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Subject: google desktop
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 18 Jan 2005 16:26:50 -0500
Content-Type:text/plain
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Google's lastest is Google search of your own computer (or dual search on
your computer plus the web).  Once it has a chance to index your computer,
it looks inside docs & spreadsheets & (certain) email for words/phrases same
as a web search.  Takes a few seconds to do a full text search of your
computer.  Where did I put that floating verse?So far, I think it actually only searches Microsoft & text-extension & HTML
type files - probably not DT or Bal Index but still...  just searching the
indices of my "books" is great.  Have fun.http://desktop.google.com/-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Ebay List - 01/19/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 19 Jan 2005 23:22:28 -0500
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Hi!        Today brought the first real snow the season to the Washington
DC area and usual automotive chaos (no one here seems to know how to
drive in the stuff :-( ) It also brings the weekly Ebay list. :-)        SONGSTERS        6506093353 - The IRISH GEM SONGSTER, 1883, $10.50 (ends Jan-23-05
18:15:19 PST)        6943648973 - Old Uncle Ned Songster, $9.99 (ends Jan-24-05 18:01:31
PST)        3953491137 - Buffalo Bill's Wild West Songster, 1896, $15 (ends
Jan-25-05 15:52:34 PST)        MISCELLANEOUS        4067936965 - The Hell-Bound Train by Ohrlin, LP, $0.50 (ends
Jan-22-05 12:06:20 PST)        4068097668 - Phil Tanner, LP, 1968, 3.99 GBP (ends Jan-23-05 06:18:03
PST)        4068100400 - A Garland for Sam by Larner, LP, 1974, 4.99 GBP (ends
Jan-23-05 06:35:46 PST)        4068102728 - Songs from the Eel's Foot by Brightwell, LP, 1975,
2.99 GBP (ends Jan-23-05 06:51:10 PST)        4068104670 - Ye Subjects of England by Maynard, LP, 1976, 3.99 GBP
(ends Jan-23-05 07:01:36 PST) See below for book        4521270863 - Old Time Music Magazine, summer 1976, $9.99 (ends
Jan-26-05 14:31:19 PST)        SONGBOOKS, ETC.        4519750186 - More Traditional Ballads of Virginia by Davis, 1960,
$9.99 (ends Jan-20-05 15:38:32 PST)        6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST)        4519836480 - ADIRONDACK VOICES : WOODSMEN AND WOOD LORE by Bethke,
1983, $9.99 (ends Jan-20-05 20:05:19 PST)        6943216808 - Devil's Ditties by Thomas, 1931, $65 (ends Jan-20-05
21:41:48 PST)        4519886733 - FOLKSINGERS AND FOLKSONGS IN AMERICA by Lawless, 1965
edition, $5.99 (ends Jan-21-05 05:38:01 PST)        3776204099 - 12 Songs for Chidren from the Appalachian Mountains by
Sharp, 0.99 GBP (ends Jan-22-05 03:26:18 PST)        4520128773 - THE SECOND BOOK OF IRISH BALLADS by Healy, 1964, $4.95
AU (ends Jan-22-05 06:24:51 PST)        4519538319 - Songs of Work and Protest by Fowke, 1973, $4.98 (ends
Jan-22-05 06:47:11 PST)        4520136481 - Folklore & Society, essays in honor of Benjamin A.
Botkin by Jackson, 1966, $9.99 (ends Jan-22-05 07:27:45 PST)        4519521995 - YARNS AND BALLADS OF THE AUSTRALIAN BUSH by Edwards,
$17.50 AU (ends Jan-23-05 01:56:29 PST)        4520358983 - The Life and Songs of George Maynard by Subbs, 1963,
1.99 GBP (ends Jan-23-05 07:30:12 PST)        4520366434 - TALES AND SONGS OF SOUTHERN ILLINOIS by Neely, 1998
edition, $12.50 (ends Jan-23-05 08:05:20 PST)        6943520513 - Old English Ballads and Folk Songs by Armes, 1907,
$0.99 (ends Jan-23-05 15:05:10 PST)        6943529312 - AFRO-AMERICAN FOLKSONGS by Krehbiel, 1914, $34.99
(ends Jan-23-05 16:40:06 PST)        6505615100 - Songs and Ballads of Northern England by Walton, 1955?,
2 GBP (ends Jan-24-05 11:21:22 PST)        4520136088 - The Scots Musical Museum by Johnson, 2 volumes,  1962
printing, 20 GBP (ends Jan-25-05 07:24:54 PST)        4521084543 - Coal Dust on the Fiddle by Korson, 1943, $13 (ends
Jan-25-05 18:50:05 PST)        4520622148 - Great Australian Folk Songs by Lahey, 1996?, $19 AU
(ends Jan-27-05 01:02:44 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Songs of Protest
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 08:53:54 -0500
Content-Type:text/plain
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Saw this posted as available on E-Bay:<< 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>Inquiry:Would the author be John Greenway - Univ. of Kentucky?Thanks,Dan Cummins
(in Kentucky)

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Subject: Re: Songs of Protest
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 10:52:17 -0500
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Yes, one and the same John Greenway, although he ended up at the Univ. of Colorado and as a far-right conservative. Kenny Goldstein had great stories of running into Greenwway in Boulder in the later 1960s when he (Greenway) was a volunteer cop riding around beating up on student demonstrators. He apparently turned against the left when he was doing research in Australia and didn't get the cooperation of the Communist Party in his song collecting. See his book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in an aside, he attacks Pete Seeger. Ronald CohenSaw this posted as available on E-Bay:<< 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>Inquiry:Would the author be John Greenway - Univ. of Kentucky?Thanks,Dan Cummins
(in Kentucky)

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Subject: Re: Songs of Protest
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 11:02:37 -0500
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>Yes, one and the same John Greenway, although he ended up at the
>Univ. of Colorado and as a far-right conservative. Kenny Goldstein
>had great stories of running into Greenwway in Boulder in the later
>1960s when he (Greenway) was a volunteer cop riding around beating
>up on student demonstrators. He apparently turned against the left
>when he was doing research in Australia and didn't get the
>cooperation of the Communist Party in his song collecting. See his
>book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in an
>aside, he attacks Pete Seeger. Ronald CohenStuck dimly in my mind is a recollection (?) of something published
in JAF after Woody Guthrie's death.  The writer didn't think much of
Woody.  Was that Greenway?  Or am I recalling something that doesn't
exist (the grey matter ain't so swift these days).John

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 09:45:43 -0800
Content-Type:text/plain
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Dan:No, this is the late John Greenway, an anthropologist who spent the bulk of his career at Colorado (Boulder).Ed----- Original Message -----
From: Dan Cummins <[unmask]>
Date: Thursday, January 20, 2005 5:53 am
Subject: Songs of Protest> Saw this posted as available on E-Bay:
>
> << 6943210036 - American Folksongs of Protest by Greenway, 1960
> edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>
> Inquiry:
>
> Would the author be John Greenway - Univ. of Kentucky?
>
> Thanks,
>
> Dan Cummins
> (in Kentucky)
>

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 09:54:05 -0800
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Ron and  Dan:Sorry .  I didn't know Greenway was at Kentucky.Whatever his politics -- and I remember a phone call  with him in which he defended his volunteer police work (as a sergeant, I recall) tooling around Boulder one night a week -- Greenway was a gutsty editor of the _Journal of American Folklore._   He took an article of mine, "The Rabbi Trickster,"  that he was sure would offend everyone.  It did.  I never heard one word of regret from him.  (I might add that he knew I worked for the ACLU at the time and that our politics were 180-degrees apart.)Ed
----- Original Message -----
From: "Cohen, Ronald" <[unmask]>
Date: Thursday, January 20, 2005 7:52 am
Subject: Re: Songs of Protest> Yes, one and the same John Greenway, although he ended up at the
> Univ. of Colorado and as a far-right conservative. Kenny Goldstein
> had great stories of running into Greenwway in Boulder in the later
> 1960s when he (Greenway) was a volunteer cop riding around beating
> up on student demonstrators. He apparently turned against the left
> when he was doing research in Australia and didn't get the
> cooperation of the Communist Party in his song collecting. See his
> book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in
> an aside, he attacks Pete Seeger. Ronald Cohen
>
>
>
> Saw this posted as available on E-Bay:
>
> << 6943210036 - American Folksongs of Protest by Greenway, 1960
> edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>
> Inquiry:
>
> Would the author be John Greenway - Univ. of Kentucky?
>
> Thanks,
>
> Dan Cummins
> (in Kentucky)
>

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Subject: Re: Songs of Protest
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 10:01:50 -0800
Content-Type:text/plain
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I discuss Greenway tangentially in my article on "The Factory Girl" (to be
distributed next month by Archie Green's Fund for Labor Culture and
History)--including his hilarious farewell editorial as editor of JAF.
Norm Cohen----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 20, 2005 9:54 AM
Subject: Re: Songs of Protest> Ron and  Dan:
>
> Sorry .  I didn't know Greenway was at Kentucky.
>
> Whatever his politics -- and I remember a phone call  with him in which he
defended his volunteer police work (as a sergeant, I recall) tooling around
Boulder one night a week -- Greenway was a gutsty editor of the _Journal of
American Folklore._   He took an article of mine, "The Rabbi Trickster,"
that he was sure would offend everyone.  It did.  I never heard one word of
regret from him.  (I might add that he knew I worked for the ACLU at the
time and that our politics were 180-degrees apart.)
>
> Ed
> ----- Original Message -----
> From: "Cohen, Ronald" <[unmask]>
> Date: Thursday, January 20, 2005 7:52 am
> Subject: Re: Songs of Protest
>
> > Yes, one and the same John Greenway, although he ended up at the
> > Univ. of Colorado and as a far-right conservative. Kenny Goldstein
> > had great stories of running into Greenwway in Boulder in the later
> > 1960s when he (Greenway) was a volunteer cop riding around beating
> > up on student demonstrators. He apparently turned against the left
> > when he was doing research in Australia and didn't get the
> > cooperation of the Communist Party in his song collecting. See his
> > book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in
> > an aside, he attacks Pete Seeger. Ronald Cohen
> >
> >
> >
> > Saw this posted as available on E-Bay:
> >
> > << 6943210036 - American Folksongs of Protest by Greenway, 1960
> > edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
> >
> > Inquiry:
> >
> > Would the author be John Greenway - Univ. of Kentucky?
> >
> > Thanks,
> >
> > Dan Cummins
> > (in Kentucky)
> >
>

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 10:02:25 -0800
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John:Greenway's obit in JAF for Woody was gentle and moving.  The later editor of JAF who scorned Guthrie as a man and a poet was Ellen Stekert.Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Thursday, January 20, 2005 8:02 am
Subject: Re: Songs of Protest> >Yes, one and the same John Greenway, although he ended up at the
> >Univ. of Colorado and as a far-right conservative. Kenny Goldstein
> >had great stories of running into Greenwway in Boulder in the later
> >1960s when he (Greenway) was a volunteer cop riding around beating
> >up on student demonstrators. He apparently turned against the left
> >when he was doing research in Australia and didn't get the
> >cooperation of the Communist Party in his song collecting. See his
> >book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in an
> >aside, he attacks Pete Seeger. Ronald Cohen
>
> Stuck dimly in my mind is a recollection (?) of something published
> in JAF after Woody Guthrie's death.  The writer didn't think much of
> Woody.  Was that Greenway?  Or am I recalling something that doesn't
> exist (the grey matter ain't so swift these days).
>
> John
>

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Subject: Re: Songs of Protest
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 13:24:53 -0500
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<<  No, this is the late John Greenway, an anthropologist who spent the
bulk of his career at Colorado (Boulder).Ed  >>Thank you Ed (and all).  The John Greenway here (Kentucky) is a recently-
retired English Prof.Cheers,  DanPS  Quite an unexpected swirl of responses though.

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Subject: Re: Ebay List - 01/19/05
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 18:46:29 -0000
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All,
FYI I'm bidding on Ken Stubbs' book about "Pop" Maynard.
Simon

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Subject: Re: Songs of Protest
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 14:11:59 -0500
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I might add that while the Colorado John Greenway was known as an anthropologist and folklorist, he also had a PhD in English, as I recall. Quite a renaissance person, who deserves a good study some day. Ron CohenSubject:        Re: Songs of Protest<<  No, this is the late John Greenway, an anthropologist who spent the
bulk of his career at Colorado (Boulder).Ed  >>Thank you Ed (and all).  The John Greenway here (Kentucky) is a recently-
retired English Prof.Cheers,  DanPS  Quite an unexpected swirl of responses though.

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Subject: Re: Songs of Protest
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 11:31:36 -0800
Content-Type:text/plain
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On Thu, Jan 20, 2005 at 08:53:54AM -0500, Dan Cummins wrote:
> Saw this posted as available on E-Bay:
>
> << 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
> $4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>
> Inquiry:
>
> Would the author be John Greenway - Univ. of Kentucky?In a word, yes.  (Though I know nothing of his academic affiliation,
nor his current location.)  -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Songs of Protest
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 19:31:25 -0500
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Is Greenway still alive? If so, is there some way of contacting him?  His
book about songs of social protest came out while I was at college and
really changed my whole worldview.  I'd love to correspond with him...
----- Original Message -----
From: "Cohen, Ronald" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 20, 2005 10:52 AM
Subject: Re: Songs of ProtestYes, one and the same John Greenway, although he ended up at the Univ. of
Colorado and as a far-right conservative. Kenny Goldstein had great stories
of running into Greenwway in Boulder in the later 1960s when he (Greenway)
was a volunteer cop riding around beating up on student demonstrators. He
apparently turned against the left when he was doing research in Australia
and didn't get the cooperation of the Communist Party in his song
collecting. See his book on Austrailan natives, DOWN AMONG THE WILD MEN, in
which, in an aside, he attacks Pete Seeger. Ronald CohenSaw this posted as available on E-Bay:<< 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>Inquiry:Would the author be John Greenway - Univ. of Kentucky?Thanks,Dan Cummins
(in Kentucky)

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Subject: Re: Songs of Protest
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 19:37:10 -0500
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How can I get a copy of your "The Factory Girl" article?
TIA.
----- Original Message -----
From: "Norm Cohen" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 20, 2005 1:01 PM
Subject: Re: Songs of Protest>I discuss Greenway tangentially in my article on "The Factory Girl" (to be
> distributed next month by Archie Green's Fund for Labor Culture and
> History)--including his hilarious farewell editorial as editor of JAF.
> Norm Cohen
>
> ----- Original Message -----
> From: "edward cray" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, January 20, 2005 9:54 AM
> Subject: Re: Songs of Protest
>
>
>> Ron and  Dan:
>>
>> Sorry .  I didn't know Greenway was at Kentucky.
>>
>> Whatever his politics -- and I remember a phone call  with him in which
>> he
> defended his volunteer police work (as a sergeant, I recall) tooling
> around
> Boulder one night a week -- Greenway was a gutsty editor of the _Journal
> of
> American Folklore._   He took an article of mine, "The Rabbi Trickster,"
> that he was sure would offend everyone.  It did.  I never heard one word
> of
> regret from him.  (I might add that he knew I worked for the ACLU at the
> time and that our politics were 180-degrees apart.)
>>
>> Ed
>> ----- Original Message -----
>> From: "Cohen, Ronald" <[unmask]>
>> Date: Thursday, January 20, 2005 7:52 am
>> Subject: Re: Songs of Protest
>>
>> > Yes, one and the same John Greenway, although he ended up at the
>> > Univ. of Colorado and as a far-right conservative. Kenny Goldstein
>> > had great stories of running into Greenwway in Boulder in the later
>> > 1960s when he (Greenway) was a volunteer cop riding around beating
>> > up on student demonstrators. He apparently turned against the left
>> > when he was doing research in Australia and didn't get the
>> > cooperation of the Communist Party in his song collecting. See his
>> > book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in
>> > an aside, he attacks Pete Seeger. Ronald Cohen
>> >
>> >
>> >
>> > Saw this posted as available on E-Bay:
>> >
>> > << 6943210036 - American Folksongs of Protest by Greenway, 1960
>> > edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>> >
>> > Inquiry:
>> >
>> > Would the author be John Greenway - Univ. of Kentucky?
>> >
>> > Thanks,
>> >
>> > Dan Cummins
>> > (in Kentucky)
>> >
>>

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Subject: Hans Breitmann's Ballads
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 22:55:00 -0500
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Anyone know if  Charles Leland actually collected these ballads or were they composed.  It would seem to me that if he collected them all he would have included a tune name with the ballad. It would also seem likely that some of these ballads are part of the existing "canon" of ballads collected in the isles.  In learning a little about Mr. Leland it seems that he had a particularly strong interest in the occult,  folklore, the occult, It makes me wonder if any of the other collectors of ballads and folklore are also as interested in the occult. I haven't heard of any other ties to the darker arts, certainly the Scottish Folk Lore lends itself to this but I have not heard this mentioned with any of the Scottish Collectors.  Are these big secrets or is there not enough truth to warrant study in these areas.Sammy Rich

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 20:36:44 -0800
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Roy:Sad to say, John Greenway is dead these past ten years.Ed----- Original Message -----
From: Roy Berkeley <[unmask]>
Date: Thursday, January 20, 2005 4:37 pm
Subject: Re: Songs of Protest> How can I get a copy of your "The Factory Girl" article?
> TIA.
> ----- Original Message -----
> From: "Norm Cohen" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, January 20, 2005 1:01 PM
> Subject: Re: Songs of Protest
>
>
> >I discuss Greenway tangentially in my article on "The Factory
> Girl" (to be
> > distributed next month by Archie Green's Fund for Labor Culture and
> > History)--including his hilarious farewell editorial as editor of
> JAF.> Norm Cohen
> >
> > ----- Original Message -----
> > From: "edward cray" <[unmask]>
> > To: <[unmask]>
> > Sent: Thursday, January 20, 2005 9:54 AM
> > Subject: Re: Songs of Protest
> >
> >
> >> Ron and  Dan:
> >>
> >> Sorry .  I didn't know Greenway was at Kentucky.
> >>
> >> Whatever his politics -- and I remember a phone call  with him
> in which
> >> he
> > defended his volunteer police work (as a sergeant, I recall) tooling
> > around
> > Boulder one night a week -- Greenway was a gutsty editor of the
> _Journal> of
> > American Folklore._   He took an article of mine, "The Rabbi
> Trickster,"> that he was sure would offend everyone.  It did.  I
> never heard one word
> > of
> > regret from him.  (I might add that he knew I worked for the ACLU
> at the
> > time and that our politics were 180-degrees apart.)
> >>
> >> Ed
> >> ----- Original Message -----
> >> From: "Cohen, Ronald" <[unmask]>
> >> Date: Thursday, January 20, 2005 7:52 am
> >> Subject: Re: Songs of Protest
> >>
> >> > Yes, one and the same John Greenway, although he ended up at the
> >> > Univ. of Colorado and as a far-right conservative. Kenny
> Goldstein>> > had great stories of running into Greenwway in
> Boulder in the later
> >> > 1960s when he (Greenway) was a volunteer cop riding around
> beating>> > up on student demonstrators. He apparently turned
> against the left
> >> > when he was doing research in Australia and didn't get the
> >> > cooperation of the Communist Party in his song collecting. See
> his>> > book on Austrailan natives, DOWN AMONG THE WILD MEN, in
> which, in
> >> > an aside, he attacks Pete Seeger. Ronald Cohen
> >> >
> >> >
> >> >
> >> > Saw this posted as available on E-Bay:
> >> >
> >> > << 6943210036 - American Folksongs of Protest by Greenway, 1960
> >> > edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
> >> >
> >> > Inquiry:
> >> >
> >> > Would the author be John Greenway - Univ. of Kentucky?
> >> >
> >> > Thanks,
> >> >
> >> > Dan Cummins
> >> > (in Kentucky)
> >> >
> >>
>

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Subject: Re: Hans Breitmann's Ballads
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 06:24:28 -0500
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Re, interest in the occult: Helen Creighton certainly published on ghost lore, and Yeats certainly had those interests.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Sammy Rich
Sent: Thursday, January 20, 2005 10:55 PM
To: [unmask]
Subject: Hans Breitmann's BalladsAnyone know if  Charles Leland actually collected these ballads or were they composed.  It would seem to me that if he collected them all he would have included a tune name with the ballad. It would also seem likely that some of these ballads are part of the existing "canon" of ballads collected in the isles.  In learning a little about Mr. Leland it seems that he had a particularly strong interest in the occult,  folklore, the occult, It makes me wonder if any of the other collectors of ballads and folklore are also as interested in the occult. I haven't heard of any other ties to the darker arts, certainly the Scottish Folk Lore lends itself to this but I have not heard this mentioned with any of the Scottish Collectors.  Are these big secrets or is there not enough truth to warrant study in these areas.Sammy Rich

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Subject: Re: Hans Breitmann's Ballads
From: Jonathan Lighter <[unmask]>
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Date:Fri, 21 Jan 2005 05:22:57 -0800
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Subject: online music offered from Smithsonian
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 08:52:46 -0500
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I am forwarding this info from another music list for those interested (do
note though that the music files are not readable by mac ipod)...
Lisa>for those who download music, you might be interested in this:
>
>http://www.nytimes.com/2005/01/20/arts/20folk.html
>
>Smithsonian's Song Catalog Is Available for Sale Online
>By BEN SISARIO
>
>Published: January 20, 2005
>
>Lead Belly, Woody Guthrie and the barking tree frogs are finally going
>online.
>
>Some 30,000 songs from the legendary Smithsonian Folkways catalog -
>field recordings of folk and blues, world and children's music, jazz,
>nature sounds and poetry - went on sale yesterday on Microsoft's MSN
>Music store (music.msn.com) for 99 cents apiece.
>
>MSN Music, which began selling music last fall, will have the exclusive
>right to sell the Smithsonian catalog through September, executives at
>Microsoft and Smithsonian Folkways said.
>
>The catalog, one of the richest troves of recorded Americana, is built
>on the Folkways label, founded in 1948 by Moses Asch. That label
>released Lead Belly's "Last Sessions," Pete Seeger's "American Folk
>Songs for Children" and Harry Smith's "Anthology of American Folk
>Music," among other bedrock albums of the folk era. The Smithsonian
>Institution purchased Folkways in 1987, the year after Asch died.
>
>In addition to the folk repertory, Folkways released jazz, world music,
>classical and avant-garde music, albums by songwriters like Phil Ochs
>and Lucinda Williams, and beloved oddities like "Sounds of North
>American Frogs," which has track titles like "Chorus of Barking
>Treefrogs (Hyla gratiosa)."
>
>On MSN Music, which has licensed more than a million songs for download,
>Guthrie, "Songs of the Western Australian Desert Aborigines" and the
>frogs abut the latest by Eminem, Kelly Clarkson and Gwen Stefani.
>
>Much of the original Folkways collection has been released on CD, but a
>majority of it has not been commercially available because the demand is
>so low. Of the roughly 40,000 tracks in the catalog, only about 5,700
>have been commercially released, said Atesh Sonneborn, the label's
>assistant director. Smithsonian Folkways makes copies of anything from
>its collection on request, and now every track will now be available on
>MSN Music.
>
>"I found things that I had no idea existed," Mr. Sonneborn said. "I
>found Dante's 'Inferno' read by John Ciardi. I had no idea it was even
>there."
>
>The tracks are encoded in the Windows Media format, which is readable by
>many portable music devices but not Apple's iPod. Single songs cost 99
>cents and compete albums $8.91. The Smithsonian gets about two-thirds of
>the purchase price of the music, Mr. Sonneborn said.
>
>When the agreement with Microsoft expires, Mr. Sonneborn said, the
>Smithsonian hopes to begin its own music download service, with more
>extensive text and documentation features.

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Subject: Re: online music offered from Smithsonian
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 09:27:23 -0500
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This is the site that I just helped to Beta test for the Smithsonian.
You won't believe it. Problems with Mac operation can be solved by using
Firefox as your browser and changing your system prefs to open up all
mp3s in iTunes, if it's not there already. No problems at all using
Windows machines.
  The "Synchrotext" component of the site is particularly fascinating,
but the individual tunes are what will pique your interest.Beth Brooks>>> [unmask] 01/21/05 8:52 AM >>>
I am forwarding this info from another music list for those interested
(do
note though that the music files are not readable by mac ipod)...
Lisa

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Subject: [Fwd: Who Said What?]
From: Thomas Stern <[unmask]>
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Date:Fri, 21 Jan 2005 12:06:47 -0500
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Subject: Re: Who Said What?]
From: Roy Berkeley <[unmask]>
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Date:Fri, 21 Jan 2005 15:34:44 -0500
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Subject: Re: Who Said What?]
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 12:44:16 -0800
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On Fri, Jan 21, 2005 at 03:34:44PM -0500, Roy Berkeley wrote:
> I am puzzled about the relevancy to a forum for ballad scholars of the attached posting.  Can someone enlighten me?
>   ----- Original Message -----
>   From: Thomas Stern
>   To: [unmask]
>   Sent: Friday, January 21, 2005 12:06 PM
>   Subject: [Fwd: Who Said What?]
>
>   -------- Original Message -------- Subject:  Who Said What?
>         Date:  Fri, 21 Jan 2005 11:06:28 -0500
>         From:  dick greenhaus <[unmask]>
>         Reply-To:  [unmask]
>         Organization:  CAMSCO
>         To:  Thomas H. Stern <[unmask]>, susi cohen <[unmask]>, Entropy Racing <[unmask]>
>
>
>
> Here's The QUIZ:
> Who said this?
>
> Bush or Hitler?        Perhaps the forwarder only wished to let us all know that CAMSCO
may have recovered from its earlier e-mail woes?  Note that Dick
Greenhause (Mr. Camsco) *didn't* forward it to this list! -- Aloha,
Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Who Said What?]
From: "Steiner, Margaret" <[unmask]>
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Date:Fri, 21 Jan 2005 15:46:28 -0500
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Subject: Re: Who Said What?]
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 16:32:30 -0600
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On 1/21/05, Steiner, Margaret wrote:>well, you're right: this posting is not relevant to a scholarly ballad list.  I'm sure that a good many of us, myself included, are in sympathy with the sentiments expressed by the posting, and I forearded it to our local peace action E-mail list.
>
>I hesitate, though, to be a list cop.  Maybe we can say that if you know that someone shares your political sentiments, feel free to send relevant postings to those folks rather than to a scholarly list.Just as a thought on this: Obviously the message is off-topic.
However, what makes Ballad-L what it is is the fact that we have
a community -- almost everything comes up at one time or another,
and I can recall few objections. Probably that says something
about the members of the list: Only one person even queried it.If this had gone to most lists, there would have been a complete
firestorm. Formally, it would even be justified. In context, though,
it probably has to be accepted that this list -- like any group
composed of people interested in traditional music -- is almost
entirely composed of non-Neoconservatives. (To put it mildly.
Personally, I would have guessed that *no one* who posts here
would have been offended by his. Depressed, yes, offended, no.)So the advice to all is: Think about what you're sending, but
don't shut down the community because once in a while something
comes up that's controversial.I, for one, would say Thank you to Margaret Steiner for maintaining
a list that really works quite well.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Who Said What?]
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 18:53:17 -0500
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To Bob and to all the listers:I, too, am struck by the civility of discourse on this list, and that everyone seems eager to help their colleagues.  What a great community!And, thanks, Bob, Ed, and others for getting the Ballad Index going.  I'm proud that this list served as a catalyst for this invaluable work.Peace.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Robert B. Waltz
Sent: Friday, January 21, 2005 5:33 PM
To: [unmask]
Subject: Re: Who Said What?]On 1/21/05, Steiner, Margaret wrote:>well, you're right: this posting is not relevant to a scholarly ballad list.  I'm sure that a good many of us, myself included, are in sympathy with the sentiments expressed by the posting, and I forearded it to our local peace action E-mail list.
>
>I hesitate, though, to be a list cop.  Maybe we can say that if you know that someone shares your political sentiments, feel free to send relevant postings to those folks rather than to a scholarly list.Just as a thought on this: Obviously the message is off-topic.
However, what makes Ballad-L what it is is the fact that we have
a community -- almost everything comes up at one time or another,
and I can recall few objections. Probably that says something
about the members of the list: Only one person even queried it.If this had gone to most lists, there would have been a complete
firestorm. Formally, it would even be justified. In context, though,
it probably has to be accepted that this list -- like any group
composed of people interested in traditional music -- is almost
entirely composed of non-Neoconservatives. (To put it mildly.
Personally, I would have guessed that *no one* who posts here
would have been offended by his. Depressed, yes, offended, no.)So the advice to all is: Think about what you're sending, but
don't shut down the community because once in a while something
comes up that's controversial.I, for one, would say Thank you to Margaret Steiner for maintaining
a list that really works quite well.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Dialect and Folk Life Studies in Britain
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 20:48:51 EST
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Subject: Re: Who Said What?]
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 18:35:52 -0800
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Subject: Re: Who Said What?]
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 02:25:32 -0600
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<<As a point of pedantic and folkloric interest only: Something like this
went the rounds about 1969 during the Southeast Asia war, with Nixon in
place of Bush.  It turned out the "Hitler" quotes were either invented or,
shall we say, rather loosely retranslated.  (For all I know, these are all
real - but experience teaches skepticism.)>>Which makes it folklore, and almost on-topic, by gum.Interesting -- in 1972 I was working for the political environmentalist
Barry Commoner as a research gofer, and right after the election Nixon had
given an interview where he characterized the American people as being like
children, who needed to be led. Dr. C. remembered a similar quote from
Hitler and sent me to the library with the instruction to read "Mein Kampf".
Not the most pleasant gig, but the quote was there. So that parallelism, at
least, was real.I suspect the current list of quotes will be found on the Urban Legends
reference site pretty soon, with info on whether they're correct.Peace,
Paul

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Subject: Re: BALLAD-L Digest - 21 Jan 2005 (#2005-44)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 05:49:04 -0800
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Now you're talkin'. I would be interested in seeing
those Hitler quotes in the original German-- die wir
sofort ?ersetzen werden, ganz sicherlich.CAAs a point of pedantic and folkloric interest only:
Something like this went the rounds about 1969 during
the
Southeast Asia war, with Nixon in place of Bush. It
turned out the
"Hitler" quotes were either invented or, shall we say,rather loosely retranslated.  (For all I know, these
are all
real - but experience teaches skepticism.)JL

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Subject: Re: online music offered from Smithsonian
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 09:25:33 -0500
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did not get the address of the page in my e.mail....try again?CBBeth Brooks wrote:> This is the site that I just helped to Beta test for the Smithsonian.
> You won't believe it. Problems with Mac operation can be solved by using
> Firefox as your browser and changing your system prefs to open up all
> mp3s in iTunes, if it's not there already. No problems at all using
> Windows machines.
>   The "Synchrotext" component of the site is particularly fascinating,
> but the individual tunes are what will pique your interest.
>
> Beth Brooks
>
>
>>>>[unmask] 01/21/05 8:52 AM >>>
>
> I am forwarding this info from another music list for those interested
> (do
> note though that the music files are not readable by mac ipod)...
> Lisa--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Who Said What?]
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 16:09:17 -0500
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This political squib may not be directly related to ballad form, but it
sure as hell is a piece of modern folklore in the Xerox-lore tradition.
SteveG

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Subject: Re: Who Said What?]
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 16:12:09 -0500
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Very true.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Steve Gardham
Sent: Saturday, January 22, 2005 4:09 PM
To: [unmask]
Subject: Re: Who Said What?]This political squib may not be directly related to ballad form, but it
sure as hell is a piece of modern folklore in the Xerox-lore tradition.
SteveG

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Subject: Re: online music offered from Smithsonian
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 17:06:49 -0500
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At 09:25 AM 1/22/2005 -0500, you wrote:
>did not get the address of the page in my e.mail....try again?
>CB>Some 30,000 songs from the legendary Smithsonian Folkways catalog -
>field recordings of folk and blues, world and children's music, jazz,
>nature sounds and poetry - went on sale yesterday on Microsoft's MSN
>Music store (music.msn.com) for 99 cents apiece.

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Subject: Re: Hans Breitmann's Ballads
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 00:01:16 +0000
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I think that most folklorists are interested in the occult to the extent that they collect and study ghost stories and belief in supernatural beings and occurrences, but in Britain at least most have shied away from anything which implies that they believe in the occult themselves. Even today the (British) Folklore Society is wary of admitting 'practising witches' and such-like to their ranks. The only one I can think of who really did (apparantly) believe was Andrew Lang (1844-1912). He is probably remembered mostly for his fairy-tale books but he also did some work on Scottish ballads, amongst a huge output of books and essays on a wide range of topics. Some of his fellow folklorists of the time treated him with caution because of his willingness to believe. His 'Protest of a Psycho-Folklorist' in Folk-Lore 6 (1895) 236-248 is interesting in this respect, and (if memory serves) the book 'Cock Lane and Common Sense' (1894); and there's a bibliography of his writings in Roger Lancelyn Green, 'Andrew Lang: a Critical Biography' (Edmund Ward, 1946), and a good summary of his life and work in Dorson's 'The British Folklorists' (1968).
Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     "Steiner, Margaret" <[unmask]>
To:       [unmask]
Subject:  Re: Hans Breitmann's Ballads> Re, interest in the occult: Helen Creighton certainly published on ghost lore, and Yeats certainly had those interests.
>
> Marge
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]On
> Behalf Of Sammy Rich
> Sent: Thursday, January 20, 2005 10:55 PM
> To: [unmask]
> Subject: Hans Breitmann's Ballads
>
>
> Anyone know if Charles Leland actually collected these ballads or were they composed. It would seem to me that if he collected them all he would have included a tune name with the ballad. It would also seem likely that some of these ballads are part of the existing "canon" of ballads collected in the isles. In learning a little about Mr. Leland it seems that he had a particularly strong interest in the occult, folklore, the occult, It makes me wonder if any of the other collectors of ballads and folklore are also as interested in the occult. I haven't heard of any other ties to the darker arts, certainly the Scottish Folk Lore lends itself to this but I have not heard this mentioned with any of the Scottish Collectors. Are these big secrets or is there not enough truth to warrant study in these areas.
>
> Sammy RichSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Hans Breitmann's Ballads
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 01:33:06 +0000
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>> Anyone know if Charles Leland actually collected these ballads
>> or were they composed.
> All of these poems (not songs) were written by Leland in the persona
> of a soft-hearted (and -headed) German immigrant.  None is a "ballad"
> in our sense of the word, and none was traditional.And none was any good.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Life of a Leaf
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 12:19:02 -0500
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Can anyone tell me anything about the origins,, age, etc of  of the
song the Life of a Leaf or Life of a Man?  which title is correct?
I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
others?ThanksGeorgeGeorge F Madaus
Professor Emeritus
Boston College

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Subject: Re: Life of a Leaf
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 11:56:46 -0600
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<<Can anyone tell me anything about the origins,, age, etc of  of the
song the Life of a Leaf or Life of a Man?  which title is correct?
I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
others?>>The earliest instance known to the editors of the Ballad Index is a 1904
manuscript by Cecil Sharp. It certainly has the feeling of a composed song,
but we have no info yet about the composer.Paul & Linda Adams recorded it on "Farewell to the Fells", Steeleye Span did
it on "They Called Her Babylon", and Joe Hickerson did it on a Fox Hollow
LP. The Copper family recorded it on "Adam and Eve".Peace,
Paul

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Subject: Re: Life of a Leaf
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 12:59:33 -0500
Content-Type:text/plain
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Thanks Paul I will try to track those versions downUp to my neck in snow
All the best
George
George F Madaus
Professor Emeritus
Boston College
On Jan 23, 2005, at 12:56 PM, Paul Stamler wrote:> <<Can anyone tell me anything about the origins,, age, etc of  of the
> song the Life of a Leaf or Life of a Man?  which title is correct?
> I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
> others?>>
>
> The earliest instance known to the editors of the Ballad Index is a
> 1904
> manuscript by Cecil Sharp. It certainly has the feeling of a composed
> song,
> but we have no info yet about the composer.
>
> Paul & Linda Adams recorded it on "Farewell to the Fells", Steeleye
> Span did
> it on "They Called Her Babylon", and Joe Hickerson did it on a Fox
> Hollow
> LP. The Copper family recorded it on "Adam and Eve".
>
> Peace,
> Paul

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Subject: Re: Life of a Leaf
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 13:46:48 -0500
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It was quite widely printed on 19th century Br broadsides under titles 'The
Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double stanzas.
It also seems to have been inspired by  17th century ballad 'The Life of
man' See Roxburgh Vol 1 p142.
SteveG

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Subject: Johnny Smoker
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:05:06 -0500
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Dear Ballad-L,I am seeking a song called "Johnny Smoker".  There's a reference to a song
by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
camp in this book:--- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---I have also seen references to a round for children called "Johnny Smoker"
(maybe one sprang from the other).The only fragments of the lyrics that I remember were:"Oh Johnny Smoker
tah dah dah dah <blank> oker".
(Sorry)It was sung to a bunch of my collected cousins by our visiting missionary
great-uncle when I was about ten years of age (early 1960s), and I've been
wondering about the song (off and on) ever since. Oddly, I do believe I'd
recognize it if I heard it.Any help would be appreciated.Tx,  Dan

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Subject: Re: Johnny Smoker
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:26:21 -0500
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Could this be the same as the well-known "Johnny Booker"?  I think I
recall "Johnny Booker" from the children's songs LP of Lomax's
"Southern Journey" (or whatever it was called).John>Dear Ballad-L,
>
>I am seeking a song called "Johnny Smoker".  There's a reference to a song
>by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
>camp in this book:
>
>--- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
>Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---
>
>I have also seen references to a round for children called "Johnny Smoker"
>(maybe one sprang from the other).
>
>The only fragments of the lyrics that I remember were:
>
>"Oh Johnny Smoker
>tah dah dah dah <blank> oker".
>(Sorry)
>
>It was sung to a bunch of my collected cousins by our visiting missionary
>great-uncle when I was about ten years of age (early 1960s), and I've been
>wondering about the song (off and on) ever since. Oddly, I do believe I'd
>recognize it if I heard it.
>
>Any help would be appreciated.
>
>Tx,  Dan

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Subject: Re: Life of a Leaf
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:06:21 -0000
Content-Type:text/plain
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Subject: Re: Life of a Leaf> It was quite widely printed on 19th century Br broadsides under titles 'The
> Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double stanzas.
> It also seems to have been inspired by  17th century ballad 'The Life of
> man' See Roxburgh Vol 1 p142.
> SteveG-----------------------Broadside examples can be seen at the Bodleian Library website as 'The Fall of the Leaf' and 'Fall
of Leaves.'  The Roud Index lists it at number 848, chiefly found in oral currency in the South of
England. A few examples from Canada (Edith Fowke collection) are also mentioned.Malcolm Douglas--
No virus found in this outgoing message.
Checked by AVG Anti-Virus.
Version: 7.0.300 / Virus Database: 265.7.1 - Release Date: 19/01/05

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Subject: Re: Life of a Leaf
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 15:06:07 -0500
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Does this mean that the correct title is Life of a Leaf not Life of a
Man?The Adams, Hickerson  and Copper versions don't seem available. The
Paul and Linda Adams version seems to be on Far Over the Fells not
Farewell to the Fells which I could not findThanks for all the responses. I appreciate all your helpGeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Jan 23, 2005, at 3:06 PM, Malcolm Douglas wrote:
correctSubject: Re: Life of a Leaf
>
>
>> It was quite widely printed on 19th century Br broadsides under
>> titles 'The
>> Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double
>> stanzas.
>> It also seems to have been inspired by  17th century ballad 'The Life
>> of
>> man' See Roxburgh Vol 1 p142.
>> SteveG
>
> -----------------------
>
> Broadside examples can be seen at the Bodleian Library website as 'The
> Fall of the Leaf' and 'Fall
> of Leaves.'  The Roud Index lists it at number 848, chiefly found in
> oral currency in the South of
> England. A few examples from Canada (Edith Fowke collection) are also
> mentioned.
>
> Malcolm Douglas
>
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.300 / Virus Database: 265.7.1 - Release Date: 19/01/05

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Subject: Re: Johnny Smoker
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:12:15 +0000
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There are several songs/ditties called 'Johnny Booker', and this could be one of those (see my Folk Song Index if you can), but the only 'Johnny Smoker' I can find was collected in Gloucestershire in 1969. It is one of those cumulative 'I am the Music Man' songs:
Johnny Smoker, Johnny Smoker
I can play, I can play
I can play on my drum
Rub-a-dub-a-dub
That is my drum
My rub-a-dub-a-dub
That is my drum.Continues with fife, cymbals, trombone, bagpipes, with appropriate noises.Published in Folk Music Journal 1:5 (1969) 335-8Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     Dan Cummins <[unmask]>
To:       [unmask]
Subject:  Johnny Smoker> Dear Ballad-L,
>
> I am seeking a song called "Johnny Smoker". There's a reference to a song
> by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
> camp in this book:
>
> --- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
> Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---
>
> I have also seen references to a round for children called "Johnny Smoker"
> (maybe one sprang from the other).
>
> The only fragments of the lyrics that I remember were:
>
> "Oh Johnny Smoker
> tah dah dah dah oker".
> (Sorry)
>
> It was sung to a bunch of my collected cousins by our visiting missionary
> great-uncle when I was about ten years of age (early 1960s), and I've been
> wondering about the song (off and on) ever since. Oddly, I do believe I'd
> recognize it if I heard it.
>
> Any help would be appreciated.
>
> Tx, DanSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Life of a Leaf
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:17:56 +0000
Content-Type:text/plain
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The vast majority of 20th century traditional singers called it 'The Life of a Man', or 'What is the Life of a Man', after the first lines of the chorus. The 19th cent broadside printers usually called it 'The Fall of the Leaf'.
Take your pick, but I would normally go by the singers, they knew what they were doing.
Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     George Madaus <[unmask]>
To:       [unmask]
Subject:  Re: Life of a Leaf> Does this mean that the correct title is Life of a Leaf not Life of a
> Man?
>
> The Adams, Hickerson and Copper versions don't seem available. The
> Paul and Linda Adams version seems to be on Far Over the Fells not
> Farewell to the Fells which I could not find
>
> Thanks for all the responses. I appreciate all your help
>
> George
>
> George F Madaus
> Professor Emeritus
> Boston College
> On Jan 23, 2005, at 3:06 PM, Malcolm Douglas wrote:
> correctSubject: Re: Life of a Leaf
> >
> >
> >> It was quite widely printed on 19th century Br broadsides under
> >> titles 'The
> >> Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double
> >> stanzas.
> >> It also seems to have been inspired by 17th century ballad 'The Life
> >> of
> >> man' See Roxburgh Vol 1 p142.
> >> SteveG
> >
> > -----------------------
> >
> > Broadside examples can be seen at the Bodleian Library website as 'The
> > Fall of the Leaf' and 'Fall
> > of Leaves.' The Roud Index lists it at number 848, chiefly found in
> > oral currency in the South of
> > England. A few examples from Canada (Edith Fowke collection) are also
> > mentioned.
> >
> > Malcolm Douglas
> >
> >
> >
> > --
> > No virus found in this outgoing message.
> > Checked by AVG Anti-Virus.
> > Version: 7.0.300 / Virus Database: 265.7.1 - Release Date: 19/01/05Signup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Life of a Leaf
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:29:29 -0000
Content-Type:text/plain
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----- Original Message -----
From: "George Madaus" <[unmask]>
To: <[unmask]>
Sent: 23 January 2005 20:06
Subject: Re: Life of a Leaf> Does this mean that the correct title is Life of a Leaf not Life of a
> Man?Titles vary, but published examples of the song as found in oral currency appear most often as 'The
Life of a Man,' 'What's the Life of a Man,' or some variation thereon. Though not the only 'correct'
titles, you'll find those more helpful in getting results than 'Life of a Leaf,' which I don't think
I've ever come across.The late Bruce Olson would probably have made the point that recordings by revival performers aren't
necessarily very helpful in examining the history of a song, though of course if they identify their
source that does provide somewhere to start.You'll find the Copper Family text athttp://www.thecopperfamily.com/together with information on recordings and other resources.Malcolm Douglas

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Subject: Re: Life of a Leaf
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 16:37:03 EST
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Subject: Re: Life of a Leaf
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:11:39 -0800
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Subject: Re: Johnny Smoker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:23:02 -0800
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Subject: Re: Johnny Smoker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:59:20 -0800
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Subject: Re: BALLAD-L Digest - 22 Jan 2005 to 23 Jan 2005 - Special issue (#2005-46)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:19:56 -0500
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Automatic digest processor <[unmask]>, in the
person of Steve Roud, writes:> There are several songs/ditties called 'Johnny Booker', and this
> could be one of those (see my Folk Song Index if you can), but the
> only 'Johnny Smoker' I can find was collected in Gloucestershire in
> 1969. It is one of those cumulative 'I am the Music Man' songs:> Johnny Smoker, Johnny Smoker
> I can play, I can play
> I can play on my drum
> Rub-a-dub-a-dub
> That is my drum
> My rub-a-dub-a-dub
> That is my drum.
>
> Continues with fife, cymbals, trombone, bagpipes, with appropriate
> noises.We had this song in my family when I was little (southern California,
1940s), but, weirdly, in German, or maybe pseudo-German:  Johnny Schmoker, Johnny Schmoker,
  Ich kann spielen, ich kann spielen,
  Ich kann spiel' -- das is mein' Violin',
  Sum-sum-sum mein' Violin'.etc.  Note the half-Germanized English name.  I suppose one of my
parents must have gotten it from somewhere.
--
---  Joe Fineman    [unmask]||:  Whatever has "science" in its name isn't.  :||

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Subject: Re: Johnny Smoker
From: Alan Ackerman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 19:30:19 -0800
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The post came across, but Eudora tells me that "The URL is not
syntactically valid." Clicking on it didn't work, and neither did
cutting and pasting it into several different browsers. I got
"Temporary file open error. Display failed." Maybe it works on
Windows?>The 1863 version of "Johnny Schmoker," credited to B. F. Rix, is
>available here:
>
>
>
><'"http://memory.loc.gov/cgi-bin/query/D?dukesm:1:./temp/~ammem_WUTE::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhb>http://memory.loc.gov/cgi-bin/query/D?dukesm:1:./temp/~ammem_WUTE::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,v
>arstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbcards,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,scsm,denn,relpet,amss,aaeo,mffbib,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,mfd,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto
>
>It is still sung in one form or another.
>
>JL
>
>
>
>[unmask] wrote:
>
>There are several songs/ditties called 'Johnny Booker', and this
>could be one of those (see my Folk Song Index if you can), but the
>only 'Johnny Smoker' I can find was collected in Gloucestershire in
>1969. It is one of those cumulative 'I am the Music Man' songs:
>Johnny Smoker, Johnny Smoker
>I can play, I can play
>I can play on my drum
>Rub-a-dub-a-dub
>That is my drum
>My rub-a-dub-a-dub
>That is my drum.
>
>Continues with fife, cymbals, trombone, bagpipes, with appropriate noises.
>
>Published in Folk Music Journal 1:5 (1969) 335-8
>
>Steve Roud
>
>--
>Message sent with Supanet E-mail
>
>-----Original Message-----
>From: Dan Cummins
>To: [unmask]
>Subject: Johnny Smoker
>
>>  Dear Ballad-L,
>>
>>  I am seeking a song called "Johnny Smoker". There's a reference to a song
>>  by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
>>  camp in this book:
>>
>>  --- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
>>  Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---
>>
>>  I have also seen references to a round for children called "Johnny Smoker"
>>  (maybe one sprang from the other).
>>
>>  The only fragments of the lyrics that I remember were:
>>
>>  "Oh Johnny Smoker
>>  tah dah dah dah oker".
>>  (Sorry)
>>
>>  It was sung to a bunch of my collected cousins by our visiting missionary
>>  great-uncle when I was about ten years of age (early 1960s), and I've been
>>  wondering about the song (off and on) ever since. Oddly, I do believe I'd
>>  recognize it if I heard it.
>>
>>  Any help would be appreciated.
>>
>>  Tx, Dan
>
>
>Signup to supanet at
>https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail
>
>
>Do you Yahoo!?
>Yahoo! Search presents -
><http://us.rd.yahoo.com/evt=30648/*http://movies.yahoo.com/movies/feature/jibjabinaugural.html>Jib
>Jab's 'Second Term'--
Alan Ackerman, [unmask]

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Subject: Re: Johnny Smoker
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 06:56:18 -0000
Content-Type:text/plain
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----- Original Message -----
From: "Alan Ackerman" <[unmask]>
To: <[unmask]>
Sent: 24 January 2005 03:30
Subject: Re: Johnny Smoker> The post came across, but Eudora tells me that "The URL is not
> syntactically valid." Clicking on it didn't work, and neither did
> cutting and pasting it into several different browsers. I got
> "Temporary file open error. Display failed." Maybe it works on
> Windows?It isn't a platform issue. The link is to a temporary (and extinct) file generated by the search
script, not to the search itself or to the actual location of the file. American Memory is set up
that way. You can get a proper URL by selecting "view source"; you'll find it at the bottom of the
page. Heaven knows why they do it that way. Abby Sale told me the trick, I think. This will work
(the second bracket at the end is part of it):http://memory.loc.gov/cgi-bin/query/r?ammem/dukesm:@field(DOCID+@lit(ncdhasm.n1384))Malcolm Douglas

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Subject: Re: Johnny Smoker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 05:02:54 -0800
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Subject: Re: Life of a Leaf
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 14:20:03 +0100
Content-Type:text/plain
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Isca Fayre did a very good version back in the '70s.George Madaus wrote:
>
> Can anyone tell me anything about the origins,, age, etc of  of the
> song the Life of a Leaf or Life of a Man?  which title is correct?
> I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
> others?
>
> Thanks
>
> George
>
> George F Madaus
> Professor Emeritus
> Boston College

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Subject: Re: Life of a Leaf
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 14:22:47 +0100
Content-Type:text/plain
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If you'd like a cassette copy of the Isca Fayre LP I can oblige.AndyGeorge Madaus wrote:
>
> Can anyone tell me anything about the origins,, age, etc of  of the
> song the Life of a Leaf or Life of a Man?  which title is correct?
> I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
> others?
>
> Thanks
>
> George
>
> George F Madaus
> Professor Emeritus
> Boston College

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Subject: Re: Johnny Smoker - Re: long URLs
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 09:27:04 -0500
Content-Type:text/plain
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On Sun, 23 Jan 2005 14:59:20 -0800, Jonathan Lighter wrote:>Maybe the last post was derainled by the unbelievaby long URL that accompanied it!
>Here's another "deal with it" bit for truly long URLs - like 5 or 600
characters.  They're often unclickable when they break up into several lines
and are hardish to remember. (!)tinyurl.com makes a small, _permanent_ (they say) URL for it.Their "Make Toolbar Button" is handy.  You put it on your browser toolbar
and simply click it when faced with a URL you want to keep as a tiny one.
It automatically makes a tinyurl for the page you happen to be on at the
moment.  (No Yes/No is offered, it just does it.)Eg, the message I'm answering here, at the Listserv archive is
https://listserv.indiana.edu/cgi-bin/wa-iub.exe?A2=ind0501&L=ballad-l&T=0&F=&S=&P=27425The tinyurl for it is http://tinyurl.com/49kbp-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Untraced 18th C. ballad
From: Jonathan Lighter <[unmask]>
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Date:Mon, 24 Jan 2005 10:25:41 -0800
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Subject: Rochelle Goldstein
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 11:00:25 -0800
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Good People:I received this good news from Rhoda Goldstein this morning.Ed------------------------------------------
Subject         Rochelle on the mendDear Friends,
     I just wanted to let you all know that my mother (Rochelle Goldstein)
appears to be well on the road to recovery. She has been breathing on her
own for 4 days and today had her trachiostomy removed.  She has movement in
her head, shoulders and arms and can now talk on the phone - - the hospital
set up a special speaker phone system for her as she still has  difficulty
holding the phone.  If anyone wants to call her or visit her (for those of
you who are local) she is welcoming visitors.  The phone # for the hospital
is 610-645-2000.  I would definitely call before you visit, because she has
been progressing so well that I wouldn't be surprised if they move her to a
less acute unit or transfer her to the rehab (another facility entirely).
  Her spirits are amazing and she has really enjoyed recieving everyone's
emails. Thanks so much for all your good wishes.
Warmly,
Rhoda

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Subject: Re: Johnny Smoker
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 14:55:12 -0500
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There is a De Marsan (NY) printed version on the Bodleian website, the mock
German version with explanations of how to perform it.
Ref Harding B18 (327)
SteveG

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Subject: Re: Johnny Smoker
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 15:23:48 -0500
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Thank you for all of the thoughtful responses to my request regarding this
song. They comprise some excellent leads.Here's an excerpt from the 1863 piece that I had referenced in my original
post:"...Religious services were held quite frequently, but in an evil hour a
minstrel troupe was organized, which came near swamping religion and all
other considerations for the time being. Any old prisoner will remember the
song of ?Johnny Smoker,? and how the chorus, ?Wizer, Wizer, Rinctum Bum,?
was rendered by the minstrel band, and with what gusto it was received by
the whole prison."I recall no German in my uncle's version (though he was known to
intersperse Chinese dialogue into a ghost tale he'd be telling us.). For
the first time, it occurs to me that he may have just made up his song.  He
had been held in solitary confinement in China for near a year (1953/54),
and my family said he wrote "Carols" to keep himself sane. Maybe he took a
phrase fragment of some childhood song of his own and stretched it out on a
dark day.  Who knows?   I'll keep poking around for it.Thanks again & peace,Dan

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Subject: Re: Untraced 18th C. ballad
From: Murray Shoolbraid <[unmask]>
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Date:Mon, 24 Jan 2005 15:15:43 -0800
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Subject: Cheap CDs for UK and Europe.
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 19:54:51 -0500
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Hi-
As an importer, the plummeting value of the dollar has become a real
problem for CAMSCO Music--Overseas recordings have become prohibitively
expensive (for the US market.)The other side of this situation, of course, is that US recordings are
now a real bargain overseas. F'rinstance, CAMSCO can sell a Rounder CD
for 10.25 pounds (including shipping by air) for the first CD in an
order, with subsequent CDs on the same order going for 7.30 GBP.Other US labels seldom cost more than 11.29 GBP for the first CD and
8.80 GBP sor subsequent CDs.Contact me at:
[unmask]  (which seems to be working now)
or phone me at 203-531-3355(somebody should benefit by the current US economic non-policy)>
>

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Subject: Re: Untraced 18th C. ballad
From: Jonathan Lighter <[unmask]>
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Subject: Who said I'm not revolting ?
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 05:23:00 EST
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Subject: Re: Who said I'm not revolting ?
From: Heather Wood <[unmask]>
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Date:Tue, 25 Jan 2005 09:58:28 EST
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Subject: Re: Who said I'm not revolting ?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 08:06:14 -0800
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Fred:And here I thought the class system had been eradicated in Ol' Blighty.  (Though preserved in various precincts in the United States.)Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Tuesday, January 25, 2005 2:23 am
Subject: Who said I'm not revolting ?>
> Sorry folks, but I just gotta share this. I know I'm into the music
> of  the
> common 'erd and the lower orders and I haven't bathed for 6 months.
> But I
> never expected to receive a piece of spam quite so perfectly
> tailored to  my
> station in life as this one below. Fair makes me want to touch  my
> forelock, it
> does..
> Fred McCormick, (villein of this parish)
> Peasant day ,
> Sales i am Mrs Maria  Paula  a citizen of THE UNITED STATES OF AMERICA
> ...................
>

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Subject: Delta Hicks
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 09:48:48 -0800
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Does anyone have year of death for her?
Thanks,
Norm Cohen

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Subject: Re: Delta Hicks
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 15:12:16 -0600
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I believe it's 6 Nov. 1996Norm Cohen wrote:>Does anyone have year of death for her?
>Thanks,
>Norm Cohen
>
>
>

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Subject: Ebay List - 01/25/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 23:10:58 -0500
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Hi!        Hope that everyone is well and not buried in snow! Here is the
weekly list.        SONGSTERS        6506700782 - The Yellow Kid Hogan's Alley Songster, 1897, $49.99
(ends Jan-26-05 18:39:25 PST)        3953879542 - True Blue Republican Campaign Songs, 1892, $39.99
(ends Jan-27-05 18:20:23 PST)        6507217983 - Harrigan and Hart's little green leaf in our bible
songster, 1879, $5 (ends Jan-29-05 11:15:49 PST)        7129787470 - merchant's gargling oil Songster, 1884, $5 (ends
Jan-29-05 11:16:25 PST)        3954147278 - howe's great london combination Songster, 1874, $31
(ends Jan-29-05 11:18:39 PST)        3954147505 - frank a. robbins clowns dream and fate palmistry co.
songster, 1888, $26 (ends Jan-29-05 11:19:36 PST)        3954147829 - barnum and london circus songster, 1880?, $5 (ends
Jan-29-05 11:21:30 PST)        MISCELLANEOUS        4068817711 - The Broomfield Wager by Poacher, LP, 1975, 8.50 GBP
(ends Jan-26-05 05:09:53 PST)        4070239441 - Bawdy Blues, LP, test pressing, $9.99 (ends Feb-01-05
04:30:43 PST)        SONGBOOKS, ETC.        3777350984 - KERR'S BUCHAN BOTHY BALLADS, books 1 & 2, $4.99 (ends
Jan-27-05 06:22:22 PST)        3953789823 - Mountain and Western Ballads As Sung By Jim and Jane
and their Western Vagabonds, 1940?, $4 (ends Jan-27-05 10:15:11 PST)        4521596726 -  BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC [18th
Century] by Sonneck, 1945, $24.99 (ends Jan-27-05 18:39:33 PST)        7949387966 - THE COMMON MUSE-AN ANTHOLOGY OF POPULAR BRITISH BALLAD
POETRY 15th-20th CENTURY by de Sola Pinto & Rodway, 1957, 0.99 GBP (ends
Jan-28-05 10:08:40 PST)        7948907358 - A Book of British Ballads by Brimley Johnson, 1939,
4.99 GBP (ends Jan-29-05 03:14:23 PST)        4521209459 - Songs of The Fell Pack, 1971, 4.99 GBP (ends Jan-29-05
10:42:55 PST)        3777804244 - 3 Bradley Kincaid songbooks, 1929-193?, $4.49 (ends
Jan-29-05 11:10:08 PST)        4521962909 - Favourite Bush Ballads by Stewart & Keesing, 1977
edition, 0.01 GBP (ends Jan-29-05 11:21:55 PST)        4522045388 - Folk Ballads of English-Speaking World by Friedman,
1964, $3 (ends Jan-29-05 14:36:07 PST)        6944280675 - Peters Webb Music Book, 1849-1854, $15.50 (ends
Jan-29-05 18:30:42 PST)        6944286827 - Popular Songs of Ireland by Croker, 1886, $0.99 (ends
Jan-29-05 19:56:04 PST)        4522180912 - Folksongs & Folklore of South Uist by Shaw, 1977, $20
(ends Jan-30-05 07:50:26 PST)        6944385914 - Ancient & Modern Scottish Songs, Heroic Ballads by
Herd, volume 1, 1869, $10 (ends Jan-30-05 12:15:35 PST)        6943946909 - Negro Folk Songs as Sung by Lead Belly by Lomax, 1936,
$27 (ends Jan-30-05 13:10:08 PST)        4521515144 - Border Ballads by Tomson, 2.99 GBP (ends Jan-30-05
13:11:54 PST)        3954411274 - COUNTRY SONGS OF VERMONT by Flanders, 1937, $2.99
(ends Jan-30-05 16:18:33 PST)        3778135209 - Lonesome Tunes Folk Songs From The Kentucky Mountains
by Wyman, 1916, $1.95 (ends Jan-30-05 16:54:09 PST)        6944463836 - the nut -brown maid, 1.99 GBP (ends Jan-31-05 04:50:14
PST)        3778310869 - Ballads and songs of World War 1 by Silverman, 2.99
GBP (ends Jan-31-05 12:10:01 PST)        3778027333 - FOLK SONGS FROM SOMERSET by Sharp, 1906, 5.19 GBP
(ends Feb-02-05 10:52:46 PST)        6944510873 - The Oxford Nursery Rhyme Book by Opie, 1960, 4 GBP
(ends Feb-03-05 12:51:03 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: changing colors
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 22:30:05 -0700
Content-Type:text/plain
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From the latest e-Bay list --3953879542 - True Blue Republican Campaign Songs, 1892, $39.99Things change, don't they -- if there was such a book today, would it be "True Red Republican Campaign Songs"? And that would have sounded like a very strange thing not too many years ago! ;-)~ Becky Nankivell
Tucson, Arizona

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Subject: Re: Ebay List - 01/25/05
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 19:02:05 +1100
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I can assure you that we Australians are not buried in snow. It's
bloody hot down here! AND it's Australia Dat so BBQs reign supreme.
Warren FaheyOn 26/01/2005, at 3:10 PM, Dolores Nichols wrote:> Hi!
>
>         Hope that everyone is well and not buried in snow! Here is the
> weekly list.
>
>         SONGSTERS
>
>         6506700782 - The Yellow Kid Hogan's Alley Songster, 1897,
> $49.99
> (ends Jan-26-05 18:39:25 PST)
>
>         3953879542 - True Blue Republican Campaign Songs, 1892, $39.99
> (ends Jan-27-05 18:20:23 PST)
>
>         6507217983 - Harrigan and Hart's little green leaf in our bible
> songster, 1879, $5 (ends Jan-29-05 11:15:49 PST)
>
>         7129787470 - merchant's gargling oil Songster, 1884, $5 (ends
> Jan-29-05 11:16:25 PST)
>
>         3954147278 - howe's great london combination Songster, 1874,
> $31
> (ends Jan-29-05 11:18:39 PST)
>
>         3954147505 - frank a. robbins clowns dream and fate palmistry
> co.
> songster, 1888, $26 (ends Jan-29-05 11:19:36 PST)
>
>         3954147829 - barnum and london circus songster, 1880?, $5 (ends
> Jan-29-05 11:21:30 PST)
>
>         MISCELLANEOUS
>
>         4068817711 - The Broomfield Wager by Poacher, LP, 1975, 8.50
> GBP
> (ends Jan-26-05 05:09:53 PST)
>
>         4070239441 - Bawdy Blues, LP, test pressing, $9.99 (ends
> Feb-01-05
> 04:30:43 PST)
>
>         SONGBOOKS, ETC.
>
>         3777350984 - KERR'S BUCHAN BOTHY BALLADS, books 1 & 2, $4.99
> (ends
> Jan-27-05 06:22:22 PST)
>
>         3953789823 - Mountain and Western Ballads As Sung By Jim and
> Jane
> and their Western Vagabonds, 1940?, $4 (ends Jan-27-05 10:15:11 PST)
>
>         4521596726 -  BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC
> [18th
> Century] by Sonneck, 1945, $24.99 (ends Jan-27-05 18:39:33 PST)
>
>         7949387966 - THE COMMON MUSE-AN ANTHOLOGY OF POPULAR BRITISH
> BALLAD
> POETRY 15th-20th CENTURY by de Sola Pinto & Rodway, 1957, 0.99 GBP
> (ends
> Jan-28-05 10:08:40 PST)
>
>         7948907358 - A Book of British Ballads by Brimley Johnson,
> 1939,
> 4.99 GBP (ends Jan-29-05 03:14:23 PST)
>
>         4521209459 - Songs of The Fell Pack, 1971, 4.99 GBP (ends
> Jan-29-05
> 10:42:55 PST)
>
>         3777804244 - 3 Bradley Kincaid songbooks, 1929-193?, $4.49
> (ends
> Jan-29-05 11:10:08 PST)
>
>         4521962909 - Favourite Bush Ballads by Stewart & Keesing, 1977
> edition, 0.01 GBP (ends Jan-29-05 11:21:55 PST)
>
>         4522045388 - Folk Ballads of English-Speaking World by
> Friedman,
> 1964, $3 (ends Jan-29-05 14:36:07 PST)
>
>         6944280675 - Peters Webb Music Book, 1849-1854, $15.50 (ends
> Jan-29-05 18:30:42 PST)
>
>         6944286827 - Popular Songs of Ireland by Croker, 1886, $0.99
> (ends
> Jan-29-05 19:56:04 PST)
>
>         4522180912 - Folksongs & Folklore of South Uist by Shaw, 1977,
> $20
> (ends Jan-30-05 07:50:26 PST)
>
>         6944385914 - Ancient & Modern Scottish Songs, Heroic Ballads by
> Herd, volume 1, 1869, $10 (ends Jan-30-05 12:15:35 PST)
>
>         6943946909 - Negro Folk Songs as Sung by Lead Belly by Lomax,
> 1936,
> $27 (ends Jan-30-05 13:10:08 PST)
>
>         4521515144 - Border Ballads by Tomson, 2.99 GBP (ends Jan-30-05
> 13:11:54 PST)
>
>         3954411274 - COUNTRY SONGS OF VERMONT by Flanders, 1937, $2.99
> (ends Jan-30-05 16:18:33 PST)
>
>         3778135209 - Lonesome Tunes Folk Songs From The Kentucky
> Mountains
> by Wyman, 1916, $1.95 (ends Jan-30-05 16:54:09 PST)
>
>         6944463836 - the nut -brown maid, 1.99 GBP (ends Jan-31-05
> 04:50:14
> PST)
>
>         3778310869 - Ballads and songs of World War 1 by Silverman,
> 2.99
> GBP (ends Jan-31-05 12:10:01 PST)
>
>         3778027333 - FOLK SONGS FROM SOMERSET by Sharp, 1906, 5.19 GBP
> (ends Feb-02-05 10:52:46 PST)
>
>         6944510873 - The Oxford Nursery Rhyme Book by Opie, 1960, 4 GBP
> (ends Feb-03-05 12:51:03 PST)
>
>                                 Happy Bidding!
>                                 Dolores
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>         --- .sig? ----- .what?  Who me?
>

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Subject: Re: Who said I'm not revolting ?
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 05:37:31 EST
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Subject: Re: changing colors
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 09:09:39 -0500
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> And that would have sounded like a very strange thing not too many
> years ago!
Funny you should say that. Just today we found a Boston MBTA map of the
various subway lines and on it  is a picture of JFK and the followings:
IRONIC: THE GUY WHO FOUGHT COMMUNISM HAS A STOP ON THE RED LINE..GeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Jan 26, 2005, at 12:30 AM, Becky Nankivell wrote:>> From the latest e-Bay list --
>
> 3953879542 - True Blue Republican Campaign Songs, 1892, $39.99
>
> Things change, don't they -- if there was such a book today, would it
> be "True Red Republican Campaign Songs"? And that would have sounded
> like a very strange thing not too many years ago!
>
> ;-)
>
> ~ Becky Nankivell
> Tucson, Arizona

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Subject: Re: Who said I'm not revolting ?
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 11:25:44 -0500
Content-Type:text/plain
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Here's a modern transportation ballad inspired by a conversation between
George Borrow and a gypsy girl.THE WHALE'S PATHYou rambling lads of fortune, I'll have you to take warning
I bid some kind attention to these words from my hand
For if you are deceitful or snatch at what is needful
They'll send you by the whale's path to the foreign landIf you're disrespectful to the friends of law and order
Or if you cross a border to hunt for what is banned
Imperious gamekeepers, and proud land-owning judges
Will send you by the gull's bath to the foreign landThere you'll get no wages, and there you'll sleep in cages
And you'll receive hard knocks as you labour by command
And all your lamentations in that barbarious nation
Will never bring you home again from the foreign landSo plan your deeds with caution, take heed for who is watching
Keep your own wise counsel, and trust not any man
For any act or labour, if looked on with disfavour
Might send you by the whale's path to the foreign landEwan McVicar, 
84 High Street
Linlithgow, 
West Lothian
Scotland
EH49 7AQtel 01506 847935

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Subject: Re: Who said I'm not revolting ?
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 12:07:27 -0500
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Ewan:  Thanks for the song.  Have you ever wandered across the Irish
Archives' interactive transportation database?It's available here:http://www.nationalarchives.ie/topics/transportation/search01.html"seven long years for the stealing of a comb", etc.Regards,Dan

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Subject: Re: Who said I'm not revolting ?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 10:19:09 -0800
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Dan:
Okay, so I typed "ballad" into the search field and got this:The document reference in each entry below is the National Archives of Ireland reference to the original document in the archives. The microfilm reference number refers to the set of microfilms presented to Australia in 1988.
Record 1 of 1SURNAME: MORONEY                            OTHER NAMES: U
    AGE:   0                 SEX: F               ALIAS:PLACE OF TRIAL:                                   TRIAL DATE:
PLACE OF IMPRISONMENT: Carlow                    DOCUMENT DATE: 02/06/1831        CRIME DESCRIPTION: Singing during the elections
        SENTENCE:
        SHIP:PETITIONER: Thomas Moroney               RELATIONSHIP: HusbandDOCUMENT REFERENCES:  PPC 3595
MICROFILM REFERENCES:
COMMENTS:
Petitioner states his wife is a Ballad Singer.  Petitioning against her prosect-
ion.Apparently, one could get transported for singing (badly?) .  This unfortunate seems to have escaped  shipment to Australia's dark shores.Ed----- Original Message -----
From: Dan Cummins <[unmask]>
Date: Wednesday, January 26, 2005 9:07 am
Subject: Re: Who said I'm not revolting ?> Ewan:  Thanks for the song.  Have you ever wandered across the Irish
> Archives' interactive transportation database?
>
> It's available here:
>
> http://www.nationalarchives.ie/topics/transportation/search01.html
>
> "seven long years for the stealing of a comb", etc.
>
> Regards,
>
> Dan
>

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Subject: Re: Who said I'm not revolting ?
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 13:36:33 -0500
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Ed:Right you are...  I believe he's the bloke wut wrote "The Wild Rover":-)

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Subject: Re: Who said I'm not revolting ?
From: Jonathan Lighter <[unmask]>
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Date:Wed, 26 Jan 2005 10:39:26 -0800
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Subject: Re: Who said I'm not revolting ?
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 19:11:50 -0000
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----- Original Message -----
From: "Jonathan Lighter" <[unmask]>
To: <[unmask]>
Sent: 26 January 2005 18:39
Subject: Re: Who said I'm not revolting ?> Maybe she was singing about "Granuaile" or something.
>
> I mean, her voice couldn't have been that bad.
>
> Could it?
>
> JLThere's no mention of a sentence, so perhaps they just let her go. There's also a record of a
street-singer transported for 7 years (Denis Ring, 1827) but his conviction was for vagrancy.Malcolm Douglas

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Subject: Re: changing colors
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 14:51:49 -0500
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On Tue, Jan 25, 2005 at 10:30:05PM -0700, Becky Nankivell wrote:
> Date:         Tue, 25 Jan 2005 22:30:05 -0700
> From:         Becky Nankivell <[unmask]>
> Subject: changing colors
> To:           [unmask]
>
> From the latest e-Bay list --
>
> 3953879542 - True Blue Republican Campaign Songs, 1892, $39.99
>
> Things change, don't they -- if there was such a book today, would it be
> "True Red Republican Campaign Songs"? And that would have sounded like a
> very strange thing not too many years ago!
>
> ;-)For further irony, the Democratic songster for that same campaign was
entitled : Red Hot Democratic Campaign Songs                                DoloresP.S. It wasn't on the Ebay list because someone grabbed it with a Buy
Now.--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: changing colors
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 16:32:53 -0500
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Oh Hell--
It wasn't /that long /ago that the Solid South was Democratic. And
Vermont was solidly Republican.
dick greenhausDolores Nichols wrote:>On Tue, Jan 25, 2005 at 10:30:05PM -0700, Becky Nankivell wrote:
>
>
>>Date:         Tue, 25 Jan 2005 22:30:05 -0700
>>From:         Becky Nankivell <[unmask]>
>>Subject: changing colors
>>To:           [unmask]
>>
>>From the latest e-Bay list --
>>
>>3953879542 - True Blue Republican Campaign Songs, 1892, $39.99
>>
>>Things change, don't they -- if there was such a book today, would it be
>>"True Red Republican Campaign Songs"? And that would have sounded like a
>>very strange thing not too many years ago!
>>
>>;-)
>>
>>
>
>For further irony, the Democratic songster for that same campaign was
>entitled : Red Hot Democratic Campaign Songs
>
>                                Dolores
>
>P.S. It wasn't on the Ebay list because someone grabbed it with a Buy
>Now.
>
>--
>Dolores Nichols                 |
>D&D Data                        | Voice :       (703) 938-4564
>Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>
>
>
>
>
>

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Subject: Re: Delta Hicks
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 13:34:07 -0800
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Thanks, Clifford. I just found a tombstone photo.
Norm----- Original Message -----
From: "Clifford J OCHELTREE" <[unmask]>
To: <[unmask]>
Sent: Tuesday, January 25, 2005 1:12 PM
Subject: Re: Delta Hicks> I believe it's 6 Nov. 1996
>
> Norm Cohen wrote:
>
> >Does anyone have year of death for her?
> >Thanks,
> >Norm Cohen
> >
> >
> >
>

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Subject: Re: Who said I'm not revolting ?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 26 Jan 2005 16:06:31 -0800
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Malcolm:Very interesting.  I wonder just how many ballads and tunes that unfortunate took with him to Oz.Ed----- Original Message -----
From: Malcolm Douglas <[unmask]>
Date: Wednesday, January 26, 2005 11:11 am
Subject: Re: Who said I'm not revolting ?> ----- Original Message -----
> From: "Jonathan Lighter" <[unmask]>
> To: <[unmask]>
> Sent: 26 January 2005 18:39
> Subject: Re: Who said I'm not revolting ?
>
>
> > Maybe she was singing about "Granuaile" or something.
> >
> > I mean, her voice couldn't have been that bad.
> >
> > Could it?
> >
> > JL
>
>
> There's no mention of a sentence, so perhaps they just let her go.
> There's also a record of a
> street-singer transported for 7 years (Denis Ring, 1827) but his
> conviction was for vagrancy.
>
> Malcolm Douglas
>

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Subject: John Henry's grave
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 27 Jan 2005 14:12:20 -0500
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"they buried him in the sand"
             -many versions of "John Henry"buried him in a "cemetery" or "burying ground"
             -several versionstook John Henry up the mountain
             -one or two versionstook him on that "long white road"
             -one versionhe was, or they buried him, between two mountains
             -two versions"Every locomotive came rolling by / Says 'There lies a steel driving man.'"
              -many versions (something similar)Sand Ridge Cemetery, Shelby County, Alabama, is in "Back Holler,"
east of Dunnavant. Sand Ridge lies between Oak and Coosa Mountains,
parallel southwest-to-northeast running ridges. It is a distinct
ridge itself, sandy on top, that serves as the northeast boundary of,
a kind of "plug" for, Dunnavant Valley.A group of distinguished folks interested in Shelby County history
met my wife and I in Leeds and set out to look for John Henry's grave
there on Friday afternoon, 21Jan2005.In the beginning, at its west end, Sand Ridge Road is now paved, but
after a while the pavement stops and the road is both sandy and white. From Sand Ridge Cemetery, there is a clear view across a valley to
the old C & W RR line outside the east portal of Oak Mountain Tunnel.
An engineer could indeed look across to Sand Ridge and say, "There
lies a steel driving man."I had expected (!) to find a nice marble tombstone reading "John
Henry Dabney ... Here lies a steel driving man." I thought that
Captain Frederick Yeamans Dabney (in charge of construction of the C
& W in 1887-88) might have provided that for his old friend (John
Henry Dabney) who died so far from home. Sadly, I was disappointed.We did find what appears to be an unmarked grave *outside* the fence
bounding the cemetery. One reason for a grave adjacent to, but
outside of, a white cemetery is that it belongs to an African
American. Sand Ridge Cemetery is populated mostly with the Isbell and
Howard families, both white. The outside grave could be John Henry's.Glenn Nivens reminded us that some versions of "John Henry" state
that he was buried "with his hammer in his hand." Since he is
supposed to have been a famous steel driver in the community, that is
certainly a logical possibility. Perhaps it is customary for skilled
people to be buried with a tool.There was some talk about bringing ground-penetrating radar equipment
to the site to see what the contents of the "outside" grave look
like. That lies in the future, but it appears to be something that
can be arranged.Sand Ridge Cemetery remains a viable possibility for the site of John
Henry's grave.
--
john garst    [unmask]

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Subject: Steam drills at Dunnavant tunnels
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 27 Jan 2005 15:01:34 -0500
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Last weekend I was given a copy of part of an article, "Mountains of
Dunnavant isolate,...," from the Shelby County Reporter, Thursday,
October 21, 1982.  The first sentence is, "Dunnavant is defined by
the mountains."  Two of the mountains in question are the parallel,
southwest-to-northeast running ridges, Oak and Coosa Mountains,
through which the Columbus & Western RR put tunnels in 1887-88.
These are the mountains that may be referred to in versions of "John
Henry" that place him "'tween them mountains" or say "Let two
mountains be his grave stones."  "The 800-foot ridges of Sand
Mountain partially cork the valley some five miles northeast of the
hub near the St. Clair line...Mountains here, mountains there.  In
Dunnavant, mountains are nearly everywhere."  Actually, they are not
*in* Dunnavant, they define it by marking the boundaries of Dunnavant
Valley."A large drill bit, embedded for years in the rock floor of Oak
Tunnel, breeds the local legend that this is where the famous John
Henry met his death while racing a spiking machine.  True or not,
[82-year old Earl] Bowdoin swears that as a kid he saw the jutting
end of the bit before it finally disappeared."  A photograph of this
drill, sticking up in the rock outside the east portal of Oak Tunnel,
appeared in the Central of Georgia Magazine in 1930.According to L. W. "Lonnie" Adams, at 96 believed to be the oldest
man in Dunnavant in 1982, "My father used to cut timber for the steam
drills they used on those tunnels."This is the first indication I've found that steam drills were used
in the construction of Oak or Coosa Tunnel.News accounts from July, 1887, speak of a layer of very hard rock
being struck when the crew was about halfway through Coosa Tunnel,
slowing the work.  John Henry's race with a steam drill is supposed
to have been on Tuesday, September 20, 1887.  It is supposed to have
been arranged as a bet between a representative of a company selling
steam drills and Captain Frederick Yeamans Dabney, Chief Engineer and
detailed construction supervisor for the C & W.  When the
"contractor" (presumably Captain Dabney) told the steam drill
salesman "that he had a Negro who could be his damned old drill any
day" (quote from C. C. Spencer), "the company owning the drill
offered to put it in for nothing if this man could drill more rock
with the hammer than he could with his drill.  And, so the contractor
(Shea & Dabney) accepted the proposition."The timing certainly fits - hard rock struck in June or July, steam
drill being demonstrated in September - perhaps Captain Dabney was
exploring the use of steam drills to try to keep the project from
falling too far behind.  Steam drills or not, Coosa Tunnel was
scheduled to have been completed by about the end of 1887 but in fact
it was not completed until June, 1888.  Oak Tunnel had been completed
earlier, but I don't know just when.Anyhow, it is plausible that steam drills were introduced, or more
added, to the project after the hard rock was struck in the middle of
Coosa Tunnel.
--
john garst    [unmask]

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Subject: Re: Steam drills at Dunnavant tunnels
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 27 Jan 2005 14:10:45 -0800
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John:The evidence piles up.  Great work.Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Thursday, January 27, 2005 12:01 pm
Subject: Steam drills at Dunnavant tunnels> Last weekend I was given a copy of part of an article, "Mountains of
> Dunnavant isolate,...," from the Shelby County Reporter, Thursday,
> October 21, 1982.  The first sentence is, "Dunnavant is defined by
> the mountains."  Two of the mountains in question are the parallel,
> southwest-to-northeast running ridges, Oak and Coosa Mountains,
> through which the Columbus & Western RR put tunnels in 1887-88.
> These are the mountains that may be referred to in versions of "John
> Henry" that place him "'tween them mountains" or say "Let two
> mountains be his grave stones."  "The 800-foot ridges of Sand
> Mountain partially cork the valley some five miles northeast of the
> hub near the St. Clair line...Mountains here, mountains there.  In
> Dunnavant, mountains are nearly everywhere."  Actually, they are not
> *in* Dunnavant, they define it by marking the boundaries of Dunnavant
> Valley.
>
> "A large drill bit, embedded for years in the rock floor of Oak
> Tunnel, breeds the local legend that this is where the famous John
> Henry met his death while racing a spiking machine.  True or not,
> [82-year old Earl] Bowdoin swears that as a kid he saw the jutting
> end of the bit before it finally disappeared."  A photograph of this
> drill, sticking up in the rock outside the east portal of Oak Tunnel,
> appeared in the Central of Georgia Magazine in 1930.
>
> According to L. W. "Lonnie" Adams, at 96 believed to be the oldest
> man in Dunnavant in 1982, "My father used to cut timber for the steam
> drills they used on those tunnels."
>
> This is the first indication I've found that steam drills were used
> in the construction of Oak or Coosa Tunnel.
>
> News accounts from July, 1887, speak of a layer of very hard rock
> being struck when the crew was about halfway through Coosa Tunnel,
> slowing the work.  John Henry's race with a steam drill is supposed
> to have been on Tuesday, September 20, 1887.  It is supposed to have
> been arranged as a bet between a representative of a company selling
> steam drills and Captain Frederick Yeamans Dabney, Chief Engineer and
> detailed construction supervisor for the C & W.  When the
> "contractor" (presumably Captain Dabney) told the steam drill
> salesman "that he had a Negro who could be his damned old drill any
> day" (quote from C. C. Spencer), "the company owning the drill
> offered to put it in for nothing if this man could drill more rock
> with the hammer than he could with his drill.  And, so the contractor
> (Shea & Dabney) accepted the proposition."
>
> The timing certainly fits - hard rock struck in June or July, steam
> drill being demonstrated in September - perhaps Captain Dabney was
> exploring the use of steam drills to try to keep the project from
> falling too far behind.  Steam drills or not, Coosa Tunnel was
> scheduled to have been completed by about the end of 1887 but in fact
> it was not completed until June, 1888.  Oak Tunnel had been completed
> earlier, but I don't know just when.
>
> Anyhow, it is plausible that steam drills were introduced, or more
> added, to the project after the hard rock was struck in the middle of
> Coosa Tunnel.
> --
> john garst    [unmask]
>

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Subject: Re: Steam drills at Dunnavant tunnels
From: Jonathan Lighter <[unmask]>
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Date:Thu, 27 Jan 2005 14:52:54 -0800
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Subject: Re: Steam drills at Dunnavant tunnels
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 28 Jan 2005 15:49:31 -0500
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>Things are becoming even more interesting.  John, is there a single
>collected version of "John Henry" that seems to combine several of
>your elements, or two or three texts from Alabama, Georgia, or
>Mississippi that combine to give the picture you develop?
>
>If "between the mountains," "Cap'n Tommy," "buried him in the sand,"
>"took him to the white house" showed up in a cluster, the case would
>move from "conceivable" to "very likely." You see what I'm saying.
>
>JLThe version collected by J. J. Niles contains both the "man in
Chattanooga" and the "two mountains be his grave stones" lines.Rich Amerson has "'tween them mountains."The Blankenship broadside has John Henry's woman catching that "No. 4
train" to go "where John Henry fell dead."  In 1900 IC No. 4 ran
north from Crystal Springs, MS, the right start for a trip to
northern Alabama.  Crystal Springs was the home of Captain Dabney
and, apparently, John Henry Dabney.  Both C. C. Spencer and and
Alabama woman interviewed in 1955 say that both Captain Dabney and
John Henry were from Mississippi.  The Blankenship broadside also has
John Henry being buried in "that new burying ground."  We don't yet
know exactly when Sand Ridge Cemetery, Dunnavant, Alabama, was
established.Leon R. Harris has "John Henry's cap'n Tommy / V'ginny gave him
birth" - Captain Dabney was born in Virginia.  Harris also describes
Captain Tommy's bet on John Henry against a steam drill in terms
similar to those of C. C. Spencer.  "Dinnah's done when Lucy pulls
th' c'od" fits with Spencer's testimony that John Henry's wife
cooked.  "Sun shined hot an' burnin' / Wer'n't no breeze at-tall /
Sweat ran down like watah down a hill / That day John Henry let his
hammah fall" could easily be a mid-September day in Alabama (Sep 20,
according to Spencer).Onah L. Spencer includes "Some say he's from Alabam" (on the way to
claiming John Henry for "East Virginia" and Big Bend Tunnel).  Also,
"women in the West...flagged that east bound train" to go "where John
Henry dropped dead" - Mississippi, the Dabneys' home, is west of
Alabama.  "They took John Henry to the White House / And buried him
in the san' / And every locomotive come roarin' by / Says there lays
that steel driving man" - this verse combines "white," "san'," and
the idea that John Henry's burial site could be seen from the RR.Gid Tanner/Riley Puckett:  "Took John Henry to the white house /
Rolled him in the sand"Melvin T. Harrison: "Well, they took John Henry to the new burying
ground / And they covered him up in the sand"Miss Muriel Belton/her mother: "women in the West...caught the
east-bound train" to go "where John Henry fell dead."Uncle Dave Macon: "People out West...caught that East-bound train" to
go "where John Henry's dead."William G. Parmenter:  "I can make mo' money on the A. C. and L. /
Than I can on the Georgia Line" - Another version, collected by Peter
Brannon in Alabama, says that John Henry was on the "Central of
Georgia Rail Road."  Of course, these stand in contrast to the
multitude of versions with "Big Bend Tunnel on the C & O Road."  The
relationship of "C & W" to "C & O" raises a suspicion that the former
could have been the original.Welby Toomey: "They took John Henry to the white house / And laid him
in the sand"Chicago, IL: "John Henry hammered in the mountains / Way in the north
end of town" - This makes sense for Alabama if the "town" was
Dunnavant.  For West Virginia and Big Bend Tunnel, I don't think
there is a town for which this makes much sense.  Talcott and Hinton
are east and west, respectively, of the tunnel.Harvey Hicks: "John Henry died on a Tuesday" - C. C. Spencer said
September 20, which was a Tuesday in 1887.  "...east bound train"
again.  "They took John Henry to the white house / They put his
remains in the sand"J. L. McKnight: "John Henry's captain stepped on a rock / A piece of
slate was falling down" - There is slate in the Dunnavant vicinity, I
don't know about Big Bend.  "Took young Henry to the white house /
Rolled him in sand"Sallie Flannery" "The girls in the west / When they heard of John
Henry's death / They could not stay at home / 'I am going where John
Henry used to roam.'"W. S. Barnett: "They took poor Johnny to the steep hillside" - Sand
Ridge Cemetery is atop a steep hillside.Andy Anderson: "They took John Henry to the white house / and put him
in the sand"J. W. Washington: "John Henry was born in Mobile, Alabama" - I don't
believe this, but here, at least, is an Alabama connection.  "I can
make more money on the L. and N. / Than I can on the C & O" - if "C &
O" were really "C & W," this would make perfect sense, since the L &
N was active in Alabama in 1887.  I'm not sure whether or not the L &
N had a presence near Big Bend at the time (1871) the C & O was under
construction.  "They carried John Henry down the smoky road / And put
him on that long white road / When they brought that poor boy back to
town / He was lying on his cooling board" - "smoky" from gray slate?
- "white" from sand or limestone?C. J. Wallace: "They took John Henry to the white house / They rode
him in a van" !Tennessee Spears: "Monday morning on the east bound train / O Lord,
John Henry's dead"B. A. Hoover: "They took John Henry to the white house / And laid him
in the stand" !V. E. Gregory: "that Big Band Tunnel on the C & O Road"  This
suggests another little exercise in word mutation.  In Dunnavant, Oak
Mountain Tunnel is the "short" tunnel, Coosa Mountain Tunnel is the
"long" tunnel; Oak Mountain is the "little" mountain, Coosa Mountain
is the "big" mountain.  Oak Mountain gave no problem, evidently, in
boring, but the completion of Coosa Tunnel was delayed by about 6
months by a layer of very hard rock, slowing drilling.  Thus, Coosa
Tunnel could have been "that big, bad tunnel."  "big bad tunnel" ->
"big band tunnel" -> "Big Bend Tunnel"  This combines with "C & W" ->
"C & O" !Earl Miller: "people out west" caught that "east bound train" to go
"where John Henry's dead"This doesn't exactly answer your question, but it collects about
everything I know of in ballad texts that might be interpreting to
favor Alabama.  Some of the discrimination is pretty weak, but there
is a good bit of it.  This is to be added to written testimony of C.
C. Spencer (which is supported in many particulars by documentation),
F. P. Barker, and Glendora Cannon Cummings, which is partially
supported by Jamaican testimony about "Dabney."  In addition, to this
day people around Dunnavant, Alabama, will tell you that they've
always heard that John Henry died there.John--
john garst    [unmask]

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Subject: Boyne Water authorship continued (Zimmermann)
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 28 Jan 2005 18:20:47 -0500
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My recent obsession, which has no doubt bored most, has had to do with the
question:
    did Colonel Blacker write the "July the first, in Oldbridge town"
version of"The Battle of the Boyne"?
 Previous notes have looked at Sparling and Duffy, the latter writing in
1845 in _The Ballad Poetry of Ireland_ about the "July the first" version
says "the  date of the present song is unknown ... [but] its plainness,
vigour, and minute details, argue it to be of an early date."  My contention
has been that Colonel Blacker wrote a "Battle of the Boyne", quoted by
O'Conor in _Old Time Songs and Ballads of Ireland_, but not the one
beginning "July the first ..."
Zimmerman, in  _Songs of Irish Rebellion_, dates his text for "Freedom
Triumphant" to 1796, at which time Colonel Blacker would have been 19 years
old.  He makes the argument that the first four lines of that text are
"borrowed from the famous Orange ballad 'The Battle of the Boyne.'"  The
lines of "Freedom Triumphant" in question are
    The fourteenth of July, in Paris town,
    There was a glorious battle,
    Where many a tyrant lay on the ground
    By cannons that did rattle
"borrowed from"
    July the first, in Oldbridge town,
    There was a grievous battle,
    Where many a man lay on the ground,
    By cannons that did rattle.
If Zimmermann's date holds up it seems unlikely that 19-year old Blacker
shall have written a ballad well enough known to have been the source.Ben Schwartz

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Subject: Re: Steam drills at Dunnavant tunnels
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 29 Jan 2005 08:56:34 -0800
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Subject: Re: Steam drills at Dunnavant tunnels
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 29 Jan 2005 22:40:21 -0800
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Good People:I am struck  by Jonathan's effort to adapt the the so-called scientific method to the humanities, that is, to REPLICATE
Garst's study/hypothesis re: the locale of "John Henry."First of all, there are no new facts other than those Garst has put forward over the last months.  Does replication require a new set of facts?  Or merely re-proving Garst's argument?I would remind the readers/members of ballad -l that  ours is a humanity.  It does not nicely conform to the rules of replication and/or repetition we know from the so-called "hard" sciences.   All we can do, as ballad scholars, is put forth the preponderance  of evidence.  And John has unearthed a helluva lot more than has anyone else on the quintessential American ballad "John Henry."Ed
----- Original Message -----
From: Jonathan Lighter <[unmask]>
Date: Saturday, January 29, 2005 8:56 am
Subject: Re: Steam drills at Dunnavant tunnels> Thank you so much, John.  Odds are - again a priori - that many or
> most of these are coincidental, but taken as a whole they surely
> demand further attention. Your textual experiment begs for
> replication, in this case a meticulous revisitation by another
> "John Henry" scholar with no ax to grind. I'm much impressed by
> your diligence and results.
>
> Jon
>
> John Garst <[unmask]> wrote:
> >Things are becoming even more interesting. John, is there a single
> >collected version of "John Henry" that seems to combine several of
> >your elements, or two or three texts from Alabama, Georgia, or
> >Mississippi that combine to give the picture you develop?
> >
> >If "between the mountains," "Cap'n Tommy," "buried him in the sand,"
> >"took him to the white house" showed up in a cluster, the case would
> >move from "conceivable" to "very likely." You see what I'm saying.
> >
> >JL
>
> The version collected by J. J. Niles contains both the "man in
> Chattanooga" and the "two mountains be his grave stones" lines.
>
> Rich Amerson has "'tween them mountains."
>
> The Blankenship broadside has John Henry's woman catching that "No. 4
> train" to go "where John Henry fell dead." In 1900 IC No. 4 ran
> north from Crystal Springs, MS, the right start for a trip to
> northern Alabama. Crystal Springs was the home of Captain Dabney
> and, apparently, John Henry Dabney. Both C. C. Spencer and and
> Alabama woman interviewed in 1955 say that both Captain Dabney and
> John Henry were from Mississippi. The Blankenship broadside also has
> John Henry being buried in "that new burying ground." We don't yet
> know exactly when Sand Ridge Cemetery, Dunnavant, Alabama, was
> established.
>
> Leon R. Harris has "John Henry's cap'n Tommy / V'ginny gave him
> birth" - Captain Dabney was born in Virginia. Harris also describes
> Captain Tommy's bet on John Henry against a steam drill in terms
> similar to those of C. C. Spencer. "Dinnah's done when Lucy pulls
> th' c'od" fits with Spencer's testimony that John Henry's wife
> cooked. "Sun shined hot an' burnin' / Wer'n't no breeze at-tall /
> Sweat ran down like watah down a hill / That day John Henry let his
> hammah fall" could easily be a mid-September day in Alabama (Sep 20,
> according to Spencer).
>
> Onah L. Spencer includes "Some say he's from Alabam" (on the way to
> claiming John Henry for "East Virginia" and Big Bend Tunnel). Also,
> "women in the West...flagged that east bound train" to go "where John
> Henry dropped dead" - Mississippi, the Dabneys' home, is west of
> Alabama. "They took John Henry to the White House / And buried him
> in the san' / And every locomotive come roarin' by / Says there lays
> that steel driving man" - this verse combines "white," "san'," and
> the idea that John Henry's burial site could be seen from the RR.
>
> Gid Tanner/Riley Puckett: "Took John Henry to the white house /
> Rolled him in the sand"
>
> Melvin T. Harrison: "Well, they took John Henry to the new burying
> ground / And they covered him up in the sand"
>
> Miss Muriel Belton/her mother: "women in the West...caught the
> east-bound train" to go "where John Henry fell dead."
>
> Uncle Dave Macon: "People out West...caught that East-bound train" to
> go "where John Henry's dead."
>
> William G. Parmenter: "I can make mo' money on the A. C. and L. /
> Than I can on the Georgia Line" - Another version, collected by Peter
> Brannon in Alabama, says that John Henry was on the "Central of
> Georgia Rail Road." Of course, these stand in contrast to the
> multitude of versions with "Big Bend Tunnel on the C & O Road." The
> relationship of "C & W" to "C & O" raises a suspicion that the former
> could have been the original.
>
> Welby Toomey: "They took John Henry to the white house / And laid him
> in the sand"
>
> Chicago, IL: "John Henry hammered in the mountains / Way in the north
> end of town" - This makes sense for Alabama if the "town" was
> Dunnavant. For West Virginia and Big Bend Tunnel, I don't think
> there is a town for which this makes much sense. Talcott and Hinton
> are east and west, respectively, of the tunnel.
>
> Harvey Hicks: "John Henry died on a Tuesday" - C. C. Spencer said
> September 20, which was a Tuesday in 1887. "...east bound train"
> again. "They took John Henry to the white house / They put his
> remains in the sand"
>
> J. L. McKnight: "John Henry's captain stepped on a rock / A piece of
> slate was falling down" - There is slate in the Dunnavant vicinity, I
> don't know about Big Bend. "Took young Henry to the white house /
> Rolled him in sand"
>
> Sallie Flannery" "The girls in the west / When they heard of John
> Henry's death / They could not stay at home / 'I am going where John
> Henry used to roam.'"
>
> W. S. Barnett: "They took poor Johnny to the steep hillside" - Sand
> Ridge Cemetery is atop a steep hillside.
>
> Andy Anderson: "They took John Henry to the white house / and put him
> in the sand"
>
> J. W. Washington: "John Henry was born in Mobile, Alabama" - I don't
> believe this, but here, at least, is an Alabama connection. "I can
> make more money on the L. and N. / Than I can on the C & O" - if "C &
> O" were really "C & W," this would make perfect sense, since the L &
> N was active in Alabama in 1887. I'm not sure whether or not the L &
> N had a presence near Big Bend at the time (1871) the C & O was under
> construction. "They carried John Henry down the smoky road / And put
> him on that long white road / When they brought that poor boy back to
> town / He was lying on his cooling board" - "smoky" from gray slate?
> - "white" from sand or limestone?
>
> C. J. Wallace: "They took John Henry to the white house / They rode
> him in a van" !
>
> Tennessee Spears: "Monday morning on the east bound train / O Lord,
> John Henry's dead"
>
> B. A. Hoover: "They took John Henry to the white house / And laid him
> in the stand" !
>
> V. E. Gregory: "that Big Band Tunnel on the C & O Road" This
> suggests another little exercise in word mutation. In Dunnavant, Oak
> Mountain Tunnel is the "short" tunnel, Coosa Mountain Tunnel is the
> "long" tunnel; Oak Mountain is the "little" mountain, Coosa Mountain
> is the "big" mountain. Oak Mountain gave no problem, evidently, in
> boring, but the completion of Coosa Tunnel was delayed by about 6
> months by a layer of very hard rock, slowing drilling. Thus, Coosa
> Tunnel could have been "that big, bad tunnel." "big bad tunnel" ->
> "big band tunnel" -> "Big Bend Tunnel" This combines with "C & W" ->
> "C & O" !
>
> Earl Miller: "people out west" caught that "east bound train" to go
> "where John Henry's dead"
>
> This doesn't exactly answer your question, but it collects about
> everything I know of in ballad texts that might be interpreting to
> favor Alabama. Some of the discrimination is pretty weak, but there
> is a good bit of it. This is to be added to written testimony of C.
> C. Spencer (which is supported in many particulars by documentation),
> F. P. Barker, and Glendora Cannon Cummings, which is partially
> supported by Jamaican testimony about "Dabney." In addition, to this
> day people around Dunnavant, Alabama, will tell you that they've
> always heard that John Henry died there.
>
> John
>
>
>
>
>
>
>
>
>
>
>
>
> --
> john garst [unmask]
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

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Subject: Re: Steam drills at Dunnavant tunnels
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 30 Jan 2005 10:33:42 -0500
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>All we can do, as ballad scholars, is put forth the preponderance
>of evidence.  And John has unearthed a helluva lot more than has
>anyone else on the quintessential American ballad "John Henry."
>
>EdThanks, Ed.  We're still working on it.  I'm encouraged by having
scared up a bunch of people in Shelby County, Alabama, who seem to be
really interested and willing to lend their various kinds of
expertise to the project.John

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Subject: Re: Steam drills at Dunnavant tunnels
From: Jonathan Lighter <[unmask]>
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Date:Sun, 30 Jan 2005 11:23:10 -0800
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Subject: Australian Field Recordings:
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 30 Jan 2005 16:15:02 -0500
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A long time ago (and probably in another galaxy) several list members
asked me to obrain a 2-CD set  of field recordings fro, Australia called
"Sharing the Harvest."  When I ordered them, they were unavailable.Some finally arrived. If you want a set, please E-mail me at
[unmask] or call me at (800) 548-FOLK (3655)They sound good.dick greenhaus

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Subject: Ebay List - 01/30/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 30 Jan 2005 23:01:34 -0500
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Hi!        While praying for spring to come soon, I found the following on
Ebay:  :-0        SONGSTERS        6944647545 - LOOKOUT MOUNTAIN NO. ONE SONGSTER, 1890, $7.95 (ends
Feb-01-05 18:58:04 PST)        7130800246 - Merchant's Gargling Oil Songster, $6.95 (ends
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14:03:51 PST)        MISCELLANEOUS        6149177838 - Broadside, THE BUSTY SEAM; or , RISE OF COLLIERY DYKES,
1854, $24.95 (ends Feb-01-05 17:30:00 PST)        4070488436 - Bob Hart.Songs from Suffolk, LP, 1973, 3.99 GBP (ends
Feb-02-05 00:31:13 PST)        4071428504 - Granny Riddle's Songs and Ballads, LP, 1977, $7.99
(ends Feb-05-05 18:09:10 PST)        SONGBOOKS, ETC.        3778724015 - Folk Songs from Sussex by Butterworth, 4.20 GBP (ends
Jan-31-05 11:04:13 PST)        6944540540 - ENGLISH SONGS,WITH THEIR ORIGINAL AIRS by Ritson, 3
volumes, 1813 edition, $114.50 (ends Jan-31-05 19:00:54 PST)        3778555765 - Folk Songs of Trinidad and Tobego by Walke, 1.50 GBP
(ends Feb-01-05 14:08:49 PST)        4522852992 - Songs and Ballads from Nova Scotia by Creighton, 1966
Dover edition, $9.99 (ends Feb-01-05 20:11:22 PST)        4522899326 - What Do You Feed Your Donkey On? Rhymes from a Belfast
Childhood by O'Hare, 1978, 1.50 GBP (ends Feb-02-05 06:05:52 PST)        4522934309 - English Folk-Song and Dance by Williams, 1935, $5 (ends
Feb-02-05 09:31:39 PST)        4523030835 - Texas Folk Songs by Owens, 1950, $19.99 (ends
Feb-02-05 18:45:00 PST)        6944586838 - Traditional Ballad Air by Christie, 2 volumes, 1876 &
1881, 10.50 GBP w/reserve (ends Feb-04-05 09:23:06 PST)        3779168997 - Bayou Ballads: Twelve Folk Songs from Louisiana by
Monroe, 1921, $19.99 (ends Feb-04-05 09:58:14 PST)        6944972245 - Minstrels of the Mine Patch by Korson, 1938, $12.99
(ends Feb-04-05 16:08:07 PST)        3779475722 - NEiGHBORS of YESTERDAY by Foster, 1963 edition, $11.50
(ends Feb-05-05 20:56:36 PST)        6944773311 - THE IRISH ROVER, A BALLAD MISCELLANY, 1966, 0.99 GBP
(ends Feb-06-05 01:21:47 PST)        6944773452 - IN DUBLINS FAIR CITY, IRISH BALLADS, 1968, 0.99 GBP
(ends Feb-06-05 01:25:42 PST)        6944773607 - DOWN BY THE GLEN SIDE Songs and Ballads, 1966, 0.99
GBP (ends Feb-06-05 01:30:09 PST)        3778934954 - Personal Choice of Scottish Folksongs and Ballads by
MacColl, 1963, 10.51 GBP (ends Feb-06-05 10:01:05 PST)        6944824404 - FOLK-SONGS OF AMERICA by Gordon, 1938, $39.99 (ends
Feb-06-05 10:19:27 PST)        4523925391 - Norwegian Emigrant Songs and Ballads by Blegen & Ruud,
1979 reprint, $9.99 (ends Feb-06-05 11:17:38 PST)        6945212871 - Ballads & Sea Songs of Newfoundland by Greenleaf,
1968, $20 (ends Feb-06-05 12:47:26 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: For Ewan MacVicar
From: Debra Cowan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 31 Jan 2005 10:59:07 -0500
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I apologise for the post to the list...Ewan, please email me as I do not have a current email address for you.Thank you,Debra
--******************************
Debra Cowan - Singer
website: http://www.DebraCowan.com
USA BOOKINGS: (508) 662-9746,
SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
http://www.fallingmountain.com
******************************

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Subject: Re: Steam drills at Dunnavant tunnels
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 31 Jan 2005 15:28:43 -0500
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>But there's more knowledge to be gained. We should try to gain it,
>and it is no criticism of John's work to say that a careful
>review of all of it by yet another brain would be desirable.
>
>And don't worry, it won't be mine. I am fully occupied elsewhere.
>
>JLI say, "The more the merrier!"John

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Subject: Re: Steam drills at Dunnavant tunnels
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 31 Jan 2005 15:31:32 -0500
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>>But there's more knowledge to be gained. We should try to gain it,
>>and it is no criticism of John's work to say that a careful
>>review of all of it by yet another brain would be desirable.
>>
>>And don't worry, it won't be mine. I am fully occupied elsewhere.
>>
>>JL
>
>I say, "The more the merrier!"And, as far as I can tell, I haven't convinced any die-hard WV
advocates of the "error" of their ways!John

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Subject: Re: Steam drills at Dunnavant tunnels
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 31 Jan 2005 16:26:18 -0600
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At 02:31 PM 1/31/2005, you wrote:>And, as far as I can tell, I haven't convinced any die-hard WV
>advocates of the "error" of their ways!
>
>
>JohnYou can count me as a partial convert. I did the article on John Henry for
the new blues encyclopedia coming from Routledge, and I did it a year or
two ago, without mention of your research. But recently, I sent them a
revised version that mentions your conclusions prominently. It takes a
while for ideas to penetrate the thick skull!Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com

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Subject: Re: Steam drills at Dunnavant tunnels
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 31 Jan 2005 16:23:30 -0800
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Subject: Re: Australian Field Recordings:
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Feb 2005 05:55:54 +0100
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Dear Dick,I'd be intersted in a) the price but b) mostly how easy it is to
distinguisah WHAT is being sung, as I would be partially obtaining them
for use at university with non-native (if advanced) students.Andydick greenhaus wrote:
>
> A long time ago (and probably in another galaxy) several list members
> asked me to obrain a 2-CD set  of field recordings fro, Australia called
> "Sharing the Harvest."  When I ordered them, they were unavailable.
>
> Some finally arrived. If you want a set, please E-mail me at
> [unmask] or call me at (800) 548-FOLK (3655)
>
> They sound good.
>
> dick greenhaus

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Subject: BBC's Country Music Night
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 05:49:51 EST
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Subject: Re: Farewell to Judges and Juries
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 14:54:06 +0100
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Dear All,Let the owner of copy 94 endorse everything that the owner of copy 76
has put down below. This is a splendid book. My only problem has been
getting a second copy for the university, because being a small
publisher, Red Rooster doesn't belong to the usual wholesalers' choice.
I even tried the Australian Embassy at Budapest without success. Still,
got my own copy, and there's always the xerox for individual pages.
BTW, for teaching it's a beautiful companion to Peter Bellamy's "The
Transports", as there are historic allusions to Cabell.Andyedward cray wrote:
>
> Folks:
>
> I would like to commend to the subscribers of this list Hugh Anderson's _Farewell to Judges and Juries, a sweeping,  comprehensive history of convict transportation to Australia as recounted through broadside ballads, documents of the eighty-year period from 1788 to 1868, and the historical research of Anderson and his wife Dawn.  This is surely the largest collection of "convict" ballads, but equally important the most authoritative in placing the broadsides in the society and culture which spawned them.
>
> The Andersons have been at this business for years.  (They own Red Rooster Press, which published this volume in 2000.)   They write with quiet authority and ample documentation, then illustrate their text with contemporary prints and reproductions of the original broadsides -- not to mention recovered melodies to the ballads.  The result is compelling, often gripping social history.
>
> For all that, I am not sure that the book is well known beyond Oz.  Memory serving, Anderson told me Red Rooster printed just 300 numbered texts.  (Mine is number 76.)  In an email earlier this month, he estimated  the  press had "about 100 copies left and no likelihood of it being reprinted."
>
> In that message he offered copies for sale to members of this list at a discounted price of $60 U.S.  Packing and air/economy postage adds $18 to the cost.  Red Rooster's address is P.O. Box 2129, Hotham HIll, Victoria 3051, Australia.  The email address is [unmask]
>
> Needless to say, I believe the book well worth the money.
>
> Ed Cray

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Subject: Re: The Cuckoo
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 10:49:03 EST
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Subject: Re: Contacting CAMSCO
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 11:37:05 -0500
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DickWhat is the cost of the  two items?
Happy New YearGeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Dec 31, 2004, at 8:31 PM, dick greenhaus wrote:> Hi-
> Yep. I have it in stock. I also have Folktrax's Lucy Stewart
> recording, done several years before Kenny Goldstien recorded her.
>
> dick
>>
>> From: George Madaus <[unmask]>
>> Date: 2004/12/31 Fri PM 06:35:11 CST
>> To: [unmask]
>> Subject: Re: Contacting CAMSCO
>>
>> Dick
>>
>> can you get the Elizabeth Stewart - EICD002 - a two CD collection
>> issued by the Elphinstone Institute of Aberdeen University that Fred
>> McCormick described?
>>
>> George
>>
>> can you get
>> George F Madaus
>> Professor Emeritus
>> Boston College
>> On Dec 31, 2004, at 6:13 PM, dick greenhaus wrote:
>>
>>> For some strange electronic reason, all E-mail sent to
>>> [unmask]
>>> is failing to arrive. If anyone needs to reach me, this address seems
>>> to work <[unmask]>, though I'm the first to agree that it
>>> lacks brand recognition. I have sufficient orders in to warrant my
>>> placing an order   with EFDSS for "Dear Companion"; if anyone else
>>> wants a copy, please let me know soonest.
>>>
>>> Happy New Year, y'all.
>>>
>>> dick greenhaus
>>

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Subject: Correction
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 08:56:27 -0800
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Ballad folk:I should correct a typo in the address given for Red Rooster Press: I wrote: "Red Rooster's address is P.O. Box 2129, Hotham HIll, Victoria 3051, Australia.  The email address is [unmask]"Due to failing wit, I did not spot that "HILL" should read "Hill."Ed
>

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Subject: Re: The Cuckoo
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 08:58:44 -0800
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John:Thanks for the backdate.  I should have checked further but relied only on Sharp-Karpeles II for my dating.Good catch.Ed----- Original Message -----
From: [unmask]
Date: Saturday, January 1, 2005 7:49 am
Subject: Re: The Cuckoo> In a message dated 12/31/2004 11:25:51 PM GMT Standard Time,
> [unmask]:
>
> > Folks:
> >
> > Serendipity.  While rearranging some books in my office, I opened
> a Books on
> > Demand reprint of Michael Denham's _Collection of Proverbs and
> Popular> Sayings_ (Percy Society, 1848).  A footnote on page 38
> offers this "local rhyme":
> >
> > The cuckoo's a bonny bird,
> > He whistles as he flies;
> > He brings us good tidings,
> > He tell us no lies.
> > He sucks little birds' eggs,
> > To make his voice clear;
> > And he never sings cuckoo,
> > Till the spring time of year.
> >
> > While no tune is given, this puts the earliest date for that
> rhyme back
> > about forty years so far as I can estimate.
> >
>
> It's more than fifty years older than that and probably even more  -
> The
> Oxford Dictionary of Nursery Rhymes (Iona and Peter Opie) page 139
> cites The
> Gentleman's Magazine in 1796 where these lines are quoted slightly
> differently from
> the recollection of a gentleman who remembered seeing them in a
> book called
> Songs for Children. The Opies were unable to trace such a book but
> the 1796
> date stands.
>
> John Moulden
>

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Subject: Re: The Cuckoo
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 21:41:37 +0000
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The Opies' second edition of their Dictionary of Nursery Rhymes (1997) pp.162-4 takes it back a bit further. They print a song called the FORSAKEN LOVER, from the Merry Gentleman's Companion (c.1780) which includes the Cuckoo verses, and also the familiar
'A-walking and talking..', 'Meeting is a pleasure..', 'The grave it will rot me..' verses.
Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     [unmask]
To:       [unmask]
Subject:  Re: The Cuckoo> In a message dated 12/31/2004 11:25:51 PM GMT Standard Time, [unmask]
> writes:
>
> > Folks:
> >
> > Serendipity. While rearranging some books in my office, I opened a Books on
> > Demand reprint of Michael Denham's _Collection of Proverbs and Popular
> > Sayings_ (Percy Society, 1848). A footnote on page 38 offers this "local rhyme":
> >
> > The cuckoo's a bonny bird,
> > He whistles as he flies;
> > He brings us good tidings,
> > He tell us no lies.
> > He sucks little birds' eggs,
> > To make his voice clear;
> > And he never sings cuckoo,
> > Till the spring time of year.
> >
> > While no tune is given, this puts the earliest date for that rhyme back
> > about forty years so far as I can estimate.
> >
>
> It's more than fifty years older than that and probably even more - The
> Oxford Dictionary of Nursery Rhymes (Iona and Peter Opie) page 139 cites The
> Gentleman's Magazine in 1796 where these lines are quoted slightly differently from
> the recollection of a gentleman who remembered seeing them in a book called
> Songs for Children. The Opies were unable to trace such a book but the 1796
> date stands.
>
> John MouldenSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: The Cuckoo
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Subject: Re: Contacting CAMSCO
From: Anne Dhu McLucas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 1 Jan 2005 16:26:03 -0800
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Dear Dick--I'd love to get a copy of that Lucy Stewart recording, as well as
the one by Kenny Godstein if you have it. I can send you my credit
card info again, if you need it.  How much would the two
recordings be?  Are they both CDs?Anne Dhu McLucas-------------------
> Hi-
> Yep. I have it in stock. I also have Folktrax's Lucy Stewart
recording, done several years before Kenny Goldstien recorded her.
>
> dick
> >
> > From: George Madaus <[unmask]>
> > Date: 2004/12/31 Fri PM 06:35:11 CST
> > To: [unmask]
> > Subject: Re: Contacting CAMSCO
> >
> > Dick
> >
> > can you get the Elizabeth Stewart - EICD002 - a two CD
collection
> > issued by the Elphinstone Institute of Aberdeen University
that Fred
> > McCormick described?
> >
> > George
> >
> > can you get
> > George F Madaus
> > Professor Emeritus
> > Boston College
> > On Dec 31, 2004, at 6:13 PM, dick greenhaus wrote:
> >
> > > For some strange electronic reason, all E-mail sent to
[unmask]
> > > is failing to arrive. If anyone needs to reach me, this
address seems
> > > to work <[unmask]>, though I'm the first to
agree that it
> > > lacks brand recognition. I have sufficient orders in to
warrant my
> > > placing an order   with EFDSS for "Dear Companion"; if
anyone else
> > > wants a copy, please let me know soonest.
> > >
> > > Happy New Year, y'all.
> > >
> > > dick greenhaus
> >
>
Anne Dhu McLucas, Ph.D.
Professor of Music
University of Oregon

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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 07:51:44 -0500
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Happy New Year, Steve, Ed, John, Norm, Dave, Heather et al.While we're on 'The Cuckoo' the 'Meeting is a Pleasure' stanza starts off
an almost obliterated ballad in the Bodleian website, ref. Douce Ballads 2
(261b), 'The Young Man's Lamentation' tune 'Over Hills and High Mountains'
printed by Brooksby etc c1683-96. I've managed to decipher about half of it
and can put what I've got on the list, BUT does anyone know of another
copy ? Failing that, would anyone like to have a go at deciphering any
further. I'm getting quite good at deciphering badly printed black letter
but a second or third opinion is always useful.
SteveG

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Subject: LIFE & TIMES London 19th February
From: [unmask]
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Date:Sun, 2 Jan 2005 20:40:58 +0000
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?LIFE & TIMES?Saturday 19th February 2005  10am-5pm
at Cecil Sharp House, 2 Regents Park Road, London NW1 2AYA chance to hear four people who have made significant contributions to the documenting of traditional culture in Britain and Ireland talking about their life and work. The day will include contributions from:Tony Engle, long-time boss of Topic Records; Tom Munnelly, veteran folklore collector from Dublin; Keith Chandler, researcher and writer on traditional music and dance; plus one other victim still to be confirmed.Jointly organised by the Traditional Song Forum and the Vaughan Williams Memorial Library. Open to all, no booking necessary ? a contribution of ?6 per head will be charged to help cover expenses. We hope also to have a second-hand book sale on the day.In the afternoon, we will also be attending the:Fred Jordan Memorial Unveiling at Cecil Sharp House
The "Remembering Fred" event at Cecil Sharp House 22nd November 2003, celebrated the life of Shropshire singer Fred Jordan (1922-2002). Proceeds and donations for a fitting memorial to Fred were used to commission Forest of Dean sculptor John Wakefield to make a relief sculpture - Fred was fond of the grain of wood, as he was of horses, horse brasses and old songs. The sculpture will be officially unveiled in the Foyer of Cecil Sharp House at 3pm.For  LIFE & TIMES, contact Steve Roud ? [unmask] or 01825 766751.
For the Fred Jordan Memorial, contact: Peta Webb, Assistant Librarian: [unmask] Tel +44 (0)20 7485 2206 Ext 21   Fax +44 (0)20 7284 0534Signup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: The Cuckoo
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 13:25:06 -0800
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Steve:Post what you have deciphered.  I will fake the rest.Ed----- Original Message -----
From: Steve Gardham <[unmask]>
Date: Sunday, January 2, 2005 4:51 am
Subject: Re: The Cuckoo> Happy New Year, Steve, Ed, John, Norm, Dave, Heather et al.
>
> While we're on 'The Cuckoo' the 'Meeting is a Pleasure' stanza
> starts off
> an almost obliterated ballad in the Bodleian website, ref. Douce
> Ballads 2
> (261b), 'The Young Man's Lamentation' tune 'Over Hills and High
> Mountains'printed by Brooksby etc c1683-96. I've managed to
> decipher about half of it
> and can put what I've got on the list, BUT does anyone know of another
> copy ? Failing that, would anyone like to have a go at deciphering any
> further. I'm getting quite good at deciphering badly printed black
> letterbut a second or third opinion is always useful.
> SteveG
>

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Subject: Re: The Cuckoo
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Subject: Re: Contacting CAMSCO
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 17:55:09 -0500
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As far as  I can tell, Goldstein's recordings are abailable only as a
custom CD from Smiyjsonian-Folkways. I /could /get it for you, but S-F
doesn't give me any discounts on their custom CDs, and I'd have to
charge more than you'd pay if you ordered it directly from S-F. The one
I have is a CD.dickAnne Dhu McLucas wrote:>Dear Dick--
>
>I'd love to get a copy of that Lucy Stewart recording, as well as
>the one by Kenny Godstein if you have it. I can send you my credit
>card info again, if you need it.  How much would the two
>recordings be?  Are they both CDs?
>
>Anne Dhu McLucas
>
>-------------------
>
>
>>Hi-
>>Yep. I have it in stock. I also have Folktrax's Lucy Stewart
>>
>>
>recording, done several years before Kenny Goldstien recorded her.
>
>
>>dick
>>
>>
>>>From: George Madaus <[unmask]>
>>>Date: 2004/12/31 Fri PM 06:35:11 CST
>>>To: [unmask]
>>>Subject: Re: Contacting CAMSCO
>>>
>>>Dick
>>>
>>>can you get the Elizabeth Stewart - EICD002 - a two CD
>>>
>>>
>collection
>
>
>>>issued by the Elphinstone Institute of Aberdeen University
>>>
>>>
>that Fred
>
>
>>>McCormick described?
>>>
>>>George
>>>
>>>can you get
>>>George F Madaus
>>>Professor Emeritus
>>>Boston College
>>>On Dec 31, 2004, at 6:13 PM, dick greenhaus wrote:
>>>
>>>
>>>
>>>>For some strange electronic reason, all E-mail sent to
>>>>
>>>>
>[unmask]
>
>
>>>>is failing to arrive. If anyone needs to reach me, this
>>>>
>>>>
>address seems
>
>
>>>>to work <[unmask]>, though I'm the first to
>>>>
>>>>
>agree that it
>
>
>>>>lacks brand recognition. I have sufficient orders in to
>>>>
>>>>
>warrant my
>
>
>>>>placing an order   with EFDSS for "Dear Companion"; if
>>>>
>>>>
>anyone else
>
>
>>>>wants a copy, please let me know soonest.
>>>>
>>>>Happy New Year, y'all.
>>>>
>>>>dick greenhaus
>>>>
>>>>
>Anne Dhu McLucas, Ph.D.
>Professor of Music
>University of Oregon
>
>
>
>

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Subject: AFS conference 2002 program book
From: Heather Wood <[unmask]>
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Date:Sun, 2 Jan 2005 19:36:11 EST
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Subject: Re: Contacting CAMSCO
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 21:57:17 -0400
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If you can be patient, the Smithsonian Global Sound site will be up
soonish. I'm Beta testing it now, and it's amazing. You can download
single tracks from their entire library for $.99/each, and the site is
completely searchable by performer, genre, or region of the world. It
works really well on Windows machine, but it's a real stinker on my Mac.
Hope they get all the bugs worked out and the site up and running soon.
It's an amazing endeavor, and will be a real boon to folk enthusiasts
everywhere.Happy New Year!
Beth Brooks
Indianapolis>>> [unmask] 01/02/05 5:55 PM >>>
As far as  I can tell, Goldstein's recordings are abailable only as a
custom CD from Smiyjsonian-Folkways. I /could /get it for you, but S-F
doesn't give me any discounts on their custom CDs, and I'd have to
charge more than you'd pay if you ordered it directly from S-F. The one
I have is a CD.dick

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Subject: Re: Contacting CAMSCO
From: Anne Dhu McLucas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 17:59:48 -0800
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Great, I'll order the Goldsteing from Smithsonian and the other ones
from you.Anne Dhu-------------------
> As far as  I can tell, Goldstein's recordings are abailable only
as a
> custom CD from Smiyjsonian-Folkways. I /could /get it for you, but
S-F
> doesn't give me any discounts on their custom CDs, and I'd have to
> charge more than you'd pay if you ordered it directly from S-F.
The one
> I have is a CD.
>
> dick
>
> Anne Dhu McLucas wrote:
>
> >Dear Dick--
> >
> >I'd love to get a copy of that Lucy Stewart recording, as well as
> >the one by Kenny Godstein if you have it. I can send you my
credit
> >card info again, if you need it.  How much would the two
> >recordings be?  Are they both CDs?
> >
> >Anne Dhu McLucas
> >
> >-------------------
> >
> >
> >>Hi-
> >>Yep. I have it in stock. I also have Folktrax's Lucy Stewart
> >>
> >>
> >recording, done several years before Kenny Goldstien recorded
her.
> >
> >
> >>dick
> >>
> >>
> >>>From: George Madaus <[unmask]>
> >>>Date: 2004/12/31 Fri PM 06:35:11 CST
> >>>To: [unmask]
> >>>Subject: Re: Contacting CAMSCO
> >>>
> >>>Dick
> >>>
> >>>can you get the Elizabeth Stewart - EICD002 - a two CD
> >>>
> >>>
> >collection
> >
> >
> >>>issued by the Elphinstone Institute of Aberdeen University
> >>>
> >>>
> >that Fred
> >
> >
> >>>McCormick described?
> >>>
> >>>George
> >>>
> >>>can you get
> >>>George F Madaus
> >>>Professor Emeritus
> >>>Boston College
> >>>On Dec 31, 2004, at 6:13 PM, dick greenhaus wrote:
> >>>
> >>>
> >>>
> >>>>For some strange electronic reason, all E-mail sent to
> >>>>
> >>>>
> >[unmask]
> >
> >
> >>>>is failing to arrive. If anyone needs to reach me, this
> >>>>
> >>>>
> >address seems
> >
> >
> >>>>to work <[unmask]>, though I'm the first to
> >>>>
> >>>>
> >agree that it
> >
> >
> >>>>lacks brand recognition. I have sufficient orders in to
> >>>>
> >>>>
> >warrant my
> >
> >
> >>>>placing an order   with EFDSS for "Dear Companion"; if
> >>>>
> >>>>
> >anyone else
> >
> >
> >>>>wants a copy, please let me know soonest.
> >>>>
> >>>>Happy New Year, y'all.
> >>>>
> >>>>dick greenhaus
> >>>>
> >>>>
> >Anne Dhu McLucas, Ph.D.
> >Professor of Music
> >University of Oregon
> >
> >
> >
> >
>
Anne Dhu McLucas, Ph.D.
Professor of Music
University of Oregon

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Subject: Ebay List - 01/02/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 21:46:41 -0500
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Hi!        I hope that everyone had a happy New Year! :-) Now as we become
accustomed to writing 2005, here are the latest Ebay auctions.        SONGSTERS        6502037553 - BASSETTS NATIVE HERB SONGSTER, 1865?, $3 (ends
Jan-03-05 20:38:27 PST)        3949735285 - E. J Hassan's ONE OF THE FINEST SONGSTER, 1890, $15.50
(ends Jan-04-05 12:16:06 PST)        3950286438 - THE WASHINGTONIAN HARP, 1843, $34 (ends Jan-08-05
14:05:59 PST)        6502378315 - miscellaneous lot of booklets which includes James
Gray's Nobody Knows What I Know Songster, 1880, $9.99 (ends Jan-09-05
20:00:00 PST)        MISCELLANEOUS        4064034493 - It's Just the Same Today; Barnicle-Cadle field
recordings from Eastern Tennessee and Kentucky made from 1938-1949, LP,
$5.75 (ends Jan-05-05 15:50:49 PST)        3772697702 - 13 issues of the Canada Folk Bulletin, 1978-80, $8
(ends Jan-05-05 18:45:00 PST)        SONGBOOKS, ETC.        4515092040 - American Murder Ballads and Their Stories by Burt,
1958, $24.99 (ends Jan-03-05 16:25:17 PST)        3772303947 - Spiritual Folk Songs of Early America by Jackson,
1964 Dover edition, $1.99 (ends Jan-03-05 17:47:30 PST)        7944134626 - RING AROUND THE MOON by Fowke, 1977, $7.97 (ends
Jan-03-05 14:22:26 PST)        4515111065 - Old Ballads, Historical and Narrative by Evans, 4
volumes, 1810, $600 (ends Jan-03-05 17:00:55 PST)        4515194540 -  Pulse of the Bards by McCall, 1904, $60 (ends
Jan-03-05 19:06:38 PST)        3949782370 - Joe Davis Songs of the Roaming Ranger, 1935, $9.99
(ends Jan-04-05 19:01:51 PST)        3772703186 - The Radio Rubes Song Book, 1933, $2.99 (ends
Jan-05-05 12:15:19 PST)        4515835390 - Folk-song in England by Lloyd, 1975, 0.99 GBP (ends
Jan-06-05 05:31:05 PST)        6941237784 - AFRO-AMERICAN FOLKSONGS by Krehbiel, 1914, $49.99
(ends Jan-06-05 17:20:18 PST)        6940643247 - A COLLECTION OF ANCIENT AND MODERN SCOTTISH BALLADS,
TALES, AND SONGS by Gilchrist, 2 volumes, 1814-15, 50 GBP (ends Jan-07-05
12:00:00 PST)        3950179691 - TELL ME A STORY, Sing Me A Song by Owens, 1983, $9.99
(ends Jan-07-05 14:39:03 PST)        4516168607 - Songs and Ballads from Nova Scotia by Creighton, 1966
Dover edition, $9.99 (ends Jan-07-05 19:00:27 PST)        6941662088 - A PEPYSIAN GARLAND: BLACK-LETTER BROADSIDE BALLADS OF
THE YEARS, 1595-1639 by Rollins, 1922, $24.99 (ends Jan-07-05 20:28:14 PST)        4516246681 - Travellers' Songs From England and Scotland by MacColl
& Seeger, 1977, $3.99 (ends Jan-08-05 11:07:09 PST)        6940718273 - MINSTRELSY: ANCIENT AND MODERN by Motherwell, 1827,
20 GBP (ends Jan-08-05 12:00:00 PST)        6941300241 - Religious Folk Songs of the Negro by Dett, 1926,
$9.99 (ends Jan-08-05 12:00:00 PST)        7945106996 - A ROCKET IN MY POCKET by Withers, 1948, $8 (ends
Jan-08-05 19:01:12 PST)        3772998824 - TALL SHIP SHANTIES by Davis, 1982, 1.50 GBP (ends
Jan-10-05 06:33:44 PST)        4516003875 - Jane Hicks Gentry: A Singer Among Singers by Smith,
1998, $7.41 (ends Jan-29-05)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: The Cuckoo
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 19:44:25 -0800
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Jophn:Naw.  I wrote all of the really dirty ones.Happy new year,Ed----- Original Message -----
From: [unmask]
Date: Sunday, January 2, 2005 2:22 pm
Subject: Re: The Cuckoo> In a message dated 1/2/2005 9:26:05 PM GMT Standard Time, [unmask]
> writes:
>
> > Post what you have deciphered.  I will fake the rest.
> >
> > Ed
> >
>
> Are you the man who wrote half of all those erotic songs?
>
> John Moulden
>

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Subject: Re: The Cuckoo
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 20:13:10 -0800
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Subject: Re: The Cuckoo
From: Paddy Tutty <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 2 Jan 2005 22:20:04 -0600
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Hello,Out from my usual lurking... I have sung "The Cuckoo" for many years,
learned from the singing of Anne Briggs. I have never known the source
for her version, so it is great to read this discussion. These are the
words I sing as deciphered from her version.Oh, the cuckoo?s a pretty bird, she sings as she flies
She brings us glad tidings, tells us no lies
She sucks the little birds? eggs to keep her voice clear
And when she sings ?cuckoo? the summer draws near.As I walked out by the side of a bush
I heard two birds whistling, the blackbird and the thrush.
I asked them the reason why merry they be
And the answer they gave me: ?We are single, we are free.?A-walking, a-talking, a-walking was I
To meet my true lover, he?ll come by and by.
To meet him in the meadow is all my delight
A-walking, a-talking from morning till night.And a-meeting is pleasure, but parting is a grief,
And an inconstant lover is worse than a thief.
A thief he will rob me and take all I have,
But an inconstant lover sends me to the grave.And the grave it will rot me and bring me to dust.
An inconstant lover no maiden can trust.
He?ll court you and kiss you and vow he?ll be true
And the very next moment he?ll bid you adieu.The cuckoo?s a pretty bird, she sings as she flies.
She brings us glad tidings, tells us no lies.
And when her time is come, in a voice sweet and clear,
And where she goes, we do not know, until another year.Paddy Tutty
Saskatoon, SK Canada
http://www.prairiedruid.netJonathan Lighter wrote:> Steve, I cannot find "The Young Man's Lamentation," but the Bodleian
> site also offers "Meeting is a Pleasure" from the same period, also
> nearly illegible. I can read,
> Meeting is a pleasure,
> but parting is grief,
> An Unconstant Lover
> is worse than a Thief
> A Thief he can but Rob me,
> and take what I have,
> But an Unconstant Lover
> will bring me to the Grave.
>
> When first I courted....
>
> [After that it becomes almost entirely illegible, except for]
>
> She's not constant to any,
> but can love more than one.
>
> [At the end is]
>
>
> But for ever will deny her...
> let her go...
> The same song (with stanzas later enshribned in "Old Smoky")? Please
> post what you've got.
> JL
>
> */Steve Gardham <[unmask]>/* wrote:
>
>     Happy New Year, Steve, Ed, John, Norm, Dave, Heather et al.
>
>     While we're on 'The Cuckoo' the 'Meeting is a Pleasure' stanza
>     starts off
>     an almost obliterated ballad in the Bodleian website, ref. Douce
>     Ballads 2
>     (261b), 'The Young Man's Lamentation' tune 'Over Hills and High
>     Mountains'
>     printed by Brooksby etc c1683-96. I've managed to decipher about
>     half of it
>     and can put what I've got on the list, BUT does anyone know of another
>     copy ? Failing that, would anyone like to have a go at deciphering any
>     further. I'm getting quite good at deciphering badly printed black
>     letter
>     but a second or third opinion is always useful.
>     SteveG
>
> ------------------------------------------------------------------------

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Subject: Re: Ebay List - 01/02/05
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Subject: Re: Contacting CAMSCO
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Subject: Re: Contacting CAMSCO
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Subject: Re: Contacting CAMSCO
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 06:21:27 -0500
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It's not officially up yet, and the Beta testing was about 6 months
behind schedule. I promise I will shout it loud and clear to the list
when the site is officially open for business. I'll also check with the
coordinator for the Beta testing and let you know if it's open for
others to look around. If it is, I'll post the URL in a subsequent
message.Beth Brooks>>> [unmask] 01/03/05 5:07 AM >>>Hi Beth,Do you have a website address for this wonderful resource ?Cheers,Fred McCormick.In a message dated 03/01/2005 01:57:47 GMT Standard Time,
[unmask] writes:If you  can be patient, the Smithsonian Global Sound site will be up
soonish. I'm  Beta testing it now, and it's amazing. You can download
single tracks from  their entire library for $.99/each, and the site is
completely searchable  by performer, genre, or region of the world. It
works really well on  Windows machine, but it's a real stinker on my
Mac.
Hope they get all the  bugs worked out and the site up and running soon.
It's an amazing endeavor,  and will be a real boon to folk enthusiasts
everywhere.Happy New  Year!
Beth Brooks
Indianapolis

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Subject: Re: Contacting CAMSCO
From: Stephanie Smith <[unmask]>
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Date:Mon, 3 Jan 2005 08:58:36 -0500
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It doesn't make sense for folks in the USA to purchase from Greentrax,
easier to come directly to Smithsonian Folkways, and you have the choice of
custom CD or cassette.  The home page is:
http://www.folkways.si.edu
Just search Lucy Stewart as artist and you will retrieve the recording,
which can be ordered online.Cheers,
StephanieStephanie Smith, Ph.D., Assistant Archivist
Center for Folklife and Cultural Heritage
Smithsonian Institution
750 9th Street, NW, Suite 4100
Washington, D.C.  20560-0953
202 275-1157  voice
202 275-2251 fax
[unmask]NB: Until further notice, please send all mail to:
PO Box 37012
Victor Building, Room 4100, MRC 953
Washington, DC 20013-7012>>> [unmask] 01/03/05 5:25 AM >>>The Lucy Stewart olways Child Ballads LP is available on cassette from
Greentrax
_http://www.greentrax.com/catalogue.htm_
(http://www.greentrax.com/catalogue.htm)  .  The downside, for people
resident in America at least, is that it
costs $13.91. That includes worldwide delivery  however.Whilst searching I uncovered a sale at a site which, I presume, belongs to
a
subsidiary of theirs. This, believe it or not, is the website  address._http://www.musicscotland.com/cgi-bin/ss000999.pl?RANDOM=NETQUOTEVAR%3ARANDOM&
PAGE=SEARCH&SS=special%2Boffer%2Btitle&TB=A&PR=-1&SX=0&GB=A_
(http://www.musicscotland.com/cgi-bin/ss000999.pl?RANDOM=NETQUOTEVAR:RANDOM&PAGE=SEARCH&SS=spec
ial+offer+title&TB=A&PR=-1&SX=0&GB=A)Cheers,Fred McCormick.In a message dated 02/01/2005 22:55:21 GMT Standard Time, [unmask]
writes:As far as   I can tell, Goldstein's recordings are abailable only as a
custom CD from  Smiyjsonian-Folkways. I /could /get it for you, but S-F
doesn't give me any  discounts on their custom CDs, and I'd have to
charge more than you'd pay  if you ordered it directly from S-F. The one
I have is a  CD.dickAnne Dhu McLucas wrote:>Dear  Dick--

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Subject: Re: BALLAD-L Digest - 2 Jan 2005 (#2005-4)
From: Cliff Abrams <[unmask]>
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Date:Mon, 3 Jan 2005 11:27:40 -0800
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Nice website, and it's linked to the Canadian
Broadcasting Company where there are many downloadable
(for a fee) tunes.Paddy Tutty
Saskatoon, SK Canada
http://www.prairiedruid.netCA

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Subject: Re: The Cuckoo
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 14:53:31 -0500
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Back in the mid/late fifties, an acquaintance of mine, Ian "Curly" Baird,
sang,
The vulture is an ugly bird
It squawks as it flies.
It brings us sad tidings
And it eats them what dies.Did he get this from some open source ( my intuition indicates a Homer &
Jethro recording, but I have no definite recollection)?  I don't think Curly
made it up himself.PS- Curly *did* write a very funny song parody patterned on Jimmie Rodgers's
"T For Texas".  It was called "T For T*****s" and was about how a young
woman of that name gave him the clap.  He sang it all over, especially in
the Square.  The woman in question became known in certain circles as "Clap
Mary" (cf. Typhoid Mary) But I digress...
----- Original Message -----
From: "Paddy Tutty" <[unmask]>
To: <[unmask]>
Sent: Sunday, January 02, 2005 11:20 PM
Subject: Re: The Cuckoo> Hello,
>
> Out from my usual lurking... I have sung "The Cuckoo" for many years,
> learned from the singing of Anne Briggs. I have never known the source
> for her version, so it is great to read this discussion. These are the
> words I sing as deciphered from her version.
>
> Oh, the cuckoo?s a pretty bird, she sings as she flies
> She brings us glad tidings, tells us no lies
> She sucks the little birds? eggs to keep her voice clear
> And when she sings ?cuckoo? the summer draws near.
>
> As I walked out by the side of a bush
> I heard two birds whistling, the blackbird and the thrush.
> I asked them the reason why merry they be
> And the answer they gave me: ?We are single, we are free.?
>
> A-walking, a-talking, a-walking was I
> To meet my true lover, he?ll come by and by.
> To meet him in the meadow is all my delight
> A-walking, a-talking from morning till night.
>
> And a-meeting is pleasure, but parting is a grief,
> And an inconstant lover is worse than a thief.
> A thief he will rob me and take all I have,
> But an inconstant lover sends me to the grave.
>
> And the grave it will rot me and bring me to dust.
> An inconstant lover no maiden can trust.
> He?ll court you and kiss you and vow he?ll be true
> And the very next moment he?ll bid you adieu.
>
> The cuckoo?s a pretty bird, she sings as she flies.
> She brings us glad tidings, tells us no lies.
> And when her time is come, in a voice sweet and clear,
> And where she goes, we do not know, until another year.
>
> Paddy Tutty
> Saskatoon, SK Canada
> http://www.prairiedruid.net
>
> Jonathan Lighter wrote:
>
>> Steve, I cannot find "The Young Man's Lamentation," but the Bodleian
>> site also offers "Meeting is a Pleasure" from the same period, also
>> nearly illegible. I can read,
>> Meeting is a pleasure,
>> but parting is grief,
>> An Unconstant Lover
>> is worse than a Thief
>> A Thief he can but Rob me,
>> and take what I have,
>> But an Unconstant Lover
>> will bring me to the Grave.
>>
>> When first I courted....
>>
>> [After that it becomes almost entirely illegible, except for]
>>
>> She's not constant to any,
>> but can love more than one.
>>
>> [At the end is]
>>
>>
>> But for ever will deny her...
>> let her go...
>> The same song (with stanzas later enshribned in "Old Smoky")? Please
>> post what you've got.
>> JL
>>
>> */Steve Gardham <[unmask]>/* wrote:
>>
>>     Happy New Year, Steve, Ed, John, Norm, Dave, Heather et al.
>>
>>     While we're on 'The Cuckoo' the 'Meeting is a Pleasure' stanza
>>     starts off
>>     an almost obliterated ballad in the Bodleian website, ref. Douce
>>     Ballads 2
>>     (261b), 'The Young Man's Lamentation' tune 'Over Hills and High
>>     Mountains'
>>     printed by Brooksby etc c1683-96. I've managed to decipher about
>>     half of it
>>     and can put what I've got on the list, BUT does anyone know of
>> another
>>     copy ? Failing that, would anyone like to have a go at deciphering
>> any
>>     further. I'm getting quite good at deciphering badly printed black
>>     letter
>>     but a second or third opinion is always useful.
>>     SteveG
>>
>> ------------------------------------------------------------------------

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Subject: Bruton Town
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 15:27:53 EST
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Subject: Re: Contacting CAMSCO
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 15:35:09 -0500
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Hi-
Will the downloads be MP3s or WAV files? Will the tracks be direct
copies of the originals, or will they be remastered? And is this project
an adjunct to, or a replacement of, S-F's continuing program of
remastered CDs?dick grewenhausBeth Brooks wrote:>If you can be patient, the Smithsonian Global Sound site will be up
>soonish. I'm Beta testing it now, and it's amazing. You can download
>single tracks from their entire library for $.99/each, and the site is
>completely searchable by performer, genre, or region of the world. It
>works really well on Windows machine, but it's a real stinker on my Mac.
>Hope they get all the bugs worked out and the site up and running soon.
>It's an amazing endeavor, and will be a real boon to folk enthusiasts
>everywhere.
>
>Happy New Year!
>Beth Brooks
>Indianapolis
>
>
>
>
>>>>[unmask] 01/02/05 5:55 PM >>>
>>>>
>>>>
>As far as  I can tell, Goldstein's recordings are abailable only as a
>custom CD from Smiyjsonian-Folkways. I /could /get it for you, but S-F
>doesn't give me any discounts on their custom CDs, and I'd have to
>charge more than you'd pay if you ordered it directly from S-F. The one
>I have is a CD.
>
>dick
>
>
>
>

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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 16:04:57 -0500
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Hi, Ed, Jonathan, Roy,
Here goes.The Young-man's LamentationTune 'Over Hills and High Mountains'1) Meeting is a pleasure
But parting is a grief
An Unconstant Lover
Is worse than a thief,
A thief he can but Rob me
And take what I have
But an Unconstant Lover
Will bring me to the Grave.2) When love it is vaunted
..................
And love is wounded
.........is deny'd
Such torments are ....ing
........ease his pain
And the love.......
By the.........3) ..........
.............
.............
........... my ....
In her Charms I delighted
More than Gold I declare
Yet she scornfully slighted
....the love which I bear.4) ............
.................
............
...............
..............
...............
...............
........battle will.....5) Like a ship on the ocean
I am tost too and fro
........height of promotion
.......depth of ca......
..........billows are tossing
................grief
.............imploring
...........my relief.6) ..................
.............. complain
..........grief I delight
.................in vain
...............pity
With tears in my eyes
...... my sorrowful dity
She would scorn and despise.7) nil8) ..................
....................
Where Cupid ........
......................
....................
...her ...........
She's a Phoenix.......
... was the constant......9) .... heart was not ranging
....... in my mind
But alas it is changing
And .... with the wind
Having ........... many
By her false heart alone
She's not constant to any
But can love more than one.10) ........... out her folly
............no longer repine
....... will strive to be jolly
..........of Rich Wine
.....................
......................
.......................
......................11) ............ is forsaken
Yet she is forsworn
Yet she is mistaken
If she think that I'll mourn
I'll sit so lightly by her
As e'er she did to me
And forever will deny her
Let her go, farewell she.  (see Belden p476)Most of this is guesswork so other opinions would be welcome
There are some intriguing lines here, not least the last line.
Even identification of equivalent lines in other sources would be useful.
SteveG

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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
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Date:Mon, 3 Jan 2005 16:09:06 -0500
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Sorry I also managed to decipher more of the headingTitle then...
Containing his .....................
together with his resolution to .........
To an excellent new tune of Over Hills and High Mountains

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Subject: Re: Bruton Town
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 21:32:26 -0000
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----- Original Message -----
From: "Fred McCormick" <[unmask]>
To: <[unmask]>
Sent: 03 January 2005 20:27
Subject: Bruton Town> A quick curio, about which listers may be able to clear my mind.
>
> Bruton Town of course is not in Child, and I have always assumed that  this
> was because he didn't know about it. However, a barroom bore of  my unfortunate
> acquaintance has been insisting to me that Child did know of its  existence,
> and that he chose to omit it. The precise reason has not so far  been
> specified to me.
>
> Does anyone know whether barroom bore's assertion is correct, and if so,
> precisely what were the grounds for Child's rejection of this fine ballad  ?
>
> Many thanks,
>
> Fred McCormick.My impression, too, has always been that Child never came across the ballad, of which we seem to
have no print, MS or oral examples prior to the 20th century, apart from one single text in
Thompson, Pioneer Songster (which I stupidly failed to buy last year when a copy came my way).Child may very well, however, have known of The Constant Farmer's Son through its broadside
iterations, but would probably not have considered it of any interest (and likely of too-recent
composition). How far -if at all- the songs are related, and in which direction, remains a mystery.
Perhaps your acquaintance is thinking of the wrong song; if, on the other hand, he knows something
that we don't, perhaps we should consider torturing him until he comes up with the details.Malcolm Douglas

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Subject: Re: Bruton Town
From: Jonathan Lighter <[unmask]>
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Date:Mon, 3 Jan 2005 14:16:30 -0800
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Subject: Re: The Cuckoo
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 22:31:22 -0000
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----- Original Message -----
From: "Steve Gardham" <[unmask]>
To: <[unmask]>
Sent: 03 January 2005 21:09
Subject: Re: The Cuckoo----------------You've got a lot more than I've managed so far! Just a few very small additions, some only
tentative.verse 1. "meeting's" and "parting's" rather than "meeting is" and "parting is", I think.verse 2
line 2. ... with [pride?]
line 7  And the lover .... [dying]
line 8  by the [darts of disdain?]verse 10, lines 4-8................. her
................. be,
............ [without] her
............ farewel she.Malcolm Douglas

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Subject: Re: Walkin and a Talkin
From: Margaret MacArthur <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 16:19:26 -0700
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Helen Flanders collected Walkin' and a Talkin' from Elmer George and
his sister Myra Daniels of North Montpelier VT in the early 1940s.
My daughter sings it on our 1981 family recording Make the Wildwoods
Ring.
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Subject: Re: Bruton Town
From: Roy Berkeley <[unmask]>
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Date:Mon, 3 Jan 2005 19:45:31 -0500
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Subject: Re: The Cuckoo
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 20:25:38 -0500
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Here is a version of "The Cuckoo" that I have known for so long that I
have forgotten how I came by it.  It contains a stanza that I have not
yet seen in this thread:  The cuckoo is a pretty bird.
  He sings as he flies.
  He brings us glad tidings,
  And he tells us no lies.
  He sucks all sweet flowers
  To keep his voice clear,
  And he never sings "cuckoo"
  Till the spring of the year.  Come all you young maidens
  And listen to me:
  Never hang your affections
  On a green-growing tree,
  For the leaves they will wither,
  And the branches will die.
  If I am forsaken,
  I know not for why.  If I am forsaken,
  I'll not be forsworn,
  And he's surely mistaken
  If he thinks that I'll mourn.
  I'll get myself up
  In some right high degree
  And pass as light by him
  As he can by me.  Johnny's on the water.
  He may sink or he may swim.
  If he can do without me,
  I can do without him.
  Johnny is a young man;
  Still younger am I,
  And he often has told me
  That he'll wed me or die.  The cuckoo is a pretty bird,...In my journal, 24 April 1972, I wrote:  I discovered today, by accident (browsing in a Shakespeare
    glossary), that "to be forsworn" can mean "to perjure oneself".
    This may shed light on a verse that to me is one of the most
    beautiful in English (from "The Cuckoo"):
    If I am forsaken I'll not be forsworn,
    [...]
    Most women, in particular, are moved by this; I wrote it in the
    notebook of a whore I met in a psychiatrist's office in New
    York, & the secretaries at Phys. Rev. preserved a sheet of paper
    I doodled it on in a meeting as a sample of an attempt at a new
    style of calligraphy.  But what does the first line mean?  My
    guess was, "Just because he forsakes me I won't let the whole
    male sex swear off me," but that seems rather farfetched.  Could
    it mean then "...I won't pretend that my feelings are other than
    they are (i.e., relief)"?  It's still pretty obscure.Who knows?
--
---  Joe Fineman    [unmask]||:  We console ourselves by giving good advice when we are too  :||
||:  old to set a bad example.                                   :||

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Subject: Re: Bruton Town
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 02:14:14 -0000
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----- Original Message -----
From: "Roy Berkeley" <[unmask]>
To: <[unmask]>
Sent: 04 January 2005 00:45
Subject: Re: Bruton TownA query for our British fellow-listmembers:  I've always wondered about Bruton town -- the town
itself, not the song.  Since the big land-owners named the streets in their holdings after their
families and the places in the environs of their castles or houses, and since Bruton Street runs off
from Berkeley Square, I've been wondering whether the town of Bruton is near the town of Berkeley in
Gloucestershire, which contains Berkeley Castle.----------------Somerset offers a good candidate. Seehttp://www.bruton-town.org.uk/http://www.bruton-town.co.uk/Malcolm Douglas

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Subject: Re: The Cuckoo
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 3 Jan 2005 21:34:41 -0500
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At 08:25 PM 1/3/2005 -0500, you wrote:>   ...If I am forsaken,
>   I know not for why.
>
>   If I am forsaken,
>   I'll not be forsworn,
>   And he's surely mistaken
>   If he thinks that I'll mourn.
>
>   I discovered today, by accident (browsing in a Shakespeare
>     glossary), that "to be forsworn" can mean "to perjure oneself".
>     This may shed light on a verse that to me is one of the most
>     beautiful in English (from "The Cuckoo"):
>     If I am forsaken I'll not be forsworn, [...]
>     Most women, in particular, are moved by this; I wrote it in the
>     notebook of a whore I met in a psychiatrist's office in New
>     York, & the secretaries at Phys. Rev. preserved a sheet of paper
>     I doodled it on in a meeting as a sample of an attempt at a new
>     style of calligraphy.  But what does the first line mean?  My
>     guess was, "Just because he forsakes me I won't let the whole
>     male sex swear off me," but that seems rather farfetched.  Could
>     it mean then "...I won't pretend that my feelings are other than
>     they are (i.e., relief)"?  It's still pretty obscure.
>Who knows?
>---  Joe FinemanOne of the meanings of forsworn is renounced, and one of the meanings of
renounced is rejected.
Perhaps it simply means that "I may be forsaken (abandoned), but I'll not
be rejected."  The next line of "And he's surely mistaken if he thinks that
I'll mourn" seems to go along with that idea also.
Lisa

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Subject: Re: The Cuckoo
From: edward cray <[unmask]>
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Date:Mon, 3 Jan 2005 19:07:37 -0800
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Joe:Yours is a movng bit oif poetry.I, for one, would appreciate any other glossesembers oif ballad-l can conceive.Ed----- Original Message -----
From: Joe Fineman <[unmask]>
Date: Monday, January 3, 2005 5:25 pm
Subject: Re: The Cuckoo> Here is a version of "The Cuckoo" that I have known for so long
> that I
> have forgotten how I came by it.  It contains a stanza that I have not
> yet seen in this thread:
>
>  The cuckoo is a pretty bird.
>  He sings as he flies.
>  He brings us glad tidings,
>  And he tells us no lies.
>  He sucks all sweet flowers
>  To keep his voice clear,
>  And he never sings "cuckoo"
>  Till the spring of the year.
>
>  Come all you young maidens
>  And listen to me:
>  Never hang your affections
>  On a green-growing tree,
>  For the leaves they will wither,
>  And the branches will die.
>  If I am forsaken,
>  I know not for why.
>
>  If I am forsaken,
>  I'll not be forsworn,
>  And he's surely mistaken
>  If he thinks that I'll mourn.
>  I'll get myself up
>  In some right high degree
>  And pass as light by him
>  As he can by me.
>
>  Johnny's on the water.
>  He may sink or he may swim.
>  If he can do without me,
>  I can do without him.
>  Johnny is a young man;
>  Still younger am I,
>  And he often has told me
>  That he'll wed me or die.
>
>  The cuckoo is a pretty bird,...
>
> In my journal, 24 April 1972, I wrote:
>
>  I discovered today, by accident (browsing in a Shakespeare
>    glossary), that "to be forsworn" can mean "to perjure oneself".
>    This may shed light on a verse that to me is one of the most
>    beautiful in English (from "The Cuckoo"):
>    If I am forsaken I'll not be forsworn,
>    [...]
>    Most women, in particular, are moved by this; I wrote it in the
>    notebook of a whore I met in a psychiatrist's office in New
>    York, & the secretaries at Phys. Rev. preserved a sheet of paper
>    I doodled it on in a meeting as a sample of an attempt at a new
>    style of calligraphy.  But what does the first line mean?  My
>    guess was, "Just because he forsakes me I won't let the whole
>    male sex swear off me," but that seems rather farfetched.  Could
>    it mean then "...I won't pretend that my feelings are other than
>    they are (i.e., relief)"?  It's still pretty obscure.
>
> Who knows?
> --
> ---  Joe Fineman    [unmask]
>
> ||:  We console ourselves by giving good advice when we are too  :||
> ||:  old to set a bad example.                                   :||
>

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Subject: Re: Bruton Town
From: Heather Wood <[unmask]>
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Date:Tue, 4 Jan 2005 04:34:07 EST
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Subject: Re: The Cuckoo
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Subject: Re: Bruton Town
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Subject: Re: The Cuckoo
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Subject: Re: Bruton Town
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 06:08:15 -0800
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Subject: Re: The Cuckoo
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 10:40:46 -0500
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A few of the many other references:The mountain song is often, (I think _ususally_):
        She never hollers, Cuckoo
        'Till the fourth day of July.(Anyway, it's a song I sing on July 4th.)other cuckoos:The most common Scottish cuckoo song is heard from Jeanie R. and Jean
Redpath:
"Cuckoo's Nest"        There is a thornbush in oor kailyard
        There is a thornbush in oor kailyard
        At the back o' thornbush there stands a lad and lass
        And they're busy, busy herrying at the cuckoo's nestetc.It has entered the US tunes repertoire as a tune-only piece.  The pickers
were amazed when I told them it had words, and that the words were bawdy.Cuckoo's Nest  (Irish & Scottish)
As I was a-walking one morning in May,
I spied a pretty fair maid and unto her did say,
For Love I am Inclined and I'll tell you me mind,
Me inclination lies in your cuckoo's nest.Well me darlin' said she, I am innocent and young,
And I scarce can believe your false deluding tongue.
I see it in your eyes and it fills me with surprise,
Your inclination lies in me cuckoo's nest.Chorus
Well some like a girl that is pretty in the face,
And some like a girl that is slender in the waste,
But give me a girl that will wriggle and will twist,
At the bottom of the belly lies the cuckoo's nest.etcFrom: Star Fitzgerald
Newsgroups: rec.music.folkHmmmm.....the version of this song that I know is...."Some like a woman who is slender in the waist
some like a woman is pretty in the face
But I like a girl who wriggle and will twist
At the bottom of the belly lies the cuckoo's Nest"or the counter part "The cucumber song"
Some like a man who will open up the door,
Some like a man who goes marching off to war,
But give me a man who knows what his weapons for....
at the bottom of the belly lies the cucumber.""Chicken On A Raft," words & music by Cyril Tawney; (C) Folk Directions 1966
v.3
We kissed goodbye on the midnight bus
She didn't cry, she didn't fuss
Am I the one that she loves best
Or am I just a cuckoo in another man's nest?-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Bruton Town
From: scott utley <[unmask]>
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Date:Tue, 4 Jan 2005 12:39:23 -0500
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Subject: Joe Heaney
From: Fred McCormick <[unmask]>
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Date:Tue, 4 Jan 2005 13:14:17 EST
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Subject: Re: The Cuckoo
From: John Garst <[unmask]>
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Date:Tue, 4 Jan 2005 13:56:51 -0500
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>In a message dated 1/3/2005 8:25:59 PM Eastern Standard Time,
>[unmask] writes:
>
>
>   I discovered today, by accident (browsing in a Shakespeare
>     glossary), that "to be forsworn" can mean "to perjure oneself".
>     This may shed light on a verse that to me is one of the most
>     beautiful in English (from "The Cuckoo"):
>     If I am forsaken I'll not be forsworn,
>
>My trusty Chambers' dictionary has "to deny upon oath."
>
>The line is also used in "All Things are Quite Silent," although
>there the maiden is promising to wait for the young man, not gad off
>hunting.
>
>HeatherPerhaps to be "forsworn" means to be "rejected."John

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Subject: Re: Bruton Town
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 11:00:45 -0800
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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 14:26:06 -0500
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'Forsworn'
I used to sing 'The Maid and The Palmer' which contained the lines
'Peace, fair maid, thou art forsworn,
For nine children thou hast born'I always presumed it meant simply that she was telling porkies as she was
claiming to be a maid.
SteveG

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Subject: Re: Bruton Town
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 14:34:44 -0500
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In the Digital Tradition, we've added numbers to the magic #305 simply
because it was easier to keep track of the songs. The additions include
"Molly Vaughan", "Bruton Town" "The Frog's Wedding" , "Daily Growing",
"The Bitter Withy" and The Cruel Ship's Carpenter",Jonathan Lighter wrote:> Scott, what else was on your father's list?
> JL
>
> */scott utley <[unmask]>/* wrote:
>
>     In my father's copy of student's cambridge edition ofChild on the
>     flyleaf is a list of songs that should be addedto the Child
>     cannnon. #9 is Bruton Town. His reference is Belden in PMLA vol 33
>     pp 327-95.
>
>         ----- Original Message -----
>         *From:* Fred McCormick <mailto:[unmask]>
>         *To:* [unmask]
>         <mailto:[unmask]>
>         *Sent:* Monday, January 03, 2005 3:27 PM
>         *Subject:* Bruton Town
>
>         A quick curio, about which listers may be able to clear my mind.
>         Bruton Town of course is not in Child, and I have always
>         assumed that this was because he didn't know about it.
>         However, a barroom bore of my unfortunate acquaintance has
>         been insisting to me that Child did know of its existence, and
>         that he chose to omit it. The precise reason has not so far
>         been specified to me.
>         Does anyone know whether barroom bore's assertion is correct,
>         and if so, precisely what were the grounds for Child's
>         rejection of this fine ballad ?
>         Many thanks,
>         Fred McCormick.
>
> ------------------------------------------------------------------------
> Do you Yahoo!?
> The all-new My Yahoo! <http://my.yahoo.com> ? Get yours free!

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Subject: Re: The Cuckoo
From: Jonathan Lighter <[unmask]>
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Subject: Re: The Cuckoo
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 12:02:40 -0800
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Subject: Re: The Cuckoo
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 15:07:32 -0500
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Automatic digest processor <[unmask]> writes:> From:    Heather Wood <[unmask]>> In a message dated 1/3/2005 8:25:59 PM Eastern Standard Time,
> [unmask] writes:
>
>     I discovered today, by accident (browsing in a Shakespeare
>     glossary), that "to be forsworn" can mean "to perjure oneself".
>     This may shed light on a verse that to me is one of the most
>     beautiful in English (from "The Cuckoo"):
>     If I am forsaken I'll not be forsworn,> My trusty Chambers' dictionary has "to deny upon oath."So she will not be denied -- by whom?> From:    [unmask]> As to the meaning I rather think it means:
>
> Despite being abandoned I will not break my own promise to be
> faithful.If so, that thickens the plot considerably.  She is going to be
faithful to him, *and* she is going to let on that he can't hurt her
by jilting her?Very likely my intuition about such affairs is defective.
--
---  Joe Fineman    [unmask]||:  The church is near, but the road is icy; the tavern is far,  :||
||:  but I'll go carefully.                                       :||

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Subject: Re: The Cuckoo
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 15:17:17 -0500
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>'Forsworn'
>I used to sing 'The Maid and The Palmer' which contained the lines
>'Peace, fair maid, thou art forsworn,
>For nine children thou hast born'
>
>I always presumed it meant simply that she was telling porkies as she was
>claiming to be a maid.
>SteveGHere it seems clearly to mean "perjured."--
john garst    [unmask]

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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Stephanie Smith <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 15:22:43 -0500
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See my responses to the questions below, particularly no. 2.Stephanie Smith, Ph.D., Assistant Archivist
Center for Folklife and Cultural Heritage
Smithsonian Institution
750 9th Street, NW, Suite 4100
Washington, D.C.  20560-0953
202 275-1157  voice
202 275-2251 fax
[unmask]NB: Until further notice, please send all mail to:
PO Box 37012
Victor Building, Room 4100, MRC 953
Washington, DC 20013-7012>>> [unmask] 01/01/05 05:49AM >>>
<snip>
The latter misapprehension can probably be attributed to the  followingThe confusion over Frank Proffitt is more mystifying. I have a  distinct
recollection of a documentary which featured the two of them, during  which
the following sentence (or something like it) is uttered. "The Proffitt's
place is just a few minutes drive from Doc's". Then they go off in the car
to  see Frank.3 questions.
1.    Can anybody recall such a programme ?can't respond on this2.    Could one justifiably say that the Proffitts  lived a few minutes'
drive from Doc ?I don't think so.  Frank Proffitt lived in the area of Reese, NC, which is
west and a bit north of Boone.  Doc Watson lives in Deep Gap, NC, which is
east (I think about 6 miles if I remember correctly) of Boone.  The area
where Proffitt lived has winding roads and you can't get anywhere in a few
minutes.3.    Should I get myself some treament for ageing  memory loss ?I wouldn't dream of responding to this!Happy New Year,

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Subject: crank my fad?
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 15:53:05 -0500
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I was singing "Chicken in the Fencepost" with my students today, and
once again I'm stumped by the verse that goes "crank my fad while I
dance Josie (Hello, Susie Browneeoh)".
I looked at the thread on Mudcat but they only gave sarcastic answers,
like "Frank my cad" and "crank my Ford".Anybody know what "crank my fad" really means?Beth Brooks
Indianapollis

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Subject: Re: The Cuckoo
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Subject: Re: The Cuckoo
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 15:23:50 -0800
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Subject: Tottie (was: The Cuckoo)
From: Jon Bartlett <[unmask]>
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Date:Tue, 4 Jan 2005 17:55:44 -0800
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Subject: Re: Bruton Town
From: scott utley <[unmask]>
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Date:Tue, 4 Jan 2005 21:23:38 -0500
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Subject: Re: Rhyming slang
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 4 Jan 2005 22:04:44 -0500
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Automatic digest processor <[unmask]>, in the
person of John Bartlett, writes:> Rhyming slang replaces a word (e.g. = "feet") with a phrase
> (e.g. plates of meat), the last word of which = rhymes with the
> replaced word. Often the last word is dropped, so that = "feet"
> becomes plates)..I gather that the process can be iterated for additional obfuscation
in desperate cases.  Robert Graves, in his essay "Lars Porsena" on
taboo language, recalls being in a pub and happening to mention
Aristotle, whereupon the barmaid angrily informed him that he should
not use such language in a respectable establishment.  Delicate
inquiry later revealed that "Aristotle" was rhyming slang for
"bottle", which was short for "bottle & glass", which was rhyming
slang for something later clarified by his use of "to aristotle" as a
verb.W. H. Auden, in _The Dog Beneath the Skin_, suppressed the third
stanza in the following song:  Alice is gone and I'm alone,
  Nobody understands
  How lovely were her Fire Alarms,
  How fair her German Bands!  O how I cried when Alice died
  The day we were to have wed!
  We never had our Roasted Duck
  And now she's a Loaf of Bread!  At nights I weep and cannot sleep,
  Moonlight to me recalls
  I never saw her Waterfront
  Nor she my Waterfalls.
--
---  Joe Fineman    [unmask]||:  Sex is an impediment to reproduction whose function is to  :||
||:  complicate life.                                           :||

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Subject: Re: Tottie (was: The Cuckoo)
From: Heather Wood <[unmask]>
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Subject: Re: Tottie (was: The Cuckoo)
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 19:44:56 -0800
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Subject: Re: Tottie (was: The Cuckoo)
From: Heather Wood <[unmask]>
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Subject: Re: Bruton Town
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 19:55:29 -0800
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Subject: Re: Rhyming slang
From: Jonathan Lighter <[unmask]>
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Date:Tue, 4 Jan 2005 19:58:02 -0800
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Subject: Re: Tottie (was: The Cuckoo)
From: Jon Bartlett <[unmask]>
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Date:Tue, 4 Jan 2005 19:58:45 -0800
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Subject: Re: Tottie (was: The Cuckoo)
From: Heather Wood <[unmask]>
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Subject: Re: Bruton Town
From: Heather Wood <[unmask]>
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Subject: Re: Rhyming slang
From: Joe Fineman <[unmask]>
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Date:Tue, 4 Jan 2005 23:26:33 -0500
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Automatic digest processor <[unmask]>, in the
person of Jonathan Lighter, writes:> Joe, was Auden the author of that ditty?Yes.  He collaborated with Isherwood on the play, but according to
Charles Osborne's biography, he wrote the songs.  Also, the suppressed
third stanza appears in Auden's notebook.> And you mean he failed to suppress the part about "Roasted Duck" ?Right.  He got away with that one.  Osborne remarks that the song  would certainly have been disallowed by the Lord Chamberlain if
  that gentleman had understood cockney rhyming slang.
--
---  Joe Fineman    [unmask]||:  Be sincere: fool yourself first.  :||

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Subject: Re: The Cuckoo
From: dick greenhaus <[unmask]>
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Date:Wed, 5 Jan 2005 00:05:35 -0500
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To which I must add: (the tune is essentially "The Grand Conversation
With Napoleon"THE CUCKOO'S NEST
(John Shiels)One morning fair in Janu'ry, as I roamed for curiosity
Down by a neighboring granary along the flowing tide
Where the solar rays perplexingly from THE ethereal canopy
Displayed a bright transparency, this maiden I espied.
She appeared to me some deity, in splendor she was dressed,
And courteously accosting me, these words she then expressed,
"If experienced in ontology, relate without tautology
The pristine aestheology of my cuckoo's nest."I stood in great astonishment and swore I'd suffer banishment
Before I to her blandishment would amply comply
Dreading some calamity had tainted that curst cavity
Or else that same commodity my member might destroy.
Then instantly she flattered me, she swore she could not rest
And I candidly avow to you that I thought she was distressed
For to lay my hand upon her breast she swore she'd be forever blest
Had I a moment but caress'd her cuckoo's nest.Now on hearing this repetition of her loose abandon'd condition
I took a quick transition and I journeyed on my way
But she then pursued me speedily, exhorting me most wickedly
Saying, "Sir, you see me sickly, so why DO you not obey?"
Her malady appeared to me an amatory pest
Unwillingly would I agree unto HER desired behest
She said, "Sir, your animosity excites my generosity
To show you the curiosity of my cuckoo's nest."Then said I, "My lovely she, pray thank your own audacity
For having thus attracted me or else I'd not avail,
For it's oft I've heard in history how heroes of antiquity,
While striving to gain ascendancy, more often they did fail."
"And Solomon, the virtuous man, the wisest and the best
And Samson, whom the Philistynes in Gaza did arrest
Oh, Hector, Paris, ACHilles, Petrocleus and Hercules
All suffered with great Ulysses for the cuckoo's nest.Then she said, "Kind sir, your colloquy is fraught with vain frivolity
Desist, unite in gallantry and join in harmony
And treat me satisfact'rily and I'll sound your name through Cathary
And all along to Drogheda, each town and barony."
I must confess I did my best, though knowing I transgress'd
And my arms I wrapped around her waist, and I closely her caressed
 From one to ten this maid to me was lovely, pleased, and kind and free
'Til I at length was forced to flee from her cuckoo's nest.Now I've travelled through Russia and Germany, and o'er the Alps through
Italy
Around by the isle of Sicily and back again to Spain
Naples, Rome and Tuscany, DenMARK and Sweden and Normandy
The Netherlands and Saxony, though France and then Lorraine.
Silesia, Galicia, the Indies, East and West
Britannia and gay Tartary, which Mohammed did possess
But in all my rambles ne'er was I reduced to such a low degree
As I was when trying to satisfy her cuckoo's nest.SOURCE: Frank Harte (Augusta Heritage Festival, July 1995)
note: Harte says:"the song was written by John Shiels the ballad
poet from Drogheda..he also wrote that other big ballad
'The Rights of Man' and many others." RPf
@Irish
filename[ CUCKNEST
RPf
oct96Abby Sale wrote:>A few of the many other references:
>
>The mountain song is often, (I think _ususally_):
>        She never hollers, Cuckoo
>        'Till the fourth day of July.
>
>(Anyway, it's a song I sing on July 4th.)
>
>other cuckoos:
>
>The most common Scottish cuckoo song is heard from Jeanie R. and Jean
>Redpath:
>"Cuckoo's Nest"
>
>        There is a thornbush in oor kailyard
>        There is a thornbush in oor kailyard
>        At the back o' thornbush there stands a lad and lass
>        And they're busy, busy herrying at the cuckoo's nest
>
>etc.
>
>It has entered the US tunes repertoire as a tune-only piece.  The pickers
>were amazed when I told them it had words, and that the words were bawdy.
>
>
>Cuckoo's Nest  (Irish & Scottish)
>As I was a-walking one morning in May,
>I spied a pretty fair maid and unto her did say,
>For Love I am Inclined and I'll tell you me mind,
>Me inclination lies in your cuckoo's nest.
>
>Well me darlin' said she, I am innocent and young,
>And I scarce can believe your false deluding tongue.
>I see it in your eyes and it fills me with surprise,
>Your inclination lies in me cuckoo's nest.
>
>Chorus
>Well some like a girl that is pretty in the face,
>And some like a girl that is slender in the waste,
>But give me a girl that will wriggle and will twist,
>At the bottom of the belly lies the cuckoo's nest.
>
>etc
>
>
>From: Star Fitzgerald
>Newsgroups: rec.music.folk
>
>Hmmmm.....the version of this song that I know is....
>
>"Some like a woman who is slender in the waist
>some like a woman is pretty in the face
>But I like a girl who wriggle and will twist
>At the bottom of the belly lies the cuckoo's Nest"
>
>or the counter part "The cucumber song"
>Some like a man who will open up the door,
>Some like a man who goes marching off to war,
>But give me a man who knows what his weapons for....
>at the bottom of the belly lies the cucumber."
>
>
>
>"Chicken On A Raft," words & music by Cyril Tawney; (C) Folk Directions 1966
>v.3
>We kissed goodbye on the midnight bus
>She didn't cry, she didn't fuss
>Am I the one that she loves best
>Or am I just a cuckoo in another man's nest?
>
>
>-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
>                  I am Abby Sale - in Orlando, Florida
>
>
>
>

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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 05:07:15 EST
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Subject: Oxford UP Sale
From: Fred McCormick <[unmask]>
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Date:Wed, 5 Jan 2005 08:43:12 EST
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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Stephanie Smith <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 09:22:09 -0500
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Scroll down.>>> [unmask] 01/05/05 05:07AM >>>
>>3  questions.>>2.    Could one  justifiably say that the Proffitts lived a few minutes'
drive from Doc  ?<<>I don't think so.  Frank Proffitt lived in the area of  Reese, NC, which
is
>west and a bit north of Boone.  Doc Watson lives  in Deep Gap, NC, which
is
>east (I think about 6 miles if I remember  correctly) of Boone.  The area
>where Proffitt lived has winding  roads and you can't get anywhere in a
few minutes.>My knowledge of N.C. geography is just about zilch. However, from
>what  you say, it sounds as if the two of them lived reasonably close to
>each other.  So "a few minutes drive" might have been a narrator's turn >of
phrase. The odd thing is that I have pretty good recall of just about >every
folk music documentary I've ever seen. If I'd seen another one of >Doc of
all people, I'm  sure it would be right there among the grey
>matter. Were there any other  well known musicians, living that close to
>the Proffitts, who I might be  thinking of ?Watauga County, NC and surrounding areas are music and story rich.  Ray
Hicks, singer and storyteller, lived in Beech Mountain near Banner Elk,
which is in Avery County, and his cousin Stanley Hicks lived I think in
Vilas, NC in Watauga County.  This is all west-ish of Boone, while Doc is
out the other side of town.  Some of Doc's family I think came from the
Triplett area, slightly south of Deep Gap and reputedly a pretty
"interesting" (for that read rough) community that's more isolated than Deep
Gap, which is on Hwy. 421, the main road to Wilkesboro.Unfortunately I don't have a copy here at work, but Thomas G. Burton's
_Some Ballad Folks_ focuses on the Hicks family and their kin; I'm certain
that Ray Hicks and Hattie Presnell are both in the book.  I lived in Boone
and worked at Appalachian State University quite a long time ago - one
possible source of information would be the Appalachian Collection librarian
at ASU.  (http://www.library.appstate.edu/appcoll/ )  I will also dig around
in our archive to see what documentaries we may have in the collection. Our
quirky film and video collection sometimes yields interesting treasures.Stephanie

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Subject: Re: Hank Williams and others
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 09:30:20 -0500
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About all things Carter I recommend "Will You Miss sMe When I'm
Gone?"  (Simon and Schuster 2002), by Mark Zwonitzer and Charles
Hirshberg.  They mention, for instance, the Williams/Anita Carter
duet.  According to the book, it was on the Kate Smith Evening Hour.  Anita
was to have a solo spot, but Roy Acuff got mad and had that eliminated.  So
Williams invited her to sing a duet with him.  He was a regular at the
Carter home at that time, and much taken with Anita.I think either of these authors would be the person for Paul to
contact.  They are not academics, but should be reachable through Simon and
Schuster.-- Bill McCarthyAt 07:33 PM 12/31/2004, Paul Garon wrote:
>Hi,
>
>Beth and I just watched the DVD of the Hank Williams story, called Hank
>Williams: Honky Tonk Blues. It was excellent. But when we talked about it
>afterward, we thought the two best parts were 1) where Hank sang a duet
>with Anita Carter, looking into each other's eyes, and 2) during an Opry
>appearance, we noticed June Carter singing slightly behind Hank. We
>wondered if there's any other publicly available footage of early June
>Carter. Is there much C & W stuff out there, in general?
>
>Happy New Year's to all,
>Paul Garon
>
>Paul and Beth Garon
>Beasley Books (ABAA)
>1533 W. Oakdale
>Chicago, IL 60657
>(773) 472-4528
>(773) 472-7857 FAX
>[unmask]

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Subject: Re: Bruton Town
From: Fred McCormick <[unmask]>
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Date:Wed, 5 Jan 2005 09:46:27 EST
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Subject: Re: The Cuckoo
From: Fred McCormick <[unmask]>
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Date:Wed, 5 Jan 2005 09:48:21 EST
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Subject: Re: Bruton Town
From: Fred McCormick <[unmask]>
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Date:Wed, 5 Jan 2005 09:48:34 EST
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Subject: Re: The Cuckoo
From: Bill McCarthy <[unmask]>
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Date:Wed, 5 Jan 2005 09:54:41 -0500
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At 08:25 PM 1/3/2005, Joe Fineman wrote:
>But what does the first line mean?  My
>     guess was, "Just because he forsakes me I won't let the whole
>     male sex swear off me," but that seems rather farfetched.  Could
>     it mean then "...I won't pretend that my feelings are other than
>     they are (i.e., relief)"?  It's still pretty obscure.If I am forsaken I won't be foresworn:How about:We both swore fidelity.  He may break his oath, but that won't make me
break mine.Bill McC

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Subject: Re: The Cuckoo
From: Heather Wood <[unmask]>
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Date:Wed, 5 Jan 2005 10:43:56 EST
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Subject: The Cuckoo's Nest (Was "The Cuckoo")
From: Jonathan Lighter <[unmask]>
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Date:Wed, 5 Jan 2005 07:56:33 -0800
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Subject: Tyoons
From: Paul G Beidler <[unmask]>
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Date:Wed, 5 Jan 2005 10:56:37 -0500
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Subject: Re: The Cuckoo's Nest (Was "The Cuckoo")
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 11:04:40 -0500
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>...Modernity, paternity, and fiddling with the melody all testify to
>Brand's pastiche, which scholars must revile.
>
>JLI used to think this way, too, but now I simply regard it as part of
the "folk process."  I see Brand as a bearer of tradition who, like
many others less publicly, "improve" items in their repertoires for
various reasons.John
--
john garst    [unmask]

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Subject: Re: The Cuckoo's Nest (Was "The Cuckoo")
From: Heather Wood <[unmask]>
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Date:Wed, 5 Jan 2005 11:29:50 EST
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Subject: Re: The Cuckoo's Nest (Was "The Cuckoo")
From: Jonathan Lighter <[unmask]>
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Date:Wed, 5 Jan 2005 08:34:37 -0800
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Subject: Re: The Cuckoo
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 12:23:55 EST
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Subject: Re: The Cuckoo's Nest (Was "The Cuckoo")
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 11:32:10 -0600
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----- Original Message -----
From: "Heather Wood" <[unmask]>In a message dated 1/5/2005 11:04:56 AM Eastern Standard Time,
[unmask] writes:
I see Brand as a bearer of tradition who, like
many others less publicly, "improve" items in their repertoires for
various reasons.<<Absolutely agree.People like Brand, Kingston Trio, Spinners, etc. reach audiences that
dyed-in-the-wool revivalists can never touch. And some of those audiences
may well
come to the tradition by this route.You don't start a baby off on steak.>>Agreed, except that Heather modestly omits Young Tradition from the list of
popularizers who did worlds to introduce new people to the tradition. And
they were filet mignon.One of the reasons the folk revival is greying in the USA is that there is
not an equivalent of the Kingston Trio singing ultra-accessible renditions
of traditional material in the pop-music world. There's a good crop of new,
young musicians in Britain, and there are a few in the USA, but the latter
haven't broken out of the "folkie" world into the mainstream culture. There
have been a few attempts by singers like Bethany Yarrow, Erica Smith and
Natalie Merchant to fuse contemporary sounds with traditional material, but
they don't seem to have had a discernable impact on the culture at large.Peace,
Paul

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Subject: Re: The Cuckoo's Nest (Was "The Cuckoo")
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 11:36:17 -0600
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----- Original Message -----
From: "Jonathan Lighter" <[unmask]><<I agree, John, but the pedant in me is troubled by the uncritical
retailing of factitious modern versions as artifacts brought to you straight
from the past, when everybody spoke and thought exactly as we do today.Of course, that's always been a popular view.To judge simply from the number of his texts on the Net, Brand has been one
of the most influential redactors of American folk songs in the past hundred
years.>>That is, I think, an artifact; probably more people sing "the Pete Seeger
version" of trad. songs than anyone else's; many of his came from the
Lomaxes. In second/third places are probably the KT/Baez versions.Peace,
Paul

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Subject: Re: The Cuckoo's Nest (Was "The Cuckoo")
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 13:45:03 -0500
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>I agree, John, but the pedant in me is troubled by the
>uncritical retailing of factitious modern versions as artifacts
>brought to you straight from the past....Is Brand guilty here?If so, then he is not different from those anonymous bearers of
tradition who have not indicated that they introduced alterations.Since Brand is not anonymous, I think he should have indicated that
he had fiddled with texts.John
--
john garst    [unmask]

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Subject: Re: Cuckoo
From: Margaret MacArthur <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 13:26:13 -0700
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>>Lisa wrote:  ...If I am forsaken,
>>   I know not for why.
>>
>>   If I am forsaken,
>>   I'll not be forsworn,
>>   And he's surely mistaken
   If he thinks that I'll mourn.
--
The last verse of Walkin and a Talkin collected by Helen Flanders
from Vermonters Myra Daniels and her brother Elmer George in the
early 1940s is:And if I am forsaken it's only by one
He is surely mistaken if he thinks I'm undone
I can court as many by him as he does by me
So fare you well you young men I'll court two or threeMegan sings it on our 1981 family record Make the Wildwoods Ring
recently re-mastered onto CD.The five verses include the Cuckoo. Please respond privately if you
would like the whole of it.
Margaret MacArthur

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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 5 Jan 2005 12:31:26 -0800
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In the  early 1960s, I made two recordings of Frank
Proffitt at his hme in what was t hen Reede, NC (the
post office was closed shortly thereafter, and Frank's
address became Sugar Grove). The first of these two
recordings I gave to Moe Asch at Folkways, who issued
it on Lp, with notes written by Frank Warner, the
collector who had recorded Frank Proffitt back in
1938. This LP should now be available from
Smithsonian/Folkways as one of their "custom" CDs.
     The second album recorded at that time was issued
by Folk-Legacy Records (my own label) and is now
available as a CD. I later recorded a  third album of
Frank Proffitt during his visit to my home in Vermont
shortly before his untimely death. I had hoped to
re-record some of the material back at Frank's home in
North Carolina, where he was more comfortable, but his
death came first. Those Vermont tapes were issued as
Folk-Legacy's "Memorial Album." This has not yet been
re-mastered digitally, but is available as a cassette.
     The tiny town of Reese was too far from Deep Gap
to be considered "a few minutes" drive. Same region of
northwestern North Carolina, yes, but a sight more
that "a few minutes" apart.
     Sandy Paton
     Folk-Legacy Records
<http://www.folk-legacy.com>--- Stephanie Smith <[unmask]> wrote:> Scroll down.
>
> >>> [unmask] 01/05/05 05:07AM >>>
> >>3  questions.
>
> >>2.    Could one  justifiably say that the
> Proffitts lived a few minutes'
> drive from Doc  ?<<
>
> >I don't think so.  Frank Proffitt lived in the area
> of  Reese, NC, which
> is
> >west and a bit north of Boone.  Doc Watson lives
> in Deep Gap, NC, which
> is
> >east (I think about 6 miles if I remember
> correctly) of Boone.  The area
> >where Proffitt lived has winding  roads and you
> can't get anywhere in a
> few minutes.
>
> >My knowledge of N.C. geography is just about zilch.
> However, from
> >what  you say, it sounds as if the two of them
> lived reasonably close to
> >each other.  So "a few minutes drive" might have
> been a narrator's turn >of
> phrase. The odd thing is that I have pretty good
> recall of just about >every
> folk music documentary I've ever seen. If I'd seen
> another one of >Doc of
> all people, I'm  sure it would be right there among
> the grey
> >matter. Were there any other  well known musicians,
> living that close to
> >the Proffitts, who I might be  thinking of ?
>
> Watauga County, NC and surrounding areas are music
> and story rich.  Ray
> Hicks, singer and storyteller, lived in Beech
> Mountain near Banner Elk,
> which is in Avery County, and his cousin Stanley
> Hicks lived I think in
> Vilas, NC in Watauga County.  This is all west-ish
> of Boone, while Doc is
> out the other side of town.  Some of Doc's family I
> think came from the
> Triplett area, slightly south of Deep Gap and
> reputedly a pretty
> "interesting" (for that read rough) community that's
> more isolated than Deep
> Gap, which is on Hwy. 421, the main road to
> Wilkesboro.
>
> Unfortunately I don't have a copy here at work, but
> Thomas G. Burton's
> _Some Ballad Folks_ focuses on the Hicks family and
> their kin; I'm certain
> that Ray Hicks and Hattie Presnell are both in the
> book.  I lived in Boone
> and worked at Appalachian State University quite a
> long time ago - one
> possible source of information would be the
> Appalachian Collection librarian
> at ASU.  (http://www.library.appstate.edu/appcoll/ )
>  I will also dig around
> in our archive to see what documentaries we may have
> in the collection. Our
> quirky film and video collection sometimes yields
> interesting treasures.
>
> Stephanie
>

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Subject: SEM at 50 -- Call for Papers
From: Judy McCulloh <[unmask]>
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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Fred McCormick <[unmask]>
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Date:Thu, 6 Jan 2005 05:15:21 EST
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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 08:00:02 -0500
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Hello all:Fred, Sandy:  Would you know if the Hicks Mr. McCormick mentioned is the same family as mentioned in the song by the same name, "Hicks Farewell" ?  - talk about your haunting melodies.SRich
>
> From: Fred McCormick <[unmask]>
> Date: 2005/01/06 Thu AM 05:15:21 EST
> To: [unmask]
> Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
>
>
> Hi Sandy and Stephanie,
>
> The name of Hicks has jogged my memory. The Hicks family was featured in  the
> Alan Lomax documentary series, American Patchwork; the episode which  dealt
> with The Southern Appalachians. The Proffitt family was featured also,
> although Frank had died many years before of course.
>
> I recorded the series from the tv but unfortunately I no longer have  that
> episode. It got taped over by accident. But I wouldn't mind betting that  was
> the prgramme I was thinking of.
>
> Cheers,
>
> Fred McCormick.
>
> In a message dated 05/01/2005 20:31:53 GMT Standard Time,
> [unmask] writes:
>
> In  the  early 1960s, I made two recordings of Frank
> Proffitt at his hme  in what was t hen Reede, NC (the
> post office was closed shortly thereafter,  and Frank's
> address became Sugar Grove). The first of these  two
> recordings I gave to Moe Asch at Folkways, who issued
> it on Lp, with  notes written by Frank Warner, the
> collector who had recorded Frank  Proffitt back in
> 1938. This LP should now be available  from
> Smithsonian/Folkways as one of their "custom" CDs.
> The second album recorded at that time was issued
> by  Folk-Legacy Records (my own label) and is now
> available as a CD. I later  recorded a  third album of
> Frank Proffitt during his visit to my home  in Vermont
> shortly before his untimely death. I had hoped to
> re-record  some of the material back at Frank's home in
> North Carolina, where he was  more comfortable, but his
> death came first. Those Vermont tapes were issued  as
> Folk-Legacy's "Memorial Album." This has not yet been
> re-mastered  digitally, but is available as a cassette.
> The tiny  town of Reese was too far from Deep Gap
> to be considered "a few minutes"  drive. Same region of
> northwestern North Carolina, yes, but a sight  more
> that "a few minutes" apart.
> Sandy  Paton
> Folk-Legacy  Records
> <http://www.folk-legacy.com>
>
>
> --- Stephanie Smith  <[unmask]> wrote:
>
> > Scroll down.
> >
> >  >>> [unmask] 01/05/05 05:07AM >>>
> >  >>3  questions.
> >
> > >>2.    Could  one  justifiably say that the
> > Proffitts lived a few  minutes'
> > drive from Doc  ?<<
> >
> > >I don't  think so.  Frank Proffitt lived in the area
> > of  Reese, NC,  which
> > is
> > >west and a bit north of Boone.  Doc Watson  lives
> > in Deep Gap, NC, which
> > is
> > >east (I think  about 6 miles if I remember
> > correctly) of Boone.  The  area
> > >where Proffitt lived has winding  roads and you
> >  can't get anywhere in a
> > few minutes.
> >
> > >My knowledge  of N.C. geography is just about zilch.
> > However, from
> >  >what  you say, it sounds as if the two of them
> > lived  reasonably close to
> > >each other.  So "a few minutes drive"  might have
> > been a narrator's turn >of
> > phrase. The odd thing  is that I have pretty good
> > recall of just about >every
> > folk  music documentary I've ever seen. If I'd seen
> > another one of >Doc  of
> > all people, I'm  sure it would be right there among
> >  the grey
> > >matter. Were there any other  well known  musicians,
> > living that close to
> > >the Proffitts, who I might  be  thinking of ?
> >
> > Watauga County, NC and surrounding  areas are music
> > and story rich.  Ray
> > Hicks, singer and  storyteller, lived in Beech
> > Mountain near Banner Elk,
> > which is  in Avery County, and his cousin Stanley
> > Hicks lived I think in
> >  Vilas, NC in Watauga County.  This is all west-ish
> > of Boone,  while Doc is
> > out the other side of town.  Some of Doc's family  I
> > think came from the
> > Triplett area, slightly south of Deep  Gap and
> > reputedly a pretty
> > "interesting" (for that read rough)  community that's
> > more isolated than Deep
> > Gap, which is on Hwy.  421, the main road to
> > Wilkesboro.
> >
> > Unfortunately I  don't have a copy here at work, but
> > Thomas G. Burton's
> > _Some  Ballad Folks_ focuses on the Hicks family and
> > their kin; I'm  certain
> > that Ray Hicks and Hattie Presnell are both in the
> >  book.  I lived in Boone
> > and worked at Appalachian State  University quite a
> > long time ago - one
> > possible source of  information would be the
> > Appalachian Collection librarian
> > at  ASU.  (http://www.library.appstate.edu/appcoll/ )
> >  I will  also dig around
> > in our archive to see what documentaries we may  have
> > in the collection. Our
> > quirky film and video collection  sometimes yields
> > interesting treasures.
> >
> >  Stephanie
> >
>
>
>
>
>
>

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Subject: Joe Heaney Raidio na Gaeltacht Programme
From: Fred McCormick <[unmask]>
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Date:Thu, 6 Jan 2005 08:06:24 EST
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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Fred McCormick <[unmask]>
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Date:Thu, 6 Jan 2005 10:17:05 EST
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Subject: Horses thirty and three
From: Mary LaMarca <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 11:13:12 -0500
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Hi - I'm new to the list, but recognize a lot of the contributors!  Joe Hickerson
recommended I post my question here:In many traditional ballads, such as The Outlandish Knight (Child 4) or The
Lochmaben Harper (Child 192), characters go to a stable, where there ALWAYS
(well, almost always - I know there are exceptions) stand "horses thirty and three".
Why thirty and three?Is there a link between this number in traditional balladry and the "33" on Rolling
Rock bottles (near the horse's head)? Is it a reference to the 33 steps of the Scottish
Rite Masonic Order (although most ballads pre-date the Masons, I think)?  Is it a
reference to Christ's 33 years on earth - but why horses in stables?  What is the
significance of "thity and three". And what about Naomi?

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Subject: Re: Horses thirty and three
From: [unmask]
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Date:Thu, 6 Jan 2005 11:34:20 EST
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Subject: Re: Horses thirty and three
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 09:26:03 -0800
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Wimberly's _Folklore in the English and Scottish Ballads_  makes no mention of "thirty and three," but does refer to "four and twenty" maidens.  He refers the curious to Child V, p. 490.----- Original Message -----
From: [unmask]
Date: Thursday, January 6, 2005 8:34 am
Subject: Re: Horses thirty and three> In a message dated 1/6/2005 4:23:22 PM GMT Standard Time,
> [unmask] writes:
>
> > In many traditional ballads, such as The Outlandish Knight (Child
> 4) or The
> > Lochmaben Harper (Child 192), characters go to a stable, where
> there ALWAYS
> > (well, almost always - I know there are exceptions) stand "horses
> thirty and
> > three".
> > Why thirty and three?
> >
>
> I can only make three suggestions - and neither of them relate to any
> mystical thinking - the song-maker's intention was to give the
> impression of a rich
> household - for that any largish number (that scans) might do -
> twenty and
> three, sixty and three, forty and four - second point, try singing
> those, "thirty
> and three" rolls of the tongue and is alliterative so it's easier -
> andfinally, the syllable "ee" is the easiest one to make rhyme in
> English.
> As to the other connections, I have no clue.
>
> John Moulden
>

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Subject: Re: Horses thirty and three
From: Elizabeth Hummel <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 12:29:33 -0500
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Doesn't the later song "pretty peg" also have a line that refers to "thirty steps and three?" for the latter that her lover climbs?  I always assumed that one was a rhyme scheme thing too.Liz-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of edward cray
Sent: Thursday, January 06, 2005 12:26 PM
To: [unmask]
Subject: Re: Horses thirty and threeWimberly's _Folklore in the English and Scottish Ballads_  makes no mention of "thirty and three," but does refer to "four and twenty" maidens.  He refers the curious to Child V, p. 490.----- Original Message -----
From: [unmask]
Date: Thursday, January 6, 2005 8:34 am
Subject: Re: Horses thirty and three> In a message dated 1/6/2005 4:23:22 PM GMT Standard Time,
> [unmask] writes:
>
> > In many traditional ballads, such as The Outlandish Knight (Child
> 4) or The
> > Lochmaben Harper (Child 192), characters go to a stable, where
> there ALWAYS
> > (well, almost always - I know there are exceptions) stand "horses
> thirty and
> > three".
> > Why thirty and three?
> >
>
> I can only make three suggestions - and neither of them relate to any
> mystical thinking - the song-maker's intention was to give the
> impression of a rich
> household - for that any largish number (that scans) might do -
> twenty and
> three, sixty and three, forty and four - second point, try singing
> those, "thirty
> and three" rolls of the tongue and is alliterative so it's easier -
> andfinally, the syllable "ee" is the easiest one to make rhyme in
> English.
> As to the other connections, I have no clue.
>
> John Moulden
>

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Subject: Re: Horses thirty and three
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 12:19:36 -0600
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On 1/6/05, Elizabeth Hummel wrote:>Doesn't the later song "pretty peg" also have a line that refers to "thirty steps and three?" for the latter that her lover climbs?  I always assumed that one was a rhyme scheme thing too.Without having time to go into this deeply, the point is that the
numbers sound parallel. There is also a Biblical feeling to it:
"How many times shall I forgive my neighbour? As many as seven
times?" Jesus replies, "Not seven times, but seventy times seven
times." (So the King James version of Matthew 18:22, anyway, though
that's a typical King James mistranslation; the Greek of the verse
has two words, an odd word for "seventy" and the usual word for
"seven"; most scholars now think the correct translation is
"seventy-seven times.")The point, I think, is just that longer numbers sound more
impressive. So you'll get "four-and-twenty" rather than
"twenty-four." And it's earier to rhyme "four-and-twenty"
than "twenty-four" anyway.The thirty-and-three is preferred because of the alliteration,
I'm sure.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Horses thirty and three
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 13:30:30 -0500
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>Wimberly's _Folklore in the English and Scottish Ballads_  makes no
>mention of "thirty and three," but does refer to "four and twenty"
>maidens.  He refers the curious to Child V, p. 490.
>(Ed)Isn't it also "four and twenty" blackbirds that are baked in a pie?Has anybody here ever had blackbird pie?John

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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Thomas Stern <[unmask]>
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Date:Thu, 6 Jan 2005 13:50:33 -0500
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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Sandy Paton <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 11:27:08 -0800
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I apologize for all the typos in my note about Frank
Proffitt. The town name, of course, was Reese, not
Reede. Frank's wife, Bessie, was the sister of Ray
Hicks, the later-to-be-noted teller of Jack tales. It
was Frank's encouragement that convinced Ray to let me
record his telling of a number of the tales, which I
did at Ray's home on Beech Mountain in 1963. Four of
these Jack tales I issued on LP back in 1964. This
recording was later issued as a cassette, and is
currently available as a CD, along with an
accompanying booklet of transcriptions of the tales, a
help for those who are unfamiliar with Ray's
remarkably rich southern Appalachian speech.
     Sandy Paton
     Folk-Legacy Records--- Thomas Stern <[unmask]> wrote:> The entire American Patchwork series is available on
> VHS, but
> unfortunately not yet on DVD:
>
http://www.rounder.com/series/lomax_alan/patchwrk.html
> http://guitarvideos.com/vesta/00complete.htm
> Best wishes, Thomas.
>
> Fred McCormick wrote:
>
> > Hi Sandy and Stephanie,
> >
> > The name of Hicks has jogged my memory. The Hicks
> family was featured
> > in the Alan Lomax documentary series, American
> Patchwork; the episode
> > which dealt with The Southern Appalachians. The
> Proffitt family was
> > featured also, although Frank had died many years
> before of course.
> >
> > I recorded the series from the tv but
> unfortunately I no longer have
> > that episode. It got taped over by accident. But I
> wouldn't mind
> > betting that was the prgramme I was thinking of.
> >
> > Cheers,
> >
> > Fred McCormick.
> >
> > In a message dated 05/01/2005 20:31:53 GMT
> Standard Time,
> > [unmask] writes:
> >
> >     In the  early 1960s, I made two recordings of
> Frank
> >     Proffitt at his hme in what was t hen Reede,
> NC (the
> >     post office was closed shortly thereafter, and
> Frank's
> >     address became Sugar Grove). The first of
> these two
> >     recordings I gave to Moe Asch at Folkways, who
> issued
> >     it on Lp, with notes written by Frank Warner,
> the
> >     collector who had recorded Frank Proffitt back
> in
> >     1938. This LP should now be available from
> >     Smithsonian/Folkways as one of their "custom"
> CDs.
> >          The second album recorded at that time
> was issued
> >     by Folk-Legacy Records (my own label) and is
> now
> >     available as a CD. I later recorded a  third
> album of
> >     Frank Proffitt during his visit to my home in
> Vermont
> >     shortly before his untimely death. I had hoped
> to
> >     re-record some of the material back at Frank's
> home in
> >     North Carolina, where he was more comfortable,
> but his
> >     death came first. Those Vermont tapes were
> issued as
> >     Folk-Legacy's "Memorial Album." This has not
> yet been
> >     re-mastered digitally, but is available as a
> cassette.
> >          The tiny town of Reese was too far from
> Deep Gap
> >     to be considered "a few minutes" drive. Same
> region of
> >     northwestern North Carolina, yes, but a sight
> more
> >     that "a few minutes" apart.
> >          Sandy Paton
> >          Folk-Legacy Records
> >     <http://www.folk-legacy.com>
> >
> >
> >     --- Stephanie Smith <[unmask]>
> wrote:
> >
> >     > Scroll down.
> >     >
> >     > >>> [unmask] 01/05/05 05:07AM >>>
> >     > >>3  questions.
> >     >
> >     > >>2.    Could one  justifiably say that the
> >     > Proffitts lived a few minutes'
> >     > drive from Doc  ?<<
> >     >
> >     > >I don't think so.  Frank Proffitt lived in
> the area
> >     > of  Reese, NC, which
> >     > is
> >     > >west and a bit north of Boone.  Doc Watson
> lives
> >     > in Deep Gap, NC, which
> >     > is
> >     > >east (I think about 6 miles if I remember
> >     > correctly) of Boone.  The area
> >     > >where Proffitt lived has winding  roads and
> you
> >     > can't get anywhere in a
> >     > few minutes.
> >     >
> >     > >My knowledge of N.C. geography is just
> about zilch.
> >     > However, from
> >     > >what  you say, it sounds as if the two of
> them
> >     > lived reasonably close to
> >     > >each other.  So "a few minutes drive" might
> have
> >     > been a narrator's turn >of
> >     > phrase. The odd thing is that I have pretty
> good
> >     > recall of just about >every
> >     > folk music documentary I've ever seen. If
> I'd seen
> >     > another one of >Doc of
> >     > all people, I'm  sure it would be right
> there among
> >     > the grey
> >     > >matter. Were there any other  well known
> musicians,
> >     > living that close to
> >     > >the Proffitts, who I might be  thinking of
> ?
> >     >
> >     > Watauga County, NC and surrounding areas are
> music
> >     > and story rich.  Ray
> >     > Hicks, singer and storyteller, lived in
> Beech
> >     > Mountain near Banner Elk,
> >     > which is in Avery County, and his cousin
> Stanley
> >     > Hicks lived I think in
> >     > Vilas, NC in Watauga County.  This is all
> west-ish
> >     > of Boone, while Doc is
> >     > out the other side of town.  Some of Doc's
> family I
> >     > think came from the
> >     > Triplett area, slightly south of Deep Gap
> and
> >     > reputedly a pretty
> >     > "interesting" (for that read rough)
> community that's
> >     > more isolated than Deep
> >     > Gap, which is on Hwy. 421, the main road to
> >     > Wilkesboro.
> >     >
> >     > Unfortunately I don't have a copy here at
> work, but
> >     > Thomas G. Burton's
> >     > _Some Ballad Folks_ focuses on the Hicks
> family and
> >     > their kin; I'm certain
> >     > that Ray Hicks and Hattie Presnell are both
> in the
> >     > book.  I lived in Boone
> >     > and worked at Appalachian State University
> quite a
> >     > long time ago - one
> >     > possible source of information would be the
> >     > Appalachian Collection librarian
> >     > at ASU.
> (http://www.library.appstate.edu/appcoll/ )
> >     >  I will also dig around
> >     > in our archive to see what documentaries we
> may have
> >     > in the collection. Our
> >     > quirky film and video collection sometimes
> yields
> >     > interesting treasures.
> >     >
> >     > Stephanie
> >     >
> >
> >
>
>

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Subject: 33
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 11:50:03 -0800
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That's the *ladder* in "Keach in the Creel" (Child
281)."Doesn't the later song "pretty peg" also have a line
that refers to "thirty steps and three?" for the
latter that her lover climbs??"

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Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 16:06:44 -0500
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Fred :It may be similar, but is much nicer.  It is in e minor. and has 9 verses, which may qualify for the appalachian ballad group.  My listing is showing it as traditional.  I may be able to transcribe the words and get you a copy of the melody if interested.SRich
>
> From: Fred McCormick <[unmask]>
> Date: 2005/01/06 Thu AM 10:17:05 EST
> To: [unmask]
> Subject: Re: BBC's Country Music Night / Doc Watson and Frank Proffitt
>
>
> Hi Samuel,
>
> I've just hit a website (_http://www.geocities.com/Nashville/3448/hicks.html_
> (http://www.geocities.com/Nashville/3448/hicks.html) )  which says that Hicks
> was from Spartanburg County, S.C. So it  looks unlikely unless the N.C. Hicks
> had travelled around quite a  bit.
>
> Regarding the haunting melody, am I correct in hearing a connection there
> with the tune of the House of the Rising Sun ?
>
> Cheers,
>
> Fred McCormick.
>
> In a message dated 06/01/2005 13:00:28 GMT Standard Time,
> [unmask] writes:
>
> Hello  all:
>
> Fred, Sandy:  Would you know if the Hicks Mr. McCormick  mentioned is the
> same family as mentioned in the song by the same name, "Hicks  Farewell" ?  -
> talk about your haunting  melodies.
>
> SRich
>
>
>

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Subject: Re: Horses thirty and three
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 16:19:43 -0500
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On Thursday, January 06, 2005 1:30 PM John Garst wrote
> Has anybody here ever had blackbird pie?Not lately.
For Opie-Oxford2 486, "Sing a song of sixpence", the Opies note "In an
Italian cookery book, Epulario, quale tratta del modo de cucinare ogni
carne...(1549...) there is a recipe 'to make pies soi that the birds may be
alive in them and flie out when it is cut up.'  This dish is further
referred to (1723) by John Nott, cook to the Duke of Bolton, as a practice
of former days, the purpose of the birds being to put out the candles and so
cause a 'diverting Hurley-Burley amongst the Guests in the Dark'."Born 400 years too late.
Again!!!Ben Schwartz

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Subject: Re: Bruton Town & list of Non-Child
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 16:59:03 -0500
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On Wed, 5 Jan 2005 09:46:27 EST, Fred McCormick wrote:>Unfortunately, the results were as negative as I had feared, although I
>suppose that in itself is some support for the contention that Child didn't know
>about it. After all, if he did know about the ballad, and rejected it,  there
>would presumably be something in his papers to that effect. Overall,  I think
>it's safe to assume that the ballad simply turned up too late for  Child's
>collection.This has upcometh before.  There are three resources I know of.  None are
excellent but do indicate something.1) Child's actual notes.  I believe the Loomis edition will contain them
all.2) Kitteredge's comments.  He probably knew Child's methods better than
anyone and was a superm scholar himself.3) Child's _English and Scottish Ballads_ in V volumes, pub 1857.  I only
have vol I and its contents but a full list of all might be very helpful.
It certainly includes ballads not included in ESPB.  (I'll say here this
volume was "found" and given to me by my first love back in the pre-'60s.
She died just two years ago.)Thus we infer (& Kitteredge _says_) that "Popular" was one key and critical
criterion.  It must have been known to be informally sung and learned by ANY
stratum of society.I'll include my list of "Non-Child English and Scottish Popular Ballads."
Ie, those likely known to Child but not included in ESPB.  It most likely
needs amending - any comments appreciated.  A cursory look at the 1857 E&SB
vol 1 only, shows Child did know "Lyke-Wake Dirge.""On GBBNiC" means on Riverside/Wash. _Great British Ballads Not in Child_Bitter Withy, The (on GBBNiC)
Black [Blue] Velvet Band, The
Blind Beggars Daughter of Bethnal Green, The (on GBBNiC)
Bold Fisherman, The (on GBBNiC)
Bramble Briar, The
Bramble Briar, The (on GBBNiC)
Butcher Boy/Wexford Girl/Berkshire Tragedy/Bloody Miller/Hanged I Shall Be
/ Grieve Oh Grieve, etc.
Canadee-I-O / Caledonia
Cruel Ship's Carpenter, The/The Gosport Tragedy/Pretty Polly (see Long
        Harvest vol. 2)  (in which he kills & buries her)
Down in yon Forest (on GBBNiC)
Dreadful Ghost/The Sailor and the Ghost (see Long Harvest vol. 2) (in which
        she kills herself)
Eggs and Marrowbones / Marrowbones / Johnny Sands (& Betsy Haig) / The Wife
        of Kelso / The Rich Old Lady)
Fair Rosamund
Fox, The - The Ballad Index gives earliest printing of this in _Gammer
        Gurton's Garland_, London : Printed for R. Triphook by Harding and
        Wright, in 1810         (also Glasgow in 1866) from the collections of
        Joseph Ritson; 1752-1803
Holy Well, The (on GBBNiC)
Lang A-Growing (The Trees They Do Grow High)
Lang A-Growing (The Trees They Do Grow High) (on GBBNiC)
Molly Bawn / Polly Vaugh(a)n / The Fowler / The Shooting of His Dear
Old She-Crab, The (Sea-Crab) Per Randolph/Legman was in Percy which Child
        helped assemble (so he was familiar with it!) Child, said, Legman
        omitted this as he didn't use ballads about which the main character
        was an animal!!!
Old Woman of Slapsdam (Wexford, etc) or Marrowbones (see the book, Long
        Harvest & Greig "The Wily Auld Man")
Seven Virgins, The (on GBBNiC)
Shooting of His Dear, The (Polly Vaughan) (on GBBNiC)
Six Dukes Went A-Fishing (well, maybe it's Death of Queen Jane, appen) (on
        GBBNiC)
Three Butchers, The (Dixon and Johnson) earliest date: c. 1678
Who Killed Cock Robin (from Ed Cray 2/19/97)
Willie Moore
Ye Weddinge of Ye Frogge and Miss Mouse
Young Edwin in the Lowlands Low (Young Emily, etc)(the following additions are from TradMan)Bruton Town
Corpus Christi
Devil and the Feathery Wife
Lyke-Wake Dirge
Matt Hyland
My Husband Has No Courage
Swap Song
Where Are You Going, My Good Old Man?
Yarmouth Town
-------------------------------------------------------------------------For reasons no one understands, the Kittredge one-volume omits the
following:33: Kempy Kay
279: The Jolly Beggar
279_appen: The Gaberlunzie Man  (My favorite ballad of all)
281: Keach in the Creel
290: The Wylie Wife of the Hie Toun Hie
299: The Trooper and the Maid-------------------------------------------------------------------------To: [unmask]
Subject: Re: More on the Wooing Frog
From: scott utley <[unmask]>
Date: Sat, 17 Apr 2004 07:05:43 -0400Further canditates for "Child Ballads" these notes are from Francis Utley's
cambridge student edition of Child (1929)He studied under GL Kittredge, who completed editing vol 10 from child's ms.
I take it that GLK did not consider the canon closed.1.. Auld Maitland in Scott Minstrelsy Henderson 244-57
2.. Bitter Withy in Gummere Popular Ballad p 228
3.. Blind Beggar of Bednall Green in Hales & Furnival II 281-9
4.. Seven Virgins oxford book of english verse no 382
5.. Shooting of his Dear or Molly Bawn in Campbell and Sharp 159-50 cox
and pound
6.. Lyke-Wake Dirge Oxford Book of English Verse no 381
7.. Corpus Christi Chambers & Sedgwick p 357
8.. Bold Fisherman in Fuller & Maitland County Songs 110 (1893)
9.. Bruton Town or Bramble Briar Belden PMLA 33 327-95
10.. Twelfth Day Greg MLR, Brown ELTC-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Bruton Town & list of Non-Child
From: Jonathan Lighter <[unmask]>
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Date:Thu, 6 Jan 2005 15:05:27 -0800
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Subject: Re: Bruton Town & list of Non-Child
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 23:49:18 -0000
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----- Original Message -----
From: "Jonathan Lighter" <[unmask]>
To: <[unmask]>
Sent: 06 January 2005 23:05
Subject: Re: Bruton Town & list of Non-Child> Our campus library owns all 4 volumes of "English and Scottish  Ballads," and I should be able to
post the complete contents over the next week or so.
>
> And in recent years a version of "The Fox" appears in a 14th or 15th century manuscript. The find
appeared in JAF, but I don't have the precise reference to hand.
>
> JL"English and Scottish Ballads" is available online in facsimile via the University of Michigan's
"Making of America", athttp://www.hti.umich.edu/m/moagrp/Bruce Olson (I think; it was one of his anonymous phases) posted "'Pax uobis' quod the ffox" and
"The fals fox came vnto our croft", both from Robbins,  Secular Lyrics, 1955, athttp://www.mudcat.org/thread.cfm?threadid=49618#756057Is the JAF text another such?Malcolm Douglas

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Subject: Disclaimer: It was me, but it wasn't really my letter
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 18:01:19 -0600
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For the record:If any of you were listening to Thursday's All Things Considered,
and heard "Robert Waltz" quoted in the letters segment -- yes, I
sent them a letter. And, yes, it was on the subject of songs with
the same tune.I had no expectation of them reading it, though, so I gave them a
four-paragraph treatment of the history of re-using tunes, with the
thought they'd put it on file and stop running such silly stories.Well, they *did* read it, technically -- omitting the first two
paragraphs, the whole point, and about 90% of last part, too. If
you heard it, not one sentence of what was read matched what I
actually wrote.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Bruton Town & list of Non-Child
From: Jonathan Lighter <[unmask]>
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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: Jonathan Lighter <[unmask]>
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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 20:39:07 -0600
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On 1/6/05, Jonathan Lighter wrote:>Don't be surprised, Bob.  By sending a letter to the popular media, you implicitly give them the right to "edit" what you say to fit time/space/style constraints.Oh, I know that, and I've had the local newspaper do even worse violence
to my Letters to the Editor. NPR at least extracted *a* point, it just
wasn't *the* point.In context, I don't see why they didn't quote someone else's letter,
since it probably would have better said what they wanted to say.Remember, this is National Public Radio. If *they* mess up, what's
left in the way of media that supplies usable information?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Bruton Town & list of Non-Child
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 20:41:45 -0800
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Malcom:I am gratified that the late Bruce Olson's research effortsare still recalled.Thank you,Ed----- Original Message -----
From: Malcolm Douglas <[unmask]>
Date: Thursday, January 6, 2005 3:49 pm
Subject: Re: Bruton Town & list of Non-Child> ----- Original Message -----
> From: "Jonathan Lighter" <[unmask]>
> To: <[unmask]>
> Sent: 06 January 2005 23:05
> Subject: Re: Bruton Town & list of Non-Child
>
>
> > Our campus library owns all 4 volumes of "English and Scottish
> Ballads," and I should be able to
> post the complete contents over the next week or so.
> >
> > And in recent years a version of "The Fox" appears in a 14th or
> 15th century manuscript. The find
> appeared in JAF, but I don't have the precise reference to hand.
> >
> > JL
>
> "English and Scottish Ballads" is available online in facsimile via
> the University of Michigan's
> "Making of America", at
>
> http://www.hti.umich.edu/m/moagrp/
>
> Bruce Olson (I think; it was one of his anonymous phases) posted
> "'Pax uobis' quod the ffox" and
> "The fals fox came vnto our croft", both from Robbins,  Secular
> Lyrics, 1955, at
>
> http://www.mudcat.org/thread.cfm?threadid=49618#756057
>
> Is the JAF text another such?
>
>
> Malcolm Douglas
>

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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 6 Jan 2005 20:49:57 -0800
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Bob et al:As (I think) the only working journalist on this list, I wonder if I might defend the ATC crew -- a very tiny bit.The segment has toi fit -- and believe me when I tell you that the sweep of that hand is inexorable.So I might favor compression.  I do NOT favor distortion.Ed
----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
Date: Thursday, January 6, 2005 6:39 pm
Subject: Re: Disclaimer: It was me, but it wasn't really my letter> On 1/6/05, Jonathan Lighter wrote:
>
> >Don't be surprised, Bob.  By sending a letter to the popular
> media, you implicitly give them the right to "edit" what you say to
> fit time/space/style constraints.
>
> Oh, I know that, and I've had the local newspaper do even worse
> violenceto my Letters to the Editor. NPR at least extracted *a*
> point, it just
> wasn't *the* point.
>
> In context, I don't see why they didn't quote someone else's letter,
> since it probably would have better said what they wanted to say.
>
> Remember, this is National Public Radio. If *they* mess up, what's
> left in the way of media that supplies usable information?
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>   is that no one ever learns from history."
>

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Subject: Lead Belly vs. Leadbelly
From: David Bonner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 00:43:36 -0500
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As I understand it, most folk scholars today prefer "Lead Belly" as
opposed to "Leadbelly." But I would be interested to get opinions as to
why one is preferable to the other. I know that the first Lomax & Lomax
book on the subject featured the two-word variation, so am guessing
that's what lends authority to the two-word preference. --David Bonner

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Subject: Re: Horses thirty and three
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 01:56:15 -0600
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----- Original Message -----
From: "Robert B. Waltz" <[unmask]><<The point, I think, is just that longer numbers sound more
impressive. So you'll get "four-and-twenty" rather than
"twenty-four." And it's earier to rhyme "four-and-twenty"
than "twenty-four" anyway..">>Is it? The only rhymes for four-and-twenty I can come up with are "plenty",
"mentee" [one who is mentored] and "scanty", if pronounced in Yiddish
dialect.Whereas for twenty-four we have "fourscore", "Salvador", "Tell me more", "I
adore", "Ruddigore", "Army Corps", "apple core", "company store" and of
course, "bloody oar", immortalized in the exchange contained somewhere in a
Thomas Hardy novel, where a fellow out in a rowboat is shouted at by another
boater, telling him to "mind the bloody oars!" To which he replies, "And
speaking of bloody oars, 'ow's your sister?"You can't beat the classics.Peace,
Paul

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Subject: Re: Horses thirty and three
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 02:01:28 -0600
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----- Original Message -----
From: "bennett schwartz" <[unmask]>On Thursday, January 06, 2005 1:30 PM John Garst wrote
> Has anybody here ever had blackbird pie?<<Not lately.
For Opie-Oxford2 486, "Sing a song of sixpence", the Opies note "In an
Italian cookery book, Epulario, quale tratta del modo de cucinare ogni
carne...(1549...) there is a recipe 'to make pies soi that the birds may be
alive in them and flie out when it is cut up.'  This dish is further
referred to (1723) by John Nott, cook to the Duke of Bolton, as a practice
of former days, the purpose of the birds being to put out the candles and so
cause a 'diverting Hurley-Burley amongst the Guests in the Dark'."Born 400 years too late.
Again!!!>>Consider yourself lucky. I spent some time tonight trying to persuade a bird
to leave my house -- still don't know how it got in, probably through the
chimney. Finally it flew into the kitchen, I closed the door and opened the
back door, it went to the porch, I opened the porch door and it headed out
as fast as its wings could carry it.Nevermore,
Paul

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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: [unmask]
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Date:Fri, 7 Jan 2005 03:44:53 EST
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Subject: Re: Lead Belly vs. Leadbelly
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 02:51:28 -0600
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----- Original Message -----
From: "David Bonner" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 06, 2005 11:43 PM
Subject: Lead Belly vs. Leadbelly<<As I understand it, most folk scholars today prefer "Lead Belly" as
opposed to "Leadbelly." But I would be interested to get opinions as to
why one is preferable to the other. I know that the first Lomax & Lomax
book on the subject featured the two-word variation, so am guessing
that's what lends authority to the two-word preference. --David Bonner>>I think the main authority comes from his widow, Martha, who said he much
preferred the two-word version.Peace,
Paul

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Subject: Re: Bruton Town & list of Non-Child
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 02:03:43 -0800
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>
> 3) Child's _English and Scottish Ballads_ in V volumes, pub 1857.  I only
> have vol I and its contents but a full list of all might be very helpful.
> It certainly includes ballads not included in ESPB.  (I'll say here this
> volume was "found" and given to me by my first love back in the pre-'60s.
> She died just two years ago.)
>Here below is the full title listing from the 1858 Child (God bless
scanners!)Child, Francis James (ed.). English and Scottish Ballads. Eight Volumes in
Four. Boston: Houghton Mifflin and Company, 1858BOOK  1The Boy and the MantleThe Horn of King ArthurThe Marriage of Sir GawaineKing Arthur's DeathThe Legend of King ArthurSir Lancelot du LakeThe Legend of Sir GuySt. George and the DragonThe Seven Champions of ChristendomThomas of ErsseldouneThomas the RhymerThe Young TamlaneThe Wee Wee ManThe Elfin KnightThe Broomfield HillLord JohnKempionKemp OwyneKing HenryCospatrickBothwellWillie's LadyeAlison GrossThe Earl of Mar's DaughterYoung AkinYoung Hastings the GroomClerk Colvill, or, The MermaidLady Isabel and the Elf-KnightThe Water O' Wearie's WellThe Daemon LoverJames HerriesThe Knight's GhostThe Wife of Usher's WellThe Suffolk MiracleSir RolandAPPENDIX
Fragment of the Ballad of King Arthur and the King of CornwallFragment of Child Rowland and Burd EllenRosmer Hafmand, or, The Merman RosmerTam-a-LineTom LinnBurd Ellen and Young TamlaneAls Y yod on ay MoundayThe Elphin KnightThe Laidley Worm of SpindlestonheughLord DingwallFragment of Hynde EtinSir Oluf and the Elf-King's DaughterFragment of the Daemon LoverConstantine and AreteTranslation of the SameThe Hawthorn TreeStephen and HerodBOOK 2GlasgerionGlenkindieLittle Musgrave and Lady BarnardLord Randal (A)Gil MorrlceChild NoryceClerk SaundersSweet Willie and Lady MargerieWillie and Lady MaisryThe Clerk's Twa Sons o' OwsenfordChtlde VyetLady MaisryFair JanetSweet WillieFair Annie of LochroyanThe Lass of LochroyanThe Douglas TragedyLord Thomas and Fair EllinorLord Thomas and Fair AnnetSweet Willie and Fair AnnieFair Margaret and Sweet WilliamSweet William's GhostWilliam and MarjorieSweet William and May MargaretBonny Barbara AllanBarbara Allen's CrueltyLord LovelLord Salton and Auchanachie [Maidment]Lord Salton and Auchanachie [Buchan]Willie and May MargaretThe Drowned LoversWillie's Drowned in GameryAnnan WaterAndrew LammieTheTrumpeter of FyvieFair Helen of KirconnelThe Lowlands of HollandBOOK 3The Twa BrothersEdward, EdwardSon Davie, Son DavieThe Cruel SisterThe Twa SistersLord DonaldLord Randal (B)The Cruel Brother [Jamieson]The Cruel Brother [Herd]Lady AnneFine Flowers in the ValleyThe Cruel Mother [Motherwell]The Cruel Mother [Kinloch]May ColvinBabylonDuke of Perth's Three DaughtersJellon GrameYoung JohnstoneYoung BenjieAPPENDIX
Lord BarnabvChild MauriceClerk SaundersLord Wa'yates and Auld Ingram Sweet Willie and Fair MaisryLady Marjorie Leesome BrandThe Youth of RosengordThe Blood-Stained SonThe Twa BrothersThe Miller and the King's DaughterThe Bonny Bows o' LondonThe Croodlin DooThe Snake CookThe Child's Last WillThe Three KnightsThe Cruel MotherThe Minister's Dochter o' NewarkeBondsey and MaisryLadye DiamondThe West-Country Damosel's ComplaintThe Brave Earl Brand and the King of England's DaughterLa Vendicatrice - supplement to May ColvinBOOK 3 CONTINUEDEarl Richard (A) [Scott's version]Earl Richard [Motherwell's version]Young RedinLord WilliamPrince RobertEarl RobertThe Weary Coble o' CargillOld Robin of PortingaleFause FoodrageBonnie AnnieWilliam GuisemanThe Enchanted RingBonny Bee-HolmThe Three RavensThe Twa Corbies [Scott]The Dowie Dens of YarrowThe Braes o' YarrowSir James the RoseGraeme and BewickThe Lament of the Border WidowYoung WatersBonnie George CampbellLamkinLambert LinkinThe Laird of Waristoun [Jamieson]Laird of Wariestoun [Kinlock]The Queen's MarieMary HamiltonBessie Bell and Mary GrayThe Children in the WoodHugh of LincolnSir HughThe Jew's DaughterSir Patrick Spence [Percy]Sir Patrick Spens [Scott]BOOK 4King EstmereSir CaulineFair Annie [Scott]Fair Annie [Motherwell]Child WatersBurd EllenErlintonThe Child of ElleSir AldingarSir Hugh le BlondThe Knight and Shepherd's DaughterEarl Richard (B)The Gay Goss-HawkThe Jolly GoshawkAPPENDIX
Young HuntingYoung WatersLammikinLong LonkinThe Laird of WaristounMary Hamilton [Kinloch]Mary Hamilton [Maidment]Sir Hugh or The Jew's Daughter [Motherwell]Sir Hugh [Hume]Sir Patrick SpensLord LivingstonClerk TamasJohn Thomson and The TurkLord Thomas StuartThe Spanish VirginThe Lady Isabella's TragedyThe Cruel BlackKing Malcolm and Sir ColvinSkioen Anna; Fair AnnieLady MargaretEarl Richard (B)BOOK 4 CONTINUEDYoung Beichan and Susie PyeYoung BekieHynd Horn, [Motherwell]Hynd Horn, [Buchan]Katharine JanfarieCatherine JohnstoneBony Baby LivingstonThe Broom of CowdenknoweJohnnie ScotBrown AdamLizie Lindsay, [Jamieson]Lizzie Lindsay, [Whitelaw]Lizae BaillieGlasgow PeggyGlenlogieJohn O'HazelgreenThe Fause LoverThe GardenerThe Duke of AtholThe Rantin' LaddieThe Duke of Gordon's DaughterThe Laird o' LogieThe Gypsie LaddieLaird of DrumLady Anne Bothwell's Lament [Ramsay]Lady Anne Bothwell's Lament [Percy]Waly waly but Love be bonnyLord Jamie DouglasThe Nutbrowne MaideThe Bailiff s Daughter of IslingtonThe Blind Beggar's Daughter of Bednall GreenThe Famous Flower of Serving MenThe Fair Flower of NorthumberlandGentle Herdsman Tell to meAs I came from WalsinghamKing Cophetua and the Beggar MaidThe Spanish Lady's LovePatient GrisselThe King of France's DaughterConstance of ClevelandWillow, Willow, WillowGreensleevesRobene and MakyneAPPENDIX
Lord Beichan and Susie PyeSweet WilliamYoung Child DyringBarbara LivingtonLang Johnny MoirLizie BaillieJohnnie Faa and the Countess o' CassilieJamie DouglasLaird of BlackwoodThe Provost's DochterBlancheflour aand JellyfloriceChil EtherYoung BearwellLord Thomas of Winesberry and the King's DaughterLady ElspatThe Lovers QuarrelThe Merchant's Daughter of BristowBOOK 5Robin Hood and the MonkRobin Hood and the PotterRobin Hood and the ButcherRobyn and GandelynA Lytell Geste of Robyn HodeAdam Bel, Clym of the Clou?he, and Wyllyam of CloudesleRobin Hood and Guy of GisborneThe Birth of Robin HoodRose the Red and White LillyThe Wedding of Robin Hood and Little JohnRobin Hood and the BeggarThe Jolly Pinder of Wakefield with Robin Hood, Scarlet, and JohnRobin Hood and the RangerRobin Hoods DelightRobin Hood and Little JohnRobin Hood and the TannerRobin Hood and the TinkerRobin Hood and the ShepherdRobin Hood and the PeddlersThe Bold Pedlar and Robin HoodRobin Hood and the Beggar Part IRobin Hood and the Beggar Part  IIRobin Hood and the Old ManRobin Hood rescuing the Widows three SonsRobin Hood rescuing the three SquiresRobin Hood and the Curtall FryerRobin Hood and Allin-a-DaleRobin Hoods rescuing Will StudyRobin Hoods Progress to NottinghamRobin Hood and the Bishop of HerefordRobin Hood and the BishopRobin Hoods Golden PrizeRobin Hoods Death and BurialRobin Hood and Queen KatherineRobin Hoods ChaseLittle John and the Four BeggersThe Noble Fisherman or Robin Hoods PrefermentRobin Hood and the Tanners DaughterAPPENDIX
Robin Hood's Birth, Breeding, Valour, and MarriageA True Tale of Robin HoodRobin Hood and Maid MarianThe Kings Disguise and Friendship with Robin HoodRobin Hood and the Golden ArrowRobin Hood and the Valiant KnightThe Birth of Robin HoodRose the Red and White LillieRobin Hood and the StrangerRobin Hood and the ScotchmanThe Plays of Robyn HodeFragment of an Interlude(? ) of Robin HoodBy Landsdale hey hoIn Sherwood livde stout Robin HoodThe Song o? Robin Hood and his HuntesmenBOOK 6The Lochmaben Harper [Johnson]The Lochmaben Harper [Scott]Johnie of BreadisleeJohnieof CocklesmuirThe Sang of the Outlaw MurrayJohnie ArmstrangJohnie Armstrang ( Ramsay]Hughie GrahamHughie the GraemeKinmont WillieDick  o' the CowJock o' the SideArchie of  Ca'fieldBillie ArchieHobie NobleJamie Telfer of the Fair DodheadThe Fray of SuportRookhope RydeThe Raid of the ReidswireThe Death of Parcy ReedCaptain CarEdom o' GordonWillie MackintoshLord Maxwell's GoodnightThe Lads of WamphrayThe Fire of FrendraughtBonnie House o' Airly [Finlay]Bonnie House of Airly (Sharpe]The Baron of Brackley [Jamieson]The Baron of Braikley [Buchan]GilderoyRob RoyBOOK 7Queen Eleanor's ConfessionQueen Eleanor's Confession [Kinloch]Auld MaitlandWillie WallaceSir William WallaceAPPENDIXJohnny CockThe Life and Death of Sir Hugh of the GrimeJohnie ArmstrangLoudoun CastleRob RoyEppie MorrieMacpherson's RantThe Flemish InsurrectionThe Execution of Sir Simon FraserBOOK 7 CONTINUEDThe Battle of Otterbourne, [Percy]The Battle of Utterbourne, [Scott]The Hunting of the CheviotChevy-ChaceSir Andrew BartonFlodden FieldThe Death of Queen JaneThe Murder of the King of ScotsThe Rising In the NortHNorthumberland betrayed by DouglasKing of Scots and Andrew BrowneMary AmbreeBrave Lord WilloughbeyThe Bonny Earl of Muray, [Ramsay]The Bonnie Earl of Murray, [Finlay]The Winning of CalesSir John Suckling's CampaignThe Battle of Philiphaugh,The Gallant GrahamsThe Battle of Loudon HillThe Battle of Bothwell BridgeThe Battle of KilliecrankieThe battle of Sheriff-MuirLord DerwentwaterThe Battle of Tranent-Muir, or of Preston-PansAPPENDIX
The Battle of OtterburnThe Battle of HarlawKing Henrie the Fifth's ConquestJane ShoreSir Andrew BartonThe Battle of CorichieThe Battle of Balrinnes (or Glenlivet)Bonny John SetonThe Haws of CromdaleThe Battle of AlfordThe Battle of Pentland HillsThe Reading SkirmishUndaunted LondonderryProelium GillicrankianumThe Boyne WaterThe Woman WarriorThe Battle of Sheriff-MuirUp and war them a' WillieThe Marquis of Huntley's RetreatJohnie CopeKing Leir and his three DaughtersFair RosamondQueen Eleanor's FallThe Duchess of Suffolk's CalamityThe Life and Death of Thomas StukelyLord DelawareThe Battle of Harlaw (Traditional version)BOOK 8King John and the Abbot of CanterburyCaptain Wedderburn's CourtshipLay the Bent to Bonny BroomKing Edward Fourth and the Tanner of TamworthThe King and the Miller of MansfieldGernutus, the Jew of Venice'The Frolicksome Duke, or, The Tinker's Good FortuneThe heir of Linne, [ Percy]The Heir of Linne, [traditlonal version]The Wandering JewProud Lady MargaretReedisdale and Wise WilliamGeordie [Musical Museum]Geordie [Kinloch]The Gaberlunzie ManThe Turnament of TotenhamThe Wyf  of AuchtirmuchtyThe Friar in the WellGet up and bar the DoorThe Dragon of WantleyAPPENDIX
Kempy Kaye. [Sharpe]Kempy Kaye. [Kinloch]The Jovial Hunter of BromsgroveThe Bludy SerkThe Wanton Wife of BathThe Gentlemen in ThraciaSir Richard  Whittington's AdvancementCatskin's Garland, or, The Wandering young Gentleman?The Taming of a ShrewTitus Andronicus's ComplaintJohn DorySir EglamoreJephtah, Judge of IsraelSamsonQueen Dido, or, The Wandering Prince of TroyGeorge BarnwellThe Duke of Athol's Nurse [Buchan]The Duke of Athol's Nourice [Kinloch]The Hireman ChielArmstrong and MusgraveFair Margaret of CraignargatRichie StorieThe Farmer's Old WifeThe Duel of Wharton and StuartSaddle to RagsThe Fause Knight upon the RoadGifts from over SeaThe Courteous KnightThe Northern Lord and Cruel JewGight's Lady-

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Subject: Re: Bruton Town & list of Non-Child
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 04:41:29 -0800
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Subject: Re: Bruton Town & list of Non-Child
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 04:47:55 -0800
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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 08:34:22 -0600
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On 1/6/05, edward cray wrote:>Bob et al:
>
>As (I think) the only working journalist on this list, I wonder if I might defend the ATC crew -- a very tiny bit.Actually, I'm a working editor myself -- though not in radio. But I do
understand about space. :-)>The segment has toi fit -- and believe me when I tell you that the sweep of that hand is inexorable.
>
>So I might favor compression.  I do NOT favor distortion.They couldn't possibly have read the whole thing. I didn't
expect them to read it at all; I just wanted to express a
protest over a really stupid story, and point out that the
ground had been covered by ethnomusicologists many decades
before.But they excerpted, and did it in a way that destroyed both
the primary and secondary points I was making (the primary
point being that, if you define metrical and chord patterns
as being "the same song," then there are only a few "songs"
in existence; the secondary point being that there is actually
a tradition of reusing tunes). They fixed on a tertiary point,
quoted that -- and then added so much padding that it wasn't
really even what I said. The words (except for the emphasized
"et cetera") were mine, but not as I wrote them.Does it matter? No, since the story I was commenting on was
not about folk music. I'm sending the disclaimer to this list
because this is the sort of group that listens to NPR, and
I want people to understand that the silly and shallow comments
you perhaps heard were not in fact my words.In other words, I'm defending my reputation, not attacking
theirs. Though my faith in them is much shaken.Enough of this; you all know now that it wasn'treally  me. :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Bruton Town & list of Non-Child
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 08:41:03 -0600
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On 1/7/05, Jonathan Lighter wrote:>It would be interesting to know how many of the deleted ballads were ever sung to Sharp and other collectors.
>
>The smaller the number, the greater Child's native understanding of tradition.But with the footnote that very many of the items that "survived"
in Child are not traditional in the sense we now use the term.
You have to count the traditional songs he dropped (e.g. "The Blind
Beggar") and the non-traditional songs he kept if you wish to
assess his results.We have to keep in mind that his definition of "popular" was not
what we mean are "traditional." Technically, the correct term for
Child ballads is "vulgar ballads" (the ballads intended for ordinary
people), but of course that has its problems in today's climate. :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Bruton Town & list of Non-Child
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 10:54:35 -0500
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On Fri, 7 Jan 2005 04:47:55 -0800, Jonathan Lighter wrote:>It would be interesting to know how many of the deleted ballads were ever sung to Sharp and other collectors.
>
>The smaller the number, the greater Child's native understanding of tradition.But Child was happy to include in "Popular" any songs traditionally passed
among, say, the gentry or aristocracy at a Hunt Ball.  Most collectors
specialized in country folk.  (I think Greig pretty much only wanted to know
if it was local to Buchan, whoever sang it.)  There would be a built-in
skew.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Bruton Town & list of Non-Child
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 10:54:25 -0500
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On Thu, 6 Jan 2005 23:49:18 -0000, Malcolm Douglas wrote:>
>> Our campus library owns all 4 volumes of "English and Scottish  Ballads," and I should be able to
>post the complete contents over the next week or so.
>>
>> And in recent years a version of "The Fox" appears in a 14th or 15th century manuscript. The find
>appeared in JAF, but I don't have the precise reference to hand.
>>
>>
>
>"English and Scottish Ballads" is available online in facsimile via the University of Michigan's
>"Making of America", at
>
>http://www.hti.umich.edu/m/moagrp/Well found!  And very interesting.  This is an 1860 edition, much changed
from my 1857 vol 1 edition.  Mine plans V volumes, the 1860 Introduction
envisions VIII volumes & changes a few songs - drops & adds.  I think it
would be useful to at least read all the introductions & list the songs in
each.  The categories for each are somewhat different and Child freely
admits (no surprise to Greenhaus) that categorization is necessarily loose &
arbitrary.  This addresses all those questions of a song's placement in the
final E&SPB.Whoa!  If I'm doing this right, they only have vol I online.  BUT they
include a full OCR of it (no linebreaks) maybe at
http://www.hti.umich.edu/cgi/t/text/text-idx?c=moa;c=moajrnl;cc=moa;g=moagrp;xc=1;sid=40e20fe649eae107b63573ac3c19e9e7;q1=English%20and%20Scottish%20%20Ballads;rgn=main;view=text;idno=ABF2062.0001.001
(tinyurl= http://tinyurl.com/3v3mm)This is a fine idea.  The limited OCR includes links to the graphic of each
appropriate page.On Fri, 7 Jan 2005 04:41:29 -0800, Jonathan Lighter wrote:>Thank you, Jon. Now I can resume my nap.Not _quite_ mon ami(e).  The 1858 is also different from the 1857.  Oi!  Eg,
"Lyke-Wake Dirge," one of the controversial not-Child ones is in my appendix
but is already omitted from Jon's 1858.Why is that?-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Lead Belly vs. Leadbelly
From: Stephanie Smith <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 11:21:19 -0500
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Here's a response from Jeff Place, my fellow archivist, who has been
involved in the compilation and production of the Lead Belly reissues on
Smithsonian Folkways Recordings:It's how it was listed on his early works, somehow it changed to one word
along the way. We use 2 words because the Ledbetter family requested we do
so, that that was the correct way.The two word version makes sense also because prison nicknames of the some
of the other men recorded at the same time were "Iron Head", "Clear Rock"
etc.Cheers,
Stephanie>>> [unmask] 01/07/05 12:43AM >>>
As I understand it, most folk scholars today prefer "Lead Belly" as
opposed to "Leadbelly." But I would be interested to get opinions as to
why one is preferable to the other. I know that the first Lomax & Lomax
book on the subject featured the two-word variation, so am guessing
that's what lends authority to the two-word preference. --David Bonner

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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 11:11:46 -0600
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----- Original Message -----
From: "Robert B. Waltz" <[unmask]><<In other words, I'm defending my reputation, not attacking
theirs. Though my faith in them is much shaken.>>There's an old saying to the effect that you trust the press until they
cover something you know about.Peace,
Paul

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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 12:26:02 -0500
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The old saying also applies to doctors, and ethnomusicologists. It used
to be said of  of Theo Bikel that he was excellent in any language you
weren't familiar with.dick greenhausPaul Stamler wrote:>----- Original Message -----
>From: "Robert B. Waltz" <[unmask]>
>
><<In other words, I'm defending my reputation, not attacking
>theirs. Though my faith in them is much shaken.>>
>
>There's an old saying to the effect that you trust the press until they
>cover something you know about.
>
>Peace,
>Paul
>
>
>
>

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Subject: Re: Disclaimer: It was me, but it wasn't really my letter
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 13:05:44 -0500
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That is true the reporters not only have space/time limits  they also
have  a frame for the story and if what you says does not fit the frame
well to bad.
GeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Jan 7, 2005, at 12:11 PM, Paul Stamler wrote:> ----- Original Message -----
> From: "Robert B. Waltz" <[unmask]>
>
> <<In other words, I'm defending my reputation, not attacking
> theirs. Though my faith in them is much shaken.>>
>
> There's an old saying to the effect that you trust the press until they
> cover something you know about.
>
> Peace,
> Paul

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Subject: Re: Lead Belly vs. Leadbelly
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 13:59:21 -0800
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Folks:While it is true that the Lomaxes used the two-word version of Huddie Ledbetter's prison nickname in their _Negro Folk Songs as Sung by Lead Belly,_  Charles Wolfe and Kip Lornell use the one-word form in their carefully researched biography _The Life and Legend of Leadbelly._   Wolfe and Lornell must have made a conscious choice for they, of course, cite the Lomax title.Oddly, when Ludlow reprinted the NFSSLB, the name was spelled as one word.Go figure.Ed
----- Original Message -----
From: David Bonner <[unmask]>
Date: Thursday, January 6, 2005 9:43 pm
Subject: Lead Belly vs. Leadbelly> As I understand it, most folk scholars today prefer "Lead Belly" as
> opposed to "Leadbelly." But I would be interested to get opinions
> as to
> why one is preferable to the other. I know that the first Lomax &
> Lomaxbook on the subject featured the two-word variation, so am
> guessingthat's what lends authority to the two-word preference. --
> David Bonner
>

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Subject: Re: Lead Belly vs. Leadbelly
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 7 Jan 2005 23:33:30 +0000
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Charles Wolfe & Kip Lornell say in their Preface:
'Should it be spelled Leadbelly or Lead Belly? During the 1930s and 1940s it was usually spelled as two words, but gradually, over the past forty years, it has been reduced to a single word: Leadbelly. The family is not unanimous in its support for either form, though most would probably opt for two words. We decided, however, that current conventions should prevail because 'Leadbelly' is the way most people are used to seeing it spelled today'.Steve Roud
--
Message sent with Supanet E-mail-----Original Message-----
From:     edward cray <[unmask]>
To:       [unmask]
Subject:  Re: Lead Belly vs. Leadbelly> Folks:
>
> While it is true that the Lomaxes used the two-word version of Huddie Ledbetter's prison nickname in their _Negro Folk Songs as Sung by Lead Belly,_ Charles Wolfe and Kip Lornell use the one-word form in their carefully researched biography _The Life and Legend of Leadbelly._ Wolfe and Lornell must have made a conscious choice for they, of course, cite the Lomax title.
>
> Oddly, when Ludlow reprinted the NFSSLB, the name was spelled as one word.
>
> Go figure.
>
> Ed
> ----- Original Message -----
> From: David Bonner [unmask]>
> Date: Thursday, January 6, 2005 9:43 pm
> Subject: Lead Belly vs. Leadbelly
>
> > As I understand it, most folk scholars today prefer "Lead Belly" as
> > opposed to "Leadbelly." But I would be interested to get opinions
> > as to
> > why one is preferable to the other. I know that the first Lomax &
> > Lomaxbook on the subject featured the two-word variation, so am
> > guessingthat's what lends authority to the two-word preference. --
> > David Bonner
> >Signup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Unfortunate Rake
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 8 Jan 2005 09:51:30 -0800
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Folks:Sarah Hartwell forwarded this Royal Navy version of "The Unfortunate Rake."  It is worth adding to Ken Goldstein's canon:FLASH COWS OF THE CITY
('The Sailor Cut Down in His Prime')One night, very late, through the Dockyard I wandered,
When I met me a messmate all staggering and drunk.
He asked for assistance to help him to bed,
And early next morning he was found lying dead.Chorus
We played the pipes lowly, we beat the drums slowly,
We played the 'Dead March' as we bore him along,
And then at his graveside three volleys fired o'er him
In memory of a matelot cut down in his prime.At the top of this street you will see two girls standing.
One to the other was heard to remark:
'Here comes the young sailor whose money we've wasted,
'Whose life we have tasted and wasted away.'Now there on his tombstone these few words were written:
All you young sailors take heed of these words
'And don't go a-courting flash cows of the city.
'Flash cows of the city brought me to my grave.'Ed

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Subject: Ebay List - 01/08/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 8 Jan 2005 22:42:02 -0500
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Hi!        Hope that everyone has recovered from the holidays and is ready
for another year of books.        SONGSTERS        3773337946 - Kibble & Martin Uncle Tom Cabin Songster, 1918, $12.50
(ends Jan-09-05 17:45:00 PST)        4518032631 - The Shaughraun Songster, 1875, $5 (ends Jan-10-05
14:32:52 PST)        7126406276 - MERCHANTS GARLING OIL SONGSTER, 1886, $9.99 (ends
Jan-14-05 19:48:29 PST)        SONGBOOKS, ETC.        6942027410 - The Roxburghe Ballads by Hindley, 1873, $95 (ends
Jan-09-05 18:30:00 PST)        6941873199 - Ballads : Scottish and English by Nimmo, 1867, $9.99
(ends Jan-09-05 18:43:53 PST)        4516612447 - A BALLAD BOOK by Clarke, 1883 reprint, 0.99 GBP (ends
Jan-10-05 01:20:54 PST)        7945565279 - Scottish Ballads by Lyle, 1997, 0.99 GBP (ends
Jan-11-05 03:15:11 PST)        6942092169 - Favorite Mountain Ballads and Old Time Songs by
Kincaid, 1928, $9.99 (ends Jan-11-05 18:25:08 PST)        4064623052 - America Over The Water by Collins, 9.99 GBP (ends
Jan-12-05 06:21:32 PST)        6941851482 - poems, songs, ballads of the sea by Bruce, 1877, 2.99
GBP (ends Jan-12-05 14:49:35 PST)        6942200790 - ANCIENT BALLADS AND SONGS OF THE NORTH OF SCOTLAND by
Buchan, 2 volumes, 1875 reprint, $2.95 (ends Jan-12-05 19:08:15 PST)        3774610203 - Blue Grass Roy, The Hamlins Korn Kracker, World's
Greatest Collection of Cowboy and Mountain Ballads, Book No. 6, 1935,
$9.99 (ends Jan-12-05 19:34:00 PST)        6942071919 - DORSETSHIRE FOLK-LORE by Udal, 1922, 9.99 GBP (ends
Jan-13-05 11:30:00 PST)        4517709622 - THE RABBIT SKIN CAP by Baldry, 1950, 4.99 GBP (ends
Jan-13-05 12:25:45 PST)        6942354502 - Old ballads by Quiller-Couch, 1915, $5 (ends Jan-13-05
13:24:38 PST)        6942378801 - Early Ballads illustrative of history tradition and
customs by Bell, 1856, $65 (ends Jan-13-05 15:15:16 PST)        4517025016 - The British Folk Revival by Brocken, 2003, $15.06
(ends Jan-14-05 12:17:16 PST)        4518184466 - Come All Ye Bold Miners by Lloyd, 1978, 1.25 GBP
(ends Jan-15-05 10:01:20 PST)        4517634976 - WHAT A LOVELY WAR - BRITISH SOLDIER'S SONGS by Palmer,
1990, 6 GBP (ends Jan-16-05 09:31:00 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: blue grass
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 09:20:20 -0500
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I am just wondering about this item from the current ebay list:        3774610203 - Blue Grass Roy, The Hamlins Korn Kracker, World's
Greatest Collection of Cowboy and Mountain Ballads, Book No. 6, 1935,
$9.99 (ends Jan-12-05 19:34:00 PST)Is this a very early use of Blue Grass to refer to a style of southern music? It predates Bill Monroe. Ron Cohen

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Subject: Re: Unfortunate Rake
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 12:18:31 -0500
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On Sat, 8 Jan 2005 09:51:30 -0800, edward cray wrote:>Sarah Hartwell forwarded this Royal Navy version of "The Unfortunate Rake."  It is worth adding to Ken Goldstein's canon:
>
>FLASH COWS OF THE CITY
>('The Sailor Cut Down in His Prime')Good.  I'll print that & keep it in the LP jacket.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 14:53:13 -0500
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Hi, Malcolm and Jonathan,
I hope no-one is still trying to decipher the rest of 'The Young-man's
Lamentation' as I have emailed Mike Pickering who set up the Bodleian
website and he has managed to decipher the lot from the original. As soon
as he sends me the full set of words I'll post it to the List.
SteveG

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Subject: Re: blue grass
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 14:10:23 -0600
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Just from the looks of this (the last time it appeared), I got the
impression that Blue Grass Roy was just a name like Kentucky Paul or
Lexington Louis! The item looked like a typical "cowboy" song folio.Paul GaronAt 08:20 AM 1/9/2005, you wrote:>         3774610203 - Blue Grass Roy, The Hamlins Korn Kracker, World's
>Greatest Collection of Cowboy and Mountain Ballads, Book No. 6, 1935,
>$9.99 (ends Jan-12-05 19:34:00 PST)
>
>Is this a very early use of Blue Grass to refer to a style of southern
>music? It predates Bill Monroe. Ron CohenPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Unfortunate Rake
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 15:12:11 -0500
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Hi, All,
I have collected 3 versions of this old ballad, all pretty similar.
I recorded Bill Reed of Hull in 1979 at the age of 82. He was born a
cockney and joined the Royal Navy before WWI. He served on subs,
battleships and particularly Q-boats (merchant ships rigged out with hidden
guns for dealing with U-boats). He had some wonderful stories to tell about
his very varied life. He also had an interesting small repertoire of songs,
with one or two rare gems.
Anyway here's his version, the first version I ever recorded.One day as I strolled down by the hospital,
Dark was the morning...........
And who should I see but one of my shipmates,
Wrapped in a blanket far colder than clay.His poor aged father, his grey-headed mother,
Often had told him about his fast ways,
Oh never go chasing fast girls in the city
.........(spoken-he spent all his money).And now he is dead and he lays in his coffin,
Six young sailors are there by his side,
And each of them carried a bunch of white roses,
For he was a young sailor cut down in his prime.At the top of the street you will see two girls standing,
One to the other they whispered and said,
'Here comes that young sailor whose money we squandered,
Here comes the young sailor who we left for dead.'They played the pipes sadly, they played the pipes soundly,
They played the dead march as they carried him along,
They took him to the churchyard, fired three volleys o'er him,
For he was a young sailor cut down in his prime.At the top of his tombstone you'll find these words written,
Now all you young sailors take warning from me,
Never go chasing fast girls in the city,
For fast girls in the city were the ruin of me.

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Subject: Re: Bruton Town & list of Non-Child
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 17:03:27 -0500
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At 10:54 AM 1/7/2005, Abby Sale wrote:>Whoa!  If I'm doing this right, they only have vol I online.  BUT they
>include a full OCR of it (no linebreaks) maybe at
>http://www.hti.umich.edu/cgi/t/text/text-idx?c=moa;c=moajrnl;cc=moa;g=moagrp;xc=1;sid=40e20fe649eae107b63573ac3c19e9e7;q1=English%20and%20Scottish%20%20Ballads;rgn=main;view=text;idno=ABF2062.0001.001
>(tinyurl= http://tinyurl.com/3v3mm)
>
>This is a fine idea.  The limited OCR includes links to the graphic of each
>appropriate page.I think that I found that if you entered:  Child, Francis James  :  it
called up all eight volumes.  I too found not one but two volumes at first,
but got more when I went by author instead of title.  They are not,
however, numbered in the index.  You will have to figure out for yourself
which volume is which.Nice find.-- Bill McCarthy

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Subject: Rochelle Goldstein
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 14:38:30 -0800
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Folks:I received the following message today from the daughter of Ken Goldstein:"Dear friends," I am writing to the folks on my mom's (Rochelle Goldstein's) email list to let you know that she is currently in the ICU of her local hospital. She has a recurrence of a neurological syndrome that she had 22 years ago, from which she completely recovered.  It is called Guillain Barre Syndrome and it comes from a virus, in this case, a simple cold.  It strikes 4 in 100,000 people and of those, 5-15% get it a second time.  Isn't she lucky? She is currently completely paralyzed from head to toe, is on a feeding tube, and recently had a trachiostomy because she requires assistance breathing.  As a result, she is not able to speak, though she can communicate by mouthing words.  We are getting to be excellent at lip-reading.  Though she did not respond to the initial treatment, they are now trying something else, which seems to have increased her strength. Typically, this illness turns around and most, if not all functioning is recovered, which we are hoping will be the case wit
h mom.  She is expected to be out of commisssion for about 2 months, as she will need physical rehab when the illness starts to turn around.  She seems to be getting superb care. Her spirits are excellent and she has truly been amazing in her ability to cope with this situation.  She was hospitalized on the morning of Christmas Eve.  If you would like to communicate with her, feel free to send an email to my email address, [unmask] and i will be happy to read it to her."Warmly,
"Rhoda"Feel free to write Phoda good wishes for Rochelle.Ed

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Subject: Re: Bruton Town & list of Non-Child
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 9 Jan 2005 23:09:26 -0000
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----- Original Message -----
From: "Bill McCarthy" <[unmask]>
To: <[unmask]>
Sent: 09 January 2005 22:03
Subject: Re: Bruton Town & list of Non-Child> At 10:54 AM 1/7/2005, Abby Sale wrote:
>
> >Whoa!  If I'm doing this right, they only have vol I online.  BUT they
> >include a full OCR of it (no linebreaks) maybe at
>
>http://www.hti.umich.edu/cgi/t/text/text-idx?c=moa;c=moajrnl;cc=moa;g=moagrp;xc=1;sid=40e20fe649eae
107b63573ac3c19e9e7;q1=English%20and%20Scottish%20%20Ballads;rgn=main;view=text;idno=ABF2062.0001.00
1
> >(tinyurl= http://tinyurl.com/3v3mm)
> >
> >This is a fine idea.  The limited OCR includes links to the graphic of each
> >appropriate page.
>
> I think that I found that if you entered:  Child, Francis James  :  it
> called up all eight volumes.  I too found not one but two volumes at first,
> but got more when I went by author instead of title.  They are not,
> however, numbered in the index.  You will have to figure out for yourself
> which volume is which.
>
> Nice find.
>
> -- Bill McCarthyLinks to individual volumes, helpfully numbered, are athttp://www.folk-network.com/directory/links/song-collections_books.html#Eandhttp://www.tradsong.freeserve.co.uk/Websource.htmMalcolm Douglas

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Subject: THE UNFORTUNATE RAKE
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 14:02:37 EST
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m a piece by Philips Barry in the _New England Journal of Folklore_ where he
gave the words and music to a spinoff written by a doctor in Maine who went
with friends on a  camping and fishing trip to Lake Chemo.  His song, "Lake
Chemo" about the trip, is set to the tune, which he wrote down, of "Nora
MacShane."  I recorded these -- plus another unrelated tune ( in a minor mode ) to the
cowboy song which I had learned from Irva Montijo  ( transplanted from
Arkansas ) -- and which began not on the Streets of  Laredo,  but                "As I went down to the door, the door,
                         As I went  down to the door of my room,
                I spied a young cowboy all wrapped in white linen.
                    All wrapped in white linen as cold as the tomb." --.I sang both of these on my Folkways Record "The Wandering Folksong,"  in
1967.  Like all Folkways records, this one is still available in a reprint edition
( you choose, and pay for, whether on an audio tape or a CD ) from the
Smithsonian Institution in Washington, DC.This is all from my defective 87-year-old memory, and I may be a little wrong
on some of the titles and dates.Sam Hinton
La Jolla, California

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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 15:45:41 -0500
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Okay, here goes, all 11 stanzas with grateful thanks to Mike Heaney.
If anyone recognizes anything which occurs elsewhere other than first
stanza and the lines 'let her go farewel she' at the end please post it.
           1
Meeting's a pleasure,
but parting's a grief,
An Unconstant lover
is worse than a Thief;
A Theif he can Rob me,
and take what I have,
but an Unconstant Lover
will bring me to the grave.
           2
When fancy is grounded
and rooted beside,
The Lover is wounded
as soon as deny'd.
many torments are bleeding
to increase his pain,
And the lover lies bleeding
by the darts of disdain.
           3
This is ny condition,
I needs must confess,
With humble submission
I have made my address;
In her Charms I delighted
more than Gold I declare,
Yet am scornfully slighted
for the love which I bear.
           4
I value not treasure
the rich Golden Ore,
There's joy, love and pleasure
which I dearly adore;
But alas! that sweet blesing
I may not enjoy,
I am(?) sorrows possessing
which my life will destroy.
            5
Like a Ship in the Ocean,
I am tost too and fro,
From the heighth of promotion,
to the depth of sad woe,
While the Billows are roaring
in a tempest of grief,
I the Fates am imploring
but can find no relief
            6
Of a false-hearted lover
I must needs complain
To my grief I discovered
that my sighs are in vain;
Having mov'd her to pity,
with tears in my eyes,
While that sorrowful dity
She would scorn and despise.
            7
To think that my Jewel
should torture me so,
In loves flaming fuel
with a feavour I glow,
She's more than ungrateful,
unconstant, unkind,
To her dear loyal lover
like the wavering wind.
            8
In her Cheeks blushing Roses
with lilies appear,
Where Cupid reposes
as her Charms I draw near;
I account it my duty
her perfection to prize,
She's a Phoenix for beauty,
was the constant likewise.
            9
If her heart was not ranging,
she should soon be my Bride,
But alas she is Changing
and turns with the Tide,
Having ruined many
by her self-heart alone,
She's not constant to any
but can love more than one.
            10
Since I find out her folly,
I'll no longer repine,
But will strive to be jolly
with a Glass of Rich Wine,
No longer about her
will I troubled be,
I can now live without her
let her go, farewel she.
            11
Tho' I am forsaken,
yet she is forsworn,
Yet she is mistaken
if she think that I'll mourn,
I'll set as slightly by her,
as e'er she did me,
And for ever will deny her,
let her be, farewel she.

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Subject: Re: blue grass
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 16:16:14 -0500
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Ron-
I seem to remember that Blue Grass Roy sang on a local radio station in
Louisville, KY in the 40s.  He made a big deal about being a native
Kentuckian (in Louisville that was very important -- the attitude toward the
Hoosiers across the river is impresses me to this day) and I think that's
the basis of his monicker.  If you've never heard of him, it's probably
because he never made any commercial recordings (AFAIK) and never was
terribly well-known outside the Louisville area.
Roy Berkeley----- Original Message -----
From: "Cohen, Ronald" <[unmask]>
To: <[unmask]>
Sent: Sunday, January 09, 2005 9:20 AM
Subject: blue grassI am just wondering about this item from the current ebay list:        3774610203 - Blue Grass Roy, The Hamlins Korn Kracker, World's
Greatest Collection of Cowboy and Mountain Ballads, Book No. 6, 1935,
$9.99 (ends Jan-12-05 19:34:00 PST)Is this a very early use of Blue Grass to refer to a style of southern
music? It predates Bill Monroe. Ron Cohen

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Subject: Re: blue grass
From: Jane Keefer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 14:10:17 -0800
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Old Homestead Records issued a recording in the late 70's of radio
transcripts of his
show on WJJD, in Chicago in 1940.   The listing is on my index on the UNC
ibiblio website  www.ibiblio.org/folkindex/bp10.htm#BluegrarLiner notes indicate he was born in 1898 Champaign County, IL  and he grew
up in that area. Working in agriculture, but inspired by Bradley Kincaid
singing on WLS in the 1920's, he began to persue a career in radio singing.
The transcripts are the only recordings of him  The notes indicate his first
radio gig was with WFIW in Hopkinsville KY around 1931.Jane Keefer----- Original Message -----
From: "Roy Berkeley" <[unmask]>
To: <[unmask]>
Sent: Monday, January 10, 2005 1:16 PM
Subject: Re: blue grass> Ron-
> I seem to remember that Blue Grass Roy sang on a local radio station in
> Louisville, KY in the 40s.  He made a big deal about being a native
> Kentuckian (in Louisville that was very important -- the attitude toward
the
> Hoosiers across the river is impresses me to this day) and I think that's
> the basis of his monicker.  If you've never heard of him, it's probably
> because he never made any commercial recordings (AFAIK) and never was
> terribly well-known outside the Louisville area.
> Roy Berkeley
>
>
> ----- Original Message -----
> From: "Cohen, Ronald" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, January 09, 2005 9:20 AM
> Subject: blue grass
>
>
> I am just wondering about this item from the current ebay list:
>
>
>         3774610203 - Blue Grass Roy, The Hamlins Korn Kracker, World's
> Greatest Collection of Cowboy and Mountain Ballads, Book No. 6, 1935,
> $9.99 (ends Jan-12-05 19:34:00 PST)
>
> Is this a very early use of Blue Grass to refer to a style of southern
> music? It predates Bill Monroe. Ron Cohen

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Subject: Re: The Cuckoo
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 17:34:05 -0500
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>             11
>Tho' I am forsaken,
>yet she is forsworn,
>Yet she is mistaken
>if she think that I'll mourn,
>I'll set as slightly by her,
>as e'er she did me,
>And for ever will deny her,
>let her be, farewel she.
>
>Steve GardhamThe meaning of "forsworn" seems clear here: "perjured."--
john garst    [unmask]

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Subject: looking for an old ballad
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 17:57:26 -0500
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Someone on the mountain dulcimer list was searching for an old ballad with
the following verse, so I thought I would ask here:>My 95 year old father has been searching for the words to a song he heard
>in southern Ohio early in the 1900s. These are the words he knows:
>
>We're lonesome for you Sarah, our hearts are crushed with pain. The fun we
>had together will never come again.
>But heaven holds our treasures, God needed you, I know.
>Your sunny smile and beauty fair will brighten heaven so.
>
>He would like to know the rest of the song and hopes such a beautiful
>ballad has not disappeared. Can you help?Thanks,
Lisa

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Subject: Re: The Cuckoo
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 15:07:42 -0800
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Sorry, your browser doesn't support iframes.


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Subject: Re: THE UNFORTUNATE RAKE
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 19:19:14 -0500
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BTW, the "The Wandering Folksong" is, IMO, a fascinating quick survey of
what happens with folksongs, and good listening, to boot.
CAMSCO doesn't carry it, since Folkways doesn't give me any discounts on
custom tapes or CDs, so take this as a disinterested, unsolicited plug.dick greenhausdic[unmask] wrote:>m a piece by Philips Barry in the _New England Journal of Folklore_ where he
>gave the words and music to a spinoff written by a doctor in Maine who went
>with friends on a  camping and fishing trip to Lake Chemo.  His song, "Lake
>Chemo" about the trip, is set to the tune, which he wrote down, of "Nora
>MacShane."  I recorded these -- plus another unrelated tune ( in a minor mode ) to the
>cowboy song which I had learned from Irva Montijo  ( transplanted from
>Arkansas ) -- and which began not on the Streets of  Laredo,  but
>
>                "As I went down to the door, the door,
>                         As I went  down to the door of my room,
>                I spied a young cowboy all wrapped in white linen.
>                    All wrapped in white linen as cold as the tomb." --.
>
>I sang both of these on my Folkways Record "The Wandering Folksong,"  in
>1967.  Like all Folkways records, this one is still available in a reprint edition
>( you choose, and pay for, whether on an audio tape or a CD ) from the
>Smithsonian Institution in Washington, DC.
>
>This is all from my defective 87-year-old memory, and I may be a little wrong
>on some of the titles and dates.
>
>
>Sam Hinton
>La Jolla, California
>
>
>
>

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Subject: Re: THE UNFORTUNATE RAKE
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 16:40:58 -0800
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Subject: Re: Horses thirty and three
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 21:43:44 -0500
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In Willie of Winsberry, the King calls for his merry men, his merry men
thirty and three.lew becker

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Subject: Re: The Cuckoo
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 10 Jan 2005 20:40:24 -0800
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Steve:Did I miss something?  Beyond Mike Heaney, what is the source of this?  It seems to me that the "Cuckoo" that survives in oral tradition is tidy evidence of  the poetics of
 the folk.In short, they sense/understand/select what is poetic and what is not  --Ed----- Original Message -----
From: Steve Gardham <[unmask]>
Date: Monday, January 10, 2005 12:45 pm
Subject: Re: The Cuckoo> Okay, here goes, all 11 stanzas with grateful thanks to Mike Heaney.
> If anyone recognizes anything which occurs elsewhere other than first
> stanza and the lines 'let her go farewel she' at the end please
> post it.
>           1
> Meeting's a pleasure,
> but parting's a grief,
> An Unconstant lover
> is worse than a Thief;
> A Theif he can Rob me,
> and take what I have,
> but an Unconstant Lover
> will bring me to the grave.
>           2
> When fancy is grounded
> and rooted beside,
> The Lover is wounded
> as soon as deny'd.
> many torments are bleeding
> to increase his pain,
> And the lover lies bleeding
> by the darts of disdain.
>           3
> This is ny condition,
> I needs must confess,
> With humble submission
> I have made my address;
> In her Charms I delighted
> more than Gold I declare,
> Yet am scornfully slighted
> for the love which I bear.
>           4
> I value not treasure
> the rich Golden Ore,
> There's joy, love and pleasure
> which I dearly adore;
> But alas! that sweet blesing
> I may not enjoy,
> I am(?) sorrows possessing
> which my life will destroy.
>            5
> Like a Ship in the Ocean,
> I am tost too and fro,
> From the heighth of promotion,
> to the depth of sad woe,
> While the Billows are roaring
> in a tempest of grief,
> I the Fates am imploring
> but can find no relief
>            6
> Of a false-hearted lover
> I must needs complain
> To my grief I discovered
> that my sighs are in vain;
> Having mov'd her to pity,
> with tears in my eyes,
> While that sorrowful dity
> She would scorn and despise.
>            7
> To think that my Jewel
> should torture me so,
> In loves flaming fuel
> with a feavour I glow,
> She's more than ungrateful,
> unconstant, unkind,
> To her dear loyal lover
> like the wavering wind.
>            8
> In her Cheeks blushing Roses
> with lilies appear,
> Where Cupid reposes
> as her Charms I draw near;
> I account it my duty
> her perfection to prize,
> She's a Phoenix for beauty,
> was the constant likewise.
>            9
> If her heart was not ranging,
> she should soon be my Bride,
> But alas she is Changing
> and turns with the Tide,
> Having ruined many
> by her self-heart alone,
> She's not constant to any
> but can love more than one.
>            10
> Since I find out her folly,
> I'll no longer repine,
> But will strive to be jolly
> with a Glass of Rich Wine,
> No longer about her
> will I troubled be,
> I can now live without her
> let her go, farewel she.
>            11
> Tho' I am forsaken,
> yet she is forsworn,
> Yet she is mistaken
> if she think that I'll mourn,
> I'll set as slightly by her,
> as e'er she did me,
> And for ever will deny her,
> let her be, farewel she.
>

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Subject: Re: The Cuckoo
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 06:30:26 -0500
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Ed, I had a rather sparse deciphering of the badly printed ballad on the
Bodleian site and asked Mike to have a look at the original. The original
connection with 'The Cuckoo' lies in the first stanza only but there are
bits of other ballads in there as well.
The ref is Douce 2 (261b). The Bodleian date reckoning based on printers is
1683 - 96. The ballad seems to be unique and although the designated tune
has survived in a ballad in tradition, there don't seem to have been any
references to it in the likes of Rollins, although I haven't checked
Bruce's website yet. You might like to do that for us.
SteveG

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Subject: Re: Horses thirty and three
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 08:09:26 -0600
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On 1/10/05, Lewis Becker wrote:>In Willie of Winsberry, the King calls for his merry men, his merry men
>thirty and three.In the versions I know, he calls for them "BY thirty and BY three."
Not automatically the same thing. They might be unit sizes -- "by
platoons and by squads."In fact, going back to the Bible bits, King David had a unit of
bodyguards called "The Three" and another called "The Thirty."
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Horses thirty and three
From: Mary LaMarca <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 12:11:01 -0500
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I don't think the choice of the specific quantity 33 is simply an indication of wealth -
there are other alliterative quantities used elsewhere in balladry, such as "four and
twenty" .  Specific quantities become familiar over time and repetition in multiple
songs:"four and twenty maidens were playing at the ball"
"four and twenty blackbirds baked in a pie"But horses are almost always "thirty and three".  As mentioned above, the ladder in
Keach and Creel is also "thirty steps and three"; not a symbol of wealth in this case.
Is this just due to the familiarity of the phrase - a sort of "floating verse" effect?If so, I'm still wondering about the "33" on the Rolling Rock beer bottle specifically
associated with the horse.  The theory that it was a printer's mark totalling up the
number of words in the logo is really lame.  It could be a Masonic mark, but the
association with a horse is intriguing..

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Subject: Re: Horses thirty and three
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 13:57:20 -0500
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Hi,
Simple logic would suggest that the phrases arose from the poetical
desirability for the extra syllable. BUT logic doesn't always go with
language. For instance the English colloquialism 'a twelvemonth'. What was
wrong with 'a year'? Then again most people insist on saying the 9 syllable
double-u, double-u, double-u, when 3-syllable World wide web will do.
SteveG

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Subject: Re: Horses thirty and three
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 14:39:33 -0500
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>Hi,
>Simple logic would suggest that the phrases arose from the poetical
>desirability for the extra syllable. BUT logic doesn't always go with
>language. For instance the English colloquialism 'a twelvemonth'. What was
>wrong with 'a year'? Then again most people insist on saying the 9 syllable
>double-u, double-u, double-u,To some of us, this is only 6 syllables.>when 3-syllable World wide web will do.
>SteveG--
john garst    [unmask]

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Subject: Re: Horses thirty and three
From: Alan Ackerman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 19:36:02 -0800
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>Hi,
>Simple logic would suggest that the phrases arose from the poetical
>desirability for the extra syllable. BUT logic doesn't always go with
>language. For instance the English colloquialism 'a twelvemonth'. What was
>wrong with 'a year'? Then again most people insist on saying the 9 syllable
>double-u, double-u, double-u, when 3-syllable World wide web will do.
>SteveGMostly I here "dub dub dub" out here on the left coast.And it's on its way out -- most sites work fine when you leave off the "www.".--
Alan Ackerman, [unmask]

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Subject: Re: Horses thirty and three
From: Alan Ackerman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 11 Jan 2005 19:56:50 -0800
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>I don't think the choice of the specific quantity 33 is simply an
>indication of wealth -
>there are other alliterative quantities used elsewhere in balladry,
>such as "four and
>twenty" .  Specific quantities become familiar over time and
>repetition in multiple
>songs:
>
>"four and twenty maidens were playing at the ball"
>"four and twenty blackbirds baked in a pie"
>
>But horses are almost always "thirty and three".  As mentioned
>above, the ladder in
>Keach and Creel is also "thirty steps and three"; not a symbol of
>wealth in this case.
>Is this just due to the familiarity of the phrase - a sort of
>"floating verse" effect?
>
>If so, I'm still wondering about the "33" on the Rolling Rock beer
>bottle specifically
>associated with the horse.  The theory that it was a printer's mark
>totalling up the
>number of words in the logo is really lame.  It could be a Masonic
>mark, but the
>association with a horse is intriguing..The Rolling Rock site <http://www.rollingrock.com> gives several
possible answers, but no definitive one. None have anything to do
with horses.This site claims to have the answer:
<http://www.straightdope.com/classics/a2_044>. Nothing to do with
horses, either.--
Alan Ackerman, [unmask]

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Subject: Re: The Cuckoo
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 06:32:05 -0000
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----- Original Message -----
From: "Steve Gardham" <[unmask]>
To: <[unmask]>
Sent: 11 January 2005 11:30
Subject: Re: The Cuckoo> Ed, I had a rather sparse deciphering of the badly printed ballad on the
> Bodleian site and asked Mike to have a look at the original. The original
> connection with 'The Cuckoo' lies in the first stanza only but there are
> bits of other ballads in there as well.
> The ref is Douce 2 (261b). The Bodleian date reckoning based on printers is
> 1683 - 96. The ballad seems to be unique and although the designated tune
> has survived in a ballad in tradition, there don't seem to have been any
> references to it in the likes of Rollins, although I haven't checked
> Bruce's website yet. You might like to do that for us.
> SteveG
>Claude Simpson refers to it briefly under 'Love Will Find Out the Way' (British Broadside, 473,
footnote)  as one of two set to that tune "apparently not ... re-published."

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Subject: C-H-I-C-K-E-N
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 00:53:45 -0600
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Hi folks:Yes, that's the way you spell chicken. But where the heck did the song come
from? It reeks of being a composed song, and of the minstrel-show stage, but
I haven't been able to find any sheet-music sources for it. So far the
earliest citation I have is an Arthur Collins cylinder recording from
1903 -- he was definitely a "coon-song" performer. But nothing earlier.Peace,
Paul

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Subject: Problems downloading Bodleian images?
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 05:39:19 -0500
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Is anyone else having problems downloading images from the Bodleian catalog?
For the past two days I have not even been able to see the sample images
listed athttp://www.bodley.ox.ac.uk/ballads/ballads.htmselecting the "Some Images" option?Ben Schwartz

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Subject: Re: Problems downloading Bodleian images?
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 07:01:20 -0600
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At 04:39 AM 1/12/2005, you wrote:
>Is anyone else having problems downloading images from the Bodleian catalog?
>For the past two days I have not even been able to see the sample images
>listed at
>
>http://www.bodley.ox.ac.uk/ballads/ballads.htm
>
>selecting the "Some Images" option?
>
>Ben SchwartzThey show up fine for me, on Netscape 7 and IE 6.Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
http://www.beasleybooks.com

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Subject: Re: Problems downloading Bodleian images?
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 08:58:17 -0500
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never had a problem with them
check to make sure your browser is configured to display images
in preferences....CBPaul Garon wrote:
> At 04:39 AM 1/12/2005, you wrote:
>
>> Is anyone else having problems downloading images from the Bodleian
>> catalog?
>> For the past two days I have not even been able to see the sample images
>> listed at
>>
>> http://www.bodley.ox.ac.uk/ballads/ballads.htm
>>
>> selecting the "Some Images" option?
>>
>> Ben Schwartz
>
>
> They show up fine for me, on Netscape 7 and IE 6.
>
> Paul Garon
>
>
>
> Paul and Beth Garon
> Beasley Books (ABAA)
> 1533 W. Oakdale
> Chicago, IL 60657
> (773) 472-4528
> (773) 472-7857 FAX
> http://www.beasleybooks.com--
Adam lay ybounden, bounden in a bond;
Four thousand winters thought he not too long.
And all was fro an apple, an apple that he took,
As clerkes finden written in their book,
Ne had the apple taken been, the apple taken been,
Ne had never our lady a been heavene queen.
Blessed be the time that apple taken was,
Therefore we moun singen, Deo gracias!
-Anonymous, 15 th century.
                             #*#My soul, there is a country
  Far beyond the stars,
  Where stands a winged sentry
  All skilful in the wars:  There, above noise and danger
  Sweet Peace sits crowned with smiles
  And One, born in a manger
  Commands the beauteous files.  He is thy gracious friend
  And, O my soul awake!
  Did in pure love descend
  To die here for thy sake.  If thou canst get but thither,
  There grows the flow'r of Peace,
  The Rose that cannot wither,
  Thy fortress and thy ease.  Leave then thy foolish ranges,
  For none can thee secure
  But One who never changes,
  Thy God, thy life, thy cure.-Henry Vaughan (1622-1695)
***********************************************************************************************************************************************###############################################################################################

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Subject: Re: C-H-I-C-K-E-N
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 09:55:25 -0500
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>Hi folks:
>
>Yes, that's the way you spell chicken. But where the heck did the song come
>from? It reeks of being a composed song, and of the minstrel-show stage, but
>I haven't been able to find any sheet-music sources for it. So far the
>earliest citation I have is an Arthur Collins cylinder recording from
>1903 -- he was definitely a "coon-song" performer. But nothing earlier.
>
>Peace,
>PaulI don't know the song.  Can you describe it further?--
john garst    [unmask]

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Subject: Re: C-H-I-C-K-E-N
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 11:25:36 -0600
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----- Original Message -----
From: "John Garst" <[unmask]>>Yes, that's the way you spell chicken. But where the heck did the song come
>from? It reeks of being a composed song, and of the minstrel-show stage,
but
>I haven't been able to find any sheet-music sources for it. So far the
>earliest citation I have is an Arthur Collins cylinder recording from
>1903 -- he was definitely a "coon-song" performer. But nothing earlier.<<I don't know the song.  Can you describe it further?>>The chorus goes something like this:C - is the way to begin
H - is the second letter in
I - am the third and
C - that's the middle of the word
K - just fillin' in
E - gettin' near the "N"
C - H - I - C - K - E - N -- that's the way you spell chicken.There are variants, most of which are in dialect, and there's at least one
version with a verse about "Ragtime Joe".Peace,
Paul

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Subject: Re: Problems downloading Bodleian images?
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 09:31:06 -0800
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Subject: Re: Problems downloading Bodleian images?
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 11:38:11 -0600
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I can't load them either. I see the pages, and some of the thumbnails,
but no large images. Macintosh OS X 10.2, using FireFox.But I've never visited it with this configuration before, so I'm
not much of a test. I don't know if it's changed, just that it
doesn't work.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: C-H-I-C-K-E-N
From: Paddy Tutty <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 15:32:17 -0600
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I know of this song through the Red Clay Ramblers who learned it from
Uncle Dave Macon. It's a very funny song. The lyrics (courtesy of the
digital Tradition) are:In a little country school house where the children used to go,
There went a little red-haired boy by the name of Ragtime Joe.
One day the teacher called on the class to spell a certain kind of bird,
The kind of bird it was a chicken, and they could not spell that word.So the teacher called on Ragtime Joe to spell that word for them,
He did not hesitate a bit, this is the way he began:     C - that's the way to begin
     H - that's the next letter in
     I - that is the third
     C - time to season up the bird
     K - I'm fitting in
     E - getting near the end
        C-H-I-C-K-E-N
     That is the way to spell chicken.Parson Johnson gave a concert in the old school house one night,
He hired a lot of fellers that could sing and could recite;
When they pulled the curtain, everything went wrong
Until - the children loudly called, "Let's hear from Ragtime Joe."He sang a ragtime jukin' tune, but it did not go so well,
He said, "I went 'cross on that, so I guess I'll have to spell,"
Then he told the audience he had composed this chicken song
And when he sang these words to them, he took the house by storm.
[Chorus]Paddy Tutty
Saskatoon, Saskatchewan, Canada
http://www.prairiedruid.netPaul Stamler wrote:>----- Original Message -----
>From: "John Garst" <[unmask]>
>
>
>
>>Yes, that's the way you spell chicken. But where the heck did the song come
>>from? It reeks of being a composed song, and of the minstrel-show stage,
>>
>>
>but
>
>
>>I haven't been able to find any sheet-music sources for it. So far the
>>earliest citation I have is an Arthur Collins cylinder recording from
>>1903 -- he was definitely a "coon-song" performer. But nothing earlier.
>>
>>
>
><<I don't know the song.  Can you describe it further?>>
>
>The chorus goes something like this:
>
>C - is the way to begin
>H - is the second letter in
>I - am the third and
>C - that's the middle of the word
>K - just fillin' in
>E - gettin' near the "N"
>C - H - I - C - K - E - N -- that's the way you spell chicken.
>
>There are variants, most of which are in dialect, and there's at least one
>version with a verse about "Ragtime Joe".
>
>Peace,
>Paul
>
>
>
>

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Subject: Message for Lyn Wolz
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 23:33:05 +0000
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Apologies to everyone else - please ignore
Lyn
I've been trying to send you emails but they keep bouncing back. Can you contact me? Thanks
SteveSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: BALLAD-L Digest - 10 Jan 2005 to 11 Jan 2005 (#2005-29)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 12 Jan 2005 19:20:18 -0800
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"In fact, going back to the Bible bits, King David had
a unit of bodyguards called 'The Three' and another
called 'The Thirty'.No kidding. Can you cite (as they say) chapter and
verse? Similarly, cultists following H. P. Lovecraft,
Clark Ashton Smith and others will recognize the
mythic significance (a mulitple of 3) of The
Sixtystone.Thanks.
Dead But Dreaming in Sunken R'lyehCliffA

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Subject: Bodyguards Thirty and Three
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 07:44:30 -0600
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On 1/12/05, Cliff Abrams wrote:>"In fact, going back to the Bible bits, King David had
>a unit of bodyguards called 'The Three' and another
>called 'The Thirty'.
>
>No kidding. Can you cite (as they say) chapter and
>verse? Similarly, cultists following H. P. Lovecraft,
>Clark Ashton Smith and others will recognize the
>mythic significance (a mulitple of 3) of The
>Sixtystone.
>There are sundry mentions. The most significant is
2 Samuel chapter 23 (just about the whole chapter
after verse 8).If you actually want to dig into details, as opposed
to just verify the existence of the two groups, you
really need to use a quality modern translation (as
opposed to the King James Bible, or the New King James,
of of course any of the non-translations such as the
Living Bible). The Hebrew of 1 and 2 Samuel is extremely
defective, and the King James translators didn't have our
modern resources for correcting it.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Bodyguards Thirty and Three
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 10:58:22 -0600
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Some time ago I ran across a reference to the regional [Middle East] use
of the term "40" as in 40 days and 40 nights or Ali Baba and the 40
thieves. The idea being that "40" was not meant to be considered as an
actual number but was to mean "many" as in many days and many nights or
Ali Baba and a lot of thieves.Could "30 and 3" have a meaning beyond just numbers or rhyme?

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Subject: Re: Bodyguards Thirty and Three
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 11:29:51 -0600
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On 1/13/05, Clifford J OCHELTREE wrote:>Some time ago I ran across a reference to the regional [Middle East] use
>of the term "40" as in 40 days and 40 nights or Ali Baba and the 40
>thieves. The idea being that "40" was not meant to be considered as an
>actual number but was to mean "many" as in many days and many nights or
>Ali Baba and a lot of thieves.Pretty definitely true. For that matter, there is a theory that
the word "thousand" in a military context means not "1000" but
"a squad of about a dozen, give or take a few." :-)>Could "30 and 3" have a meaning beyond just numbers or rhyme?I really doubt it has a meaning beyond numbers. :-)It could be, but it's not Biblical. 33 has no major Biblical
significance. It's a lot more common in folklore: The thirty-and-three
horses in "Lady Isabel," etc., the "thirty and three" merry men
in "Willie o' Winsbury," etc.We have to keep context in mind here. I didn't mention the
Biblical link to suggest direct dependence; just how people
do things. :-) What significance would 33 have in Britain in
this period? Nothing springs to my mind.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Horses thirty and three
From: [unmask]
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Date:Thu, 13 Jan 2005 15:31:04 EST
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Subject: Re: Horses thirty and three
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 15:51:31 -0500
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>In a message dated 1/11/2005 7:40:08 PM GMT Standard Time,
>[unmask] writes:
>
>>To some of us, this is only 6 syllables.
>>
>
>
>How?  "doub - le - u" is three - three times three is nine."dub-ya dub-ya dub-ya">
>John Moulden--
john garst    [unmask]

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Subject: Re: Horses thirty and three
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 16:43:19 -0500
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At 03:51 PM 1/13/2005 -0500, you wrote:>>How?  "doub - le - u" is three - three times three is nine.
>
>"dub-ya dub-ya dub-ya"One is bad enough.

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Subject: Re: Attn: Pamela! (and folk music buffs)
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 19:00:09 -0600
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Dennis Lien wrote:
> At 09:59 PM 1/9/2005, Dan Goodman wrote:
>
>> http://ling.lll.hawaii.edu/faculty/stampe/Oral-Lit/English/Child-Ballads/child.html
>>
>>
>> Child Ballads - Very slow to load (it is one very large file) this is
>> the complete text of Child's 'The English and Scottish Popular
>> Ballads' with all their variants. The work of Cathy Lynn Preston and
>> Davis Stampe of the Department of Linguistics at the University of
>> Hawaii. H H
>>
>> --
>> Dan Goodman
>
>
>
> Don't know if "all the variants" are there, but the 8-volume set is also
> available at
>
> http://www.sacred-texts.com/neu/eng/child/index.htm
>
> which loads right away (I couldn't get the Hawaii site to load at all
> right now).Much thanks!!!--
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: Re: Attn: Pamela! (and folk music buffs)
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 01:27:36 -0000
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----- Original Message -----
From: "Dan Goodman" <[unmask]>
To: <[unmask]>
Sent: 14 January 2005 01:00
Subject: Re: Attn: Pamela! (and folk music buffs)> > Don't know if "all the variants" are there, but the 8-volume set is also
> > available at
> >
> > http://www.sacred-texts.com/neu/eng/child/index.htm
> >
> > which loads right away (I couldn't get the Hawaii site to load at all
> > right now).Thanks for mentioning that; I don't think I'd come across this iteration of the Preston files. Of
course, the material is of limited value without the all-important source details and notes, but at
least it can be read by the average internet user.The Hawaii version is ridiculously big for a web page (perhaps it was originally intended for
intranet use). Like Cathy Preston's original files, its value is mainly as a fully searchable
text/concordance to be used in conjunction with the original books.The Preston material was also available at http://www.peterrobins.co.uk/ballads/ in yet another
format; this time as a searchable/browseable database with some tunes also included. Current status
is unclear; the front-end is there, but the rest of it is inaccessible at present.Malcolm Douglas

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Subject: Ebay List - 01/13/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 13 Jan 2005 22:42:12 -0500
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Hi!        Another week - another list. :-)        SONGSTERS        3951559724 - MORLEY'S WONDERFUL EIGHT SONGSTER, $5.95 (ends
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                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Birdscaring
From: Gerald Porter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 10:13:31 +0200
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Does anyone know any birdscarers' songs? Birdscaring used to be a job for
children in the country (Bob Copper, for example, remembered having to do it),
and there are many accounts of the (often quite elaborate) cries that went with
it. Joseph Andrews and Jude the Obscure are described as having had to do it
when they were young. Sharp and Kidson found a couple of examples. Roy Palmer
conveniently printed four in The Painful Plough, but I don't know of any
recordings in any language.Can anyone help?Gerald Porter

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Subject: Re: Birdscaring
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 00:41:27 -0800
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Is this such a song?Four seeds in a hole -
One for the rook,
One for the crow,
One to rot and one to grow.Jon Bartlett----- Original Message -----
From: "Gerald Porter" <[unmask]>
To: <[unmask]>
Sent: Friday, January 14, 2005 12:13 AM
Subject: Birdscaring> Does anyone know any birdscarers' songs? Birdscaring used to be a job for
> children in the country (Bob Copper, for example, remembered having to do
> it),
> and there are many accounts of the (often quite elaborate) cries that went
> with
> it. Joseph Andrews and Jude the Obscure are described as having had to do
> it
> when they were young. Sharp and Kidson found a couple of examples. Roy
> Palmer
> conveniently printed four in The Painful Plough, but I don't know of any
> recordings in any language.
>
> Can anyone help?
>
> Gerald Porter

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Subject: More 33
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 05:33:37 -0800
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Bob,Thanks for the biblical information. Worth looking
into, I am sure. There is a new translation out there
(forgot the author) that has been somewhat criticized
for losing some of the poetry but is more accurate
textually and linguistically.C.There are sundry mentions. The most significant is
2 Samuel chapter 23 (just about the whole chapter
after verse 8).If you actually want to dig into details, as opposed
to just verify the existence of the two groups, you
really need to use a quality modern translation (as
opposed to the King James Bible, or the New King
James,
of of course any of the non-translations such as the
Living Bible). The Hebrew of 1 and 2 Samuel is
extremely
defective, and the King James translators didn't have
our
modern resources for correcting it.--
Bob Waltz

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Subject: Re: Birdscaring
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 09:02:56 -0500
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Hello to all here.   I have enjoyed looking thru the archives.  Thank you
for that.It occurs to me that the young people in this song (below - from The Clancy
Brothers) were distracted, negligent birdscarers. Fortunately, the old
straw stayed constant to his task. WARNING: There's a good chance my lyrics
are not quite right:A wee bit over the lea, melads
A wee bit over the green
The birds went into the poor man?s corn
I fear they?ll never be se-se-se-se-seen, melads,
I fear they?ll never be seenThen out came a bonnie wee lass
And she was one so fair
She went into the poor man?s corn
To see if the birds were tha-tha-tha-the there, melads
To see if the birds were thereThen out came a bonnie wee lad
And he was a fisherman?s son
He went into the poor man?s corn
To see where the birds had ru-ru-ru-ru-run, melads
To see where the birds had runHe kissed her on the cheek, melads
He kissed her on the chin
Said ?Don?t be kissin? me bonnie wee lad
I fear it is a si-si-si-si-sin, melad,
I fear it is a sin?.Then out came the poor old man
And he was tattered and torn
?AAHHHHH, that?s the way that there mindin? me birds,
I?ll do it mesel? in the mo-mo-mo-mo-morn, melads,
I?ll do it mesel? in the morn?.*********************************************I am sure the resulting child was beautiful.   :-)   Will anyone comment -
is this a Sarah Makem song?Dan

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Subject: Re: More 33
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 09:05:13 -0600
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On 1/14/05, Cliff Abrams wrote:>Bob,
>
>Thanks for the biblical information. Worth looking
>into, I am sure. There is a new translation out there
>(forgot the author) that has been somewhat criticized
>for losing some of the poetry but is more accurate
>textually and linguistically.Every recent translation is criticized for losing poetry.
Most of them are criticized for accuracy. Most are criticized
for gender issues, too. It doesn't mean anything. :-)I'm still using the New Revised Standard Version. It gets
criticized from *both* directions on all these issues, so it's
obviously doing something right.Incidentally, 1 and 2 Samuel offer someone a very good folklore
thesis. If you read the accounts in 1 Samuel 16-22 of how David
and Saul became acquainted (plus the story of David and Goliath),
it will instantly be obvious that two stories have been conflated
(not collated :-).In one account, David is a musician, part of Saul's court.
In another, he's a shepherd bringing lunch to his brothers.
In one account, Saul knows David; in the other, he's never
seen him before. Etc.Now get this: In the oldest Greek translation of David and Goliath,
the Codex Vaticanus, *one of these stories is missing in its
entirety*. It has David as Saul's courtier; it lacks David as
busboy.What's more amazing is that what's left, and what's omitted,
are both complete stories.And the part that's missing in Vaticanus has all the hallmarks
of folklore. The part that's found in Vaticanus is a more sober
history.Other parts of the story of 1 Samuel also have doubles -- e.g.
David twice spares Saul's life. There are two different stories
to explain the proverb "Is Saul also among the prophets?"This has gotten a certain amount of attention (not enough, IMHO)
from Biblical scholars. But none of them know beans about folklore --
they don't realize that the David and Goliath version omitted
by Vaticanus is a folktale, and they don't realize that much of
the rest of 1 Samuel also comes from folktale sources. There is
a lot of really good work that could be done there.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Birdscaring
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 07:48:56 -0800
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On Fri, Jan 14, 2005 at 09:02:56AM -0500, Dan Cummins wrote:
> Hello to all here.   I have enjoyed looking thru the archives.  Thank you
> for that.
>
> It occurs to me that the young people in this song (below - from The Clancy
> Brothers) were distracted, negligent birdscarers. Fortunately, the old
> straw stayed constant to his task. WARNING: There's a good chance my lyrics
> are not quite right:
>
> A wee bit over the lea, melads
> A wee bit over the green
> The birds went into the poor man?s corn
> I fear they?ll never be se-se-se-se-seen, melads,
> I fear they?ll never be seenThe McPeake family (of 25-30 years ago) sang a song they called 'The Stuttering Lovers,'
which scanned like the song you quote.  I don't recall that they said where they got
it, though.  -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Mantua maker
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 11:10:47 -0500
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Off topic, since there is no connected ballad, but in fact I'm
looking into this in connection with a piece I'm writing on "Delia,"
so there is a roundabout connection.The 1823 census of Savannah, Georgia, gives "Mantua Maker" as the
occupation of a free woman of color.I'm mystified.  What does a mantua maker make?John

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Subject: Re: Mantua maker
From: Heather Wood <[unmask]>
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Date:Fri, 14 Jan 2005 11:19:22 EST
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Subject: Re: Mantua maker
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 11:19:41 -0500
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I could check the OED.  Since Mantua is in Italy, could it be a hat of some description?  Could she be a milliner?        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Garst
Sent: Friday, January 14, 2005 11:11 AM
To: [unmask]
Subject: Mantua makerOff topic, since there is no connected ballad, but in fact I'm
looking into this in connection with a piece I'm writing on "Delia,"
so there is a roundabout connection.The 1823 census of Savannah, Georgia, gives "Mantua Maker" as the
occupation of a free woman of color.I'm mystified.  What does a mantua maker make?John

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Subject: Re: Mantua maker
From: Elizabeth Hummel <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 11:51:31 -0500
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I am also on a "women in the 18th c" list A mantua is a kind popular in the 18th and early 19thc  gown.   The woman is a gown maker.Liz in foggy nh-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of John Garst
Sent: Friday, January 14, 2005 11:11 AM
To: [unmask]
Subject: Mantua makerOff topic, since there is no connected ballad, but in fact I'm
looking into this in connection with a piece I'm writing on "Delia,"
so there is a roundabout connection.The 1823 census of Savannah, Georgia, gives "Mantua Maker" as the
occupation of a free woman of color.I'm mystified.  What does a mantua maker make?John

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Subject: Re: Birdscaring
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 12:25:27 -0500
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On Friday, January 14, 2005 10:48 AM Cal Lani Lani Herrmann wrote> The McPeake family (of 25-30 years ago) sang a song they called 'The
> Stuttering Lovers,'
> which scanned like the song you quote.  I don't recall that they said
> where they got
> it, though.You can find the words and music in _More Irish Street Ballads_ by Colm O
Lochlainn (#12 on pp.24-25 in English, #12A on pp. 224-225 translated to
Gaelic).
O Lochlainn's note (p.205)  is "It was a great favourite in the decade
1910-15 and was first popularised by that splendid singer Denis
O'Sullivan...."Ben Schwartz

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Subject: Re: Mantua maker
From: [unmask]
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Date:Fri, 14 Jan 2005 12:45:26 -0500
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From "The Encyclopedia of World Costume" by Doreen Yarwood...
Mantua
A corruption of Manteau, probably due to association with the
Italian city of Mantua. Originally the name of a loose gown
with unboned bodice worn by women from the mid-seventeenth to
the mid-eighteenth century. A mantua-maker was a dress maker
who made such gowns.From "The Art of Dress" by Jane Ashelford...
...seamstresses started making the unboned mantua and, when
stiff bodied gowns ceased to be fashionable, took over the
making of all gowns. Known as mantua-makers, they opened up
their own establishments leaving the tailors to make only
women's riding habits while male stay makers made the stays
or corsets, as these were now separate from the bodice.
According to R. Campbell's "The London Tradesman (1747)", a
guide for the prospective tradesperson, the mantua maker was
responsible for the making of "Night-Gowns, Mantuas, and
Petticoats, Rob de Chambres, etc. for the Ladies".So by 1823 this woman would probably have been a maker of
many assorted women's clothing items. Especially as the
mantua dress was considerably old fashioned by then.Kathleen Conery (professional costume designer by trade
myself)---- Original message ----
>Date: Fri, 14 Jan 2005 11:10:47 -0500
>From: John Garst <[unmask]>
>Subject: Mantua maker
>To: [unmask]
>
>Off topic, since there is no connected ballad, but in fact
I'm
>looking into this in connection with a piece I'm writing
on "Delia,"
>so there is a roundabout connection.
>
>The 1823 census of Savannah, Georgia, gives "Mantua Maker"
as the
>occupation of a free woman of color.
>
>I'm mystified.  What does a mantua maker make?
>
>John

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Subject: Re: Mantua maker
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 12:36:19 -0600
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In simple terms she was a dressmaker. A mantua is defined as "a loose
fitting woman's gown, generally with a train" and a mantua maker as "a
dress maker in general, not limited to mantuas."John Garst wrote:> Off topic, since there is no connected ballad, but in fact I'm
> looking into this in connection with a piece I'm writing on "Delia,"
> so there is a roundabout connection.
>
> The 1823 census of Savannah, Georgia, gives "Mantua Maker" as the
> occupation of a free woman of color.
>
> I'm mystified.  What does a mantua maker make?
>
> John
>

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Subject: Re: Mantua maker
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 13:10:37 -0800
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Heather:Be aware: Reading Georgette Heyer can lead to a severe case of diabetes.Ed----- Original Message -----
From: Heather Wood <[unmask]>
Date: Friday, January 14, 2005 8:19 am
Subject: Re: Mantua maker> In a message dated 1/14/2005 11:12:36 AM Eastern Standard Time,
> [unmask] writes:
> What does a mantua maker make?
> a mantua is a lady's cloak or mantle. Read more Georgette Heyer.
>
> Heather
>

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Subject: Re: Birdscaring
From: Jonathan Lighter <[unmask]>
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Date:Fri, 14 Jan 2005 14:09:30 -0800
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Subject: Re: Birdscaring
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 23:34:11 +0100
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Dear Gerald,John Goodluck has a crowscarer's song (The Crow Boy) on one of his 33rpm
records. Unfortunately as I have just smashed my ribcage against the
bath after a spectacular ass-over-tit somersault on a wet tile, I'm not
sufficiently elastic to go hunting for it, but if you'd like a copy I
can send it to you with the help of various family members!AndyGerald Porter wrote:
>
> Does anyone know any birdscarers' songs? Birdscaring used to be a job for
> children in the country (Bob Copper, for example, remembered having to do it),
> and there are many accounts of the (often quite elaborate) cries that went with
> it. Joseph Andrews and Jude the Obscure are described as having had to do it
> when they were young. Sharp and Kidson found a couple of examples. Roy Palmer
> conveniently printed four in The Painful Plough, but I don't know of any
> recordings in any language.
>
> Can anyone help?
>
> Gerald Porter

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Subject: bad news for CAMSCO
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 01:08:07 +0000
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<http://www.theregister.co.uk/2005/01/14/verizon_email_block/>Given Verizon's appalling past record of assisting spammers
themselves, this is just bizarre.I hope Dick has lined up an alternate provider to move to?-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Tommy Makem and Stuttering Lovers
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 14 Jan 2005 22:32:12 -0500
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Subject: Verizon block
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 08:52:30 -0500
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Automatic digest processor <[unmask]>, in the
person of Jack Campin, writes:> <http://www.theregister.co.uk/2005/01/14/verizon_email_block/>I have a customer in Berlin (the one in Europe), from which I received
email on 10, 12, and 14 December via Verizon DSL.  It seems,
therefore, that the block is not complete.
--
---  Joe Fineman    [unmask]||:  If you rest on your laurels, you're wearing them in the  :||
||:  wrong place.                                             :||

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Subject: Re: Verizon block
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 10:27:51 -0500
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As a small business that deals overseas, CAMSCO is much concerned about
this. Could a couple of  list members from  UK and other parts of Europe
send test messages to [unmask] I'd like to find out whether or
not they're being blocked..Also--apparently any E-mail I send to Jack Campin is being blocked, and
I'd like to reach him concerning non-list business. Any suggestions, Jack?dick greenhausJoe Fineman wrote:>Automatic digest processor <[unmask]>, in the
>person of Jack Campin, writes:
>
>
>
>><http://www.theregister.co.uk/2005/01/14/verizon_email_block/>
>>
>>
>
>I have a customer in Berlin (the one in Europe), from which I received
>email on 10, 12, and 14 December via Verizon DSL.  It seems,
>therefore, that the block is not complete.
>--
>---  Joe Fineman    [unmask]
>
>||:  If you rest on your laurels, you're wearing them in the  :||
>||:  wrong place.                                             :||
>
>
>
>

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Subject: Re: Verizon block
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 09:24:24 -0800
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Dick et al:Which/what message was blocked?  I recall nothing from Camsco in the past few days.Ed----- Original Message -----
From: dick greenhaus <[unmask]>
Date: Saturday, January 15, 2005 7:27 am
Subject: Re: Verizon block> As a small business that deals overseas, CAMSCO is much concerned
> aboutthis. Could a couple of  list members from  UK and other parts
> of Europe
> send test messages to [unmask] I'd like to find out whether or
> not they're being blocked..
>
> Also--apparently any E-mail I send to Jack Campin is being blocked,
> andI'd like to reach him concerning non-list business. Any
> suggestions, Jack?
>
> dick greenhaus
>
> Joe Fineman wrote:
>
> >Automatic digest processor <[unmask]>, in the
> >person of Jack Campin, writes:
> >
> >
> >
> >><http://www.theregister.co.uk/2005/01/14/verizon_email_block/>
> >>
> >>
> >
> >I have a customer in Berlin (the one in Europe), from which I
> received>email on 10, 12, and 14 December via Verizon DSL.  It seems,
> >therefore, that the block is not complete.
> >--
> >---  Joe Fineman    [unmask]
> >
> >||:  If you rest on your laurels, you're wearing them in the  :||
> >||:  wrong place.                                             :||
> >
> >
> >
> >
>

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Subject: Was it Artie Rose?
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 15:34:06 -0500
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Subject: Re: Mantua maker
From: [unmask]
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Date:Sat, 15 Jan 2005 16:45:00 EST
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Subject: Re: Tommy Makem and Stuttering Lovers
From: [unmask]
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Date:Sat, 15 Jan 2005 17:04:14 EST
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Subject: Re: Was it Artie Rose?
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 17:08:08 -0500
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Subject: Re: Mantua maker
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 17:10:14 EST
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Subject: Re: Mantua maker
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 22:31:50 -0000
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Subject: Re: Mantua maker
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 16 Jan 2005 02:00:46 +0000
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> There was an Irish ballad that appeared on sheets printed by
> Joseph Haly of Cork called The Dandy Mantua Maker.There is also a Scottish fiddle tune by William Marshall called
"The De'il Among the Mantua-Makers" - "Named so, at the request
of a Lady in Moray-shire".Mantuas were a statement of social class. Plebeian Scottish
women wore plaids.  Mantuas were for the bourgeoisie and upper
classes.  There are surviving tickets for dance assemblies in
18th century Edinburgh that say "No Plaids".  Club bouncers
who check your clothing labels before they let you in have a
long pedigree.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: Was it Artie Rose?
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 21:05:21 -0500
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Subject: Re: Was it Artie Rose?
From: Jane Keefer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 18:33:31 -0800
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Yes, the Steel Guitar player as listed on my copy of the original
Couterpoint-Esoteric LP
is Artie Rose.Jane Keefer----- Original Message -----
From: "bennett schwartz" <[unmask]>
To: <[unmask]>
Sent: Saturday, January 15, 2005 12:34 PM
Subject: Was it Artie Rose?I have been burning CD's from some of my old LP's and 78's.  One of the LP's
is the Archive of Folk Music (FS-208) "Harry and Jeanie West".
There's an uncredited Dobro player on 6 of the tracks that I always thought
sounded like Artie Rose (you can hear him on Folkways FA 2475 "The Old
Reliable String Band", a really good example of what was then (1963) called
"Old-Timey").  Soon after buying that LP I wrote Everest Records and asked
just that: who was the Dobro player?  They answered that they didn't keep
records of the studio musicians on their releases.  I'd like to keep my own
records straight and perhaps give credit if I ever index this LP.  While
there are still some of us around who remember the people involved has
anyone any ideas on this?Ben Schwartz

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Subject: Re: Mantua maker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 18:36:05 -0800
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Subject: Re: Was it Artie Rose?
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 23:41:04 -0500
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Subject: Re: Was it Artie Rose?
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 23:53:31 -0500
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On Saturday, January 15, 2005 9:05 PM  Thomas Stern wrote more information
about the Wests that I missed on the first reading.Thanks again.  I'll have to save your note. I know I once had an LP where Harry sang Willow Garden and Jeanie sang
Knoxville Girl
(which, I remember, disappointed me because I thought she did a great job on
Willow Garden and his Knowxville Girl and Red Rocking Chair always knocked
me out).Thanks yet again.
Ben Schwartz

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Subject: Re: Was it Artie Rose?
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 15 Jan 2005 23:47:16 -0800
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Hi,
The Harry and Jeanie West of the recordings are the
selfsame individual(s) who sell vintage and new
instruments.  They advertise in specialty journals,
such as the Banjo Newsletter.  -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Mantua maker
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 16 Jan 2005 09:09:55 EST
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Subject: Re: Mantua maker
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 16 Jan 2005 15:47:52 +0000
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>> There is also a Scottish fiddle tune by William Marshall called
>> "The De'il Among the Mantua-Makers" - "Named so, at the request
>> of a Lady in Moray-shire".
> Anything like "The Deil amang the Tailors"?It's another reel in A.  They would work reasonably well together
in the same set:X:1
T:The De'il Among the Mantua-Makers
C:William Marshall
M:C|
L:1/8
Q:1/2=112
K:A
~c3 d edcd|efga fedc|~c3 d edcd|fedc  c2B2:|
~E3 G BGEG|ABcd ecAc| E3 G BGEA|cAec Tc2B2 |
 E3 G BGEG|ABcd ecAc| dfdB cecA|dBAG  A2A2|]-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: message for Dick Greenhaus
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 17 Jan 2005 15:24:59 +0000
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The Verizon block seems to apply to Demon (god alone knows why, Demon
have always had far tougher anti-spam policies than Verizon could
possibly imagine).  I sent a reply to a message I got from Dick but
got no reply in return, so it looks like I'm not getting through.I have an account on Google's mail service so I'll try that next -
unfortunately it's so pernickety about what browser it accepts
that I have to plug in a different computer to use it, nothing on
my usual machine works.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: google desktop
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 18 Jan 2005 16:26:50 -0500
Content-Type:text/plain
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Google's lastest is Google search of your own computer (or dual search on
your computer plus the web).  Once it has a chance to index your computer,
it looks inside docs & spreadsheets & (certain) email for words/phrases same
as a web search.  Takes a few seconds to do a full text search of your
computer.  Where did I put that floating verse?So far, I think it actually only searches Microsoft & text-extension & HTML
type files - probably not DT or Bal Index but still...  just searching the
indices of my "books" is great.  Have fun.http://desktop.google.com/-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Ebay List - 01/19/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 19 Jan 2005 23:22:28 -0500
Content-Type:text/plain
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Hi!        Today brought the first real snow the season to the Washington
DC area and usual automotive chaos (no one here seems to know how to
drive in the stuff :-( ) It also brings the weekly Ebay list. :-)        SONGSTERS        6506093353 - The IRISH GEM SONGSTER, 1883, $10.50 (ends Jan-23-05
18:15:19 PST)        6943648973 - Old Uncle Ned Songster, $9.99 (ends Jan-24-05 18:01:31
PST)        3953491137 - Buffalo Bill's Wild West Songster, 1896, $15 (ends
Jan-25-05 15:52:34 PST)        MISCELLANEOUS        4067936965 - The Hell-Bound Train by Ohrlin, LP, $0.50 (ends
Jan-22-05 12:06:20 PST)        4068097668 - Phil Tanner, LP, 1968, 3.99 GBP (ends Jan-23-05 06:18:03
PST)        4068100400 - A Garland for Sam by Larner, LP, 1974, 4.99 GBP (ends
Jan-23-05 06:35:46 PST)        4068102728 - Songs from the Eel's Foot by Brightwell, LP, 1975,
2.99 GBP (ends Jan-23-05 06:51:10 PST)        4068104670 - Ye Subjects of England by Maynard, LP, 1976, 3.99 GBP
(ends Jan-23-05 07:01:36 PST) See below for book        4521270863 - Old Time Music Magazine, summer 1976, $9.99 (ends
Jan-26-05 14:31:19 PST)        SONGBOOKS, ETC.        4519750186 - More Traditional Ballads of Virginia by Davis, 1960,
$9.99 (ends Jan-20-05 15:38:32 PST)        6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST)        4519836480 - ADIRONDACK VOICES : WOODSMEN AND WOOD LORE by Bethke,
1983, $9.99 (ends Jan-20-05 20:05:19 PST)        6943216808 - Devil's Ditties by Thomas, 1931, $65 (ends Jan-20-05
21:41:48 PST)        4519886733 - FOLKSINGERS AND FOLKSONGS IN AMERICA by Lawless, 1965
edition, $5.99 (ends Jan-21-05 05:38:01 PST)        3776204099 - 12 Songs for Chidren from the Appalachian Mountains by
Sharp, 0.99 GBP (ends Jan-22-05 03:26:18 PST)        4520128773 - THE SECOND BOOK OF IRISH BALLADS by Healy, 1964, $4.95
AU (ends Jan-22-05 06:24:51 PST)        4519538319 - Songs of Work and Protest by Fowke, 1973, $4.98 (ends
Jan-22-05 06:47:11 PST)        4520136481 - Folklore & Society, essays in honor of Benjamin A.
Botkin by Jackson, 1966, $9.99 (ends Jan-22-05 07:27:45 PST)        4519521995 - YARNS AND BALLADS OF THE AUSTRALIAN BUSH by Edwards,
$17.50 AU (ends Jan-23-05 01:56:29 PST)        4520358983 - The Life and Songs of George Maynard by Subbs, 1963,
1.99 GBP (ends Jan-23-05 07:30:12 PST)        4520366434 - TALES AND SONGS OF SOUTHERN ILLINOIS by Neely, 1998
edition, $12.50 (ends Jan-23-05 08:05:20 PST)        6943520513 - Old English Ballads and Folk Songs by Armes, 1907,
$0.99 (ends Jan-23-05 15:05:10 PST)        6943529312 - AFRO-AMERICAN FOLKSONGS by Krehbiel, 1914, $34.99
(ends Jan-23-05 16:40:06 PST)        6505615100 - Songs and Ballads of Northern England by Walton, 1955?,
2 GBP (ends Jan-24-05 11:21:22 PST)        4520136088 - The Scots Musical Museum by Johnson, 2 volumes,  1962
printing, 20 GBP (ends Jan-25-05 07:24:54 PST)        4521084543 - Coal Dust on the Fiddle by Korson, 1943, $13 (ends
Jan-25-05 18:50:05 PST)        4520622148 - Great Australian Folk Songs by Lahey, 1996?, $19 AU
(ends Jan-27-05 01:02:44 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Songs of Protest
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 08:53:54 -0500
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Saw this posted as available on E-Bay:<< 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>Inquiry:Would the author be John Greenway - Univ. of Kentucky?Thanks,Dan Cummins
(in Kentucky)

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Subject: Re: Songs of Protest
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 10:52:17 -0500
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Yes, one and the same John Greenway, although he ended up at the Univ. of Colorado and as a far-right conservative. Kenny Goldstein had great stories of running into Greenwway in Boulder in the later 1960s when he (Greenway) was a volunteer cop riding around beating up on student demonstrators. He apparently turned against the left when he was doing research in Australia and didn't get the cooperation of the Communist Party in his song collecting. See his book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in an aside, he attacks Pete Seeger. Ronald CohenSaw this posted as available on E-Bay:<< 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>Inquiry:Would the author be John Greenway - Univ. of Kentucky?Thanks,Dan Cummins
(in Kentucky)

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Subject: Re: Songs of Protest
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 11:02:37 -0500
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>Yes, one and the same John Greenway, although he ended up at the
>Univ. of Colorado and as a far-right conservative. Kenny Goldstein
>had great stories of running into Greenwway in Boulder in the later
>1960s when he (Greenway) was a volunteer cop riding around beating
>up on student demonstrators. He apparently turned against the left
>when he was doing research in Australia and didn't get the
>cooperation of the Communist Party in his song collecting. See his
>book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in an
>aside, he attacks Pete Seeger. Ronald CohenStuck dimly in my mind is a recollection (?) of something published
in JAF after Woody Guthrie's death.  The writer didn't think much of
Woody.  Was that Greenway?  Or am I recalling something that doesn't
exist (the grey matter ain't so swift these days).John

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 09:45:43 -0800
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Dan:No, this is the late John Greenway, an anthropologist who spent the bulk of his career at Colorado (Boulder).Ed----- Original Message -----
From: Dan Cummins <[unmask]>
Date: Thursday, January 20, 2005 5:53 am
Subject: Songs of Protest> Saw this posted as available on E-Bay:
>
> << 6943210036 - American Folksongs of Protest by Greenway, 1960
> edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>
> Inquiry:
>
> Would the author be John Greenway - Univ. of Kentucky?
>
> Thanks,
>
> Dan Cummins
> (in Kentucky)
>

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 09:54:05 -0800
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Ron and  Dan:Sorry .  I didn't know Greenway was at Kentucky.Whatever his politics -- and I remember a phone call  with him in which he defended his volunteer police work (as a sergeant, I recall) tooling around Boulder one night a week -- Greenway was a gutsty editor of the _Journal of American Folklore._   He took an article of mine, "The Rabbi Trickster,"  that he was sure would offend everyone.  It did.  I never heard one word of regret from him.  (I might add that he knew I worked for the ACLU at the time and that our politics were 180-degrees apart.)Ed
----- Original Message -----
From: "Cohen, Ronald" <[unmask]>
Date: Thursday, January 20, 2005 7:52 am
Subject: Re: Songs of Protest> Yes, one and the same John Greenway, although he ended up at the
> Univ. of Colorado and as a far-right conservative. Kenny Goldstein
> had great stories of running into Greenwway in Boulder in the later
> 1960s when he (Greenway) was a volunteer cop riding around beating
> up on student demonstrators. He apparently turned against the left
> when he was doing research in Australia and didn't get the
> cooperation of the Communist Party in his song collecting. See his
> book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in
> an aside, he attacks Pete Seeger. Ronald Cohen
>
>
>
> Saw this posted as available on E-Bay:
>
> << 6943210036 - American Folksongs of Protest by Greenway, 1960
> edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>
> Inquiry:
>
> Would the author be John Greenway - Univ. of Kentucky?
>
> Thanks,
>
> Dan Cummins
> (in Kentucky)
>

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Subject: Re: Songs of Protest
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 10:01:50 -0800
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I discuss Greenway tangentially in my article on "The Factory Girl" (to be
distributed next month by Archie Green's Fund for Labor Culture and
History)--including his hilarious farewell editorial as editor of JAF.
Norm Cohen----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 20, 2005 9:54 AM
Subject: Re: Songs of Protest> Ron and  Dan:
>
> Sorry .  I didn't know Greenway was at Kentucky.
>
> Whatever his politics -- and I remember a phone call  with him in which he
defended his volunteer police work (as a sergeant, I recall) tooling around
Boulder one night a week -- Greenway was a gutsty editor of the _Journal of
American Folklore._   He took an article of mine, "The Rabbi Trickster,"
that he was sure would offend everyone.  It did.  I never heard one word of
regret from him.  (I might add that he knew I worked for the ACLU at the
time and that our politics were 180-degrees apart.)
>
> Ed
> ----- Original Message -----
> From: "Cohen, Ronald" <[unmask]>
> Date: Thursday, January 20, 2005 7:52 am
> Subject: Re: Songs of Protest
>
> > Yes, one and the same John Greenway, although he ended up at the
> > Univ. of Colorado and as a far-right conservative. Kenny Goldstein
> > had great stories of running into Greenwway in Boulder in the later
> > 1960s when he (Greenway) was a volunteer cop riding around beating
> > up on student demonstrators. He apparently turned against the left
> > when he was doing research in Australia and didn't get the
> > cooperation of the Communist Party in his song collecting. See his
> > book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in
> > an aside, he attacks Pete Seeger. Ronald Cohen
> >
> >
> >
> > Saw this posted as available on E-Bay:
> >
> > << 6943210036 - American Folksongs of Protest by Greenway, 1960
> > edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
> >
> > Inquiry:
> >
> > Would the author be John Greenway - Univ. of Kentucky?
> >
> > Thanks,
> >
> > Dan Cummins
> > (in Kentucky)
> >
>

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 10:02:25 -0800
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John:Greenway's obit in JAF for Woody was gentle and moving.  The later editor of JAF who scorned Guthrie as a man and a poet was Ellen Stekert.Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Thursday, January 20, 2005 8:02 am
Subject: Re: Songs of Protest> >Yes, one and the same John Greenway, although he ended up at the
> >Univ. of Colorado and as a far-right conservative. Kenny Goldstein
> >had great stories of running into Greenwway in Boulder in the later
> >1960s when he (Greenway) was a volunteer cop riding around beating
> >up on student demonstrators. He apparently turned against the left
> >when he was doing research in Australia and didn't get the
> >cooperation of the Communist Party in his song collecting. See his
> >book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in an
> >aside, he attacks Pete Seeger. Ronald Cohen
>
> Stuck dimly in my mind is a recollection (?) of something published
> in JAF after Woody Guthrie's death.  The writer didn't think much of
> Woody.  Was that Greenway?  Or am I recalling something that doesn't
> exist (the grey matter ain't so swift these days).
>
> John
>

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Subject: Re: Songs of Protest
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 13:24:53 -0500
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<<  No, this is the late John Greenway, an anthropologist who spent the
bulk of his career at Colorado (Boulder).Ed  >>Thank you Ed (and all).  The John Greenway here (Kentucky) is a recently-
retired English Prof.Cheers,  DanPS  Quite an unexpected swirl of responses though.

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Subject: Re: Ebay List - 01/19/05
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 18:46:29 -0000
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All,
FYI I'm bidding on Ken Stubbs' book about "Pop" Maynard.
Simon

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Subject: Re: Songs of Protest
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 14:11:59 -0500
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I might add that while the Colorado John Greenway was known as an anthropologist and folklorist, he also had a PhD in English, as I recall. Quite a renaissance person, who deserves a good study some day. Ron CohenSubject:        Re: Songs of Protest<<  No, this is the late John Greenway, an anthropologist who spent the
bulk of his career at Colorado (Boulder).Ed  >>Thank you Ed (and all).  The John Greenway here (Kentucky) is a recently-
retired English Prof.Cheers,  DanPS  Quite an unexpected swirl of responses though.

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Subject: Re: Songs of Protest
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 11:31:36 -0800
Content-Type:text/plain
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On Thu, Jan 20, 2005 at 08:53:54AM -0500, Dan Cummins wrote:
> Saw this posted as available on E-Bay:
>
> << 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
> $4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>
> Inquiry:
>
> Would the author be John Greenway - Univ. of Kentucky?In a word, yes.  (Though I know nothing of his academic affiliation,
nor his current location.)  -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Songs of Protest
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 19:31:25 -0500
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Is Greenway still alive? If so, is there some way of contacting him?  His
book about songs of social protest came out while I was at college and
really changed my whole worldview.  I'd love to correspond with him...
----- Original Message -----
From: "Cohen, Ronald" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 20, 2005 10:52 AM
Subject: Re: Songs of ProtestYes, one and the same John Greenway, although he ended up at the Univ. of
Colorado and as a far-right conservative. Kenny Goldstein had great stories
of running into Greenwway in Boulder in the later 1960s when he (Greenway)
was a volunteer cop riding around beating up on student demonstrators. He
apparently turned against the left when he was doing research in Australia
and didn't get the cooperation of the Communist Party in his song
collecting. See his book on Austrailan natives, DOWN AMONG THE WILD MEN, in
which, in an aside, he attacks Pete Seeger. Ronald CohenSaw this posted as available on E-Bay:<< 6943210036 - American Folksongs of Protest by Greenway, 1960 edition,
$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>Inquiry:Would the author be John Greenway - Univ. of Kentucky?Thanks,Dan Cummins
(in Kentucky)

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Subject: Re: Songs of Protest
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 19:37:10 -0500
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How can I get a copy of your "The Factory Girl" article?
TIA.
----- Original Message -----
From: "Norm Cohen" <[unmask]>
To: <[unmask]>
Sent: Thursday, January 20, 2005 1:01 PM
Subject: Re: Songs of Protest>I discuss Greenway tangentially in my article on "The Factory Girl" (to be
> distributed next month by Archie Green's Fund for Labor Culture and
> History)--including his hilarious farewell editorial as editor of JAF.
> Norm Cohen
>
> ----- Original Message -----
> From: "edward cray" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, January 20, 2005 9:54 AM
> Subject: Re: Songs of Protest
>
>
>> Ron and  Dan:
>>
>> Sorry .  I didn't know Greenway was at Kentucky.
>>
>> Whatever his politics -- and I remember a phone call  with him in which
>> he
> defended his volunteer police work (as a sergeant, I recall) tooling
> around
> Boulder one night a week -- Greenway was a gutsty editor of the _Journal
> of
> American Folklore._   He took an article of mine, "The Rabbi Trickster,"
> that he was sure would offend everyone.  It did.  I never heard one word
> of
> regret from him.  (I might add that he knew I worked for the ACLU at the
> time and that our politics were 180-degrees apart.)
>>
>> Ed
>> ----- Original Message -----
>> From: "Cohen, Ronald" <[unmask]>
>> Date: Thursday, January 20, 2005 7:52 am
>> Subject: Re: Songs of Protest
>>
>> > Yes, one and the same John Greenway, although he ended up at the
>> > Univ. of Colorado and as a far-right conservative. Kenny Goldstein
>> > had great stories of running into Greenwway in Boulder in the later
>> > 1960s when he (Greenway) was a volunteer cop riding around beating
>> > up on student demonstrators. He apparently turned against the left
>> > when he was doing research in Australia and didn't get the
>> > cooperation of the Communist Party in his song collecting. See his
>> > book on Austrailan natives, DOWN AMONG THE WILD MEN, in which, in
>> > an aside, he attacks Pete Seeger. Ronald Cohen
>> >
>> >
>> >
>> > Saw this posted as available on E-Bay:
>> >
>> > << 6943210036 - American Folksongs of Protest by Greenway, 1960
>> > edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
>> >
>> > Inquiry:
>> >
>> > Would the author be John Greenway - Univ. of Kentucky?
>> >
>> > Thanks,
>> >
>> > Dan Cummins
>> > (in Kentucky)
>> >
>>

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Subject: Hans Breitmann's Ballads
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 22:55:00 -0500
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Anyone know if  Charles Leland actually collected these ballads or were they composed.  It would seem to me that if he collected them all he would have included a tune name with the ballad. It would also seem likely that some of these ballads are part of the existing "canon" of ballads collected in the isles.  In learning a little about Mr. Leland it seems that he had a particularly strong interest in the occult,  folklore, the occult, It makes me wonder if any of the other collectors of ballads and folklore are also as interested in the occult. I haven't heard of any other ties to the darker arts, certainly the Scottish Folk Lore lends itself to this but I have not heard this mentioned with any of the Scottish Collectors.  Are these big secrets or is there not enough truth to warrant study in these areas.Sammy Rich

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Subject: Re: Songs of Protest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 20 Jan 2005 20:36:44 -0800
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Roy:Sad to say, John Greenway is dead these past ten years.Ed----- Original Message -----
From: Roy Berkeley <[unmask]>
Date: Thursday, January 20, 2005 4:37 pm
Subject: Re: Songs of Protest> How can I get a copy of your "The Factory Girl" article?
> TIA.
> ----- Original Message -----
> From: "Norm Cohen" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, January 20, 2005 1:01 PM
> Subject: Re: Songs of Protest
>
>
> >I discuss Greenway tangentially in my article on "The Factory
> Girl" (to be
> > distributed next month by Archie Green's Fund for Labor Culture and
> > History)--including his hilarious farewell editorial as editor of
> JAF.> Norm Cohen
> >
> > ----- Original Message -----
> > From: "edward cray" <[unmask]>
> > To: <[unmask]>
> > Sent: Thursday, January 20, 2005 9:54 AM
> > Subject: Re: Songs of Protest
> >
> >
> >> Ron and  Dan:
> >>
> >> Sorry .  I didn't know Greenway was at Kentucky.
> >>
> >> Whatever his politics -- and I remember a phone call  with him
> in which
> >> he
> > defended his volunteer police work (as a sergeant, I recall) tooling
> > around
> > Boulder one night a week -- Greenway was a gutsty editor of the
> _Journal> of
> > American Folklore._   He took an article of mine, "The Rabbi
> Trickster,"> that he was sure would offend everyone.  It did.  I
> never heard one word
> > of
> > regret from him.  (I might add that he knew I worked for the ACLU
> at the
> > time and that our politics were 180-degrees apart.)
> >>
> >> Ed
> >> ----- Original Message -----
> >> From: "Cohen, Ronald" <[unmask]>
> >> Date: Thursday, January 20, 2005 7:52 am
> >> Subject: Re: Songs of Protest
> >>
> >> > Yes, one and the same John Greenway, although he ended up at the
> >> > Univ. of Colorado and as a far-right conservative. Kenny
> Goldstein>> > had great stories of running into Greenwway in
> Boulder in the later
> >> > 1960s when he (Greenway) was a volunteer cop riding around
> beating>> > up on student demonstrators. He apparently turned
> against the left
> >> > when he was doing research in Australia and didn't get the
> >> > cooperation of the Communist Party in his song collecting. See
> his>> > book on Austrailan natives, DOWN AMONG THE WILD MEN, in
> which, in
> >> > an aside, he attacks Pete Seeger. Ronald Cohen
> >> >
> >> >
> >> >
> >> > Saw this posted as available on E-Bay:
> >> >
> >> > << 6943210036 - American Folksongs of Protest by Greenway, 1960
> >> > edition,$4.99 (ends Jan-20-05 20:04:19 PST) by Greenway  >>
> >> >
> >> > Inquiry:
> >> >
> >> > Would the author be John Greenway - Univ. of Kentucky?
> >> >
> >> > Thanks,
> >> >
> >> > Dan Cummins
> >> > (in Kentucky)
> >> >
> >>
>

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Subject: Re: Hans Breitmann's Ballads
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 06:24:28 -0500
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Re, interest in the occult: Helen Creighton certainly published on ghost lore, and Yeats certainly had those interests.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Sammy Rich
Sent: Thursday, January 20, 2005 10:55 PM
To: [unmask]
Subject: Hans Breitmann's BalladsAnyone know if  Charles Leland actually collected these ballads or were they composed.  It would seem to me that if he collected them all he would have included a tune name with the ballad. It would also seem likely that some of these ballads are part of the existing "canon" of ballads collected in the isles.  In learning a little about Mr. Leland it seems that he had a particularly strong interest in the occult,  folklore, the occult, It makes me wonder if any of the other collectors of ballads and folklore are also as interested in the occult. I haven't heard of any other ties to the darker arts, certainly the Scottish Folk Lore lends itself to this but I have not heard this mentioned with any of the Scottish Collectors.  Are these big secrets or is there not enough truth to warrant study in these areas.Sammy Rich

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Subject: Re: Hans Breitmann's Ballads
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 05:22:57 -0800
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Subject: online music offered from Smithsonian
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 08:52:46 -0500
Content-Type:text/plain
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I am forwarding this info from another music list for those interested (do
note though that the music files are not readable by mac ipod)...
Lisa>for those who download music, you might be interested in this:
>
>http://www.nytimes.com/2005/01/20/arts/20folk.html
>
>Smithsonian's Song Catalog Is Available for Sale Online
>By BEN SISARIO
>
>Published: January 20, 2005
>
>Lead Belly, Woody Guthrie and the barking tree frogs are finally going
>online.
>
>Some 30,000 songs from the legendary Smithsonian Folkways catalog -
>field recordings of folk and blues, world and children's music, jazz,
>nature sounds and poetry - went on sale yesterday on Microsoft's MSN
>Music store (music.msn.com) for 99 cents apiece.
>
>MSN Music, which began selling music last fall, will have the exclusive
>right to sell the Smithsonian catalog through September, executives at
>Microsoft and Smithsonian Folkways said.
>
>The catalog, one of the richest troves of recorded Americana, is built
>on the Folkways label, founded in 1948 by Moses Asch. That label
>released Lead Belly's "Last Sessions," Pete Seeger's "American Folk
>Songs for Children" and Harry Smith's "Anthology of American Folk
>Music," among other bedrock albums of the folk era. The Smithsonian
>Institution purchased Folkways in 1987, the year after Asch died.
>
>In addition to the folk repertory, Folkways released jazz, world music,
>classical and avant-garde music, albums by songwriters like Phil Ochs
>and Lucinda Williams, and beloved oddities like "Sounds of North
>American Frogs," which has track titles like "Chorus of Barking
>Treefrogs (Hyla gratiosa)."
>
>On MSN Music, which has licensed more than a million songs for download,
>Guthrie, "Songs of the Western Australian Desert Aborigines" and the
>frogs abut the latest by Eminem, Kelly Clarkson and Gwen Stefani.
>
>Much of the original Folkways collection has been released on CD, but a
>majority of it has not been commercially available because the demand is
>so low. Of the roughly 40,000 tracks in the catalog, only about 5,700
>have been commercially released, said Atesh Sonneborn, the label's
>assistant director. Smithsonian Folkways makes copies of anything from
>its collection on request, and now every track will now be available on
>MSN Music.
>
>"I found things that I had no idea existed," Mr. Sonneborn said. "I
>found Dante's 'Inferno' read by John Ciardi. I had no idea it was even
>there."
>
>The tracks are encoded in the Windows Media format, which is readable by
>many portable music devices but not Apple's iPod. Single songs cost 99
>cents and compete albums $8.91. The Smithsonian gets about two-thirds of
>the purchase price of the music, Mr. Sonneborn said.
>
>When the agreement with Microsoft expires, Mr. Sonneborn said, the
>Smithsonian hopes to begin its own music download service, with more
>extensive text and documentation features.

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Subject: Re: online music offered from Smithsonian
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 09:27:23 -0500
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This is the site that I just helped to Beta test for the Smithsonian.
You won't believe it. Problems with Mac operation can be solved by using
Firefox as your browser and changing your system prefs to open up all
mp3s in iTunes, if it's not there already. No problems at all using
Windows machines.
  The "Synchrotext" component of the site is particularly fascinating,
but the individual tunes are what will pique your interest.Beth Brooks>>> [unmask] 01/21/05 8:52 AM >>>
I am forwarding this info from another music list for those interested
(do
note though that the music files are not readable by mac ipod)...
Lisa

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Subject: [Fwd: Who Said What?]
From: Thomas Stern <[unmask]>
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Date:Fri, 21 Jan 2005 12:06:47 -0500
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Subject: Re: Who Said What?]
From: Roy Berkeley <[unmask]>
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Date:Fri, 21 Jan 2005 15:34:44 -0500
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Subject: Re: Who Said What?]
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 12:44:16 -0800
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On Fri, Jan 21, 2005 at 03:34:44PM -0500, Roy Berkeley wrote:
> I am puzzled about the relevancy to a forum for ballad scholars of the attached posting.  Can someone enlighten me?
>   ----- Original Message -----
>   From: Thomas Stern
>   To: [unmask]
>   Sent: Friday, January 21, 2005 12:06 PM
>   Subject: [Fwd: Who Said What?]
>
>   -------- Original Message -------- Subject:  Who Said What?
>         Date:  Fri, 21 Jan 2005 11:06:28 -0500
>         From:  dick greenhaus <[unmask]>
>         Reply-To:  [unmask]
>         Organization:  CAMSCO
>         To:  Thomas H. Stern <[unmask]>, susi cohen <[unmask]>, Entropy Racing <[unmask]>
>
>
>
> Here's The QUIZ:
> Who said this?
>
> Bush or Hitler?        Perhaps the forwarder only wished to let us all know that CAMSCO
may have recovered from its earlier e-mail woes?  Note that Dick
Greenhause (Mr. Camsco) *didn't* forward it to this list! -- Aloha,
Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Who Said What?]
From: "Steiner, Margaret" <[unmask]>
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Date:Fri, 21 Jan 2005 15:46:28 -0500
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Subject: Re: Who Said What?]
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 16:32:30 -0600
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On 1/21/05, Steiner, Margaret wrote:>well, you're right: this posting is not relevant to a scholarly ballad list.  I'm sure that a good many of us, myself included, are in sympathy with the sentiments expressed by the posting, and I forearded it to our local peace action E-mail list.
>
>I hesitate, though, to be a list cop.  Maybe we can say that if you know that someone shares your political sentiments, feel free to send relevant postings to those folks rather than to a scholarly list.Just as a thought on this: Obviously the message is off-topic.
However, what makes Ballad-L what it is is the fact that we have
a community -- almost everything comes up at one time or another,
and I can recall few objections. Probably that says something
about the members of the list: Only one person even queried it.If this had gone to most lists, there would have been a complete
firestorm. Formally, it would even be justified. In context, though,
it probably has to be accepted that this list -- like any group
composed of people interested in traditional music -- is almost
entirely composed of non-Neoconservatives. (To put it mildly.
Personally, I would have guessed that *no one* who posts here
would have been offended by his. Depressed, yes, offended, no.)So the advice to all is: Think about what you're sending, but
don't shut down the community because once in a while something
comes up that's controversial.I, for one, would say Thank you to Margaret Steiner for maintaining
a list that really works quite well.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Who Said What?]
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 18:53:17 -0500
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To Bob and to all the listers:I, too, am struck by the civility of discourse on this list, and that everyone seems eager to help their colleagues.  What a great community!And, thanks, Bob, Ed, and others for getting the Ballad Index going.  I'm proud that this list served as a catalyst for this invaluable work.Peace.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Robert B. Waltz
Sent: Friday, January 21, 2005 5:33 PM
To: [unmask]
Subject: Re: Who Said What?]On 1/21/05, Steiner, Margaret wrote:>well, you're right: this posting is not relevant to a scholarly ballad list.  I'm sure that a good many of us, myself included, are in sympathy with the sentiments expressed by the posting, and I forearded it to our local peace action E-mail list.
>
>I hesitate, though, to be a list cop.  Maybe we can say that if you know that someone shares your political sentiments, feel free to send relevant postings to those folks rather than to a scholarly list.Just as a thought on this: Obviously the message is off-topic.
However, what makes Ballad-L what it is is the fact that we have
a community -- almost everything comes up at one time or another,
and I can recall few objections. Probably that says something
about the members of the list: Only one person even queried it.If this had gone to most lists, there would have been a complete
firestorm. Formally, it would even be justified. In context, though,
it probably has to be accepted that this list -- like any group
composed of people interested in traditional music -- is almost
entirely composed of non-Neoconservatives. (To put it mildly.
Personally, I would have guessed that *no one* who posts here
would have been offended by his. Depressed, yes, offended, no.)So the advice to all is: Think about what you're sending, but
don't shut down the community because once in a while something
comes up that's controversial.I, for one, would say Thank you to Margaret Steiner for maintaining
a list that really works quite well.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Dialect and Folk Life Studies in Britain
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 20:48:51 EST
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Subject: Re: Who Said What?]
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 21 Jan 2005 18:35:52 -0800
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Subject: Re: Who Said What?]
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 02:25:32 -0600
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<<As a point of pedantic and folkloric interest only: Something like this
went the rounds about 1969 during the Southeast Asia war, with Nixon in
place of Bush.  It turned out the "Hitler" quotes were either invented or,
shall we say, rather loosely retranslated.  (For all I know, these are all
real - but experience teaches skepticism.)>>Which makes it folklore, and almost on-topic, by gum.Interesting -- in 1972 I was working for the political environmentalist
Barry Commoner as a research gofer, and right after the election Nixon had
given an interview where he characterized the American people as being like
children, who needed to be led. Dr. C. remembered a similar quote from
Hitler and sent me to the library with the instruction to read "Mein Kampf".
Not the most pleasant gig, but the quote was there. So that parallelism, at
least, was real.I suspect the current list of quotes will be found on the Urban Legends
reference site pretty soon, with info on whether they're correct.Peace,
Paul

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Subject: Re: BALLAD-L Digest - 21 Jan 2005 (#2005-44)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 05:49:04 -0800
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Now you're talkin'. I would be interested in seeing
those Hitler quotes in the original German-- die wir
sofort ?ersetzen werden, ganz sicherlich.CAAs a point of pedantic and folkloric interest only:
Something like this went the rounds about 1969 during
the
Southeast Asia war, with Nixon in place of Bush. It
turned out the
"Hitler" quotes were either invented or, shall we say,rather loosely retranslated.  (For all I know, these
are all
real - but experience teaches skepticism.)JL

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Subject: Re: online music offered from Smithsonian
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 09:25:33 -0500
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did not get the address of the page in my e.mail....try again?CBBeth Brooks wrote:> This is the site that I just helped to Beta test for the Smithsonian.
> You won't believe it. Problems with Mac operation can be solved by using
> Firefox as your browser and changing your system prefs to open up all
> mp3s in iTunes, if it's not there already. No problems at all using
> Windows machines.
>   The "Synchrotext" component of the site is particularly fascinating,
> but the individual tunes are what will pique your interest.
>
> Beth Brooks
>
>
>>>>[unmask] 01/21/05 8:52 AM >>>
>
> I am forwarding this info from another music list for those interested
> (do
> note though that the music files are not readable by mac ipod)...
> Lisa--
@#@#@#@##@#@#@#@#@##@#@#@#@#@#@@#@#@#@#@#@#@#@#@#@#@#@#@
Looking through my bedroom window, out into the moonlight and the
uneding smoke-colored snow,
I could see the lights in the windows of all the other houses on our
hill and hear the music rising from them
up the long, steadily falling night. I turned the gas down, I got into
bed. I said some words to the
close and holy darkness, and then I slept!-Dylan Thomas
####################################################################

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Subject: Re: Who Said What?]
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 16:09:17 -0500
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This political squib may not be directly related to ballad form, but it
sure as hell is a piece of modern folklore in the Xerox-lore tradition.
SteveG

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Subject: Re: Who Said What?]
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 16:12:09 -0500
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Very true.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Steve Gardham
Sent: Saturday, January 22, 2005 4:09 PM
To: [unmask]
Subject: Re: Who Said What?]This political squib may not be directly related to ballad form, but it
sure as hell is a piece of modern folklore in the Xerox-lore tradition.
SteveG

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Subject: Re: online music offered from Smithsonian
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 22 Jan 2005 17:06:49 -0500
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At 09:25 AM 1/22/2005 -0500, you wrote:
>did not get the address of the page in my e.mail....try again?
>CB>Some 30,000 songs from the legendary Smithsonian Folkways catalog -
>field recordings of folk and blues, world and children's music, jazz,
>nature sounds and poetry - went on sale yesterday on Microsoft's MSN
>Music store (music.msn.com) for 99 cents apiece.

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Subject: Re: Hans Breitmann's Ballads
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 00:01:16 +0000
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I think that most folklorists are interested in the occult to the extent that they collect and study ghost stories and belief in supernatural beings and occurrences, but in Britain at least most have shied away from anything which implies that they believe in the occult themselves. Even today the (British) Folklore Society is wary of admitting 'practising witches' and such-like to their ranks. The only one I can think of who really did (apparantly) believe was Andrew Lang (1844-1912). He is probably remembered mostly for his fairy-tale books but he also did some work on Scottish ballads, amongst a huge output of books and essays on a wide range of topics. Some of his fellow folklorists of the time treated him with caution because of his willingness to believe. His 'Protest of a Psycho-Folklorist' in Folk-Lore 6 (1895) 236-248 is interesting in this respect, and (if memory serves) the book 'Cock Lane and Common Sense' (1894); and there's a bibliography of his writings in Roger Lancelyn Green, 'Andrew Lang: a Critical Biography' (Edmund Ward, 1946), and a good summary of his life and work in Dorson's 'The British Folklorists' (1968).
Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     "Steiner, Margaret" <[unmask]>
To:       [unmask]
Subject:  Re: Hans Breitmann's Ballads> Re, interest in the occult: Helen Creighton certainly published on ghost lore, and Yeats certainly had those interests.
>
> Marge
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]On
> Behalf Of Sammy Rich
> Sent: Thursday, January 20, 2005 10:55 PM
> To: [unmask]
> Subject: Hans Breitmann's Ballads
>
>
> Anyone know if Charles Leland actually collected these ballads or were they composed. It would seem to me that if he collected them all he would have included a tune name with the ballad. It would also seem likely that some of these ballads are part of the existing "canon" of ballads collected in the isles. In learning a little about Mr. Leland it seems that he had a particularly strong interest in the occult, folklore, the occult, It makes me wonder if any of the other collectors of ballads and folklore are also as interested in the occult. I haven't heard of any other ties to the darker arts, certainly the Scottish Folk Lore lends itself to this but I have not heard this mentioned with any of the Scottish Collectors. Are these big secrets or is there not enough truth to warrant study in these areas.
>
> Sammy RichSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Hans Breitmann's Ballads
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 01:33:06 +0000
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>> Anyone know if Charles Leland actually collected these ballads
>> or were they composed.
> All of these poems (not songs) were written by Leland in the persona
> of a soft-hearted (and -headed) German immigrant.  None is a "ballad"
> in our sense of the word, and none was traditional.And none was any good.-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Life of a Leaf
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 12:19:02 -0500
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Can anyone tell me anything about the origins,, age, etc of  of the
song the Life of a Leaf or Life of a Man?  which title is correct?
I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
others?ThanksGeorgeGeorge F Madaus
Professor Emeritus
Boston College

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Subject: Re: Life of a Leaf
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 11:56:46 -0600
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<<Can anyone tell me anything about the origins,, age, etc of  of the
song the Life of a Leaf or Life of a Man?  which title is correct?
I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
others?>>The earliest instance known to the editors of the Ballad Index is a 1904
manuscript by Cecil Sharp. It certainly has the feeling of a composed song,
but we have no info yet about the composer.Paul & Linda Adams recorded it on "Farewell to the Fells", Steeleye Span did
it on "They Called Her Babylon", and Joe Hickerson did it on a Fox Hollow
LP. The Copper family recorded it on "Adam and Eve".Peace,
Paul

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Subject: Re: Life of a Leaf
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 12:59:33 -0500
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Thanks Paul I will try to track those versions downUp to my neck in snow
All the best
George
George F Madaus
Professor Emeritus
Boston College
On Jan 23, 2005, at 12:56 PM, Paul Stamler wrote:> <<Can anyone tell me anything about the origins,, age, etc of  of the
> song the Life of a Leaf or Life of a Man?  which title is correct?
> I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
> others?>>
>
> The earliest instance known to the editors of the Ballad Index is a
> 1904
> manuscript by Cecil Sharp. It certainly has the feeling of a composed
> song,
> but we have no info yet about the composer.
>
> Paul & Linda Adams recorded it on "Farewell to the Fells", Steeleye
> Span did
> it on "They Called Her Babylon", and Joe Hickerson did it on a Fox
> Hollow
> LP. The Copper family recorded it on "Adam and Eve".
>
> Peace,
> Paul

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Subject: Re: Life of a Leaf
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 13:46:48 -0500
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It was quite widely printed on 19th century Br broadsides under titles 'The
Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double stanzas.
It also seems to have been inspired by  17th century ballad 'The Life of
man' See Roxburgh Vol 1 p142.
SteveG

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Subject: Johnny Smoker
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:05:06 -0500
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Dear Ballad-L,I am seeking a song called "Johnny Smoker".  There's a reference to a song
by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
camp in this book:--- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---I have also seen references to a round for children called "Johnny Smoker"
(maybe one sprang from the other).The only fragments of the lyrics that I remember were:"Oh Johnny Smoker
tah dah dah dah <blank> oker".
(Sorry)It was sung to a bunch of my collected cousins by our visiting missionary
great-uncle when I was about ten years of age (early 1960s), and I've been
wondering about the song (off and on) ever since. Oddly, I do believe I'd
recognize it if I heard it.Any help would be appreciated.Tx,  Dan

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Subject: Re: Johnny Smoker
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:26:21 -0500
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Could this be the same as the well-known "Johnny Booker"?  I think I
recall "Johnny Booker" from the children's songs LP of Lomax's
"Southern Journey" (or whatever it was called).John>Dear Ballad-L,
>
>I am seeking a song called "Johnny Smoker".  There's a reference to a song
>by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
>camp in this book:
>
>--- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
>Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---
>
>I have also seen references to a round for children called "Johnny Smoker"
>(maybe one sprang from the other).
>
>The only fragments of the lyrics that I remember were:
>
>"Oh Johnny Smoker
>tah dah dah dah <blank> oker".
>(Sorry)
>
>It was sung to a bunch of my collected cousins by our visiting missionary
>great-uncle when I was about ten years of age (early 1960s), and I've been
>wondering about the song (off and on) ever since. Oddly, I do believe I'd
>recognize it if I heard it.
>
>Any help would be appreciated.
>
>Tx,  Dan

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Subject: Re: Life of a Leaf
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:06:21 -0000
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Subject: Re: Life of a Leaf> It was quite widely printed on 19th century Br broadsides under titles 'The
> Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double stanzas.
> It also seems to have been inspired by  17th century ballad 'The Life of
> man' See Roxburgh Vol 1 p142.
> SteveG-----------------------Broadside examples can be seen at the Bodleian Library website as 'The Fall of the Leaf' and 'Fall
of Leaves.'  The Roud Index lists it at number 848, chiefly found in oral currency in the South of
England. A few examples from Canada (Edith Fowke collection) are also mentioned.Malcolm Douglas--
No virus found in this outgoing message.
Checked by AVG Anti-Virus.
Version: 7.0.300 / Virus Database: 265.7.1 - Release Date: 19/01/05

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Subject: Re: Life of a Leaf
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 15:06:07 -0500
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Does this mean that the correct title is Life of a Leaf not Life of a
Man?The Adams, Hickerson  and Copper versions don't seem available. The
Paul and Linda Adams version seems to be on Far Over the Fells not
Farewell to the Fells which I could not findThanks for all the responses. I appreciate all your helpGeorgeGeorge F Madaus
Professor Emeritus
Boston College
On Jan 23, 2005, at 3:06 PM, Malcolm Douglas wrote:
correctSubject: Re: Life of a Leaf
>
>
>> It was quite widely printed on 19th century Br broadsides under
>> titles 'The
>> Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double
>> stanzas.
>> It also seems to have been inspired by  17th century ballad 'The Life
>> of
>> man' See Roxburgh Vol 1 p142.
>> SteveG
>
> -----------------------
>
> Broadside examples can be seen at the Bodleian Library website as 'The
> Fall of the Leaf' and 'Fall
> of Leaves.'  The Roud Index lists it at number 848, chiefly found in
> oral currency in the South of
> England. A few examples from Canada (Edith Fowke collection) are also
> mentioned.
>
> Malcolm Douglas
>
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.300 / Virus Database: 265.7.1 - Release Date: 19/01/05

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Subject: Re: Johnny Smoker
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:12:15 +0000
Content-Type:text/plain
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There are several songs/ditties called 'Johnny Booker', and this could be one of those (see my Folk Song Index if you can), but the only 'Johnny Smoker' I can find was collected in Gloucestershire in 1969. It is one of those cumulative 'I am the Music Man' songs:
Johnny Smoker, Johnny Smoker
I can play, I can play
I can play on my drum
Rub-a-dub-a-dub
That is my drum
My rub-a-dub-a-dub
That is my drum.Continues with fife, cymbals, trombone, bagpipes, with appropriate noises.Published in Folk Music Journal 1:5 (1969) 335-8Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     Dan Cummins <[unmask]>
To:       [unmask]
Subject:  Johnny Smoker> Dear Ballad-L,
>
> I am seeking a song called "Johnny Smoker". There's a reference to a song
> by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
> camp in this book:
>
> --- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
> Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---
>
> I have also seen references to a round for children called "Johnny Smoker"
> (maybe one sprang from the other).
>
> The only fragments of the lyrics that I remember were:
>
> "Oh Johnny Smoker
> tah dah dah dah oker".
> (Sorry)
>
> It was sung to a bunch of my collected cousins by our visiting missionary
> great-uncle when I was about ten years of age (early 1960s), and I've been
> wondering about the song (off and on) ever since. Oddly, I do believe I'd
> recognize it if I heard it.
>
> Any help would be appreciated.
>
> Tx, DanSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Life of a Leaf
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:17:56 +0000
Content-Type:text/plain
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text/plain(60 lines)


The vast majority of 20th century traditional singers called it 'The Life of a Man', or 'What is the Life of a Man', after the first lines of the chorus. The 19th cent broadside printers usually called it 'The Fall of the Leaf'.
Take your pick, but I would normally go by the singers, they knew what they were doing.
Steve Roud--
Message sent with Supanet E-mail-----Original Message-----
From:     George Madaus <[unmask]>
To:       [unmask]
Subject:  Re: Life of a Leaf> Does this mean that the correct title is Life of a Leaf not Life of a
> Man?
>
> The Adams, Hickerson and Copper versions don't seem available. The
> Paul and Linda Adams version seems to be on Far Over the Fells not
> Farewell to the Fells which I could not find
>
> Thanks for all the responses. I appreciate all your help
>
> George
>
> George F Madaus
> Professor Emeritus
> Boston College
> On Jan 23, 2005, at 3:06 PM, Malcolm Douglas wrote:
> correctSubject: Re: Life of a Leaf
> >
> >
> >> It was quite widely printed on 19th century Br broadsides under
> >> titles 'The
> >> Fall of the Leaf' and ''The Leaves of the Tree' some with 7 double
> >> stanzas.
> >> It also seems to have been inspired by 17th century ballad 'The Life
> >> of
> >> man' See Roxburgh Vol 1 p142.
> >> SteveG
> >
> > -----------------------
> >
> > Broadside examples can be seen at the Bodleian Library website as 'The
> > Fall of the Leaf' and 'Fall
> > of Leaves.' The Roud Index lists it at number 848, chiefly found in
> > oral currency in the South of
> > England. A few examples from Canada (Edith Fowke collection) are also
> > mentioned.
> >
> > Malcolm Douglas
> >
> >
> >
> > --
> > No virus found in this outgoing message.
> > Checked by AVG Anti-Virus.
> > Version: 7.0.300 / Virus Database: 265.7.1 - Release Date: 19/01/05Signup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Life of a Leaf
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:29:29 -0000
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


----- Original Message -----
From: "George Madaus" <[unmask]>
To: <[unmask]>
Sent: 23 January 2005 20:06
Subject: Re: Life of a Leaf> Does this mean that the correct title is Life of a Leaf not Life of a
> Man?Titles vary, but published examples of the song as found in oral currency appear most often as 'The
Life of a Man,' 'What's the Life of a Man,' or some variation thereon. Though not the only 'correct'
titles, you'll find those more helpful in getting results than 'Life of a Leaf,' which I don't think
I've ever come across.The late Bruce Olson would probably have made the point that recordings by revival performers aren't
necessarily very helpful in examining the history of a song, though of course if they identify their
source that does provide somewhere to start.You'll find the Copper Family text athttp://www.thecopperfamily.com/together with information on recordings and other resources.Malcolm Douglas

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Subject: Re: Life of a Leaf
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 16:37:03 EST
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Subject: Re: Life of a Leaf
From: Jonathan Lighter <[unmask]>
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Date:Sun, 23 Jan 2005 14:11:39 -0800
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Subject: Re: Johnny Smoker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:23:02 -0800
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Subject: Re: Johnny Smoker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 14:59:20 -0800
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Subject: Re: BALLAD-L Digest - 22 Jan 2005 to 23 Jan 2005 - Special issue (#2005-46)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 20:19:56 -0500
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Automatic digest processor <[unmask]>, in the
person of Steve Roud, writes:> There are several songs/ditties called 'Johnny Booker', and this
> could be one of those (see my Folk Song Index if you can), but the
> only 'Johnny Smoker' I can find was collected in Gloucestershire in
> 1969. It is one of those cumulative 'I am the Music Man' songs:> Johnny Smoker, Johnny Smoker
> I can play, I can play
> I can play on my drum
> Rub-a-dub-a-dub
> That is my drum
> My rub-a-dub-a-dub
> That is my drum.
>
> Continues with fife, cymbals, trombone, bagpipes, with appropriate
> noises.We had this song in my family when I was little (southern California,
1940s), but, weirdly, in German, or maybe pseudo-German:  Johnny Schmoker, Johnny Schmoker,
  Ich kann spielen, ich kann spielen,
  Ich kann spiel' -- das is mein' Violin',
  Sum-sum-sum mein' Violin'.etc.  Note the half-Germanized English name.  I suppose one of my
parents must have gotten it from somewhere.
--
---  Joe Fineman    [unmask]||:  Whatever has "science" in its name isn't.  :||

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Subject: Re: Johnny Smoker
From: Alan Ackerman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 23 Jan 2005 19:30:19 -0800
Content-Type:text/plain
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The post came across, but Eudora tells me that "The URL is not
syntactically valid." Clicking on it didn't work, and neither did
cutting and pasting it into several different browsers. I got
"Temporary file open error. Display failed." Maybe it works on
Windows?>The 1863 version of "Johnny Schmoker," credited to B. F. Rix, is
>available here:
>
>
>
><'"http://memory.loc.gov/cgi-bin/query/D?dukesm:1:./temp/~ammem_WUTE::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhb>http://memory.loc.gov/cgi-bin/query/D?dukesm:1:./temp/~ammem_WUTE::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,v
>arstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbcards,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,scsm,denn,relpet,amss,aaeo,mffbib,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,mfd,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto
>
>It is still sung in one form or another.
>
>JL
>
>
>
>[unmask] wrote:
>
>There are several songs/ditties called 'Johnny Booker', and this
>could be one of those (see my Folk Song Index if you can), but the
>only 'Johnny Smoker' I can find was collected in Gloucestershire in
>1969. It is one of those cumulative 'I am the Music Man' songs:
>Johnny Smoker, Johnny Smoker
>I can play, I can play
>I can play on my drum
>Rub-a-dub-a-dub
>That is my drum
>My rub-a-dub-a-dub
>That is my drum.
>
>Continues with fife, cymbals, trombone, bagpipes, with appropriate noises.
>
>Published in Folk Music Journal 1:5 (1969) 335-8
>
>Steve Roud
>
>--
>Message sent with Supanet E-mail
>
>-----Original Message-----
>From: Dan Cummins
>To: [unmask]
>Subject: Johnny Smoker
>
>>  Dear Ballad-L,
>>
>>  I am seeking a song called "Johnny Smoker". There's a reference to a song
>>  by that name as minstrel piece sung in an 1863 Richmond, VA prisoner-of-war
>>  camp in this book:
>>
>>  --- Wells, James M. (Capt., 8th Michigan Cav.), With Touch of Elbow; or
>>  Death Before Dishonor, John C. Winston Co.: Philadelphia, etc., 1909, ---
>>
>>  I have also seen references to a round for children called "Johnny Smoker"
>>  (maybe one sprang from the other).
>>
>>  The only fragments of the lyrics that I remember were:
>>
>>  "Oh Johnny Smoker
>>  tah dah dah dah oker".
>>  (Sorry)
>>
>>  It was sung to a bunch of my collected cousins by our visiting missionary
>>  great-uncle when I was about ten years of age (early 1960s), and I've been
>>  wondering about the song (off and on) ever since. Oddly, I do believe I'd
>>  recognize it if I heard it.
>>
>>  Any help would be appreciated.
>>
>>  Tx, Dan
>
>
>Signup to supanet at
>https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail
>
>
>Do you Yahoo!?
>Yahoo! Search presents -
><http://us.rd.yahoo.com/evt=30648/*http://movies.yahoo.com/movies/feature/jibjabinaugural.html>Jib
>Jab's 'Second Term'--
Alan Ackerman, [unmask]

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Subject: Re: Johnny Smoker
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 06:56:18 -0000
Content-Type:text/plain
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----- Original Message -----
From: "Alan Ackerman" <[unmask]>
To: <[unmask]>
Sent: 24 January 2005 03:30
Subject: Re: Johnny Smoker> The post came across, but Eudora tells me that "The URL is not
> syntactically valid." Clicking on it didn't work, and neither did
> cutting and pasting it into several different browsers. I got
> "Temporary file open error. Display failed." Maybe it works on
> Windows?It isn't a platform issue. The link is to a temporary (and extinct) file generated by the search
script, not to the search itself or to the actual location of the file. American Memory is set up
that way. You can get a proper URL by selecting "view source"; you'll find it at the bottom of the
page. Heaven knows why they do it that way. Abby Sale told me the trick, I think. This will work
(the second bracket at the end is part of it):http://memory.loc.gov/cgi-bin/query/r?ammem/dukesm:@field(DOCID+@lit(ncdhasm.n1384))Malcolm Douglas

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Subject: Re: Johnny Smoker
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 05:02:54 -0800
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Subject: Re: Life of a Leaf
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 14:20:03 +0100
Content-Type:text/plain
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Isca Fayre did a very good version back in the '70s.George Madaus wrote:
>
> Can anyone tell me anything about the origins,, age, etc of  of the
> song the Life of a Leaf or Life of a Man?  which title is correct?
> I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
> others?
>
> Thanks
>
> George
>
> George F Madaus
> Professor Emeritus
> Boston College

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Subject: Re: Life of a Leaf
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 14:22:47 +0100
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If you'd like a cassette copy of the Isca Fayre LP I can oblige.AndyGeorge Madaus wrote:
>
> Can anyone tell me anything about the origins,, age, etc of  of the
> song the Life of a Leaf or Life of a Man?  which title is correct?
> I have three versions.-- X-Seaman , the Yetties and Keith Kendrick. any
> others?
>
> Thanks
>
> George
>
> George F Madaus
> Professor Emeritus
> Boston College

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Subject: Re: Johnny Smoker - Re: long URLs
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 09:27:04 -0500
Content-Type:text/plain
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On Sun, 23 Jan 2005 14:59:20 -0800, Jonathan Lighter wrote:>Maybe the last post was derainled by the unbelievaby long URL that accompanied it!
>Here's another "deal with it" bit for truly long URLs - like 5 or 600
characters.  They're often unclickable when they break up into several lines
and are hardish to remember. (!)tinyurl.com makes a small, _permanent_ (they say) URL for it.Their "Make Toolbar Button" is handy.  You put it on your browser toolbar
and simply click it when faced with a URL you want to keep as a tiny one.
It automatically makes a tinyurl for the page you happen to be on at the
moment.  (No Yes/No is offered, it just does it.)Eg, the message I'm answering here, at the Listserv archive is
https://listserv.indiana.edu/cgi-bin/wa-iub.exe?A2=ind0501&L=ballad-l&T=0&F=&S=&P=27425The tinyurl for it is http://tinyurl.com/49kbp-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Untraced 18th C. ballad
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 10:25:41 -0800
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Subject: Rochelle Goldstein
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 11:00:25 -0800
Content-Type:text/plain
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Good People:I received this good news from Rhoda Goldstein this morning.Ed------------------------------------------
Subject         Rochelle on the mendDear Friends,
     I just wanted to let you all know that my mother (Rochelle Goldstein)
appears to be well on the road to recovery. She has been breathing on her
own for 4 days and today had her trachiostomy removed.  She has movement in
her head, shoulders and arms and can now talk on the phone - - the hospital
set up a special speaker phone system for her as she still has  difficulty
holding the phone.  If anyone wants to call her or visit her (for those of
you who are local) she is welcoming visitors.  The phone # for the hospital
is 610-645-2000.  I would definitely call before you visit, because she has
been progressing so well that I wouldn't be surprised if they move her to a
less acute unit or transfer her to the rehab (another facility entirely).
  Her spirits are amazing and she has really enjoyed recieving everyone's
emails. Thanks so much for all your good wishes.
Warmly,
Rhoda

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Subject: Re: Johnny Smoker
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 14:55:12 -0500
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There is a De Marsan (NY) printed version on the Bodleian website, the mock
German version with explanations of how to perform it.
Ref Harding B18 (327)
SteveG

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Subject: Re: Johnny Smoker
From: Dan Cummins <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 15:23:48 -0500
Content-Type:text/plain
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Thank you for all of the thoughtful responses to my request regarding this
song. They comprise some excellent leads.Here's an excerpt from the 1863 piece that I had referenced in my original
post:"...Religious services were held quite frequently, but in an evil hour a
minstrel troupe was organized, which came near swamping religion and all
other considerations for the time being. Any old prisoner will remember the
song of ?Johnny Smoker,? and how the chorus, ?Wizer, Wizer, Rinctum Bum,?
was rendered by the minstrel band, and with what gusto it was received by
the whole prison."I recall no German in my uncle's version (though he was known to
intersperse Chinese dialogue into a ghost tale he'd be telling us.). For
the first time, it occurs to me that he may have just made up his song.  He
had been held in solitary confinement in China for near a year (1953/54),
and my family said he wrote "Carols" to keep himself sane. Maybe he took a
phrase fragment of some childhood song of his own and stretched it out on a
dark day.  Who knows?   I'll keep poking around for it.Thanks again & peace,Dan

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Subject: Re: Untraced 18th C. ballad
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 15:15:43 -0800
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Subject: Cheap CDs for UK and Europe.
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 19:54:51 -0500
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Hi-
As an importer, the plummeting value of the dollar has become a real
problem for CAMSCO Music--Overseas recordings have become prohibitively
expensive (for the US market.)The other side of this situation, of course, is that US recordings are
now a real bargain overseas. F'rinstance, CAMSCO can sell a Rounder CD
for 10.25 pounds (including shipping by air) for the first CD in an
order, with subsequent CDs on the same order going for 7.30 GBP.Other US labels seldom cost more than 11.29 GBP for the first CD and
8.80 GBP sor subsequent CDs.Contact me at:
[unmask]  (which seems to be working now)
or phone me at 203-531-3355(somebody should benefit by the current US economic non-policy)>
>

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Subject: Re: Untraced 18th C. ballad
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 24 Jan 2005 18:23:59 -0800
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Subject: Who said I'm not revolting ?
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 05:23:00 EST
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Subject: Re: Who said I'm not revolting ?
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 09:58:28 EST
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Subject: Re: Who said I'm not revolting ?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 08:06:14 -0800
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Fred:And here I thought the class system had been eradicated in Ol' Blighty.  (Though preserved in various precincts in the United States.)Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Tuesday, January 25, 2005 2:23 am
Subject: Who said I'm not revolting ?>
> Sorry folks, but I just gotta share this. I know I'm into the music
> of  the
> common 'erd and the lower orders and I haven't bathed for 6 months.
> But I
> never expected to receive a piece of spam quite so perfectly
> tailored to  my
> station in life as this one below. Fair makes me want to touch  my
> forelock, it
> does..
> Fred McCormick, (villein of this parish)
> Peasant day ,
> Sales i am Mrs Maria  Paula  a citizen of THE UNITED STATES OF AMERICA
> ...................
>

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Subject: Delta Hicks
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 09:48:48 -0800
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Does anyone have year of death for her?
Thanks,
Norm Cohen

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Subject: Re: Delta Hicks
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 15:12:16 -0600
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I believe it's 6 Nov. 1996Norm Cohen wrote:>Does anyone have year of death for her?
>Thanks,
>Norm Cohen
>
>
>

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Subject: Ebay List - 01/25/05
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 23:10:58 -0500
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Hi!        Hope that everyone is well and not buried in snow! Here is the
weekly list.        SONGSTERS        6506700782 - The Yellow Kid Hogan's Alley Songster, 1897, $49.99
(ends Jan-26-05 18:39:25 PST)        3953879542 - True Blue Republican Campaign Songs, 1892, $39.99
(ends Jan-27-05 18:20:23 PST)        6507217983 - Harrigan and Hart's little green leaf in our bible
songster, 1879, $5 (ends Jan-29-05 11:15:49 PST)        7129787470 - merchant's gargling oil Songster, 1884, $5 (ends
Jan-29-05 11:16:25 PST)        3954147278 - howe's great london combination Songster, 1874, $31
(ends Jan-29-05 11:18:39 PST)        3954147505 - frank a. robbins clowns dream and fate palmistry co.
songster, 1888, $26 (ends Jan-29-05 11:19:36 PST)        3954147829 - barnum and london circus songster, 1880?, $5 (ends
Jan-29-05 11:21:30 PST)        MISCELLANEOUS        4068817711 - The Broomfield Wager by Poacher, LP, 1975, 8.50 GBP
(ends Jan-26-05 05:09:53 PST)        4070239441 - Bawdy Blues, LP, test pressing, $9.99 (ends Feb-01-05
04:30:43 PST)        SONGBOOKS, ETC.        3777350984 - KERR'S BUCHAN BOTHY BALLADS, books 1 & 2, $4.99 (ends
Jan-27-05 06:22:22 PST)        3953789823 - Mountain and Western Ballads As Sung By Jim and Jane
and their Western Vagabonds, 1940?, $4 (ends Jan-27-05 10:15:11 PST)        4521596726 -  BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC [18th
Century] by Sonneck, 1945, $24.99 (ends Jan-27-05 18:39:33 PST)        7949387966 - THE COMMON MUSE-AN ANTHOLOGY OF POPULAR BRITISH BALLAD
POETRY 15th-20th CENTURY by de Sola Pinto & Rodway, 1957, 0.99 GBP (ends
Jan-28-05 10:08:40 PST)        7948907358 - A Book of British Ballads by Brimley Johnson, 1939,
4.99 GBP (ends Jan-29-05 03:14:23 PST)        4521209459 - Songs of The Fell Pack, 1971, 4.99 GBP (ends Jan-29-05
10:42:55 PST)        3777804244 - 3 Bradley Kincaid songbooks, 1929-193?, $4.49 (ends
Jan-29-05 11:10:08 PST)        4521962909 - Favourite Bush Ballads by Stewart & Keesing, 1977
edition, 0.01 GBP (ends Jan-29-05 11:21:55 PST)        4522045388 - Folk Ballads of English-Speaking World by Friedman,
1964, $3 (ends Jan-29-05 14:36:07 PST)        6944280675 - Peters Webb Music Book, 1849-1854, $15.50 (ends
Jan-29-05 18:30:42 PST)        6944286827 - Popular Songs of Ireland by Croker, 1886, $0.99 (ends
Jan-29-05 19:56:04 PST)        4522180912 - Folksongs & Folklore of South Uist by Shaw, 1977, $20
(ends Jan-30-05 07:50:26 PST)        6944385914 - Ancient & Modern Scottish Songs, Heroic Ballads by
Herd, volume 1, 1869, $10 (ends Jan-30-05 12:15:35 PST)        6943946909 - Negro Folk Songs as Sung by Lead Belly by Lomax, 1936,
$27 (ends Jan-30-05 13:10:08 PST)        4521515144 - Border Ballads by Tomson, 2.99 GBP (ends Jan-30-05
13:11:54 PST)        3954411274 - COUNTRY SONGS OF VERMONT by Flanders, 1937, $2.99
(ends Jan-30-05 16:18:33 PST)        3778135209 - Lonesome Tunes Folk Songs From The Kentucky Mountains
by Wyman, 1916, $1.95 (ends Jan-30-05 16:54:09 PST)        6944463836 - the nut -brown maid, 1.99 GBP (ends Jan-31-05 04:50:14
PST)        3778310869 - Ballads and songs of World War 1 by Silverman, 2.99
GBP (ends Jan-31-05 12:10:01 PST)        3778027333 - FOLK SONGS FROM SOMERSET by Sharp, 1906, 5.19 GBP
(ends Feb-02-05 10:52:46 PST)        6944510873 - The Oxford Nursery Rhyme Book by Opie, 1960, 4 GBP
(ends Feb-03-05 12:51:03 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: changing colors
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 25 Jan 2005 22:30:05 -0700
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From the latest e-Bay list --3953879542 - True Blue Republican Campaign Songs, 1892, $39.99Things change, don't they -- if there was such a book today, would it be "True Red Republican Campaign Songs"? And that would have sounded like a very strange thing not too many years ago! ;-)~ Becky Nankivell
Tucson, Arizona

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