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Subject: Re: Pufferbillies
From: P & VJ Thorpe <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 22:56:35 +0600
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Subject: ballad of Tushielaw (sp?)
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 10:58:52 -0800
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Has anyone know this very melodic ballad?  It has a recurring verse of
"She's the earl of March's daughter/ and the flooer of ---/ but the humble
squire of Tushielaw/ has ta'en her heart awa'"  I have a good part of it
on tape (from Keith, outside of Aberdeen in 2003) and a friend who was at
Keith a few years earlier is haunted by the same song, which she remembers
a "Garrick MacPherson" singing.  I can't find the ballad in Child or in
the Grieg-Duncan Folk Song Collection, but I can't believe it doesn't have
a history -- and that somebody out there can't help me with missing words.
(Maybe you, Jack?  Thanks for the welcome back, and no, I didn't know my
photo was on your website.)

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Subject: Re: ballad of Tushielaw (sp?)
From: Heather Wood <[unmask]>
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Date:Sun, 27 Feb 2005 14:17:47 EST
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Subject: Ballad of Tushielaw
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 11:49:25 -0800
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Yes, the Sir Walter Scott story fits (in fact, Peebles is mentioned), but
I'm still looking for the ballad words.

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Subject: Re: Ballad of Tushielaw
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 20:51:05 -0000
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----- Original Message -----
From: "Jean Lepley" <[unmask]>
To: <[unmask]>
Sent: 27 February 2005 19:49
Subject: Ballad of Tushielaw> Yes, the Sir Walter Scott story fits (in fact, Peebles is mentioned), but
> I'm still looking for the ballad words.Both Scott and Thomas Campbell wrote poems based on the story, neither of which contain the lines
quoted; Scott's appears in Christie's 'Traditional Ballad Airs' (II, 272-3), set to the air of 'The
Privateering.' 'The Maid of Neidpath' is supposed to be Jane Douglas, born 1705, and her ghost
allegedly remains at the castle.I find a reference to an earlier story, this time involving Elizabeth Douglas, "daughter of the Earl
of March, [who] was betrothed to [ ] heir of King Robert III of Scotland, but fell in love with the
son of a border chieftain, young Scott of Tushielaw. Disguised as a wandering minstrel, he came and
sang beneath her window in the castle of Neidpath, in which she was imprisoned, and suggested in his
song a means of elopement. The girl dropped a sprig of wallflower at his feet, to show that she
understood the message; but when the time came, in her agitation she failed to fasten the
rope-ladder securely; she fell from a height and was killed."(http://www.tartans.com/)No source is given for the account. At the moment, I'd guess that the song in question is a modern
piece based on one or other of the stories. 'Earl O' Marches Daughter' appears on a record by 'Gan
Canny' (singer, Garrick MacPherson), '9 Hours In Auld Reekie' (http://www.moidartmusic.com/57.htm).Malcolm Douglas

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Subject: Re: Ballad of Tushielaw
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 21:16:31 -0000
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A couple of corrections to my previous. I mis-typed "Jane" Douglas, which should have been Jean;
though Scott calls her Mary. and Campbell, Ellen! Heaven knows which (if any) is right. The history
of the Douglas Family is one of byzantine complexity and not a little myth.I also inadvertently called Garrick MacPherson's band "Gan Canny", presumably because I ran into a
chap from the North East of England last night who says it all the time; that should have been "Ca
Canny".Malcolm Douglas

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Subject: Will the earliest Gunpowder Plot/Fawkes song please stand up!
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 11:54:00 -0500
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So far in my travels I have come up with two 17th century ones- both
dates a bit fuzzy....Anyone know any earlier? (there are a few other Psalmlike/sermon ones
but not ballads exactly)1663-1664
The Loyal Subject (as it is reason)
Drinks Good Sack and is Free from TreasonCome let's drink the time invites,
Winter and cold weather,
for to pass away long nights,
And to keep good wits together;
Better far than Cards or Dice,
Or Isaac's Balls that quaint Device,
made up of Fan and feather,Of grand Actions on the Seas,
We will ne'er be jealous,
Give us Liquor that will please,
and will make us braver fellows
Than the bold Venetian Fleet,
When the Turks and they do meet,
within the Dardonellows.Mahomet was no Divine,
But a senseless Widgeon,
To forbid the use of Wine
unto those of his Religion;
false sickness was his shame,
And his Throne shall have the blame,
for all his whispering Pidgeon,Valentia that famous Town,
and the French-mens wonder,
Water it imploy'd to drown,
and to cut their Traps asunder;
Turene cast a helpless look,
Whilst the crafty Spaniards took,
La-Ferta and his Plunder,Therefore Water we disdain,
Mankinds adversary,
Once it caus'd the worlds whole frame
in a Deluge to miscarry;
Nay the Enemies of Joy,
Seek with Cavy to destroy,
And murder good Canary.Sack's the Princes surest Guard,
if he would but try it,
No rebellion e'r was heard,
where the Subjects  soundly ply it,
And three Constables at most,
Are enough to quell an host,
that thus disturb our quiet.Drink about your full brim Bowls,
See there be no Shrinking,
For to quench your thirsty Souls,
we of Protests are not thinking,
But a way we will devise
How to make our colours rise,
and Noses rich with drinkingCause the rubies to appear
in their Orient Lustre,
Pottle Pots bring up the Rear,
for our forces we must muster,
Senior Gallon leads the Van,
He hath taken many a man,
and downs them on a Cluster,Sack it doth inspire the Will,
Though the Brain be muddy,
Some that ne'r knew nothing yet,
by it's vertue falls to Study;
He that tipples up good Sack,
Finds sound Marrow in the Back,
that's wholsom for the Belly.All the faculties of Man,
Are inriched by this Treasure,
He that First this Bowl began,
let him give to all his measure:
Sack is like Aetherial fire,
Which doth kindle new desire,
to do a woman Pleasure.Sack doth make the Spirit bold,
'tis like the Muses Nectar,
Some that Silent tongues did hold,
now can speak a learned Lecture,
By the flowing of the Tub,
They can break Alcidds Club,
and take the Crown from Hector.We ne'r covet to be Rich,
With Commerse or Trading,
Nor have we no zealous Itch,
Though our quondam means is fading,
But our Revels and our Store
And Wits, is how to get more
good Sack, and tha's our lading.We that drink good Sack in Plate,
To make us blithe and jolly,
Never Plot against the State,
To be punish'd for such folly,
But the merry Glass and Pipe,
Makes our Senses quick and ripe,
and expels Melancholly.See the Squibs, and hear the Bells
the fifth day of November,
The Preacher a sad Story tells,
And with horror doth remember,
how some dry-braind traitors wrought
Plots, that would to ruine brought,
both king and every Member.We that drink, have no such thoughts,
blind and void of Reason.
We take care to fill our Vaults,
With good Wine at every season,
And with many a cheerful Cup,
We blow one another up,
and that's our only Treason.-Crouch, E. London; Coles, F. London; Vere, T. London; Wright, J. London
1663 and 1674 Imprint: London, Printed by E.C. for F. Coles, T. Vere and
J. Wright 4o Rawl. 566(84)1667-1673
A SongOf Catesby, Faux, and Garnet,
     a story I'le you tell-a,
And of a Rare Plott,
     ne're to be forgott,
And eke how it befell-a.All on the 4th of November, 1605
     the Papists they had a drift-a
Quite to destroy
     brave England's joy,
And to blow it all up on the fifth-a.Soe many Barrells of Gunpowder,
     the like was never seen-a,
That eke that match
     had chanc'd to catch,
Good Lord, where should we all have been-a?Why we should all have been slaine outright,
     for marke what these varlets had don- a,
They had sett so many Barrells
     to decide all our Quarrells,
Nay they had don't as sure as a Gun-a. [done itO Varlets that esteeme noe more
     3 Kingdoms than 3 shillings!
It were a Good deed
     to hang 'm with Speed,-
Oh out uppon them Villaines!But now these Papists their designs
     we care not for a louse-a;
For fit as it was,
     it soe came to passe
The the Plot was blown up, not the house-a.For our King he went to the Parliament
     to meet his Noble Peers-a;
But if he had knowne
     where he should have been blown,
He durst not have gon for his Eares-a.Then, "Powder I smell," quothe our gracious King
     (now our King was an excellent smeller);
And lowder and lowder,
     quoth the King, "I smell powder";
And downe he run into the Cellar.And when he came the Cellar into,
     and was the danger amid-a,
He found that the traine
     had not been in vaine,
Had he not come downe as he did-a.Then the Noble-men that there stood by
     and heard the words of the King-a,-
"Ah, my Soul, if the Fire
     had come a little higher,
'Twould have made vs all flye without wings-a!No tune cited in MS.London, British Library, Additional MS 18220   (BLa20)
Of Catesby Faux and Garnet   BLa20*161  (f. 125r-v)
Manuscript 18220
POLITICAL and other poems, epigrams, etc., with a few pieces in prose,
collected by John Watson, apparently during the years 1667-1673,although
some of the pieces have earlier dates. The names of the persons from
whom he obtained them are noted at the end of the several compositions.
On the fly-leaf is the note, "Jo. Watson. Ex dono D?Barb. Rhodes, vidu?
Mri Joan. Rhodes, Decemb. 5, 1667," Paper.
Octavo [Add. 18,220.]--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Pufferbillies
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 14:36:42 -0800
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Subject: Re: Pufferbillies
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 17:58:42 -0500
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I am looking at the book "My Very First Mother Goose" -- really my  
grandson's --  edited by Iona Opie Illustrated by Rosemary Wells  
Candelwick Press Cambridge MA 1996
Opie has "puffer-billies" all in a rowGeorge
George F Madaus
Professor Emeritus
Boston College
On Feb, 28, 2005, at 5:36 PM, Norm Cohen wrote:> That's interesting; I always thought (from my long-gone youth) that it  
> was
> "pufferbellies," which made perfect sense for a steam locomotive.
> Norm
>
> ----- Original Message -----
>  From:  P & VJ Thorpe
> To: [unmask]
> Sent: Sunday, February 27, 2005 8:56 AM
> Subject: Re: Pufferbillies
>
> Me too - about the same time in UK.
> ?
> Of course, Puffy Billy was the name of a locomotive built in 1814 for  
> colliery work near Newcastle-upon-Tyne in England.
> ?
> Peter Thorpe?
> ----- Original Message -----
>  From: Heather Wood
> To: [unmask]
> Sent: Sunday, February 27, 2005 9:22 PM
> Subject: Re: Pufferbillies
>
> In a message dated 2/27/2005 10:15:49 AM Eastern Standard Time,  
> [unmask] writes:
> Does anyone know the history of Pufferbillies?? Is it an American song?
> ? When did it first appear in print?
>
> Down at the station house early in the morning
> See the little Pufferbillies all in a row
> See the station master pull a little handle
> Chug, chug, choo, choo
> Off we go
> I knew it early in life (i.e., 1950s). see  
> http://www.bbc.co.uk/schoolradio/earlylearning/ 
> listenandplay_autumn04_prog04.shtml
> ?
> Heather Wood

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Subject: Re: ballad of Tushielaw
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 17:07:18 -0800
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Jean - it would help a great deal if you posted the words you can make out.Murray Shoolbraid

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Subject: Re: Pufferbillies
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 20:33:12 EST
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Subject: Re: Pufferbillies
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 20:53:44 EST
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Subject: Re: Pufferbillies
From: P & VJ Thorpe <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 08:02:16 +0600
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Subject: Re: Australian Field Recordings:
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Feb 2005 00:37:34 -0500
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Hi-
The 2-CD set costs $25. Recording is good, and the singers (in
Aussie-flavored English) are quite easy to understand.
dick greenhaus
CAMSCO MusicAndy Rouse wrote:>Dear Dick,
>
>I'd be intersted in a) the price but b) mostly how easy it is to
>distinguisah WHAT is being sung, as I would be partially obtaining them
>for use at university with non-native (if advanced) students.
>
>Andy
>
>dick greenhaus wrote:
>
>
>>A long time ago (and probably in another galaxy) several list members
>>asked me to obrain a 2-CD set  of field recordings fro, Australia called
>>"Sharing the Harvest."  When I ordered them, they were unavailable.
>>
>>Some finally arrived. If you want a set, please E-mail me at
>>[unmask] or call me at (800) 548-FOLK (3655)
>>
>>They sound good.
>>
>>dick greenhaus
>>
>>
>
>
>
>

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Subject: Rochelle Recovering
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Feb 2005 11:01:28 -0800
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Folks:This update just in from Rhoda Goldstein about her mother:Dear Friends,
   Just a quick update to let you know my mom was finally discharged to the
rehab facility on Saturday evening.  She is eating and breathing on her own
and has considerable use of her upper body.  They are working her hard at
the rehab, from 9am to 4pm every day.  Her spirits continue to be amazing.
She can now talk on the phone after 4:45 pm - - Her phone # is 610-251-4537.
  She is at Bryn Mawr Rehab in Malvern, PA and will probably be there at
least 2-3 weeks.
Take care and thanks for everyone's emails and good wishes.  They keep her
going.
RhodaEdP.S.:  Other papers please copy.

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Subject: Re: Australian Field Recordings:
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 2 Feb 2005 05:38:33 +0100
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Then you've got yourself a buyer. How do I pay? Cheques are an unknown
quantity and cost more than the amount on them. Do you have an account I
can transfer to? I know Dave Eyre uses something on the internet to
minimse costs, but I've never had occasion myself. Of course, I could
slip the cash in an envelope and hope.Andydick greenhaus wrote:
>
> Hi-
> The 2-CD set costs $25. Recording is good, and the singers (in
> Aussie-flavored English) are quite easy to understand.
> dick greenhaus
> CAMSCO Music
>
> Andy Rouse wrote:
>
> >Dear Dick,
> >
> >I'd be intersted in a) the price but b) mostly how easy it is to
> >distinguisah WHAT is being sung, as I would be partially obtaining them
> >for use at university with non-native (if advanced) students.
> >
> >Andy
> >
> >dick greenhaus wrote:
> >
> >
> >>A long time ago (and probably in another galaxy) several list members
> >>asked me to obrain a 2-CD set  of field recordings fro, Australia called
> >>"Sharing the Harvest."  When I ordered them, they were unavailable.
> >>
> >>Some finally arrived. If you want a set, please E-mail me at
> >>[unmask] or call me at (800) 548-FOLK (3655)
> >>
> >>They sound good.
> >>
> >>dick greenhaus
> >>
> >>
> >
> >
> >
> >

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Subject: Re: Australian Field Recordings:
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 2 Feb 2005 12:22:13 -0500
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Hi-
The internet thing is called PayPal; you can access it at paypal.com
I take VISA and Master cards. If you prefer cheques, I'll give you a UK
address to send it to--it's difficult for me to cash cheques in anything
but US dollars.And, of course, I'll need an address to which to send it.dick greenhaus
CAMSCO MusicAndy Rouse wrote:>Then you've got yourself a buyer. How do I pay? Cheques are an unknown
>quantity and cost more than the amount on them. Do you have an account I
>can transfer to? I know Dave Eyre uses something on the internet to
>minimse costs, but I've never had occasion myself. Of course, I could
>slip the cash in an envelope and hope.
>
>Andy
>
>dick greenhaus wrote:
>
>
>>Hi-
>>The 2-CD set costs $25. Recording is good, and the singers (in
>>Aussie-flavored English) are quite easy to understand.
>>dick greenhaus
>>CAMSCO Music
>>
>>Andy Rouse wrote:
>>
>>
>>
>>>Dear Dick,
>>>
>>>I'd be intersted in a) the price but b) mostly how easy it is to
>>>distinguisah WHAT is being sung, as I would be partially obtaining them
>>>for use at university with non-native (if advanced) students.
>>>
>>>Andy
>>>
>>>dick greenhaus wrote:
>>>
>>>
>>>
>>>
>>>>A long time ago (and probably in another galaxy) several list members
>>>>asked me to obrain a 2-CD set  of field recordings fro, Australia called
>>>>"Sharing the Harvest."  When I ordered them, they were unavailable.
>>>>
>>>>Some finally arrived. If you want a set, please E-mail me at
>>>>[unmask] or call me at (800) 548-FOLK (3655)
>>>>
>>>>They sound good.
>>>>
>>>>dick greenhaus
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>>
>>>
>
>
>
>

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Subject: Re: Australian Field Recordings:
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 2 Feb 2005 10:07:27 -0800
Content-Type:text/plain
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And don't forget to go off list before you start exchanging credit
card numbers, or I'll use your account and snap up the collection
myself :-)David EngleAt 12:22 PM -0500 2/2/05, dick greenhaus wrote:
>Hi-
>The internet thing is called PayPal; you can access it at paypal.com
>I take VISA and Master cards. If you prefer cheques, I'll give you a UK
>address to send it to--it's difficult for me to cash cheques in anything
>but US dollars.
>
>And, of course, I'll need an address to which to send it.
>
>dick greenhaus
>CAMSCO Music
>
>Andy Rouse wrote:
>
>>Then you've got yourself a buyer. How do I pay? Cheques are an unknown
>>quantity and cost more than the amount on them. Do you have an account I
>>can transfer to? I know Dave Eyre uses something on the internet to
>>minimse costs, but I've never had occasion myself. Of course, I could
>>slip the cash in an envelope and hope.
>>
>>Andy
>>
>>dick greenhaus wrote:
>>
>>>Hi-
>>>The 2-CD set costs $25. Recording is good, and the singers (in
>>>Aussie-flavored English) are quite easy to understand.
>>>dick greenhaus
>>>CAMSCO Music
>>>
>>>Andy Rouse wrote:
>>>
>>>
>>>>Dear Dick,
>>>>
>>>>I'd be intersted in a) the price but b) mostly how easy it is to
>>>>distinguisah WHAT is being sung, as I would be partially obtaining them
>>>>for use at university with non-native (if advanced) students.
>>>>
>>>>Andy
>>>>
>>>>dick greenhaus wrote:
>>>>
>>>>
>>>>
>>>>>A long time ago (and probably in another galaxy) several list members
>>>>>asked me to obrain a 2-CD set  of field recordings fro, Australia called
>>>>>"Sharing the Harvest."  When I ordered them, they were unavailable.
>>>>>
>>>>>Some finally arrived. If you want a set, please E-mail me at
>>>>>[unmask] or call me at (800) 548-FOLK (3655)
>>>>>
>>>>>They sound good.
>>>>>
>>>>>dick greenhaus--
David G. EngleCalifornia State University, Fresno
Tel: (559) 278-2708; FAX: (559) 278-7878
http://www.csufresno.edu/forlang
The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: C-H-I-C-K-E-N solved!
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Feb 2005 11:53:42 -0600
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Hi folks:My question about the authorship of the song has been answered. "Dat's de
Way to Spell 'Chicken'" was published as sheet music in 1902, authors Sidney
Perrin and Bob Slater (the latter not always credited). Thanks to Bill
McNeil of the Ozark Folk Center for the info. And yes, the "Ragtime Chicken
Joe" verse is included, a good ten years before "Ragtime Cowboy Joe" was
published.Peace,
Paul

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Subject: You don't have to be mad to belong to this site but.....................
From: Fred McCormick <[unmask]>
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Date:Fri, 4 Feb 2005 13:43:46 EST
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Subject: Ninety-Nine Years
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Feb 2005 13:33:52 -0600
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Hi folks:I'm working on the song "Ninety-Nine Years", as recorded in 1932 by Martin &
Roberts, by Jess Hillard, by Bob and Mac (a two-parter), and by Steve
Ledford & Donald Nicholson w. the Carolina Ramblers String Band. Three
questions.First, plot. (I'm listening to the Ledford/Nicholson recording.) He sits
down to gamble, but cannot concentrate for thinking of the girl he loves who
has run away with another man. Something happens, he's arrested, tried and
sentenced to prison; he has served forty (fourteen?) years already but still
has 99 to go. When the train rolls by carrying the woman he loves, he hangs
his head and cries.All very well. But what did he do? Did he kill her, and the train is
carrying her body? Or did he kill the lover? I can't make out the singer's
words in the crucial verse. If any of you have the Martin & Roberts
recording, perhaps it will shed more light. (There was also an Elton Britt
song, "Answer to 99 Years", which I have not heard.)Second: In 1929 Clarence Green recorded "Ninety-Nine Years in Jail". Same
song? Or a different one? And Jimmie Rodgers did "Ninety-Nine Years Blues".
Any relation?Finally, anyone know of a possible author?Note: This is *not* the "Ninety-nine years is almost for life" song -- at
least, the Ledford/Nicholson recording isn't. Are any of the others?Thanks in advance for any light you can shed!Peace,
Paul

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Subject: Re: Ninety-Nine Years
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Feb 2005 13:44:58 -0600
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The Callahan Brothers did it as Ninety Nine's My Name, the same song. But
they don't mention the crime, either, although my guess is that he killed
his rival and/or his girl.I remember the Buzz Busby song (Life to Go?) where he meets a dear old
friend and they have drinks together; then all of a sudden, "words were
said, and now he's dead, I had to bring him down." At his point, my wife
always says, "Oh, indeed, goes without saying; that's what I always do when
I meet an old friend."Paul GaronAt 01:33 PM 2/4/2005, you wrote:
>Hi folks:
>
>I'm working on the song "Ninety-Nine Years", as recorded in 1932 by Martin &
>Roberts, by Jess Hillard, by Bob and Mac (a two-parter), and by Steve
>Ledford & Donald Nicholson w. the Carolina Ramblers String Band. Three
>questions.
>
>First, plot. (I'm listening to the Ledford/Nicholson recording.) He sits
>down to gamble, but cannot concentrate for thinking of the girl he loves who
>has run away with another man. Something happens, he's arrested, tried and
>sentenced to prison; he has served forty (fourteen?) years already but still
>has 99 to go. When the train rolls by carrying the woman he loves, he hangs
>his head and cries.
>
>All very well. But what did he do? Did he kill her, and the train is
>carrying her body? Or did he kill the lover? I can't make out the singer's
>words in the crucial verse. If any of you have the Martin & Roberts
>recording, perhaps it will shed more light. (There was also an Elton Britt
>song, "Answer to 99 Years", which I have not heard.)
>
>Second: In 1929 Clarence Green recorded "Ninety-Nine Years in Jail". Same
>song? Or a different one? And Jimmie Rodgers did "Ninety-Nine Years Blues".
>Any relation?
>
>Finally, anyone know of a possible author?
>
>Note: This is *not* the "Ninety-nine years is almost for life" song -- at
>least, the Ledford/Nicholson recording isn't. Are any of the others?
>
>Thanks in advance for any light you can shed!
>
>Peace,
>PaulPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com

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Subject: Blue Grass Roy
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Feb 2005 05:36:03 EST
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Subject: Re: Blue Grass Roy
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Feb 2005 10:12:07 -0500
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Fred: I was the one who raised the issue of Blue Grass Roy. I would love to hear this album, great stuff, including "Puttin' On the Style" and "I Am My Own Grandpa." Thanks for the news. Any chance I can get a tape? Ron CohenSubject:        Blue Grass RoyA short while ago there was a discussion on this site about Blue Grass Roy,
during which it was stated that he never made any records, and that he claimed
 to have been born in Kentucky.I hope I'm not repeating something that's been said already, but I've just
come across an LP of the man; Blue Grass Roy's Collection of Mountain and  Home
Songs. Old Homestead OHCS 106.It's not compiled from commercial records, but from airshow  transcription
discs, which were cut in 1940. The playlist is as follows:-Introduction, Theme and Sales Pitch
The Little Shirt That Mother  Made For Me.
Hobo Bill's Last Ride
Puttin' On The  Style
The Royal Telephone
I Don't Work For A  Living
She's A - Winkin' At Me
Billy  Richardson's LastRide
O' Jailor Bring Back That Key
Wizard  Oil Ad.
The Dream Of A Miner's child (W/lntro.)
The  Mississippi Flood (W/Dedication),
Who Broke The Lock On The Hen House  Door
In Nineteen Ninety Two
I Am My Own Grandpa/Ending  Theme Starts With no Break in BandFar from being a native Kentuckian, the notes say that he was born in
Champaign County, Illinois. Moreover, he seems to have begun his career  singing on
WDZ, Tuscola, Illinois and WLW, Cincinatti before moving to  WFIW,
Hopkinsville, Kentucky in 1931. There he began broadcasting both  as Blue Grass Roy, and
as the Kentucky Korn Kracker.Incidentally, I heard The Royal Telephone played by a local jazz band  the
very night before I found the LP. The title rang absolutely no bells at all
with me, so I was a little surprised to have it turn up twice within 24 hours.
Does anyone know anything about its background ?Cheers,Fred McCormick.

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Subject: Re: Ninety-Nine Years
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Feb 2005 17:56:46 -0800
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Paul:
These recordings are among the many versions of the blues ballad generally
called "Coon Can Game."  Marina Bokelman wrote a 275-page  M.A. Thesis on it
at UCLA back in 1968.  Other recorded versions include Clarence Green,
Puckett & Jones, Graham Bros, Blue Sky Boys, Darby & Tarlton, Morgan Dennon,
Duel Frady, etc etc.
Norm----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Friday, February 04, 2005 11:33 AM
Subject: Ninety-Nine Years> Hi folks:
>
> I'm working on the song "Ninety-Nine Years", as recorded in 1932 by Martin
&
> Roberts, by Jess Hillard, by Bob and Mac (a two-parter), and by Steve
> Ledford & Donald Nicholson w. the Carolina Ramblers String Band. Three
> questions.
>
> First, plot. (I'm listening to the Ledford/Nicholson recording.) He sits
> down to gamble, but cannot concentrate for thinking of the girl he loves
who
> has run away with another man. Something happens, he's arrested, tried and
> sentenced to prison; he has served forty (fourteen?) years already but
still
> has 99 to go. When the train rolls by carrying the woman he loves, he
hangs
> his head and cries.
>
> All very well. But what did he do? Did he kill her, and the train is
> carrying her body? Or did he kill the lover? I can't make out the singer's
> words in the crucial verse. If any of you have the Martin & Roberts
> recording, perhaps it will shed more light. (There was also an Elton Britt
> song, "Answer to 99 Years", which I have not heard.)
>
> Second: In 1929 Clarence Green recorded "Ninety-Nine Years in Jail". Same
> song? Or a different one? And Jimmie Rodgers did "Ninety-Nine Years
Blues".
> Any relation?
>
> Finally, anyone know of a possible author?
>
> Note: This is *not* the "Ninety-nine years is almost for life" song -- at
> least, the Ledford/Nicholson recording isn't. Are any of the others?
>
> Thanks in advance for any light you can shed!
>
> Peace,
> Paul
>

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Subject: Ebay List - 02/05/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Feb 2005 22:37:34 -0500
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Hi!        The snow is melting, the flowers are coming up and I saw some
robins today! With those signs of hope, here is the weekly list. :-)        SONGSTERS        3955793864 - JAMES GRAY'S SONGSTER, 1880, $9.99 (ends Feb-06-05
20:10:15 PST)        3955931391 - PAT ROONEY'S IS THAT MR. RIELLY SONGSTER, 1882, $44
(ends Feb-07-05 18:00:00 PST)        3955909107 - Yankee Locke's, Old Clown, Dream and Fate, Palmistry &
C., Songster, 1888, $19.99 (ends Feb-07-05 18:45:00 PST)        3871815298 - COMICAL BROWN'S SONGSTER, 1885, $9.99 (ends Feb-09-05
18:05:58 PST)        3956348233 - True Blue Republican Campaign Songs, 1892, $39.99
(ends Feb-09-05 18:15:13 PST)        4525305164 - THE SOUVENIR MINSTREL OR SINGER'S REMEMBER ME, 1842,
$19.99 (ends Feb-10-05 18:10:20 PST)        MISCELLANEOUS        4071924619 - A TREASURY OF FIELD RECORDINGS  VOL. 1, LP, 1977, $29
(ends Feb-07-05 16:43:33 PST)        6945460169 - Journal of American Folklore, Oct-Dec 1980, $9.99
(ends Feb-08-05 16:03:51 PST) This seller has several other issues of this
journal on Ebay currently.        6945461534 - Journal of American Folklore, April-June 1979, $9.99
(ends Feb-08-05 16:27:09 PST)        4072289595 - Sara Cleveland, LP, 1975, 2.99 GBP (ends Feb-09-05
07:55:54 PST)        4072729479 - THE TRAVELLING SONGSTER - AN ANTHOLOGY FROM GYPSY
SINGERS, LP, 1977, 3.99 GBP (ends Feb-10-05 15:27:46 PST)        SONGBOOKS, ETC.        4523535025 - Boxing the Compass -- Sea Songs and Shanties by Palmer,
2001, $3.99 (ends Feb-06-05 18:00:00 PST)        4524065835 - Singin' Texas by Abernethy (inc. cassette), 1983,
$29.99 (ends Feb-06-05 19:31:28 PST)        6945503553 - FUGITIVE SCOTTISH BALLADS, 1859, $9.99 (ends Feb-07-05
04:41:19 PST)        4524196061 - Ballads and Songs of the Peasantry of England by
Henry, 1870?, $24.99 (ends Feb-07-05 09:49:50 PST)        3779916068 - Eight Negro Songs by Abbot, 1923, $3.99 (ends Feb-07-05
17:01:41 PST)        4523659761 - A Scottish Ballad Book by Buchan, 1973, $5 (ends
Feb-08-05 09:21:10 PST)        3956123027 - Tell Me A Story Sing Me A Song by Owens, 1983, $7.98
(ends Feb-08-05 16:10:42 PST)        4524589020 - More Traditional Ballads of Virginia by Davis, 1960,
$9.99 (ends Feb-08-05 18:32:45 PST)        4524589384 - The British Traditional Ballad in North America by
Coffin, 1950, $9.99 (ends Feb-08-05 18:34:03 PST)        4524588217 - Folk Songs of Old New England by Linscott, 1939, $9.99
(ends Feb-08-05 18:30:09 PST)        4524588546 - Folksingers and Folksongs in America by Lawless, 1965,
$9.99 (ends Feb-08-05 18:31:27 PST) also 4524789332 - $5.99 (ends
Feb-09-05 12:26:34 PST)        4524589669 - Ballad Books and Ballad Men by Hustvedt, 1930, $29.99
(ends Feb-08-05 18:35:07 PST)        4524590399 - The Broadside Ballad - A Study in Origins and Meaning
by Shepard, 1962, $9.99 (ends Feb-08-05 18:37:45 PST)        4072357174 - The British Broadside Ballard and its music by Simpson,
1966, 2.50 GBP (ends Feb-09-05 12:12:02 PST)        3780423473 - SONGS of the SAILOR & LUMBERMAN by Doerflinger, 1990
edition, $4.99 (ends Feb-09-05 21:08:34 PST)        3780567812 - Hebridean Folksongs Volume 3 by Campbell, 1981, 8 GBP
(ends Feb-10-05 12:27:27 PST)        3780560406 - Ballads and Songs by Belden, 1955, $9.99 (ends
Feb-10-05 17:00:00 PST)        6945708927 - Famous Cowboy and Mountain Ballads, 1944, $2 (ends
Feb-10-05 18:05:02 PST)        4524524840 - EVERYMANS BOOK OF ENGLISH COUNTRY SONGS by Palmer,
1979, 1 GBP (ends Feb-11-05 14:42:17 PST)        5555063741 - WEST OF ENGLAND AGRICULTURE SHOW BALLAD, 1840?, 4.99
GBP (ends Feb-12-05 09:30:00 PST)        4525226969 - Border Ballads by Tomson, 2.99 GBP (ends Feb-13-05
14:05:36 PST)        3780657173 - Marrow Bones English Folk Songs From The Hammond And
Gardiner Mss by Purslow, 1965, $24 (ends Feb-13-05 19:33:32 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Blue Grass Roy
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 05:44:28 EST
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Subject: Re: Blue Grass Roy
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 08:06:20 -0500
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Fred: That would be jus fine. Please send to:Ronald Cohen
Dept. of History
Indiana University Northwest
Gary, IN 46408-1197Very much appreciated, ron cohenCc:	
Subject:        Re: Blue Grass RoyHi Ron,I'll be glad to, although I'll probably do a CDR rather than a tape; less
messing than a tape. But where do I send it to ?Cheers,FredIn a message dated 05/02/2005 15:12:45 GMT Standard Time, [unmask]
writes:Fred: I  was the one who raised the issue of Blue Grass Roy. I would love to
hear this  album, great stuff, including "Puttin' On the Style" and "I Am My
Own  G
randpa."  Thanks for the news. Any chance I can get a tape? Ron Cohen

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Subject: Dating Irish 78's
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 09:37:01 -0500
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A standard reference for dating "Country Music" 78's is now
    _Country Music Sources_ by Guthrie T Meade Jr with Dick Spottswood and
Douglas S. Meade (Chapel Hill, 2002).Is there a similar source or set of sources for Irish in English 78's (with
or without US and Canadian labels).  For example, for Richard Hayward's
records for Rex.  Or--in the US--for Ruthie Morrissey or the McNulty Family
on Copley?I use
    irishtune.info, Irish Traditional Music Tune Index: Alan Ng's Tunography
where I can but that is a player's site and not primarily for songsBen Schwartz

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Subject: Re: Blue Grass Roy
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 10:46:31 EST
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Subject: Re: Dating Irish 78's
From: Fred McCormick <[unmask]>
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Date:Sun, 6 Feb 2005 10:57:17 EST
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Subject: Re: Dating Irish 78's
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 12:04:04 -0500
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You might find answers on the mudcat forum or the IRTRAD list.
Just look in google....
I know where to go for edison cylinders if anyone is interested in those
sources.Of course dating by technology would also help- dates of operation of
record company and dates for issue of series or label design etc.CBbennett schwartz wrote:
> A standard reference for dating "Country Music" 78's is now
>    _Country Music Sources_ by Guthrie T Meade Jr with Dick Spottswood and
> Douglas S. Meade (Chapel Hill, 2002).
>
> Is there a similar source or set of sources for Irish in English 78's (with
> or without US and Canadian labels).  For example, for Richard Hayward's
> records for Rex.  Or--in the US--for Ruthie Morrissey or the McNulty Family
> on Copley?
>
> I use
>    irishtune.info, Irish Traditional Music Tune Index: Alan Ng's Tunography
> where I can but that is a player's site and not primarily for songs
>
>
> Ben Schwartz--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Blue Grass Roy
From: Roy Berkeley <[unmask]>
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Date:Sun, 6 Feb 2005 12:16:14 -0500
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Subject: Royal Telephone
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 13:01:26 -0500
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Automatic digest processor <[unmask]>, in the
person of Fred McCormick, writes:> Incidentally, I heard The Royal Telephone played by a local jazz
> band the very night before I found the LP. The title rang absolutely
> no bells at all with me, so I was a little surprised to have it turn
> up twice within 24 hours.  Does anyone know anything about its
> background ?_Rise Up Singing_ (surprise!) attributes it to F. M. Lehman, and says:  Lehman was a Pittsburgh radio evangelist who write this song in
  the mid 1920's.  On Jean Ritchie "High Hills & Mtns".
--
---  Joe Fineman    [unmask]||:  "There's a hint of fall in the air."  :||
||:  "Don't talk with your mouth full."    :||

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Subject: Re: Dating Irish 78's
From: Fred McCormick <[unmask]>
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Date:Sun, 6 Feb 2005 13:51:23 EST
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Subject: Re: Blue Grass Roy
From: Fred McCormick <[unmask]>
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Date:Sun, 6 Feb 2005 13:56:07 EST
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Subject: Re: Royal Telephone
From: Fred McCormick <[unmask]>
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Date:Sun, 6 Feb 2005 13:59:51 EST
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Subject: Re: Royal Telephone
From: Fred McCormick <[unmask]>
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Date:Sun, 6 Feb 2005 14:05:36 EST
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Subject: Re: Dating Irish 78's
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Feb 2005 08:07:03 +1100
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just another piece on Royal Telephone- it was a number one chart hit
(in Australia) in the early 1960s as recorded by the wonderful
Aboriginal country singer Jimmy Little. It was also
the first chart hit for an indigenous Australian artist   warren faheyOn 07/02/2005, at 4:04 AM, Conrad Bladey Peasant wrote:> You might find answers on the mudcat forum or the IRTRAD list.
> Just look in google....
> I know where to go for edison cylinders if anyone is interested in
> those
> sources.
>
> Of course dating by technology would also help- dates of operation of
> record company and dates for issue of series or label design etc.
>
> CB
>
> bennett schwartz wrote:
>> A standard reference for dating "Country Music" 78's is now
>>    _Country Music Sources_ by Guthrie T Meade Jr with Dick Spottswood
>> and
>> Douglas S. Meade (Chapel Hill, 2002).
>>
>> Is there a similar source or set of sources for Irish in English 78's
>> (with
>> or without US and Canadian labels).  For example, for Richard
>> Hayward's
>> records for Rex.  Or--in the US--for Ruthie Morrissey or the McNulty
>> Family
>> on Copley?
>>
>> I use
>>    irishtune.info, Irish Traditional Music Tune Index: Alan Ng's
>> Tunography
>> where I can but that is a player's site and not primarily for songs
>>
>>
>> Ben Schwartz
>
> --
> @#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
> Looking through my bedroom window, out into the moonlight and the
> uneding smoke-colored snow,
> I could see the lights in the windows of all the other houses on our
> hill and hear the music rising from them
> up the long, steadily falling night. I turned the gas down, I got into
> bed. I said some words to the
> close and holy darkness, and then I slept!-Dylan Thomas
> ####################################################################
>

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Subject: Re: Royal Telephone
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Feb 2005 17:04:50 -0500
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It's also on a Blue Sky Boys reissue, I think a Rounder tape--but it may be
something I got from The Music Barn.  I was listening to it a couple of
weeks ago, but can't put my hands on it at the moment.-- Bill McCarthyAt 02:05 PM 2/6/2005, Fred McCormick wrote:
>Ok folks. Found it. It's a 1970s LP which has lately been reissued along
>with None but One.
>
>Cheers,
>
>Fred McCormick.
>
>Joe,
>
>Many thanks. What's the connection with Jean Ritchie ? Is High Hills and
>Mountains a record of hers that I've missed ?
>
>Fred McCormick
>
>
>In a message dated 06/02/2005 18:01:42 GMT Standard Time,
>[unmask] writes:
>Automatic digest processor <[unmask]>, in the
>person of Fred McCormick, writes:
>
> > Incidentally, I heard The Royal Telephone played by a local jazz
> > band the very night before I found the LP. The title rang absolutely
> > no bells at all with me, so I was a little surprised to have it turn
> > up twice within 24 hours.  Does anyone know anything about its
> > background ?
>
>_Rise Up Singing_ (surprise!) attributes it to F. M. Lehman, and says:
>
>   Lehman was a Pittsburgh radio evangelist who write this song in
>   the mid 1920's.  On Jean Ritchie "High Hills & Mtns".
>--
>---  Joe Fineman    [unmask]
>
>||:  "There's a hint of fall in the air."  :||
>||:  "Don't talk with your mouth full."    :||
>
>

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Subject: Re: Royal Telephone
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Subject: Re: Royal Telephone
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Subject: Re: Royal Telephone
From: Clifford J OCHELTREE <[unmask]>
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Date:Mon, 7 Feb 2005 10:02:48 -0600
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Subject: Black Newspapers Index
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 10 Feb 2005 12:34:05 -0600
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Another item from Research Buzz which some of you might find of interest:** Project to Digitize Black Newspapers Underway
<http://www.researchbuzz.org/project_to_digitize_black_newspapers_underway.shtml>Newspapers & Technology is reporting (
http://newsandtech.com/issues/2005/02-05/ot/02-05_blackpapers.htm )
about a project to digitize the archives of over 200 African-American newspapers and make them available online.The project is a partnership between Amalgamated Publishers Inc. and Ninestars Information Technology Ltd. There's a lot to this project since many of the newspapers being digitized go back over a hundred years. The intent would be to create a single Internet site where all the newspapers would be searched.Searching would be free but accessing the entire article would cost.

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Subject: Ebay List - 02/11/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Feb 2005 20:01:13 -0500
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Hi!        The perfect Valentine gift for the ballad enthusiast can be
found on this week's Ebay list :-)        SONGSTERS        6946043363 -  GRIGG'S SOUTHERN AND WESTERN SONGSTER, 1865, $19.99
(ends Feb-13-05 14:32:00 PST)        3781487774 - GUS WILLIAMS "OH WHAT A NIGHT" SONGSTER, 1885, $7.99
(ends Feb-14-05 17:01:39 PST)        3957243440 - 2 songsters (Cleveland & Hendricks Campaign Songster
1884 & Cleveland & Thurman 1888), $15 (ends Feb-14-05 18:30:00 PST)        6510724723 - Patterson's Ideal Songster, 1890, $7.99 (ends
Feb-15-05 06:00:38 PST)        3957343319 - Yankee Locke's Old Clown Songster, 1888, $9.99 (ends
Feb-15-05 18:00:00 PST)        3781727034 - Patterson's Ideal Songster, 1880, $4 (ends Feb-15-05
18:37:45 PST)        6511270635 - Excelsior Songster, 1888, $9.99 (ends Feb-17-05
14:24:03 PST)        MISCELLANEOUS        4073616630 - Virginia Traditions, LP, 1978, $3.98 (ends Feb-14-05
08:18:47 PST)        4072895803 - JEANNIE ROBERTSON, LP, $14.99 (ends Feb-14-05 17:30:00
PST)        6945849937 - Magazine, Record Collector inc. articles on folk music
and folk recordings, 1994, 0.99 GBP (ends Feb-15-05 08:01:55 PST)        4074095192 - Hudson Valley Songs by Warner, LP, $9.99 w/reserve
(ends Feb-16-05 08:15:08 PST)        4074170406 - The New Beehive Songs, Volume 1, Early Recordings of
Pioneer Folk Music, LP, $9.99 (ends Feb-16-05 13:07:31 PST)        SONGBOOKS, ETC.        6945820836 - The Legendary Ballads Of England And Scotland by
Roberts, 1868, $9.01 (ends Feb-12-05 12:00:00 PST)        3780942002 - Broadside - The Brave Volunteers from North Haven,
1862, $250 (ends Feb-12-05 18:00:00 PST)        6946042648 - FOLK BALLADS AND SONGS OF THE LOWER LABRADOR COAST by
Leach, 1965, $20 C (ends Feb-13-05 14:25:19 PST)        6946508489 - Devil's Ditties by Thomas, 1931, $69.95 (ends Feb-13-05
16:19:26 PST) also 4527042521 - $20 (ends Feb-17-05 08:12:49 PST)        4526109746 - American Mountain Songs by Richardson, 1927, $20 (ends
Feb-13-05 18:20:56 PST)        7952915296 - THE OXFORD NURSERY RHYME BOOK by Opie, 1975, $3.50
(ends Feb-13-05 18:39:53 PST)        6946270676 - A North Countrie Garland by Maidment, 1884 edition,
$65 (ends Feb-13-05 19:00:00 PST)        3781330036 - 4 country songbooks, 1936-1940, $6 (ends Feb-13-05
22:31:47 PST)        6946190821 - The Ballad In Literature by Henderson, 1912, $5 AU
(ends Feb-15-05 01:29:32 PST)        7953203250 - A SCOTTISH BALLAD BOOK by Buchan, 1973, 0.99 GBP (ends
Feb-15-05 06:25:46 PST)        4526550459 - OLD IRISH STREET BALLADS by Healy, 1967, 3.99 GBP
(ends Feb-15-05 12:49:08 PST)        6946282634 - AMERICAN NEGRO FOLK-SONGS by White, 1965 reprint,
$9.99 (ends Feb-15-05 18:45:11 PST)        7953489743 - The Common Muse - British Ballads 15th - 20th Century
by Sola Pinto & Rodway, 1965, 0.99 GBP (ends Feb-16-05 04:05:05 PST)        4526943545 - Songs and Ballads from Nova Scotia by Creighton, 1966,
$9.99 (ends Feb-16-05 19:18:17 PST)        4526949712 - Folk Visions & Voices by Rosenbaum, 1983, $4.99 (ends
Feb-16-05 19:46:20 PST)        3781977175 - CENTENARY EDITION TWO VOLUMES REPRINTED IN ONE BOOK of
songs collected by Cecil Sharp, 1959, 4.99 GBP (ends Feb-17-05 01:43:22 PST)        4527041675 - TALES & SONGS OF SOUTHERN ILLINOIS by Neely, 1998
edition, $12.50 (ends Feb-17-05 08:09:16 PST)        3957748839 - 2 country songbooks, 1933-35, $0.99 (ends Feb-17-05
11:09:14 PST)        4527091745 - Folk Songs of Australia by Meredith, 1979, $6.99 (ends
Feb-17-05 11:10:54 PST)        4527138714 - Folk Songs from the North by Polwarth, 0.99 GBP (ends
Feb-17-05 13:22:48 PST)        4526295078 - Old Songs and Singing Games by Chase, 1972 edition,
4.99 GBP (ends Feb-17-05 13:40:45 PST)        4526475797 - ROBIN HOOD- A COLLECTION OF POEMS,SONGS & BALLADS by
Ritson, 1972 reprint, 2 GBP (ends Feb-18-05 08:40:30 PST)        4526581947 - The Second Book of Irish Ballads by Healy, 1964, 1 GBP
(ends Feb-18-05 14:23:38 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: "Stackalee" ?
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 12 Feb 2005 11:53:00 -0600
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Hello everyone,I remember reading on this list that someone is/was working on a definitive
"Stackalee" history.I have a graduate student who is very interested in learning more of the
history of this song/toast/recitation.  Could someone give me the email
address of the person working on "Stackalee" or forward on my request to
him?Thanks!John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and recitations website:
www.immortalia.com.

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Subject: Re: "Stackalee" ?
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 12 Feb 2005 12:39:47 -0600
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Cecil Brown published a very thorough book: Stagolee Shot Billy. Harvard
University Press, 2004.Paul GaronAt 11:53 AM 2/12/2005, you wrote:
>Hello everyone,
>
>I remember reading on this list that someone is/was working on a definitive
>"Stackalee" history.
>
>I have a graduate student who is very interested in learning more of the
>history of this song/toast/recitation.  Could someone give me the email
>address of the person working on "Stackalee" or forward on my request to
>him?
>
>Thanks!Paul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com

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Subject: Good Book Cheap
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 12 Feb 2005 10:57:47 -0800
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Folks:I would call your attention to the fact that Postscript, a British overstock house, has "limited copies" of  James Porter and Herschel Gower, _Jeannie Robertson: Emergent Singer, Transformative Voice (Tuckwell, 1995) for 5.99 GPB.  The stock number is 25698.  Needless to say, this is an important work for any person interested in ballads and folk song.The book can be ordered on line at wwwpsbooks.co.uk .  The UK telephone number is 020 8767 7421.Ed

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Subject: Re: "Stackalee" ?
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 13 Feb 2005 12:09:19 EST
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Subject: Two boring old gits to wed........
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 05:09:17 EST
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Subject: 1776 _The Frisky Songster_
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 10:43:37 -0600
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Dear everyone,Here is a low quality PDF copy of _The Frisky Songster_ (1776):   http://immortalia.com/1776-the-frisky-songster.zip   (5.5MB)Legman in his 1990 erotic songs bibliography has this to say of
this book:    _The Frisky Songster_. c. 1770. London, or Dublin.
   (Reprint copies: [1776] Bodleian, W. N. H. Harding
   Collection; Kinsey-ISR: 1802.) The essential erotic
   folksong collection in English of the late 18th century.
   (Compare: _The Honest Fellow_, 1790 and _The New
   Frisky Songster, 1794.) On the legal condemnations
   of this work see: G. Chitty, _A Practical Treatise on
   the Criminal Law_ (1826 2d edition) vol. 2:42-43.Comparing this songster with _The Merry Muses of Caledonia_
helps place the later book in the context of the erotic songbooks
of the late 18th century.Yours,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and
recitations website: www.immortalia.com.

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Subject: Music Hall - Ella Shields
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 12:01:11 -0500
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Hope this will be of interest to some of the list members:
Ella Shields on DVD.....
Warner dvd 65286  - "The Broadway Melody" (1929)
  This release contains supplementary material including 5 issues of
Metro Movietone Revue - in Revue #4 there is a segment of
Miss Ella Shields singing (and dancing) The King's Navy (about 2:40).
Music Hall lovers:  Enjoy!
  Best wishes, Thomas Stern.

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Subject: Can you identify this tune?
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 11:24:47 -0600
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Hello ballad-l,Can you help me identify this tune?   http://immortalia.com/go_kiss_your_pa_[tune].mp3Thanks!John Mehlberg

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Subject: Change of email address
From: "Wolz, Lyn" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 11:43:42 -0600
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It has come to my attention that some people have had trouble contacting me because my email address has changed.  Sorry I didn't think to send out this message before our IT dept. took down the old server!  Old email:   [unmask]New email (as of Jan. 10, 2005):    [unmask]Thanks.LynLyn Wolz, Director
Regents Center Library
University of Kansas, Edwards Campus
12600 Quivira Road
Overland Park, KS  66213
(913) 897-8572
[unmask] 
   

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Subject: Re: Can you identify this tune?
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 12:57:58 -0600
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----- Original Message -----
From: "John Mehlberg" <[unmask]>
To: <[unmask]>
Sent: Monday, February 14, 2005 11:24 AM
Subject: Can you identify this tune?Hello ballad-l,Can you help me identify this tune?   http://immortalia.com/go_kiss_your_pa_[tune].mp3Well, it sounds similar to a version of "Christopho Colombo" I've heard (the
verse, not the chorus), and there's also a slight resemblance to "No More
Booze on Sunday".Peace,
Paul

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Subject: Gunpowder Plot songs turned up....
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 15:00:17 -0500
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As always just when you think you have them all....Actually these are quite fun....and among the earliest too....Going to
be a big year....400th of the plot....Join in by going here:
http://www.bcpl.net/~cbladey/fifthgala.htmlAn EXCELLENT
G A R L A N D,CONTAININGAdditional songs in Inkle and arico. 2. The revolution and gunpowder
plot. 3. God save the King. The top-sails shiver in the wind.
Manchester, 1790 ?The Revolution, and Gunpowder Plot.Tune-God save the king.Patriots of Britain Great,
Now join to celebrate
Two great events;
Gun-powder Treason and
The Revolution grand;
Joy echo through the land;
Time now presents.Rome, as our records say,
Aimed upon this day,
Britain's o'erthrow,
To blast was her intent,
Both King and Parliament,
And Constitution rent,
All at on blow.But heaven who Britons aid,
When foes our rights invade,
Did frustrate,
With helping hand divine,
Her hellish, vile design,
In a destructive mine,
Providence great!The church to overthrow,
And Romish errors sow,
James, Britain's King,
Strove with an ardent zeal,
But in effect did fail,
Which gave him cause to 'weal
Woe! did him sting.Rul'd by despotic will,
Patriots no places fill,
In Church nor State;
But injur'd Britons brave,
William's assistance crave,
Who did our freedom save,
And James defeat.Britons the chorus join,
Ever may Brunswick's line,
This empire sway;
May George's progeny,
Our laws defenders be;
God bless the family;
Huzza! huzza!
*Prince of Orange.The Scots Vocal Miscellany
A Choice Collection  of the most celebrated S O N G S,
ANCIENT and MODERN,
MANY OF WHICH NEVER BEFORE IN PRINT
E D I N B U R G HPrinted and sold by J. ROCH, at his Printing house, Luckenbooths, and by
all Booksellers in Town and Country,
M.DCCLXXX1780[92}The gun-powder plot.Some twelve months ago,
An hundred or so,
The Pope went to visit the devil;
And as, you will find,
Old Nick, to a friend,
Can behave himself wondrous civil.Quoth the De'il to the Seer,
What the De'il brought you here
It was surely some whimsical maggot:
Come, draw to the fire;
Nay, prithee, sit nigher:
Here, sirrah! lay on t'other faggot.You're welcome to Hell;
I hope friends are well,
At Pareis, Madrid, and at Rome;
And, now you elope,
I suppose, my dear Pope,
The conclave will hang out the broom.Then his Holiness cry'd,
All jesting aside,
"Give the Pope and the Devil their dues;"
For, believe me, Old Dad,
I'll make thy heart glad,
For, by Jove, I do bring thee rare news.There's a plot to beguile
An obstinate isle;
Great Britain, that heretic nation,
Who so shyly behav'd,
Inthe hopes of being sav'd
By the help of a d--d Reformation.We'll never have done,
If we burn one by one,
Tis' such a d--d numerous race!
For no sooner one's dead,
Like the fam'd Hydra's head,
Than a dozen spring up in his place.But, believe me, Old Nick,
We'll play them a trick,
The like was ne'er hatched in France;
For this day before dinner,
As sure's I'm a sinner,
We'll burn all the rascals at onece.When the king with his son
To the parliament's gone,
To consult about old musty papers,
We'll give them a greeting,
Shall break up their meeting,
  And try who can cut the best capers.There's powder enough,
And combustible stuff,
Inf fifty and odd trusty barrels,
Which will blow all together,
The Devil cares whither,
And decide at one blow all our quarrels.But this was scarce said,
When in popp'd the head
Of an old Jesuitical Wight,
Who cry'd You're mistaken,
They've all saav'd their bacon,
And Jemmy still stinks with the fright.Then Satan was struck,
And said 'tis bad luck,
But you for your news shall be thanked:
So he call'd to the door
Seven devils or more,
And they toss'd the poor dog in a blanket.--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Can you identify this tune?
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 20:10:16 -0000
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Change it into 6/8 time and it's instantly recognisable as "A Life on the
Ocean Wave", the signature tune of the Royal Marines.
Cheers
Simon-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of John Mehlberg
Sent: 14 February 2005 17:25
To: [unmask]
Subject: Can you identify this tune?Hello ballad-l,Can you help me identify this tune?   http://immortalia.com/go_kiss_your_pa_[tune].mp3Thanks!John Mehlberg__________ NOD32 1.998 (20050212) Information __________This message was checked by NOD32 antivirus system.
http://www.nod32.com

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Subject: Re: Two boring old gits to wed........
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 15:14:25 -0500
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>.........as one British newspaper aptly described the forthcoming
>royal nuptials. To try and preserve my sanity over the next couple
>of months, I've been attempting to recall a truly splendid lampoon
>on such beanfeasts. Unfortunately, I can only recall the first two
>verses.
>
>Pray rub up your ears and I'll tell you a thing.
>The wonder of subjects, the wit of a king.
>So pray give attention to what I do sing.
>
>ch: Sing tan tara ra ra ra boys, hey boys hey.
>      Sing tan tara ra ra ra boys, hey boys hey.
>
>The young Prince of Wales went over to France.
>To fiddle and fence and to learn to dance.
>And there he did meet with a mistress by chance.
>
>ch: Sing etc.
>
>I wonder if anyone might have the complete text.
>
>Many advance thanks,
>
>Fred McCormick.As I recall, Randolph/Legman quotes some verses in which a woman
learns, or teaches, people to "fiddle, fuck, and dance."  Related?John

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Subject: Re: "Stackalee" ?
From: John Garst <[unmask]>
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Date:Mon, 14 Feb 2005 15:25:05 -0500
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Subject: Re: Gunpowder Plot songs turned up....
From: Simon Furey <[unmask]>
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Excellent effort, Conrad. All we need now is an MP3 file of you singing
these splendid songs.
Huzza!
(Though I confess I have difficulty with the idea of a true-blue US citizen
singing a song in support of the House of Hanover....)
Simon

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Subject: Re: Two boring old gits to wed........
From: Simon Furey <[unmask]>
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No I don't, but I am reminded of a wonderful song I got years ago from Ewan
McColl; "I Mean To Get Jolly Well Drunk", which is a slight variant on Harry
Boardman's version in the Digital Tradition. The relevant verse goes:I'll drink till the high price of coal becomes small,
  Till ale and roast beef they cost nothing at all,
I'll drink till there are no more reasons for strikes,
  Till a man values work just as much as he likes,
I'll drink till the law gives a man no denial,
  For taking a wife out a month upon trial,
Till the Dukes and the Lords have to sort clean from dirt,
  And the big Prince of Wales has to wash his own shirt.Funny how history repeats itself...
Cheers
Simon________________________________From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of Fred McCormick
Sent: 14 February 2005 10:09
To: [unmask]
Subject: Two boring old gits to wed.................as one British newspaper aptly described the forthcoming royal
nuptials. To try and preserve my sanity over the next couple of months, I've
been attempting to recall a truly splendid lampoon on such beanfeasts.
Unfortunately, I can only recall the first two verses.Pray rub up your ears and I'll tell you a thing.
The wonder of subjects, the wit of a king.
So pray give attention to what I do sing.ch: Sing tan tara ra ra ra boys, hey boys hey.
     Sing tan tara ra ra ra boys, hey boys hey.The young Prince of Wales went over to France.
To fiddle and fence and to learn to dance.
And there he did meet with a mistress by chance.ch: Sing etc.I wonder if anyone might have the complete text.Many advance thanks,Fred McCormick.__________ NOD32 1.998 (20050212) Information __________This message was checked by NOD32 antivirus system.
http://www.nod32.com

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Subject: Re: Can you identify this tune?
From: Warren Fahey <[unmask]>
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Date:Tue, 15 Feb 2005 08:06:02 +1100
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John,will get back to you on the other questions but suspect no barriers.
the tune appears to be related to Sweet VioletsOn 15/02/2005, at 4:24 AM, John Mehlberg wrote:> Hello ballad-l,
>
> Can you help me identify this tune?
>
>    http://immortalia.com/go_kiss_your_pa_[tune].mp3
>
> Thanks!
>
> John Mehlberg
>

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Subject: Re: Gunpowder Plot songs turned up....
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Feb 2005 23:14:57 -0500
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Actually this year WILL be the year I get the festivities of the 5th
recorded. We have been doing it for about 20 years now. We have our own
bonfire chant/prayer and the competition is quite amazing. Groups of 5
or 6 each doing a different one and then all doing them at the same
time. I always play prince of sinisters on the trumpet and we ring bells
and hit gongs.This year we shall also have horns based upon the boston woodcut in the
library of congress- for "rough music" of course.At a certain time in the evening it all gets rough! But by then sounds
smooth to the participants. Sort of an insider perception thing.All are welcome. This year on the 5th itself 400 annaversary. Baltimore
Md. keg tapped 4:00 PM Saturday....only minutes from the airport.CBSimon Furey wrote:> Excellent effort, Conrad. All we need now is an MP3 file of you singing
> these splendid songs.
> Huzza!
> (Though I confess I have difficulty with the idea of a true-blue US citizen
> singing a song in support of the House of Hanover....)
> Simon--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Two boring old gits to wed........
From: Fred McCormick <[unmask]>
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Subject: Randolph, Vance: Unprintable
From: Heather Wood <[unmask]>
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Subject: Death of a Playwright
From: Fred McCormick <[unmask]>
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Subject: Re: Two boring old gits to wed........
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 15 Feb 2005 08:18:26 -0800
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Fred and John:I have the two-volume "Unprintable" set and will look for the song  there when I get home tonight.  I have heard a similar fragment in a children's rhyme that  went  "fiddle, fight and dance..."Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Tuesday, February 15, 2005 2:09 am
Subject: Re: Two boring old gits to wed........>
> Hi John,
>
> I presume you're referring to Roll Me In Your Arms, Vance
> Randolph/GershonLegman, but I'd be inclined to think that's not the
> song. My memories of  the
> one I'm looking for are that it came off a black letter broadside
> and  that it
> celebrated an arranged marriage between two infant royal heirs.
> Somehow  I'd
> find it hard to imagine a song like that lodging in the Ozarks,
> when it
> doesn't appear to have been retained in oral tradition over here.
>
> But you never know. I remember seeing four versions of The Royal
> Blackbirdin Randolph's Ozark Folksongs. I don't have a copy of Roll
> Me In Your Arms, so
> I  wonder if there's anyone who does, who could check ?
>
> Cheers,
>
> Fred McCormick.
>
> In a message dated 14/02/2005 20:15:04 GMT Standard Time,
> [unmask]:
>
> As I  recall, Randolph/Legman quotes some verses in which a woman
> learns, or  teaches, people to "fiddle, fuck, and dance."   Related?
>
> John
>
>
>
>
>

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Subject: Re: Two boring old gits to wed........
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 15 Feb 2005 15:11:12 -0500
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>>.........as one British newspaper aptly described the forthcoming
>>royal nuptials. To try and preserve my sanity over the next couple
>>of months, I've been attempting to recall a truly splendid lampoon
>>on such beanfeasts. Unfortunately, I can only recall the first two
>>verses.
>>
>>Pray rub up your ears and I'll tell you a thing.
>>The wonder of subjects, the wit of a king.
>>So pray give attention to what I do sing.
>>
>>ch: Sing tan tara ra ra ra boys, hey boys hey.
>>      Sing tan tara ra ra ra boys, hey boys hey.
>>
>>The young Prince of Wales went over to France.
>>To fiddle and fence and to learn to dance.
>>And there he did meet with a mistress by chance.
>>
>>ch: Sing etc.
>>
>>I wonder if anyone might have the complete text.
>>
>>Many advance thanks,
>>
>>Fred McCormick.
>
>
>As I recall, Randolph/Legman quotes some verses in which a woman
>learns, or teaches, people to "fiddle, fuck, and dance."  Related?
>
>JohnOK, I've been browsing through Randolph/Legman and the first instance
of "fiddle, fuck, and dance" that I came across is in "The Jolly
Tinker."  This, however, is not the item I was thinking about, which
is about a woman who "lately came from France" and who could "fiddle,
fuck, and dance."  The notes to "The Jolly Tinker" don't mention the
other item.Here's the beginning of "The Jolly Tinker":There was a jolly tinker, an' he come from France,
An' all that he could do was to fiddle, fuck an' dance.
   With his great big tilly-whatcker, great big kidney-cracker,
   Yard of gutta-percha, a-hangin' to his knees.The next appearance I found is similar, part of "Shave 'Em Dry."There was an old woman come from France,
(And) All that she done was fiddle, fuck, and dance.orAn old lady and her daughter came from France,
Came to Missouri for to fiddle, fuck, and dance.I found no more, but my memory still tells me that somewhere in there
is the lady who "lately came from France."  Sorry I didn't find it.The couplets quoted above seem to be floaters.  Their only evident
relationship to the song Fred quotes is "fiddle," "fence," and
"dance" in "France."John

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Subject: Wayfaring Stranger in Bosnia
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 00:58:37 +0000
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Voice of the Turtle's CD "Balkan Vistas, Spanish Dreams: music of
the Spanish Jews of Bulgaria and Yugoslavia" (Titanic Ti-203, 1991)
has a song "Ken es akeyo de la mentana" which they mysteriously
describe as "a Yugoslavian folk song 'dressed' in Judeo-Spanish
poetry".  They attribute it to Avraam Altarats of Sarajevo.The tune is identical to the most familiar version of "Wayfaring
Stranger" except for the last note.Any ideas how that happened?  They don't give a date for their
source.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Barbara Allen
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 15 Feb 2005 22:48:31 -0800
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Bennett, Bob, and Everyone Else:In my article "Barbara Allen: Cheap Print and Reprint," included in the festschrift for Wayland Hand,  _Folklore International,_ edited by D. K. Wilgus (Folklore Associates, 1967), pp. 41-51, I list  no fewer than 14 British broadsides, chapbooks and songster reprints; not to mention four American broadsides, and  35 American songster reprints of the ballad.  I would not doubt  that the redoubtable Norm Cohen can double that number.Ed----- Original Message -----
From: bennett schwartz <[unmask]>
Date: Tuesday, February 15, 2005 3:08 pm
Subject: Re: February 15 Ballad Index Update> On Tuesday, February 15, 2005 11:51 AM Robert B. Waltz wrote
> > I find, to my amazement, that though we have 52 book citations
> > for Barbara Allen, and 16 recordings, we still don't have a
> > single broadside. Have to do *something* about that. :-)
>
> I hope you solve your machine problems.  As for Barbara Allen
> broadsides
> you'll find the following entry in my Mackenzie set:
>
> ===
> NAME: Bonny Barbara Allan [Child 84]
> REFERENCES:
> Mackenzie 9, "Barbara Allan" (1 text)
> Mackenzie 9, "Barbara Ellan" (2 texts, 1 tune)
> BROADSIDES:
> Murray, Mu23-y1:138, "Barbara Allan", Poet's Box (Glasgow), 1855;
> Mu23-y1:138, "Barbara Allan the Cruel"
> Bodleian, Harding B 3(49), "Barbara Allen's Cruelty" or "The Young
> Man's
> Tragedy", J. Davenport (London), 1800-1802; also Douce Ballads
> 3(3a),
> "Barbara Allen's Cruelty" or "The Young Man's Tragedy"; Harding B
> 25(115),
> Harding B 11(730), Johnson Ballads 266, Firth c.21(22), Firth
> c.21(23),
> Harding B 16(14a), 2806 c.17(19), Harding B 11(1011), Firth
> c.21(21),
> Harding B 11(729), "Barbara Allen"; Harding B 11(2121), "The Life,
> Death,
> and Love, of Barbara Allen"
> NOTES:
> Broadside Murray Mu23-y1:138, "Barbara Allan the Cruel," ends as a
> parody in
> which Barbara "gets another spark" after Johnny dies and, when she
> eventually dies", she is buried beside him "For she wished to be
> his bride
> in death, Though in life she couldn't abide 'un." - BS
> ===
>
> Ben Schwartz
>
>
>

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Subject: Re: Barbara Allen
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 17:55:10 +1100
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AND WE HAVE AN AUSTRALIAN COLLECTED VERSION WHERE, APPROPRIATELY, THE
ACTION TAKES PLACE IN THE ROYAL HOTELOn 16/02/2005, at 5:48 PM, edward cray wrote:> Bennett, Bob, and Everyone Else:
>
> In my article "Barbara Allen: Cheap Print and Reprint," included in
> the festschrift for Wayland Hand,  _Folklore International,_ edited by
> D. K. Wilgus (Folklore Associates, 1967), pp. 41-51, I list  no fewer
> than 14 British broadsides, chapbooks and songster reprints; not to
> mention four American broadsides, and  35 American songster reprints
> of the ballad.  I would not doubt  that the redoubtable Norm Cohen can
> double that number.
>
> Ed
>
> ----- Original Message -----
> From: bennett schwartz <[unmask]>
> Date: Tuesday, February 15, 2005 3:08 pm
> Subject: Re: February 15 Ballad Index Update
>
>> On Tuesday, February 15, 2005 11:51 AM Robert B. Waltz wrote
>>> I find, to my amazement, that though we have 52 book citations
>>> for Barbara Allen, and 16 recordings, we still don't have a
>>> single broadside. Have to do *something* about that. :-)
>>
>> I hope you solve your machine problems.  As for Barbara Allen
>> broadsides
>> you'll find the following entry in my Mackenzie set:
>>
>> ===
>> NAME: Bonny Barbara Allan [Child 84]
>> REFERENCES:
>> Mackenzie 9, "Barbara Allan" (1 text)
>> Mackenzie 9, "Barbara Ellan" (2 texts, 1 tune)
>> BROADSIDES:
>> Murray, Mu23-y1:138, "Barbara Allan", Poet's Box (Glasgow), 1855;
>> Mu23-y1:138, "Barbara Allan the Cruel"
>> Bodleian, Harding B 3(49), "Barbara Allen's Cruelty" or "The Young
>> Man's
>> Tragedy", J. Davenport (London), 1800-1802; also Douce Ballads
>> 3(3a),
>> "Barbara Allen's Cruelty" or "The Young Man's Tragedy"; Harding B
>> 25(115),
>> Harding B 11(730), Johnson Ballads 266, Firth c.21(22), Firth
>> c.21(23),
>> Harding B 16(14a), 2806 c.17(19), Harding B 11(1011), Firth
>> c.21(21),
>> Harding B 11(729), "Barbara Allen"; Harding B 11(2121), "The Life,
>> Death,
>> and Love, of Barbara Allen"
>> NOTES:
>> Broadside Murray Mu23-y1:138, "Barbara Allan the Cruel," ends as a
>> parody in
>> which Barbara "gets another spark" after Johnny dies and, when she
>> eventually dies", she is buried beside him "For she wished to be
>> his bride
>> in death, Though in life she couldn't abide 'un." - BS
>> ===
>>
>> Ben Schwartz
>>
>>
>>
>

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Subject: Re: Wayfaring Stranger in Bosnia
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 04:40:35 EST
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Subject: Re: Barbara Allen
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 08:28:33 -0600
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On 2/15/05, edward cray wrote:>Bennett, Bob, and Everyone Else:
>
>In my article "Barbara Allen: Cheap Print and Reprint," included in the festschrift for Wayland Hand,  _Folklore International,_ edited by D. K. Wilgus (Folklore Associates, 1967), pp. 41-51, I list  no fewer than 14 British broadsides, chapbooks and songster reprints; not to mention four American broadsides, and  35 American songster reprints of the ballad.  I would not doubt  that the redoubtable Norm Cohen can double that number.I should probably clarify this, since Ed's comment was in response
to something that came up in another forum. This is, in a way, a
preview of something that's coming in the Ballad Index: We've been
looking at broadsides. But -- purely as a matter of coincidence --
so far, the Index hadn't run across any broadsides of Barbara Allen
in the major collections.It will happen. Obviously. My statement was not meant to imply that there
are no broadsides of Barbara Allen. But it's interesting to see that
they didn't stand up and jump at us. I went over the whole National
Library of Scotland collection, for instance, and if it has a "Barbara
Allen," I recognized it neither by title nor by first line.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Barbara Allen
From: Heather Wood <[unmask]>
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Date:Wed, 16 Feb 2005 09:48:36 EST
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Subject: Re: Wayfaring Stranger in Bosnia
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 09:59:09 -0500
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Subject: Re: Wayfaring Stranger in Bosnia
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 11:40:29 -0500
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Subject: Tune Oddities
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 08:58:24 -0800
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Folks:Fred McCormick wrote:"However, I have a series of Greek LPs, made from field recordings, and published by the Society for the Dissemination for National Music and funded with a Ford Foundation Grant. So I doubt you could get much more authoritative than that. Anyway, one of these records has a village band on it playing the melody of Go Tell Aunt Rhody. Again, one wonders how it got there ?"A further odditiy:  Some three decades or more ago, on Columbia's cheapo Olympic label, an organist recorded a recital of Dietrich Buxtehude  (1637-1707) organ pieces.  There, amid the grand chorales, anthems and blow-it-out-your-ear showpieces, was a two-minute rendition on a north German baroque organ of the familiar  Southern  Mountain fiddle tune "Old Molly Hare" [whatcha doing there/Runnin' through the garden fast as I can tear].Sadly, somewhere in moving that LP got lost.Ed

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Subject: Re: Tune Oddities
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 12:13:46 EST
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Subject: Re: Wayfaring Stranger in Bosnia
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 12:15:46 -0600
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----- Original Message -----
From: Fred McCormick<< I don't know, but PWS sounds nothing like a Yugoslavian melody to me, so
my best guess is that it's American or maybe British in origin. Also I have
no idea as to who Voice of a Turtle are. If they are a revivalist band, then
I'm afraid a large dose of scepticism lurks within me, where claims like
this are concerned.>>They're a US-based revival band specializing in Sephardic music. A little
over-sweet and reverb-y for my taste.<<However, I have a series of Greek LPs, made from field recordings, and
published by the Society for the Dissemination for National Music and funded
with a Ford Foundation Grant. So I doubt you could get much more
authoritative than that. Anyway, one of these records has a village band on
it playing the melody of Go Tell Aunt Rhody. Again, one wonders how it got
there ?Rremembering that emigration from Southern/Eastern Europe, to the US, was
often transient, I'd say it's quite feasible that both tunes were picked up
by migrant workers in America and taken back to Europe. Alternatively, were
there many American troops in that part of Europe during world war 2 ? It
could be that both tunes were learned from visiting GIs.>>It should also be noted that Alan Lomax spent most of the 1950s in Europe,
dodging McCarthyism, and I can easily see him sitting in a taberna with the
local village band, downing shots of ouzo and singing "Aunt Rhody".Peace,
Paul

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Subject: Ramzo
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 13:24:37 -0500
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Hello all,I've found myself singing this chanty fragment the last few weekends.  My
amusement with the little ditty increases with my age. I find myself
wishing for an extra verse or two, and I'd welcome any additions to my
slim version (heard it from New Englanders Jim McGrath & Walter McDonough -
aka "The Reprobates").Here she is:Have you ever seen a wild goose flying o'er the ocean?
Ramzo, Ramzo, wae - haaaaeJust like a pretty fair maid when she's got the notion
Ramzo, Ramzo  wae - haaaaeAs I was walkin' down by the river
Ramzo...I spied a pretty fair maid with her topsells all aquiver
Ramzo...I cried, " My pretty fair maid, how are you this mornan' "
Ramzo...She said, "None the better fo-or the seeing of you!"
Ramzo...Have you ever seen a wild goose flying o'er the ocean?
Ramzo...Just like a pretty fair maid when she's got the notion
Ramzo, Ramzo   Wae - haaaaaeSecond request:   Anybody have a clue regarding the who-what-where of a
Ramzo?Tx,danny

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Subject: Re: Wayfaring Stranger in Bosnia
From: Fred McCormick <[unmask]>
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Date:Wed, 16 Feb 2005 13:48:54 EST
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Subject: Re: Two boring old gits to wed........
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 14:11:46 -0500
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>>As I recall, Randolph/Legman quotes some verses in which a woman
>>learns, or teaches, people to "fiddle, fuck, and dance."  Related?
>>
>>John
>
>...
>I found no more, but my memory still tells me that somewhere in there
>is the lady who "lately came from France."  Sorry I didn't find it.
>
>The couplets quoted above seem to be floaters.  Their only evident
>relationship to the song Fred quotes is "fiddle," "fence," and
>"dance" in "France."
>
>JohnMy failure to find what I was looking for prompts me to entertain the
possibility that my memory has failed, either in what I recall or
where I recall it from.  My memory gives me the following literal
phrases:"lately came (possibly "come") from France""just to fiddle, fuck, and dance"I feel reasonably certain that I am recalling something from
Randolph, though I suppose it possible that it is not from
Randolph/Legman (though that's the obvious place).  It's a pity that
the index to Randolph/Legman is so incomplete: "fiddle, fuck, and
dance" doesn't appear.John--
john garst    [unmask]

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Subject: Re: Ramso
From: Steve Gardham <[unmask]>
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Date:Wed, 16 Feb 2005 14:45:24 -0500
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Hi, Dan,
What you have here is a version of 'Hilo, My Randso, Weigh', or 'The Wild
Goose Shanty'and you're just about singing the version I used to sing so
it's probably the well-known folk scene version, though couldn't tell you
where I got my version from.
Anyway its origins and lengthy discussion of versions can be found in
Hugill's Shanties from the Seven Seas p249. Failing that try
 Folksong Journal 18 (1914) p39.
Various Terry shantybooks
Doerflinger p32
Whall p111
Mackenzie Ballads and Sea Songs of Nova Scotia p266
Laura Smith  The music of the Waters  p21
Kinsey   Songs of the Sea p 77
Alasdair Clayre 100 Folk Songs and New Songs p108
Colcord  Roll and Go p23
Folk Music Journal 7 .4  p479Good luckSteveG

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Subject: Re: Ramso
From: Paul Stamler <[unmask]>
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Date:Wed, 16 Feb 2005 14:02:44 -0600
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<<What you have here is a version of 'Hilo, My Randso, Weigh', or 'The Wild
Goose Shanty'and you're just about singing the version I used to sing so
it's probably the well-known folk scene version, though couldn't tell you
where I got my version from.>>Most folk-revival versions of the song trace back to A. L. Lloyd's
performance of the song on the Tradition LP (now CD) that he did with Ewan
MacColl, "Blow, Boys, Blow".Peace,
Paul

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Subject: Re: Ramzo
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Subject: Re: Ramzo
From: Paul Stamler <[unmask]>
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Date:Wed, 16 Feb 2005 14:15:41 -0600
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----- Original Message -----
From: <[unmask]><<As sung on an EP "Sea Shanties from a London Hootenanny" (Decca Mono DFE
8541, 1963) by Louis Killen - also involved Bob Davenport and Redd Sullivan
and an
audience. There it is called Ranzo. It's my recollection that Hugill offered
no guidance about the 'word' except that it was easy to sing and powerfully
easy to make a big noise with.>>And probably related to the fellow in "Reuben Ranzo", which seems to be
about an inept sailor or perhaps boarding-master.Peace,
Paul

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Subject: Re: Ramso
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Subject: Re: Ramzo
From: John Garst <[unmask]>
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Date:Wed, 16 Feb 2005 15:18:07 -0500
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>In a message dated 2/16/2005 6:25:50 PM GMT Standard Time,
>[unmask] writes:
>
>>...Just like a pretty fair maid when she's got the notion
>>Ramzo, Ramzo   Wae - haaaaae
>>
>>Second request:   Anybody have a clue regarding the who-what-where of a
>>Ramzo?
>>
>
>
>As sung on an EP "Sea Shanties from a London Hootenanny" (Decca Mono
>DFE 8541, 1963) by Louis Killen - also involved Bob Davenport and
>Redd Sullivan and an audience. There it is called Ranzo. It's my
>recollection that Hugill offered no guidance about the 'word' except
>that it was easy to sing and powerfully easy to make a big noise
>with.
>
>John MouldenIsn't there a "Reuben Ranzo" shanty?John

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Subject: Re: Ramso
From: Paul Stamler <[unmask]>
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Date:Wed, 16 Feb 2005 14:19:21 -0600
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----- Original Message -----
From: <[unmask]>In a message dated 2/16/2005 8:13:45 PM GMT Standard Time,
[unmask]
writes:> Most folk-revival versions of the song trace back to A. L. Lloyd's
> performance of the song on the Tradition LP (now CD) that he did with Ewan
> MacColl, "Blow, Boys, Blow".
><<Ranzo isn't on the taped copy of the LP that I have. Is the title
different
or has the CD some extra tracks?>>They called it "Wild Goose Shanty". The CD's the same as the LP but with a
lot less hiss. Even more flutter on "Do Me Ama", though.Peace,
Paul

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Subject: Re: Ramzo
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 14:28:31 -0600
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Lloyd was of the opinion the "Ranzo" derived from the name Lorenzo, common among Potuguese sailors  --  Tom> From: Paul Stamler <[unmask]>
> Date: 2005/02/16 Wed PM 02:15:41 CST
> To: [unmask]
> Subject: Re: Ramzo
>
> ----- Original Message -----
> From: <[unmask]>
>
>
> <<As sung on an EP "Sea Shanties from a London Hootenanny" (Decca Mono DFE
> 8541, 1963) by Louis Killen - also involved Bob Davenport and Redd Sullivan
> and an
> audience. There it is called Ranzo. It's my recollection that Hugill offered
> no guidance about the 'word' except that it was easy to sing and powerfully
> easy to make a big noise with.>>
>
> And probably related to the fellow in "Reuben Ranzo", which seems to be
> about an inept sailor or perhaps boarding-master.
>
> Peace,
> Paul
>Tom Hall  --  Master Wordworker
and Intellectual Handyman

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Subject: Re: Ramzo
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Subject: Re: Ramso
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Subject:
From: Barry O'Neill <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 15:28:32 -0500
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Hi balladeersMy friend, Ellen Cohn, is writing a piece on Benjamin Franklin's music,
to be out by his birthday.  In one letter he refers to a "Scotch song"
about a poor couple who "had neither pot nor pan, but four bare legs
together."I've seen that phrase, Four Bare Legs Together, as the title of a
Northumbrian dance tune, with an alternative title "The Raking
Quality."  Does anyone know of the whole words?  Where would be a good
place to look for them?Barry O'Neill

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Subject: Re: Tune Oddities
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 12:44:30 -0800
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Fred:True enough.  However, Buxtehude was Danish, and there was a great deal of commerce between Denmark and Soctland from the Middle Ages on.  Easy to imagine an English tune somehow migrated to the continent.  All of the Baroque composers used folk materials.  So why not Dietrich?Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Wednesday, February 16, 2005 9:13 am
Subject: Re: Tune Oddities>
> Given the number of Germans and people of German stock in them there
> mountains, I'm not really surprised. The song and tune repertory
> has  variously been
> claimed as English, Scots, Ulster Scots and Irish. No-one ever
> thinks to
> mention the Germans.
>
> Cheers,
>
> Fred McCormick.
>
> In a message dated 16/02/2005 16:59:09 GMT Standard Time, [unmask]
> writes:
>
> Folks:
>
> Fred McCormick wrote:
>
> "However, I have a series of  Greek LPs, made from field
> recordings, and
> published by the Society for the  Dissemination for National Music
> and funded with
> a Ford Foundation Grant. So I  doubt you could get much more
> authoritativethan that. Anyway, one of these  records has a village
> band on it playing the
> melody of Go Tell Aunt Rhody.  Again, one wonders how it got there ?"
>
> A further odditiy:  Some  three decades or more ago, on Columbia's
> cheapoOlympic label, an organist  recorded a recital of Dietrich
> Buxtehude  (1637-1707)
> organ pieces.   There, amid the grand chorales, anthems and
> blow-it-out-your-ear showpieces,  was a two-minute rendition on a
> north German baroque organ of
> the  familiar  Southern  Mountain fiddle tune "Old Molly Hare"
> [whatchadoing there/Runnin' through the garden fast as I can tear].
>
> Sadly,  somewhere in moving that LP got lost.
>
> Ed
>
>
>
>
>

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Subject: Re: Tune Oddities
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 20:47:50 -0000
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Replying to both Fred and Ed, the German cross-cultural thing goes back even
further. If you listen to Michael Praetorius's "Terpsichore" (c. 1612) you
will encounter a tune that (IMHO at least) has to be the prototype for the
very English morris tune "Trunkles". According to the Oxford Companion to
Music, his tunes came from Paris. People travelled around all over Europe on
pilgrimages and wars for centuries, so we should expect tunes to move.That leads me on to my other point: when was the Greek recording made? When
the US forces came over in WWII they established a very powerful radio
broadcast service, and it is quite possible that music from the USA would
thus have been disseminated widely, without the need for the physical
presence of GIs. One can, of cours, go back earlier. "Rhody" has a general
popularity in the English-speaking world, and it is quite possible that the
tune was taken to Greece during WWI by troops from Britain or its Empire.CheersSimon
________________________________From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of Fred McCormick
Sent: 16 February 2005 17:14
To: [unmask]
Subject: Re: Tune OdditiesGiven the number of Germans and people of German stock in them there
mountains, I'm not really surprised. The song and tune repertory has
variously been claimed as English, Scots, Ulster Scots and Irish. No-one
ever thinks to mention the Germans.Cheers,Fred McCormick.In a message dated 16/02/2005 16:59:09 GMT Standard Time, [unmask]
writes:        Folks:        Fred McCormick wrote:        "However, I have a series of Greek LPs, made from field recordings,
and published by the Society for the Dissemination for National Music and
funded with a Ford Foundation Grant. So I doubt you could get much more
authoritative than that. Anyway, one of these records has a village band on
it playing the melody of Go Tell Aunt Rhody. Again, one wonders how it got
there ?"        A further odditiy:  Some three decades or more ago, on Columbia's
cheapo Olympic label, an organist recorded a recital of Dietrich Buxtehude
(1637-1707) organ pieces.  There, amid the grand chorales, anthems and
blow-it-out-your-ear showpieces, was a two-minute rendition on a north
German baroque organ of the familiar  Southern  Mountain fiddle tune "Old
Molly Hare" [whatcha doing there/Runnin' through the garden fast as I can
tear].        Sadly, somewhere in moving that LP got lost.        Ed__________ NOD32 1.999 (20050215) Information __________This message was checked by NOD32 antivirus system.
http://www.nod32.com

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Subject: Re: Ramzo
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 15:49:09 -0500
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Hugill does offer several theories as to where the name might have come
from; he likes the Lorenzo derivation. In "Shanties of the Seven Seas" he
quotes an Italian sea song with the same tune as Reuben Ranzo, and on the
strength of that, and a little imagination, likes to think of a Sicilian
immigrant coming in on one of the New England whaling ports, giving his name
to Reuben Ranzo, a whaling shanty - and everything escalates from there,
"Ranzo" being a good word to heave to.
JohnOn 2/16/05 3:28 PM, "Tom Hall" <[unmask]> wrote:> Lloyd was of the opinion the "Ranzo" derived from the name Lorenzo, common
> among Potuguese sailors  --  Tom
>
>> From: Paul Stamler <[unmask]>
>> Date: 2005/02/16 Wed PM 02:15:41 CST
>> To: [unmask]
>> Subject: Re: Ramzo
>>
>> ----- Original Message -----
>> From: <[unmask]>
>>
>>
>> <<As sung on an EP "Sea Shanties from a London Hootenanny" (Decca Mono DFE
>> 8541, 1963) by Louis Killen - also involved Bob Davenport and Redd Sullivan
>> and an
>> audience. There it is called Ranzo. It's my recollection that Hugill offered
>> no guidance about the 'word' except that it was easy to sing and powerfully
>> easy to make a big noise with.>>
>>
>> And probably related to the fellow in "Reuben Ranzo", which seems to be
>> about an inept sailor or perhaps boarding-master.
>>
>> Peace,
>> Paul
>>
>
> Tom Hall  --  Master Wordworker
> and Intellectual Handyman

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Subject: Re: Ramzo
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 16:04:13 -0500
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Thank you to all who commented on Ranzo/Randzo.It's small wonder I didn't quite get the name quite right.  Song sessions
with my "sources" for the song rarely came to a boil before 3AM or so.
They were older fellas than me then, but I believe that I am gaining on
them.I suppose I could conjure up my own verse or two if I feel the need to
stretch it.The "Lorenzo" story seems logical.Peace & Thanks again

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Subject: Help!
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 15:58:35 -0600
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When I posted a reply to Dan Cummins' query abot the Wild Goose Shanty, it waas rejected by the listserver. I asked why and was told to ask for help. In response I got a message largely in computerese. I reset my password and cookie, and I assume based on John's response that my second post got to the list, but I never saw it.Could one of you kind souls who speaks English please explain to me how I can get to see my own posts.Thanks  --  TomTom Hall  --  Master Wordworker
and Intellectual Handyman

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Subject: Re: Two boring old gits to wed........
From: Jonathan Lighter <[unmask]>
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Date:Wed, 16 Feb 2005 14:26:43 -0800
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Subject: Re: Tune Oddities
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 18:31:23 -0500
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Yes, indeed.  On Saturday night we heard a magnificent pianist (Lincoln
Mayorga) play an assembly of Greig tunes.  Among them was Greig's setting of
a Norwegian wedding dance song which sounded *very* Scottish.  I doubt that
Greig himself was responsible for the resemblance; I suspect that he was
just reproducing (and enhancing, of course) what he had heard in Norway...
Roy Berkeley
----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Wednesday, February 16, 2005 3:44 PM
Subject: Re: Tune Oddities> Fred:
>
> True enough.  However, Buxtehude was Danish, and there was a great deal of
> commerce between Denmark and Soctland from the Middle Ages on.  Easy to
> imagine an English tune somehow migrated to the continent.  All of the
> Baroque composers used folk materials.  So why not Dietrich?
>
> Ed
>
> ----- Original Message -----
> From: Fred McCormick <[unmask]>
> Date: Wednesday, February 16, 2005 9:13 am
> Subject: Re: Tune Oddities
>
>>
>> Given the number of Germans and people of German stock in them there
>> mountains, I'm not really surprised. The song and tune repertory
>> has  variously been
>> claimed as English, Scots, Ulster Scots and Irish. No-one ever
>> thinks to
>> mention the Germans.
>>
>> Cheers,
>>
>> Fred McCormick.
>>
>> In a message dated 16/02/2005 16:59:09 GMT Standard Time, [unmask]
>> writes:
>>
>> Folks:
>>
>> Fred McCormick wrote:
>>
>> "However, I have a series of  Greek LPs, made from field
>> recordings, and
>> published by the Society for the  Dissemination for National Music
>> and funded with
>> a Ford Foundation Grant. So I  doubt you could get much more
>> authoritativethan that. Anyway, one of these  records has a village
>> band on it playing the
>> melody of Go Tell Aunt Rhody.  Again, one wonders how it got there ?"
>>
>> A further odditiy:  Some  three decades or more ago, on Columbia's
>> cheapoOlympic label, an organist  recorded a recital of Dietrich
>> Buxtehude  (1637-1707)
>> organ pieces.   There, amid the grand chorales, anthems and
>> blow-it-out-your-ear showpieces,  was a two-minute rendition on a
>> north German baroque organ of
>> the  familiar  Southern  Mountain fiddle tune "Old Molly Hare"
>> [whatchadoing there/Runnin' through the garden fast as I can tear].
>>
>> Sadly,  somewhere in moving that LP got lost.
>>
>> Ed
>>
>>
>>
>>
>>

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Subject: Tune Oddities
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 19:07:47 -0500
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My favourite surprise tune connection occurred in 1980 on a performing tour
of Finland.
A folk fiddler played us The Karelian Polka, a stomping piece which he said
was a favourite tune from Karelia, the province lost by Finland to Russia.
I recognised the tune, known to me as Dixie Darling, although the DD
version was much smoothed out from the Finnish version.Ewan McVicar

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Subject: Re: Help!
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 17:19:04 -0800
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Tom:It has to do with how your address is set with the server at Indiana U.  I don't exactly recall, but I THINK the command is "no echo"  (don't send me my own message) and "echo" (do send me my messages).Further deponeth sayeth not.Don Nichols,  master of all computers and a subscriber, will explain it from here.Ed
----- Original Message -----
From: Tom Hall <[unmask]>
Date: Wednesday, February 16, 2005 1:58 pm
Subject: Help!> When I posted a reply to Dan Cummins' query abot the Wild Goose
> Shanty, it waas rejected by the listserver. I asked why and was
> told to ask for help. In response I got a message largely in
> computerese. I reset my password and cookie, and I assume based on
> John's response that my second post got to the list, but I never
> saw it.
>
> Could one of you kind souls who speaks English please explain to me
> how I can get to see my own posts.
>
> Thanks  --  Tom
>
> Tom Hall  --  Master Wordworker
> and Intellectual Handyman
>

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Subject: Re: Tune Oddities
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 16 Feb 2005 20:21:00 -0500
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I wish I could remember the name of it, but at a Mariposa folk festival in
the 70s, in the middle of a set of traditional African kora tunes, Bai Konte
threw in an English music Hall song. I was just knocked over. I spoke to the
folklorist accompanying him, who thanked me for identifying the tune -
apparently Bai had learned it in the 30s - he was entertaining at some big
British colonial hotel, and patrons had been singing it.John

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Subject: Re: Help!
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 00:50:00 -0500
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On 2005/02/16 at 05:19:04PM -0800, edward cray wrote:        [ ... ]
> From: Tom Hall <[unmask]>        [ ... ]> > When I posted a reply to Dan Cummins' query abot the Wild Goose
> > Shanty, it waas rejected by the listserver. I asked why and was
> > told to ask for help. In response I got a message largely in
> > computerese. I reset my password and cookie, and I assume based on
> > John's response that my second post got to the list, but I never
> > saw it.
> >
> > Could one of you kind souls who speaks English please explain to me
> > how I can get to see my own posts.> Tom:> It has to do with how your address is set with the server at Indiana
> U.  I don't exactly recall, but I THINK the command is "no echo" (don't
> send me my own message) and "echo" (do send me my messages).
>
> Further deponeth sayeth not.
>
> Don Nichols, master of all computers and a subscriber, will explain it
> from here.        Somewhere in that lump of computerese, there should be details
on how to set various variables.  One of them should have the way of
turning on and off copies of your own messages.  Probably "set echo" and
"set no echo", but it has been quite while since I did it, and I would
have to send off for the batch of computerese again -- which I can't do
in time to fill in the details here.  But it would be something similar
to your messages which reset your password and your e-mail address (which
is used for verification of the messages *from* you, as well as to send
messages *to* you.  I suspect that what happened to you is that your ISP
changed the format of your addresses in outgoing messages just enough to
get them rejected.        For whatever reason, the list server defaults to *not* sending
you copies of your own messages.  I don't like this, though I can (and
do) save copies of what goes out.  Having the list server send the
message back to you is a very nice confirmation that things worked.  As
soon as I wound up on the list server, I sent off for the "help" file,
and then sent the message to turn on echoing.  Unfortunately, that was
several years back, and it would take a lot of digging to find out what
it really was.  IIRC, the listserver changed sometime after I was first
subscribed, and I don't remember when.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Help!
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 00:39:57 -0600
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----- Original Message -----
From: "DoN. Nichols" <[unmask]><<        For whatever reason, the list server defaults to *not* sending
you copies of your own messages.  I don't like this, though I can (and
do) save copies of what goes out.  Having the list server send the
message back to you is a very nice confirmation that things worked.  As
soon as I wound up on the list server, I sent off for the "help" file,
and then sent the message to turn on echoing.  Unfortunately, that was
several years back, and it would take a lot of digging to find out what
it really was.  IIRC, the listserver changed sometime after I was first
subscribed, and I don't remember when.>>Send a message to:[unmask]with only the following in the message body:set ballad-l reproThat should do it. It did for me, anyway.Peace,
Paul

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Subject: Re: Tune Oddities
From: Fred McCormick <[unmask]>
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Date:Thu, 17 Feb 2005 05:40:57 EST
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Subject: Re: Tune Oddities
From: Fred McCormick <[unmask]>
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Subject: Re: Tune Oddities
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 08:55:07 +0000
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Roy Berkeley wrote:> Yes, indeed.  On Saturday night we heard...an assembly of Greig
> tunes.  Among them was Greig's setting of a Norwegian wedding dance
> song which sounded *very* Scottish.  I doubt that Greig himself was
> responsible for the resemblance...Why not? It was Greig's recent ancestor who left Scotland for Norway
(unfortunately I can't remember the details, but he and Gavin Greig
were related, but how closely has disappeared from my brain).--
Nigel Gatherer, Crieff, Scotland
mailto:[unmask]

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Subject: Re: Tune Oddities
From: Fred McCormick <[unmask]>
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Date:Thu, 17 Feb 2005 06:29:17 EST
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Subject: Re: Help!
From: Tom Hall <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 06:09:45 -0600
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Thanks to all. The  Ballad-L Repro seems to have  worked--  Tom
>
> From: Paul Stamler <[unmask]>
> Date: 2005/02/17 Thu AM 12:39:57 CST
> To: [unmask]
> Subject: Re: Help!
>
> ----- Original Message -----
> From: "DoN. Nichols" <[unmask]>
>
> <<        For whatever reason, the list server defaults to *not* sending
> you copies of your own messages.  I don't like this, though I can (and
> do) save copies of what goes out.  Having the list server send the
> message back to you is a very nice confirmation that things worked.  As
> soon as I wound up on the list server, I sent off for the "help" file,
> and then sent the message to turn on echoing.  Unfortunately, that was
> several years back, and it would take a lot of digging to find out what
> it really was.  IIRC, the listserver changed sometime after I was first
> subscribed, and I don't remember when.>>
>
> Send a message to:
>
> [unmask]
>
> with only the following in the message body:
>
> set ballad-l repro
>
> That should do it. It did for me, anyway.
>
> Peace,
> Paul
>Tom Hall  --  Master Wordworker
and Intellectual Handyman

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Subject: Tune oddities
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 07:15:14 -0500
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A couple of other ones - well known I think, and I may have mentioned them
on this list before - are some of the Scottish song tunes that take on new
words with a differing character in the New World :The Scots tune for The Tinkler's Waddin, used for The Day We Went To
Rothesay-Oh, is also Uncle Dave Macon's tune for Jordan Am A Hard Road To
Travel.
The best known tune for whaling ballad Fareweel Tae Tarwathie is used for
Rye Whisky I Cry.Ewan McVicar

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Subject: The Meaning of "Help"
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 07:59:57 -0600
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On 2/17/05, Tom Hall wrote:>Thanks to all. The  Ballad-L Repro seems to have  worked--  TomJust as a footnote -- you obviously didn't need me, since others
gave you the answer. But the subject header of your message was
"help!" My reaction to that is, "Another person trying to spam
me into something solving, um, a physical disorder that I don't
even know if I have" (since I'm unmarried).I don't read "help!" messages for the most part. I noticed this
mostly because of the people who replied.The Internet being what it is, it's *always* best to put a clear
subject line on a request for help (e.g. "Help! Messages to
Ballad-L disappear." Or, better yet, leave off the "help!")I may be the only one who does this, but I doubt it.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Tune Oddities
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 09:51:23 -0500
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On Thu, 17 Feb 2005 06:29:17 EST, Fred McCormick wrote:>
>I do believe they were cousins, I think even first cousins.  Also, I recall
>that Greig's forbears cleared out of Scotland after the  '45, changing their
>name from Grieg to Greig in the process.Arthur Argo (Gavin was his mother's mother's father) told me "distant"
cousins.  But Gavin is 'Greig.'  Although they pronounce it differently.  In
Scottish, it's 'greg.'Maybe it's somewhere in the intro to Greig~Duncan books.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Ramzo
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 09:51:21 -0500
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On Wed, 16 Feb 2005 16:04:13 -0500, Dan Cummins wrote:>Thank you to all who commented on Ranzo/Randzo.
>
>It's small wonder I didn't quite get the name quite right.  Song sessions
>with my "sources" for the song rarely came to a boil before 3AM or so.
>They were older fellas than me then, but I believe that I am gaining on
>them.
>
>I suppose I could conjure up my own verse or two if I feel the need to
>stretch it.
>
>The "Lorenzo" story seems logical.
>Keeping in mind that, as has been said, it's usually Wild Goose Shanty - but
also maybe The Wild Goose, Ranzo Way or We'll Ranzo Way...and not Reuben Ranzo - and nothing at all to do with all the Canadian songs,
The Wild Goosebut I'm not at all sure this is the same as Hugill's Ranzo Rae or
Huckleberry Hunting or The Wild Goose Shanty.  This last is possibly what
confused John, maybe.  This is The Wild Goose Shanty which begins I'm a
Shanty-man of the Wild Goose Nation' (in Terry Kinsey & Hugill cites him.)
The discussed The Wild Goose Shanty has nothing to do with Ireland but may
have originated there.  I don't see any similar text and I'm not too good at
tunes but it looks too different to be the same.Dan was asking about these words:  (Well, a bit different - but all but
identical; this is transcribed from Lloyd's singing)Did you ever see a wild goose
Sailin' over the ocean?
        Ranzo, Ranzo, Way-hey-ay!
They're just like them pretty girls
When they gets the notion
        Ranzo, Ranzo, Way-hey-ay!While I was out walking
One morning by the river
        Ranzo, Ranzo, Way-hey-ay!
I spied a pretty fair maid
With her topsails all a-quiver.
        Ranzo, Ranzo, Way-hey-ay!I said, "My pretty fair maid,
And how are you this morning?"
        Ranzo, Ranzo, Way-hey-ay!
She said, "None the better
For the seeing of you, sir."
        Ranzo, Ranzo, Way-hey-ay!Did you ever see a wild goose
Sailin' over the ocean?
        Ranzo, Ranzo, Way-hey-ay!
They're just like them pretty girls
When they gets the notion
        Ranzo, Ranzo, Way-hey-ay!Re the strange cadence of the refrain compaired to the verses: Killen
explained (1998) that this is a "sweating up" shanty.  On "Ranzo, Ranzo,"
one group of men would be working, and on "Way-ay," a second group would
heave.Per Prof. Hugh Williamson, it's a Capstan or Heaving Shanty (includes
"sweatup"). "These songs were often quite short, with unconnected verses,
and a regular chorus for the pull. Hauling jobs required short strong
pulls."And that's the sad part.  Like, say, Paddy Doyle, it's a _great_ song with a
compelling tune.  But it's intended for brief tasks and there seems to be
only these few verses known.  I wish there were more.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Two boring old gits to wed........
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 10:48:03 -0500
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>John, you may be recalling
>
>"There was a jolly tinker and he came from France,
>Came over to America to fiddle, fuck, and dance."
>
>JLMaybe, but my mind reconstructs (possibly should be "constructs") the
couplet slightly differently:There was a young lady, lately come from France,
She came to this country just to fiddle, fuck, and dance.
(No guarantee that this form is not original with me!)John

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Subject: Re: Tune oddities
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 08:55:53 -0800
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Folks:Ewan McVicar writes, in part:"The best known tune for whaling ballad Fareweel Tae Tarwathie is
 used for Rye Whisky I Cry."Indeed.  And for "Navvy Boots" in Palmer's _Songs of the Midlands_ where the end notes say the tune is a set of "Green Bushes."And for the portmanteau proto-ballad "The Wagoner's Lad," in a dozen southern song collections.  And for Nancy Curtin's version of "Fair Flower of Northumberland."  And "Little Brown Bulls" on the AAFS 1 CD.And for Sharp-Karpeles "Married and Single Life" (Vol II, p. 3).  And for "Sally"/"Rich Irish Lady" as sung by Emma Dusenberry.I am sure there are others.  But my hope of documenting that tune family faded long ago.Ed

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Subject: Re: The Meaning of "Help"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 11:25:28 -0600
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----- Original Message -----
From: "Robert B. Waltz" <[unmask]><<I don't read "help!" messages for the most part. I noticed this
mostly because of the people who replied.The Internet being what it is, it's *always* best to put a clear
subject line on a request for help (e.g. "Help! Messages to
Ballad-L disappear." Or, better yet, leave off the "help!")I may be the only one who does this, but I doubt it.>>Nope, me too. The only reason I paid attention to this one is that I
recognized Tom's name.Marge, is there any way we could get the listserv to insert "[BALLAD-L]" as
a prefix to subject lines? Some other lists I'm on, like the folk DJ list,
do that, and it helps to sort out the wheat from the chaff.Peace,
Paul

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Subject: Re: The Meaning of "Help"
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 12:52:07 -0500
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With a filter in Entourage (yes I know, it's Microsoft, but other programs
do similar things) I automatically sort my mail from Ballad-L into its own
folder, so whatever the heading I know it's a list mailing.
JROn 2/17/05 12:25 PM, "Paul Stamler" <[unmask]> wrote:> Nope, me too. The only reason I paid attention to this one is that I
> recognized Tom's name.
>
> Marge, is there any way we could get the listserv to insert "[BALLAD-L]" as
> a prefix to subject lines? Some other lists I'm on, like the folk DJ list,
> do that, and it helps to sort out the wheat from the chaff.
>
> Peace,
> Paul

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Subject: Re: Tune Oddities
From: Simon Furey <[unmask]>
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Date:Thu, 17 Feb 2005 18:16:46 -0000
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Subject: Re: Wayfaring Stranger in Bosnia
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 19:16:15 -0000
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Jack,
Aha! Phrygian: just what I was looking for. That's a dead giveaway for
Spanish - or at least Catalan - overtones. It's worth emphasising that the
links between Hispanic folk song and that of the Sephardic diaspora remain
strong, even after centuries. A very sizeable percentage of Spanish tunes
are apparently "Phrygian"; it's the most common form, in my experience. It
isn't actually Phrygian; it's just that the convention of deciding the mode
by working off the end note doesn't work with Spanish folk tunes. You need
to work off the first inversion of the chord, not the root. The
characteristic of Spanish songs is that they typically don't drop to a
resolving note at the end (as English tunes generally do, for example), but
resolve by climbing back to the tonic near the start of the next verse; the
"Phrygian" ending is simply a bridge. As the eminent Spanish guitarist Juan
Martin once put it, the tunes don't build on the lower tonic but hang from
the upper tonic. That said, you can often just chop off the end note (or
substitute a resolving note) and work out what the true key or mode is. From
what you say, in this case we end up with Dorian. Now again from my
experience, Dorian is an unusual mode in Spain (it's difficult to
generalise, of course, but that's been my experience), so the idea of a
foreign tune that's been in some sense "Hispanicised/Sephardicised" makes
sense. So on musical grounds I go with your explanation. Incidentally,
"Altarats" is a Catalan name form. Coincidence?
Cheers
Simon-----Original Message-----
From: Jack Campin [mailto:[unmask]]
Sent: 16 February 2005 22:03
To: Simon Furey
Subject: RE: Wayfaring Stranger in Bosnia> This is most interesting. What is the last note that is different?
> I don't know the recording, but would I be right in surmising that
> instead of resolving to the tonic at the end (as one might expect)
> the changed note is two full tones higher (e.g. instead of ending
> on C it ends on E)?One tone higher, ending as phrygian/minor hexatonic instead of
minor/dorian.  I now notice there is a slight difference in the
second line as well, making it a bit less tonally definite.The explanation that comes to mind is that Altarats heard it on
the radio and remembered it later with his Bosnian-Jewish neurons
having their own way with it, but the CD doesn't give any dates
for him.  They say they got this stuff from archive recordings;
if the recordings were in Sarajevo they have probably been blown
to buggery, but they mention using archives from Israel as well.Nkt the first time I've seen their scholarship doubted, but the
problems seem more to be about exaggerating the antiquity of music
which is genuinely traditional rather than completely making stuff
up.  To me it works as music, even if it comes out of a Middle
Ages that never was.cheers - jack----------------------------------------------------------------------------
-
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131
6604760
fax 0870 055 4975   <http://www.purr.demon.co.uk/jack/>   CD-ROMs of
Scottish
traditional music; free stuff on food intolerance, music, and Mac logic
fonts__________ NOD32 1.1000 (20050216) Information __________This message was checked by NOD32 antivirus system.
http://www.nod32.com

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Subject: Benjamin Franklin and a Scottish song
From: Barry O'Neill <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 14:47:57 -0500
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Hi balladeersMy friend, Ellen Cohn, is writing a piece on Benjamin Franklin's music,
to be out by his birthday.  In one letter he refers to a "Scotch song"
about a poor couple who "had neither pot nor pan, but four bare legs
together."I've seen that phrase, Four Bare Legs Together, as the title of a
slip jig, with an alternative title "The Raking Quality."  Does anyone
know of the words?  Where would be a good place to look for them?Barry O'Neill(I'm warned, and this time I'm sending my post in with a subject line.)

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Subject: Folk Remedies
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 13:57:05 -0600
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Some of you may find this useful. Yet another item from Research Buzz.* Online Archive of Folk RemediesUCLA has established an online archive of over 200,000 folk remedies at
http://www.folkmed.ucla.edu . It's searchable by simple keyword, with a switch allowing you to specify whether you want to do AND or OR searches. You can view between 5 and "all" records at a time -- the default is 10.I did a search for headache and got over 1800 results! Results are presented in a table, with the complaint on one side (in the case of what I was looking at the complaints were "Headaches" or "headaches, head ailments") and on the other side
the remedies (a couple of the remedies on the first page of results: "applied - handful of salt on top of head" and "performed - wrap head with paper soaked in vinegar")I thought by clicking on the name of the complaint I'd get a list of remedies for that particular complaint. Instead I got a list of details for one particular remedy. Information on the remedy includes the region where it was collected, the gender of the informant, the date and place where it was collected, and the citation where the
remedy was found. Not all information is available for all remedies.Of course, it should be noted that these are folk remedies and visitors would do well to take a gander at the site's disclaimer (http://www.folkmed.ucla.edu/disclaimer.html.)

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Subject: Re: Ramzo
From: Jonathan Lighter <[unmask]>
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Date:Thu, 17 Feb 2005 12:06:19 -0800
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Subject: Re: Benjamin Franklin and a Scottish song
From: [unmask]
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Date:Thu, 17 Feb 2005 15:09:25 EST
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Subject: Re: Benjamin Franklin and a Scottish song
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 12:17:43 -0800
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Subject: Re: Folk Remedies
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 12:19:03 -0800
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Subject: Re: Benjamin Franklin and a Scottish song
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 18:19:31 -0500
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"The Raking Quality or Four Bare Legs Together"  tune (in 9/8) is in the
Vickers manuscript (ca. 1770)---the tune is the same as "A Trip to
Marrowbone" in the Dancing Master (vol 2, p. 112 in all editions), with an
alternative title "She that washes a Monday." That may help find a text.
Seems to me I've seen the song somewhere, but can't put my finger on it at
the moment.Kate Van Winkle Keller----- Original Message -----
From: "Barry O'Neill" <[unmask]>
To: <[unmask]>
Sent: Thursday, February 17, 2005 2:47 PM
Subject: Benjamin Franklin and a Scottish song> Hi balladeers
>
> My friend, Ellen Cohn, is writing a piece on Benjamin Franklin's music,
> to be out by his birthday.  In one letter he refers to a "Scotch song"
> about a poor couple who "had neither pot nor pan, but four bare legs
> together."
>
> I've seen that phrase, Four Bare Legs Together, as the title of a
> slip jig, with an alternative title "The Raking Quality."  Does anyone
> know of the words?  Where would be a good place to look for them?
>
> Barry O'Neill
>
> (I'm warned, and this time I'm sending my post in with a subject line.)
>

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Subject: Re: The Meaning of "Help"
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 19:29:04 -0500
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On 2005/02/17 at 11:25:28AM -0600, Paul Stamler wrote:        [ ... ]> From: "Robert B. Waltz" <[unmask]>
>
> > I don't read "help!" messages for the most part. I noticed this
> > mostly because of the people who replied.
>
> Nope, me too. The only reason I paid attention to this one is that I
> recognized Tom's name.
>
> Marge, is there any way we could get the listserv to insert "[BALLAD-L]" as
> a prefix to subject lines? Some other lists I'm on, like the folk DJ list,
> do that, and it helps to sort out the wheat from the chaff.        That should not be necessary, if you can filter on any of the
quoted header lines here:> Reply-To:     Forum for ballad scholars <[unmask]>
> Sender:       Forum for ballad scholars <[unmask]>
> To:           [unmask]Which should be sufficient to identify it as being part of the list.  I
have filtering set up to move all of the ballad-l messages to a separate
mailbox "folder" (directory, in the case of my unix system).  I used to
use the "To: " which was only a problem when someone sends to someone
else, and puts the list address in a "Cc: " header instead.  Some time
back, I switched to the "Sender: " header, which is more reliable.  But
some filtering will only work on the most common headers, "From: ", "To: ",
"Cc: ", "Reply-To: ", "Subject: ", "Date: " (perhaps), and not much
else.  You'll have to see what filtering your e-mail client offers.        I tend to dislike the string in the "Subject:  ", especially one
as long as "BALLAD-L", as it tends to push the important text in the
"Subject: " header to the right -- perhaps enough to hide key words when
showing in the list of messages (which has a limited length field for
that).        Obviously, telling you the details of how I do the filtering in
my unix system would be a waste of space, as it would not be useful to
those with Windows, Macintoshes, or even most other unix systems.  I use
an alternate "MTA" (Mail Transport Agent) which puts the messages in a
directory instead of combining them all into a single long file, so what
works for me would not work for others.        Good Luck,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: The Meaning of "Help"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 19:48:47 -0800
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Don:Okay, I'm convinced.  Indeed, awed.
\
Would you like to go to work for the FBI which can't seem to get its computer shit together?  There are other opportunities as well: other government agencies which have spent tens of millions and come up with what, in Yiddish, we used to call "bubbechach," that is, nothing, zilch, zip, nada.Ed
----- Original Message -----
From: "DoN. Nichols" <[unmask]>
Date: Thursday, February 17, 2005 4:29 pm
Subject: Re: The Meaning of "Help"> On 2005/02/17 at 11:25:28AM -0600, Paul Stamler wrote:
>
>        [ ... ]
>
> > From: "Robert B. Waltz" <[unmask]>
> >
> > > I don't read "help!" messages for the most part. I noticed this
> > > mostly because of the people who replied.
> >
> > Nope, me too. The only reason I paid attention to this one is
> that I
> > recognized Tom's name.
> >
> > Marge, is there any way we could get the listserv to insert
> "[BALLAD-L]" as
> > a prefix to subject lines? Some other lists I'm on, like the folk
> DJ list,
> > do that, and it helps to sort out the wheat from the chaff.
>
>        That should not be necessary, if you can filter on any of the
> quoted header lines here:
>
> > Reply-To:     Forum for ballad scholars <BALLAD-
> [unmask]>> Sender:       Forum for ballad scholars
> <[unmask]>
> > To:           [unmask]
>
> Which should be sufficient to identify it as being part of the
> list.  I
> have filtering set up to move all of the ballad-l messages to a
> separatemailbox "folder" (directory, in the case of my unix
> system).  I used to
> use the "To: " which was only a problem when someone sends to someone
> else, and puts the list address in a "Cc: " header instead.  Some time
> back, I switched to the "Sender: " header, which is more reliable.
> Butsome filtering will only work on the most common headers, "From:
> ", "To: ",
> "Cc: ", "Reply-To: ", "Subject: ", "Date: " (perhaps), and not much
> else.  You'll have to see what filtering your e-mail client offers.
>
>        I tend to dislike the string in the "Subject:  ",
> especially one
> as long as "BALLAD-L", as it tends to push the important text in the
> "Subject: " header to the right -- perhaps enough to hide key words
> whenshowing in the list of messages (which has a limited length
> field for
> that).
>
>        Obviously, telling you the details of how I do the
> filtering in
> my unix system would be a waste of space, as it would not be useful to
> those with Windows, Macintoshes, or even most other unix systems.
> I use
> an alternate "MTA" (Mail Transport Agent) which puts the messages
> in a
> directory instead of combining them all into a single long file, so
> whatworks for me would not work for others.
>
>        Good Luck,
>                DoN.
>
> --
> Email:   <[unmask]>   | Voice (all times): (703) 938-4564
>        (too) near Washington D.C. | http://www.d-and-
> d.com/dnichols/DoN.html           --- Black Holes are where God is
> dividing by zero ---
>

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Subject: Re: The Meaning of "Help"
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Feb 2005 22:21:12 -0600
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On 2/17/05, DoN. Nichols wrote:>On 2005/02/17 at 11:25:28AM -0600, Paul Stamler wrote:
>
>        [ ... ]
>
>> From: "Robert B. Waltz" <[unmask]>
>>
>> > I don't read "help!" messages for the most part. I noticed this
>> > mostly because of the people who replied.
>>
>> Nope, me too. The only reason I paid attention to this one is that I
>> recognized Tom's name.
>>
>> Marge, is there any way we could get the listserv to insert "[BALLAD-L]" as
>> a prefix to subject lines? Some other lists I'm on, like the folk DJ list,
>> do that, and it helps to sort out the wheat from the chaff.
>
>        That should not be necessary, if you can filter on any of the
>quoted header lines here:As the guy who started this thread, let me vote for not fiddling.
Most of the time, we can tell what are ballad messages. I'd just
encourage people to remember not to use subject lines that sound
like spam. It usually doesn't matter on this list, but this was
an odd case.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Benjamin Franklin and a Scottish song
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 08:03:30 -0000
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----- Original Message -----
From: "Kate Van Winkle Keller" <[unmask]>
To: <[unmask]>
Sent: 17 February 2005 23:19
Subject: Re: Benjamin Franklin and a Scottish song> "The Raking Quality or Four Bare Legs Together"  tune (in 9/8) is in the
> Vickers manuscript (ca. 1770)---the tune is the same as "A Trip to
> Marrowbone" in the Dancing Master (vol 2, p. 112 in all editions), with an
> alternative title "She that washes a Monday." That may help find a text.
> Seems to me I've seen the song somewhere, but can't put my finger on it at
> the moment.
>
> Kate Van Winkle KellerSimpson ('British Broadside', 84-85) mentions 'A Trip to Marrowbone'  (mainly to point out that,
though similar to 'Canst Thou Not Weave Bone-Lace', it isn't really the same tune, as Chappell had
suggested) and refers to a D'Urfey song in 'Pills to Purge Melancholy' (1719-20, I, 56-57): this
contains the line 'Fond of their Raking Quality', and may be the source of one of the alternative
titles. The song itself, 'Maiden as Fresh as a Rose', isn't the one meant by Franklin, though. That
would seem to be 'Maggie's Tocher', which appeared in various Scottish collections, including the
Scots Musical Museum (number 230), and certainly contains the lines'We have nouther pat nor pan,
 But four bare legs the gither.'GNTB (not GMTB), incidentally, is probably Matt Seattle's 'Great Northern Tune Book', which contains
selections from Vickers.Malcolm Douglas

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Subject: Re: Benjamin Franklin and a Scottish song
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 09:40:01 -0500
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Indeed, #86 in The Great Northern Tune Book is "The Raking Quality or Four
Bare Legs Together."John RobertsOn 2/18/05 3:03 AM, "Malcolm Douglas" <[unmask]>
wrote:> ----- Original Message -----
> From: "Kate Van Winkle Keller" <[unmask]>
> To: <[unmask]>
> Sent: 17 February 2005 23:19
> Subject: Re: Benjamin Franklin and a Scottish song
>
>
>> "The Raking Quality or Four Bare Legs Together"  tune (in 9/8) is in the
>> Vickers manuscript (ca. 1770)---the tune is the same as "A Trip to
>> Marrowbone" in the Dancing Master (vol 2, p. 112 in all editions), with an
>> alternative title "She that washes a Monday." That may help find a text.
>> Seems to me I've seen the song somewhere, but can't put my finger on it at
>> the moment.
>>
>> Kate Van Winkle Keller
>
> Simpson ('British Broadside', 84-85) mentions 'A Trip to Marrowbone'  (mainly
> to point out that,
> though similar to 'Canst Thou Not Weave Bone-Lace', it isn't really the same
> tune, as Chappell had
> suggested) and refers to a D'Urfey song in 'Pills to Purge Melancholy'
> (1719-20, I, 56-57): this
> contains the line 'Fond of their Raking Quality', and may be the source of one
> of the alternative
> titles. The song itself, 'Maiden as Fresh as a Rose', isn't the one meant by
> Franklin, though. That
> would seem to be 'Maggie's Tocher', which appeared in various Scottish
> collections, including the
> Scots Musical Museum (number 230), and certainly contains the lines
>
> 'We have nouther pat nor pan,
> But four bare legs the gither.'
>
> GNTB (not GMTB), incidentally, is probably Matt Seattle's 'Great Northern Tune
> Book', which contains
> selections from Vickers.
>
> Malcolm Douglas

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Subject: Re: Benjamin Franklin and a Scottish song
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 09:58:19 -0500
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If it's still any use after Malcolm's splendid detective work 'They that
wash on Monday' is a popular rhyme found on p178 of Halliwell's 'Popular
Rhymes and Nursery Tales' (Lancashire version) and also on
Montgomerie's 'Scottish Nursery Rhymes' 1946.They that wash on Monday have a whole week to dry,
They that wash on Tuesday are not so much agye;
They that wash on Wednesday may get their clothes clean;
They that wash on Thursday are not so much to mean;
They that wash on Friday wash for their need;
But they that wash on Saturday are clarty-paps indeed. (Halliwell)SteveG

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Subject: "Dicky in the Yeomen": is there a battle at Weavers Hall?
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 13:13:31 -0500
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Zimmermann quotes these lines from "Dicky in the Yeomen":
    At the Weavers' Hall upon the Coombe,
    When tyranny was in its bloom,
    Many a Croppy met their doom
    From lame duck Drury's Yeoman.
Zimmermann thinks the ballad to be the work of "Zozimus" (Michael Moran
c.1794-1846).I understand that the Weavers' Guild built Weavers' Hall in the Coombe area
of Dublin and that Roman Catholics were excluded from the guilds.
Is there a specific battle or set of conflicts that goes with this
reference?I'm pinning down notes for adding Zimmermann to the index and any help here
would be greatly appreciated.
Ben Schwartz

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Subject: Re: Two boring old gits to wed........
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 14:57:22 -0500
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What I learned, back on the streets of Brooklyn in the Dark Ages was:
"THere was a jolly tinker came all he way from France
To teach American women how to fiddle fuck and dance.
With his long loaded stretcheer (or shaker)
With his big baby maker
With a yard and a half of foreskin
Hanging way below his knees.A variation of Harry Cox's "Creep[in' and Crawlin'.
dick greenhausJohn Garst wrote:>>> As I recall, Randolph/Legman quotes some verses in which a woman
>>> learns, or teaches, people to "fiddle, fuck, and dance."  Related?
>>>
>>> John
>>
>>
>> ...
>> I found no more, but my memory still tells me that somewhere in there
>> is the lady who "lately came from France."  Sorry I didn't find it.
>>
>> The couplets quoted above seem to be floaters.  Their only evident
>> relationship to the song Fred quotes is "fiddle," "fence," and
>> "dance" in "France."
>>
>> John
>
>
> My failure to find what I was looking for prompts me to entertain the
> possibility that my memory has failed, either in what I recall or
> where I recall it from.  My memory gives me the following literal
> phrases:
>
> "lately came (possibly "come") from France"
>
> "just to fiddle, fuck, and dance"
>
> I feel reasonably certain that I am recalling something from
> Randolph, though I suppose it possible that it is not from
> Randolph/Legman (though that's the obvious place).  It's a pity that
> the index to Randolph/Legman is so incomplete: "fiddle, fuck, and
> dance" doesn't appear.
>
> John
>
>
> --
> john garst    [unmask]
>
>

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Subject: Re: Two boring old gits to wed........
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 12:36:15 -0800
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Subject: Re: Two boring old gits to wed........
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 16:18:22 -0500
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I'll try to dredge it up from a failing (though debased) memory.
dickJonathan Lighter wrote:> Dick, your version didn't make it to the DT.  Can you post it?
>
> It's surprising to see a "Jolly Tinker" mixed with "Crawling and
> Creeping."
>
> JL
>
> */dick greenhaus <[unmask]>/* wrote:
>
>     What I learned, back on the streets of Brooklyn in the Dark Ages was:
>     "THere was a jolly tinker came all he way from France
>     To teach American women how to fiddle fuck and dance.
>     With his long loaded stretcheer (or shaker)
>     With his big baby maker
>     With a yard and a half of foreskin
>     Hanging way below his knees.
>
>     A variation of Harry Cox's "Creep[in' and Crawlin'.
>     dick greenhaus
>
>     John Garst wrote:
>
>     >>> As I recall, Randolph/Legman quotes some verses in which a woman
>     >>> learns, or teaches, people to "fiddle, fuck, and dance." Related?
>     >>>
>     >>> John
>     >>
>     >>
>     >> ...
>     >> I found no more, but my memory still tells me that somewhere in
>     there
>     >> is the lady who "lately came from France." Sorry I didn't find it.
>     >>
>     >> The couplets quoted above seem to be floaters. Their only evident
>     >> relationship to the song Fred quotes is "fiddle," "fence," and
>     >> "dance" in "France."
>     >>
>     >> John
>     >
>     >
>     > My failure to find what I was looking for prompts me to
>     entertain the
>     > possibility that my memory has failed, either in what I recall or
>     > where I recall it from. My memory gives me the following literal
>     > phrases:
>     >
>     > "lately came (possibly "come") from France"
>     >
>     > "just to fiddle, fuck, and dance"
>     >
>     > I feel reasonably certain that I am recalling something from
>     > Randolph, though I suppose it possible that it is not from
>     > Randolph/Legman (though that's the obvious place). It's a pity that
>     > the index to Randolph/Legman is so incomplete: "fiddle, fuck, and
>     > dance" doesn't appear.
>     >
>     > John
>     >
>     >
>     > --
>     > john garst [unmask]
>     >
>     >
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

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Subject: Re: Tune oddities
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 21:19:54 +0000
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Ewan McVicar wrote:> ...the Scottish song tunes that take on new words with a differing
> character in the New World :Did this one make it?  (It's in the Athole Collection edited by James
Robertson in the 1880s; this is at least 50 years earlier.  I presume
Margaret was a relative and she may have composed it herself).  Any
idea who this McVicar was?X:1
T:McVicar's Strathspey
S:NLS Acc.12304(B), notebook of Margaret Robertson, early C19
N:MS has second part repeated
M:C
L:1/8
K:C
c   |G<E``TE>c G<ETE>c|G<E`c>E {E}D2Dc   |GE````E>G   Tc>d {cd}e>c|{B}c>AGE  {E}D2D:|
e   |ce/f/ ge  c<g`e<a|g<c`g<e {e}d2de   |ce/f/ ge     c<g`````e>d|{B}c>AcE  {E}D2D
e   |ce/f/ ge  c<g`e<a|g<eTg>e    d2de/f/|g>e```f>d    e>c`````d>B|{B}c>AGE  {E}D2D||
E   |C>G```Ec  Gc``Ec |C>G`Ec  {E}D2DE   |C>G```EG     c>d {cd}e>d|{B}c>AcE  {E}D2D:|
e/f/|g<c``Te>c g<c`f<a|g<c`g>e {e}d2de/f/|g<c``Te>d    c>d {cd}e>d|{B}c>AGE  {E}D2D
e/f/|g<c``Te>c g<c`f>a|g<cTg>e {e}d2dc/d/|e>c```d>B {B}c>A`````GE |   F<dE<c {E}D2D|]-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: Folk Remedies
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 13:26:29 -0800
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The UCLA Archive is based on the life work of Wayland D. Hand, professor of  German and Folklore.  To see this up on the web is most gratifying to those of us who loved "Red."Ed----- Original Message -----
From: Clifford J OCHELTREE <[unmask]>
Date: Thursday, February 17, 2005 11:57 am
Subject: Folk Remedies> Some of you may find this useful. Yet another item from Research Buzz.
>
> * Online Archive of Folk Remedies
>
> UCLA has established an online archive of over 200,000 folk
> remedies at
> http://www.folkmed.ucla.edu . It's searchable by simple keyword,
> with a switch allowing you to specify whether you want to do AND or
> OR searches. You can view between 5 and "all" records at a time --
> the default is 10.
>
> I did a search for headache and got over 1800 results! Results are
> presented in a table, with the complaint on one side (in the case
> of what I was looking at the complaints were "Headaches" or
> "headaches, head ailments") and on the other side
> the remedies (a couple of the remedies on the first page of
> results: "applied - handful of salt on top of head" and "performed -
> wrap head with paper soaked in vinegar")
>
> I thought by clicking on the name of the complaint I'd get a list
> of remedies for that particular complaint. Instead I got a list of
> details for one particular remedy. Information on the remedy
> includes the region where it was collected, the gender of the
> informant, the date and place where it was collected, and the
> citation where the
> remedy was found. Not all information is available for all remedies.
>
> Of course, it should be noted that these are folk remedies and
> visitors would do well to take a gander at the site's disclaimer
> (http://www.folkmed.ucla.edu/disclaimer.html.)

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Subject: Re: Benjamin Franklin and a Scottish song
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 13:30:01 -0800
Content-Type:text/plain
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Jonathan:What is the website you used to doi the search?Ed----- Original Message -----
From: Jonathan Lighter <[unmask]>
Date: Thursday, February 17, 2005 12:17 pm
Subject: Re: Benjamin Franklin and a Scottish song> Have just searched 150,000 Eighteenth Century publications for you
> (took about five seconds, a little slow today) for the phrases
> "Four bare legs" and "bare legs together" without success.
>
> The Bodleian collection came up empty as well.
>
> So...I'd say your friend has her work cut out for you in this case.
>
> JL
>
> Barry O'Neill <[unmask]> wrote:
> Hi balladeers
>
> My friend, Ellen Cohn, is writing a piece on Benjamin Franklin's
> music,to be out by his birthday. In one letter he refers to a
> "Scotch song"
> about a poor couple who "had neither pot nor pan, but four bare legs
> together."
>
> I've seen that phrase, Four Bare Legs Together, as the title of a
> slip jig, with an alternative title "The Raking Quality." Does anyone
> know of the words? Where would be a good place to look for them?
>
> Barry O'Neill
>
> (I'm warned, and this time I'm sending my post in with a subject
> line.)
>
> ---------------------------------
> Do you Yahoo!?
> Yahoo! Search presents - Jib Jab's 'Second Term'
>

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Subject: Re: Benjamin Franklin and a Scottish song
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 14:20:03 -0800
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Subject: Re: The Meaning of "Help"
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 19:04:22 -0500
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On 2005/02/17 at 07:48:47PM -0800, edward cray wrote:> Don:
>
> Okay, I'm convinced.  Indeed, awed.> Would you like to go to work for the FBI which can't seem to get its
> computer shit together?  There are other opportunities as well: other
> government agencies which have spent tens of millions and come up with
> what, in Yiddish, we used to call "bubbechach," that is, nothing, zilch,
> zip, nada.        Thanks, but I've already *experienced* working for the
Government, and I *know* why they can't get anything to work, with
Congress, and tons of regulations at many levels riding herd on each
decision. :-)        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Ebay List - 02/18/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Feb 2005 23:16:57 -0500
Content-Type:text/plain
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Hi!        Here is part one of the weekly list. I am splitting it because
there is so much. Ebay had special on Monday Feb. 14 and reduced their
insertion fee to $.05. Lots of sellers took advantage of this. Part two
will follow during the weekend.        SONGSTERS        3958049811 - Garfield Arthur Campaign Songster, 1880, $37.76 (ends
Feb-19-05 19:45:00 PST)        6947326485 - THE QUAVER or the Songster's Pocket Companion, 1844,
2.50 GBP (ends Feb-22-05 06:46:15 PST)        3875327003 - COMICAL BROWN'S SONGSTER, 1885, $9.99 (ends Feb-23-05
18:29:51 PST)        3959181618 - Barnum and London Songster, 1880's?, $3 (ends
Feb-23-05 19:41:38 PST)        MISCELLANEOUS        5166668167 - Broadside, (THE FIGHT FOR THE CHAMPIONSHIP WORMALD &
VICTORY), 1863, 8.50 GBP (ends Feb-20-05 16:32:55 PST)        6512911234 - handwritten copy of song, mid-1800's, $6.95 (ends
Feb-20-05 00:21:52 PST)        4700921403 - The Long Harvest, MacColl & Seeger, LP, 1967, 2.99
GBP (ends Feb-21-05 07:58:44 PST)        SONGBOOKS, ETC.        4527509223 - Songs and ballads by Roxburghe Club (Wright), 1970,
$5 (ends Feb-19-05 07:22:59 PST)        4527526325 - Folk Songs and Ballads of the Eastern Seaboard by
Warner, 1963, $2.75 (ends Feb-19-05 08:47:39 PST)        7300281496 - Songs of Work and Freedom by Fowke & Glazer, 1961,
$3.99 (ends Feb-19-05 11:47:28 PST)        7300339360 - Bayou Ballads: Twelve Folk-Songs from Louisiana by
Monroe, 1921, $6.99 (ends Feb-19-05 16:18:54 PST)        4527664132 - Ballads and Songs of Indiana by Brewster, 1940,
$3.82 (ends Feb-19-05 18:09:43 PST)        6946732721 - Folk Songs and Ballads of Scotland by MacColl, 1965,
$7 (ends Feb-19-05 19:28:06 PST)        4527681700 - Ballads of Britain by Goss, 1937, $9.99 (ends
Feb-19-05 19:31:17 PST)        4527707366 - Traditional Music of America by Ford, 1978, $7.50
(ends Feb-19-05 22:12:42 PST)        6946874640 - Rise of the English Street Ballad, 1550-1650 by
W?zbach, 1990, $52.88 w/reserve (ends Feb-20-05 14:17:11 PST)        6947653162 - Songs and Ballads of the Maine Lumberjacks by Gray,
1924, $20.04 (ends Feb-20-05 15:32:20 PST)        4527961475 - The Horn Book - Studies in Erotic Folklore by Legman,
1966, $5.25 (ends Feb-20-05 18:25:31 PST)        7300668744 - Bradley Kincaid's MOUNTAIN BALLADS, 1939, $6.42 (ends
Feb-20-05 20:00:21 PST)        7300668964 - 2 Irish Song Books (Songs and Recitations of Ireland
Book 5- the Wild Geese & Tri Coloured Ribbon-Rebel Songs or Ireland) 1973,
$8.49 (ends Feb-20-05 20:01:14 PST)        7300672127 - Folk Songs of Canada by Fowke & Johnston, 1970
printing, $7 (ends Feb-20-05 20:19:24 PST)        4528090687 - Old Ballads, Historical and Narrative by Evans, 4
volumes, 1810, $500 (ends Feb-21-05 07:27:45 PST)        4528090870 -  FOLKSONGS OF THE MARITIMES by Pottie & Ellis, 1992,
$45 (ends Feb-21-05 07:28:18 PST)        6947011201 - Folk Songs from the West Virginia Hills by Gainer,
1975, $60 (ends Feb-21-05 08:40:52 PST)        4527785811 - American Murder Ballads by Burt, 1964, $6.49 (ends
Feb-21-05 10:28:01 PST)        7300138591 - THE CRYSTAL SPRING Book One by Sharp & Karpeles, 1975,
4.10 GBP (ends Feb-21-05 17:09:51 PST)        4528350403 - Folk Culture on St. Helena Island South Carolina by
Johnson, 1968, $49.95 (ends Feb-21-05 17:16:28 PST)        6947187072 - Negro Folk Songs as Sung by Lead Belly by Lomax, 1936,
$5.99 (ends Feb-21-05 17:54:54 PST)        6947201564 - Ballads and Songs collected by the Missouri Folk-Lore
Society by Belden, 1966, $12 (ends Feb-21-05 18:30:04 PST)        4528446086 - ENGLISH & SCOTTISH POPULAR BALLADS by Child, volume 3,
2003 Dover edition, $11.99 (ends Feb-21-05 19:33:16 PST)        6947228978 - Spiritual Folk-Songs of Early America by Jackson, 1964
Dover editon, $20.50 (ends Feb-21-05 19:34:34 PST)        6947282932 - Folk Songs of the American Negro by Work, $4.99
w/reserve (ends Feb-21-05 21:50:52 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: "Roll Me Over" Alphabetical Index
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 19 Feb 2005 16:14:44 -0800
Content-Type:text/plain
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Who hasn't had to have the tune and verses for "An
Inch Above Your Knee" and *right now*? Yeah, me too.
Unfortunately, Legman and Randolph listed the songs in
a Table of Contents. But no Index. Fortunately, this
is corrected (below).I'm not sure if the tab stops (with leaders! and other
formatting) will come over correctly, so anyone who
wants the original Word document may email me, and I
will send it to them.C.A Dark and Roving Eye (The Fireship)    237
A Letter  from Home     527
A Little Piece of Whang 496
A Soldier I Would Be    231
A Soldier Rode (Trooper and the Maid)   209
Abelina 523
Across the Wide Missouri (Shenandoah)   329
All I Need      152
Amsterdam Maid, The (A-Roving)  124
An Inch Above Your Knee 76
Ashes to Ashes  373
At the Cross    291
Baby Shit in Papa?s Hand        296
Baby, Take Your Leg Off Mine    130
Bang Away, Lulu 351
Bastard King of England, The    506
Battleship Maine, The   213
Beehive, The    312
Big Fat Gals in Sandy Land      395
Big Joe Clipler 286
Billy-Goat of Durbytown, The    89
Black-Eyed Susan        397
Blow the Candle Out (II)        68
Blow the Candle Out     61
Bonny Black Hare, The   42
Boring for Oil  58
Bowl is Yet to Fill, The        348
Bo-Wow and Bow-Wee      135
Brinzi O?Flynn  156
Buffalo Gals (Gonna Come Out Tonight)   424
Bumblebee Cotton, Peckerwood Corn       325
Captain  Perkins? Troopers      518
Casey Jones     471
Chippy on the Rooftop   552
Christopher  Columbo    502
Cocky-Doodle Ass-Hole   284
Cornbread When I?m Hungry       494
Cotton-Eye Joe  405
Cripple Creek (I&II)    407
Crow Fucked the Buzzard, The    426
Dismal Shits    529
Do Your Balls Hang Low? 207
Dog Shit a Rye-Straw    448
Dog?s Convention, The   490
Down In the Leigh Valley (II)   273
Down In the Leigh Valley        272
Down in the Valley (Abelina)    523
Down on the Farm (II)   217
Down on the Farm        216
Down on the Pichelo Farm        409
Drinkin? Corn Whiskey   290
Drive It Home   268
Eyes Like Sloes 264
Fascinatin? Lady        240
Fiddler?s Bitch, The    346
Fire in the Whore House 375
Fireship, The   237
Foggy Dew (II), The     260
Foggy Dew, The  257
Foreskin Fusileers, The 520
Formations of Nature    47
Frankie and Johnny      477
Funky-Butt      173
Girl I Left Behind Me, The (Wayward Boy)        434
Green Corn      313
Green Grows the Hill-O  46
Gypsy Maid, The 191
Handsome Young Farmer, The      219
Haul Away, Joe! 331
Head o? the Holler (Sowcoon Mountain)   184
Higher Up the Cherry Tree       422
Hi-Rio, Randy-O (Organ Grinder) 459
Ho Green!       45
Hog-Eye Man, The        401
Hoochie-Koochie Dance, The      525
Horny Crew, The (Three Old Whores)      121
House of the Rising Sun, The    250
I Ain?t So Young        159
I Ask that Gal  133
I Asked My Mother       282
I Blowed Her with My Horn       40
I Fucked Sal    499
I Got a Gal in Berryville       181
I Reckon You Know       44
I Saw Her Snatch (II)   235
I Saw Her Snatch        234
I Touched Kind Betty    545
I Want to be a Farmer   324
I Went to the Drug Store        105
I Went to the River (Swapping Song)     110
I Went Upstairs 108
I Wish I Was a Finger Ring (II) 197
I Wish I Was a Finger Ring      196
I Wish I Was in Alabam? 322
I Wouldn?t  Marry an Old Man    334
I?m Ruint  Forever (Snapoo)     308
Ida Red 450
In the Prison Cell I Sit        531
In the White-Oak Timber 446
Inches Song, The        268
Jackie and Mossy        293
Jake and Julie (Ta-ra-ra-boom-de-ay)    276
Jingle-Berry Tea        555
Jingo Jang-Jingo        516
John Briney Linn (Tom Bolyn)    155
Jolly Tinker, The       113
Keyhole in the Door, The        538
Kiss That Man?s Ass     387
Knaves Will Be Knaves   187
Lady in Red, The        243
Left Me with Child      289
Letter  from Home, A    527
Limericks       227
Little Ball of Yarn, The (II)   98
Little Ball of Yarn, The (III)  99
Little Ball of Yarn, The        97
Little Liza Jane        455
Liza Ann        320
Lizzie Brown    393
Long Peggin? Awl, The   280
Lydia Pinkham   485
Mademoiselle from Armenti?es   513
Mammy What Is That?     361
Miss Lucy       321
Molly Monroe    119
Molly, Oh Molly 312
Mother May I Go Out to Swim?    206
Mountaineers, The       510
My Family Life (Dismal Shits)   529
My Father Was Hung (The Gypsy Maid)     191
My Foot Is In the Stirrup       275
My Gal Ain?t Got No Tail        356
My Name Is Jim Taylor   571
My Pretty Little Miss (Seventeen)       140
My Tra-La-La-Lee        126
Nelly Was a Milkmaid    169
Night Hawk, The 74
No Use to Rattle the Blind      342
Nottamun Town   302
Nottingham Fair (Nottamun Town) 302
Of All the Beasts       376
Oh Lord Gals!   453
Old Aunt Kate   367
Old Aunt Sis    231
Old Cat, The    386
Old Chisholm Trail, The         199
Old Dan Tucker  431
Old Granny Blair        383
Old Gray Mare, The (Whiffletree Song)   154
Old Irish Washerwoman   443
Old Joe Clark   428
Old King Cole   158
Old Man Came Home, The  53
Old Moll Roe (Molly Monroe)     119
Old Sea Crab, The       66
Old Spencer Rifle, The  128
Old Woman Pf-ff-t, The  136
One Little Nigger       385
One-Eyed Riley, The     137
Opium Lil       248
Organ Grinder   459
Our Goodman     53
Peckerwood a-Peckin? (Sweet Thing)      179
Peezy-Weezy     318
Peggy Howatt    468
Pennyroyal Tea  365
Peter Murphy?s Little Dog       214
Pickle-Ass Creek        184
Poor Lil (Opium Lil)    248
Pop Goes the Weasel     413
Preacher?s Wife, The    348
Pretty Polly    33
Rebecca 131
Red as a Jaybird?s Ass  564
Redwing 566
Ring-Dang-Doo   147
Ring-Dang-Doo, The      147
Ring-Dang-Too   148
Ring-Dang-Too, The      148
Rinky Dinky Di-Lo       358
Rogue, The (Knaves Will Be Knaves)      187
Roll Me Over in the Clover      389
Root, Hog or Die!       576
Rosemary Lane   81
Rub It Up, Shove It Up  371
Runaway Train, The      254
Sailor Boy, The (Rosemary Lane) 81
Sailor-Girl?s Lament, The       75
Sal?s Got a Meat-Skin   452
Sally Goodin    411
School Days, School Days        316
Schoolhouse Door, The (This Mornin?)    177
Seventeen       140
Shaggin? Away   369
Shave ?Em Dry   461
She Keeps Her Boody Clean       297
She Sprang Aloft        500
She?s a Grinder 298
Sheep-Shit Tea  556
Shenandoah      329
Skinner on the Dock     466
Snapoo  308
Snap-poo, Snap-peter    309
Snoring Maid, The       34
Sowcoon Mountain        184
Spanish Patrillo, The   492
St. Louis Tickle(r), The        175
Sugar in My Coffee (Sugar in the Gourd) 441
Sugar in the Gourd      441
Swapping Song   110
Sweet Betsey from Pike  300
Sweet Thing     179
Take a Whiff on Me (Rebecca)    131
Ta-ra-ra-boom-de-ay     276
That?ll Do Young Man    201
The ?Taters They Grow Small     265
The Battleship Maine    213
The Bear Went over the Mountain 145
The Bowl Is Yet to Fill 348
The Fireship    237
The Foggy Dew (II)      260
The Foggy Dew   257
The Girls around Here   364
The Inches Song (Drive It Home) 268
The Lady in Red 243
The Night Hawk  74
The Old Cat     386
The Old Gray Mare (Whiffletree Song)    154
The Old Man Came Home   53
The Old Woman Pf-ff-t   136
The One-Eyed Riley      137
There Was an Old Woman  118
There?ll be a Hot Time  532
There?s Fun in the Country      222
This Mornin?    177
This Mornin?    560
Three Butchers, The     306
Three Old Whores        121
Tickle My Toe (I Touched Kind Betty)    545
To Market, to Market    162
Tom Bolyn       155
Tottingham Fair 163
Trooper and the Maid, The       209
Turkey in the Straw (II)        417
Turkey in the Straw     416
Turn to Your Wives      363
Twig So Tender, The     381
Two Ruby Red Lips       146
Uncle Bud, Uncle Bud    340
Uncle Joe       447
Under the Garden Wall   535
Walking Down Canal Street       561
Waltz Me around Again (Limericks)       227
Wayward Boy     434
We Are the Kappas       229
We Hunted and We Hollered       306
When I Was in My Prime  160
When I Was Young (Battleship Maine, The)        213
Whiffletree Song        154
Wide Missouri, The (Shenandoah) 329
Wild Irishman, The      443
Wings of Gold   357
Winnipeg Whore, The     278
With a Rag in Her Ass   378
With That Old Thing a-Shaking   336
Yeller Gal, Yeller Gal  313

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Subject: Re: "Roll Me Over" Alphabetical Index
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 19 Feb 2005 22:08:28 -0500
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Will you please provide the Title and author or collectors name for this book?ThanksSammy Rich
[unmask]> Who hasn't had to have the tune and verses for "An
> Inch Above Your Knee" and *right now*? Yeah, me too.
> Unfortunately, Legman and Randolph listed the songs in
> a Table of Contents. But no Index. Fortunately, this
> is corrected (below).
>

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Subject: Re: BALLAD-L Digest - 18 Feb 2005 to 19 Feb 2005 (#2005-82)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 07:09:47 -0800
Content-Type:text/plain
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Sammy,Sorry. It's "Roll Me in Your Arms: 'Unprintable' Ozark
Folksongs and Folklore". Vance Randolph (Edited with
an Introduction by G. Legman). The University of
Arkansas Press, Fayetteville, 1992. ISBN 1-55728-231-5
(v.1)C.

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Subject: Re: "Have a Baby on Me" song.
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 09:37:27 -0800
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Les et al:Interesting how fast these songs spread.   About five years later, a student  collected the same song at UCLA from fraternith brothers.I wish I was a fascinating bitchI'd never be poor, I'd always be rich;I'd live in a house with a little red lightI'd sleep all day and I'd fuck all nightAnd every now and thenI'd take a holidayJust to make my customers wildI with I was a fascinating bitchInstead of just an illegitimate child!Ed

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Subject: Re: "Have a Baby on Me" song.
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 12:43:38 EST
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Subject: Re: "Roll Me Over" Alphabetical Index
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 13:46:32 -0500
Content-Type:text/plain
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On Sat, 19 Feb 2005 16:14:44 -0800, Cliff Abrams wrote:>Who hasn't had to have the tune and verses for "An
>Inch Above Your Knee" and *right now*? Yeah, me too.
>Unfortunately, Legman and Randolph listed the songs in
>a Table of Contents. But no Index. Fortunately, this
>is corrected (below).
>
Absolutely a massive problem.Also see
Heather Wood <[unmask]>,
Subject: Excel spreadsheet,
Date: Wed, 16 Feb 2005-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Ebay List - 02/20/05 (Part 2)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 20:32:17 -0500
Content-Type:text/plain
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Hi!        As promised, here is the second part of the weekly Ebay list.        SONGSTERS        3959638494 - The Republican Campaign Songster, 1860, $9.99 (ends
Feb-26-05 12:04:24 PST)        MISCELLANEOUS        7301705467 - Broadside, SINCE TERRY FIRST JOINED THE GANG, 1855?,
$9.99 (ends Feb-23-05 18:51:13 PST)        6947849810 - folk Magazine, 6 issues, 1967, $9.99 (ends Feb-26-05
10:08:31 PST)        SONGBOOKS, ETC.        7301418796 - Children's Singing Games by Gomme, 1967 Dover reprint,
$4.95 (ends Feb-22-05 11:26:13 PST)        4528667573 - THE VOICE OF THE PEOPLE by Mulcahy & Fitzgibbon, 1982,
$6.50 (ends Feb-22-05 13:01:37 PST)        4528685759 - The Viking Book of Folk Ballads of the English-Speaking
World by Friedman, 1964, $3.49 (ends Feb-22-05 14:35:22 PST)        7300329445 - FOLK SONGS OF OLD VINCENNES by Berry, 1946, $14.95
(ends Feb-22-05 15:15:53 PST)        4528866047 - Ballads from the Pubs of Ireland by Healy, 1996
reprint, $8 (ends Feb-23-05 12:08:42 PST)        6947003140 - BORDER BALLADS AND BALLADISTS, 1931, 0.99 GBP (ends
Feb-24-05 08:09:39 PST)        7302233083 - FOLK SONGS AND BALLADS OF LANCASHIRE, 1973, 2 GBP
(ends Feb-24-05 10:31:53 PST)        6947635578 - he Loving Ballad Of Lord Bateman, 1839, 9.99 GBP (ends
Feb-24-05 13:03:05 PST)        7301881865 - Folksongs of Britain and Ireland by Kennedy, $37.95
(ends Feb-24-05 14:04:54 PST)        6947761046 - The Transport Workers' Song Book, 1920, $19.95 (ends
Feb-25-05 14:13:04 PST)        4528787590 - CHAPBOOKS of the EIGHTEENTH CENTURY by Ashton, 1882?,
3.99 GBP (ends Feb-26-05 03:58:01 PST)        3875854043 - Folk Songs of Old Hampshire by Browne, 1.50 GBP (ends
Feb-26-05 08:01:36 PST)        4529499340 - FOLK SONG AMERICA A 20th Century Revival, Smithsonian
Institute, 1981, $3.50 (ends Feb-26-05 14:45:30 PST)        7301689693 - American Mountain Songs by Richardson, 1955, $9.95
(ends Feb-26-05 17:24:19 PST)        7301691336 - American Negro Songs and Spirituals by Work, 1940, $8
(ends Feb-26-05 17:33:10 PST)        6947923280 - English & Scottish Ballads by Child, 8 volumes in 4
books, 1878, $98 (ends Feb-26-05 20:28:15 PST)        7955404630 - Australian Folksongs of the Land & its People, 1974,
$1 AU (ends Feb-26-05 22:54:00 PST)        4528979280 - Great Australian Folk Songs by Lahey, $14.90 AU (ends
Feb-27-05 02:20:32 PST)        7302371553 - 4 songbooks (Poverty Knock, The Valiant Sailor, The
Painful Plough & Rigs of the Fair) by Palmer, 7.50 GBP (ends Feb-27-05
04:01:16 PST)        4529007133 - Danish Emigrant Ballads and Songs by Wright, 1983,
$12.50 (ends Feb-27-05 06:53:54 PST)        7955530358 - THE BEST OF OLD LANCASHIRE IN POETRY AND VERSE by
Hayes, 1992, 2.99 GBP (ends Feb-27-05 12:15:49 PST)        6947619793 - The Dowie Dens O' Yarrow, 1860, 4.99 GBP (ends
Feb-27-05 11:37:59 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: "Roll Me Over" Alphabetical Index
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 20:21:46 -0800
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f course, he said modestly, one could always check the index in the second edition of  _The Erotic Muse_  (U of Illinois Press, 1992, et seq.)Ed----- Original Message -----
From: Abby Sale <[unmask]>
Date: Sunday, February 20, 2005 10:46 am
Subject: Re: "Roll Me Over" Alphabetical Index> On Sat, 19 Feb 2005 16:14:44 -0800, Cliff Abrams wrote:
>
> >Who hasn't had to have the tune and verses for "An
> >Inch Above Your Knee" and *right now*? Yeah, me too.
> >Unfortunately, Legman and Randolph listed the songs in
> >a Table of Contents. But no Index. Fortunately, this
> >is corrected (below).
> >
> Absolutely a massive problem.
>
> Also see
> Heather Wood <[unmask]>,
> Subject: Excel spreadsheet,
> Date: Wed, 16 Feb 2005
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --
> ---
>                  I am Abby Sale - in Orlando, Florida
>

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Subject: Re: "Have a Baby on Me" song.
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 21:06:53 -0800
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Ed, and all:
     I learned it in Seattle - probably about 1948 -
from a fellow actor at the Seattle repertory
Playhouse. It had to be that early, because the State
UnAmerican Activities "Canwell Committee" managed to
put the Playhouse out of business before 1950.
     My text is slightly different:     I wish I was a fascinating bitch,
     I'd never be poor, I'd always be rich.
     I'd live in a house with a little red light,
     Sleep all day and work all night.
     And once every month I'd take a little rest,
     And drive my customers wild.
     I wish I was a fascinating bitch,
     Instead of an illigitimate child.Sandy Paton--- edward cray <[unmask]> wrote:> Les et al:
>
> Interesting how fast these songs spread.   About
> five years later, a student  collected the same song
> at UCLA from fraternith brothers.
>
> I wish I was a fascinating bitch
>
> I'd never be poor, I'd always be rich;
>
> I'd live in a house with a little red light
>
> I'd sleep all day and I'd fuck all night
>
> And every now and then
>
> I'd take a holiday
>
> Just to make my customers wild
>
> I with I was a fascinating bitch
>
> Instead of just an illegitimate child!
>
> Ed
>> ATTACHMENT part 2 message/rfc822
> Date: Sun, 20 Feb 2005 20:34:20 +1300
> From: leslie cleveland <[unmask]>
> Subject: Re: "Have a Baby on Me" song.
> To: [unmask], [unmask]
> CC: [unmask], [unmask],
> [unmask]
>---------------------------------Puts me in mind of an item I got from a former female
member of the Royal New Zealand Air Force about 1953.
It is called I WISH I WAS A FASCINATING BITCH.I wish I was a fascinating bitchI'd never be poor, I'd always be rich;I'd live in a house with a little red lightI'd sleep all day and I'd fuck all nightAnd every now and thenI'd take a holidayJust to make my customers wildI with I was a fascinating bitchInstead of just an illegitimate child!Does that wring your honest old hearts???Regards, Les C.>From: edward cray <[unmask]>
>To: [unmask]
>CC: [unmask], [unmask],
[unmask], [unmask]
>Subject: Re: "Have a Baby on Me" song.
>Date: Sat, 19 Feb 2005 09:29:03 -0800
>
>Lydia and Friends:
>
>I have tracked this to WW II and the founding of the
WACs.  That organization -- remember the period -- had
a  number of regulations that did not apply to men: no
fraternization (ha!); unmarried women only; if a
member got pregnant, she was dismissed from the corps,
etc.  Of course, we thought nothing of it then.
>
>I heard the song in Japan or Korea  ca. 1953-54.
>
>Ed
>
>----- Original Message -----
>From: [unmask]
>Date: Saturday, February 19, 2005 8:57 am
>Subject: Re: "Have a Baby on Me" song.
>
> > Dear John
> >
> > Women in the service were singing
> >
> > "If you're nervous in the service, I can tell you
what to do,
> > Have a baby, have a baby"
> >
> > As recently as the Vietnam War.
> >
> > I'll forward your letter to Carol, who has made a
study of women's
> > service
> > songs in WWII.  Have you seen her article?
> >
> > The tune is "Pretty Baby."
> >
> > Lydia
> >
>---------------------------------
Need more speed?  Get  Xtra JetStream!

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Subject: Re: "Fascinating Bitch" song.
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Feb 2005 23:12:43 -0600
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Subject: Rough But Honest Miner album
From: Barbara Millikan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Feb 2005 18:59:23 -0800
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  A friend from another list is searching for this album. Can anyone help
locate
a copy or a source?
Yrs,
BarbaraHe says:
Does anyone know how to find a copy of the album "Rough but Honest
Miner"?  I heard about it 6 years ago.  It's got some Chinook Jargon lyrics
  in at least one song.  I'm very curious to find this item,
  so thanks for any help doing so.--
No virus found in this outgoing message.
Checked by AVG Anti-Virus.
Version: 7.0.300 / Virus Database: 266.2.0 - Release Date: 2/21/2005

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Subject: Re: Rough But Honest Miner album
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Feb 2005 19:46:47 -0800
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The CD is probably obtainable from its creator, Richard Wright.  His email
is  [unmask] There's also a book that goes with it called
<Castles in the Air>.  They are both top value.Jon Bartlett----- Original Message -----
From: "Barbara Millikan" <[unmask]>
To: <[unmask]>
Sent: Monday, February 21, 2005 6:59 PM
Subject: Rough But Honest Miner album>  A friend from another list is searching for this album. Can anyone help
> locate
> a copy or a source?
> Yrs,
> Barbara
>
> He says:
> Does anyone know how to find a copy of the album "Rough but Honest
> Miner"?  I heard about it 6 years ago.  It's got some Chinook Jargon
> lyrics
>  in at least one song.  I'm very curious to find this item,
>  so thanks for any help doing so.
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.300 / Virus Database: 266.2.0 - Release Date: 2/21/2005

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Subject: Blatant Semi-Commercial Announcement
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 11:03:15 -0500
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Blatant Semi-Commercial AnnouncementHi y'all. The University of West Virginia has recently added a new CD to
their fine Sound Archive Series: I havent'heard it yet, but it appears
that it may be of interest to at least some members of this list.John Handcox:
Songs, Poems, and Stories
Of The Southern Tenant
Farmer Union Produced by Mark Jackson
Contributors: Joe Glazer and Michael Honey
 WVY Press Sound Archive 5
ISBN 0-937058-90-4
$16.00 CD with booklet (*$12.98* from CAMSCO Music)
In Depression-era Arkansas, tenant farmers came together to fight for
better pay, favorable legislation, and better working conditions. They
formed a multi-racial, desegregated union called the Southern Tenant
Farmer Union. A tenant farmer himself, John Handcox recognized
the injustices of the life of sharecroppers and embraced the union.
Becoming involved in union activities, Handcox composed songs and
poems that were sung at union meetings and used to raise spirits. In
1937, Handcox made a recording at the Library of Congress. The
songs were so popular that some have become folksongs themselves,
recorded by musicians such as Pete Seeger and Woody Guthne.
This CD represents the work of John Handcox from the 1937
material as well as more recent material that was recorded by the
Smithsonians Center for Folk Life and Cultural Heritage in the 1980s.
The CD not only spans Handcox's entire career, but also includes an
interview with Joe Glazer and labor historian Michael Honey recorded
at the Library of Congress in 1985.

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Subject: Hangman's Beautiful Daughter
From: Sadie Damascus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 11:41:31 -0800
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I can find only references to the album of this name by the Incredible
String Band, on which no song of its name appears.   However, a friend
swears he once saw lyrics to the song.   Sharyn McCrumb used the name for
one of her Appalachian novels, but offered no lyrics.  Does anyone know if
there are any?Sadie Damascus

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Subject: Re: Hangman's Beautiful Daughter
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 11:49:45 -0800
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A serious ballad lover just asked me what the "earthen
lake" in Three Ravens might be. She also wondered what
the overall "meaning" of the ballad could be. Perhaps
a few of you can offer comments? I'll forward them.
     Thanks,
     Sandy Paton (the Connecticut Sandy)

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Subject: Re: Three Ravens, this time.
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 11:51:30 -0800
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Sorry about the borrowed subject line. My bad.--- Sandy Paton <[unmask]> wrote:> A serious ballad lover just asked me what the
> "earthen
> lake" in Three Ravens might be. She also wondered
> what
> the overall "meaning" of the ballad could be.
> Perhaps
> a few of you can offer comments? I'll forward them.
>      Thanks,
>      Sandy Paton (the Connecticut Sandy)
>

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Subject: Re: earthen lake/Three ravens
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 15:00:24 EST
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Subject: Re: earthen lake/Three ravens
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 22:40:00 -0000
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----- Original Message -----
From: "Heather Wood" <[unmask]>
To: <[unmask]>
Sent: 22 February 2005 20:00
Subject: Re: earthen lake/Three ravens> In a message dated 2/22/2005 2:52:31 PM Eastern Standard Time,
> [unmask] writes:
> A serious ballad lover just asked me what the "earthen
> lake" in Three Ravens might be. She also wondered what
> the overall "meaning" of the ballad could be. Perhaps
> a few of you can offer comments? I'll forward them.
>      Thanks,
>      Sandy Paton (the Connecticut Sandy)
>
> John Jamieson's Etymological Dictionary of the Scottish Language has
>
> Lak - a level or low-lying district, a plain.I've seen the term glossed as "the grave", but I don't know about that. It might just be a lake with
an earthen rather than clay bed (I think the term is used in America, but there seems to be some
specialised sense that I am missing; perhaps they are fed by rainwater rather than springs or
watercourses?) I think that the Scottish word Heather mentions is more usually 'laigh' or 'laich', a
dialectal form of 'low' sometimes used by extension for a hollow or low-lying land. There seem to be
several possibilities already, then.Bronson (I, 308) follows earlier scholars in suggesting that The Three Ravens is descended from the
same ancestral song as The Corpus Christi Carol, the latter being a "pious adaptation" of it. David
Fowler, by contrast (Literary History of the Popular Ballad, Durham NC: Duke University, 1968,
58-64) sees Three Ravens as "a secularised, chivalric Pieta" based on Corpus Christi.A lot more has been written about Corpus Christi, of course, so a look at (for example) Greene's
Early English Carols, which provides extensive references, might prove helpful; but of course much
of the light that would shed on it is of the very romantic twilight sort, full of grail knights and
such. Anne Gilchrist's essay in the Journal of the Folk Song Society (vol IV issue 15, 1910, 52-66)
includes a lot of interesting material, but it's very much of its time and probably shouldn't be
taken without a fair pinch of salt. Fowler's explanation, taking into account the mediaeval
"figurative imagination", is simpler and more convincing to my mind, but I wouldn't want to attempt
a summary at the moment.Malcolm Douglas

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Subject: Re: earthen lake/Three ravens
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Feb 2005 15:42:50 -0800
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Subject: Roses
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Feb 2005 06:08:23 +0100
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Can anyone provide an origin for the following, my personal favourite of
all rounds:Rose, rose, rose, rose
Shall I ever see thee red?
Aye, marry that thou shalt
When thou art dead?Andy

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Subject: Re: Roses
From: [unmask]
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Date:Wed, 23 Feb 2005 01:01:04 EST
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Subject: Re: Roses
From: ghost <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Feb 2005 16:32:24 -0500
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My version:Rose, Rose, Rose, Rose
Will I ever see thee wed
I will marry at they will, sire
At thy(-y) will

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Subject: Re: Roses
From: J M F <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Feb 2005 17:00:36 -0500
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that was"I will marry at thy will, sire"etc

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Subject: Re: Roses
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Feb 2005 14:31:44 -0800
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Punctuation of this round is critical.   It is actually a question and answer, first the man, the woman agreeing to marry at his command.Ed----- Original Message -----
From: J M F <[unmask]>
Date: Wednesday, February 23, 2005 2:00 pm
Subject: Re: Roses> that was
>
> "I will marry at thy will, sire"
>
> etc
>

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Subject: Re: Roses
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Feb 2005 18:31:13 -0500
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I learned it and teach it as
"I shall marry at my will, sir,
at my will"which changes things considerably (a 20th cent. convention?)Beth Brooks
Indianapolis>>> [unmask] 02/23/05 5:31 PM >>>
Punctuation of this round is critical.   It is actually a question and
answer, first the man, the woman agreeing to marry at his command.Ed

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Subject: Art of Gees Bend
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 09:03:46 EST
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Subject: Belle Stewart
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 09:07:24 EST
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Subject: Re: Art of Gees Bend
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 09:27:13 -0800
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Fred:You get the hardanger fiddle and quilting and Arthur Miller.  We get  top 40 and golden oldies (1970s) and Led Zepplin.  Am I envious?  You better believe.Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Thursday, February 24, 2005 6:03 am
Subject: Art of Gees Bend> I just set up the Internet to record last Tuesday's programme about
> ArthurMiller collecting folksongs, and found the BBC were in the
> middle of
> transmitting a programme called The Art of Gees Bend. Gees Bend
> turns out to be  an
> isolated hamlet in Alabama, where the quilts made by the local
> women have had a
> considerable impact on the art world. It proved a  fascinating
> programme, with
> quite a few locally sung spirituals, and a fair bit  about the
> history and
> folklife of the region.
>
> It can be heard on the BBC Radio 4 Listen Again facility, and is
> definitelyworth catching. Not folk balladry perhaps, but certainly
> folk  quilting.
>
> Also, for anyone who can receive BBC digital television, on Friday
> March 4,
> BBC TV 4 are broadcasting an hour long programme on the Norwegian
> Hardangerfiddle at 22-00 hrs GMT.
>
> Cheers,
>
> Fred McCormick.
>

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Subject: Re: Art of Gees Bend
From: Mike Luster <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 12:49:04 -0500
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The exhibit of Gee's Bend quilts just opened in Memphis. There's a nice companion cd of field-recorded gospel, one disc recorded there in 1941, the other from 2001.--
Mike Luster
KEDM FM
611A Roselawn Ave.
Monroe, LA  71201Creole Statement/AmericanaRama
airs Saturdays 7-11PM CST
archived programs available at:
http://kedm.org/creolestatement/real.htm
http://kedm.org/americanarama/real.htm
KEDM.org
[unmask]
318-342-5565 studio line
318-324-1665 voice or fax"The music choices and opinions on these programs are my own and not those of KEDM, its management, or the University of Louisiana at Monroe."

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Subject: Re: Art of Gees Bend
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 13:12:32 EST
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Subject: Re: Art of Gees Bend
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 10:23:37 -0800
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Fred:For all the aural pollution you endure, I would point out that I was interviewed about Woody Guthrie when my book was released in the UK three times for three different BBC radio shows.  That is  two more radio interviews than National Public Radio afforded the book -- though I must say the Sunday Morning show was very well done.Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Thursday, February 24, 2005 10:12 am
Subject: Re: Art of Gees Bend>
> Ed.,
>
> You better believe it. We normally get more televised and radioised
> junkthan you could ever manage to shake a stick at. I dunno what's
> gone wrong, but
> the moguls of the media mustn't have noticed that their underlings
> have  been
> sneaking out a few worthwhile programmes for a change.
>
> If you're hard up for decent music in the States, you might try
> _http://www.bluegrasscountry.org/programs/schedule.php_
> (http://www.bluegrasscountry.org/programs/schedule.php)  .  The
> only problem is that it broadcasts 24 hours a day.
>
> Cheers,
>
> Fred
>
> In a message dated 24/02/2005 17:37:17 GMT Standard Time, [unmask]
> writes:
>
> Fred:
>
> You get the hardanger fiddle and quilting and Arthur  Miller.  We
> get  top 40
> and golden oldies (1970s) and Led  Zepplin.  Am I envious?  You better
> believe.
>
> Ed
>
>
>
>
>
>
>

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Subject: Three Ravens and "the earthern lake"
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 12:35:49 -0800
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You've probably been deluged with answers, but I've always heard that
"the earthern lake" referred to the Isle of Avalon in Glastonbury, i.e.
where King Arthur was reputedly buried, and even earlier the chalice
containing Christ's blood (Holy Grail)... This explanation ties in with
the ""isle" in Arthurian times being supposedly surrounded by a "shallow
marshy lake" and of course "earthern lake" as "Avalon" adds immeasurably
to a sense of multi-layered "mystery" in the ballad.

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Subject: Re: Art of Gees Bend
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Feb 2005 19:42:51 -0500
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Where in Memphis is this exhibit showing?
>
> From: Mike Luster <[unmask]>
> Date: 2005/02/24 Thu PM 12:49:04 EST
> To: [unmask]
> Subject: Re: Art of Gees Bend
>
> The exhibit of Gee's Bend quilts just opened in Memphis. There's a nice companion cd of field-recorded gospel, one disc recorded there in 1941, the other from 2001.
>
> --
> Mike Luster
> KEDM FM
> 611A Roselawn Ave.
> Monroe, LA  71201
>
> Creole Statement/AmericanaRama
> airs Saturdays 7-11PM CST
> archived programs available at:
> http://kedm.org/creolestatement/real.htm
> http://kedm.org/americanarama/real.htm
> KEDM.org
> [unmask]
> 318-342-5565 studio line
> 318-324-1665 voice or fax
>
> "The music choices and opinions on these programs are my own and not those of KEDM, its management, or the University of Louisiana at Monroe."
>

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Subject: Re: Art of Gees Bend
From: Mike Luster <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 25 Feb 2005 06:43:28 -0500
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>Where in Memphis is this exhibit showing?At the Brooks Museum of Art--
Mike Luster
KEDM FM
611A Roselawn Ave.
Monroe, LA  71201Creole Statement/AmericanaRama
airs Saturdays 7-11PM CST
archived programs available at:
http://kedm.org/creolestatement/real.htm
http://kedm.org/americanarama/real.htm
KEDM.org
[unmask]
318-342-5565 studio line
318-324-1665 voice or fax"The music choices and opinions on these programs are my own and not those of KEDM, its management, or the University of Louisiana at Monroe."

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Subject: Re: Art of Gees Bend
From: Heather Wood <[unmask]>
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Date:Fri, 25 Feb 2005 06:55:40 EST
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Subject: Re: Blatant Semi-Commercial Announcement
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Feb 2005 14:12:12 -0500
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>Blatant Semi-Commercial Announcement
>
>Hi y'all. The University of West Virginia has recently added a new CD to
>their fine Sound Archive Series: I havent'heard it yet, but it appears
>that it may be of interest to at least some members of this list.
>
>John Handcox:
>Songs, Poems, and Stories
>Of The Southern Tenant
>Farmer Union
>
>Produced by Mark Jackson
>Contributors: Joe Glazer and Michael Honey
>WVY Press Sound Archive 5
>ISBN 0-937058-90-4
>$16.00 CD with booklet (*$12.98* from CAMSCO Music)OK, Dick, please send me one.I think you now have my credit card information and address.Thanks.John>In Depression-era Arkansas, tenant farmers came together to fight for
>better pay, favorable legislation, and better working conditions. They
>formed a multi-racial, desegregated union called the Southern Tenant
>Farmer Union. A tenant farmer himself, John Handcox recognized
>the injustices of the life of sharecroppers and embraced the union.
>Becoming involved in union activities, Handcox composed songs and
>poems that were sung at union meetings and used to raise spirits. In
>1937, Handcox made a recording at the Library of Congress. The
>songs were so popular that some have become folksongs themselves,
>recorded by musicians such as Pete Seeger and Woody Guthne.
>This CD represents the work of John Handcox from the 1937
>material as well as more recent material that was recorded by the
>Smithsonians Center for Folk Life and Cultural Heritage in the 1980s.
>The CD not only spans Handcox's entire career, but also includes an
>interview with Joe Glazer and labor historian Michael Honey recorded
>at the Library of Congress in 1985.

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Subject: Re: Blatant Semi-Commercial Announcement
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Feb 2005 14:28:16 -0500
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Sorry, sorry, sorry!  It's obvious what happened.  I'll try to be more careful.Dick, please send me a note to tell me you got this.Thanks, John>>Blatant Semi-Commercial Announcement
>>
>>Hi y'all. The University of West Virginia has recently added a new CD to
>>their fine Sound Archive Series: I havent'heard it yet, but it appears
>>that it may be of interest to at least some members of this list.
>>
>>John Handcox:
>>Songs, Poems, and Stories
>>Of The Southern Tenant
>>Farmer Union
>>
>>Produced by Mark Jackson
>>Contributors: Joe Glazer and Michael Honey
>>WVY Press Sound Archive 5
>>ISBN 0-937058-90-4
>>$16.00 CD with booklet (*$12.98* from CAMSCO Music)
>
>OK, Dick, please send me one.
>
>I think you now have my credit card information and address.
>
>Thanks.
>
>John
>
>>In Depression-era Arkansas, tenant farmers came together to fight for
>>better pay, favorable legislation, and better working conditions. They
>>formed a multi-racial, desegregated union called the Southern Tenant
>>Farmer Union. A tenant farmer himself, John Handcox recognized
>>the injustices of the life of sharecroppers and embraced the union.
>>Becoming involved in union activities, Handcox composed songs and
>>poems that were sung at union meetings and used to raise spirits. In
>>1937, Handcox made a recording at the Library of Congress. The
>>songs were so popular that some have become folksongs themselves,
>>recorded by musicians such as Pete Seeger and Woody Guthne.
>>This CD represents the work of John Handcox from the 1937
>>material as well as more recent material that was recorded by the
>>Smithsonians Center for Folk Life and Cultural Heritage in the 1980s.
>>The CD not only spans Handcox's entire career, but also includes an
>>interview with Joe Glazer and labor historian Michael Honey recorded
>>at the Library of Congress in 1985.

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Subject: Re: Roses
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Feb 2005 20:51:57 +0100
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Dear Mark,Thanks for the info and other versions... which I'VE never heard. As
we're on the open band, let me just reply to Ed as well as regards the
punctuation. I learnt it on a singing course more years ago than I'd
like to remember, and had never seen it in print until just before
putting my question to the list. The ONLY response to my search on the
internet gave the question-mark at the end of the fourth line, and I
thought, well, that's strange, but who am I to argue. (Personally I
thought it made little sense.) Well, the only degree to which  I'm
further forward is confirmation of what I had guessed from the words and
music - at least 16th c.Thanks for all replies,Andy[unmask] wrote:> Origin?  not likely, however it dates at least to the turn of the 16th
> century. The text you give is similar to the oldest, except for the
> last line:
>
> "Rose, rose, rose, rose
> Shall I ever see thee red?
> Aye, marry, an' thou wilt
> An' thou but stay"
>
> somewhat more cheerful than the dirge version you've given (which I've
> never come across before).  The round's later history is extremely
> varied and far too complex to tackle here.  Leave it to say that the
> tune has been used numerous times, most notably recently by Jean
> Ritchie in the "Peace Round".  The round is probably best known as
>
> Joan, Joan, Joan, Joan
> Shall I ever see the wed?
> I will marry at they will, sir,
> Marry at thy will.
>
> Mark
>
> In a message dated 2/22/2005 11:05:20 PM Central Standard Time,
> [unmask] writes:
>
>     Can anyone provide an origin for the following, my personal
>     favourite of
>     all rounds:
>
>     Rose, rose, rose, rose
>     Shall I ever see thee red?
>     Aye, marry that thou shalt
>     When thou art dead?
>
>     Andy
>
>

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Subject: Re: Three Ravens and "the earthern lake"
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Feb 2005 19:23:42 +0000
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Jean Lepley wrote:
> You've probably been deluged with answers, but I've always heard that
> "the earthern lake" referred to the Isle of Avalon in Glastonbury,I doubt it.  The OED gives citations from Wyclif in which "lake" (or
"lack" as it would have been pronounced) means pit or dungeon.  And
Wyclif was much more part of Ravenscroft's world than the Arthurian
legends were.[Nice to see you back here, Jean - have you seen the photo I took of
you at Auchtermuchty, on my website?]-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
fax 0870 055 4975   <http://www.purr.demon.co.uk/jack/>   CD-ROMs of Scottish
traditional music; free stuff on food intolerance, music, and Mac logic fonts

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Subject: Re: Blatant Semi-Commercial Announcement
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Feb 2005 17:21:17 -0500
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Received E-mail. Thanx for the order.dickJohn Garst wrote:> Sorry, sorry, sorry!  It's obvious what happened.  I'll try to be more
> careful.
>
> Dick, please send me a note to tell me you got this.
>
> Thanks, John
>
>>> Blatant Semi-Commercial Announcement
>>>
>>> Hi y'all. The University of West Virginia has recently added a new
>>> CD to
>>> their fine Sound Archive Series: I havent'heard it yet, but it appears
>>> that it may be of interest to at least some members of this list.
>>>
>>> John Handcox:
>>> Songs, Poems, and Stories
>>> Of The Southern Tenant
>>> Farmer Union
>>>
>>> Produced by Mark Jackson
>>> Contributors: Joe Glazer and Michael Honey
>>> WVY Press Sound Archive 5
>>> ISBN 0-937058-90-4
>>> $16.00 CD with booklet (*$12.98* from CAMSCO Music)
>>
>>
>> OK, Dick, please send me one.
>>
>> I think you now have my credit card information and address.
>>
>> Thanks.
>>
>> John
>>
>>> In Depression-era Arkansas, tenant farmers came together to fight for
>>> better pay, favorable legislation, and better working conditions. They
>>> formed a multi-racial, desegregated union called the Southern Tenant
>>> Farmer Union. A tenant farmer himself, John Handcox recognized
>>> the injustices of the life of sharecroppers and embraced the union.
>>> Becoming involved in union activities, Handcox composed songs and
>>> poems that were sung at union meetings and used to raise spirits. In
>>> 1937, Handcox made a recording at the Library of Congress. The
>>> songs were so popular that some have become folksongs themselves,
>>> recorded by musicians such as Pete Seeger and Woody Guthne.
>>> This CD represents the work of John Handcox from the 1937
>>> material as well as more recent material that was recorded by the
>>> Smithsonians Center for Folk Life and Cultural Heritage in the 1980s.
>>> The CD not only spans Handcox's entire career, but also includes an
>>> interview with Joe Glazer and labor historian Michael Honey recorded
>>> at the Library of Congress in 1985.
>>
>
>

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Subject: Ebay List - 02/26/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Feb 2005 22:34:57 -0500
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Hi!        After another week of searching Ebay, here are my results -        SONGSTERS        3961098883 - FAMOUS CANADIAN JUBILEE SINGERS Plantaion Lullabies,
1900?, $8 (ends Mar-04-05 12:11:46 PST)        MISCELLANEOUS        5168123976 - Broadside of 2 songs, 22 GBP (ends Feb-27-05 16:18:01
PST)        4703432216 - CAROLINA LOWLAND PATOIS GULAH in story and rhyme by
Reeves, LP, $4.99 (ends Feb-27-05 18:00:00 PST)        6513935338 - Autograph of Francis J. Child, 1866, $19.99 (ends
Feb-28-05 18:15:11 PST)        6514177666 - The Amorous Muse, MacColl & Seeger, LP, 4.99 GBP (ends
Mar-04-05 23:23:47 PST)        4704250540 - the shepherd's song; border ballads, Willie Scott, LP,
1968, 4.99 GBP (ends Mar-06-05 02:43:30 PST)        SONGBOOKS, ETC.        4529921741 - AMERICAN MURDER BALLADS by Burt, 1964, $4.97 (ends
Feb-28-05 10:38:08 PST)        6948191184 - Ballads and Songs collected by the MIssouri Folk-Lore
Society, 1940, $9.95 (ends Feb-28-05 12:07:09 PST)        6947782774 - Religious Folk Songs Of The Negro, 1909, $24.99 (ends
Feb-28-05 18:00:00 PST)        6948241141 - Pills to Purge Melancholy by D'Urfey, volume 5, 1719,
$100 (ends Feb-28-05 18:35:31 PST)        4530048040 - Blow the Candle Out by Randolph, volume 2, 1992, $29.99
(ends Feb-28-05 19:12:32 PST)        3876563182 - 4 country songbooks, 1932-1940, $9.99 (ends Mar-01-05
08:57:10 PST)        6948746274 - Border Ballads by Beattie, 1952, $0.99 (ends Mar-01-05
09:55:43 PST)        7303201316 - Folk Songs of Canada by Fowke & Johnston, 1954, $8.99
(ends Mar-02-05 12:31:36 PST)        4529706543 - Scottish Songs & Ballads by Ritson, 1866 printing,
3.70 GBP (ends Mar-02-05 13:07:12 PST)        7303655722 - Joe Davis Folio of Hill Country Songs & Ballads, 1930,
$4.50 (ends Mar-03-05 11:49:47 PST)        4529953826 - Theatrical Street Ballads by Robinson, 1971, 4.99 GBP
(ends Mar-03-05 12:40:27 PST)        4531000823 - A BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC [18th
Century] by Sonneck, 1945, $24.99 (ends Mar-03-05 13:36:04 PST)        6948255726 - Songs of the North. Gathered together from the Highlands
and Lowlands of Scotland by MacLeod & Bolton, volume 1, 1910, $49.95 AU
(ends Mar-03-05 20:42:44 PST)        7956523672 - Ballads and ballad-Plays by Hampdon, 1934, 2 GBP (ends
Mar-04-05 08:00:15 PST)        7304045863 - The Vagabonds, Mountain Ballads, Old Time Songs & Hymns,
193?, $3.50 (ends Mar-04-05 15:32:37 PST)        6948369928 - AFRO-AMERICAN FOLKSONGS by KREHBIEL, 1914, $24 (ends
Mar-04-05 17:44:52 PST)        6948623096 - Ballads Ancient and Modern by Macintyre, 1937, 5 GBP
(ends Mar-06-05 04:26:31 PST)        7303487855 - The Crystal Spring, Book 2 by Sharp, 1975, 10.99 GBP
(ends Mar-06-05 07:34:47 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Blatant Semi-Commercial Announcement
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 05:21:22 EST
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Subject: Re: Belle Stewart
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 09:57:32 -0500
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On Thu, 24 Feb 2005 09:07:24 EST, Fred McCormick wrote:>I've just been looking through an old (circa 1972) Topic Records catalogue,
>which disclosed the news that Belle Stewart was born in 1906. If so, that
>means  her centenary will be next year. Does anyone know of any plans to
>commemorate  this wonderful lady ?The Happy File gives:Belle Stewart, BEM (1986, for services to folk music)
b18 July, 1906, d4 Sep, 1997-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Pufferbillies
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 07:13:11 -0800
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Does anyone know the history of Pufferbillies?  Is it an American song?
  When did it first appear in print?Down at the station house early in the morning
See the little Pufferbillies all in a row
See the station master pull a little handle
Chug, chug, choo, choo
Off we go-Adam Miller
Woodside, CA

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Subject: Re: Pufferbillies
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 10:22:02 EST
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Subject: Re: Belle Stewart
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 11:11:00 EST
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Subject: Re: Pufferbillies
From: Sandy Ives <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 11:40:51 -0500
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I remember "Pufferbillies" very fondly.  Back around 1935 I was a camper at Camp Curtis S. Read in Mahopac NY. It was a BoyScout camp, and one Sunday a rather senior Scout Executive paid us an official visit. At lunch this day he taught us this song
as a round:
                Down at the station early in the morning
                See the little pufferbillies all in a row.
                See the engineer turn a little handle
                Sssh shss  poop poop off they go.
Gestures: with ssh ssh we'd reach up and make like we were turning a valve; then on poop poop we'd make like we were pulling a cord. None of us had ever heard the song before, but it became a classic immediately, and we sang it over and over at
mealtimes. This Sen.Sct.Exec. was probably checking Camp Read out, and doubtless he went to other camps, where for sure he got them singing it. And, by the way, he explained to us that pufferbillies were switch engines.
That's all she wrote!
                                        Sandy Ives (the other Sandy)

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Subject: Re: Pufferbillies
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 08:47:41 -0800
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Adam:Partridge's UK-centric slang dictionary (1961) gives "puffing billy" as a locomotive, and dates it to late 19th C.The melody, by the way, is an excellent round.Ed----- Original Message -----
From: Adam Miller <[unmask]>
Date: Sunday, February 27, 2005 7:13 am
Subject: Pufferbillies> Does anyone know the history of Pufferbillies?  Is it an American
> song?  When did it first appear in print?
>
> Down at the station house early in the morning
> See the little Pufferbillies all in a row
> See the station master pull a little handle
> Chug, chug, choo, choo
> Off we go
>
> -Adam Miller
> Woodside, CA
>

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Subject: Re: Pufferbillies
From: P & VJ Thorpe <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 22:56:35 +0600
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Subject: ballad of Tushielaw (sp?)
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 10:58:52 -0800
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Has anyone know this very melodic ballad?  It has a recurring verse of
"She's the earl of March's daughter/ and the flooer of ---/ but the humble
squire of Tushielaw/ has ta'en her heart awa'"  I have a good part of it
on tape (from Keith, outside of Aberdeen in 2003) and a friend who was at
Keith a few years earlier is haunted by the same song, which she remembers
a "Garrick MacPherson" singing.  I can't find the ballad in Child or in
the Grieg-Duncan Folk Song Collection, but I can't believe it doesn't have
a history -- and that somebody out there can't help me with missing words.
(Maybe you, Jack?  Thanks for the welcome back, and no, I didn't know my
photo was on your website.)

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Subject: Re: ballad of Tushielaw (sp?)
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 14:17:47 EST
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Subject: Ballad of Tushielaw
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 11:49:25 -0800
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Yes, the Sir Walter Scott story fits (in fact, Peebles is mentioned), but
I'm still looking for the ballad words.

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Subject: Re: Ballad of Tushielaw
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 20:51:05 -0000
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----- Original Message -----
From: "Jean Lepley" <[unmask]>
To: <[unmask]>
Sent: 27 February 2005 19:49
Subject: Ballad of Tushielaw> Yes, the Sir Walter Scott story fits (in fact, Peebles is mentioned), but
> I'm still looking for the ballad words.Both Scott and Thomas Campbell wrote poems based on the story, neither of which contain the lines
quoted; Scott's appears in Christie's 'Traditional Ballad Airs' (II, 272-3), set to the air of 'The
Privateering.' 'The Maid of Neidpath' is supposed to be Jane Douglas, born 1705, and her ghost
allegedly remains at the castle.I find a reference to an earlier story, this time involving Elizabeth Douglas, "daughter of the Earl
of March, [who] was betrothed to [ ] heir of King Robert III of Scotland, but fell in love with the
son of a border chieftain, young Scott of Tushielaw. Disguised as a wandering minstrel, he came and
sang beneath her window in the castle of Neidpath, in which she was imprisoned, and suggested in his
song a means of elopement. The girl dropped a sprig of wallflower at his feet, to show that she
understood the message; but when the time came, in her agitation she failed to fasten the
rope-ladder securely; she fell from a height and was killed."(http://www.tartans.com/)No source is given for the account. At the moment, I'd guess that the song in question is a modern
piece based on one or other of the stories. 'Earl O' Marches Daughter' appears on a record by 'Gan
Canny' (singer, Garrick MacPherson), '9 Hours In Auld Reekie' (http://www.moidartmusic.com/57.htm).Malcolm Douglas

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Subject: Re: Ballad of Tushielaw
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Feb 2005 21:16:31 -0000
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A couple of corrections to my previous. I mis-typed "Jane" Douglas, which should have been Jean;
though Scott calls her Mary. and Campbell, Ellen! Heaven knows which (if any) is right. The history
of the Douglas Family is one of byzantine complexity and not a little myth.I also inadvertently called Garrick MacPherson's band "Gan Canny", presumably because I ran into a
chap from the North East of England last night who says it all the time; that should have been "Ca
Canny".Malcolm Douglas

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Subject: Will the earliest Gunpowder Plot/Fawkes song please stand up!
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 11:54:00 -0500
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So far in my travels I have come up with two 17th century ones- both
dates a bit fuzzy....Anyone know any earlier? (there are a few other Psalmlike/sermon ones
but not ballads exactly)1663-1664
The Loyal Subject (as it is reason)
Drinks Good Sack and is Free from TreasonCome let's drink the time invites,
Winter and cold weather,
for to pass away long nights,
And to keep good wits together;
Better far than Cards or Dice,
Or Isaac's Balls that quaint Device,
made up of Fan and feather,Of grand Actions on the Seas,
We will ne'er be jealous,
Give us Liquor that will please,
and will make us braver fellows
Than the bold Venetian Fleet,
When the Turks and they do meet,
within the Dardonellows.Mahomet was no Divine,
But a senseless Widgeon,
To forbid the use of Wine
unto those of his Religion;
false sickness was his shame,
And his Throne shall have the blame,
for all his whispering Pidgeon,Valentia that famous Town,
and the French-mens wonder,
Water it imploy'd to drown,
and to cut their Traps asunder;
Turene cast a helpless look,
Whilst the crafty Spaniards took,
La-Ferta and his Plunder,Therefore Water we disdain,
Mankinds adversary,
Once it caus'd the worlds whole frame
in a Deluge to miscarry;
Nay the Enemies of Joy,
Seek with Cavy to destroy,
And murder good Canary.Sack's the Princes surest Guard,
if he would but try it,
No rebellion e'r was heard,
where the Subjects  soundly ply it,
And three Constables at most,
Are enough to quell an host,
that thus disturb our quiet.Drink about your full brim Bowls,
See there be no Shrinking,
For to quench your thirsty Souls,
we of Protests are not thinking,
But a way we will devise
How to make our colours rise,
and Noses rich with drinkingCause the rubies to appear
in their Orient Lustre,
Pottle Pots bring up the Rear,
for our forces we must muster,
Senior Gallon leads the Van,
He hath taken many a man,
and downs them on a Cluster,Sack it doth inspire the Will,
Though the Brain be muddy,
Some that ne'r knew nothing yet,
by it's vertue falls to Study;
He that tipples up good Sack,
Finds sound Marrow in the Back,
that's wholsom for the Belly.All the faculties of Man,
Are inriched by this Treasure,
He that First this Bowl began,
let him give to all his measure:
Sack is like Aetherial fire,
Which doth kindle new desire,
to do a woman Pleasure.Sack doth make the Spirit bold,
'tis like the Muses Nectar,
Some that Silent tongues did hold,
now can speak a learned Lecture,
By the flowing of the Tub,
They can break Alcidds Club,
and take the Crown from Hector.We ne'r covet to be Rich,
With Commerse or Trading,
Nor have we no zealous Itch,
Though our quondam means is fading,
But our Revels and our Store
And Wits, is how to get more
good Sack, and tha's our lading.We that drink good Sack in Plate,
To make us blithe and jolly,
Never Plot against the State,
To be punish'd for such folly,
But the merry Glass and Pipe,
Makes our Senses quick and ripe,
and expels Melancholly.See the Squibs, and hear the Bells
the fifth day of November,
The Preacher a sad Story tells,
And with horror doth remember,
how some dry-braind traitors wrought
Plots, that would to ruine brought,
both king and every Member.We that drink, have no such thoughts,
blind and void of Reason.
We take care to fill our Vaults,
With good Wine at every season,
And with many a cheerful Cup,
We blow one another up,
and that's our only Treason.-Crouch, E. London; Coles, F. London; Vere, T. London; Wright, J. London
1663 and 1674 Imprint: London, Printed by E.C. for F. Coles, T. Vere and
J. Wright 4o Rawl. 566(84)1667-1673
A SongOf Catesby, Faux, and Garnet,
     a story I'le you tell-a,
And of a Rare Plott,
     ne're to be forgott,
And eke how it befell-a.All on the 4th of November, 1605
     the Papists they had a drift-a
Quite to destroy
     brave England's joy,
And to blow it all up on the fifth-a.Soe many Barrells of Gunpowder,
     the like was never seen-a,
That eke that match
     had chanc'd to catch,
Good Lord, where should we all have been-a?Why we should all have been slaine outright,
     for marke what these varlets had don- a,
They had sett so many Barrells
     to decide all our Quarrells,
Nay they had don't as sure as a Gun-a. [done itO Varlets that esteeme noe more
     3 Kingdoms than 3 shillings!
It were a Good deed
     to hang 'm with Speed,-
Oh out uppon them Villaines!But now these Papists their designs
     we care not for a louse-a;
For fit as it was,
     it soe came to passe
The the Plot was blown up, not the house-a.For our King he went to the Parliament
     to meet his Noble Peers-a;
But if he had knowne
     where he should have been blown,
He durst not have gon for his Eares-a.Then, "Powder I smell," quothe our gracious King
     (now our King was an excellent smeller);
And lowder and lowder,
     quoth the King, "I smell powder";
And downe he run into the Cellar.And when he came the Cellar into,
     and was the danger amid-a,
He found that the traine
     had not been in vaine,
Had he not come downe as he did-a.Then the Noble-men that there stood by
     and heard the words of the King-a,-
"Ah, my Soul, if the Fire
     had come a little higher,
'Twould have made vs all flye without wings-a!No tune cited in MS.London, British Library, Additional MS 18220   (BLa20)
Of Catesby Faux and Garnet   BLa20*161  (f. 125r-v)
Manuscript 18220
POLITICAL and other poems, epigrams, etc., with a few pieces in prose,
collected by John Watson, apparently during the years 1667-1673,although
some of the pieces have earlier dates. The names of the persons from
whom he obtained them are noted at the end of the several compositions.
On the fly-leaf is the note, "Jo. Watson. Ex dono D?Barb. Rhodes, vidu?
Mri Joan. Rhodes, Decemb. 5, 1667," Paper.
Octavo [Add. 18,220.]--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Pufferbillies
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 14:36:42 -0800
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Subject: Re: Pufferbillies
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 17:58:42 -0500
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I am looking at the book "My Very First Mother Goose" -- really my  
grandson's --  edited by Iona Opie Illustrated by Rosemary Wells  
Candelwick Press Cambridge MA 1996
Opie has "puffer-billies" all in a rowGeorge
George F Madaus
Professor Emeritus
Boston College
On Feb, 28, 2005, at 5:36 PM, Norm Cohen wrote:> That's interesting; I always thought (from my long-gone youth) that it  
> was
> "pufferbellies," which made perfect sense for a steam locomotive.
> Norm
>
> ----- Original Message -----
>  From:  P & VJ Thorpe
> To: [unmask]
> Sent: Sunday, February 27, 2005 8:56 AM
> Subject: Re: Pufferbillies
>
> Me too - about the same time in UK.
> ?
> Of course, Puffy Billy was the name of a locomotive built in 1814 for  
> colliery work near Newcastle-upon-Tyne in England.
> ?
> Peter Thorpe?
> ----- Original Message -----
>  From: Heather Wood
> To: [unmask]
> Sent: Sunday, February 27, 2005 9:22 PM
> Subject: Re: Pufferbillies
>
> In a message dated 2/27/2005 10:15:49 AM Eastern Standard Time,  
> [unmask] writes:
> Does anyone know the history of Pufferbillies?? Is it an American song?
> ? When did it first appear in print?
>
> Down at the station house early in the morning
> See the little Pufferbillies all in a row
> See the station master pull a little handle
> Chug, chug, choo, choo
> Off we go
> I knew it early in life (i.e., 1950s). see  
> http://www.bbc.co.uk/schoolradio/earlylearning/ 
> listenandplay_autumn04_prog04.shtml
> ?
> Heather Wood

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Subject: Re: ballad of Tushielaw
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Feb 2005 17:07:18 -0800
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Jean - it would help a great deal if you posted the words you can make out.Murray Shoolbraid

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Subject: Re: Pufferbillies
From: Heather Wood <[unmask]>
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Date:Mon, 28 Feb 2005 20:33:12 EST
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Subject: Re: Pufferbillies
From: Heather Wood <[unmask]>
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Date:Mon, 28 Feb 2005 20:53:44 EST
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Subject: Re: Pufferbillies
From: P & VJ Thorpe <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 08:02:16 +0600
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Subject: Re: BALLAD-L Digest - 28 Feb 2005 (#2005-93): Earworms
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 08:25:14 -0500
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Automatic digest processor <[unmask]>, in the
person of Heather Wood, writes:> does anyone know how to get rid of an ear-worm (the tune that gets
> into your head and stays there)?
>
> I've got those dam' puffer-trains ...and it's a REALLY STUPID tuneDeliberately switch to a suitably edifying tune, such as that of a
hymn or patriotic anthem.  I generally use The Star-Spangled Banner.
--
---  Joe Fineman    [unmask]||:  Whatever you live is life.  :||

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Subject: Puffer Billies
From: Lydia Fish <[unmask]>
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Date:Tue, 1 Mar 2005 09:38:34 EST
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Subject: Re: Pufferbillies
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 10:49:46 -0500
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Yes I remember singing it in the fifties.
Just a guess but it sounds to me like the product of a 20s/30s children's
radio programme, something like 'Listen With Mother' British radio that is.Heather
Earworms can be very infectious, I'd watch out. Listening to the radio
about a year ago I caught part of foreign female singer singing a very
haunting song which was also familiar from my 50s childhood. Before I
eventually found out what it was I managed to infect 100s of my associates
and family with the annoying nagging desire to find out what the familiar
tune was. I eventually tracked it down. It was 'Coimbra'/ 'April in
Portugal' by Amalia Rodrigues that wonderful Fado singer, and I'm now a big
Fado fan.
SteveG

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Subject: Re: Pufferbillies
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 11:50:35 -0500
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I read somewhere (I think our local newsrag) that the two best ways to
get rid of earworms is to play them on your instrument or share them
with someone else. I've subjected my husband to them over the years, and
it almost always goes away when I've given it to someone else.Beth Brooks>>Earworms can be very infectious, I'd watch out.

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Subject: Re: Pufferbillies
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 13:05:05 -0500
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Thanks, Beth,
It certainly helped me sharing the earworm, but I don't think it endeared
me to those on the receiving end.
SteveG

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Subject: Re: Pufferbillies
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 18:16:52 -0000
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I agree with Beth. My technique is simply to sing the damn thing. The
mistake is not to let it out, or it just runs round in your head forever.Another trick might be to try and play it on an instrument one is totally
incompetent with, always assuming you happen to have such an instrument
lying around, of course. Then you get one of three results: your brain gives
up, you learn an interesting instrument or your neighbours kill you. Anyone
for "Puffer-Billies" on, say, the Uillean Pipes? ;oDCheers
Simon-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of Beth Brooks
Sent: 01 March 2005 16:51
To: [unmask]
Subject: Re: PufferbilliesI read somewhere (I think our local newsrag) that the two best ways to
get rid of earworms is to play them on your instrument or share them
with someone else. I've subjected my husband to them over the years, and
it almost always goes away when I've given it to someone else.Beth Brooks>>Earworms can be very infectious, I'd watch out.__________ NOD32 1.1015 (20050301) Information __________This message was checked by NOD32 antivirus system.
http://www.nod32.com

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Subject: Re: Pufferbillies
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 10:24:25 -0800
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Dear Simon,Wait until you hear the soon-to-be-released CD "Sam Hinton - Master of
the Diatonic Harmonica," which comes out on June 4th.Sam plays "Pufferbillies" on the ten-hole diatonic harmonica, as a
round, by himself.  It's pretty amazing and entertaining.The album contains over 120 songs and stories on two CDs: Folksongs,
reels, jigs, double jigs, gospel songs, fiddle tunes, Yiddish ditties,
hoedowns and hornpipes  And it's all solo harmonica.  Many people don't
know that Sam is the greatest living non-blues, first position solo
harmonica player.-Adam Miller
Woodside, CAOn Mar 1, 2005, at 10:16 AM, Simon Furey wrote:> I agree with Beth. My technique is simply to sing the damn thing. The
> mistake is not to let it out, or it just runs round in your head
> forever.
>
> Another trick might be to try and play it on an instrument one is
> totally
> incompetent with, always assuming you happen to have such an instrument
> lying around, of course. Then you get one of three results: your brain
> gives
> up, you learn an interesting instrument or your neighbours kill you.
> Anyone
> for "Puffer-Billies" on, say, the Uillean Pipes? ;oD
>
> Cheers
> Simon
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]
> On
> Behalf Of Beth Brooks
> Sent: 01 March 2005 16:51
> To: [unmask]
> Subject: Re: Pufferbillies
>
> I read somewhere (I think our local newsrag) that the two best ways to
> get rid of earworms is to play them on your instrument or share them
> with someone else. I've subjected my husband to them over the years,
> and
> it almost always goes away when I've given it to someone else.
>
> Beth Brooks
>
>>> Earworms can be very infectious, I'd watch out.
>
>
> __________ NOD32 1.1015 (20050301) Information __________
>
> This message was checked by NOD32 antivirus system.
> http://www.nod32.com
>

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Subject: Re: Pufferbillies
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 14:16:48 -0500
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>Dear Simon,
>
>Wait until you hear the soon-to-be-released CD "Sam Hinton - Master of
>the Diatonic Harmonica," which comes out on June 4th.
>
>Sam plays "Pufferbillies" on the ten-hole diatonic harmonica, as a
>round, by himself.  It's pretty amazing and entertaining.
>
>The album contains over 120 songs and stories on two CDs: Folksongs,
>reels, jigs, double jigs, gospel songs, fiddle tunes, Yiddish ditties,
>hoedowns and hornpipes  And it's all solo harmonica.  Many people don't
>know that Sam is the greatest living non-blues, first position solo
>harmonica player.I recall an Eddie Condon obituary: "one of jazz's great left-handed
rhythm guitar players" (or something like that).Thanks for the heads-up.  I really look forward to Sam's CD.>-Adam Miller
>Woodside, CA
--
john garst    [unmask]

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Subject: Re: Pufferbillies
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 11:31:42 -0800
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I saw Sam play harmonica (and other instruments) years ago several times.
He blew me away (so to speak)
Norm> >Dear Simon,
> >
> >Wait until you hear the soon-to-be-released CD "Sam Hinton - Master of
> >the Diatonic Harmonica," which comes out on June 4th.
> >
> >Sam plays "Pufferbillies" on the ten-hole diatonic harmonica, as a
> >round, by himself.  It's pretty amazing and entertaining.
> >
> >The album contains over 120 songs and stories on two CDs: Folksongs,
> >reels, jigs, double jigs, gospel songs, fiddle tunes, Yiddish ditties,
> >hoedowns and hornpipes  And it's all solo harmonica.  Many people don't
> >know that Sam is the greatest living non-blues, first position solo
> >harmonica player.
>
>

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Subject: Re: Pufferbillies
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 15:52:51 -0500
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>Does anyone know the history of Pufferbillies?  Is it an American song?
>  When did it first appear in print?
>...
>-Adam MillerHas anyone answered Adam's questions?Are far as I can tell, we have pushed it back to ca 1935 and had some
speculation that it was a '20s-'30s British song.John

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Subject: Ear-worms
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 15:07:40 -0800
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Or another approach: blast it out of your head with
a worse (=more 'memorable,' invasive) one.  I find
that humming a few bars of, say, "Mairzy Doats" usually
works.  Of course, that leaves you with the dregs to
take care of -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Ear-worms
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Mar 2005 23:07:38 EST
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In a message dated 03/01/05 3:07:59 PM, [unmask] writes:<<  Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
 >>

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Subject: New cd out- Rayna Gellert & Susie Goehring
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 2 Mar 2005 20:59:43 -0500
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Friends,
I am passing the word about the release of Rayna Gellert & Susie'
Goehring's CD, "Starch and Iron".  Rayna plays oldtime fiddle to Susie's
guitar, and they both sing some great oldtime songs and ballads.  There is
a nice mix between instrumental fiddle tunes and songs.
Rayna's fiddling is truly impressive (as always), and the two women do some
beautiful harmony singing together.   -Susie does a particularly delectable
solo a cappella ballad Addie Graham used to sing, called Sister Thou Art
Mild and Lovely (my personal most favorite track, Susie's voice being so
true and pure, both strong and gentle at the same time).  Here's the
website for the cd,  -there are several MP3 sample cuts you can listen to
there:
http://starchandiron.utopiandesign.com/
(Standard disclaimer: I don't profit from any of this, nor was I asked to
post anything..... I just happen to admire Susie Goehring to pieces and
have loved her music and her voice for years.)      ;)Lisa Johnson

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Subject: New? Kids folklore
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 2 Mar 2005 22:57:37 -0500
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Ballad-listers,        This is not really ballad related, but still folklore related.        I've noticed that recently the television station news
broadcasts in the Washington DC area have discovered kids' folklore --
at least on one particular vein.        They've recently (after our relatively late snows for the area)
interviewed some small kids -- probably 6-8 years old -- about what they
do to make sure that it snows and school is thus closed for the day.        The two which I have noticed mentioned are:1)      Go to bed with your pajamas inside-out.2)      Flush some ice cubes down the toilet.        At least one interviewee did both to be sure.        So -- I have two questions relating to this:1)      Are TV stations in other areas "discovering" this?2)      Are there any other kid's folk beliefs which I have not mentioned
        to cause snow?        Thanks,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: The Gentleman's Magazine repubication
From: Fred McCormick <[unmask]>
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Subject: Re: The Gentleman's Magazine repubication
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Subject: Re: The Gentleman's Magazine repubication
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Subject: Re: The Gentleman's Magazine repubication
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Subject: Re: The Gentleman's Magazine repubication
From: Fred McCormick <[unmask]>
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Subject: Re: New? Kids folklore
From: Jonathan Lighter <[unmask]>
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Date:Thu, 3 Mar 2005 05:03:41 -0800
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Subject: Starch&Iron
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 05:05:08 -0800
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Bought the CD while listening to MP3-- The Girl I left
Behind Me. Their site takes you right to PayPal, so by
the time the tune was done-- so was the order. Very
good stuff.C.

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Subject: Re: New? Kids folklore
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 08:41:36 -0500
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I've never heard of my elementary students doing anything of the sort,
but I know the teachers are inclined to do a "snow dance" the week
before Christmas break!The ritualistic/superstitious inverted pyjamas and ice cubes down the
toilet come, I suspect, from some child-centered mass media, either the
movie "Snow Day" (which I've not seen) or from some episode of a
cartoon, now that cartoons are available on demand at any hour of any
day.Beth Brooks
>>> [unmask] 03/03/05 8:03 AM >>>
I never heard anything like these when I was in grade school in the US
northeast (1950s). In fact, we didn't even have the term "snow day."
When the snow was bad enough, we had a "day off from school."
/DoN.html
--- Black Holes are where God is dividing by zero ---

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Subject: Re: Kids' folklore
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 08:43:43 -0500
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Automatic digest processor <[unmask]>, in the
person of DoN. Nichols, writes:>         They've recently (after our relatively late snows for the area)
> interviewed some small kids -- probably 6-8 years old -- about what
> they do to make sure that it snows and school is thus closed for the
> day.I spent part of my childhood in southern California, where it would
have taken very strong magic to make that happen, and part in Vermont,
where it would have taken a hell of a lot of snow.  Presumably such
folklore is confined to a climatic belt in between; perhaps
folklorists will someday come up with a map of it.
--
---  Joe Fineman    [unmask]||:  It's not who you know, it's whom.  :||

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Subject: Re: The Gentleman's Magazine repubication
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 09:04:05 -0500
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Amusingly, my email filter put this message in the SPAM box along with the
Viagra offers, yet totally ignored all the "Lady from France" posts.   ;)
LisaAt 05:36 AM 3/3/2005 -0500, you wrote:
>Hether,
>
> >is "repubication" when you get your balls back?<
>
>I wouldn't know. I've never lost mine.
>
>Fred
>

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Subject: Re: New? Kids folklore
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 10:13:04 -0600
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Grew up in Chicago during the 50s and early 60s. We used the term "snow
days" but never had them. Chalk it up to Mayor Daley keeping the streets
[and alleys] clear at all costs. The first time a "snow day" was
declared came shortly after his death as the political machine began to
come apart.Speaking of Chicago, are any of you familiar with Slim Brundage's
daughter Dorothy? She passed away several years ago but I'm interested
in contacting her children.

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Subject: Re: New? Kids folklore
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 11:26:57 -0600
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----- Original Message -----
From: "Clifford J OCHELTREE" <[unmask]><<Grew up in Chicago during the 50s and early 60s. We used the term "snow
days" but never had them. Chalk it up to Mayor Daley keeping the streets
[and alleys] clear at all costs. The first time a "snow day" was
declared came shortly after his death as the political machine began to
come apart.>>Not quite; January of '67, when we got 21" of snow in about 12 hours,
managed to shut the city down. I stayed on the U of C campus to see Judy
Collins do a concert at Mandel Hall (there were about 50 of us in the
audience), and never made it home.Peace,
Paul

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Subject: Re: New? Kids folklore
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 12:55:10 -0500
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Isn't the wearing of clothing inside out supposed to give
some form of protection from the fairy world? I know I've
read that in several stories.
I grew up in southern Cal, Hawaii, and south Texas. I don't
know who did what form of dance but I remember one winter day
getting snow in Texas. Two inches (maybe) and all the schools
closed. I saved some for my Dad who grew up in Worcester,
Mass. He was not terribly impressed.
Kathleen---- Original message ----
>Date: Thu, 3 Mar 2005 05:03:41 -0800
>From: Jonathan Lighter <[unmask]>
>Subject: Re: New? Kids folklore
>To: [unmask]>   In my childhood, clothing (like socks or underwear)
>   inadvertently worn inside out was regarded as a
>   bringer of good luck - but it had to be done
>   inadvertently to work.

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Subject: Re: New? Kids folklore
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 13:46:23 -0500
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On 2005/03/03 at 12:55:10PM -0500, [unmask] wrote:> Isn't the wearing of clothing inside out supposed to give
> some form of protection from the fairy world? I know I've
> read that in several stories.        That sounds like a reasonable origin for that part, at least.
And ice cubes down the toilet would be "sympathetic magic".> I grew up in southern Cal, Hawaii, and south Texas. I don't
> know who did what form of dance but I remember one winter day
> getting snow in Texas.        Hmm ... What part of South Texas?  I was in a town called
Cotulla -- about two thirds of the way from San Antonio to Laredo on
Highway 81.>                        Two inches (maybe) and all the schools
> closed.        And I remember once getting perhaps 1/4" to 1/2" of snow, and
they closed the schools for *two* days.  Someone had told them that it
was dangerous to drive on that stuff.  I remember that I had an Army
surplus pup tent set up, and the appearance of the snow on the ground
just outside the tent's entrance.  At a guess, this would have been
about 1952 or so.>         I saved some for my Dad who grew up in Worcester,
> Mass. He was not terribly impressed.        Nor would mine have been impressed, as he grew up in Boston
Mass.  But he was not there to see it, as I was living with my
grandparents because of rather severe asthma.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: The Gentleman's Magazine repubication
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 11:44:29 -0800
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Heather:Okay, I looked up this valuable resource, typed in "ballad" while searching _Gentleman's Magazine,_ got three hits including this from Vol. 5 (February, 1735), p. 93:"The scandalous practice of ballad singing is the bane of all good manners and morals, a nursery for idlers, whores and pickpockets, a School for Scandal, smut and debauchery and ought to be entirely suppressed, or reduced under p[roper restriction..."  There is more.  It is signed, ironically, "Democritis."Ed----- Original Message -----
From: Heather Wood <[unmask]>
Date: Thursday, March 3, 2005 2:27 am
Subject: Re: The Gentleman's Magazine repubication> In a message dated 3/3/2005 5:13:55 AM Eastern Standard Time,
> [unmask] writes:
> An unrivalled document of the cultural history of the era, the
> entire run of
> the magazine, 1731 to 1745,
> Interesting that the Internet Library of Early Journals at
> http://www.bodley.ox.ac.uk/ilej/ lists Gentleman's Magazine through
> 1750 (20 vols in all).
>
> For any who don't know this site, it holds the following journals
> (not all
> complete)
> Annual Register
> Blackwood's Edinburgh Magazine
> Gentleman's Magazine
> Notes and Queries
> Philosophical Transactions of the Royal Society
> The Builder
>
> in pdf form. "Browse" is just an index of holdings, vols, issues.
> "Search" is
> somewhat unreliable--they haven't fully digitized the text. I have
> sometimesfound that the "next page" button will produce "File Not
> Found" -- way round
> this is to go to the last good page and manually type the required
> page number
> into the end of the URL. Also found that using Norton's Internet
> Securitysometimes prevents the images from displaying. Otherwise a
> great and useful
> website. Notes and Queries is particulary fab.
>
> Heather
>

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Subject: Re: The Gentleman's Magazine repubication
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 15:01:06 EST
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Subject: Re: The Gentleman's Magazine repubication
From: Heather Wood <[unmask]>
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Date:Thu, 3 Mar 2005 15:03:06 EST
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Subject: EAR-WORMS
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 16:07:00 EST
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So far, nobody has mentioned Mark Twain's wonderful account of the ear-worm
(although I don't believe he used that term)  about the handling of street-car
tickets, "Punch In the Presence of the Passenjair"  which was seen as a poem
in a newspaper.  Mark Twain unloaded it to a preacher, who preached a funeral
oration that had all the mourners tapping their toes and nodding their heads in
rhythm.  The preacher at one point burst out "Oh! This misery will kill me!"
to which the new widow, mistaking  the  cause of his agony, replied "Bless you
sir, for those kind words!"  Twain's advice, given after he had quoted the
entire  offending poem, was "Reader, if you ever see these lines, shun them as
you would the plague! "My mother's father, "Judge" Duffie,  was a country lawyer living in Beaumont,
Texas. I used to spend my summers there with "Judge" and 'Dearie", his wife
and my maternal grandmother) 'way back in the 1920's.  (We lived 700 miles
north of there, in Tulsa, Oklahoma.)  Dearie and Judge owned, among other
treasures, the Complete Works of Mark Twain in a set of many red (and reread) volumes,
and that's where I found the story about  "Punch, Brothers."Sam Hinton
La Jolla, CAlifornia

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Subject: Vera Johnson
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 22:32:33 +0100
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I'd be grateful if anyone could supply the lyrics to Vera Johnson's
"Pierre Trudeau" song, especially if it was sent to [unmask]
within the next 14 hours! But anyhow!Andy

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Subject: Re: EAR-WORMS
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 16:36:20 -0500
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>the Complete Works of Mark Twain in a set of many red (and reread) volumes,
>and that's where I found the story about  "Punch, Brothers."
>
>Sam HintonWe hd it, and I recall it.John

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Subject: Re: EAR-WORMS
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 14:00:17 -0800
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Punch, brothers, punch,
Punch with care,
Punch in the presence of the passenjair.
A blue trip slip for a six cent fare,
A pink trip slip for a ten cent fare,
Punch brothers...  etc.
Is what echoes in my mind's ear.
Norm----- Original Message -----
From: <[unmask]>
To: <[unmask]>
Sent: Thursday, March 03, 2005 1:07 PM
Subject: EAR-WORMS> So far, nobody has mentioned Mark Twain's wonderful account of the
ear-worm
> (although I don't believe he used that term)  about the handling of
street-car
> tickets, "Punch In the Presence of the Passenjair"  which was seen as a
poem
> in a newspaper.  Mark Twain unloaded it to a preacher, who preached a
funeral
> oration that had all the mourners tapping their toes and nodding their
heads in
> rhythm.  The preacher at one point burst out "Oh! This misery will kill
me!"
> to which the new widow, mistaking  the  cause of his agony, replied "Bless
you
> sir, for those kind words!"  Twain's advice, given after he had quoted the
> entire  offending poem, was "Reader, if you ever see these lines, shun
them as
> you would the plague! "
>
> My mother's father, "Judge" Duffie,  was a country lawyer living in
Beaumont,
> Texas. I used to spend my summers there with "Judge" and 'Dearie", his
wife
> and my maternal grandmother) 'way back in the 1920's.  (We lived 700 miles
> north of there, in Tulsa, Oklahoma.)  Dearie and Judge owned, among other
> treasures, the Complete Works of Mark Twain in a set of many red (and
reread) volumes,
> and that's where I found the story about  "Punch, Brothers."
>
> Sam Hinton
> La Jolla, CAlifornia
>

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Subject: Re: EAR-WORMS
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 17:21:13 -0500
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>Punch, brothers, punch,
>Punch with care,
>Punch in the presence of the passenjair.
>A blue trip slip for a six cent fare,
>A pink trip slip for a ten cent fare,
>Punch brothers...  etc.
>Is what echoes in my mind's ear.
>NormI recallPunch, brothers, punch with care,
Punch in the presence of the passenjair....John

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Subject: Re: New? Kids folklore
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 16:28:42 -0600
Content-Type:text/plain
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True, I had forgotten. Unfortunately I was in a private HS by that time
and while the public schools were closed we were expected to attend class.Paul Stamler wrote:>----- Original Message -----
>From: "Clifford J OCHELTREE" <[unmask]>
>
><<Grew up in Chicago during the 50s and early 60s. We used the term "snow
>days" but never had them. Chalk it up to Mayor Daley keeping the streets
>[and alleys] clear at all costs. The first time a "snow day" was
>declared came shortly after his death as the political machine began to
>come apart.>>
>
>Not quite; January of '67, when we got 21" of snow in about 12 hours,
>managed to shut the city down. I stayed on the U of C campus to see Judy
>Collins do a concert at Mandel Hall (there were about 50 of us in the
>audience), and never made it home.
>
>Peace,
>Paul
>
>
>

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Subject: Re: New? Kids folklore
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 16:30:58 -0600
Content-Type:text/plain
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My only cousins were reared in Alaska. I recall asking them about "snow
days" and was advised that they did not have them. They were expected to
attend unless the temperature dropped below minus 50 degrees, no one
could be sure the busses would start![unmask] wrote:>Isn't the wearing of clothing inside out supposed to give
>some form of protection from the fairy world? I know I've
>read that in several stories.
>I grew up in southern Cal, Hawaii, and south Texas. I don't
>know who did what form of dance but I remember one winter day
>getting snow in Texas. Two inches (maybe) and all the schools
>closed. I saved some for my Dad who grew up in Worcester,
>Mass. He was not terribly impressed.
>Kathleen
>

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Subject: Ebay List - 03/03/05 (Songsters)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 17:23:12 -0500
Content-Type:text/plain
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Hi!        No earworms to report at the moment but perhaps we can find some
bookworms instead. :-) The main list will follow tomorrow.        SONGSTERS        6949318768 - 5 songster, recitations, song and joke book, and
songster catalogue, 1905-10, $4.99 (ends Mar-04-05 11:17:59 PST)        3878147874 - Henshaw & Ten Broeck The Nabobs Songster, 1892,
$9.50 (ends Mar-06-05 14:46:17 PST)        3962112952 - The Gormans' Minstrels Musical Album, 1891-2, $75
(ends Mar-09-05 18:17:24 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: The Gentleman's Magazine republication
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 17:39:39 -0500
Content-Type:text/plain
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The ILEJ project is an excellent start, but it should be borne in mind that it includes only a small selection of Gentleman's Mag. and Notes & Queries:
GM ran from 1745 - 1868 (224 volumes), so ILEJ has only 10%
NQ started in 1849 and is still going, and heaven knows what volume number they're up to now. They're both excellent sources, and they include oodles of folklore material, but there's no avoiding the slog of reading most of them in the original.
The 15 vols (plus index) of GM on offer from Postscript are quality cloth bindings, but the reproduction of some of the pages is rather muddy, as some of the early originals were.
They take up a whole shelf and look really smart, but they ain't worth ?700.
Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     Heather Wood <[unmask]>
To:       [unmask]
Subject:  Re: The Gentleman's Magazine repubication> In a message dated 3/3/2005 5:13:55 AM Eastern Standard Time,
> [unmask] writes:
> An unrivalled document of the cultural history of the era, the entire run of
> the magazine, 1731 to 1745,
> Interesting that the Internet Library of Early Journals at
> http://www.bodley.ox.ac.uk/ilej/ lists Gentleman's Magazine through 1750 (20 vols in all).
>
> For any who don't know this site, it holds the following journals (not all
> complete)
> Annual Register
> Blackwood's Edinburgh Magazine
> Gentleman's Magazine
> Notes and Queries
> Philosophical Transactions of the Royal Society
> The Builder
>
> in pdf form. "Browse" is just an index of holdings, vols, issues. "Search" is
> somewhat unreliable--they haven't fully digitized the text. I have sometimes
> found that the "next page" button will produce "File Not Found" -- way round
> this is to go to the last good page and manually type the required page number
> into the end of the URL. Also found that using Norton's Internet Security
> sometimes prevents the images from displaying. Otherwise a great and useful
> website. Notes and Queries is particulary fab.
>
> HeatherSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: The Gentleman's Magazine repubication
From: Jonathan Lighter <[unmask]>
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Subject: Re: EAR-WORMS
From: Jonathan Lighter <[unmask]>
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Date:Thu, 3 Mar 2005 15:26:17 -0800
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Subject: Re: EAR-WORMS
From: Heather Wood <[unmask]>
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Date:Thu, 3 Mar 2005 18:37:45 EST
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Subject: Re: EAR-WORMS
From: Jonathan Lighter <[unmask]>
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Date:Thu, 3 Mar 2005 15:48:58 -0800
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Subject: Re: EAR-WORMS
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 18:55:33 -0500
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A recent recording by Canada's James Gordon is entitled "Endomusia."
Here's a definition from the web:>endomusia
>silent recall of a melody; endomusia often appears as a type of obsessive
>thought [Psychiatric Dictionary, 4th ed., Hinsie and Campbell]
ear-worm, no?Mary Cliff, TRADITIONS
WETA Radio

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Subject: Re: EAR-WORMS
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 16:36:05 -0800
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Jonathan:One of the smarter folks who subscribe to ballad-l translated the German word for this common irritation.Ed
----- Original Message -----
From: Jonathan Lighter <[unmask]>
Date: Thursday, March 3, 2005 3:26 pm
Subject: Re: EAR-WORMS> "Ear-worm" in this sense isn't in the OED.  Did somebody just
> invent it, or is there a neat story behind it?
>
> JL
>
> [unmask] wrote:
> So far, nobody has mentioned Mark Twain's wonderful account of the
> ear-worm
> (although I don't believe he used that term) about the handling of
> street-car
> tickets, "Punch In the Presence of the Passenjair" which was seen
> as a poem
> in a newspaper. Mark Twain unloaded it to a preacher, who preached
> a funeral
> oration that had all the mourners tapping their toes and nodding
> their heads in
> rhythm. The preacher at one point burst out "Oh! This misery will
> kill me!"
> to which the new widow, mistaking the cause of his agony, replied
> "Bless you
> sir, for those kind words!" Twain's advice, given after he had
> quoted the
> entire offending poem, was "Reader, if you ever see these lines,
> shun them as
> you would the plague! "
>
> My mother's father, "Judge" Duffie, was a country lawyer living in
> Beaumont,Texas. I used to spend my summers there with "Judge" and
> 'Dearie", his wife
> and my maternal grandmother) 'way back in the 1920's. (We lived 700
> milesnorth of there, in Tulsa, Oklahoma.) Dearie and Judge owned,
> among other
> treasures, the Complete Works of Mark Twain in a set of many red
> (and reread) volumes,
> and that's where I found the story about "Punch, Brothers."
>
> Sam Hinton
> La Jolla, CAlifornia
>
>
> ---------------------------------
> Celebrate Yahoo!'s 10th Birthday!
> Yahoo! Netrospective: 100 Moments of the Web
>

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Subject: Re: EAR-WORMS
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 20:58:37 -0500
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Or, to move it up into Sci-Fi of the mid 20th Century:
"Tenser," said the tensor
"Tenser," said the tensor
Tension apprehension and dissension have begun...Norm Cohen wrote:>Punch, brothers, punch,
>Punch with care,
>Punch in the presence of the passenjair.
>A blue trip slip for a six cent fare,
>A pink trip slip for a ten cent fare,
>Punch brothers...  etc.
>Is what echoes in my mind's ear.
>Norm
>
>----- Original Message -----
>From: <[unmask]>
>To: <[unmask]>
>Sent: Thursday, March 03, 2005 1:07 PM
>Subject: EAR-WORMS
>
>
>
>
>>So far, nobody has mentioned Mark Twain's wonderful account of the
>>
>>
>ear-worm
>
>
>>(although I don't believe he used that term)  about the handling of
>>
>>
>street-car
>
>
>>tickets, "Punch In the Presence of the Passenjair"  which was seen as a
>>
>>
>poem
>
>
>>in a newspaper.  Mark Twain unloaded it to a preacher, who preached a
>>
>>
>funeral
>
>
>>oration that had all the mourners tapping their toes and nodding their
>>
>>
>heads in
>
>
>>rhythm.  The preacher at one point burst out "Oh! This misery will kill
>>
>>
>me!"
>
>
>>to which the new widow, mistaking  the  cause of his agony, replied "Bless
>>
>>
>you
>
>
>>sir, for those kind words!"  Twain's advice, given after he had quoted the
>>entire  offending poem, was "Reader, if you ever see these lines, shun
>>
>>
>them as
>
>
>>you would the plague! "
>>
>>My mother's father, "Judge" Duffie,  was a country lawyer living in
>>
>>
>Beaumont,
>
>
>>Texas. I used to spend my summers there with "Judge" and 'Dearie", his
>>
>>
>wife
>
>
>>and my maternal grandmother) 'way back in the 1920's.  (We lived 700 miles
>>north of there, in Tulsa, Oklahoma.)  Dearie and Judge owned, among other
>>treasures, the Complete Works of Mark Twain in a set of many red (and
>>
>>
>reread) volumes,
>
>
>>and that's where I found the story about  "Punch, Brothers."
>>
>>Sam Hinton
>>La Jolla, CAlifornia
>>
>>
>>
>
>
>
>
>
>

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Subject: Re: EAR-WORMS
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 21:11:03 EST
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Subject: Re: EAR-WORMS
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Mar 2005 18:34:19 -0800
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Dick's 'tensor' line is from Alfred Bester, The Demolished Man:  here's
VonnegutTENT RENTALS
Rented a tent, a tent, a tent,
Rented a tent, a tent, a tent,
Rented a tent!
Rented a tent!
Rented a, rented a tent.- snare drum on Mars, from The Sirens of Titan.----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Thursday, March 03, 2005 5:58 PM
Subject: Re: EAR-WORMS> Or, to move it up into Sci-Fi of the mid 20th Century:
> "Tenser," said the tensor
> "Tenser," said the tensor
> Tension apprehension and dissension have begun...
>
>
>
> Norm Cohen wrote:
>
>>Punch, brothers, punch,
>>Punch with care,
>>Punch in the presence of the passenjair.
>>A blue trip slip for a six cent fare,
>>A pink trip slip for a ten cent fare,
>>Punch brothers...  etc.
>>Is what echoes in my mind's ear.
>>Norm
>>
>>----- Original Message -----
>>From: <[unmask]>
>>To: <[unmask]>
>>Sent: Thursday, March 03, 2005 1:07 PM
>>Subject: EAR-WORMS
>>
>>
>>
>>
>>>So far, nobody has mentioned Mark Twain's wonderful account of the
>>>
>>>
>>ear-worm
>>
>>
>>>(although I don't believe he used that term)  about the handling of
>>>
>>>
>>street-car
>>
>>
>>>tickets, "Punch In the Presence of the Passenjair"  which was seen as a
>>>
>>>
>>poem
>>
>>
>>>in a newspaper.  Mark Twain unloaded it to a preacher, who preached a
>>>
>>>
>>funeral
>>
>>
>>>oration that had all the mourners tapping their toes and nodding their
>>>
>>>
>>heads in
>>
>>
>>>rhythm.  The preacher at one point burst out "Oh! This misery will kill
>>>
>>>
>>me!"
>>
>>
>>>to which the new widow, mistaking  the  cause of his agony, replied
>>>"Bless
>>>
>>>
>>you
>>
>>
>>>sir, for those kind words!"  Twain's advice, given after he had quoted
>>>the
>>>entire  offending poem, was "Reader, if you ever see these lines, shun
>>>
>>>
>>them as
>>
>>
>>>you would the plague! "
>>>
>>>My mother's father, "Judge" Duffie,  was a country lawyer living in
>>>
>>>
>>Beaumont,
>>
>>
>>>Texas. I used to spend my summers there with "Judge" and 'Dearie", his
>>>
>>>
>>wife
>>
>>
>>>and my maternal grandmother) 'way back in the 1920's.  (We lived 700
>>>miles
>>>north of there, in Tulsa, Oklahoma.)  Dearie and Judge owned, among other
>>>treasures, the Complete Works of Mark Twain in a set of many red (and
>>>
>>>
>>reread) volumes,
>>
>>
>>>and that's where I found the story about  "Punch, Brothers."
>>>
>>>Sam Hinton
>>>La Jolla, CAlifornia
>>>
>>>
>>>
>>
>>
>>
>>
>>
>>

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Subject: Re: ballad of Tushielaw (sp?)
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 2 Mar 2005 01:21:01 +0000
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> Has anyone know this very melodic ballad?  It has a recurring verse
> of "She's the earl of March's daughter/ and the flooer of ---/ but
> the humble squire of Tushielaw/ has ta'en her heart awa'"If you look at http://www.folktrax.com/bus001.htm you will see the
Tasmanian group Tantallon attributing it to Lionel McClelland and
saying they heard him sing it at Nitten Folk Club (in this village).
He'll have been doing a floor spot.Now I have heard Tantallon at Nitten Folk Club, they've been twice,
and I may have been there when they heard that.  I have certainly
heard it sung often enough around here.  But can I remember who
Lionel McClelland is?...I will ask somebody who might know on Thursday.Google suggests it's been a hit for Aoife Clancy who I haven't
knowingly heard.  At guess she got it from the Tantallon CD.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: ballad of Tushielaw (sp?)
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 10:12:38 +0000
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> Has anyone know this very melodic ballad?  It has a recurring
> verse of "She's the earl of March's daughterFurther to my previous reply: Lionel McClelland, who wrote it,
is half of Black-Eyed Biddy, who don't appear to have a website.
There's a review of one of their CDs at
   <http://www.folkmusic.net/htmfiles/webrevs/cdtrax056.htm>
but they don't seem to have recorded this song.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: The Gentleman's Magazine repubication
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 06:29:41 -0500
Content-Type:text/plain
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Some things should perhaps not be digtized  :)CBJonathan Lighter wrote:> Thank you, Heather. You and Ed have done us all a service !
>
> JL
>
> Heather Wood <[unmask]> wrote:
>
>     For those who would like to flagellate themselves with the whole
>     article:
>
>
>     Grubstreet Journal, Feb 27 No. 276.
>
>     Of Ballad-singing.
>
>     The Scandalous Practice of Ballad-singing, is the Bane of all good
>     Manners and Morals, a Nursery for Idlers. Whores and Pickpockets, a
>     School for Scandal, Smut and Debauchery, and ought to be entirely
>     suppressed, or reduced under proper Restriction. If Ballads do not,
>     yet they ought to come under the Stamp Act, and the Law looks on
>     Ballad-singers as Vagrants. This brings to my Mind the ill Conduct
>     of many of our middling Gentry, who suffer their Children,
>     particularly their daughters, to frequent the Kitchen, be familiar
>     with the Servants, and so learn their Manners. One Part of their
>     Conversation turns upon frightful Stories of Witches, Apparitions,
>     &c. which serve to keep Miss in Awe, and in their interest.
>
>     Her Delight in the Kitchen-Conversation increases with her Years;
>     now is flattered, taught to shew Tricks upon Cards, and play at
>     Romps; ~ which soon makes her forget htt Birth, and think herself on
>     a level with them. Well! Miss is now out of her Hanging Sleeves, and
>     every one, especially the Footman, tells her how pretty she is. Now
>     Ballads and Love Songs are daily presented her, and vouched for
>     Truth: One tells, "How a Footman died for Love of a young Lady, and
>     how she was haunted by his Ghost, and died for Grief. Another, How
>     the Coachman run away with his young Mistress, took to Hedging and
>     Ditching, and she to Knitting and Spinning, and lived vast Happy,
>     and in great Plenty. And a third, How the young ’Squire,
>     Master’s eldest Son, fell in Love with the Chambermaid, married
>     her at the Fleet, was turn’d out of Doors, kept an Inn, got Money
>     as fast as Hops, till the old Gentleman died suddenly without a
>     Will, and then his Son got all, kept a Coach, and made his Wife a
>     great Lady, who bore him Twins for 12 years together, who all lived
>     to be Justices of the Peace, &c. By such foolish Stories Miss is
>     deluded; sighs, pities, and at last loves; and so too often undone
>     without Remedy
>
>     § A Female Correspondent, who signs Virtuous, complains of the many
>     ruinous Marriages that are every Year practiced in the Fleet, by a
>     Set of drunken swearing Parsons, with their Myrmidons that wear
>     black Coats, and pretend to. be Clerks and Registers to the Fleet,
>     plying about Ludgate-hill, pulling and forcing People to some
>     pedling Alehouse or Brandyshop to be married, even on Sunday,
>     stopping them as they go to the Church.
>
>     Not long since, a young Lady was deluded and forced from her
>     Friends, and by the Assistance of a very wicked swearing Parson,
>     married to an atheistical Wretch, whose Life is a continual Practice
>     of all Manner of Vice and Debauchery.—Another young Lady was
>     decoyed to a House in the confines of the Fleet by a pretended
>     Gentleman. Dr. Wryneck immediately appear'd, and swore she should be
>     married; or if she would not, he would have his Fee, and register
>     the Marriage from that Night. The Lady, to recover her Liberty, left
>     her Ring as a Pledge that she would meet h im the morrow Night.
>
>
>
>     Gentleman’s Magazine, Vol. 5 Feb 1735, p. 93
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: BALLAD-L Digest - 3 Mar 2005 (#2005-99): Earworms
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 08:54:26 -0500
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Automatic digest processor <[unmask]>, in the
person of Dick Greenhaus, writes:> Or, to move it up into Sci-Fi of the mid 20th Century:
> "Tenser," said the tensor
> "Tenser," said the tensor
> Tension apprehension and dissension have begun...IIRC, Mark 2ain's "Punch, brothers" was quoted in that very story by
Alfred Bester (whose title has succumbed to my senility -- ah, no, not
quite: "The Demolished Man").  8, sir, 7, sir, 6, sir, 5, sir,
  4, sir, 3, sir, 2, sir, 1.
--
---  Joe Fineman    [unmask]||:  When scared of the dark, it may help to close your eyes.  :||

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Subject: Earworm
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 10:40:54 -0500
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FYI: Exactly what an earworm is.
http://www.edu-cyberpg.com/Culdesac/Stars/funkbrothersCulture.htmlKaren Ellis
Educational CyberPlayGround<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
The Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/NCFR/Hot List of Schools Online and
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>

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Subject: Rochelle's Recovery
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 08:38:38 -0800
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Folks:This good report about Rochelle Goldstein, Ken's widow, comes from daughter Rhoda Goldstein.  A few more get-well emails might  boost Rochelle's return to action.Ed
-----------------------------------------------------------------------------------------------------------------
Dear friends,
    I just wanted to let you all know that my mom is doing much better and
will be going home tomorrow to her own apt.  She's come a very long way in a
relatively short time. While she is still weak , she has great range of
motion in her upper body and can walk with a walker, which hopefully soon
she will be able to throw away! She gets stronger everyday. Her physical
therapist told her she has the spirit and drive of a 20 year old, not a 73
year-old.  She'll continue to get physical therapy at home, and for the next
few weeks either I, Scott or Diane will be with her to help her out.  Thank
you to everyone who has sent her good wishes.  She has thrived on the cards,
emails, visits and calls she has received.
Warm wishes and thanks,
Rhoda Goldstein

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Subject: Vera Johnson, Pierre Trudeau, Justin Thyme
From: Barry O'Neill <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 11:51:52 -0500
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Years ago someone on this list to whom I am grateful send me thisPierre Trudeau is very astute
Not only that, he really is cute
He's got ideas, and get up and go
That's why we like Pierre TrudeauPierre Trudeau, un homme savant
Et quelquefois, un homme charmant
Il boit seulement du lait et de l'eau
Il est gentil, Pierre TrudeauPierre Trudeau, he comes from Quebec
But doesn't think like Rene' Levesque
He wants to see our Canada grow.
Both strong and free, Pierre TrudeauPierre Trudeau, il parle bien
Avec candeur, sans peur de rien
"Les Liberaus sont idiots."
Il dit cela, Pierre TrudeauPierre Trudeau has positive views
Cast totems down and break the taboos
Forget the past, the old status quo
Try something new, Pierre TrudeauPierre Trudeau, c'est vrai qu'il est riche
Mais pour l'argent, il dit "Je m'en fiche"
Il demeure seul dans un grand chateau
Tout simplement, Pierre TrudeauPierre Trudeau, he doesn't conform
In thought or dress, to what is the norm
He is unique, we want you to know
There's no one like Pierre TrudeauPierre Trudeau, c'est l'homme pour moi
Il veut garder, proteger nos droits
Et quand il parle, j'ecoute ses mots
Car il est sage, Pierre Trudeau.

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Subject: Re: New? Kids folklore
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 16:15:03 -0500
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---- Original message ----
>Date: Thu, 3 Mar 2005 13:46:23 -0500
>From: "DoN. Nichols" <[unmask]>
>Subject: Re: New? Kids folklore>>  I remember one winter day getting snow in Texas.
>
>        Hmm ... What part of South Texas?Corpus Christi, on the Gulf coast way down towards the tip.
My dad being in the Navy we didn't live there long, but we
did live there twice. Birth to 2 I don't remember much; the
snow incident would have been between 5-7 years... around
1963-66.
It was while in Corpus Christi that I was introduced to girl
scouts from which venerable organization I learned many fine
rounds... including the recently discussed "Rose,Rose,Rose".
I learned it with the same version of words that Ghost
posted. Though I cut my eye teeth on Sea Shanties as a baby
(Dad may never have sailed in square riggers but that didn't
stop him from singing as if he had) the first ballad type
song I ever learned was also through Girl Scouts, "The Cruel
War is Raging". Never have figured out if it's truly a
traditional song?Aha! Back to the topic of Ballads. Sort of.
Kathleen

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Subject: Missing Email address
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 14:46:08 -0800
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Folks:I doubt many of you have Rhoda Goldstein's address.  So if yoy wish to send her encouraging greetings, do it through:Rhoda Goldstein <[unmask]>Ed

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Subject: "Uncle Bud" song
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 17:30:08 -0600
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Hello everyone,Does anyone remember reading any info on the bawdy song
"Uncle Bud"?    This song used to be widespread in the southern
US...Yours,John Mehlberg
~
  UNCLE BUD   (Recording: http://tinyurl.com/3mcoe )  Uncle Bud's fine; Uncle Bud is keen.
  Uncle Bud's got plenty of gasoline.        Uncle Bud, Uncle Bud, Uncle Bud, Uncle Bud.  Uncle Bud's got this; Uncle Bud's got that.
  Uncle Bud's got a dick like a baseball bat.        Uncle Bud, Uncle Bud, Uncle Bud, Uncle Bud.]  Uncle Bud's got a wife.  She's big and fat.
  She's got a cunt like a Stetson hat.    Uncle Bud, Uncle Bud, Uncle Bud, Uncle Bud.  Notes: This is transcribed from the LP "Unexpurgated Folk Songs
of Men" by Mack McCormick.

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Subject: Ebay List - 03/04/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 20:21:45 -0500
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Hi!        As promised, here are the remaining bookworms for this week.        MISCELLANEOUS        4526273000 - Virginia Folk Legends by Barden, 1991, $4.99 (ends
Mar-06-05 14:30:00 PST)        4705823647 - Ontario Ballads & Folksongs, LP, $8 (ends Mar-06-05
18:19:17 PST)        SONGBOOKS, ETC.        6949209213 - The Singin' Gatherin' by Thomas & Leeder, 1939, $9.99
(ends Mar-05-05 18:52:47 PST)        7303326418 - A Ballad History of England by Palmer, 1979, 9.99 GBP
(ends Mar-05-05 22:54:05 PST)        6949270018 - FOLK SONGS, CHANTEYS, AND SINGING GAMES by Sharp &
Farnsworth, 1909, $4.49 (ends Mar-06-05 07:25:17 PST)        4531730654 - Irish Street Ballads by O'Lochlainn, 1960, $17 (ends
Mar-06-05 15:02:17 PST)        6947346494 - Frontier Ballads by Finger, 1927, $19.99 (ends
Mar-06-05 18:00:00 PST)        3961560840 - A BALLAD HISTORY of IRELAND by MacHale, 1906, $9.95
(ends Mar-06-05 19:58:51 PST)        4705985097 - Cold Snap by MacColl & Seeger, LP, 1977, 4.99 GBP
(ends Mar-07-05 11:00:27 PST)        6949546302 - THE OXFORD NURSERY RHYME BOOK by Opie, 1963 edition,
$0.39 (ends Mar-07-05 19:06:44 PST)        6949553504 - Folk Songs of the American Negro by Work, $6 (ends
Mar-07-05 20:05:02 PST)        7304895880 - 2 books (American Mountain Songs & Buckaroo Ballads),
$5.99 (ends Mar-08-05 07:30:54 PST)        7304967703 - TIP TOP ALBUM OF CARSON J. ROBINSON SONGS, 1931, $6
(ends Mar-08-05 12:25:40 PST)        4531475946 - Ballad Hunter by Lomax, 1947, $10.50 (ends Mar-08-05
14:13:15 PST)        6515975810 - Salt and Peanuts, Our Favorite Comdey Songs and
Ballads, 1931, $9.99 (ends Mar-09-05 08:38:24 PST)        6949374738 - Traditional Tunes of the Child Ballads by Bronson,
complete set (4 volumes), 1962-72, $202.50 AU (ends Mar-09-05 16:37:27 PST)        4532671458 - AIRMAN'S SONG BOOK by Ward-Jackson & Lucas, 1967,
4.99 GBP (ends Mar-10-05 04:30:04 PST)        4532783455 - One Singer One Song by McVicar, 1990, 4.99 GBP (ends
Mar-10-05 11:43:16 PST)        3878799607 - EVERYMANS BOOK OF ENGLISH COUNTRY SONGS by Palmer,
1979, 4.99 GBP (ends Mar-12-05 09:16:11 PST)        4532515975 - A Scottish Ballad Book by Buchan, 1973, 1 GBP (ends
Mar-12-05 13:25:18 PST)        6949929168 - Ballads Migrant in New England by Flanders & Olney,
1953, $10 (ends Mar-13-05 07:43:22 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: New? Kids folklore
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 21:19:54 -0500
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On 2005/03/04 at 04:15:03PM -0500, [unmask] wrote:> >From: "DoN. Nichols" <[unmask]>> >>  I remember one winter day getting snow in Texas.
> >
> >        Hmm ... What part of South Texas?
>
> Corpus Christi, on the Gulf coast way down towards the tip.        O.K.  That would have had more humidity, so it would be more
likely to actually get snow from time to time.  In Cotulla, the virtual
snowfalls were separated by about the traditional "seven long years". :-)
We were lacking in both cold and humidity most of the year.
(Occasionally, it would get cold enough so above-ground water faucets
would be left trickling, and the vertical pipes wrapped in old
newspaper.> My dad being in the Navy we didn't live there long, but we
> did live there twice. Birth to 2 I don't remember much; the
> snow incident would have been between 5-7 years... around
> 1963-66.        O.K.  You sound like a kid from a Navy family.        [ ... ]> posted. Though I cut my eye teeth on Sea Shanties as a baby
> (Dad may never have sailed in square riggers but that didn't
> stop him from singing as if he had)        Hmm ... my father was partial to Shanties as well.  I wasn't old
enough to have any critical sense of the quality of his singing at that
age, and he had quit by the time I acquired said sense.        I only managed to get one nautical recitation from him on tape
some years before he passed on.  I don't know if it had an official
title, but I knew it as "Ci-vil-e-tie".>                                     the first ballad type
> song I ever learned was also through Girl Scouts, "The Cruel
> War is Raging". Never have figured out if it's truly a
> traditional song?        I believe that it is traditional.  I'm sure that someone will
fill us in with chapter and verse on that soon enough.        I see that I missed something by not becoming a scout.  I was
more tempted (at the time) by things like building your own crystal
radio (in an area where the signal strength was far too weak for a
crystal radio to be practical. About the only thing which I would have
been likely to get is the private airport mechanically broadcasting
it's identifier "COT" (_._. ___ _ in Morse code) very slowly. :-)        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: New? Kids folklore
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Mar 2005 18:24:38 -0800
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Subject: _The Shaughraun_ by Boucicault and the tune to Harvey Duff
From: bennett schwartz <[unmask]>
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Date:Fri, 4 Mar 2005 22:50:05 -0500
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Subject: Re: "Uncle Bud" song
From: [unmask]
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Date:Fri, 4 Mar 2005 23:28:07 EST
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As a kid, I knew only one verse of "Uncle Bud;"  I was a "good boy," and
didn't seek furhther verses, although I knew there were some.    "Old Uncle Bud is the jelly-roll king;
    Got a hump in his back from a-shakin' that thing."Sam Hinton
La Jolla, CA

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Subject: Re: New? Kids folklore
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 00:16:49 -0600
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----- Original Message -----
From: <[unmask]><<Though I cut my eye teeth on Sea Shanties as a baby
(Dad may never have sailed in square riggers but that didn't
stop him from singing as if he had) the first ballad type
song I ever learned was also through Girl Scouts, "The Cruel
War is Raging". Never have figured out if it's truly a
traditional song?>>It is; Laws lists it as O33, under the title of "The Girl Volunteer".
Earliest citation in the Traditional Ballad Index is 1914 (Brown), but it's
certainly older than that.Peace,
Paul

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Subject: Re: "Uncle Bud" song
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 00:25:48 -0600
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----- Original Message -----
From: "John Mehlberg" <[unmask]><<Does anyone remember reading any info on the bawdy song
"Uncle Bud"?    This song used to be widespread in the southern
US...>>A cleanish version was recorded by Gid Tanner & his Skillet Lickers in 1928.
For other information, see the entry in the Traditional Ballad Index.Peace,
Paul

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Subject: Self Congratulations
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 04:45:10 -0500
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Hurray!
A book I wrote appears in sainted Dolores Nichols' current Ebay list.
I shall have a drink tonight to celebrate.
The price of ?4.99 quoted is what it still sells for in the shops.EwanEwan McVicar, 
84 High Street
Linlithgow, 
West Lothian
Scotland
EH49 7AQtel 01506 847935

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Subject: Re: New? Kids folklore
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 07:43:58 -0500
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It appears so, at least here in the Hoosier state. I polled 3 classes of
5th graders and one class of undergrads and they had never heard
anything of the sort (although my 5th graders were willing to give it a
try!).Beth Brooks>>> [unmask] 03/04/05 9:24 PM >>>
So the consensus - no, the unanimous decision - is that snow-day
superstitions are new. Or at least newly applied to "snow days."JL

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Subject: Re: ballad of Tushielaw
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 05:14:28 -0800
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On Mon, 28 Feb 2005, Murray Shoolbraid wrote:> Jean - it would help a great deal if you posted the words you can make out.
>
> Murray Shoolbraid
>
I would if I hadn't already got my answer from Malcolm Douglas (and his
lead to a record with Garrick Macpherson singing "the earl of March's
daughter").  Thanks all!

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Subject: Re: Self Congratulations
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 10:11:43 -0500
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Congratulations!Not long ago I found one of my books on Abe at 300% of original value!
And.....it was soon sold!Watch for a hand painted hubcap from my artcar Handy on ebay- signed!
and with an autographed portrait of myself and the car!- who knows I may
include my song about artcars-http://www.geocities.com/RainForest/Vines/5863/artcaranthem.htmlThe midi must be played to truly understand!~
LITTLE     PlAIN      CARS
An Artcar Anthem!         Adapted  from Malvina Reynolds ?Little Boxes?
         To Play Midi sound click here
         For Notation click here
         For ABC Notation click here         Little plain cars on the car lots,
         Little plain cars  made of  status quo-a-stuff
         Little plain cars on the high-a-ways,
         Little plain cars all the same,
         There's a black one and a brown one
         And a blue one and a red one
         And they're all made out of status quo-a-stuff
         And they all look just the same.         And the people in the plain cars
         All went to the university
         Where they were put in plain cars
         And they came out all the same
         And there's doctors and lawyers
         And street rod-od-ers
         And they're all made out of status quo-a-stuff
         And they all look just the same.         And they all play on the golf course
         And drink their hand-crafted beer
         And they all have pretty children
         And the children go to school,
         And the children go to summer camp
         And then to the university
         Where they are all  put in plain cars
         And they drive out all the same.         And the boys go into business
         And marry and raise a family
         Drive in  plain cars made of status quo-a-stuff
         And they all look just the same,
         There's a green one and a grey one
         And a blue one and a yellow one
         And they're all made out of status quo-a-stuff
         And they all look just the same.         But the one child  he?s an ar-tist
         And knows that his freedom?s real
         Tired of plain cars made of status quo-a-stuff
         That all look just the same,
         Now there?s glued ones and there are painted ones
         And a carved one and a magnet one
         And they?re all made out of  joy and smiles
         And they all are all the rage!         (alt last verse or add on - And they all the world will change!)Back to chasing Guy Fawkes!ConradEwan McVicar wrote:
> Hurray!
> A book I wrote appears in sainted Dolores Nichols' current Ebay list.
> I shall have a drink tonight to celebrate.
> The price of ?4.99 quoted is what it still sells for in the shops.
>
> Ewan
>
>
> Ewan McVicar,
> 84 High Street
> Linlithgow,
> West Lothian
> Scotland
> EH49 7AQ
>
> tel 01506 847935
>--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Little Boxes parodies - was Self Congratulations
From: [unmask]
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Date:Sat, 5 Mar 2005 11:04:22 EST
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Subject: Re: Self Congratulations
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 08:17:48 -0800
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Ewan:Take heart!  When my books turn up on ebay or in used book stores, they are listed at a fraction of their cost.  The worst was a 50-cent price for a book I spent four years on.  That sent me to drink too.Ah, capitalism.Ed----- Original Message -----
From: Ewan McVicar <[unmask]>
Date: Saturday, March 5, 2005 1:45 am
Subject: Self Congratulations> Hurray!
> A book I wrote appears in sainted Dolores Nichols' current Ebay list.
> I shall have a drink tonight to celebrate.
> The price of ?4.99 quoted is what it still sells for in the shops.
> 
> Ewan
> 
> 
> Ewan McVicar, 
> 84 High Street
> Linlithgow, 
> West Lothian
> Scotland
> EH49 7AQ
> 
> tel 01506 847935
>

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Subject: Re: New? Kids folklore
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 12:47:34 -0500
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I checked with my 12 yr old niece (who lives in NH). She had
indeed heard of the inside out PJs, and she had a further
ritual. You say "no school" backwards five times and then go
straight to bed. Preferably with those inside out jammies on.
That's "loohcs on" for those of you wiling to try it.
Kathleen>>>> [unmask] 03/04/05 9:24 PM >>>
>So the consensus - no, the unanimous decision - is that snow-
day
>superstitions are new. Or at least newly applied to "snow
days."
>
>JL

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Subject: Re: New? Kids folklore
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 12:53:38 -0500
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>>----- Original Message -----
>From: <[unmask]>
>"The Cruel War is Raging". Never have figured out if it's
truly a traditional song?>>
>
>It is; Laws lists it as O33, under the title of "The Girl
Volunteer".
>Earliest citation in the Traditional Ballad Index is 1914
(Brown), but it's
>certainly older than that.
>
>Peace,
>PaulAs I've learned more, and heard more, traditional ballad and
song, I've started to recognize some of the themes and motifs
in that song. Especially the ever popular "I'll cut off my
hair and dress in Men's clothes" idea. But having learned it
from a guitar playing teenager in the midst of the 60's folk
revival I always suspected it. Good to know it's got a older
pedigree.
I learn so much from this list! Thank you.
Kathleen

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Subject: Re: ballad of Tushielaw (sp?)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 13:07:23 -0500
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Aoife Clancy is a member of the Clancy Brother's family (a
daughter of one of the brothers?). She's been the vocalist
for the Irish music group Cherish the Ladies for a few years
now. She has a lovely voice.
Kathleen---- Original message ----
>Date: Wed, 2 Mar 2005 01:21:01 +0000
>From: Jack Campin <[unmask]>
>Subject: Re: ballad of Tushielaw (sp?)
>To: [unmask]>>Google suggests it's been a hit for Aoife Clancy who I
haven't
>knowingly heard.

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Subject: Re: Ebay List - 03/04/05
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 10:42:43 -0800
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Dolores:I note that your "search engine" for eBay picked up the Barden folk legends volume.  I wonder if you could rewrite that "engine" -- perhaps posting to ballad-l in a separate listing -- to pick up more folklore, tale, belief, etc., books.Such a supplement would, first of all, complement the song and ballad listings; and, second, would enhance the already considerable value of your work on our behalf.Ed
----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Friday, March 4, 2005 5:21 pm
Subject: Ebay List - 03/04/05> Hi!
>
>        As promised, here are the remaining bookworms for this week.
>
>        MISCELLANEOUS
>
>        4526273000 - Virginia Folk Legends by Barden, 1991, $4.99
> (endsMar-06-05 14:30:00 PST)
>
>        4705823647 - Ontario Ballads & Folksongs, LP, $8 (ends Mar-
> 06-05
> 18:19:17 PST)
>
>        SONGBOOKS, ETC.
>
>        6949209213 - The Singin' Gatherin' by Thomas & Leeder,
> 1939, $9.99
> (ends Mar-05-05 18:52:47 PST)
>
>        7303326418 - A Ballad History of England by Palmer, 1979,
> 9.99 GBP
> (ends Mar-05-05 22:54:05 PST)
>
>        6949270018 - FOLK SONGS, CHANTEYS, AND SINGING GAMES by
> Sharp &
> Farnsworth, 1909, $4.49 (ends Mar-06-05 07:25:17 PST)
>
>        4531730654 - Irish Street Ballads by O'Lochlainn, 1960, $17
> (endsMar-06-05 15:02:17 PST)
>
>        6947346494 - Frontier Ballads by Finger, 1927, $19.99 (ends
> Mar-06-05 18:00:00 PST)
>
>        3961560840 - A BALLAD HISTORY of IRELAND by MacHale, 1906,
> $9.95(ends Mar-06-05 19:58:51 PST)
>
>        4705985097 - Cold Snap by MacColl & Seeger, LP, 1977, 4.99 GBP
> (ends Mar-07-05 11:00:27 PST)
>
>        6949546302 - THE OXFORD NURSERY RHYME BOOK by Opie, 1963
> edition,$0.39 (ends Mar-07-05 19:06:44 PST)
>
>        6949553504 - Folk Songs of the American Negro by Work, $6
> (endsMar-07-05 20:05:02 PST)
>
>        7304895880 - 2 books (American Mountain Songs & Buckaroo
> Ballads),$5.99 (ends Mar-08-05 07:30:54 PST)
>
>        7304967703 - TIP TOP ALBUM OF CARSON J. ROBINSON SONGS,
> 1931, $6
> (ends Mar-08-05 12:25:40 PST)
>
>        4531475946 - Ballad Hunter by Lomax, 1947, $10.50 (ends Mar-
> 08-05
> 14:13:15 PST)
>
>        6515975810 - Salt and Peanuts, Our Favorite Comdey Songs and
> Ballads, 1931, $9.99 (ends Mar-09-05 08:38:24 PST)
>
>        6949374738 - Traditional Tunes of the Child Ballads by
> Bronson,complete set (4 volumes), 1962-72, $202.50 AU (ends Mar-09-
> 05 16:37:27 PST)
>
>        4532671458 - AIRMAN'S SONG BOOK by Ward-Jackson & Lucas, 1967,
> 4.99 GBP (ends Mar-10-05 04:30:04 PST)
>
>        4532783455 - One Singer One Song by McVicar, 1990, 4.99 GBP
> (endsMar-10-05 11:43:16 PST)
>
>        3878799607 - EVERYMANS BOOK OF ENGLISH COUNTRY SONGS by
> Palmer,1979, 4.99 GBP (ends Mar-12-05 09:16:11 PST)
>
>        4532515975 - A Scottish Ballad Book by Buchan, 1973, 1 GBP
> (endsMar-12-05 13:25:18 PST)
>
>        6949929168 - Ballads Migrant in New England by Flanders &
> Olney,1953, $10 (ends Mar-13-05 07:43:22 PST)
>
>                                Happy Bidding!
>                                Dolores
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>

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Subject: Re: New? Kids folklore
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 10:54:00 -0800
Content-Type:text/plain
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Folks:My old professor Wayland Hand would be busy writing all these down.  They are interesting inversions of the widely held belief that putting on or wearing clothes (outwear to underwear) backwards brings BAD luck., or in Utah "invites all evil."Ed----- Original Message -----
From: [unmask]
Date: Saturday, March 5, 2005 9:47 am
Subject: Re: New? Kids folklore> I checked with my 12 yr old niece (who lives in NH). She had
> indeed heard of the inside out PJs, and she had a further
> ritual. You say "no school" backwards five times and then go
> straight to bed. Preferably with those inside out jammies on.
> That's "loohcs on" for those of you wiling to try it.
> Kathleen
>
> >>>> [unmask] 03/04/05 9:24 PM >>>
> >So the consensus - no, the unanimous decision - is that snow-
> day
> >superstitions are new. Or at least newly applied to "snow
> days."
> >
> >JL
>

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Subject: Re: "Uncle Bud" song
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 14:17:23 -0500
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>----- Original Message -----
>From: "John Mehlberg" <[unmask]>
>
><<Does anyone remember reading any info on the bawdy song
>"Uncle Bud"?    This song used to be widespread in the southern
>US...>>
>
>A cleanish version was recorded by Gid Tanner & his Skillet Lickers in 1928.
>For other information, see the entry in the Traditional Ballad Index.
>
>Peace,
>PaulZora Neale Hurston, Mules and Men?, something on-line at LOC's American Memory?John--
john garst    [unmask]

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Subject: Re: New? Kids folklore
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 13:43:04 -0600
Content-Type:text/plain
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On 3/5/05, edward cray wrote:>Folks:
>
>My old professor Wayland Hand would be busy writing all these down.  They are interesting inversions of the widely held belief that putting on or wearing clothes (outwear to underwear) backwards brings BAD luck., or in Utah "invites all evil."How does this reconcile with the modern notion of "rally caps" --
a baseball cap worn backward or inside out, used when one is
behind and really needs to start a "rally"?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: ballad of Tushielaw (sp?)
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 14:53:41 -0500
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Forum for ballad scholars <[unmask]> writes:
>Aoife Clancy is a member of the Clancy Brother's family (a
>daughter of one of the brothers?).Bobby.Mary Cliff

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Subject: Re: Self Congratulations
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 15:06:56 -0500
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What do you mean? sent you to drink....It is because of running out of money for drink that I write!Must be a "Poe" Author.....CBedward cray wrote:
> Ewan:
>
> Take heart!  When my books turn up on ebay or in used book stores, they are listed at a fraction of their cost.  The worst was a 50-cent price for a book I spent four years on.  That sent me to drink too.
>
> Ah, capitalism.
>
> Ed
>
> ----- Original Message -----
> From: Ewan McVicar <[unmask]>
> Date: Saturday, March 5, 2005 1:45 am
> Subject: Self Congratulations
>
>
>>Hurray!
>>A book I wrote appears in sainted Dolores Nichols' current Ebay list.
>>I shall have a drink tonight to celebrate.
>>The price of ?4.99 quoted is what it still sells for in the shops.
>>
>>Ewan
>>
>>
>>Ewan McVicar,
>>84 High Street
>>Linlithgow,
>>West Lothian
>>Scotland
>>EH49 7AQ
>>
>>tel 01506 847935
>>
>
>--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: New? Kids folklore
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 15:11:48 -0500
Content-Type:text/plain
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On 2005/03/05 at 12:47:34PM -0500, [unmask] wrote:> I checked with my 12 yr old niece (who lives in NH). She had
> indeed heard of the inside out PJs, and she had a further
> ritual. You say "no school" backwards five times and then go
> straight to bed. Preferably with those inside out jammies on.
> That's "loohcs on" for those of you wiling to try it.
> Kathleen        Thank you.  That gives us Washington DC area and New Hampshire.
(And wasn't there another sighting mentioned?)  It seems that it is an
Eastern seaboard phenomeon, so far (unless that other sighting put it
elsewhere).        Thanks,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Death of Joe Carter
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 16:09:35 -0600
Content-Type:text/plain
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I've been sick all week, so maybe this came up and no one
mentioned it, but I thought it better to repeat than leave
it out.Joe Carter, the son of A. P. and Sara, died last Wednesday of
cancer at the age of 78. He was present at the Bristol Sessions --
thought to be the last living person to have been associated with
the events. He recorded with his father A. P. and sister Janette
on the Acme label from 1952-1956, and later sang bass with Sara
and Maybelle.I don't have much else in the way of detail.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: More Faux, Fawkes,Fox,fauks....trivia-Prince of Sinisters Song
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 19:31:42 -0500
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Greetings!
Just what you have been looking for! More Prince of Sinisters Trivia....So far the earliest dated version of the song comes from a play
performed in 1822 and published in 1837 called "The Meltonians" Where it
appears in Act Two, Scene I. By R. B. Peake....Of course that is as far
as I know....A bit about this song-now for the trivia-The new police may reference bow street runners which went through
several improvements from 1749 (Under Fielding)  into late 1700s with
the bigest change coming with Peel and formation of The Metropolis
Police in 1829. Hard to tell what the New Police were but the force was
based at Scotland yard from 1829. And Scotland yard is mentioned in the
song.....-Voxhall bridge was constructed from 1813-19 and it is mentioned.
(of course Anne Vox of Voxhall and Voxhall figured in the plot of 1605)-Portable gas light is mentioned- first gas cylinders were introduced in
1819.-It is likely that other references were added after the appearance of
the song in the meltonians.Queen Victoria's sons were born in- 1841, 1850, and 1853. These are all
a bit later than this version.Townsend or Townshend was a famous Bow Street Runner. He is not
mentioned in this version but in others. Townshend was active and famous
by  1828.The last line of the Meltonian version is interesting. The use of the
concept of members of parliament blowing each other up via personal
attack and rhetoric is one used by Cruikshank when describing his
cartoon of the Unexhibited Cartoon of Guy Fawkes. A very similar usage-".  Unfortunately, some had long noses and some had short; so, putting
this and that together, the long and the short of it is, that I
determined on adopting a living prototype, who has been blowing up both
Houses of Parliament for several years, and if not a Fawkes in other
respects, is at least famous for encouraging forking out the part of
others."-from: The Comic Almanac, 1844Of course the tune has a long history....bow wow wow....So there....some trivia....now a question!Who is Cruikshank referring to as the person who is his prototype who
has been blowing up both Houses of Parliament for several
years....forking out the part of others."So the search goes on! But the trivia had piled up high enough to shift
it over to you! Have fun....CB--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: "Uncle Bud" song
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 19:14:48 -0600
Content-Type:text/plain
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HelloI found two recordings in the Florida Folklife from the WPA Collections.
The first is Zora Neale Hurston and the second is James Brown & Rufs Bland.        http://tinyurl.com/5umrn        http://tinyurl.com/6jzwwSurely a song so widespread should have survived somewhere.  Someone must
still sing this song.   I will try placing up a few texts on my site and on
mudcat to encourage people to come out of the woodworks.I remember reading about "Uncle Bud" in the unpublished part of Roger
Abrahams' discertation and in a 1928 Texas folklore journal.   References
later.Thanks for you help.Yours,John Mehlberg----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Saturday, March 05, 2005 1:17 PM
Subject: [Spam][68.1%] Re: "Uncle Bud" song> >----- Original Message -----
>>From: "John Mehlberg" <[unmask]>
>>
>><<Does anyone remember reading any info on the bawdy song
>>"Uncle Bud"?    This song used to be widespread in the southern
>>US...>>
>>
>>A cleanish version was recorded by Gid Tanner & his Skillet Lickers in
>>1928.
>>For other information, see the entry in the Traditional Ballad Index.
>>
>>Peace,
>>Paul
>
> Zora Neale Hurston, Mules and Men?, something on-line at LOC's American
> Memory?
>
> John
>
>
> --
> john garst    [unmask]

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Subject: Re: "Uncle Bud" song
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 05:08:16 EST
Content-Type:multipart/alternative
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Sorry, your browser doesn't support iframes.


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Subject: Scrounging
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 02:29:39 -0800
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Folks:While surfing for possible purchases on Abebooks.com, I found the following.  For those who don't have it, this would be an important addition to their ballad library, and at a very fair price:BIBLIOTHECA CURIOSA. A BALLAD BOOK; OR, POPULAR AND ROMANTIC BALLADS AND SONGS CURRENT IN ANNANDALE AND OTHER PARTS OF SCOTLAND: PART 1. Reprinted from the Rare Original Editions of 18240 1.Edited by Edmund Goldsmid.
Sharpe, Charles Kirkpatrick (compiler).
Price: US$ 21.74 [Convert Currency]
Shipping: [Rates and Speeds]Book Description: Edinburgh: privately printed, 1891. Paperback. Part 1 only. Reprint, 16mo, tan wraps, 50 pages. Wraps lightly soiled & foxed, small chips to spine, otherwise binding Good, text Very Good. Bookseller Inventory #187033Bookseller: The Bookshop, Inc. (Chapel Hill, NC, U.S.A.)Ed

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Subject: Re: "Uncle Bud" song
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 03:35:31 -0800
Content-Type:text/plain
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John:A clarification, if you will:Is that  Zora Neale Hurston singing "Uncle Bud," or is she merely the collector?And if it is her voice, are there other recordings by her?  Given interest in that prominent figure of the Harlem Renaissance, a CD with her singing and  storytelling (?) might be a worthy addition to a library.Ed----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Saturday, March 5, 2005 5:14 pm
Subject: Re: "Uncle Bud" song> Hello
>
> I found two recordings in the Florida Folklife from the WPA
> Collections.The first is Zora Neale Hurston and the second is James
> Brown & Rufs Bland.
>
>        http://tinyurl.com/5umrn
>
>        http://tinyurl.com/6jzww
>
> Surely a song so widespread should have survived somewhere.
> Someone must
> still sing this song.   I will try placing up a few texts on my
> site and on
> mudcat to encourage people to come out of the woodworks.
>
> I remember reading about "Uncle Bud" in the unpublished part of Roger
> Abrahams' discertation and in a 1928 Texas folklore journal.
> Referenceslater.
>
> Thanks for you help.
>
> Yours,
>
> John Mehlberg
>
>
>
> ----- Original Message -----
> From: "John Garst" <[unmask]>
> To: <[unmask]>
> Sent: Saturday, March 05, 2005 1:17 PM
> Subject: [Spam][68.1%] Re: "Uncle Bud" song
>
>
> > >----- Original Message -----
> >>From: "John Mehlberg" <[unmask]>
> >>
> >><<Does anyone remember reading any info on the bawdy song
> >>"Uncle Bud"?    This song used to be widespread in the southern
> >>US...>>
> >>
> >>A cleanish version was recorded by Gid Tanner & his Skillet
> Lickers in
> >>1928.
> >>For other information, see the entry in the Traditional Ballad
> Index.>>
> >>Peace,
> >>Paul
> >
> > Zora Neale Hurston, Mules and Men?, something on-line at LOC's
> American> Memory?
> >
> > John
> >
> >
> > --
> > john garst    [unmask]
>

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Subject: Re: Vera Johnson, Pierre Trudeau, Justin Thyme
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Mar 2005 20:36:15 +0100
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Thanks to everyone who sent help regarding the Vera Johnson song. Time
to oil my (Canadian) French!Andy

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Subject: House Of The Rising Sun
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 10:26:16 -0600
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Some time back there were some e-mails concerning the House of the
Rising Sun. Some of you may be interested in this article which ran in
today's Times-Picauyne. My favorite used CD shop was next door to the
Conti dig, who would have thunk it!A French Quarter excavation yields some tantalizing history
Sunday, March 06, 2005
By Bruce Eggler
Staff writerDig a hole almost anywhere in the French Quarter and you're likely to
discover at least a shard or two of history. Put a trained archaeologist
in charge of the digging, and you'll likely do better than that.
Archaeologist Shannon Dawdy, who recently dug several holes in the 500
block of Conti Street, thinks she has uncovered evidence at the site
that could help answer at least two intriguing historical questions:-- What and where, if anywhere, was the New Orleans institution made
famous in the song "The House of the Rising Sun"?
-- Was there an earlier American Indian settlement on the site of what
became the French colonial town of New Orleans?
The Historic New Orleans Collection decided to commission the
archaeological dig after it acquired the property at 535-37 Conti St.
The site, a one-story parking garage for most of the 20th century, will
be used for a new archives building for the historical museum and
research center.
The collection has had similar digs done at several other sites it owns
in the Quarter.
It picked Dawdy, an assistant professor in the anthropology department
at the University of Chicago and visiting scholar at the University of
New Orleans' College of Urban and Public Affairs, to oversee the Conti
Street excavation.
Because time was short, the local archaeological firm Earth Search also
was hired to get as much digging done as possible before contractors
moved in late last month to start demolishing the garage.
Because the floor of the garage was covered with concrete, the first
step was to jackhammer about a dozen test holes through it and then dig
down 3 or 4 feet to see what turned up. Dawdy and her colleagues then
picked seven sites for full-scale excavations, each about 3 feet square
and 4 feet deep.
It was known that the Conti Street site had been occupied by two
successive hotels in the 19th century. The second one opened in 1828 and
was known over the years as the Richardson, the Conti and the Conti
Verandah. It burned to the ground in 1887.
But despite the second hotel's long occupancy of the site, few artifacts
from it were found, perhaps because the area being excavated was used as
a carriageway or because the site was well-cleaned after the fire.
More items were found from the lower excavation levels associated with
the earlier hotel, which operated from about 1808 to 1822, when it
burned. That establishment was known as the Rising Sun Hotel, and the
results are "looking impressively like a bordello," Dawdy said, citing
the suggestive combination of broken pieces from "tons of liquor
bottles" and several rouge pots.
Dawdy said local historians generally have claimed that the earliest
formal bordellos in New Orleans did not open until the Civil War, a view
that let them push the blame for the development on occupying Union
troops. It was assumed the Rising Sun Hotel had been a regular hostelry.
But in view of what the excavation uncovered, Dawdy finds a January 1821
ad for the hotel in the Louisiana Gazette of considerable interest. The
ad says the hotel's new owners will "maintain the character of giving
the best entertainment, which this house has enjoyed for twenty years
past." It goes on: "Gentlemen may here rely upon finding attentive
Servants. The bar will be supplied with genuine good Liquors; and at the
Table, the fare will be of the best the market or the season will afford."
Although the ad does not prove that anything illicit was happening at
the Rising Sun, it suggests it was a place where men went for a good time.
Whether the hotel also lent its name to the song is another matter.
"The House of the Rising Sun," an old folk song best known through Eric
Burdon and The Animals' hit 1964 version, was first written on paper in
the 1930s by pioneering folk song collector Alan Lomax. He said he
learned it from a "yellow-headed miner's daughter" in Kentucky.
The melody may go back to 17th century England. Who penned the lyrics is
unknown, as well as what inspired them and whether the "house" in
question was a brothel, gambling hall, prison or something else.
The Lomax version put the words in the mouth of a woman: "There is a
house in New Orleans they call the Rising Sun. It's been the ruin of
many a poor girl, and me, O God, for one." The Animals' version changed
"girl" to "boy."
Buggy drivers, public relations officials and others, operating on
skimpy evidence at best, have identified at least two other French
Quarter addresses, 616 Ursulines St. and 826-30 St. Louis St., as the
site of a brothel known as the Rising Sun.
Local researcher Pamela Arceneaux, who has spent years investigating the
history of prostitution in New Orleans, said she has never found a
reference to a bordello known as the House of the Rising Sun. Whether
Dawdy's findings will provide such evidence remains to be seen.
Below the materials from the two hotels, the diggers found items from
the early 18th century, when the excavation site apparently was for many
years a garden behind a house on Chartres Street. There are pieces of
French faience and Natchez Indian pottery, and Dawdy plans further
analysis to try to learn whether the seeds and pollen recovered were
from native or imported French plants.
Below the garden were several inches of "sterile soil," containing no
artifacts, presumably from years before the founding of New Orleans in
1718. But the excavators dug a little deeper and unexpectedly found
pieces of prehistoric Indian pottery, "very plain everyday ware," dating
from between 1200 and 1700, in two of the seven excavation spots.
Although the presence of pottery does not prove there was a long-term
Indian settlement on the site, Dawdy said she thinks it is good evidence
of "sustained occupation." Historians have known there was an Indian
village near Bayou St. John, but she said there has been no evidence
until now that Indians had lived on the same spot thatBienville chose to
establish a European town.
If enough organic material is recovered with the pottery, Dawdy said,
she can use carbon-14 testing to date the Indians' presence at the site
more accurately.
Dawdy, who is writing a book on French colonial New Orleans and formerly
was director of UNO's New Orleans archaeology program, has been working
in the city on and off since 1994. She will spend at least a year
analyzing the finds from the Conti Street site, she said.
Although it would have been nice to have enough time and workers to dig
up the entire floor of the old garage, not just a few small sections of
it, Dawdy said she is "very satisfied with the sampling," especially
with the 18th century and earlier finds.
After she has had time to study the material, she said, she probably
will write a report for the Historic New Orleans Collection, give a
public talk and publish one or more scholarly articles.

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Subject: Re: "Uncle Bud" song
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 10:54:06 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(107 lines)


Ed,Yes, that recording is Zora Neale Hurston singing "Uncle Bud".
That song and a few others sung by her can be found at the Florida
Folklife from the WPA Collections at the Library of Congress
American Memories online collection.I have lost the original google search but was able to find this
description of the recording "...sung and spoken by Hurston.
Recorded in Jacksonville, Florida, June 18, 1939."   See here:
http://tinyurl.com/4adb5Yours,John Mehlberg----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Sunday, March 06, 2005 5:35 AM
Subject: Re: "Uncle Bud" songJohn:A clarification, if you will:Is that  Zora Neale Hurston singing "Uncle Bud," or is she merely
the collector?And if it is her voice, are there other recordings by her?  Given
interest in that prominent figure of the Harlem Renaissance, a CD
with her singing and  storytelling (?) might be a worthy addition to
a library.Ed----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Saturday, March 5, 2005 5:14 pm
Subject: Re: "Uncle Bud" song> Hello
>
> I found two recordings in the Florida Folklife from the WPA
> Collections.The first is Zora Neale Hurston and the second is
> James
> Brown & Rufs Bland.
>
>        http://tinyurl.com/5umrn
>
>        http://tinyurl.com/6jzww
>
> Surely a song so widespread should have survived somewhere.
> Someone must
> still sing this song.   I will try placing up a few texts on my
> site and on
> mudcat to encourage people to come out of the woodworks.
>
> I remember reading about "Uncle Bud" in the unpublished part of
> Roger
> Abrahams' discertation and in a 1928 Texas folklore journal.
> Referenceslater.
>
> Thanks for you help.
>
> Yours,
>
> John Mehlberg
>
>
>
> ----- Original Message -----
> From: "John Garst" <[unmask]>
> To: <[unmask]>
> Sent: Saturday, March 05, 2005 1:17 PM
> Subject: [Spam][68.1%] Re: "Uncle Bud" song
>
>
> > >----- Original Message -----
> >>From: "John Mehlberg" <[unmask]>
> >>
> >><<Does anyone remember reading any info on the bawdy song
> >>"Uncle Bud"?    This song used to be widespread in the southern
> >>US...>>
> >>
> >>A cleanish version was recorded by Gid Tanner & his Skillet
> Lickers in
> >>1928.
> >>For other information, see the entry in the Traditional Ballad
> Index.>>
> >>Peace,
> >>Paul
> >
> > Zora Neale Hurston, Mules and Men?, something on-line at LOC's
> American> Memory?
> >
> > John
> >
> >
> > --
> > john garst    [unmask]
>

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Subject: Re: House Of The Rising Sun
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 12:20:19 -0500
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We should soon have the book on this by Ted Anthony, and I expect it
to be authoritative.John>Some time back there were some e-mails concerning the House of the
>Rising Sun. Some of you may be interested in this article which ran in
>today's Times-Picauyne. My favorite used CD shop was next door to the
>Conti dig, who would have thunk it!
>
>
>A French Quarter excavation yields some tantalizing history
>Sunday, March 06, 2005
>By Bruce Eggler
>Staff writer
>
>
>Dig a hole almost anywhere in the French Quarter and you're likely to
>discover at least a shard or two of history. Put a trained archaeologist
>in charge of the digging, and you'll likely do better than that.
>Archaeologist Shannon Dawdy, who recently dug several holes in the 500
>block of Conti Street, thinks she has uncovered evidence at the site
>that could help answer at least two intriguing historical questions:
>
>-- What and where, if anywhere, was the New Orleans institution made
>famous in the song "The House of the Rising Sun"?
>-- Was there an earlier American Indian settlement on the site of what
>became the French colonial town of New Orleans?
>The Historic New Orleans Collection decided to commission the
>archaeological dig after it acquired the property at 535-37 Conti St.
>The site, a one-story parking garage for most of the 20th century, will
>be used for a new archives building for the historical museum and
>research center.
>The collection has had similar digs done at several other sites it owns
>in the Quarter.
>It picked Dawdy, an assistant professor in the anthropology department
>at the University of Chicago and visiting scholar at the University of
>New Orleans' College of Urban and Public Affairs, to oversee the Conti
>Street excavation.
>Because time was short, the local archaeological firm Earth Search also
>was hired to get as much digging done as possible before contractors
>moved in late last month to start demolishing the garage.
>Because the floor of the garage was covered with concrete, the first
>step was to jackhammer about a dozen test holes through it and then dig
>down 3 or 4 feet to see what turned up. Dawdy and her colleagues then
>picked seven sites for full-scale excavations, each about 3 feet square
>and 4 feet deep.
>It was known that the Conti Street site had been occupied by two
>successive hotels in the 19th century. The second one opened in 1828 and
>was known over the years as the Richardson, the Conti and the Conti
>Verandah. It burned to the ground in 1887.
>But despite the second hotel's long occupancy of the site, few artifacts
>from it were found, perhaps because the area being excavated was used as
>a carriageway or because the site was well-cleaned after the fire.
>More items were found from the lower excavation levels associated with
>the earlier hotel, which operated from about 1808 to 1822, when it
>burned. That establishment was known as the Rising Sun Hotel, and the
>results are "looking impressively like a bordello," Dawdy said, citing
>the suggestive combination of broken pieces from "tons of liquor
>bottles" and several rouge pots.
>Dawdy said local historians generally have claimed that the earliest
>formal bordellos in New Orleans did not open until the Civil War, a view
>that let them push the blame for the development on occupying Union
>troops. It was assumed the Rising Sun Hotel had been a regular hostelry.
>But in view of what the excavation uncovered, Dawdy finds a January 1821
>ad for the hotel in the Louisiana Gazette of considerable interest. The
>ad says the hotel's new owners will "maintain the character of giving
>the best entertainment, which this house has enjoyed for twenty years
>past." It goes on: "Gentlemen may here rely upon finding attentive
>Servants. The bar will be supplied with genuine good Liquors; and at the
>Table, the fare will be of the best the market or the season will afford."
>Although the ad does not prove that anything illicit was happening at
>the Rising Sun, it suggests it was a place where men went for a good time.
>Whether the hotel also lent its name to the song is another matter.
>"The House of the Rising Sun," an old folk song best known through Eric
>Burdon and The Animals' hit 1964 version, was first written on paper in
>the 1930s by pioneering folk song collector Alan Lomax. He said he
>learned it from a "yellow-headed miner's daughter" in Kentucky.
>The melody may go back to 17th century England. Who penned the lyrics is
>unknown, as well as what inspired them and whether the "house" in
>question was a brothel, gambling hall, prison or something else.
>The Lomax version put the words in the mouth of a woman: "There is a
>house in New Orleans they call the Rising Sun. It's been the ruin of
>many a poor girl, and me, O God, for one." The Animals' version changed
>"girl" to "boy."
>Buggy drivers, public relations officials and others, operating on
>skimpy evidence at best, have identified at least two other French
>Quarter addresses, 616 Ursulines St. and 826-30 St. Louis St., as the
>site of a brothel known as the Rising Sun.
>Local researcher Pamela Arceneaux, who has spent years investigating the
>history of prostitution in New Orleans, said she has never found a
>reference to a bordello known as the House of the Rising Sun. Whether
>Dawdy's findings will provide such evidence remains to be seen.
>Below the materials from the two hotels, the diggers found items from
>the early 18th century, when the excavation site apparently was for many
>years a garden behind a house on Chartres Street. There are pieces of
>French faience and Natchez Indian pottery, and Dawdy plans further
>analysis to try to learn whether the seeds and pollen recovered were
>from native or imported French plants.
>Below the garden were several inches of "sterile soil," containing no
>artifacts, presumably from years before the founding of New Orleans in
>1718. But the excavators dug a little deeper and unexpectedly found
>pieces of prehistoric Indian pottery, "very plain everyday ware," dating
>from between 1200 and 1700, in two of the seven excavation spots.
>Although the presence of pottery does not prove there was a long-term
>Indian settlement on the site, Dawdy said she thinks it is good evidence
>of "sustained occupation." Historians have known there was an Indian
>village near Bayou St. John, but she said there has been no evidence
>until now that Indians had lived on the same spot thatBienville chose to
>establish a European town.
>If enough organic material is recovered with the pottery, Dawdy said,
>she can use carbon-14 testing to date the Indians' presence at the site
>more accurately.
>Dawdy, who is writing a book on French colonial New Orleans and formerly
>was director of UNO's New Orleans archaeology program, has been working
>in the city on and off since 1994. She will spend at least a year
>analyzing the finds from the Conti Street site, she said.
>Although it would have been nice to have enough time and workers to dig
>up the entire floor of the old garage, not just a few small sections of
>it, Dawdy said she is "very satisfied with the sampling," especially
>with the 18th century and earlier finds.
>After she has had time to study the material, she said, she probably
>will write a report for the Historic New Orleans Collection, give a
>public talk and publish one or more scholarly articles.--
john garst    [unmask]

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Subject: Re: "Uncle Bud" song
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 09:32:23 -0800
Content-Type:text/plain
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Folks:All that WPA material is in the public domain.  (And, so far as I know, she had no heirs.)For those with the software,  it would be simple to download and burn a CD of  Ms. Hurston's songs.I might try it myself.Ed----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Sunday, March 6, 2005 8:54 am
Subject: Re: "Uncle Bud" song> Ed,
>
> Yes, that recording is Zora Neale Hurston singing "Uncle Bud".
> That song and a few others sung by her can be found at the Florida
> Folklife from the WPA Collections at the Library of Congress
> American Memories online collection.
>
> I have lost the original google search but was able to find this
> description of the recording "...sung and spoken by Hurston.
> Recorded in Jacksonville, Florida, June 18, 1939."   See here:
> http://tinyurl.com/4adb5
>
> Yours,
>
> John Mehlberg
>
>
>
>
>
> ----- Original Message -----
> From: "edward cray" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, March 06, 2005 5:35 AM
> Subject: Re: "Uncle Bud" song
>
>
> John:
>
> A clarification, if you will:
>
> Is that  Zora Neale Hurston singing "Uncle Bud," or is she merely
> the collector?
>
> And if it is her voice, are there other recordings by her?  Given
> interest in that prominent figure of the Harlem Renaissance, a CD
> with her singing and  storytelling (?) might be a worthy addition to
> a library.
>
> Ed
>
> ----- Original Message -----
> From: John Mehlberg <[unmask]>
> Date: Saturday, March 5, 2005 5:14 pm
> Subject: Re: "Uncle Bud" song
>
> > Hello
> >
> > I found two recordings in the Florida Folklife from the WPA
> > Collections.The first is Zora Neale Hurston and the second is
> > James
> > Brown & Rufs Bland.
> >
> >        http://tinyurl.com/5umrn
> >
> >        http://tinyurl.com/6jzww
> >
> > Surely a song so widespread should have survived somewhere.
> > Someone must
> > still sing this song.   I will try placing up a few texts on my
> > site and on
> > mudcat to encourage people to come out of the woodworks.
> >
> > I remember reading about "Uncle Bud" in the unpublished part of
> > Roger
> > Abrahams' discertation and in a 1928 Texas folklore journal.
> > Referenceslater.
> >
> > Thanks for you help.
> >
> > Yours,
> >
> > John Mehlberg
> >
> >
> >
> > ----- Original Message -----
> > From: "John Garst" <[unmask]>
> > To: <[unmask]>
> > Sent: Saturday, March 05, 2005 1:17 PM
> > Subject: [Spam][68.1%] Re: "Uncle Bud" song
> >
> >
> > > >----- Original Message -----
> > >>From: "John Mehlberg" <[unmask]>
> > >>
> > >><<Does anyone remember reading any info on the bawdy song
> > >>"Uncle Bud"?    This song used to be widespread in the southern
> > >>US...>>
> > >>
> > >>A cleanish version was recorded by Gid Tanner & his Skillet
> > Lickers in
> > >>1928.
> > >>For other information, see the entry in the Traditional Ballad
> > Index.>>
> > >>Peace,
> > >>Paul
> > >
> > > Zora Neale Hurston, Mules and Men?, something on-line at LOC's
> > American> Memory?
> > >
> > > John
> > >
> > >
> > > --
> > > john garst    [unmask]
> >
>

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Subject: Re: House Of The Rising Sun
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 09:33:05 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(163 lines)


John:Keep us posted.Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Sunday, March 6, 2005 9:20 am
Subject: Re: House Of The Rising Sun> We should soon have the book on this by Ted Anthony, and I expect it
> to be authoritative.
>
> John
>
> >Some time back there were some e-mails concerning the House of the
> >Rising Sun. Some of you may be interested in this article which
> ran in
> >today's Times-Picauyne. My favorite used CD shop was next door to the
> >Conti dig, who would have thunk it!
> >
> >
> >A French Quarter excavation yields some tantalizing history
> >Sunday, March 06, 2005
> >By Bruce Eggler
> >Staff writer
> >
> >
> >Dig a hole almost anywhere in the French Quarter and you're likely to
> >discover at least a shard or two of history. Put a trained
> archaeologist>in charge of the digging, and you'll likely do better
> than that.
> >Archaeologist Shannon Dawdy, who recently dug several holes in the
> 500>block of Conti Street, thinks she has uncovered evidence at the
> site>that could help answer at least two intriguing historical
> questions:>
> >-- What and where, if anywhere, was the New Orleans institution made
> >famous in the song "The House of the Rising Sun"?
> >-- Was there an earlier American Indian settlement on the site of
> what>became the French colonial town of New Orleans?
> >The Historic New Orleans Collection decided to commission the
> >archaeological dig after it acquired the property at 535-37 Conti St.
> >The site, a one-story parking garage for most of the 20th century,
> will>be used for a new archives building for the historical museum and
> >research center.
> >The collection has had similar digs done at several other sites it
> owns>in the Quarter.
> >It picked Dawdy, an assistant professor in the anthropology
> department>at the University of Chicago and visiting scholar at the
> University of
> >New Orleans' College of Urban and Public Affairs, to oversee the
> Conti>Street excavation.
> >Because time was short, the local archaeological firm Earth Search
> also>was hired to get as much digging done as possible before
> contractors>moved in late last month to start demolishing the garage.
> >Because the floor of the garage was covered with concrete, the first
> >step was to jackhammer about a dozen test holes through it and
> then dig
> >down 3 or 4 feet to see what turned up. Dawdy and her colleagues then
> >picked seven sites for full-scale excavations, each about 3 feet
> square>and 4 feet deep.
> >It was known that the Conti Street site had been occupied by two
> >successive hotels in the 19th century. The second one opened in
> 1828 and
> >was known over the years as the Richardson, the Conti and the Conti
> >Verandah. It burned to the ground in 1887.
> >But despite the second hotel's long occupancy of the site, few
> artifacts>from it were found, perhaps because the area being
> excavated was used as
> >a carriageway or because the site was well-cleaned after the fire.
> >More items were found from the lower excavation levels associated
> with>the earlier hotel, which operated from about 1808 to 1822,
> when it
> >burned. That establishment was known as the Rising Sun Hotel, and the
> >results are "looking impressively like a bordello," Dawdy said,
> citing>the suggestive combination of broken pieces from "tons of
> liquor>bottles" and several rouge pots.
> >Dawdy said local historians generally have claimed that the earliest
> >formal bordellos in New Orleans did not open until the Civil War,
> a view
> >that let them push the blame for the development on occupying Union
> >troops. It was assumed the Rising Sun Hotel had been a regular
> hostelry.>But in view of what the excavation uncovered, Dawdy finds
> a January 1821
> >ad for the hotel in the Louisiana Gazette of considerable
> interest. The
> >ad says the hotel's new owners will "maintain the character of giving
> >the best entertainment, which this house has enjoyed for twenty years
> >past." It goes on: "Gentlemen may here rely upon finding attentive
> >Servants. The bar will be supplied with genuine good Liquors; and
> at the
> >Table, the fare will be of the best the market or the season will
> afford.">Although the ad does not prove that anything illicit was
> happening at
> >the Rising Sun, it suggests it was a place where men went for a
> good time.
> >Whether the hotel also lent its name to the song is another matter.
> >"The House of the Rising Sun," an old folk song best known through
> Eric>Burdon and The Animals' hit 1964 version, was first written on
> paper in
> >the 1930s by pioneering folk song collector Alan Lomax. He said he
> >learned it from a "yellow-headed miner's daughter" in Kentucky.
> >The melody may go back to 17th century England. Who penned the
> lyrics is
> >unknown, as well as what inspired them and whether the "house" in
> >question was a brothel, gambling hall, prison or something else.
> >The Lomax version put the words in the mouth of a woman: "There is a
> >house in New Orleans they call the Rising Sun. It's been the ruin of
> >many a poor girl, and me, O God, for one." The Animals' version
> changed>"girl" to "boy."
> >Buggy drivers, public relations officials and others, operating on
> >skimpy evidence at best, have identified at least two other French
> >Quarter addresses, 616 Ursulines St. and 826-30 St. Louis St., as the
> >site of a brothel known as the Rising Sun.
> >Local researcher Pamela Arceneaux, who has spent years
> investigating the
> >history of prostitution in New Orleans, said she has never found a
> >reference to a bordello known as the House of the Rising Sun. Whether
> >Dawdy's findings will provide such evidence remains to be seen.
> >Below the materials from the two hotels, the diggers found items from
> >the early 18th century, when the excavation site apparently was
> for many
> >years a garden behind a house on Chartres Street. There are pieces of
> >French faience and Natchez Indian pottery, and Dawdy plans further
> >analysis to try to learn whether the seeds and pollen recovered were
> >from native or imported French plants.
> >Below the garden were several inches of "sterile soil," containing no
> >artifacts, presumably from years before the founding of New
> Orleans in
> >1718. But the excavators dug a little deeper and unexpectedly found
> >pieces of prehistoric Indian pottery, "very plain everyday ware,"
> dating>from between 1200 and 1700, in two of the seven excavation
> spots.>Although the presence of pottery does not prove there was a
> long-term
> >Indian settlement on the site, Dawdy said she thinks it is good
> evidence>of "sustained occupation." Historians have known there was
> an Indian
> >village near Bayou St. John, but she said there has been no evidence
> >until now that Indians had lived on the same spot thatBienville
> chose to
> >establish a European town.
> >If enough organic material is recovered with the pottery, Dawdy said,
> >she can use carbon-14 testing to date the Indians' presence at the
> site>more accurately.
> >Dawdy, who is writing a book on French colonial New Orleans and
> formerly>was director of UNO's New Orleans archaeology program, has
> been working
> >in the city on and off since 1994. She will spend at least a year
> >analyzing the finds from the Conti Street site, she said.
> >Although it would have been nice to have enough time and workers
> to dig
> >up the entire floor of the old garage, not just a few small
> sections of
> >it, Dawdy said she is "very satisfied with the sampling," especially
> >with the 18th century and earlier finds.
> >After she has had time to study the material, she said, she probably
> >will write a report for the Historic New Orleans Collection, give a
> >public talk and publish one or more scholarly articles.
>
> --
> john garst    [unmask]
>

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Subject: Re: House Of The Rising Sun
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 13:04:33 -0500
Content-Type:text/plain
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I may as well put in my very speculative two cents' worth again:I suspect that the "House of the Rising Sun" was Lulu White's place
in Storyville, at 235 N. Basin Street, known as the "Hall of Mirrors"
and "Mahogany Hall."  The glass transom plate over the front door,
illustrated in Al Rose's "Storyville," p 83, resembles the rays a
rising sun and its rays.  It makes sense to me that a song would
reference one of the most famous bordellos, such as Lulu White's.John>John:
>
>Keep us posted.
>
>Ed
>
>----- Original Message -----
>From: John Garst <[unmask]>
>Date: Sunday, March 6, 2005 9:20 am
>Subject: Re: House Of The Rising Sun
>
>>  We should soon have the book on this by Ted Anthony, and I expect it
>>  to be authoritative.
>>
>  > John

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Subject: Re: "Uncle Bud" song
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 12:35:19 -0600
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>From: Fred McCormick <[unmask]>
>
>Oster's notes to Mean Trouble Blues tell us nothing about the persona of
>uncle Bud, saying merely that bawdy songs about sex lighten frustration. I
>can't
>find any reference to the song in Oster'sm Living Country Blues. However, I
>have a feeling that I've read somewhere that the original Uncle Bud was a
>transfer man for the State of Louisiana. Please don't quote me on that last
>bit.
>At my age I'm liable to read anything."Uncle Bud" Russell was the transfer man in Texas (not Louisiana) for
several decades in the early 20th Century, serving the same role that Joe
Turney aka Turner did in Tennessee earlier. What great sources of folklore
transfer men once provided.AB

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Subject: Re: Ebay List - 03/04/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 15:16:03 -0500
Content-Type:text/plain
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On Sat, Mar 05, 2005 at 10:42:43AM -0800, edward cray wrote:
>
> Dolores:
>
> I note that your "search engine" for eBay picked up the Barden folk
>legends volume.  I wonder if you could rewrite that "engine" -- perhaps
>posting to ballad-l in a separate listing -- to pick up more folklore,
>tale, belief, etc., books.
>
> Such a supplement would, first of all, complement the song and ballad
>listings; and, second, would enhance the already considerable value of
>your work on our behalf.
>
> EdHi!        Some of my current searches do find occasional other folklore -
tales, urban legends, folk dance, etc. Among those, the publications of
the Texas Folklore Society and books by or about Zora Neale Hurston
(hope that is spelled correctly!) are among the most frequent finds.        Is there sufficient interest in another Ebay list of this
material to warrant a regular posting? Or perhaps only when something
unusual appears?        Any and all opinions are welcome. :-)                                        Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: "Uncle Bud" song
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 15:45:09 EST
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Subject: Re: "Uncle Bud" song
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 21:25:31 -0500
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> In a message dated 06/03/2005 18:45:34 GMT Standard Time,
> [unmask] writes:
>
> "Uncle  Bud" Russell was the transfer man in Texas (not Louisiana) for
> several  decades in the early 20th Century, serving the same role that Joe
> Turney  aka Turner did in Tennessee earlier. What great sources of  folklore
> transfer men once provided.        Could someone please explain what a "transfer man" is?  Both
Dolores and I are scratching our heads.  Is it anything like a
"remittance man"?        Thanks,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: "Uncle Bud" song
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 20:46:23 -0600
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>From: "DoN. Nichols" <[unmask]>
>         Could someone please explain what a "transfer man" is?  Both
>Dolores and I are scratching our heads.  Is it anything like a
>"remittance man"?A transfer man is the guy whose job it is to pick up convicts from county
jails and take them to the state prison.---Andrew

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Subject: Joe Carter
From: Educational CyberPlayGround <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 6 Mar 2005 22:59:03 -0500
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MACES SPRINGS - The stage of the Carter Fold will have one glowing smile
conspicuously missing during its regular Saturday night music show.Joe Carter, who actually helped in the construction of the venue known for
its down-home feel and was a cornerstone of the preservation of old-time
mountain music, succumbed to cancer Wednesday afternoon at his home."We had been anticipating and trying to get ourselves ready for this, but it
still hurts to give him up," said Carter Fold executive and Carter's niece,
Rita Forrester. "He meant so much to me, to Janette, and so many people.
They broke the mold when they made my Uncle Joe.''Carter, 78, was just five months old when he accompanied his mother and
father, A.P. and Sara Carter, on a trip from Maces Springs to Bristol in
June 1927 that would become one of the most famous recording sessions in
country music history.Friend and WGOC Bluegrass Show host Tim White said Thursday that Joe was the
last direct connection to anyone who was at that original session that took
place on State Street that virtually launched the careers of the Carter
Family and has been frequently called "the big bang of country music.''"Years ago, I asked Joe if he remembered being at the session, and he told
me he didn't remember much about it but wished he would have because that
would have been some story to tell,'' said White."He told me that his older sister Gladys had to baby-sit him while his mom
and dad were involved in those recording sessions. (Gladys) told him that
she would take him down to Beaver Creek and throw grass in the creek to
pacify him."Joe was the last living link to those sessions. Helen, Maybelle's daughter,
was there, but she was still inside Maybelle's tummy because Maybelle was
eight months pregnant at the time of the recordings.''White also likened Carter to "a big ol' little boy,'' who was not only known
for his pure bass voice, which he would use as he accompanied sister Janette
Carter many nights on stage, but for his uncanny animal sounds he would
make, which were recently a part of a DVD produced by Marty Stuart that
accompanied his latest album, "Country Music.''Stuart, family friend and country legend Tom T. Hall, and John Carter Cash,
son of the late Johnny and June Carter Cash, are listed among the honorary
pallbearers for Joe's funeral at 2 p.m. Sunday at Mount Vernon United
Methodist Church, where he will be laid to rest beside his parents in the
church's cemetery.Calling hours for Carter will be from 4 to 8 p.m. Saturday at Scott County
Funeral Home in Weber City."Joe always liked to have fun, and he was truly the life of a party. If you
saw him from a distance, you would think he was some kind of salty old goat.
But once you talked to him, you found out what a funny guy he was and how
special a human being he was. I am going to miss his laugh and miss him
altogether,'' White said.Forrester commented on Carter's 78th birthday party held at his home on
Sunday, which she said was a blessing."He knew that he was surrounded by love. He had been struggling with this
for a while, but he remained loyal to the Fold. He even came and performed
in his wheelchair, including his last performance a few weeks ago,'' said
Forrester.Carter, who served in the latter part of World War II in the U.S. Navy and
later became a master carpenter, used his woodworking traits to the fullest
in helping build the structure that has been used to keep the memories of
A.P., Sara and Maybelle and the music they created in the shadows of Clinch
Mountain alive."He hammered boards and put seats in when that building first went up. It
was his love, and it meant so much to him to see the Fold become what it has
grown into,'' said Forrester.She also noted that he helped in the construction of other notable landmarks
in the region, including Dobyns-Bennett High School and various facilities
at Breaks Interstate Park.The passing of Joe Carter marks another sorrowful time that has come upon
the valley near Hiltons, which mourned the deaths of Johnny and June Carter
Cash in 2003 with an outpouring of support for a family that has become part
of the region's history.Two weeks ago, a Leon Kiser Memorial musical tribute show was conducted at
the Fold, and a program was given to concert goers that featured Joe and
other family members hard at work constructing the music center.White says it gave him a message that he had dwelled on for years and what
Joe and the Carter Family meant to the local music scene and to the mountain
music that he was so proud to produce."I thought what an undertaking that was for an old country boy there who
just wanted to see this music do good. And he did it. And over the years, he
has put many stars in his crown, because he helped people,'' said White.Forrester said the Saturday evening tradition that Joe and Janette began
back in 1975 will continue this Saturday."We still plan to present a show at the Fold, which will end up being a
tribute to Joe. All of us may not be there because of the funeral services,
but we feel like Uncle Joe would have wanted us to go with the show,'' she
said.Carter is also survived by three daughters and seven grandchildren.According to a message posted on the Carter Family Fold Web site Thursday,
flowers or a donation to the Mount Vernon United Methodist Church Cemetery
Fund can be sent to the following address: Mount Vernon United Methodist
Church Cemetery Fund, c/o Mrs. Flo Wolfe, Route 1, Box 76A, Hiltons, Va.
24258.More information on Joe Carter and the Carter Family is available on the
Internet at www.carterfamilyfold.org.>------------------------------
>
>Date:    Sat, 5 Mar 2005 16:09:35 -0600
>From:    "Robert B. Waltz" <[unmask]>
>Subject: Death of Joe Carter
>
>I've been sick all week, so maybe this came up and no one
>mentioned it, but I thought it better to repeat than leave
>it out.
>
>Joe Carter, the son of A. P. and Sara, died last Wednesday of
>cancer at the age of 78. He was present at the Bristol Sessions --
>thought to be the last living person to have been associated with
>the events. He recorded with his father A. P. and sister Janette
>on the Acme label from 1952-1956, and later sang bass with Sara
>and Maybelle.
>
>I don't have much else in the way of detail.
>
>--
>Bob Waltz
>[unmask]
>
>"The one thing we learn from history --
>    is that no one ever learns from history."<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>
Guavaberry Books
http://www.edu-cyberpg.com/GuavaberryBooks/
Domino - Traditional Children's Songs, Proverbs, and Culture U.S.V.I.
Find Music Books by The Funk Brothers  - 2x Grammy WinnersThe Educational CyberPlayGround
http://www.edu-cyberpg.com/National Children's Folksong Repository
http://www.edu-cyberpg.com/Culdesac/Repository/NCFR.htmlHot List of Schools Online
Net Happenings, K12 Newsletters, Network Newsletters
http://www.edu-cyberpg.com/Community/index.html7 Hot Site Awards
New York Times, USA Today , MSNBC, Earthlink,
USA Today Best Bets For Educators, Macworld Top Fifty
<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>~~~~~<>

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Subject: Re: Ebay List - 03/04/05
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 07:13:39 -0000
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----- Original Message -----
From: "Dolores Nichols" <[unmask]>
To: <[unmask]>
Sent: 06 March 2005 20:16
Subject: Re: Ebay List - 03/04/05> On Sat, Mar 05, 2005 at 10:42:43AM -0800, edward cray wrote:> > I note that your "search engine" for eBay picked up the Barden folk
> >legends volume.  I wonder if you could rewrite that "engine" -- perhaps
> >posting to ballad-l in a separate listing -- to pick up more folklore,
> >tale, belief, etc., books.
> >
> > Such a supplement would, first of all, complement the song and ballad
> >listings; and, second, would enhance the already considerable value of
> >your work on our behalf.>         Some of my current searches do find occasional other folklore -
> tales, urban legends, folk dance, etc. Among those, the publications of
> the Texas Folklore Society and books by or about Zora Neale Hurston
> (hope that is spelled correctly!) are among the most frequent finds.
>
>         Is there sufficient interest in another Ebay list of this
> material to warrant a regular posting? Or perhaps only when something
> unusual appears?
>
>         Any and all opinions are welcome. :-)Anything you may come up with is likely to be of interest. A lot of us have picked up things we'd
have missed otherwise if not for your sterling work. The more, the better, I'd say; though I may
have to work extra night shifts and make some more shelves.Best regardsMalcolm Douglas

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Subject: Boozoo's "Uncle Bud" song
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 14:42:22 -0500
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Back in the early- to mid-1990's, I believe, zydeco star
Boozoo Chavis did a song called "Uncle Bud" which seems to
stem from the same root as the song you're looking for, but
the words are considerably different, though just as
graphic. (I believe he also did a cleaned-up version). Can't
recall the name of the CD (on Rounder), but it was the only
zydeco CD ever to come with an Explicit Lyrics warning label
(though there were only two bawdy songs on it; believe
me, that was enough to warrant the label).
Tom Bingham
School of Music
SUNY Fredonia

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Subject: Re: "Uncle Bud" song
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 14:11:15 -0600
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Hello everyone,Here is a PDF of "Six New Negro Songs with Music" by Nicolas
Joseph Hutchingson Smith in the _Follow the Drinkin' Gou'd_
journal of the Texas Folk-lore Society 1928.  Download here:
http://tinyurl.com/4fcjp     The last song is "O, Bud" of which
he gives one bowdlerized verse.A six stanza bawdy "Uncle Bud" with music can be found on pgs
249-50 of Roger Abrahams' "Negro Folklore in South Philadelphia"
unpublished 1962 dissertation.Yours,John Mehlberg

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Subject: Re: "Uncle Bud" song
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 15:24:40 -0500
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On 2005/03/06 at 08:46:23PM -0600, Andrew Brown wrote:> >From: "DoN. Nichols" <[unmask]>
> >        Could someone please explain what a "transfer man" is?  Both        [ ... ]> A transfer man is the guy whose job it is to pick up convicts from county
> jails and take them to the state prison.        Thank you!        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Boozoo's "Uncle Bud" song
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 14:14:08 -0800
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Subject: Re: Boozoo's "Uncle Bud" song
From: bingham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 17:55:18 -0500
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"Uncle Bud" and "Deacon Jones" are on the same Boozoo Chavis
CD, "Who Stole My Monkey", and if memory serves, they're
both racy.
>
> Could you be thinking of Boozoo's song, "Deacon Jones" ?
>
> JL
>
> bingham <[unmask]> wrote:
> Back in the early- to mid-1990's, I believe, zydeco star
> Boozoo Chavis did a song called "Uncle Bud" which seems to
> stem from the same root as the song you're looking for,
> but the words are considerably different, though just as
> graphic. (I believe he also did a cleaned-up version).
> Can't recall the name of the CD (on Rounder), but it was
> the only zydeco CD ever to come with an Explicit Lyrics
> warning label (though there were only two bawdy songs on
> it; believe me, that was enough to warrant the label).
> Tom Bingham
> School of Music
> SUNY Fredonia
>
>
> ---------------------------------
> Celebrate Yahoo!'s 10th Birthday!
>  Yahoo! Netrospective: 100 Moments of the Web

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Subject: Re: "Uncle Bud" / "Deacon Jones"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 16:22:04 -0800
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Subject: sneaky commercial announcemnt
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Mar 2005 21:56:24 -0500
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Or you can get it from CAMSCO (who carries the entire Rounder catalog as
well as everything else in print) for $12.98Jonathan Lighter wrote:> A 1999 interview with Boozoo Chavis (1930-2001) that mentions these
> two songs (from his childhood) is here:
>
> http://www.offbeat.com/ob9904/boozoo.html
>
> "Who Stole My Monkey?" (1999) is available from Rounderstore here:
>
> http://www.rounderstore.com/retail/product.asp?P=1166121562
>
> JL
>
> ------------------------------------------------------------------------
> Celebrate Yahoo!'s 10th Birthday!
> Yahoo! Netrospective: 100 Moments of the Web
> <http://birthday.yahoo.com/netrospective/>

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Subject: Re: sneaky commercial announcemnt
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 05:18:56 -0800
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Subject: Journal Resources
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 05:30:48 -0800
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John (and others),Are there resources, finding tools, etc. for old
journals? Did you make the ZIP fiile of the Texas
journal? I was looking for The Journal of Irish
Folklore (or some similar title-- it's been a while),
and, short of going to Dublin, was unable to find it.
Even if one does find the publication, how does one
look at it, get copies and so forth?What reminded me of all this is the intro to O Bud!
Guess you have to go to the Harvard College Library to
find those "unprintable" stanzas."The nature of this song is such as to prohibit the
printing of the six collected stanzas that go with the
music. The words are deposited in the Harvard College
Library, as well as at the College of William and
Mary..."
-----------------------------------------------------------Here is a PDF of "Six New Negro Songs with Music" by
Nicolas Joseph Hutchingson Smith in the _Follow the
Drinkin' Gou'd_ journal of the Texas Folk-lore Society
1928.

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Subject: Re: Journal Resources
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 08:49:02 -0600
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Dear Cliff,I made the zip of the PDF myself as I own a copy of the Journal.
As far as I know most of the state folklore journals are not online.
There is some underground "trafficking" in scholarly works which are
difficult or impossible to get but necessary for research.  What
once was sharing photocopies is now sharing a self-made PDF.   If
you tell me what journal you want, I may be able to find you a copy.Yes, if I want a copy of the "O, Bud" I will have to get it from
Harvard or William and Mary.   The world was different then and even
scholars could not share what they had found if it had unacceptable
words or concepts.   At least he had the decency to record that the
song exists and where the song can be found.  Many of the best known
ballad scholars were less kind with the songs they encountered.
Either they refused to collect the song or, if they did collect it,
they completely rewrote the songs.Yours,John Mehlberg.----- Original Message -----
From: "Cliff Abrams" <[unmask]>
To: <[unmask]>
Sent: Tuesday, March 08, 2005 7:30 AM
Subject: Journal ResourcesJohn (and others),Are there resources, finding tools, etc. for old
journals? Did you make the ZIP file of the Texas
journal? I was looking for The Journal of Irish
Folklore (or some similar title-- it's been a while),
and, short of going to Dublin, was unable to find it.
Even if one does find the publication, how does one
look at it, get copies and so forth?What reminded me of all this is the intro to O Bud!
Guess you have to go to the Harvard College Library to
find those "unprintable" stanzas."The nature of this song is such as to prohibit the
printing of the six collected stanzas that go with the
music. The words are deposited in the Harvard College
Library, as well as at the College of William and
Mary..."
-----------------------------------------------------------Here is a PDF of "Six New Negro Songs with Music" by
Nicolas Joseph Hutchingson Smith in the _Follow the
Drinkin' Gou'd_ journal of the Texas Folk-lore Society
1928.

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Subject: Re: "Uncle Bud" song
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:12:32 -0500
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Seehttp://jargonbooks.com/vancerandolph.htmlfor a few "Uncle Bud" verses.  I suspect that there are more in the
Randolph/Legman "Unprintable" volumes, which I don't have in my
office right now.John

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Subject: Re: "Uncle Bud" song
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:16:25 -0500
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See Bud Russell's grandson's WWW site, with lots of info about Bud, here:http://texashideout.tripod.com/russell.htmlJohn

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Subject: Re: "Uncle Bud" song
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:27:42 -0500
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A CD by Bob Walser, "When Our Ship Comes Home," from The Tradition
Bearers, PO Box 26064 KILMARNOCK, KA2 0YG, Scotland, is said to
contain a song entitled "Uncle Bud."http://www.thetraditionbearers.com/htmfiles/recordings_oldandnew.htmJohn

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Subject: Re: "Uncle Bud" song
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:41:41 -0500
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According to his liner notes, Bob's version is taken from Mary Wheeler's
"Steamboatin' Days: Folk Songs of the River Packet Era" (Baton Rouge: LA
State U. Press).JohnOn 3/8/05 2:27 PM, "John Garst" <[unmask]> wrote:> A CD by Bob Walser, "When Our Ship Comes Home," from The Tradition
> Bearers, PO Box 26064 KILMARNOCK, KA2 0YG, Scotland, is said to
> contain a song entitled "Uncle Bud."
>
> http://www.thetraditionbearers.com/htmfiles/recordings_oldandnew.htm
>
> John

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Subject: Re: "Uncle Bud" song
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:46:11 -0500
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An Amazon.com search by song title, "Uncle Bud," results in 69 hits.
Not all of  these are "our" song, but some are.John

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Subject: Re: "Uncle Bud" song
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:46:44 -0500
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It is on that CD. Here are the notes that describe the song:
."Uncle Bud is taken from Mary Wheeler's fine Steamboatin' Days Folk
Songs of the River Packet Era (Baton Rouge Louisiana State U Press
1944} the only print collection to include a number of riverboatmen's
working songs.I played it and the first verse goes: Well old Uncle Bud coming down
the road hauling women by the wagon load
The chorus is Uncle Bud Uncle Bud Uncle Bud Bud Bud I got it Uncle Bud
The remaining verses are not in anyway bawdy unless it is code I don't
understandGeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Mar, 08, 2005, at 2:27 PM, John Garst wrote:> A CD by Bob Walser, "When Our Ship Comes Home," from The Tradition
> Bearers, PO Box 26064 KILMARNOCK, KA2 0YG, Scotland, is said to
> contain a song entitled "Uncle Bud."
>
> http://www.thetraditionbearers.com/htmfiles/recordings_oldandnew.htm
>
> John

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Subject: Re: "Uncle Bud" song
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 14:54:26 -0500
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Tampa Red recorded "Uncle Bud."John

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Subject: Re: "Uncle Bud" song
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 15:41:41 -0500
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Of course -- "'Cause Mr. Bud Russell/ He means to starve the men..."----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Tuesday, March 08, 2005 2:16 PM
Subject: Re: "Uncle Bud" song> See Bud Russell's grandson's WWW site, with lots of info about Bud, here:
>
> http://texashideout.tripod.com/russell.html
>
> John
>

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Subject: Re: The Gentleman's Magazine republication
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 17:58:18 EST
Content-Type:text/plain
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For anyone with deep pockets:http://www.periodicals.com/index.htmlPartners with over 40 years experience, we are major reprinters of academic
journals and specialize in the supply of antiquarian backsets, back volumes and
back issues of out-of-print journals and serialsfor example:PERCY SOCIETY, LONDON. PUBLICATIONS
Vols. 1-30 (i.e. nos. 1-94). London, 1840-1852. Bound
Complete set $ 2,150.-drool.*sigh*Heather

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Subject: Ebay List - 03/08/05 (Folklore)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 19:04:09 -0500
Content-Type:text/plain
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Hi!        Here is a first cut/sample of the proposed Ebay list of
folklore, tales, etc. Comments are welcome, encouraged and solicited.        4532578804 - Jack Always Seeks His Fortune by Davis, 1992, $5.95
(ends Mar-09-05 17:35:59 PST)        4532618012 - The Best of Texas Folk and Folklore 1916-1954 by
Boatright, 1998, $5.99 (ends Mar-09-05 20:07:35 PST)        6950050946 - Grandfather Tales by Chase, 1948, $4.99 (ends
Mar-10-05 19:38:53 PST)        5563184623 - Tennessee Folklore Society Bulletin, 3 issues,
1966-67, $6.99 (ends Mar-11-05 12:37:36 PST)        4533392200 - Outwitting the Devil:  Jack Tales from Wise County,
Virginia by Perdue, 1987, $4.95 (ends Mar-12-05 11:00:22 PST)        4533393751 - Pigsfoot Jelly & Persimmon Beer: Foodways from the
Virginia Writers' Project by Perdue, 1992, $4.95 (ends Mar-12-05
11:05:37 PST)        6160318784 - Celtic Fairy Tales by Jacobs, reprint, $7.95 (ends
Mar-12-05 11:52:17 PST)        5564138851 - Truculent Rustics Molly (Morris) Dancing in East
Anglia before 1940 by Bradtke, 0.99 GBP (ends Mar-13-05 10:39:34 PST)        4533781602 - Encyclopedia of Urban Legends by Brunvand, 2002, $3
(ends Mar-13-05 16:35:01 PST)        4533850365 - Cajun And Creole Folktales by Ancelet, 1994, $9.95
(ends Mar-13-05 20:24:07 PST)        6950575785 - The word on the Brazos by Brewer, 1953, $5 (ends
Mar-14-05 08:01:08 PST)        4533930958 - THE ROADS OF HOME ... LANES AND LEGENDS OF NEW
JERSEY by Beck, 1956, $5.95 (ends Mar-14-05 20:15:00 PST)        6949116747 - HOT SPRINGS AND HELL by Randolph, 1965, $24.95
(ends ?)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 03/08/05 (Folklore)
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Mar 2005 21:03:12 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(75 lines)


Dolores:Yes, yes, yes!Even if your trolling pulls up a lot of skank, Doris, there are good things here.First, of course, would be the Randolph, _Hot Springs  and Hell,_ one of that great collector's anthologies of folk tales/jokes/anecdotes from the Ozarks.  Though the books are scarce, so far as I know this is the only one that was ever reprinted, this by the late Ken Goldstein's Folklore Associates.  (Ken, probably as responsible as anyone for the folk song revival, never made a distinction between song and lore.  In his mind, it was all part of the same multi-colored quilt.)I look forward to further lists, Dolores.Ed----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Tuesday, March 8, 2005 4:04 pm
Subject: Ebay List - 03/08/05 (Folklore)> Hi!
>
>        Here is a first cut/sample of the proposed Ebay list of
> folklore, tales, etc. Comments are welcome, encouraged and solicited.
>
>        4532578804 - Jack Always Seeks His Fortune by Davis, 1992,
> $5.95(ends Mar-09-05 17:35:59 PST)
>
>        4532618012 - The Best of Texas Folk and Folklore 1916-1954 by
> Boatright, 1998, $5.99 (ends Mar-09-05 20:07:35 PST)
>
>        6950050946 - Grandfather Tales by Chase, 1948, $4.99 (ends
> Mar-10-05 19:38:53 PST)
>
>        5563184623 - Tennessee Folklore Society Bulletin, 3 issues,
> 1966-67, $6.99 (ends Mar-11-05 12:37:36 PST)
>
>        4533392200 - Outwitting the Devil:  Jack Tales from Wise
> County,Virginia by Perdue, 1987, $4.95 (ends Mar-12-05 11:00:22 PST)
>
>        4533393751 - Pigsfoot Jelly & Persimmon Beer: Foodways from
> theVirginia Writers' Project by Perdue, 1992, $4.95 (ends Mar-12-05
> 11:05:37 PST)
>
>        6160318784 - Celtic Fairy Tales by Jacobs, reprint, $7.95
> (endsMar-12-05 11:52:17 PST)
>
>        5564138851 - Truculent Rustics Molly (Morris) Dancing in East
> Anglia before 1940 by Bradtke, 0.99 GBP (ends Mar-13-05 10:39:34 PST)
>
>        4533781602 - Encyclopedia of Urban Legends by Brunvand,
> 2002, $3
> (ends Mar-13-05 16:35:01 PST)
>
>        4533850365 - Cajun And Creole Folktales by Ancelet, 1994,
> $9.95(ends Mar-13-05 20:24:07 PST)
>
>        6950575785 - The word on the Brazos by Brewer, 1953, $5 (ends
> Mar-14-05 08:01:08 PST)
>
>        4533930958 - THE ROADS OF HOME ... LANES AND LEGENDS OF NEW
> JERSEY by Beck, 1956, $5.95 (ends Mar-14-05 20:15:00 PST)
>
>        6949116747 - HOT SPRINGS AND HELL by Randolph, 1965, $24.95
> (ends ?)
>
>                                Happy Bidding!
>                                Dolores
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>

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Subject: Journals
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 05:45:06 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


John,Thanks very much for the information. I'll look
into... what i'm looking for and contact you directly.C.
"... As far as I know most of the state folklore
journals are
not online... If you tell me what journal you want, I
may be able to find
you a copy."

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Subject: Re: House Of The Rising Sun
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 11:29:26 -0500
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text/plain(8 lines)


>We should soon have the book on this by Ted Anthony, and I expect it
>to be authoritative.
>
>JohnTed tells me that the book is scheduled to appear in mid-2006.John

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Subject: Re: Ebay List - 03/08/05 (Folklore)
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 11:09:43 -0800
Content-Type:text/plain
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text/plain(65 lines)


Dolores:
Thanks for all the helpful work!
Norm----- Original Message -----
From: "Dolores Nichols" <[unmask]>
To: <[unmask]>
Sent: Tuesday, March 08, 2005 4:04 PM
Subject: Ebay List - 03/08/05 (Folklore)> Hi!
>
>         Here is a first cut/sample of the proposed Ebay list of
> folklore, tales, etc. Comments are welcome, encouraged and solicited.
>
>         4532578804 - Jack Always Seeks His Fortune by Davis, 1992, $5.95
> (ends Mar-09-05 17:35:59 PST)
>
>         4532618012 - The Best of Texas Folk and Folklore 1916-1954 by
> Boatright, 1998, $5.99 (ends Mar-09-05 20:07:35 PST)
>
>         6950050946 - Grandfather Tales by Chase, 1948, $4.99 (ends
> Mar-10-05 19:38:53 PST)
>
>         5563184623 - Tennessee Folklore Society Bulletin, 3 issues,
> 1966-67, $6.99 (ends Mar-11-05 12:37:36 PST)
>
>         4533392200 - Outwitting the Devil:  Jack Tales from Wise County,
> Virginia by Perdue, 1987, $4.95 (ends Mar-12-05 11:00:22 PST)
>
>         4533393751 - Pigsfoot Jelly & Persimmon Beer: Foodways from the
> Virginia Writers' Project by Perdue, 1992, $4.95 (ends Mar-12-05
> 11:05:37 PST)
>
>         6160318784 - Celtic Fairy Tales by Jacobs, reprint, $7.95 (ends
> Mar-12-05 11:52:17 PST)
>
>         5564138851 - Truculent Rustics Molly (Morris) Dancing in East
> Anglia before 1940 by Bradtke, 0.99 GBP (ends Mar-13-05 10:39:34 PST)
>
>         4533781602 - Encyclopedia of Urban Legends by Brunvand, 2002, $3
> (ends Mar-13-05 16:35:01 PST)
>
>         4533850365 - Cajun And Creole Folktales by Ancelet, 1994, $9.95
> (ends Mar-13-05 20:24:07 PST)
>
>         6950575785 - The word on the Brazos by Brewer, 1953, $5 (ends
> Mar-14-05 08:01:08 PST)
>
>         4533930958 - THE ROADS OF HOME ... LANES AND LEGENDS OF NEW
> JERSEY by Beck, 1956, $5.95 (ends Mar-14-05 20:15:00 PST)
>
>         6949116747 - HOT SPRINGS AND HELL by Randolph, 1965, $24.95
> (ends ?)
>
>                                 Happy Bidding!
>                                 Dolores
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>         --- .sig? ----- .what?  Who me?
>

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Subject: AFS Astray?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 14:03:33 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(94 lines)


Folks:We've come a long way from Kansas, Toto.Ed---------------------------------------------------------------------------------------------------------From     Margaret Yocom <[unmask]>
Sent    Wednesday, March 9, 2005 1:19 pm
To      [unmask]
Subject         [PUBLORE] Sign Folklore & Creative Writing petitionHello,  everyone. Amy Skillman and I would like to ask you for your
support in establishing a new Folklore & Creative Writing Section of
AFS. If you're willing -- and you're an AFS member-- please sign this
petition at the very end and email it back to me as soon as possible--
but especially before 16 March.Please pass this request on to any AFS person who might be interested.Thanks for considering our petition.
Peggy Yocom________________________________________________________________A Petition to the AFS Board of Directors for Establishing theFolklore and Creative Writing SectionRationale:
Many members of the American Folklore Society have an abiding interest
in creative writing. Recent productions include, for example, the novel
by Betty Belanus; the theater work of Elaine Lawless and her students;
the non-fiction of Barry Lopez; and the poetry of Susan Stewart and
Steven Zeitlin. Joanne Mulcahy of Lewis and Clark College, Portland, OR,
sponsors a summer workshop on creative writing and ethnography. The most
recent volume of the Journal of American Folklore has published works in
creative ethnography. In September 2005, the New York Folklore Society
will sponsor a conference in conjunction with creative writers of the
Hudson Valley Writers Center in honor of the 60th anniversary of the New
York folklore journal, now named Voices. Also, folklorists have long
studied the creative forms of others: cowboy, logger, and fisher poetry,
for example. With this Section, we hope to highlight the talents of
folklorists, provide an opportunity for dialogue, and consider how
creative writing has influenced the field of folklore-what we do and how
we do it-and how folklore influences creative writers. We also believe
that our work with creative writing will broaden public awareness of
folklore and of the issues folklorists explore.Goals:
The Folklore and Creative Writing section intends to (1) gather
folklorists with an interest in creative writing; (2) hold regular
panels and events such as readings and section-sponsored speakers, at
the AFS annual meeting; (3) provide support for folklorists who write,
teach, or organize workshops in poetry, drama, fiction writing, creative
non-fiction writing, and more;
(4) provide educational opportunities for folklorists who want to
improve their creative writing skills; (5) publicize and promote the
creative performance folklorists are doing, such as the theater piece
that immigrant women are creating with the sponsorship of the Institute
for Cultural Partnerships; (6) create additional venues for the
publication and performance of creative writing by folklorists; (7)
establish dialogues between AFS and creative writing associations, such
as the Association of Writers and Writing Programs, by sponsoring panels
at their conferences (http://www.awpwriter.org); and (8) work with the
Storytelling Section of AFS on programs of mutual interest.Operations:
The Section intends to (1) hold an annual meeting during the annual AFS
conference; (2) maintain a listserve among the section members; (3)
maintain a website.Initially the Section will not have dues, but it may collect dues in the
future to offset expenses. To become a member of the Section,
folklorists are asked to email Margaret "Peggy" Yocom at [unmask]At the first meeting of the section, members will make final membership
decisions. For example, the Section could have two co-conveners who
serve 2 years, in staggered terms. Co-conveners and the Committee could
be voted into office during the AFS Conference. Should the Section be
established, it will be moderated by the sponsors of this petition:
Peggy Yocom of  George Mason University, Fairfax, VA, and Amy Skillman,
Institute of Cultural Partnerships, Harrisburg, PA.To support the establishment of the Folklore and Creative Writing Section:
Please replace the phrase (YOUR NAME, YOUR AFFILIATION) below with your
name and your affiliation, and email this message back to Peggy Yocom at
[unmask] as soon as possible, before Wednesday 16 March 2005.I,    (YOUR NAME, YOUR AFFILIATION), as an AFS member, support this
petition to establish a Folklore and Creative Writing Section of the
American Folklore Society.

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Subject: Ebay List - 03/09/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 19:54:46 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(91 lines)


Hi!        Here is the regular Ebay list for this week.        SONGSTERS        6517045923 - The Army Songster Dedicated to the Army of Northern
Virginia, 1902, $8 (ends Mar-13-05 17:57:40 PST)        6950872353 - CHARLEY GLEASON'S "NEVER SAY DIE" SONGSTER, 1870,
$0.99 (ends Mar-19-05 08:43:49 PST)        MISCELLANEOUS        4707812335 - RAMBLING BOYS-ULSTER BALLADS by Cinnamond, LP, 1975,
$9.99 (ends Mar-13-05 11:05:00 PST)        4708292653 - THE UNEXPURGATED FOLK SONGS OF MEN, LP, 1960, $9.99
(ends Mar-14-05 20:24:30 PST)        3880336829 - TRADITIONAL MUSIC MAKER, magazine, Feb-Mar 1998, 0.99
GBP (ends Mar-15-05 13:31:09 PST)        6950808603 - JEMF Quarterly, summer 1973, $3.99 (ends Mar-15-05
19:08:38 PST)        7305825399 - Broadside, The Irish Rake, 1860?, $9.50 (ends
Mar-17-05 20:30:00 PST)        SONGBOOKS, ETC.        7305517909 - A TOUCH ON THE TIMES. SONGS OF SOCIAL CHANGE 1770 TO
1914 by Palmer, 1.99 GBP (ends Mar-10-05 14:32:34 PST)        5173059252 - Broadside, 1863?, 5.50 GBP (ends Mar-10-05 15:24:41 PST)        4532889160 - Texas Folk Songs by Owens, 1950, $9.99 (ends Mar-10-05
17:29:04 PST)        4533397762 - The English and Scottish Popular Ballads by Child,
Russian-English edition, 1988, $9.99 (ends Mar-12-05 11:17:45 PST)        7305892281 - Folk Dances and Singing Games, 1938, $0.99 (ends
Mar-12-05 11:25:03 PST)        7305955467 - Folk Songs From The Southern Highlands by Henry, 1938,
$15.50 (ends Mar-12-05 16:55:51 PST)        4533491289 - Traditional American Folk Songs by Warner, 1984, $9.99
(ends Mar-12-05 17:54:36 PST)        6949928738 - A GUN-ROOM DITTY BOX by Bowles, 1898, 0.99 GBP (ends
Mar-13-05 07:40:35 PST)        7306617545 - KERR'S 'BUCHAN' BOTHY BALLADS, 2 GBP (ends Mar-13-05
09:20:18 PST)        6950458506 - A Lytell Geste Of Robin Hode by gutch, 1867, $12.50
(ends Mar-13-05 13:08:21 PST)        4533777331 - ONE HUNDRED ENGLISH FOLKSONGS by Sharp, $4.88 (ends
Mar-13-05 16:16:15 PST)        6949775978 - Folk-Songs, Chanteys, and Singing Games by Sharp &
Farnsworth, $9.99 (ends Mar-13-05 17:47:00 PST)        6517055428 - 101 FAVORITE BALLADS, COWBOY & MOUNTAIN SONGS by
Cross, 1940?, $4.99 (ends Mar-13-05 20:00:00 PST)        6950632196 - English and Scottish Ballads by Child, 8 volumes in 4,
1885 edition, $95 (ends Mar-14-05 14:12:27 PST)        3880336829 - TRADITIONAL MUSIC MAKER, magazine, Feb-Mar 1998, 0.99
GBP (ends Mar-15-05 13:31:09 PST)        6950527636 - Songs of the North by MacLeod & Boulton, 1910?,
$49.95 AU (ends Mar-16-05 20:15:14 PST)        4533929517 - Victoria's Inferno: Songs of the Old Mills, Mines,
Manufactories, Canals and Railways by Raven, 5.50 GBP (ends Mar-17-05
05:28:41 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 03/09/05
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 17:58:31 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(115 lines)


Folks:Be advised, the important Mellinger E. Henry volume turns up rarely on Abebooks, if at all.  I would estimate that a rare book dealer would unblushingly ask $100 for the book.  (If I did not own it, I would never post this notice.)Ed----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Wednesday, March 9, 2005 4:54 pm
Subject: Ebay List - 03/09/05> Hi!
>
>        Here is the regular Ebay list for this week.
>
>        SONGSTERS
>
>        6517045923 - The Army Songster Dedicated to the Army of
> NorthernVirginia, 1902, $8 (ends Mar-13-05 17:57:40 PST)
>
>        6950872353 - CHARLEY GLEASON'S "NEVER SAY DIE" SONGSTER, 1870,
> $0.99 (ends Mar-19-05 08:43:49 PST)
>
>        MISCELLANEOUS
>
>        4707812335 - RAMBLING BOYS-ULSTER BALLADS by Cinnamond, LP,
> 1975,$9.99 (ends Mar-13-05 11:05:00 PST)
>
>        4708292653 - THE UNEXPURGATED FOLK SONGS OF MEN, LP, 1960,
> $9.99(ends Mar-14-05 20:24:30 PST)
>
>        3880336829 - TRADITIONAL MUSIC MAKER, magazine, Feb-Mar
> 1998, 0.99
> GBP (ends Mar-15-05 13:31:09 PST)
>
>        6950808603 - JEMF Quarterly, summer 1973, $3.99 (ends Mar-
> 15-05
> 19:08:38 PST)
>
>        7305825399 - Broadside, The Irish Rake, 1860?, $9.50 (ends
> Mar-17-05 20:30:00 PST)
>
>        SONGBOOKS, ETC.
>
>        7305517909 - A TOUCH ON THE TIMES. SONGS OF SOCIAL CHANGE
> 1770 TO
> 1914 by Palmer, 1.99 GBP (ends Mar-10-05 14:32:34 PST)
>
>        5173059252 - Broadside, 1863?, 5.50 GBP (ends Mar-10-05
> 15:24:41 PST)
>
>        4532889160 - Texas Folk Songs by Owens, 1950, $9.99 (ends
> Mar-10-05
> 17:29:04 PST)
>
>        4533397762 - The English and Scottish Popular Ballads by
> Child,Russian-English edition, 1988, $9.99 (ends Mar-12-05 11:17:45
> PST)
>        7305892281 - Folk Dances and Singing Games, 1938, $0.99 (ends
> Mar-12-05 11:25:03 PST)
>
>        7305955467 - Folk Songs From The Southern Highlands by
> Henry, 1938,
> $15.50 (ends Mar-12-05 16:55:51 PST)
>
>        4533491289 - Traditional American Folk Songs by Warner,
> 1984, $9.99
> (ends Mar-12-05 17:54:36 PST)
>
>        6949928738 - A GUN-ROOM DITTY BOX by Bowles, 1898, 0.99 GBP
> (endsMar-13-05 07:40:35 PST)
>
>        7306617545 - KERR'S 'BUCHAN' BOTHY BALLADS, 2 GBP (ends Mar-
> 13-05
> 09:20:18 PST)
>
>        6950458506 - A Lytell Geste Of Robin Hode by gutch, 1867,
> $12.50(ends Mar-13-05 13:08:21 PST)
>
>        4533777331 - ONE HUNDRED ENGLISH FOLKSONGS by Sharp, $4.88
> (endsMar-13-05 16:16:15 PST)
>
>        6949775978 - Folk-Songs, Chanteys, and Singing Games by
> Sharp &
> Farnsworth, $9.99 (ends Mar-13-05 17:47:00 PST)
>
>        6517055428 - 101 FAVORITE BALLADS, COWBOY & MOUNTAIN SONGS by
> Cross, 1940?, $4.99 (ends Mar-13-05 20:00:00 PST)
>
>        6950632196 - English and Scottish Ballads by Child, 8
> volumes in 4,
> 1885 edition, $95 (ends Mar-14-05 14:12:27 PST)
>
>        3880336829 - TRADITIONAL MUSIC MAKER, magazine, Feb-Mar
> 1998, 0.99
> GBP (ends Mar-15-05 13:31:09 PST)
>
>        6950527636 - Songs of the North by MacLeod & Boulton, 1910?,
> $49.95 AU (ends Mar-16-05 20:15:14 PST)
>
>        4533929517 - Victoria's Inferno: Songs of the Old Mills,
> Mines,Manufactories, Canals and Railways by Raven, 5.50 GBP (ends
> Mar-17-05
> 05:28:41 PST)
>
>                                Happy Bidding!
>                                Dolores
>
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>

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Subject: Tushielaw
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 9 Mar 2005 22:03:26 -0800
Content-Type:TEXT/PLAIN
Parts/Attachments:

TEXT/PLAIN(70 lines)


Okay, here are the words as I hear them --Tushielaw's a hunting ga'en
And gallant is his deed
For he's ta'en the heart o' lady March
The fairest maid in TweedAnd her fayther he has banished him
For he's below her station
And Tushielaw has fled to France
to fight for king and nation   She's the earl of March's daughter
   And the fairest of them a'
   But the humble squire of Tushielaw
   Has ta'en her heart awa'Well the lady she has heard the news
That Tushielaw has fled
And the lady's looking pale and wan (drawn?)
She's ta'en tae her bedA physician come to meet her
All season she's been lying
I fear she has a broken heart
I fear my lady's dying   She's the earl of March's daughter...........Well the fayther he's conceded
He's come to tak the blame
And a messenger was sent to France
to fetch her lover hameNoo the lady's feeling better
She's risen to her feet
And she's ta'en a house in Peeblestoon
Her true love there to meet   She's the earl of March's daughter...........But she's looking tired and pallid
Her cheeks have lost their glow
And she's no the handsome beauty that
She was a year agoAnd when Tushielaw to Peebles cam
His horse he did not tether
He quickly passed his lady by
He's ta'en her for another   She's the earl of March's daughter..........Well he's galloped on to meet her
To see his love again
He spurs his horse in anguish
But he's passed his house and hame   (do I have this right?)For his lady lies in Peeblestoon
It's there she's passed awa'
Noo her windered (?) heart may --- (?)
For handsome Tushielaw   She's the earl of March's daughter...........Can anyone fill in my blanks?  (Of course the missing/mangled words will
probably sound loud and clear once I know what they are.)Thanks again.

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Subject: Fw: Fw: New? Kids folklore
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 10 Mar 2005 00:16:53 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(17 lines)


Hi folks:A correspondent who wishes to remain anonymous writes:<<I've heard of the pajamas-inside-out one; my nieces used to do that. [They
lived in Howell, New Jersey. - PJS]This isn't folklore, but as a child, I do remember doing an actual spell to
try to bring the snow. I don't know where it was dug up from, or whether it
really was an old spell, as I imagined; but I do remember that it involved
drawing a "Solomon's seal," which in retrospect I'm pretty sure meant a star
of David. I got it wrong, though; when I asked my mother what a "Solomon's
seal" was, she said, "It's a kind of flower" (also true), so I drew flowers
instead.>>Peace,
Paul

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Subject: Re: Ebay List - 03/09/05
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Mar 2005 18:19:03 +0000
Content-Type:text/plain
Parts/Attachments:

text/plain(12 lines)


> Here is the regular Ebay list for this week.
>    5173059252 - Broadside, 1863?, 5.50 GBP (ends Mar-10-05 15:24:41 PST)The seller's enthusiasm for the subject matter is pretty alarming...-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: Ebay List - 03/09/05
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Mar 2005 10:49:48 -0800
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Jack:I would be pretty excited too if I got 103GBP for something maybe worth a third of that.  Note that one of the more knowledgeable subscribers to ballad-l bailed out at 16.50 GBP.Seems that the winning bidder is not a folk music person but collects older UK imprints.Ed----- Original Message -----
From: Jack Campin <[unmask]>
Date: Friday, March 11, 2005 10:19 am
Subject: Re: Ebay List - 03/09/05> > Here is the regular Ebay list for this week.
> >    5173059252 - Broadside, 1863?, 5.50 GBP (ends Mar-10-05
> 15:24:41 PST)
>
> The seller's enthusiasm for the subject matter is pretty alarming...
>
>
>
> --------------------------------------------------------------------
> ---------
> Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU;
> 0131 6604760
> <http://www.purr.demon.co.uk/jack>     *     food intolerance data
> & recipes,
> Mac logic fonts, Scots traditional music files, and my CD-ROM
> "Embro, Embro".
> ---> off-list mail to "j-c" rather than "ballad-l" at this site,
> please. <---
>

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Subject: Blatant Semi-commercial Announcement of probably Limited Interest
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Mar 2005 14:53:44 -0500
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Due to a shift in Smithsonian-Folkways maketing policies, I'm now in a
position to offer their custom CDs at $16--about four bucks over SF's
price. As before, I carry all of their remastered non-custom CDs at a
buck or two less than S-F charges.dick greenhaus
CAMSCO Music

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Subject: Shades of Hillsville
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Mar 2005 15:31:18 -0500
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The news from Atlanta this morning brings to mind the Hillsville
massacre and the ballads based on that event.I wonder if we will have songs about today's events.By the way, some historic documents relating to Sidna Allen are for sale:http://www.tramp-art.com/special1.htmJohn

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Subject: Re: Blatant Semi-commercial Announcement of probably Limited Interest
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Mar 2005 16:06:36 -0500
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    Oops-
please make that four bucks */under/*dick greenhaus wrote:> Due to a shift in Smithsonian-Folkways maketing policies, I'm now in a
> position to offer their custom CDs at $16--about four bucks over SF's
> price. As before, I carry all of their remastered non-custom CDs at a
> buck or two less than S-F charges.
>
> dick greenhaus
> CAMSCO Music
>
>

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Subject: Re: Blatant Semi-commercial Announcement of probably Limited Interest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Mar 2005 14:28:00 -0800
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Dick:I read that as four buck over the wholesale price.No damage done.Ed----- Original Message -----
From: dick greenhaus <[unmask]>
Date: Friday, March 11, 2005 1:06 pm
Subject: Re: Blatant Semi-commercial Announcement of probably Limited Interest>    Oops-
> please make that four bucks */under/*
>
> dick greenhaus wrote:
>
> > Due to a shift in Smithsonian-Folkways maketing policies, I'm now
> in a
> > position to offer their custom CDs at $16--about four bucks over
> SF's> price. As before, I carry all of their remastered non-custom
> CDs at a
> > buck or two less than S-F charges.
> >
> > dick greenhaus
> > CAMSCO Music
> >
> >
>

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Subject: Re: Blatant Semi-commercial Announcement of probably Limited Interest
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 12 Mar 2005 01:44:59 -0600
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----- Original Message -----
From: "dick greenhaus" <[unmask]><<Due to a shift in Smithsonian-Folkways maketing policies, I'm now in a
position to offer their custom CDs at $16--about four bucks over SF's
price. As before, I carry all of their remastered non-custom CDs at a
buck or two less than S-F charges.>>Dick, I think you mean "about four bucks *under* SF's price"; they normally
sell the custom discs for $20.00. Good deal!Peace,
Paul

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Subject: Re: The Gentleman's Magazine repubication
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 13 Mar 2005 15:38:46 -0500
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I am confused as to who exactly wrote this, and when?  -and is it from the 
Grubstreet Journal, or the Gentleman's Magazine?
Would appreciate clarification, thanks....
LisaAt 03:03 PM 3/3/2005 -0500, you wrote:
>For those who would like to flagellate themselves with the whole article:
>
>Grubstreet Journal, Feb 27 No. 276.
>
>Of Ballad-singing.
>
>The Scandalous Practice of Ballad-singing, is the Bane of all good Manners 
>and Morals, a Nursery for Idlers. Whores and Pickpockets, a School for 
>Scandal, Smut and Debauchery, and ought to be entirely suppressed, or 
>reduced under proper Restriction. If Ballads do not, yet they ought to 
>come under the Stamp Act, and the Law looks on Ballad-singers as Vagrants. 
>This brings to my Mind the ill Conduct of many of our middling Gentry, who 
>suffer their Children, particularly their daughters, to frequent the 
>Kitchen, be familiar with the Servants, and so learn their Manners. One 
>Part of their Conversation turns upon frightful Stories of Witches, 
>Apparitions, &c. which serve to keep Miss in Awe, and in their interest.
>
>Her Delight in the Kitchen-Conversation increases with her Years; now is 
>flattered, taught to shew Tricks upon Cards, and play at Romps; ~ which 
>soon makes her forget htt Birth, and think herself on a level with them. 
>Well! Miss is now out of her Hanging Sleeves, and every one, especially 
>the Footman, tells her how pretty she is. Now Ballads and Love Songs are 
>daily presented her, and vouched for Truth: One tells, "How a Footman died 
>for Love of a young Lady, and how she was haunted by his Ghost, and died 
>for Grief. Another, How the Coachman run away with his young Mistress, 
>took to Hedging and Ditching, and she to Knitting and Spinning, and lived 
>vast Happy, and in great Plenty. And a third, How the young ’Squire, 
>Master’s eldest Son, fell in Love with the Chambermaid, married her at 
>the Fleet, was turn’d out of Doors, kept an Inn, got Money as fast as 
>Hops, till the old Gentleman died suddenly without a Will, and then his 
>Son got all, kept a Coach, and made his Wife a great Lady, who bore him 
>Twins for 12 years together, who all lived to be Justices of the Peace, 
>&c. By such foolish Stories Miss is deluded; sighs, pities, and at last 
>loves; and so too often undone without Remedy
>
>§ A Female Correspondent, who signs Virtuous, complains of the many 
>ruinous Marriages that are every Year practiced in the Fleet, by a Set of 
>drunken swearing Parsons, with their Myrmidons that wear black Coats, and 
>pretend to. be Clerks and Registers to the Fleet, plying about 
>Ludgate-hill, pulling and forcing People to some pedling Alehouse or 
>Brandyshop to be married, even on Sunday, stopping them as they go to the 
>Church.
>
>Not long since, a young Lady was deluded and forced from her Friends, and 
>by the Assistance of a very wicked swearing Parson, married to an 
>atheistical Wretch, whose Life is a continual Practice of all Manner of 
>Vice and Debauchery.?Another young Lady was deecoyed to a House in the 
>confines of the Fleet by a pretended Gentleman. Dr. Wryneck immediately 
>appear'd, and swore she should be married; or if she would not, he would 
>have his Fee, and register the Marriage from that Night. The Lady, to 
>recover her Liberty, left her Ring as a Pledge that she would meet him the 
>morrow Night.
>
>
>
>Gentleman’s Magazine, Vol. 5 Feb 1735, p. 93

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Subject: Re: The Gentleman's Magazine repubication
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Subject: Re: The Gentleman's Magazine repubication
From: Steve Roud <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 13 Mar 2005 22:25:36 -0000
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The relevant section of the Gentleman's Magazine was where they reprinted
interesting items from other publications, in this case The Grub-Street
Journal.
If you're interested in using the GM as a source, you should know about the
excellent site:
'Attributions of Authorship in the Gentleman's Magazine, 1731-1868: An
Electronic Union List' at
http://etext.lib.virginia.edu/etcbin/browse-gmall?id=GM1731
The entry for this 'Ballad Singing' piece is as follows:
Vol. 3 (1733) :pp. 252.. A:. Letter originally signed "J. Ralph" from the
Grub-Street Journal , No. 178 (24 May 1733). James Ralph [?]. [ Orig.
"Ralph" ]Steve Roud----- Original Message -----
From: "Lisa - S. H." <[unmask]>
To: <[unmask]>
Sent: Sunday, March 13, 2005 8:38 PM
Subject: Re: The Gentleman's Magazine repubicationI am confused as to who exactly wrote this, and when?  -and is it from the
Grubstreet Journal, or the Gentleman's Magazine?
Would appreciate clarification, thanks....
LisaAt 03:03 PM 3/3/2005 -0500, you wrote:
>For those who would like to flagellate themselves with the whole article:
>
>Grubstreet Journal, Feb 27 No. 276.
>
>Of Ballad-singing.
>
>The Scandalous Practice of Ballad-singing, is the Bane of all good Manners
>and Morals, a Nursery for Idlers. Whores and Pickpockets, a School for
>Scandal, Smut and Debauchery, and ought to be entirely suppressed, or
>reduced under proper Restriction. If Ballads do not, yet they ought to come
>under the Stamp Act, and the Law looks on Ballad-singers as Vagrants. This
>brings to my Mind the ill Conduct of many of our middling Gentry, who
>suffer their Children, particularly their daughters, to frequent the
>Kitchen, be familiar with the Servants, and so learn their Manners. One
>Part of their Conversation turns upon frightful Stories of Witches,
>Apparitions, &c. which serve to keep Miss in Awe, and in their interest.
>
>Her Delight in the Kitchen-Conversation increases with her Years; now is
>flattered, taught to shew Tricks upon Cards, and play at Romps; ~ which
>soon makes her forget htt Birth, and think herself on a level with them.
>Well! Miss is now out of her Hanging Sleeves, and every one, especially the
>Footman, tells her how pretty she is. Now Ballads and Love Songs are daily
>presented her, and vouched for Truth: One tells, "How a Footman died for
>Love of a young Lady, and how she was haunted by his Ghost, and died for
>Grief. Another, How the Coachman run away with his young Mistress, took to
>Hedging and Ditching, and she to Knitting and Spinning, and lived vast
>Happy, and in great Plenty. And a third, How the young ?TSquire,
>Master?Ts eldest Son, fell in Love with the Chambermaid, married her at
>the Fleet, was turn?Td out of Doors, kept an Inn, got Money as fast as
>Hops, till the old Gentleman died suddenly without a Will, and then his Son
>got all, kept a Coach, and made his Wife a great Lady, who bore him Twins
>for 12 years together, who all lived to be Justices of the Peace, &c. By
>such foolish Stories Miss is deluded; sighs, pities, and at last loves; and
>so too often undone without Remedy
>
>§ A Female Correspondent, who signs Virtuous, complains of the many
>ruinous Marriages that are every Year practiced in the Fleet, by a Set of
>drunken swearing Parsons, with their Myrmidons that wear black Coats, and
>pretend to. be Clerks and Registers to the Fleet, plying about
>Ludgate-hill, pulling and forcing People to some pedling Alehouse or
>Brandyshop to be married, even on Sunday, stopping them as they go to the
>Church.
>
>Not long since, a young Lady was deluded and forced from her Friends, and
>by the Assistance of a very wicked swearing Parson, married to an
>atheistical Wretch, whose Life is a continual Practice of all Manner of
>Vice and Debauchery.-Another young Lady was deecoyed to a House in the
>confines of the Fleet by a pretended Gentleman. Dr. Wryneck immediately
>appear'd, and swore she should be married; or if she would not, he would
>have his Fee, and register the Marriage from that Night. The Lady, to
>recover her Liberty, left her Ring as a Pledge that she would meet him the
>morrow Night.
>
>
>
>Gentleman?Ts Magazine, Vol. 5 Feb 1735, p. 93

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Subject: Re: The Gentleman's Magazine repubication
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 13 Mar 2005 18:57:24 -0500
Content-Type:text/plain
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At 10:25 PM 3/13/2005 +0000, you wrote:
>The relevant section of the Gentleman's Magazine was where they reprinted
>interesting items from other publications, in this case The Grub-Street
>Journal.
>If you're interested in using the GM as a source, you should know about the
>excellent site:
>'Attributions of Authorship in the Gentleman's Magazine, 1731-1868: An
>Electronic Union List' at
>http://etext.lib.virginia.edu/etcbin/browse-gmall?id=GM1731
>The entry for this 'Ballad Singing' piece is as follows:
>Vol. 3 (1733) :pp. 252.. A:. Letter originally signed "J. Ralph" from the
>Grub-Street Journal , No. 178 (24 May 1733). James Ralph [?]. [ Orig.
>"Ralph" ]
>
>Steve RoudThank you kindly,
Lisa

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Subject: Tushielaw
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 06:35:56 -0800
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TEXT/PLAIN(3 lines)


Did my posting of words to Tushielaw (complete except for last verse)
get through a week ago? It coincided with a server breakdown, and I got
no response from you all ... so I'm wondering if I should repost.

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Subject: Re: Tushielaw
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 09:48:34 -0500
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I got the words.  Thanks.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Jean Lepley
Sent: Monday, March 14, 2005 9:36 AM
To: [unmask]
Subject: TushielawDid my posting of words to Tushielaw (complete except for last verse)
get through a week ago? It coincided with a server breakdown, and I got
no response from you all ... so I'm wondering if I should repost.

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Subject: Address for Joe Hickerson
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 07:36:35 -0800
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Anybody have a current address for Joe Hickerson?Thanks,
A. Miller
Woodside, CA

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Subject:
From: Carol Burke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 07:50:14 -0800
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I am putting together a course on imposters and impersonators that will
combine film, literature, and folklore.  I?d welcome fellow folklorists?
favorite picks of traditional stories of tricksters, shape-shifters,
changelings, and other characters whose identities are similarly
ambiguous.  I?d also appreciate any recommendations of in-print paperback
collections of such tales.  Many thanks.Carol Burke
Department of English
University of California, Irvine

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Subject: Re: rewards and fairies
From: Elizabeth Hummel <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 11:21:44 -0500
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Favorite:  Thomas the Rhymer... a documented historical figure said to have the "sight".  Katharine Briggs "Encyclopedia of Fairies" has an entry on this Englishman, but a quick check in the anthology "Bonny Bunch of Roses" sets the scene much more clearly with a 20-some verse ballad version of Thomas' kidnapping by the fairies.  Lovely melody too.Also see cran's recording ( off the "lover's ghost" album) of the Stolen Bride- straight out of classic English fairy lore- another kidnapping, a verse on fairy food, complete with a complicated ritual needed to release the captured woman form the underground prison.So many good ones here, but these two come to mind first.Keep us posted on this one!LizIn New Hampshire where the snow comes every three days.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Carol Burke
Sent: Monday, March 14, 2005 10:50 AM
To: [unmask]
Subject: I am putting together a course on imposters and impersonators that will
combine film, literature, and folklore.  I'd welcome fellow folklorists'
favorite picks of traditional stories of tricksters, shape-shifters,
changelings, and other characters whose identities are similarly
ambiguous.  I'd also appreciate any recommendations of in-print paperback
collections of such tales.  Many thanks.Carol Burke
Department of English
University of California, Irvine

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Subject: Re: Address for Joe Hickerson
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 11:23:31 EST
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Subject: Re: rewards and fairies
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 09:07:06 -0800
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Carol:I would suggest that no course  that dealt with imposters would be complete without at least a casual look at the folktales) involving "The Bedtrick," for which see Wendy Doniger's book of the same name, a world-wide survey of tales of sex and masquerade.Ed----- Original Message -----
From: Elizabeth Hummel <[unmask]>
Date: Monday, March 14, 2005 8:21 am
Subject: Re: rewards and fairies> Favorite:  Thomas the Rhymer... a documented historical figure said
> to have the "sight".  Katharine Briggs "Encyclopedia of Fairies"
> has an entry on this Englishman, but a quick check in the anthology
> "Bonny Bunch of Roses" sets the scene much more clearly with a 20-
> some verse ballad version of Thomas' kidnapping by the fairies.
> Lovely melody too.
>
> Also see cran's recording ( off the "lover's ghost" album) of the
> Stolen Bride- straight out of classic English fairy lore- another
> kidnapping, a verse on fairy food, complete with a complicated
> ritual needed to release the captured woman form the underground
> prison.
> So many good ones here, but these two come to mind first.
>
> Keep us posted on this one!
>
> Liz
>
> In New Hampshire where the snow comes every three days.
>
>
> -----Original Message-----
> From: Forum for ballad scholars [[unmask]]On
> Behalf Of Carol Burke
> Sent: Monday, March 14, 2005 10:50 AM
> To: [unmask]
> Subject:
>
>
> I am putting together a course on imposters and impersonators that
> willcombine film, literature, and folklore.  I'd welcome fellow
> folklorists'favorite picks of traditional stories of tricksters,
> shape-shifters,
> changelings, and other characters whose identities are similarly
> ambiguous.  I'd also appreciate any recommendations of in-print
> paperbackcollections of such tales.  Many thanks.
>
> Carol Burke
> Department of English
> University of California, Irvine
>

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Subject: Re: Address for Joe Hickerson
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 09:10:08 -0800
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Joe Hickerson
43 Philadelphia Ave.
Takoma Park, Md. 20912301-270-1107Tell him Ed sent you.  And say hello for me.Ed----- Original Message -----
From: Adam Miller <[unmask]>
Date: Monday, March 14, 2005 7:36 am
Subject: Address for Joe Hickerson> Anybody have a current address for Joe Hickerson?
>
> Thanks,
> A. Miller
> Woodside, CA
>

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Subject: Re: Address for Joe Hickerson
From: Anne Dhu McLucas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 09:22:53 -0800
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43 Philadelphia Avenue, Takoma Park, MD or [unmask]Anne Dhu McLucas, Ph.D.
Professor of Music
Chair of Music History and Ethnomusicology
University of Oregon------------------
> Anybody have a current address for Joe Hickerson?
>
> Thanks,
> A. Miller
> Woodside, CA
>

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Subject: Re: Address for Joe Hickerson
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 09:27:37 -0800
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On Mon, Mar 14, 2005 at 07:36:35AM -0800, Adam Miller wrote:
> Anybody have a current address for Joe Hickerson?
 Yes.  You have but to look at any of his Songfinder
columns in Sing Out! -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: rewards and fairies
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 12:33:55 -0500
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Well, I suppose Thomas the Rhymer is English in the same sense that
Canadians are American.
But he is usually considered Scots.Ewan McVicar, 
84 High Street
Linlithgow, 
West Lothian
Scotland
EH49 7AQtel 01506 847935

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Subject: Re: rewards and fairies
From: Elizabeth Hummel <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 13:29:17 -0500
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My apologies Ewan... Blame an indifferent English Professor on putting that seed in my head.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Ewan McVicar
Sent: Monday, March 14, 2005 12:34 PM
To: [unmask]
Subject: Re: rewards and fairiesWell, I suppose Thomas the Rhymer is English in the same sense that
Canadians are American.
But he is usually considered Scots.Ewan McVicar, 
84 High Street
Linlithgow, 
West Lothian
Scotland
EH49 7AQtel 01506 847935

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Subject: Follow the Band
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 12:50:39 -0600
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Hi folks:Okay, this isn't a ballad, but this is the crowd that will know the answer
to my question if anyone will. Several years ago I learned a song from Tom
Paley that went:My husband's a mason, a mason
My husband, a mason is he
All day he lays bricks, he lays bricks, he lays bricks
At night he comes home and drinks tea.(ch.:) Hey rig-a-jig, kiss a little pig, follow the band
Follow the band, follow the band
Hey rig-a-jig, kiss a little pig, follow the band
Follow the band.Additional verses:A machinist screws bolts
A jockey rides nags,
A glazier (or glassblower) blows glass,
(or:  A trumpeter blows fanfares),
A farmer plows loam,
A farmhand forks hayEtc. etc., far into the night. My questions:1) Anyone have any idea of the provenance of this song -- published sources
(other than Digital Tradition, which I've already seen), earliest reported
dates?2) My girlfriend reports that her grandfather, when mildly surprised, would
exclaim, "Well, kiss a little pig!" Was it a catch-phrase that got
incorporated into a song? Or did the song supply the catchphrase to the
language?Peace,
Paul

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Subject: Re: tricksters, imposters, perpetratin' rappers
From: Jonathan Lighter <[unmask]>
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Date:Mon, 14 Mar 2005 10:57:18 -0800
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Subject: Re: rewards and fairies
From: Jonathan Lighter <[unmask]>
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Date:Mon, 14 Mar 2005 11:15:20 -0800
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Subject: Re: Follow the Band
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:38:03 -0500
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Well, I first learned it in the mid-1940s, as part of my mis=spent youth
on the streets of Brooklyn.dick greenhausPaul Stamler wrote:>Hi folks:
>
>Okay, this isn't a ballad, but this is the crowd that will know the answer
>to my question if anyone will. Several years ago I learned a song from Tom
>Paley that went:
>
>My husband's a mason, a mason
>My husband, a mason is he
>All day he lays bricks, he lays bricks, he lays bricks
>At night he comes home and drinks tea.
>
>(ch.:) Hey rig-a-jig, kiss a little pig, follow the band
>Follow the band, follow the band
>Hey rig-a-jig, kiss a little pig, follow the band
>Follow the band.
>
>Additional verses:
>
>A machinist screws bolts
>A jockey rides nags,
>A glazier (or glassblower) blows glass,
>(or:  A trumpeter blows fanfares),
>A farmer plows loam,
>A farmhand forks hay
>
>Etc. etc., far into the night. My questions:
>
>1) Anyone have any idea of the provenance of this song -- published sources
>(other than Digital Tradition, which I've already seen), earliest reported
>dates?
>
>2) My girlfriend reports that her grandfather, when mildly surprised, would
>exclaim, "Well, kiss a little pig!" Was it a catch-phrase that got
>incorporated into a song? Or did the song supply the catchphrase to the
>language?
>
>Peace,
>Paul
>
>
>
>
>
>

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Subject: "Follow the Band..."
From: Lydia Fish <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:38:50 EST
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Subject: Re: Follow the Band
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:50:12 -0500
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Could be a pop song from the forties. I have the following floating about
in my head with a tune.
Hey-rig-a-jig, hey-rig-a-jig, follow the band,
follow the band, follow the band,
Hey-rig-a-jig, hey-rig-a-jig, follow the band,
Follow the band all the way.Apart from that there's a version in 'Rugby Songs' Michael green p115 which
has miner, carpenter, taxidermist, trumpeter,And I have a typed version which I ended up with as local repository for
such things which has joiner, printer, taxidermist, jockey.It wasn't in my repertoire of such things though so I can't say how the
tune went.
Has Ed got anything on it?SteveG

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Subject: Re: Follow the Band
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 11:53:04 -0800
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Subject: Re: "Follow the Band..."
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 15:10:01 -0500
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There are variants.
"Hey rig-a-jig
Frig a little pig
Follow the band;
Follow the band
With your prick in your hand...etc."The last verse, as I learned it, was:
"My husband's a tea-taster, a tea-taster,a tea-taster,
My husbnd's a tea-taster, is he.
All day he drinks tea, he drinks tea, he drinks tea
Then comes home at night and fucks me"Lydia Fish wrote:> >Okay, this isn't a ballad, but this is the crowd that will know the
> answer
> >to my question if anyone will. Several years ago I learned a song
> from Tom
> >Paley that went:
>
> A bawdy version of this song is quite common in Air Force tradition,
> where it is usually entitled something like "My Husband's a Captain."
>
> My husband's a captain, a captain, a captain,
> A very fine captain is he.
> All day he fucks up, he fucks up, he fucks up,
> At night he comes home and fucks me.
>
> Drink a little, fuck a little, follow the band
> Follow the band, follow the band.
> Drink a little, fuck a little, follow the band,
> Join in our happy throng.
>
> And so on.
>
> Lydia

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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:08:39 -0600
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_The Common Muse_ (1957, Philosophical Library Edition) (purshase
a copy here: http://tinyurl.com/69vnm )  has this on pgs 438-9
but no chorus:       MY HUSBANDMy Husband's a jockey, a jockey, a jockey,
A bloody fine jockey is he.
All day he rides horses, rides horses, rides horses,
At night he comes home and rides me.My husband's a stoker, &c.
A bloody fine stoker is he.
All day he pokes fires, &c.
At night he comes home and pokes me.My husband's a pork-butcher, &c.
A bloody fine pork-butcher is he.
All day he stuffs sausages, &c.
At night he comes home and stuffs me.My husband's a sergeant, &c.
A bloody fine sergeant is he.
All day he f--ks men about, &c.
At night he comes home and f--ks me.----- Original Message -----
From: Jonathan Lighter
To: [unmask]
Sent: Monday, March 14, 2005 1:53 PM
Subject: Re: Follow the BandA text from WWII appears in Pinto & Rodway's _The Common Muse_
(1957?), but you'll have to find the high-priced edition,
considered too filthy for public consumption.  Also connected
with the British Army in WWII is the bowdlerized stanza sung in
the film "The Long and the Short and the Tall" (1961), based on
the play by Willis Hall.Other texts are scattered all over the Internet. There may be
another in Anthony Hopkins's WWII Canadian collection, _Songs
from the Front and Rear_ (1977). Check also Harry Morgan's _Rugby
Songs_ and _More Rugby Songs_ (1968-69).At Mystic Seaport in 1988, it took little encouragement from a
pair of female performers (their names escape me) to get an
audience of a couple of hundred to break out in song and
contribute stanzas.The finale was,"My husband's a folk singer, folk singer, folk singer, etc....
...comes home and folks me."JLPaul Stamler <[unmask]> wrote:
Hi folks:Okay, this isn't a ballad, but this is the crowd that will know
the answer
to my question if anyone will. Several years ago I learned a song
from Tom
Paley that went:My husband's a mason, a mason
My husband, a mason is he
All day he lays bricks, he lays bricks, he lays bricks
At night he comes home and drinks tea.(ch.:) Hey rig-a-jig, kiss a little pig, follow the band
Follow the band, follow the band
Hey rig-a-jig, kiss a little pig, follow the band
Follow the band.Additional verses:A machinist screws bolts
A jockey rides nags,
A glazier (or glassblower) blows glass,
(or: A trumpeter blows fanfares),
A farmer plows loam,
A farmhand forks hayEtc. etc., far into the night. My questions:1) Anyone have any idea of the provenance of this song --
published sources
(other than! Digital Tradition, which I've already seen),
earliest reported
dates?2) My girlfriend reports that her grandfather, when mildly
surprised, would
exclaim, "Well, kiss a little pig!" Was it a catch-phrase that
got
incorporated into a song? Or did the song supply the catchphrase
to the
language?Peace,
Paul__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com

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Subject: Re: Follow the Band
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 15:31:50 -0500
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Having followed up a few more leads, 'My Husband' i.e. the same song
without the chorus, is in the common Common Muse p597. I didn't even know
there were different editions.
Also there are much earlier ballads in there which could have inspired this
one, see for instance p440, 'A Ballad of all Trades'.As I suspected it's all in Ed's second edition 1992 The Erotic Muse pp55-61.
Lots of versions but I can't see anything on 'Follow the Band' as a pop songA related English rugby song which I did sing was 'If I were the marrying
kind, which thank the lord I'm not sir, the kind of man that I would marry
would be a rugby scrum half, he'd put it in, we'd put it in, we'd all put
it in together etc ' going through all the team positions.
SteveG

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Subject: Re: Follow the Band
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 15:46:02 -0500
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Just been looking at a thread on Mudcat website 'Follow the Band' Similar
things turning up. Several suggestions that the clean version was featured
in a film.
SteveG

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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:16:58 -0600
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Hey!Are there spam filters on this list?  My first posting of this
email did not go through because of "objectionable" words.      ------------------------------------------
      --------- ORIGINAL POST -----------Dear Paul,I *believe* that the phrase "kiss a little pig" / "f-ck a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "f-ck a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't shag, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, f-ck a little pig sideways,
       My idea of a woman is a big brown ass  (shit bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't shag, so we bummed 'emThe next port of call we were waiting
So we found us a girl that liked f-llating.The next port of call was Harro
Where the girls would only f-ck in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Monday, March 14, 2005 12:50 PM
Subject: Follow the BandHi folks:Okay, this isn't a ballad, but this is the crowd that will know
the answer
to my question if anyone will. Several years ago I learned a song
from Tom
Paley that went:My husband's a mason, a mason
My husband, a mason is he
All day he lays bricks, he lays bricks, he lays bricks
At night he comes home and drinks tea.(ch.:) Hey rig-a-jig, kiss a little pig, follow the band
Follow the band, follow the band
Hey rig-a-jig, kiss a little pig, follow the band
Follow the band.Additional verses:A machinist screws bolts
A jockey rides nags,
A glazier (or glassblower) blows glass,
(or:  A trumpeter blows fanfares),
A farmer plows loam,
A farmhand forks hayEtc. etc., far into the night. My questions:1) Anyone have any idea of the provenance of this song --
published sources
(other than Digital Tradition, which I've already seen), earliest
reported
dates?2) My girlfriend reports that her grandfather, when mildly
surprised, would
exclaim, "Well, kiss a little pig!" Was it a catch-phrase that
got
incorporated into a song? Or did the song supply the catchphrase
to the
language?Peace,
Paul

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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 13:56:03 -0600
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Dear Paul,I *believe* that the phrase "kiss a little pig" / "fuck a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "fuck a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't shag, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, fuck a little pig sideways,
       My idea of a woman is a big brown ass  (shit bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't shag, so we bummed 'emThe next next port of call we were waiting
So we found us a girl that liked fellating.The next port of call was Harro
Where the girls would only fuck in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Monday, March 14, 2005 12:50 PM
Subject: Follow the BandHi folks:Okay, this isn't a ballad, but this is the crowd that will know
the answer
to my question if anyone will. Several years ago I learned a song
from Tom
Paley that went:My husband's a mason, a mason
My husband, a mason is he
All day he lays bricks, he lays bricks, he lays bricks
At night he comes home and drinks tea.(ch.:) Hey rig-a-jig, kiss a little pig, follow the band
Follow the band, follow the band
Hey rig-a-jig, kiss a little pig, follow the band
Follow the band.Additional verses:A machinist screws bolts
A jockey rides nags,
A glazier (or glassblower) blows glass,
(or:  A trumpeter blows fanfares),
A farmer plows loam,
A farmhand forks hayEtc. etc., far into the night. My questions:1) Anyone have any idea of the provenance of this song --
published sources
(other than Digital Tradition, which I've already seen), earliest
reported
dates?2) My girlfriend reports that her grandfather, when mildly
surprised, would
exclaim, "Well, kiss a little pig!" Was it a catch-phrase that
got
incorporated into a song? Or did the song supply the catchphrase
to the
language?Peace,
Paul

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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:27:07 -0600
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Hey!Are there spam filters on this list?  My first and second posting
of this email did not go through because of "objectionable"
words.      ------------------------------------------
      --------- ORIGINAL POST -----------Dear Paul,I *believe* that the phrase "kiss a little pig" / "f-ck a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "f-ck a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't sh-g, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, f-ck a little pig sideways,
       My idea of a woman is a big brown ass  (sh-t bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't sh-g, so we b-mmed 'emThe next port of call we were waiting
So we found us a girl that liked f-llating.The next port of call was Harro
Where the girls would only f-ck in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo

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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 15:29:40 -0600
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Sorry about the duplicative postings.  What is it with Ballad-l
and bawdy words which cause the emails to be delayed?Here is an interesting version of the song from the 1996 edition
of the "Flying Booger" online Hash House Hymnal.  This song is
absent from later editions and is replaced with the standard song
titled "Marriage a la Mode"       THE COUNTRY GENTLEMAN  Chorus:       Singing High Jig-a-Jig, F--k the little pig.
       Follow the band, Follow the band all the way.
       Singing High Jig-a-Jig, F--k a little pig.
       Follow the band, Follow the band all the way!  I took my Missus horse riding, horse riding
  She stuck it as long as she could;
  She stuck it and stuck it until she said, "F--k it,
  My a-se hole is not made of wood."  I took my wife for a ramble, a ramble
  Along a country land
  She caught her left t-t on a bramble, a bramble
  And a-se over buttocks she came.  I asked her if it hurt her, hurt her,
  If she had gone through any pain.
  Before she could answer, could answer
  She was a-se over buttocks again.Here is a version of "Spanish Guitar" from the 2000 Hash Hymnal
but from Air Force provenance:              SPANISH GUITAR
   Melody - same as for "Marriage a la Mode"
   From the songbook of the 44th TFS, Kadena Air Base, Japan  Oh, the first port of call was Aden, Aden,
  Where the girls wouldn't f--k, but we made 'em, made 'em,
  Two dollars you pay, for a bang-up each way,
  And a tune on a Spanish guitar, singing:  CHORUS:         Hi-ziggy-ziggy, f--k a little piggy sideways,
                                                         swish,
swish,
         My idea of a woman is a big fat wh--e,
         Sh-t-bang, f--k-stick,
         Two dollars you pay for a bang-up each way,
         And a tune on a Spanish guitar, plink, plink, plink.  Oh, the next port of call was Boston, Boston,
  Where the girls wouldn't f--k, but we forced 'em, forced 'em,
  Two dollars you pay, for a bang-up each way,
  And a tune on a Spanish guitar, singing:  Oh, the next port of call was Malta, Malta,
  Where the girls wouldn't f--k, but oughta, oughta,
  Two dollars you pay, for a bang-up each way,
  And a tune on a Spanish guitar, singing:  Oh, the next port of call was Suwon, Suwon,
  Where the girls would do it for two won, two won,
  Two dollars you pay, for a bang-up each way,
  And a tune on a Spanish guitar, singing:  Oh, the next port of call was Takhli, Takhli,
  Where the girls would do it for free, for free,
  Two dollars you pay, for a bang-up each way,
  And a tune on a Spanish guitar, singing:

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Subject: Re: Follow the Band
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 15 Mar 2005 08:34:46 +1100
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John,This phrase comes from its use by musicians for a particular dance tune
popular throughout the English-speaking world.
I am currently collecting such things - like arse-over-anna for the
varsovienna
Circassian Circle ... Circumcissional Circle
Virginia Reel .... Vagina ReelI will attempt to get the exact tune they sing it to.......etcWarren FaheyOn 15/03/2005, at 6:56 AM, John Mehlberg wrote:> Dear Paul,
>
> I *believe* that the phrase "kiss a little pig" / "fuck a little
> pig" is an old catch phrase but I don't know of any references.
>
> There is at least one other song which uses the phrase "fuck a
> little pig" and was known to Air Force pilots in Vietnam:
> "Ports of Call"  (text below).
>
> If I find out more about "little pig" and the associated songs,
> I will post the info to the list.
>
> Yours,
>
> John Mehlberg
> ~
>   SPANISH GUITAR (aka Ports of Call)
>
> Oh, the first port of call was Aden, Aden,
> Where the girls wouldn't shag, but we made 'em.
>
> Chorus:
>
>        Ten dollars a day, for a bunk-up each way,
>        And a tune on my Spanish guitar, singing:
>        Hi-jiggy-jiggy, fuck a little pig sideways,
>        My idea of a woman is a big brown ass  (shit bag)
>        Ten dollars a day, for a bunk-up each way,
>        And a tune on my Spanish guitar.
>
> The next port of call was London
> Where the girls didn't shag, so we bummed 'em
>
> The next next port of call we were waiting
> So we found us a girl that liked fellating.
>
> The next port of call was Harro
> Where the girls would only fuck in a barrow.
>
> The next port of call was Wiggum
> Where all the girls had real biggun's.
>
> Oh, the next port of call was Lake Como
> [falsetto] Where I spent all the night with a homo
>
>
>
>
> ----- Original Message -----
> From: "Paul Stamler" <[unmask]>
> To: <[unmask]>
> Sent: Monday, March 14, 2005 12:50 PM
> Subject: Follow the Band
>
>
> Hi folks:
>
> Okay, this isn't a ballad, but this is the crowd that will know
> the answer
> to my question if anyone will. Several years ago I learned a song
> from Tom
> Paley that went:
>
> My husband's a mason, a mason
> My husband, a mason is he
> All day he lays bricks, he lays bricks, he lays bricks
> At night he comes home and drinks tea.
>
> (ch.:) Hey rig-a-jig, kiss a little pig, follow the band
> Follow the band, follow the band
> Hey rig-a-jig, kiss a little pig, follow the band
> Follow the band.
>
> Additional verses:
>
> A machinist screws bolts
> A jockey rides nags,
> A glazier (or glassblower) blows glass,
> (or:  A trumpeter blows fanfares),
> A farmer plows loam,
> A farmhand forks hay
>
> Etc. etc., far into the night. My questions:
>
> 1) Anyone have any idea of the provenance of this song --
> published sources
> (other than Digital Tradition, which I've already seen), earliest
> reported
> dates?
>
> 2) My girlfriend reports that her grandfather, when mildly
> surprised, would
> exclaim, "Well, kiss a little pig!" Was it a catch-phrase that
> got
> incorporated into a song? Or did the song supply the catchphrase
> to the
> language?
>
> Peace,
> Paul
>

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Subject: Re: Follow the Band
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 16:34:28 -0500
Content-Type:text/plain
Parts/Attachments:

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There is no spam filter and no censorship on this list.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Mehlberg
Sent: Monday, March 14, 2005 3:27 PM
To: [unmask]
Subject: Re: Follow the BandHey!Are there spam filters on this list?  My first and second posting
of this email did not go through because of "objectionable"
words.      ------------------------------------------
      --------- ORIGINAL POST -----------Dear Paul,I *believe* that the phrase "kiss a little pig" / "f-ck a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "f-ck a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't sh-g, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, f-ck a little pig sideways,
       My idea of a woman is a big brown ass  (sh-t bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't sh-g, so we b-mmed 'emThe next port of call we were waiting
So we found us a girl that liked f-llating.The next port of call was Harro
Where the girls would only f-ck in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo

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Subject: Re: Follow the Band
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 14:30:49 -0800
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Sorry, your browser doesn't support iframes.


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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 15:09:09 -0600
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Hey!Are there spam filters on this list?  My first, second and third
posting of this email did not go through because of
"objectionable" words.  Apparently one must use f--k !      ------------------------------------------
      --------- ORIGINAL POST -----------Dear Paul,I *believe* that the phrase "kiss a little pig" / "f--k a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "f--k a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't sh-g, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, f--k a little pig sideways,
       My idea of a woman is a big brown ass  (sh-t bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't sh-g, so we b-mmed 'emThe next port of call we were waiting
So we found us a girl that liked f-llating.The next port of call was Harro
Where the girls would only f--k in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo

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Subject: Re: Follow the Band
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 17:59:22 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(66 lines)


That's pretty weird.  I can't imagine that the university would impose such censorship.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Mehlberg
Sent: Monday, March 14, 2005 4:09 PM
To: [unmask]
Subject: Re: Follow the BandHey!Are there spam filters on this list?  My first, second and third
posting of this email did not go through because of
"objectionable" words.  Apparently one must use f--k !      ------------------------------------------
      --------- ORIGINAL POST -----------Dear Paul,I *believe* that the phrase "kiss a little pig" / "f--k a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "f--k a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't sh-g, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, f--k a little pig sideways,
       My idea of a woman is a big brown ass  (sh-t bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't sh-g, so we b-mmed 'emThe next port of call we were waiting
So we found us a girl that liked f-llating.The next port of call was Harro
Where the girls would only f--k in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo

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Subject: Re: Follow the Band
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 17:59:59 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(66 lines)


P.S.  I'm pretty sure that others posted the word "fuck."        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Mehlberg
Sent: Monday, March 14, 2005 4:09 PM
To: [unmask]
Subject: Re: Follow the BandHey!Are there spam filters on this list?  My first, second and third
posting of this email did not go through because of
"objectionable" words.  Apparently one must use f--k !      ------------------------------------------
      --------- ORIGINAL POST -----------Dear Paul,I *believe* that the phrase "kiss a little pig" / "f--k a little
pig" is an old catch phrase but I don't know of any references.There is at least one other song which uses the phrase "f--k a
little pig" and was known to Air Force pilots in Vietnam:
"Ports of Call"  (text below).If I find out more about "little pig" and the associated songs,
I will post the info to the list.Yours,John Mehlberg
~
  SPANISH GUITAR (aka Ports of Call)Oh, the first port of call was Aden, Aden,
Where the girls wouldn't sh-g, but we made 'em.Chorus:       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar, singing:
       Hi-jiggy-jiggy, f--k a little pig sideways,
       My idea of a woman is a big brown ass  (sh-t bag)
       Ten dollars a day, for a bunk-up each way,
       And a tune on my Spanish guitar.The next port of call was London
Where the girls didn't sh-g, so we b-mmed 'emThe next port of call we were waiting
So we found us a girl that liked f-llating.The next port of call was Harro
Where the girls would only f--k in a barrow.The next port of call was Wiggum
Where all the girls had real biggun's.Oh, the next port of call was Lake Como
[falsetto] Where I spent all the night with a homo

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Subject: Re: Follow the Band
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 17:08:34 -0600
Content-Type:text/plain
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As I said, very strange delays on "objectional" materials."Clean" stuff gets through in 1-3 minutes.Yours,John Mehlberg

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Subject: Those Pesky Filters
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 15:18:18 -0800
Content-Type:text/plain
Parts/Attachments:

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Some browsers, email programs, etc. have
"child-filters". Check to see if you have one, and
turn it off. AOL is notorious for this. Look in
"Preferences". It may be somewhere else on your hard
drive, depending upon your operating system. Search
for "filter"-- or similar. Good luck.
C.Hey!Are there spam filters on this list?  My first and
second posting
of this email did not go through because of
"objectionable" words

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Subject: Re: Follow the Band
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 18:19:14 -0500
Content-Type:text/plain
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I don't know if the university did that or what, but I can look into that.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Mehlberg
Sent: Monday, March 14, 2005 6:09 PM
To: [unmask]
Subject: Re: Follow the BandAs I said, very strange delays on "objectional" materials."Clean" stuff gets through in 1-3 minutes.Yours,John Mehlberg

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Subject: Re: Follow the Band
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 18:23:34 -0500
Content-Type:text/plain
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At 05:08 PM 3/14/2005 -0600, you wrote:
>As I said, very strange delays on "objectional" materials.
>
>"Clean" stuff gets through in 1-3 minutes.
>
>Yours,
>
>John MehlbergThat's because They like to take a little more time carefully perusing the
"objectionable" posts.
Lisa

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Subject: Re: Those Pesky Filters
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 18:25:59 -0500
Content-Type:text/plain
Parts/Attachments:

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I'm almost certain that the filtering wouldn't be at this end.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Cliff Abrams
Sent: Monday, March 14, 2005 6:18 PM
To: [unmask]
Subject: Those Pesky FiltersSome browsers, email programs, etc. have
"child-filters". Check to see if you have one, and
turn it off. AOL is notorious for this. Look in
"Preferences". It may be somewhere else on your hard
drive, depending upon your operating system. Search
for "filter"-- or similar. Good luck.
C.Hey!Are there spam filters on this list?  My first and
second posting
of this email did not go through because of
"objectionable" words

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Subject: Re: Those Pesky Filters
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 18:44:44 -0500
Content-Type:text/plain
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Oddly enough, all of the Ballad-L messages come through just fine on my
email, which is a K-12 public school webmail service. I just make sure
I'm not reading your messages while I have kids in my room. The links to
"Salty Dick's Sea Shanties" even came through without filtering. These
are the same filters that wouldn't let me research French Lick Indiana
or morel mushrooms.Beth>>> [unmask] 03/14/05 6:25 PM >>>
I'm almost certain that the filtering wouldn't be at this end.

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Subject: Re: Follow the Band
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 19:05:55 -0500
Content-Type:text/plain
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On 2005/03/14 at 11:53:04AM -0800, Jonathan Lighter wrote:> A text from WWII appears in Pinto & Rodway's _The Common Muse_
> (1957?), but you'll have to find the high-priced edition, considered too        [ ... ]> At Mystic Seaport in 1988, it took little encouragement from a pair of
> female performers (their names escape me) to get an audience of a couple
> of hundred to break out in song and contribute stanzas.        I don't remember their individual names, but they sang under the
group name of "Compass Rose".  We've got a cassette of them, so I could
perhaps look it up.        And if you were at the same workshop that I was -- the purpose
of the workshop was to get Stan Hugil willing to sing some of the
original versions of the songs which he documented in his books in a
cleaned-up form.        The first song for that purpose was sung by Tom Lewis, after
stating that the Royal Navy had more dirty songs, both in number and
content than the merchant marine ever did (to which Stan replied "I
rather doubt that".  Tom certainly did set the tone, though I don't know
the title to what he sung.> The finale was,
>
> "My husband's a folk singer, folk singer, folk singer, etc....
> ...comes home and folks me."        With a *very* enthusiastic crowd singing along.        And Stan did unwind, including one of the incremental ones (I
placed my hand upon ... ) while using one of the members of Compass Rose
as a demonstration -- and I can say that as a result I have seen "the
blush on the rose". :-)        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Follow the Band
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 16:11:13 -0800
Content-Type:TEXT/PLAIN
Parts/Attachments:

TEXT/PLAIN(28 lines)


On Mon, 14 Mar 2005, Steve Gardham wrote:> Just been looking at a thread on Mudcat website 'Follow the Band' Similar
> things turning up. Several suggestions that the clean version was featured
> in a film.
> SteveG
>Not that I'm for censorship here, but I actually find the clean version
funnier.  I first heard it on board the wooden schooner Adventuress, with
the captain singing it at the tiller. I was on bow watch at the time, so
heard gales of laughter instead of a good many key words (the bow watch
does not abandon her post) -- still wonder what good verses of Captain
Wayne's I missed..  Along the same lines, of "clean dirty songs" (songs
I could sing to my granddaughter) there's "I Used to Work in Chicago":I used to work in Chicago, in a department store,
I used to work in Chicago, I did, but I don't anymore.
A lady came in and asked for some cake,
I asked her what kind she'd adore --
"Layer," she said, so layer I did.
I don't work there anymore.I wish I could give the (very effective) tune; variations on the store and
what the lady "adores" are legion. The song doesn't seem to be nearly as
widespread as "Follow the Band" though.  Anyone else know it?Jean

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Subject: Folklore Ebay List - 03/14/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 19:02:40 -0500
Content-Type:text/plain
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Hi!        Here is the new folklore list - the first covering a full week.        By the way, if anyone knows of another mailing list which might
be interested in this posting, feel free to pass it on (with proper
attribution of the source). I don't have time to subscribe & follow all
of the lists floating around the Net. :-)        4534313119 - English Fairy Tales by Jacobs, 1967 Dover reprint, $15
(ends Mar-15-05 13:39:39 PST)        4534319822 - Blue Nose Ghost by Creighton, 1994, $1.70 (ends
Mar-15-05 14:09:47 PST)        6950786288 - The Jack Tales by Chase, 1971 edition, $4.99 (ends
Mar-15-05 15:49:34 PST)        4534104583 - Down in the Holler A Gallery of Ozark Folk Speech by
Randolph & Wilson, 1953, $10.49 (ends Mar-15-05 18:45:00 PST)        4534398180 - Irish Folk History: Texts from the North by Glassie,
$9.99 (ends Mar-15-05 20:24:22 PST)        4534593689 - Folklore and the Sea by Beck, 1973, $9.99 (ends
Mar-16-05 15:27:18 PST)        6950936840 - Peasant Customs and Savage Myths by Dorson, 2 volumes,
1968, $10 w/reserve (ends Mar-16-05 19:45:00 PST)        6950962268 - The Folklore of Maine by Beck, 1957, $9.99 (ends
Mar-16-05 20:20:18 PST)        4534647431 - Blue Ridge Folklife by Olson, 1998, $6.25 (ends
Mar-16-05 20:43:41 PST)        4534649856 - 2 books (Irish Sagas & Folk Tales and Treasury of
Irish Folklore), 1982 & 1979, $2.99 (ends Mar-16-05 21:08:14 PST)        4535815113 - Gullah Folktales from the Georgia Coast by Jones,
2000, $3.99 (ends Mar-17-05 11:02:58 PST)        4534916817 - Folklore Matters by Dundes, 1993, $5.99 (ends Mar-17-05
19:47:53 PST)        4534978334 - Tales of Old Essex by Gray, 1987, 1.04 GBP (ends
Mar-18-05 06:15:42 PST)        4535088405 - Irish Folktales by Glassie, 1985, $6.95 (ends Mar-18-05
14:21:40 PST)        4535147077 - Greasy Grimy Gopher Guts by Sherman & Weisskopf, 1995,
$1.99 (ends Mar-18-05 20:45:57 PST)        6950874148 - Folklore from Iowa by Stout, 1936, $14.99 (ends
Mar-19-05 08:56:33 PST)        4535275986 - FOLKLORE OF THE SCOTTISH HIGHLANDS by Ross, 1976,
5.50 GBP (ends Mar-19-05 13:05:25 PST)        4535422118 - FORGOTTEN FOLK-TALES OF THE ENGLISH COUNTIES by
Tongue, 1970, 2.99 GBP (ends Mar-20-05 07:35:16 PST)        4535569754 - Curing the Cross-Eyed Mule Appalachian Mountain Humor
by Jones & Wheeler, 1989, $2.93 (ends Mar-20-05 14:50:08 PST)        6951681799 - New York Folklore Quarterly, Aug. 1946, $2.50 (ends
Mar-21-05 11:56:56 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Those Pesky Filters
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 18:12:55 -0600
Content-Type:text/plain
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CLIFF ABRAMS
Some browsers, email programs, etc. have
"child-filters". Check to see if you have one, and
turn it off. AOL is notorious for this. Look in
"Preferences". It may be somewhere else on your hard
drive, depending upon your operating system. Search
for "filter"-- or similar. Good luck.MEHLBERG
No, there is no filtering on my end.  I own my own my last name
MEHLBERG.COM and there is no filtering on my server.
I often send myself much bawdier material than what I posted to
ballad-l today and there is no delay.As a test, I am sending this email twice with the same text
except the first will contain misspelled bawdy words and the next
sent 5 seconds later will contain spelled out bawdy words.
The delay between the two emails will tell us the "lag time"
of bawdry.fkuc siht mtheorfcukre fkuc tnees gdo dmande
ccoksukcre fkucs wrhoe hosuewvies  btchi.

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Subject: Re: Those Pesky Filters
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 18:13:17 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


CLIFF ABRAMS
Some browsers, email programs, etc. have
"child-filters". Check to see if you have one, and
turn it off. AOL is notorious for this. Look in
"Preferences". It may be somewhere else on your hard
drive, depending upon your operating system. Search
for "filter"-- or similar. Good luck.MEHLBERG
No, there is no filtering on my end.  I own my own my last name
MEHLBERG.COM and there is no filtering on my server.
I often send myself much bawdier material than what I posted to
ballad-l today and there is no delay.As a test, I am sending this email twice with the same text
except the first will contain misspelled bawdy words and the next
sent 5 seconds later will contain spelled out bawdy words.
The delay between the two emails will tell us the "lag time"
of bawdry.fuck shit motherfucker fuck teens god damned
cocksucker fucks whore housewives  bitch.

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Subject: Re: Follow the Band
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 19:11:44 -0500
Content-Type:text/plain
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Compass Rose also has a CD called Shipmates. Which I can't now find.George
George F Madaus
Professor Emeritus
Boston College
On Mar, 14, 2005, at 7:05 PM, DoN. Nichols wrote:> On 2005/03/14 at 11:53:04AM -0800, Jonathan Lighter wrote:
>
>> A text from WWII appears in Pinto & Rodway's _The Common Muse_
>> (1957?), but you'll have to find the high-priced edition, considered
>> too
>
>         [ ... ]
>
>> At Mystic Seaport in 1988, it took little encouragement from a pair of
>> female performers (their names escape me) to get an audience of a
>> couple
>> of hundred to break out in song and contribute stanzas.
>
>         I don't remember their individual names, but they sang under
> the
> group name of "Compass Rose".  We've got a cassette of them, so I could
> perhaps look it up.
>
>         And if you were at the same workshop that I was -- the purpose
> of the workshop was to get Stan Hugil willing to sing some of the
> original versions of the songs which he documented in his books in a
> cleaned-up form.
>
>         The first song for that purpose was sung by Tom Lewis, after
> stating that the Royal Navy had more dirty songs, both in number and
> content than the merchant marine ever did (to which Stan replied "I
> rather doubt that".  Tom certainly did set the tone, though I don't
> know
> the title to what he sung.
>
>> The finale was,
>>
>> "My husband's a folk singer, folk singer, folk singer, etc....
>> ...comes home and folks me."
>
>         With a *very* enthusiastic crowd singing along.
>
>         And Stan did unwind, including one of the incremental ones (I
> placed my hand upon ... ) while using one of the members of Compass
> Rose
> as a demonstration -- and I can say that as a result I have seen "the
> blush on the rose". :-)
>
>         Enjoy,
>                 DoN.
>
> --
>  Email:   <[unmask]>   | Voice (all times): (703) 938-4564
>         (too) near Washington D.C. |
> http://www.d-and-d.com/dnichols/DoN.html
>            --- Black Holes are where God is dividing by zero ---

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Subject: Re: Follow the Band
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 17:04:24 -0800
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Subject: Re: BALLAD-L Digest - 14 Mar 2005 - Special issue (#2005-115)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 20:09:24 -0500
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Automatic digest processor <[unmask]>, in the
person of Dick Greenhaus, writes:> Well, I first learned it in the mid-1940s, as part of my mis=spent
> youth on the streets of Brooklyn.Have you read _A Drinking Life_ by Pete Hamill?  It seems there were
various ways of misspending one's youth in that time & place, and his
included hearing his daddy sing "Paddy McGinty's Goat" in bars.
--
---  Joe Fineman    [unmask]||:  Beware of single-issue people and multiple-issue  :||
||:  organizations.                                    :||

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Subject: Re: Follow the Band
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 19:29:11 -0600
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Jean Lepley wrote:
> On Mon, 14 Mar 2005, Steve Gardham wrote:
>
>>Just been looking at a thread on Mudcat website 'Follow the Band' Similar
>>things turning up. Several suggestions that the clean version was featured
>>in a film.
>>
> Not that I'm for censorship here, but I actually find the clean version
> funnier.  I first heard it on board the wooden schooner Adventuress, with
> the captain singing it at the tiller. I was on bow watch at the time, so
> heard gales of laughter instead of a good many key words (the bow watch
> does not abandon her post) -- still wonder what good verses of Captain
> Wayne's I missed..  Along the same lines, of "clean dirty songs" (songs
> I could sing to my granddaughter) there's "I Used to Work in Chicago":
>
> I used to work in Chicago, in a department store,
> I used to work in Chicago, I did, but I don't anymore.
> A lady came in and asked for some cake,
> I asked her what kind she'd adore --
> "Layer," she said, so layer I did.
> I don't work there anymore.
>
> I wish I could give the (very effective) tune; variations on the store and
> what the lady "adores" are legion. The song doesn't seem to be nearly as
> widespread as "Follow the Band" though.  Anyone else know it?I learned it in NYC in the mid-1960s.I used to work in Chicago, in a department store.
I used to work in Chicago, but now I don't live there no more.Lady came down to the hardware department,
Asked her what she'd have.
"Screw" she said, screw her I did,
And now I don't work there no more.--
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Decluttering: http://decluttering.blogspot.com
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: Re: BALLAD-L Digest - 14 Mar 2005 - Special issue (#2005-115)
From: Jonathan Lighter <[unmask]>
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Date:Mon, 14 Mar 2005 17:40:25 -0800
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Subject: Re: Follow the Band
From: Jean Lepley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 17:54:41 -0800
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PS  I learned the chorus as:Hey rig a jig, kiss a little pig, follow the band,
Follow the band, with your tool in your hand,
Hey rig a jig, kiss a little pig, follow the band,
Follow, follow the band.Which makes the clean version (if your mind is so inclined) slightly
dirtier?

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Subject: Re: Those Pesky Filters
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 20:56:26 -0500
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On 2005/03/14 at 06:13:17PM -0600, John Mehlberg wrote:        [ ... ]> Received: (qmail 18021 invoked from network); 15 Mar 2005 00:14:12 -0000> Received: from listserv-prod.iu.edu (129.79.1.115)
>   by cadeau.d-and-d.com with SMTP; 15 Mar 2005 00:14:12 -0000> Received: from iu-mssg-lstsv01 (listserv.indiana.edu) by
        listserv-prod.iu.edu (LSMTP for Windows NT v1.1b) with SMTP id
        <[unmask]>; Mon, 14 Mar 2005 19:13:19 -0500> Received: from LISTSERV.INDIANA.EDU by LISTSERV.INDIANA.EDU (LISTSERV-TCP/IP
>           release 1.8e) with spool id 10013992 for
>           [unmask]; Mon, 14 Mar 2005 19:13:19 -0500> Received: from smtp819.mail.sc5.yahoo.com by listserv-prod.iu.edu (LSMTP for
>           Windows NT v1.1b) with SMTP id <[unmask]>;
>           Mon, 14 Mar 2005 19:13:19 -0500> Received: from unknown (HELO 3146473883A) ([unmask]@69.155.191.101
>           with login) by smtp819.mail.sc5.yahoo.com with SMTP; 15 Mar 2005
>           00:13:18 -0000> Date:         Mon, 14 Mar 2005 18:13:17 -0600> As a test, I am sending this email twice with the same text
> except the first will contain misspelled bawdy words and the next
> sent 5 seconds later will contain spelled out bawdy words.
> The delay between the two emails will tell us the "lag time"
> of bawdry.        This one was the one with correct spelling, and (according to
the headers) I received it all of 54 seconds after the first system
received it from you -- or 55 seconds after you mailed it.        Note that headers are arranged in reverse order of action (that
is, new "Received: " headers are added at the top.        Also note that the first system to handle yours, and my system
are both recording the time in terms of GMT (-0000), while others are
recording the time in terms of local time (-0500 or -0600 being central
and mountain time, IIRC -- at least when DST is not in effect, as -0400
is Eastern Standard Time.)        So -- it would seem that there has been very little delay in
your message with all the supposed trigger words.        However -- sometimes mail servers can be temporarily overloaded,
and so a transfer is delayed an hour or two -- without human or filter
intervention.        And this timing covers from your system to mine, but *not* into
my mailbox, as that is delayed by some filtering on *this* end, which
looks for spam patterns, not "offensive" words.  As such, the
incorrectly spelled words are more "spam-like" than the correctly
spelled ones as they are trying to avoid fixed filters, not filters
which learn from other spam.        Enjoy,
                DoN.P.S.    I now remember the name under which the "Follow the band" song
        was introduced.  It was called _Tools of the Trade_.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: I Used To Work In Chicago
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 19:57:13 -0600
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Here is a recording of "I Used To Work In Chicago":                  http://tinyurl.com/4z3dlThis song is *performed* as typed out below.       I USED TO WORK IN CHICAGOChorus (everyone):     I used to work in Chicago in an old department store
     I used to work in Chicago. I don't work there any more.Individual:  Oh, a lady came in for a chicken
Everyone:  A chicken from the store...
Individual:  A chicken she wanted; my cock she got.
Everyone:  I don't work there anymore.Chorus.Individual:   Oh, a lady came in for some cheddar
Everyone:  Some cheddar from the store.
Individual:   Some cheddar she wanted; blue vein (?) she got.
Everyone:  I don't work there anymore.Chorus.Individual:  Oh, a lady came in for some dentures.
Everyone:   Some dentures from the store.
Individual:  Lowers she wanted; up her I got.
Everyone:   I don't work there anymore.Chorus.Individual:  Oh, a lady came in for a camel.
Everyone:  A camel from the store.
Individual:  A camel she wanted; a hump she got.
Everyone:   I don't work there anymore.Chorus.Individual:  Oh, a lady came in for a carpet.
Everyone:   A carpet from the store.
Individual:  A carpet she wanted; laid she got.
Everyone:   I don't work there anymore.Chorus.Individual:  Oh, a lady came in for a flag.
Everyone:   A flag from the store.
Individual:  A flag she wanted; my pole she got.
Everyone:   I don't work there anymore.

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Subject: Re: Follow the Band
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 20:57:19 -0500
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Also:I used to work in Chicago in a department store
I used to work in Chicago -- I did, but I don't anymore...
A lady came in for some dresses; I asked her what kind she's adore;
"Jumper" she said; jump'er I did.
I did, but I don't anymore.----- Original Message -----
From: "Dan Goodman" <[unmask]>
To: <[unmask]>
Sent: Monday, March 14, 2005 8:29 PM
Subject: Re: Follow the Band> Jean Lepley wrote:
>> On Mon, 14 Mar 2005, Steve Gardham wrote:
>>
>>>Just been looking at a thread on Mudcat website 'Follow the Band' Similar
>>>things turning up. Several suggestions that the clean version was
>>>featured
>>>in a film.
>>>
>> Not that I'm for censorship here, but I actually find the clean version
>> funnier.  I first heard it on board the wooden schooner Adventuress, with
>> the captain singing it at the tiller. I was on bow watch at the time, so
>> heard gales of laughter instead of a good many key words (the bow watch
>> does not abandon her post) -- still wonder what good verses of Captain
>> Wayne's I missed..  Along the same lines, of "clean dirty songs" (songs
>> I could sing to my granddaughter) there's "I Used to Work in Chicago":
>>
>> I used to work in Chicago, in a department store,
>> I used to work in Chicago, I did, but I don't anymore.
>> A lady came in and asked for some cake,
>> I asked her what kind she'd adore --
>> "Layer," she said, so layer I did.
>> I don't work there anymore.
>>
>> I wish I could give the (very effective) tune; variations on the store
>> and
>> what the lady "adores" are legion. The song doesn't seem to be nearly as
>> widespread as "Follow the Band" though.  Anyone else know it?
>
> I learned it in NYC in the mid-1960s.
>
> I used to work in Chicago, in a department store.
> I used to work in Chicago, but now I don't live there no more.
>
> Lady came down to the hardware department,
> Asked her what she'd have.
> "Screw" she said, screw her I did,
> And now I don't work there no more.
>
>
>
>
> --
> Dan Goodman
> Journal http://www.livejournal.com/users/dsgood/
> Decluttering: http://decluttering.blogspot.com
> Predictions and Politics http://dsgood.blogspot.com
> All political parties die at last of swallowing their own lies.
> John Arbuthnot (1667-1735), Scottish writer, physician.
>

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Subject: Re: rewards and fairies
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 14 Mar 2005 19:20:21 -0800
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Please, Liz! Thomas the Rhymer was Scots - Thomas of Ercildoune, documented,
as you say. - As for imposters, surely all those ballads of lovers in
disguise, girls dressing as sailors to join their true-loves, etc., etc.,
are relevant.
Murray Shoolbraid

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