars came quite a bit later. 
Not to mention bodhrans and bouzoukis and...oh hell! I wan't going to 
mention them.dick greenhausPaul Stamler wrote:>----- Original Message ----- 
>From: "Abby Sale" <[unmask]>
>
><<But still, I tend to snub pianos as legitimate folk instruments.  Maybe
>some
>vestigial snobbery on my part spurns the notion that country people can
>afford them.  Dopey!  (And I've had Leadbelly's marvelous Eagle Rag on piano
>50 years.)
>
>Anyway, seems Lomax was much smarter and included this superb cut.  I guess
>it's a piano-being-banjo.  Maybe in the same sense that I _feel_ Leadbelly
>is really holding the piano under his arm and strumming it for Eagle Rag.>>
>
>But pianos-being-pianos are an integral part of some folk traditions,
>including dance music in New England, the upper Midwest and, for that
>matter, the Ozarks. Not usually as a melody instrument, the way Hobart Smith
>uses it, but then he never was one to pay attention to artificial
>boundaries.
>
>Peace,.
>Paul
>
>
>
>  
>

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 13:37:27 -0700
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Let's not ignore traditional artists like Memphis Slim
and others like him who worked the African-American
circuit of nightclubs, roadhouses and jook joints.
     Sandy--- dick greenhaus <[unmask]> wrote:> The piano, fiddle, fife and drum /were /the
> legitimate folk instruments 
> in the US for quite a while. Banjos and guitars came
> quite a bit later. 
> Not to mention bodhrans and bouzoukis and...oh hell!
> I wan't going to 
> mention them.

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 17:06:44 -0400
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At 04:26 PM 4/28/2005 -0400, you wrote:
>The piano, fiddle, fife and drum /were /the legitimate folk instruments in 
>the US for quite a while. Banjos and guitars came quite a bit later. Not 
>to mention bodhrans and bouzoukis and...oh hell! I wan't going to mention them.
>
>
>dick greenhausAmerican-made banjos are pretty much as old as American slavery.  They were 
originally constructed by the African slaves themselves, modeled after the 
gourd/skin/chanterelle-stringed instruments they had played, brought over, 
or remembered, from Africa.  I believe Spanish guitars were brought over 
later on still, after banjos had been around for awhile.
Lisa

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Subject: Ebay List - 04/28/05 (Part 2 - Ballads & Songs)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 18:49:26 -0400
Content-Type:text/plain
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Hi!	While the list is relatively quiet, here is the beginning of the
weekly Ebay lists. :-)	MISCELLANEOUS	4722494761 - Ballads and Hymns From the Ozarks by Riddle, LP, 
$9.95 (ends Apr-29-05 20:13:42 PDT)	4722494766 - Granny Riddle's Songs and Ballads, LP, 1977, $33.99 
(ends Apr-29-05 20:13:46 PDT)	SONGBOOKS, ETC.	6957469719 - VAGABOND SONGS and BALLADS of SCOTLAND by Ford, 1904, 
$10.49 (ends Apr-29-05 16:54:31 PDT)	4545218473 -  FOLKSONGS OF THE MARITIMES by Pottie & Ellis, 1992, 
$45 (ends Apr-29-05 20:01:39 PDT)	6957237887 - Ancient Ballads and Songs of the North of Scotland by 
Buchan, volume 1, 1875 reprint, $10.25 (ends Apr-30-05 05:48:40 PDT)	6957616755 - The New Green Mountain Songster by Flanders, Ballard, 
Brown & Barry, 1966 reprint, $24.99 (ends Apr-30-05 19:55:16 PDT)	4722900375 - OLD TIME SONGS & MOUNTAIN BALLADS, 1930, $5.99 (ends 
May-01-05 10:49:18 PDT)	6957720853 - Ballads of the North Countrie by Tomson, 1888, 9.50 
GBP (ends May-01-05 11:47:01 PDT)	7318052967 - One Hundred English folk songs by Sharp, 1975 Dover 
edition, $2.99 (ends May-01-05 15:45:44 PDT)	4545640017 - Ballads and Songs of Indiana by Brewster, 1940, $15 
(ends May-01-05 17:58:37 PDT)	7318105697 - Ballads, Love-Songs and Tragic Legends from the 
Southern Appalachian Mountains by Niles, 1938, $0.99 (ends May-01-05 
19:00:40 PDT)	7318186649 - Eighty English FOLK SONGS by Sharp & Karpeles, 1968, 
2.99 GBP (ends May-02-05 06:44:57 PDT)	4545880494 - Mormon Songs from the Rocky Mountains by Cheney, 1968, 
$19 (ends May-02-05 17:31:07 PDT)	8303116045 - COLONIAL BALLADS by Anderson, 1962, $10 AU (ends 
May-02-05 23:57:15 PDT)	7318540769 -  Copper Sun: A Collection of Negro Folk Songs by Clark, 
1957, $5.99 (ends May-03-05 14:41:17 PDT)	6957964342 - The Overlander Songbook by Edwards, 1971, $7 AU (ends
May-06-05 02:24:45 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Kathy Kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 18:06:14 -0500
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Actually, I think there is evidence of ladies playing early guitars at
Williamsburg in the 18th C.Dave Gardner----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Thursday, April 28, 2005 4:06 PM
Subject: Re: [Fwd: Presenting the Alan Lomax Database]> At 04:26 PM 4/28/2005 -0400, you wrote:
> >The piano, fiddle, fife and drum /were /the legitimate folk instruments
in
> >the US for quite a while. Banjos and guitars came quite a bit later. Not
> >to mention bodhrans and bouzoukis and...oh hell! I wan't going to mention
them.
> >
> >
> >dick greenhaus
>
>
> American-made banjos are pretty much as old as American slavery.  They
were
> originally constructed by the African slaves themselves, modeled after the
> gourd/skin/chanterelle-stringed instruments they had played, brought over,
> or remembered, from Africa.  I believe Spanish guitars were brought over
> later on still, after banjos had been around for awhile.
> Lisa

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 21:29:58 -0400
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The English guitar was a popular upper class ladies instrument from the 
1750s through the early 19th century. The Spanish guitar is a different 
instrument and was present in the British colonies among upper class 
residents, used mostly in theatres, not generally in homes. It was used at 
all levels of society in Spanish settlements throughout the 18th century. 
Neither guitar type would have been considered a "folk instrument" in the 
British colonies.Kate Van Winkle Keller
www.colonialmusic.org----- Original Message ----- 
From: "Kathy Kaiser" <[unmask]>
To: <[unmask]>
Sent: Thursday, April 28, 2005 7:06 PM
Subject: Re: [Fwd: Presenting the Alan Lomax Database]> Actually, I think there is evidence of ladies playing early guitars at
> Williamsburg in the 18th C.
>
> Dave Gardner
>
> ----- Original Message ----- 
> From: "Lisa - S. H." <[unmask]>
> To: <[unmask]>
> Sent: Thursday, April 28, 2005 4:06 PM
> Subject: Re: [Fwd: Presenting the Alan Lomax Database]
>
>
>> At 04:26 PM 4/28/2005 -0400, you wrote:
>> >The piano, fiddle, fife and drum /were /the legitimate folk instruments
> in
>> >the US for quite a while. Banjos and guitars came quite a bit later. Not
>> >to mention bodhrans and bouzoukis and...oh hell! I wan't going to 
>> >mention
> them.
>> >
>> >
>> >dick greenhaus
>>
>>
>> American-made banjos are pretty much as old as American slavery.  They
> were
>> originally constructed by the African slaves themselves, modeled after 
>> the
>> gourd/skin/chanterelle-stringed instruments they had played, brought 
>> over,
>> or remembered, from Africa.  I believe Spanish guitars were brought over
>> later on still, after banjos had been around for awhile.
>> Lisa
> 

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Subject: Ebay List - 4/28/05 (Part 2 - General Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 21:56:42 -0400
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Hi!	Here is the general folklore list. The songsters and broadsides
will probably be posted on Sunday. 	JOURNALS	6957884982 - 27 issues of The Folklorist magazine, 1958-1964, 
$0.99 (ends May-02-05 11:26:41 PDT)	BOOKS	4545211004 - Legends, Stories and Folklore of Old Staten Island, 
1925, $14.99 (ends Apr-29-05 19:20:17 PDT)	4545870180 - Putting Folklore to Use by Jones, 1994, $0.10 (ends
Apr-30-05 16:28:53 PDT)	4545534339 - LEGENDS OF NOTTINGHAMSHIRE by Mayfield, 1976, $2.25 
(ends May-01-05 10:16:20 PDT)	6957747583 - 	The Folklore of Love and Courtship by Emrich, 1970, 
$5 (ends May-01-05 13:49:37 PDT)	4545587276 - Down in the Holler: A Gallery of Ozark Folk Speech by 
Randolph & Wilson, 1986 printing, $1.99 (ends May-01-05 13:50:08 PDT)	4545639898 - Roaming the Mountains by Parris, 1955, $11.39 (ends 
May-01-05 17:58:07 PDT)	6957780907 - 2 books (English Folk-Song and Dance by Kidson & 
Neal, 1972 reprint and The Country Dance Book (Part VI) by Sharp, 1927)
$9.95 (ends May-01-05 18:06:01 PDT)	8303000309 - FOLKLORE OF THE AUSTRALIAN PUB by Wannan, 1972, $5 
AU (ends May-02-05 00:51:14 PDT)	6957916329 - The Chestnut Pipe; Folklore of Shelburne County by 
Robertson, 1991, $6.99 (ends May-02-05 14:52:52 PDT)	6957921523 - AMERICAN FOLK MASTERS National Heritage Fellows by 
Siporin, 1992, $12.98 (ends May-02-05 15:54:48 PDT)	8302894203 - In Ireland Long Ago by Danagher, 1964 reprint, 3.50 
GBP (ends May-04-05 08:52:15 PDT)	5188744535 - THE FOLKLORE OF WARWICKSHIRE by Palmer, 1994 reprint, 
5 GBP (ends May-04-05 13:30:00 PDT)	8303002374 - THE AUSTRALIAN by Wannan, 1963, $6 AU (ends May-05-05 
01:41:31 PDT)	4546398126 - Folklore of Canada by Fowke, 1976, $9.99 (ends 
May-05-05 05:20:09 PDT)				Happy Bidding!
				Dolores-- 
Dolores Nichols 		| 
D&D Data			| Voice :	(703) 938-4564
Disclaimer: from here - None	| Email:     <[unmask]>
	--- .sig? ----- .what?  Who me?

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]/guitars&banjos
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Apr 2005 23:48:13 -0400
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At 09:29 PM 4/28/2005 -0400, you wrote:
>The English guitar was a popular upper class ladies instrument from the 
>1750s through the early 19th century.In America?>  The Spanish guitar is a different instrument and was present in the 
> British colonies among upper class residents, used mostly in theatres, 
> not generally in homes. It was used at all levels of society in Spanish 
> settlements throughout the 18th century. Neither guitar type would have 
> been considered a "folk instrument" in the British colonies.
>
>Kate Van Winkle Keller
>www.colonialmusic.orgThough it may have been an upper class parlor instrument, I agree in that I 
don't think guitar was used with fiddle & dance music until later on.
Here is a wonderful article on the history of American Appalachian music, 
and it discusses banjos, fiddles, guitars, and ballads too:
http://www.mustrad.org.uk/articles/appalach.htmLisa Johnson

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Subject: Re: [Fwd: Presenting the Alan Lomax Database]/guitars&banjos
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 08:22:38 -0400
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Yes, the English guitar was widely used in colonial America among upper 
class people in private settings. I agree, it was probably not used for 
dancing, but it was used to accompany singing of all types of songs, from 
traditional ballads to opera arias.  It is a wire-strung instrument tuned in 
the key of C. For citations on both guitar types in colonial America, see 
"The Performing Arts in Colonial American Newspapers, 1690-1783", a CD-ROM 
published by University Music Editions. It's available at 
www.colonialmusic.org.
Kate----- Original Message ----- 
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Thursday, April 28, 2005 11:48 PM
Subject: Re: [Fwd: Presenting the Alan Lomax Database]/guitars&banjos> At 09:29 PM 4/28/2005 -0400, you wrote:
>>The English guitar was a popular upper class ladies instrument from the 
>>1750s through the early 19th century.
>
> In America?
>
>>  The Spanish guitar is a different instrument and was present in the 
>> British colonies among upper class residents, used mostly in theatres, 
>> not generally in homes. It was used at all levels of society in Spanish 
>> settlements throughout the 18th century. Neither guitar type would have 
>> been considered a "folk instrument" in the British colonies.
>>
>>Kate Van Winkle Keller
>>www.colonialmusic.org
>
> Though it may have been an upper class parlor instrument, I agree in that 
> I don't think guitar was used with fiddle & dance music until later on.
> Here is a wonderful article on the history of American Appalachian music, 
> and it discusses banjos, fiddles, guitars, and ballads too:
> http://www.mustrad.org.uk/articles/appalach.htm
>
> Lisa Johnson
> 

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Subject: Re: BALLAD-L Digest - 27 Apr 2005 to 28 Apr 2005 (#2005-175)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 08:46:09 -0400
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BALLAD-L automatic digest system <[unmask]>, in
the person of Abby Sale, writes:> But still, I tend to snub pianos as legitimate folk instruments.  Just imagine that I am playing an 88-string guitar.  -- Tom Lehrer
-- 
---  Joe Fineman    [unmask]||:  Eating beef is the second most overrated pleasure in  :||
||:  America.                                              :||

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Subject: Re: BALLAD-L Digest - 27 Apr 2005 to 28 Apr 2005 (#2005-175)
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Apr 2005 08:56:24 -0400
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At 08:46 AM 4/29/2005 -0400, you wrote:>||:  Eating beef is the second most overrated pleasure in  :||
>||:  America.                                              :||Ooh, ooh, I know the first.....watching tv?  ;)
Lisa 

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