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Subject: A Source for the More Rare Item
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 22:21:41 -0800
Content-Type:text/plain
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Folks:To abuse me of my ignorance, Lani Hermann sent this:Down Home Music is, or was, Chris Strachwitz' record shop and still deals in new
and used recordings, both CDs and LPs, videos, DVDs, and a fair number of currently
in-print books -- they carried Sam Henry when I was peddling the remaindered copies
-- they carry blues, jazz, bluegrass, country, and 'folk' / ethnic material, and cater
to the cogniscenti/collectors in the Bay Area.  I think there are currently three
businesses: the store, Arhoolie Records still run by Strachwitz, and a mail-order
business which was having problems, so I don't know if that is still going or not.
The shop is in El Cerrito, just down the hill a bit from my house;  the highlight
of the year is their semiannual Sale: 20% off everything in the store.  They have
started to have appearances, free, of recording artists in the store, which seem
to please everyone.
I thought you knew about them already!  10341  San Pablo Ave., El Cerrito CA
510-525-2129.  They have a web site, too: www.downhomemusic.com, which repeats a
lot of what I just said and a good deal more.Ed

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Subject: Re: A Source for the More Rare Item
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 07:16:20 -0500
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When I asked about one of Cece Conway's films  of Tommy Jarrel I was sent
upstairs in the back at Down Home Music and bought the tape from Les Blank
Himself. Also bought a t shirt.
Scott Utley
----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Saturday, November 06, 2004 1:21 AM
Subject: A Source for the More Rare Item> Folks:
>
>
> To abuse me of my ignorance, Lani Hermann sent this:
>
>
> Down Home Music is, or was, Chris Strachwitz' record shop and still deals
in new
> and used recordings, both CDs and LPs, videos, DVDs, and a fair number of
currently
> in-print books -- they carried Sam Henry when I was peddling the
remaindered copies
> -- they carry blues, jazz, bluegrass, country, and 'folk' / ethnic
material, and cater
> to the cogniscenti/collectors in the Bay Area.  I think there are
currently three
> businesses: the store, Arhoolie Records still run by Strachwitz, and a
mail-order
> business which was having problems, so I don't know if that is still going
or not.
> The shop is in El Cerrito, just down the hill a bit from my house;  the
highlight
> of the year is their semiannual Sale: 20% off everything in the store.
They have
> started to have appearances, free, of recording artists in the store,
which seem
> to please everyone.
> I thought you knew about them already!  10341  San Pablo Ave., El Cerrito
CA
> 510-525-2129.  They have a web site, too: www.downhomemusic.com, which
repeats a
> lot of what I just said and a good deal more.
>
> Ed
>

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Subject: Re: BALLAD-L Digest - 5 Nov 2004 (#2004-177)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 05:24:43 -0800
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In Chicago, many plasterers are Black, and they belong
to the union. At least that's what one man told me
when I asked. He didn't elaborate, but, then, he was
working. Subsequently, I noticed quite a few others
doing this highly skilled work and have always assumed
they were union members-- at least in Chicago.CA> The following appalling reminiscence is in the
> autobiography
> (_Adventures of a Bystander_) of the investment
> banker & management
> consultant Peter F. Drucker.  He was at GM during
> W.W. II:
>

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 21:20:57 -0600
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On 11/5/04, Clifford J OCHELTREE wrote:>For the record Country Music Sources references another recording not
>mentioned below
>
>Wilmer Watts, "Charles Guiteaw" (Paramount 3232)Probably more than that. But we know there is another Garfield
assassination song (it's been mentioned in this thread), and there
may be others (I seem to recall seeing a reference in some history
book to still anothe Garfield song) It's not safe to index such
things without hearing them.If anyone has actually heard the Watts recording, of course, it's
another matter.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 10:05:14 -0500
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>Nora Forbes married (1) Ed Jolley who died August 17, 1905 (Killed
>in excursion train wreck with his brother Walter. His brother Heber
>was only survivor)I mentioned before that this family (Tull and descendants) appears to
have been white.  They trace their ancestry to England and there are
no mentions of "black," "colored," or "African American" in the
document.  "Negroes" occurs only in quotations from wills describing
the disposal of slaves.Even so, the Forbes/Jolley families seemed to have lived around
Greenville, NC, so the train Engineer D. L. Reig ran into the Western
Branch of the Elizabeth River near Norfolk, VA, on August 17, 1905,
is surely the best candidate for the wreck that killed Ed and Walter
Jolley, from which Heber Jolley escaped.These facts conflict, however, with what I know so far of that wreck,
that the cars were filled with blacks.I wonder if the Jolley brothers could have been conductors.  Did
excursion trains have conductors?John

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Subject: Re: James Rodgers/Charles Guiteau
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 11:22:01 -0600
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True, but I tend to give a degree of credence to the scholarship of
Meade and Spottswood.Robert B. Waltz wrote:>It's not safe to index such things without hearing them.
>
>If anyone has actually heard the Watts recording, of course, it's
>another matter.
>
>

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 12:15:23 -0600
Content-Type:text/plain
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On 11/6/04, Clifford J OCHELTREE wrote:>True, but I tend to give a degree of credence to the scholarship of
>Meade and Spottswood.Oh. I misunderstood. I thought you were just going by the title.
That changes things. Thanks.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Les Blank
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 06:06:46 -0800
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I am interested in the films of Les Blank, but can't
find them. A search of DHM's site came up. . .blank.
Any information is appreciated.CA ". . .upstairs in the back at Down Home Music and
bought the tape from Les Blank Himself."

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Subject: Re: Racism & class
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 09:12:04 -0500
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    Automatic digest processor <[unmask]>, in the
person of Cliff Abrams, writes:> In Chicago, many plasterers are Black, and they belong to the
> union. At least that's what one man told me when I asked. He didn't
> elaborate, but, then, he was working. Subsequently, I noticed quite
> a few others doing this highly skilled work and have always assumed
> they were union members-- at least in Chicago.> > The following appalling reminiscence is in the autobiography
> > (_Adventures of a Bystander_) of the investment banker &
> > management consultant Peter F. Drucker.  He was at GM during
> > W.W. II:A lot of things have changed in the last 60 years, some of them for
the better.  Halfway to now, the working-class intellectual Harvey
Pekar (_American Splendor_, #1, 1976) recorded the following scrap of
conversation in a discount store in Cleveland:  "Plus da guvermint's puttin' presshure on my union.  We'll prob'ly
  have to start lettin' in sum niggers!"  "Oh, dat's too bad!  I bet you ain't too crazy 'bout dat!"  "Naw, but I don' give dat much of a shit...  I really gits ta sum
  a da ol' guys dough.  One of 'em sez he's gonna quit if dey git
  in..."A snapshot of the transition: mean, but not so mean.  Thank you, Herr
Hitler, for sending us the bourgeois liberals Drucker & Dreystadt, who
were some help.ObBallads:  There must be some songs in all this.
--
---  Joe Fineman    [unmask]||:  Suck, squeeze, bang, blow.        :||
||:  Internal combustion makes it go.  :||

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Subject: Re: Les Blank
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 11:29:32 -0500
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Title page on video:
Flower Films
10341 San Pablo Avenue, El Cerrito CA 94530
(510) 525 0942
www.lesblank.com  email:[unmask]----- Original Message -----
From: "Cliff Abrams" <[unmask]>
To: <[unmask]>
Sent: Sunday, November 07, 2004 9:06 AM
Subject: Les Blank> I am interested in the films of Les Blank, but can't
> find them. A search of DHM's site came up. . .blank.
> Any information is appreciated.
>
> CA
>
>  ". . .upstairs in the back at Down Home Music and
> bought the tape from Les Blank Himself."
>

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Subject: Re: My order
From: David Kleiman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 12:08:19 -0500
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Dear Ballad Fellows, We cannot (and will not) normally (some do slip through) answer support and
ordering messages received through public forums.  I don't get to check the
Ballad-L that frequently and the staff do not have Ballad-L accounts.  Also,
I assume that those of you ordering do not want to broadcast your credit
card info to a public list-serve.Please make sure that support and/or ordering queries intended for Heritage
Muse, ESPB Publishing, or me are emailed directly to one of the following:[unmask]
[unmask]
[unmask] Thank you all.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.

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Subject: Re: Les Blank
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 18:15:27 -0600
Content-Type:text/plain
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I know that Tower Records here in New Orleans carries them. You might
try their web site.Cliff Abrams wrote:>I am interested in the films of Les Blank, but can't
>find them. A search of DHM's site came up. . .blank.
>Any information is appreciated.
>
>CA
>
> ". . .upstairs in the back at Down Home Music and
>bought the tape from Les Blank Himself."
>
>
>

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Subject: Re: BALLAD-L Digest - 6 Nov 2004 to 7 Nov 2004 (#2004-179)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 04:46:28 -0800
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Thanks to all for Les Blank info.
CA

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Subject: Mullen and Cross??
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 13:54:19 -0600
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Dear Ballad-l:Would anyone on this list know of an Irish
group in the late 50's named Mullen and
Cross?  I need to track down people related
to them to get a copy of their recording of
bawdy Irish songs deposited at the Library of
Congress (see below).Any help will be apprecitated.Sincerely,John Mehlberg
~
      LC Control Number: 2004652055
      Type of Material: Music Sound Recording
      Main Title: Irish folk songs [sound
      recording].
      Published/Created: 1977.
      Related Names: H.V. Greenough
      Collection (Library of Congress)
      Description: 1 sound tape reel :
      analog, 7 1/2 ips, 2 track, mono. ; 10
      in.
      Summary: Informal sessions of chit-chat
      and singing of bawdy folk songs.
      Notes: Preservation tape produced from
      original Greenough acetate tapes in the
      Recording Laboratory of the Library of
      Congress.
      Recorded Nov. 23 and 24, 1953.
      Performed/spoken by: Mullen and Cross.
      Source of Acquisition: Gift of H.V.
      Greenough.
      Subjects: Folk songs.
      LC Classification: LWO 9649, r48A1-B1
      (preservation master)      CALL NUMBER: LWO 9649, reel 48
      (preservation master)
      -- Request in: Recorded Sound Reference
      Center (Madison, LM113)

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Subject: Maud Karpeles photo
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 16:43:25 -0500
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Hi-
Does anyone happen to have (or know where I can get) a reasonable photo
of Maud Karpeles from the 1950s?
Any help would be greatly appreciateddick greenhaus

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Subject: Re: Maud Karpeles photo
From: David Kleiman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 00:08:32 -0500
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Dick,I have at least one photo of Ms. Karpeles in the Heritage Muse collection.
I believe it came from the Library of Congress photo archives. Do you need
this for publication or personal/educational use?Just today, in fact, I also just put my hands on the more well known photo
of Cecil & Maude in the act of collecting in Appalachia.  Sitting on a
source singer's porch, he is jotting down notes and she is transcribing the
words.  This photo (and the work it was taken from) may be in the public
domain by now.  When I get the scan done later this week I'll forward a
copy.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of dick greenhaus
Sent: Monday, November 08, 2004 4:43 PM
To: [unmask]
Subject: Maud Karpeles photoHi-
Does anyone happen to have (or know where I can get) a reasonable photo
of Maud Karpeles from the 1950s?
Any help would be greatly appreciateddick greenhaus

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Subject: Re: Maud Karpeles photo
From: David Atkinson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 08:30:56 -0000
Content-Type:text/plain
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Please contact the Vaughan Williams Memorial Library; they own most of these
photos of Maud and they are not public domain:
[unmask]----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Monday, November 08, 2004 9:43 PM
Subject: Maud Karpeles photo> Hi-
> Does anyone happen to have (or know where I can get) a reasonable photo
> of Maud Karpeles from the 1950s?
> Any help would be greatly appreciated
>
> dick greenhaus

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Subject: Shaw: Railroad Accidents (American)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 16:23:57 -0500
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I've just checked out from our library the following book, which was
highly recommended to me and, on the basis of some skimming that I've
done, looks to be really excellent.Robert B. Shaw
A History of Railroad Accidents, Safety Precautions, and Operating Practices
Second edition
Printed by Vail-Ballou Press Inc.
1978In looking at the discussion of Casey Jones' wreck, I find details
that I'd not noticed elsewhere, including a blow-by-blow description
of the sawing of trains that preceded the wreck and the rupture of
air hose that resulted in stalling train No. 72 with four cars left
on the main track.  The author, by the way, follows the company line
in placing the blame squarely on Jones, dismissing the conspiracy
theory that the flagman for freight No. 83 had failed to set out
warnings and IC workers orchestrated a cover-up.  This wreck takes up
about three pages of the book.Immediately following it is a one-paragraph discussion of the wreck of Old 97.One of the 44 chapters is entitled "The Open Draw," and in that
chapter the accident of a six-car train carrying a Negro excursion
party at the Western Branch of the Elizabeth River, on the edge of
Norfolk, VA, on the Atlantic Coast Line, August 17, 1905, is
discussed in two paragraphs.The book considers many accidents, perhaps some (other than those
above) that are commemorated in song, but it's main interest is
clearly described in the title.It is fascinating reading.John
--
john garst    [unmask]

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Subject: Hurricanes
From: Judy McCulloh <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 17:19:31 -0600
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Subject: Bawdy broadside ledgerbook scans.
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 10 Nov 2004 15:17:15 -0600
Content-Type:text/plain
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Dear Ballad-l,I have finished scanning the bawdy broadside
ledgerbook that I own.  It is to be donated
to New York Historical Association.Is there anyone here who would want scans of
the complete ledgerbook or perhaps just the
broadsides?   If yes, I can give you the
ledgerbook (or broadsides) as 600dpi 8bit
greyscale TIFFs on a DVD.I eventually plan on typing out the
broadsides and the handwritten text.  But it
may be a while as I have many other items
which need to be worked on.Dick, one of the broadsides is "Boring for
Oil" with seven stanzas.Sincerely,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts
and recitations website: www.immortalia.com

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Subject: Ebay List - 11/10/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 10 Nov 2004 18:43:17 -0500
Content-Type:text/plain
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Hi!        When not raking leaves, I found the following on Ebay. :-)        SONGSTERS        6934823268 - Dan Rice's Original Comic and Sentimental Poetic
Effusions, 1859, $67.66 (ends Nov-11-04 08:48:44 PST)        3940252054 - 4 songsters, 1890-1900, $8.99 (ends Nov-11-04
17:42:26 PST)        3759907549 - MAHARA'S BIG MINSTREL CARNIVAL SONGSTER, 1904, $34
(ends Nov-11-04 17:51:17 PST)        2283193401 - Grand Army Songster and Service Book, 1897, $9.95
(ends Nov-12-04 18:23:14 PST)        3940071689 - BARNUM AND LONDON SONGSTER, 18??, $9.99 w/reserve
(ends Nov-14-04 18:01:04 PST)        6935434266 - Howorth's Grand Hibernica Songster, 1879?, $15.50
(ends Nov-15-04 20:24:04 PST)        6935591949 - Hutchinson Family's Book of Words, 1851, $99.99 (ends
Nov-17-04 08:59:58 PST)        MISCELLANEOUS        4502331553 - Word-Lore, The Folk Magazine Volume 1 Issue 1, 1926,
6.50 GBP (ends Nov-14-04 06:16:25 PST)        SONGBOOKS        3759722907 - Strike the Bell by Palmer, 1978, 0.99 GBP (ends
Nov-11-04 06:49:32 PST)        4501863260 - SANG BRANCH SETTLERS: FOLKSONGS AND TALES OF AN EASTERN
KENTUCKY FAMILY by Roberts, 1980, $49.99 (ends Nov-12-04 07:48:42 PST)        6935053671 - Hunting Songs and Ballads by Warburton, 1846, $112.50
(ends Nov-12-04 21:26:59 PST)        6933359838 - The Ballad Book by Allingham, 1865, $19.99 (ends
Nov-13-04 04:22:53 PST)        3760171107 - Lyric Gems of Scotland, 1860, 15 GBP (ends Nov-13-04
06:16:42 PST)        4502138310 - ENGLISH SONG BOOK by Scott, 1926, $9.99 (ends
Nov-13-04 08:12:56 PST)        3760223324 - 3 Kincaid songbooks, 1930-40, $3.99 (ends Nov-13-04
10:56:11 PST)        4502180609 - POPULAR MUSIC OF THE OLDEN TIME by Chappell, volume 2,
1.99 GBP (ends Nov-13-04 11:52:55 PST)        6935147247 - Ballads and Songs From Utah by Hubbard, 1961, $19.99
(ends Nov-13-04 17:36:39 PST)        4502411740 - THE BEST OF HELEN CREIGHTON by Bauchman, 1992, $6
(ends Nov-14-04 11:07:56 PST)        4502434026 - The Edwardian Songbook by Turner & Miall, 1982, 6 GBP
(ends Nov-14-04 12:06:19 PST)        4502454594 - A SONG FOR EVERY SEASON : A Hundred Years of a Sussex
Farming Family by Copper, 1971, 3 GBP (ends Nov-14-04 12:57:40 PST)        6935286689 - Rounds & Rounds by Taylor, 1946, $9.14 (ends
Nov-14-04 15:28:29 PST)        4502552319 - Virginia Piedmont Blues by Pearson, $1.99 (ends
Nov-14-04 17:14:26 PST)        6935436494 - Ned Kelly by Merredith & Scott, 1980, $7.50 AU (ends
Nov-15-04 21:07:19 PST)        6935506597 - Ancient Poems Ballads and Songs Of the Peasantry of
England by Bell, 1857, 4.99 GBP (ends Nov-16-04 13:04:10 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 11/10/04
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 05:00:27 EST
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Subject: New Song Book from English Folk Dance & Song Society
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 09:52:48 -0500
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Subject: FW: New Song Book from English Folk Dance & Song Society
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 14:47:22 -0500
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I would like to order a copy if anyone will be importing them to sell. 
Ronald CohenSubject:        New Song Book from English Folk Dance & Song SocietyFrom: Felicity Greenland <[unmask]> 
To: .PR Folk Song/TSF <[unmask]> 
Sent: Thursday, November 11, 2004 11:04 AM 
Subject: New Song Book from EFDSS From: Felicity Greenland
on behalf of English Folk Dance & Song Society, Cecil Sharp House, 2 Regent1s Park Road, London NW1 7AY 020 7485 2206 [unmask] <[unmask]>PRESS RELEASE 11 Nov 2004New Song Book from English Folk Dance & Song SocietyDear Companion: Appalachian traditional songs and singers from the Cecil Sharp CollectionDear Companion is a collection of fifty-three songs and ballads from Cecil Sharp1s American collection, and celebrates the close links between the musical traditions of Britain and North America. An authoritative introductory essay by collector Mike Yates, together with biographical sketches of the singers and notes on the songs, are copiously illustrated by previously unpublished photographs, extracts from diaries, letters, and biographical writings. Cecil Sharp, a music teacher from south London, is England1s most renowned collector of folk music and dances, noting down nearly five thousand tunes on his travels throughout England and the Appalachian states of North America up until his death in 1924. The previous volume in this series, Still Growing (EFDSS 2003, ?13.50), demonstrated the richness of the song tradition that he found in his native England. But perhaps the most significant part of his vast collection is that assembled during the First World War years in North Carolina, Tennessee, Virginia, West Virginia, and Kentucky. At the instigation of American enthusiast Olive Dame Campbell, he embarked with assistant Maud Karpeles on a truly remarkable journey through America1s southern uplands, to discover a living tradition of songs and ballads, largely of British origin, which had all but died out back home.Dear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection. Compiled and edited by Mike Yates, Elaine Bradtke and Malcolm TaylorPublished by the English Folk Dance & Song Society in association with Sharp1s Folk Club, November 2004. ISBN 0-85418-190-3. [vi], 137pp, illustrated. Softback. ?14.99 plus ?2 p&p (UK)Available late November 2004.Order from:
EFDSS, Cecil Sharp House, 2 Regent1s Park Road, London NW1 7AY
Tel: 020-7485 2206 Fax: 020-7284 0523 email: [unmask] www.efdss.orgSpecial Offer: Buy 'Dear Companion' and 'Still Growing' together for ?25.00 (save ?3.49) + ?2.50 UK p+p Trade terms and overseas postage available on application.
Image available at http://www.efdss.org/news.htm----For further press information please contact: Felicity Greenland
EFDSS Publicity
ENGLISH FOLK DANCE & SONG SOCIETY http://www.efdss.org
Cecil Sharp House, 2 Regent's Park Road , London NW1 7AY
Tel +44 (0)20 7485 2206 Ext 21 Fax +44 (0)20 7284 0534Registered Charity No. 305999
Company registered in England and limited by Guarantee Number 297142MAP: http://www.streetmap.co.uk/streetmap.dll?G2M?X=528446&Y=183756&A=Y&Z=1Your support helps EFDSS preserve and promote the traditional arts
JOIN EFDSS: http://www.efdss.org/members.htmEnglish Folk Dance & Song Society 
The EFDSS is the country's premiere folk music organisation. A national educational charity, it has worked for over 100 years to promote, encourage, document and develop the rich folk traditions within England, co-operating with similar organisations both in Britain and worldwide. 

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Subject: Sharp in America
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 15:05:31 -0800
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Anyone:Is it safe to assume that these 75 songs and ballads in the new book announced today  are all in Sharp's two-volume English Folk Songs from the Southern Appalachians?  If so, are we buying it for Mike Yates' introduction?  And  how different is it from the excellent narrative Yates put up on  MusicTrad?Ed

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Subject: Re: Sharp in America
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 09:44:04 -0500
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Dear Fellow Ballad Enthusiasts,In regards to Ed Cray's question:Though I have not yet seen the book, It is my understanding that there will be biographical data and photographs of the singers that have been tucked away in the Cecil Sharp Library archives, and have not been released to the US until now. I have been in that collection, and the photographs of the singers and tidbits from Sharp's manuscripts really add to the texts in English Folk Songs from the Southern Appalachians. I, for one, will be placing this book on my shelf next to Sharp's book, as the texture and information found in Dear Companion. The photographs from the collection that are in Yates' Mustrad articles are just web copies and not the clear and crisp images that would be detailed in the book.When my copy arrives, I plan to review it for the Appalachian Journal. I can send this review to the List-serv for those interested...Cassie Robinson
Liston B. Ramsey Center for Regional Studies
Mars Hill College-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of edward cray
Sent: Thursday, November 11, 2004 6:06 PM
To: [unmask]
Subject: Sharp in AmericaAnyone:Is it safe to assume that these 75 songs and ballads in the new book announced today  are all in Sharp's two-volume English Folk Songs from the Southern Appalachians?  If so, are we buying it for Mike Yates' introduction?  And  how different is it from the excellent narrative Yates put up on  MusicTrad?Ed

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Subject: Re: Sharp in America
From: Karen Kobela <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 10:37:50 -0500
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Subject: Re: Sharp in America
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 14:04:01 -0500
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On 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp; I look forward to getting a copy of the book when it is available in the states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars ~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars [mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 15:08:52 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(185 lines)


Ballad Folks:Here is my response in Plain Text. I was not aware that there was a problem with my emails. I am sorry if it was difficult to read. 
Apparently the listserv will not allow image attachments, so for your convienence I have included the table of contents of Dear Companion within this email. Sincerely,
Cassie RobinsonDear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection
from the Cecil Sharp CollectionAwake! Awake!                                   100
The Battle of Shiloh                            60
Black is the Colour                             95
Boney's Defeat                                  115
The Broken Token                                        65
Come All Ye Southern Soldiers                   107
Come My Little Roving Sailor                    110
The Dear Companion                              69
The Drummer                                             56
Edward                                          61
The Elfin Knight                                        83
Every Night When the Sun Goes In                81
The False Knight Upon the Road          45
The False Young Man                             44
The Fateful Blow                                        39
The Foggy Dew                                   92
The Golden Vanity (The Green Willow Tree)       106
Good Morning My Pretty Little Miss              71
The Good Old Man                                        94
Green Grow The Laurel                           85
The Ground Hog                                  112
The Gypsy Laddie                                        80
Hick's Farewell                                 102
Hold On                                         118
The Holly Twig                                  31
I'm Sixteen Come Sunday                         40
I Love My Love                                  113
I Must and I Will Get Married                   47
I Wish I Was A Child Again                      109
John of Hazelgreen                              58
Johnny Scott                                    52
Lamkin                                          74
The Lily of the West                            116
Little Musgrave and Lady Barnard                88
The Lover's Lament                              41
The Mermaid                                             86
The Miller's Apprentice;                        117
    or the Oxford Tragedy
The Mouldering Vine                             98
My Dearest Dear
The Poor Stranger; or The Cuckoo                37
The Rebel Soldier                                       50
The Rich Old Lady                                       66
St. James's Hospital                            48
Sally Anne                                              73
Scornful Nancy                                  53
The Sheffield Apprentice                        62
The Silver Dagger                                       57
There Was an Old and Wealthy Man                104
The True Lover's Farewell                       82
The Two Crows                                   78
Way Down the Ohio                                       59
When Adam was Created                           96
The Wife of Usher's Well                        77-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of DoN. Nichols
Sent: Friday, November 12, 2004 2:04 PM
To: [unmask]
Subject: Re: Sharp in AmericaOn 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp; I look forward to getting a copy of the book when it is available in the states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars ~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars [mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 16:11:29 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(40 lines)


On 2004/11/12 at 03:08:52PM -0500, Robinson, Cassie wrote:> Ballad Folks:> Here is my response in Plain Text. I was not aware that there was a
> problem with my emails. I am sorry if it was difficult to read.        This is *much* better.  Thank you!> Apparently the listserv will not allow image attachments,        A good thing, actually, as (claimed) image attachments are
another path for virii into Windows systems through Outlook Express.
Aside from that, images can't be processed through a text-to-speech
program for those who are visually impaired, while plain text can.  (I'm
not sure whether there are filters to strip out the HTML constructs to
allow similar processing for HTML-embedded text.  If not, that, also,
could be very hard to listen to.>                                                           so for your
> convienence I have included the table of contents of Dear Companion
> within this email.> Sincerely,
> Cassie Robinson        [ ... ]> Dear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection
> from the Cecil Sharp Collection        A nice list.        Thank you,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 17:51:27 -0500
Content-Type:text/plain
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text/plain(265 lines)


Here is a comparison with Dear Companion and EFS SA
after pagination in DC I listed volume and page number in EFS SA
Awake! Awake! 100 1 358
The Battle of Shiloh 60 2 172
Black is the Colour 95 2 31
Boney's Defeat 115 2 245
The Broken Token 65 2 70
Come All Ye Southern Soldiers 107 2 253
Come My Little Roving Sailor 110 2 279
The Dear Companion 69 1 230
The Drummer 56 2 265 (and his wife)
Edward 61 1 46
The Elfin Knight 83 1 1
Every Night When the Sun Goes In 81 2 268
The False Knight Upon the Road 45 1 3
The False Young Man 44 2 51
The Fateful Blow 39 2 246
The Foggy Dew 92 2 174
The Golden Vanity (The Green Willow Tree) 106 1 282
Good Morning My Pretty Little Miss 71 2 90
The Good Old Man 94 2 338
Green Grow The Laurel 85 2 211 [grows]
The Ground Hog 112 2 340
The Gypsy Laddie 80 1 233
Hick's Farewell 102 2 142
Hold On 118 2 292
The Holly Twig 31 1 341
I'm Sixteen Come Sunday 40 2 156 [seventeen]
I Love My Love 113 2 269
I Must and I Will Get Married 47 2 159
I Wish I Was A Child Again 109 2 383
John of Hazelgreen 58 1 294
Johnny Scott 52 1 215
Lamkin 74 1 201
The Lily of the West 116 2 199
Little Musgrave and Lady Barnard 88 1 161
The Lover's Lament 41 2 103
The Mermaid 86 1 291
The Miller's Apprentice; 117 1 407or the Oxford Tragedy
The Mouldering Vine 98
My Dearest Dear 2 13
The Poor Stranger; or The Cuckoo 37 2 212
The Rebel Soldier 50 2 212 (poor stranger)
The Rich Old Lady 66 1 348
St. James's Hospital 48 2 164
Sally Anne 73 2 351
Scornful Nancy 53
The Sheffield Apprentice 62 2 66
The Silver Dagger 57 2 229
There Was an Old and Wealthy Man 104
The True Lover's Farewell 82 2 113
The Two Crows 78
Way Down the Ohio 59 2 275
When Adam was Created 96 2 272
The Wife of Usher's Well 77 1 150Mouldering Vine 98 Scornful Nancy 53 There was an old Wealthy Man 104 and
The Two Crows are not in the index of EFS Southern Appalachians. I shall
Look them up in Roud. I have not seen the texts in Dear Companion.----- Original Message -----
From: "Robinson, Cassie" <[unmask]>
To: <[unmask]>
Sent: Friday, November 12, 2004 3:08 PM
Subject: Re: Sharp in AmericaBallad Folks:Here is my response in Plain Text. I was not aware that there was a problem
with my emails. I am sorry if it was difficult to read.
Apparently the listserv will not allow image attachments, so for your
convienence I have included the table of contents of Dear Companion within
this email.Sincerely,
Cassie RobinsonDear Companion: Appalachian Traditional Songs and Singers from the Cecil
Sharp Collection
from the Cecil Sharp CollectionAwake! Awake!                                   100
The Battle of Shiloh                            60
Black is the Colour                             95
Boney's Defeat                                  115
The Broken Token                                        65
Come All Ye Southern Soldiers                   107
Come My Little Roving Sailor                    110
The Dear Companion                              69
The Drummer                                             56
Edward                                          61
The Elfin Knight                                        83
Every Night When the Sun Goes In                81
The False Knight Upon the Road          45
The False Young Man                             44
The Fateful Blow                                        39
The Foggy Dew                                   92
The Golden Vanity (The Green Willow Tree)       106
Good Morning My Pretty Little Miss              71
The Good Old Man                                        94
Green Grow The Laurel                           85
The Ground Hog                                  112
The Gypsy Laddie                                        80
Hick's Farewell                                 102
Hold On                                         118
The Holly Twig                                  31
I'm Sixteen Come Sunday                         40
I Love My Love                                  113
I Must and I Will Get Married                   47
I Wish I Was A Child Again                      109
John of Hazelgreen                              58
Johnny Scott                                    52
Lamkin                                          74
The Lily of the West                            116
Little Musgrave and Lady Barnard                88
The Lover's Lament                              41
The Mermaid                                             86
The Miller's Apprentice;                        117
    or the Oxford Tragedy
The Mouldering Vine                             98
My Dearest Dear
The Poor Stranger; or The Cuckoo                37
The Rebel Soldier                                       50
The Rich Old Lady                                       66
St. James's Hospital                            48
Sally Anne                                              73
Scornful Nancy                                  53
The Sheffield Apprentice                        62
The Silver Dagger                                       57
There Was an Old and Wealthy Man                104
The True Lover's Farewell                       82
The Two Crows                                   78
Way Down the Ohio                                       59
When Adam was Created                           96
The Wife of Usher's Well                        77-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of DoN. Nichols
Sent: Friday, November 12, 2004 2:04 PM
To: [unmask]
Subject: Re: Sharp in AmericaOn 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp;
I look forward to getting a copy of the book when it is available in the
states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars
~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars
[mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. |
http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Articles
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Nov 2004 00:37:09 +0000
Content-Type:text/plain
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text/plain(11 lines)


Some articles you may like to know about:B?LOIDEAS  71 (2003) pp.55-74; SMITH, Th??e, Untranscribed Voices from the Past: Music and Folklore [concerns veteran Irish collector Tom Munnelly]PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA 98:3 (2004) pp.293-312;  KUCZYNSKI, Michael P.,   John Whitefoord Mackenzie and the Percy Society: Documents in the Hoard-Tilton Memorial Library, Tulane UniversityUNIVERSITY OF TORONTO QUARTERLY 73:4 (2004)pp.1003-1010; COWAN, Yuri, William Allingham's 'Ballad Book' and its Victorian ReadersSteve RoudSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Articles
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 16:50:39 -0800
Content-Type:text/plain
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text/plain(29 lines)


Steve:This is a very valuable service toi those oif us on ballad-l.  Could you make this a bi-weekly or monthly feature, oh, master bibliographer?Ed----- Original Message -----
From: [unmask]
Date: Friday, November 12, 2004 4:37 pm
Subject: Articles> Some articles you may like to know about:
> 
> B?LOIDEAS  71 (2003) pp.55-74; SMITH, Th??e, Untranscribed 
> Voices from the Past: Music and Folklore [concerns veteran Irish 
> collector Tom Munnelly]
> 
> PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA 98:3 (2004) pp.293-
> 312;  KUCZYNSKI, Michael P.,   John Whitefoord Mackenzie and the 
> Percy Society: Documents in the Hoard-Tilton Memorial Library, 
> Tulane University
> 
> UNIVERSITY OF TORONTO QUARTERLY 73:4 (2004)pp.1003-1010; COWAN, 
> Yuri, William Allingham's 'Ballad Book' and its Victorian Readers
> 
> Steve Roud
> 
> Signup to supanet at https://signup.supanet.com/cgi-
> bin/signup?_origin=sigwebmail

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Subject: Bawdy Broadsides: PDFs available
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Nov 2004 15:29:35 -0600
Content-Type:text/plain
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Hello everyone,I have made relatively low quality PDFs available of the bawdy
broadsides ( http://tinyurl.com/5e937  (28MB)) and the complete
ledger book ( http://tinyurl.com/5556h  (29MB)).Ed, you may want to use these two PDFs if you just want *reading*
copies and not archival copies.Yours,John Mehlberg
~
My bawdy songs, toasts and recitations website:
www.immortalia.com

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Subject: Copyright Question
From: Debra Cowan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 12:44:10 -0500
Content-Type:text/plain
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text/plain(42 lines)


Hi all,Some of you know me, some of you don't. I am a lurker here, but have
decided to come out to pick your collective brains regarding a question
I have. I am a wee bit naive when delving deeper into some of these
issues, and thought some of you might have some experience with this.
This involves licensing of songs in the US. In the past I have paid
contemporary composers directly for their use of material, gone the
Harry Fox route, or just made damn sure the song was public domain.I have been finding some great songs (haven't we all!) from source
recordings for some time now. One of the songs that I have found and
plan to record is "My Dad's Dinner Pail" that was written by Edward
Harrigan and David Braham and published in "Collected Songs II,
1883-1896". From what I can glean from the sheet music, there is a
copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
song as "Dad's Dinner Pail" in the Flanders Collection sung by Jonathon
Moses.My question is: How do I know if the version that Moses sings is public
domain or not? Maybe some of you singers who have recorded older
composed songs (specifically music hall songs such as this), can tell me
what you did in this situation? I am more than willing to pay a
mechanical license to record the song if I need to.Or maybe I need to consult a copyright expert (lawyer) on this one?Thanks in advance for any assistance you can give.Deb Cowan
--******************************
Debra Cowan - Singer
website: http://www.DebraCowan.com
USA BOOKINGS: (508) 662-9746,
SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
http://www.fallingmountain.com
******************************

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Subject: Re: Copyright Question
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 14:27:07 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(56 lines)


Debra:If I understand you correctly, "My Dad's Dinner Pail" was written prior to 1896 when it first appeared in print.  If that is the case, the song is in the public domain.Ed----- Original Message -----
From: Debra Cowan <[unmask]>
Date: Tuesday, November 16, 2004 9:44 am
Subject: Copyright Question> Hi all,
>
> Some of you know me, some of you don't. I am a lurker here, but have
> decided to come out to pick your collective brains regarding a
> questionI have. I am a wee bit naive when delving deeper into some
> of these
> issues, and thought some of you might have some experience with this.
> This involves licensing of songs in the US. In the past I have paid
> contemporary composers directly for their use of material, gone the
> Harry Fox route, or just made damn sure the song was public domain.
>
> I have been finding some great songs (haven't we all!) from source
> recordings for some time now. One of the songs that I have found and
> plan to record is "My Dad's Dinner Pail" that was written by Edward
> Harrigan and David Braham and published in "Collected Songs II,
> 1883-1896". From what I can glean from the sheet music, there is a
> copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
> song as "Dad's Dinner Pail" in the Flanders Collection sung by
> JonathonMoses.
>
> My question is: How do I know if the version that Moses sings is
> publicdomain or not? Maybe some of you singers who have recorded older
> composed songs (specifically music hall songs such as this), can
> tell me
> what you did in this situation? I am more than willing to pay a
> mechanical license to record the song if I need to.
>
> Or maybe I need to consult a copyright expert (lawyer) on this one?
>
> Thanks in advance for any assistance you can give.
>
> Deb Cowan
> --
>
>
> ******************************
> Debra Cowan - Singer
> website: http://www.DebraCowan.com
> USA BOOKINGS: (508) 662-9746,
> SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
> UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
> RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
> http://www.fallingmountain.com
> ******************************
>

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Subject: Ebay List - 11/16/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 18:52:32 -0500
Content-Type:text/plain
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text/plain(109 lines)


Hi!        Beat the holiday rush! Get your books on Ebay now before
Thanksgiving! :-)        SONGSTERS        3761323933 - G.O.P. SONGSTER, 1905, $26 (ends Nov-17-04 17:42:59
PST)        7113931469 - Merchant's Gargling Oil Songster, 1889, $9.99 (ends
Nov-19-04 12:39:37 PST)        2285427933 - Sheridan & Flynns Songster, 1890, $1 (ends Nov-20-04
16:16:29 PST)        3762252210 - Chas. K. Harris' Latest...Popular Songster, 1901,
$2.50 (ends Nov-21-04 13:39:19 PST)        MISCELLANEOUS        4051628184 - The Long Harvest, MacColl & Seeger, LP, 1967, 9.95
GBP (ends Nov-18-04 08:25:10 PST)        SONGBOOKS        3761205457 -  I. W. W. Songs, 1989 reprint, $9 (ends Nov-17-04
09:53:19 PST)        6935622075 - Folk Songs of the South by Cox, $0.99 (ends Nov-17-04
12:36:54 PST)        6935860071 - More Mellows by Kennedy, 1931, $9.99 (ends Nov-17-04
12:52:40 PST)        4503823519 - Ballad Makin' in the Mountains of Kentucky by Thomas,
1964, $9 (ends Nov-18-04 20:14:10 PST)        6935817594 - American Sea Songs & Chanteys by Shay, 1948, $7.50
(ends Nov-19-04 05:11:25 PST)        4503895518 - THE PENGUIN BOOK OF AUSTRALIAN BALLADS by Ward, 1964,
$2 AU (ends Nov-19-04 07:14:34 PST)        3761825163 - THE SONGS THAT MADE AUSTRALIA by Fahey, $9 AU (ends
Nov-19-04 18:45:17 PST)        6935959957 - Lays of the Scottish Cavaliers and Other Poems by
Aytoun, 1887, 35 GBP (ends Nov-20-04 12:18:28 PST)        4504187142 - Sing Care Away by Sharp, 0.99 GBP (ends Nov-20-04
13:10:13 PST)        4504201565 - 2 books (The Complete Irish Street Ballads by
O'Lochlainn and The Third Book of Irish Ballads by Jolliffe), 1.99 GBP
(ends Nov-20-04 14:28:58 PST)        4504272749 - Songs Remembered in Exile by Campbell, 1990, $19.99
(ends Nov-20-04 21:13:37 PST)        4503570094 -  THE BRITISH FOLKLORISTS A HISTORY by Dorson, 1968,
0.99 GBP (ends Nov-21-04 03:48:01 PST)        4504336669 - Mexican Border Ballads and Other Lore by Boatright,
1946, $11.99 (ends Nov-21-04 08:21:47 PST)        4504366229 - Colonial Ballads by Anderson, 1962, 5 GBP (ends
Nov-21-04 10:15:22 PST)        4503352623 - Songs of the Cowboys by Thorp, 1989 reprint, $5 (ends
Nov-21-04 14:00:00 PST)        6936125487 - English And Scottish Popular Ballads by Neilson &
Witham, 1937, $5 (ends Nov-21-04 14:31:32 PST)        7934276869 - Scottish Ballads by Lyle, 1997, 0.99 GBP (ends
Nov-21-04 15:16:26 PST)        3762288081 - NEGRO SONGS FROM ALABAMA by Courlander, 1960, $19.95
(ends Nov-21-04 15:59:26 PST)        4504490568 - SONGS OF THE PEOPLE;SAM HENRY COLLECTION by Moulden,
1979, $4 (ends Nov-21-04 17:36:02 PST)        3762391478 - 3 books (The AFSCME songbook by Glazer, 1978, Roll Me
Over, 1972, & A Book of Nonsense songs by Cazden, 1966) $3 (ends
Nov-22-04 02:13:28 PST)        3762538996 - BOOK OF IRISH BALLADS by McCarthy, 1869, $6.63 (ends
Nov-22-04 17:00:00 PST)        6936253696 - The Traditional Tunes of the Child Ballads by Bronson,
volume 2, 1962, $49.99 w/reserve (ends Nov-22-04 17:19:29 PST)        4504562031 - Song of Robin Hood by Malcolmson, 1947, $6.78 (ends
Nov-24-04 23:22:07 PST)        4504805972 - Real Sailor Songs by Lloyd/Ashton, 1973, 40 GBP (ends
Nov-25-04 18:35:04 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Copyright Question
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 19:29:37 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(37 lines)


On 2004/11/16 at 02:27:07PM -0800, edward cray wrote:> From: Debra Cowan <[unmask]>> > I have been finding some great songs (haven't we all!) from source
> > recordings for some time now. One of the songs that I have found and
> > plan to record is "My Dad's Dinner Pail" that was written by Edward
> > Harrigan and David Braham and published in "Collected Songs II,
> > 1883-1896".> If I understand you correctly, "My Dad's Dinner Pail" was written
> prior to 1896 when it first appeared in print.  If that is the case, the
> song is in the public domain.> >             From what I can glean from the sheet music, there is a
> > copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
> > song as "Dad's Dinner Pail" in the Flanders Collection sung by
> > JonathonMoses.        I would say that the version published in "Collected Songs" (if
that was printed back then), or in sheet music printed back then, you
should be fine.        However -- beware of learning an arrangement from the later
(1997, 2000) publication.  *That* could be copyrighted.  As long as you
learned from the original, and can have a copy of the original ready to
hand to defend yourself, you should be fine.  The modern copyright
holders may well try to enforce their copyright, so you probably *will*
have to use the older publication as a defense.        Good Luck,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Sacred Harp
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 11:18:00 -0600
Content-Type:text/plain
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text/plain(6 lines)


Those of you with an interest in Sacred Harp singing may find the
following of interest:http://homepage.mac.com/callistc/SacredHarpSingersintro.html20 or so downloadable mp3s and interviews.

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Subject: Ebay List - 11/21/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 21:45:16 -0500
Content-Type:text/plain
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Hi!        After surviving a trip the a supermarket full of people filling
their carts with turkeys, I found the following on Ebay.        SONGSTERS        3942476650 - Walter L. Main & Van Amburgh Circus Songster, 1890,
$32.11 (ends Nov-24-04 17:50:55 PST)        3942339467 - the Barnum and Bailey Circus songster, 1892, $12
(ends Nov-24-04 18:15:00 PST)        MISCELLANEOUS        4505190435 - Midwest Folklore, journal, summer 1957, $3.95 (ends
Nov-24-04 09:29:46 PST)        4054087972 - 2 LPs (one of interest is Songs From the Hills of
Donegal by Barry), $5 (ends Nov-27-04 07:10:55 PST)        4054420805 - GREEN FIELDS OF ILLINOIS, LP, 1962, $2 (ends Nov-28-04
10:17:17 PST)        6936812333 - Glasgow Chapbook, 1835?, 6 GBP (ends Nov-29-04 08:58:55
PST)        3763698622 - Broadside (A New Song on Luckey Elopement), 1860?,
$17.50 (ends Nov-29-04 21:00:00 PST)        SONGBOOKS        6936462837 - Scotch Songs & Ballads by Macdonald, 1893, 51 GBP
(ends Nov-22-04 11:46:36 PST)        6936323135 - MOUNTAIN MINSTRELSY OF PENNSYLVANIA by Shoemaker,
1931, $29.99 (ends Nov-23-04 18:00:00 PST)        4505056963 - Haulin' Rope & Gaff by Ryan & Small, 1978, $20 (ends
Nov-23-04 18:32:28 PST)        3762927748 - KERRS 'BUCHAN' BOTHY BALLADS, 2.99 GBP (ends
Nov-24-04 09:09:50 PST)        4505237060 - FOLKSONGS Sung in Ulster by Morton, 1970, $2 (ends
Nov-24-04 12:19:24 PST)        4505246055 - Blow the Candle Out "Unprintable" Ozark Folksongs and
Folklore, Volume II by Randolph, 1992, $14.99 (ends Nov-24-04 12:49:03 PST)        4505256666 - The Ballad Tree by Wells , 1950, $2.49 (ends
Nov-24-04 13:23:50 PST)        6936485086 - Remains of Galloway & Nithsdale Song by Cromer, 1810,
30 GBP (ends Nov-24-04 14:21:18 PST)        6936488286 - Minstrelsy of the Scottish Border by Henderson, 1931,
6.99 GBP (ends Nov-24-04 14:53:03 PST)        4505464707 - BALLADS AND SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $31 (ends Nov-25-04 06:54:53 PST)        4505468008 - The English and Scottish Popular Ballads by Child,
volume 1, 2002 Loomis edition, $19.99 (ends Nov-25-04 07:07:49 PST)        4505820355 - Way Out in Idaho by Sorrels, 1991, $8 (ends Nov-26-04
08:54:56 PST)        4505990404 - Folk Songs Collected by Ralph Vaughan Williams by
Palmer, 1983, $2 (ends Nov-27-04 02:39:25 PST)        3763826605 - The Vagabonds--collection of Mountain Ballads, Old-time
Songs and Hymns, 1934 printing, $1.99 (ends Nov-27-04 11:17:50 PST)        3764108385 - Blue Grass Roy THE HAMLIN'S KORN KRACKER BOOK NO 4
WORLD'S GREATEST COLLECTION OF COWBOY AND MOUNTAIN BALLADS, 1936, $5.95
(ends Nov-28-04 12:43:28 PST)        4505667351 - SLAVE SONGS by Silverman, 1994, $12.75 (ends Nov-28-04
15:47:13 PST)        4505874374 - Songs of Irish Rebellion by Zimmerman, 2002, 2 GBP
(ends Nov-29-04 11:58:31 PST)        3763991890 - Songs of the Midlands by Palmer, 1972, 0.99 GBP (ends
Dec-01-04 06:37:02 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Mack McCormick Bawdy Songs MS
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 20:56:01 -0600
Content-Type:text/plain
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Hello everyone,According to Vance-Legman Vol.2 _Blow The Candle Out_
on pg. 647, there is a 1959 Mack McCormick manuscript of
bawdy songs.  Does anyone know of this MS?I would assume that it is not the 1960 booklet but is the
research notes and other items which Mack recorded
because Legman is discussing "Roll Your Leg Over"
on pg. 647 which is not found on the Unexpurgated
Folk Songs of Men LP but IS purportedly found in
the McCormick MS.Legman doesn't even mention the McCormick MS in any
of his bibliographies.  Anyone here know of its existence?Yours,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and recitations
website:  http://www.immortalia.com/html/

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Subject: Re: Ebay List - 11/21/04
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 09:51:18 EST
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Subject: Re: Ebay List - 11/21/04
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 07:55:35 -0800
Content-Type:text/plain
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Folks:I am continually amazed -- and guided -- by the assembled  wisdom on ballad-l.Ed----- Original Message -----
From: [unmask]
Date: Monday, November 22, 2004 6:51 am
Subject: Re: Ebay List - 11/21/04> In a message dated 11/22/2004 2:46:08 AM GMT Standard Time,
> [unmask] writes:
>
> >
> >
> >     3763698622 - Broadside (A New Song on Luckey Elopement), 1860?,
> > $17.50 (ends Nov-29-04 21:00:00 PST)
> >
>
> Peter Brereton again! Overpriced already. Probably misdated - about
> 7 years
> too early.
>
> John Moulden
>

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Subject: Re: Mack McCormick Bawdy Songs MS
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 08:06:25 -0800
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John:This MAY be a file I sent to Legman ca. 1960, during a period when I was his unofficial American correspondent.  I assembled a number of collections for his use,  the source of  which he failed to acknowledge in his later writings after he suffered an attack of "paranoids."I no longer have copies of all of the material sent to Legman.Ed
----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Sunday, November 21, 2004 6:56 pm
Subject: Mack McCormick Bawdy Songs MS> Hello everyone,
>
> According to Vance-Legman Vol.2 _Blow The Candle Out_
> on pg. 647, there is a 1959 Mack McCormick manuscript of
> bawdy songs.  Does anyone know of this MS?
>
> I would assume that it is not the 1960 booklet but is the
> research notes and other items which Mack recorded
> because Legman is discussing "Roll Your Leg Over"
> on pg. 647 which is not found on the Unexpurgated
> Folk Songs of Men LP but IS purportedly found in
> the McCormick MS.
>
> Legman doesn't even mention the McCormick MS in any
> of his bibliographies.  Anyone here know of its existence?
>
> Yours,
>
> John Mehlberg
> ~
> My, mostly traditional, bawdy songs, toasts and recitations
> website:  http://www.immortalia.com/html/
>

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Subject: 23rd Psalm rewrite
From: Barbara Millikan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 24 Nov 2004 12:56:30 -0800
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text/plain(26 lines) , text/plain(7 lines)


Someone here was collecting these?
Here's another variant.Psigh 23
   Bush is my shepherd; I dwell in want.
   He maketh logs to be cut down in national forests.
   He leadeth trucks into the still wilderness.
   He restoreth my fears.
   He leadeth me in the paths of international disgrace for his ego's sake.
   Yea, though I walk through the valley of pollution and war,
   I will find no exit, for thou art in office.
   Thy tax cuts for the rich and thy media control, they discomfort me.
   Thou preparest an agenda of deception in the presence of thy religion.
   Thou anointest my head with foreign oil.
   My health insurance runneth out.
   Surely megalomania and false patriotism shall follow me all the days of
       thy term,
   And my jobless child shall dwell in my basement forever.Yrs,
Barbara Millikan

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Subject: BBC Radio 4
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 19:45:17 -0000
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Sorry, your browser doesn't support iframes.


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Subject: Re: BBC Radio 4
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 16:57:23 -0800
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Dave:Kind of you to comment.  The BBC programme (note how quickly I have picked up the local dialect) is the second of three I am doing for BBC shows.  I am scheduled to do the Robert Elms show, live,  on Monday, December  6.  Check  your local listing for the time.Ed
----- Original Message -----
From: Dave Eyre <[unmask]>
Date: Friday, November 26, 2004 11:45 am
Subject: BBC Radio 4> I felt a little frisson of excitement as I heard the name Ed Cray
> mentioned on BBC Radio 4 tonight.
>
> BBC Radio 4 - "Front Row" (which is an arts/review programme)
> talking about Woody Guthrie and positively reviewing Ed's book
> "Rambling Man".
>
> Along with Lomax, Pete Seeger et al. And a superb recording of
> Seeger singing "This Land is Your Land".
>
> Best regards
>
> Dave Eyre
>

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Subject: Re: BBC Radio 4
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 22:42:13 -0700
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Has there been any attention from the home side of pond, Ed (as in audio
possibilities)??~ Becky Nankivell
Tucson, ArizonaAutomatic digest processor wrote:>Date:    Fri, 26 Nov 2004 16:57:23 -0800
>From:    edward cray <[unmask]>
>Subject: Re: BBC Radio 4
>
>Dave:
>
>Kind of you to comment.  The BBC programme (note how quickly I have picked up the local dialect) is the second of three I am doing for BBC shows.  I am scheduled to do the Robert Elms show, live,  on Monday, December  6.  Check  your local listing for the time.
>
>Ed
>
>

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Subject: Re: BBC Radio 4
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Nov 2004 09:45:07 -0800
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Becky:There was/is considerable attention ot the rlease of _Ramblin' Man_ in February.  You can "Google" me PLUS the book to get a sampling of reviews,  and you can look the book up on Amazon.com for some ten reviews by readers.I do not know if NPR archives its programs permanently, or how you would search them, but I did do a Sunday Weekend Edition  interview as well.Ed----- Original Message -----
From: Becky Nankivell <[unmask]>
Date: Friday, November 26, 2004 9:42 pm
Subject: Re: BBC Radio 4> Has there been any attention from the home side of pond, Ed (as in
> audiopossibilities)??
>
> ~ Becky Nankivell
> Tucson, Arizona
>
> Automatic digest processor wrote:
>
> >Date:    Fri, 26 Nov 2004 16:57:23 -0800
> >From:    edward cray <[unmask]>
> >Subject: Re: BBC Radio 4
> >
> >Dave:
> >
> >Kind of you to comment.  The BBC programme (note how quickly I
> have picked up the local dialect) is the second of three I am doing
> for BBC shows.  I am scheduled to do the Robert Elms show, live,
> on Monday, December  6.  Check  your local listing for the time.
> >
> >Ed
> >
> >
>

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Subject: EBay List - 11/27/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Nov 2004 18:50:08 -0500
Content-Type:text/plain
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Hi!        I hope that everyone had a good Thanksgiving - lots of food,
drink, and football (if interested). :-)        Here is the latest Ebay list.        SONGSTERS        3764519671 - The Patriotic No License Songster, 1909, $15 (ends
Dec-03-04 06:28:07 PST)        3764780643 - The Merry Companion; Or, Universal Songster, 1745,
$9.99 (ends Dec-05-04 15:48:00 PST)        MISCELLANEOUS        4054895450 - The English and Scottish Popular Ballads (Child
Ballads), MacColl & Llyod, double LP, 1956, $9.99 (ends Nov-29-04 20:14:18
PST)        4054912300 - Granny Riddle's Songs And Ballads, LP, 1977, $7.50
(ends Nov-29-04 21:46:11 PST)        SONGBOOKS        4506802437 - A GUIDE TO ENGLISH FOLK SONG COLLECTIONS 1822-1952 BY
Dean-Smith, 1954, 2.99 GBP (ends Nov-28-04 03:49:14 PST)        4506404886 - A Pioneer Songster: Texts From The STEVENS-DOUGLASS
MANUSCRIPT OF WESTERN NEW YORK 1841-1856 by Thompson, 1958, $8 (ends
Nov-28-04 14:55:48 PST)        4506406494 - BALLADS AND SONGS FROM OHIO by Eddy, 1939, $3.99 (ends
Nov-28-04 15:02:07 PST)        6937126972 - The Whorehouse Bells Were Ringing by Logsdon, 1989,
$9.99 (ends Nov-28-04 19:56:12 PST)        6937378344 - Folk Songs of Canada by Fowke & Johnston, 1954, 20 GBP
(ends Nov-29-04 02:58:10 PST)        6937191225 -  Bibliotheca Curiosa THE BALLAD BOOK by Kinloch, 1885,
4.99 GBP (ends Nov-29-04 11:51:23 PST)        7936771422 - America Sings by Carmer, 1942, $4.50 (ends Nov-29-04
11:55:45 PST)        4506689574 - He Was Singin' This Song by Tinsley, 1982, $5.95 (ends
Nov-29-04 15:59:56 PST)        4506747847 - American Mountain Songs by Richardson/Spaeth, 1955,
$9.99 (ends Nov-29-04 19:47:24 PST)        4507005964 - Ballads and Songs from Ohio by Eddy, 1964 reprint,
$8.95 (ends Nov-30-04 17:46:20 PST)        6937399687 - Old English Ballads and Folk Songs by Armes, 1913
edition, $9.99 (ends Dec-01-04 08:13:03 PST)
        also 4507264636 - 1918 edition, $2.50 (ends Dec-01-04 16:50:56 PST)        4507386729 - Pennsylvania Songs and Legends by Korson, 1949, $15
(ends Dec-02-04 07:19:58 PST)        4507612089 - TALES & SONGS OF SOUTHERN ILLINOIS by Neely, 1998
edition, $12.50 (ends Dec-03-04 08:20:56 PST)        6937672281 - Popular Music of the Olden Time by Chappell, 1860,
$75 (ends Dec-03-04 12:21:38 PST)        6937400201 - American Sea Songs and Chanteys by Shay, 1948, $12.95
(ends Dec-04-04 08:18:20 PST)        6937504563 - Traditional Ballad Airs by Christie, 2 volumes, 1881,
10 GBP w/reserve (ends Dec-06-04 04:00:00 PST)        3856143257 - Folk Songs of Old Hampshire by Browne, 2.50 GBP (ends
Dec-06-04 08:50:03 PST)        3856154464 - Marrow Bones: English Folk songs from the Hammond &
Gardiner Manuscripts by Purslow, 1.50 GBP (ends Dec-06-04 09:44:58 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: BALLAD-L Digest - 30 Oct 2004 to 31 Oct 2004 (#2004-169)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 05:27:06 -0800
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Yes, that's the other reference I wonder about. Jacob
lost her only son in WWI. I have an MP3 file of the
tune, if you are interested. Thanks.C.
>
> Nothing whatever to do with Charles Edward Stewart.
> The final verses of the poem (a fine one, I
> agree; I haven't heard it set to music) refer to
> those who died, in France, in a rather more recent
> war.
>
> Malcolm Douglas

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 16:39:01 -0500
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I have been informed that both the Norfolk Southern and the Atlantic
Coast Line had trains traveling between Greenville, NC, and Norfolk,
VA.  Only the ACL, however, could have crossed the Western Branch.
That line "terminated and Pinners Point and ferried passengers to
Norfolk."The NS crossed a number of other rivers with drawbridges, but not the
Western Branch.John

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Subject: Re: Engineer Rigg
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 21:13:53 -0600
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Previously in this string there was a discussion of sources for finding
cities in the US. There is a good 1895 Atlas available athttp://www.livgenmi.com/1895/You never know when these things will come in handy.John Garst wrote:> I have been informed that both the Norfolk Southern and the Atlantic
> Coast Line had trains traveling between Greenville, NC, and Norfolk,
> VA.  Only the ACL, however, could have crossed the Western Branch.
> That line "terminated and Pinners Point and ferried passengers to
> Norfolk."
>
> The NS crossed a number of other rivers with drawbridges, but not the
> Western Branch.
>
> John
>

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Subject: Re: TSF
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 14:09:51 -0000
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As one of the scheduled speakers  - I am happy to be recorded.Dave> I'm sure we could record the afternoon session. The University Music Dept
> has excellent facilities and they very kindly place them  at our disposal.
> Also Doc Rowe, who is giving a presentation on his archives, usually
> records such things anyway. What sort of format would be best for the
> recording from your point of view? Is anyone else interested?
> By the way Martin Graebe, who is one of the leading lights in research on
> Baring Gould, has offered to give a short presentation on Baring Gould's
> collecting in Yorkshire. Coming from Yorkshire myself I wasn't aware that
> Baring Gould had actually taken down any songs in Yorkshire when he was a
> vicar, at Rothbury was it? I knew he had made comments in his writing,
> about songs the mill girls sang, but not that he actually collected
> anything at this stage in his career, so I am looking forward to this with
> great interest.
> SteveG
>

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Subject: Re: TSF
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 2 Nov 2004 18:05:33 +0000
Content-Type:text/plain
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Thanks, Dave,
Heather Wood of YT fame is planning to be there + other new members.
It's looking good.
Steve.>From: Dave Eyre <[unmask]>
>Reply-To: Forum for ballad scholars <[unmask]>
>To: [unmask]
>Subject: Re: TSF
>Date: Mon, 1 Nov 2004 14:09:51 -0000
>
>As one of the scheduled speakers  - I am happy to be recorded.
>
>Dave
>
>
> > I'm sure we could record the afternoon session. The University Music
>Dept
> > has excellent facilities and they very kindly place them  at our
>disposal.
> > Also Doc Rowe, who is giving a presentation on his archives, usually
> > records such things anyway. What sort of format would be best for the
> > recording from your point of view? Is anyone else interested?
> > By the way Martin Graebe, who is one of the leading lights in research
>on
> > Baring Gould, has offered to give a short presentation on Baring Gould's
> > collecting in Yorkshire. Coming from Yorkshire myself I wasn't aware
>that
> > Baring Gould had actually taken down any songs in Yorkshire when he was
>a
> > vicar, at Rothbury was it? I knew he had made comments in his writing,
> > about songs the mill girls sang, but not that he actually collected
> > anything at this stage in his career, so I am looking forward to this
>with
> > great interest.
> > SteveG
> >_________________________________________________________________
Want to block unwanted pop-ups? Download the free MSN Toolbar now!
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Subject: Re: Musicians' birth/death dates
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 2 Nov 2004 13:47:34 -0500
Content-Type:text/plain
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On Sun, 31 Oct 2004 10:18:13 -0800, Norm Cohen wrote:>Friends:
>Can anyone provide dates for the following artists:The happy file gives just two of them.>Stanley Baby>Green Bailey (death)
Born 3/11 - Per http://www.oldtimeherald.org/pages/birthday.htm
Old-time Music birthday list>Dillard Chandler (death)
no>Carrie Grover
no>Maggie Hammons Parker (death)
b Sept 1>Burl Hammons (death)
no
>Sherman Hammons (death)
no
>Obray Ramsey
b9/24/1913 (dAug 1997) SS #245-80-9232, Last residence: Marshall, Madison,
NC. (from Social Security Death Index
-http://ssdi.genealogy.rootsweb.com/)
Note: Info is accurate but it is possible there was another of the same
name.  It would be better to verify at least one of the data.Per Lawless (supp.): grew up in western NC>Grant Rogers (death)
no
>Norm Cohen
13 Dec, 1936.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Mexico's forbidden songs
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 06:55:37 EST
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http://news.bbc.co.uk/1/hi/world/americas/3552370.stmby Chris Summers and Dominic Bailey
BBC News OnlineCan a musical genre be considered so dangerous as to be banned from the
radio? Yes, according to the authorities in some parts of Mexico who have forced
radio stations to take action in an attempt to stamp out the culture of "narco
corridos", which they accuse of glamorising drug trafficking and gangsterism.Los Tigres del Norte are the foremost exponents of the narco corrido
Corridos, or ballads, have been a Mexican tradition - especially in the north
of the country - for at least 100 years.
The songs, based on polkas and waltzes, feature lyrics backed by accordions
and brass bands.
The Mexican Revolution, which lasted from 1910 to 1917, triggered hundreds of
corridos about legendary figures such as Pancho Villa and Emiliano Zapata.
But over the past 30 years the biggest growth area has been the narco
corridos, which are based on the real lives of drug smugglers.

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Subject: Journal or Oral Literature
From: "J. J. Dias Marques" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 18:03:54 -0000
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The Ata?e Oliveira Research Centre (University of the Algarve, Portugal) 
publishes the yearly journal      ESTUDOS DE LITERATURA ORAL (E. L. O.),devoted to the study of all aspects and genres of Oral Literature from every 
country.Issue 9/10 (2003/2004) has just come out.It has 360 pages, and includes 15 articles on folktales, legends, ballads, 
proverbs, improvised songs, as well as the theory of oral literature. 22 
reviews are also included.The table of contents of this issue (with abstracts of each article in 
English) can be accessed atwww.fchs.ualg.pt/ceao/ingles/inc/revista09_ing.htmThe OFFICIAL price of this issue is 30 euros (Europe) and 40 euros 
(countries outside Europe).BUT... to celebrate the tenth anniversary of the journal, we are pleased to 
offer THE MEMBERS OF THIS MAILING LIST A SPECIAL PRICE: 15 euros (Europe) 
and 20 euros (other countries).If you are interested, please write to [unmask]The indexes and abstracts of previous issues (from nr 1, 1995) are available 
either athttp://www.fchs.ualg.pt/ceao/INC/revista.html (with abstracts in Portuguese)or at http://www.fchs.ualg.pt/ceao/ingles/inc/journal.html (with abstracts 
in English).Thank you very much for your interest.J. J. Dias Marques
F. C. H. S. / Universidade do Algarve
8005-139  Faro / Portugal
Tel. / Phone: +351 289800900, ext. 7410
Tel. pessoal / Personal  phone: +351 962651919
Fax: + 351 289818560
[unmask]
http://www.fchs.ualg.pt/ceao/

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Subject: Ebay
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 14:56:50 -0500
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Hi, all
As 'Gripperfolk' (Don't ask!) I've got bids on
79 Black Letter Ballads
Sharp's Eng Folk Songs Some Conclusions (There is another copy on at the
moment)
Karpeles' Cecil Sharp Folk Song Collection Vol 2. (I'm deperate for this
one to complete the set and enhance my indexes.)
SteveG

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Subject: John Henry
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 17:18:17 -0500
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An early "John Henry, the Steel Driving Man" is given on an undated
broadside published by W. T. Blankenship, now know to be from
Huntsville, Alabama.  Based on other broadsides published by
Blankenship, I suspect a date of ca 1910.If there was an historic basis in an event of 1870-72 (at Big Bend
Tunnel, WV) or of 1887-88 (at Dunnavant, AL) and the ballad came
shortly thereafter, then there was a period of about 20-35 years
before the ballad surfaced.  Lots of songsters, poems, broadsides,
etc., were published during the late 19th century.I am ever hopeful of coming across an earlier version.  This is a
request that those of you who see late 19th-/early 20th-century
materials keep "John Henry" and me in mind.Thank you.John

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Subject: A Trickster Tale
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 17:36:54 -0800
Content-Type:text/plain
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Folks:Like the sender, I am in need of a lift on this day after.  Here is a trickster tale on the order of  Tom Sawyer's fence-painting escapade.Ed
----------------------------------------------------------------------------------------------------------------------------------------------------------------------From     Gregory Hansen <[unmask]>
Sent    Wednesday, November 3, 2004 1:59 pm
To      [unmask]
Subject         [PUBLORE] Irish humorI've needed to hear a couple good jokes today.  One of my Irish buddies sent me this one.  Hope you enjoy it.- Gregory O'Hansen    Letter from an Irishman,,,,    Old Sean lived alone in Northern Ireland. He wanted to spade his potato garden, but it was very hard work. His only son, Mick, who used to help him, was in an English prison.    The old man wrote a letter to his son and described his predicament:    Dear Mick,    I am feeling a mite down because it looks like I won't be able to plant me potato garden this year. I'm just getting too old to be digging up a garden plot. If you were here, all my troubles would be over. I know you would dig the plot for me.    Love, Dad    A few days later he received a letter from his son:    Dear Father,    Whatever you do, don't dig up the garden! That's where I buried all them flamin BODIES!    Love, Mick    At 4 A. M. the next morning, a dozen agents from Scotland Yard and local police officers showed up and dug up the entire garden down to a depth of about six feet. That evening, not finding any bodies, they apologized to the old man and left.    The next day the old man received another letter from his son:    Dear Father,    Go ahead and plant yer spuds now. It's the best I could do under the circumstances.    Love, Mick

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Subject: James Rodgers/Charles Guiteau
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 02:09:12 +0000
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I have just been looking at Albert Friedman's "The Penguin Book
of Folk Ballads of the English-Speaking World" and thinking I
really ought to learn "Charles Guiteau".  Easy enough to think
of tunes that will fit, but was there a specific tune intended
for its parent, "The Lamentation of James Rodgers"?  (Friedman
references Louise Pound, "American Ballads and Songs", 1922,
which I haven't seen).I think there's a song about Czolgocz too, isn't there?-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 20:24:16 -0600
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On 11/4/04, Jack Campin wrote:>I have just been looking at Albert Friedman's "The Penguin Book
>of Folk Ballads of the English-Speaking World" and thinking I
>really ought to learn "Charles Guiteau".  Easy enough to think
>of tunes that will fit, but was there a specific tune intended
>for its parent, "The Lamentation of James Rodgers"?  (Friedman
>references Louise Pound, "American Ballads and Songs", 1922,
>which I haven't seen).There certainly is, and it's been used for all sorts of similar
songs. I stronly suspect you've heard it somewhere. I'll give
you the whole Ballad Index entry on the principle that it gives
you the maximum number of chances to recognize the song or a
relative. As you'll see, it's pretty popular. :-)NAME: Charles Guiteau [Laws E11]
DESCRIPTION: Charles Guiteau, having assassinated President Garfield, is
   unable to escape the law. His insanity defense is rejected, and he is
   sentenced to die.
AUTHOR: unknown
EARLIEST DATE: 1907 (Belden)
KEYWORDS: murder execution gallows-confession madness
HISTORICAL REFERENCES: July 2, 1881 - James A. Garfield is shot by Charles
   Guiteau, who thought Garfield owed him a patronage job. Garfield had been
   president for less than four months
Sept 19, 1881 - Death of Garfield
June 30, 1882 - Hanging of Charles Guiteau
FOUND IN: US(Ap,MW,So,SE)
REFERENCES (18 citations):
Laws E11, "Charles Guiteau"
Belden, pp. 412-413, "Charles Guiteau" (1 text)
Randolph 134, "Charles Guiteau" (2 texts plus 3 excerpts or fragments, 3
   tunes)
Eddy 128, "Charles Guiteau, or, The Murder of James A. Garfield" (1 text)
BrownII 249, "Charles Guiteau" (4 texts, 3 fragments, plus 1 excerpt and
   mention of 3 more)
Chappell-FSRA 111, "Charles Guiteau" (1 fragment, 1 tune)
Hudson 101, pp. 238-239, "Charles Guiteau" (1 text plus mention of 3 more)
Friedman, p. 230, "Charles Guiteau" (1 text)
McNeil-SFB1, pp. 56-59, "Charles Guiteau" (2 texts, 2 tunes)
Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
   transcription of the earliest recorded version by Kelley Harrell -- but
   in fact the text has been slightly modified)Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
   transcription of the earliest recorded version by Kelley Harrell -- but
   in fact the text has been slightly modified)
LPound-ABS, 65, pp. 146-148, "Charles Guiteau or James A. Garfield" (1 text,
   joined with "The Murder of F. C. Benwell")
Burt, pp. 226-227, "(Charles Guiteau)" (1 text plus a fragment, 1 tune)
Darling-NAS, pp. 192-193, "Charles Guiteau" (1 text plus a fragment of
   "James Rodgers")
Asch/Dunson/Raim, p. 48 "Charles Giteau" (sic) (1 text, 1 tune)
Silber-FSWB, p. 290, "Charles Guiteau" (1 text)
DT 623, CGUITEAU*
cf. Gardner/Chickering, p. 478, "Charles Guitea" (source notes only)
Roud #444
RECORDINGS:
Loman D. Cansler, "Charles Guiteau" (on Cansler1)
Kelly Harrell, "Charles Giteau" (Victor 20797B, 1927; on KHarrell02, AAFM1)
Roscoe Holcomb, "Charles Guitau" [instrumental version] (on Holcomb1)
CROSS-REFERENCES:
cf. "Gustave Ohr" (meter)
cf. "George Mann" (meter)
cf. "Ewing Brooks" [Laws E12] (tune & meter)
cf. "The Fair at Turloughmore" (floating lyrics)
cf. "The Murder of F. C. Benwell" [Laws E26] (tune & meter)
cf. "Big Jimmie Drummond" (lyrics)
cf. "Mister Garfield" (subject)
NOTES: The song probably derives from "The Lamentation of James Rodgers"
   (executed Nov. 12, 1858) or one of its kin (e.g. "My Name it is John T.
   Williams") - PJS, RBW
File: LE11>I think there's a song about Czolgocz too, isn't there?Well -- there's "McKinley Hollered/White House Blues," recorded by
Charlie Poole among others. Also used for "Cannonball Blues."--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: James Rodgers/Charles Guiteau
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 22:27:47 -0500
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> On 11/3/04, Jack Campin wrote:
>
>>I think there's a song about Czolgocz too, isn't there?On 11/3/04, Bob Waltz answered:> Well -- there's "McKinley Hollered/White House Blues," recorded by
> Charlie Poole among others. Also used for "Cannonball Blues."Exactly.  I remember a verse to a version of Whitehouse Blues that went
something likeZolgotz you done him wrong
Shot McKinley he was walking along
In Buffalo. In Buffalo.I can't recall what book I saw that in.Ben Schwartz

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Subject: My order
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 22:35:33 -0800
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Hi, David:
Rereading the following old email reminds me:  Didn't I order this some time
ago?  Was it ever shipped?
Cordially,
Norm CohenI thought it might interest those watching this thread to know that Heritage
Muse, Inc. has the following titles available in digital form (in addition
to Child's ESPB):JMEB-110        $20   "The Early Ballad Collections of James Maidment"
includes "A North Countrie Garland" (1824) Revised, with a new introduction,
by Edmund Goldsmid and privately printed in Edinburgh, 1891 and "A New Book
of Old Ballads" (1843)Edinburgh 1843, reprinted Edinburgh 1891.JRNG-210        $20     "Northern Garlands by Joseph Ritson, esq."
includes:
"The Bishopric Garland or Durham Minstrel" (1792)
"The Yorkshire Garland" (1788)
"The Northumberland Garland or Newcastle Nightingale" (1793) "The
North-Country Chorister" (1802)GKBC-310        $25     "Ballad Collections of George Ritchie Kinloch"
Includes: "Ancient Scottish Ballads" (1827) and "The Ballad Book" (1827)
With computer playable tunes for the music notations.CSBB-410        $20     "A Ballad Book by Charles Kirkpatrick Sharpe"
edited by David Laing. (available Nov 2004)These can be acquired separately or in the package:Heritage Collectors - Bookshelf I (digital editions)
"The English and Scottish Popular Ballads"                              $125"The Early Ballad Collections of James Maidment"                        $ 20"Northern Garlands by Joseph Ritson, esq."                              $ 20"Ballad Collections of George Ritchie Kinloch"                          $ 25"The Ballad Book by Charles Kirkpatrick Sharpe "        $ 20
======================================================================
Bookshelf I Total
$ 210
Bookshelf I discount
-   15
======================================================================
Sub Total
$ 195All titles in this series are available in paper as print on demand. Please
email or call for pricing and shipping information.Now in production...Watch for these Bookshelf II and III titles in 2005:"Traditional Tunes from the Child Ballads by B.H. Bronson"
"Robin Hood... by Joseph Ritson, esq."
"Scottish Songs by Joseph Ritson, esq."
"Scottish Ballads and Songs by James Maidment"
"Ancient & Modern Scottish Songs by David Herd"
"The Ballad Book by William Allingham"
"Minstrelsy, Ancient and Modern by William Motherwell (Vols I & II)"Please feel free to suggest other titles.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of edward cray
Sent: Tuesday, October 19, 2004 6:55 PM
To: [unmask]
Subject: Re: Kessinger PublishingWell, for starters, I would suggest all of Ritson.  Then Margaret Hunt's
translation of the Grimm Tales.  And all of Curtin's Irish collections.
Then there are the OUP Press editions of Sharp's Engliosh and Appalachian
collections.Ed----- Original Message -----
From: Steve Gardham <[unmask]>
Date: Tuesday, October 19, 2004 12:11 pm
Subject: Re: Kessinger Publishing> Thanks, Ed,
> Just ordered the Jamieson at $54.95 + PP to UK at $8.98 and all this is
> still a third of the price of any original copies I've seen for sale.
> There are several other titles on this marvellous site which look
> interesting when I've time to look more closely. It's well worth a look
> for anyone on our list. Just try typing in 'ballads' for a starter.
>
> It may be worth us getting together and suggesting some titles to them to
> publish.
>
> SteveG
>

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Subject: Re: A Trickster Tale
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 09:29:34 -0000
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>I am in need of a lift on this day after.Whilst I was an undergraduate Reagan was elected. An American post grad.
came in wearing a black arm band and a very professionally made badge
(button) saying:"George III was right, we Americans are not fit to govern themselves".I wonder what she is saying today!!Best regards,Dave
PS We aren't any better...........

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Subject: Re: James Rodgers/Charles Guiteau
From: Fred McCormick <[unmask]>
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Date:Thu, 4 Nov 2004 05:11:08 EST
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Subject: Re: My order
From: Mike Luster <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 08:44:27 EST
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David,Any news on my electronic ESPB for Mac? Its been over a year now.....Mike Luster
611 A Roselawn Ave
Monroe, LA  71201

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Subject: Re: James Rodgers/Charles Guiteau
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 09:34:36 -0500
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On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:>> On 11/3/04, Jack Campin wrote:
>>
>>>I think there's a song about Czolgocz too, isn't there?
>
Is there a patern here?
:-)>On 11/3/04, Bob Waltz answered:
>
>> Well -- there's "McKinley Hollered/White House Blues," recorded by
>> Charlie Poole among others. Also used for "Cannonball Blues."
>
>Exactly.  I remember a verse to a version of Whitehouse Blues that went
>something like
>
>Zolgotz you done him wrong
>Shot McKinley he was walking along
>In Buffalo. In Buffalo.This ver. omited by Bob (well, it could happen)
"Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it under
Mister McKinley {White House Blues} but I think it's a separate song.)Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
        Oh, they tell me Mr. Garfield been shot down, shot down,
        He's feelin' mighty low;
        Oh, they tell me Mr. Garfield been shot.No source is given for it except 'trad.'-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: A Trickster Tale
From: Stephanie Crouch <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 08:44:33 -0600
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Thanks Ed.  I needed that.Peace,Stephanie Crouch

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Subject: Re: A Trickster Tale
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:43:12 -0500
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So did I.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Stephanie Crouch
Sent: Thursday, November 04, 2004 9:45 AM
To: [unmask]
Subject: Re: A Trickster TaleThanks Ed.  I needed that.Peace,Stephanie Crouch

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Subject: Re: James Rodgers/Charles Guiteau
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:52:49 -0500
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>On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:
>
>>>  On 11/3/04, Jack Campin wrote:
>>>
>>>>I think there's a song about Czolgocz too, isn't there?
>>
>Is there a patern here?
>:-)
>
>>On 11/3/04, Bob Waltz answered:
>>
>>>  Well -- there's "McKinley Hollered/White House Blues," recorded by
>>>  Charlie Poole among others. Also used for "Cannonball Blues."
>>
>>Exactly.  I remember a verse to a version of Whitehouse Blues that went
>>something like
>>
>>Zolgotz you done him wrong
>>Shot McKinley he was walking along
>>In Buffalo. In Buffalo.
>
>This ver. omited by Bob (well, it could happen)
>"Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it under
>Mister McKinley {White House Blues} but I think it's a separate song.)According to Robert W. Gordon, "Delia" was first sung in the spring
of 1901.  McKinley was assassinated in the fall of that year.  Some
early versions of "Delia" and "McKinley" use the same tune and have
several verses in common (in variants, of course).  At least one
version of "Delia" uses a "Buffalo" tag line!>
>Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
>Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
>         Oh, they tell me Mr. Garfield been shot down, shot down,
>         He's feelin' mighty low;
>         Oh, they tell me Mr. Garfield been shot.
>
>No source is given for it except 'trad.' From Bascom Lamar Lunsford who got it from a NC informant.  I think
there is a version, perhaps by the same informant, in the RW Gordon
papers.>                   I am Abby Sale - in Orlando, Florida
>
--
john garst    [unmask]

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Subject: Re: James Rodgers/Charles Guiteau
From: Fred McCormick <[unmask]>
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Subject: Re: James Rodgers/Charles Guiteau
From: Fred McCormick <[unmask]>
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Subject: Re: James Rodgers/Charles Guiteau
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:20:14 -0600
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----- Original Message -----
From: "Abby Sale" <[unmask]><<Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
        Oh, they tell me Mr. Garfield been shot down, shot down,
        He's feelin' mighty low;
        Oh, they tell me Mr. Garfield been shot.No source is given for it except 'trad.'>>Art got it from Bascom Lamar Lunsford's Library of Congress recording; he
says so in the last verse. Lunsford said he collected it in, I believe,
1908.Peace,
Paul

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Subject: Re: A Trickster Tale
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 11:43:06 -0500
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Me too. Those of us in "red" states are really feeling like freaks.Beth
Indianapolis>>> [unmask] 11/04/04 10:43 AM >>>
So did I.        Marge-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Stephanie Crouch
Sent: Thursday, November 04, 2004 9:45 AM
To: [unmask]
Subject: Re: A Trickster TaleThanks Ed.  I needed that.Peace,Stephanie Crouch

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Subject: Re: A Trickster Tale
From: Paul Stamler <[unmask]>
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Date:Thu, 4 Nov 2004 10:49:20 -0600
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----- Original Message -----
From: "Beth Brooks" <[unmask]><<Me too. Those of us in "red" states are really feeling like freaks.>>This might cheer you up:http://www.mirror.co.uk/frontpages/Peace,
Paul

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Subject: cock robin sinister?
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 11:52:10 -0500
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Oh wise ones,
  I just saw this little teaser, as I was teaching the great song to my
third graders:Eager, Alan R. "Who Killed Cock Robin?" Assistant Librarian, 49:196-98,
December 1956. E3In this whimsical essay, an Irishman discovers hidden and sinister
meaning in My First Book of Nursery Rhymes and decides to place it out
of reach of his little daughter.Unable to find a copy nearby of "Assistant lLibrarian". could anyone
give me a thumbnail of the "hidden and sinister meaning"?Beth

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Subject: Speaking of George III
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 08:59:34 -0800
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Dave:I received this from a British correspondent on November 3.  She wrote, and I quote:"The following seems to have been revived/rehashed:"To the citizens of the former United States of America,"In the event of inability to nominate a sentient candidate for President of
the USA, we hereby give notice of the revocation of your nationhood before
you can once again make fools of yourself when it comes to actually voting.
To save you the effort of deciding whether your chads are hanging or merely
pregnant, Her Sovereign Majesty Queen Elizabeth II intends to resume
monarchial duties over all states, effective immediately. To help the Royal
coffers, she intends to realise the land value by disposing of the territory
in parcels as follows:-"Texas will formally become part of Mexico; this formalises the current
arrangement as the state is already a defacto part of Mexico. We hope the
formalisation of its status will improve the cuisine. To give the Mexicans
more lebensraum Utah, Arizona, New Mexico, Colorado, Kansas, Oklahoma and
Missouri will also become part of Mexico. Alaska will be given back to
Russia. Inhabitants of the aforementioned states are advised to enrol on
language courses, although considering how badly they speak English, their
new landlords might resent having their languages mangled in a similar
fashion."Washington, Oregon, Idaho, Montana, Wyoming, the Dakotas, Nebraska,
Minnesota and Iowa will all be given to Canada and become part of the
British Commonwealth. The majority of Canada's population is crammed up
against their warmer southern border, so we believe it only fair they get a
bit of breathing room. Inhabitants of those regions will need to get used to
things such as Mounties, good manners and speaking French. Louisiana,
Mississippi, Arkansas and Alabama, which her Majesty considers somewhat
backward, will be renamed Arcadia and given to the Quebecois as an
independent country. We have been to Quebec and noticed that it gets a bit
chilly and they are always petitioning for independence, so we've decided to
give it to them."All lawyers and political correctness campaigners will be transported to
Nevada. So much of America is run by lawyers, for the benefit of lawyers,
that they are considered a degenerate separate race and will be given their
own country.  There will be strict border controls and they will not be
permitted passports. By the time the lawyers have finished suing each other
over what to call the new country, they will have died out. Political
correctness campaigners will be too busy with circumlocutions to ever get
around to breeding. Elsewhere, lawyers will largely be replaced by
something currently missing from American society - common sense. The reason
the USA has become so litigious is a ploy by its real ruling class -
lawyers - to remain rich and in control."Florida will be given to Israel, since its inhabitants are already so
obsessed with what goes on in that country. When technology permits, it will
be air-freighted to the Middle East. Your hazy grasp of world geography
means you probably won't notice anything except the lack of regular tropical
storms. California will be given its independence as a gay state. Feel free
to paint it pink, rename it or whatever you like, but don't get too attached
to any seafront properties as another couple of quakes will see most of it
fall into the sea."Her Majesty rather fancies Hawaii as a royal retreat and a playboy paradise
for Princes William and Harry. It will make a change from all those skiing
holidays at Klosters. After all, the Queen and Duke are not getting any
younger and would prefer to over-winter in warmer climes. The remaining
states, i.e. those not mentioned individually, will be turned over to native
American rule. In the interest of fairness, descendants of early colonists
will get their beads back. Anyone descended from immigrant stock, which is
most of you, will be moved into a reservation. We suggest Manhattan Island,
though it might get a bit crowded."Thank you for your co-operation and have a nice day."----- Original Message -----
From: Dave Eyre <[unmask]>
Date: Wednesday, November 3, 2004 1:29 am
Subject: Re: A Trickster Tale> >I am in need of a lift on this day after.
>
> Whilst I was an undergraduate Reagan was elected. An American post
> grad.came in wearing a black arm band and a very professionally
> made badge
> (button) saying:
>
> "George III was right, we Americans are not fit to govern themselves".
>
> I wonder what she is saying today!!
>
> Best regards,
>
> Dave
> PS We aren't any better...........
>

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Subject: Re: A Trickster Tale
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 12:20:03 -0500
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Thanks for the chuckle. I guess it could be worse!B>>> [unmask] 11/04/04 11:49 AM >>>
----- Original Message -----
From: "Beth Brooks" <[unmask]><<Me too. Those of us in "red" states are really feeling like freaks.>>This might cheer you up:http://www.mirror.co.uk/frontpages/Peace,
Paul

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Subject: Re: James Rodgers/Charles Guiteau
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 09:55:13 -0800
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Folks:In Loyal Jones' _Minstrel of the Appalachians,_ pp. 151, 152, he lists "Czolgotz  (or Buffalo, about the assassin of President McKinley)"  but gives no informant's name; AND "Mr. Garfield (A somewhat light treatment of the assassination of President Garfield in 1881.)  Anderson Williams, Henderson County, North Carolina (1903)."Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Thursday, November 4, 2004 7:52 am
Subject: Re: James Rodgers/Charles Guiteau> >On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:
> >
> >>>  On 11/3/04, Jack Campin wrote:
> >>>
> >>>>I think there's a song about Czolgocz too, isn't there?
> >>
> >Is there a patern here?
> >:-)
> >
> >>On 11/3/04, Bob Waltz answered:
> >>
> >>>  Well -- there's "McKinley Hollered/White House Blues,"
> recorded by
> >>>  Charlie Poole among others. Also used for "Cannonball Blues."
> >>
> >>Exactly.  I remember a verse to a version of Whitehouse Blues
> that went
> >>something like
> >>
> >>Zolgotz you done him wrong
> >>Shot McKinley he was walking along
> >>In Buffalo. In Buffalo.
> >
> >This ver. omited by Bob (well, it could happen)
> >"Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it
> under>Mister McKinley {White House Blues} but I think it's a
> separate song.)
>
> According to Robert W. Gordon, "Delia" was first sung in the spring
> of 1901.  McKinley was assassinated in the fall of that year.  Some
> early versions of "Delia" and "McKinley" use the same tune and have
> several verses in common (in variants, of course).  At least one
> version of "Delia" uses a "Buffalo" tag line!
>
> >
> >Also, there's the lovely cante-fable, "Mister Garfield" as sung by
> Art>Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
> >         Oh, they tell me Mr. Garfield been shot down, shot down,
> >         He's feelin' mighty low;
> >         Oh, they tell me Mr. Garfield been shot.
> >
> >No source is given for it except 'trad.'
>
> From Bascom Lamar Lunsford who got it from a NC informant.  I think
> there is a version, perhaps by the same informant, in the RW Gordon
> papers.
>
> >                   I am Abby Sale - in Orlando, Florida
> >
> --
> john garst    [unmask]
>

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Subject: Re: James Rodgers/Charles Guiteau
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 13:04:35 -0500
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If there *is* a song about Czolgocz (the man who murdered McKinley, by the
way -- Guiteau shot Garfield) I'd love to hear or see it --  just to see
what rhymes with Czolgocz...
Roy Berkeley
----- Original Message -----
From: "Jack Campin" <[unmask]>
To: <[unmask]>
Sent: Wednesday, November 03, 2004 9:09 PM
Subject: James Rodgers/Charles Guiteau>I have just been looking at Albert Friedman's "The Penguin Book
> of Folk Ballads of the English-Speaking World" and thinking I
> really ought to learn "Charles Guiteau".  Easy enough to think
> of tunes that will fit, but was there a specific tune intended
> for its parent, "The Lamentation of James Rodgers"?  (Friedman
> references Louise Pound, "American Ballads and Songs", 1922,
> which I haven't seen).
>
> I think there's a song about Czolgocz too, isn't there?
>
>
> -----------------------------------------------------------------------------
> Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131
> 6604760
> <http://www.purr.demon.co.uk/jack>     *     food intolerance data &
> recipes,
> Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro,
> Embro".
> ---> off-list mail to "j-c" rather than "ballad-l" at this site, please.
> <---

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Subject: Re: cock robin sinister?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:12:13 -0800
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BethAccording to the wisest of the wise, Iona and Peter Opie (_Oxford Dictionary of Nursery Rhymes_) one theory has it that the song is a coded explanation of the political fall of Prime Minister Robert Walpole's government  in 1742.  Sinister?  I dunno.Ed----- Original Message -----
From: Beth Brooks <[unmask]>
Date: Thursday, November 4, 2004 8:52 am
Subject: cock robin sinister?> Oh wise ones,
>  I just saw this little teaser, as I was teaching the great song
> to my
> third graders:
>
> Eager, Alan R. "Who Killed Cock Robin?" Assistant Librarian, 49:196-
> 98,December 1956. E3
>
> In this whimsical essay, an Irishman discovers hidden and sinister
> meaning in My First Book of Nursery Rhymes and decides to place it out
> of reach of his little daughter.
>
> Unable to find a copy nearby of "Assistant lLibrarian". could anyone
> give me a thumbnail of the "hidden and sinister meaning"?
>
> Beth
>

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Subject: Re: cock robin sinister?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:16:26 -0800
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> According to the wisest of the wise, Iona and Peter Opie (_Oxford
Dictionary of Nursery Rhymes_) one theory has it that the song is a coded
explanation of the political fall of Prime Minister Robert Walpole's
government  in 1742.  Sinister?  I dunno.
>
Sounds like a Prime Sinister to me.
Norm

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Subject: Re: cock robin sinister?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:26:44 -0800
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----- Original Message -----
From: Norm Cohen <[unmask]>
Date: Thursday, November 4, 2004 10:16 am
Subject: Re: cock robin sinister?> > According to the wisest of the wise, Iona and Peter Opie (_Oxford
> Dictionary of Nursery Rhymes_) one theory has it that the song is a
> codedexplanation of the political fall of Prime Minister Robert
> Walpole'sgovernment  in 1742.  Sinister?  I dunno.
> >
> Sounds like a Prime Sinister to me.
> Norm
>Well, Walpole was a Slime Minister.Ed

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Subject: Re: James Rodgers/Charles Guiteau
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 14:53:52 -0500
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Sounds like Art Thieme got the song from the Bascom Lunsford recording
----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Thursday, November 04, 2004 9:34 AM
Subject: Re: James Rodgers/Charles Guiteau> On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:
>
>>> On 11/3/04, Jack Campin wrote:
>>>
>>>>I think there's a song about Czolgocz too, isn't there?
>>
> Is there a patern here?
> :-)
>
>>On 11/3/04, Bob Waltz answered:
>>
>>> Well -- there's "McKinley Hollered/White House Blues," recorded by
>>> Charlie Poole among others. Also used for "Cannonball Blues."
>>
>>Exactly.  I remember a verse to a version of Whitehouse Blues that went
>>something like
>>
>>Zolgotz you done him wrong
>>Shot McKinley he was walking along
>>In Buffalo. In Buffalo.
>
> This ver. omited by Bob (well, it could happen)
> "Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it under
> Mister McKinley {White House Blues} but I think it's a separate song.)
>
> Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
> Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
>        Oh, they tell me Mr. Garfield been shot down, shot down,
>        He's feelin' mighty low;
>        Oh, they tell me Mr. Garfield been shot.
>
> No source is given for it except 'trad.'
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                  I am Abby Sale - in Orlando, Florida
>                        Boycott South Carolina!
>        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 14:56:19 -0500
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>>----- Original Message -----
>>From: "John Garst" <[unmask]>
>>
>>
>><<In 1928 Newman I. White, in "American Negro Folk-Songs," published a
>>four-verse fragment of a ballad, "Engineer Rigg," with the following
>>note:
>>
>>"This old song was made up directly after the Negro excursion
>>completely packed with Negroes from Greenville, N.C., and bound for
>>Norfolk, Va., happened with the misfortune as to run into the Western
>>Branch on account of the bridge keeper did not know of the
>>excursion's schedule."
>>...
>>
>>Does anyone have any specifics on this tragedy or tips on getting some?>>
>
>I googled "excursion greenville norfolk accident". The first hit got me
>this:
>
>http://www.lib.ecu.edu/NCCollPCC/er1905.htm
>
>This is, from the look of it, the index for the 1905 editions of the
>Greenville, NC Daily Reflector. Among the suggestive entries (along with
>some provocative items like "Death of Louis Nobles, 110, good Negro" and
>"Child eaten by shark") I found:
>
>Train wreck, excursion of Greenville citizens - 18 August, 1905; 19 August,
>1905
>Bruce - station of railroad between Norfolk and Suffolk - 22 August, 1905
>Bridge accident - 28 August, 1905
>
>These dates might be worth following up. The index is published by:
>
>Joyner Library
>East Carolina University
>East Fifth Street, Greenville, NC 27858-4353 USA
>252.328.6131
>
>With luck, they include the paper in their holdings. I hope so; in addition
>to the possible origin of the "Engineer Riggs" ballad, there are some
>fascinating glances into the life of a small southern city. The Moye family
>seem to occupy a remarkable number of headlines. Presumably they were THE
>family in town.
>
>Peace,
>PaulOK, Paul, you nailed it!  I've enquired of the Joyner Library with
only an acknowledgment, so far, but I also went to Frank Brown, an
officer of Norfolk Southern, who gave me the information that the
accident could not have been on that line and so must have been on
the Atlantic Coast Line.  Then I went to an ACL forum and got replies
with the following information from Michael Savchak and Harry Bundy,
slightly edited from their words.On the Atlantic Coast Line on August 17, 1905 at a drawbridge over
the Western Branch of the Elizabeth River. A six car train carrying
an excursion party of blacks from Greenville NC was approaching an
open drawbridge. It was broad daylight and the line was tangent
track.  There were two fixed signals-one a warning signal half a mile
from the drawbridge and a stop signal 300 feet from the drawbridge.
The operating rules required all trains to stop at the drawbridge
before proceeding  across. In addition, the bridge tender placed a
red flag in the middle of the track and the drawbridge was crosswise
to the track.  The train, however, proceeded at full speed until some
500 feet from the drawbridge, when a porter on the train operated an
emergency brake valve.The train went into emergency, but the momentum was too great and the
engine and the first two cars went into the river. The river was 25
feet deep at the bridge and the fireman and 14 passengers were
drowned.The engineer of the train, D. L. Reig, had never traveled over this
line before, but he could not give an explanation as to why he
ignored the signals and other visual clues as to the status of the
drawbridge.All references to this wreck note that the train was a special
excursion for blacks. Since the fireman was the only crew member
killed, it is possible that he was white, however, at that time, many
firemen on the ACL were black.Perhaps a search of the local newspapers in Norfolk for that time may
provide more details.  This wreck occurred five years before the ICC
started to investigate railroad accidents, so further details are not
available from ICC records.
                                      -Michael SavchakExcerpts from THE RAILROAD GAZETTE indicate that the train was
carrying 169 passengers, "it appears that there is no derailing
switch at the draw and that, according to rule, the train should have
come to a full stop before crossing. . . . .It is said that at
Bruce's station, a mile west of the drawbridge, he (Engr Reigs) had
received an all-clear block signal for the block section in which the
drawbridge is situated. An officer of the road is reported as saying
that this block signal had nothing to do with the drawbridge; in
other words, that while it gives the right to the road throughout the
block section, this right is subject to the liability of being
stopped at the draw by a signal from the draw tender."
                                       -Harry BundyHere is the unexpurgated version of the text published by White.  As
you can see, it is not exactly politically correct!  It was "reported
from Durham, NC, 1919, manuscript of D. T. Miller."  You can see a
kinship to "Casey Jones" in the opening lines, so I assume that a
"Casey Jones"/"Joseph Mica"/"Dummy Line" tune was used.Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,
But to pull off his overalls and put on his pants,
And get ready to dump them niggers in the Western Branch.The fireman looked him square in the face,
As if he wanted a moment of grace.
The fireman said just as quick as could be,
To stop that train and make me life free.The drawbridge was open when they rounded the bend,
And to have stopped that train, oh! an awful sin,
So he let her go with still more steam,
Till all but two cars went down in the stream.They pulled niggers out of there for six long days,
And sent them home to be put in their graves.
Oh! sad it was for the women to see,
That their only nigger was just as dead a could be.White includes this in American Negro Folk Songs, but the perspective
of the text leads me to wonder.  I suppose that blacks could have
referred to members of their race as "them niggers," but I'm
suspicious.What do you think?John--
john garst    [unmask]

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Subject: Re: Engineer Rigg
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 14:10:48 -0600
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On 11/4/04, John Garst wrote:>>>----- Original Message -----
>>>From: "John Garst" <[unmask]>
>>>
>>>
>>><<In 1928 Newman I. White, in "American Negro Folk-Songs," published a
>>>four-verse fragment of a ballad, "Engineer Rigg," with the following
>>>note:
>>>
>>>"This old song was made up directly after the Negro excursion
>>>completely packed with Negroes from Greenville, N.C., and bound for
>>>Norfolk, Va., happened with the misfortune as to run into the Western
>>>Branch on account of the bridge keeper did not know of the
>>>excursion's schedule."
>>>...
>>>
>>>Does anyone have any specifics on this tragedy or tips on getting some?>>
>>
>>I googled "excursion greenville norfolk accident". The first hit got me
>>this:
>>
>>http://www.lib.ecu.edu/NCCollPCC/er1905.htm
>>
>>This is, from the look of it, the index for the 1905 editions of the
>>Greenville, NC Daily Reflector. Among the suggestive entries (along with
>>some provocative items like "Death of Louis Nobles, 110, good Negro" and
>>"Child eaten by shark") I found:
>>
>>Train wreck, excursion of Greenville citizens - 18 August, 1905; 19 August,
>>1905
>>Bruce - station of railroad between Norfolk and Suffolk - 22 August, 1905
>>Bridge accident - 28 August, 1905
>>
>>These dates might be worth following up. The index is published by:Suddenly, reading all this, a light went off and I dug up "The Hamlet
Wreck." It may be a separate accident, but it's from the same general
area, around the same time; there may be conflation of incidents.Full Ballad Index entry for "The Hamlet Wreck":NAME: Hamlet Wreck, The
DESCRIPTION: "See the women and children going on the train, Fare-you-well,
   my husband, if I never see you again." The train runs late, and collides
   with a local (?). The rest of the song amplifies the repeated line, "So
   many have lost their lives"
AUTHOR: unknown
EARLIEST DATE: 1929 (Durham Morning Herald)
KEYWORDS: train wreck death disaster
HISTORICAL REFERENCES: July 27, 1911 - The Hamlet Wreck
FOUND IN: US(SE)
REFERENCES (1 citation):
BrownII 290, "The Hamlet Wreck" (1 text)
Roud #6634
NOTES: The notes in Brown say that the passenger train involved in this
   wreck was a special carrying some 900 members of St. Joseph's African
   Methodist Episcopal Church on an annual outing (from Durham to
   Charlotte). The collision occurred near the town of Hamlet, and at least
   8 people killed and 88 injured.
The piece apparently was first printed as a broadside credited to Franklin
   Williams and William Firkins, but Brown left a note expressing strong
   doubts about the attribution. I must say, though, it looks like a
   composed song to me -- and not one which circulated much in oral
   tradition. Had it been created orally, there would have been more
   personal stories included. - RBW
File: BrII290--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Speaking of George III
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:32:45 -0500
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Au contraire,
I thought Tony Blair was intent on making the UK the 50-somethingth state.
SteveG

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Subject: [[unmask]: Re: A Trickster Tale]
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 12:37:46 -0800
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----- Forwarded message from Cal Lani Lani Herrmann <[unmask]> -----Date: Thu, 4 Nov 2004 12:18:22 -0800
From: Cal Lani Lani Herrmann <[unmask]>
To: [unmask]
Subject: Re: A Trickster TaleHi Ed,
Seems to me there were several similar stories floating
around the 'net a while ago.  One was about a father
who needed his woodpile chopped for the winter, another
where the task was again spring plowing.  In both these
situations the solution was a letter about where the
'stash' was, and the gummint agency was the DEA.  Would
you consider this a trickster tale or an urban legend?
        ....I'm still working on my booklist, a work in progress.
Trouble is I keep adding things, and I am a pack rat
in extremis...  Hope you had a happy Hallowe'en at least.
-- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360----- End forwarded message -----

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Subject: Re: [[unmask]: Re: A Trickster Tale]
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:44:56 -0500
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WEll, I first heard it from Myron Cohen (about a series of letters
between a deported mafiosi and his mother, with the FBI doing the
digging.) in the middle 50s.dick greenhausCal Lani Lani Herrmann wrote:>----- Forwarded message from Cal Lani Lani Herrmann <[unmask]> -----
>
>Date: Thu, 4 Nov 2004 12:18:22 -0800
>From: Cal Lani Lani Herrmann <[unmask]>
>To: [unmask]
>Subject: Re: A Trickster Tale
>
>Hi Ed,
>Seems to me there were several similar stories floating
>around the 'net a while ago.  One was about a father
>who needed his woodpile chopped for the winter, another
>where the task was again spring plowing.  In both these
>situations the solution was a letter about where the
>'stash' was, and the gummint agency was the DEA.  Would
>you consider this a trickster tale or an urban legend?
>        ....I'm still working on my booklist, a work in progress.
>Trouble is I keep adding things, and I am a pack rat
>in extremis...  Hope you had a happy Hallowe'en at least.
>-- Aloha, Lani
>
><||> Lani Herrmann * [unmask] (or: [unmask])
><||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
>
>----- End forwarded message -----
>
>
>
>
>
>

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Subject: Re: Engineer Rigg
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:10:51 -0600
Content-Type:text/plain
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----- Original Message -----
From: "John Garst" <[unmask]><<Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,
But to pull off his overalls and put on his pants,
And get ready to dump them niggers in the Western Branch.The fireman looked him square in the face,
As if he wanted a moment of grace.
The fireman said just as quick as could be,
To stop that train and make me life free.The drawbridge was open when they rounded the bend,
And to have stopped that train, oh! an awful sin,
So he let her go with still more steam,
Till all but two cars went down in the stream.They pulled niggers out of there for six long days,
And sent them home to be put in their graves.
Oh! sad it was for the women to see,
That their only nigger was just as dead a could be.White includes this in American Negro Folk Songs, but the perspective
of the text leads me to wonder.  I suppose that blacks could have
referred to members of their race as "them niggers," but I'm
suspicious.What do you think?>>I think it's possible; there are other songs, known to be from black
tradition, where "nigger" means, essentially, "person". In this case,
though, my gut feeling is that the origin is white minstrel. No evidence,
you understand, but a gut feeling, which you can and should discount.Peace,
Paul

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Subject: Re: [[unmask]: Re: A Trickster Tale]
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:15:48 -0600
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----- Original Message -----
From: "dick greenhaus" <[unmask]><<WEll, I first heard it from Myron Cohen (about a series of letters
between a deported mafiosi and his mother, with the FBI doing the
digging.) in the middle 50s.>>I've heard it from a northern English folk-revivalist about a Scots
bank-robber.Peace,
Pauldick greenhausCal Lani Lani Herrmann wrote:>----- Forwarded message from Cal Lani Lani Herrmann
<[unmask]> -----
>
>Date: Thu, 4 Nov 2004 12:18:22 -0800
>From: Cal Lani Lani Herrmann <[unmask]>
>To: [unmask]
>Subject: Re: A Trickster Tale
>
>Hi Ed,
>Seems to me there were several similar stories floating
>around the 'net a while ago.  One was about a father
>who needed his woodpile chopped for the winter, another
>where the task was again spring plowing.  In both these
>situations the solution was a letter about where the
>'stash' was, and the gummint agency was the DEA.  Would
>you consider this a trickster tale or an urban legend?
>        ....I'm still working on my booklist, a work in progress.
>Trouble is I keep adding things, and I am a pack rat
>in extremis...  Hope you had a happy Hallowe'en at least.
>-- Aloha, Lani
>
><||> Lani Herrmann * [unmask] (or: [unmask])
><||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
>
>----- End forwarded message -----
>
>
>
>
>
>

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Subject: Re: My order
From: Kathy Kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 16:01:38 -0600
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I'm afraid I have competely forgotten about this--something not that
uncommon anymore, sadly.  What is ESPB?  And since I run a PC machine, I'm
not likely to have Mac items.  Sorry to have to ask you to elaborate.Dave Gardner----- Original Message -----
From: "Mike Luster" <[unmask]>
To: <[unmask]>
Sent: Thursday, November 04, 2004 7:44 AM
Subject: Re: My order> David,
>
> Any news on my electronic ESPB for Mac? Its been over a year now.....
>
> Mike Luster
> 611 A Roselawn Ave
> Monroe, LA  71201

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Subject: Ebay List - 11/04/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 22:53:56 -0500
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Hi!        Amid the falling leaves, I have found the following on Ebay.        SONGSTERS        3758971258 - 2 Mutt & Jeff Songsters, 1911 & 1913, $9.99 (ends
Nov-07-04 19:14:11 PST)        6934314146 - The Rough and Ready Songster, 1848, $36 (ends
Nov-07-04 19:15:00 PST)        MISCELLANEOUS        4500051321 - JOURNAL OF THE IRISH FOLK SONG SOCIETY, Vol. VI, 1908,
$15 (ends Nov-05-04 08:00:27 PST)        4048887462 - Bury Me beneath the Willow: A Treasury of Southern
Mountain Folk Songs and Ballads, LP, $5 (ends Nov-08-04 14:35:08 PST)        4049454521 - Authentic Cowboys and Their Western Folksongs, LP,
1964, $4.99 (end Nov-10-04 20:49:37 PST)        SONGBOOKS        3758614208 - AUTHENTIC AUSTRALIAN BUSH BALLADS by Meredith & Scott,
1960, $5 (ends Nov-06-04 10:19:29 PST)        4500332869 - Maritime Folk Songs by Creighton, 1961, $3.99 (ends
Nov-06-04 15:54:34 PST)        3758858750 - Great Western Folk Songs and Ballads, 1964, $4.99
(ends Nov-07-04 11:58:26 PST)        4500527183 - English Folk Song - Some Conclusions by Sharp, 1965,
8.85 GBP (ends Nov-07-04 14:01:35 PST)        2497131872 - WHERE IS SAINT GEORGE? by Stewart, 1977, 4.99 GBP
(ends Nov-07-04 14:27:25 PST)        6934382063 - Songs and Ballads from Nova Scotia by Creighton, 1966
Dover edition, $9.99 (ends Nov-07-04 16:41:18 PST)        6934401644 - Scottish Chapbook Literature by Harvey, 1971 reprint,
$9.95 (ends Nov-07-04 19:39:29 PST)        6336890010 - Poverty Knock by Palmer, 1980 edition, $18 (ends
Nov-08-04 02:48:08 PST)        4500178143 - Cecil Sharp's Collection of English Folk Sings by
Karpeles, volume 2, 1974, $51.50 (ends Nov-08-04 17:57:18 PST)        4500824658 - Only A Miner by Green, 1972, $24.99 (ends Nov-08-04
18:05:19 PST)        4500249532 - Discovering English Folksong by Pollard, 1980, 1.99
GBP (ends Nov-09-04 07:53:55 PST)        6934559795 - THE LEGENDARY BALLADS OF ENGLAND AND SCOTLAND by
Roberts, 1879, $20 (ends Nov-09-04 08:42:08 PST)        6934597909 - OLD ENGLISH BALLADS by Gummere, 1897, $2 (ends
Nov-09-04 13:45:32 PST)        6934565095 - WHITE SPIRITUALS IN THE SOUTHERN UPLANDS by Jackson,
1964, $49.95 (end Nov-09-04 19:00:00 PST)        4501576140 - WIT AND MIRTH, OR PILLS TO PURGE MELANCHOLY by D'Urfey,
facisimile of 1876 edition, $125 (ends Nov-11-04 10:40:58 PST)        6934522293 - Minstrelsy of the Scottish Border, volume 3, $29.99
AU (ends Nov-11-04 20:52:43 PST)        6934587735 - THE SEVEN SEAS SHANTY BOOK by Sampson, 1926, 3.55
GBP (ends Nov-12-04 12:18:56 PST)        3759377639 - Songs of the Midlands by Palmer, 1972, 7.50 GBP (ends
Nov-12-04 14:55:56 PST)        4501483777 - Songs SUNG in SUFFOLK by Howson, 1992, 2.70 GBP (ends
Nov-14-04 04:25:38 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Pirated Edition?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 21:10:59 -0800
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Folks:Dolores Nichols has posted this entry in her weekly scavenging of ebay:4501576140 - WIT AND MIRTH, OR PILLS TO PURGE MELANCHOLY by D'Urfey,
facisimile of 1876 edition, $125 (ends Nov-11-04 10:40:58 PST)This would appear to be a ripoff of Kenneth S. Goldstein's Folklore Library reprint of the D'Urfey.  The dead giveaway is the introduction by Cyril Day.A shabby business this.Ed

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Subject: Re: James Rodgers/Charles Guiteau
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 10:18:56 -0500
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I'm not sure anyone actually answered Jack's question.  There's Manfred's
site http://www.fortunecity.com/tinpan/parton/2/guit1.html with all the
texts requested.  Max Hunter has three field recordings of the standard
'My name is Charles Guiteau' text/tune at
http://www.fortunecity.com/tinpan/parton/2/guit1.html.  The slower ones
are the pace I've generally heard it.On Thu, 4 Nov 2004 13:04:35 -0500, Roy Berkeley wrote:>If there *is* a song about Czolgocz (the man who murdered McKinley, by the
>way -- Guiteau shot Garfield) I'd love to hear or see it --  just to see
>what rhymes with Czolgocz...McKinley's shot by bad Czolgosz
And all the folk said, "Oh my gosh!"(I think his family was Russian, not Czeck, but I've always thought it
_should_ be 'tcholgosh.'  In folkdom it seem more likely to be as Kolgosh
& that's what counts, of course.)On Thu, 4 Nov 2004 10:54:17 EST, Fred McCormick wrote:
>
>Mister Garfield is  on the
>Library of Congress LP, Songs and Ballads of American History and of the
>Assassination of Presidents, which I mentioned this morning. It's sung  by Bascom Lamar Lunsford.One I missed.  I'll order it today.  (I like my red ones best.  Sentimetal
value.  I wonder why they stopped making them in red?)Gee!  It's available on CD.  What an odd way to buy records!  I hope it's
not lonely not being on my shelf with all its LP friends.
----- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: A Trickster Tale
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 10:27:01 -0500
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On Thu, 4 Nov 2004 12:20:03 -0500, Beth Brooks wrote:>Thanks for the chuckle. I guess it could be worse!
>Ada Prill wrote:"Be of good cheer. This, too, shall pass. I've had kidney stones, so I
know whereof I speak."--- Lee Hays, November 1980-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 14:24:32 -0500
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Engineer Rigg ("Local title" - N. I. White, 1928)Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,
But to pull off his overalls and put on his pants,
And get ready to dump them niggers in the Western Branch.The fireman looked him square in the face,
As if he wanted a moment of grace.
The fireman said just as quick as could be,
To stop that train and make me life free.The drawbridge was open when they rounded the bend,
And to have stopped that train, oh! an awful sin,
So he let her go with still more steam,
Till all but two cars went down in the stream.They pulled niggers out of there for six long days,
And sent them home to be put in their graves.
Oh! sad it was for the women to see,
That their only nigger was just as dead a could be.Much of this is disturbing to me.Why is the title "Engineer Rigg" when the song is about an accident
that Engineer D. L. Reig(s) *survived* but the fireman and 14 African
American passengers were killed?Why the focus on "Rigg" when he was not a victim of the accident?Is the first half of the song sarcasm?Is the point that "Rigg" was *not* a "good engineer"?  (I think this
to be the case with some versions of "Casey Jones.")Is "while" in the third verse a corruption of "white," use here in
the sense of "good," as in the expression, "That's mighty white of
you"?  (At this time, I don't know the fireman's race, but I've been
told that many firemen on the ACL at that time were black.  There
were white firemen, though - Casey Jones was a fireman for a while.)What is the significance of the instructions to the fireman, to "pull
off his overalls and put on his pants"?Why are they getting "ready to dump them niggers in the Western
Branch"?  Things like this happen too quickly, I think, for such
deliberation.Should "life" in verse 2 read "live"?What is the "awful sin" in verse 3?  It appears to be "To have
stopped that train"!  Is this more sarcasm?Is the implication in the third verse that "Rigg" actually sped up
when he saw that he was bound to run into the river?Why would a sane person do that?Why would someone accuse the engineer of doing that?Why were men on the excursion without their wives/women?Only the last verse here is tragic, and even that one uses "nigger" freely.John
--
john garst    [unmask]

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Subject: Re: Engineer Rigg
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 13:39:40 -0600
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----- Original Message -----
From: "John Garst" <[unmask]><<Much of this is disturbing to me.Why is the title "Engineer Rigg" when the song is about an accident
that Engineer D. L. Reig(s) *survived* but the fireman and 14 African
American passengers were killed?Why the focus on "Rigg" when he was not a victim of the accident?Is the first half of the song sarcasm?Is the point that "Rigg" was *not* a "good engineer"?  (I think this
to be the case with some versions of "Casey Jones.")Is "while" in the third verse a corruption of "white," use here in
the sense of "good," as in the expression, "That's mighty white of
you"?  (At this time, I don't know the fireman's race, but I've been
told that many firemen on the ACL at that time were black.  There
were white firemen, though - Casey Jones was a fireman for a while.)>>Where's "while" in the third verse? In the version you printed, I didn't see
it.<<What is the significance of the instructions to the fireman, to "pull
off his overalls and put on his pants"?Why are they getting "ready to dump them niggers in the Western
Branch"?  Things like this happen too quickly, I think, for such
deliberation.Should "life" in verse 2 read "live"?What is the "awful sin" in verse 3?  It appears to be "To have
stopped that train"!  Is this more sarcasm?Is the implication in the third verse that "Rigg" actually sped up
when he saw that he was bound to run into the river?Why would a sane person do that?Why would someone accuse the engineer of doing that?Why were men on the excursion without their wives/women?>>If they were members of a fraternal society, that wouldn't be unlikely at
all.<<Only the last verse here is tragic, and even that one uses "nigger"
freely.>>As I said in an earlier post, at least sometimes, to black folks, "nigger"
meant "person". In the last verse that rings true to my ear, although it
doesn't in the earlier verses.Some of the oddness of this song may come from its being a rewrite of a
"Joseph Mica"-family song. Some images that don't make sense may have leaked
over from the old version.Peace,
Paul

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 14:49:45 -0500
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>>Is "while" in the third verse a corruption of "white," use here in
>>the sense of "good," as in the expression, "That's mighty white of
>>you"?  (At this time, I don't know the fireman's race, but I've been
>>told that many firemen on the ACL at that time were black.  There
>>were white firemen, though - Casey Jones was a fireman for a while.)>>
>
>Where's "while" in the third verse? In the version you printed, I didn't see
>it.My error - should have read "first" verse.Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,>>Why were men on the excursion without their wives/women?>>
>
>If they were members of a fraternal society, that wouldn't be unlikely at
>all.Good point, and one that it might be possible to check out.  It also
occurs to me that children could have been a problem and the women
might have stayed home with them.  Perhaps it would have been
financially prohibitive to take the whole family.>>Only the last verse here is tragic, and even that one uses "nigger"
>>freely.
>
>As I said in an earlier post, at least sometimes, to black folks, "nigger"
>meant "person". In the last verse that rings true to my ear, although it
>doesn't in the earlier verses.Also my sense.>Some of the oddness of this song may come from its being a rewrite of a
>"Joseph Mica"-family song. Some images that don't make sense may have leaked
>over from the old version.If so, we need to find those images in other songs.>Peace,
>PaulJohn--
john garst    [unmask]

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Subject: Re: Engineer Rigg
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 19:05:22 -0500
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Railroad firemen were usually Black -- it was a difficult, uncomfortable and
frequently dangerous job -- until the job was unionized -- at which point
Blacks were excluded from the job.  The dirty little truth is that the
unions were white-supremacist for the most part. Certainly, the older AFL
unions were internally democratic, but were appallingly racist.  When I
worked at the NYPost (1959-60) this was my observation.  The Typographers'
Union illustrated this point.  Lilly-White, all male, *very* prosperous (I
was Education Director for the union for a while, and the big problem was
getting the members to attend meetings, let alone my sessions on labor
history -- they'd gladly pay the steep fines for missing meetings, to spend
time on their boats) and absolutely democratic.  There were two parties
within the union and each published its own newspaper. The locals were
called "chapels" and there was a strong odor of Masonry/religiosity to the
whole thing. The skill of operating a Merganthaler Linotype machine was a
closely-held thing (the keyboard was *not* like a conventional typewriter
keyboard) and there was a strong tradition of father-to-son-to-grandson.  I
suppose what killed the thing was a combination of the change in technology
which bypassed the old composing room culture of newspapers and the
startling idea that people should have access to jobs based on their
individual skills and motivations.
Anyway -- the point of this rant is that unionization was not an unalloyed
Good Thing.  And that technological progress bypasses the
racism/sexism/ethnicism thing every time...
----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Friday, November 05, 2004 2:24 PM
Subject: Re: Engineer Rigg> Engineer Rigg ("Local title" - N. I. White, 1928)
>
> Engineer Rigg was a good engineer,
> He told his fireman 't was not while to fear,
> But to pull off his overalls and put on his pants,
> And get ready to dump them niggers in the Western Branch.
>
> The fireman looked him square in the face,
> As if he wanted a moment of grace.
> The fireman said just as quick as could be,
> To stop that train and make me life free.
>
> The drawbridge was open when they rounded the bend,
> And to have stopped that train, oh! an awful sin,
> So he let her go with still more steam,
> Till all but two cars went down in the stream.
>
> They pulled niggers out of there for six long days,
> And sent them home to be put in their graves.
> Oh! sad it was for the women to see,
> That their only nigger was just as dead a could be.
>
>
> Much of this is disturbing to me.
>
> Why is the title "Engineer Rigg" when the song is about an accident
> that Engineer D. L. Reig(s) *survived* but the fireman and 14 African
> American passengers were killed?
>
> Why the focus on "Rigg" when he was not a victim of the accident?
>
> Is the first half of the song sarcasm?
>
> Is the point that "Rigg" was *not* a "good engineer"?  (I think this
> to be the case with some versions of "Casey Jones.")
>
> Is "while" in the third verse a corruption of "white," use here in
> the sense of "good," as in the expression, "That's mighty white of
> you"?  (At this time, I don't know the fireman's race, but I've been
> told that many firemen on the ACL at that time were black.  There
> were white firemen, though - Casey Jones was a fireman for a while.)
>
> What is the significance of the instructions to the fireman, to "pull
> off his overalls and put on his pants"?
>
> Why are they getting "ready to dump them niggers in the Western
> Branch"?  Things like this happen too quickly, I think, for such
> deliberation.
>
> Should "life" in verse 2 read "live"?
>
> What is the "awful sin" in verse 3?  It appears to be "To have
> stopped that train"!  Is this more sarcasm?
>
> Is the implication in the third verse that "Rigg" actually sped up
> when he saw that he was bound to run into the river?
>
> Why would a sane person do that?
>
> Why would someone accuse the engineer of doing that?
>
> Why were men on the excursion without their wives/women?
>
> Only the last verse here is tragic, and even that one uses "nigger"
> freely.
>
>
> John
> --
> john garst    [unmask]

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Subject: Joseph Mica
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 20:24:19 -0500
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OK, I will "raise my hand" on this reference to a Joseph Mica Family song.Is anyone willing to expound? Point to where this reference is from or who has them. What part of the country? Is is a series of songs?  This good ole southern boy has never heard, which doesn't surprise me a great deal.ThanksSammy Rich

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Subject: Re: Joseph Mica
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 19:31:10 -0600
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On 11/5/04, Sammy Rich wrote:>OK, I will "raise my hand" on this reference to a Joseph Mica Family song.
>
>Is anyone willing to expound? Point to where this reference is from or who has them. What part of the country? Is is a series of songs?  This good ole southern boy has never heard, which doesn't surprise me a great deal.It's an *extremely* confusing point, which Laws, for once, probably
made worse. In simplest terms, it's Casey Jones, only all messed up.To quote the Ballad Index entry:NAME: Joseph Mica (Mikel) (The Wreck of the Six-Wheel Driver) (Been on the
   Choly So Long) [Laws I16]
DESCRIPTION: Engineer Joseph Mikel is determined to remain on schedule. As a
   result, he runs too fast to avoid a collision with another train. The
   result was disastrous: "Some were crippled and some were lame, But the
   six-wheel driver had to bear the blame"
AUTHOR: unknown
EARLIEST DATE: 1934
KEYWORDS: train wreck disaster crash
FOUND IN: US(So)
REFERENCES (10 citations):
Laws I16, "Joseph Mica (Mikel) (The Wreck of the Six-Wheel Driver) (Been on
   the Choly So Long) [Laws I16]"
Friedman, p. 317, "Joseph Mica" (1 text)
Sandburg, pp. 364-365, "Jay Gould's Daughter and On the Charlie So Long" (2
   texts, 1 tune); 368-369, "Mama, Have You Heard the News" (1 text, 1
   tune)
Lomax-ABFS, pp. 36-42, "Casey Jones," "The Wreck of the Six Wheel Driver,"
   "Ol' John Brown," "Charley Snyder" (5 texts, 1 tune)
Asch/Dunson/Raim, p. 64, "Kassie Jones" (1 text, 1 tune)
Arnett, pp. 114-115, "Jay Gould's Daughter" (1 text, 1 tune)
Botkin-RailFolklr, p. 456, "Been on the Cholly So Long" (1 text, 1 tune)
Darling-NAS, pp. 209-213, "Casey Jones"; "Casey Jones"; "Kassie Jones" (3
   text, with the first two belonging here and the third being the full
   "Kassie Jones" text of Furry Lewis)
Silber-FSWB, p. 103 "Jay Gould's Daughter" (1 text)
DT 791, JOEMICA JGOULD1
Roud #3247
RECORDINGS:
Furry Lewis, "Kassie Jones, Parts 1 & 2" (Victor 21664A&B, 1928; on AAFM1;
   Part 1 is on BefBlues3)
Roy Harvey & the North Carolina Ramblers, "Milwaukee Blues" (Supertone 2626,
   early 1930s)
New Lost City Ramblers, "Milwaukee Blues" (on NLCREP1)
Charlie Poole and the North Carolina Ramblers, "Milwaukee Blues" (Columbia
   15688-D, 1931, rec. 1930; on CPoole03, GoingDown)
Pete Seeger, "Jay Gould's Daughter" (on PeteSeeger16)
CROSS-REFERENCES:
cf. "Casey Jones (I)" [Laws G1] (plot)
cf. "Ben Dewberry's Final Run" (lyrics)
cf. "Little John Henry"
cf. "On the Road Again" (floating verses)
cf. "Crow Wing Drive" (lyrics)
NOTES: Laws says of this piece, "I have included 'Joseph Mica' not so much
   to establish its identity as a distinct ballad [as opposed to being a
   relative of 'Casey Jones'] as to emphasize the extreme instability and
   confusion which are characteristic of Negro balladry."
To put this in simpler terms, Laws has broken "Casey Jones" up into two
   ballads. The full forms are filed with G1; the fragments file here. How
   one establishes the dividing line is not clear; the "hero" of "Joseph
   Mica" may well be Casey Jones.
To make matters worse, Laws has garbled the entry and the information about
   Lomax and Sandburg. I did the best I could, but one should check "Casey
   Jones (I)" for additional versions.
To top it all off, Laws distinguishes "Jay Gould's Daughter" as a separate
   song (dI25), but ALSO files it here; given the things Laws files under
   "Joseph Mica" and their fragmentary state, I consider his distinction
   hopeless, or at least incomprehensible, and file those texts here. - RBW
I don't think it's hopeless at all to separate out "Jay Gould's
   Daughter/Milwaukee Blues" from "Joseph Mica". If it has a wreck in it,
   it's Mica; if it doesn't, it's Gould. - PJS
It should be noted that Furry Lewis' "Kassie Jones" is a fragmentary
   stream-of-consciousness incorporating a single verse from "Casey Jones"
   and many floating verses, including a couple from "On the Road Again."
   (Which is why I filed it here - RBW.) - PJS
Note: I *still* think we should split off, "Jay Gould's Daughter" from the
   other songs. - PJS
File: LI16
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Engineer Rigg
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 17:35:56 -0800
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Folks:Roy's comments square with my experience in newsrooms and backshops.  All-white,  generational, fiercely protective of prerogatives.  The same was true for most of the other AFL  (craft) unions.  It was the CIO, particularly the Autoworkers, and the United Mine Workers , under the Reuther brothers and John L. Lewis, respectively, who first incorporated blacks on an equal footing.Ed----- Original Message -----
From: Roy Berkeley <[unmask]>
Date: Friday, November 5, 2004 4:05 pm
Subject: Re: Engineer Rigg> Railroad firemen were usually Black -- it was a difficult,
> uncomfortable and
> frequently dangerous job -- until the job was unionized -- at which
> pointBlacks were excluded from the job.  The dirty little truth is
> that the
> unions were white-supremacist for the most part. Certainly, the
> older AFL
> unions were internally democratic, but were appallingly racist.
> When I
> worked at the NYPost (1959-60) this was my observation.  The
> Typographers'Union illustrated this point.  Lilly-White, all male,
> *very* prosperous (I
> was Education Director for the union for a while, and the big
> problem was
> getting the members to attend meetings, let alone my sessions on labor
> history -- they'd gladly pay the steep fines for missing meetings,
> to spend
> time on their boats) and absolutely democratic.  There were two
> partieswithin the union and each published its own newspaper. The
> locals were
> called "chapels" and there was a strong odor of Masonry/religiosity
> to the
> whole thing. The skill of operating a Merganthaler Linotype machine
> was a
> closely-held thing (the keyboard was *not* like a conventional
> typewriterkeyboard) and there was a strong tradition of father-to-
> son-to-grandson.  I
> suppose what killed the thing was a combination of the change in
> technologywhich bypassed the old composing room culture of
> newspapers and the
> startling idea that people should have access to jobs based on their
> individual skills and motivations.
> Anyway -- the point of this rant is that unionization was not an
> unalloyedGood Thing.  And that technological progress bypasses the
> racism/sexism/ethnicism thing every time...
> ----- Original Message -----
> From: "John Garst" <[unmask]>
> To: <[unmask]>
> Sent: Friday, November 05, 2004 2:24 PM
> Subject: Re: Engineer Rigg
>
>
> > Engineer Rigg ("Local title" - N. I. White, 1928)
> >
> > Engineer Rigg was a good engineer,
> > He told his fireman 't was not while to fear,
> > But to pull off his overalls and put on his pants,
> > And get ready to dump them niggers in the Western Branch.
> >
> > The fireman looked him square in the face,
> > As if he wanted a moment of grace.
> > The fireman said just as quick as could be,
> > To stop that train and make me life free.
> >
> > The drawbridge was open when they rounded the bend,
> > And to have stopped that train, oh! an awful sin,
> > So he let her go with still more steam,
> > Till all but two cars went down in the stream.
> >
> > They pulled niggers out of there for six long days,
> > And sent them home to be put in their graves.
> > Oh! sad it was for the women to see,
> > That their only nigger was just as dead a could be.
> >
> >
> > Much of this is disturbing to me.
> >
> > Why is the title "Engineer Rigg" when the song is about an accident
> > that Engineer D. L. Reig(s) *survived* but the fireman and 14
> African> American passengers were killed?
> >
> > Why the focus on "Rigg" when he was not a victim of the accident?
> >
> > Is the first half of the song sarcasm?
> >
> > Is the point that "Rigg" was *not* a "good engineer"?  (I think this
> > to be the case with some versions of "Casey Jones.")
> >
> > Is "while" in the third verse a corruption of "white," use here in
> > the sense of "good," as in the expression, "That's mighty white of
> > you"?  (At this time, I don't know the fireman's race, but I've been
> > told that many firemen on the ACL at that time were black.  There
> > were white firemen, though - Casey Jones was a fireman for a while.)
> >
> > What is the significance of the instructions to the fireman, to
> "pull> off his overalls and put on his pants"?
> >
> > Why are they getting "ready to dump them niggers in the Western
> > Branch"?  Things like this happen too quickly, I think, for such
> > deliberation.
> >
> > Should "life" in verse 2 read "live"?
> >
> > What is the "awful sin" in verse 3?  It appears to be "To have
> > stopped that train"!  Is this more sarcasm?
> >
> > Is the implication in the third verse that "Rigg" actually sped up
> > when he saw that he was bound to run into the river?
> >
> > Why would a sane person do that?
> >
> > Why would someone accuse the engineer of doing that?
> >
> > Why were men on the excursion without their wives/women?
> >
> > Only the last verse here is tragic, and even that one uses "nigger"
> > freely.
> >
> >
> > John
> > --
> > john garst    [unmask]
>

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Subject: Re: James Rodgers/Charles Guiteau
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 20:40:33 -0600
Content-Type:text/plain
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For the record Country Music Sources references another recording not
mentioned belowWilmer Watts, "Charles Guiteaw" (Paramount 3232)>NAME: Charles Guiteau [Laws E11]
>DESCRIPTION: Charles Guiteau, having assassinated President Garfield, is
>   unable to escape the law. His insanity defense is rejected, and he is
>   sentenced to die.
>AUTHOR: unknown
>EARLIEST DATE: 1907 (Belden)
>KEYWORDS: murder execution gallows-confession madness
>HISTORICAL REFERENCES: July 2, 1881 - James A. Garfield is shot by Charles
>   Guiteau, who thought Garfield owed him a patronage job. Garfield had been
>   president for less than four months
>Sept 19, 1881 - Death of Garfield
>June 30, 1882 - Hanging of Charles Guiteau
>FOUND IN: US(Ap,MW,So,SE)
>REFERENCES (18 citations):
>Laws E11, "Charles Guiteau"
>Belden, pp. 412-413, "Charles Guiteau" (1 text)
>Randolph 134, "Charles Guiteau" (2 texts plus 3 excerpts or fragments, 3
>   tunes)
>Eddy 128, "Charles Guiteau, or, The Murder of James A. Garfield" (1 text)
>BrownII 249, "Charles Guiteau" (4 texts, 3 fragments, plus 1 excerpt and
>   mention of 3 more)
>Chappell-FSRA 111, "Charles Guiteau" (1 fragment, 1 tune)
>Hudson 101, pp. 238-239, "Charles Guiteau" (1 text plus mention of 3 more)
>Friedman, p. 230, "Charles Guiteau" (1 text)
>McNeil-SFB1, pp. 56-59, "Charles Guiteau" (2 texts, 2 tunes)
>Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
>Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
>   transcription of the earliest recorded version by Kelley Harrell -- but
>   in fact the text has been slightly modified)
>
>Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
>Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
>   transcription of the earliest recorded version by Kelley Harrell -- but
>   in fact the text has been slightly modified)
>LPound-ABS, 65, pp. 146-148, "Charles Guiteau or James A. Garfield" (1 text,
>   joined with "The Murder of F. C. Benwell")
>Burt, pp. 226-227, "(Charles Guiteau)" (1 text plus a fragment, 1 tune)
>Darling-NAS, pp. 192-193, "Charles Guiteau" (1 text plus a fragment of
>   "James Rodgers")
>Asch/Dunson/Raim, p. 48 "Charles Giteau" (sic) (1 text, 1 tune)
>Silber-FSWB, p. 290, "Charles Guiteau" (1 text)
>DT 623, CGUITEAU*
>cf. Gardner/Chickering, p. 478, "Charles Guitea" (source notes only)
>Roud #444
>RECORDINGS:
>Loman D. Cansler, "Charles Guiteau" (on Cansler1)
>Kelly Harrell, "Charles Giteau" (Victor 20797B, 1927; on KHarrell02, AAFM1)
>Roscoe Holcomb, "Charles Guitau" [instrumental version] (on Holcomb1)
>CROSS-REFERENCES:
>cf. "Gustave Ohr" (meter)
>cf. "George Mann" (meter)
>cf. "Ewing Brooks" [Laws E12] (tune & meter)
>cf. "The Fair at Turloughmore" (floating lyrics)
>cf. "The Murder of F. C. Benwell" [Laws E26] (tune & meter)
>cf. "Big Jimmie Drummond" (lyrics)
>cf. "Mister Garfield" (subject)
>NOTES: The song probably derives from "The Lamentation of James Rodgers"
>   (executed Nov. 12, 1858) or one of its kin (e.g. "My Name it is John T.
>   Williams") - PJS, RBW
>File: LE11
>

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Subject: Re: BALLAD-L Digest - 4 Nov 2004 to 5 Nov 2004 - Special issue (#2004-176)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 22:48:51 -0500
Content-Type:text/plain
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text/plain(92 lines)


    Automatic digest processor <[unmask]>, in the
person of Abby Sale, writes:> On Thu, 4 Nov 2004 13:04:35 -0500, Roy Berkeley wrote:
>
> >If there *is* a song about Czolgocz (the man who murdered McKinley,
> >by the way -- Guiteau shot Garfield) I'd love to hear or see it --
> >just to see what rhymes with Czolgocz...
>
> McKinley's shot by bad Czolgosz
> And all the folk said, "Oh my gosh!"In "Mister MacKinley [_sic_]", collected by Alan Lomax & in his _Folk
Songs of North America_ (No. 143), no rhyme is attempted:  The pistol fires, MacKinley falls.
  Doc says, `MacKinley, I can't find that ball.'
  In Buffalo, in Buffalo.  Zolgotz, Zolgotz, you done him wrong,
  Shot po' MacKinley when he was walking along
  In Buffalo, in Buffalo.That is the last & only mention of the assassin in the song.> (I think his family was Russian, not Czeck, but I've always thought
> it _should_ be 'tcholgosh.'  In folkdom it seem more likely to be as
> Kolgosh & that's what counts, of course.)Cz & sz are Polish orthography, not Czech.  Czech would have haceks
(the little upside-down circumflexes) over the c & s, rather than z
afterward.  (The Czech spelling of Czech is Cech, with a hacek over
the first C.)  So your guess at the pronunciation is right, but the
guess of folkdom seems to have been in favor of a z sound rather than
tch or k.  That is easily explained in view of the traditional English
spelling & pronunciation of "czar".Leon Czolgosz's name was in fact Polish.  His parents were Polish
immigrants, and he was born in Detroit.*Roy Berkeley says:> The dirty little truth is that the unions were white-supremacist for
> the most part. Certainly, the older AFL unions were internally
> democratic, but were appallingly racist.  When I worked at the
> NYPost (1959-60) this was my observation.When A. Philip Randolph spoke at an AFL convention, I have heard, most
of the white delegates would go out for a drink or a piss till "that
nigger" was finished.The following appalling reminiscence is in the autobiography
(_Adventures of a Bystander_) of the investment banker & management
consultant Peter F. Drucker.  He was at GM during W.W. II:    While I did my study at GM, Dreystadt [the head of the Cadillac
  division]...bid on the nastiest defense job around, the production
  of a high-precision item....  There was then absolutely no labor
  available in Detroit, let alone highly skilled mechanics....  The
  only labor to be found in Detroit were superannuated Negro
  prostitutes.  To everybody's horror Nick Dreystadt hired 2,000 of
  them.  "But hire their madams too," he said.  "They know how to
  manage the women."  Very few of the women could read and the job
  required following long instructions....  So he went to the
  workbench and himself machined a dozen of the bombsights.  When he
  knew how to do it, he had a movie camera take a film....  Within a
  few weeks these unskilled illiterates were turning out better work
  and in larger quantity than...machinists had done before.
  Throughout GM, and indeed Detroit, Cadillac's "red-light district"
  provoked a good deal of ribald comment.  But Dreystadt quickly
  stopped it.  "These women," he said, "are my fellow workers and
  yours....  They are entitled to the same respect as any one of our
  associates."  The union asked him to promise that the women would
  go as soon as replacements could be found; the Automobile Workers
  Union of those days was led, especially on the local level,
  largely by male white Fundamentalist Southerners, who did not even
  want white women as fellow workers, let along Negro prostitutes.
  Dreystadt knew very well that he would have to lay off most of the
  women after the war when the veterans returned....  But though
  derided as a "nigger-lover" and a "whoremonger," he tried hard to
  get union agreement to save at least a few of the jobs the women
  held.  "...It's our duty to save them from being again rejected
  and despised." When the war came to an end and the women had to be
  discharged, many tried to commit suicide and quite a few
  succeeded.  Nick Dreystadt sat in his office with his head in his
  hands....
--
---  Joe Fineman    [unmask]||:  Human nature is something we are supposed to rise above.  :||

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Subject: A Source for the More Rare Item
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 22:21:41 -0800
Content-Type:text/plain
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Folks:To abuse me of my ignorance, Lani Hermann sent this:Down Home Music is, or was, Chris Strachwitz' record shop and still deals in new
and used recordings, both CDs and LPs, videos, DVDs, and a fair number of currently
in-print books -- they carried Sam Henry when I was peddling the remaindered copies
-- they carry blues, jazz, bluegrass, country, and 'folk' / ethnic material, and cater
to the cogniscenti/collectors in the Bay Area.  I think there are currently three
businesses: the store, Arhoolie Records still run by Strachwitz, and a mail-order
business which was having problems, so I don't know if that is still going or not.
The shop is in El Cerrito, just down the hill a bit from my house;  the highlight
of the year is their semiannual Sale: 20% off everything in the store.  They have
started to have appearances, free, of recording artists in the store, which seem
to please everyone.
I thought you knew about them already!  10341  San Pablo Ave., El Cerrito CA
510-525-2129.  They have a web site, too: www.downhomemusic.com, which repeats a
lot of what I just said and a good deal more.Ed

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Subject: Re: A Source for the More Rare Item
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 07:16:20 -0500
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When I asked about one of Cece Conway's films  of Tommy Jarrel I was sent
upstairs in the back at Down Home Music and bought the tape from Les Blank
Himself. Also bought a t shirt.
Scott Utley
----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Saturday, November 06, 2004 1:21 AM
Subject: A Source for the More Rare Item> Folks:
>
>
> To abuse me of my ignorance, Lani Hermann sent this:
>
>
> Down Home Music is, or was, Chris Strachwitz' record shop and still deals
in new
> and used recordings, both CDs and LPs, videos, DVDs, and a fair number of
currently
> in-print books -- they carried Sam Henry when I was peddling the
remaindered copies
> -- they carry blues, jazz, bluegrass, country, and 'folk' / ethnic
material, and cater
> to the cogniscenti/collectors in the Bay Area.  I think there are
currently three
> businesses: the store, Arhoolie Records still run by Strachwitz, and a
mail-order
> business which was having problems, so I don't know if that is still going
or not.
> The shop is in El Cerrito, just down the hill a bit from my house;  the
highlight
> of the year is their semiannual Sale: 20% off everything in the store.
They have
> started to have appearances, free, of recording artists in the store,
which seem
> to please everyone.
> I thought you knew about them already!  10341  San Pablo Ave., El Cerrito
CA
> 510-525-2129.  They have a web site, too: www.downhomemusic.com, which
repeats a
> lot of what I just said and a good deal more.
>
> Ed
>

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Subject: Re: BALLAD-L Digest - 5 Nov 2004 (#2004-177)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 05:24:43 -0800
Content-Type:text/plain
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In Chicago, many plasterers are Black, and they belong
to the union. At least that's what one man told me
when I asked. He didn't elaborate, but, then, he was
working. Subsequently, I noticed quite a few others
doing this highly skilled work and have always assumed
they were union members-- at least in Chicago.CA> The following appalling reminiscence is in the
> autobiography
> (_Adventures of a Bystander_) of the investment
> banker & management
> consultant Peter F. Drucker.  He was at GM during
> W.W. II:
>

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 21:20:57 -0600
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On 11/5/04, Clifford J OCHELTREE wrote:>For the record Country Music Sources references another recording not
>mentioned below
>
>Wilmer Watts, "Charles Guiteaw" (Paramount 3232)Probably more than that. But we know there is another Garfield
assassination song (it's been mentioned in this thread), and there
may be others (I seem to recall seeing a reference in some history
book to still anothe Garfield song) It's not safe to index such
things without hearing them.If anyone has actually heard the Watts recording, of course, it's
another matter.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 10:05:14 -0500
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>Nora Forbes married (1) Ed Jolley who died August 17, 1905 (Killed
>in excursion train wreck with his brother Walter. His brother Heber
>was only survivor)I mentioned before that this family (Tull and descendants) appears to
have been white.  They trace their ancestry to England and there are
no mentions of "black," "colored," or "African American" in the
document.  "Negroes" occurs only in quotations from wills describing
the disposal of slaves.Even so, the Forbes/Jolley families seemed to have lived around
Greenville, NC, so the train Engineer D. L. Reig ran into the Western
Branch of the Elizabeth River near Norfolk, VA, on August 17, 1905,
is surely the best candidate for the wreck that killed Ed and Walter
Jolley, from which Heber Jolley escaped.These facts conflict, however, with what I know so far of that wreck,
that the cars were filled with blacks.I wonder if the Jolley brothers could have been conductors.  Did
excursion trains have conductors?John

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Subject: Re: James Rodgers/Charles Guiteau
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 11:22:01 -0600
Content-Type:text/plain
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True, but I tend to give a degree of credence to the scholarship of
Meade and Spottswood.Robert B. Waltz wrote:>It's not safe to index such things without hearing them.
>
>If anyone has actually heard the Watts recording, of course, it's
>another matter.
>
>

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 12:15:23 -0600
Content-Type:text/plain
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On 11/6/04, Clifford J OCHELTREE wrote:>True, but I tend to give a degree of credence to the scholarship of
>Meade and Spottswood.Oh. I misunderstood. I thought you were just going by the title.
That changes things. Thanks.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Les Blank
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 06:06:46 -0800
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I am interested in the films of Les Blank, but can't
find them. A search of DHM's site came up. . .blank.
Any information is appreciated.CA ". . .upstairs in the back at Down Home Music and
bought the tape from Les Blank Himself."

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Subject: Re: Racism & class
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 09:12:04 -0500
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    Automatic digest processor <[unmask]>, in the
person of Cliff Abrams, writes:> In Chicago, many plasterers are Black, and they belong to the
> union. At least that's what one man told me when I asked. He didn't
> elaborate, but, then, he was working. Subsequently, I noticed quite
> a few others doing this highly skilled work and have always assumed
> they were union members-- at least in Chicago.> > The following appalling reminiscence is in the autobiography
> > (_Adventures of a Bystander_) of the investment banker &
> > management consultant Peter F. Drucker.  He was at GM during
> > W.W. II:A lot of things have changed in the last 60 years, some of them for
the better.  Halfway to now, the working-class intellectual Harvey
Pekar (_American Splendor_, #1, 1976) recorded the following scrap of
conversation in a discount store in Cleveland:  "Plus da guvermint's puttin' presshure on my union.  We'll prob'ly
  have to start lettin' in sum niggers!"  "Oh, dat's too bad!  I bet you ain't too crazy 'bout dat!"  "Naw, but I don' give dat much of a shit...  I really gits ta sum
  a da ol' guys dough.  One of 'em sez he's gonna quit if dey git
  in..."A snapshot of the transition: mean, but not so mean.  Thank you, Herr
Hitler, for sending us the bourgeois liberals Drucker & Dreystadt, who
were some help.ObBallads:  There must be some songs in all this.
--
---  Joe Fineman    [unmask]||:  Suck, squeeze, bang, blow.        :||
||:  Internal combustion makes it go.  :||

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Subject: Re: Les Blank
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 11:29:32 -0500
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Title page on video:
Flower Films
10341 San Pablo Avenue, El Cerrito CA 94530
(510) 525 0942
www.lesblank.com  email:[unmask]----- Original Message -----
From: "Cliff Abrams" <[unmask]>
To: <[unmask]>
Sent: Sunday, November 07, 2004 9:06 AM
Subject: Les Blank> I am interested in the films of Les Blank, but can't
> find them. A search of DHM's site came up. . .blank.
> Any information is appreciated.
>
> CA
>
>  ". . .upstairs in the back at Down Home Music and
> bought the tape from Les Blank Himself."
>

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Subject: Re: My order
From: David Kleiman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 12:08:19 -0500
Content-Type:text/plain
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Dear Ballad Fellows, We cannot (and will not) normally (some do slip through) answer support and
ordering messages received through public forums.  I don't get to check the
Ballad-L that frequently and the staff do not have Ballad-L accounts.  Also,
I assume that those of you ordering do not want to broadcast your credit
card info to a public list-serve.Please make sure that support and/or ordering queries intended for Heritage
Muse, ESPB Publishing, or me are emailed directly to one of the following:[unmask]
[unmask]
[unmask] Thank you all.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.

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Subject: Re: Les Blank
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 18:15:27 -0600
Content-Type:text/plain
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I know that Tower Records here in New Orleans carries them. You might
try their web site.Cliff Abrams wrote:>I am interested in the films of Les Blank, but can't
>find them. A search of DHM's site came up. . .blank.
>Any information is appreciated.
>
>CA
>
> ". . .upstairs in the back at Down Home Music and
>bought the tape from Les Blank Himself."
>
>
>

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Subject: Re: BALLAD-L Digest - 6 Nov 2004 to 7 Nov 2004 (#2004-179)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 04:46:28 -0800
Content-Type:text/plain
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Thanks to all for Les Blank info.
CA

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Subject: Mullen and Cross??
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 13:54:19 -0600
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Dear Ballad-l:Would anyone on this list know of an Irish
group in the late 50's named Mullen and
Cross?  I need to track down people related
to them to get a copy of their recording of
bawdy Irish songs deposited at the Library of
Congress (see below).Any help will be apprecitated.Sincerely,John Mehlberg
~
      LC Control Number: 2004652055
      Type of Material: Music Sound Recording
      Main Title: Irish folk songs [sound
      recording].
      Published/Created: 1977.
      Related Names: H.V. Greenough
      Collection (Library of Congress)
      Description: 1 sound tape reel :
      analog, 7 1/2 ips, 2 track, mono. ; 10
      in.
      Summary: Informal sessions of chit-chat
      and singing of bawdy folk songs.
      Notes: Preservation tape produced from
      original Greenough acetate tapes in the
      Recording Laboratory of the Library of
      Congress.
      Recorded Nov. 23 and 24, 1953.
      Performed/spoken by: Mullen and Cross.
      Source of Acquisition: Gift of H.V.
      Greenough.
      Subjects: Folk songs.
      LC Classification: LWO 9649, r48A1-B1
      (preservation master)      CALL NUMBER: LWO 9649, reel 48
      (preservation master)
      -- Request in: Recorded Sound Reference
      Center (Madison, LM113)

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Subject: Maud Karpeles photo
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 16:43:25 -0500
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Hi-
Does anyone happen to have (or know where I can get) a reasonable photo
of Maud Karpeles from the 1950s?
Any help would be greatly appreciateddick greenhaus

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Subject: Re: Maud Karpeles photo
From: David Kleiman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 00:08:32 -0500
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Dick,I have at least one photo of Ms. Karpeles in the Heritage Muse collection.
I believe it came from the Library of Congress photo archives. Do you need
this for publication or personal/educational use?Just today, in fact, I also just put my hands on the more well known photo
of Cecil & Maude in the act of collecting in Appalachia.  Sitting on a
source singer's porch, he is jotting down notes and she is transcribing the
words.  This photo (and the work it was taken from) may be in the public
domain by now.  When I get the scan done later this week I'll forward a
copy.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of dick greenhaus
Sent: Monday, November 08, 2004 4:43 PM
To: [unmask]
Subject: Maud Karpeles photoHi-
Does anyone happen to have (or know where I can get) a reasonable photo
of Maud Karpeles from the 1950s?
Any help would be greatly appreciateddick greenhaus

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Subject: Re: Maud Karpeles photo
From: David Atkinson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 08:30:56 -0000
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Please contact the Vaughan Williams Memorial Library; they own most of these
photos of Maud and they are not public domain:
[unmask]----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Monday, November 08, 2004 9:43 PM
Subject: Maud Karpeles photo> Hi-
> Does anyone happen to have (or know where I can get) a reasonable photo
> of Maud Karpeles from the 1950s?
> Any help would be greatly appreciated
>
> dick greenhaus

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Subject: Shaw: Railroad Accidents (American)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 16:23:57 -0500
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I've just checked out from our library the following book, which was
highly recommended to me and, on the basis of some skimming that I've
done, looks to be really excellent.Robert B. Shaw
A History of Railroad Accidents, Safety Precautions, and Operating Practices
Second edition
Printed by Vail-Ballou Press Inc.
1978In looking at the discussion of Casey Jones' wreck, I find details
that I'd not noticed elsewhere, including a blow-by-blow description
of the sawing of trains that preceded the wreck and the rupture of
air hose that resulted in stalling train No. 72 with four cars left
on the main track.  The author, by the way, follows the company line
in placing the blame squarely on Jones, dismissing the conspiracy
theory that the flagman for freight No. 83 had failed to set out
warnings and IC workers orchestrated a cover-up.  This wreck takes up
about three pages of the book.Immediately following it is a one-paragraph discussion of the wreck of Old 97.One of the 44 chapters is entitled "The Open Draw," and in that
chapter the accident of a six-car train carrying a Negro excursion
party at the Western Branch of the Elizabeth River, on the edge of
Norfolk, VA, on the Atlantic Coast Line, August 17, 1905, is
discussed in two paragraphs.The book considers many accidents, perhaps some (other than those
above) that are commemorated in song, but it's main interest is
clearly described in the title.It is fascinating reading.John
--
john garst    [unmask]

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Subject: Hurricanes
From: Judy McCulloh <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 17:19:31 -0600
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Subject: Bawdy broadside ledgerbook scans.
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 10 Nov 2004 15:17:15 -0600
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Dear Ballad-l,I have finished scanning the bawdy broadside
ledgerbook that I own.  It is to be donated
to New York Historical Association.Is there anyone here who would want scans of
the complete ledgerbook or perhaps just the
broadsides?   If yes, I can give you the
ledgerbook (or broadsides) as 600dpi 8bit
greyscale TIFFs on a DVD.I eventually plan on typing out the
broadsides and the handwritten text.  But it
may be a while as I have many other items
which need to be worked on.Dick, one of the broadsides is "Boring for
Oil" with seven stanzas.Sincerely,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts
and recitations website: www.immortalia.com

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Subject: Ebay List - 11/10/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 10 Nov 2004 18:43:17 -0500
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Hi!        When not raking leaves, I found the following on Ebay. :-)        SONGSTERS        6934823268 - Dan Rice's Original Comic and Sentimental Poetic
Effusions, 1859, $67.66 (ends Nov-11-04 08:48:44 PST)        3940252054 - 4 songsters, 1890-1900, $8.99 (ends Nov-11-04
17:42:26 PST)        3759907549 - MAHARA'S BIG MINSTREL CARNIVAL SONGSTER, 1904, $34
(ends Nov-11-04 17:51:17 PST)        2283193401 - Grand Army Songster and Service Book, 1897, $9.95
(ends Nov-12-04 18:23:14 PST)        3940071689 - BARNUM AND LONDON SONGSTER, 18??, $9.99 w/reserve
(ends Nov-14-04 18:01:04 PST)        6935434266 - Howorth's Grand Hibernica Songster, 1879?, $15.50
(ends Nov-15-04 20:24:04 PST)        6935591949 - Hutchinson Family's Book of Words, 1851, $99.99 (ends
Nov-17-04 08:59:58 PST)        MISCELLANEOUS        4502331553 - Word-Lore, The Folk Magazine Volume 1 Issue 1, 1926,
6.50 GBP (ends Nov-14-04 06:16:25 PST)        SONGBOOKS        3759722907 - Strike the Bell by Palmer, 1978, 0.99 GBP (ends
Nov-11-04 06:49:32 PST)        4501863260 - SANG BRANCH SETTLERS: FOLKSONGS AND TALES OF AN EASTERN
KENTUCKY FAMILY by Roberts, 1980, $49.99 (ends Nov-12-04 07:48:42 PST)        6935053671 - Hunting Songs and Ballads by Warburton, 1846, $112.50
(ends Nov-12-04 21:26:59 PST)        6933359838 - The Ballad Book by Allingham, 1865, $19.99 (ends
Nov-13-04 04:22:53 PST)        3760171107 - Lyric Gems of Scotland, 1860, 15 GBP (ends Nov-13-04
06:16:42 PST)        4502138310 - ENGLISH SONG BOOK by Scott, 1926, $9.99 (ends
Nov-13-04 08:12:56 PST)        3760223324 - 3 Kincaid songbooks, 1930-40, $3.99 (ends Nov-13-04
10:56:11 PST)        4502180609 - POPULAR MUSIC OF THE OLDEN TIME by Chappell, volume 2,
1.99 GBP (ends Nov-13-04 11:52:55 PST)        6935147247 - Ballads and Songs From Utah by Hubbard, 1961, $19.99
(ends Nov-13-04 17:36:39 PST)        4502411740 - THE BEST OF HELEN CREIGHTON by Bauchman, 1992, $6
(ends Nov-14-04 11:07:56 PST)        4502434026 - The Edwardian Songbook by Turner & Miall, 1982, 6 GBP
(ends Nov-14-04 12:06:19 PST)        4502454594 - A SONG FOR EVERY SEASON : A Hundred Years of a Sussex
Farming Family by Copper, 1971, 3 GBP (ends Nov-14-04 12:57:40 PST)        6935286689 - Rounds & Rounds by Taylor, 1946, $9.14 (ends
Nov-14-04 15:28:29 PST)        4502552319 - Virginia Piedmont Blues by Pearson, $1.99 (ends
Nov-14-04 17:14:26 PST)        6935436494 - Ned Kelly by Merredith & Scott, 1980, $7.50 AU (ends
Nov-15-04 21:07:19 PST)        6935506597 - Ancient Poems Ballads and Songs Of the Peasantry of
England by Bell, 1857, 4.99 GBP (ends Nov-16-04 13:04:10 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 11/10/04
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 05:00:27 EST
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Subject: New Song Book from English Folk Dance & Song Society
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 09:52:48 -0500
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Subject: FW: New Song Book from English Folk Dance & Song Society
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 14:47:22 -0500
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I would like to order a copy if anyone will be importing them to sell. 
Ronald CohenSubject:        New Song Book from English Folk Dance & Song SocietyFrom: Felicity Greenland <[unmask]> 
To: .PR Folk Song/TSF <[unmask]> 
Sent: Thursday, November 11, 2004 11:04 AM 
Subject: New Song Book from EFDSS From: Felicity Greenland
on behalf of English Folk Dance & Song Society, Cecil Sharp House, 2 Regent1s Park Road, London NW1 7AY 020 7485 2206 [unmask] <[unmask]>PRESS RELEASE 11 Nov 2004New Song Book from English Folk Dance & Song SocietyDear Companion: Appalachian traditional songs and singers from the Cecil Sharp CollectionDear Companion is a collection of fifty-three songs and ballads from Cecil Sharp1s American collection, and celebrates the close links between the musical traditions of Britain and North America. An authoritative introductory essay by collector Mike Yates, together with biographical sketches of the singers and notes on the songs, are copiously illustrated by previously unpublished photographs, extracts from diaries, letters, and biographical writings. Cecil Sharp, a music teacher from south London, is England1s most renowned collector of folk music and dances, noting down nearly five thousand tunes on his travels throughout England and the Appalachian states of North America up until his death in 1924. The previous volume in this series, Still Growing (EFDSS 2003, ?13.50), demonstrated the richness of the song tradition that he found in his native England. But perhaps the most significant part of his vast collection is that assembled during the First World War years in North Carolina, Tennessee, Virginia, West Virginia, and Kentucky. At the instigation of American enthusiast Olive Dame Campbell, he embarked with assistant Maud Karpeles on a truly remarkable journey through America1s southern uplands, to discover a living tradition of songs and ballads, largely of British origin, which had all but died out back home.Dear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection. Compiled and edited by Mike Yates, Elaine Bradtke and Malcolm TaylorPublished by the English Folk Dance & Song Society in association with Sharp1s Folk Club, November 2004. ISBN 0-85418-190-3. [vi], 137pp, illustrated. Softback. ?14.99 plus ?2 p&p (UK)Available late November 2004.Order from:
EFDSS, Cecil Sharp House, 2 Regent1s Park Road, London NW1 7AY
Tel: 020-7485 2206 Fax: 020-7284 0523 email: [unmask] www.efdss.orgSpecial Offer: Buy 'Dear Companion' and 'Still Growing' together for ?25.00 (save ?3.49) + ?2.50 UK p+p Trade terms and overseas postage available on application.
Image available at http://www.efdss.org/news.htm----For further press information please contact: Felicity Greenland
EFDSS Publicity
ENGLISH FOLK DANCE & SONG SOCIETY http://www.efdss.org
Cecil Sharp House, 2 Regent's Park Road , London NW1 7AY
Tel +44 (0)20 7485 2206 Ext 21 Fax +44 (0)20 7284 0534Registered Charity No. 305999
Company registered in England and limited by Guarantee Number 297142MAP: http://www.streetmap.co.uk/streetmap.dll?G2M?X=528446&Y=183756&A=Y&Z=1Your support helps EFDSS preserve and promote the traditional arts
JOIN EFDSS: http://www.efdss.org/members.htmEnglish Folk Dance & Song Society 
The EFDSS is the country's premiere folk music organisation. A national educational charity, it has worked for over 100 years to promote, encourage, document and develop the rich folk traditions within England, co-operating with similar organisations both in Britain and worldwide. 

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Subject: Sharp in America
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 15:05:31 -0800
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Anyone:Is it safe to assume that these 75 songs and ballads in the new book announced today  are all in Sharp's two-volume English Folk Songs from the Southern Appalachians?  If so, are we buying it for Mike Yates' introduction?  And  how different is it from the excellent narrative Yates put up on  MusicTrad?Ed

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Subject: Re: Sharp in America
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 09:44:04 -0500
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Dear Fellow Ballad Enthusiasts,In regards to Ed Cray's question:Though I have not yet seen the book, It is my understanding that there will be biographical data and photographs of the singers that have been tucked away in the Cecil Sharp Library archives, and have not been released to the US until now. I have been in that collection, and the photographs of the singers and tidbits from Sharp's manuscripts really add to the texts in English Folk Songs from the Southern Appalachians. I, for one, will be placing this book on my shelf next to Sharp's book, as the texture and information found in Dear Companion. The photographs from the collection that are in Yates' Mustrad articles are just web copies and not the clear and crisp images that would be detailed in the book.When my copy arrives, I plan to review it for the Appalachian Journal. I can send this review to the List-serv for those interested...Cassie Robinson
Liston B. Ramsey Center for Regional Studies
Mars Hill College-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of edward cray
Sent: Thursday, November 11, 2004 6:06 PM
To: [unmask]
Subject: Sharp in AmericaAnyone:Is it safe to assume that these 75 songs and ballads in the new book announced today  are all in Sharp's two-volume English Folk Songs from the Southern Appalachians?  If so, are we buying it for Mike Yates' introduction?  And  how different is it from the excellent narrative Yates put up on  MusicTrad?Ed

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Subject: Re: Sharp in America
From: Karen Kobela <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 10:37:50 -0500
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Subject: Re: Sharp in America
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 14:04:01 -0500
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On 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp; I look forward to getting a copy of the book when it is available in the states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars ~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars [mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 15:08:52 -0500
Content-Type:text/plain
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Ballad Folks:Here is my response in Plain Text. I was not aware that there was a problem with my emails. I am sorry if it was difficult to read. 
Apparently the listserv will not allow image attachments, so for your convienence I have included the table of contents of Dear Companion within this email. Sincerely,
Cassie RobinsonDear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection
from the Cecil Sharp CollectionAwake! Awake!                                   100
The Battle of Shiloh                            60
Black is the Colour                             95
Boney's Defeat                                  115
The Broken Token                                        65
Come All Ye Southern Soldiers                   107
Come My Little Roving Sailor                    110
The Dear Companion                              69
The Drummer                                             56
Edward                                          61
The Elfin Knight                                        83
Every Night When the Sun Goes In                81
The False Knight Upon the Road          45
The False Young Man                             44
The Fateful Blow                                        39
The Foggy Dew                                   92
The Golden Vanity (The Green Willow Tree)       106
Good Morning My Pretty Little Miss              71
The Good Old Man                                        94
Green Grow The Laurel                           85
The Ground Hog                                  112
The Gypsy Laddie                                        80
Hick's Farewell                                 102
Hold On                                         118
The Holly Twig                                  31
I'm Sixteen Come Sunday                         40
I Love My Love                                  113
I Must and I Will Get Married                   47
I Wish I Was A Child Again                      109
John of Hazelgreen                              58
Johnny Scott                                    52
Lamkin                                          74
The Lily of the West                            116
Little Musgrave and Lady Barnard                88
The Lover's Lament                              41
The Mermaid                                             86
The Miller's Apprentice;                        117
    or the Oxford Tragedy
The Mouldering Vine                             98
My Dearest Dear
The Poor Stranger; or The Cuckoo                37
The Rebel Soldier                                       50
The Rich Old Lady                                       66
St. James's Hospital                            48
Sally Anne                                              73
Scornful Nancy                                  53
The Sheffield Apprentice                        62
The Silver Dagger                                       57
There Was an Old and Wealthy Man                104
The True Lover's Farewell                       82
The Two Crows                                   78
Way Down the Ohio                                       59
When Adam was Created                           96
The Wife of Usher's Well                        77-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of DoN. Nichols
Sent: Friday, November 12, 2004 2:04 PM
To: [unmask]
Subject: Re: Sharp in AmericaOn 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp; I look forward to getting a copy of the book when it is available in the states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars ~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars [mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 16:11:29 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(40 lines)


On 2004/11/12 at 03:08:52PM -0500, Robinson, Cassie wrote:> Ballad Folks:> Here is my response in Plain Text. I was not aware that there was a
> problem with my emails. I am sorry if it was difficult to read.        This is *much* better.  Thank you!> Apparently the listserv will not allow image attachments,        A good thing, actually, as (claimed) image attachments are
another path for virii into Windows systems through Outlook Express.
Aside from that, images can't be processed through a text-to-speech
program for those who are visually impaired, while plain text can.  (I'm
not sure whether there are filters to strip out the HTML constructs to
allow similar processing for HTML-embedded text.  If not, that, also,
could be very hard to listen to.>                                                           so for your
> convienence I have included the table of contents of Dear Companion
> within this email.> Sincerely,
> Cassie Robinson        [ ... ]> Dear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection
> from the Cecil Sharp Collection        A nice list.        Thank you,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 17:51:27 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(265 lines)


Here is a comparison with Dear Companion and EFS SA
after pagination in DC I listed volume and page number in EFS SA
Awake! Awake! 100 1 358
The Battle of Shiloh 60 2 172
Black is the Colour 95 2 31
Boney's Defeat 115 2 245
The Broken Token 65 2 70
Come All Ye Southern Soldiers 107 2 253
Come My Little Roving Sailor 110 2 279
The Dear Companion 69 1 230
The Drummer 56 2 265 (and his wife)
Edward 61 1 46
The Elfin Knight 83 1 1
Every Night When the Sun Goes In 81 2 268
The False Knight Upon the Road 45 1 3
The False Young Man 44 2 51
The Fateful Blow 39 2 246
The Foggy Dew 92 2 174
The Golden Vanity (The Green Willow Tree) 106 1 282
Good Morning My Pretty Little Miss 71 2 90
The Good Old Man 94 2 338
Green Grow The Laurel 85 2 211 [grows]
The Ground Hog 112 2 340
The Gypsy Laddie 80 1 233
Hick's Farewell 102 2 142
Hold On 118 2 292
The Holly Twig 31 1 341
I'm Sixteen Come Sunday 40 2 156 [seventeen]
I Love My Love 113 2 269
I Must and I Will Get Married 47 2 159
I Wish I Was A Child Again 109 2 383
John of Hazelgreen 58 1 294
Johnny Scott 52 1 215
Lamkin 74 1 201
The Lily of the West 116 2 199
Little Musgrave and Lady Barnard 88 1 161
The Lover's Lament 41 2 103
The Mermaid 86 1 291
The Miller's Apprentice; 117 1 407or the Oxford Tragedy
The Mouldering Vine 98
My Dearest Dear 2 13
The Poor Stranger; or The Cuckoo 37 2 212
The Rebel Soldier 50 2 212 (poor stranger)
The Rich Old Lady 66 1 348
St. James's Hospital 48 2 164
Sally Anne 73 2 351
Scornful Nancy 53
The Sheffield Apprentice 62 2 66
The Silver Dagger 57 2 229
There Was an Old and Wealthy Man 104
The True Lover's Farewell 82 2 113
The Two Crows 78
Way Down the Ohio 59 2 275
When Adam was Created 96 2 272
The Wife of Usher's Well 77 1 150Mouldering Vine 98 Scornful Nancy 53 There was an old Wealthy Man 104 and
The Two Crows are not in the index of EFS Southern Appalachians. I shall
Look them up in Roud. I have not seen the texts in Dear Companion.----- Original Message -----
From: "Robinson, Cassie" <[unmask]>
To: <[unmask]>
Sent: Friday, November 12, 2004 3:08 PM
Subject: Re: Sharp in AmericaBallad Folks:Here is my response in Plain Text. I was not aware that there was a problem
with my emails. I am sorry if it was difficult to read.
Apparently the listserv will not allow image attachments, so for your
convienence I have included the table of contents of Dear Companion within
this email.Sincerely,
Cassie RobinsonDear Companion: Appalachian Traditional Songs and Singers from the Cecil
Sharp Collection
from the Cecil Sharp CollectionAwake! Awake!                                   100
The Battle of Shiloh                            60
Black is the Colour                             95
Boney's Defeat                                  115
The Broken Token                                        65
Come All Ye Southern Soldiers                   107
Come My Little Roving Sailor                    110
The Dear Companion                              69
The Drummer                                             56
Edward                                          61
The Elfin Knight                                        83
Every Night When the Sun Goes In                81
The False Knight Upon the Road          45
The False Young Man                             44
The Fateful Blow                                        39
The Foggy Dew                                   92
The Golden Vanity (The Green Willow Tree)       106
Good Morning My Pretty Little Miss              71
The Good Old Man                                        94
Green Grow The Laurel                           85
The Ground Hog                                  112
The Gypsy Laddie                                        80
Hick's Farewell                                 102
Hold On                                         118
The Holly Twig                                  31
I'm Sixteen Come Sunday                         40
I Love My Love                                  113
I Must and I Will Get Married                   47
I Wish I Was A Child Again                      109
John of Hazelgreen                              58
Johnny Scott                                    52
Lamkin                                          74
The Lily of the West                            116
Little Musgrave and Lady Barnard                88
The Lover's Lament                              41
The Mermaid                                             86
The Miller's Apprentice;                        117
    or the Oxford Tragedy
The Mouldering Vine                             98
My Dearest Dear
The Poor Stranger; or The Cuckoo                37
The Rebel Soldier                                       50
The Rich Old Lady                                       66
St. James's Hospital                            48
Sally Anne                                              73
Scornful Nancy                                  53
The Sheffield Apprentice                        62
The Silver Dagger                                       57
There Was an Old and Wealthy Man                104
The True Lover's Farewell                       82
The Two Crows                                   78
Way Down the Ohio                                       59
When Adam was Created                           96
The Wife of Usher's Well                        77-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of DoN. Nichols
Sent: Friday, November 12, 2004 2:04 PM
To: [unmask]
Subject: Re: Sharp in AmericaOn 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp;
I look forward to getting a copy of the book when it is available in the
states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars
~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars
[mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. |
http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Articles
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Nov 2004 00:37:09 +0000
Content-Type:text/plain
Parts/Attachments:

text/plain(11 lines)


Some articles you may like to know about:B?LOIDEAS  71 (2003) pp.55-74; SMITH, Th??e, Untranscribed Voices from the Past: Music and Folklore [concerns veteran Irish collector Tom Munnelly]PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA 98:3 (2004) pp.293-312;  KUCZYNSKI, Michael P.,   John Whitefoord Mackenzie and the Percy Society: Documents in the Hoard-Tilton Memorial Library, Tulane UniversityUNIVERSITY OF TORONTO QUARTERLY 73:4 (2004)pp.1003-1010; COWAN, Yuri, William Allingham's 'Ballad Book' and its Victorian ReadersSteve RoudSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Articles
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 16:50:39 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


Steve:This is a very valuable service toi those oif us on ballad-l.  Could you make this a bi-weekly or monthly feature, oh, master bibliographer?Ed----- Original Message -----
From: [unmask]
Date: Friday, November 12, 2004 4:37 pm
Subject: Articles> Some articles you may like to know about:
> 
> B?LOIDEAS  71 (2003) pp.55-74; SMITH, Th??e, Untranscribed 
> Voices from the Past: Music and Folklore [concerns veteran Irish 
> collector Tom Munnelly]
> 
> PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA 98:3 (2004) pp.293-
> 312;  KUCZYNSKI, Michael P.,   John Whitefoord Mackenzie and the 
> Percy Society: Documents in the Hoard-Tilton Memorial Library, 
> Tulane University
> 
> UNIVERSITY OF TORONTO QUARTERLY 73:4 (2004)pp.1003-1010; COWAN, 
> Yuri, William Allingham's 'Ballad Book' and its Victorian Readers
> 
> Steve Roud
> 
> Signup to supanet at https://signup.supanet.com/cgi-
> bin/signup?_origin=sigwebmail

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Subject: Bawdy Broadsides: PDFs available
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Nov 2004 15:29:35 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(15 lines)


Hello everyone,I have made relatively low quality PDFs available of the bawdy
broadsides ( http://tinyurl.com/5e937  (28MB)) and the complete
ledger book ( http://tinyurl.com/5556h  (29MB)).Ed, you may want to use these two PDFs if you just want *reading*
copies and not archival copies.Yours,John Mehlberg
~
My bawdy songs, toasts and recitations website:
www.immortalia.com

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Subject: Copyright Question
From: Debra Cowan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 12:44:10 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(42 lines)


Hi all,Some of you know me, some of you don't. I am a lurker here, but have
decided to come out to pick your collective brains regarding a question
I have. I am a wee bit naive when delving deeper into some of these
issues, and thought some of you might have some experience with this.
This involves licensing of songs in the US. In the past I have paid
contemporary composers directly for their use of material, gone the
Harry Fox route, or just made damn sure the song was public domain.I have been finding some great songs (haven't we all!) from source
recordings for some time now. One of the songs that I have found and
plan to record is "My Dad's Dinner Pail" that was written by Edward
Harrigan and David Braham and published in "Collected Songs II,
1883-1896". From what I can glean from the sheet music, there is a
copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
song as "Dad's Dinner Pail" in the Flanders Collection sung by Jonathon
Moses.My question is: How do I know if the version that Moses sings is public
domain or not? Maybe some of you singers who have recorded older
composed songs (specifically music hall songs such as this), can tell me
what you did in this situation? I am more than willing to pay a
mechanical license to record the song if I need to.Or maybe I need to consult a copyright expert (lawyer) on this one?Thanks in advance for any assistance you can give.Deb Cowan
--******************************
Debra Cowan - Singer
website: http://www.DebraCowan.com
USA BOOKINGS: (508) 662-9746,
SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
http://www.fallingmountain.com
******************************

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Subject: Re: Copyright Question
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 14:27:07 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(56 lines)


Debra:If I understand you correctly, "My Dad's Dinner Pail" was written prior to 1896 when it first appeared in print.  If that is the case, the song is in the public domain.Ed----- Original Message -----
From: Debra Cowan <[unmask]>
Date: Tuesday, November 16, 2004 9:44 am
Subject: Copyright Question> Hi all,
>
> Some of you know me, some of you don't. I am a lurker here, but have
> decided to come out to pick your collective brains regarding a
> questionI have. I am a wee bit naive when delving deeper into some
> of these
> issues, and thought some of you might have some experience with this.
> This involves licensing of songs in the US. In the past I have paid
> contemporary composers directly for their use of material, gone the
> Harry Fox route, or just made damn sure the song was public domain.
>
> I have been finding some great songs (haven't we all!) from source
> recordings for some time now. One of the songs that I have found and
> plan to record is "My Dad's Dinner Pail" that was written by Edward
> Harrigan and David Braham and published in "Collected Songs II,
> 1883-1896". From what I can glean from the sheet music, there is a
> copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
> song as "Dad's Dinner Pail" in the Flanders Collection sung by
> JonathonMoses.
>
> My question is: How do I know if the version that Moses sings is
> publicdomain or not? Maybe some of you singers who have recorded older
> composed songs (specifically music hall songs such as this), can
> tell me
> what you did in this situation? I am more than willing to pay a
> mechanical license to record the song if I need to.
>
> Or maybe I need to consult a copyright expert (lawyer) on this one?
>
> Thanks in advance for any assistance you can give.
>
> Deb Cowan
> --
>
>
> ******************************
> Debra Cowan - Singer
> website: http://www.DebraCowan.com
> USA BOOKINGS: (508) 662-9746,
> SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
> UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
> RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
> http://www.fallingmountain.com
> ******************************
>

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Subject: Ebay List - 11/16/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 18:52:32 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(109 lines)


Hi!        Beat the holiday rush! Get your books on Ebay now before
Thanksgiving! :-)        SONGSTERS        3761323933 - G.O.P. SONGSTER, 1905, $26 (ends Nov-17-04 17:42:59
PST)        7113931469 - Merchant's Gargling Oil Songster, 1889, $9.99 (ends
Nov-19-04 12:39:37 PST)        2285427933 - Sheridan & Flynns Songster, 1890, $1 (ends Nov-20-04
16:16:29 PST)        3762252210 - Chas. K. Harris' Latest...Popular Songster, 1901,
$2.50 (ends Nov-21-04 13:39:19 PST)        MISCELLANEOUS        4051628184 - The Long Harvest, MacColl & Seeger, LP, 1967, 9.95
GBP (ends Nov-18-04 08:25:10 PST)        SONGBOOKS        3761205457 -  I. W. W. Songs, 1989 reprint, $9 (ends Nov-17-04
09:53:19 PST)        6935622075 - Folk Songs of the South by Cox, $0.99 (ends Nov-17-04
12:36:54 PST)        6935860071 - More Mellows by Kennedy, 1931, $9.99 (ends Nov-17-04
12:52:40 PST)        4503823519 - Ballad Makin' in the Mountains of Kentucky by Thomas,
1964, $9 (ends Nov-18-04 20:14:10 PST)        6935817594 - American Sea Songs & Chanteys by Shay, 1948, $7.50
(ends Nov-19-04 05:11:25 PST)        4503895518 - THE PENGUIN BOOK OF AUSTRALIAN BALLADS by Ward, 1964,
$2 AU (ends Nov-19-04 07:14:34 PST)        3761825163 - THE SONGS THAT MADE AUSTRALIA by Fahey, $9 AU (ends
Nov-19-04 18:45:17 PST)        6935959957 - Lays of the Scottish Cavaliers and Other Poems by
Aytoun, 1887, 35 GBP (ends Nov-20-04 12:18:28 PST)        4504187142 - Sing Care Away by Sharp, 0.99 GBP (ends Nov-20-04
13:10:13 PST)        4504201565 - 2 books (The Complete Irish Street Ballads by
O'Lochlainn and The Third Book of Irish Ballads by Jolliffe), 1.99 GBP
(ends Nov-20-04 14:28:58 PST)        4504272749 - Songs Remembered in Exile by Campbell, 1990, $19.99
(ends Nov-20-04 21:13:37 PST)        4503570094 -  THE BRITISH FOLKLORISTS A HISTORY by Dorson, 1968,
0.99 GBP (ends Nov-21-04 03:48:01 PST)        4504336669 - Mexican Border Ballads and Other Lore by Boatright,
1946, $11.99 (ends Nov-21-04 08:21:47 PST)        4504366229 - Colonial Ballads by Anderson, 1962, 5 GBP (ends
Nov-21-04 10:15:22 PST)        4503352623 - Songs of the Cowboys by Thorp, 1989 reprint, $5 (ends
Nov-21-04 14:00:00 PST)        6936125487 - English And Scottish Popular Ballads by Neilson &
Witham, 1937, $5 (ends Nov-21-04 14:31:32 PST)        7934276869 - Scottish Ballads by Lyle, 1997, 0.99 GBP (ends
Nov-21-04 15:16:26 PST)        3762288081 - NEGRO SONGS FROM ALABAMA by Courlander, 1960, $19.95
(ends Nov-21-04 15:59:26 PST)        4504490568 - SONGS OF THE PEOPLE;SAM HENRY COLLECTION by Moulden,
1979, $4 (ends Nov-21-04 17:36:02 PST)        3762391478 - 3 books (The AFSCME songbook by Glazer, 1978, Roll Me
Over, 1972, & A Book of Nonsense songs by Cazden, 1966) $3 (ends
Nov-22-04 02:13:28 PST)        3762538996 - BOOK OF IRISH BALLADS by McCarthy, 1869, $6.63 (ends
Nov-22-04 17:00:00 PST)        6936253696 - The Traditional Tunes of the Child Ballads by Bronson,
volume 2, 1962, $49.99 w/reserve (ends Nov-22-04 17:19:29 PST)        4504562031 - Song of Robin Hood by Malcolmson, 1947, $6.78 (ends
Nov-24-04 23:22:07 PST)        4504805972 - Real Sailor Songs by Lloyd/Ashton, 1973, 40 GBP (ends
Nov-25-04 18:35:04 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Copyright Question
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 19:29:37 -0500
Content-Type:text/plain
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On 2004/11/16 at 02:27:07PM -0800, edward cray wrote:> From: Debra Cowan <[unmask]>> > I have been finding some great songs (haven't we all!) from source
> > recordings for some time now. One of the songs that I have found and
> > plan to record is "My Dad's Dinner Pail" that was written by Edward
> > Harrigan and David Braham and published in "Collected Songs II,
> > 1883-1896".> If I understand you correctly, "My Dad's Dinner Pail" was written
> prior to 1896 when it first appeared in print.  If that is the case, the
> song is in the public domain.> >             From what I can glean from the sheet music, there is a
> > copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
> > song as "Dad's Dinner Pail" in the Flanders Collection sung by
> > JonathonMoses.        I would say that the version published in "Collected Songs" (if
that was printed back then), or in sheet music printed back then, you
should be fine.        However -- beware of learning an arrangement from the later
(1997, 2000) publication.  *That* could be copyrighted.  As long as you
learned from the original, and can have a copy of the original ready to
hand to defend yourself, you should be fine.  The modern copyright
holders may well try to enforce their copyright, so you probably *will*
have to use the older publication as a defense.        Good Luck,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Sacred Harp
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 11:18:00 -0600
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Those of you with an interest in Sacred Harp singing may find the
following of interest:http://homepage.mac.com/callistc/SacredHarpSingersintro.html20 or so downloadable mp3s and interviews.

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Subject: Ebay List - 11/21/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 21:45:16 -0500
Content-Type:text/plain
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Hi!        After surviving a trip the a supermarket full of people filling
their carts with turkeys, I found the following on Ebay.        SONGSTERS        3942476650 - Walter L. Main & Van Amburgh Circus Songster, 1890,
$32.11 (ends Nov-24-04 17:50:55 PST)        3942339467 - the Barnum and Bailey Circus songster, 1892, $12
(ends Nov-24-04 18:15:00 PST)        MISCELLANEOUS        4505190435 - Midwest Folklore, journal, summer 1957, $3.95 (ends
Nov-24-04 09:29:46 PST)        4054087972 - 2 LPs (one of interest is Songs From the Hills of
Donegal by Barry), $5 (ends Nov-27-04 07:10:55 PST)        4054420805 - GREEN FIELDS OF ILLINOIS, LP, 1962, $2 (ends Nov-28-04
10:17:17 PST)        6936812333 - Glasgow Chapbook, 1835?, 6 GBP (ends Nov-29-04 08:58:55
PST)        3763698622 - Broadside (A New Song on Luckey Elopement), 1860?,
$17.50 (ends Nov-29-04 21:00:00 PST)        SONGBOOKS        6936462837 - Scotch Songs & Ballads by Macdonald, 1893, 51 GBP
(ends Nov-22-04 11:46:36 PST)        6936323135 - MOUNTAIN MINSTRELSY OF PENNSYLVANIA by Shoemaker,
1931, $29.99 (ends Nov-23-04 18:00:00 PST)        4505056963 - Haulin' Rope & Gaff by Ryan & Small, 1978, $20 (ends
Nov-23-04 18:32:28 PST)        3762927748 - KERRS 'BUCHAN' BOTHY BALLADS, 2.99 GBP (ends
Nov-24-04 09:09:50 PST)        4505237060 - FOLKSONGS Sung in Ulster by Morton, 1970, $2 (ends
Nov-24-04 12:19:24 PST)        4505246055 - Blow the Candle Out "Unprintable" Ozark Folksongs and
Folklore, Volume II by Randolph, 1992, $14.99 (ends Nov-24-04 12:49:03 PST)        4505256666 - The Ballad Tree by Wells , 1950, $2.49 (ends
Nov-24-04 13:23:50 PST)        6936485086 - Remains of Galloway & Nithsdale Song by Cromer, 1810,
30 GBP (ends Nov-24-04 14:21:18 PST)        6936488286 - Minstrelsy of the Scottish Border by Henderson, 1931,
6.99 GBP (ends Nov-24-04 14:53:03 PST)        4505464707 - BALLADS AND SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $31 (ends Nov-25-04 06:54:53 PST)        4505468008 - The English and Scottish Popular Ballads by Child,
volume 1, 2002 Loomis edition, $19.99 (ends Nov-25-04 07:07:49 PST)        4505820355 - Way Out in Idaho by Sorrels, 1991, $8 (ends Nov-26-04
08:54:56 PST)        4505990404 - Folk Songs Collected by Ralph Vaughan Williams by
Palmer, 1983, $2 (ends Nov-27-04 02:39:25 PST)        3763826605 - The Vagabonds--collection of Mountain Ballads, Old-time
Songs and Hymns, 1934 printing, $1.99 (ends Nov-27-04 11:17:50 PST)        3764108385 - Blue Grass Roy THE HAMLIN'S KORN KRACKER BOOK NO 4
WORLD'S GREATEST COLLECTION OF COWBOY AND MOUNTAIN BALLADS, 1936, $5.95
(ends Nov-28-04 12:43:28 PST)        4505667351 - SLAVE SONGS by Silverman, 1994, $12.75 (ends Nov-28-04
15:47:13 PST)        4505874374 - Songs of Irish Rebellion by Zimmerman, 2002, 2 GBP
(ends Nov-29-04 11:58:31 PST)        3763991890 - Songs of the Midlands by Palmer, 1972, 0.99 GBP (ends
Dec-01-04 06:37:02 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Mack McCormick Bawdy Songs MS
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 20:56:01 -0600
Content-Type:text/plain
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Hello everyone,According to Vance-Legman Vol.2 _Blow The Candle Out_
on pg. 647, there is a 1959 Mack McCormick manuscript of
bawdy songs.  Does anyone know of this MS?I would assume that it is not the 1960 booklet but is the
research notes and other items which Mack recorded
because Legman is discussing "Roll Your Leg Over"
on pg. 647 which is not found on the Unexpurgated
Folk Songs of Men LP but IS purportedly found in
the McCormick MS.Legman doesn't even mention the McCormick MS in any
of his bibliographies.  Anyone here know of its existence?Yours,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and recitations
website:  http://www.immortalia.com/html/

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Subject: Re: Ebay List - 11/21/04
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 09:51:18 EST
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Subject: Re: Ebay List - 11/21/04
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 07:55:35 -0800
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Folks:I am continually amazed -- and guided -- by the assembled  wisdom on ballad-l.Ed----- Original Message -----
From: [unmask]
Date: Monday, November 22, 2004 6:51 am
Subject: Re: Ebay List - 11/21/04> In a message dated 11/22/2004 2:46:08 AM GMT Standard Time,
> [unmask] writes:
>
> >
> >
> >     3763698622 - Broadside (A New Song on Luckey Elopement), 1860?,
> > $17.50 (ends Nov-29-04 21:00:00 PST)
> >
>
> Peter Brereton again! Overpriced already. Probably misdated - about
> 7 years
> too early.
>
> John Moulden
>

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Subject: Re: Mack McCormick Bawdy Songs MS
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 08:06:25 -0800
Content-Type:text/plain
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John:This MAY be a file I sent to Legman ca. 1960, during a period when I was his unofficial American correspondent.  I assembled a number of collections for his use,  the source of  which he failed to acknowledge in his later writings after he suffered an attack of "paranoids."I no longer have copies of all of the material sent to Legman.Ed
----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Sunday, November 21, 2004 6:56 pm
Subject: Mack McCormick Bawdy Songs MS> Hello everyone,
>
> According to Vance-Legman Vol.2 _Blow The Candle Out_
> on pg. 647, there is a 1959 Mack McCormick manuscript of
> bawdy songs.  Does anyone know of this MS?
>
> I would assume that it is not the 1960 booklet but is the
> research notes and other items which Mack recorded
> because Legman is discussing "Roll Your Leg Over"
> on pg. 647 which is not found on the Unexpurgated
> Folk Songs of Men LP but IS purportedly found in
> the McCormick MS.
>
> Legman doesn't even mention the McCormick MS in any
> of his bibliographies.  Anyone here know of its existence?
>
> Yours,
>
> John Mehlberg
> ~
> My, mostly traditional, bawdy songs, toasts and recitations
> website:  http://www.immortalia.com/html/
>

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Subject: 23rd Psalm rewrite
From: Barbara Millikan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 24 Nov 2004 12:56:30 -0800
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Someone here was collecting these?
Here's another variant.Psigh 23
   Bush is my shepherd; I dwell in want.
   He maketh logs to be cut down in national forests.
   He leadeth trucks into the still wilderness.
   He restoreth my fears.
   He leadeth me in the paths of international disgrace for his ego's sake.
   Yea, though I walk through the valley of pollution and war,
   I will find no exit, for thou art in office.
   Thy tax cuts for the rich and thy media control, they discomfort me.
   Thou preparest an agenda of deception in the presence of thy religion.
   Thou anointest my head with foreign oil.
   My health insurance runneth out.
   Surely megalomania and false patriotism shall follow me all the days of
       thy term,
   And my jobless child shall dwell in my basement forever.Yrs,
Barbara Millikan

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Subject: BBC Radio 4
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 19:45:17 -0000
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Subject: Re: BBC Radio 4
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 16:57:23 -0800
Content-Type:text/plain
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Dave:Kind of you to comment.  The BBC programme (note how quickly I have picked up the local dialect) is the second of three I am doing for BBC shows.  I am scheduled to do the Robert Elms show, live,  on Monday, December  6.  Check  your local listing for the time.Ed
----- Original Message -----
From: Dave Eyre <[unmask]>
Date: Friday, November 26, 2004 11:45 am
Subject: BBC Radio 4> I felt a little frisson of excitement as I heard the name Ed Cray
> mentioned on BBC Radio 4 tonight.
>
> BBC Radio 4 - "Front Row" (which is an arts/review programme)
> talking about Woody Guthrie and positively reviewing Ed's book
> "Rambling Man".
>
> Along with Lomax, Pete Seeger et al. And a superb recording of
> Seeger singing "This Land is Your Land".
>
> Best regards
>
> Dave Eyre
>

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Subject: Re: BBC Radio 4
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 22:42:13 -0700
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Has there been any attention from the home side of pond, Ed (as in audio
possibilities)??~ Becky Nankivell
Tucson, ArizonaAutomatic digest processor wrote:>Date:    Fri, 26 Nov 2004 16:57:23 -0800
>From:    edward cray <[unmask]>
>Subject: Re: BBC Radio 4
>
>Dave:
>
>Kind of you to comment.  The BBC programme (note how quickly I have picked up the local dialect) is the second of three I am doing for BBC shows.  I am scheduled to do the Robert Elms show, live,  on Monday, December  6.  Check  your local listing for the time.
>
>Ed
>
>

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Subject: Re: BBC Radio 4
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Nov 2004 09:45:07 -0800
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Becky:There was/is considerable attention ot the rlease of _Ramblin' Man_ in February.  You can "Google" me PLUS the book to get a sampling of reviews,  and you can look the book up on Amazon.com for some ten reviews by readers.I do not know if NPR archives its programs permanently, or how you would search them, but I did do a Sunday Weekend Edition  interview as well.Ed----- Original Message -----
From: Becky Nankivell <[unmask]>
Date: Friday, November 26, 2004 9:42 pm
Subject: Re: BBC Radio 4> Has there been any attention from the home side of pond, Ed (as in
> audiopossibilities)??
>
> ~ Becky Nankivell
> Tucson, Arizona
>
> Automatic digest processor wrote:
>
> >Date:    Fri, 26 Nov 2004 16:57:23 -0800
> >From:    edward cray <[unmask]>
> >Subject: Re: BBC Radio 4
> >
> >Dave:
> >
> >Kind of you to comment.  The BBC programme (note how quickly I
> have picked up the local dialect) is the second of three I am doing
> for BBC shows.  I am scheduled to do the Robert Elms show, live,
> on Monday, December  6.  Check  your local listing for the time.
> >
> >Ed
> >
> >
>

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Subject: EBay List - 11/27/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Nov 2004 18:50:08 -0500
Content-Type:text/plain
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Hi!        I hope that everyone had a good Thanksgiving - lots of food,
drink, and football (if interested). :-)        Here is the latest Ebay list.        SONGSTERS        3764519671 - The Patriotic No License Songster, 1909, $15 (ends
Dec-03-04 06:28:07 PST)        3764780643 - The Merry Companion; Or, Universal Songster, 1745,
$9.99 (ends Dec-05-04 15:48:00 PST)        MISCELLANEOUS        4054895450 - The English and Scottish Popular Ballads (Child
Ballads), MacColl & Llyod, double LP, 1956, $9.99 (ends Nov-29-04 20:14:18
PST)        4054912300 - Granny Riddle's Songs And Ballads, LP, 1977, $7.50
(ends Nov-29-04 21:46:11 PST)        SONGBOOKS        4506802437 - A GUIDE TO ENGLISH FOLK SONG COLLECTIONS 1822-1952 BY
Dean-Smith, 1954, 2.99 GBP (ends Nov-28-04 03:49:14 PST)        4506404886 - A Pioneer Songster: Texts From The STEVENS-DOUGLASS
MANUSCRIPT OF WESTERN NEW YORK 1841-1856 by Thompson, 1958, $8 (ends
Nov-28-04 14:55:48 PST)        4506406494 - BALLADS AND SONGS FROM OHIO by Eddy, 1939, $3.99 (ends
Nov-28-04 15:02:07 PST)        6937126972 - The Whorehouse Bells Were Ringing by Logsdon, 1989,
$9.99 (ends Nov-28-04 19:56:12 PST)        6937378344 - Folk Songs of Canada by Fowke & Johnston, 1954, 20 GBP
(ends Nov-29-04 02:58:10 PST)        6937191225 -  Bibliotheca Curiosa THE BALLAD BOOK by Kinloch, 1885,
4.99 GBP (ends Nov-29-04 11:51:23 PST)        7936771422 - America Sings by Carmer, 1942, $4.50 (ends Nov-29-04
11:55:45 PST)        4506689574 - He Was Singin' This Song by Tinsley, 1982, $5.95 (ends
Nov-29-04 15:59:56 PST)        4506747847 - American Mountain Songs by Richardson/Spaeth, 1955,
$9.99 (ends Nov-29-04 19:47:24 PST)        4507005964 - Ballads and Songs from Ohio by Eddy, 1964 reprint,
$8.95 (ends Nov-30-04 17:46:20 PST)        6937399687 - Old English Ballads and Folk Songs by Armes, 1913
edition, $9.99 (ends Dec-01-04 08:13:03 PST)
        also 4507264636 - 1918 edition, $2.50 (ends Dec-01-04 16:50:56 PST)        4507386729 - Pennsylvania Songs and Legends by Korson, 1949, $15
(ends Dec-02-04 07:19:58 PST)        4507612089 - TALES & SONGS OF SOUTHERN ILLINOIS by Neely, 1998
edition, $12.50 (ends Dec-03-04 08:20:56 PST)        6937672281 - Popular Music of the Olden Time by Chappell, 1860,
$75 (ends Dec-03-04 12:21:38 PST)        6937400201 - American Sea Songs and Chanteys by Shay, 1948, $12.95
(ends Dec-04-04 08:18:20 PST)        6937504563 - Traditional Ballad Airs by Christie, 2 volumes, 1881,
10 GBP w/reserve (ends Dec-06-04 04:00:00 PST)        3856143257 - Folk Songs of Old Hampshire by Browne, 2.50 GBP (ends
Dec-06-04 08:50:03 PST)        3856154464 - Marrow Bones: English Folk songs from the Hammond &
Gardiner Manuscripts by Purslow, 1.50 GBP (ends Dec-06-04 09:44:58 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: BALLAD-L Digest - 30 Oct 2004 to 31 Oct 2004 (#2004-169)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 05:27:06 -0800
Content-Type:text/plain
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Yes, that's the other reference I wonder about. Jacob
lost her only son in WWI. I have an MP3 file of the
tune, if you are interested. Thanks.C.
>
> Nothing whatever to do with Charles Edward Stewart.
> The final verses of the poem (a fine one, I
> agree; I haven't heard it set to music) refer to
> those who died, in France, in a rather more recent
> war.
>
> Malcolm Douglas

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 16:39:01 -0500
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I have been informed that both the Norfolk Southern and the Atlantic
Coast Line had trains traveling between Greenville, NC, and Norfolk,
VA.  Only the ACL, however, could have crossed the Western Branch.
That line "terminated and Pinners Point and ferried passengers to
Norfolk."The NS crossed a number of other rivers with drawbridges, but not the
Western Branch.John

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Subject: Re: Engineer Rigg
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 21:13:53 -0600
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Previously in this string there was a discussion of sources for finding
cities in the US. There is a good 1895 Atlas available athttp://www.livgenmi.com/1895/You never know when these things will come in handy.John Garst wrote:> I have been informed that both the Norfolk Southern and the Atlantic
> Coast Line had trains traveling between Greenville, NC, and Norfolk,
> VA.  Only the ACL, however, could have crossed the Western Branch.
> That line "terminated and Pinners Point and ferried passengers to
> Norfolk."
>
> The NS crossed a number of other rivers with drawbridges, but not the
> Western Branch.
>
> John
>

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Subject: Re: TSF
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 1 Nov 2004 14:09:51 -0000
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As one of the scheduled speakers  - I am happy to be recorded.Dave> I'm sure we could record the afternoon session. The University Music Dept
> has excellent facilities and they very kindly place them  at our disposal.
> Also Doc Rowe, who is giving a presentation on his archives, usually
> records such things anyway. What sort of format would be best for the
> recording from your point of view? Is anyone else interested?
> By the way Martin Graebe, who is one of the leading lights in research on
> Baring Gould, has offered to give a short presentation on Baring Gould's
> collecting in Yorkshire. Coming from Yorkshire myself I wasn't aware that
> Baring Gould had actually taken down any songs in Yorkshire when he was a
> vicar, at Rothbury was it? I knew he had made comments in his writing,
> about songs the mill girls sang, but not that he actually collected
> anything at this stage in his career, so I am looking forward to this with
> great interest.
> SteveG
>

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Subject: Re: TSF
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 2 Nov 2004 18:05:33 +0000
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Thanks, Dave,
Heather Wood of YT fame is planning to be there + other new members.
It's looking good.
Steve.>From: Dave Eyre <[unmask]>
>Reply-To: Forum for ballad scholars <[unmask]>
>To: [unmask]
>Subject: Re: TSF
>Date: Mon, 1 Nov 2004 14:09:51 -0000
>
>As one of the scheduled speakers  - I am happy to be recorded.
>
>Dave
>
>
> > I'm sure we could record the afternoon session. The University Music
>Dept
> > has excellent facilities and they very kindly place them  at our
>disposal.
> > Also Doc Rowe, who is giving a presentation on his archives, usually
> > records such things anyway. What sort of format would be best for the
> > recording from your point of view? Is anyone else interested?
> > By the way Martin Graebe, who is one of the leading lights in research
>on
> > Baring Gould, has offered to give a short presentation on Baring Gould's
> > collecting in Yorkshire. Coming from Yorkshire myself I wasn't aware
>that
> > Baring Gould had actually taken down any songs in Yorkshire when he was
>a
> > vicar, at Rothbury was it? I knew he had made comments in his writing,
> > about songs the mill girls sang, but not that he actually collected
> > anything at this stage in his career, so I am looking forward to this
>with
> > great interest.
> > SteveG
> >_________________________________________________________________
Want to block unwanted pop-ups? Download the free MSN Toolbar now!
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Subject: Re: Musicians' birth/death dates
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 2 Nov 2004 13:47:34 -0500
Content-Type:text/plain
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On Sun, 31 Oct 2004 10:18:13 -0800, Norm Cohen wrote:>Friends:
>Can anyone provide dates for the following artists:The happy file gives just two of them.>Stanley Baby>Green Bailey (death)
Born 3/11 - Per http://www.oldtimeherald.org/pages/birthday.htm
Old-time Music birthday list>Dillard Chandler (death)
no>Carrie Grover
no>Maggie Hammons Parker (death)
b Sept 1>Burl Hammons (death)
no
>Sherman Hammons (death)
no
>Obray Ramsey
b9/24/1913 (dAug 1997) SS #245-80-9232, Last residence: Marshall, Madison,
NC. (from Social Security Death Index
-http://ssdi.genealogy.rootsweb.com/)
Note: Info is accurate but it is possible there was another of the same
name.  It would be better to verify at least one of the data.Per Lawless (supp.): grew up in western NC>Grant Rogers (death)
no
>Norm Cohen
13 Dec, 1936.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Mexico's forbidden songs
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 06:55:37 EST
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http://news.bbc.co.uk/1/hi/world/americas/3552370.stmby Chris Summers and Dominic Bailey
BBC News OnlineCan a musical genre be considered so dangerous as to be banned from the
radio? Yes, according to the authorities in some parts of Mexico who have forced
radio stations to take action in an attempt to stamp out the culture of "narco
corridos", which they accuse of glamorising drug trafficking and gangsterism.Los Tigres del Norte are the foremost exponents of the narco corrido
Corridos, or ballads, have been a Mexican tradition - especially in the north
of the country - for at least 100 years.
The songs, based on polkas and waltzes, feature lyrics backed by accordions
and brass bands.
The Mexican Revolution, which lasted from 1910 to 1917, triggered hundreds of
corridos about legendary figures such as Pancho Villa and Emiliano Zapata.
But over the past 30 years the biggest growth area has been the narco
corridos, which are based on the real lives of drug smugglers.

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Subject: Journal or Oral Literature
From: "J. J. Dias Marques" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 18:03:54 -0000
Content-Type:text/plain
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The Ata?e Oliveira Research Centre (University of the Algarve, Portugal) 
publishes the yearly journal      ESTUDOS DE LITERATURA ORAL (E. L. O.),devoted to the study of all aspects and genres of Oral Literature from every 
country.Issue 9/10 (2003/2004) has just come out.It has 360 pages, and includes 15 articles on folktales, legends, ballads, 
proverbs, improvised songs, as well as the theory of oral literature. 22 
reviews are also included.The table of contents of this issue (with abstracts of each article in 
English) can be accessed atwww.fchs.ualg.pt/ceao/ingles/inc/revista09_ing.htmThe OFFICIAL price of this issue is 30 euros (Europe) and 40 euros 
(countries outside Europe).BUT... to celebrate the tenth anniversary of the journal, we are pleased to 
offer THE MEMBERS OF THIS MAILING LIST A SPECIAL PRICE: 15 euros (Europe) 
and 20 euros (other countries).If you are interested, please write to [unmask]The indexes and abstracts of previous issues (from nr 1, 1995) are available 
either athttp://www.fchs.ualg.pt/ceao/INC/revista.html (with abstracts in Portuguese)or at http://www.fchs.ualg.pt/ceao/ingles/inc/journal.html (with abstracts 
in English).Thank you very much for your interest.J. J. Dias Marques
F. C. H. S. / Universidade do Algarve
8005-139  Faro / Portugal
Tel. / Phone: +351 289800900, ext. 7410
Tel. pessoal / Personal  phone: +351 962651919
Fax: + 351 289818560
[unmask]
http://www.fchs.ualg.pt/ceao/

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Subject: Ebay
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 14:56:50 -0500
Content-Type:text/plain
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Hi, all
As 'Gripperfolk' (Don't ask!) I've got bids on
79 Black Letter Ballads
Sharp's Eng Folk Songs Some Conclusions (There is another copy on at the
moment)
Karpeles' Cecil Sharp Folk Song Collection Vol 2. (I'm deperate for this
one to complete the set and enhance my indexes.)
SteveG

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Subject: John Henry
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 17:18:17 -0500
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An early "John Henry, the Steel Driving Man" is given on an undated
broadside published by W. T. Blankenship, now know to be from
Huntsville, Alabama.  Based on other broadsides published by
Blankenship, I suspect a date of ca 1910.If there was an historic basis in an event of 1870-72 (at Big Bend
Tunnel, WV) or of 1887-88 (at Dunnavant, AL) and the ballad came
shortly thereafter, then there was a period of about 20-35 years
before the ballad surfaced.  Lots of songsters, poems, broadsides,
etc., were published during the late 19th century.I am ever hopeful of coming across an earlier version.  This is a
request that those of you who see late 19th-/early 20th-century
materials keep "John Henry" and me in mind.Thank you.John

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Subject: A Trickster Tale
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 17:36:54 -0800
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Folks:Like the sender, I am in need of a lift on this day after.  Here is a trickster tale on the order of  Tom Sawyer's fence-painting escapade.Ed
----------------------------------------------------------------------------------------------------------------------------------------------------------------------From     Gregory Hansen <[unmask]>
Sent    Wednesday, November 3, 2004 1:59 pm
To      [unmask]
Subject         [PUBLORE] Irish humorI've needed to hear a couple good jokes today.  One of my Irish buddies sent me this one.  Hope you enjoy it.- Gregory O'Hansen    Letter from an Irishman,,,,    Old Sean lived alone in Northern Ireland. He wanted to spade his potato garden, but it was very hard work. His only son, Mick, who used to help him, was in an English prison.    The old man wrote a letter to his son and described his predicament:    Dear Mick,    I am feeling a mite down because it looks like I won't be able to plant me potato garden this year. I'm just getting too old to be digging up a garden plot. If you were here, all my troubles would be over. I know you would dig the plot for me.    Love, Dad    A few days later he received a letter from his son:    Dear Father,    Whatever you do, don't dig up the garden! That's where I buried all them flamin BODIES!    Love, Mick    At 4 A. M. the next morning, a dozen agents from Scotland Yard and local police officers showed up and dug up the entire garden down to a depth of about six feet. That evening, not finding any bodies, they apologized to the old man and left.    The next day the old man received another letter from his son:    Dear Father,    Go ahead and plant yer spuds now. It's the best I could do under the circumstances.    Love, Mick

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Subject: James Rodgers/Charles Guiteau
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 02:09:12 +0000
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I have just been looking at Albert Friedman's "The Penguin Book
of Folk Ballads of the English-Speaking World" and thinking I
really ought to learn "Charles Guiteau".  Easy enough to think
of tunes that will fit, but was there a specific tune intended
for its parent, "The Lamentation of James Rodgers"?  (Friedman
references Louise Pound, "American Ballads and Songs", 1922,
which I haven't seen).I think there's a song about Czolgocz too, isn't there?-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 20:24:16 -0600
Content-Type:text/plain
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On 11/4/04, Jack Campin wrote:>I have just been looking at Albert Friedman's "The Penguin Book
>of Folk Ballads of the English-Speaking World" and thinking I
>really ought to learn "Charles Guiteau".  Easy enough to think
>of tunes that will fit, but was there a specific tune intended
>for its parent, "The Lamentation of James Rodgers"?  (Friedman
>references Louise Pound, "American Ballads and Songs", 1922,
>which I haven't seen).There certainly is, and it's been used for all sorts of similar
songs. I stronly suspect you've heard it somewhere. I'll give
you the whole Ballad Index entry on the principle that it gives
you the maximum number of chances to recognize the song or a
relative. As you'll see, it's pretty popular. :-)NAME: Charles Guiteau [Laws E11]
DESCRIPTION: Charles Guiteau, having assassinated President Garfield, is
   unable to escape the law. His insanity defense is rejected, and he is
   sentenced to die.
AUTHOR: unknown
EARLIEST DATE: 1907 (Belden)
KEYWORDS: murder execution gallows-confession madness
HISTORICAL REFERENCES: July 2, 1881 - James A. Garfield is shot by Charles
   Guiteau, who thought Garfield owed him a patronage job. Garfield had been
   president for less than four months
Sept 19, 1881 - Death of Garfield
June 30, 1882 - Hanging of Charles Guiteau
FOUND IN: US(Ap,MW,So,SE)
REFERENCES (18 citations):
Laws E11, "Charles Guiteau"
Belden, pp. 412-413, "Charles Guiteau" (1 text)
Randolph 134, "Charles Guiteau" (2 texts plus 3 excerpts or fragments, 3
   tunes)
Eddy 128, "Charles Guiteau, or, The Murder of James A. Garfield" (1 text)
BrownII 249, "Charles Guiteau" (4 texts, 3 fragments, plus 1 excerpt and
   mention of 3 more)
Chappell-FSRA 111, "Charles Guiteau" (1 fragment, 1 tune)
Hudson 101, pp. 238-239, "Charles Guiteau" (1 text plus mention of 3 more)
Friedman, p. 230, "Charles Guiteau" (1 text)
McNeil-SFB1, pp. 56-59, "Charles Guiteau" (2 texts, 2 tunes)
Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
   transcription of the earliest recorded version by Kelley Harrell -- but
   in fact the text has been slightly modified)Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
   transcription of the earliest recorded version by Kelley Harrell -- but
   in fact the text has been slightly modified)
LPound-ABS, 65, pp. 146-148, "Charles Guiteau or James A. Garfield" (1 text,
   joined with "The Murder of F. C. Benwell")
Burt, pp. 226-227, "(Charles Guiteau)" (1 text plus a fragment, 1 tune)
Darling-NAS, pp. 192-193, "Charles Guiteau" (1 text plus a fragment of
   "James Rodgers")
Asch/Dunson/Raim, p. 48 "Charles Giteau" (sic) (1 text, 1 tune)
Silber-FSWB, p. 290, "Charles Guiteau" (1 text)
DT 623, CGUITEAU*
cf. Gardner/Chickering, p. 478, "Charles Guitea" (source notes only)
Roud #444
RECORDINGS:
Loman D. Cansler, "Charles Guiteau" (on Cansler1)
Kelly Harrell, "Charles Giteau" (Victor 20797B, 1927; on KHarrell02, AAFM1)
Roscoe Holcomb, "Charles Guitau" [instrumental version] (on Holcomb1)
CROSS-REFERENCES:
cf. "Gustave Ohr" (meter)
cf. "George Mann" (meter)
cf. "Ewing Brooks" [Laws E12] (tune & meter)
cf. "The Fair at Turloughmore" (floating lyrics)
cf. "The Murder of F. C. Benwell" [Laws E26] (tune & meter)
cf. "Big Jimmie Drummond" (lyrics)
cf. "Mister Garfield" (subject)
NOTES: The song probably derives from "The Lamentation of James Rodgers"
   (executed Nov. 12, 1858) or one of its kin (e.g. "My Name it is John T.
   Williams") - PJS, RBW
File: LE11>I think there's a song about Czolgocz too, isn't there?Well -- there's "McKinley Hollered/White House Blues," recorded by
Charlie Poole among others. Also used for "Cannonball Blues."--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: James Rodgers/Charles Guiteau
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 22:27:47 -0500
Content-Type:text/plain
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> On 11/3/04, Jack Campin wrote:
>
>>I think there's a song about Czolgocz too, isn't there?On 11/3/04, Bob Waltz answered:> Well -- there's "McKinley Hollered/White House Blues," recorded by
> Charlie Poole among others. Also used for "Cannonball Blues."Exactly.  I remember a verse to a version of Whitehouse Blues that went
something likeZolgotz you done him wrong
Shot McKinley he was walking along
In Buffalo. In Buffalo.I can't recall what book I saw that in.Ben Schwartz

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Subject: My order
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 22:35:33 -0800
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Hi, David:
Rereading the following old email reminds me:  Didn't I order this some time
ago?  Was it ever shipped?
Cordially,
Norm CohenI thought it might interest those watching this thread to know that Heritage
Muse, Inc. has the following titles available in digital form (in addition
to Child's ESPB):JMEB-110        $20   "The Early Ballad Collections of James Maidment"
includes "A North Countrie Garland" (1824) Revised, with a new introduction,
by Edmund Goldsmid and privately printed in Edinburgh, 1891 and "A New Book
of Old Ballads" (1843)Edinburgh 1843, reprinted Edinburgh 1891.JRNG-210        $20     "Northern Garlands by Joseph Ritson, esq."
includes:
"The Bishopric Garland or Durham Minstrel" (1792)
"The Yorkshire Garland" (1788)
"The Northumberland Garland or Newcastle Nightingale" (1793) "The
North-Country Chorister" (1802)GKBC-310        $25     "Ballad Collections of George Ritchie Kinloch"
Includes: "Ancient Scottish Ballads" (1827) and "The Ballad Book" (1827)
With computer playable tunes for the music notations.CSBB-410        $20     "A Ballad Book by Charles Kirkpatrick Sharpe"
edited by David Laing. (available Nov 2004)These can be acquired separately or in the package:Heritage Collectors - Bookshelf I (digital editions)
"The English and Scottish Popular Ballads"                              $125"The Early Ballad Collections of James Maidment"                        $ 20"Northern Garlands by Joseph Ritson, esq."                              $ 20"Ballad Collections of George Ritchie Kinloch"                          $ 25"The Ballad Book by Charles Kirkpatrick Sharpe "        $ 20
======================================================================
Bookshelf I Total
$ 210
Bookshelf I discount
-   15
======================================================================
Sub Total
$ 195All titles in this series are available in paper as print on demand. Please
email or call for pricing and shipping information.Now in production...Watch for these Bookshelf II and III titles in 2005:"Traditional Tunes from the Child Ballads by B.H. Bronson"
"Robin Hood... by Joseph Ritson, esq."
"Scottish Songs by Joseph Ritson, esq."
"Scottish Ballads and Songs by James Maidment"
"Ancient & Modern Scottish Songs by David Herd"
"The Ballad Book by William Allingham"
"Minstrelsy, Ancient and Modern by William Motherwell (Vols I & II)"Please feel free to suggest other titles.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of edward cray
Sent: Tuesday, October 19, 2004 6:55 PM
To: [unmask]
Subject: Re: Kessinger PublishingWell, for starters, I would suggest all of Ritson.  Then Margaret Hunt's
translation of the Grimm Tales.  And all of Curtin's Irish collections.
Then there are the OUP Press editions of Sharp's Engliosh and Appalachian
collections.Ed----- Original Message -----
From: Steve Gardham <[unmask]>
Date: Tuesday, October 19, 2004 12:11 pm
Subject: Re: Kessinger Publishing> Thanks, Ed,
> Just ordered the Jamieson at $54.95 + PP to UK at $8.98 and all this is
> still a third of the price of any original copies I've seen for sale.
> There are several other titles on this marvellous site which look
> interesting when I've time to look more closely. It's well worth a look
> for anyone on our list. Just try typing in 'ballads' for a starter.
>
> It may be worth us getting together and suggesting some titles to them to
> publish.
>
> SteveG
>

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Subject: Re: A Trickster Tale
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 3 Nov 2004 09:29:34 -0000
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>I am in need of a lift on this day after.Whilst I was an undergraduate Reagan was elected. An American post grad.
came in wearing a black arm band and a very professionally made badge
(button) saying:"George III was right, we Americans are not fit to govern themselves".I wonder what she is saying today!!Best regards,Dave
PS We aren't any better...........

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Subject: Re: James Rodgers/Charles Guiteau
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 05:11:08 EST
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text/plain(26 lines) , text/html(33 lines)


Sorry, your browser doesn't support iframes.


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Subject: Re: My order
From: Mike Luster <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 08:44:27 EST
Content-Type:text/plain
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David,Any news on my electronic ESPB for Mac? Its been over a year now.....Mike Luster
611 A Roselawn Ave
Monroe, LA  71201

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Subject: Re: James Rodgers/Charles Guiteau
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 09:34:36 -0500
Content-Type:text/plain
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On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:>> On 11/3/04, Jack Campin wrote:
>>
>>>I think there's a song about Czolgocz too, isn't there?
>
Is there a patern here?
:-)>On 11/3/04, Bob Waltz answered:
>
>> Well -- there's "McKinley Hollered/White House Blues," recorded by
>> Charlie Poole among others. Also used for "Cannonball Blues."
>
>Exactly.  I remember a verse to a version of Whitehouse Blues that went
>something like
>
>Zolgotz you done him wrong
>Shot McKinley he was walking along
>In Buffalo. In Buffalo.This ver. omited by Bob (well, it could happen)
"Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it under
Mister McKinley {White House Blues} but I think it's a separate song.)Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
        Oh, they tell me Mr. Garfield been shot down, shot down,
        He's feelin' mighty low;
        Oh, they tell me Mr. Garfield been shot.No source is given for it except 'trad.'-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: A Trickster Tale
From: Stephanie Crouch <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 08:44:33 -0600
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Thanks Ed.  I needed that.Peace,Stephanie Crouch

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Subject: Re: A Trickster Tale
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:43:12 -0500
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So did I.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Stephanie Crouch
Sent: Thursday, November 04, 2004 9:45 AM
To: [unmask]
Subject: Re: A Trickster TaleThanks Ed.  I needed that.Peace,Stephanie Crouch

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Subject: Re: James Rodgers/Charles Guiteau
From: John Garst <[unmask]>
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Date:Thu, 4 Nov 2004 10:52:49 -0500
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>On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:
>
>>>  On 11/3/04, Jack Campin wrote:
>>>
>>>>I think there's a song about Czolgocz too, isn't there?
>>
>Is there a patern here?
>:-)
>
>>On 11/3/04, Bob Waltz answered:
>>
>>>  Well -- there's "McKinley Hollered/White House Blues," recorded by
>>>  Charlie Poole among others. Also used for "Cannonball Blues."
>>
>>Exactly.  I remember a verse to a version of Whitehouse Blues that went
>>something like
>>
>>Zolgotz you done him wrong
>>Shot McKinley he was walking along
>>In Buffalo. In Buffalo.
>
>This ver. omited by Bob (well, it could happen)
>"Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it under
>Mister McKinley {White House Blues} but I think it's a separate song.)According to Robert W. Gordon, "Delia" was first sung in the spring
of 1901.  McKinley was assassinated in the fall of that year.  Some
early versions of "Delia" and "McKinley" use the same tune and have
several verses in common (in variants, of course).  At least one
version of "Delia" uses a "Buffalo" tag line!>
>Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
>Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
>         Oh, they tell me Mr. Garfield been shot down, shot down,
>         He's feelin' mighty low;
>         Oh, they tell me Mr. Garfield been shot.
>
>No source is given for it except 'trad.' From Bascom Lamar Lunsford who got it from a NC informant.  I think
there is a version, perhaps by the same informant, in the RW Gordon
papers.>                   I am Abby Sale - in Orlando, Florida
>
--
john garst    [unmask]

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Subject: Re: James Rodgers/Charles Guiteau
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Subject: Re: James Rodgers/Charles Guiteau
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Subject: Re: James Rodgers/Charles Guiteau
From: Paul Stamler <[unmask]>
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Date:Thu, 4 Nov 2004 10:20:14 -0600
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----- Original Message -----
From: "Abby Sale" <[unmask]><<Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
        Oh, they tell me Mr. Garfield been shot down, shot down,
        He's feelin' mighty low;
        Oh, they tell me Mr. Garfield been shot.No source is given for it except 'trad.'>>Art got it from Bascom Lamar Lunsford's Library of Congress recording; he
says so in the last verse. Lunsford said he collected it in, I believe,
1908.Peace,
Paul

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Subject: Re: A Trickster Tale
From: Beth Brooks <[unmask]>
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Date:Thu, 4 Nov 2004 11:43:06 -0500
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Me too. Those of us in "red" states are really feeling like freaks.Beth
Indianapolis>>> [unmask] 11/04/04 10:43 AM >>>
So did I.        Marge-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Stephanie Crouch
Sent: Thursday, November 04, 2004 9:45 AM
To: [unmask]
Subject: Re: A Trickster TaleThanks Ed.  I needed that.Peace,Stephanie Crouch

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Subject: Re: A Trickster Tale
From: Paul Stamler <[unmask]>
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Date:Thu, 4 Nov 2004 10:49:20 -0600
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----- Original Message -----
From: "Beth Brooks" <[unmask]><<Me too. Those of us in "red" states are really feeling like freaks.>>This might cheer you up:http://www.mirror.co.uk/frontpages/Peace,
Paul

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Subject: cock robin sinister?
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 11:52:10 -0500
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Oh wise ones,
  I just saw this little teaser, as I was teaching the great song to my
third graders:Eager, Alan R. "Who Killed Cock Robin?" Assistant Librarian, 49:196-98,
December 1956. E3In this whimsical essay, an Irishman discovers hidden and sinister
meaning in My First Book of Nursery Rhymes and decides to place it out
of reach of his little daughter.Unable to find a copy nearby of "Assistant lLibrarian". could anyone
give me a thumbnail of the "hidden and sinister meaning"?Beth

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Subject: Speaking of George III
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 08:59:34 -0800
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Dave:I received this from a British correspondent on November 3.  She wrote, and I quote:"The following seems to have been revived/rehashed:"To the citizens of the former United States of America,"In the event of inability to nominate a sentient candidate for President of
the USA, we hereby give notice of the revocation of your nationhood before
you can once again make fools of yourself when it comes to actually voting.
To save you the effort of deciding whether your chads are hanging or merely
pregnant, Her Sovereign Majesty Queen Elizabeth II intends to resume
monarchial duties over all states, effective immediately. To help the Royal
coffers, she intends to realise the land value by disposing of the territory
in parcels as follows:-"Texas will formally become part of Mexico; this formalises the current
arrangement as the state is already a defacto part of Mexico. We hope the
formalisation of its status will improve the cuisine. To give the Mexicans
more lebensraum Utah, Arizona, New Mexico, Colorado, Kansas, Oklahoma and
Missouri will also become part of Mexico. Alaska will be given back to
Russia. Inhabitants of the aforementioned states are advised to enrol on
language courses, although considering how badly they speak English, their
new landlords might resent having their languages mangled in a similar
fashion."Washington, Oregon, Idaho, Montana, Wyoming, the Dakotas, Nebraska,
Minnesota and Iowa will all be given to Canada and become part of the
British Commonwealth. The majority of Canada's population is crammed up
against their warmer southern border, so we believe it only fair they get a
bit of breathing room. Inhabitants of those regions will need to get used to
things such as Mounties, good manners and speaking French. Louisiana,
Mississippi, Arkansas and Alabama, which her Majesty considers somewhat
backward, will be renamed Arcadia and given to the Quebecois as an
independent country. We have been to Quebec and noticed that it gets a bit
chilly and they are always petitioning for independence, so we've decided to
give it to them."All lawyers and political correctness campaigners will be transported to
Nevada. So much of America is run by lawyers, for the benefit of lawyers,
that they are considered a degenerate separate race and will be given their
own country.  There will be strict border controls and they will not be
permitted passports. By the time the lawyers have finished suing each other
over what to call the new country, they will have died out. Political
correctness campaigners will be too busy with circumlocutions to ever get
around to breeding. Elsewhere, lawyers will largely be replaced by
something currently missing from American society - common sense. The reason
the USA has become so litigious is a ploy by its real ruling class -
lawyers - to remain rich and in control."Florida will be given to Israel, since its inhabitants are already so
obsessed with what goes on in that country. When technology permits, it will
be air-freighted to the Middle East. Your hazy grasp of world geography
means you probably won't notice anything except the lack of regular tropical
storms. California will be given its independence as a gay state. Feel free
to paint it pink, rename it or whatever you like, but don't get too attached
to any seafront properties as another couple of quakes will see most of it
fall into the sea."Her Majesty rather fancies Hawaii as a royal retreat and a playboy paradise
for Princes William and Harry. It will make a change from all those skiing
holidays at Klosters. After all, the Queen and Duke are not getting any
younger and would prefer to over-winter in warmer climes. The remaining
states, i.e. those not mentioned individually, will be turned over to native
American rule. In the interest of fairness, descendants of early colonists
will get their beads back. Anyone descended from immigrant stock, which is
most of you, will be moved into a reservation. We suggest Manhattan Island,
though it might get a bit crowded."Thank you for your co-operation and have a nice day."----- Original Message -----
From: Dave Eyre <[unmask]>
Date: Wednesday, November 3, 2004 1:29 am
Subject: Re: A Trickster Tale> >I am in need of a lift on this day after.
>
> Whilst I was an undergraduate Reagan was elected. An American post
> grad.came in wearing a black arm band and a very professionally
> made badge
> (button) saying:
>
> "George III was right, we Americans are not fit to govern themselves".
>
> I wonder what she is saying today!!
>
> Best regards,
>
> Dave
> PS We aren't any better...........
>

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Subject: Re: A Trickster Tale
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 12:20:03 -0500
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Thanks for the chuckle. I guess it could be worse!B>>> [unmask] 11/04/04 11:49 AM >>>
----- Original Message -----
From: "Beth Brooks" <[unmask]><<Me too. Those of us in "red" states are really feeling like freaks.>>This might cheer you up:http://www.mirror.co.uk/frontpages/Peace,
Paul

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Subject: Re: James Rodgers/Charles Guiteau
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 09:55:13 -0800
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Folks:In Loyal Jones' _Minstrel of the Appalachians,_ pp. 151, 152, he lists "Czolgotz  (or Buffalo, about the assassin of President McKinley)"  but gives no informant's name; AND "Mr. Garfield (A somewhat light treatment of the assassination of President Garfield in 1881.)  Anderson Williams, Henderson County, North Carolina (1903)."Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Thursday, November 4, 2004 7:52 am
Subject: Re: James Rodgers/Charles Guiteau> >On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:
> >
> >>>  On 11/3/04, Jack Campin wrote:
> >>>
> >>>>I think there's a song about Czolgocz too, isn't there?
> >>
> >Is there a patern here?
> >:-)
> >
> >>On 11/3/04, Bob Waltz answered:
> >>
> >>>  Well -- there's "McKinley Hollered/White House Blues,"
> recorded by
> >>>  Charlie Poole among others. Also used for "Cannonball Blues."
> >>
> >>Exactly.  I remember a verse to a version of Whitehouse Blues
> that went
> >>something like
> >>
> >>Zolgotz you done him wrong
> >>Shot McKinley he was walking along
> >>In Buffalo. In Buffalo.
> >
> >This ver. omited by Bob (well, it could happen)
> >"Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it
> under>Mister McKinley {White House Blues} but I think it's a
> separate song.)
>
> According to Robert W. Gordon, "Delia" was first sung in the spring
> of 1901.  McKinley was assassinated in the fall of that year.  Some
> early versions of "Delia" and "McKinley" use the same tune and have
> several verses in common (in variants, of course).  At least one
> version of "Delia" uses a "Buffalo" tag line!
>
> >
> >Also, there's the lovely cante-fable, "Mister Garfield" as sung by
> Art>Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
> >         Oh, they tell me Mr. Garfield been shot down, shot down,
> >         He's feelin' mighty low;
> >         Oh, they tell me Mr. Garfield been shot.
> >
> >No source is given for it except 'trad.'
>
> From Bascom Lamar Lunsford who got it from a NC informant.  I think
> there is a version, perhaps by the same informant, in the RW Gordon
> papers.
>
> >                   I am Abby Sale - in Orlando, Florida
> >
> --
> john garst    [unmask]
>

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Subject: Re: James Rodgers/Charles Guiteau
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 13:04:35 -0500
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If there *is* a song about Czolgocz (the man who murdered McKinley, by the
way -- Guiteau shot Garfield) I'd love to hear or see it --  just to see
what rhymes with Czolgocz...
Roy Berkeley
----- Original Message -----
From: "Jack Campin" <[unmask]>
To: <[unmask]>
Sent: Wednesday, November 03, 2004 9:09 PM
Subject: James Rodgers/Charles Guiteau>I have just been looking at Albert Friedman's "The Penguin Book
> of Folk Ballads of the English-Speaking World" and thinking I
> really ought to learn "Charles Guiteau".  Easy enough to think
> of tunes that will fit, but was there a specific tune intended
> for its parent, "The Lamentation of James Rodgers"?  (Friedman
> references Louise Pound, "American Ballads and Songs", 1922,
> which I haven't seen).
>
> I think there's a song about Czolgocz too, isn't there?
>
>
> -----------------------------------------------------------------------------
> Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131
> 6604760
> <http://www.purr.demon.co.uk/jack>     *     food intolerance data &
> recipes,
> Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro,
> Embro".
> ---> off-list mail to "j-c" rather than "ballad-l" at this site, please.
> <---

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Subject: Re: cock robin sinister?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:12:13 -0800
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BethAccording to the wisest of the wise, Iona and Peter Opie (_Oxford Dictionary of Nursery Rhymes_) one theory has it that the song is a coded explanation of the political fall of Prime Minister Robert Walpole's government  in 1742.  Sinister?  I dunno.Ed----- Original Message -----
From: Beth Brooks <[unmask]>
Date: Thursday, November 4, 2004 8:52 am
Subject: cock robin sinister?> Oh wise ones,
>  I just saw this little teaser, as I was teaching the great song
> to my
> third graders:
>
> Eager, Alan R. "Who Killed Cock Robin?" Assistant Librarian, 49:196-
> 98,December 1956. E3
>
> In this whimsical essay, an Irishman discovers hidden and sinister
> meaning in My First Book of Nursery Rhymes and decides to place it out
> of reach of his little daughter.
>
> Unable to find a copy nearby of "Assistant lLibrarian". could anyone
> give me a thumbnail of the "hidden and sinister meaning"?
>
> Beth
>

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Subject: Re: cock robin sinister?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:16:26 -0800
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> According to the wisest of the wise, Iona and Peter Opie (_Oxford
Dictionary of Nursery Rhymes_) one theory has it that the song is a coded
explanation of the political fall of Prime Minister Robert Walpole's
government  in 1742.  Sinister?  I dunno.
>
Sounds like a Prime Sinister to me.
Norm

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Subject: Re: cock robin sinister?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 10:26:44 -0800
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----- Original Message -----
From: Norm Cohen <[unmask]>
Date: Thursday, November 4, 2004 10:16 am
Subject: Re: cock robin sinister?> > According to the wisest of the wise, Iona and Peter Opie (_Oxford
> Dictionary of Nursery Rhymes_) one theory has it that the song is a
> codedexplanation of the political fall of Prime Minister Robert
> Walpole'sgovernment  in 1742.  Sinister?  I dunno.
> >
> Sounds like a Prime Sinister to me.
> Norm
>Well, Walpole was a Slime Minister.Ed

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Subject: Re: James Rodgers/Charles Guiteau
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 14:53:52 -0500
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Sounds like Art Thieme got the song from the Bascom Lunsford recording
----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Thursday, November 04, 2004 9:34 AM
Subject: Re: James Rodgers/Charles Guiteau> On Wed, 3 Nov 2004 22:27:47 -0500, bennett schwartz wrote:
>
>>> On 11/3/04, Jack Campin wrote:
>>>
>>>>I think there's a song about Czolgocz too, isn't there?
>>
> Is there a patern here?
> :-)
>
>>On 11/3/04, Bob Waltz answered:
>>
>>> Well -- there's "McKinley Hollered/White House Blues," recorded by
>>> Charlie Poole among others. Also used for "Cannonball Blues."
>>
>>Exactly.  I remember a verse to a version of Whitehouse Blues that went
>>something like
>>
>>Zolgotz you done him wrong
>>Shot McKinley he was walking along
>>In Buffalo. In Buffalo.
>
> This ver. omited by Bob (well, it could happen)
> "Mister MacKinley," Lomax, FSNA, song #143.  (The BI does list it under
> Mister McKinley {White House Blues} but I think it's a separate song.)
>
> Also, there's the lovely cante-fable, "Mister Garfield" as sung by Art
> Thieme on _On the Wilderness Road_, Folk-Legacy, 1986:
>        Oh, they tell me Mr. Garfield been shot down, shot down,
>        He's feelin' mighty low;
>        Oh, they tell me Mr. Garfield been shot.
>
> No source is given for it except 'trad.'
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                  I am Abby Sale - in Orlando, Florida
>                        Boycott South Carolina!
>        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 14:56:19 -0500
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>>----- Original Message -----
>>From: "John Garst" <[unmask]>
>>
>>
>><<In 1928 Newman I. White, in "American Negro Folk-Songs," published a
>>four-verse fragment of a ballad, "Engineer Rigg," with the following
>>note:
>>
>>"This old song was made up directly after the Negro excursion
>>completely packed with Negroes from Greenville, N.C., and bound for
>>Norfolk, Va., happened with the misfortune as to run into the Western
>>Branch on account of the bridge keeper did not know of the
>>excursion's schedule."
>>...
>>
>>Does anyone have any specifics on this tragedy or tips on getting some?>>
>
>I googled "excursion greenville norfolk accident". The first hit got me
>this:
>
>http://www.lib.ecu.edu/NCCollPCC/er1905.htm
>
>This is, from the look of it, the index for the 1905 editions of the
>Greenville, NC Daily Reflector. Among the suggestive entries (along with
>some provocative items like "Death of Louis Nobles, 110, good Negro" and
>"Child eaten by shark") I found:
>
>Train wreck, excursion of Greenville citizens - 18 August, 1905; 19 August,
>1905
>Bruce - station of railroad between Norfolk and Suffolk - 22 August, 1905
>Bridge accident - 28 August, 1905
>
>These dates might be worth following up. The index is published by:
>
>Joyner Library
>East Carolina University
>East Fifth Street, Greenville, NC 27858-4353 USA
>252.328.6131
>
>With luck, they include the paper in their holdings. I hope so; in addition
>to the possible origin of the "Engineer Riggs" ballad, there are some
>fascinating glances into the life of a small southern city. The Moye family
>seem to occupy a remarkable number of headlines. Presumably they were THE
>family in town.
>
>Peace,
>PaulOK, Paul, you nailed it!  I've enquired of the Joyner Library with
only an acknowledgment, so far, but I also went to Frank Brown, an
officer of Norfolk Southern, who gave me the information that the
accident could not have been on that line and so must have been on
the Atlantic Coast Line.  Then I went to an ACL forum and got replies
with the following information from Michael Savchak and Harry Bundy,
slightly edited from their words.On the Atlantic Coast Line on August 17, 1905 at a drawbridge over
the Western Branch of the Elizabeth River. A six car train carrying
an excursion party of blacks from Greenville NC was approaching an
open drawbridge. It was broad daylight and the line was tangent
track.  There were two fixed signals-one a warning signal half a mile
from the drawbridge and a stop signal 300 feet from the drawbridge.
The operating rules required all trains to stop at the drawbridge
before proceeding  across. In addition, the bridge tender placed a
red flag in the middle of the track and the drawbridge was crosswise
to the track.  The train, however, proceeded at full speed until some
500 feet from the drawbridge, when a porter on the train operated an
emergency brake valve.The train went into emergency, but the momentum was too great and the
engine and the first two cars went into the river. The river was 25
feet deep at the bridge and the fireman and 14 passengers were
drowned.The engineer of the train, D. L. Reig, had never traveled over this
line before, but he could not give an explanation as to why he
ignored the signals and other visual clues as to the status of the
drawbridge.All references to this wreck note that the train was a special
excursion for blacks. Since the fireman was the only crew member
killed, it is possible that he was white, however, at that time, many
firemen on the ACL were black.Perhaps a search of the local newspapers in Norfolk for that time may
provide more details.  This wreck occurred five years before the ICC
started to investigate railroad accidents, so further details are not
available from ICC records.
                                      -Michael SavchakExcerpts from THE RAILROAD GAZETTE indicate that the train was
carrying 169 passengers, "it appears that there is no derailing
switch at the draw and that, according to rule, the train should have
come to a full stop before crossing. . . . .It is said that at
Bruce's station, a mile west of the drawbridge, he (Engr Reigs) had
received an all-clear block signal for the block section in which the
drawbridge is situated. An officer of the road is reported as saying
that this block signal had nothing to do with the drawbridge; in
other words, that while it gives the right to the road throughout the
block section, this right is subject to the liability of being
stopped at the draw by a signal from the draw tender."
                                       -Harry BundyHere is the unexpurgated version of the text published by White.  As
you can see, it is not exactly politically correct!  It was "reported
from Durham, NC, 1919, manuscript of D. T. Miller."  You can see a
kinship to "Casey Jones" in the opening lines, so I assume that a
"Casey Jones"/"Joseph Mica"/"Dummy Line" tune was used.Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,
But to pull off his overalls and put on his pants,
And get ready to dump them niggers in the Western Branch.The fireman looked him square in the face,
As if he wanted a moment of grace.
The fireman said just as quick as could be,
To stop that train and make me life free.The drawbridge was open when they rounded the bend,
And to have stopped that train, oh! an awful sin,
So he let her go with still more steam,
Till all but two cars went down in the stream.They pulled niggers out of there for six long days,
And sent them home to be put in their graves.
Oh! sad it was for the women to see,
That their only nigger was just as dead a could be.White includes this in American Negro Folk Songs, but the perspective
of the text leads me to wonder.  I suppose that blacks could have
referred to members of their race as "them niggers," but I'm
suspicious.What do you think?John--
john garst    [unmask]

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Subject: Re: Engineer Rigg
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 14:10:48 -0600
Content-Type:text/plain
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On 11/4/04, John Garst wrote:>>>----- Original Message -----
>>>From: "John Garst" <[unmask]>
>>>
>>>
>>><<In 1928 Newman I. White, in "American Negro Folk-Songs," published a
>>>four-verse fragment of a ballad, "Engineer Rigg," with the following
>>>note:
>>>
>>>"This old song was made up directly after the Negro excursion
>>>completely packed with Negroes from Greenville, N.C., and bound for
>>>Norfolk, Va., happened with the misfortune as to run into the Western
>>>Branch on account of the bridge keeper did not know of the
>>>excursion's schedule."
>>>...
>>>
>>>Does anyone have any specifics on this tragedy or tips on getting some?>>
>>
>>I googled "excursion greenville norfolk accident". The first hit got me
>>this:
>>
>>http://www.lib.ecu.edu/NCCollPCC/er1905.htm
>>
>>This is, from the look of it, the index for the 1905 editions of the
>>Greenville, NC Daily Reflector. Among the suggestive entries (along with
>>some provocative items like "Death of Louis Nobles, 110, good Negro" and
>>"Child eaten by shark") I found:
>>
>>Train wreck, excursion of Greenville citizens - 18 August, 1905; 19 August,
>>1905
>>Bruce - station of railroad between Norfolk and Suffolk - 22 August, 1905
>>Bridge accident - 28 August, 1905
>>
>>These dates might be worth following up. The index is published by:Suddenly, reading all this, a light went off and I dug up "The Hamlet
Wreck." It may be a separate accident, but it's from the same general
area, around the same time; there may be conflation of incidents.Full Ballad Index entry for "The Hamlet Wreck":NAME: Hamlet Wreck, The
DESCRIPTION: "See the women and children going on the train, Fare-you-well,
   my husband, if I never see you again." The train runs late, and collides
   with a local (?). The rest of the song amplifies the repeated line, "So
   many have lost their lives"
AUTHOR: unknown
EARLIEST DATE: 1929 (Durham Morning Herald)
KEYWORDS: train wreck death disaster
HISTORICAL REFERENCES: July 27, 1911 - The Hamlet Wreck
FOUND IN: US(SE)
REFERENCES (1 citation):
BrownII 290, "The Hamlet Wreck" (1 text)
Roud #6634
NOTES: The notes in Brown say that the passenger train involved in this
   wreck was a special carrying some 900 members of St. Joseph's African
   Methodist Episcopal Church on an annual outing (from Durham to
   Charlotte). The collision occurred near the town of Hamlet, and at least
   8 people killed and 88 injured.
The piece apparently was first printed as a broadside credited to Franklin
   Williams and William Firkins, but Brown left a note expressing strong
   doubts about the attribution. I must say, though, it looks like a
   composed song to me -- and not one which circulated much in oral
   tradition. Had it been created orally, there would have been more
   personal stories included. - RBW
File: BrII290--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Speaking of George III
From: Steve Gardham <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:32:45 -0500
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Au contraire,
I thought Tony Blair was intent on making the UK the 50-somethingth state.
SteveG

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Subject: [[unmask]: Re: A Trickster Tale]
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 12:37:46 -0800
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----- Forwarded message from Cal Lani Lani Herrmann <[unmask]> -----Date: Thu, 4 Nov 2004 12:18:22 -0800
From: Cal Lani Lani Herrmann <[unmask]>
To: [unmask]
Subject: Re: A Trickster TaleHi Ed,
Seems to me there were several similar stories floating
around the 'net a while ago.  One was about a father
who needed his woodpile chopped for the winter, another
where the task was again spring plowing.  In both these
situations the solution was a letter about where the
'stash' was, and the gummint agency was the DEA.  Would
you consider this a trickster tale or an urban legend?
        ....I'm still working on my booklist, a work in progress.
Trouble is I keep adding things, and I am a pack rat
in extremis...  Hope you had a happy Hallowe'en at least.
-- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360----- End forwarded message -----

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Subject: Re: [[unmask]: Re: A Trickster Tale]
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:44:56 -0500
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WEll, I first heard it from Myron Cohen (about a series of letters
between a deported mafiosi and his mother, with the FBI doing the
digging.) in the middle 50s.dick greenhausCal Lani Lani Herrmann wrote:>----- Forwarded message from Cal Lani Lani Herrmann <[unmask]> -----
>
>Date: Thu, 4 Nov 2004 12:18:22 -0800
>From: Cal Lani Lani Herrmann <[unmask]>
>To: [unmask]
>Subject: Re: A Trickster Tale
>
>Hi Ed,
>Seems to me there were several similar stories floating
>around the 'net a while ago.  One was about a father
>who needed his woodpile chopped for the winter, another
>where the task was again spring plowing.  In both these
>situations the solution was a letter about where the
>'stash' was, and the gummint agency was the DEA.  Would
>you consider this a trickster tale or an urban legend?
>        ....I'm still working on my booklist, a work in progress.
>Trouble is I keep adding things, and I am a pack rat
>in extremis...  Hope you had a happy Hallowe'en at least.
>-- Aloha, Lani
>
><||> Lani Herrmann * [unmask] (or: [unmask])
><||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
>
>----- End forwarded message -----
>
>
>
>
>
>

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Subject: Re: Engineer Rigg
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:10:51 -0600
Content-Type:text/plain
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----- Original Message -----
From: "John Garst" <[unmask]><<Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,
But to pull off his overalls and put on his pants,
And get ready to dump them niggers in the Western Branch.The fireman looked him square in the face,
As if he wanted a moment of grace.
The fireman said just as quick as could be,
To stop that train and make me life free.The drawbridge was open when they rounded the bend,
And to have stopped that train, oh! an awful sin,
So he let her go with still more steam,
Till all but two cars went down in the stream.They pulled niggers out of there for six long days,
And sent them home to be put in their graves.
Oh! sad it was for the women to see,
That their only nigger was just as dead a could be.White includes this in American Negro Folk Songs, but the perspective
of the text leads me to wonder.  I suppose that blacks could have
referred to members of their race as "them niggers," but I'm
suspicious.What do you think?>>I think it's possible; there are other songs, known to be from black
tradition, where "nigger" means, essentially, "person". In this case,
though, my gut feeling is that the origin is white minstrel. No evidence,
you understand, but a gut feeling, which you can and should discount.Peace,
Paul

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Subject: Re: [[unmask]: Re: A Trickster Tale]
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 15:15:48 -0600
Content-Type:text/plain
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----- Original Message -----
From: "dick greenhaus" <[unmask]><<WEll, I first heard it from Myron Cohen (about a series of letters
between a deported mafiosi and his mother, with the FBI doing the
digging.) in the middle 50s.>>I've heard it from a northern English folk-revivalist about a Scots
bank-robber.Peace,
Pauldick greenhausCal Lani Lani Herrmann wrote:>----- Forwarded message from Cal Lani Lani Herrmann
<[unmask]> -----
>
>Date: Thu, 4 Nov 2004 12:18:22 -0800
>From: Cal Lani Lani Herrmann <[unmask]>
>To: [unmask]
>Subject: Re: A Trickster Tale
>
>Hi Ed,
>Seems to me there were several similar stories floating
>around the 'net a while ago.  One was about a father
>who needed his woodpile chopped for the winter, another
>where the task was again spring plowing.  In both these
>situations the solution was a letter about where the
>'stash' was, and the gummint agency was the DEA.  Would
>you consider this a trickster tale or an urban legend?
>        ....I'm still working on my booklist, a work in progress.
>Trouble is I keep adding things, and I am a pack rat
>in extremis...  Hope you had a happy Hallowe'en at least.
>-- Aloha, Lani
>
><||> Lani Herrmann * [unmask] (or: [unmask])
><||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
>
>----- End forwarded message -----
>
>
>
>
>
>

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Subject: Re: My order
From: Kathy Kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 16:01:38 -0600
Content-Type:text/plain
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I'm afraid I have competely forgotten about this--something not that
uncommon anymore, sadly.  What is ESPB?  And since I run a PC machine, I'm
not likely to have Mac items.  Sorry to have to ask you to elaborate.Dave Gardner----- Original Message -----
From: "Mike Luster" <[unmask]>
To: <[unmask]>
Sent: Thursday, November 04, 2004 7:44 AM
Subject: Re: My order> David,
>
> Any news on my electronic ESPB for Mac? Its been over a year now.....
>
> Mike Luster
> 611 A Roselawn Ave
> Monroe, LA  71201

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Subject: Ebay List - 11/04/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 22:53:56 -0500
Content-Type:text/plain
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Hi!        Amid the falling leaves, I have found the following on Ebay.        SONGSTERS        3758971258 - 2 Mutt & Jeff Songsters, 1911 & 1913, $9.99 (ends
Nov-07-04 19:14:11 PST)        6934314146 - The Rough and Ready Songster, 1848, $36 (ends
Nov-07-04 19:15:00 PST)        MISCELLANEOUS        4500051321 - JOURNAL OF THE IRISH FOLK SONG SOCIETY, Vol. VI, 1908,
$15 (ends Nov-05-04 08:00:27 PST)        4048887462 - Bury Me beneath the Willow: A Treasury of Southern
Mountain Folk Songs and Ballads, LP, $5 (ends Nov-08-04 14:35:08 PST)        4049454521 - Authentic Cowboys and Their Western Folksongs, LP,
1964, $4.99 (end Nov-10-04 20:49:37 PST)        SONGBOOKS        3758614208 - AUTHENTIC AUSTRALIAN BUSH BALLADS by Meredith & Scott,
1960, $5 (ends Nov-06-04 10:19:29 PST)        4500332869 - Maritime Folk Songs by Creighton, 1961, $3.99 (ends
Nov-06-04 15:54:34 PST)        3758858750 - Great Western Folk Songs and Ballads, 1964, $4.99
(ends Nov-07-04 11:58:26 PST)        4500527183 - English Folk Song - Some Conclusions by Sharp, 1965,
8.85 GBP (ends Nov-07-04 14:01:35 PST)        2497131872 - WHERE IS SAINT GEORGE? by Stewart, 1977, 4.99 GBP
(ends Nov-07-04 14:27:25 PST)        6934382063 - Songs and Ballads from Nova Scotia by Creighton, 1966
Dover edition, $9.99 (ends Nov-07-04 16:41:18 PST)        6934401644 - Scottish Chapbook Literature by Harvey, 1971 reprint,
$9.95 (ends Nov-07-04 19:39:29 PST)        6336890010 - Poverty Knock by Palmer, 1980 edition, $18 (ends
Nov-08-04 02:48:08 PST)        4500178143 - Cecil Sharp's Collection of English Folk Sings by
Karpeles, volume 2, 1974, $51.50 (ends Nov-08-04 17:57:18 PST)        4500824658 - Only A Miner by Green, 1972, $24.99 (ends Nov-08-04
18:05:19 PST)        4500249532 - Discovering English Folksong by Pollard, 1980, 1.99
GBP (ends Nov-09-04 07:53:55 PST)        6934559795 - THE LEGENDARY BALLADS OF ENGLAND AND SCOTLAND by
Roberts, 1879, $20 (ends Nov-09-04 08:42:08 PST)        6934597909 - OLD ENGLISH BALLADS by Gummere, 1897, $2 (ends
Nov-09-04 13:45:32 PST)        6934565095 - WHITE SPIRITUALS IN THE SOUTHERN UPLANDS by Jackson,
1964, $49.95 (end Nov-09-04 19:00:00 PST)        4501576140 - WIT AND MIRTH, OR PILLS TO PURGE MELANCHOLY by D'Urfey,
facisimile of 1876 edition, $125 (ends Nov-11-04 10:40:58 PST)        6934522293 - Minstrelsy of the Scottish Border, volume 3, $29.99
AU (ends Nov-11-04 20:52:43 PST)        6934587735 - THE SEVEN SEAS SHANTY BOOK by Sampson, 1926, 3.55
GBP (ends Nov-12-04 12:18:56 PST)        3759377639 - Songs of the Midlands by Palmer, 1972, 7.50 GBP (ends
Nov-12-04 14:55:56 PST)        4501483777 - Songs SUNG in SUFFOLK by Howson, 1992, 2.70 GBP (ends
Nov-14-04 04:25:38 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Pirated Edition?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 4 Nov 2004 21:10:59 -0800
Content-Type:text/plain
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Folks:Dolores Nichols has posted this entry in her weekly scavenging of ebay:4501576140 - WIT AND MIRTH, OR PILLS TO PURGE MELANCHOLY by D'Urfey,
facisimile of 1876 edition, $125 (ends Nov-11-04 10:40:58 PST)This would appear to be a ripoff of Kenneth S. Goldstein's Folklore Library reprint of the D'Urfey.  The dead giveaway is the introduction by Cyril Day.A shabby business this.Ed

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Subject: Re: James Rodgers/Charles Guiteau
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 10:18:56 -0500
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I'm not sure anyone actually answered Jack's question.  There's Manfred's
site http://www.fortunecity.com/tinpan/parton/2/guit1.html with all the
texts requested.  Max Hunter has three field recordings of the standard
'My name is Charles Guiteau' text/tune at
http://www.fortunecity.com/tinpan/parton/2/guit1.html.  The slower ones
are the pace I've generally heard it.On Thu, 4 Nov 2004 13:04:35 -0500, Roy Berkeley wrote:>If there *is* a song about Czolgocz (the man who murdered McKinley, by the
>way -- Guiteau shot Garfield) I'd love to hear or see it --  just to see
>what rhymes with Czolgocz...McKinley's shot by bad Czolgosz
And all the folk said, "Oh my gosh!"(I think his family was Russian, not Czeck, but I've always thought it
_should_ be 'tcholgosh.'  In folkdom it seem more likely to be as Kolgosh
& that's what counts, of course.)On Thu, 4 Nov 2004 10:54:17 EST, Fred McCormick wrote:
>
>Mister Garfield is  on the
>Library of Congress LP, Songs and Ballads of American History and of the
>Assassination of Presidents, which I mentioned this morning. It's sung  by Bascom Lamar Lunsford.One I missed.  I'll order it today.  (I like my red ones best.  Sentimetal
value.  I wonder why they stopped making them in red?)Gee!  It's available on CD.  What an odd way to buy records!  I hope it's
not lonely not being on my shelf with all its LP friends.
----- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: A Trickster Tale
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 10:27:01 -0500
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On Thu, 4 Nov 2004 12:20:03 -0500, Beth Brooks wrote:>Thanks for the chuckle. I guess it could be worse!
>Ada Prill wrote:"Be of good cheer. This, too, shall pass. I've had kidney stones, so I
know whereof I speak."--- Lee Hays, November 1980-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 14:24:32 -0500
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Engineer Rigg ("Local title" - N. I. White, 1928)Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,
But to pull off his overalls and put on his pants,
And get ready to dump them niggers in the Western Branch.The fireman looked him square in the face,
As if he wanted a moment of grace.
The fireman said just as quick as could be,
To stop that train and make me life free.The drawbridge was open when they rounded the bend,
And to have stopped that train, oh! an awful sin,
So he let her go with still more steam,
Till all but two cars went down in the stream.They pulled niggers out of there for six long days,
And sent them home to be put in their graves.
Oh! sad it was for the women to see,
That their only nigger was just as dead a could be.Much of this is disturbing to me.Why is the title "Engineer Rigg" when the song is about an accident
that Engineer D. L. Reig(s) *survived* but the fireman and 14 African
American passengers were killed?Why the focus on "Rigg" when he was not a victim of the accident?Is the first half of the song sarcasm?Is the point that "Rigg" was *not* a "good engineer"?  (I think this
to be the case with some versions of "Casey Jones.")Is "while" in the third verse a corruption of "white," use here in
the sense of "good," as in the expression, "That's mighty white of
you"?  (At this time, I don't know the fireman's race, but I've been
told that many firemen on the ACL at that time were black.  There
were white firemen, though - Casey Jones was a fireman for a while.)What is the significance of the instructions to the fireman, to "pull
off his overalls and put on his pants"?Why are they getting "ready to dump them niggers in the Western
Branch"?  Things like this happen too quickly, I think, for such
deliberation.Should "life" in verse 2 read "live"?What is the "awful sin" in verse 3?  It appears to be "To have
stopped that train"!  Is this more sarcasm?Is the implication in the third verse that "Rigg" actually sped up
when he saw that he was bound to run into the river?Why would a sane person do that?Why would someone accuse the engineer of doing that?Why were men on the excursion without their wives/women?Only the last verse here is tragic, and even that one uses "nigger" freely.John
--
john garst    [unmask]

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Subject: Re: Engineer Rigg
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 13:39:40 -0600
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----- Original Message -----
From: "John Garst" <[unmask]><<Much of this is disturbing to me.Why is the title "Engineer Rigg" when the song is about an accident
that Engineer D. L. Reig(s) *survived* but the fireman and 14 African
American passengers were killed?Why the focus on "Rigg" when he was not a victim of the accident?Is the first half of the song sarcasm?Is the point that "Rigg" was *not* a "good engineer"?  (I think this
to be the case with some versions of "Casey Jones.")Is "while" in the third verse a corruption of "white," use here in
the sense of "good," as in the expression, "That's mighty white of
you"?  (At this time, I don't know the fireman's race, but I've been
told that many firemen on the ACL at that time were black.  There
were white firemen, though - Casey Jones was a fireman for a while.)>>Where's "while" in the third verse? In the version you printed, I didn't see
it.<<What is the significance of the instructions to the fireman, to "pull
off his overalls and put on his pants"?Why are they getting "ready to dump them niggers in the Western
Branch"?  Things like this happen too quickly, I think, for such
deliberation.Should "life" in verse 2 read "live"?What is the "awful sin" in verse 3?  It appears to be "To have
stopped that train"!  Is this more sarcasm?Is the implication in the third verse that "Rigg" actually sped up
when he saw that he was bound to run into the river?Why would a sane person do that?Why would someone accuse the engineer of doing that?Why were men on the excursion without their wives/women?>>If they were members of a fraternal society, that wouldn't be unlikely at
all.<<Only the last verse here is tragic, and even that one uses "nigger"
freely.>>As I said in an earlier post, at least sometimes, to black folks, "nigger"
meant "person". In the last verse that rings true to my ear, although it
doesn't in the earlier verses.Some of the oddness of this song may come from its being a rewrite of a
"Joseph Mica"-family song. Some images that don't make sense may have leaked
over from the old version.Peace,
Paul

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 14:49:45 -0500
Content-Type:text/plain
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>>Is "while" in the third verse a corruption of "white," use here in
>>the sense of "good," as in the expression, "That's mighty white of
>>you"?  (At this time, I don't know the fireman's race, but I've been
>>told that many firemen on the ACL at that time were black.  There
>>were white firemen, though - Casey Jones was a fireman for a while.)>>
>
>Where's "while" in the third verse? In the version you printed, I didn't see
>it.My error - should have read "first" verse.Engineer Rigg was a good engineer,
He told his fireman 't was not while to fear,>>Why were men on the excursion without their wives/women?>>
>
>If they were members of a fraternal society, that wouldn't be unlikely at
>all.Good point, and one that it might be possible to check out.  It also
occurs to me that children could have been a problem and the women
might have stayed home with them.  Perhaps it would have been
financially prohibitive to take the whole family.>>Only the last verse here is tragic, and even that one uses "nigger"
>>freely.
>
>As I said in an earlier post, at least sometimes, to black folks, "nigger"
>meant "person". In the last verse that rings true to my ear, although it
>doesn't in the earlier verses.Also my sense.>Some of the oddness of this song may come from its being a rewrite of a
>"Joseph Mica"-family song. Some images that don't make sense may have leaked
>over from the old version.If so, we need to find those images in other songs.>Peace,
>PaulJohn--
john garst    [unmask]

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Subject: Re: Engineer Rigg
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 19:05:22 -0500
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Railroad firemen were usually Black -- it was a difficult, uncomfortable and
frequently dangerous job -- until the job was unionized -- at which point
Blacks were excluded from the job.  The dirty little truth is that the
unions were white-supremacist for the most part. Certainly, the older AFL
unions were internally democratic, but were appallingly racist.  When I
worked at the NYPost (1959-60) this was my observation.  The Typographers'
Union illustrated this point.  Lilly-White, all male, *very* prosperous (I
was Education Director for the union for a while, and the big problem was
getting the members to attend meetings, let alone my sessions on labor
history -- they'd gladly pay the steep fines for missing meetings, to spend
time on their boats) and absolutely democratic.  There were two parties
within the union and each published its own newspaper. The locals were
called "chapels" and there was a strong odor of Masonry/religiosity to the
whole thing. The skill of operating a Merganthaler Linotype machine was a
closely-held thing (the keyboard was *not* like a conventional typewriter
keyboard) and there was a strong tradition of father-to-son-to-grandson.  I
suppose what killed the thing was a combination of the change in technology
which bypassed the old composing room culture of newspapers and the
startling idea that people should have access to jobs based on their
individual skills and motivations.
Anyway -- the point of this rant is that unionization was not an unalloyed
Good Thing.  And that technological progress bypasses the
racism/sexism/ethnicism thing every time...
----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Friday, November 05, 2004 2:24 PM
Subject: Re: Engineer Rigg> Engineer Rigg ("Local title" - N. I. White, 1928)
>
> Engineer Rigg was a good engineer,
> He told his fireman 't was not while to fear,
> But to pull off his overalls and put on his pants,
> And get ready to dump them niggers in the Western Branch.
>
> The fireman looked him square in the face,
> As if he wanted a moment of grace.
> The fireman said just as quick as could be,
> To stop that train and make me life free.
>
> The drawbridge was open when they rounded the bend,
> And to have stopped that train, oh! an awful sin,
> So he let her go with still more steam,
> Till all but two cars went down in the stream.
>
> They pulled niggers out of there for six long days,
> And sent them home to be put in their graves.
> Oh! sad it was for the women to see,
> That their only nigger was just as dead a could be.
>
>
> Much of this is disturbing to me.
>
> Why is the title "Engineer Rigg" when the song is about an accident
> that Engineer D. L. Reig(s) *survived* but the fireman and 14 African
> American passengers were killed?
>
> Why the focus on "Rigg" when he was not a victim of the accident?
>
> Is the first half of the song sarcasm?
>
> Is the point that "Rigg" was *not* a "good engineer"?  (I think this
> to be the case with some versions of "Casey Jones.")
>
> Is "while" in the third verse a corruption of "white," use here in
> the sense of "good," as in the expression, "That's mighty white of
> you"?  (At this time, I don't know the fireman's race, but I've been
> told that many firemen on the ACL at that time were black.  There
> were white firemen, though - Casey Jones was a fireman for a while.)
>
> What is the significance of the instructions to the fireman, to "pull
> off his overalls and put on his pants"?
>
> Why are they getting "ready to dump them niggers in the Western
> Branch"?  Things like this happen too quickly, I think, for such
> deliberation.
>
> Should "life" in verse 2 read "live"?
>
> What is the "awful sin" in verse 3?  It appears to be "To have
> stopped that train"!  Is this more sarcasm?
>
> Is the implication in the third verse that "Rigg" actually sped up
> when he saw that he was bound to run into the river?
>
> Why would a sane person do that?
>
> Why would someone accuse the engineer of doing that?
>
> Why were men on the excursion without their wives/women?
>
> Only the last verse here is tragic, and even that one uses "nigger"
> freely.
>
>
> John
> --
> john garst    [unmask]

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Subject: Joseph Mica
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 20:24:19 -0500
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OK, I will "raise my hand" on this reference to a Joseph Mica Family song.Is anyone willing to expound? Point to where this reference is from or who has them. What part of the country? Is is a series of songs?  This good ole southern boy has never heard, which doesn't surprise me a great deal.ThanksSammy Rich

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Subject: Re: Joseph Mica
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 19:31:10 -0600
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On 11/5/04, Sammy Rich wrote:>OK, I will "raise my hand" on this reference to a Joseph Mica Family song.
>
>Is anyone willing to expound? Point to where this reference is from or who has them. What part of the country? Is is a series of songs?  This good ole southern boy has never heard, which doesn't surprise me a great deal.It's an *extremely* confusing point, which Laws, for once, probably
made worse. In simplest terms, it's Casey Jones, only all messed up.To quote the Ballad Index entry:NAME: Joseph Mica (Mikel) (The Wreck of the Six-Wheel Driver) (Been on the
   Choly So Long) [Laws I16]
DESCRIPTION: Engineer Joseph Mikel is determined to remain on schedule. As a
   result, he runs too fast to avoid a collision with another train. The
   result was disastrous: "Some were crippled and some were lame, But the
   six-wheel driver had to bear the blame"
AUTHOR: unknown
EARLIEST DATE: 1934
KEYWORDS: train wreck disaster crash
FOUND IN: US(So)
REFERENCES (10 citations):
Laws I16, "Joseph Mica (Mikel) (The Wreck of the Six-Wheel Driver) (Been on
   the Choly So Long) [Laws I16]"
Friedman, p. 317, "Joseph Mica" (1 text)
Sandburg, pp. 364-365, "Jay Gould's Daughter and On the Charlie So Long" (2
   texts, 1 tune); 368-369, "Mama, Have You Heard the News" (1 text, 1
   tune)
Lomax-ABFS, pp. 36-42, "Casey Jones," "The Wreck of the Six Wheel Driver,"
   "Ol' John Brown," "Charley Snyder" (5 texts, 1 tune)
Asch/Dunson/Raim, p. 64, "Kassie Jones" (1 text, 1 tune)
Arnett, pp. 114-115, "Jay Gould's Daughter" (1 text, 1 tune)
Botkin-RailFolklr, p. 456, "Been on the Cholly So Long" (1 text, 1 tune)
Darling-NAS, pp. 209-213, "Casey Jones"; "Casey Jones"; "Kassie Jones" (3
   text, with the first two belonging here and the third being the full
   "Kassie Jones" text of Furry Lewis)
Silber-FSWB, p. 103 "Jay Gould's Daughter" (1 text)
DT 791, JOEMICA JGOULD1
Roud #3247
RECORDINGS:
Furry Lewis, "Kassie Jones, Parts 1 & 2" (Victor 21664A&B, 1928; on AAFM1;
   Part 1 is on BefBlues3)
Roy Harvey & the North Carolina Ramblers, "Milwaukee Blues" (Supertone 2626,
   early 1930s)
New Lost City Ramblers, "Milwaukee Blues" (on NLCREP1)
Charlie Poole and the North Carolina Ramblers, "Milwaukee Blues" (Columbia
   15688-D, 1931, rec. 1930; on CPoole03, GoingDown)
Pete Seeger, "Jay Gould's Daughter" (on PeteSeeger16)
CROSS-REFERENCES:
cf. "Casey Jones (I)" [Laws G1] (plot)
cf. "Ben Dewberry's Final Run" (lyrics)
cf. "Little John Henry"
cf. "On the Road Again" (floating verses)
cf. "Crow Wing Drive" (lyrics)
NOTES: Laws says of this piece, "I have included 'Joseph Mica' not so much
   to establish its identity as a distinct ballad [as opposed to being a
   relative of 'Casey Jones'] as to emphasize the extreme instability and
   confusion which are characteristic of Negro balladry."
To put this in simpler terms, Laws has broken "Casey Jones" up into two
   ballads. The full forms are filed with G1; the fragments file here. How
   one establishes the dividing line is not clear; the "hero" of "Joseph
   Mica" may well be Casey Jones.
To make matters worse, Laws has garbled the entry and the information about
   Lomax and Sandburg. I did the best I could, but one should check "Casey
   Jones (I)" for additional versions.
To top it all off, Laws distinguishes "Jay Gould's Daughter" as a separate
   song (dI25), but ALSO files it here; given the things Laws files under
   "Joseph Mica" and their fragmentary state, I consider his distinction
   hopeless, or at least incomprehensible, and file those texts here. - RBW
I don't think it's hopeless at all to separate out "Jay Gould's
   Daughter/Milwaukee Blues" from "Joseph Mica". If it has a wreck in it,
   it's Mica; if it doesn't, it's Gould. - PJS
It should be noted that Furry Lewis' "Kassie Jones" is a fragmentary
   stream-of-consciousness incorporating a single verse from "Casey Jones"
   and many floating verses, including a couple from "On the Road Again."
   (Which is why I filed it here - RBW.) - PJS
Note: I *still* think we should split off, "Jay Gould's Daughter" from the
   other songs. - PJS
File: LI16
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Engineer Rigg
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 17:35:56 -0800
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Folks:Roy's comments square with my experience in newsrooms and backshops.  All-white,  generational, fiercely protective of prerogatives.  The same was true for most of the other AFL  (craft) unions.  It was the CIO, particularly the Autoworkers, and the United Mine Workers , under the Reuther brothers and John L. Lewis, respectively, who first incorporated blacks on an equal footing.Ed----- Original Message -----
From: Roy Berkeley <[unmask]>
Date: Friday, November 5, 2004 4:05 pm
Subject: Re: Engineer Rigg> Railroad firemen were usually Black -- it was a difficult,
> uncomfortable and
> frequently dangerous job -- until the job was unionized -- at which
> pointBlacks were excluded from the job.  The dirty little truth is
> that the
> unions were white-supremacist for the most part. Certainly, the
> older AFL
> unions were internally democratic, but were appallingly racist.
> When I
> worked at the NYPost (1959-60) this was my observation.  The
> Typographers'Union illustrated this point.  Lilly-White, all male,
> *very* prosperous (I
> was Education Director for the union for a while, and the big
> problem was
> getting the members to attend meetings, let alone my sessions on labor
> history -- they'd gladly pay the steep fines for missing meetings,
> to spend
> time on their boats) and absolutely democratic.  There were two
> partieswithin the union and each published its own newspaper. The
> locals were
> called "chapels" and there was a strong odor of Masonry/religiosity
> to the
> whole thing. The skill of operating a Merganthaler Linotype machine
> was a
> closely-held thing (the keyboard was *not* like a conventional
> typewriterkeyboard) and there was a strong tradition of father-to-
> son-to-grandson.  I
> suppose what killed the thing was a combination of the change in
> technologywhich bypassed the old composing room culture of
> newspapers and the
> startling idea that people should have access to jobs based on their
> individual skills and motivations.
> Anyway -- the point of this rant is that unionization was not an
> unalloyedGood Thing.  And that technological progress bypasses the
> racism/sexism/ethnicism thing every time...
> ----- Original Message -----
> From: "John Garst" <[unmask]>
> To: <[unmask]>
> Sent: Friday, November 05, 2004 2:24 PM
> Subject: Re: Engineer Rigg
>
>
> > Engineer Rigg ("Local title" - N. I. White, 1928)
> >
> > Engineer Rigg was a good engineer,
> > He told his fireman 't was not while to fear,
> > But to pull off his overalls and put on his pants,
> > And get ready to dump them niggers in the Western Branch.
> >
> > The fireman looked him square in the face,
> > As if he wanted a moment of grace.
> > The fireman said just as quick as could be,
> > To stop that train and make me life free.
> >
> > The drawbridge was open when they rounded the bend,
> > And to have stopped that train, oh! an awful sin,
> > So he let her go with still more steam,
> > Till all but two cars went down in the stream.
> >
> > They pulled niggers out of there for six long days,
> > And sent them home to be put in their graves.
> > Oh! sad it was for the women to see,
> > That their only nigger was just as dead a could be.
> >
> >
> > Much of this is disturbing to me.
> >
> > Why is the title "Engineer Rigg" when the song is about an accident
> > that Engineer D. L. Reig(s) *survived* but the fireman and 14
> African> American passengers were killed?
> >
> > Why the focus on "Rigg" when he was not a victim of the accident?
> >
> > Is the first half of the song sarcasm?
> >
> > Is the point that "Rigg" was *not* a "good engineer"?  (I think this
> > to be the case with some versions of "Casey Jones.")
> >
> > Is "while" in the third verse a corruption of "white," use here in
> > the sense of "good," as in the expression, "That's mighty white of
> > you"?  (At this time, I don't know the fireman's race, but I've been
> > told that many firemen on the ACL at that time were black.  There
> > were white firemen, though - Casey Jones was a fireman for a while.)
> >
> > What is the significance of the instructions to the fireman, to
> "pull> off his overalls and put on his pants"?
> >
> > Why are they getting "ready to dump them niggers in the Western
> > Branch"?  Things like this happen too quickly, I think, for such
> > deliberation.
> >
> > Should "life" in verse 2 read "live"?
> >
> > What is the "awful sin" in verse 3?  It appears to be "To have
> > stopped that train"!  Is this more sarcasm?
> >
> > Is the implication in the third verse that "Rigg" actually sped up
> > when he saw that he was bound to run into the river?
> >
> > Why would a sane person do that?
> >
> > Why would someone accuse the engineer of doing that?
> >
> > Why were men on the excursion without their wives/women?
> >
> > Only the last verse here is tragic, and even that one uses "nigger"
> > freely.
> >
> >
> > John
> > --
> > john garst    [unmask]
>

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Subject: Re: James Rodgers/Charles Guiteau
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 20:40:33 -0600
Content-Type:text/plain
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For the record Country Music Sources references another recording not
mentioned belowWilmer Watts, "Charles Guiteaw" (Paramount 3232)>NAME: Charles Guiteau [Laws E11]
>DESCRIPTION: Charles Guiteau, having assassinated President Garfield, is
>   unable to escape the law. His insanity defense is rejected, and he is
>   sentenced to die.
>AUTHOR: unknown
>EARLIEST DATE: 1907 (Belden)
>KEYWORDS: murder execution gallows-confession madness
>HISTORICAL REFERENCES: July 2, 1881 - James A. Garfield is shot by Charles
>   Guiteau, who thought Garfield owed him a patronage job. Garfield had been
>   president for less than four months
>Sept 19, 1881 - Death of Garfield
>June 30, 1882 - Hanging of Charles Guiteau
>FOUND IN: US(Ap,MW,So,SE)
>REFERENCES (18 citations):
>Laws E11, "Charles Guiteau"
>Belden, pp. 412-413, "Charles Guiteau" (1 text)
>Randolph 134, "Charles Guiteau" (2 texts plus 3 excerpts or fragments, 3
>   tunes)
>Eddy 128, "Charles Guiteau, or, The Murder of James A. Garfield" (1 text)
>BrownII 249, "Charles Guiteau" (4 texts, 3 fragments, plus 1 excerpt and
>   mention of 3 more)
>Chappell-FSRA 111, "Charles Guiteau" (1 fragment, 1 tune)
>Hudson 101, pp. 238-239, "Charles Guiteau" (1 text plus mention of 3 more)
>Friedman, p. 230, "Charles Guiteau" (1 text)
>McNeil-SFB1, pp. 56-59, "Charles Guiteau" (2 texts, 2 tunes)
>Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
>Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
>   transcription of the earliest recorded version by Kelley Harrell -- but
>   in fact the text has been slightly modified)
>
>Combs/Wilgus 58, pp. 186-187, "Charles J. Guiteau" (1 text)
>Lomax-FSNA 142, "Charles Guiteau" (1 text, 1 tune, claiming to be a
>   transcription of the earliest recorded version by Kelley Harrell -- but
>   in fact the text has been slightly modified)
>LPound-ABS, 65, pp. 146-148, "Charles Guiteau or James A. Garfield" (1 text,
>   joined with "The Murder of F. C. Benwell")
>Burt, pp. 226-227, "(Charles Guiteau)" (1 text plus a fragment, 1 tune)
>Darling-NAS, pp. 192-193, "Charles Guiteau" (1 text plus a fragment of
>   "James Rodgers")
>Asch/Dunson/Raim, p. 48 "Charles Giteau" (sic) (1 text, 1 tune)
>Silber-FSWB, p. 290, "Charles Guiteau" (1 text)
>DT 623, CGUITEAU*
>cf. Gardner/Chickering, p. 478, "Charles Guitea" (source notes only)
>Roud #444
>RECORDINGS:
>Loman D. Cansler, "Charles Guiteau" (on Cansler1)
>Kelly Harrell, "Charles Giteau" (Victor 20797B, 1927; on KHarrell02, AAFM1)
>Roscoe Holcomb, "Charles Guitau" [instrumental version] (on Holcomb1)
>CROSS-REFERENCES:
>cf. "Gustave Ohr" (meter)
>cf. "George Mann" (meter)
>cf. "Ewing Brooks" [Laws E12] (tune & meter)
>cf. "The Fair at Turloughmore" (floating lyrics)
>cf. "The Murder of F. C. Benwell" [Laws E26] (tune & meter)
>cf. "Big Jimmie Drummond" (lyrics)
>cf. "Mister Garfield" (subject)
>NOTES: The song probably derives from "The Lamentation of James Rodgers"
>   (executed Nov. 12, 1858) or one of its kin (e.g. "My Name it is John T.
>   Williams") - PJS, RBW
>File: LE11
>

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Subject: Re: BALLAD-L Digest - 4 Nov 2004 to 5 Nov 2004 - Special issue (#2004-176)
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 22:48:51 -0500
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    Automatic digest processor <[unmask]>, in the
person of Abby Sale, writes:> On Thu, 4 Nov 2004 13:04:35 -0500, Roy Berkeley wrote:
>
> >If there *is* a song about Czolgocz (the man who murdered McKinley,
> >by the way -- Guiteau shot Garfield) I'd love to hear or see it --
> >just to see what rhymes with Czolgocz...
>
> McKinley's shot by bad Czolgosz
> And all the folk said, "Oh my gosh!"In "Mister MacKinley [_sic_]", collected by Alan Lomax & in his _Folk
Songs of North America_ (No. 143), no rhyme is attempted:  The pistol fires, MacKinley falls.
  Doc says, `MacKinley, I can't find that ball.'
  In Buffalo, in Buffalo.  Zolgotz, Zolgotz, you done him wrong,
  Shot po' MacKinley when he was walking along
  In Buffalo, in Buffalo.That is the last & only mention of the assassin in the song.> (I think his family was Russian, not Czeck, but I've always thought
> it _should_ be 'tcholgosh.'  In folkdom it seem more likely to be as
> Kolgosh & that's what counts, of course.)Cz & sz are Polish orthography, not Czech.  Czech would have haceks
(the little upside-down circumflexes) over the c & s, rather than z
afterward.  (The Czech spelling of Czech is Cech, with a hacek over
the first C.)  So your guess at the pronunciation is right, but the
guess of folkdom seems to have been in favor of a z sound rather than
tch or k.  That is easily explained in view of the traditional English
spelling & pronunciation of "czar".Leon Czolgosz's name was in fact Polish.  His parents were Polish
immigrants, and he was born in Detroit.*Roy Berkeley says:> The dirty little truth is that the unions were white-supremacist for
> the most part. Certainly, the older AFL unions were internally
> democratic, but were appallingly racist.  When I worked at the
> NYPost (1959-60) this was my observation.When A. Philip Randolph spoke at an AFL convention, I have heard, most
of the white delegates would go out for a drink or a piss till "that
nigger" was finished.The following appalling reminiscence is in the autobiography
(_Adventures of a Bystander_) of the investment banker & management
consultant Peter F. Drucker.  He was at GM during W.W. II:    While I did my study at GM, Dreystadt [the head of the Cadillac
  division]...bid on the nastiest defense job around, the production
  of a high-precision item....  There was then absolutely no labor
  available in Detroit, let alone highly skilled mechanics....  The
  only labor to be found in Detroit were superannuated Negro
  prostitutes.  To everybody's horror Nick Dreystadt hired 2,000 of
  them.  "But hire their madams too," he said.  "They know how to
  manage the women."  Very few of the women could read and the job
  required following long instructions....  So he went to the
  workbench and himself machined a dozen of the bombsights.  When he
  knew how to do it, he had a movie camera take a film....  Within a
  few weeks these unskilled illiterates were turning out better work
  and in larger quantity than...machinists had done before.
  Throughout GM, and indeed Detroit, Cadillac's "red-light district"
  provoked a good deal of ribald comment.  But Dreystadt quickly
  stopped it.  "These women," he said, "are my fellow workers and
  yours....  They are entitled to the same respect as any one of our
  associates."  The union asked him to promise that the women would
  go as soon as replacements could be found; the Automobile Workers
  Union of those days was led, especially on the local level,
  largely by male white Fundamentalist Southerners, who did not even
  want white women as fellow workers, let along Negro prostitutes.
  Dreystadt knew very well that he would have to lay off most of the
  women after the war when the veterans returned....  But though
  derided as a "nigger-lover" and a "whoremonger," he tried hard to
  get union agreement to save at least a few of the jobs the women
  held.  "...It's our duty to save them from being again rejected
  and despised." When the war came to an end and the women had to be
  discharged, many tried to commit suicide and quite a few
  succeeded.  Nick Dreystadt sat in his office with his head in his
  hands....
--
---  Joe Fineman    [unmask]||:  Human nature is something we are supposed to rise above.  :||

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Subject: A Source for the More Rare Item
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 22:21:41 -0800
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Folks:To abuse me of my ignorance, Lani Hermann sent this:Down Home Music is, or was, Chris Strachwitz' record shop and still deals in new
and used recordings, both CDs and LPs, videos, DVDs, and a fair number of currently
in-print books -- they carried Sam Henry when I was peddling the remaindered copies
-- they carry blues, jazz, bluegrass, country, and 'folk' / ethnic material, and cater
to the cogniscenti/collectors in the Bay Area.  I think there are currently three
businesses: the store, Arhoolie Records still run by Strachwitz, and a mail-order
business which was having problems, so I don't know if that is still going or not.
The shop is in El Cerrito, just down the hill a bit from my house;  the highlight
of the year is their semiannual Sale: 20% off everything in the store.  They have
started to have appearances, free, of recording artists in the store, which seem
to please everyone.
I thought you knew about them already!  10341  San Pablo Ave., El Cerrito CA
510-525-2129.  They have a web site, too: www.downhomemusic.com, which repeats a
lot of what I just said and a good deal more.Ed

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Subject: Re: A Source for the More Rare Item
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 07:16:20 -0500
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When I asked about one of Cece Conway's films  of Tommy Jarrel I was sent
upstairs in the back at Down Home Music and bought the tape from Les Blank
Himself. Also bought a t shirt.
Scott Utley
----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Saturday, November 06, 2004 1:21 AM
Subject: A Source for the More Rare Item> Folks:
>
>
> To abuse me of my ignorance, Lani Hermann sent this:
>
>
> Down Home Music is, or was, Chris Strachwitz' record shop and still deals
in new
> and used recordings, both CDs and LPs, videos, DVDs, and a fair number of
currently
> in-print books -- they carried Sam Henry when I was peddling the
remaindered copies
> -- they carry blues, jazz, bluegrass, country, and 'folk' / ethnic
material, and cater
> to the cogniscenti/collectors in the Bay Area.  I think there are
currently three
> businesses: the store, Arhoolie Records still run by Strachwitz, and a
mail-order
> business which was having problems, so I don't know if that is still going
or not.
> The shop is in El Cerrito, just down the hill a bit from my house;  the
highlight
> of the year is their semiannual Sale: 20% off everything in the store.
They have
> started to have appearances, free, of recording artists in the store,
which seem
> to please everyone.
> I thought you knew about them already!  10341  San Pablo Ave., El Cerrito
CA
> 510-525-2129.  They have a web site, too: www.downhomemusic.com, which
repeats a
> lot of what I just said and a good deal more.
>
> Ed
>

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Subject: Re: BALLAD-L Digest - 5 Nov 2004 (#2004-177)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 05:24:43 -0800
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In Chicago, many plasterers are Black, and they belong
to the union. At least that's what one man told me
when I asked. He didn't elaborate, but, then, he was
working. Subsequently, I noticed quite a few others
doing this highly skilled work and have always assumed
they were union members-- at least in Chicago.CA> The following appalling reminiscence is in the
> autobiography
> (_Adventures of a Bystander_) of the investment
> banker & management
> consultant Peter F. Drucker.  He was at GM during
> W.W. II:
>

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Nov 2004 21:20:57 -0600
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On 11/5/04, Clifford J OCHELTREE wrote:>For the record Country Music Sources references another recording not
>mentioned below
>
>Wilmer Watts, "Charles Guiteaw" (Paramount 3232)Probably more than that. But we know there is another Garfield
assassination song (it's been mentioned in this thread), and there
may be others (I seem to recall seeing a reference in some history
book to still anothe Garfield song) It's not safe to index such
things without hearing them.If anyone has actually heard the Watts recording, of course, it's
another matter.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Engineer Rigg
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 10:05:14 -0500
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>Nora Forbes married (1) Ed Jolley who died August 17, 1905 (Killed
>in excursion train wreck with his brother Walter. His brother Heber
>was only survivor)I mentioned before that this family (Tull and descendants) appears to
have been white.  They trace their ancestry to England and there are
no mentions of "black," "colored," or "African American" in the
document.  "Negroes" occurs only in quotations from wills describing
the disposal of slaves.Even so, the Forbes/Jolley families seemed to have lived around
Greenville, NC, so the train Engineer D. L. Reig ran into the Western
Branch of the Elizabeth River near Norfolk, VA, on August 17, 1905,
is surely the best candidate for the wreck that killed Ed and Walter
Jolley, from which Heber Jolley escaped.These facts conflict, however, with what I know so far of that wreck,
that the cars were filled with blacks.I wonder if the Jolley brothers could have been conductors.  Did
excursion trains have conductors?John

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Subject: Re: James Rodgers/Charles Guiteau
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 11:22:01 -0600
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True, but I tend to give a degree of credence to the scholarship of
Meade and Spottswood.Robert B. Waltz wrote:>It's not safe to index such things without hearing them.
>
>If anyone has actually heard the Watts recording, of course, it's
>another matter.
>
>

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Subject: Re: James Rodgers/Charles Guiteau
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 6 Nov 2004 12:15:23 -0600
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On 11/6/04, Clifford J OCHELTREE wrote:>True, but I tend to give a degree of credence to the scholarship of
>Meade and Spottswood.Oh. I misunderstood. I thought you were just going by the title.
That changes things. Thanks.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Les Blank
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 06:06:46 -0800
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I am interested in the films of Les Blank, but can't
find them. A search of DHM's site came up. . .blank.
Any information is appreciated.CA ". . .upstairs in the back at Down Home Music and
bought the tape from Les Blank Himself."

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Subject: Re: Racism & class
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 09:12:04 -0500
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    Automatic digest processor <[unmask]>, in the
person of Cliff Abrams, writes:> In Chicago, many plasterers are Black, and they belong to the
> union. At least that's what one man told me when I asked. He didn't
> elaborate, but, then, he was working. Subsequently, I noticed quite
> a few others doing this highly skilled work and have always assumed
> they were union members-- at least in Chicago.> > The following appalling reminiscence is in the autobiography
> > (_Adventures of a Bystander_) of the investment banker &
> > management consultant Peter F. Drucker.  He was at GM during
> > W.W. II:A lot of things have changed in the last 60 years, some of them for
the better.  Halfway to now, the working-class intellectual Harvey
Pekar (_American Splendor_, #1, 1976) recorded the following scrap of
conversation in a discount store in Cleveland:  "Plus da guvermint's puttin' presshure on my union.  We'll prob'ly
  have to start lettin' in sum niggers!"  "Oh, dat's too bad!  I bet you ain't too crazy 'bout dat!"  "Naw, but I don' give dat much of a shit...  I really gits ta sum
  a da ol' guys dough.  One of 'em sez he's gonna quit if dey git
  in..."A snapshot of the transition: mean, but not so mean.  Thank you, Herr
Hitler, for sending us the bourgeois liberals Drucker & Dreystadt, who
were some help.ObBallads:  There must be some songs in all this.
--
---  Joe Fineman    [unmask]||:  Suck, squeeze, bang, blow.        :||
||:  Internal combustion makes it go.  :||

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Subject: Re: Les Blank
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 11:29:32 -0500
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Title page on video:
Flower Films
10341 San Pablo Avenue, El Cerrito CA 94530
(510) 525 0942
www.lesblank.com  email:[unmask]----- Original Message -----
From: "Cliff Abrams" <[unmask]>
To: <[unmask]>
Sent: Sunday, November 07, 2004 9:06 AM
Subject: Les Blank> I am interested in the films of Les Blank, but can't
> find them. A search of DHM's site came up. . .blank.
> Any information is appreciated.
>
> CA
>
>  ". . .upstairs in the back at Down Home Music and
> bought the tape from Les Blank Himself."
>

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Subject: Re: My order
From: David Kleiman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 12:08:19 -0500
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Dear Ballad Fellows, We cannot (and will not) normally (some do slip through) answer support and
ordering messages received through public forums.  I don't get to check the
Ballad-L that frequently and the staff do not have Ballad-L accounts.  Also,
I assume that those of you ordering do not want to broadcast your credit
card info to a public list-serve.Please make sure that support and/or ordering queries intended for Heritage
Muse, ESPB Publishing, or me are emailed directly to one of the following:[unmask]
[unmask]
[unmask] Thank you all.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.

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Subject: Re: Les Blank
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 7 Nov 2004 18:15:27 -0600
Content-Type:text/plain
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I know that Tower Records here in New Orleans carries them. You might
try their web site.Cliff Abrams wrote:>I am interested in the films of Les Blank, but can't
>find them. A search of DHM's site came up. . .blank.
>Any information is appreciated.
>
>CA
>
> ". . .upstairs in the back at Down Home Music and
>bought the tape from Les Blank Himself."
>
>
>

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Subject: Re: BALLAD-L Digest - 6 Nov 2004 to 7 Nov 2004 (#2004-179)
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 04:46:28 -0800
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Thanks to all for Les Blank info.
CA

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Subject: Mullen and Cross??
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 13:54:19 -0600
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Dear Ballad-l:Would anyone on this list know of an Irish
group in the late 50's named Mullen and
Cross?  I need to track down people related
to them to get a copy of their recording of
bawdy Irish songs deposited at the Library of
Congress (see below).Any help will be apprecitated.Sincerely,John Mehlberg
~
      LC Control Number: 2004652055
      Type of Material: Music Sound Recording
      Main Title: Irish folk songs [sound
      recording].
      Published/Created: 1977.
      Related Names: H.V. Greenough
      Collection (Library of Congress)
      Description: 1 sound tape reel :
      analog, 7 1/2 ips, 2 track, mono. ; 10
      in.
      Summary: Informal sessions of chit-chat
      and singing of bawdy folk songs.
      Notes: Preservation tape produced from
      original Greenough acetate tapes in the
      Recording Laboratory of the Library of
      Congress.
      Recorded Nov. 23 and 24, 1953.
      Performed/spoken by: Mullen and Cross.
      Source of Acquisition: Gift of H.V.
      Greenough.
      Subjects: Folk songs.
      LC Classification: LWO 9649, r48A1-B1
      (preservation master)      CALL NUMBER: LWO 9649, reel 48
      (preservation master)
      -- Request in: Recorded Sound Reference
      Center (Madison, LM113)

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Subject: Maud Karpeles photo
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 8 Nov 2004 16:43:25 -0500
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Hi-
Does anyone happen to have (or know where I can get) a reasonable photo
of Maud Karpeles from the 1950s?
Any help would be greatly appreciateddick greenhaus

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Subject: Re: Maud Karpeles photo
From: David Kleiman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 00:08:32 -0500
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Dick,I have at least one photo of Ms. Karpeles in the Heritage Muse collection.
I believe it came from the Library of Congress photo archives. Do you need
this for publication or personal/educational use?Just today, in fact, I also just put my hands on the more well known photo
of Cecil & Maude in the act of collecting in Appalachia.  Sitting on a
source singer's porch, he is jotting down notes and she is transcribing the
words.  This photo (and the work it was taken from) may be in the public
domain by now.  When I get the scan done later this week I'll forward a
copy.David M. Kleiman
President & CEO
Heritage Muse, Inc. & ESPB Publishing, Ltd.-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of dick greenhaus
Sent: Monday, November 08, 2004 4:43 PM
To: [unmask]
Subject: Maud Karpeles photoHi-
Does anyone happen to have (or know where I can get) a reasonable photo
of Maud Karpeles from the 1950s?
Any help would be greatly appreciateddick greenhaus

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Subject: Re: Maud Karpeles photo
From: David Atkinson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 08:30:56 -0000
Content-Type:text/plain
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Please contact the Vaughan Williams Memorial Library; they own most of these
photos of Maud and they are not public domain:
[unmask]----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Monday, November 08, 2004 9:43 PM
Subject: Maud Karpeles photo> Hi-
> Does anyone happen to have (or know where I can get) a reasonable photo
> of Maud Karpeles from the 1950s?
> Any help would be greatly appreciated
>
> dick greenhaus

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Subject: Shaw: Railroad Accidents (American)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 16:23:57 -0500
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I've just checked out from our library the following book, which was
highly recommended to me and, on the basis of some skimming that I've
done, looks to be really excellent.Robert B. Shaw
A History of Railroad Accidents, Safety Precautions, and Operating Practices
Second edition
Printed by Vail-Ballou Press Inc.
1978In looking at the discussion of Casey Jones' wreck, I find details
that I'd not noticed elsewhere, including a blow-by-blow description
of the sawing of trains that preceded the wreck and the rupture of
air hose that resulted in stalling train No. 72 with four cars left
on the main track.  The author, by the way, follows the company line
in placing the blame squarely on Jones, dismissing the conspiracy
theory that the flagman for freight No. 83 had failed to set out
warnings and IC workers orchestrated a cover-up.  This wreck takes up
about three pages of the book.Immediately following it is a one-paragraph discussion of the wreck of Old 97.One of the 44 chapters is entitled "The Open Draw," and in that
chapter the accident of a six-car train carrying a Negro excursion
party at the Western Branch of the Elizabeth River, on the edge of
Norfolk, VA, on the Atlantic Coast Line, August 17, 1905, is
discussed in two paragraphs.The book considers many accidents, perhaps some (other than those
above) that are commemorated in song, but it's main interest is
clearly described in the title.It is fascinating reading.John
--
john garst    [unmask]

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Subject: Hurricanes
From: Judy McCulloh <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 9 Nov 2004 17:19:31 -0600
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Subject: Bawdy broadside ledgerbook scans.
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 10 Nov 2004 15:17:15 -0600
Content-Type:text/plain
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Dear Ballad-l,I have finished scanning the bawdy broadside
ledgerbook that I own.  It is to be donated
to New York Historical Association.Is there anyone here who would want scans of
the complete ledgerbook or perhaps just the
broadsides?   If yes, I can give you the
ledgerbook (or broadsides) as 600dpi 8bit
greyscale TIFFs on a DVD.I eventually plan on typing out the
broadsides and the handwritten text.  But it
may be a while as I have many other items
which need to be worked on.Dick, one of the broadsides is "Boring for
Oil" with seven stanzas.Sincerely,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts
and recitations website: www.immortalia.com

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Subject: Ebay List - 11/10/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 10 Nov 2004 18:43:17 -0500
Content-Type:text/plain
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Hi!        When not raking leaves, I found the following on Ebay. :-)        SONGSTERS        6934823268 - Dan Rice's Original Comic and Sentimental Poetic
Effusions, 1859, $67.66 (ends Nov-11-04 08:48:44 PST)        3940252054 - 4 songsters, 1890-1900, $8.99 (ends Nov-11-04
17:42:26 PST)        3759907549 - MAHARA'S BIG MINSTREL CARNIVAL SONGSTER, 1904, $34
(ends Nov-11-04 17:51:17 PST)        2283193401 - Grand Army Songster and Service Book, 1897, $9.95
(ends Nov-12-04 18:23:14 PST)        3940071689 - BARNUM AND LONDON SONGSTER, 18??, $9.99 w/reserve
(ends Nov-14-04 18:01:04 PST)        6935434266 - Howorth's Grand Hibernica Songster, 1879?, $15.50
(ends Nov-15-04 20:24:04 PST)        6935591949 - Hutchinson Family's Book of Words, 1851, $99.99 (ends
Nov-17-04 08:59:58 PST)        MISCELLANEOUS        4502331553 - Word-Lore, The Folk Magazine Volume 1 Issue 1, 1926,
6.50 GBP (ends Nov-14-04 06:16:25 PST)        SONGBOOKS        3759722907 - Strike the Bell by Palmer, 1978, 0.99 GBP (ends
Nov-11-04 06:49:32 PST)        4501863260 - SANG BRANCH SETTLERS: FOLKSONGS AND TALES OF AN EASTERN
KENTUCKY FAMILY by Roberts, 1980, $49.99 (ends Nov-12-04 07:48:42 PST)        6935053671 - Hunting Songs and Ballads by Warburton, 1846, $112.50
(ends Nov-12-04 21:26:59 PST)        6933359838 - The Ballad Book by Allingham, 1865, $19.99 (ends
Nov-13-04 04:22:53 PST)        3760171107 - Lyric Gems of Scotland, 1860, 15 GBP (ends Nov-13-04
06:16:42 PST)        4502138310 - ENGLISH SONG BOOK by Scott, 1926, $9.99 (ends
Nov-13-04 08:12:56 PST)        3760223324 - 3 Kincaid songbooks, 1930-40, $3.99 (ends Nov-13-04
10:56:11 PST)        4502180609 - POPULAR MUSIC OF THE OLDEN TIME by Chappell, volume 2,
1.99 GBP (ends Nov-13-04 11:52:55 PST)        6935147247 - Ballads and Songs From Utah by Hubbard, 1961, $19.99
(ends Nov-13-04 17:36:39 PST)        4502411740 - THE BEST OF HELEN CREIGHTON by Bauchman, 1992, $6
(ends Nov-14-04 11:07:56 PST)        4502434026 - The Edwardian Songbook by Turner & Miall, 1982, 6 GBP
(ends Nov-14-04 12:06:19 PST)        4502454594 - A SONG FOR EVERY SEASON : A Hundred Years of a Sussex
Farming Family by Copper, 1971, 3 GBP (ends Nov-14-04 12:57:40 PST)        6935286689 - Rounds & Rounds by Taylor, 1946, $9.14 (ends
Nov-14-04 15:28:29 PST)        4502552319 - Virginia Piedmont Blues by Pearson, $1.99 (ends
Nov-14-04 17:14:26 PST)        6935436494 - Ned Kelly by Merredith & Scott, 1980, $7.50 AU (ends
Nov-15-04 21:07:19 PST)        6935506597 - Ancient Poems Ballads and Songs Of the Peasantry of
England by Bell, 1857, 4.99 GBP (ends Nov-16-04 13:04:10 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 11/10/04
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 05:00:27 EST
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Subject: New Song Book from English Folk Dance & Song Society
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 09:52:48 -0500
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Subject: FW: New Song Book from English Folk Dance & Song Society
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 14:47:22 -0500
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I would like to order a copy if anyone will be importing them to sell. 
Ronald CohenSubject:        New Song Book from English Folk Dance & Song SocietyFrom: Felicity Greenland <[unmask]> 
To: .PR Folk Song/TSF <[unmask]> 
Sent: Thursday, November 11, 2004 11:04 AM 
Subject: New Song Book from EFDSS From: Felicity Greenland
on behalf of English Folk Dance & Song Society, Cecil Sharp House, 2 Regent1s Park Road, London NW1 7AY 020 7485 2206 [unmask] <[unmask]>PRESS RELEASE 11 Nov 2004New Song Book from English Folk Dance & Song SocietyDear Companion: Appalachian traditional songs and singers from the Cecil Sharp CollectionDear Companion is a collection of fifty-three songs and ballads from Cecil Sharp1s American collection, and celebrates the close links between the musical traditions of Britain and North America. An authoritative introductory essay by collector Mike Yates, together with biographical sketches of the singers and notes on the songs, are copiously illustrated by previously unpublished photographs, extracts from diaries, letters, and biographical writings. Cecil Sharp, a music teacher from south London, is England1s most renowned collector of folk music and dances, noting down nearly five thousand tunes on his travels throughout England and the Appalachian states of North America up until his death in 1924. The previous volume in this series, Still Growing (EFDSS 2003, ?13.50), demonstrated the richness of the song tradition that he found in his native England. But perhaps the most significant part of his vast collection is that assembled during the First World War years in North Carolina, Tennessee, Virginia, West Virginia, and Kentucky. At the instigation of American enthusiast Olive Dame Campbell, he embarked with assistant Maud Karpeles on a truly remarkable journey through America1s southern uplands, to discover a living tradition of songs and ballads, largely of British origin, which had all but died out back home.Dear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection. Compiled and edited by Mike Yates, Elaine Bradtke and Malcolm TaylorPublished by the English Folk Dance & Song Society in association with Sharp1s Folk Club, November 2004. ISBN 0-85418-190-3. [vi], 137pp, illustrated. Softback. ?14.99 plus ?2 p&p (UK)Available late November 2004.Order from:
EFDSS, Cecil Sharp House, 2 Regent1s Park Road, London NW1 7AY
Tel: 020-7485 2206 Fax: 020-7284 0523 email: [unmask] www.efdss.orgSpecial Offer: Buy 'Dear Companion' and 'Still Growing' together for ?25.00 (save ?3.49) + ?2.50 UK p+p Trade terms and overseas postage available on application.
Image available at http://www.efdss.org/news.htm----For further press information please contact: Felicity Greenland
EFDSS Publicity
ENGLISH FOLK DANCE & SONG SOCIETY http://www.efdss.org
Cecil Sharp House, 2 Regent's Park Road , London NW1 7AY
Tel +44 (0)20 7485 2206 Ext 21 Fax +44 (0)20 7284 0534Registered Charity No. 305999
Company registered in England and limited by Guarantee Number 297142MAP: http://www.streetmap.co.uk/streetmap.dll?G2M?X=528446&Y=183756&A=Y&Z=1Your support helps EFDSS preserve and promote the traditional arts
JOIN EFDSS: http://www.efdss.org/members.htmEnglish Folk Dance & Song Society 
The EFDSS is the country's premiere folk music organisation. A national educational charity, it has worked for over 100 years to promote, encourage, document and develop the rich folk traditions within England, co-operating with similar organisations both in Britain and worldwide. 

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Subject: Sharp in America
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 11 Nov 2004 15:05:31 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


Anyone:Is it safe to assume that these 75 songs and ballads in the new book announced today  are all in Sharp's two-volume English Folk Songs from the Southern Appalachians?  If so, are we buying it for Mike Yates' introduction?  And  how different is it from the excellent narrative Yates put up on  MusicTrad?Ed

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Subject: Re: Sharp in America
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 09:44:04 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


Dear Fellow Ballad Enthusiasts,In regards to Ed Cray's question:Though I have not yet seen the book, It is my understanding that there will be biographical data and photographs of the singers that have been tucked away in the Cecil Sharp Library archives, and have not been released to the US until now. I have been in that collection, and the photographs of the singers and tidbits from Sharp's manuscripts really add to the texts in English Folk Songs from the Southern Appalachians. I, for one, will be placing this book on my shelf next to Sharp's book, as the texture and information found in Dear Companion. The photographs from the collection that are in Yates' Mustrad articles are just web copies and not the clear and crisp images that would be detailed in the book.When my copy arrives, I plan to review it for the Appalachian Journal. I can send this review to the List-serv for those interested...Cassie Robinson
Liston B. Ramsey Center for Regional Studies
Mars Hill College-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of edward cray
Sent: Thursday, November 11, 2004 6:06 PM
To: [unmask]
Subject: Sharp in AmericaAnyone:Is it safe to assume that these 75 songs and ballads in the new book announced today  are all in Sharp's two-volume English Folk Songs from the Southern Appalachians?  If so, are we buying it for Mike Yates' introduction?  And  how different is it from the excellent narrative Yates put up on  MusicTrad?Ed

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Subject: Re: Sharp in America
From: Karen Kobela <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 10:37:50 -0500
Content-Type:text/html
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text/html(37 lines)


Sorry, your browser doesn't support iframes.


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Subject: Re: Sharp in America
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 14:04:01 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(104 lines)


On 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp; I look forward to getting a copy of the book when it is available in the states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars ~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars [mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: "Robinson, Cassie" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 15:08:52 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(185 lines)


Ballad Folks:Here is my response in Plain Text. I was not aware that there was a problem with my emails. I am sorry if it was difficult to read. 
Apparently the listserv will not allow image attachments, so for your convienence I have included the table of contents of Dear Companion within this email. Sincerely,
Cassie RobinsonDear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection
from the Cecil Sharp CollectionAwake! Awake!                                   100
The Battle of Shiloh                            60
Black is the Colour                             95
Boney's Defeat                                  115
The Broken Token                                        65
Come All Ye Southern Soldiers                   107
Come My Little Roving Sailor                    110
The Dear Companion                              69
The Drummer                                             56
Edward                                          61
The Elfin Knight                                        83
Every Night When the Sun Goes In                81
The False Knight Upon the Road          45
The False Young Man                             44
The Fateful Blow                                        39
The Foggy Dew                                   92
The Golden Vanity (The Green Willow Tree)       106
Good Morning My Pretty Little Miss              71
The Good Old Man                                        94
Green Grow The Laurel                           85
The Ground Hog                                  112
The Gypsy Laddie                                        80
Hick's Farewell                                 102
Hold On                                         118
The Holly Twig                                  31
I'm Sixteen Come Sunday                         40
I Love My Love                                  113
I Must and I Will Get Married                   47
I Wish I Was A Child Again                      109
John of Hazelgreen                              58
Johnny Scott                                    52
Lamkin                                          74
The Lily of the West                            116
Little Musgrave and Lady Barnard                88
The Lover's Lament                              41
The Mermaid                                             86
The Miller's Apprentice;                        117
    or the Oxford Tragedy
The Mouldering Vine                             98
My Dearest Dear
The Poor Stranger; or The Cuckoo                37
The Rebel Soldier                                       50
The Rich Old Lady                                       66
St. James's Hospital                            48
Sally Anne                                              73
Scornful Nancy                                  53
The Sheffield Apprentice                        62
The Silver Dagger                                       57
There Was an Old and Wealthy Man                104
The True Lover's Farewell                       82
The Two Crows                                   78
Way Down the Ohio                                       59
When Adam was Created                           96
The Wife of Usher's Well                        77-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of DoN. Nichols
Sent: Friday, November 12, 2004 2:04 PM
To: [unmask]
Subject: Re: Sharp in AmericaOn 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp; I look forward to getting a copy of the book when it is available in the states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars ~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars [mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 16:11:29 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(40 lines)


On 2004/11/12 at 03:08:52PM -0500, Robinson, Cassie wrote:> Ballad Folks:> Here is my response in Plain Text. I was not aware that there was a
> problem with my emails. I am sorry if it was difficult to read.        This is *much* better.  Thank you!> Apparently the listserv will not allow image attachments,        A good thing, actually, as (claimed) image attachments are
another path for virii into Windows systems through Outlook Express.
Aside from that, images can't be processed through a text-to-speech
program for those who are visually impaired, while plain text can.  (I'm
not sure whether there are filters to strip out the HTML constructs to
allow similar processing for HTML-embedded text.  If not, that, also,
could be very hard to listen to.>                                                           so for your
> convienence I have included the table of contents of Dear Companion
> within this email.> Sincerely,
> Cassie Robinson        [ ... ]> Dear Companion: Appalachian Traditional Songs and Singers from the Cecil Sharp Collection
> from the Cecil Sharp Collection        A nice list.        Thank you,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Sharp in America
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 17:51:27 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(265 lines)


Here is a comparison with Dear Companion and EFS SA
after pagination in DC I listed volume and page number in EFS SA
Awake! Awake! 100 1 358
The Battle of Shiloh 60 2 172
Black is the Colour 95 2 31
Boney's Defeat 115 2 245
The Broken Token 65 2 70
Come All Ye Southern Soldiers 107 2 253
Come My Little Roving Sailor 110 2 279
The Dear Companion 69 1 230
The Drummer 56 2 265 (and his wife)
Edward 61 1 46
The Elfin Knight 83 1 1
Every Night When the Sun Goes In 81 2 268
The False Knight Upon the Road 45 1 3
The False Young Man 44 2 51
The Fateful Blow 39 2 246
The Foggy Dew 92 2 174
The Golden Vanity (The Green Willow Tree) 106 1 282
Good Morning My Pretty Little Miss 71 2 90
The Good Old Man 94 2 338
Green Grow The Laurel 85 2 211 [grows]
The Ground Hog 112 2 340
The Gypsy Laddie 80 1 233
Hick's Farewell 102 2 142
Hold On 118 2 292
The Holly Twig 31 1 341
I'm Sixteen Come Sunday 40 2 156 [seventeen]
I Love My Love 113 2 269
I Must and I Will Get Married 47 2 159
I Wish I Was A Child Again 109 2 383
John of Hazelgreen 58 1 294
Johnny Scott 52 1 215
Lamkin 74 1 201
The Lily of the West 116 2 199
Little Musgrave and Lady Barnard 88 1 161
The Lover's Lament 41 2 103
The Mermaid 86 1 291
The Miller's Apprentice; 117 1 407or the Oxford Tragedy
The Mouldering Vine 98
My Dearest Dear 2 13
The Poor Stranger; or The Cuckoo 37 2 212
The Rebel Soldier 50 2 212 (poor stranger)
The Rich Old Lady 66 1 348
St. James's Hospital 48 2 164
Sally Anne 73 2 351
Scornful Nancy 53
The Sheffield Apprentice 62 2 66
The Silver Dagger 57 2 229
There Was an Old and Wealthy Man 104
The True Lover's Farewell 82 2 113
The Two Crows 78
Way Down the Ohio 59 2 275
When Adam was Created 96 2 272
The Wife of Usher's Well 77 1 150Mouldering Vine 98 Scornful Nancy 53 There was an old Wealthy Man 104 and
The Two Crows are not in the index of EFS Southern Appalachians. I shall
Look them up in Roud. I have not seen the texts in Dear Companion.----- Original Message -----
From: "Robinson, Cassie" <[unmask]>
To: <[unmask]>
Sent: Friday, November 12, 2004 3:08 PM
Subject: Re: Sharp in AmericaBallad Folks:Here is my response in Plain Text. I was not aware that there was a problem
with my emails. I am sorry if it was difficult to read.
Apparently the listserv will not allow image attachments, so for your
convienence I have included the table of contents of Dear Companion within
this email.Sincerely,
Cassie RobinsonDear Companion: Appalachian Traditional Songs and Singers from the Cecil
Sharp Collection
from the Cecil Sharp CollectionAwake! Awake!                                   100
The Battle of Shiloh                            60
Black is the Colour                             95
Boney's Defeat                                  115
The Broken Token                                        65
Come All Ye Southern Soldiers                   107
Come My Little Roving Sailor                    110
The Dear Companion                              69
The Drummer                                             56
Edward                                          61
The Elfin Knight                                        83
Every Night When the Sun Goes In                81
The False Knight Upon the Road          45
The False Young Man                             44
The Fateful Blow                                        39
The Foggy Dew                                   92
The Golden Vanity (The Green Willow Tree)       106
Good Morning My Pretty Little Miss              71
The Good Old Man                                        94
Green Grow The Laurel                           85
The Ground Hog                                  112
The Gypsy Laddie                                        80
Hick's Farewell                                 102
Hold On                                         118
The Holly Twig                                  31
I'm Sixteen Come Sunday                         40
I Love My Love                                  113
I Must and I Will Get Married                   47
I Wish I Was A Child Again                      109
John of Hazelgreen                              58
Johnny Scott                                    52
Lamkin                                          74
The Lily of the West                            116
Little Musgrave and Lady Barnard                88
The Lover's Lament                              41
The Mermaid                                             86
The Miller's Apprentice;                        117
    or the Oxford Tragedy
The Mouldering Vine                             98
My Dearest Dear
The Poor Stranger; or The Cuckoo                37
The Rebel Soldier                                       50
The Rich Old Lady                                       66
St. James's Hospital                            48
Sally Anne                                              73
Scornful Nancy                                  53
The Sheffield Apprentice                        62
The Silver Dagger                                       57
There Was an Old and Wealthy Man                104
The True Lover's Farewell                       82
The Two Crows                                   78
Way Down the Ohio                                       59
When Adam was Created                           96
The Wife of Usher's Well                        77-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of DoN. Nichols
Sent: Friday, November 12, 2004 2:04 PM
To: [unmask]
Subject: Re: Sharp in AmericaOn 2004/11/12 at 10:37:50AM -0500, Karen Kobela wrote:        ... her posting all in HTML.        Could you please at least include plain text in addition to the
HTML for those of us who use plain-text e-mail programs?  I'll include a
copy of your HTML, modified so it won't be recognized as HTML by your
e-mail program, so you can see what we have to wade through.  (Aside
from the problem that HTML can introduce virii into a Windows system,
which I *won't* use for e-mail.)        The changes which I have made are:        replace each '<' with a '{'
        replace each '>' with a '}'
        replace each '&' with a '~'        Please try to read it, so you can see just how difficult the
HTML alone makes things for those who don't trust HTML in e-mail.  (This
aside from all the space wasted by the HTML formatting.  As an example,
you will find many places where you see "~nbsp;".  In the original, the
'~' was a '&', and that is displayed (in an HTML-capable program) as a
single blank space like ' '.        And the repeated "{DIV}{/DIV}" at the beginning of many lines is
totally wasted, as it starts and closes a division to no purpose.        I understand that hotmail makes it nearly impossible to send in
plain text *only*, but sending in HTML *only* makes it very difficult for
some of us to read, and the temptation is to just skip over it.        Note that some mailing lists *forbid* HTML content totally,
because of the possible virii which it can introduce.        HTML was designed for writing web pages, and I use it there.  It
really does not *belong* in e-mail, though hotmail, aol, and several
others do not seem to understand this.        Thank you,
                DoN.        Converted original HTML follows below: ======================================================================
{html}{div style='background-color:'}{DIV class=RTE}
{P}Would anyone be able to list the songs included in Dear Companion?~nbsp;
I look forward to getting a copy of the book when it is available in the
states.{/P}
{P}Thanks, Karen Kobela{BR}{BR}{/P}{/DIV}
{DIV}{/DIV}~gt;From: "Robinson, Cassie" ~lt;[unmask];
{DIV}{/DIV}~gt;Reply-To: Forum for ballad scholars
~lt;[unmask];
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Re: Sharp in America
{DIV}{/DIV}~gt;Date: Fri, 12 Nov 2004 09:44:04 -0500
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Dear Fellow Ballad Enthusiasts,
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;In regards to Ed Cray's question:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Though I have not yet seen the book, It is my
understanding that there will be biographical data and photographs of
the singers that have been tucked away in the Cecil Sharp Library
archives, and have not been released to the US until now.
 I have been in that collection, and the photographs of the singers and
tidbits from Sharp's manuscripts really add to the texts in English Folk
Songs from the Southern Appalachians. I, for one, will be placing this
book on my shelf next to Sharp's book, as the texture and information
found in Dear Companion. The photographs from the collection that are in
Yates' Mustrad articles are just web copies and not the clear and crisp
images that would be detailed in the book.
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;When my copy arrives, I plan to review it for the
Appalachian Journal. I can send this review to the List-serv for those
interested...
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Cassie Robinson
{DIV}{/DIV}~gt;Liston B. Ramsey Center for Regional Studies
{DIV}{/DIV}~gt;Mars Hill College
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;-----Original Message-----
{DIV}{/DIV}~gt;From: Forum for ballad scholars
[mailto:[unmask]]On
{DIV}{/DIV}~gt;Behalf Of edward cray
{DIV}{/DIV}~gt;Sent: Thursday, November 11, 2004 6:06 PM
{DIV}{/DIV}~gt;To: [unmask]
{DIV}{/DIV}~gt;Subject: Sharp in America
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Anyone:
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Is it safe to assume that these 75 songs and ballads in
the new book announced today~nbsp;~nbsp;are all in Sharp's two-volume
English Folk Songs from the Southern Appalachians?~nbsp;~nbsp;If so, are
we buying it for Mike Yates' introduction?~nbsp;~nbsp;And~nbsp;~nbsp;how
different is it from the excellent narrative Yates put up
on~nbsp;~nbsp;MusicTrad?
{DIV}{/DIV}~gt;
{DIV}{/DIV}~gt;Ed
{DIV}{/DIV}{/div}{/html}
 ======================================================================--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. |
http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Articles
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 13 Nov 2004 00:37:09 +0000
Content-Type:text/plain
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text/plain(11 lines)


Some articles you may like to know about:B?LOIDEAS  71 (2003) pp.55-74; SMITH, Th??e, Untranscribed Voices from the Past: Music and Folklore [concerns veteran Irish collector Tom Munnelly]PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA 98:3 (2004) pp.293-312;  KUCZYNSKI, Michael P.,   John Whitefoord Mackenzie and the Percy Society: Documents in the Hoard-Tilton Memorial Library, Tulane UniversityUNIVERSITY OF TORONTO QUARTERLY 73:4 (2004)pp.1003-1010; COWAN, Yuri, William Allingham's 'Ballad Book' and its Victorian ReadersSteve RoudSignup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Articles
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 12 Nov 2004 16:50:39 -0800
Content-Type:text/plain
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Steve:This is a very valuable service toi those oif us on ballad-l.  Could you make this a bi-weekly or monthly feature, oh, master bibliographer?Ed----- Original Message -----
From: [unmask]
Date: Friday, November 12, 2004 4:37 pm
Subject: Articles> Some articles you may like to know about:
> 
> B?LOIDEAS  71 (2003) pp.55-74; SMITH, Th??e, Untranscribed 
> Voices from the Past: Music and Folklore [concerns veteran Irish 
> collector Tom Munnelly]
> 
> PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA 98:3 (2004) pp.293-
> 312;  KUCZYNSKI, Michael P.,   John Whitefoord Mackenzie and the 
> Percy Society: Documents in the Hoard-Tilton Memorial Library, 
> Tulane University
> 
> UNIVERSITY OF TORONTO QUARTERLY 73:4 (2004)pp.1003-1010; COWAN, 
> Yuri, William Allingham's 'Ballad Book' and its Victorian Readers
> 
> Steve Roud
> 
> Signup to supanet at https://signup.supanet.com/cgi-
> bin/signup?_origin=sigwebmail

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Subject: Bawdy Broadsides: PDFs available
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 15 Nov 2004 15:29:35 -0600
Content-Type:text/plain
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Hello everyone,I have made relatively low quality PDFs available of the bawdy
broadsides ( http://tinyurl.com/5e937  (28MB)) and the complete
ledger book ( http://tinyurl.com/5556h  (29MB)).Ed, you may want to use these two PDFs if you just want *reading*
copies and not archival copies.Yours,John Mehlberg
~
My bawdy songs, toasts and recitations website:
www.immortalia.com

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Subject: Copyright Question
From: Debra Cowan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 12:44:10 -0500
Content-Type:text/plain
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text/plain(42 lines)


Hi all,Some of you know me, some of you don't. I am a lurker here, but have
decided to come out to pick your collective brains regarding a question
I have. I am a wee bit naive when delving deeper into some of these
issues, and thought some of you might have some experience with this.
This involves licensing of songs in the US. In the past I have paid
contemporary composers directly for their use of material, gone the
Harry Fox route, or just made damn sure the song was public domain.I have been finding some great songs (haven't we all!) from source
recordings for some time now. One of the songs that I have found and
plan to record is "My Dad's Dinner Pail" that was written by Edward
Harrigan and David Braham and published in "Collected Songs II,
1883-1896". From what I can glean from the sheet music, there is a
copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
song as "Dad's Dinner Pail" in the Flanders Collection sung by Jonathon
Moses.My question is: How do I know if the version that Moses sings is public
domain or not? Maybe some of you singers who have recorded older
composed songs (specifically music hall songs such as this), can tell me
what you did in this situation? I am more than willing to pay a
mechanical license to record the song if I need to.Or maybe I need to consult a copyright expert (lawyer) on this one?Thanks in advance for any assistance you can give.Deb Cowan
--******************************
Debra Cowan - Singer
website: http://www.DebraCowan.com
USA BOOKINGS: (508) 662-9746,
SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
http://www.fallingmountain.com
******************************

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Subject: Re: Copyright Question
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 14:27:07 -0800
Content-Type:text/plain
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text/plain(56 lines)


Debra:If I understand you correctly, "My Dad's Dinner Pail" was written prior to 1896 when it first appeared in print.  If that is the case, the song is in the public domain.Ed----- Original Message -----
From: Debra Cowan <[unmask]>
Date: Tuesday, November 16, 2004 9:44 am
Subject: Copyright Question> Hi all,
>
> Some of you know me, some of you don't. I am a lurker here, but have
> decided to come out to pick your collective brains regarding a
> questionI have. I am a wee bit naive when delving deeper into some
> of these
> issues, and thought some of you might have some experience with this.
> This involves licensing of songs in the US. In the past I have paid
> contemporary composers directly for their use of material, gone the
> Harry Fox route, or just made damn sure the song was public domain.
>
> I have been finding some great songs (haven't we all!) from source
> recordings for some time now. One of the songs that I have found and
> plan to record is "My Dad's Dinner Pail" that was written by Edward
> Harrigan and David Braham and published in "Collected Songs II,
> 1883-1896". From what I can glean from the sheet music, there is a
> copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
> song as "Dad's Dinner Pail" in the Flanders Collection sung by
> JonathonMoses.
>
> My question is: How do I know if the version that Moses sings is
> publicdomain or not? Maybe some of you singers who have recorded older
> composed songs (specifically music hall songs such as this), can
> tell me
> what you did in this situation? I am more than willing to pay a
> mechanical license to record the song if I need to.
>
> Or maybe I need to consult a copyright expert (lawyer) on this one?
>
> Thanks in advance for any assistance you can give.
>
> Deb Cowan
> --
>
>
> ******************************
> Debra Cowan - Singer
> website: http://www.DebraCowan.com
> USA BOOKINGS: (508) 662-9746,
> SNAIL-MAIL: P.O. Box 1335, Westborough, MA 01581
> UK BOOKINGS: Vivienne Bloomfield   http://www.otheragency.co.uk
> RECORDINGS/SALES: Falling Mountain Music (540) 877-2505
> http://www.fallingmountain.com
> ******************************
>

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Subject: Ebay List - 11/16/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 18:52:32 -0500
Content-Type:text/plain
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Hi!        Beat the holiday rush! Get your books on Ebay now before
Thanksgiving! :-)        SONGSTERS        3761323933 - G.O.P. SONGSTER, 1905, $26 (ends Nov-17-04 17:42:59
PST)        7113931469 - Merchant's Gargling Oil Songster, 1889, $9.99 (ends
Nov-19-04 12:39:37 PST)        2285427933 - Sheridan & Flynns Songster, 1890, $1 (ends Nov-20-04
16:16:29 PST)        3762252210 - Chas. K. Harris' Latest...Popular Songster, 1901,
$2.50 (ends Nov-21-04 13:39:19 PST)        MISCELLANEOUS        4051628184 - The Long Harvest, MacColl & Seeger, LP, 1967, 9.95
GBP (ends Nov-18-04 08:25:10 PST)        SONGBOOKS        3761205457 -  I. W. W. Songs, 1989 reprint, $9 (ends Nov-17-04
09:53:19 PST)        6935622075 - Folk Songs of the South by Cox, $0.99 (ends Nov-17-04
12:36:54 PST)        6935860071 - More Mellows by Kennedy, 1931, $9.99 (ends Nov-17-04
12:52:40 PST)        4503823519 - Ballad Makin' in the Mountains of Kentucky by Thomas,
1964, $9 (ends Nov-18-04 20:14:10 PST)        6935817594 - American Sea Songs & Chanteys by Shay, 1948, $7.50
(ends Nov-19-04 05:11:25 PST)        4503895518 - THE PENGUIN BOOK OF AUSTRALIAN BALLADS by Ward, 1964,
$2 AU (ends Nov-19-04 07:14:34 PST)        3761825163 - THE SONGS THAT MADE AUSTRALIA by Fahey, $9 AU (ends
Nov-19-04 18:45:17 PST)        6935959957 - Lays of the Scottish Cavaliers and Other Poems by
Aytoun, 1887, 35 GBP (ends Nov-20-04 12:18:28 PST)        4504187142 - Sing Care Away by Sharp, 0.99 GBP (ends Nov-20-04
13:10:13 PST)        4504201565 - 2 books (The Complete Irish Street Ballads by
O'Lochlainn and The Third Book of Irish Ballads by Jolliffe), 1.99 GBP
(ends Nov-20-04 14:28:58 PST)        4504272749 - Songs Remembered in Exile by Campbell, 1990, $19.99
(ends Nov-20-04 21:13:37 PST)        4503570094 -  THE BRITISH FOLKLORISTS A HISTORY by Dorson, 1968,
0.99 GBP (ends Nov-21-04 03:48:01 PST)        4504336669 - Mexican Border Ballads and Other Lore by Boatright,
1946, $11.99 (ends Nov-21-04 08:21:47 PST)        4504366229 - Colonial Ballads by Anderson, 1962, 5 GBP (ends
Nov-21-04 10:15:22 PST)        4503352623 - Songs of the Cowboys by Thorp, 1989 reprint, $5 (ends
Nov-21-04 14:00:00 PST)        6936125487 - English And Scottish Popular Ballads by Neilson &
Witham, 1937, $5 (ends Nov-21-04 14:31:32 PST)        7934276869 - Scottish Ballads by Lyle, 1997, 0.99 GBP (ends
Nov-21-04 15:16:26 PST)        3762288081 - NEGRO SONGS FROM ALABAMA by Courlander, 1960, $19.95
(ends Nov-21-04 15:59:26 PST)        4504490568 - SONGS OF THE PEOPLE;SAM HENRY COLLECTION by Moulden,
1979, $4 (ends Nov-21-04 17:36:02 PST)        3762391478 - 3 books (The AFSCME songbook by Glazer, 1978, Roll Me
Over, 1972, & A Book of Nonsense songs by Cazden, 1966) $3 (ends
Nov-22-04 02:13:28 PST)        3762538996 - BOOK OF IRISH BALLADS by McCarthy, 1869, $6.63 (ends
Nov-22-04 17:00:00 PST)        6936253696 - The Traditional Tunes of the Child Ballads by Bronson,
volume 2, 1962, $49.99 w/reserve (ends Nov-22-04 17:19:29 PST)        4504562031 - Song of Robin Hood by Malcolmson, 1947, $6.78 (ends
Nov-24-04 23:22:07 PST)        4504805972 - Real Sailor Songs by Lloyd/Ashton, 1973, 40 GBP (ends
Nov-25-04 18:35:04 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Copyright Question
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 16 Nov 2004 19:29:37 -0500
Content-Type:text/plain
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text/plain(37 lines)


On 2004/11/16 at 02:27:07PM -0800, edward cray wrote:> From: Debra Cowan <[unmask]>> > I have been finding some great songs (haven't we all!) from source
> > recordings for some time now. One of the songs that I have found and
> > plan to record is "My Dad's Dinner Pail" that was written by Edward
> > Harrigan and David Braham and published in "Collected Songs II,
> > 1883-1896".> If I understand you correctly, "My Dad's Dinner Pail" was written
> prior to 1896 when it first appeared in print.  If that is the case, the
> song is in the public domain.> >             From what I can glean from the sheet music, there is a
> > copyright for the years 1997, 2000 to A-R Editions, Inc.  I found this
> > song as "Dad's Dinner Pail" in the Flanders Collection sung by
> > JonathonMoses.        I would say that the version published in "Collected Songs" (if
that was printed back then), or in sheet music printed back then, you
should be fine.        However -- beware of learning an arrangement from the later
(1997, 2000) publication.  *That* could be copyrighted.  As long as you
learned from the original, and can have a copy of the original ready to
hand to defend yourself, you should be fine.  The modern copyright
holders may well try to enforce their copyright, so you probably *will*
have to use the older publication as a defense.        Good Luck,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Sacred Harp
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 11:18:00 -0600
Content-Type:text/plain
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text/plain(6 lines)


Those of you with an interest in Sacred Harp singing may find the
following of interest:http://homepage.mac.com/callistc/SacredHarpSingersintro.html20 or so downloadable mp3s and interviews.

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Subject: Ebay List - 11/21/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 21:45:16 -0500
Content-Type:text/plain
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Hi!        After surviving a trip the a supermarket full of people filling
their carts with turkeys, I found the following on Ebay.        SONGSTERS        3942476650 - Walter L. Main & Van Amburgh Circus Songster, 1890,
$32.11 (ends Nov-24-04 17:50:55 PST)        3942339467 - the Barnum and Bailey Circus songster, 1892, $12
(ends Nov-24-04 18:15:00 PST)        MISCELLANEOUS        4505190435 - Midwest Folklore, journal, summer 1957, $3.95 (ends
Nov-24-04 09:29:46 PST)        4054087972 - 2 LPs (one of interest is Songs From the Hills of
Donegal by Barry), $5 (ends Nov-27-04 07:10:55 PST)        4054420805 - GREEN FIELDS OF ILLINOIS, LP, 1962, $2 (ends Nov-28-04
10:17:17 PST)        6936812333 - Glasgow Chapbook, 1835?, 6 GBP (ends Nov-29-04 08:58:55
PST)        3763698622 - Broadside (A New Song on Luckey Elopement), 1860?,
$17.50 (ends Nov-29-04 21:00:00 PST)        SONGBOOKS        6936462837 - Scotch Songs & Ballads by Macdonald, 1893, 51 GBP
(ends Nov-22-04 11:46:36 PST)        6936323135 - MOUNTAIN MINSTRELSY OF PENNSYLVANIA by Shoemaker,
1931, $29.99 (ends Nov-23-04 18:00:00 PST)        4505056963 - Haulin' Rope & Gaff by Ryan & Small, 1978, $20 (ends
Nov-23-04 18:32:28 PST)        3762927748 - KERRS 'BUCHAN' BOTHY BALLADS, 2.99 GBP (ends
Nov-24-04 09:09:50 PST)        4505237060 - FOLKSONGS Sung in Ulster by Morton, 1970, $2 (ends
Nov-24-04 12:19:24 PST)        4505246055 - Blow the Candle Out "Unprintable" Ozark Folksongs and
Folklore, Volume II by Randolph, 1992, $14.99 (ends Nov-24-04 12:49:03 PST)        4505256666 - The Ballad Tree by Wells , 1950, $2.49 (ends
Nov-24-04 13:23:50 PST)        6936485086 - Remains of Galloway & Nithsdale Song by Cromer, 1810,
30 GBP (ends Nov-24-04 14:21:18 PST)        6936488286 - Minstrelsy of the Scottish Border by Henderson, 1931,
6.99 GBP (ends Nov-24-04 14:53:03 PST)        4505464707 - BALLADS AND SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $31 (ends Nov-25-04 06:54:53 PST)        4505468008 - The English and Scottish Popular Ballads by Child,
volume 1, 2002 Loomis edition, $19.99 (ends Nov-25-04 07:07:49 PST)        4505820355 - Way Out in Idaho by Sorrels, 1991, $8 (ends Nov-26-04
08:54:56 PST)        4505990404 - Folk Songs Collected by Ralph Vaughan Williams by
Palmer, 1983, $2 (ends Nov-27-04 02:39:25 PST)        3763826605 - The Vagabonds--collection of Mountain Ballads, Old-time
Songs and Hymns, 1934 printing, $1.99 (ends Nov-27-04 11:17:50 PST)        3764108385 - Blue Grass Roy THE HAMLIN'S KORN KRACKER BOOK NO 4
WORLD'S GREATEST COLLECTION OF COWBOY AND MOUNTAIN BALLADS, 1936, $5.95
(ends Nov-28-04 12:43:28 PST)        4505667351 - SLAVE SONGS by Silverman, 1994, $12.75 (ends Nov-28-04
15:47:13 PST)        4505874374 - Songs of Irish Rebellion by Zimmerman, 2002, 2 GBP
(ends Nov-29-04 11:58:31 PST)        3763991890 - Songs of the Midlands by Palmer, 1972, 0.99 GBP (ends
Dec-01-04 06:37:02 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Mack McCormick Bawdy Songs MS
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 21 Nov 2004 20:56:01 -0600
Content-Type:text/plain
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Hello everyone,According to Vance-Legman Vol.2 _Blow The Candle Out_
on pg. 647, there is a 1959 Mack McCormick manuscript of
bawdy songs.  Does anyone know of this MS?I would assume that it is not the 1960 booklet but is the
research notes and other items which Mack recorded
because Legman is discussing "Roll Your Leg Over"
on pg. 647 which is not found on the Unexpurgated
Folk Songs of Men LP but IS purportedly found in
the McCormick MS.Legman doesn't even mention the McCormick MS in any
of his bibliographies.  Anyone here know of its existence?Yours,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and recitations
website:  http://www.immortalia.com/html/

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Subject: Re: Ebay List - 11/21/04
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 09:51:18 EST
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Subject: Re: Ebay List - 11/21/04
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 07:55:35 -0800
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Folks:I am continually amazed -- and guided -- by the assembled  wisdom on ballad-l.Ed----- Original Message -----
From: [unmask]
Date: Monday, November 22, 2004 6:51 am
Subject: Re: Ebay List - 11/21/04> In a message dated 11/22/2004 2:46:08 AM GMT Standard Time,
> [unmask] writes:
>
> >
> >
> >     3763698622 - Broadside (A New Song on Luckey Elopement), 1860?,
> > $17.50 (ends Nov-29-04 21:00:00 PST)
> >
>
> Peter Brereton again! Overpriced already. Probably misdated - about
> 7 years
> too early.
>
> John Moulden
>

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Subject: Re: Mack McCormick Bawdy Songs MS
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 22 Nov 2004 08:06:25 -0800
Content-Type:text/plain
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John:This MAY be a file I sent to Legman ca. 1960, during a period when I was his unofficial American correspondent.  I assembled a number of collections for his use,  the source of  which he failed to acknowledge in his later writings after he suffered an attack of "paranoids."I no longer have copies of all of the material sent to Legman.Ed
----- Original Message -----
From: John Mehlberg <[unmask]>
Date: Sunday, November 21, 2004 6:56 pm
Subject: Mack McCormick Bawdy Songs MS> Hello everyone,
>
> According to Vance-Legman Vol.2 _Blow The Candle Out_
> on pg. 647, there is a 1959 Mack McCormick manuscript of
> bawdy songs.  Does anyone know of this MS?
>
> I would assume that it is not the 1960 booklet but is the
> research notes and other items which Mack recorded
> because Legman is discussing "Roll Your Leg Over"
> on pg. 647 which is not found on the Unexpurgated
> Folk Songs of Men LP but IS purportedly found in
> the McCormick MS.
>
> Legman doesn't even mention the McCormick MS in any
> of his bibliographies.  Anyone here know of its existence?
>
> Yours,
>
> John Mehlberg
> ~
> My, mostly traditional, bawdy songs, toasts and recitations
> website:  http://www.immortalia.com/html/
>

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Subject: 23rd Psalm rewrite
From: Barbara Millikan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 24 Nov 2004 12:56:30 -0800
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Someone here was collecting these?
Here's another variant.Psigh 23
   Bush is my shepherd; I dwell in want.
   He maketh logs to be cut down in national forests.
   He leadeth trucks into the still wilderness.
   He restoreth my fears.
   He leadeth me in the paths of international disgrace for his ego's sake.
   Yea, though I walk through the valley of pollution and war,
   I will find no exit, for thou art in office.
   Thy tax cuts for the rich and thy media control, they discomfort me.
   Thou preparest an agenda of deception in the presence of thy religion.
   Thou anointest my head with foreign oil.
   My health insurance runneth out.
   Surely megalomania and false patriotism shall follow me all the days of
       thy term,
   And my jobless child shall dwell in my basement forever.Yrs,
Barbara Millikan

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Subject: BBC Radio 4
From: Dave Eyre <[unmask]>
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Date:Fri, 26 Nov 2004 19:45:17 -0000
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Subject: Re: BBC Radio 4
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 16:57:23 -0800
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Dave:Kind of you to comment.  The BBC programme (note how quickly I have picked up the local dialect) is the second of three I am doing for BBC shows.  I am scheduled to do the Robert Elms show, live,  on Monday, December  6.  Check  your local listing for the time.Ed
----- Original Message -----
From: Dave Eyre <[unmask]>
Date: Friday, November 26, 2004 11:45 am
Subject: BBC Radio 4> I felt a little frisson of excitement as I heard the name Ed Cray
> mentioned on BBC Radio 4 tonight.
>
> BBC Radio 4 - "Front Row" (which is an arts/review programme)
> talking about Woody Guthrie and positively reviewing Ed's book
> "Rambling Man".
>
> Along with Lomax, Pete Seeger et al. And a superb recording of
> Seeger singing "This Land is Your Land".
>
> Best regards
>
> Dave Eyre
>

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Subject: Re: BBC Radio 4
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 26 Nov 2004 22:42:13 -0700
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Has there been any attention from the home side of pond, Ed (as in audio
possibilities)??~ Becky Nankivell
Tucson, ArizonaAutomatic digest processor wrote:>Date:    Fri, 26 Nov 2004 16:57:23 -0800
>From:    edward cray <[unmask]>
>Subject: Re: BBC Radio 4
>
>Dave:
>
>Kind of you to comment.  The BBC programme (note how quickly I have picked up the local dialect) is the second of three I am doing for BBC shows.  I am scheduled to do the Robert Elms show, live,  on Monday, December  6.  Check  your local listing for the time.
>
>Ed
>
>

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Subject: Re: BBC Radio 4
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Nov 2004 09:45:07 -0800
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Becky:There was/is considerable attention ot the rlease of _Ramblin' Man_ in February.  You can "Google" me PLUS the book to get a sampling of reviews,  and you can look the book up on Amazon.com for some ten reviews by readers.I do not know if NPR archives its programs permanently, or how you would search them, but I did do a Sunday Weekend Edition  interview as well.Ed----- Original Message -----
From: Becky Nankivell <[unmask]>
Date: Friday, November 26, 2004 9:42 pm
Subject: Re: BBC Radio 4> Has there been any attention from the home side of pond, Ed (as in
> audiopossibilities)??
>
> ~ Becky Nankivell
> Tucson, Arizona
>
> Automatic digest processor wrote:
>
> >Date:    Fri, 26 Nov 2004 16:57:23 -0800
> >From:    edward cray <[unmask]>
> >Subject: Re: BBC Radio 4
> >
> >Dave:
> >
> >Kind of you to comment.  The BBC programme (note how quickly I
> have picked up the local dialect) is the second of three I am doing
> for BBC shows.  I am scheduled to do the Robert Elms show, live,
> on Monday, December  6.  Check  your local listing for the time.
> >
> >Ed
> >
> >
>

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Subject: EBay List - 11/27/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 27 Nov 2004 18:50:08 -0500
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Hi!        I hope that everyone had a good Thanksgiving - lots of food,
drink, and football (if interested). :-)        Here is the latest Ebay list.        SONGSTERS        3764519671 - The Patriotic No License Songster, 1909, $15 (ends
Dec-03-04 06:28:07 PST)        3764780643 - The Merry Companion; Or, Universal Songster, 1745,
$9.99 (ends Dec-05-04 15:48:00 PST)        MISCELLANEOUS        4054895450 - The English and Scottish Popular Ballads (Child
Ballads), MacColl & Llyod, double LP, 1956, $9.99 (ends Nov-29-04 20:14:18
PST)        4054912300 - Granny Riddle's Songs And Ballads, LP, 1977, $7.50
(ends Nov-29-04 21:46:11 PST)        SONGBOOKS        4506802437 - A GUIDE TO ENGLISH FOLK SONG COLLECTIONS 1822-1952 BY
Dean-Smith, 1954, 2.99 GBP (ends Nov-28-04 03:49:14 PST)        4506404886 - A Pioneer Songster: Texts From The STEVENS-DOUGLASS
MANUSCRIPT OF WESTERN NEW YORK 1841-1856 by Thompson, 1958, $8 (ends
Nov-28-04 14:55:48 PST)        4506406494 - BALLADS AND SONGS FROM OHIO by Eddy, 1939, $3.99 (ends
Nov-28-04 15:02:07 PST)        6937126972 - The Whorehouse Bells Were Ringing by Logsdon, 1989,
$9.99 (ends Nov-28-04 19:56:12 PST)        6937378344 - Folk Songs of Canada by Fowke & Johnston, 1954, 20 GBP
(ends Nov-29-04 02:58:10 PST)        6937191225 -  Bibliotheca Curiosa THE BALLAD BOOK by Kinloch, 1885,
4.99 GBP (ends Nov-29-04 11:51:23 PST)        7936771422 - America Sings by Carmer, 1942, $4.50 (ends Nov-29-04
11:55:45 PST)        4506689574 - He Was Singin' This Song by Tinsley, 1982, $5.95 (ends
Nov-29-04 15:59:56 PST)        4506747847 - American Mountain Songs by Richardson/Spaeth, 1955,
$9.99 (ends Nov-29-04 19:47:24 PST)        4507005964 - Ballads and Songs from Ohio by Eddy, 1964 reprint,
$8.95 (ends Nov-30-04 17:46:20 PST)        6937399687 - Old English Ballads and Folk Songs by Armes, 1913
edition, $9.99 (ends Dec-01-04 08:13:03 PST)
        also 4507264636 - 1918 edition, $2.50 (ends Dec-01-04 16:50:56 PST)        4507386729 - Pennsylvania Songs and Legends by Korson, 1949, $15
(ends Dec-02-04 07:19:58 PST)        4507612089 - TALES & SONGS OF SOUTHERN ILLINOIS by Neely, 1998
edition, $12.50 (ends Dec-03-04 08:20:56 PST)        6937672281 - Popular Music of the Olden Time by Chappell, 1860,
$75 (ends Dec-03-04 12:21:38 PST)        6937400201 - American Sea Songs and Chanteys by Shay, 1948, $12.95
(ends Dec-04-04 08:18:20 PST)        6937504563 - Traditional Ballad Airs by Christie, 2 volumes, 1881,
10 GBP w/reserve (ends Dec-06-04 04:00:00 PST)        3856143257 - Folk Songs of Old Hampshire by Browne, 2.50 GBP (ends
Dec-06-04 08:50:03 PST)        3856154464 - Marrow Bones: English Folk songs from the Hammond &
Gardiner Manuscripts by Purslow, 1.50 GBP (ends Dec-06-04 09:44:58 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: List of RR songs
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 1 Dec 2004 11:05:34 -0500
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There is an interesting list of railroad songs athttp://www.spikesys.com/Trains/songs.htmlThe lister claims not to be a collector of songs but says that he
will archive lyrics if he gets enough material from people who send
them in.John

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Subject: Orange Lily
From: bennett schwartz <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 1 Dec 2004 17:43:25 -0500
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I am "indexing" O Lochlainn's "Irish Street Ballads" and am too ignorant to
be able to make anything of his, or other, versions that I find of "Orange
Lily-O" .
Can someone break the code for me? Which Viceroy awards the prize to "the
Royal Orange Lily"?  And which Lady Clarke approaches?  And, in the longer
version, who is Sir Charley?  Who is "horse master Billy" and is Lady Clarke
his ex?  Most of all, what is the flower show?  And is this a code or just a
joke?Ben Schwartz

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Subject: Re: Orange Lily
From: Jonathan Lighter <[unmask]>
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Date:Wed, 1 Dec 2004 16:26:57 -0800
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Subject: Re: Orange Lily
From: [unmask]
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Subject: Ebay List - 11/04/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 4 Dec 2004 00:35:31 -0500
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Hi!        As the temperature drops and the winds blows, spend your time
indoors with a good book found on Ebay. :-)        SONGSTERS        3943916564 - Forepaugh's Songster, 1882, $15 (ends Dec-04-04 16:30:00
PST)        3765818957 - CHAS. K. HARRIS POPULAR SONGSTER, $5.99 (ends Dec-05-04
16:15:26 PST)        7117888441 - Merchant's Gargling Oil Songster, 1887, $7.99 (ends
Dec-06-04 16:23:42 PST)        6135915281 - Merchant's Gargling Oil Songster, 1888, $6 (ends
Dec-09-04 13:34:10 PST)        2291117732 - Songs of the South For UCV Reunions And Other Social
Gatherings, $9.99 w/reserve (ends Dec-09-04 18:45:00 PST)        MISCELLANEOUS        4056294557 - 2 LPs Of Bawdy Air Force Songs by Brand, $2.99 (ends
Dec-05-04 10:05:28 PST)        4056491692 - The English and Scottish Popular Ballads (The Child
Ballads), MacColl & Lloyd, 8 LP set, $50 w/reserve (ends Dec-05-04 21:15:48
PST)        4509077892 - PENNSYLVANIA FOLKLIFE, Spring 1959, $4.75 (ends
Dec-08-04 18:01:24 PST) This seller has a number of issues of this journal.
Each is in a separate auction.)        SONGBOOKS        4508039128 - Rowdy Rhymes and Bibulous Ballads, 1960?, $2.99 (ends
Dec-05-04 00:16:03 PST)        4508090325 - A Song for Every Season by Copper, 1971, 1 GBP, (ends
Dec-05-04 08:33:19 PST)        7937929541 - Ireland the Songs Book 3, 1993, 0.99 GBP (ends
Dec-05-04 09:39:40 PST)        6937899145 - handwritten scrapbook of music, 1845, $25 (ends
Dec-05-04 10:51:10 PST)        6937905409 - Afro-American Folksongs by Krehbiel, 1914, $4.95 (ends
Dec-05-04 11:18:47 PST)        6937937727 - The Ballad Book by Allingham, 1913 printing, $2 (ends
Dec-05-04 13:57:50 PST)        2288427530 - numerous Woody Guthrie items, $65000 (ends Dec-05-04
16:27:30 PST)        4508950565 - A Bibliography of North American Folklore and Folksong
by Haywood, 2 volumes, 1960?, $0.99 (ends Dec-06-04 06:55:34 PST)        4508896193 - Voices from the Mountains by Carawan, 1996, $4.99
(ends Dec-06-04 11:30:00 PST)        6938092889 - A Lytell Geste of Robin Hode by Gutch, 1847, $149.95
(ends Dec-06-04 16:03:34 PST)        6938102099 - MOUNTAIN MINSTRELSY OF PENNSYLVANIA by Shoemaker,
1931, $29.99 (ends Dec-06-04 17:29:41 PST)        4508520879 - Traditional American Folk Songs - The Warner Collection
by Warner, 1985, $16.99 (ends Dec-06-04 18:58:12 PST)        6938346642 - Jacobite Songs and Ballads by Macquoid, 1888, $12.95
(ends Dec-08-04 14:43:48 PST)        6938399400 - Border Ballads by Beattie, 1952, 1.99 GBP (ends
Dec-09-04 03:23:36 PST)        4509527230 - ADIRONDACK VOICES: WOODSMEN AND WOOD LORE by Bethke,
1983, $15 (ends Dec-09-04 20:55:26 PST)        6938291016 - BORDER BALLADS AND BALLADISTS, 1931, 0.99 GBP (ends
Dec-11-04 06:32:41 PST)        4508596531 - SOUTH CAROLINA BALLADS by Smith, 1928, $0.01 (ends
Dec-11-04 20:45:00 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Scots Research
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 6 Dec 2004 10:55:37 -0600
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Two recent items from Research Buzz which some of you may find of interest:** The Scotsman Launches a Digital Archive
<http://www.researchbuzz.org/archives/002194.shtml>The Scotsman has launched a digital archive of their newspaper going back to 1817 and going through 1900. Though it does cost to access articles, searching is free and there's a sample of content available.The archive's at http://tinyurl.com/5xjuo (sorry, the original URL is enormous.) Searching is by simple keyword. A search for "Frodo" found 31 results. Results included the headline from the article found, the date and page from which the
result it drawn, and the number of results in the article. If you'd like to see the item, you have several options, from a 24-hour pass for £5.95 to a one-year pass for £109.95.In addition to the search, the archive also contains the history of The Scotsman and a free sample issue (the first issue of the paper!) If you'd rather browse than search, a calendar of issues is available. Nicely done and not a bad price -- I like all the options for access.** Online Database of Scots Texts Available
<http://www.researchbuzz.org/archives/002193.shtml>It's called SCOTS, and it stands for Scottish Corpus of Texts and Speech. It includes about 400 texts from Scots to Scottish English. It was assembled by the Arts and Humanities Research  Board and it's available at
http://www.scottishcorpus.ac.uk/ .The site is searchable by several different factors, including word (of course), author, gender, area of birth or residence, and year composed. A search for "richt" found 112 results, with results listing title, author, and multimedia.I took a look at Daft Jackie ("Folk kent for miles aboot that Duncan Dungarroch wisnae hauf as bricht as the beer he brewed.") The text is presented complete, with the word for which you searched highlighted. It looks like most of these writings are fairly short.There were some items which were transcriptions and were marked with "audio" in the multimedia portion of the search results. Each of the lines on these transcriptions were clickable, but I wasn't able to generate any audio from them, even viewing them in Internet Explorer. Perhaps you will have better luck than me.

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Subject: Re: Scots Research
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 6 Dec 2004 18:36:40 +0000
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> ** The Scotsman Launches a Digital Archive
> <http://www.researchbuzz.org/archives/002194.shtml>
>
> The Scotsman has launched a digital archive of their newspaper
> going back to 1817 and going through 1900.I would be curious to know how they did that.  They threw away
their entire hardcopy archive in the early 1980s.  (My girlfriend's
ex-husband was a book dealer at the time, and got a phone call
asking if he'd like it - deadline for finding somewhere to put 180
years of papers, two days ahead.  It got pulped.)-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
fax 0870 055 4975   <http://www.purr.demon.co.uk/jack/>   CD-ROMs of Scottish
traditional music; free stuff on food intolerance, music, and Mac logic fonts

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Subject: John Henry and the white road
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 11:11:09 -0500
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I wrote, in part, some time ago>Here's part of the version that J. W. Washington, Fort Myers,
>Florida, contributed to Louis Chappell, who published it in his 1933
>book (pp 116-117).
>
>They carried John Henry down the smoky road
>And put him on that long white road.
>When they brought that poor boy back to town
>He was lying on his cooling board.suggesting that "white road" could be the original that mutated, in
several versions of "John Henry," to "White House."  I also suggested
that the limestone around Leeds and Dunnavant, Alabama, might account
in some way for the whiteness of the road.There is a much simpler explanation.  Many version of "John Henry"
state that "they buried him in the sand."  Very close to the east
portal of Oak Mountain Tunnel, Dunnavant, where John Henry is
supposed to have beat a steam drill in 1887, is Sand Ridge Cemetery.
The area has exposed sand on several of its southwest-to-northeast
trending ridges.  Surely Sand Ridge is named for this.  There was,
and is, a ridge road leading to that cemetery, and if it were sandy
in 1887, then it would have been "white."  Unfortunately, the
inventoried markers at Sand Ridge Cemetery don't include one for John
Henry.  On the other hand, the inventory is known to be incomplete,
and the cemetery contains many graves for which markers have not been
found.  It may be that the inventory is based on a cursory search.  I
intend to go over there and have a personal look soon.At least one version of "John Henry" states that he is buried by a
river.  Many versions imply that his burial is within sight of the
railroad.  Also very close to the alleged site of the contest, the
railroad crosses Shoal Creek, which meanders through a flood plain of
sand.  This spot will be easy to examine because the highway is very
close to the track at that point.John
--
john garst    [unmask]

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Subject: W A S S A I L !!!!
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 11:29:33 -0500
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G R E E T I N G S !
                       Potential WassailersAs you may know......your peasant friends in Linthicum are very much
dedicated to wassailing. Second only to Guy Fawkes Day! We already have
a one of a kind hymnal of wassail tunes and customs on the market and
the big book can not be all that far off. So we are very into it! So we
need your help! Wassailers are wanted and in numbers.....you cant have a
good wassail with just a few! It is our hope that each of you will round
up a number of others and drag them out! Rain, Snow, sleet, or shine....
Actually it is best when snowing. If you cant drive home we will let you
stay here.The one thing that is wonderful about Wassail is that it occurs at 12th
night. Therefore......it is the true last day of Christmas....and your
other obligations should be taken care of! Or at least we hope they are!
  The other good thing is that there are two potential dates of
significance- 12th night which is January 6 (we will move it to Jan 8)
and Old 12th night January 17 ( we will move it to January 15) Both are
Saturdays. In either case it will take place around 5:pm with food and
wassail when dark......How to decide- simple......
I will take a vote via rsvp. reply to this e.mail or send your choice of
dates. January 8 or January 15. If it doesnt matter to you let me know
that too. The greatest number of votes decides! For planning purposes I
need to have your responses in by High Noon Monday December 19.I will get right back to everyone.Important- circulate this e.mail everywhere you wish! It takes a lot of
potential wassailers to get an appropriately large crew out.What do we do exactly? Well glad you asked- it is all below:For those of you who do not have a clue about wassailing......
Our web page which has been up for some years now and is growing.....has
everything you need to know!
http://www.geocities.com/CapitolHill/5567/wassail.htmlWe also have a wassail shop! Check out the wondrous wassailer geer!
http://www.cafepress.com/wassailshopWassailing is not just going door to door. We practice a combination of
wassailing the trees out back and wassail in the hall. Our celebration
is also not just alcoholic. We do a fantastic alcohol free mulled cider!
But of course we do the traditional wassails as well as smoking bishop...The plan is as follows-1. Guests bring some sort of food item - seasonal snack or salad or
whatever. Contributions of beer and ale also great. (Optional!) Guests
can also bring a liquour to share- for
example-Baileys,Jagermeister.....we put these on a communal table. Bring
a bottle to share and if you want you can even trade bottles on the way
out- so pick something fun and new...if you dont like it trade it
off..of course we have hot chocolate etc....
2. I cook meat pies in the british style as well as toad in the holes.
3. There are two ritual cakes dedicated to wassail tradition. We bake those.
4. Out back there is a fire with a cauldron over it filled with apples
and wassail spices. (this year we got the cauldron fixed so it can be
properly suspended at  the right height- the last time we vaporized the
wassail! ) The wassail is heated and then we toss in the ingredients-
guests toss in spices and last comes in the roasting hot apples which
sputter and explode in the wassail-great fun.
5. No wassail would be complete without mumming- we hope to have enough
folks to do a mumming play. Dont worry I have the lines on cards....
6. Of course there is music. Practice maybe....not necessary as I have
words and music for that. Bring instruments.....
7. We shall all shout and let off fireworks and beat the fruit tree
offering it up a piece of bread soaked in wassail!Any questions- give a shout. 410-789-0930  [unmask]Hope to see you all around the wassail bowl! /Try to get the rsvps in
asap even if you cant do either....thanks!
Conrad
--
Adam Lay Ybounden
Adam lay ybounden, bounden in a bond; four thousand winter thought he
not too long.
And all was for an apple, an apple that he took, as clerkes finden
written in their book.
Ne had the able taken been, the apple taken been,
Ne had never our lady abeen heavene queen.
Blessed be the time that apple taken was,
therefore we mourn singen Deo Gracias!- Sloan MS (15 Century)
for music go here:
http://www.channel1.com/users/gsilvis/mids/warladam.mid*******************************************************************************************
What is the Crying at Jordan
What is the crying at Jordan? Who Hears, O God, the prophesy?
Dark is the season, dark our hearts and shut to mystery.
Who then shall stir in this darkness, prepare for joy in the winter night?
Mortal in darkness we lie down, blind-hearted seeing no light.
Lord, give us grace to awake us, to see the branch that begins to bloom;
in great humility is hid all heaven in a little room
Now comes the day of salvation, in joy and terror the Word is born!
God gives himself into our lives;
O let salvation dawn!- Carol Christopher Drake
______________________________________________________________

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Subject: Re: W A S S A I L !!!!
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 18:03:00 -0000
Content-Type:text/plain
Parts/Attachments:

text/plain(120 lines)


Sounds almost worth crossing the pond for! Alas....
Cheers
Simon-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]] On
Behalf Of Conrad Bladey Peasant
Sent: 07 December 2004 16:30
To: [unmask]
Subject: W A S S A I L !!!!G R E E T I N G S !
                       Potential WassailersAs you may know......your peasant friends in Linthicum are very much
dedicated to wassailing. Second only to Guy Fawkes Day! We already have
a one of a kind hymnal of wassail tunes and customs on the market and
the big book can not be all that far off. So we are very into it! So we
need your help! Wassailers are wanted and in numbers.....you cant have a
good wassail with just a few! It is our hope that each of you will round
up a number of others and drag them out! Rain, Snow, sleet, or shine....
Actually it is best when snowing. If you cant drive home we will let you
stay here.The one thing that is wonderful about Wassail is that it occurs at 12th
night. Therefore......it is the true last day of Christmas....and your
other obligations should be taken care of! Or at least we hope they are!
  The other good thing is that there are two potential dates of
significance- 12th night which is January 6 (we will move it to Jan 8)
and Old 12th night January 17 ( we will move it to January 15) Both are
Saturdays. In either case it will take place around 5:pm with food and
wassail when dark......How to decide- simple......
I will take a vote via rsvp. reply to this e.mail or send your choice of
dates. January 8 or January 15. If it doesnt matter to you let me know
that too. The greatest number of votes decides! For planning purposes I
need to have your responses in by High Noon Monday December 19.I will get right back to everyone.Important- circulate this e.mail everywhere you wish! It takes a lot of
potential wassailers to get an appropriately large crew out.What do we do exactly? Well glad you asked- it is all below:For those of you who do not have a clue about wassailing......
Our web page which has been up for some years now and is growing.....has
everything you need to know!
http://www.geocities.com/CapitolHill/5567/wassail.htmlWe also have a wassail shop! Check out the wondrous wassailer geer!
http://www.cafepress.com/wassailshopWassailing is not just going door to door. We practice a combination of
wassailing the trees out back and wassail in the hall. Our celebration
is also not just alcoholic. We do a fantastic alcohol free mulled cider!
But of course we do the traditional wassails as well as smoking bishop...The plan is as follows-1. Guests bring some sort of food item - seasonal snack or salad or
whatever. Contributions of beer and ale also great. (Optional!) Guests
can also bring a liquour to share- for
example-Baileys,Jagermeister.....we put these on a communal table. Bring
a bottle to share and if you want you can even trade bottles on the way
out- so pick something fun and new...if you dont like it trade it
off..of course we have hot chocolate etc....
2. I cook meat pies in the british style as well as toad in the holes.
3. There are two ritual cakes dedicated to wassail tradition. We bake those.
4. Out back there is a fire with a cauldron over it filled with apples
and wassail spices. (this year we got the cauldron fixed so it can be
properly suspended at  the right height- the last time we vaporized the
wassail! ) The wassail is heated and then we toss in the ingredients-
guests toss in spices and last comes in the roasting hot apples which
sputter and explode in the wassail-great fun.
5. No wassail would be complete without mumming- we hope to have enough
folks to do a mumming play. Dont worry I have the lines on cards....
6. Of course there is music. Practice maybe....not necessary as I have
words and music for that. Bring instruments.....
7. We shall all shout and let off fireworks and beat the fruit tree
offering it up a piece of bread soaked in wassail!Any questions- give a shout. 410-789-0930  [unmask]Hope to see you all around the wassail bowl! /Try to get the rsvps in
asap even if you cant do either....thanks!
Conrad
--
Adam Lay Ybounden
Adam lay ybounden, bounden in a bond; four thousand winter thought he
not too long.
And all was for an apple, an apple that he took, as clerkes finden
written in their book.
Ne had the able taken been, the apple taken been,
Ne had never our lady abeen heavene queen.
Blessed be the time that apple taken was,
therefore we mourn singen Deo Gracias!- Sloan MS (15 Century)
for music go here:
http://www.channel1.com/users/gsilvis/mids/warladam.mid****************************************************************************
***************
What is the Crying at Jordan
What is the crying at Jordan? Who Hears, O God, the prophesy?
Dark is the season, dark our hearts and shut to mystery.
Who then shall stir in this darkness, prepare for joy in the winter night?
Mortal in darkness we lie down, blind-hearted seeing no light.
Lord, give us grace to awake us, to see the branch that begins to bloom;
in great humility is hid all heaven in a little room
Now comes the day of salvation, in joy and terror the Word is born!
God gives himself into our lives;
O let salvation dawn!- Carol Christopher Drake
________________________________________________________________________ NOD32 1.942 (20041207) Information __________This message was checked by NOD32 antivirus system.
http://www.nod32.com

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Subject: Alisa MacAlias-Hamish Henderson republished
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 13:56:09 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(3 lines)


This has just been published in a revised edition:
http://www.birlinn.co.uk/cgi-bin/user/birlinn/store/BRNstore.cgi?user_action=detail&catalogno=1904598218
<http://www.birlinn.co.uk/cgi-bin/user/birlinn/store/BRNstore.cgi?user_action=detail&catalogno=1904598218>

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Subject: Re: Alisa MacAlias-Hamish Henderson republished
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 15:01:42 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


Hi y'all-
If there's any interest in this, I can order some in. I'm noy sure
exactly what my shipping costs would be, but I can likely sell it for
about $23 (+media mail shipping.)
Please let me know if you want a copy--I'm too tight on cash to order
extra copies for stock. That's as opposed to $29.14 (?14.99) + overseas
shipping.BTW-
I'm still waiting for EFDSS to quote me on the Sharp US songbook. I'll
post a price as soon as I hear.dick greenhaus
CAMSCO Music
[unmask]
800/548-FOLK (3655)Thomas Stern wrote:> This has just been published in a revised edition:
> http://www.birlinn.co.uk/cgi-bin/user/birlinn/store/BRNstore.cgi?user_action=detail&catalogno=1904598218
>
> <http://www.birlinn.co.uk/cgi-bin/user/birlinn/store/BRNstore.cgi?user_action=detail&catalogno=1904598218>
>
>
>

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Subject: Re: W A S S A I L !!!!
From: Conrad Bladey Peasant <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 15:48:08 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(153 lines)


We are infact ten minutes from Baltimore Washington Airport!
Lots of room to stay free and plenty of food!CBSimon Furey wrote:> Sounds almost worth crossing the pond for! Alas....
> Cheers
> Simon
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]] On
> Behalf Of Conrad Bladey Peasant
> Sent: 07 December 2004 16:30
> To: [unmask]
> Subject: W A S S A I L !!!!
>
> G R E E T I N G S !
>                        Potential Wassailers
>
> As you may know......your peasant friends in Linthicum are very much
> dedicated to wassailing. Second only to Guy Fawkes Day! We already have
> a one of a kind hymnal of wassail tunes and customs on the market and
> the big book can not be all that far off. So we are very into it! So we
> need your help! Wassailers are wanted and in numbers.....you cant have a
> good wassail with just a few! It is our hope that each of you will round
> up a number of others and drag them out! Rain, Snow, sleet, or shine....
> Actually it is best when snowing. If you cant drive home we will let you
> stay here.
>
> The one thing that is wonderful about Wassail is that it occurs at 12th
> night. Therefore......it is the true last day of Christmas....and your
> other obligations should be taken care of! Or at least we hope they are!
>   The other good thing is that there are two potential dates of
> significance- 12th night which is January 6 (we will move it to Jan 8)
> and Old 12th night January 17 ( we will move it to January 15) Both are
> Saturdays. In either case it will take place around 5:pm with food and
> wassail when dark......
>
> How to decide- simple......
> I will take a vote via rsvp. reply to this e.mail or send your choice of
> dates. January 8 or January 15. If it doesnt matter to you let me know
> that too. The greatest number of votes decides! For planning purposes I
> need to have your responses in by High Noon Monday December 19.
>
> I will get right back to everyone.
>
> Important- circulate this e.mail everywhere you wish! It takes a lot of
> potential wassailers to get an appropriately large crew out.
>
> What do we do exactly? Well glad you asked- it is all below:
>
> For those of you who do not have a clue about wassailing......
> Our web page which has been up for some years now and is growing.....has
> everything you need to know!
> http://www.geocities.com/CapitolHill/5567/wassail.html
>
> We also have a wassail shop! Check out the wondrous wassailer geer!
> http://www.cafepress.com/wassailshop
>
> Wassailing is not just going door to door. We practice a combination of
> wassailing the trees out back and wassail in the hall. Our celebration
> is also not just alcoholic. We do a fantastic alcohol free mulled cider!
> But of course we do the traditional wassails as well as smoking bishop...
>
> The plan is as follows-
>
> 1. Guests bring some sort of food item - seasonal snack or salad or
> whatever. Contributions of beer and ale also great. (Optional!) Guests
> can also bring a liquour to share- for
> example-Baileys,Jagermeister.....we put these on a communal table. Bring
> a bottle to share and if you want you can even trade bottles on the way
> out- so pick something fun and new...if you dont like it trade it
> off..of course we have hot chocolate etc....
> 2. I cook meat pies in the british style as well as toad in the holes.
> 3. There are two ritual cakes dedicated to wassail tradition. We bake those.
> 4. Out back there is a fire with a cauldron over it filled with apples
> and wassail spices. (this year we got the cauldron fixed so it can be
> properly suspended at  the right height- the last time we vaporized the
> wassail! ) The wassail is heated and then we toss in the ingredients-
> guests toss in spices and last comes in the roasting hot apples which
> sputter and explode in the wassail-great fun.
> 5. No wassail would be complete without mumming- we hope to have enough
> folks to do a mumming play. Dont worry I have the lines on cards....
> 6. Of course there is music. Practice maybe....not necessary as I have
> words and music for that. Bring instruments.....
> 7. We shall all shout and let off fireworks and beat the fruit tree
> offering it up a piece of bread soaked in wassail!
>
> Any questions- give a shout. 410-789-0930  [unmask]
>
> Hope to see you all around the wassail bowl! /Try to get the rsvps in
> asap even if you cant do either....thanks!
> Conrad
> --
> Adam Lay Ybounden
> Adam lay ybounden, bounden in a bond; four thousand winter thought he
> not too long.
> And all was for an apple, an apple that he took, as clerkes finden
> written in their book.
> Ne had the able taken been, the apple taken been,
> Ne had never our lady abeen heavene queen.
> Blessed be the time that apple taken was,
> therefore we mourn singen Deo Gracias!- Sloan MS (15 Century)
> for music go here:
> http://www.channel1.com/users/gsilvis/mids/warladam.mid
>
> ****************************************************************************
> ***************
> What is the Crying at Jordan
> What is the crying at Jordan? Who Hears, O God, the prophesy?
> Dark is the season, dark our hearts and shut to mystery.
> Who then shall stir in this darkness, prepare for joy in the winter night?
> Mortal in darkness we lie down, blind-hearted seeing no light.
> Lord, give us grace to awake us, to see the branch that begins to bloom;
> in great humility is hid all heaven in a little room
> Now comes the day of salvation, in joy and terror the Word is born!
> God gives himself into our lives;
> O let salvation dawn!- Carol Christopher Drake
> ______________________________________________________________
>
>
> __________ NOD32 1.942 (20041207) Information __________
>
> This message was checked by NOD32 antivirus system.
> http://www.nod32.com--
Adam Lay Ybounden
Adam lay ybounden, bounden in a bond; four thousand winter thought he
not too long.
And all was for an apple, an apple that he took, as clerkes finden
written in their book.
Ne had the able taken been, the apple taken been,
Ne had never our lady abeen heavene queen.
Blessed be the time that apple taken was,
therefore we mourn singen Deo Gracias!- Sloan MS (15 Century)
for music go here:
http://www.channel1.com/users/gsilvis/mids/warladam.mid*******************************************************************************************
What is the Crying at Jordan
What is the crying at Jordan? Who Hears, O God, the prophesy?
Dark is the season, dark our hearts and shut to mystery.
Who then shall stir in this darkness, prepare for joy in the winter night?
Mortal in darkness we lie down, blind-hearted seeing no light.
Lord, give us grace to awake us, to see the branch that begins to bloom;
in great humility is hid all heaven in a little room
Now comes the day of salvation, in joy and terror the Word is born!
God gives himself into our lives;
O let salvation dawn!- Carol Christopher Drake
______________________________________________________________

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Subject: Ballads Down Under
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 09:22:39 +1100
Content-Type:text/plain
Parts/Attachments:

text/plain(63 lines)


Good Morning Ballad Hunters,  I am an Australian folklorist, author and performer, and since I am
new to the list I thought I'd introduce myself.I have been collecting folklore since the late 1960s and have a
particular interest in Australian ballads, especially what we refer to
as 'bush ballads' and, of course, any
of the 'big' British and Celtic ballads that found their way to
Australia. I came across this site via John Mehlberg and Ed Cray.I am always interested in songs that have a reference to Australia and
would appreciate any such devils in case you see one.Surprisingly, considering the American and Canadian examples, Australia
did not inherit a great many of the 'big' ballads. We were settled some
100 years later than America
so that would have something to do with it. Also the relatively small
number of field collectors here started late and had an understandably
narrow field - collecting bush related
songs was a priority. That said, there are Australian versions of the
Twa Corbies, Barbara Allen, our Goodman, Green Bushes, Polly Vaughan
etc - and I should add, very
distinctively Australian showing yet another wonder of the folk
transmission proccess.I have just completed a major study on our most important pioneer
collecting work - a book published in 1905 under the title The Old Bush
Songs - songs from the 19th
century and collected together by our great poet Banjo Paterson. I have
co-edited the Centenary Edition of this book with fellow folklorist,
Graham Seal. It will be published
in 2005 by the ABC (our national broadcasting organisation).For those interested in Australian versions of the ballad family I can
recommend a 1950s LP that has recently been reissued on CD. It is
'Traditional Sings & Musicians of Victoria' -
originally released by Wattle Recordings and offers various traditional
singers. It is a wonderful resource and listening experience and one of
the very few opportunities to hear
Australian field recordings. Please contact me if you require ordering
info and I will pass this on.Also, on another matter, I will be performing in America, and hopefully
Canada, in mid 2005. I will be performing programs of Australian bush
songs, ballads, verse etc plus
undertaking some college lectures. I would welcome any contacts for
possible engagements.If anyone is curious about Australian folklore I would suggest my site
as a good starting point. It is relatively new however it does feature
the following:
+ Transcriptions of my field recordings including songs, verse, ditties
etc from the 1970s onwards - see Australian Folklore Unit - people.
+ Current collecting on the Folklore of Sydney project
+ Selected essays on Australian folklore
+ Information on my performance and recording including live sound
bites on some songs.
address:  www.warrenfahey.comI look forward to lively discussion on your valued site.Warren Fahey

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Subject: Re: Alisa MacAlias-Hamish Henderson republished
From: scott utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 18:24:34 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(40 lines)


Dick Please count me in for the above.
----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 07, 2004 3:01 PM
Subject: Re: Alisa MacAlias-Hamish Henderson republished> Hi y'all-
> If there's any interest in this, I can order some in. I'm noy sure
> exactly what my shipping costs would be, but I can likely sell it for
> about $23 (+media mail shipping.)
> Please let me know if you want a copy--I'm too tight on cash to order
> extra copies for stock. That's as opposed to $29.14 (?14.99) + overseas
> shipping.
>
> BTW-
> I'm still waiting for EFDSS to quote me on the Sharp US songbook. I'll
> post a price as soon as I hear.
>
> dick greenhaus
> CAMSCO Music
> [unmask]
> 800/548-FOLK (3655)
>
>
>
>
> Thomas Stern wrote:
>
> > This has just been published in a revised edition:
> >
http://www.birlinn.co.uk/cgi-bin/user/birlinn/store/BRNstore.cgi?user_action=detail&catalogno=1904598218
> >
> >
<http://www.birlinn.co.uk/cgi-bin/user/birlinn/store/BRNstore.cgi?user_actio
n=detail&catalogno=1904598218>
> >
> >
> >

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Subject: Around the Hills of Clare New CD
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 00:07:29 +0000
Content-Type:text/plain
Parts/Attachments:

text/plain(26 lines)


Around the Hills of Clare CD now availableEagle-eyed readers who were wondering about the gap between MTCD329-0 and MTCD333 need puzzle no more.  We are proud to announce that our latest CD - Around the Hills of Clare (MTCD331-2) is now available.This is a compilation of songs and a recitation from Jim Carroll and Pat Mackenzie's 1973-2004 recordings of 16 singers from west Co Clare, and includes Tom Lenihan, Nora Cleary, Straighty Flanagan, Ollie Conway, Martin Howley ...Not only is this our second collaboration with Jim and Pat (From Puck to Appleby was the first), but also our second collaboration with another record company (the first being with both Topic and Cl?Iar Chonnachta, over the Joe Heaney double CD, back in 2000).  In this case we are working with Dublin's An G?l? traditional singers' club, so the CDs also bear the number G?l? 005-6.  We did the booklet and packaging, they did the CDs and production/printing.  They are selling them in Ireland, whilst we deal with the 'rest of the world' from the MT Records website.The CDs come in the familiar DVD case together with a 44-page integral booklet.  You get 2 CDs, with 47 tracks in total, and 156 minutes of singing - and a recitation! - all for just ?16.00 inc. p&p.Just in time for Christmas!All the very best ..........Rod Stradling
Musical Traditions Records
with on-line credit/debit card purchasing at:
www.mtrecords.co.uk
Musical Traditions Internet Magazine at:
www.mustrad.org.uk
1 Castle Street, Stroud, Glos  GL5 2HP, UK
01453 759475
[unmask]Signup to supanet at https://signup.supanet.com/cgi-bin/signup?_origin=sigwebmail

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Subject: Re: Ballads Down Under
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 7 Dec 2004 23:10:24 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(75 lines)


Hello, Warren:
Thanks for the information about music in Australia; much appreciated.
Norm Cohen----- Original Message -----
From: "Warren Fahey" <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 07, 2004 2:22 PM
Subject: Ballads Down Under> Good Morning Ballad Hunters,
>
>   I am an Australian folklorist, author and performer, and since I am
> new to the list I thought I'd introduce myself.
>
> I have been collecting folklore since the late 1960s and have a
> particular interest in Australian ballads, especially what we refer to
> as 'bush ballads' and, of course, any
> of the 'big' British and Celtic ballads that found their way to
> Australia. I came across this site via John Mehlberg and Ed Cray.
>
> I am always interested in songs that have a reference to Australia and
> would appreciate any such devils in case you see one.
>
> Surprisingly, considering the American and Canadian examples, Australia
> did not inherit a great many of the 'big' ballads. We were settled some
> 100 years later than America
> so that would have something to do with it. Also the relatively small
> number of field collectors here started late and had an understandably
> narrow field - collecting bush related
> songs was a priority. That said, there are Australian versions of the
> Twa Corbies, Barbara Allen, our Goodman, Green Bushes, Polly Vaughan
> etc - and I should add, very
> distinctively Australian showing yet another wonder of the folk
> transmission proccess.
>
> I have just completed a major study on our most important pioneer
> collecting work - a book published in 1905 under the title The Old Bush
> Songs - songs from the 19th
> century and collected together by our great poet Banjo Paterson. I have
> co-edited the Centenary Edition of this book with fellow folklorist,
> Graham Seal. It will be published
> in 2005 by the ABC (our national broadcasting organisation).
>
> For those interested in Australian versions of the ballad family I can
> recommend a 1950s LP that has recently been reissued on CD. It is
> 'Traditional Sings & Musicians of Victoria' -
> originally released by Wattle Recordings and offers various traditional
> singers. It is a wonderful resource and listening experience and one of
> the very few opportunities to hear
> Australian field recordings. Please contact me if you require ordering
> info and I will pass this on.
>
> Also, on another matter, I will be performing in America, and hopefully
> Canada, in mid 2005. I will be performing programs of Australian bush
> songs, ballads, verse etc plus
> undertaking some college lectures. I would welcome any contacts for
> possible engagements.
>
> If anyone is curious about Australian folklore I would suggest my site
> as a good starting point. It is relatively new however it does feature
> the following:
> + Transcriptions of my field recordings including songs, verse, ditties
> etc from the 1970s onwards - see Australian Folklore Unit - people.
> + Current collecting on the Folklore of Sydney project
> + Selected essays on Australian folklore
> + Information on my performance and recording including live sound
> bites on some songs.
> address:  www.warrenfahey.com
>
> I look forward to lively discussion on your valued site.
>
> Warren Fahey
>

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Subject: Old Smokey?
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 01:20:19 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


Hi folks:I'm forwarding a query from Elijah Wald, who want to know about "On Top of
Old Smoky". He asks:<<For an upcoming Dave Van Ronk release for which I'm doing the liner
notes, I am looking for information about the origins of "On Top of Old
Smoky."The earliest recording I know is by Libby Holman, with Josh White on
guitar, in 1942. I gather that Libby got much of her folk repertoire
from Alan Lomax, but do not have my reference books handy, and don't
know if he had published the song before that. From there, it was recorded by Hally Wood with Pete Seeger for Lomax's
radio ballad opera "The Martins and the Coys," and later by the Weavers
and Burl Ives.But where and when was it collected, and who produced the version we all
know? Anyone on the ballad list care to post a query for me?>>I've told him what I know, which is essentially what's in the Traditional
Ballad Index, including the 1929 recordings by Bradley Kincaid and George
Reneau. Can anyone add to that? Oh, and does anyone remember the version
from Wyman & Brockway's 1920 book? How close is that to the canonical
revival version?Peace,
Paul

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Subject: Re: Ballads Down Under
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Subject: Re: Ballads Down Under
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Subject: Re: Old Smokey?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 08:21:21 -0500
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On Wed, 8 Dec 2004 01:20:19 -0600, Paul Stamler wrote:><<For an upcoming Dave Van Ronk release for which I'm doing the liner
>notes, I am looking for information about the origins of "On Top of Old
>Smoky."
>
>The earliest recording I know is by Libby Holman, with Josh White on
>guitar, in 1942. I gather that Libby got much of her folk repertoire
>from Alan Lomax, but do not have my reference books handy, and don't
>know if he had published the song before that.I'd be very interested in the answer to this, myself.  The standard lore
that comes with the song is that it was Abraham Lincoln's favorite.  I've
never seen any citations for that claim, however.Having a quick whip around the US sheet music collections (Indiana, Duke,
Levy, Amer Mem, Civil War) I am surprised to find nothing useful.  Just two
recent ones at Indiana.Always helpful Jane Keefer, however,
http://www.ibiblio.org/folkindex/ti_frset.htm reminds me this is much of a
floater & so it all depends.  She gives as direct or associated other
titles:
        Rt - Rambling (Rambler) Gambler  ; I'm Troubled, I'm Troubled  ;
Goin' to Georgia  ; Waggoner's/Wagoner's Lad  ; Unconstant Lover  ; Rebel
Soldier  ; I'm Sad and I'm Lonesome/Lonely  ; Warning to Girls  ; Go Away
From Me, Willie  ; Forsaken Lover
        Rm - Who Knows Right from Wrong
        Sm - Little Mohee/Mohea
        Mf - Silk Merchant's Daughter ; Song of the Coulee Dam ; Way Down in
Old Parchman ; Sidi Slimane ; Administration Blues
        Pb - On Top of Spaghetti ; On Top of a Mountain ; On Top of Old
Baldy ; Come All You Young Menand gives, among many newer ones:
Scarborough, Dorothy / A Song Catcher in the Southern Mountains, AMS, Bk
(1937/1966), p278,430 (Old Smokey/Smokie/Smoky)and two versions in  Sharp & Karpeles / English Folk Songs from the Southern
Appalachians II, Oxford, Bk (1932/1917), p123/# 117A (as
Waggoner's/Wagoner's Lad)Lomax, 1960 cites On Top of... and gives M Henry, _Folksongs from the
Southern Highlands_, 1937.I'm _sure_ there are better/older sources.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Ballads Down Under
From: Jonathan Lighter <[unmask]>
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Date:Wed, 8 Dec 2004 06:12:46 -0800
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Subject: Re: Ballads Down Under
From: dick greenhaus <[unmask]>
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Date:Wed, 8 Dec 2004 09:42:50 -0500
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Could you tell us who the publisher of the CD is?Fred McCormick wrote:> I don't know whether listers will be familiar with the LP which Warren
> mentions. However, I have had a copy this many long years and regard
> it as an absolutely essential item. It will be well worth the asking
> price, however much that turns out to be.
>
> Cheers,
>
> Fred McCormick
>
> In a message dated 07/12/2004 22:30:49 GMT Standard Time,
> [unmask] writes:
>
>
>     For those interested in Australian versions of the ballad family I can
>     recommend a 1950s LP that has recently been reissued on CD. It is
>     'Traditional Sings & Musicians of Victoria' -
>     originally released by Wattle Recordings and offers various
>     traditional
>     singers. It is a wonderful resource and listening experience and
>     one of
>     the very few opportunities to hear
>     Australian field recordings. Please contact me if you require ordering
>     info and I will pass this on.
>
>     Also, on another matter, I will be performing in America, and
>     hopefully
>     Canada, in mid 2005. I will be performing programs of Australian bush
>     songs, ballads, verse etc plus
>     undertaking some college lectures. I would welcome any contacts for
>     possible engagements.
>
>     If anyone is curious about Australian folklore I would suggest my site
>     as a good starting point. It is relatively new however it does feature
>     the following:
>     + Transcriptions of my field recordings including songs, verse,
>     ditties
>     etc from the 1970s onwards - see Australian Folklore Unit - people.
>     + Current collecting on the Folklore of Sydney project
>     + Selected essays on Australian folklore
>     + Information on my performance and recording including live sound
>     bites on some songs.
>     address:  www.warrenfahey.com
>
>     I look forward to lively discussion on your valued site.
>
>     Warren Fahey
>
>

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Subject: Re: Old Smokey?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 09:51:14 -0500
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The "pop" version, I believe, was recorded by Burl Ives in the early
1940s. I believe,but I'm not sure, that he sang in in yhe 1939 Broadway
produtction of "Sing Out, Sweet Land"Paul Stamler wrote:>Hi folks:
>
>I'm forwarding a query from Elijah Wald, who want to know about "On Top of
>Old Smoky". He asks:
>
><<For an upcoming Dave Van Ronk release for which I'm doing the liner
>notes, I am looking for information about the origins of "On Top of Old
>Smoky."
>
>The earliest recording I know is by Libby Holman, with Josh White on
>guitar, in 1942. I gather that Libby got much of her folk repertoire
>from Alan Lomax, but do not have my reference books handy, and don't
>know if he had published the song before that.
>
> From there, it was recorded by Hally Wood with Pete Seeger for Lomax's
>radio ballad opera "The Martins and the Coys," and later by the Weavers
>and Burl Ives.
>
>But where and when was it collected, and who produced the version we all
>know? Anyone on the ballad list care to post a query for me?>>
>
>I've told him what I know, which is essentially what's in the Traditional
>Ballad Index, including the 1929 recordings by Bradley Kincaid and George
>Reneau. Can anyone add to that? Oh, and does anyone remember the version
>from Wyman & Brockway's 1920 book? How close is that to the canonical
>revival version?
>
>Peace,
>Paul
>
>
>
>

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Subject: Re: Ballads Down Under
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 09:54:04 -0800
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WarrenCan you tell us if the Larrikin Records will eventually be re-issued on
CDs? Your 2 new CDs Larrikins, Louts and Layabouts and A Panorama of
Bush Songs that I got through Folk Trax (http://www.folktrax.com/) were
enjoyed and promoted me to wonder about the wealth of records on the
Larrikin Label that I  enjoyed in the 70s and 80s.George F Madaus
Professor Emeritus
Boston CollegeOn Dec 8, 2004, at 6:42 AM, dick greenhaus wrote:> Could you tell us who the publisher of the CD is?
>
>
>
> Fred McCormick wrote:
>
>> I don't know whether listers will be familiar with the LP which Warren
>> mentions. However, I have had a copy this many long years and regard
>> it as an absolutely essential item. It will be well worth the asking
>> price, however much that turns out to be.
>>
>> Cheers,
>>
>> Fred McCormick
>>
>> In a message dated 07/12/2004 22:30:49 GMT Standard Time,
>> [unmask] writes:
>>
>>
>>     For those interested in Australian versions of the ballad family
>> I can
>>     recommend a 1950s LP that has recently been reissued on CD. It is
>>     'Traditional Sings & Musicians of Victoria' -
>>     originally released by Wattle Recordings and offers various
>>     traditional
>>     singers. It is a wonderful resource and listening experience and
>>     one of
>>     the very few opportunities to hear
>>     Australian field recordings. Please contact me if you require
>> ordering
>>     info and I will pass this on.
>>
>>     Also, on another matter, I will be performing in America, and
>>     hopefully
>>     Canada, in mid 2005. I will be performing programs of Australian
>> bush
>>     songs, ballads, verse etc plus
>>     undertaking some college lectures. I would welcome any contacts
>> for
>>     possible engagements.
>>
>>     If anyone is curious about Australian folklore I would suggest my
>> site
>>     as a good starting point. It is relatively new however it does
>> feature
>>     the following:
>>     + Transcriptions of my field recordings including songs, verse,
>>     ditties
>>     etc from the 1970s onwards - see Australian Folklore Unit -
>> people.
>>     + Current collecting on the Folklore of Sydney project
>>     + Selected essays on Australian folklore
>>     + Information on my performance and recording including live sound
>>     bites on some songs.
>>     address:  www.warrenfahey.com
>>
>>     I look forward to lively discussion on your valued site.
>>
>>     Warren Fahey
>>
>>

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Subject: Re: Old Smokey?
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 11:18:34 -0600
Content-Type:text/plain
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Hello everyone,"Old Smoky" can be found in "Songs and Rhymes from the South" by
E. C. Perrow published in the 1915 Journal of American Folklore
on pg 159. (see page image here:
http://immortalia.com/old-smoky.jpg , text below).If you are interested learning about E.C.Perrow collection, you
can order photocopies for 10 cents a copy from
http://www.berea.edu/library/Special/saafindaid/saa67series9-16.html#series12
I recommend getting copies of the Negro Songs folder.
Interesting stuff there.Sincerely,John Mehlberg
~
My, mostly traditional, bawdy songs, toasts and recitations
website: www.immortalia.com
~15. OLD SMOKY.
(From North Carolina; mountain whites; MS. written for E. N.
Caldwell; 1913.)On the top of old Smoky all covered in snow
I lost my true lover by sparking too slow.1Sparking is a pleasure, parting is a grief,
And a false hearted is worse than a thief.A thief will only rob you, will take what you have,
And a false-hearted lover will take you to the grave.The grave will only decay you, turn you to dust;
There's not one boy in a hundred a poor girl can trust.They will tell you they love you to give your heart ease,
And as soon as your back's upon them they'll court who they
please."It's a raining, it's a hailing; that moon gives no light;
Your horses can't travel this dark lonesome night."Go put up your horses, feed them some hay;
Come and set down here by me, love, as long as you stay.""My horses are not hungry, they won't eat your hay:
So farewell, my little darling! I'll feed on my way."I will drive on to Georgia, write you my mind;
My mind is to marry, love, and leave you behind."Your parents is against me; mine is the same;
If I'm down on your book, love, please rub off my name.""I go upon old Smoky on the mountain so high,
Where the wild birds and the turtle-dove can hear my sad cry.""As sure as the dew drops grows on the green corn,
Last night I were with her, but to-night she is gone."1  Compare this Journal, vol. xx, p. 273.2  The vowel in this word is pronounced like that in "lies," so
that there is perfect
assonance.----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Wednesday, December 08, 2004 1:20 AM
Subject: Old Smokey?Hi folks:I'm forwarding a query from Elijah Wald, who want to know about
"On Top of Old Smoky". He asks:<<For an upcoming Dave Van Ronk release for which I'm doing the
liner notes, I am looking for information about the origins of
"On Top of Old Smoky."The earliest recording I know is by Libby Holman, with Josh White
on guitar, in 1942. I gather that Libby got much of her folk
repertoire from Alan Lomax, but do not have my reference books
handy, and don't know if he had published the song before that.From there, it was recorded by Hally Wood with Pete Seeger for
Lomax's radio ballad opera "The Martins and the Coys," and later
by the Weavers and Burl Ives.But where and when was it collected, and who produced the version
we all know? Anyone on the ballad list care to post a query for
me?>>I've told him what I know, which is essentially what's in the
Traditional Ballad Index, including the 1929 recordings by
Bradley Kincaid and George Reneau. Can anyone add to that? Oh,
and does anyone remember the version from Wyman & Brockway's 1920
book? How close is that to the canonical revival version?Peace,
Paul

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Subject: Re: Old Smokey?
From: Clifford J OCHELTREE <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 13:36:48 -0600
Content-Type:text/plain
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text/plain(37 lines)


"Country Music Sources"  earliest reference is to the Journal Of
American Folklore XXVIII (1915) p. 159.Paul Stamler wrote:>Hi folks:
>
>I'm forwarding a query from Elijah Wald, who want to know about "On Top of
>Old Smoky". He asks:
>
><<For an upcoming Dave Van Ronk release for which I'm doing the liner
>notes, I am looking for information about the origins of "On Top of Old
>Smoky."
>
>The earliest recording I know is by Libby Holman, with Josh White on
>guitar, in 1942. I gather that Libby got much of her folk repertoire
>from Alan Lomax, but do not have my reference books handy, and don't
>know if he had published the song before that.
>
> From there, it was recorded by Hally Wood with Pete Seeger for Lomax's
>radio ballad opera "The Martins and the Coys," and later by the Weavers
>and Burl Ives.
>
>But where and when was it collected, and who produced the version we all
>know? Anyone on the ballad list care to post a query for me?>>
>
>I've told him what I know, which is essentially what's in the Traditional
>Ballad Index, including the 1929 recordings by Bradley Kincaid and George
>Reneau. Can anyone add to that? Oh, and does anyone remember the version
>from Wyman & Brockway's 1920 book? How close is that to the canonical
>revival version?
>
>Peace,
>Paul
>
>
>

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Subject: Re: Old Smokey?
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 08:48:30 +1100
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text/plain(92 lines)


Just for fun and your interest I collected an Australian parody of On
Top Of Old Smokey - it dates from early 1940s and is titled ON TOP OF
NO SMOKING and is an anti budget song
I recorded a version of the song on the CD 'Larrikins, Louts &
layabouts'On top of no smoking
Because of the cost,
They're taxing our drinking,
Our pleasures are lost.For drinking's a pleasure
And thirsting's a grief,
And old Artie Fadden (he was federal treasurer)
Is worse than a thiefA thief will just rob you
and turn you to dust
Not one boss in a hundred
A worker can trust.They'll hug you and kiss you
and tell you all lies
But we don't believe them
Because we've got wiseWe've had Artie Fadden
We''ve had Menzies too (he was PM)
With all dinkum Aussies
They're just about through.So come all you fellows
and young maidens too
We'll tell Bob and Artie
Just what they can do.Let's throw out their budget
High prices will cease
Then we'll get a Government
That can lead us to peace.On 09/12/2004, at 1:51 AM, dick greenhaus wrote:> The "pop" version, I believe, was recorded by Burl Ives in the early
> 1940s. I believe,but I'm not sure, that he sang in in yhe 1939 Broadway
> produtction of "Sing Out, Sweet Land"
>
> Paul Stamler wrote:
>
>> Hi folks:
>>
>> I'm forwarding a query from Elijah Wald, who want to know about "On
>> Top of
>> Old Smoky". He asks:
>>
>> <<For an upcoming Dave Van Ronk release for which I'm doing the liner
>> notes, I am looking for information about the origins of "On Top of
>> Old
>> Smoky."
>>
>> The earliest recording I know is by Libby Holman, with Josh White on
>> guitar, in 1942. I gather that Libby got much of her folk repertoire
>> from Alan Lomax, but do not have my reference books handy, and don't
>> know if he had published the song before that.
>>
>> From there, it was recorded by Hally Wood with Pete Seeger for Lomax's
>> radio ballad opera "The Martins and the Coys," and later by the
>> Weavers
>> and Burl Ives.
>>
>> But where and when was it collected, and who produced the version we
>> all
>> know? Anyone on the ballad list care to post a query for me?>>
>>
>> I've told him what I know, which is essentially what's in the
>> Traditional
>> Ballad Index, including the 1929 recordings by Bradley Kincaid and
>> George
>> Reneau. Can anyone add to that? Oh, and does anyone remember the
>> version
>> from Wyman & Brockway's 1920 book? How close is that to the canonical
>> revival version?
>>
>> Peace,
>> Paul
>>
>>
>>
>>
>

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Subject: Re: Ballads Down Under
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 09:20:36 +1100
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Hello GeorgeI remember your name well - pleased to make your reacquaintence.
I suspect Larrikin is a lost cause - Rupert Murdoch bought it because
he wanted me and when I left at the end of 1999 the label slipped into
the master tape dungeon.
At least the ABC released the two discs you now have. I hope they will
do more with me but who knows.On the Folktrax site there's a couple i'd recommend - Ard Tack by Danny
Spooner and there's one by Dave De Hugard (who was on larrikin).
Apart from those I think it's hard pickings.What courses are you involved in at Boston? I am looking to visit
sometime in 05 and hope to do some talks.Best,Warren FaheyOn 09/12/2004, at 4:54 AM, George Madaus wrote:> Warren
>
> Can you tell us if the Larrikin Records will eventually be re-issued on
> CDs? Your 2 new CDs Larrikins, Louts and Layabouts and A Panorama of
> Bush Songs that I got through Folk Trax (http://www.folktrax.com/) were
> enjoyed and promoted me to wonder about the wealth of records on the
> Larrikin Label that I  enjoyed in the 70s and 80s.
>
>
> George F Madaus
> Professor Emeritus
> Boston College
>
> On Dec 8, 2004, at 6:42 AM, dick greenhaus wrote:
>
>> Could you tell us who the publisher of the CD is?
>>
>>
>>
>> Fred McCormick wrote:
>>
>>> I don't know whether listers will be familiar with the LP which
>>> Warren
>>> mentions. However, I have had a copy this many long years and regard
>>> it as an absolutely essential item. It will be well worth the asking
>>> price, however much that turns out to be.
>>>
>>> Cheers,
>>>
>>> Fred McCormick
>>>
>>> In a message dated 07/12/2004 22:30:49 GMT Standard Time,
>>> [unmask] writes:
>>>
>>>
>>>     For those interested in Australian versions of the ballad family
>>> I can
>>>     recommend a 1950s LP that has recently been reissued on CD. It is
>>>     'Traditional Sings & Musicians of Victoria' -
>>>     originally released by Wattle Recordings and offers various
>>>     traditional
>>>     singers. It is a wonderful resource and listening experience and
>>>     one of
>>>     the very few opportunities to hear
>>>     Australian field recordings. Please contact me if you require
>>> ordering
>>>     info and I will pass this on.
>>>
>>>     Also, on another matter, I will be performing in America, and
>>>     hopefully
>>>     Canada, in mid 2005. I will be performing programs of Australian
>>> bush
>>>     songs, ballads, verse etc plus
>>>     undertaking some college lectures. I would welcome any contacts
>>> for
>>>     possible engagements.
>>>
>>>     If anyone is curious about Australian folklore I would suggest my
>>> site
>>>     as a good starting point. It is relatively new however it does
>>> feature
>>>     the following:
>>>     + Transcriptions of my field recordings including songs, verse,
>>>     ditties
>>>     etc from the 1970s onwards - see Australian Folklore Unit -
>>> people.
>>>     + Current collecting on the Folklore of Sydney project
>>>     + Selected essays on Australian folklore
>>>     + Information on my performance and recording including live
>>> sound
>>>     bites on some songs.
>>>     address:  www.warrenfahey.com
>>>
>>>     I look forward to lively discussion on your valued site.
>>>
>>>     Warren Fahey
>>>
>>>
>

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Subject: Re: Old Smokey?
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 19:53:53 -0500
Content-Type:text/plain
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    Automatic digest processor <[unmask]>, in the
person of John Mehlberg, quotes:> 15. OLD SMOKY.
> (From North Carolina; mountain whites; MS. written for E. N.
> Caldwell; 1913.)
>
> On the top of old Smoky all covered in snow
> I lost my true lover by sparking too slow.1
>
> Sparking is a pleasure, parting is a grief,
> And a false hearted is worse than a thief.
>
> A thief will only rob you, will take what you have,
> And a false-hearted lover will take you to the grave.
>
> The grave will only decay you, turn you to dust;
> There's not one boy in a hundred a poor girl can trust.
>
> They will tell you they love you to give your heart ease,
> And as soon as your back's upon them they'll court who they please.Here is where it breaks off from the popular version.  The stanza that
IMO is the song's main claim to poetry,  They'll hug you and kiss you and tell you more lies
  Than the crossties in the railroad or the stars in the skies,is missing, and from here on we get stanzas reminiscent of "The
Wagoner's Lad" (which came first)?  The sequence of speeches
(meticulously marked off by the editor's close quotes) is peculiar.
The girl to the boy:> "It's a raining, it's a hailing; that moon gives no light;
> Your horses can't travel this dark lonesome night.
>
> "Go put up your horses, feed them some hay;
> Come and set down here by me, love, as long as you stay."He replies:> "My horses are not hungry, they won't eat your hay:
> So farewell, my little darling! I'll feed on my way.
>
> "I will drive on to Georgia, write you my mind;
> My mind is to marry, love, and leave you behind.
>
> "Your parents is against me; mine is the same;
> If I'm down on your book, love, please rub off my name."Then the girl, with the boy gone:> "I go upon old Smoky on the mountain so high,
> Where the wild birds and the turtle-dove can hear my sad cry."And then the boy, with the girl (originally the narrator!) gone:> "As sure as the dew drops grows on the green corn,
> Last night I were with her, but to-night she is gone."That one's pretty, anyway.
--
---  Joe Fineman    [unmask]||:  Entities exist promiscuously.  :||

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Subject: Re: Old Smokey?
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 23:30:26 EST
Content-Type:text/plain
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This makes methink of "On Top of Spaghetti", created by children, snd was
sung about 30  years ago at a party at the then-new University of  California,
San Diego,by the father (a well-known folksinger) of one of the first graduates.
Here's how it started:"On top of spaghetti all covered with cheese,
I lost my poor meatball when somebody sneezed.
It rolled off the table, and onto the floor.
And then my poor meatball rolled out of the door.
It rolled through the garden and under a bush,
And then my poor meatball  was nothing but mush (rhymes with 'bush')."Thre were many parodies to this old song, one of them recorded by Michael
Cooney.Sam Hinton
La Jolla, CA

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Subject: Old Smoky
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 8 Dec 2004 20:52:44 -0800
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Folks:Now if we are going to veer off into parodies -- shame on you, Sam Hinton, for triggering my prurient interest  -- I will post this version of "Old Smoky":On top of old Rachel,
All covered with sweat,
I've used many rubbers,
And I haven't come yet.For fuckin's a pleasure,
And fartin's relief,
But a long-winded lover
Will bring you to grief.Incidentally, th earliest "Old Smoky," clean or otherwise, seems to be in E.C.Perrow's _Journal of American Folklore _ article of 1915.Ed

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Subject: Re: Old Smokey?
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 08:16:05 -0600
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On 12/8/04, [unmask] wrote:>This makes methink of "On Top of Spaghetti", created by children, snd was
>sung about 30  years ago at a party at the then-new University of  California,
>San Diego,by the father (a well-known folksinger) of one of the first graduates.
>Here's how it started:
>
>"On top of spaghetti all covered with cheese,
>I lost my poor meatball when somebody sneezed.
>It rolled off the table, and onto the floor.
>And then my poor meatball rolled out of the door.
>It rolled through the garden and under a bush,
>And then my poor meatball  was nothing but mush (rhymes with 'bush')."This is more than thirty years old. There was an old kids' TV show
in our area in which they dramatized this, with the meatball going
on its travels. (I'm not kidding.) I don't know when this was, but
I was young enough to be watching daytime kids' TV; that probably
makes me about five. Certainly no more than eight. So the item is
at least 35 years old.And presumably, unless the TV staff invented it (which seems
unlikely), it had had to have time to circulate to the TV station.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Old Smokey?
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 11:03:38 -0500
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Who put the popular tune for Old Smoky to its words?Is it traditional?Or did Pete Seeger et al. simply adopt the second half of Little
Mohee as the Old Smoky tune?John

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Subject: Re: Old Smokey?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 11:18:13 -0500
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If we're on parodies, there's one that was circulating  right after
Douglas MacArthur left the Arrmy--On top of a building
In a penthouse so high
There lives an old soldier
Who never did die.Steadfast and determined
In heart and in hand;
He's now fighting battles
For Remington Rand.Robert B. Waltz wrote:>On 12/8/04, [unmask] wrote:
>
>
>
>>This makes methink of "On Top of Spaghetti", created by children, snd was
>>sung about 30  years ago at a party at the then-new University of  California,
>>San Diego,by the father (a well-known folksinger) of one of the first graduates.
>>Here's how it started:
>>
>>"On top of spaghetti all covered with cheese,
>>I lost my poor meatball when somebody sneezed.
>>It rolled off the table, and onto the floor.
>>And then my poor meatball rolled out of the door.
>>It rolled through the garden and under a bush,
>>And then my poor meatball  was nothing but mush (rhymes with 'bush')."
>>
>>
>
>This is more than thirty years old. There was an old kids' TV show
>in our area in which they dramatized this, with the meatball going
>on its travels. (I'm not kidding.) I don't know when this was, but
>I was young enough to be watching daytime kids' TV; that probably
>makes me about five. Certainly no more than eight. So the item is
>at least 35 years old.
>
>And presumably, unless the TV staff invented it (which seems
>unlikely), it had had to have time to circulate to the TV station.
>
>--
>Bob Waltz
>[unmask]
>
>"The one thing we learn from history --
>   is that no one ever learns from history."
>
>
>
>

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Subject: Spaghetti? (was Old Smokey?)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 11:44:00 -0600
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----- Original Message -----
From: "Robert B. Waltz"On 12/8/04, [unmask] wrote:>This makes methink of "On Top of Spaghetti", created by children, snd was
>sung about 30  years ago at a party at the then-new University of
California,
>San Diego,by the father (a well-known folksinger) of one of the first
graduates.
>Here's how it started:
>
>"On top of spaghetti all covered with cheese,
>I lost my poor meatball when somebody sneezed.
>It rolled off the table, and onto the floor.
>And then my poor meatball rolled out of the door.
>It rolled through the garden and under a bush,
>And then my poor meatball  was nothing but mush (rhymes with 'bush')."<<This is more than thirty years old. There was an old kids' TV show
in our area in which they dramatized this, with the meatball going
on its travels. (I'm not kidding.) I don't know when this was, but
I was young enough to be watching daytime kids' TV; that probably
makes me about five. Certainly no more than eight. So the item is
at least 35 years old.And presumably, unless the TV staff invented it (which seems
unlikely), it had had to have time to circulate to the TV station.>>Older than that. I learned it someplace around fifth grade, which would have
been about 1960-1961.There's some documentary evidence. It shows up on an LP, "Tom Glazer's
Second Concert For and With Children", published by Wonderland Records,
produced by Bill Grauer Productions, Inc., better known in these circles for
Riverside Records. There's no date on the record, but he was active in the
late 50s - early 60s. And the address has no ZIP code, but a zone (New York
36, N.Y.), which dates it to before July 1, 1963.The album notes refer to the "recent sing-along fad", which would place it
c. 1961-1963 (in addition to the Folk Scare, there was a craze for singing
along with old pop songs, insipidly rendered by Mitch Miller and the Gang,
around that year). A Google reference places this recording in 1963,
presumably the first half.The notes also say, "...old favorites like 'I Know an Old Lady' and 'Haul
Away Joe' and brand-new items like 'On Top of Spaghetti'..." On the record,
several of the children (the album was recorded in concert) begin
spontaneously singing along in the first verse, indicating they already knew
the song. Several of the Google references cite Glazer as its composer, and
many of the obituaries begin by calling it his greatest hit. Whether he
created it from scratch, so to speak, or touched up something that was
already in circulation, is unknown, but my guess is he wrote it. *When* he
wrote it, given my 5th-grade memory, is still an open question, but he may
have been singing it in concert for a while before the Wonderland record
came out, and it thus could have been in circulation in the kids'
underground.Peace,
Paul

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Subject: Re: Old Smokey?
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 12:58:47 EST
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Subject: Lucy Stewart Photo needed
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 13:42:04 -0500
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Hi y'sll-
As some of you may know, I (CAMSCO Music) am in the process of
re-packaging many o Peter Kennedy's Folktrax CDs, to make them more
acceptable to the American market. I'll be posting a list of what's
available within the next few days.I have a problem, though--I'm trying to use a photo of the artist in the
packaging whenever possible, and the one Peter Kennedy has for Lucy
Stewart is a poor one. Does any of you have (or can tell me where to
find) a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
come out like something designed to scare small children.

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Subject: Re: Lucy Stewart Photo needed
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 14:17:59 EST
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Subject: Re: Lucy Stewart Photo needed
From: Stephanie Smith <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 14:21:20 -0500
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Not to mention the fact that Folkways photos are not in the public domain.
When someone asks us for photos used in Folkways productions, we have to say
that we do not own the rights.  They were most likely provided to Folkways
for a one-time use.  I assume this, and the photos in the booklet, were
taken by Kenny Goldstein.  There's no attribution but he compiled the
album.Stephanie Smith, Ph.D., Assistant Archivist
Center for Folklife and Cultural Heritage
Smithsonian Institution
750 9th Street, NW, Suite 4100
Washington, D.C.  20560-0953
202 275-1157  voice
202 275-2251 fax
[unmask]NB: Until further notice, please send all mail to:
PO Box 37012
Victor Building, Room 4100, MRC 953
Washington, DC 20013-7012>>> [unmask] 12/09/04 02:17PM >>>
In a message dated 12/9/2004 6:42:22 PM GMT Standard Time, [unmask]writes:> a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
> come out like something designed to scare small children.Folkways FG3519 - but the cover photo is a little forbidding.John Moulden

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Subject: Re: Lucy Stewart Photo needed
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 14:40:54 -0500
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The Folkways photo appears to ve the same one that Folktrax uses. Does
anyone know how I can reach Rochelle Goldstein?
dick greenhausStephanie Smith wrote:>Not to mention the fact that Folkways photos are not in the public domain.
>When someone asks us for photos used in Folkways productions, we have to say
>that we do not own the rights.  They were most likely provided to Folkways
>for a one-time use.  I assume this, and the photos in the booklet, were
>taken by Kenny Goldstein.  There's no attribution but he compiled the
>album.
>
>Stephanie Smith, Ph.D., Assistant Archivist
>Center for Folklife and Cultural Heritage
>Smithsonian Institution
>750 9th Street, NW, Suite 4100
>Washington, D.C.  20560-0953
>202 275-1157  voice
>202 275-2251 fax
>[unmask]
>
>NB: Until further notice, please send all mail to:
>PO Box 37012
>Victor Building, Room 4100, MRC 953
>Washington, DC 20013-7012
>
>
>
>
>>>>[unmask] 12/09/04 02:17PM >>>
>>>>
>>>>
>In a message dated 12/9/2004 6:42:22 PM GMT Standard Time, [unmask]
>
>writes:
>
>
>
>>a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
>>come out like something designed to scare small children.
>>
>>
>
>Folkways FG3519 - but the cover photo is a little forbidding.
>
>John Moulden
>
>
>
>
>
>

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Subject: Re: Old Smokey?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 11:51:26 -0800
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John:Available tunes suggest it is traditional.  I would guess the  linkage we know is on a Library of Congress disc that Alan Lomax played for Ives, Seeger, et al.Ed----- Original Message -----
From: John Garst <[unmask]>
Date: Thursday, December 9, 2004 8:03 am
Subject: Re: Old Smokey?> Who put the popular tune for Old Smoky to its words?
>
> Is it traditional?
>
> Or did Pete Seeger et al. simply adopt the second half of Little
> Mohee as the Old Smoky tune?
>
> John
>

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Subject: Re: Lucy Stewart Photo needed
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 12:15:38 -0800
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Dick:Rochelle Goldstein <[unmask]>Ed----- Original Message -----
From: dick greenhaus <[unmask]>
Date: Thursday, December 9, 2004 11:40 am
Subject: Re: Lucy Stewart Photo needed> The Folkways photo appears to ve the same one that Folktrax uses. Does
> anyone know how I can reach Rochelle Goldstein?
> dick greenhaus
>
> Stephanie Smith wrote:
>
> >Not to mention the fact that Folkways photos are not in the public
> domain.>When someone asks us for photos used in Folkways
> productions, we have to say
> >that we do not own the rights.  They were most likely provided to
> Folkways>for a one-time use.  I assume this, and the photos in the
> booklet, were
> >taken by Kenny Goldstein.  There's no attribution but he compiled the
> >album.
> >
> >Stephanie Smith, Ph.D., Assistant Archivist
> >Center for Folklife and Cultural Heritage
> >Smithsonian Institution
> >750 9th Street, NW, Suite 4100
> >Washington, D.C.  20560-0953
> >202 275-1157  voice
> >202 275-2251 fax
> >[unmask]
> >
> >NB: Until further notice, please send all mail to:
> >PO Box 37012
> >Victor Building, Room 4100, MRC 953
> >Washington, DC 20013-7012
> >
> >
> >
> >
> >>>>[unmask] 12/09/04 02:17PM >>>
> >>>>
> >>>>
> >In a message dated 12/9/2004 6:42:22 PM GMT Standard Time,
> [unmask]>
> >writes:
> >
> >
> >
> >>a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
> >>come out like something designed to scare small children.
> >>
> >>
> >
> >Folkways FG3519 - but the cover photo is a little forbidding.
> >
> >John Moulden
> >
> >
> >
> >
> >
> >
>

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Subject: Re: Lucy Stewart Photo needed
From: Heather Wood <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 15:22:28 -0500
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[unmask]and tell her I said Hi.Heather WoodIn a message dated 12/9/2004 2:40:54 PM Eastern Standard Time, dick greenhaus <[unmask]> writes:>The Folkways photo appears to ve the same one that Folktrax uses. Does
>anyone know how I can reach Rochelle Goldstein?
>dick greenhaus
>
>Stephanie Smith wrote:
>
>>Not to mention the fact that Folkways photos are not in the public domain.
>>When someone asks us for photos used in Folkways productions, we have to say
>>that we do not own the rights.  They were most likely provided to Folkways
>>for a one-time use.  I assume this, and the photos in the booklet, were
>>taken by Kenny Goldstein.  There's no attribution but he compiled the
>>album.
>>
>>Stephanie Smith, Ph.D., Assistant Archivist
>>Center for Folklife and Cultural Heritage
>>Smithsonian Institution
>>750 9th Street, NW, Suite 4100
>>Washington, D.C.  20560-0953
>>202 275-1157  voice
>>202 275-2251 fax
>>[unmask]
>>
>>NB: Until further notice, please send all mail to:
>>PO Box 37012
>>Victor Building, Room 4100, MRC 953
>>Washington, DC 20013-7012
>>
>>
>>
>>
>>>>>[unmask] 12/09/04 02:17PM >>>
>>>>>
>>>>>
>>In a message dated 12/9/2004 6:42:22 PM GMT Standard Time, [unmask]
>>
>>writes:
>>
>>
>>
>>>a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
>>>come out like something designed to scare small children.
>>>
>>>
>>
>>Folkways FG3519 - but the cover photo is a little forbidding.
>>
>>John Moulden
>>
>>
>>
>>
>>
>>
>

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Subject: Re: Old Smokey?
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 15:32:47 -0500
Content-Type:text/plain
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On 2004/12/09 at 08:16:05AM -0600, Robert B. Waltz wrote:> On 12/8/04, [unmask] wrote:
>
> >This makes methink of "On Top of Spaghetti", created by children, snd was
> >sung about 30  years ago at a party at the then-new University of  California,
> >San Diego,by the father (a well-known folksinger) of one of the first graduates.
> >Here's how it started:
> >
> >"On top of spaghetti all covered with cheese,
> >I lost my poor meatball when somebody sneezed.        [ ... ]> This is more than thirty years old. There was an old kids' TV show
> in our area in which they dramatized this, with the meatball going
> on its travels. (I'm not kidding.) I don't know when this was, but
> I was young enough to be watching daytime kids' TV; that probably
> makes me about five. Certainly no more than eight. So the item is
> at least 35 years old.
>
> And presumably, unless the TV staff invented it (which seems
> unlikely), it had had to have time to circulate to the TV station.        I heard it (as a kid) back around 1955 or so, so we are getting
close to 50 years old, now. :-)        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Spaghetti? (was Old Smokey?)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 15:40:56 EST
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Subject: Keith Summers Missing LPs List- PDF available
From: Cliff Abrams <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 12:41:43 -0800
Content-Type:text/plain
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The heading says it. I neatened it up for easier
readability. I made a few editorial corrections for
clarity and appreciate feedback on my bad decisions.The PDF is searchable. Use whatever PC key equals the
apple key on Mac plus F (for "Find") and away you go.C.

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Subject: Re: Lucy Stewart Photo needed
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 16:02:22 -0500
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Thanx to all who responded. I'll trying to track down one that doen't
make her look like the Wicked Witch of the North-East.
dick
edward cray wrote:>Dick:
>
>Rochelle Goldstein <[unmask]>
>
>Ed
>
>----- Original Message -----
>From: dick greenhaus <[unmask]>
>Date: Thursday, December 9, 2004 11:40 am
>Subject: Re: Lucy Stewart Photo needed
>
>
>
>>The Folkways photo appears to ve the same one that Folktrax uses. Does
>>anyone know how I can reach Rochelle Goldstein?
>>dick greenhaus
>>
>>Stephanie Smith wrote:
>>
>>
>>
>>>Not to mention the fact that Folkways photos are not in the public
>>>
>>>
>>domain.>When someone asks us for photos used in Folkways
>>productions, we have to say
>>
>>
>>>that we do not own the rights.  They were most likely provided to
>>>
>>>
>>Folkways>for a one-time use.  I assume this, and the photos in the
>>booklet, were
>>
>>
>>>taken by Kenny Goldstein.  There's no attribution but he compiled the
>>>album.
>>>
>>>Stephanie Smith, Ph.D., Assistant Archivist
>>>Center for Folklife and Cultural Heritage
>>>Smithsonian Institution
>>>750 9th Street, NW, Suite 4100
>>>Washington, D.C.  20560-0953
>>>202 275-1157  voice
>>>202 275-2251 fax
>>>[unmask]
>>>
>>>NB: Until further notice, please send all mail to:
>>>PO Box 37012
>>>Victor Building, Room 4100, MRC 953
>>>Washington, DC 20013-7012
>>>
>>>
>>>
>>>
>>>
>>>
>>>>>>[unmask] 12/09/04 02:17PM >>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>In a message dated 12/9/2004 6:42:22 PM GMT Standard Time,
>>>
>>>
>>[unmask]>
>>
>>
>>>writes:
>>>
>>>
>>>
>>>
>>>
>>>>a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
>>>>come out like something designed to scare small children.
>>>>
>>>>
>>>>
>>>>
>>>Folkways FG3519 - but the cover photo is a little forbidding.
>>>
>>>John Moulden
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>
>
>
>
>
>

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Subject: Re: Lucy Stewart Photo needed
From: Stephanie Smith <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 16:18:29 -0500
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You might also want to get in touch with the Elphinstone Institute at the
University of Aberdeen to see if they have anything at hand.  The contact
would be Ian Russell, Director, [unmask]The Dept. of Celtic and Scottish Studies at the Univeristy of Edinburgh
would have some photos of Lucy, but the response time might not be a
problem.Stephanie Smith>>> [unmask] 12/09/04 04:02PM >>>
Thanx to all who responded. I'll trying to track down one that doen't
make her look like the Wicked Witch of the North-East.
dick
edward cray wrote:>Dick:
>
>Rochelle Goldstein <[unmask]>
>
>Ed
>
>----- Original Message -----
>From: dick greenhaus <[unmask]>
>Date: Thursday, December 9, 2004 11:40 am
>Subject: Re: Lucy Stewart Photo needed
>
>
>
>>The Folkways photo appears to ve the same one that Folktrax uses. Does
>>anyone know how I can reach Rochelle Goldstein?
>>dick greenhaus
>>
>>Stephanie Smith wrote:
>>
>>
>>
>>>Not to mention the fact that Folkways photos are not in the public
>>>
>>>
>>domain.>When someone asks us for photos used in Folkways
>>productions, we have to say
>>
>>
>>>that we do not own the rights.  They were most likely provided to
>>>
>>>
>>Folkways>for a one-time use.  I assume this, and the photos in the
>>booklet, were
>>
>>
>>>taken by Kenny Goldstein.  There's no attribution but he compiled the
>>>album.
>>>
>>>Stephanie Smith, Ph.D., Assistant Archivist
>>>Center for Folklife and Cultural Heritage
>>>Smithsonian Institution
>>>750 9th Street, NW, Suite 4100
>>>Washington, D.C.  20560-0953
>>>202 275-1157  voice
>>>202 275-2251 fax
>>>[unmask]
>>>
>>>NB: Until further notice, please send all mail to:
>>>PO Box 37012
>>>Victor Building, Room 4100, MRC 953
>>>Washington, DC 20013-7012
>>>
>>>
>>>
>>>
>>>
>>>
>>>>>>[unmask] 12/09/04 02:17PM >>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>In a message dated 12/9/2004 6:42:22 PM GMT Standard Time,
>>>
>>>
>>[unmask]>
>>
>>
>>>writes:
>>>
>>>
>>>
>>>
>>>
>>>>a photo of Ms. Stewart? It's a fine CD, and I'd rather not have it
>>>>come out like something designed to scare small children.
>>>>
>>>>
>>>>
>>>>
>>>Folkways FG3519 - but the cover photo is a little forbidding.
>>>
>>>John Moulden
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>
>
>
>
>
>

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Subject: Re: Lucy Stewart Photo needed
From: Stephanie Smith <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 16:28:24 -0500
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Sorry, that should have read " the response time [from Edinburgh] might be a
problem.">>> [unmask] 12/09/04 04:18PM >>>
You might also want to get in touch with the Elphinstone Institute at the
University of Aberdeen to see if they have anything at hand.  The contact
would be Ian Russell, Director, [unmask]The Dept. of Celtic and Scottish Studies at the Univeristy of Edinburgh
would have some photos of Lucy, but the response time might not be a
problem.Stephanie Smith>>> [unmask] 12/09/04 04:02PM >>>
Thanx to all who responded. I'll trying to track down one that doen't
make her look like the Wicked Witch of the North-East.
dick

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Subject: Re: "On Top of Spaghetti"
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 9 Dec 2004 21:03:31 -0500
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According to the fine print in _Rise Up Singing_, "On Top of
Spaghetti" is indeed by Tom Glaser, and is ?1961 Songs Music Inc.
-- 
---  Joe Fineman    [unmask]||:  Nothing knits man to man like the frequent passage from hand  :||
||:  to hand of cash.                                              :||

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Subject: Ebay List - 12/10/04 (Songsters)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 00:00:03 -0500
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Hi!        This is just a quick list of songsters since they close so soon.
The main list will follow probably late on Saturday.        SONGSTERS        3945177227 - UNCLE TRUE SONGSTER, 1840's?, $99 (ends Dec-10-04
16:54:32 PST)        4510559986 - COMICAL BROWN'S SONGSTER, 1885, $5 (ends Dec-14-04
09:48:39 PST)        3768495969 - 2 songsters (The American Songster and Flag of the
Free No. 1), 1902 & 1907, $0.99 (ends Dec-16-04 10:05:18 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: "On Top of Spaghetti"
From: David Bonner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 13:45:56 -0500
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For what it's worth, here's my 2-cents-worth regarding the ON TOP OF
SPAGHETTI trivia... Tom Glazer made the first recording of ON TOP OF
SPAGHETTI, which was issued by the Kapp label in 1963 -- on both
45rpm (KAPP K-526X) and LP (KAPP KS-3331). The version on the
Wonderland label is a different version, issued somewhat later. The
Wonderland version is a solo concert recording, with the crowd
singing along. The original Kapp version is a studio recording, with
Glazer and a children's chorus. The Kapp version was a Top 20 hit in
1963, and was profiled in Billboard magazine (June 22, 1963, p. 14).That Glazer is the author of ON TOP OF SPAGHETTI (meaning that he
wrote new words for this traditional tune) is not seriously in question.
As he would say, he alone deserves the blame. He copyrighted the
song and collected royalties on it, which were not insignificant. (Little
Richard and Barney the purple dinosaur are the most recent to put out
cover versions. And Ragu spaghetti sauce also recently licensed it for
commercials.) To my knowledge, no one else has ever claimed
authorship. I believe that the original manuscript score is held in
Glazer's archive at Boston University.A couple of list members recall hearing the song prior to 1963. I don't
know how to explain that. The Billboard article, for instance, clearly
implies that it is a new song. But maybe he had written it prior to 1963
and performed it in his concerts, thus bringing to it some degree of
exposure before it became nationally popular. However, it was not
circulated on record or sheet music prior to 1963. I suspect that the
1961 copyright date which one list member cites from the "Rise Up
Singing" songbook is a typo. Or maybe Glazer did in fact copyright it in
1961. I don't know. But the copyright date on the original sheet music
is 1963.That's all I know (or think I know),David Bonner

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Subject: Re: "On Top of Spaghetti"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 13:10:36 -0600
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----- Original Message -----
From: "David Bonner" <[unmask]><<A couple of list members recall hearing the song prior to 1963. I don't
know how to explain that. The Billboard article, for instance, clearly
implies that it is a new song. But maybe he had written it prior to 1963
and performed it in his concerts, thus bringing to it some degree of
exposure before it became nationally popular. However, it was not
circulated on record or sheet music prior to 1963. I suspect that the
1961 copyright date which one list member cites from the "Rise Up
Singing" songbook is a typo. Or maybe Glazer did in fact copyright it in
1961. I don't know. But the copyright date on the original sheet music
is 1963.>>I suspect it was picked up by the kids at my school from someone who heard
Glazer sing it in concert. He did kids' concerts there pretty regularly in
the 1950s.By the time I heard it, there were already a few textual variations: "I lost
my *last* meatball/when somebody sneezed", "The last time I saw it/It rolled
out the door."The 1961 date sounds right. I know I was in grade school, 5th or 6th grade,
and I started high school in Sept., 1963. By then, we sophisticates would
have nothing to do with baby stuff like "On top of spaghetti". We wanted
something dirty.Peace,
Paul

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Subject: Dr.Harry Oster
From: Thomas Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 14:12:12 -0500
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Can someone provide the following information:
  A contact for the estate of Dr. Oster and the archive holding his
field recordings.
Thanks, Thomas Stern.

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Subject: Re: "On Top of Spaghetti"
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 15:21:16 -0500
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On 2004/12/10 at 01:10:36PM -0600, Paul Stamler wrote:> From: "David Bonner" <[unmask]>
>
>> A couple of list members recall hearing the song prior to 1963. I don't
>> know how to explain that. The Billboard article, for instance, clearly
>> implies that it is a new song. But maybe he had written it prior to 1963
>> and performed it in his concerts, thus bringing to it some degree of
>> exposure before it became nationally popular. However, it was not
>> circulated on record or sheet music prior to 1963. I suspect that the
>> 1961 copyright date which one list member cites from the "Rise Up
>> Singing" songbook is a typo. Or maybe Glazer did in fact copyright it in
>> 1961. I don't know. But the copyright date on the original sheet music
>> is 1963.
>
> I suspect it was picked up by the kids at my school from someone who heard
> Glazer sing it in concert. He did kids' concerts there pretty regularly in
> the 1950s.        Hmm ... when I heard it (if that was what I *did* hear), it was
in small-town South Texas, as I say sometime around 1955-1956.  It was
sung by some younger kids (I was in early high schoool by then), but I
don't think that they could have heard it in a concert, as there were
very few for kids around that part of the country.        My memory of it is rather hazy, so what I heard could well have
been something else.  And I heard it only that once, until much later in
life.        It could not be much later that I heard whatever I heard,
because by 1957, I was up in this area (Washington DC vicinity).        [ ... ]> The 1961 date sounds right. I know I was in grade school, 5th or 6th grade,
> and I started high school in Sept., 1963. By then, we sophisticates would
> have nothing to do with baby stuff like "On top of spaghetti". We wanted
> something dirty.        Hmm ... is there a "dirty" version of "On Top of Old Smokey"?
That may be what I heard, and I could be misremembering the meatball
verse.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: "On Top of Spaghetti"
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 14:37:18 -0600
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On 12/10/04, DoN. Nichols wrote:>        [ ... ]
>
>> The 1961 date sounds right. I know I was in grade school, 5th or 6th grade,
>> and I started high school in Sept., 1963. By then, we sophisticates would
>> have nothing to do with baby stuff like "On top of spaghetti". We wanted
>> something dirty.
>
>        Hmm ... is there a "dirty" version of "On Top of Old Smokey"?
>That may be what I heard, and I could be misremembering the meatball
>verse.There is another parody: "On top of Old Smokey, All covered with
sand, I shot my poor teacher With a big rubber band." That one I
am pretty sure I learned on a school playground in the late Sixties.Not at all unlikely that such a thing would be around in the Fifties,
I would think.I *do* think that we can assume that both versions are more recent
than The Weavers recording of "Old Smokey." Obviously the song is
much older than that (Belden has most of the elements in 1911,
and we have the 1915 citations already mentioned). But none of
the people who recorded it seem to me to have been popular enough
to make the tune so widely recognized. Had to be The Weavers,
I think.They did record it fairly early, didn't they?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "On Top of Spaghetti"
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 20:46:58 -0000
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Paul Stamler said:
(snip)By the time I heard it, there were already a few textual variations: "I lost
my *last* meatball/when somebody sneezed", "The last time I saw it/It rolled
out the door."I heard it certainly in the early 60's here in the UK, and by that time the
last verses had become:"..But the mush was as tasty
As tasty could be
And then my poor meatball
Grew into a tree
And the tree in the garden
Grew high as a hoss
It grew lovely meatballs
All covered in soss"You'll have to excuse the fake US accent evidenced in the last few lines. I
didn't do it; that's the way I heard it, from a bloke with an otherwise very
plummy English accent. The last verse of the original song seems to have got
lost, possibly in mid-Atlantic. Unlike the meatball. Who says the folk
process is dead (tho' some might wish it were...)?Cheers & seasonal greetings to allSimon

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Subject: Re: "On Top of Spaghetti"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 12:53:44 -0800
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Paul Stamler wrote (in part):The 1961 date sounds right. I know I was in grade school, 5th or 6th grade,
and I started high school in Sept., 1963. By then, we sophisticates would
have nothing to do with baby stuff like "On top of spaghetti". We wanted
something dirty.To which Ed Cray not so innocently inquires: And now?

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Subject: Re: "On Top of Spaghetti"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 16:06:35 -0500
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Bul Ives predated the Weavers by a goodly number of years. He was pretty
wiidely listened to.dick greenhausRobert B. Waltz wrote:>On 12/10/04, DoN. Nichols wrote:
>
>
>
>>       [ ... ]
>>
>>
>>
>>>The 1961 date sounds right. I know I was in grade school, 5th or 6th grade,
>>>and I started high school in Sept., 1963. By then, we sophisticates would
>>>have nothing to do with baby stuff like "On top of spaghetti". We wanted
>>>something dirty.
>>>
>>>
>>       Hmm ... is there a "dirty" version of "On Top of Old Smokey"?
>>That may be what I heard, and I could be misremembering the meatball
>>verse.
>>
>>
>
>There is another parody: "On top of Old Smokey, All covered with
>sand, I shot my poor teacher With a big rubber band." That one I
>am pretty sure I learned on a school playground in the late Sixties.
>
>Not at all unlikely that such a thing would be around in the Fifties,
>I would think.
>
>I *do* think that we can assume that both versions are more recent
>than The Weavers recording of "Old Smokey." Obviously the song is
>much older than that (Belden has most of the elements in 1911,
>and we have the 1915 citations already mentioned). But none of
>the people who recorded it seem to me to have been popular enough
>to make the tune so widely recognized. Had to be The Weavers,
>I think.
>
>They did record it fairly early, didn't they?
>
>--
>Bob Waltz
>[unmask]
>
>"The one thing we learn from history --
>   is that no one ever learns from history."
>
>
>
>
>
>

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Subject: Re: "On Top of Spaghetti"
From: [unmask]
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Date:Fri, 10 Dec 2004 17:07:41 EST
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Subject: Re: "On Top of Spaghetti"
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 17:45:47 -0500
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Wearing my elementary music teacher hat, I've found that kids just don't
learn songs on the back alley like we did when I was a kid (in the
1970s). I have to teach them such pearls as "On Top of Speghetti" (after
first doing Old Smoky, of course) and "The ants go marchin three by
three" and even hand-clap songs like "Miss Lucy Had a Baby". It's a
shame that they have to learn this from a "classically-trained" adult
musician, but at least they're learning it somewhere!Beth Brooks
Indianapolis>>> [unmask] 12/10/04 5:07 PM >>>Childhood memories can be a tricky thing.  One might have a memory
association which, after 40 years has shifted a few years in time.   {-;

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Subject: Re: "On Top of Spaghetti"
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 16:55:32 -0800
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Subject: "On Top of...."
From: Dan Goodman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 19:17:56 -0600
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 From the 1950s:On top of Old Smokey,
Where ev'ryone goes,
There stood poor ___
Without any clothes.--
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: Re: Dr.Harry Oster
From: Cal Lani Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 17:36:43 -0800
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On Fri, Dec 10, 2004 at 02:12:12PM -0500, Thomas Stern wrote:
> Can someone provide the following information:
>  A contact for the estate of Dr. Oster and the archive holding his
> field recordings.You might ask Chris Strachwitz of Arhoolie Records, because I think
his label released a bunch of records under the Folk-Lyric label.
I vaguely remember something about a purchase.  -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: "On Top of Spaghetti"
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 19:57:05 -0600
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On 12/10/04, Jonathan Lighter wrote:>Google tells me that "On Top of Old Smoky," as recorded by the Weavers, was No. 6 on the Hit Parade in 1951.  But ISTR it appeared in the very popular "Fireside Book of Folksongs," published in 1947.And when you were six, how many songs did you learn from songbooks? :-)
That sounds nasty, but it's important.A parody will usually be based on something widely heard and known.
A tune in a book is not likely to be used, especially for a kids'
parody. If Burl Ives preceded The Weavers, I'll allow that he might
have been the source. But all parodies of "Old Smokey" must be
after those recordings. And if the Weavers actually had a hit
with it. I'd incline to think that that was the source.I won't claim that that's proof. But I think the probability high.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "On Top of Spaghetti"
From: David Bonner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 22:13:21 -0500
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Had I bothered to look at Tom Glazer's liner notes to the Wonderland
LP which contains his live version of SPAGHETTI, I would have noticed
that he wrote the song "in the late Fifties-early Sixties." So those folks
who remember the song pre-1963 now have an additional shred of
evidence proving that they still have all their marbles. *** Regarding
the popularization and parody of OLD SMOKY / SMOKEY, I just
checked Glazer's brief intro to the song in his 1961 book A NEW
TREASURY OF FOLK SONGS. He says: "Attained the number one
spot on the nation's hit parade by virtue of a recording of the Weavers."
A good indication that it was indeed the Weavers popularization which
prompted the parodist's parody. --David Bonner

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Subject: Ives and Smoky
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 10 Dec 2004 21:58:44 -0800
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Folks:I would just like to point out that Burl Ives got many (most?) of his repertoire from Alan Lomax.Ed

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Subject: Re: "On Top of Spaghetti"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 02:23:55 -0600
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----- Original Message -----
From: "Robert B. Waltz" <[unmask]><<I *do* think that we can assume that both versions are more recent
than The Weavers recording of "Old Smokey." Obviously the song is
much older than that (Belden has most of the elements in 1911,
and we have the 1915 citations already mentioned). But none of
the people who recorded it seem to me to have been popular enough
to make the tune so widely recognized. Had to be The Weavers,
I think.>>Or Burl Ives.<<They did record it fairly early, didn't they?>>Feb. 1951, released not long after, on Decca, smash hit. Burl Ives'
(Columbia?) recording came out the same year; it was also a hit. It's just
possible there was a Children's Record Guild disc too, but I haven't found
any information on one during a cursory Google search.Peace,
Paul--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "On Top of Spaghetti"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 02:25:59 -0600
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----- Original Message -----
From: "edward cray" <[unmask]>Paul Stamler wrote (in part):The 1961 date sounds right. I know I was in grade school, 5th or 6th grade,
and I started high school in Sept., 1963. By then, we sophisticates would
have nothing to do with baby stuff like "On top of spaghetti". We wanted
something dirty.<<To which Ed Cray not so innocently inquires: And now?>>And now we're all eclectic. Dirty *or* spaghetti.Peace,
Paul

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Subject: On Top of Who?
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 04:43:09 -0500
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From 1950-1953, Dingwall Primary School, Ross-shire.On top of old Smokey, where nobody goes
There stands Betty Grable without any clothes
Up rides Roy Rogers and takes out his cock
I pity Betty Grable, 'cause it's hard as a rockEwan McVicar, 
84 High Street
Linlithgow, 
West Lothian
Scotland
EH49 7AQtel 01506 847935

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Subject: Re: On Top of Who?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 10:58:36 -0800
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Folks:Interesting how  fast  these songs spread.  The Weavers' version -- credited to Pete Seeger -- was released in 1951.In Los Angeles about the same time, kids were singing:On top of Old Smoky,  all covered with snow.
I saw Georgie Jessel with Marilyn Monroe.
He took off his jacjket.  He took off his vest.
And when he saw Marilyn, he took off the rest.Ed----- Original Message -----
From: Ewan McVicar <[unmask]>
Date: Saturday, December 11, 2004 1:43 am
Subject: On Top of Who?> From 1950-1953, Dingwall Primary School, Ross-shire.
>
> On top of old Smokey, where nobody goes
> There stands Betty Grable without any clothes
> Up rides Roy Rogers and takes out his cock
> I pity Betty Grable, 'cause it's hard as a rock
>
> Ewan McVicar,
> 84 High Street
> Linlithgow,
> West Lothian
> Scotland
> EH49 7AQ
>
> tel 01506 847935
>

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Subject: Re: On Top of Who?
From: Mike Luster <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 14:12:21 EST
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In Texas we sangOn top of Old Smokey
All covered in grass
I saw my poor girlfriend
Kiss Jack Benny's ass.mikeMike Luster
Louisiana Folklife Festival
611A Roselawn Ave
Monroe, LA  71201[unmask]
www.LouisianaFolklifeFest.org
318-324-1665 voice or fax
318-503-1618 cell

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Subject: Re: "On Top of Spaghetti"
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 14:15:59 -0500
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On Fri, 10 Dec 2004 19:57:05 -0600, Robert B. Waltz wrote:>On 12/10/04, Jonathan Lighter wrote:
>
>>Google tells me that "On Top of Old Smoky," as recorded by the Weavers, was No. 6 on the Hit Parade in 1951.  But ISTR it appeared in the very popular "Fireside Book of Folksongs," published in 1947.
>
>And when you were six, how many songs did you learn from songbooks? :-)
>That sounds nasty, but it's important.For me, FWIW, many.  And from "Fireside Book of Folksongs."  My mother would
play these on piano & we'd sing.  These were the only "folksongs," other
than grade school, to which I had exposure.  (Slightly later I learned some
camp & street songs from friends.)On "making the scene' (Cambridge) at age 16, I was surprised how many I more
or less knew.  Oddly - or significantly - I rarely retained any of the pop
or show tunes my mother played.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: "On Top of Spaghetti" / Old Smoky
From: Truman and Suzanne Price <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 11:29:42 -0800
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 >*** Regarding the popularization and parody of OLD SMOKY / SMOKEY,
> I just checked Glazer's brief intro to the song in his 1961 book A NEW
> TREASURY OF FOLK SONGS. He says: "Attained the number one
> spot on the nation's hit parade by virtue of a recording of the Weavers."
> A good indication that it was indeed the Weavers popularization which
> prompted the parodist's parody. --David BonnerMakes sense to me.  I grew up in extremely rural Oregon.  In the early 50's
we had an hour and a half bus ride from my valley into high school.
Strangely, no one had a walkman... instead, we sang, every day, on the
school bus.  Old Smoky a favorite, that everyone knew by heart.  Found a
Peanut was stupid, but we sang it anyway.  Also... The Frozen Logger, 99
Bottles of Beer, Sweet Violets, were on the daily list.   A few tries at
others from popular radio I think... only occasionally one out of the Golden
Book of Favorite Songs that we had used in grade school.  I wish I could
remember the rest (and forget a couple of these)--
Suzanne and Truman Price
Columbia Basin Books
7210 Helmick Road
Monmouth, OR 97361email [unmask]
fax 503-606-3176
phone 503-838-5452
abe URL: http://dogbert.abebooks.com/abep/il.dll?vci=3381
also 10,000 childrens books at http://www.oldchildrensbooks.comAbe Heritage Seller

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Subject: Re: "On Top of Spaghetti"
From: Jonathan Lighter <[unmask]>
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Date:Sat, 11 Dec 2004 11:53:43 -0800
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Subject: Re: On Top of Who?
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 13:56:33 -0600
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On 12/11/04, edward cray wrote:>Folks:
>
>Interesting how  fast  these songs spread.  The Weavers' version -- credited to Pete Seeger -- was released in 1951.
>
>In Los Angeles about the same time, kids were singing:
>
>On top of Old Smoky,  all covered with snow.
>I saw Georgie Jessel with Marilyn Monroe.
>He took off his jacjket.  He took off his vest.
>And when he saw Marilyn, he took off the rest.Now this raises a very serious question: Why Old Smokey?
We've now established one composed-and-humorous parody
("On Top of Spaghetti"), one nihilist kids' version ("I
shot my poor teacher With a big rubber band), and at
least three dirty versions.Most if not all date from the period 1951-1963.That's a terrific rate of parodies. Yes, the song was popular --
but there were other #1 songs that didn't produce such a thing.
Nor did most folk songs -- some, like "John Brown's Body" and
"The Ship That Never Returned" and "Little Old Log Cabin in the
Lane," were used again and again, but we have no evidence that
they produced so many spin-offs at the same time. Even if they
did, they are exceptional.Is there something unusual about "Old Smokey" that encouraged
all the parodies? Or is it just that it was a hit at the time
most people on this list were young, and so you all learned
by-blows of the Smokey stock?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: On Top of Who?
From: Jonathan Lighter <[unmask]>
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Date:Sat, 11 Dec 2004 12:17:39 -0800
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Subject: Re: On Top of Who?
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 15:30:52 -0500
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>In fact, except for Glazer's version, how many of the "Old Smoky"
>parodies have been published before now?
>...
>JLI don't know, but there are 5 inMarcia and Jon Pancake
A Prairie Home Companion Folk Song Book
Viking
New York
1988Here's one:On top of old Smoky
All covered with grass
I saw Davy Crockett
He fell on his...
Now don't get excited
Now don't get alarmed
I saw Davy Crockett
He fell on his arm!As I interpret this, the "..." is not sung.  It might well be that it
should be rendered something likeHe fell on his Now
Don't get excitedJohn

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Subject: Re: On Top of Who?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 12:58:18 -0800
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Bob:I was NOT young in 1951.  I learned  my bawdy parodies the hard way.Ed----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
Date: Saturday, December 11, 2004 11:56 am
Subject: Re: On Top of Who?> On 12/11/04, edward cray wrote:
>
> >Folks:
> >
> >Interesting how  fast  these songs spread.  The Weavers' version --
> credited to Pete Seeger -- was released in 1951.
> >
> >In Los Angeles about the same time, kids were singing:
> >
> >On top of Old Smoky,  all covered with snow.
> >I saw Georgie Jessel with Marilyn Monroe.
> >He took off his jacjket.  He took off his vest.
> >And when he saw Marilyn, he took off the rest.
>
> Now this raises a very serious question: Why Old Smokey?
> We've now established one composed-and-humorous parody
> ("On Top of Spaghetti"), one nihilist kids' version ("I
> shot my poor teacher With a big rubber band), and at
> least three dirty versions.
>
> Most if not all date from the period 1951-1963.
>
> That's a terrific rate of parodies. Yes, the song was popular --
> but there were other #1 songs that didn't produce such a thing.
> Nor did most folk songs -- some, like "John Brown's Body" and
> "The Ship That Never Returned" and "Little Old Log Cabin in the
> Lane," were used again and again, but we have no evidence that
> they produced so many spin-offs at the same time. Even if they
> did, they are exceptional.
>
> Is there something unusual about "Old Smokey" that encouraged
> all the parodies? Or is it just that it was a hit at the time
> most people on this list were young, and so you all learned
> by-blows of the Smokey stock?
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>   is that no one ever learns from history."
>

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Subject: Re: On Top of Who?
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 13:16:17 -0800
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I would suggest it is the maudlin  tone of Old Smokey that just
invites.  Consider the Barney parodies rampant  amongst younger
children.  And the parodies exist strongly today, although I think
Barney the dinosaur is either long gone or less  in evidence.  I am
not familiar with the original(s) of the John Brown, but I would
suspect  overblownness to some degree.And of course, different parodies happen for different reasons.  John
Brown could happen because of  the stirring melodic build.  Old
Smokey and Barney parodies because of maudlin or commercialist
efforts begging to be deflated.  Some religious songs offer a "fair
mark"  for becoming the vehicles of religious texts from the other
camp  (consider Protestant hymns built on Catholic ones; or religious
texts foisted off on "sinful"  tunes).That's my two cents - if you don't laugh!David
--
-----------
David G. EngleCalifornia State University, Fresno
Tel: (559) 278-2708; FAX: (559) 278-7878
http://www.csufresno.edu/forlang
The Traditional Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html
---

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Subject: Re: On Top of Who?
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 16:42:34 -0500
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On 2004/12/11 at 04:43:09AM -0500, Ewan McVicar wrote:        [ ... ]> From 1950-1953, Dingwall Primary School, Ross-shire.
>
> On top of old Smokey, where nobody goes
> There stands Betty Grable without any clothes
> Up rides Roy Rogers and takes out his cock
> I pity Betty Grable, 'cause it's hard as a rock        Aha!  *That* is the one which I heard in the 1955-1954 period.
I would have been around 14-15 years of age then.  I only remembered it
as a parody -- and had not even known about parodies prior to that
moment, and still did not know the term to cover them.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: On Top of Who?
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 16:47:51 -0500
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On 2004/12/11 at 01:56:33PM -0600, Robert B. Waltz wrote:> On 12/11/04, edward cray wrote:
>
> >Folks:
>
> >Interesting how fast these songs spread.  The Weavers' version --
> >credited to Pete Seeger -- was released in 1951.
>
> >In Los Angeles about the same time, kids were singing:
> >
> >On top of Old Smoky,  all covered with snow.
> >I saw Georgie Jessel with Marilyn Monroe.
> >He took off his jacjket.  He took off his vest.
> >And when he saw Marilyn, he took off the rest.
>
> Now this raises a very serious question: Why Old Smokey?
> We've now established one composed-and-humorous parody
> ("On Top of Spaghetti"), one nihilist kids' version ("I
> shot my poor teacher With a big rubber band), and at
> least three dirty versions.
>
> Most if not all date from the period 1951-1963.
>
> That's a terrific rate of parodies. Yes, the song was popular --
> but there were other #1 songs that didn't produce such a thing.        IIRC, "On top of Old Smokey" was one of the songs taught in
school to (relatively) unwilling kids, along with "Little Mohee" (my own
favorite from that time), and several others.  Including, since we were
in the deep South of Texas, a certain number in Spanish.        I suspect that they were taught because they were free of
copyright, and thus free of the need to handle royalties.        This means, however, that more kids knew how to sing the
originals -- far more than would from hearing them on the radio -- thus
making them fair (and easy) targets for parodies.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: On Top of Who?
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 16:23:38 -0600
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On 12/11/04, Jonathan Lighter wrote:>If "John Brown's Body," etc., had inspired a similar rate of parodies, we'd never probably never know it because "kids' parodies," especially seamy ones, would not have been published in the 1860s.  A hundred years later, when publishing was a possibilty, all those singers would have been dead.  In fact, except for Glazer's version, how many of the "Old Smoky" parodies have been published before now?
>
>It may be also that none of these kids' parodies would have been preserved without the 21st magic of the Web.All true -- but that's not really an answer.I thought of another explanation: These are mostly kids' items, and
there are two things, both relatively modern, which will encourage
the survival of kids' songs. One is tunes that everyone knows, which
are encouraged by radio and recordings. The other is universal
free schooling, which became common in the nineteenth century --
but you didn't see everyone going until the twentieth century.So I'll allow that the phenomenon of kids' parodies would not become
common until about the Thirties. Add to that the fact that most
of the people who heard the Old Smokey parodies are still around,
and you have a genuine reason why they would still be known.But this isn't the essential question. It's not "Why do so many
Old Smokey parodies survive?" It's "Why Old Smokey?" -- as opposed
to "Goodnight Irene" or for that matter an Elvis song? You can't
ring in copyright; "On Top of Spaghetti" is copyright, but it
spread, and kids aren't going to stop singing songs because of
copyright.The one explanation we have so far is David's: A maudlin tone.
I suppose it makes sense. Personally, though, I would have
expected something simpler: "Old Smokey" has an eight-line
rhyme scheme (or, if you prefer, four double lines). That's
work. :-) Easier to parody something simpler.We'll never know the answer, of course -- but I think the question
interesting (and I think it remains open).--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: "On Top of Spaghetti"
From: David Bonner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 18:35:33 -0500
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On Sat, 11 Dec 2004 02:23:55 -0600, Paul Stamler
<[unmask]> wrote:>----- Original Message -----
>From: "Robert B. Waltz" &lt;[unmask]&gt;
>
>&lt;&lt;I *do* think that we can assume that both versions are more
recent
>than The Weavers recording of "Old Smokey." Obviously the song is
>much older than that (Belden has most of the elements in 1911,
>and we have the 1915 citations already mentioned). But none of
>the people who recorded it seem to me to have been popular
enough
>to make the tune so widely recognized. Had to be The Weavers,
>I think.&gt;&gt;
>
>Or Burl Ives.
>
>&lt;&lt;They did record it fairly early, didn't they?&gt;&gt;
>
>Feb. 1951, released not long after, on Decca, smash hit. Burl Ives'
>(Columbia?) recording came out the same year; it was also a hit. It's
just
>possible there was a Children's Record Guild disc too, but I haven't
found
>any information on one during a cursory Google search.
>
>Peace,
>Paul
>
>--
>Bob Waltz
>[unmask]
>
>"The one thing we learn from history --
>   is that no one ever learns from history."Regarding a possible Children's Record Guild issue of SMOKEY,
there is none. However, Young People's Record did issue a version of
it (though NOT a parody) called "The Little Cowboy" in 1948 (recorded
1947). It's a story record, narrated by Will Geer. The SMOKEY
adaptation is at the opening and closing of the record, with Ernie
Lieberman singing it first, and then being joined by Fred Hellerman for
a duet at the closing. Hellerman, of course, was one of the Weavers,
and this was pre-Weavers. The lyrics are:There once was a cowboy
Who went out a-riding
In boots and in chaps [2 syllables on cha-aps]
And a shirt of bright blue.
His outfit was little
His horse was a pony
For he was a cowboy
No bigger than you.Might look a bit corny on paper, but it's actually a terrific record, which
both Lieberman and Hellerman were very proud of. (The first recording
for both of them, by the way.) The words are by a guy named Raymond
Abrashkin, who adapted lots of folk songs for Young People's
Records and Childrens Record Guild. His son still has his worn out
copy of the Fireside book, though I'm not sure that's where he actually
learned SMOKEY. "The Little Cowboy" song also appears in the
"Young People's Records Folk Song Book" (1949), with the
arrangement credited to Peter Gordon -- a pseudonym of Horace
Grenell, who was the guiding force behind both YPR and CRG.
Anyway... the record pops up fairly regularly on ebay (78rpm much
more often than 45rpm), if anyone's interested.  --David Bonner

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Subject: Earliest pop recording of Old Smoky
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 19:07:20 -0500
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Burl Ives did sing it "Sing Out, Sweet Land" (1945, though I thought it
was a couple of years earlier). He also did it on the Original Cast
Album (I'd guess 46-47).
I'm also pretty sure he sang on his 1945-1946 radio program "Philco's
Friendly Troubador"

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Subject: Re: On Top of Who?
From: Dan Goodman <[unmask]>
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Date:Sat, 11 Dec 2004 18:20:50 -0600
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Jonathan Lighter wrote:
> If "John Brown's Body," etc., had inspired a similar rate of
> parodies,
 > we'd never probably never know it because "kids' parodies," especially
 > seamy ones, would not have been published in the 1860s. A hundred
  > years
 > later, when publishing was a possibilty, all those singers would have
 > been dead. In fact, except for Glazer's version, how many of the "Old
 > Smoky" parodies have been published before now?"John Brown's Body" parodies I know of include:1) A bawdy British version, which I believe is in either _Why Was He
Born So Beautiful and other rugby songs_ or _More Rugby Songs_.2) John Brown's baby had a cough upon its chest
John Brown's baby had a cough upon its chest
John Brown's baby had a cough upon its chest
And they rubbed in with camphorated oil.In the second verse "baby" is replaced by the singer rocking an
imaginary baby in her/his arms.  In the third, "cough" is replaced by a
choughing sound.  Then other words are replaced by gestures.  (I would
love to see this interpreted for a deaf audience.)That one I learned in school in the 1950s (Ulster County, NY).--
Dan Goodman
Journal http://www.livejournal.com/users/dsgood/
Predictions and Politics http://dsgood.blogspot.com
All political parties die at last of swallowing their own lies.
John Arbuthnot (1667-1735), Scottish writer, physician.

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Subject: more from down under
From: Warren Fahey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 11:27:14 +1100
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Down here in Australia we were singingon top of old Sophie, all covered in sweat,
I've used fourteen rubbers, and she hasn't come yet.For fucking's a pleasure, and farting's a relief,
But a long-winded lover will bring nothing but grief.She'll kiss you and hug you, say it won't take very long,
but two long hours later and you're still going strong.So come all you great lovers, and listen to me,
don't waste your erection on a long-winded she.For your root will just wither, and your passion will die,
And she will forsake you, and you'll never know why.Warren Fahey
The site for Australian folklore --   www.warrenfahey.com

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Subject: Re: On Top of Who?
From: Jonathan Lighter <[unmask]>
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Date:Sat, 11 Dec 2004 16:55:27 -0800
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Subject: Re: more from down under
From: Jonathan Lighter <[unmask]>
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Date:Sat, 11 Dec 2004 16:58:02 -0800
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Subject: Re: On Top of Who?
From: [unmask]
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Subject: The Lispin Leghorn
From: Sammy Rich <[unmask]>
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Date:Sat, 11 Dec 2004 22:35:36 -0500
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Can anyone tell me where to find the lyrics and or music for this little treasure found on Vol 3 of the "The Bothy Songs and Ballads of North East Scotland" ?Thanks

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Subject: Ebay List - 12/11/04
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 23:07:06 -0500
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Hi!        As promised, here is the main part of this week's list.        SONGSTERS        3767625608 - Richards & Pringles Songster and Musical Album, $9.95
(ends Dec-12-04 18:00:00 PST)        SONGBOOKS, ETC.        3767581473 - 3 songbooks by Sizemore, 1930's, $5 (ends Dec-12-04
14:29:24 PST)        3767586955 - The Traditional Tunes of the Child Ballads by
Bronson, volume 2, 1962, $30.99 w/reserve (ends Dec-12-04 14:50:54 PST)        6937690550 - The Pictorial Book of Ancient Ballad Poetry of
Great Britain by Moore, 1860, $9.99 w/reserve (ends Dec-12-04 15:15:00 PST)
        also 6939164424 - 1 GBP (ends Dec-15-04 05:32:55 PST)        2292082850 - A Collection of Old Time Bothy Ballads, 1931, 2 GBP
(ends Dec-12-04 16:48:37 PST)        4509784337 - The OBSERVER'S BOOK OF FOLK SONG IN ENGLAND by Woods,
54 GBP (ends Dec-14-04 07:46:41 PST)        4510679951 - Scottish Ballads by Lyle, 1994, $2.99 (ends Dec-14-04
18:42:13 PST)        3768534714 - Jean Ritchie's Swapping Song Book, 1964, $25 (ends
Dec-16-04 12:16:39 PST)        4511223953 - Irish Ballads and Songs of the Sea by Healy, 1967,
$8.50 (ends Dec-16-04 17:15:39 PST)        6939518312 - On the Trail of Negro Folk-Songs by Scarborough, 1925,
$29.99 (ends Dec-17-04 16:57:06 PST)        4511624517 - SEA SONGS AND SHANTIES by Whall, 1963 reprint, 5 GBP
(ends Dec-18-04 07:13:38 PST)        6939353842 - KERR'S "CORNKISTERS" (BOTHY BALLADS), 4.88 GBP (ends
Dec-19-04 16:16:32 PST)        4508861164 - Ballads and Sea-Songs of Newfoundland by Greenleaf &
Mansfield, 1969, $107.95 Buy It Now Dutch auction        MISCELLANEOUS        6938455111 - Keystone Folklore Quarterly, Fall 1966, $5 (ends
Dec-12-04 11:08:48 PST)         3945963892 - Jackson campaign broadside inc. song "Hunters of
Kentucky", 1828, $2300 (ends Dec-14-04 17:03:45 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Parodies
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 11 Dec 2004 21:46:23 -0800
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In children's concerts, as an introduction to "On Top of Spaghetti" I
often use a wide-spread parody of "Jingle Bells" to illustrate the
concept of parody:Jingle Bell, Batman smells
Robin laid an egg
The Bat-mobile lost its whell
And the Joker got awayThis recent discussion of earliest memories of schoolyard parodies made
me wonder how long this one has been around.I've known it since 1969.-Adam Miller
Woodside, CA

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Subject: Published sources for parodies
From: Jeffrey Kallen <[unmask]>
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Date:Sun, 12 Dec 2004 12:18:02 +0000
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Balladeers,Those looking for published (and well-referenced) children's parodies might like
to consider Ian Turner's CINDERELLA DRESSED IN YELLA (New York: Taplinger
Publishing Co., 1972). Since this is a book of Australian rhymes, it was no
doubt published there as well, and I see in my edition a copyright date of
1969, presumably the Australian publication. Here you will find four 'Old
Smokey' parodies, the oldest of which is dated to ca. 1957. Turner suggests an
origin in the early 1950s. Here too you will find, among others, 'We three
kings of Orient are/ Tried to smoke a rubber cigar/ It was loaded, it exploded,
BANG' ... and the rest I'll let you work out!Jeff Kallen

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Subject: Re: Parodies
From: dick greenhaus <[unmask]>
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Date:Sun, 12 Dec 2004 09:27:00 -0500
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Schoolyard parodies have been circulating at least as far back as I was
in a schoolyard---say mid 1930s. I'm pretty sure thay've been around as
long as there have been kids and  songs to parody.Adam Miller wrote:> In children's concerts, as an introduction to "On Top of Spaghetti" I
> often use a wide-spread parody of "Jingle Bells" to illustrate the
> concept of parody:
>
> Jingle Bell, Batman smells
> Robin laid an egg
> The Bat-mobile lost its whell
> And the Joker got away
>
> This recent discussion of earliest memories of schoolyard parodies made
> me wonder how long this one has been around.
>
> I've known it since 1969.
>
> -Adam Miller
> Woodside, CA
>
>

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Subject: Sharp book
From: "Cohen, Ronald" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 09:41:17 -0500
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I hope someone will soon be ordering copies of the following, since I would like one ASAP (at a decent price, naturally):Yates, Bradke, Taylor, "Dear Companion: Appalachian Traditional Songs and Singers fromt he Cecil Sharp Collection" (EFDSS)Ronald Cohen

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Subject: Re: Sharp book
From: dick greenhaus <[unmask]>
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Date:Sun, 12 Dec 2004 09:46:11 -0500
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I'm awaiting a quote on this from EFDSS. Considering the state of the
dollar vs. the pound, and the cost of shipping books overseas, I can't
promise a "decent" price, but I'm sure it will come to significantly
lwss than you'd pay EFDSS directly.dickCohen, Ronald wrote:>I hope someone will soon be ordering copies of the following, since I would like one ASAP (at a decent price, naturally):
>
>Yates, Bradke, Taylor, "Dear Companion: Appalachian Traditional Songs and Singers fromt he Cecil Sharp Collection" (EFDSS)
>
>Ronald Cohen
>
>
>
>

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Subject: Re: Parodies
From: Adam Miller <[unmask]>
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Date:Sun, 12 Dec 2004 07:57:32 -0800
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Dear Dick,Did you sing this parody as a kid?  If so, how far back do you remember
learning it?-AdamOn Dec 12, 2004, at 6:27 AM, dick greenhaus wrote:> Schoolyard parodies have been circulating at least as far back as I was
> in a schoolyard---say mid 1930s. I'm pretty sure thay've been around as
> long as there have been kids and  songs to parody.
>
> Adam Miller wrote:
>
>> In children's concerts, as an introduction to "On Top of Spaghetti" I
>> often use a wide-spread parody of "Jingle Bells" to illustrate the
>> concept of parody:
>>
>> Jingle Bell, Batman smells
>> Robin laid an egg
>> The Bat-mobile lost its whell
>> And the Joker got away
>>
>> This recent discussion of earliest memories of schoolyard parodies
>> made
>> me wonder how long this one has been around.
>>
>> I've known it since 1969.
>>
>> -Adam Miller
>> Woodside, CA
>>
>>
>

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Subject: Re: Old Smokey?
From: Dean clamons <[unmask]>
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Date:Sun, 12 Dec 2004 11:36:31 -0500
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Subject: Re: Parodies
From: Dean clamons <[unmask]>
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Date:Sun, 12 Dec 2004 11:39:55 -0500
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Yes, they have been around, but I doubt that many of them actually came from
the schoolyard. The words too often have the mark of adults at work. Kids do
appreciate and repeat them, and they at least used to have opportunities to
use them that many adults don't have. I'm not sure if the schoolyard network
of passing them on still works. Does anyone have any evidence that kids
still pass this stuff around?Dean Clamons
PO Box 217
Clifton, VA 20124
703-631-9655 (h)----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Sunday, December 12, 2004 9:27 AM
Subject: Re: Parodies> Schoolyard parodies have been circulating at least as far back as I was
> in a schoolyard---say mid 1930s. I'm pretty sure thay've been around as
> long as there have been kids and  songs to parody.
>
> Adam Miller wrote:
>
>> In children's concerts, as an introduction to "On Top of Spaghetti" I
>> often use a wide-spread parody of "Jingle Bells" to illustrate the
>> concept of parody:
>>
>> Jingle Bell, Batman smells
>> Robin laid an egg
>> The Bat-mobile lost its whell
>> And the Joker got away
>>
>> This recent discussion of earliest memories of schoolyard parodies made
>> me wonder how long this one has been around.
>>
>> I've known it since 1969.
>>
>> -Adam Miller
>> Woodside, CA
>>
>>
>

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Subject: Re: Parodies
From: Jonathan Lighter <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 08:51:23 -0800
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Subject: Re: "On Top of Spaghetti"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 11:00:08 -0600
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----- Original Message -----
From: "Jonathan Lighter" <[unmask]><<"The Fireside Book" was used in my public elementary school, and boy, did
we use it.>>Ditto. And like Abby's family, we sang from the Fireside Book all the time
at home.Peace,
Paul

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Subject: Re: Parodies
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 12:07:30 -0500
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Not that one- I think it came out when the first Batman TV series
appeared. We used to sing:
"In the Blue Ridge Mountains of Virginia, stood a cow on a railroad
track etc." , "Whistle while you work, Hitler is a jerk, Mussolini is a
meanie  and all his pals are worse", (a bit later) "I'm dreaming of a
white mistress", "I'll be seizing you (in all the old familiar places)"
and such like.dickAdam Miller wrote:> Dear Dick,
>
> Did you sing this parody as a kid?  If so, how far back do you remember
> learning it?
>
> -Adam
>
> On Dec 12, 2004, at 6:27 AM, dick greenhaus wrote:
>
>> Schoolyard parodies have been circulating at least as far back as I was
>> in a schoolyard---say mid 1930s. I'm pretty sure thay've been around as
>> long as there have been kids and  songs to parody.
>>
>> Adam Miller wrote:
>>
>>> In children's concerts, as an introduction to "On Top of Spaghetti" I
>>> often use a wide-spread parody of "Jingle Bells" to illustrate the
>>> concept of parody:
>>>
>>> Jingle Bell, Batman smells
>>> Robin laid an egg
>>> The Bat-mobile lost its whell
>>> And the Joker got away
>>>
>>> This recent discussion of earliest memories of schoolyard parodies
>>> made
>>> me wonder how long this one has been around.
>>>
>>> I've known it since 1969.
>>>
>>> -Adam Miller
>>> Woodside, CA
>>>
>>>
>>
>
>

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Subject: Re: Parodies
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 12:09:56 -0500
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Dean-
They sure did 30 years ago, when my kids were young. Why don't you ask Sam?dickDean clamons wrote:> Yes, they have been around, but I doubt that many of them actually
> came from
> the schoolyard. The words too often have the mark of adults at work.
> Kids do
> appreciate and repeat them, and they at least used to have
> opportunities to
> use them that many adults don't have. I'm not sure if the schoolyard
> network
> of passing them on still works. Does anyone have any evidence that kids
> still pass this stuff around?
>
> Dean Clamons
> PO Box 217
> Clifton, VA 20124
> 703-631-9655 (h)
>
> ----- Original Message -----
> From: "dick greenhaus" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, December 12, 2004 9:27 AM
> Subject: Re: Parodies
>
>
>> Schoolyard parodies have been circulating at least as far back as I was
>> in a schoolyard---say mid 1930s. I'm pretty sure thay've been around as
>> long as there have been kids and  songs to parody.
>>
>> Adam Miller wrote:
>>
>>> In children's concerts, as an introduction to "On Top of Spaghetti" I
>>> often use a wide-spread parody of "Jingle Bells" to illustrate the
>>> concept of parody:
>>>
>>> Jingle Bell, Batman smells
>>> Robin laid an egg
>>> The Bat-mobile lost its whell
>>> And the Joker got away
>>>
>>> This recent discussion of earliest memories of schoolyard parodies made
>>> me wonder how long this one has been around.
>>>
>>> I've known it since 1969.
>>>
>>> -Adam Miller
>>> Woodside, CA
>>>
>>>
>>
>
>

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Subject: Re: On Top of Who?
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 11:21:33 -0600
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----- Original Message -----
From: "Robert B. Waltz" <[unmask]><<So I'll allow that the phenomenon of kids' parodies would not become
common until about the Thirties. Add to that the fact that most
of the people who heard the Old Smokey parodies are still around,
and you have a genuine reason why they would still be known.>>Naw -- I'll wager that kids' parodies existed as soon as there were popular
songs. Kids are merciless, and creative. We just had no way of detecting
them, because kids also keep their treasures away from prying adult eyes.<<But this isn't the essential question. It's not "Why do so many
Old Smokey parodies survive?" It's "Why Old Smokey?" -- as opposed
to "Goodnight Irene" or for that matter an Elvis song? You can't
ring in copyright; "On Top of Spaghetti" is copyright, but it
spread, and kids aren't going to stop singing songs because of
copyright.>>We parodied Elvis. We parodied "Davy Crockett" -- "Davy, Davy got it/Got it
in the rear." Pete Seeger collected a Crockett parody too -- "Born in a
garbage can in Tennessee...". We parodied everything.But why *more* parodies of "Old Smokey"? I think the reason is that it was
heavily taught in grade schools during the 1950s, after the Weavers and Burl
Ives had their hits, especially since it was in the Fireside Book and so
readily accessible to music teachers. Music teachers, I think, liked it for
its accessibility and the fact that it's fun to sing (all those big melodic
jumps). Many exposures lead to many parodies.Peace,
Paul

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Subject: Re: On Top of Who?
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 11:49:09 -0600
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On 12/12/04, Paul Stamler wrote:>----- Original Message -----
>From: "Robert B. Waltz" <[unmask]>
>
><<So I'll allow that the phenomenon of kids' parodies would not become
>common until about the Thirties. Add to that the fact that most
>of the people who heard the Old Smokey parodies are still around,
>and you have a genuine reason why they would still be known.>>
>
>Naw -- I'll wager that kids' parodies existed as soon as there were popular
>songs. Kids are merciless, and creative. We just had no way of detecting
>them, because kids also keep their treasures away from prying adult eyes.But by that argument, we shouldn't know about the ones we're
discussing. :-) In this case, I'm arguing only about dissemination:
Present circumstances make it easier.><<But this isn't the essential question. It's not "Why do so many
>Old Smokey parodies survive?" It's "Why Old Smokey?" -- as opposed
>to "Goodnight Irene" or for that matter an Elvis song? You can't
>ring in copyright; "On Top of Spaghetti" is copyright, but it
>spread, and kids aren't going to stop singing songs because of
>copyright.>>
>
>We parodied Elvis. We parodied "Davy Crockett" -- "Davy, Davy got it/Got it
>in the rear." Pete Seeger collected a Crockett parody too -- "Born in a
>garbage can in Tennessee...". We parodied everything.
>
>But why *more* parodies of "Old Smokey"? I think the reason is that it was
>heavily taught in grade schools during the 1950s, after the Weavers and Burl
>Ives had their hits, especially since it was in the Fireside Book and so
>readily accessible to music teachers. Music teachers, I think, liked it for
>its accessibility and the fact that it's fun to sing (all those big melodic
>jumps). Many exposures lead to many parodies.OK, that makes sense. *I* never heard "Old Smokey" in school, but of
course I'm a bit younger. What amazes me is that I *did* learn a lot
of the parodies we've been tossing about. That means they were still
widely circulated at least into the late Sixties -- it has to have been
wide circulation, because I wasn't any too comfortable around other
kids. :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Parodies
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 11:59:09 -0600
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----- Original Message -----
From: "dick greenhaus" <[unmask]>"Whistle while you work, Hitler is a jerk, Mussolini is a
meanie  and all his pals are worse"Alternate version:"Whistle while you work
Hitler is a jerk
Mussolini bit his weenie
Now it doesn't work."Ever notice how many of the memorable parodies involve homosexual imagery?
Taboo, and all that.Peace,
Paul

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Subject: Re: On Top of Who?
From: [unmask]
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Date:Sun, 12 Dec 2004 14:02:16 EST
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The question o parodies has recently came up, It's an old, old, method of
dealing with, songs.  My father,, back in the  '20s', was a good parodist.  His
method was to pretend that he didn't know some song or poem, then, to prove
that he did know it, he would make up a parody to it, pretending that this was
what he knew.  MY younger sister Nell would always say "Dadee! That's not
right!" I rememberthat on one occasion a discussion arose about a popular nursery
rhyme, and Dad, to prove that he knew it, said  "Hi diddle doot, the dog and the
flute, the bull jumped over the sun. The little girl laughed to see such a
leap, and said 'You son-of-a-gun. '"This was all the funnier to the 5 of us
kids, because the phrase "son-of-a-gun"  was right on the edge of things we were
not allowed to say. Because of this restriction, there was a popular
FourthaJuly firework called "sonofaguns": these were small dull-red disks which would
sputter and spark when scraped on the pavement. We were taught to call them
"cinnamon guns."Sam Hinton
La Jolla, CA

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Subject: Re: Parodies
From: Jonathan Lighter <[unmask]>
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Date:Sun, 12 Dec 2004 11:45:10 -0800
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Subject: Re: On Top of Who?
From: Sammy Rich <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 14:53:24 -0500
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Why on top of Old Smokey:  Why would it have so many parodies.  Kids particularly love to sing the dirty lyrics when they can't get caught because they say the words in their head and whistle the melody out loud. Pretty woman, walking down the street,  I strongly suspicion that is as much a reason for it lending it self to parodies as anything offered so far.  I have been taught all my life that if the melody is a good whistle melody it will enter the popular public life - do you hear any kids whistling rap music or hard rock or even whistling period.
Children today still pass around versions of some lyrics, and take liberty in changing, current ones to their one liking when offered the chance.  I have seen children do it as recent as this year to another childrens'  song that is popular with playground bunch.  "Have you ever ever ever in your long-legged life?"Sammy Rich
[unmask]>
> From: Paul Stamler <[unmask]>
> Date: 2004/12/12 Sun PM 12:21:33 EST
> To: [unmask]
> Subject: Re: On Top of Who?
>
> ----- Original Message -----
> From: "Robert B. Waltz" <[unmask]>
>
> <<So I'll allow that the phenomenon of kids' parodies would not become
> common until about the Thirties. Add to that the fact that most
> of the people who heard the Old Smokey parodies are still around,
> and you have a genuine reason why they would still be known.>>
>
> Naw -- I'll wager that kids' parodies existed as soon as there were popular
> songs. Kids are merciless, and creative. We just had no way of detecting
> them, because kids also keep their treasures away from prying adult eyes.
>
> <<But this isn't the essential question. It's not "Why do so many
> Old Smokey parodies survive?" It's "Why Old Smokey?" -- as opposed
> to "Goodnight Irene" or for that matter an Elvis song? You can't
> ring in copyright; "On Top of Spaghetti" is copyright, but it
> spread, and kids aren't going to stop singing songs because of
> copyright.>>
>
> We parodied Elvis. We parodied "Davy Crockett" -- "Davy, Davy got it/Got it
> in the rear." Pete Seeger collected a Crockett parody too -- "Born in a
> garbage can in Tennessee...". We parodied everything.
>
> But why *more* parodies of "Old Smokey"? I think the reason is that it was
> heavily taught in grade schools during the 1950s, after the Weavers and Burl
> Ives had their hits, especially since it was in the Fireside Book and so
> readily accessible to music teachers. Music teachers, I think, liked it for
> its accessibility and the fact that it's fun to sing (all those big melodic
> jumps). Many exposures lead to many parodies.
>
> Peace,
> Paul
>

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Subject: Re: Published sources for parodies
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 13:00:11 -0800
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To Jeffrey's excellent citation, I would immodestly add my own _Erotic Muse, second edition, which gives the Korean War parody of "Old Smoky" as  "Lee's Hoochie."  The citations there (p. 409) note that as early as 1954 (when I first heard some of them)  there were a number of parodies of the Weaver's version of the song.Ed----- Original Message -----
From: Jeffrey Kallen <[unmask]>
Date: Sunday, December 12, 2004 4:18 am
Subject: Published sources for parodies> Balladeers,
>
> Those looking for published (and well-referenced) children's
> parodies might like
> to consider Ian Turner's CINDERELLA DRESSED IN YELLA (New York:
> TaplingerPublishing Co., 1972). Since this is a book of Australian
> rhymes, it was no
> doubt published there as well, and I see in my edition a copyright
> date of
> 1969, presumably the Australian publication. Here you will find
> four 'Old
> Smokey' parodies, the oldest of which is dated to ca. 1957. Turner
> suggests an
> origin in the early 1950s. Here too you will find, among others,
> 'We three
> kings of Orient are/ Tried to smoke a rubber cigar/ It was loaded,
> it exploded,
> BANG' ... and the rest I'll let you work out!
>
>
> Jeff Kallen
>

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Subject: Re: Lucy Stewart Photo needed REPLY
From: edward cray <[unmask]>
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Date:Sun, 12 Dec 2004 13:03:38 -0800
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Rochelle:Get in touch with Dick Greenhaus, who will explain all.  (Or he better.)How are you doing?  Lani Herrmann sends regards, by the way.EdP.S.  Any word on Fowke-Goldstein?----- Original Message -----
From: [unmask]
Date: Saturday, December 11, 2004 7:38 pm
Subject: Re: Lucy Stewart Photo needed REPLY> Dear Ed,
>
> I believe I can still locate a photo of Lucy Stewart.  I'll have a
> look
> tomorrow and get back to you.  The photo would be one taken by
> Kenny in 1959-60 in
> Fetterangus.
>
> Rochelle
>

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Subject: Re: Published sources for parodies
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Subject: Re: Published sources for parodies
From: Sandy Ives <[unmask]>
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Date:Sun, 12 Dec 2004 16:45:11 -0500
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Since Old Dog Cray has immodestly mentioned his THE EROTIC MUSE, I guess it'll be OK if Olde Man Ives immodestly suggests people interested in parody take a look at his own LARRY GORMAN: THE MAN WHO MADE THE SONGS, beginning at pages 163 through 166
and following the references  throughout the book.
/s/ Sandy Ives (aka Edward D.)

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Subject: Re: "On Top of Spaghetti"
From: Sandy Paton <[unmask]>
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--- dick greenhaus <[unmask]> wrote:> Bul Ives predated the Weavers by a goodly number of
> years. He was pretty
> wiidely listened to.
>
> dick greenhausMy wife (Caroline) remembers learning "On Top of Old
Smoky" while her high-school debate team was being
driven to a state meet, the song being sung by her
debate coach. This was either in her senior year
(1949) or the year before that.
     Didn't Burl Ives record "Smoky" among that batch
of 78s issued by the Encyclopedia Britannica? If so,
those old discs could well have reached the elementary
school market before either Ives or the Weavers made
the song popular through more commercial release.
Anyone know when the Britannica set was first offered?
     My money is on Ives as the primary source for
school kids picking up something good to parody.
     Sandy (the one in Connecticut)

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Subject: Re: "On Top of Spaghetti"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 12 Dec 2004 21:59:43 -0800
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Sandy:Pp. 273-74 of my Ballantine Books edition of _The Burl Lives Song Book_, c. 1953,  lists the titles of the Encylopedia Brittanica records.  "Smokey" is not among them.   It is listed as both a single and  part of an album, "Wayfaring Stranger,"
(B 103, C103 CL 6109).  The book does NOT contain "Old Smokey," but does have "Little Mohee" to the tune now linked to "Old Smokey."Ed----- Original Message -----
From: Sandy Paton <[unmask]>
Date: Sunday, December 12, 2004 6:41 pm
Subject: Re: "On Top of Spaghetti"> --- dick greenhaus <[unmask]> wrote:
>
> > Bul Ives predated the Weavers by a goodly number of
> > years. He was pretty
> > wiidely listened to.
> >
> > dick greenhaus
>
> My wife (Caroline) remembers learning "On Top of Old
> Smoky" while her high-school debate team was being
> driven to a state meet, the song being sung by her
> debate coach. This was either in her senior year
> (1949) or the year before that.
>     Didn't Burl Ives record "Smoky" among that batch
> of 78s issued by the Encyclopedia Britannica? If so,
> those old discs could well have reached the elementary
> school market before either Ives or the Weavers made
> the song popular through more commercial release.
> Anyone know when the Britannica set was first offered?
>     My money is on Ives as the primary source for
> school kids picking up something good to parody.
>     Sandy (the one in Connecticut)
>

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Subject: Re: On Top of Who?
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 00:49:50 -0600
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I became more conscious of the ability to create my own parodies along
about fifth grade, when we were introduced to the concept of limericks.  We
were encouraged to write our own limericks, and creating parodies wasn't
much different.We began collecting well-known parodies (especially from new kids in town)
along about that time.I remember something from "Help!" by the Beatles.Help! I need a potty
Help! Not just any body'sI asked a friend (age 33)  today about where she may have learned parodies
and dirty ditties as a kid.  She then began reciting ditties to me that she
swears she learned from her mother.Edie[unmask]

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Subject: Re: Old Smoky
From: Mary Cliff <[unmask]>
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Date:Mon, 13 Dec 2004 01:53:39 -0500
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Wondering why "On Top of Old Smoky" could be so ripe for parody ....While googling Burl Ives, from:
http://www.djangomusic.com/artist_bio.asp?id=R+++133014
...
>. In 1951, he hit the Top Ten with "On Top of Old Smoky."
 ....
The Cash Box Top Ten hits of June 9, 1951 lists "On Top of Old Smoky" by
"Weavers & Terry Gilkyson" AND a version by Vaughn Monroe & Orchestra as
number 3, having been #1 the previous week ... it was on their charts for
22 weeks.A footnote stated that Cashbox tended to list all current recordings of a
top song, whereas Billboard just listed the big one.  I don't recall
Vaughn Monroe's, but i do
distinctly recall both the Weavers and Burl Ives.  (i was a short person
at the time)
Ooo, just found a reference to three 1951 hit recordings:  #10 by Percy
Faith with Burl Ives, #8 by Vaughn Monroe with the Moon Men & the Moon
Maidens, and #2 by the Weavers (this ref. doesn't include Gilkyson & the
orchestra). [sgmedia.com/WHS51/music01.html]In the early '50s, there were still kids' radio shows that would probably
have played Ives' rather than the Weavers version.Add to that the existence of Your Hit Parade, that went from radio to TV
in 1950, and which included each week the top 7 hits of the week, and a
few old favs.  From
www.museum.tv/archives/etv/Y/htmlY/yourhitpara/yourhitpara.htm:
>The television Hit Parade attempted to dramatize each song with
>innovative skits, elaborate sets, and a large entourage of performers.
  And they tried to make them different each week, in the case of the same
songs.  I wonder what dramatizations would have been done to "Old Smoky"--
might any of them have inspired a parody or two?  The show was on Saturday
nights at 10:30 i think, when older kids at least were likely to be up
late.  But then, i learned more parodies from my parents than from my
school mates.And radio stations were fewer; tv stations new & limited.  EVERYBODY with
electricity must have known On Top of Old Smoky!
Besides, even the red-baiters couldn't point accusing fingers at it,
'cause it dated from 1916.One little historical note:  the Terry Gilkyson who joined the Weavers for
their recording of "Old Smoky" was the father of Eliza Gilkyson, whose
latest CD has just been nominated for a Grammy in the Contemporary Folk
category.Back to lurking...Mary Cliff, TRADITIONS
WETA Radio
Washington, DC

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Subject: Re: Old Smoky
From: Paul Stamler <[unmask]>
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Date:Mon, 13 Dec 2004 02:38:09 -0600
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----- Original Message -----
From: "Mary Cliff" <[unmask]><<One little historical note:  the Terry Gilkyson who joined the Weavers for
their recording of "Old Smoky" was the father of Eliza Gilkyson, whose
latest CD has just been nominated for a Grammy in the Contemporary Folk
category.>>And he wrote several pop-folk hits, including "The Cry of the Wild Goose",
which was definitively parodied by the one and only Mickey Katz as "Dos
Geshrey fun der Vilder Katshke" (The Cry of the Wild Duck). So we're back to
parodies.Peace,
Paul

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Subject: Jean Ritchie
From: Paul G Beidler <[unmask]>
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Date:Mon, 13 Dec 2004 08:44:17 -0500
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Dear Friends,I've just finished reading Jean Ritchie's book _Singing Family of the Cumberlands_.  I loved the book, and I'd be interested in looking at any comparable works from England or Scotland--the earlier the better.  Can anyone recommend a first-hand account of ballad-singing culture comparable to the Ritchie book?I'd also be interested in hearing what people think of the Ritchie book.Paul Beidler

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Subject: Re: Jean Ritchie
From: Dave Eyre <[unmask]>
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Date:Mon, 13 Dec 2004 14:28:03 -0000
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Subject: Jean Ritchie
From: "Steiner, Margaret" <[unmask]>
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Date:Mon, 13 Dec 2004 09:37:34 -0500
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And then there's Roger Abrahams' book, A Singer and Her Songs: Granny Riddle's Book of Ballads, about Almmeda Riddle, of course.        Marge 

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Subject: Re: Jean Ritchie
From: Fred McCormick <[unmask]>
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Date:Mon, 13 Dec 2004 09:42:33 EST
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Subject: Jean Ritchie
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 09:48:35 -0500
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And what about Bob Copper's memoire?  There's A Song for Every Season, and there's something more recent, too.  I can get you the references.        Marge 

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Subject: Re: "On Top of Spaghetti"
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 10:38:23 -0500
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On Sun, 12 Dec 2004 21:59:43 -0800, edward cray wrote:>It is listed as both a single and  part of an album, "Wayfaring Stranger,"
>(B 103, C103 CL 6109).  The book does NOT contain "Old Smokey," but does have "Little Mohee" to the tune now linked to "Old Smokey."I confirm both of those.  Is on the LP.I've lost track.  Are we looking for earliest sound recording of the "On top
of old Smok(e)y" verse?The song, in its various guises (Wagoner's Lad, et al) was extremely popular
in tradition.  There's an Old Smoky on L of C record AFS L14 notes by and
this cut recorded by Duncan Emrich in 1945.  Without differentiating these
two titles, he says "is a favorite in North Carolina, Kentucky and Virginia.
He cites several of the books previously cited here plus Missouri Folk-Lore
Soc, 1940.  And, as mentioned, Sharp is a decade earlier.As to any mentions of whether it was Lincoln's favorite song.  Or if he ever
heard it... all I have so far is a vague suggestion at :
The Abraham Lincoln Library and Museum has the following list of Lincolniana
and Civil War books to sell or exchange:Author: Smith, Earl Hobson.
Title: On top of Old Smoky; a comedy in five acts.
Primary Material:
Subject(s): Musicals--Librettos.
Publisher: Harrogate, Tenn., Harrogate Printers [1972]
Description:  126 p. 22 cm..
Price:  $40.00
Quantity: 1
Format and Condition: Hardback. Green cloth; very nice condition with
plastic see-through cover
C.F. ? Box 5[I don't know what to make of that.  L of C catalog gives no dates for
Hobson but gives dates for different publications: 1925, 1926, 1927, 1927,
1935, 1940, 1941, 1972]Has anyone checked the Civil War songbooks?
Music Songbook Page 1
Soldier Songs
By David Poulin
http://www.1stnmvi.com/field_music_songbook_page_1.htm
gives On Top of Old Smoky with the bare comment:
Believed to be an American Appalachian tune; was popular through-out the
U.S. by the 1840's.For Dec 13, Happy
Birthday Carlos Montoya b12-13-1903 (d3/3/1993)
Birthday Norm Cohen (long ago)
Happy St. Lucy's Day.
        Lucy light,
        The shortest day and the longest night.
                _English Folk-Rhymes_, GF Northall, 1892
and, of course a National Day in (on) Santa Lucia-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- ---
                  I am Abby Sale - in Orlando, Florida

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Subject: Re: Jean Ritchie
From: James Moreira <[unmask]>
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Date:Mon, 13 Dec 2004 10:50:52 -0500
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Roy William Mackenzie's _Quest of the Ballad_ has a good deal of info on performance, as do Sandy Ives' books on song makers in the Maritimes (Larry Gorman, Lawrence Doyle, and Joe Scott), especially the last book.Cheers
Jamie Moreira

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Subject: Re: "On Top of Spaghetti"
From: Paul Stamler <[unmask]>
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Date:Mon, 13 Dec 2004 12:04:37 -0600
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----- Original Message -----
From: "Abby Sale" <[unmask]><<I've lost track.  Are we looking for earliest sound recording of the "On
top
of old Smok(e)y" verse?>>Not specifically, but as long as we're there, so far it seems to be George
Reneau's 1926 disc (Vocalion 15366). To which I append this note, from the
Index: "All recordings by George Reneau have the vocals sung by Gene Austin;
Reneau played
harmonica. However, they were apparently his versions and arrangements, and
his name was on the label, so that's how they're listed." The record people
seem to have thought Reneau's voice was too rough for recordings, so they
got a smoother singer in to do the actual vocals. A few years later, Austin
hit the big-time as a crooner.Peace,
Paul

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Subject: Re: Jean Ritchie
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 13:20:50 -0500
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And, with regard to ballad and song performance, there is Dunn's Fellowship of Song.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of James Moreira
Sent: Monday, December 13, 2004 10:51 AM
To: [unmask]
Subject: Re: Jean RitchieRoy William Mackenzie's _Quest of the Ballad_ has a good deal of info on performance, as do Sandy Ives' books on song makers in the Maritimes (Larry Gorman, Lawrence Doyle, and Joe Scott), especially the last book.Cheers
Jamie Moreira

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Subject: Re: Jean Ritchie
From: Paul G Beidler <[unmask]>
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Date:Mon, 13 Dec 2004 13:25:59 -0500
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Thanks, everyone, for all the helpful suggestions.  -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Steiner, Margaret
Sent: Monday, December 13, 2004 1:21 PM
To: [unmask]
Subject: Re: Jean RitchieAnd, with regard to ballad and song performance, there is Dunn's Fellowship of Song.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of James Moreira
Sent: Monday, December 13, 2004 10:51 AM
To: [unmask]
Subject: Re: Jean RitchieRoy William Mackenzie's _Quest of the Ballad_ has a good deal of info on performance, as do Sandy Ives' books on song makers in the Maritimes (Larry Gorman, Lawrence Doyle, and Joe Scott), especially the last book.Cheers
Jamie Moreira

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Subject: Re: Jean Ritchie
From: Bill McCarthy <[unmask]>
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Date:Mon, 13 Dec 2004 13:40:52 -0500
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For che classical period of Scottish ballads you might look at David
Buchan's The Ballad and the Folk.And for a modern Gaelic singer and song maker, there is Tom
McKean's  Hebridean Song-Maker: Iain MacNeacail of the Isle of
Skye.  (Polygon, Has good pictures and interviews with the singer, as well
as lots of songs and a CD.-- Bill McCarthy

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Subject: Correction
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 10:45:23 -0800
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Sandy:Pp. 273-74 of my Ballantine Books edition of _The Burl Lives Song Book_, c. 1953,  lists the titles of the Encylopedia Brittanica records.  "Smokey" is not among them.   It is listed as both a single and  part of an album, "Wayfaring Stranger,"
(B 103, C103 CL 6109).  The book does NOT contain "Old Smokey," but does have "Little Mohee" to the tune now linked to "Old Smokey."EdThe single and album are on Columbia.Ed

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Subject: Re: Jean Ritchie
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 14:20:33 -0500
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And there's James Porter's book on Jeannie Robertson, if that hasn't been mentioned.        Marge -----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On
Behalf Of Bill McCarthy
Sent: Monday, December 13, 2004 1:41 PM
To: [unmask]
Subject: Re: Jean RitchieFor che classical period of Scottish ballads you might look at David
Buchan's The Ballad and the Folk.And for a modern Gaelic singer and song maker, there is Tom
McKean's  Hebridean Song-Maker: Iain MacNeacail of the Isle of
Skye.  (Polygon, Has good pictures and interviews with the singer, as well
as lots of songs and a CD.-- Bill McCarthy

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Subject: Re: Jean Ritchie
From: Fred McCormick <[unmask]>
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Date:Mon, 13 Dec 2004 14:35:43 EST
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Subject: Re: "On Top of Spaghetti"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 15:44:05 -0500
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>Sandy:
>
>Pp. 273-74 of my Ballantine Books edition of _The Burl Lives Song
>Book_, c. 1953,  lists the titles of the Encylopedia Brittanica
>records.  "Smokey" is not among them.   It is listed as both a
>single and  part of an album, "Wayfaring Stranger,"
>(B 103, C103 CL 6109).  The book does NOT contain "Old Smokey," but
>does have "Little Mohee" to the tune now linked to "Old Smokey."
>
>EdSomeone here disparged the "Old Smokey" tune recently.  I think it
works much better as the second half of "Little Mohee."  In fact,
that is one of my favorite tunes.  I call it a "surprise" tune.  The
first half has limited scope, (F#-C in the key of G, a tritone).  The
suddenly, "out of the blue," the tune soars with a full octave rise
and a much more melodic second than first half.  I think that the
second half loses something when it is sung in isolation, as with
"Old Smokey."John

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Subject: Re: "On Top of Spaghetti"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 13 Dec 2004 15:55:02 -0500
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>----- Original Message -----
>From: "Abby Sale" <[unmask]>
>
><<I've lost track.  Are we looking for earliest sound recording of the "On
>top
>of old Smok(e)y" verse?>>
>
>Not specifically, but as long as we're there, so far it seems to be George
>Reneau's 1926 disc (Vocalion 15366). To which I append this note, from the
>Index: "All recordings by George Reneau have the vocals sung by Gene Austin;
>Reneau played
>harmonica. However, they were apparently his versions and arrangements, and
>his name was on the label, so that's how they're listed." The record people
>seem to have thought Reneau's voice was too rough for recordings, so they
>got a smoother singer in to do the actual vocals. A few years later, Austin
>hit the big-time as a crooner.
>
>Peace,
>PaulI'm interested in the first recording/recovery to link "On top of Old
Smoky ..." with the tune used by the Weavers, etc.  Anybody?John--
john garst    [unmask]

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