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Subject: Re: Is This Someone We Know?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 22:51:18 -0700
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Folks:Let this a warning be!  The sins of our youth will eventually be revealed.
Repent now, before your deeds are too widely known.Ed----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Tuesday, July 29, 2003 8:40 pm
Subject: Is This Someone We Know?> Hi!
>
>        While searching Ebay I ran across the following -
>
>        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
> the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)
>
>        Is this list member and Folk Legacy owner, Sandy Paton? If so,
> will he admit it? :-)
>
>                                Dolores
>
>        P.S. I am amazed at the opening price on this record!
>
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 00:53:27 -0500
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<<The two, essentially jazz and folk, were in separate but adjoining
buildings with access both internal and external. The separation was
more in the minds of the staff and in the different addresses. The folk
staff were all "alcoholic communists" and the jazz staff [of which Les
considers himself one] just "a better class of people.">>Ahhh...*now* I can picture it. I remember the layout, sort of, and the shelf
where I found the rare Bert Lloyd LP. Rare in the States, at least, although
it was issued here (on Prestige).Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 00:58:40 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]>> Could be. The British folk revival, pre early 1960s, was heavily
influenced
> by the American revival, especially by its left wing wing, so to speak. My
> impression that   Dobell was a CP member came from an article which
appeared in
> the People newspaper about the year 1967. The article "exposed" various
folk
> revival activists, including Ewan MacColl and A.L. Lloyd.An odd pair of "exposures", come to think of it, since Lloyd had been quite
open about his CP membership (it got him in trouble during World War II),
while I believe MacColl had already quit the CP by then in search of more
exotic Maoist affiliations. Or was that later?Peace,
Paul

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Subject: Re: Is This Someone We Know?
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 01:22:16 -0500
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----- Original Message -----
From: Dolores Nichols <[unmask]><<        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)        Is this list member and Folk Legacy owner, Sandy Paton? If so,
will he admit it? :-) >>The repertoire sounds right, and recording for Droll Yankees sounds about
right too.<<        P.S. I am amazed at the opening price on this record!>>Not me -- it's a true rarity. The question is, are there folkie collectors
with enough money to bid?Peace,
Paul

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Subject: Re: Dobell's record shop
From: [unmask]
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Date:Wed, 30 Jul 2003 03:32:59 EDT
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Subject: Re: Dobell's record shop
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 04:59:13 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 04:59:18 EDT
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Subject: Re: Dobell's record shop
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 09:15:06 -0500
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 09:50:15 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<There are a couple of good articles on Lloyd and the foundation of the
postt
WW11 revival, published in the Canadian Journal of Traditional Music. They
are
online at http://cjtm.icaap.org/ >>Hi Fred:Do you know, offhand, which issues they are in? The back-issues are indeed
online, but not indexed in any way.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 17:00:21 +0100
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http://cjtm.icaap.org/content/25/v25art2.html will certainly take you to
one.........I suspect the other is not far away!!Dave----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Wednesday, July 30, 2003 3:50 PM
Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2> ----- Original Message -----
> From: Fred McCormick <[unmask]>
>
> <<There are a couple of good articles on Lloyd and the foundation of the
> postt
> WW11 revival, published in the Canadian Journal of Traditional Music. They
> are
> online at http://cjtm.icaap.org/ >>
>
> Hi Fred:
>
> Do you know, offhand, which issues they are in? The back-issues are indeed
> online, but not indexed in any way.
>
> Peace,
> Paul
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 13:46:12 EDT
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Subject: "77" Records and Lightnin' Hopkins
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 12:46:52 -0500
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Ran across the following article: Sam “Lightnin ’ Hopkins – A
Description by Mack McCormick (From Jazz Monthly October 1959) which
reads in part:"His isolation and his ignorance is self-imposed, and can be startlingly
complete. During a recent recording session for Doug Dobell's
limited-edition '77' label, Lightnin searched conscientiously for the
proper songs 'to sing for those people over across that water.' He
briefly considered one that begins 'Buses stopped running, trains won't
allow me to ride no more.' He rejected it with the question, 'But do
they have buses and trains over there?' Some insight to the careful
choice of ignorance can be gained if one considers that Lightnin has
been exposed to British-based films just as much as the average American
citizen. He merely disregards the world beyond his culture."And Les' wife Babs, who worked at Collet's, sent me the following:"We tried to remember the 1950s, and what stood where. Between Leicester
Square and Tottenham Road tube
stations, you began with the left-wing International Bookshop, run by
Collet’s and starring James Asman (at
number 52), and Doug Dobell’s (at 77). Past Cambridge Circus and
opposite Foyle’s, you could walk upstairs to the Record Shop (at number
100). At the junction with Tottenham Court Road was Imhof’s, a music and
hi-fi store. To the left, John Rowe’s Attic in Newman Street (84); to
the right, a few yards down New Oxford Street, the new Collet’s record
shop (70) with folk on the ground floor and Ray Smith in the basement –
Ray had replaced trumpeter Al Fairweather, who had wanted nothing to do
with Communism after the Hungarian revolution! For a few years in the
‘60s, there was also Ronnie Scott’s shop in Romilly Street, while James
Asman had long since moved to nearby New Row.

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 12:58:43 -0500
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FRED MCCORMICK
> > <<There are a couple of good articles on Lloyd and the foundation of the
> > postt
> > WW11 revival, published in the Canadian Journal of Traditional Music.
They
> > are
> > online at http://cjtm.icaap.org/ >>PAUL STAMLER
> > Hi Fred:
> >
> > Do you know, offhand, which issues they are in? The back-issues are
indeed
> > online, but not indexed in any way.JOHN MEHLBERG
I always use google to do a site search.   Here is a search that gives you
all pages that mention "Al Llyod":http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&q=site%3Acjtm.icaap.org+%22al+lloyd%22AOL users click here:   <a
href="http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&q=site%3Acjtm.ica
ap.org+%22al+lloyd%22">Al Lloyd on cjtm.icaap.org</a>Best Wishes!John M.
~Here's to Osama that son of a bitch
May his pecker fall off with the seven year itch
And may they beat on his balls with a big brass hammer
Until his asshole whisles the Star Spangled Banner.[John Valby,  Sept. 13, 2001,  Toad's Place, New Haven, Connectticut]> ----- Original Message -----
> From: "Paul Stamler" <[unmask]>
> To: <[unmask]>
> Sent: Wednesday, July 30, 2003 3:50 PM
> Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
>
>

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Subject: Colletts
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 16:23:38 -0400
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Ah yes.In the folkie section of Colletts at a point in the 1960s - maybe 1964, was
a sign that said "Bert Jansch does not give guitar lessons."
People would meet him in a club, ask him to teach them, he would mumble,
"Meet me in Colletts."
They would turn up and ask when he would appear, Hans or Jill would just
point to the sign.Jolly days.Ewan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 02:13:18 -0500
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If anyone can cite when/where reviews of these albums appeared,
that would be nice. Also, were they released simultaneously?I'm also trying to determine if Vol. 2 with Mance's "Tom Moore's
Farm" appeared prior to, or after, Mance's debut album on
Arhoolie.Thanks,Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 04:49:22 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 13:17:44 -0400
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 12:59:23 -0500
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Don't know how much this may help but the "77" Lipscomb cut was recorded
30 June 1960 and the cuts which appeared as Arhoolie F 1001 were
recorded 11 Aug. 1960. Not sure of release dates but I seem to recall a
comment that the "77" records were released in 1960.Andrew Brown wrote:>If anyone can cite when/where reviews of these albums appeared,
>that would be nice. Also, were they released simultaneously?
>
>I'm also trying to determine if Vol. 2 with Mance's "Tom Moore's
>Farm" appeared prior to, or after, Mance's debut album on
>Arhoolie.
>
>
>Thanks,
>
>Andrew
>
>________________________________________________________________
>Sent via the EV1 webmail system at mail.ev1.net
>
>
>

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Subject: Re: "Alan Tyne of Harrow" aka "Valentine O'Harra"
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Jul 2003 08:02:23 -0300
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>We're not talking about the effects of mishearing in this case - these two
>songs are not traditional but performances which derive from printed
>texts. Some of the differences one finds between printed versions are not
>mondegreens (and I still insist that the term has no meaning in a
>traditional context) but wilful changes made for reasons of commerce - the
>ballad hack has less compunction than the singer. Commerce is not conservative.I've been reading along in this conversation, not really understanding Lady
Mondegreen and "mondegreens" until I stepped back and said it. "Got it".I was able to send my ballad-singing wife off to work with a big smile (not
always easy when confronting the work day).So thanks!Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Patrick Flemming/ Whiskey in the Jar
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Jul 2003 13:04:28 -0400
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In a posting here in May of 2001 I pointed out that "Whiskey in the
Jar" was a reworked version of the ballad "Patrick Flemming". Flemming
was executed in Dublin on Apr. 24, 1650, and the original ballad
probably followed within a few days. We have no known text or
tune of the 17th century, but we know the tune was used c 1684
for the ballad numbered ZN787 in the broadside ballad index on my
website. I think from the broadside texts of "Whiskey in the Jar"
on the Bodleian Ballads website that the latter probably dates
from the 1840s. Traditional versions of the two ballads are Laws
L13A & B, Roud #533 & 534.EASMES notes a tune "Patrick Flemming" in an American music
manuscript of c 1775, the William Williams manuscript at the John
Hay Library of Brown University. I do not have access to this, so
don't know if the tune is related to the well known one for
"Whiskey in the Jar", but it would certainly be of interest to
find out. I hope there is some ambitious soul among the readers here
that will pursue this.[For the text of "Patrick Flemming" from the broadside in the
Madden collection see the Scarce Songs 2 file on my website.]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Patrick Flemming/ Whiskey in the Jar
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Jul 2003 22:26:47 -0400
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Bruce Olson wrote:
> ..............
> EASMES notes a tune "Patrick Flemming" in an American music
> manuscript of c 1775, the William Williams manuscript at the John
> Hay Library of Brown University.
> Bruce Olson
> --In a private email Kate Van Winkle Keller, co-editor of EASMES,
identified the "Patrick Fleming" in the Williams MS as "Jackson's
Morning Brush". How did it get the new 'Flemming' title so fast, even
across an ocean? My best date for "Jackson's Morning Brush" is 1776.At any rate it can't be the lost 17th century tune for "Patrick
Flemming".Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: NEW! Tommy Armstrong Songbook
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 09:05:52 -0400
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Greetings good people!
With the recent wet weather I have retreated from my artcar studio to get
things edited. This new project will make the songs and recitations
available once again. Currently collections are very hard to get. Some are
rare. Our collection contains first hand accounts never before published,
commentary, lyrics, notation and illustrations. Even a recipe for game pie
from the tradition in case anyone wants to make a hedgehog or cat one!
Sources of the lyrics varry. Many from the song book compiled by Tommy's
Son but others from the oral tradition as remembered. Alternative notation
and song titles are given as well as a complete bibliography. We are
working on a cd of the tunes which may take a "bit" time.
Recitations are also included from original sources.We are selling this close to cost with proceeds going to support the Hutman
Library and ongoing research projects including the Book of Bonfire night
which is currently being put together.Here are the details....A Beuk of the Sangs of Tommy Armstrong
The Pitman's Poet
isbn number 0-9702386-8-1This production is a book of all of the Songs of Tommy Armstrong as well
as his recitations. It includes first person accounts of the role of
song and story within the culture as well as a commentary concerning the
content of the songs. There is even a recipe for game pie. Illustrations
include views of 19th century Newcastle and comic woodcuts by a
celebrated artist of the town. Songs are presented with notation and
alternative tunes.The book can be obtained from:Hutman Productions
PO 268 Linthicum, Md.
21090 USACost: $9.55
Add postage: $4.30 Priority Mail
             $2.00 Book RateIf outside the USA inquire: [unmask]We accept cash, check and money order in U.S. Dollars
The book will be available in the near future from
http://www.amazon.com
....but...at a much higher price due to amazons overhead...but they do deal
with other currencys and credit cards...We hope that greater accessibility of this material will help inspire
others and give a bit of life to the tradition.Note! This is not the tradition of Geordie Bashing Jez Lowe!
In the words of the Whisky Priests "The Bonny Pit Laddie is here to stay!".
In other words no revisionism and pc ism here.We were happy to have permission to include the tribute to Tommy composed
and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.Let us all celebrate Tommy and his muse: "The Mug of Ale"Thanks for your time today!
Questions: [unmask]Conrad Bladey
--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Happy Edz Birthday
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 10:23:24 -0400
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                              Happy Ed Cray's Birthday                                     July 3rd           (Once people reach a certain elderly position, unless they
            dance professionally in a strip club, of course, I'm not
            sure it's entirely tactful to reveal the exact year but
            that does not reduce the import to celebrate, does it?)He might just remember events of an earlier birthday:Santiago, Cuba: The US destroys the Spanish fleet= 7/3/1898        'Twas in Manila, boys, our ships the foe did meet.
        We didn't need a hurricane to wreck,
        To wreck the Spanish fleet,
        But just one Dewey morning, and our victory was complete,
        As we were marching to Cuba.        Chorus: Hurrah! Hurrah!
                Hurrah! We'll sound the jubilee.
                Hurrah ! Boys, Cuba shall be free,
                And we'll sing the chorus from Mt. Gretna to the sea,
                While we are marching to Cuba.                                from "Marching to Cuba"
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: NEW! Tommy Armstrong Songbook
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 20:43:10 +0100
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Amazing value! I want two copies sent here in the UK forthwith so I suppose
I order them from [unmask]
 who will tell me how much the international postage is, yes?
Cheers
Simon
----- Original Message -----
From: "Conrad Bladey ***Peasant****" <[unmask]>
To: <[unmask]>
Sent: Thursday, July 03, 2003 2:05 PM
Subject: NEW! Tommy Armstrong Songbook> Greetings good people!
> With the recent wet weather I have retreated from my artcar studio to get
> things edited. This new project will make the songs and recitations
> available once again. Currently collections are very hard to get. Some are
> rare. Our collection contains first hand accounts never before published,
> commentary, lyrics, notation and illustrations. Even a recipe for game pie
> from the tradition in case anyone wants to make a hedgehog or cat one!
> Sources of the lyrics varry. Many from the song book compiled by Tommy's
> Son but others from the oral tradition as remembered. Alternative notation
> and song titles are given as well as a complete bibliography. We are
> working on a cd of the tunes which may take a "bit" time.
> Recitations are also included from original sources.
>
> We are selling this close to cost with proceeds going to support the
Hutman
> Library and ongoing research projects including the Book of Bonfire night
> which is currently being put together.
>
> Here are the details....
>
> A Beuk of the Sangs of Tommy Armstrong
> The Pitman's Poet
> isbn number 0-9702386-8-1
>
> This production is a book of all of the Songs of Tommy Armstrong as well
> as his recitations. It includes first person accounts of the role of
> song and story within the culture as well as a commentary concerning the
> content of the songs. There is even a recipe for game pie. Illustrations
> include views of 19th century Newcastle and comic woodcuts by a
> celebrated artist of the town. Songs are presented with notation and
> alternative tunes.
>
> The book can be obtained from:
>
> Hutman Productions
> PO 268 Linthicum, Md.
> 21090 USA
>
> Cost: $9.55
> Add postage: $4.30 Priority Mail
>              $2.00 Book Rate
>
> If outside the USA inquire: [unmask]
>
> We accept cash, check and money order in U.S. Dollars
> The book will be available in the near future from
> http://www.amazon.com
> ....but...at a much higher price due to amazons overhead...but they do
deal
> with other currencys and credit cards...
>
> We hope that greater accessibility of this material will help inspire
> others and give a bit of life to the tradition.
>
> Note! This is not the tradition of Geordie Bashing Jez Lowe!
> In the words of the Whisky Priests "The Bonny Pit Laddie is here to
stay!".
> In other words no revisionism and pc ism here.
>
> We were happy to have permission to include the tribute to Tommy composed
> and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
>
> Let us all celebrate Tommy and his muse: "The Mug of Ale"
>
> Thanks for your time today!
> Questions: [unmask]
>
> Conrad Bladey
> --
> "I had to walk down the road with
> my throat a little dry
> ranting like Jimmy Durante
> My mind was as clear as the clouds in the sky
> And my debts were all outstanding
> outstanding
> In a field of debts outstanding
> my outraged heart was handy
> at borrowing a sorrow I could put off 'till tomorrow
> and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
>

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Subject: Re: Happy Edz Birthday
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 12:50:39 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(45 lines)


Folks:Just to clarify this -- I do not shudder at my years -- I was born in 1933.Ed----- Original Message -----
From: Abby Sale <[unmask]>
Date: Thursday, July 3, 2003 7:23 am
Subject: Happy Edz Birthday>                              Happy Ed Cray's Birthday
>
>                                     July 3rd
>
>           (Once people reach a certain elderly position, unless they
>            dance professionally in a strip club, of course, I'm not
>            sure it's entirely tactful to reveal the exact year but
>            that does not reduce the import to celebrate, does it?)
>
>
> He might just remember events of an earlier birthday:
>
> Santiago, Cuba: The US destroys the Spanish fleet= 7/3/1898
>
>        'Twas in Manila, boys, our ships the foe did meet.
>        We didn't need a hurricane to wreck,
>        To wreck the Spanish fleet,
>        But just one Dewey morning, and our victory was complete,
>        As we were marching to Cuba.
>
>        Chorus: Hurrah! Hurrah!
>                Hurrah! We'll sound the jubilee.
>                Hurrah ! Boys, Cuba shall be free,
>                And we'll sing the chorus from Mt. Gretna to the sea,
>                While we are marching to Cuba.
>
>                                from "Marching to Cuba"
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                  I am Abby Sale - in Orlando, Florida
>                        Boycott South Carolina!
>        http://www.naacp.org/news/releases/confederateflag011201.shtml
>
>
>

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Subject: Re: NEW! Tommy Armstrong Songbook
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 16:19:21 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(109 lines)


I shall have uk postage as soon as I can get to the post office to have it
calculated. Thanks for your interest.
Conrad BladeySimon Furey wrote:
>
> Amazing value! I want two copies sent here in the UK forthwith so I suppose
> I order them from [unmask]
>  who will tell me how much the international postage is, yes?
> Cheers
> Simon
> ----- Original Message -----
> From: "Conrad Bladey ***Peasant****" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, July 03, 2003 2:05 PM
> Subject: NEW! Tommy Armstrong Songbook
>
> > Greetings good people!
> > With the recent wet weather I have retreated from my artcar studio to get
> > things edited. This new project will make the songs and recitations
> > available once again. Currently collections are very hard to get. Some are
> > rare. Our collection contains first hand accounts never before published,
> > commentary, lyrics, notation and illustrations. Even a recipe for game pie
> > from the tradition in case anyone wants to make a hedgehog or cat one!
> > Sources of the lyrics varry. Many from the song book compiled by Tommy's
> > Son but others from the oral tradition as remembered. Alternative notation
> > and song titles are given as well as a complete bibliography. We are
> > working on a cd of the tunes which may take a "bit" time.
> > Recitations are also included from original sources.
> >
> > We are selling this close to cost with proceeds going to support the
> Hutman
> > Library and ongoing research projects including the Book of Bonfire night
> > which is currently being put together.
> >
> > Here are the details....
> >
> > A Beuk of the Sangs of Tommy Armstrong
> > The Pitman's Poet
> > isbn number 0-9702386-8-1
> >
> > This production is a book of all of the Songs of Tommy Armstrong as well
> > as his recitations. It includes first person accounts of the role of
> > song and story within the culture as well as a commentary concerning the
> > content of the songs. There is even a recipe for game pie. Illustrations
> > include views of 19th century Newcastle and comic woodcuts by a
> > celebrated artist of the town. Songs are presented with notation and
> > alternative tunes.
> >
> > The book can be obtained from:
> >
> > Hutman Productions
> > PO 268 Linthicum, Md.
> > 21090 USA
> >
> > Cost: $9.55
> > Add postage: $4.30 Priority Mail
> >              $2.00 Book Rate
> >
> > If outside the USA inquire: [unmask]
> >
> > We accept cash, check and money order in U.S. Dollars
> > The book will be available in the near future from
> > http://www.amazon.com
> > ....but...at a much higher price due to amazons overhead...but they do
> deal
> > with other currencys and credit cards...
> >
> > We hope that greater accessibility of this material will help inspire
> > others and give a bit of life to the tradition.
> >
> > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> stay!".
> > In other words no revisionism and pc ism here.
> >
> > We were happy to have permission to include the tribute to Tommy composed
> > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> >
> > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> >
> > Thanks for your time today!
> > Questions: [unmask]
> >
> > Conrad Bladey
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Re: NEW! Tommy Armstrong Songbook
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 16:23:41 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


I will have the uk postage shortly. Many thanks for your interest.
ConradSimon Furey wrote:
>
> Amazing value! I want two copies sent here in the UK forthwith so I suppose
> I order them from [unmask]
>  who will tell me how much the international postage is, yes?
> Cheers
> Simon--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Ebay List - 07/05/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Jul 2003 18:37:53 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(94 lines)


Hi!        Now that the smoke has cleared from the fireworks, here is the
weekly list. :-)        SONGSTERS        3533322584 - SOUTHERN AND WESTERN SONGSTER, 1831, $9.50 (ends
Jul-06-03 17:16:34 PDT)        2542383543 - Troubadour Songster (Merchant's Gargling Oil),
undated, $4.99 (ends Jul-06-03 19:07:38 PDT)        2182215609 - Lowery and Morgan's Mighty Minstrel Songster, 1908,
$9.99 (ends Jul-09-03 16:34:18 PDT)        2182314985 - Penny Songster, 1868, $20 (ends Jul-10-03 11:12:05
PDT)        3231877473 - Dixey's Songster, 1860, $40 (ends Jul-10-03
11:48:54 PDT)        3231926434 - Merchant's Gargling Oil Songster, 1888, $6.99 (ends
Jul-10-03 17:08:58 PDT)        SONGBOOKS, ETC.        3533123558 - Songs of the Gael by Walsh, 1922, $15.50 (ends
Jul-06-03 08:13:04 PDT)        3533248790 - Songs For AFSCME by Glazer, $2.99 (ends Jul-06-03
13:15:36 PDT)        3533271490 The Ballad Book by Allingham, 1865, $19.95 (ends
Jul-06-03 14:14:46 PDT)        3533365658 - Irish Street Ballads by O Lochlainn, 1946, $19.99
(ends Jul-06-03 19:11:06 PDT)        3534081934 - Kiss Me Goodnight,Sergeant Major:The Songs And
Ballads Of World War 2 by Page, 1.50 GBP (ends Jul-07-03 07:51:54 PDT)        3533483575 - 2 books by/about Creighton (The Best of Helen
Creighton and A Life in Folklore), $5 (ends Jul-07-03 08:13:18 PDT)        3533490935 - Ballads and Songs from Utah by Hubbard, 1961,
$29.99 (ends Jul-07-03 08:46:07 PDT)        2542516704 - NORTH COUNTRIE FOLK SONGS by Whitaker, 4.99 GBP
(ends Jul-07-03 11:35:07 PDT)        3533078845 - ENGLISH & SCOTCH BALLADS by Milman, 1871, $8 (ends
Jul-09-03 04:13:35 PDT)        2542235935 - The Minstrelsy of Scotland by Moffat, 1896, 11.50
GBP (ends Jul-09-03 09:28:14 PDT)        2541722263 - South Carolina Ballads, With a Study of the
Traditional Ballad To-Day by Smith, 1928, $7.99 (ends Jul-09-03 20:30:00
PDT)        3534663613 - Ballads : Scottish and English, 1872, 5 GBP (ends
Jul-11-03 06:04:21 PDT)        3534705116 - Songs and Ballads from Nova Scotia by Creighton,
1966 Dover edition, $5 (ends Jul-11-03 09:51:59 PDT) also 3534837688 -
1992 Dover edition, $1 (ends Jul-11-03 19:46:24 PDT)        3533849202 - Southern Folk Ballads, Volume II by McNeil, 1988,
$8 (ends Jul-11-03 12:05:35 PDT)        3534497515 - Songs About Work by Green, 1993, $18 (ends
Jul-13-03 13:32:05 PDT)        3534594367 - Lay My Burden Down - A Folk History of Slavery by
Botkin, 1945, $24.99 (ends Jul-13-03 19:39:40 PDT)        3534708995 - Irish Songs and Ballads by Graves, 1880, $95 (ends
Jul-14-03 10:05:57 PDT)        MISCELLANEOUS        3534083337 - Historical Alabama Field Recordings from the Byron
Arnold Collection of Traditional Tunes (booklet and cassette tape),
$9.99 (ends Jul-09-03 07:57:55 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 14:21:41 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(80 lines)


Greetings!
I extracted myself from the wonderful Smithsonian Folklife Festival where I
had the best of times talking folk music with a few guys from
Scotland.....how refreshing after being locked up in suburbia for so long.!Just calculated the postage for the book of sangs...Postage to UK via air= $4.00
Base price of book- $9.50
Us dollars only in check, money order or cash.
book details follow:> > > We are selling this close to cost with proceeds going to support the
> > Hutman
> > > Library and ongoing research projects including the Book of Bonfire night
> > > which is currently being put together.
> > >
> > > Here are the details....
> > >
> > > A Beuk of the Sangs of Tommy Armstrong
> > > The Pitman's Poet
> > > isbn number 0-9702386-8-1
> > >
> > > This production is a book of all of the Songs of Tommy Armstrong as well
> > > as his recitations. It includes first person accounts of the role of
> > > song and story within the culture as well as a commentary concerning the
> > > content of the songs. There is even a recipe for game pie. Illustrations
> > > include views of 19th century Newcastle and comic woodcuts by a
> > > celebrated artist of the town. Songs are presented with notation and
> > > alternative tunes.
> > >
> > > The book can be obtained from:
> > >
> > > Hutman Productions
> > > PO 268 Linthicum, Md.
> > > 21090 USA
> > >
> > > Cost: $9.50
> > > Add postage: $4.30 Priority Mail
> > >              $1.42 Book Rate
> > >
> > > If outside the USA inquire: [unmask]
> > >
> > > We accept cash, check and money order in U.S. Dollars
> > > The book will be available in the near future from
> > > http://www.amazon.com
> > > ....but...at a much higher price due to amazons overhead...but they do
> > deal
> > > with other currencys and credit cards...
> > >
> > > We hope that greater accessibility of this material will help inspire
> > > others and give a bit of life to the tradition.
> > >
> > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > stay!".
> > > In other words no revisionism and pc ism here.
> > >
> > > We were happy to have permission to include the tribute to Tommy composed
> > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > >
> > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > >
> > > Thanks for your time today!
> > > Questions: [unmask]
> > >
> > > Conrad Bladey--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 20:01:23 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(101 lines)


Hi Conrad,
Thanks for the information. My order will be in the post shortly.
Cheers
Simon
----- Original Message -----
From: "Conrad Bladey ***Peasant****" <[unmask]>
To: <[unmask]>
Sent: Monday, July 07, 2003 7:21 PM
Subject: Tommy Armstrong Songbook UK Shipping> Greetings!
> I extracted myself from the wonderful Smithsonian Folklife Festival where
I
> had the best of times talking folk music with a few guys from
> Scotland.....how refreshing after being locked up in suburbia for so
long.!
>
> Just calculated the postage for the book of sangs...
>
> Postage to UK via air= $4.00
> Base price of book- $9.50
> Us dollars only in check, money order or cash.
> book details follow:
>
>
> > > > We are selling this close to cost with proceeds going to support the
> > > Hutman
> > > > Library and ongoing research projects including the Book of Bonfire
night
> > > > which is currently being put together.
> > > >
> > > > Here are the details....
> > > >
> > > > A Beuk of the Sangs of Tommy Armstrong
> > > > The Pitman's Poet
> > > > isbn number 0-9702386-8-1
> > > >
> > > > This production is a book of all of the Songs of Tommy Armstrong as
well
> > > > as his recitations. It includes first person accounts of the role of
> > > > song and story within the culture as well as a commentary concerning
the
> > > > content of the songs. There is even a recipe for game pie.
Illustrations
> > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > celebrated artist of the town. Songs are presented with notation and
> > > > alternative tunes.
> > > >
> > > > The book can be obtained from:
> > > >
> > > > Hutman Productions
> > > > PO 268 Linthicum, Md.
> > > > 21090 USA
> > > >
> > > > Cost: $9.50
> > > > Add postage: $4.30 Priority Mail
> > > >              $1.42 Book Rate
> > > >
> > > > If outside the USA inquire: [unmask]
> > > >
> > > > We accept cash, check and money order in U.S. Dollars
> > > > The book will be available in the near future from
> > > > http://www.amazon.com
> > > > ....but...at a much higher price due to amazons overhead...but they
do
> > > deal
> > > > with other currencys and credit cards...
> > > >
> > > > We hope that greater accessibility of this material will help
inspire
> > > > others and give a bit of life to the tradition.
> > > >
> > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > stay!".
> > > > In other words no revisionism and pc ism here.
> > > >
> > > > We were happy to have permission to include the tribute to Tommy
composed
> > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > >
> > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > >
> > > > Thanks for your time today!
> > > > Questions: [unmask]
> > > >
> > > > Conrad Bladey
>
> --
> "I had to walk down the road with
> my throat a little dry
> ranting like Jimmy Durante
> My mind was as clear as the clouds in the sky
> And my debts were all outstanding
> outstanding
> In a field of debts outstanding
> my outraged heart was handy
> at borrowing a sorrow I could put off 'till tomorrow
> and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
>

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Subject: Oops - finger trouble
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 20:06:00 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


Sorry folks - private message. I forgot to change the "to" address to point
to Conrad.
I shall write out 100 times "I must check before I press the SEND button"
Cheers
Simon

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 15:39:58 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(117 lines)


I thank you very much.
ConradSimon Furey wrote:
>
> Hi Conrad,
> Thanks for the information. My order will be in the post shortly.
> Cheers
> Simon
> ----- Original Message -----
> From: "Conrad Bladey ***Peasant****" <[unmask]>
> To: <[unmask]>
> Sent: Monday, July 07, 2003 7:21 PM
> Subject: Tommy Armstrong Songbook UK Shipping
>
> > Greetings!
> > I extracted myself from the wonderful Smithsonian Folklife Festival where
> I
> > had the best of times talking folk music with a few guys from
> > Scotland.....how refreshing after being locked up in suburbia for so
> long.!
> >
> > Just calculated the postage for the book of sangs...
> >
> > Postage to UK via air= $4.00
> > Base price of book- $9.50
> > Us dollars only in check, money order or cash.
> > book details follow:
> >
> >
> > > > > We are selling this close to cost with proceeds going to support the
> > > > Hutman
> > > > > Library and ongoing research projects including the Book of Bonfire
> night
> > > > > which is currently being put together.
> > > > >
> > > > > Here are the details....
> > > > >
> > > > > A Beuk of the Sangs of Tommy Armstrong
> > > > > The Pitman's Poet
> > > > > isbn number 0-9702386-8-1
> > > > >
> > > > > This production is a book of all of the Songs of Tommy Armstrong as
> well
> > > > > as his recitations. It includes first person accounts of the role of
> > > > > song and story within the culture as well as a commentary concerning
> the
> > > > > content of the songs. There is even a recipe for game pie.
> Illustrations
> > > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > > celebrated artist of the town. Songs are presented with notation and
> > > > > alternative tunes.
> > > > >
> > > > > The book can be obtained from:
> > > > >
> > > > > Hutman Productions
> > > > > PO 268 Linthicum, Md.
> > > > > 21090 USA
> > > > >
> > > > > Cost: $9.50
> > > > > Add postage: $4.30 Priority Mail
> > > > >              $1.42 Book Rate
> > > > >
> > > > > If outside the USA inquire: [unmask]
> > > > >
> > > > > We accept cash, check and money order in U.S. Dollars
> > > > > The book will be available in the near future from
> > > > > http://www.amazon.com
> > > > > ....but...at a much higher price due to amazons overhead...but they
> do
> > > > deal
> > > > > with other currencys and credit cards...
> > > > >
> > > > > We hope that greater accessibility of this material will help
> inspire
> > > > > others and give a bit of life to the tradition.
> > > > >
> > > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > > stay!".
> > > > > In other words no revisionism and pc ism here.
> > > > >
> > > > > We were happy to have permission to include the tribute to Tommy
> composed
> > > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > > >
> > > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > > >
> > > > > Thanks for your time today!
> > > > > Questions: [unmask]
> > > > >
> > > > > Conrad Bladey
> >
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: seeking Appalachian ballad collections, 1850-1890
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 09:22:54 -0500
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I am new to the list, so accept my apologies in advance if this topic has already been addressed.For my Masters project, I am researching "Pretty Polly" from its inception as a British broadside c. 1726 up to the present, with as many variants as I can find. I have encountered a hole in the research from about 1850 to about 1890. I'm looking for resources, collections, etc. of ballads from Southern Appalachia during this time.I can't seem to find a clear starting point of the folk song after its initial printing as a broadside ballad under the name "The Gosport Tragedy" and/or "The Cruel Ship-Carpenter". In particular, I'm stymied with the process of how it went from a 34-verse printed broadside to a 9-verse popular folk ballad.Any resources or directions you can suggest would be most appreciated!Beth Brooks
Indiana University at Indianapolis
[unmask]

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 11:59:42 -0400
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Beth Brooks wrote:
>
> I am new to the list, so accept my apologies in advance if this topic has already been addressed.
>
> For my Masters project, I am researching "Pretty Polly" from its inception as a British broadside c. 1726 up to the present, with as many variants as I can find. I have encountered a hole in the research from about 1850 to about 1890. I'm looking for resources, collections, etc. of ballads from Southern Appalachia during this time.
>
> I can't seem to find a clear starting point of the folk song after its initial printing as a broadside ballad under the name "The Gosport Tragedy" and/or "The Cruel Ship-Carpenter". In particular, I'm stymied with the process of how it went from a 34-verse printed broadside to a 9-verse popular folk ballad.
>
> Any resources or directions you can suggest would be most appreciated!
>
> Beth Brooks
> Indiana University at Indianapolis
> [unmask]Listed in Laws P 36A and B, and Steve Roud's folk song and broadside
ballad indexes.  All or almost all known texts, traditional and
broadside, are in his folk song and broadside ballad indexes at Roud
#15.Many ballads were rewritten time and again, by unknown persons and at
dates for which we can only make an educated guess. I don't believe that
oral transmission had much to do with what might be called major
variants of ballads. I think most of these were rewritten for commercial
publication, althought talented traditional singers seem to have
produced some of the major variants. My views, to those that worship the
concept of 'oral transmission' will undoubtably be denounced as
heretical.John Moulden recently pointed out a major variant of "The Golden
Vanity", which was undoubtably the work of Lena Boure Fish, and asked a
question concerning (the many) literary touches in it, to which it would
have been impolitic to reply, and so will probably never be answered.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 11:09:22 -0500
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----- Original Message -----
From: Beth Brooks <[unmask]><<I am new to the list, so accept my apologies in advance if this topic has
already been addressed.For my Masters project, I am researching "Pretty Polly" from its inception
as a British broadside c. 1726 up to the present, with as many variants as I
can find. I have encountered a hole in the research from about 1850 to about
1890. I'm looking for resources, collections, etc. of ballads from Southern
Appalachia during this time.I can't seem to find a clear starting point of the folk song after its
initial printing as a broadside ballad under the name "The Gosport Tragedy"
and/or "The Cruel Ship-Carpenter". In particular, I'm stymied with the
process of how it went from a 34-verse printed broadside to a 9-verse
popular folk ballad.Any resources or directions you can suggest would be most appreciated! >>Hi Beth:One important link is B. F. Shelton's 1927 recording of "Pretty Polly"
(Victor 35838). This was a very popular recording (deservedly so; it's a
brilliant performance), and it was influential enough that virtually every
American version collected since then traces its ancestry back to the
Shelton recording.That doesn't really address the hole in your collection, 1850-1890, but it
does provide a starting point (or perhaps I should say a re-starting point)
for dissemination of the now-canonical version. Earlier versions appear in
Wyman & Brockway's "Lonesome Tunes: Folk Songs from the Kentucky Mountains"
and "Twenty Kentucky Mountain Songs", published in 1916 and 1920,
respectively. Both versions show similarity to Shelton's recording; he was a
Kentucky singer.Peace,
Paul

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 11:05:44 -0700
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Dear Beth:
Your broadside of 34 stanzas seems to be the one in Peter Buchan's Gleanings
(1825), pp. 46-51, titled "The Gosport Tragedy", begins "In Gosport of late
a young damsel did dwell".  A much truncated version in
Christie, Trad. Ballad Airs, II.98 (6x4 lines) with the music.  PB has
undoubtedly some verbal changes, while Christie jas the gist - his tunes
remember are a bit suspect.  Is this useful? Not much to do with Appalachia,
though.
Murray Shoolbraid

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
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Date:Tue, 8 Jul 2003 16:26:36 EDT
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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: ghost <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 17:18:03 -0400
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>  From [unmask] Tue Jul  8 16:50:18 2003
>  Date: Tue, 8 Jul 2003 16:26:36 EDT
>  From: [unmask]
>  Subject: Re: seeking Appalachian ballad collections, 1850-1890>  Other than through ballad sheets and songsters this period might be addressed
>  through Shape Note hymnals. As George Pullen Jackson has documented,
>  spiritual songs used in the Southern Mountains tended to be founded upon secular
>  matrices, most often using tunes, but also the pattern of a "love" song in an
>  almost parodic fashion. I'm aware that most such hymnals were in fairly established
>  shape by 1850 but a look at items arriving new into later editiions or into
>  new compilations might give some clue.
>
>  Having written that, I've just looked at the three of GPJ's publications I
>  have and find nothing obvious.
>
>  John MouldenDunno if GPJ notes it, but we've had it pointed out to us at a northern
singing school with a southern guest teacher that "The Church's Desolation" is
a version of "Barbara Allen" (not a version I recognized til told, though).I have a list of Sacred Harp tune sections that resemble tune sections of
ballads (not often the whole ballad tune all the way through though) but I
don't have it here.One that I don't want to think of while singing Sacred Harp is "The Night
Before Larry Was Stretched" as sung by Frank Hart(e?); it resembles in the last
lines of the verse the SH song that ends "bound by the cords of his love"
(& they don't mean a hangman, folks).  Of course, "Stretched" has got to be
a parody of a ballad I don't know, whereas the SH song is a
"hymn to the same tune" rather than a parody.Another song, not in Sacred Harp that I know of, but practically a signature
song from Lloyd's hymnal (a words-only hymn book; you have to hear the song
sung to get the tune) for the Lee family of Georgia is "I Walked Abroad One
Morning Fair".  Tune is very close to "Early Early In The Spring" as sung by
Robert Cinnamond on the one Cinnamond tape I have (boy would I like more).Needless to say I can't learn the ballad tune because its too close to the
hymn tune to me, & I can't sing the hymn unless with a large group because
I'm Jewish & I don't want people to get the wrong idea, but I certainly am
not gonna sing the ballad words to the hymn tune, even though its almost
the same tune; not to me.If anyone ever wants them, ask me for my list of "same tune!" songs, some
of which, but certainly not all,  are Sacred Harp songs vs ballads.  Somehow,
no-one ever wants them (sob).  Maybe its the little pieces of paper I have
yet to transcribe them from.

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Subject: "He's Gone Away"
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 20:38:36 -0700
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I've seen a few sets of variant words to this Appalachian song, featuring
Yandro's high hill, including one (sheet music) with the charming tune,
"arranged by Van A. Christy", "by permission of Summy-Birchard Publishing
Co.", no date. I was intrigued by this song as it is one of the many "shoe
your foot" remnants of the Child ballad I call "Fair Annie of Loch Ryan".
Question is, what's the background on the Southern song??
Murray Shoolbraid

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Subject: Re: "He's Gone Away"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 10 Jul 2003 11:24:24 -0500
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----- Original Message -----
From: Murray Shoolbraid <[unmask]><<I've seen a few sets of variant words to this Appalachian song, featuring
Yandro's high hill, including one (sheet music) with the charming tune,
"arranged by Van A. Christy", "by permission of Summy-Birchard Publishing
Co.", no date. I was intrigued by this song as it is one of the many "shoe
your foot" remnants of the Child ballad I call "Fair Annie of Loch Ryan".
Question is, what's the background on the Southern song??>>The problem is that it's not one song, it's an entire family of songs with
lyrics that float between each other; they are, in essence, collections of
floating verses with only a ghost of a plot. Robert Waltz's note in the
Traditional Ballad Index listing for the song that we called "Fare You Well,
My Own True Love (The Storms Are on the Ocean, The False True Lover,
The True Lover's Farewell, Red Rosy Bush, Turtle Dove)":"This song is officially a catch-all. The problem is, what to do with all
the lost love pieces *with* some hint of a plot plus the floating element
"Who will shoe your pretty little foot." After some hesitation, we decided
on a four-part primary division (with some exceptions):* "The Lass of Roch Royal" for the ballad of that title
* "Who Will Shoe Your Pretty Little Foot" for fragments too short to
classify at all
* "Mary Anne" for the versions specifically about that girl
* This, for everything else.There probably are recensional variants within this song family; it's just
too big and too complex. But the particular items are such a mess that we
finally gave up trying to sort them. - RBW"Among the titles indexed under this catch-all listing, in addition to those
listed in our portmanteau title, are "Ten Thousand Miles" and "It's Hard to
Leave You, Sweet Love". Versions of this song have also been included in
ballad collections subsumed under "Lass of Roch Royal" and "Lady Alice",
although that's generally considered a different song.The title "He's Gone Away" may have been first used by Sandburg; his version
came from North Carolina, and he ascribes it to British origin (presumably
"Lass of Roch Royal") and "southern negro" influences, but he also notes
that versions are found all over the southeast, mentioning "Ten Thousand
Miles" as an alternate title. And the "Who's gonna shoe..." verse may well
have been a floater that drifted into "Lass of Roch Royal" and stuck, even
after the plot of that song was lost.In other words, this is one of those songs whose history and geneology is,
to use the technical term, a mess.Peace,
Paul

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Subject: Ebay List - 07/11/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Jul 2003 19:09:01 -0400
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Hi        I hope that everyone is staying cool! Meanwhile, fire up your
browser and look at these auctions.        SONGSTERS        3617046824 - MERCHANT'S GARGLING OIL SONGSTER, Seller claims
1833 data but I think that is wrong. 1883 may be more accurate. $9.99
(ends Jul-14-03 08:42:22 PDT0        3617089742 - Calvin Coolidge Campaign Songster 1924, $9.99 (ends
Jul-14-03 17:30:00 PDT0        3232848199 - 2 Merchant's Gargling Oil Songsters 1888 & 1890,
$4.99 (ends Jul-14-03 17:48:55 PDT)        3535404195 - Hadaway's Select Songster, 1840, $14.99 (ends
Jul-14-03 19:00:00 PDT)        2183270644 - Bennett & Rich's Song of the South! My Dear Old
Southern Home Songster. 1900?, $2.99 (ends Jul-15-03 11:10:21 PDT)        2544152308 - FORGET ME NOT SONGSTER, 1847, $99.95 (ends
Jul-17-03 18:52:06 PDT)        SONGBOOKS. ETC.        3535084778 - Negro Songs from Alabama by Courlander, 1962,
$24.99 (ends Jul-12-03 19:02:05 PDT)        2543675383 - Mountain Ballads and Old time Songs by Kincaid,
193?, $9.99 (ends Jul-12-03 19:16:41 PDT)        2543773424 - American Folk Songs for Children by Seeger, 1948,
$5 (ends Jul-13-03 09:27:27 PDT)        3535353302 - The Ballad Book-A Selection of the Choicest British
Ballads by Allingham, 1865, $12.95 (ends Jul-13-03 14:19:51 PDT)        3535416875 - SONGS OF THE SAILOR AND LUMBERMAN by Doerflinger,
1990 edition, $9.99 (ends Jul-13-03 17:49:32 PDT)        3535515290 - The Oxford Book of Ballads by Quiller-Couch, 1941
reprint, 3 GBP (ends Jul-13-03 22:53:11 PDT)        2544243757 - the minstrelsy of the scottish highlands by Moffat,
1910?, 2.99 GBP (ends Jul-15-03 08:41:29 PDT)        3535980610 - Shanties and Sailor's Songs by Hugill, 1969, 14.99
GBP (ends Jul-15-03 13:30:05 PDT)        3536005550 - PENNSYLVANIA SONGS & LEGENDS by Korson, 1949, $9.99
(ends Jul-15-03 14:51:20 PDT)        2544532467 - Songs and Ballads of Northern England by Walton,
2.99 GBP (ends Jul-16-03 13:11:59 PDT)        2544036393 - The Big Book Of Australian Folk Song by Edwards,
1976, $10.50 AU (ends Jul-17-03 09:50:14 PDT)        3536609729 - A Ballad History of Ireland by McHale, 1908, $0.25
(25 cents!) (ends Jul-17-03 15:28:37 PDT)        3536460187 - English Folk Songs by Sharp, 2 volumes, 1952
printing, 4.99 (ends 08, $0.25
(25 cents!) (ends Jul-17-03 15:28:37 PDT)        3536460187 - English Folk Songs by Sharp, 2 volumes, 1952
printing, 4.99 (ends 08, $0.25
(25 cents!) (ends Jul-17-03 15:28:37 PDT)        3536460187 - English Folk Songs by Sharp, 2 volumes, 1952
printing, $4.99 (ends Jul-20-03 07:14:08 PDT)        3536636433 - Scots Minstrelsie by Grieg, volume 1, $19.95 (ends
Jul-20-03 17:16:16 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 07/11/03
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 12 Jul 2003 10:55:12 -0500
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----- Original Message -----
From: Dolores Nichols <[unmask]><<        3617046824 - MERCHANT'S GARGLING OIL SONGSTER, Seller claims
1833 data but I think that is wrong. 1883 may be more accurate. $9.99
(ends Jul-14-03 08:42:22 PDT0>>Looking at the item, I think the seller mistook the "Established 1833" slug
on the songster for an issue date.Peace,
Paul

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Subject: Re: EASMES, annoying trivia
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 13 Jul 2003 19:01:36 -0400
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Bruce Olson wrote:
>
> Jack Campin previously gave a click-on to the Colonial Music
> Institute website in connection with a CD of the 'Early American
> Secular Music and Its European Sources, 1589-1839' (EASMES).
> Besides being able to buy the CD version ($25) one can now search
> it on-line. Below is a click-on to the on-line version.
>
> <A href= "http://www.colonialdancing.org/Easmes/Index.htm"> Index
> Main Page </A> Click at top of page on chosen Subject (Sources,
> Gernres, Texts, Incipits, Stressed Notes, Intervals, Names,
> Theater Works) to search. To search for titles or first lines,
> chose 'Texts'.
> /EASMES/ in the URL given above has been changed to /Easmes/ so the
link given above no longer works. The new one is:
<A href= "http://www.colonialdancing.org/Easmes/Index.htm"> Easmes
</A>Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Ebay List - 07/15/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 15 Jul 2003 18:09:36 -0400
Content-Type:text/plain
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Hi!        Here I am again! There are several interesting items this week
especially the offerings of one particular seller.        SONGSTERS        2183378536 - Lookout Mountain Songster No. 2, $4.99 (ends
Jul-18-03 03:28:24 PDT)        3536821029 - The Charms of Melody, 1798-1800, $1.25 (ends
Jul-18-03 11:35:18 PDT)        3537410870 - The Forget-Me-Not Songster, seller gives 1872 date
because it is handwritten inside but I think this is earlier, $20.50
(ends Jul-18-03 12:47:31 PDT)        3536758656 - THE UNIVERSAL SONGSTER or MUSEUM OF MIRTH, 3
volumes, 1850?, $180 (ends Jul-21-03 06:37:15 PDT)        SONGBOOKS, ETC.        3536906303 - Ballads Old and New by Hulton, 1968, $7.99 (ends
Jul-16-03 17:47:04 PDT)        3536621091 - Songs and Ballads of the Maine Lumberjacks by Gray,
1924, $13.94 (ends Jul-17-03 16:18:17 PDT)        3536698246 - NEW YORK: SONGS OF THE CITY by Groce, 1999, $14.95
(ends Jul-17-03 20:23:16 PDT)        2545057998 - Sea Shanties by Chugg, $7.99 (ends Jul-19-03
00:10:54 PDT)        3537059932 - Ancient Poems, Ballads and Songs of the Peasantry
of England by Bell, 1857, $24.99 (ends Jul-19-03 10:41:12 PDT)        3537144108 - Proceedings of the Vermont Historical Society,
June, 1939, contains 3 articles by Flanders, $5 (ends Jul-19-03 16:05:13
PDT)        2545192232 - FAVOURITE SONGS OF NEWFOUNDLAND by Mills, 1969,
$4.99 (ends Jul-19-03 16:36:34 PDT)        3537344993 - The Old Songs of Skye: Frances Tolmie and her
Circle by Bassin, 1977, 1 GBP (ends Jul-20-03 10:14:28 PDT)        3537348974 - The Songs of Scotland by Graham, 1849, 1 GBP (ends
Jul-20-03 10:24:34 PDT)        3537350897 - Folksong and Music Hall by Lee, 1982, 1 GBP (ends
Jul-20-03 10:29:16 PDT)        3537352975 - THE BALLAD MINSTRELSY OF SCOTLAND by Gardner, 1893,
1 GBP (ends Jul-20-03 10:34:13 PDT)        3537355153 - English County Songs by Broadwood, 1893, 1 GBP
(ends Jul-20-03 10:39:48 PDT)        3537474778 - Border Minstrelsy by Scott, 1833 printing, 4.99 GBP
(ends Jul-20-03 15:36:46 PDT)        3537519017 - Afro-American Folksongs by Krehbiel, 1920 edition,
$9.95 (ends Jul-20-03 17:47:08 PDT)        2545449230 - Rambling Blues: The Life and Songs of Charlie
Poole by Rorrer, 1992, $7.99 (ends Jul-20-03 18:15:46 PDT)        3233482268 - THE BALLADISTS by Geddie, 1900?, $5 (ends Jul-20-03
18:40:00 PDT)        3536673849 - HULLABALOO AND OTHER SINGING FOLK DANCES by Chase,
1949, $9.99 (ends Jul-20-03 19:10:02 PDT)        3537601003 - Folk-Songs, Chanteys And Singing Games by
Farnsworth & Sharp, 1909, $24.95 (ends Jul-20-03 20:39:35 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Folk Song Index
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Jul 2003 23:59:44 +0100
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Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope) to
learn that I have at last produced a major update, which will be mailed out in
the next few days.
If you subscribe and haven't received the CD-Rom within about two weeks,
please contact me on my new email address: [unmask]
In particular: If I met you at last year's AFS meeting at Rochester, and took
your money or agreed a swap, please conract me to check that I have your
details - I seem to have lost a few stray pieces of paper from that time...
Regards
Steve Roud

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Subject: Re: Folk Song Index
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Jul 2003 12:53:56 -0700
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Thanks, Steve, I'll be watching for it.
Norm----- Original Message -----
From: <[unmask]>
To: <[unmask]>
Sent: Thursday, July 17, 2003 3:59 PM
Subject: Folk Song Index> Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope)
to
> learn that I have at last produced a major update, which will be mailed
out in
> the next few days.
> If you subscribe and haven't received the CD-Rom within about two weeks,
> please contact me on my new email address: [unmask]
> In particular: If I met you at last year's AFS meeting at Rochester, and
took
> your money or agreed a swap, please conract me to check that I have your
> details - I seem to have lost a few stray pieces of paper from that
time...
> Regards
> Steve Roud
>

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Subject: Re: Folk Song Index
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Jul 2003 16:57:45 -0400
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Steve,
We aren't sure whether we are subscribers or not to your index. We do have a
copy on CD-ROM which you sent us some months ago, after we discovered it at
the Library of Congress's Folklore Center. Yes, we would like to have a copy
of the update.
Have you considered putting the index on-line? We could give you some help
on that task if you would like. We could easily convert it to a HTML
database from Access, ands it would be completely searchable using Google.
We did that with both the EASMES and the Dancing Master databases that we
put on the web and on CD-ROM.
Best regards,
Kate Van Winkle Keller and Robert M. Keller
----- Original Message -----
From: <[unmask]>
To: <[unmask]>
Sent: Thursday, July 17, 2003 6:59 PM
Subject: Folk Song Index> Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope)
to
> learn that I have at last produced a major update, which will be mailed
out in
> the next few days.
> If you subscribe and haven't received the CD-Rom within about two weeks,
> please contact me on my new email address: [unmask]
> In particular: If I met you at last year's AFS meeting at Rochester, and
took
> your money or agreed a swap, please conract me to check that I have your
> details - I seem to have lost a few stray pieces of paper from that
time...
> Regards
> Steve Roud
>

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Subject: Re: Folk Song Index
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Jul 2003 20:06:51 -0400
Content-Type:text/plain
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text/plain(15 lines)


I got my July 2003 CD-Rom version of Steve Roud's indexes yesterday.
It's now loaded into my ASKSAM data system.I get for the broadside index 122,534 records, and for the folk
song index 118,355 records. I once had a data reading error, and
read in one block of one data file twice. When someone has their files
entered into their data system, would they please check my
numbers.Bruce Olson--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Folk Song Index
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 08:59:17 -0400
Content-Type:text/plain
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Bruce Olson wrote:
>
> I get for the broadside index 122,534 records, and for the folk
> song index 118,355 records. ......
>...... When someone has their files
> entered into their data system, would they please check my
> numbers.
>Cancel that request. I've heard directly from Steve Roud that I have the
correct number of records for both indexes entered into my database
system.
Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Rainbow Quest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 10:43:40 -0700
Content-Type:text/plain
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text/plain(50 lines)


Good People:On a humid Sunday morning in Santa Monica, I take time out write a
notice of listmember Ron Cohen's recent book, _Rainbow Quest: The Folk
Music Revival and American Society, 1940-1970_ (University of
Massachusetts Press, 2002).Mark this a "notice" and not a "review" for any review by me would be
spattered with conflicts of interest.  Cohen and I are friends and, more
recently, colleagues, as I am editing an anthology of essays for a
series Cohen guides for Scarcecrow Press.  Moreover, I owe him my thanks
for his help in locating people whom I could interview for my
forthcoming biography of Woody Guthrie.  Not for nothing do I call him
"folk music central" in the acknowledgements in _Ramblin' Man._That out of the way, let me say that _Rainbow Quest_ is an encyclopedic
history of the urban folk revival.  Indeed, it is so detailed that at
times it feels like biography.  Cohen seems not to have missed a
concert, festival, recording session, or chance meeting that took place
in the thirty years he covers -- including a handful in which I was
involved.  (Full disclosure: I am listed in the index once. [Only once,
Cohen??!!?] I am also credited in the acknowledgements for making
suggestions after reading an early draft of an even more encyclopedic
manuscript.)Cohen's mastery of the period -- he is by training a historian -- is
clear.  The sweep, the comprehensive nature of his research, the sheer
detail would seem to make this as THE first source for a history of the
period.  (Neil Rosenberg's _Transforming Tradition_ [U of Illinois] is
more analytical, and Robert Cantell's _When We Were Good_ (Harvard) more
idiosyncratic.  Norm Cohen's _Folk Song America: A 20th Century Revival_
in just 105 pages is necessarily compressed, written to accompany a
Smithsonian record set, but manages the sweep of Ron Cohen's
ingathering.  [The Cohens are related only by biblical ancestors.])While Cohen ends his history in 1970, I suspect that for most of the
folks on ballad-l, this will be a book of current affairs.  Hey, that is
us he is writing about.  In short, Ron Cohen has given us a vital
history of our times.I should add there is a sad note here, an almost page by page reminder
for those of us of a certain age, just how many of our friends and
acquaintances  -- people who made the revival sing -- are no longer with
us.   Recall Paul Clayton and Peter La Farge and Richard Farina, Dave
Van Ronk and Billy Faier and John Fahey, not to mention those of an
older generation such as Woody Guthrie and Lee Hays.In short, Ron Cohen has given us a vital history of our times.Ed

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Subject: Ebay List - 07/20/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 16:47:59 -0400
Content-Type:text/plain
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text/plain(79 lines)


Hi!        Ed - Northern Virginia can match your hot and humid any summer
day (with thunder storms) :-( Here (from my air-conditioned comfort) is
this week's list.        SONGSTERS        3538458238 - Sweet Songster, 1854, $2.99 (ends Jul-23-03
18:04:25 PDT)        SONGBOOKS, ETC.        3538421565 - English Folk Songs by Sharp, 1959 edition, 7.50 GBP
w/reserve (ends Jul-21-03 15:47:16 PDT)        3233941931 - With His Pistol in His Hand A Border Ballad and
It's Hero by Paredes, 2000 edition, $3.99 (ends Jul-21-03 16:53:29 PDT)        3537836115 - Echoes of Africa In Folk Songs of the Americas by
Landeck, 1969, $1 (ends Jul-21-03 17:15:12 PDT)        2545733950 - THE MINSTRELSY OF ENGLAND by Moffat, 1901, 1 GBP
(ends Jul-22-03 03:58:16 PDT)        3537968964 - THE MINSTRELSY OF ENGLAND by Duncan, 1905, 2.50 GBP
(ends Jul-22-03 06:53:01 PDT)        3538764370 - English Folk Songs from Southern Appalachians by
Sharp, 2 volumes, 1952 edition, $51 (ends Jul-22-03 16:49:04 PDT)        3538170571 - Legendary Romantic Ballads of Scotland by Mackay,
1861, $9.95 (ends Jul-22-03 18:43:47 PDT)        3538189540 - American Naval Songs & Ballads by Neeser, 1938,
$24.99 (ends Jul-22-03 19:30:40 PDT)        2546001702 - Eighty English Folk Songs from the Southern
Appalachians by Sharp & Karpeles, 1968 edition, $6.50 (ends Jul-23-03
09:30:46 PDT)        3233907401 - Religious Folk Songs of the Negro as Sung on the
Plantations by Fenner, 1909, $29.99 (ends Jul-23-03 12:38:23 PDT)        3538642751 - Irish Street Ballads by O'Lochlainn, 1958, $9.95
(ends Jul-24-03 10:57:17 PDT)        3538809324 - The Common Muse British Ballad Poetry by de Sola
Pinto & Rodway, 1957, $4.95 (ends Jul-24-03 18:50:33 PDT)        3538847182 - Folk Songs of Old New England by Linscott, 1939,
$9.99 (ends Jul-24-03 20:41:02 PDT)        2546512316 - Walter Peterson Mountain Ballads and Old Time
Songs, 1931, $10.50 (ends Jul-25-03 13:58:06 PDT)        3539043061 - Tocher Tales, Songs, Traditions by School of
Scottish Studies, 6 issues, 1971-1976, $9 (ends Jul-25-03 17:57:47 PDT)        2546571420 - Richard Runciman Terry's The Shanty Book, 2
volumes, $29.99 (ends Jul-25-03 22:13:22 PDT)        3538377149 - BALLADS OF THE FORTY-FIVE by Meller, 1914, 4.99 GBP
w/reserve (ends Jul-26-03 13:02:10 PDT)        3538677460 - VAGABOND SONGS AND BALLADS OF SCOTLAND by Ford,
1904, 10 GBP (ends Jul-27-03 12:18:58 PDT)        2546385299 - Steamboatin' Days: Folk Songs of the River Packet
Era by Wheeler, 1944, $24.99 (ends Jul-27-03 20:01:29 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Rainbow Quest
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 17:23:08 -0400
Content-Type:text/plain
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text/plain(65 lines)


And  in my usual blatant semi-commercial manner, I'd like to point out
that if three or so list members want to purchase this (or any other
book), I can probably supply it at a substantial discount. Please
contact CAMSCO Music (800/548-FOLK [3655]) or E-mail me at [unmask]dick greenhaus)edward cray wrote:>Good People:
>
>On a humid Sunday morning in Santa Monica, I take time out write a
>notice of listmember Ron Cohen's recent book, _Rainbow Quest: The Folk
>Music Revival and American Society, 1940-1970_ (University of
>Massachusetts Press, 2002).
>
>Mark this a "notice" and not a "review" for any review by me would be
>spattered with conflicts of interest.  Cohen and I are friends and, more
>recently, colleagues, as I am editing an anthology of essays for a
>series Cohen guides for Scarcecrow Press.  Moreover, I owe him my thanks
>for his help in locating people whom I could interview for my
>forthcoming biography of Woody Guthrie.  Not for nothing do I call him
>"folk music central" in the acknowledgements in _Ramblin' Man._
>
>That out of the way, let me say that _Rainbow Quest_ is an encyclopedic
>history of the urban folk revival.  Indeed, it is so detailed that at
>times it feels like biography.  Cohen seems not to have missed a
>concert, festival, recording session, or chance meeting that took place
>in the thirty years he covers -- including a handful in which I was
>involved.  (Full disclosure: I am listed in the index once. [Only once,
>Cohen??!!?] I am also credited in the acknowledgements for making
>suggestions after reading an early draft of an even more encyclopedic
>manuscript.)
>
>Cohen's mastery of the period -- he is by training a historian -- is
>clear.  The sweep, the comprehensive nature of his research, the sheer
>detail would seem to make this as THE first source for a history of the
>period.  (Neil Rosenberg's _Transforming Tradition_ [U of Illinois] is
>more analytical, and Robert Cantell's _When We Were Good_ (Harvard) more
>idiosyncratic.  Norm Cohen's _Folk Song America: A 20th Century Revival_
>in just 105 pages is necessarily compressed, written to accompany a
>Smithsonian record set, but manages the sweep of Ron Cohen's
>ingathering.  [The Cohens are related only by biblical ancestors.])
>
>While Cohen ends his history in 1970, I suspect that for most of the
>folks on ballad-l, this will be a book of current affairs.  Hey, that is
>us he is writing about.  In short, Ron Cohen has given us a vital
>history of our times.
>
>I should add there is a sad note here, an almost page by page reminder
>for those of us of a certain age, just how many of our friends and
>acquaintances  -- people who made the revival sing -- are no longer with
>us.   Recall Paul Clayton and Peter La Farge and Richard Farina, Dave
>Van Ronk and Billy Faier and John Fahey, not to mention those of an
>older generation such as Woody Guthrie and Lee Hays.
>
>In short, Ron Cohen has given us a vital history of our times.
>
>Ed
>
>
>

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Subject: Off message
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 16:49:21 -0700
Content-Type:text/plain
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text/plain(23 lines)


----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Sunday, July 20, 2003 1:47 pm
Subject: Ebay List - 07/20/03> Hi!
>
>        Ed - Northern Virginia can match your hot and humid any summer
> day (with thunder storms) :-( Here (from my air-conditioned comfort) is
> this week's list.
>
>Dolores:I must say that I envy you the air conditioning.  On this unusual day when the
humidity is higher than the temperature.  Most homes in Santa Monica, and no few
businesses do not have air conditioning.  The mean summertime high is about 72,
and at 11 a.m. a 12-15 knot breeze springs up, cooling us down even
more.  I just open the doors and windows, et voila, the fabled Mediterranean
climate wafts through the condo.Ed

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Subject: Re: Ebay List - 07/20/03
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 01:39:14 +0100
Content-Type:text/plain
Parts/Attachments:

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----- Original Message -----
From: "Dolores Nichols" <[unmask]>
To: <[unmask]>
Sent: 20 July 2003 21:47
Subject: [BALLAD-L] Ebay List - 07/20/03Firstly, I'd like (belatedly) to add my voice to all those who have thanked Dolores for her
extremely helpful work on this. I'm only a very small player, but thanks to her I've managed to get
some books which I could never possibly have afforded if I were buying through more conventional
channels.Secondly; from time to time list members have mentioned when there have been books which they have
been particularly anxious to get hold of. I find myself in that case at present.2545733950 - THE MINSTRELSY OF ENGLAND by Moffat, 1901, 1 GBP
(ends Jul-22-03 03:58:16 PDT)Another copy came up not very long ago, and I think that Dan Milner and I ended up bidding against
each other. I went to sleep at a crucial moment, and missed it! I intend to try again this time
round, but see no point in competing with anyone who is able to bid significantly higher than I, or
who wants it more.Subject mentioned; no favours asked.Thirdly, and on an unrelated subject (but further to past discussion) I can report that the English
Folk Dance and Song Society is not only publishing a new selection of songs from Cecil Sharp's
collections in August (have details been posted to the list? I don't recall seeing any, and will add
them if it's useful. The approach is interesting, concentrating on the singers as much as the songs)
but will also be re-issuing the Penguin Book of English Folk Songs later this year, probably in late
October. This will include some additional prefatory material and a new bibliography compiled by
David Atkinson. There will also be supplements to the original notes, mainly providing additional
references and details, where it has been possible to establish them, of the sources of material
introduced into the song texts by the editors (these were not uniformly acknowledged in the original
book, and turn out to be quite complicated); this last task has fallen to me. By popular request,
the book will be printed on acid-free paper.I'll post specifics when they are available. Meanwhile, just in case; does anyone have any idea
where Robert Jackson ("The Ship in Distress") came from? Not, so far as I can tell, from any
traditional or broadside form of the song.Malcolm Douglas---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.495 / Virus Database: 294 - Release Date: 01/07/03

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Subject: Re: Ebay List - 07/20/03
From: DAN MILNER <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 18:08:14 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(89 lines)


Hello Malcolm!If you are unsuccessful with2545733950 - THE MINSTRELSY OF ENGLAND by Moffat,
1901, 1 GBP
(ends Jul-22-03 03:58:16 PDT)You are most welcome to my copy.  This is a book you
will use frequently and I only occasionally.  Consider
it a matter of practicality and not a favor.All the best,
Dan--- Malcolm Douglas <[unmask]>
wrote:
> ----- Original Message -----
> From: "Dolores Nichols" <[unmask]>
> To: <[unmask]>
> Sent: 20 July 2003 21:47
> Subject: [BALLAD-L] Ebay List - 07/20/03
>
>
> Firstly, I'd like (belatedly) to add my voice to all
> those who have thanked Dolores for her
> extremely helpful work on this. I'm only a very
> small player, but thanks to her I've managed to get
> some books which I could never possibly have
> afforded if I were buying through more conventional
> channels.
>
> Secondly; from time to time list members have
> mentioned when there have been books which they have
> been particularly anxious to get hold of. I find
> myself in that case at present.
>
> 2545733950 - THE MINSTRELSY OF ENGLAND by Moffat,
> 1901, 1 GBP
> (ends Jul-22-03 03:58:16 PDT)
>
> Another copy came up not very long ago, and I think
> that Dan Milner and I ended up bidding against
> each other. I went to sleep at a crucial moment, and
> missed it! I intend to try again this time
> round, but see no point in competing with anyone who
> is able to bid significantly higher than I, or
> who wants it more.
>
> Subject mentioned; no favours asked.
>
> Thirdly, and on an unrelated subject (but further to
> past discussion) I can report that the English
> Folk Dance and Song Society is not only publishing a
> new selection of songs from Cecil Sharp's
> collections in August (have details been posted to
> the list? I don't recall seeing any, and will add
> them if it's useful. The approach is interesting,
> concentrating on the singers as much as the songs)
> but will also be re-issuing the Penguin Book of
> English Folk Songs later this year, probably in late
> October. This will include some additional prefatory
> material and a new bibliography compiled by
> David Atkinson. There will also be supplements to
> the original notes, mainly providing additional
> references and details, where it has been possible
> to establish them, of the sources of material
> introduced into the song texts by the editors (these
> were not uniformly acknowledged in the original
> book, and turn out to be quite complicated); this
> last task has fallen to me. By popular request,
> the book will be printed on acid-free paper.
>
> I'll post specifics when they are available.
> Meanwhile, just in case; does anyone have any idea
> where Robert Jackson ("The Ship in Distress") came
> from? Not, so far as I can tell, from any
> traditional or broadside form of the song.
>
>
> Malcolm Douglas
>
>
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system
> (http://www.grisoft.com).
> Version: 6.0.495 / Virus Database: 294 - Release
> Date: 01/07/03

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Subject: Cecil Sharp
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 21:30:05 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(83 lines)


Malcolm:Do please tell us more about the forthcoming Sharp editions.  This is good news
indeed and I want to "update" my copies.Ed----- Original Message -----
From: Malcolm Douglas <[unmask]>
Date: Sunday, July 20, 2003 5:39 pm
Subject: Re: Ebay List - 07/20/03> ----- Original Message -----
> From: "Dolores Nichols" <[unmask]>
> To: <[unmask]>
> Sent: 20 July 2003 21:47
> Subject: [BALLAD-L] Ebay List - 07/20/03
>
>
> Firstly, I'd like (belatedly) to add my voice to all those who have
> thanked Dolores for her
> extremely helpful work on this. I'm only a very small player, but thanks
> to her I've managed to get
> some books which I could never possibly have afforded if I were buying
> through more conventional
> channels.
>
> Secondly; from time to time list members have mentioned when there have
> been books which they have
> been particularly anxious to get hold of. I find myself in that case at
> present.
> 2545733950 - THE MINSTRELSY OF ENGLAND by Moffat, 1901, 1 GBP
> (ends Jul-22-03 03:58:16 PDT)
>
> Another copy came up not very long ago, and I think that Dan Milner and I
> ended up bidding against
> each other. I went to sleep at a crucial moment, and missed it! I intend
> to try again this time
> round, but see no point in competing with anyone who is able to bid
> significantly higher than I, or
> who wants it more.
>
> Subject mentioned; no favours asked.
>
> Thirdly, and on an unrelated subject (but further to past discussion) I
> can report that the English
> Folk Dance and Song Society is not only publishing a new selection of
> songs from Cecil Sharp's
> collections in August (have details been posted to the list? I don't
> recall seeing any, and will add
> them if it's useful. The approach is interesting, concentrating on the
> singers as much as the songs)
> but will also be re-issuing the Penguin Book of English Folk Songs later
> this year, probably in late
> October. This will include some additional prefatory material and a new
> bibliography compiled by
> David Atkinson. There will also be supplements to the original notes,
> mainly providing additional
> references and details, where it has been possible to establish them, of
> the sources of material
> introduced into the song texts by the editors (these were not uniformly
> acknowledged in the original
> book, and turn out to be quite complicated); this last task has fallen to
> me. By popular request,
> the book will be printed on acid-free paper.
>
> I'll post specifics when they are available. Meanwhile, just in case; does
> anyone have any idea
> where Robert Jackson ("The Ship in Distress") came from? Not, so far as I
> can tell, from any
> traditional or broadside form of the song.
>
>
> Malcolm Douglas
>
>
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system (http://www.grisoft.com).
> Version: 6.0.495 / Virus Database: 294 - Release Date: 01/07/03
>
>
>

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Subject: Re: Cecil Sharp
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 07:01:50 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


At 09:30 PM 7/20/03 -0700, you wrote:
> >
> > Thirdly, and on an unrelated subject (but further to past discussion) I
> > can report that the English
> > Folk Dance and Song Society is not only publishing a new selection of
> > songs from Cecil Sharp's
> > collections in August (have details been posted to the list? I don't
> > recall seeing any, and will add
> > them if it's useful. The approach is interesting, concentrating on the
> > singers as much as the songs)......
> > Malcolm Douglas
> >This is wonderful news.  However, I wonder what you mean by "a new
selection of songs from Cecil Sharp's collections"- does this mean it will
not include all the songs from the Oxford edition of English Folksongs from
the Southern Appalachians, but only some of the songs from the book?  In
other words, if one wanted all the variants of each song now included in
the Oxford edition, one would still have to have that edition?  Any further
info is greatly appreciated.  It is wonderful that there will be further
detailed information presented on the singers that are chosen to be
included.  Is it possible yet to tell us approximately how many of the
singers and/or songs from the Oxford edition be represented?
Thank you,
Lisa Johnson

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Subject: Re: Cecil Sharp
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 14:26:19 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(52 lines)


The new Cecil Sharp book is now available. It is published to celebrate 100
years since he collected his first song. It includes 50 songs, all collected
in England, but as noted previously, it foregrounds the singers more than is
usual, with photos and short biographies, and includes an important essay on
Sharp by Vic Gammon The full details are:'Still Growing: English Traditional Songs and Singers from the Cecil Sharp
Collection', compiled & edited by Steve Roud, Eddie Upton, and  Malcolm Taylor
(English Folk Dance & Song Society, 2003) ISBN 0 85418 187 3. Pbk. Illus.
121pp. £12.99.I don't know how much postage would be to the USA, or whether anyone over
there will hold stocks. For further information, contact Malcolm Taylor
[unmask]
or try the website www.efdss.orgRegards
Steve Roud[unmask] wrote:> At 09:30 PM 7/20/03 -0700, you wrote:
> > >
> > > Thirdly, and on an unrelated subject (but further to past discussion) I
> > > can report that the English
> > > Folk Dance and Song Society is not only publishing a new selection of
> > > songs from Cecil Sharp's
> > > collections in August (have details been posted to the list? I don't
> > > recall seeing any, and will add
> > > them if it's useful. The approach is interesting, concentrating on the
> > > singers as much as the songs)......
> > > Malcolm Douglas
> > >
>
> This is wonderful news.  However, I wonder what you mean by "a new
> selection of songs from Cecil Sharp's collections"- does this mean it will
> not include all the songs from the Oxford edition of English Folksongs from
> the Southern Appalachians, but only some of the songs from the book?  In
> other words, if one wanted all the variants of each song now included in
> the Oxford edition, one would still have to have that edition?  Any further
> info is greatly appreciated.  It is wonderful that there will be further
> detailed information presented on the singers that are chosen to be
> included.  Is it possible yet to tell us approximately how many of the
> singers and/or songs from the Oxford edition be represented?
> Thank you,
> Lisa Johnson--
Message sent with Supanet E-mail

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Subject: Re: Cecil Sharp
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 10:28:29 -0400
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I am interested in obtaining this publication, and expect many others on this list
will also.
Dick Greenhaus, can you supply this at a discount?
Thanks, Thomas Stern[unmask] wrote:> The new Cecil Sharp book is now available. It is published to celebrate 100
> years since he collected his first song. It includes 50 songs, all collected
> in England, but as noted previously, it foregrounds the singers more than is
> usual, with photos and short biographies, and includes an important essay on
> Sharp by Vic Gammon The full details are:
>
> 'Still Growing: English Traditional Songs and Singers from the Cecil Sharp
> Collection', compiled & edited by Steve Roud, Eddie Upton, and  Malcolm Taylor
> (English Folk Dance & Song Society, 2003) ISBN 0 85418 187 3. Pbk. Illus.
> 121pp. £12.99.
>
> I don't know how much postage would be to the USA, or whether anyone over
> there will hold stocks. For further information, contact Malcolm Taylor
> [unmask]
> or try the website www.efdss.org
>
> Regards
> Steve Roud
>
> [unmask] wrote:
>
> > At 09:30 PM 7/20/03 -0700, you wrote:
> > > >
> > > > Thirdly, and on an unrelated subject (but further to past discussion) I
> > > > can report that the English
> > > > Folk Dance and Song Society is not only publishing a new selection of
> > > > songs from Cecil Sharp's
> > > > collections in August (have details been posted to the list? I don't
> > > > recall seeing any, and will add
> > > > them if it's useful. The approach is interesting, concentrating on the
> > > > singers as much as the songs)......
> > > > Malcolm Douglas
> > > >
> >
> > This is wonderful news.  However, I wonder what you mean by "a new
> > selection of songs from Cecil Sharp's collections"- does this mean it will
> > not include all the songs from the Oxford edition of English Folksongs from
> > the Southern Appalachians, but only some of the songs from the book?  In
> > other words, if one wanted all the variants of each song now included in
> > the Oxford edition, one would still have to have that edition?  Any further
> > info is greatly appreciated.  It is wonderful that there will be further
> > detailed information presented on the singers that are chosen to be
> > included.  Is it possible yet to tell us approximately how many of the
> > singers and/or songs from the Oxford edition be represented?
> > Thank you,
> > Lisa Johnson
>
> --
> Message sent with Supanet E-mail

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Subject: Re: Cecil Sharp
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 11:45:56 -0400
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Subject: Re: Ebay List - 07/20/03
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 10:43:20 -0500
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----- Original Message -----
From: Malcolm Douglas <[unmask]><<Thirdly, and on an unrelated subject (but further to past discussion) I
can report that the English
Folk Dance and Song Society is not only publishing a new selection of songs
from Cecil Sharp's
collections in August (have details been posted to the list? I don't recall
seeing any, and will add
them if it's useful. The approach is interesting, concentrating on the
singers as much as the songs)
but will also be re-issuing the Penguin Book of English Folk Songs later
this year, probably in late
October. This will include some additional prefatory material and a new
bibliography compiled by
David Atkinson. There will also be supplements to the original notes, mainly
providing additional
references and details, where it has been possible to establish them, of the
sources of material
introduced into the song texts by the editors (these were not uniformly
acknowledged in the original
book, and turn out to be quite complicated); this last task has fallen to
me. By popular request,
the book will be printed on acid-free paper.>>Double hurrah: Hurrah for the reprints, and hurrah for the acid-free paper,
as my copy of the Penguin book is crumbling as we speak.Peace,
Paul

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Subject: Re: Cecil Sharp
From: Paddy Tutty <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 12:01:05 -0600
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Subject: Re: Folk Song Index
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 17:21:44 -0700
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Steve:My copy arrived in good order (I presume, since I haven't opened it) this
afternoon.  I thank you.Am I correct in stating that my $100 "subscription" has run out?  I have
received the 2001, 2002, and now the 2003 editions.Best to you,An awed Ed Cray----- Original Message -----
From: [unmask]
Date: Thursday, July 17, 2003 3:59 pm
Subject: Folk Song Index> Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope) to
> learn that I have at last produced a major update, which will be mailed
> out in
> the next few days.
> If you subscribe and haven't received the CD-Rom within about two weeks,
> please contact me on my new email address: [unmask]
> In particular: If I met you at last year's AFS meeting at Rochester, and took
> your money or agreed a swap, please conract me to check that I have your
> details - I seem to have lost a few stray pieces of paper from that time...
> Regards
> Steve Roud
>
>
>

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Subject: Apologies
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Jul 2003 04:16:38 -0700
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Folks:I apologize for sending a private message to the list rather than solely
to Steve Roud.Ed

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Subject: Short Ebay Auction Notice
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Jul 2003 21:57:40 -0400
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Hi!        This listing has turned up on Ebay. It is only a 3 day auction
which closes tomorrow night.        2547109236 - THE MINER SINGS - A Collection of Folk-Songs and
Ballads of the Anthracite Miner by LeMon, 1936, $5 (ends Jul-24-03
19:29:31 PDT)                                Happy Bidding!
                                DoloresP.S. The regular list will probably be posted on Saturday.--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: P & VJ Thorpe <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 18:44:13 +0600
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I notice that the Tommy Armstrong beuk is now available from Amazon.com at
the amazing price of $31!Even though my UK bank charges me GBP7 (i.e. about $10.50) for a bank draft,
it still works out a bit cheaper to buy it from the States.Don't we have any UK booksellers on this list who may like to import a few
copies of books like this? And like the Loomis House Child Ballads books,
too.Peter----- Original Message -----
From: "Conrad Bladey ***Peasant****" <[unmask]>
To: <[unmask]>
Sent: Tuesday, July 08, 2003 12:21 AM
Subject: Tommy Armstrong Songbook UK Shipping> Greetings!
> I extracted myself from the wonderful Smithsonian Folklife Festival where
I
> had the best of times talking folk music with a few guys from
> Scotland.....how refreshing after being locked up in suburbia for so
long.!
>
> Just calculated the postage for the book of sangs...
>
> Postage to UK via air= $4.00
> Base price of book- $9.50
> Us dollars only in check, money order or cash.
> book details follow:
>
>
> > > > We are selling this close to cost with proceeds going to support the
> > > Hutman
> > > > Library and ongoing research projects including the Book of Bonfire
night
> > > > which is currently being put together.
> > > >
> > > > Here are the details....
> > > >
> > > > A Beuk of the Sangs of Tommy Armstrong
> > > > The Pitman's Poet
> > > > isbn number 0-9702386-8-1
> > > >
> > > > This production is a book of all of the Songs of Tommy Armstrong as
well
> > > > as his recitations. It includes first person accounts of the role of
> > > > song and story within the culture as well as a commentary concerning
the
> > > > content of the songs. There is even a recipe for game pie.
Illustrations
> > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > celebrated artist of the town. Songs are presented with notation and
> > > > alternative tunes.
> > > >
> > > > The book can be obtained from:
> > > >
> > > > Hutman Productions
> > > > PO 268 Linthicum, Md.
> > > > 21090 USA
> > > >
> > > > Cost: $9.50
> > > > Add postage: $4.30 Priority Mail
> > > >              $1.42 Book Rate
> > > >
> > > > If outside the USA inquire: [unmask]
> > > >
> > > > We accept cash, check and money order in U.S. Dollars
> > > > The book will be available in the near future from
> > > > http://www.amazon.com
> > > > ....but...at a much higher price due to amazons overhead...but they
do
> > > deal
> > > > with other currencys and credit cards...
> > > >
> > > > We hope that greater accessibility of this material will help
inspire
> > > > others and give a bit of life to the tradition.
> > > >
> > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > stay!".
> > > > In other words no revisionism and pc ism here.
> > > >
> > > > We were happy to have permission to include the tribute to Tommy
composed
> > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > >
> > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > >
> > > > Thanks for your time today!
> > > > Questions: [unmask]
> > > >
> > > > Conrad Bladey
>
> --
> "I had to walk down the road with
> my throat a little dry
> ranting like Jimmy Durante
> My mind was as clear as the clouds in the sky
> And my debts were all outstanding
> outstanding
> In a field of debts outstanding
> my outraged heart was handy
> at borrowing a sorrow I could put off 'till tomorrow
> and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
>
>
>

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 10:09:31 -0400
Content-Type:text/plain
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Peter:
Sorry about the amazon price. Unfortunately they charge vendors 55%
overhead. I have a minimum cost and can not afford to absorb that high mark
up. Many people do still use the store front and they do accept other
currencys and credit cards.I have corresponded with Dick Greenhouse concerning this. No reply as yet
but watch this space. Sometimes people mail me dollars cash which seems to
work too. Dick is an excelent person to work with though and I believe he
should be able to help you soon. If not contact me directly at
[unmask]I have been delighted with the initial reviews of the booklet which have
been fantastic. We produce it at a very minimal profit. All proceeds go to
the maintenance of our web pages which cover many folk music and folklore
topics and are available free 24 hours a day 7 days a week. This service
continues to become more and more expensive....thus the motivation to get
more publications out.Thank you for your interest. I hope a UK vendor appears soon.Our main goal is to make these songs available for singing.
Currently it is very hard to find these when a pint is in the hand if you
know what I mean!ConradP & VJ Thorpe wrote:
>
> I notice that the Tommy Armstrong beuk is now available from Amazon.com at
> the amazing price of $31!
>
> Even though my UK bank charges me GBP7 (i.e. about $10.50) for a bank draft,
> it still works out a bit cheaper to buy it from the States.
>
> Don't we have any UK booksellers on this list who may like to import a few
> copies of books like this? And like the Loomis House Child Ballads books,
> too.
>
> Peter
>
> ----- Original Message -----
> From: "Conrad Bladey ***Peasant****" <[unmask]>
> To: <[unmask]>
> Sent: Tuesday, July 08, 2003 12:21 AM
> Subject: Tommy Armstrong Songbook UK Shipping
>
> > Greetings!
> > I extracted myself from the wonderful Smithsonian Folklife Festival where
> I
> > had the best of times talking folk music with a few guys from
> > Scotland.....how refreshing after being locked up in suburbia for so
> long.!
> >
> > Just calculated the postage for the book of sangs...
> >
> > Postage to UK via air= $4.00
> > Base price of book- $9.50
> > Us dollars only in check, money order or cash.
> > book details follow:
> >
> >
> > > > > We are selling this close to cost with proceeds going to support the
> > > > Hutman
> > > > > Library and ongoing research projects including the Book of Bonfire
> night
> > > > > which is currently being put together.
> > > > >
> > > > > Here are the details....
> > > > >
> > > > > A Beuk of the Sangs of Tommy Armstrong
> > > > > The Pitman's Poet
> > > > > isbn number 0-9702386-8-1
> > > > >
> > > > > This production is a book of all of the Songs of Tommy Armstrong as
> well
> > > > > as his recitations. It includes first person accounts of the role of
> > > > > song and story within the culture as well as a commentary concerning
> the
> > > > > content of the songs. There is even a recipe for game pie.
> Illustrations
> > > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > > celebrated artist of the town. Songs are presented with notation and
> > > > > alternative tunes.
> > > > >
> > > > > The book can be obtained from:
> > > > >
> > > > > Hutman Productions
> > > > > PO 268 Linthicum, Md.
> > > > > 21090 USA
> > > > >
> > > > > Cost: $9.50
> > > > > Add postage: $4.30 Priority Mail
> > > > >              $1.42 Book Rate
> > > > >
> > > > > If outside the USA inquire: [unmask]
> > > > >
> > > > > We accept cash, check and money order in U.S. Dollars
> > > > > The book will be available in the near future from
> > > > > http://www.amazon.com
> > > > > ....but...at a much higher price due to amazons overhead...but they
> do
> > > > deal
> > > > > with other currencys and credit cards...
> > > > >
> > > > > We hope that greater accessibility of this material will help
> inspire
> > > > > others and give a bit of life to the tradition.
> > > > >
> > > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > > stay!".
> > > > > In other words no revisionism and pc ism here.
> > > > >
> > > > > We were happy to have permission to include the tribute to Tommy
> composed
> > > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > > >
> > > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > > >
> > > > > Thanks for your time today!
> > > > > Questions: [unmask]
> > > > >
> > > > > Conrad Bladey
> >
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >
> >
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 11:24:34 -0400
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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 12:30:45 -0400
Content-Type:text/plain
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That will be fine Dick.
In the mail no later than tomorrow Morning maybe tomorrow.
Got to get those folks singing.
Maybe I should get a kickback from Newcastle scottish breweries as sales of
broon and X are bound to increase.Conrad> dick greenhaus wrote:
>
> Hi Conrad-
> Sorry I didn't get back to you sooner, but I've been recovering from a
> massive computer crash.
> Why don't you send me three copies to start with, and bill me--I'll send
> a check soonest. When I know exactly what they cost me, I'll add it to my
> catalog and let you know the price (which won't be anywhere near
> Amazon's.
>
> And yes, I take credit cards and ship internationally.
>
> dick greenhaus
> CAMSCO Music
> 28 Powell Street
> Greenwich, CT 06831
> Conrad Bladey ***Peasant**** wrote:
>
> > Peter:
> > Sorry about the amazon price. Unfortunately they charge vendors 55%
> > overhead. I have a minimum cost and can not afford to absorb that high
> > mark
> > up. Many people do still use the store front and they do accept other
> > currencys and credit cards.
> >
> > I have corresponded with Dick Greenhouse concerning this. No reply as
> > yet
> > but watch this space. Sometimes people mail me dollars cash which seems
> > to
> > work too. Dick is an excelent person to work with though and I believe
> > he
> > should be able to help you soon. If not contact me directly at
> > [unmask]
> >
> > I have been delighted with the initial reviews of the booklet which
> > have
> > been fantastic. We produce it at a very minimal profit. All proceeds go
> > to
> > the maintenance of our web pages which cover many folk music and
> > folklore
> > topics and are available free 24 hours a day 7 days a week. This
> > service
> > continues to become more and more expensive....thus the motivation to
> > get
> > more publications out.
> >
> > Thank you for your interest. I hope a UK vendor appears soon.
> >
> > Our main goal is to make these songs available for singing.
> > Currently it is very hard to find these when a pint is in the hand if
> > you
> > know what I mean!
> >
> > Conrad
> >
> > P & VJ Thorpe wrote:
> >
> >
> >> I notice that the Tommy Armstrong beuk is now available from
> >> Amazon.com at
> >> the amazing price of $31!
> >>
> >> Even though my UK bank charges me GBP7 (i.e. about $10.50) for a bank
> >> draft,
> >> it still works out a bit cheaper to buy it from the States.
> >>
> >> Don't we have any UK booksellers on this list who may like to import
> >> a few
> >> copies of books like this? And like the Loomis House Child Ballads
> >> books,
> >> too.
> >>
> >> Peter
> >>
> >> ----- Original Message -----
> >> From: "Conrad Bladey ***Peasant****" <[unmask]>
> >> To: <[unmask]>
> >> Sent: Tuesday, July 08, 2003 12:21 AM
> >> Subject: Tommy Armstrong Songbook UK Shipping
> >>
> >>
> >>
> >> > Greetings!
> >> > I extracted myself from the wonderful Smithsonian Folklife Festival
> >> > where
> >> >
> >> >
> >> I
> >>
> >>
> >> > had the best of times talking folk music with a few guys from
> >> > Scotland.....how refreshing after being locked up in suburbia for so
> >> >
> >> >
> >> long.!
> >>
> >>
> >> > Just calculated the postage for the book of sangs...
> >> >
> >> > Postage to UK via air= $4.00
> >> > Base price of book- $9.50
> >> > Us dollars only in check, money order or cash.
> >> > book details follow:
> >> >
> >> >
> >> >
> >> >
> >> >> >>  We are selling this close to cost with proceeds going to
> >> >> >>  support the
> >> >> >>
> >> >> >>
> >> >> > Hutman
> >> >> >
> >> >> >
> >> >> >>  Library and ongoing research projects including the Book of
> >> >> >>  Bonfire
> >> >> >>
> >> >> >>
> >> night
> >>
> >>
> >> >> >>  which is currently being put together.
> >> >> >>
> >> >> >>  Here are the details....
> >> >> >>
> >> >> >>  A Beuk of the Sangs of Tommy Armstrong
> >> >> >>  The Pitman's Poet
> >> >> >>  isbn number 0-9702386-8-1
> >> >> >>
> >> >> >>  This production is a book of all of the Songs of Tommy
> >> >> >>  Armstrong as
> >> >> >>
> >> >> >>
> >> well
> >>
> >>
> >> >> >>  as his recitations. It includes first person accounts of the
> >> >> >>  role of
> >> >> >>  song and story within the culture as well as a commentary
> >> >> >>  concerning
> >> >> >>
> >> >> >>
> >> the
> >>
> >>
> >> >> >>  content of the songs. There is even a recipe for game pie.
> >> >> >>
> >> >> >>
> >> Illustrations
> >>
> >>
> >> >> >>  include views of 19th century Newcastle and comic woodcuts by a
> >> >> >>  celebrated artist of the town. Songs are presented with
> >> >> >>  notation and
> >> >> >>  alternative tunes.
> >> >> >>
> >> >> >>  The book can be obtained from:
> >> >> >>
> >> >> >>  Hutman Productions
> >> >> >>  PO 268 Linthicum, Md.
> >> >> >>  21090 USA
> >> >> >>
> >> >> >>  Cost: $9.50
> >> >> >>  Add postage: $4.30 Priority Mail
> >> >> >>               $1.42 Book Rate
> >> >> >>
> >> >> >>  If outside the USA inquire: [unmask]
> >> >> >>
> >> >> >>  We accept cash, check and money order in U.S. Dollars
> >> >> >>  The book will be available in the near future from
> >> >> >>  http://www.amazon.com
> >> >> >>  ....but...at a much higher price due to amazons overhead...but
> >> >> >>  they
> >> >> >>
> >> >> >>
> >> do
> >>
> >>
> >> >> > deal
> >> >> >
> >> >> >
> >> >> >>  with other currencys and credit cards...
> >> >> >>
> >> >> >>  We hope that greater accessibility of this material will help
> >> >> >>
> >> >> >>
> >> inspire
> >>
> >>
> >> >> >>  others and give a bit of life to the tradition.
> >> >> >>
> >> >> >>  Note! This is not the tradition of Geordie Bashing Jez Lowe!
> >> >> >>  In the words of the Whisky Priests "The Bonny Pit Laddie is
> >> >> >>  here to
> >> >> >>
> >> >> >>
> >> >> > stay!".
> >> >> >
> >> >> >
> >> >> >>  In other words no revisionism and pc ism here.
> >> >> >>
> >> >> >>  We were happy to have permission to include the tribute to
> >> >> >>  Tommy
> >> >> >>
> >> >> >>
> >> composed
> >>
> >>
> >> >> >>  and performed by the Whisky Priests: "Pitman Tom" a brilliant
> >> >> >>  piece.
> >> >> >>
> >> >> >>  Let us all celebrate Tommy and his muse: "The Mug of Ale"
> >> >> >>
> >> >> >>  Thanks for your time today!
> >> >> >>  Questions: [unmask]
> >> >> >>
> >> >> >>  Conrad Bladey
> >> >> >>
> >> >> >>
> >> > --
> >> > "I had to walk down the road with
> >> > my throat a little dry
> >> > ranting like Jimmy Durante
> >> > My mind was as clear as the clouds in the sky
> >> > And my debts were all outstanding
> >> > outstanding
> >> > In a field of debts outstanding
> >> > my outraged heart was handy
> >> > at borrowing a sorrow I could put off 'till tomorrow
> >> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >> >
> >> >
> >> >
> >> >
> >> >
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >
> >
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: [email] Ebay List - 07/26/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Jul 2003 18:49:50 -0400
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Hi!        While our out-of-town guests are visiting DC museums, here is
the weekly list.        SONGSTERS        3234438316 - LUCIER'S MINSTRELS LATEST SONG BOOK, 1894, $49.50
(ends Jul-27-03 10:08:58 PDT)        2184813572 - FOREPAUGH'S SONGSTER, 1870's, $31 (Jul-28-03
13:37:09 PDT)        3619357225 - Wallace & Co World's Railroad Show Songster, 1887,
$5 (ends Jul-29-03 16:10:47 PDT)        3540142492 - The Western Temperance Songster, 1855, $10.50 (ends
Jul-29-03 19:00:51 PDT)        3619179052 - Howe's 100 Ethiopian Songs, Words And Music, 1877,
$44.99 (ends Jul-31-03 11:56:42 PDT)        2184811872 - Red, White and Blue Songster For Soldiers,Sailors
and Marines, 1917, $4.99 (ends Jul-28-03 13:24:01 PDT)        SONGBOOKS, ETC.        3539517644 - FOLK VISIONS & VOICES TRADITIONAL MUSIC AND SONG
IN NORTH GEORGIA by Rosenbaum, 1983, $9.99 (ends Jul-27-03 15:30:18 PDT)        3539578169 - West Virginia Traditional Life, magazine, Vol. 22,
No. 2, Summer 1996, inc. articles on John Henry, $7.50 (ends Jul-27-03
18:39:17 PDT)        3539578444 - FAVORITE OLD-TIME SONGS AND MOUNTAIN BALLADS by
Kincaid, 1930, $9.99 9ends Jul-27-03 18:40:06 PDT)        3539618846 - A Book of British Ballads by Johnson, $7.45 (ends
Jul-27-03 20:20:16 PDT)        2546925270 - Ballads and Songs of the Shanty-Boy by Rickaby,
1926, $9.99 (ends Jul-27-03 20:24:42 PDT)        3539863229 - Folksongs of Florida by Morris, 1950, $9.99 (ends
Jul-28-03 18:41:24 PDT)        3539882687 - ARKANSAS HISTORICAL QUARTERLY - SUMMER 1997,
articles on Leadbelly, Lomax and "The Rock Island Line", $15 (ends
Jul-28-03 19:34:21 PDT)        3539887938 - Bradley Kincaid Book #7, 1936, $9 (ends Jul-28-03
19:49:46 PDT)        3540042781 - ROVINGS - SEA SONGS AND BALLADS by Smith, 1921,
19.90 GBP (ends Jul-29-03 12:45:45 PDT)        3540011051 - Voices from the Mountains by Carawan, 1975, $9.99
(ends Jul-29-03 19:40:00 PDT)        3540314487 - Southern Mountain Folksongs by McNeil, $5 (ends
Jul-30-03 15:03:11 PDT)        3539562510 - ENGLISH AND SCOTTISH POPULAR BALLADS by Sargent &
Kittredge, 1932 edition, $17.59 (ends Jul-30-03 18:01:59 PDT)        3540384563 - SHIPS, SEA SONGS AND SHANTIES by Whall, 1913,
$19.99 (ends Jul-30-03 21:57:24 PDT)        3540401802 - The Rambling Soldier - Life in the Lower Ranks 1750
to 1900 by Palmer, 1977, 2.95 GBP (ends Jul-31-03 02:56:16 PDT)        3540568159 - SMITH,S COLLECTION OF MOUNTAIN BALLADS AND COWBOY
SONGS, 1932, $15.99 (ends Jul-31-03 18:21:25 PDT)        MISCELLANEOUS        3338400746 - Generations of change, video, 1 GBP (ends Jul-27-03
14:49:24 PDT)        2547119164 - A TREASURY OF FIELD RECORDINGS VOL 1 & 2, 2 LPs,
1960, $29.99 (ends Jul-28-03 20:19:48 PDT) Does anyone know anything
about this set?                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: BALLAD-L Digest - 24 Jul 2003 to 26 Jul 2003 (#2003-197)
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 02:36:23 -0500
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---------- Original Message ---------------------------------->From:    Dolores Nichols <[unmask]>
>        2547119164 - A TREASURY OF FIELD RECORDINGS VOL 1 & 2, 2
LPs,1960, $29.99 (ends Jul-28-03 20:19:48 PDT) Does anyone know
anything about this set?Yes, these were recordings made in the Houston, Texas area between
1951 and 1960, including the earliest recordings of Mance Lipscomb
("Anonymous") and George Coleman, who later recorded for Arhoolie
as Bongo Joe. I've been looking for these LPs for a long time so
thank you for bringing this listing to my attention.Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 05:15:21 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 14:36:14 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 14:33:43 -0500
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Subject: Rarity of 77 label issues
From: beasley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 15:41:30 -0400
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Hi,Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label were issued, a master and 99 for sale at the store. "I find this extremely hard to believe, and thus I beg to respectfully dispute your friend's opinion.Records that are issued in small quantities manifest a rarity in the market that 77 Records do not.Also, at the time those records came out, I lived in Louisville, KY, and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by Scrapper Blackwell. I was responding to advertisements, reviews, and mailing pieces, and I mailed in my orders. All this would take time to happen, especially reviews. Yet I was able to obtain all three. They obviously were not restricted to in-store sales, and I would think that if only 100 were pressed, they might be gone by the time that my order reached them. Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at in-store sales?Paul Garon--
Paul and Beth Garon
Beasley Books
1533 W Oakdale
Chicago, IL 60657
773 472 4528
773 472 7857 (fax)
--

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Subject: Re: Rarity of 77 label issues
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 19:18:36 -0400
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Hello,
  The issue of 'limited editions' has been the bane of LP collectors since the 50's when some Westminster (classical) titles were offered as limited editions, but were subsequently repressed repeatedly - though frequently without deluxe packaging.  Origin Jazz Library OJL-1 Charley Patton was initially pressed in an edition of 500 copies as a subscription for which I waited what =seemed= like years for it to actually to appear, but  there developed a large market for blues, and that LP and other early Origin issues were reprinted repeatedly (without the 'limited edition' markings).  The first
Origin's had inserted notes booklets, late editions reduced the notes to the back liner.
  I would be greatly interested to know of any 77 issues which carry an indication of a limited pressing.
  Best wishes, Thomas Stern.beasley wrote:> Hi,
>
> Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label were issued, a master and 99 for sale at the store. "
>
> I find this extremely hard to believe, and thus I beg to respectfully dispute your friend's opinion.
>
> Records that are issued in small quantities manifest a rarity in the market that 77 Records do not.
>
> Also, at the time those records came out, I lived in Louisville, KY, and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by Scrapper Blackwell. I was responding to advertisements, reviews, and mailing pieces, and I mailed in my orders. All this would take time to happen, especially reviews. Yet I was able to obtain all three. They obviously were not restricted to in-store sales, and I would think that if only 100 were pressed, they might be gone by the time that my order reached them. Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at in-store sales?
>
> Paul Garon
>
> --
> Paul and Beth Garon
> Beasley Books
> 1533 W Oakdale
> Chicago, IL 60657
> 773 472 4528
> 773 472 7857 (fax)
> --

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Subject: Re: Rarity of 77 label issues
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 19:22:31 -0400
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P.S. to my note:  the 99 copy limitation in England had something to do with payment of royalties and/or VAT (sales tax).  Hope someone can clarify.  THS."Thomas H. Stern" wrote:> Hello,
>   The issue of 'limited editions' has been the bane of LP collectors since the 50's when some Westminster (classical) titles were offered as limited editions, but were subsequently repressed repeatedly - though frequently without deluxe packaging.  Origin Jazz Library OJL-1 Charley Patton was initially pressed in an edition of 500 copies as a subscription for which I waited what =seemed= like years for it to actually to appear, but  there developed a large market for blues, and that LP and other early Origin issues were reprinted repeatedly (without the 'limited edition' markings).  The first
> Origin's had inserted notes booklets, late editions reduced the notes to the back liner.
>   I would be greatly interested to know of any 77 issues which carry an indication of a limited pressing.
>   Best wishes, Thomas Stern.
>
> beasley wrote:
>
> > Hi,
> >
> > Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label were issued, a master and 99 for sale at the store. "
> >
> > I find this extremely hard to believe, and thus I beg to respectfully dispute your friend's opinion.
> >
> > Records that are issued in small quantities manifest a rarity in the market that 77 Records do not.
> >
> > Also, at the time those records came out, I lived in Louisville, KY, and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by Scrapper Blackwell. I was responding to advertisements, reviews, and mailing pieces, and I mailed in my orders. All this would take time to happen, especially reviews. Yet I was able to obtain all three. They obviously were not restricted to in-store sales, and I would think that if only 100 were pressed, they might be gone by the time that my order reached them. Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at in-store sales?
> >
> > Paul Garon
> >
> > --
> > Paul and Beth Garon
> > Beasley Books
> > 1533 W Oakdale
> > Chicago, IL 60657
> > 773 472 4528
> > 773 472 7857 (fax)
> > --

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Subject: Treasury of Field Recordings
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 22:36:14 -0500
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---------- Original Message ----------------------------------Reply-To: Forum for ballad scholars <[unmask]>>Good point. Mine were devoid of booklets, although I did pick
>them up very cheap, and there is virtually no information on the
>sleeves.I have copies of the booklets for both volumes, so if anyone needs
them feel free to email me off-list for copies. The notes are very
extensive and there are some photos -- your appreciation of the
LPs will greatly increase with the notes.Also:>I spoke this morning with a friend who had worked at Dobell's
>during the
>60s. He mentioned two points of interest.
>
>Only 100 copies of each LP on the 77 label were issued, a master
>and 99 for sale at the store.
>
>Most of the material issued by 77 now belongs to George Buck. It's
>unclear if that ownership only extends to the jazz material or
includes the folk and blues recordings as well.
>
>Who knows, perhaps there's enough interest for George to reissue
what he does own.The "100 copies" bit seems suspicious...why even go to the trouble
of pressing the record and printing large booklets if that's all
you're going to press.Who is George Buck? I'd like to know if the masters to these LPs
still exist. I've talked to Mack McCormick, he says the masters
are lost as far as he knows. I'd love to see these reissued.The LPs were also issued in the USA on Candid, at least Vol. 1
was. I have been unable to determine if Vol. 2 was actually issued.
Nobody I've asked has a copy...Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: Rarity of 77 label issues
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 00:47:25 -0500
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Subject: Re: Treasury of Field Recordings
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 01:06:44 -0500
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George Buck has a number of businesses, all located here in New Orleans.
Radio stations, book publishing [Jazzology Press] and several reissue
labels as well as a fine jazz club, the Palm Court. While most of the
publishing and reissues are jazz oriented there is at least one label
"Black Swan Records" which reissues older blues recordings.As I indicated in my original posting it is not clear if Buck acquired
only jazz material from Dobell or all of the masters. At least I'll have
something interesting to bring up at coffee in the morning. More when I
find out.Andrew Brown wrote:>Who is George Buck? I'd like to know if the masters to these LPs
>still exist. I've talked to Mack McCormick, he says the masters
>are lost as far as he knows. I'd love to see these reissued.
>
>

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Subject: Re: Rarity of 77 label issues
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 10:07:48 +0100
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There was certainly a limitation hence a number of "private pressings" - my
understanding was that it was limited to 499 though.Dave
----- Original Message -----
From: "Thomas H. Stern" <[unmask]>
To: <[unmask]>
Sent: Monday, July 28, 2003 12:22 AM
Subject: Re: Rarity of 77 label issues> P.S. to my note:  the 99 copy limitation in England had something to do
with payment of royalties and/or VAT (sales tax).  Hope someone can clarify.
THS.
>
> "Thomas H. Stern" wrote:
>
> > Hello,
> >   The issue of 'limited editions' has been the bane of LP collectors
since the 50's when some Westminster (classical) titles were offered as
limited editions, but were subsequently repressed repeatedly - though
frequently without deluxe packaging.  Origin Jazz Library OJL-1 Charley
Patton was initially pressed in an edition of 500 copies as a subscription
for which I waited what =seemed= like years for it to actually to appear,
but  there developed a large market for blues, and that LP and other early
Origin issues were reprinted repeatedly (without the 'limited edition'
markings).  The first
> > Origin's had inserted notes booklets, late editions reduced the notes to
the back liner.
> >   I would be greatly interested to know of any 77 issues which carry an
indication of a limited pressing.
> >   Best wishes, Thomas Stern.
> >
> > beasley wrote:
> >
> > > Hi,
> > >
> > > Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label
were issued, a master and 99 for sale at the store. "
> > >
> > > I find this extremely hard to believe, and thus I beg to respectfully
dispute your friend's opinion.
> > >
> > > Records that are issued in small quantities manifest a rarity in the
market that 77 Records do not.
> > >
> > > Also, at the time those records came out, I lived in Louisville, KY,
and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by
Scrapper Blackwell. I was responding to advertisements, reviews, and mailing
pieces, and I mailed in my orders. All this would take time to happen,
especially reviews. Yet I was able to obtain all three. They obviously were
not restricted to in-store sales, and I would think that if only 100 were
pressed, they might be gone by the time that my order reached them.
Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at
in-store sales?
> > >
> > > Paul Garon
> > >
> > > --
> > > Paul and Beth Garon
> > > Beasley Books
> > > 1533 W Oakdale
> > > Chicago, IL 60657
> > > 773 472 4528
> > > 773 472 7857 (fax)
> > > --
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 05:47:36 EDT
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Subject: Re: Rarity of 77 label issues
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 05:48:12 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 10:05:15 -0500
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Dobell Details, hot off this morning's coffee conversation.My informant, Les Muscutt [plays jazz banjo], worked as a full time
employee at Dobell's from 1958 to 1965.1.] Dobell was a "cheap s.o.b."2.] All recordings issued on the 77 label during the years Les worked
for Dobell were "limited" editions of 99 for sale within the store.
During that time period none of the 77 label recordings were reissued,
when the 99 were sold they were gone. [Les also handled mail orders
during his tenure and insists that most, if not all, were classical
recordings.]3.] The "limited" nature of the issues resulted from financial concerns.
The tax rate paid to the government [not sales or VAT] was considerably
lower as 99 LPs were considered "vanity" publications. The "performance"
rate paid to the UK equivalent of ASCAP / BMI [Chappell?] was much lower.4.] The LP's which make up the pressing of 99 can be identified by a
sticker pasted to the label which shows that "performance" rights were
paid. [On "normal" releases this information was part of the printed
label not attached afterward.] All 77 recordings issued during the time
Les worked at Dobell's should have this sticker affixed, he had to paste
them on.5.] No inserts. Whatever notes there were appeared on the back of the
sleeve.6.] Most, if not all, of the 77 label LPs were 10" not 12"Les recalls regularly taking a cab to pick up the stickers, picking up
the LPs at the pressing plant, riding back to the shop and sitting
around affixing the stickers to the label [and having to fight over
reimbursement for his cab fare].As for George Buck. I can confirm no more than I stated yesterday, he
acquired the rights to the 77 label recordings some years ago. It's
unclear if this applied only to jazz material [his primary interest] or
all material issued by 77 / Dobell. Buck's people all take vacation
during the month of July [this is New Orleans after all] so we may not
be able to get a firm answer until later this week.More to come.

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 11:50:38 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 11:28:38 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<The other thing which puzzles me is the fact that a folkore society in
Texas
should have approached a British based jazz record dealer, and small time
record label, to produce these records. If your friend can remember the
details,
I'd be fascinated to find out.>>A bit of speculation: At the time, it may have seemed like there was more
interest in this kind of material in Britain than in the USA. There was
interest in both urban and country blues, sparked by Paul Oliver and others,
and by programs on the BBC; it was an interest that would lead to a
burgeoning British blues and R&B scene in the 1960s (see "Rolling Stones",
but also people like John Renbourn, who always said he'd started out wanting
to play like Big Bill Broonzy). In the USA, on the other hand, whites were
not, by and large, interested in blues at all, except for a few fanatics,
and it was generally considered that blacks were only interested in modern
urban blues styles rather than in the older forms. (I say "generally
considered" rather than stating it as a fact because I suspect that the
conventional wisdom may have been wrong.)Peace,
Paul

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Subject: Sharp Collection "Still Growing"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 13:12:59 -0400
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CAMSCO Music is happy to be able to offer the new EFDSS publication
"Still Growing" AKA the Sharp Collection at  $15 (or a bit  less,
depending on exact shipping costs from England). EFDSS charges £12.99
(or  $21.11 US)dick greenhaus
CAMSCO Music
28 Powell  St.
Greenwich, CT 06831
800/548-3655
dick @ camsco.com

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Subject: Re: Sharp Collection "Still Growing"
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 13:20:02 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
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Date:Mon, 28 Jul 2003 13:53:07 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
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Date:Mon, 28 Jul 2003 13:33:01 -0500
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Subject: Of interest to anyone?
From: Dave Eyre <[unmask]>
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Date:Mon, 28 Jul 2003 21:22:57 +0100
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 00:23:55 +0100
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Let me say first that my memory regarding the number of records was clearly
wrong and 99+master was correct. A number of folk clubs produced private
records at the time and a check reveals that indeed 99 was the number.Paul's speculations makes some sort of sense. Some of those artists and also
those who eventually became part of the pop world accredit some of their
background to records brought over by G.I.s and that American influence. As
well as Dobell's and other shops (as a northerner it was Rare Records in
Manchester).How about suggesting that the "folk revival" of the 60s and here I use the
word "revival" advisedly -  - came about as a reaction to this. (I am not
sure it needed reviving).Dave----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Monday, July 28, 2003 5:28 PM
Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2> ----- Original Message -----
> From: Fred McCormick <[unmask]>
>
> <<The other thing which puzzles me is the fact that a folkore society in
> Texas
> should have approached a British based jazz record dealer, and small time
> record label, to produce these records. If your friend can remember the
> details,
> I'd be fascinated to find out.>>
>
> A bit of speculation: At the time, it may have seemed like there was more
> interest in this kind of material in Britain than in the USA. There was
> interest in both urban and country blues, sparked by Paul Oliver and
others,
> and by programs on the BBC; it was an interest that would lead to a
> burgeoning British blues and R&B scene in the 1960s (see "Rolling Stones",
> but also people like John Renbourn, who always said he'd started out
wanting
> to play like Big Bill Broonzy). In the USA, on the other hand, whites were
> not, by and large, interested in blues at all, except for a few fanatics,
> and it was generally considered that blacks were only interested in modern
> urban blues styles rather than in the older forms. (I say "generally
> considered" rather than stating it as a fact because I suspect that the
> conventional wisdom may have been wrong.)
>
> Peace,
> Paul
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 00:41:54 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]>>I should point out also, that there was some very healthy interest in blues
> which resulted in some very good research - from
> which we are still benefitting - and which dug out a great many of the old
> time performers. But I doubt that the level of public interest over there
could
> have been matched by was happening here. For example, I remember Eric
> Clapton saying that when Cream toured the States they just "cleaned up",
because
> none of the white American bands had been listening to authentic blues.
This,
> one presumes, was before the days of Paul Butterfield et al.Oddly enough, it wasn't; the first Butterfield album came out in 1965, and
was quite popular; Cream wasn't formed until 1967. But theirs were very
different approaches; Butterfield fronted a straight Chicago blues band (in
fact, I believe he and Mike Bloomfield both graduated from my high school,
but I could be wrong), and they stuck to that style, if you leave aside
"East-West". Cream, on the other hand, mostly played country blues pieces,
but in a high-energy electric style (a whole lot of us got tendinitis trying
to keep up with Clapton on "Crossroads"). They combined that with some
devastatingly good rock-and-roll ("Sunshine of Your Love", etc.) and
extended solos to create an entire genre.I guess I'm saying that Butterfield *was* listening to authentic blues, and
there were other blues-influenced bands in the States at the time too, most
notably the Lovin' Spoonful (who started out as a jug band, and covered
Henry Thomas songs). So Clapton was wrong on that score; Cream were popular
partly because they covered blues, but more because they showed remarkable
musicianship (at least, Clapton and Bruce did; I was never that impressed by
Ginger Baker's drumming) and created a new sound. And the years of
development of the British blues scene helped create it.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 01:08:06 -0500
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----- Original Message -----
From: Dave Eyre <[unmask]><<Paul's speculations makes some sort of sense. Some of those artists and
also
those who eventually became part of the pop world accredit some of their
background to records brought over by G.I.s and that American influence. As
well as Dobell's and other shops (as a northerner it was Rare Records in
Manchester).How about suggesting that the "folk revival" of the 60s and here I use the
word "revival" advisedly -  - came about as a reaction to this. (I am not
sure it needed reviving).>>Certainly a strong strain of the British folk revival did come about as a
reaction to the interest in American music, at the same time as it was
inspired by hearing American traditional music; there was a simultaneous
push-and-pull. Some dug further into blues, while others decided to find out
what sorts of treasures might be there at home. And of course, some (such as
Pentangle) did both.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 04:34:30 EDT
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Subject: Treasury of Field Recordings
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 06:54:07 -0500
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--------- Original Message ---------------------------------->From: Fred McCormick <[unmask]>
>
><<The other thing which puzzles me is the fact that a folkore
society in Texas should have approached a British based jazz
record dealer, and small time record label, to produce these
records. If your friend can remember the details,
>I'd be fascinated to find out.I recently conducted a long interview with Mack McCormick about
the history of the "Treasury" volumes. If I recall correctly, he
said Paul Oliver suggested McCormick to Dobell. Presumably Dobell
was primarily interested in the Lightnin' Hopkins LP [A Rooster
Crows in England].The news about 99 copies is surprising, though would explain why
the LPs remain virtually unknown in Houston. I only recently heard
Volume 2.A projected third volume was planned but never released. The liner
notes also mention an album called "Hurts My Tongue to Talk,"
which were oral history interviews with older black men. The
content was considered too controversial, so that was also
scrapped. It shouldn't be forgotten of course that potential
controversy didn't prevent McCormick from putting out "The
Unexpurgated Folk Songs of Men" not long after the Treasuries.
It would be nice if all three of these rare albums could be
reissued on CD.---Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Blues Revival
From: beasley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 08:04:58 -0400
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Hi,I was in London from August of 1965 to late November of that same year. The folks who put me up had just had Eric Clapton as a house-guest, and I met him (moving out) as I was moving in. His name meant nothing to me--I was already a hardboiled African Americanist--but my hosts explained that he was the great guitarist on a Mayall record they played for me (TELEPHONE BLUES?). Nothing was said about Cream, but would I have remembered?I do remember that at a record shop, that may NOT have been Dobell's, there was a typed list posted on the wall on a 3 x 5: "American Guitarists to Watch". On that list was Mike Bloomfield--who I already knew--but I can't remember the other 4! Ah, senility! Straying off topic....At least I remembered "wall", "list" and "Bloomfield". <g>Paul Garon--
Paul and Beth Garon
Beasley Books
1533 W Oakdale
Chicago, IL 60657
773 472 4528
773 472 7857 (fax)
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 09:46:49 -0500
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Subject: Re: Treasury of Field Recordings
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 10:29:10 -0500
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Did some review of my discographies and find that almost a third of this
material appeared in the US on Candid LP 8026 and Candid LP 8027 with
the anonymous / Mance Lipscomb cut appearing on Blues Classics 16.
Unfortunately I only have Vol. 1 of Leadbitter & Slaven [A to K] so I'm
unable to check the other cuts.One question did come to mind as several artists who should have been in
the volume I do have were not to be found. I was of the opinion that
this was purely blues material but could some have been "country /
old-timey" material by white performers?

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 11:05:13 -0500
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----- Original Message -----
From: Clifford Ocheltree <[unmask]><<As for the suggestion that Dobell was a member of the British Communist
Party Les opined that this was not the case, "the communists all worked
at the folk shop, the jazz side was more conservative.">>Two shops? By the time I got there in '72, I think there was only one. Or am
I now having old-timer's syndrome?Peace,
Paul

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Subject: Re: Blues Revival
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 11:13:14 -0500
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A few points Americans tend to ignore concerning the emphasis on blues
in the UK.1.] British jazz band leaders like Ken Colyer [who recorded early on for
77 Records], Humphrey Lyttleton and others championed the blues,
bringing over American players when it distinctly unfashionable to do
so. During the 50s Chris Barber arranged visits for Muddy Waters [big
scandal], Otis Spann, Big Bill Broonzy, Sonny Terry and Brownie Mc Gee.
Chris also founded the National Jazz League, in part to encourage and
disseminate the "blues" message. Barber's own band included one Tony
Donegan who dropped the name Tony in favor of adopting his beloved
Lonnie Johnson's forename. Donegan's success with Leadbelly's "Rock
Island Line" [1956] helped ignite the skiffle craze in the UK which, in
turn, was a motivating factor for rock guitarists like Clapton, Jimmy
Page and Pete Townsend.2.] Donegan was briefly replaced in Barber's band by Alexis Korner.
Korner, along with Cyril Davies, opened the London Blues & Barrelhouse
Club on Tottenham Court Road in 1957. The club ran for more than 3 years
presenting many US blues performers until they were eventually ejected
because they decided to use some "modest" amplification. In 1962 Korner
and Davies formed Blues Incorporated. Most young UK musicians who went
on to forge the first wave of British blues bands in the early to mid
60s played at one time or another in the band including Jack Bruce and
Ginger Baker [Cream] and most of the Rolling Stones [whose earliest LPs,
@1964-1965 were essentially blues cover albums].

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Subject: Dobell's record shop
From: jkallen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:34:51 +0100
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>----- Original Message -----
>From: Clifford Ocheltree <[unmask]>
>
><<As for the suggestion that Dobell was a member of the British Communist
>Party Les opined that this was not the case, "the communists all worked
>at the folk shop, the jazz side was more conservative.">>
>
>Two shops? By the time I got there in '72, I think there was only one. Or am
>I now having old-timer's syndrome?
>
>Peace,
>PaulI was there in '72 as well -- and I remember two shops, though I confess that
I didn't
spend much time in the jazz shop (probably my loss). Got some good albums in
the folk
shop, though, which I've still got.Ah, memories ...Jeff Kallen

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 12:06:30 -0500
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The two, essentially jazz and folk, were in separate but adjoining
buildings with access both internal and external. The separation was
more in the minds of the staff and in the different addresses. The folk
staff were all "alcoholic communists" and the jazz staff [of which Les
considers himself one] just "a better class of people."Paul Stamler wrote:>----- Original Message -----
>From: Clifford Ocheltree <[unmask]>
>
><<As for the suggestion that Dobell was a member of the British Communist
>Party Les opined that this was not the case, "the communists all worked
>at the folk shop, the jazz side was more conservative.">>
>
>Two shops? By the time I got there in '72, I think there was only one. Or am
>I now having old-timer's syndrome?
>
>Peace,
>Paul
>
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 14:17:14 EDT
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Subject: Re: Treasury of Field Recordings
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 14:17:34 EDT
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Subject: Re: Treasury of Field Recordings
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 14:35:10 -0500
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Subject: Re: Dobell's record shop
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 22:37:29 +0100
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If my memory serves me right, the 'folk shop' was Collett's, while the 'jazz
shop' (which also sold some folk records) was Dobell's. They were just round
the corner from each other, but I thought were totally separate institutions.
It was Collett's which was 'communist'-affiliated.
Steve Roud> >----- Original Message -----
> >From: Clifford Ocheltree <[unmask]>
> >
> ><<As for the suggestion that Dobell was a member of the British Communist
> >Party Les opined that this was not the case, "the communists all worked
> >at the folk shop, the jazz side was more conservative.">>
> >
> >Two shops? By the time I got there in '72, I think there was only one. Or
am
> >I now having old-timer's syndrome?
> >
> >Peace,
> >Paul
>
> I was there in '72 as well -- and I remember two shops, though I confess
that
> I didn't
> spend much time in the jazz shop (probably my loss). Got some good albums in
> the folk
> shop, though, which I've still got.
>
> Ah, memories ...
>
> Jeff Kallen--
Message sent with Supanet E-mail

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Subject: Treasury of Field Recordings
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:17:10 -0500
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>Date:    Tue, 29 Jul 2003 10:29:10 -0500
>From:    Clifford Ocheltree <[unmask]>
>Subject: Re: Treasury of Field Recordings
>
>Did some review of my discographies and find that almost a third
of this material appeared in the US on Candid LP 8026 and Candid LP
8027 with the anonymous / Mance Lipscomb cut appearing on Blues
Classics 16. Unfortunately I only have Vol. 1 of Leadbitter &
Slaven [A to K] so I'm unable to check the other cuts.
>
>One question did come to mind as several artists who should have
been in the volume I do have were not to be found. I was of the
opinion that this was purely blues material but could some have
been "country /old-timey" material by white performers?Has anyone confirmed that Candid 8027 (Vol. 2) was actually
released? I can't find anyone who has it or remembers seeing it.No, the Treasury is not "purely blues material." The concept of the
albums was to get a cross-section of the older musical styles still
being played in the Houston area, along with a few folk revivalists
like John Lomax Jr and eccentrics like George Coleman. There are
cowboy songs, zither songs, etc. Spanish and Polish language
recordings were supposed to go on the proposed Vol. 3 but it never
happened...---Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: Dobell's record shop
From: beasley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:13:55 -0400
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Right! And I think *that* was where I saw the "American Guitarists to Watch" list posted on the wall. I should have mentioned that this was a small list, apparently posted for employee use, and not a broadcast to the public.Paul Garon---------- Original Message ----------------------------------
From: [unmask]
Reply-To: Forum for ballad scholars <[unmask]>
Date:         Tue, 29 Jul 2003 22:37:29 +0100>--
Paul and Beth Garon
Beasley Books
1533 W Oakdale
Chicago, IL 60657
773 472 4528
773 472 7857 (fax)
--

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Subject: Candid 8027
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:51:35 -0500
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ANDREW BROWN
> Has anyone confirmed that Candid 8027 (Vol. 2) was actually
> released? I can't find anyone who has it or remembers seeing it.JOHN MEHLBERGhttp://www.01.246.ne.jp/~dolphy/album/album32.htmlAlso check here:http://www.bsnpubs.com/candid.htmlAnd this record was up for auction in 1998 starting at 120 Swiss Francs
(~US$ 80).Best Wishes.John M.

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Subject: Re: Candid 8027
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 18:38:34 -0500
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 23:24:01 -0400
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In the late 80's, there was one shop, the front room for jazz, the back room for
folk and blues.  Thomas Stern.Paul Stamler wrote:> ----- Original Message -----
> From: Clifford Ocheltree <[unmask]>
>
> <<As for the suggestion that Dobell was a member of the British Communist
> Party Les opined that this was not the case, "the communists all worked
> at the folk shop, the jazz side was more conservative.">>
>
> Two shops? By the time I got there in '72, I think there was only one. Or am
> I now having old-timer's syndrome?
>
> Peace,
> Paul

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Subject: Is This Someone We Know?
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 23:40:25 -0400
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Hi!        While searching Ebay I ran across the following -        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)        Is this list member and Folk Legacy owner, Sandy Paton? If so,
will he admit it? :-)                                Dolores        P.S. I am amazed at the opening price on this record!--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Is This Someone We Know?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 22:51:18 -0700
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Folks:Let this a warning be!  The sins of our youth will eventually be revealed.
Repent now, before your deeds are too widely known.Ed----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Tuesday, July 29, 2003 8:40 pm
Subject: Is This Someone We Know?> Hi!
>
>        While searching Ebay I ran across the following -
>
>        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
> the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)
>
>        Is this list member and Folk Legacy owner, Sandy Paton? If so,
> will he admit it? :-)
>
>                                Dolores
>
>        P.S. I am amazed at the opening price on this record!
>
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 00:53:27 -0500
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<<The two, essentially jazz and folk, were in separate but adjoining
buildings with access both internal and external. The separation was
more in the minds of the staff and in the different addresses. The folk
staff were all "alcoholic communists" and the jazz staff [of which Les
considers himself one] just "a better class of people.">>Ahhh...*now* I can picture it. I remember the layout, sort of, and the shelf
where I found the rare Bert Lloyd LP. Rare in the States, at least, although
it was issued here (on Prestige).Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 00:58:40 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]>> Could be. The British folk revival, pre early 1960s, was heavily
influenced
> by the American revival, especially by its left wing wing, so to speak. My
> impression that   Dobell was a CP member came from an article which
appeared in
> the People newspaper about the year 1967. The article "exposed" various
folk
> revival activists, including Ewan MacColl and A.L. Lloyd.An odd pair of "exposures", come to think of it, since Lloyd had been quite
open about his CP membership (it got him in trouble during World War II),
while I believe MacColl had already quit the CP by then in search of more
exotic Maoist affiliations. Or was that later?Peace,
Paul

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Subject: Re: Is This Someone We Know?
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 01:22:16 -0500
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----- Original Message -----
From: Dolores Nichols <[unmask]><<        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)        Is this list member and Folk Legacy owner, Sandy Paton? If so,
will he admit it? :-) >>The repertoire sounds right, and recording for Droll Yankees sounds about
right too.<<        P.S. I am amazed at the opening price on this record!>>Not me -- it's a true rarity. The question is, are there folkie collectors
with enough money to bid?Peace,
Paul

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Subject: Re: Dobell's record shop
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Date:Wed, 30 Jul 2003 03:32:59 EDT
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Subject: Re: Dobell's record shop
From: Fred McCormick <[unmask]>
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Date:Wed, 30 Jul 2003 04:59:13 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 04:59:18 EDT
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Subject: Re: Dobell's record shop
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 09:15:06 -0500
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 09:50:15 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<There are a couple of good articles on Lloyd and the foundation of the
postt
WW11 revival, published in the Canadian Journal of Traditional Music. They
are
online at http://cjtm.icaap.org/ >>Hi Fred:Do you know, offhand, which issues they are in? The back-issues are indeed
online, but not indexed in any way.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 17:00:21 +0100
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http://cjtm.icaap.org/content/25/v25art2.html will certainly take you to
one.........I suspect the other is not far away!!Dave----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Wednesday, July 30, 2003 3:50 PM
Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2> ----- Original Message -----
> From: Fred McCormick <[unmask]>
>
> <<There are a couple of good articles on Lloyd and the foundation of the
> postt
> WW11 revival, published in the Canadian Journal of Traditional Music. They
> are
> online at http://cjtm.icaap.org/ >>
>
> Hi Fred:
>
> Do you know, offhand, which issues they are in? The back-issues are indeed
> online, but not indexed in any way.
>
> Peace,
> Paul
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 13:46:12 EDT
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Subject: "77" Records and Lightnin' Hopkins
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 12:46:52 -0500
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Ran across the following article: Sam “Lightnin ’ Hopkins – A
Description by Mack McCormick (From Jazz Monthly October 1959) which
reads in part:"His isolation and his ignorance is self-imposed, and can be startlingly
complete. During a recent recording session for Doug Dobell's
limited-edition '77' label, Lightnin searched conscientiously for the
proper songs 'to sing for those people over across that water.' He
briefly considered one that begins 'Buses stopped running, trains won't
allow me to ride no more.' He rejected it with the question, 'But do
they have buses and trains over there?' Some insight to the careful
choice of ignorance can be gained if one considers that Lightnin has
been exposed to British-based films just as much as the average American
citizen. He merely disregards the world beyond his culture."And Les' wife Babs, who worked at Collet's, sent me the following:"We tried to remember the 1950s, and what stood where. Between Leicester
Square and Tottenham Road tube
stations, you began with the left-wing International Bookshop, run by
Collet’s and starring James Asman (at
number 52), and Doug Dobell’s (at 77). Past Cambridge Circus and
opposite Foyle’s, you could walk upstairs to the Record Shop (at number
100). At the junction with Tottenham Court Road was Imhof’s, a music and
hi-fi store. To the left, John Rowe’s Attic in Newman Street (84); to
the right, a few yards down New Oxford Street, the new Collet’s record
shop (70) with folk on the ground floor and Ray Smith in the basement –
Ray had replaced trumpeter Al Fairweather, who had wanted nothing to do
with Communism after the Hungarian revolution! For a few years in the
‘60s, there was also Ronnie Scott’s shop in Romilly Street, while James
Asman had long since moved to nearby New Row.

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 12:58:43 -0500
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FRED MCCORMICK
> > <<There are a couple of good articles on Lloyd and the foundation of the
> > postt
> > WW11 revival, published in the Canadian Journal of Traditional Music.
They
> > are
> > online at http://cjtm.icaap.org/ >>PAUL STAMLER
> > Hi Fred:
> >
> > Do you know, offhand, which issues they are in? The back-issues are
indeed
> > online, but not indexed in any way.JOHN MEHLBERG
I always use google to do a site search.   Here is a search that gives you
all pages that mention "Al Llyod":http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&q=site%3Acjtm.icaap.org+%22al+lloyd%22AOL users click here:   <a
href="http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&q=site%3Acjtm.ica
ap.org+%22al+lloyd%22">Al Lloyd on cjtm.icaap.org</a>Best Wishes!John M.
~Here's to Osama that son of a bitch
May his pecker fall off with the seven year itch
And may they beat on his balls with a big brass hammer
Until his asshole whisles the Star Spangled Banner.[John Valby,  Sept. 13, 2001,  Toad's Place, New Haven, Connectticut]> ----- Original Message -----
> From: "Paul Stamler" <[unmask]>
> To: <[unmask]>
> Sent: Wednesday, July 30, 2003 3:50 PM
> Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
>
>

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Subject: Colletts
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 16:23:38 -0400
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Ah yes.In the folkie section of Colletts at a point in the 1960s - maybe 1964, was
a sign that said "Bert Jansch does not give guitar lessons."
People would meet him in a club, ask him to teach them, he would mumble,
"Meet me in Colletts."
They would turn up and ask when he would appear, Hans or Jill would just
point to the sign.Jolly days.Ewan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 02:13:18 -0500
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If anyone can cite when/where reviews of these albums appeared,
that would be nice. Also, were they released simultaneously?I'm also trying to determine if Vol. 2 with Mance's "Tom Moore's
Farm" appeared prior to, or after, Mance's debut album on
Arhoolie.Thanks,Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 04:49:22 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 13:17:44 -0400
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 12:59:23 -0500
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Don't know how much this may help but the "77" Lipscomb cut was recorded
30 June 1960 and the cuts which appeared as Arhoolie F 1001 were
recorded 11 Aug. 1960. Not sure of release dates but I seem to recall a
comment that the "77" records were released in 1960.Andrew Brown wrote:>If anyone can cite when/where reviews of these albums appeared,
>that would be nice. Also, were they released simultaneously?
>
>I'm also trying to determine if Vol. 2 with Mance's "Tom Moore's
>Farm" appeared prior to, or after, Mance's debut album on
>Arhoolie.
>
>
>Thanks,
>
>Andrew
>
>________________________________________________________________
>Sent via the EV1 webmail system at mail.ev1.net
>
>
>

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Subject: Re: "Alan Tyne of Harrow" aka "Valentine O'Harra"
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Jul 2003 08:02:23 -0300
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>We're not talking about the effects of mishearing in this case - these two
>songs are not traditional but performances which derive from printed
>texts. Some of the differences one finds between printed versions are not
>mondegreens (and I still insist that the term has no meaning in a
>traditional context) but wilful changes made for reasons of commerce - the
>ballad hack has less compunction than the singer. Commerce is not conservative.I've been reading along in this conversation, not really understanding Lady
Mondegreen and "mondegreens" until I stepped back and said it. "Got it".I was able to send my ballad-singing wife off to work with a big smile (not
always easy when confronting the work day).So thanks!Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Patrick Flemming/ Whiskey in the Jar
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Jul 2003 13:04:28 -0400
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In a posting here in May of 2001 I pointed out that "Whiskey in the
Jar" was a reworked version of the ballad "Patrick Flemming". Flemming
was executed in Dublin on Apr. 24, 1650, and the original ballad
probably followed within a few days. We have no known text or
tune of the 17th century, but we know the tune was used c 1684
for the ballad numbered ZN787 in the broadside ballad index on my
website. I think from the broadside texts of "Whiskey in the Jar"
on the Bodleian Ballads website that the latter probably dates
from the 1840s. Traditional versions of the two ballads are Laws
L13A & B, Roud #533 & 534.EASMES notes a tune "Patrick Flemming" in an American music
manuscript of c 1775, the William Williams manuscript at the John
Hay Library of Brown University. I do not have access to this, so
don't know if the tune is related to the well known one for
"Whiskey in the Jar", but it would certainly be of interest to
find out. I hope there is some ambitious soul among the readers here
that will pursue this.[For the text of "Patrick Flemming" from the broadside in the
Madden collection see the Scarce Songs 2 file on my website.]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Patrick Flemming/ Whiskey in the Jar
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 1 Jul 2003 22:26:47 -0400
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Bruce Olson wrote:
> ..............
> EASMES notes a tune "Patrick Flemming" in an American music
> manuscript of c 1775, the William Williams manuscript at the John
> Hay Library of Brown University.
> Bruce Olson
> --In a private email Kate Van Winkle Keller, co-editor of EASMES,
identified the "Patrick Fleming" in the Williams MS as "Jackson's
Morning Brush". How did it get the new 'Flemming' title so fast, even
across an ocean? My best date for "Jackson's Morning Brush" is 1776.At any rate it can't be the lost 17th century tune for "Patrick
Flemming".Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: NEW! Tommy Armstrong Songbook
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 09:05:52 -0400
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Greetings good people!
With the recent wet weather I have retreated from my artcar studio to get
things edited. This new project will make the songs and recitations
available once again. Currently collections are very hard to get. Some are
rare. Our collection contains first hand accounts never before published,
commentary, lyrics, notation and illustrations. Even a recipe for game pie
from the tradition in case anyone wants to make a hedgehog or cat one!
Sources of the lyrics varry. Many from the song book compiled by Tommy's
Son but others from the oral tradition as remembered. Alternative notation
and song titles are given as well as a complete bibliography. We are
working on a cd of the tunes which may take a "bit" time.
Recitations are also included from original sources.We are selling this close to cost with proceeds going to support the Hutman
Library and ongoing research projects including the Book of Bonfire night
which is currently being put together.Here are the details....A Beuk of the Sangs of Tommy Armstrong
The Pitman's Poet
isbn number 0-9702386-8-1This production is a book of all of the Songs of Tommy Armstrong as well
as his recitations. It includes first person accounts of the role of
song and story within the culture as well as a commentary concerning the
content of the songs. There is even a recipe for game pie. Illustrations
include views of 19th century Newcastle and comic woodcuts by a
celebrated artist of the town. Songs are presented with notation and
alternative tunes.The book can be obtained from:Hutman Productions
PO 268 Linthicum, Md.
21090 USACost: $9.55
Add postage: $4.30 Priority Mail
             $2.00 Book RateIf outside the USA inquire: [unmask]We accept cash, check and money order in U.S. Dollars
The book will be available in the near future from
http://www.amazon.com
....but...at a much higher price due to amazons overhead...but they do deal
with other currencys and credit cards...We hope that greater accessibility of this material will help inspire
others and give a bit of life to the tradition.Note! This is not the tradition of Geordie Bashing Jez Lowe!
In the words of the Whisky Priests "The Bonny Pit Laddie is here to stay!".
In other words no revisionism and pc ism here.We were happy to have permission to include the tribute to Tommy composed
and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.Let us all celebrate Tommy and his muse: "The Mug of Ale"Thanks for your time today!
Questions: [unmask]Conrad Bladey
--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Happy Edz Birthday
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 10:23:24 -0400
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                              Happy Ed Cray's Birthday                                     July 3rd           (Once people reach a certain elderly position, unless they
            dance professionally in a strip club, of course, I'm not
            sure it's entirely tactful to reveal the exact year but
            that does not reduce the import to celebrate, does it?)He might just remember events of an earlier birthday:Santiago, Cuba: The US destroys the Spanish fleet= 7/3/1898        'Twas in Manila, boys, our ships the foe did meet.
        We didn't need a hurricane to wreck,
        To wreck the Spanish fleet,
        But just one Dewey morning, and our victory was complete,
        As we were marching to Cuba.        Chorus: Hurrah! Hurrah!
                Hurrah! We'll sound the jubilee.
                Hurrah ! Boys, Cuba shall be free,
                And we'll sing the chorus from Mt. Gretna to the sea,
                While we are marching to Cuba.                                from "Marching to Cuba"
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: NEW! Tommy Armstrong Songbook
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 20:43:10 +0100
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Amazing value! I want two copies sent here in the UK forthwith so I suppose
I order them from [unmask]
 who will tell me how much the international postage is, yes?
Cheers
Simon
----- Original Message -----
From: "Conrad Bladey ***Peasant****" <[unmask]>
To: <[unmask]>
Sent: Thursday, July 03, 2003 2:05 PM
Subject: NEW! Tommy Armstrong Songbook> Greetings good people!
> With the recent wet weather I have retreated from my artcar studio to get
> things edited. This new project will make the songs and recitations
> available once again. Currently collections are very hard to get. Some are
> rare. Our collection contains first hand accounts never before published,
> commentary, lyrics, notation and illustrations. Even a recipe for game pie
> from the tradition in case anyone wants to make a hedgehog or cat one!
> Sources of the lyrics varry. Many from the song book compiled by Tommy's
> Son but others from the oral tradition as remembered. Alternative notation
> and song titles are given as well as a complete bibliography. We are
> working on a cd of the tunes which may take a "bit" time.
> Recitations are also included from original sources.
>
> We are selling this close to cost with proceeds going to support the
Hutman
> Library and ongoing research projects including the Book of Bonfire night
> which is currently being put together.
>
> Here are the details....
>
> A Beuk of the Sangs of Tommy Armstrong
> The Pitman's Poet
> isbn number 0-9702386-8-1
>
> This production is a book of all of the Songs of Tommy Armstrong as well
> as his recitations. It includes first person accounts of the role of
> song and story within the culture as well as a commentary concerning the
> content of the songs. There is even a recipe for game pie. Illustrations
> include views of 19th century Newcastle and comic woodcuts by a
> celebrated artist of the town. Songs are presented with notation and
> alternative tunes.
>
> The book can be obtained from:
>
> Hutman Productions
> PO 268 Linthicum, Md.
> 21090 USA
>
> Cost: $9.55
> Add postage: $4.30 Priority Mail
>              $2.00 Book Rate
>
> If outside the USA inquire: [unmask]
>
> We accept cash, check and money order in U.S. Dollars
> The book will be available in the near future from
> http://www.amazon.com
> ....but...at a much higher price due to amazons overhead...but they do
deal
> with other currencys and credit cards...
>
> We hope that greater accessibility of this material will help inspire
> others and give a bit of life to the tradition.
>
> Note! This is not the tradition of Geordie Bashing Jez Lowe!
> In the words of the Whisky Priests "The Bonny Pit Laddie is here to
stay!".
> In other words no revisionism and pc ism here.
>
> We were happy to have permission to include the tribute to Tommy composed
> and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
>
> Let us all celebrate Tommy and his muse: "The Mug of Ale"
>
> Thanks for your time today!
> Questions: [unmask]
>
> Conrad Bladey
> --
> "I had to walk down the road with
> my throat a little dry
> ranting like Jimmy Durante
> My mind was as clear as the clouds in the sky
> And my debts were all outstanding
> outstanding
> In a field of debts outstanding
> my outraged heart was handy
> at borrowing a sorrow I could put off 'till tomorrow
> and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
>

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Subject: Re: Happy Edz Birthday
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 12:50:39 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(45 lines)


Folks:Just to clarify this -- I do not shudder at my years -- I was born in 1933.Ed----- Original Message -----
From: Abby Sale <[unmask]>
Date: Thursday, July 3, 2003 7:23 am
Subject: Happy Edz Birthday>                              Happy Ed Cray's Birthday
>
>                                     July 3rd
>
>           (Once people reach a certain elderly position, unless they
>            dance professionally in a strip club, of course, I'm not
>            sure it's entirely tactful to reveal the exact year but
>            that does not reduce the import to celebrate, does it?)
>
>
> He might just remember events of an earlier birthday:
>
> Santiago, Cuba: The US destroys the Spanish fleet= 7/3/1898
>
>        'Twas in Manila, boys, our ships the foe did meet.
>        We didn't need a hurricane to wreck,
>        To wreck the Spanish fleet,
>        But just one Dewey morning, and our victory was complete,
>        As we were marching to Cuba.
>
>        Chorus: Hurrah! Hurrah!
>                Hurrah! We'll sound the jubilee.
>                Hurrah ! Boys, Cuba shall be free,
>                And we'll sing the chorus from Mt. Gretna to the sea,
>                While we are marching to Cuba.
>
>                                from "Marching to Cuba"
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                  I am Abby Sale - in Orlando, Florida
>                        Boycott South Carolina!
>        http://www.naacp.org/news/releases/confederateflag011201.shtml
>
>
>

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Subject: Re: NEW! Tommy Armstrong Songbook
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 16:19:21 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(109 lines)


I shall have uk postage as soon as I can get to the post office to have it
calculated. Thanks for your interest.
Conrad BladeySimon Furey wrote:
>
> Amazing value! I want two copies sent here in the UK forthwith so I suppose
> I order them from [unmask]
>  who will tell me how much the international postage is, yes?
> Cheers
> Simon
> ----- Original Message -----
> From: "Conrad Bladey ***Peasant****" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, July 03, 2003 2:05 PM
> Subject: NEW! Tommy Armstrong Songbook
>
> > Greetings good people!
> > With the recent wet weather I have retreated from my artcar studio to get
> > things edited. This new project will make the songs and recitations
> > available once again. Currently collections are very hard to get. Some are
> > rare. Our collection contains first hand accounts never before published,
> > commentary, lyrics, notation and illustrations. Even a recipe for game pie
> > from the tradition in case anyone wants to make a hedgehog or cat one!
> > Sources of the lyrics varry. Many from the song book compiled by Tommy's
> > Son but others from the oral tradition as remembered. Alternative notation
> > and song titles are given as well as a complete bibliography. We are
> > working on a cd of the tunes which may take a "bit" time.
> > Recitations are also included from original sources.
> >
> > We are selling this close to cost with proceeds going to support the
> Hutman
> > Library and ongoing research projects including the Book of Bonfire night
> > which is currently being put together.
> >
> > Here are the details....
> >
> > A Beuk of the Sangs of Tommy Armstrong
> > The Pitman's Poet
> > isbn number 0-9702386-8-1
> >
> > This production is a book of all of the Songs of Tommy Armstrong as well
> > as his recitations. It includes first person accounts of the role of
> > song and story within the culture as well as a commentary concerning the
> > content of the songs. There is even a recipe for game pie. Illustrations
> > include views of 19th century Newcastle and comic woodcuts by a
> > celebrated artist of the town. Songs are presented with notation and
> > alternative tunes.
> >
> > The book can be obtained from:
> >
> > Hutman Productions
> > PO 268 Linthicum, Md.
> > 21090 USA
> >
> > Cost: $9.55
> > Add postage: $4.30 Priority Mail
> >              $2.00 Book Rate
> >
> > If outside the USA inquire: [unmask]
> >
> > We accept cash, check and money order in U.S. Dollars
> > The book will be available in the near future from
> > http://www.amazon.com
> > ....but...at a much higher price due to amazons overhead...but they do
> deal
> > with other currencys and credit cards...
> >
> > We hope that greater accessibility of this material will help inspire
> > others and give a bit of life to the tradition.
> >
> > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> stay!".
> > In other words no revisionism and pc ism here.
> >
> > We were happy to have permission to include the tribute to Tommy composed
> > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> >
> > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> >
> > Thanks for your time today!
> > Questions: [unmask]
> >
> > Conrad Bladey
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Re: NEW! Tommy Armstrong Songbook
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 3 Jul 2003 16:23:41 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(22 lines)


I will have the uk postage shortly. Many thanks for your interest.
ConradSimon Furey wrote:
>
> Amazing value! I want two copies sent here in the UK forthwith so I suppose
> I order them from [unmask]
>  who will tell me how much the international postage is, yes?
> Cheers
> Simon--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Ebay List - 07/05/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Jul 2003 18:37:53 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(94 lines)


Hi!        Now that the smoke has cleared from the fireworks, here is the
weekly list. :-)        SONGSTERS        3533322584 - SOUTHERN AND WESTERN SONGSTER, 1831, $9.50 (ends
Jul-06-03 17:16:34 PDT)        2542383543 - Troubadour Songster (Merchant's Gargling Oil),
undated, $4.99 (ends Jul-06-03 19:07:38 PDT)        2182215609 - Lowery and Morgan's Mighty Minstrel Songster, 1908,
$9.99 (ends Jul-09-03 16:34:18 PDT)        2182314985 - Penny Songster, 1868, $20 (ends Jul-10-03 11:12:05
PDT)        3231877473 - Dixey's Songster, 1860, $40 (ends Jul-10-03
11:48:54 PDT)        3231926434 - Merchant's Gargling Oil Songster, 1888, $6.99 (ends
Jul-10-03 17:08:58 PDT)        SONGBOOKS, ETC.        3533123558 - Songs of the Gael by Walsh, 1922, $15.50 (ends
Jul-06-03 08:13:04 PDT)        3533248790 - Songs For AFSCME by Glazer, $2.99 (ends Jul-06-03
13:15:36 PDT)        3533271490 The Ballad Book by Allingham, 1865, $19.95 (ends
Jul-06-03 14:14:46 PDT)        3533365658 - Irish Street Ballads by O Lochlainn, 1946, $19.99
(ends Jul-06-03 19:11:06 PDT)        3534081934 - Kiss Me Goodnight,Sergeant Major:The Songs And
Ballads Of World War 2 by Page, 1.50 GBP (ends Jul-07-03 07:51:54 PDT)        3533483575 - 2 books by/about Creighton (The Best of Helen
Creighton and A Life in Folklore), $5 (ends Jul-07-03 08:13:18 PDT)        3533490935 - Ballads and Songs from Utah by Hubbard, 1961,
$29.99 (ends Jul-07-03 08:46:07 PDT)        2542516704 - NORTH COUNTRIE FOLK SONGS by Whitaker, 4.99 GBP
(ends Jul-07-03 11:35:07 PDT)        3533078845 - ENGLISH & SCOTCH BALLADS by Milman, 1871, $8 (ends
Jul-09-03 04:13:35 PDT)        2542235935 - The Minstrelsy of Scotland by Moffat, 1896, 11.50
GBP (ends Jul-09-03 09:28:14 PDT)        2541722263 - South Carolina Ballads, With a Study of the
Traditional Ballad To-Day by Smith, 1928, $7.99 (ends Jul-09-03 20:30:00
PDT)        3534663613 - Ballads : Scottish and English, 1872, 5 GBP (ends
Jul-11-03 06:04:21 PDT)        3534705116 - Songs and Ballads from Nova Scotia by Creighton,
1966 Dover edition, $5 (ends Jul-11-03 09:51:59 PDT) also 3534837688 -
1992 Dover edition, $1 (ends Jul-11-03 19:46:24 PDT)        3533849202 - Southern Folk Ballads, Volume II by McNeil, 1988,
$8 (ends Jul-11-03 12:05:35 PDT)        3534497515 - Songs About Work by Green, 1993, $18 (ends
Jul-13-03 13:32:05 PDT)        3534594367 - Lay My Burden Down - A Folk History of Slavery by
Botkin, 1945, $24.99 (ends Jul-13-03 19:39:40 PDT)        3534708995 - Irish Songs and Ballads by Graves, 1880, $95 (ends
Jul-14-03 10:05:57 PDT)        MISCELLANEOUS        3534083337 - Historical Alabama Field Recordings from the Byron
Arnold Collection of Traditional Tunes (booklet and cassette tape),
$9.99 (ends Jul-09-03 07:57:55 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 14:21:41 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(80 lines)


Greetings!
I extracted myself from the wonderful Smithsonian Folklife Festival where I
had the best of times talking folk music with a few guys from
Scotland.....how refreshing after being locked up in suburbia for so long.!Just calculated the postage for the book of sangs...Postage to UK via air= $4.00
Base price of book- $9.50
Us dollars only in check, money order or cash.
book details follow:> > > We are selling this close to cost with proceeds going to support the
> > Hutman
> > > Library and ongoing research projects including the Book of Bonfire night
> > > which is currently being put together.
> > >
> > > Here are the details....
> > >
> > > A Beuk of the Sangs of Tommy Armstrong
> > > The Pitman's Poet
> > > isbn number 0-9702386-8-1
> > >
> > > This production is a book of all of the Songs of Tommy Armstrong as well
> > > as his recitations. It includes first person accounts of the role of
> > > song and story within the culture as well as a commentary concerning the
> > > content of the songs. There is even a recipe for game pie. Illustrations
> > > include views of 19th century Newcastle and comic woodcuts by a
> > > celebrated artist of the town. Songs are presented with notation and
> > > alternative tunes.
> > >
> > > The book can be obtained from:
> > >
> > > Hutman Productions
> > > PO 268 Linthicum, Md.
> > > 21090 USA
> > >
> > > Cost: $9.50
> > > Add postage: $4.30 Priority Mail
> > >              $1.42 Book Rate
> > >
> > > If outside the USA inquire: [unmask]
> > >
> > > We accept cash, check and money order in U.S. Dollars
> > > The book will be available in the near future from
> > > http://www.amazon.com
> > > ....but...at a much higher price due to amazons overhead...but they do
> > deal
> > > with other currencys and credit cards...
> > >
> > > We hope that greater accessibility of this material will help inspire
> > > others and give a bit of life to the tradition.
> > >
> > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > stay!".
> > > In other words no revisionism and pc ism here.
> > >
> > > We were happy to have permission to include the tribute to Tommy composed
> > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > >
> > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > >
> > > Thanks for your time today!
> > > Questions: [unmask]
> > >
> > > Conrad Bladey--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 20:01:23 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(101 lines)


Hi Conrad,
Thanks for the information. My order will be in the post shortly.
Cheers
Simon
----- Original Message -----
From: "Conrad Bladey ***Peasant****" <[unmask]>
To: <[unmask]>
Sent: Monday, July 07, 2003 7:21 PM
Subject: Tommy Armstrong Songbook UK Shipping> Greetings!
> I extracted myself from the wonderful Smithsonian Folklife Festival where
I
> had the best of times talking folk music with a few guys from
> Scotland.....how refreshing after being locked up in suburbia for so
long.!
>
> Just calculated the postage for the book of sangs...
>
> Postage to UK via air= $4.00
> Base price of book- $9.50
> Us dollars only in check, money order or cash.
> book details follow:
>
>
> > > > We are selling this close to cost with proceeds going to support the
> > > Hutman
> > > > Library and ongoing research projects including the Book of Bonfire
night
> > > > which is currently being put together.
> > > >
> > > > Here are the details....
> > > >
> > > > A Beuk of the Sangs of Tommy Armstrong
> > > > The Pitman's Poet
> > > > isbn number 0-9702386-8-1
> > > >
> > > > This production is a book of all of the Songs of Tommy Armstrong as
well
> > > > as his recitations. It includes first person accounts of the role of
> > > > song and story within the culture as well as a commentary concerning
the
> > > > content of the songs. There is even a recipe for game pie.
Illustrations
> > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > celebrated artist of the town. Songs are presented with notation and
> > > > alternative tunes.
> > > >
> > > > The book can be obtained from:
> > > >
> > > > Hutman Productions
> > > > PO 268 Linthicum, Md.
> > > > 21090 USA
> > > >
> > > > Cost: $9.50
> > > > Add postage: $4.30 Priority Mail
> > > >              $1.42 Book Rate
> > > >
> > > > If outside the USA inquire: [unmask]
> > > >
> > > > We accept cash, check and money order in U.S. Dollars
> > > > The book will be available in the near future from
> > > > http://www.amazon.com
> > > > ....but...at a much higher price due to amazons overhead...but they
do
> > > deal
> > > > with other currencys and credit cards...
> > > >
> > > > We hope that greater accessibility of this material will help
inspire
> > > > others and give a bit of life to the tradition.
> > > >
> > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > stay!".
> > > > In other words no revisionism and pc ism here.
> > > >
> > > > We were happy to have permission to include the tribute to Tommy
composed
> > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > >
> > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > >
> > > > Thanks for your time today!
> > > > Questions: [unmask]
> > > >
> > > > Conrad Bladey
>
> --
> "I had to walk down the road with
> my throat a little dry
> ranting like Jimmy Durante
> My mind was as clear as the clouds in the sky
> And my debts were all outstanding
> outstanding
> In a field of debts outstanding
> my outraged heart was handy
> at borrowing a sorrow I could put off 'till tomorrow
> and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
>

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Subject: Oops - finger trouble
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 20:06:00 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(5 lines)


Sorry folks - private message. I forgot to change the "to" address to point
to Conrad.
I shall write out 100 times "I must check before I press the SEND button"
Cheers
Simon

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 7 Jul 2003 15:39:58 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(117 lines)


I thank you very much.
ConradSimon Furey wrote:
>
> Hi Conrad,
> Thanks for the information. My order will be in the post shortly.
> Cheers
> Simon
> ----- Original Message -----
> From: "Conrad Bladey ***Peasant****" <[unmask]>
> To: <[unmask]>
> Sent: Monday, July 07, 2003 7:21 PM
> Subject: Tommy Armstrong Songbook UK Shipping
>
> > Greetings!
> > I extracted myself from the wonderful Smithsonian Folklife Festival where
> I
> > had the best of times talking folk music with a few guys from
> > Scotland.....how refreshing after being locked up in suburbia for so
> long.!
> >
> > Just calculated the postage for the book of sangs...
> >
> > Postage to UK via air= $4.00
> > Base price of book- $9.50
> > Us dollars only in check, money order or cash.
> > book details follow:
> >
> >
> > > > > We are selling this close to cost with proceeds going to support the
> > > > Hutman
> > > > > Library and ongoing research projects including the Book of Bonfire
> night
> > > > > which is currently being put together.
> > > > >
> > > > > Here are the details....
> > > > >
> > > > > A Beuk of the Sangs of Tommy Armstrong
> > > > > The Pitman's Poet
> > > > > isbn number 0-9702386-8-1
> > > > >
> > > > > This production is a book of all of the Songs of Tommy Armstrong as
> well
> > > > > as his recitations. It includes first person accounts of the role of
> > > > > song and story within the culture as well as a commentary concerning
> the
> > > > > content of the songs. There is even a recipe for game pie.
> Illustrations
> > > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > > celebrated artist of the town. Songs are presented with notation and
> > > > > alternative tunes.
> > > > >
> > > > > The book can be obtained from:
> > > > >
> > > > > Hutman Productions
> > > > > PO 268 Linthicum, Md.
> > > > > 21090 USA
> > > > >
> > > > > Cost: $9.50
> > > > > Add postage: $4.30 Priority Mail
> > > > >              $1.42 Book Rate
> > > > >
> > > > > If outside the USA inquire: [unmask]
> > > > >
> > > > > We accept cash, check and money order in U.S. Dollars
> > > > > The book will be available in the near future from
> > > > > http://www.amazon.com
> > > > > ....but...at a much higher price due to amazons overhead...but they
> do
> > > > deal
> > > > > with other currencys and credit cards...
> > > > >
> > > > > We hope that greater accessibility of this material will help
> inspire
> > > > > others and give a bit of life to the tradition.
> > > > >
> > > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > > stay!".
> > > > > In other words no revisionism and pc ism here.
> > > > >
> > > > > We were happy to have permission to include the tribute to Tommy
> composed
> > > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > > >
> > > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > > >
> > > > > Thanks for your time today!
> > > > > Questions: [unmask]
> > > > >
> > > > > Conrad Bladey
> >
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: seeking Appalachian ballad collections, 1850-1890
From: Beth Brooks <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 09:22:54 -0500
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I am new to the list, so accept my apologies in advance if this topic has already been addressed.For my Masters project, I am researching "Pretty Polly" from its inception as a British broadside c. 1726 up to the present, with as many variants as I can find. I have encountered a hole in the research from about 1850 to about 1890. I'm looking for resources, collections, etc. of ballads from Southern Appalachia during this time.I can't seem to find a clear starting point of the folk song after its initial printing as a broadside ballad under the name "The Gosport Tragedy" and/or "The Cruel Ship-Carpenter". In particular, I'm stymied with the process of how it went from a 34-verse printed broadside to a 9-verse popular folk ballad.Any resources or directions you can suggest would be most appreciated!Beth Brooks
Indiana University at Indianapolis
[unmask]

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 11:59:42 -0400
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Beth Brooks wrote:
>
> I am new to the list, so accept my apologies in advance if this topic has already been addressed.
>
> For my Masters project, I am researching "Pretty Polly" from its inception as a British broadside c. 1726 up to the present, with as many variants as I can find. I have encountered a hole in the research from about 1850 to about 1890. I'm looking for resources, collections, etc. of ballads from Southern Appalachia during this time.
>
> I can't seem to find a clear starting point of the folk song after its initial printing as a broadside ballad under the name "The Gosport Tragedy" and/or "The Cruel Ship-Carpenter". In particular, I'm stymied with the process of how it went from a 34-verse printed broadside to a 9-verse popular folk ballad.
>
> Any resources or directions you can suggest would be most appreciated!
>
> Beth Brooks
> Indiana University at Indianapolis
> [unmask]Listed in Laws P 36A and B, and Steve Roud's folk song and broadside
ballad indexes.  All or almost all known texts, traditional and
broadside, are in his folk song and broadside ballad indexes at Roud
#15.Many ballads were rewritten time and again, by unknown persons and at
dates for which we can only make an educated guess. I don't believe that
oral transmission had much to do with what might be called major
variants of ballads. I think most of these were rewritten for commercial
publication, althought talented traditional singers seem to have
produced some of the major variants. My views, to those that worship the
concept of 'oral transmission' will undoubtably be denounced as
heretical.John Moulden recently pointed out a major variant of "The Golden
Vanity", which was undoubtably the work of Lena Boure Fish, and asked a
question concerning (the many) literary touches in it, to which it would
have been impolitic to reply, and so will probably never be answered.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 11:09:22 -0500
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----- Original Message -----
From: Beth Brooks <[unmask]><<I am new to the list, so accept my apologies in advance if this topic has
already been addressed.For my Masters project, I am researching "Pretty Polly" from its inception
as a British broadside c. 1726 up to the present, with as many variants as I
can find. I have encountered a hole in the research from about 1850 to about
1890. I'm looking for resources, collections, etc. of ballads from Southern
Appalachia during this time.I can't seem to find a clear starting point of the folk song after its
initial printing as a broadside ballad under the name "The Gosport Tragedy"
and/or "The Cruel Ship-Carpenter". In particular, I'm stymied with the
process of how it went from a 34-verse printed broadside to a 9-verse
popular folk ballad.Any resources or directions you can suggest would be most appreciated! >>Hi Beth:One important link is B. F. Shelton's 1927 recording of "Pretty Polly"
(Victor 35838). This was a very popular recording (deservedly so; it's a
brilliant performance), and it was influential enough that virtually every
American version collected since then traces its ancestry back to the
Shelton recording.That doesn't really address the hole in your collection, 1850-1890, but it
does provide a starting point (or perhaps I should say a re-starting point)
for dissemination of the now-canonical version. Earlier versions appear in
Wyman & Brockway's "Lonesome Tunes: Folk Songs from the Kentucky Mountains"
and "Twenty Kentucky Mountain Songs", published in 1916 and 1920,
respectively. Both versions show similarity to Shelton's recording; he was a
Kentucky singer.Peace,
Paul

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 11:05:44 -0700
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Dear Beth:
Your broadside of 34 stanzas seems to be the one in Peter Buchan's Gleanings
(1825), pp. 46-51, titled "The Gosport Tragedy", begins "In Gosport of late
a young damsel did dwell".  A much truncated version in
Christie, Trad. Ballad Airs, II.98 (6x4 lines) with the music.  PB has
undoubtedly some verbal changes, while Christie jas the gist - his tunes
remember are a bit suspect.  Is this useful? Not much to do with Appalachia,
though.
Murray Shoolbraid

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Subject: Re: seeking Appalachian ballad collections, 1850-1890
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Date:Tue, 8 Jul 2003 16:26:36 EDT
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Subject: Re: seeking Appalachian ballad collections, 1850-1890
From: ghost <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 17:18:03 -0400
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>  From [unmask] Tue Jul  8 16:50:18 2003
>  Date: Tue, 8 Jul 2003 16:26:36 EDT
>  From: [unmask]
>  Subject: Re: seeking Appalachian ballad collections, 1850-1890>  Other than through ballad sheets and songsters this period might be addressed
>  through Shape Note hymnals. As George Pullen Jackson has documented,
>  spiritual songs used in the Southern Mountains tended to be founded upon secular
>  matrices, most often using tunes, but also the pattern of a "love" song in an
>  almost parodic fashion. I'm aware that most such hymnals were in fairly established
>  shape by 1850 but a look at items arriving new into later editiions or into
>  new compilations might give some clue.
>
>  Having written that, I've just looked at the three of GPJ's publications I
>  have and find nothing obvious.
>
>  John MouldenDunno if GPJ notes it, but we've had it pointed out to us at a northern
singing school with a southern guest teacher that "The Church's Desolation" is
a version of "Barbara Allen" (not a version I recognized til told, though).I have a list of Sacred Harp tune sections that resemble tune sections of
ballads (not often the whole ballad tune all the way through though) but I
don't have it here.One that I don't want to think of while singing Sacred Harp is "The Night
Before Larry Was Stretched" as sung by Frank Hart(e?); it resembles in the last
lines of the verse the SH song that ends "bound by the cords of his love"
(& they don't mean a hangman, folks).  Of course, "Stretched" has got to be
a parody of a ballad I don't know, whereas the SH song is a
"hymn to the same tune" rather than a parody.Another song, not in Sacred Harp that I know of, but practically a signature
song from Lloyd's hymnal (a words-only hymn book; you have to hear the song
sung to get the tune) for the Lee family of Georgia is "I Walked Abroad One
Morning Fair".  Tune is very close to "Early Early In The Spring" as sung by
Robert Cinnamond on the one Cinnamond tape I have (boy would I like more).Needless to say I can't learn the ballad tune because its too close to the
hymn tune to me, & I can't sing the hymn unless with a large group because
I'm Jewish & I don't want people to get the wrong idea, but I certainly am
not gonna sing the ballad words to the hymn tune, even though its almost
the same tune; not to me.If anyone ever wants them, ask me for my list of "same tune!" songs, some
of which, but certainly not all,  are Sacred Harp songs vs ballads.  Somehow,
no-one ever wants them (sob).  Maybe its the little pieces of paper I have
yet to transcribe them from.

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Subject: "He's Gone Away"
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 8 Jul 2003 20:38:36 -0700
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I've seen a few sets of variant words to this Appalachian song, featuring
Yandro's high hill, including one (sheet music) with the charming tune,
"arranged by Van A. Christy", "by permission of Summy-Birchard Publishing
Co.", no date. I was intrigued by this song as it is one of the many "shoe
your foot" remnants of the Child ballad I call "Fair Annie of Loch Ryan".
Question is, what's the background on the Southern song??
Murray Shoolbraid

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Subject: Re: "He's Gone Away"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 10 Jul 2003 11:24:24 -0500
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----- Original Message -----
From: Murray Shoolbraid <[unmask]><<I've seen a few sets of variant words to this Appalachian song, featuring
Yandro's high hill, including one (sheet music) with the charming tune,
"arranged by Van A. Christy", "by permission of Summy-Birchard Publishing
Co.", no date. I was intrigued by this song as it is one of the many "shoe
your foot" remnants of the Child ballad I call "Fair Annie of Loch Ryan".
Question is, what's the background on the Southern song??>>The problem is that it's not one song, it's an entire family of songs with
lyrics that float between each other; they are, in essence, collections of
floating verses with only a ghost of a plot. Robert Waltz's note in the
Traditional Ballad Index listing for the song that we called "Fare You Well,
My Own True Love (The Storms Are on the Ocean, The False True Lover,
The True Lover's Farewell, Red Rosy Bush, Turtle Dove)":"This song is officially a catch-all. The problem is, what to do with all
the lost love pieces *with* some hint of a plot plus the floating element
"Who will shoe your pretty little foot." After some hesitation, we decided
on a four-part primary division (with some exceptions):* "The Lass of Roch Royal" for the ballad of that title
* "Who Will Shoe Your Pretty Little Foot" for fragments too short to
classify at all
* "Mary Anne" for the versions specifically about that girl
* This, for everything else.There probably are recensional variants within this song family; it's just
too big and too complex. But the particular items are such a mess that we
finally gave up trying to sort them. - RBW"Among the titles indexed under this catch-all listing, in addition to those
listed in our portmanteau title, are "Ten Thousand Miles" and "It's Hard to
Leave You, Sweet Love". Versions of this song have also been included in
ballad collections subsumed under "Lass of Roch Royal" and "Lady Alice",
although that's generally considered a different song.The title "He's Gone Away" may have been first used by Sandburg; his version
came from North Carolina, and he ascribes it to British origin (presumably
"Lass of Roch Royal") and "southern negro" influences, but he also notes
that versions are found all over the southeast, mentioning "Ten Thousand
Miles" as an alternate title. And the "Who's gonna shoe..." verse may well
have been a floater that drifted into "Lass of Roch Royal" and stuck, even
after the plot of that song was lost.In other words, this is one of those songs whose history and geneology is,
to use the technical term, a mess.Peace,
Paul

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Subject: Ebay List - 07/11/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 11 Jul 2003 19:09:01 -0400
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Hi        I hope that everyone is staying cool! Meanwhile, fire up your
browser and look at these auctions.        SONGSTERS        3617046824 - MERCHANT'S GARGLING OIL SONGSTER, Seller claims
1833 data but I think that is wrong. 1883 may be more accurate. $9.99
(ends Jul-14-03 08:42:22 PDT0        3617089742 - Calvin Coolidge Campaign Songster 1924, $9.99 (ends
Jul-14-03 17:30:00 PDT0        3232848199 - 2 Merchant's Gargling Oil Songsters 1888 & 1890,
$4.99 (ends Jul-14-03 17:48:55 PDT)        3535404195 - Hadaway's Select Songster, 1840, $14.99 (ends
Jul-14-03 19:00:00 PDT)        2183270644 - Bennett & Rich's Song of the South! My Dear Old
Southern Home Songster. 1900?, $2.99 (ends Jul-15-03 11:10:21 PDT)        2544152308 - FORGET ME NOT SONGSTER, 1847, $99.95 (ends
Jul-17-03 18:52:06 PDT)        SONGBOOKS. ETC.        3535084778 - Negro Songs from Alabama by Courlander, 1962,
$24.99 (ends Jul-12-03 19:02:05 PDT)        2543675383 - Mountain Ballads and Old time Songs by Kincaid,
193?, $9.99 (ends Jul-12-03 19:16:41 PDT)        2543773424 - American Folk Songs for Children by Seeger, 1948,
$5 (ends Jul-13-03 09:27:27 PDT)        3535353302 - The Ballad Book-A Selection of the Choicest British
Ballads by Allingham, 1865, $12.95 (ends Jul-13-03 14:19:51 PDT)        3535416875 - SONGS OF THE SAILOR AND LUMBERMAN by Doerflinger,
1990 edition, $9.99 (ends Jul-13-03 17:49:32 PDT)        3535515290 - The Oxford Book of Ballads by Quiller-Couch, 1941
reprint, 3 GBP (ends Jul-13-03 22:53:11 PDT)        2544243757 - the minstrelsy of the scottish highlands by Moffat,
1910?, 2.99 GBP (ends Jul-15-03 08:41:29 PDT)        3535980610 - Shanties and Sailor's Songs by Hugill, 1969, 14.99
GBP (ends Jul-15-03 13:30:05 PDT)        3536005550 - PENNSYLVANIA SONGS & LEGENDS by Korson, 1949, $9.99
(ends Jul-15-03 14:51:20 PDT)        2544532467 - Songs and Ballads of Northern England by Walton,
2.99 GBP (ends Jul-16-03 13:11:59 PDT)        2544036393 - The Big Book Of Australian Folk Song by Edwards,
1976, $10.50 AU (ends Jul-17-03 09:50:14 PDT)        3536609729 - A Ballad History of Ireland by McHale, 1908, $0.25
(25 cents!) (ends Jul-17-03 15:28:37 PDT)        3536460187 - English Folk Songs by Sharp, 2 volumes, 1952
printing, 4.99 (ends 08, $0.25
(25 cents!) (ends Jul-17-03 15:28:37 PDT)        3536460187 - English Folk Songs by Sharp, 2 volumes, 1952
printing, 4.99 (ends 08, $0.25
(25 cents!) (ends Jul-17-03 15:28:37 PDT)        3536460187 - English Folk Songs by Sharp, 2 volumes, 1952
printing, $4.99 (ends Jul-20-03 07:14:08 PDT)        3536636433 - Scots Minstrelsie by Grieg, volume 1, $19.95 (ends
Jul-20-03 17:16:16 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 07/11/03
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 12 Jul 2003 10:55:12 -0500
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----- Original Message -----
From: Dolores Nichols <[unmask]><<        3617046824 - MERCHANT'S GARGLING OIL SONGSTER, Seller claims
1833 data but I think that is wrong. 1883 may be more accurate. $9.99
(ends Jul-14-03 08:42:22 PDT0>>Looking at the item, I think the seller mistook the "Established 1833" slug
on the songster for an issue date.Peace,
Paul

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Subject: Re: EASMES, annoying trivia
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 13 Jul 2003 19:01:36 -0400
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Bruce Olson wrote:
>
> Jack Campin previously gave a click-on to the Colonial Music
> Institute website in connection with a CD of the 'Early American
> Secular Music and Its European Sources, 1589-1839' (EASMES).
> Besides being able to buy the CD version ($25) one can now search
> it on-line. Below is a click-on to the on-line version.
>
> <A href= "http://www.colonialdancing.org/Easmes/Index.htm"> Index
> Main Page </A> Click at top of page on chosen Subject (Sources,
> Gernres, Texts, Incipits, Stressed Notes, Intervals, Names,
> Theater Works) to search. To search for titles or first lines,
> chose 'Texts'.
> /EASMES/ in the URL given above has been changed to /Easmes/ so the
link given above no longer works. The new one is:
<A href= "http://www.colonialdancing.org/Easmes/Index.htm"> Easmes
</A>Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Ebay List - 07/15/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 15 Jul 2003 18:09:36 -0400
Content-Type:text/plain
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Hi!        Here I am again! There are several interesting items this week
especially the offerings of one particular seller.        SONGSTERS        2183378536 - Lookout Mountain Songster No. 2, $4.99 (ends
Jul-18-03 03:28:24 PDT)        3536821029 - The Charms of Melody, 1798-1800, $1.25 (ends
Jul-18-03 11:35:18 PDT)        3537410870 - The Forget-Me-Not Songster, seller gives 1872 date
because it is handwritten inside but I think this is earlier, $20.50
(ends Jul-18-03 12:47:31 PDT)        3536758656 - THE UNIVERSAL SONGSTER or MUSEUM OF MIRTH, 3
volumes, 1850?, $180 (ends Jul-21-03 06:37:15 PDT)        SONGBOOKS, ETC.        3536906303 - Ballads Old and New by Hulton, 1968, $7.99 (ends
Jul-16-03 17:47:04 PDT)        3536621091 - Songs and Ballads of the Maine Lumberjacks by Gray,
1924, $13.94 (ends Jul-17-03 16:18:17 PDT)        3536698246 - NEW YORK: SONGS OF THE CITY by Groce, 1999, $14.95
(ends Jul-17-03 20:23:16 PDT)        2545057998 - Sea Shanties by Chugg, $7.99 (ends Jul-19-03
00:10:54 PDT)        3537059932 - Ancient Poems, Ballads and Songs of the Peasantry
of England by Bell, 1857, $24.99 (ends Jul-19-03 10:41:12 PDT)        3537144108 - Proceedings of the Vermont Historical Society,
June, 1939, contains 3 articles by Flanders, $5 (ends Jul-19-03 16:05:13
PDT)        2545192232 - FAVOURITE SONGS OF NEWFOUNDLAND by Mills, 1969,
$4.99 (ends Jul-19-03 16:36:34 PDT)        3537344993 - The Old Songs of Skye: Frances Tolmie and her
Circle by Bassin, 1977, 1 GBP (ends Jul-20-03 10:14:28 PDT)        3537348974 - The Songs of Scotland by Graham, 1849, 1 GBP (ends
Jul-20-03 10:24:34 PDT)        3537350897 - Folksong and Music Hall by Lee, 1982, 1 GBP (ends
Jul-20-03 10:29:16 PDT)        3537352975 - THE BALLAD MINSTRELSY OF SCOTLAND by Gardner, 1893,
1 GBP (ends Jul-20-03 10:34:13 PDT)        3537355153 - English County Songs by Broadwood, 1893, 1 GBP
(ends Jul-20-03 10:39:48 PDT)        3537474778 - Border Minstrelsy by Scott, 1833 printing, 4.99 GBP
(ends Jul-20-03 15:36:46 PDT)        3537519017 - Afro-American Folksongs by Krehbiel, 1920 edition,
$9.95 (ends Jul-20-03 17:47:08 PDT)        2545449230 - Rambling Blues: The Life and Songs of Charlie
Poole by Rorrer, 1992, $7.99 (ends Jul-20-03 18:15:46 PDT)        3233482268 - THE BALLADISTS by Geddie, 1900?, $5 (ends Jul-20-03
18:40:00 PDT)        3536673849 - HULLABALOO AND OTHER SINGING FOLK DANCES by Chase,
1949, $9.99 (ends Jul-20-03 19:10:02 PDT)        3537601003 - Folk-Songs, Chanteys And Singing Games by
Farnsworth & Sharp, 1909, $24.95 (ends Jul-20-03 20:39:35 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Folk Song Index
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 17 Jul 2003 23:59:44 +0100
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Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope) to
learn that I have at last produced a major update, which will be mailed out in
the next few days.
If you subscribe and haven't received the CD-Rom within about two weeks,
please contact me on my new email address: [unmask]
In particular: If I met you at last year's AFS meeting at Rochester, and took
your money or agreed a swap, please conract me to check that I have your
details - I seem to have lost a few stray pieces of paper from that time...
Regards
Steve Roud

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Subject: Re: Folk Song Index
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Jul 2003 12:53:56 -0700
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Thanks, Steve, I'll be watching for it.
Norm----- Original Message -----
From: <[unmask]>
To: <[unmask]>
Sent: Thursday, July 17, 2003 3:59 PM
Subject: Folk Song Index> Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope)
to
> learn that I have at last produced a major update, which will be mailed
out in
> the next few days.
> If you subscribe and haven't received the CD-Rom within about two weeks,
> please contact me on my new email address: [unmask]
> In particular: If I met you at last year's AFS meeting at Rochester, and
took
> your money or agreed a swap, please conract me to check that I have your
> details - I seem to have lost a few stray pieces of paper from that
time...
> Regards
> Steve Roud
>

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Subject: Re: Folk Song Index
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Jul 2003 16:57:45 -0400
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Steve,
We aren't sure whether we are subscribers or not to your index. We do have a
copy on CD-ROM which you sent us some months ago, after we discovered it at
the Library of Congress's Folklore Center. Yes, we would like to have a copy
of the update.
Have you considered putting the index on-line? We could give you some help
on that task if you would like. We could easily convert it to a HTML
database from Access, ands it would be completely searchable using Google.
We did that with both the EASMES and the Dancing Master databases that we
put on the web and on CD-ROM.
Best regards,
Kate Van Winkle Keller and Robert M. Keller
----- Original Message -----
From: <[unmask]>
To: <[unmask]>
Sent: Thursday, July 17, 2003 6:59 PM
Subject: Folk Song Index> Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope)
to
> learn that I have at last produced a major update, which will be mailed
out in
> the next few days.
> If you subscribe and haven't received the CD-Rom within about two weeks,
> please contact me on my new email address: [unmask]
> In particular: If I met you at last year's AFS meeting at Rochester, and
took
> your money or agreed a swap, please conract me to check that I have your
> details - I seem to have lost a few stray pieces of paper from that
time...
> Regards
> Steve Roud
>

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Subject: Re: Folk Song Index
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 18 Jul 2003 20:06:51 -0400
Content-Type:text/plain
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text/plain(15 lines)


I got my July 2003 CD-Rom version of Steve Roud's indexes yesterday.
It's now loaded into my ASKSAM data system.I get for the broadside index 122,534 records, and for the folk
song index 118,355 records. I once had a data reading error, and
read in one block of one data file twice. When someone has their files
entered into their data system, would they please check my
numbers.Bruce Olson--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Folk Song Index
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 08:59:17 -0400
Content-Type:text/plain
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Bruce Olson wrote:
>
> I get for the broadside index 122,534 records, and for the folk
> song index 118,355 records. ......
>...... When someone has their files
> entered into their data system, would they please check my
> numbers.
>Cancel that request. I've heard directly from Steve Roud that I have the
correct number of records for both indexes entered into my database
system.
Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Rainbow Quest
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 10:43:40 -0700
Content-Type:text/plain
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text/plain(50 lines)


Good People:On a humid Sunday morning in Santa Monica, I take time out write a
notice of listmember Ron Cohen's recent book, _Rainbow Quest: The Folk
Music Revival and American Society, 1940-1970_ (University of
Massachusetts Press, 2002).Mark this a "notice" and not a "review" for any review by me would be
spattered with conflicts of interest.  Cohen and I are friends and, more
recently, colleagues, as I am editing an anthology of essays for a
series Cohen guides for Scarcecrow Press.  Moreover, I owe him my thanks
for his help in locating people whom I could interview for my
forthcoming biography of Woody Guthrie.  Not for nothing do I call him
"folk music central" in the acknowledgements in _Ramblin' Man._That out of the way, let me say that _Rainbow Quest_ is an encyclopedic
history of the urban folk revival.  Indeed, it is so detailed that at
times it feels like biography.  Cohen seems not to have missed a
concert, festival, recording session, or chance meeting that took place
in the thirty years he covers -- including a handful in which I was
involved.  (Full disclosure: I am listed in the index once. [Only once,
Cohen??!!?] I am also credited in the acknowledgements for making
suggestions after reading an early draft of an even more encyclopedic
manuscript.)Cohen's mastery of the period -- he is by training a historian -- is
clear.  The sweep, the comprehensive nature of his research, the sheer
detail would seem to make this as THE first source for a history of the
period.  (Neil Rosenberg's _Transforming Tradition_ [U of Illinois] is
more analytical, and Robert Cantell's _When We Were Good_ (Harvard) more
idiosyncratic.  Norm Cohen's _Folk Song America: A 20th Century Revival_
in just 105 pages is necessarily compressed, written to accompany a
Smithsonian record set, but manages the sweep of Ron Cohen's
ingathering.  [The Cohens are related only by biblical ancestors.])While Cohen ends his history in 1970, I suspect that for most of the
folks on ballad-l, this will be a book of current affairs.  Hey, that is
us he is writing about.  In short, Ron Cohen has given us a vital
history of our times.I should add there is a sad note here, an almost page by page reminder
for those of us of a certain age, just how many of our friends and
acquaintances  -- people who made the revival sing -- are no longer with
us.   Recall Paul Clayton and Peter La Farge and Richard Farina, Dave
Van Ronk and Billy Faier and John Fahey, not to mention those of an
older generation such as Woody Guthrie and Lee Hays.In short, Ron Cohen has given us a vital history of our times.Ed

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Subject: Ebay List - 07/20/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 16:47:59 -0400
Content-Type:text/plain
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text/plain(79 lines)


Hi!        Ed - Northern Virginia can match your hot and humid any summer
day (with thunder storms) :-( Here (from my air-conditioned comfort) is
this week's list.        SONGSTERS        3538458238 - Sweet Songster, 1854, $2.99 (ends Jul-23-03
18:04:25 PDT)        SONGBOOKS, ETC.        3538421565 - English Folk Songs by Sharp, 1959 edition, 7.50 GBP
w/reserve (ends Jul-21-03 15:47:16 PDT)        3233941931 - With His Pistol in His Hand A Border Ballad and
It's Hero by Paredes, 2000 edition, $3.99 (ends Jul-21-03 16:53:29 PDT)        3537836115 - Echoes of Africa In Folk Songs of the Americas by
Landeck, 1969, $1 (ends Jul-21-03 17:15:12 PDT)        2545733950 - THE MINSTRELSY OF ENGLAND by Moffat, 1901, 1 GBP
(ends Jul-22-03 03:58:16 PDT)        3537968964 - THE MINSTRELSY OF ENGLAND by Duncan, 1905, 2.50 GBP
(ends Jul-22-03 06:53:01 PDT)        3538764370 - English Folk Songs from Southern Appalachians by
Sharp, 2 volumes, 1952 edition, $51 (ends Jul-22-03 16:49:04 PDT)        3538170571 - Legendary Romantic Ballads of Scotland by Mackay,
1861, $9.95 (ends Jul-22-03 18:43:47 PDT)        3538189540 - American Naval Songs & Ballads by Neeser, 1938,
$24.99 (ends Jul-22-03 19:30:40 PDT)        2546001702 - Eighty English Folk Songs from the Southern
Appalachians by Sharp & Karpeles, 1968 edition, $6.50 (ends Jul-23-03
09:30:46 PDT)        3233907401 - Religious Folk Songs of the Negro as Sung on the
Plantations by Fenner, 1909, $29.99 (ends Jul-23-03 12:38:23 PDT)        3538642751 - Irish Street Ballads by O'Lochlainn, 1958, $9.95
(ends Jul-24-03 10:57:17 PDT)        3538809324 - The Common Muse British Ballad Poetry by de Sola
Pinto & Rodway, 1957, $4.95 (ends Jul-24-03 18:50:33 PDT)        3538847182 - Folk Songs of Old New England by Linscott, 1939,
$9.99 (ends Jul-24-03 20:41:02 PDT)        2546512316 - Walter Peterson Mountain Ballads and Old Time
Songs, 1931, $10.50 (ends Jul-25-03 13:58:06 PDT)        3539043061 - Tocher Tales, Songs, Traditions by School of
Scottish Studies, 6 issues, 1971-1976, $9 (ends Jul-25-03 17:57:47 PDT)        2546571420 - Richard Runciman Terry's The Shanty Book, 2
volumes, $29.99 (ends Jul-25-03 22:13:22 PDT)        3538377149 - BALLADS OF THE FORTY-FIVE by Meller, 1914, 4.99 GBP
w/reserve (ends Jul-26-03 13:02:10 PDT)        3538677460 - VAGABOND SONGS AND BALLADS OF SCOTLAND by Ford,
1904, 10 GBP (ends Jul-27-03 12:18:58 PDT)        2546385299 - Steamboatin' Days: Folk Songs of the River Packet
Era by Wheeler, 1944, $24.99 (ends Jul-27-03 20:01:29 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Rainbow Quest
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 17:23:08 -0400
Content-Type:text/plain
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And  in my usual blatant semi-commercial manner, I'd like to point out
that if three or so list members want to purchase this (or any other
book), I can probably supply it at a substantial discount. Please
contact CAMSCO Music (800/548-FOLK [3655]) or E-mail me at [unmask]dick greenhaus)edward cray wrote:>Good People:
>
>On a humid Sunday morning in Santa Monica, I take time out write a
>notice of listmember Ron Cohen's recent book, _Rainbow Quest: The Folk
>Music Revival and American Society, 1940-1970_ (University of
>Massachusetts Press, 2002).
>
>Mark this a "notice" and not a "review" for any review by me would be
>spattered with conflicts of interest.  Cohen and I are friends and, more
>recently, colleagues, as I am editing an anthology of essays for a
>series Cohen guides for Scarcecrow Press.  Moreover, I owe him my thanks
>for his help in locating people whom I could interview for my
>forthcoming biography of Woody Guthrie.  Not for nothing do I call him
>"folk music central" in the acknowledgements in _Ramblin' Man._
>
>That out of the way, let me say that _Rainbow Quest_ is an encyclopedic
>history of the urban folk revival.  Indeed, it is so detailed that at
>times it feels like biography.  Cohen seems not to have missed a
>concert, festival, recording session, or chance meeting that took place
>in the thirty years he covers -- including a handful in which I was
>involved.  (Full disclosure: I am listed in the index once. [Only once,
>Cohen??!!?] I am also credited in the acknowledgements for making
>suggestions after reading an early draft of an even more encyclopedic
>manuscript.)
>
>Cohen's mastery of the period -- he is by training a historian -- is
>clear.  The sweep, the comprehensive nature of his research, the sheer
>detail would seem to make this as THE first source for a history of the
>period.  (Neil Rosenberg's _Transforming Tradition_ [U of Illinois] is
>more analytical, and Robert Cantell's _When We Were Good_ (Harvard) more
>idiosyncratic.  Norm Cohen's _Folk Song America: A 20th Century Revival_
>in just 105 pages is necessarily compressed, written to accompany a
>Smithsonian record set, but manages the sweep of Ron Cohen's
>ingathering.  [The Cohens are related only by biblical ancestors.])
>
>While Cohen ends his history in 1970, I suspect that for most of the
>folks on ballad-l, this will be a book of current affairs.  Hey, that is
>us he is writing about.  In short, Ron Cohen has given us a vital
>history of our times.
>
>I should add there is a sad note here, an almost page by page reminder
>for those of us of a certain age, just how many of our friends and
>acquaintances  -- people who made the revival sing -- are no longer with
>us.   Recall Paul Clayton and Peter La Farge and Richard Farina, Dave
>Van Ronk and Billy Faier and John Fahey, not to mention those of an
>older generation such as Woody Guthrie and Lee Hays.
>
>In short, Ron Cohen has given us a vital history of our times.
>
>Ed
>
>
>

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Subject: Off message
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 16:49:21 -0700
Content-Type:text/plain
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text/plain(23 lines)


----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Sunday, July 20, 2003 1:47 pm
Subject: Ebay List - 07/20/03> Hi!
>
>        Ed - Northern Virginia can match your hot and humid any summer
> day (with thunder storms) :-( Here (from my air-conditioned comfort) is
> this week's list.
>
>Dolores:I must say that I envy you the air conditioning.  On this unusual day when the
humidity is higher than the temperature.  Most homes in Santa Monica, and no few
businesses do not have air conditioning.  The mean summertime high is about 72,
and at 11 a.m. a 12-15 knot breeze springs up, cooling us down even
more.  I just open the doors and windows, et voila, the fabled Mediterranean
climate wafts through the condo.Ed

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Subject: Re: Ebay List - 07/20/03
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 01:39:14 +0100
Content-Type:text/plain
Parts/Attachments:

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----- Original Message -----
From: "Dolores Nichols" <[unmask]>
To: <[unmask]>
Sent: 20 July 2003 21:47
Subject: [BALLAD-L] Ebay List - 07/20/03Firstly, I'd like (belatedly) to add my voice to all those who have thanked Dolores for her
extremely helpful work on this. I'm only a very small player, but thanks to her I've managed to get
some books which I could never possibly have afforded if I were buying through more conventional
channels.Secondly; from time to time list members have mentioned when there have been books which they have
been particularly anxious to get hold of. I find myself in that case at present.2545733950 - THE MINSTRELSY OF ENGLAND by Moffat, 1901, 1 GBP
(ends Jul-22-03 03:58:16 PDT)Another copy came up not very long ago, and I think that Dan Milner and I ended up bidding against
each other. I went to sleep at a crucial moment, and missed it! I intend to try again this time
round, but see no point in competing with anyone who is able to bid significantly higher than I, or
who wants it more.Subject mentioned; no favours asked.Thirdly, and on an unrelated subject (but further to past discussion) I can report that the English
Folk Dance and Song Society is not only publishing a new selection of songs from Cecil Sharp's
collections in August (have details been posted to the list? I don't recall seeing any, and will add
them if it's useful. The approach is interesting, concentrating on the singers as much as the songs)
but will also be re-issuing the Penguin Book of English Folk Songs later this year, probably in late
October. This will include some additional prefatory material and a new bibliography compiled by
David Atkinson. There will also be supplements to the original notes, mainly providing additional
references and details, where it has been possible to establish them, of the sources of material
introduced into the song texts by the editors (these were not uniformly acknowledged in the original
book, and turn out to be quite complicated); this last task has fallen to me. By popular request,
the book will be printed on acid-free paper.I'll post specifics when they are available. Meanwhile, just in case; does anyone have any idea
where Robert Jackson ("The Ship in Distress") came from? Not, so far as I can tell, from any
traditional or broadside form of the song.Malcolm Douglas---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.495 / Virus Database: 294 - Release Date: 01/07/03

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Subject: Re: Ebay List - 07/20/03
From: DAN MILNER <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 18:08:14 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(89 lines)


Hello Malcolm!If you are unsuccessful with2545733950 - THE MINSTRELSY OF ENGLAND by Moffat,
1901, 1 GBP
(ends Jul-22-03 03:58:16 PDT)You are most welcome to my copy.  This is a book you
will use frequently and I only occasionally.  Consider
it a matter of practicality and not a favor.All the best,
Dan--- Malcolm Douglas <[unmask]>
wrote:
> ----- Original Message -----
> From: "Dolores Nichols" <[unmask]>
> To: <[unmask]>
> Sent: 20 July 2003 21:47
> Subject: [BALLAD-L] Ebay List - 07/20/03
>
>
> Firstly, I'd like (belatedly) to add my voice to all
> those who have thanked Dolores for her
> extremely helpful work on this. I'm only a very
> small player, but thanks to her I've managed to get
> some books which I could never possibly have
> afforded if I were buying through more conventional
> channels.
>
> Secondly; from time to time list members have
> mentioned when there have been books which they have
> been particularly anxious to get hold of. I find
> myself in that case at present.
>
> 2545733950 - THE MINSTRELSY OF ENGLAND by Moffat,
> 1901, 1 GBP
> (ends Jul-22-03 03:58:16 PDT)
>
> Another copy came up not very long ago, and I think
> that Dan Milner and I ended up bidding against
> each other. I went to sleep at a crucial moment, and
> missed it! I intend to try again this time
> round, but see no point in competing with anyone who
> is able to bid significantly higher than I, or
> who wants it more.
>
> Subject mentioned; no favours asked.
>
> Thirdly, and on an unrelated subject (but further to
> past discussion) I can report that the English
> Folk Dance and Song Society is not only publishing a
> new selection of songs from Cecil Sharp's
> collections in August (have details been posted to
> the list? I don't recall seeing any, and will add
> them if it's useful. The approach is interesting,
> concentrating on the singers as much as the songs)
> but will also be re-issuing the Penguin Book of
> English Folk Songs later this year, probably in late
> October. This will include some additional prefatory
> material and a new bibliography compiled by
> David Atkinson. There will also be supplements to
> the original notes, mainly providing additional
> references and details, where it has been possible
> to establish them, of the sources of material
> introduced into the song texts by the editors (these
> were not uniformly acknowledged in the original
> book, and turn out to be quite complicated); this
> last task has fallen to me. By popular request,
> the book will be printed on acid-free paper.
>
> I'll post specifics when they are available.
> Meanwhile, just in case; does anyone have any idea
> where Robert Jackson ("The Ship in Distress") came
> from? Not, so far as I can tell, from any
> traditional or broadside form of the song.
>
>
> Malcolm Douglas
>
>
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system
> (http://www.grisoft.com).
> Version: 6.0.495 / Virus Database: 294 - Release
> Date: 01/07/03

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Subject: Cecil Sharp
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 20 Jul 2003 21:30:05 -0700
Content-Type:text/plain
Parts/Attachments:

text/plain(83 lines)


Malcolm:Do please tell us more about the forthcoming Sharp editions.  This is good news
indeed and I want to "update" my copies.Ed----- Original Message -----
From: Malcolm Douglas <[unmask]>
Date: Sunday, July 20, 2003 5:39 pm
Subject: Re: Ebay List - 07/20/03> ----- Original Message -----
> From: "Dolores Nichols" <[unmask]>
> To: <[unmask]>
> Sent: 20 July 2003 21:47
> Subject: [BALLAD-L] Ebay List - 07/20/03
>
>
> Firstly, I'd like (belatedly) to add my voice to all those who have
> thanked Dolores for her
> extremely helpful work on this. I'm only a very small player, but thanks
> to her I've managed to get
> some books which I could never possibly have afforded if I were buying
> through more conventional
> channels.
>
> Secondly; from time to time list members have mentioned when there have
> been books which they have
> been particularly anxious to get hold of. I find myself in that case at
> present.
> 2545733950 - THE MINSTRELSY OF ENGLAND by Moffat, 1901, 1 GBP
> (ends Jul-22-03 03:58:16 PDT)
>
> Another copy came up not very long ago, and I think that Dan Milner and I
> ended up bidding against
> each other. I went to sleep at a crucial moment, and missed it! I intend
> to try again this time
> round, but see no point in competing with anyone who is able to bid
> significantly higher than I, or
> who wants it more.
>
> Subject mentioned; no favours asked.
>
> Thirdly, and on an unrelated subject (but further to past discussion) I
> can report that the English
> Folk Dance and Song Society is not only publishing a new selection of
> songs from Cecil Sharp's
> collections in August (have details been posted to the list? I don't
> recall seeing any, and will add
> them if it's useful. The approach is interesting, concentrating on the
> singers as much as the songs)
> but will also be re-issuing the Penguin Book of English Folk Songs later
> this year, probably in late
> October. This will include some additional prefatory material and a new
> bibliography compiled by
> David Atkinson. There will also be supplements to the original notes,
> mainly providing additional
> references and details, where it has been possible to establish them, of
> the sources of material
> introduced into the song texts by the editors (these were not uniformly
> acknowledged in the original
> book, and turn out to be quite complicated); this last task has fallen to
> me. By popular request,
> the book will be printed on acid-free paper.
>
> I'll post specifics when they are available. Meanwhile, just in case; does
> anyone have any idea
> where Robert Jackson ("The Ship in Distress") came from? Not, so far as I
> can tell, from any
> traditional or broadside form of the song.
>
>
> Malcolm Douglas
>
>
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system (http://www.grisoft.com).
> Version: 6.0.495 / Virus Database: 294 - Release Date: 01/07/03
>
>
>

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Subject: Re: Cecil Sharp
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 07:01:50 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(25 lines)


At 09:30 PM 7/20/03 -0700, you wrote:
> >
> > Thirdly, and on an unrelated subject (but further to past discussion) I
> > can report that the English
> > Folk Dance and Song Society is not only publishing a new selection of
> > songs from Cecil Sharp's
> > collections in August (have details been posted to the list? I don't
> > recall seeing any, and will add
> > them if it's useful. The approach is interesting, concentrating on the
> > singers as much as the songs)......
> > Malcolm Douglas
> >This is wonderful news.  However, I wonder what you mean by "a new
selection of songs from Cecil Sharp's collections"- does this mean it will
not include all the songs from the Oxford edition of English Folksongs from
the Southern Appalachians, but only some of the songs from the book?  In
other words, if one wanted all the variants of each song now included in
the Oxford edition, one would still have to have that edition?  Any further
info is greatly appreciated.  It is wonderful that there will be further
detailed information presented on the singers that are chosen to be
included.  Is it possible yet to tell us approximately how many of the
singers and/or songs from the Oxford edition be represented?
Thank you,
Lisa Johnson

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Subject: Re: Cecil Sharp
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 14:26:19 +0100
Content-Type:text/plain
Parts/Attachments:

text/plain(52 lines)


The new Cecil Sharp book is now available. It is published to celebrate 100
years since he collected his first song. It includes 50 songs, all collected
in England, but as noted previously, it foregrounds the singers more than is
usual, with photos and short biographies, and includes an important essay on
Sharp by Vic Gammon The full details are:'Still Growing: English Traditional Songs and Singers from the Cecil Sharp
Collection', compiled & edited by Steve Roud, Eddie Upton, and  Malcolm Taylor
(English Folk Dance & Song Society, 2003) ISBN 0 85418 187 3. Pbk. Illus.
121pp. £12.99.I don't know how much postage would be to the USA, or whether anyone over
there will hold stocks. For further information, contact Malcolm Taylor
[unmask]
or try the website www.efdss.orgRegards
Steve Roud[unmask] wrote:> At 09:30 PM 7/20/03 -0700, you wrote:
> > >
> > > Thirdly, and on an unrelated subject (but further to past discussion) I
> > > can report that the English
> > > Folk Dance and Song Society is not only publishing a new selection of
> > > songs from Cecil Sharp's
> > > collections in August (have details been posted to the list? I don't
> > > recall seeing any, and will add
> > > them if it's useful. The approach is interesting, concentrating on the
> > > singers as much as the songs)......
> > > Malcolm Douglas
> > >
>
> This is wonderful news.  However, I wonder what you mean by "a new
> selection of songs from Cecil Sharp's collections"- does this mean it will
> not include all the songs from the Oxford edition of English Folksongs from
> the Southern Appalachians, but only some of the songs from the book?  In
> other words, if one wanted all the variants of each song now included in
> the Oxford edition, one would still have to have that edition?  Any further
> info is greatly appreciated.  It is wonderful that there will be further
> detailed information presented on the singers that are chosen to be
> included.  Is it possible yet to tell us approximately how many of the
> singers and/or songs from the Oxford edition be represented?
> Thank you,
> Lisa Johnson--
Message sent with Supanet E-mail

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Subject: Re: Cecil Sharp
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 10:28:29 -0400
Content-Type:text/plain
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I am interested in obtaining this publication, and expect many others on this list
will also.
Dick Greenhaus, can you supply this at a discount?
Thanks, Thomas Stern[unmask] wrote:> The new Cecil Sharp book is now available. It is published to celebrate 100
> years since he collected his first song. It includes 50 songs, all collected
> in England, but as noted previously, it foregrounds the singers more than is
> usual, with photos and short biographies, and includes an important essay on
> Sharp by Vic Gammon The full details are:
>
> 'Still Growing: English Traditional Songs and Singers from the Cecil Sharp
> Collection', compiled & edited by Steve Roud, Eddie Upton, and  Malcolm Taylor
> (English Folk Dance & Song Society, 2003) ISBN 0 85418 187 3. Pbk. Illus.
> 121pp. £12.99.
>
> I don't know how much postage would be to the USA, or whether anyone over
> there will hold stocks. For further information, contact Malcolm Taylor
> [unmask]
> or try the website www.efdss.org
>
> Regards
> Steve Roud
>
> [unmask] wrote:
>
> > At 09:30 PM 7/20/03 -0700, you wrote:
> > > >
> > > > Thirdly, and on an unrelated subject (but further to past discussion) I
> > > > can report that the English
> > > > Folk Dance and Song Society is not only publishing a new selection of
> > > > songs from Cecil Sharp's
> > > > collections in August (have details been posted to the list? I don't
> > > > recall seeing any, and will add
> > > > them if it's useful. The approach is interesting, concentrating on the
> > > > singers as much as the songs)......
> > > > Malcolm Douglas
> > > >
> >
> > This is wonderful news.  However, I wonder what you mean by "a new
> > selection of songs from Cecil Sharp's collections"- does this mean it will
> > not include all the songs from the Oxford edition of English Folksongs from
> > the Southern Appalachians, but only some of the songs from the book?  In
> > other words, if one wanted all the variants of each song now included in
> > the Oxford edition, one would still have to have that edition?  Any further
> > info is greatly appreciated.  It is wonderful that there will be further
> > detailed information presented on the singers that are chosen to be
> > included.  Is it possible yet to tell us approximately how many of the
> > singers and/or songs from the Oxford edition be represented?
> > Thank you,
> > Lisa Johnson
>
> --
> Message sent with Supanet E-mail

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Subject: Re: Cecil Sharp
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 11:45:56 -0400
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Subject: Re: Ebay List - 07/20/03
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 10:43:20 -0500
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----- Original Message -----
From: Malcolm Douglas <[unmask]><<Thirdly, and on an unrelated subject (but further to past discussion) I
can report that the English
Folk Dance and Song Society is not only publishing a new selection of songs
from Cecil Sharp's
collections in August (have details been posted to the list? I don't recall
seeing any, and will add
them if it's useful. The approach is interesting, concentrating on the
singers as much as the songs)
but will also be re-issuing the Penguin Book of English Folk Songs later
this year, probably in late
October. This will include some additional prefatory material and a new
bibliography compiled by
David Atkinson. There will also be supplements to the original notes, mainly
providing additional
references and details, where it has been possible to establish them, of the
sources of material
introduced into the song texts by the editors (these were not uniformly
acknowledged in the original
book, and turn out to be quite complicated); this last task has fallen to
me. By popular request,
the book will be printed on acid-free paper.>>Double hurrah: Hurrah for the reprints, and hurrah for the acid-free paper,
as my copy of the Penguin book is crumbling as we speak.Peace,
Paul

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Subject: Re: Cecil Sharp
From: Paddy Tutty <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 12:01:05 -0600
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Subject: Re: Folk Song Index
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 21 Jul 2003 17:21:44 -0700
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Steve:My copy arrived in good order (I presume, since I haven't opened it) this
afternoon.  I thank you.Am I correct in stating that my $100 "subscription" has run out?  I have
received the 2001, 2002, and now the 2003 editions.Best to you,An awed Ed Cray----- Original Message -----
From: [unmask]
Date: Thursday, July 17, 2003 3:59 pm
Subject: Folk Song Index> Subscribers to my Folk Song and Broadside Indexes will be pleased (I hope) to
> learn that I have at last produced a major update, which will be mailed
> out in
> the next few days.
> If you subscribe and haven't received the CD-Rom within about two weeks,
> please contact me on my new email address: [unmask]
> In particular: If I met you at last year's AFS meeting at Rochester, and took
> your money or agreed a swap, please conract me to check that I have your
> details - I seem to have lost a few stray pieces of paper from that time...
> Regards
> Steve Roud
>
>
>

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Subject: Apologies
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 22 Jul 2003 04:16:38 -0700
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Folks:I apologize for sending a private message to the list rather than solely
to Steve Roud.Ed

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Subject: Short Ebay Auction Notice
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 23 Jul 2003 21:57:40 -0400
Content-Type:text/plain
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Hi!        This listing has turned up on Ebay. It is only a 3 day auction
which closes tomorrow night.        2547109236 - THE MINER SINGS - A Collection of Folk-Songs and
Ballads of the Anthracite Miner by LeMon, 1936, $5 (ends Jul-24-03
19:29:31 PDT)                                Happy Bidding!
                                DoloresP.S. The regular list will probably be posted on Saturday.--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: P & VJ Thorpe <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 18:44:13 +0600
Content-Type:text/plain
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I notice that the Tommy Armstrong beuk is now available from Amazon.com at
the amazing price of $31!Even though my UK bank charges me GBP7 (i.e. about $10.50) for a bank draft,
it still works out a bit cheaper to buy it from the States.Don't we have any UK booksellers on this list who may like to import a few
copies of books like this? And like the Loomis House Child Ballads books,
too.Peter----- Original Message -----
From: "Conrad Bladey ***Peasant****" <[unmask]>
To: <[unmask]>
Sent: Tuesday, July 08, 2003 12:21 AM
Subject: Tommy Armstrong Songbook UK Shipping> Greetings!
> I extracted myself from the wonderful Smithsonian Folklife Festival where
I
> had the best of times talking folk music with a few guys from
> Scotland.....how refreshing after being locked up in suburbia for so
long.!
>
> Just calculated the postage for the book of sangs...
>
> Postage to UK via air= $4.00
> Base price of book- $9.50
> Us dollars only in check, money order or cash.
> book details follow:
>
>
> > > > We are selling this close to cost with proceeds going to support the
> > > Hutman
> > > > Library and ongoing research projects including the Book of Bonfire
night
> > > > which is currently being put together.
> > > >
> > > > Here are the details....
> > > >
> > > > A Beuk of the Sangs of Tommy Armstrong
> > > > The Pitman's Poet
> > > > isbn number 0-9702386-8-1
> > > >
> > > > This production is a book of all of the Songs of Tommy Armstrong as
well
> > > > as his recitations. It includes first person accounts of the role of
> > > > song and story within the culture as well as a commentary concerning
the
> > > > content of the songs. There is even a recipe for game pie.
Illustrations
> > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > celebrated artist of the town. Songs are presented with notation and
> > > > alternative tunes.
> > > >
> > > > The book can be obtained from:
> > > >
> > > > Hutman Productions
> > > > PO 268 Linthicum, Md.
> > > > 21090 USA
> > > >
> > > > Cost: $9.50
> > > > Add postage: $4.30 Priority Mail
> > > >              $1.42 Book Rate
> > > >
> > > > If outside the USA inquire: [unmask]
> > > >
> > > > We accept cash, check and money order in U.S. Dollars
> > > > The book will be available in the near future from
> > > > http://www.amazon.com
> > > > ....but...at a much higher price due to amazons overhead...but they
do
> > > deal
> > > > with other currencys and credit cards...
> > > >
> > > > We hope that greater accessibility of this material will help
inspire
> > > > others and give a bit of life to the tradition.
> > > >
> > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > stay!".
> > > > In other words no revisionism and pc ism here.
> > > >
> > > > We were happy to have permission to include the tribute to Tommy
composed
> > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > >
> > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > >
> > > > Thanks for your time today!
> > > > Questions: [unmask]
> > > >
> > > > Conrad Bladey
>
> --
> "I had to walk down the road with
> my throat a little dry
> ranting like Jimmy Durante
> My mind was as clear as the clouds in the sky
> And my debts were all outstanding
> outstanding
> In a field of debts outstanding
> my outraged heart was handy
> at borrowing a sorrow I could put off 'till tomorrow
> and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
>
>
>

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 10:09:31 -0400
Content-Type:text/plain
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Peter:
Sorry about the amazon price. Unfortunately they charge vendors 55%
overhead. I have a minimum cost and can not afford to absorb that high mark
up. Many people do still use the store front and they do accept other
currencys and credit cards.I have corresponded with Dick Greenhouse concerning this. No reply as yet
but watch this space. Sometimes people mail me dollars cash which seems to
work too. Dick is an excelent person to work with though and I believe he
should be able to help you soon. If not contact me directly at
[unmask]I have been delighted with the initial reviews of the booklet which have
been fantastic. We produce it at a very minimal profit. All proceeds go to
the maintenance of our web pages which cover many folk music and folklore
topics and are available free 24 hours a day 7 days a week. This service
continues to become more and more expensive....thus the motivation to get
more publications out.Thank you for your interest. I hope a UK vendor appears soon.Our main goal is to make these songs available for singing.
Currently it is very hard to find these when a pint is in the hand if you
know what I mean!ConradP & VJ Thorpe wrote:
>
> I notice that the Tommy Armstrong beuk is now available from Amazon.com at
> the amazing price of $31!
>
> Even though my UK bank charges me GBP7 (i.e. about $10.50) for a bank draft,
> it still works out a bit cheaper to buy it from the States.
>
> Don't we have any UK booksellers on this list who may like to import a few
> copies of books like this? And like the Loomis House Child Ballads books,
> too.
>
> Peter
>
> ----- Original Message -----
> From: "Conrad Bladey ***Peasant****" <[unmask]>
> To: <[unmask]>
> Sent: Tuesday, July 08, 2003 12:21 AM
> Subject: Tommy Armstrong Songbook UK Shipping
>
> > Greetings!
> > I extracted myself from the wonderful Smithsonian Folklife Festival where
> I
> > had the best of times talking folk music with a few guys from
> > Scotland.....how refreshing after being locked up in suburbia for so
> long.!
> >
> > Just calculated the postage for the book of sangs...
> >
> > Postage to UK via air= $4.00
> > Base price of book- $9.50
> > Us dollars only in check, money order or cash.
> > book details follow:
> >
> >
> > > > > We are selling this close to cost with proceeds going to support the
> > > > Hutman
> > > > > Library and ongoing research projects including the Book of Bonfire
> night
> > > > > which is currently being put together.
> > > > >
> > > > > Here are the details....
> > > > >
> > > > > A Beuk of the Sangs of Tommy Armstrong
> > > > > The Pitman's Poet
> > > > > isbn number 0-9702386-8-1
> > > > >
> > > > > This production is a book of all of the Songs of Tommy Armstrong as
> well
> > > > > as his recitations. It includes first person accounts of the role of
> > > > > song and story within the culture as well as a commentary concerning
> the
> > > > > content of the songs. There is even a recipe for game pie.
> Illustrations
> > > > > include views of 19th century Newcastle and comic woodcuts by a
> > > > > celebrated artist of the town. Songs are presented with notation and
> > > > > alternative tunes.
> > > > >
> > > > > The book can be obtained from:
> > > > >
> > > > > Hutman Productions
> > > > > PO 268 Linthicum, Md.
> > > > > 21090 USA
> > > > >
> > > > > Cost: $9.50
> > > > > Add postage: $4.30 Priority Mail
> > > > >              $1.42 Book Rate
> > > > >
> > > > > If outside the USA inquire: [unmask]
> > > > >
> > > > > We accept cash, check and money order in U.S. Dollars
> > > > > The book will be available in the near future from
> > > > > http://www.amazon.com
> > > > > ....but...at a much higher price due to amazons overhead...but they
> do
> > > > deal
> > > > > with other currencys and credit cards...
> > > > >
> > > > > We hope that greater accessibility of this material will help
> inspire
> > > > > others and give a bit of life to the tradition.
> > > > >
> > > > > Note! This is not the tradition of Geordie Bashing Jez Lowe!
> > > > > In the words of the Whisky Priests "The Bonny Pit Laddie is here to
> > > > stay!".
> > > > > In other words no revisionism and pc ism here.
> > > > >
> > > > > We were happy to have permission to include the tribute to Tommy
> composed
> > > > > and performed by the Whisky Priests: "Pitman Tom" a brilliant piece.
> > > > >
> > > > > Let us all celebrate Tommy and his muse: "The Mug of Ale"
> > > > >
> > > > > Thanks for your time today!
> > > > > Questions: [unmask]
> > > > >
> > > > > Conrad Bladey
> >
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >
> >
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 11:24:34 -0400
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Subject: Re: Tommy Armstrong Songbook UK Shipping
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 24 Jul 2003 12:30:45 -0400
Content-Type:text/plain
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That will be fine Dick.
In the mail no later than tomorrow Morning maybe tomorrow.
Got to get those folks singing.
Maybe I should get a kickback from Newcastle scottish breweries as sales of
broon and X are bound to increase.Conrad> dick greenhaus wrote:
>
> Hi Conrad-
> Sorry I didn't get back to you sooner, but I've been recovering from a
> massive computer crash.
> Why don't you send me three copies to start with, and bill me--I'll send
> a check soonest. When I know exactly what they cost me, I'll add it to my
> catalog and let you know the price (which won't be anywhere near
> Amazon's.
>
> And yes, I take credit cards and ship internationally.
>
> dick greenhaus
> CAMSCO Music
> 28 Powell Street
> Greenwich, CT 06831
> Conrad Bladey ***Peasant**** wrote:
>
> > Peter:
> > Sorry about the amazon price. Unfortunately they charge vendors 55%
> > overhead. I have a minimum cost and can not afford to absorb that high
> > mark
> > up. Many people do still use the store front and they do accept other
> > currencys and credit cards.
> >
> > I have corresponded with Dick Greenhouse concerning this. No reply as
> > yet
> > but watch this space. Sometimes people mail me dollars cash which seems
> > to
> > work too. Dick is an excelent person to work with though and I believe
> > he
> > should be able to help you soon. If not contact me directly at
> > [unmask]
> >
> > I have been delighted with the initial reviews of the booklet which
> > have
> > been fantastic. We produce it at a very minimal profit. All proceeds go
> > to
> > the maintenance of our web pages which cover many folk music and
> > folklore
> > topics and are available free 24 hours a day 7 days a week. This
> > service
> > continues to become more and more expensive....thus the motivation to
> > get
> > more publications out.
> >
> > Thank you for your interest. I hope a UK vendor appears soon.
> >
> > Our main goal is to make these songs available for singing.
> > Currently it is very hard to find these when a pint is in the hand if
> > you
> > know what I mean!
> >
> > Conrad
> >
> > P & VJ Thorpe wrote:
> >
> >
> >> I notice that the Tommy Armstrong beuk is now available from
> >> Amazon.com at
> >> the amazing price of $31!
> >>
> >> Even though my UK bank charges me GBP7 (i.e. about $10.50) for a bank
> >> draft,
> >> it still works out a bit cheaper to buy it from the States.
> >>
> >> Don't we have any UK booksellers on this list who may like to import
> >> a few
> >> copies of books like this? And like the Loomis House Child Ballads
> >> books,
> >> too.
> >>
> >> Peter
> >>
> >> ----- Original Message -----
> >> From: "Conrad Bladey ***Peasant****" <[unmask]>
> >> To: <[unmask]>
> >> Sent: Tuesday, July 08, 2003 12:21 AM
> >> Subject: Tommy Armstrong Songbook UK Shipping
> >>
> >>
> >>
> >> > Greetings!
> >> > I extracted myself from the wonderful Smithsonian Folklife Festival
> >> > where
> >> >
> >> >
> >> I
> >>
> >>
> >> > had the best of times talking folk music with a few guys from
> >> > Scotland.....how refreshing after being locked up in suburbia for so
> >> >
> >> >
> >> long.!
> >>
> >>
> >> > Just calculated the postage for the book of sangs...
> >> >
> >> > Postage to UK via air= $4.00
> >> > Base price of book- $9.50
> >> > Us dollars only in check, money order or cash.
> >> > book details follow:
> >> >
> >> >
> >> >
> >> >
> >> >> >>  We are selling this close to cost with proceeds going to
> >> >> >>  support the
> >> >> >>
> >> >> >>
> >> >> > Hutman
> >> >> >
> >> >> >
> >> >> >>  Library and ongoing research projects including the Book of
> >> >> >>  Bonfire
> >> >> >>
> >> >> >>
> >> night
> >>
> >>
> >> >> >>  which is currently being put together.
> >> >> >>
> >> >> >>  Here are the details....
> >> >> >>
> >> >> >>  A Beuk of the Sangs of Tommy Armstrong
> >> >> >>  The Pitman's Poet
> >> >> >>  isbn number 0-9702386-8-1
> >> >> >>
> >> >> >>  This production is a book of all of the Songs of Tommy
> >> >> >>  Armstrong as
> >> >> >>
> >> >> >>
> >> well
> >>
> >>
> >> >> >>  as his recitations. It includes first person accounts of the
> >> >> >>  role of
> >> >> >>  song and story within the culture as well as a commentary
> >> >> >>  concerning
> >> >> >>
> >> >> >>
> >> the
> >>
> >>
> >> >> >>  content of the songs. There is even a recipe for game pie.
> >> >> >>
> >> >> >>
> >> Illustrations
> >>
> >>
> >> >> >>  include views of 19th century Newcastle and comic woodcuts by a
> >> >> >>  celebrated artist of the town. Songs are presented with
> >> >> >>  notation and
> >> >> >>  alternative tunes.
> >> >> >>
> >> >> >>  The book can be obtained from:
> >> >> >>
> >> >> >>  Hutman Productions
> >> >> >>  PO 268 Linthicum, Md.
> >> >> >>  21090 USA
> >> >> >>
> >> >> >>  Cost: $9.50
> >> >> >>  Add postage: $4.30 Priority Mail
> >> >> >>               $1.42 Book Rate
> >> >> >>
> >> >> >>  If outside the USA inquire: [unmask]
> >> >> >>
> >> >> >>  We accept cash, check and money order in U.S. Dollars
> >> >> >>  The book will be available in the near future from
> >> >> >>  http://www.amazon.com
> >> >> >>  ....but...at a much higher price due to amazons overhead...but
> >> >> >>  they
> >> >> >>
> >> >> >>
> >> do
> >>
> >>
> >> >> > deal
> >> >> >
> >> >> >
> >> >> >>  with other currencys and credit cards...
> >> >> >>
> >> >> >>  We hope that greater accessibility of this material will help
> >> >> >>
> >> >> >>
> >> inspire
> >>
> >>
> >> >> >>  others and give a bit of life to the tradition.
> >> >> >>
> >> >> >>  Note! This is not the tradition of Geordie Bashing Jez Lowe!
> >> >> >>  In the words of the Whisky Priests "The Bonny Pit Laddie is
> >> >> >>  here to
> >> >> >>
> >> >> >>
> >> >> > stay!".
> >> >> >
> >> >> >
> >> >> >>  In other words no revisionism and pc ism here.
> >> >> >>
> >> >> >>  We were happy to have permission to include the tribute to
> >> >> >>  Tommy
> >> >> >>
> >> >> >>
> >> composed
> >>
> >>
> >> >> >>  and performed by the Whisky Priests: "Pitman Tom" a brilliant
> >> >> >>  piece.
> >> >> >>
> >> >> >>  Let us all celebrate Tommy and his muse: "The Mug of Ale"
> >> >> >>
> >> >> >>  Thanks for your time today!
> >> >> >>  Questions: [unmask]
> >> >> >>
> >> >> >>  Conrad Bladey
> >> >> >>
> >> >> >>
> >> > --
> >> > "I had to walk down the road with
> >> > my throat a little dry
> >> > ranting like Jimmy Durante
> >> > My mind was as clear as the clouds in the sky
> >> > And my debts were all outstanding
> >> > outstanding
> >> > In a field of debts outstanding
> >> > my outraged heart was handy
> >> > at borrowing a sorrow I could put off 'till tomorrow
> >> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >> >
> >> >
> >> >
> >> >
> >> >
> > --
> > "I had to walk down the road with
> > my throat a little dry
> > ranting like Jimmy Durante
> > My mind was as clear as the clouds in the sky
> > And my debts were all outstanding
> > outstanding
> > In a field of debts outstanding
> > my outraged heart was handy
> > at borrowing a sorrow I could put off 'till tomorrow
> > and coming to no understanding"- Jawbone "Pilgrim At the Wedding"
> >
> >
> >--
"I had to walk down the road with
my throat a little dry
ranting like Jimmy Durante
My mind was as clear as the clouds in the sky
And my debts were all outstanding
outstanding
In a field of debts outstanding
my outraged heart was handy
at borrowing a sorrow I could put off 'till tomorrow
and coming to no understanding"- Jawbone "Pilgrim At the Wedding"

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Subject: [email] Ebay List - 07/26/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 26 Jul 2003 18:49:50 -0400
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Hi!        While our out-of-town guests are visiting DC museums, here is
the weekly list.        SONGSTERS        3234438316 - LUCIER'S MINSTRELS LATEST SONG BOOK, 1894, $49.50
(ends Jul-27-03 10:08:58 PDT)        2184813572 - FOREPAUGH'S SONGSTER, 1870's, $31 (Jul-28-03
13:37:09 PDT)        3619357225 - Wallace & Co World's Railroad Show Songster, 1887,
$5 (ends Jul-29-03 16:10:47 PDT)        3540142492 - The Western Temperance Songster, 1855, $10.50 (ends
Jul-29-03 19:00:51 PDT)        3619179052 - Howe's 100 Ethiopian Songs, Words And Music, 1877,
$44.99 (ends Jul-31-03 11:56:42 PDT)        2184811872 - Red, White and Blue Songster For Soldiers,Sailors
and Marines, 1917, $4.99 (ends Jul-28-03 13:24:01 PDT)        SONGBOOKS, ETC.        3539517644 - FOLK VISIONS & VOICES TRADITIONAL MUSIC AND SONG
IN NORTH GEORGIA by Rosenbaum, 1983, $9.99 (ends Jul-27-03 15:30:18 PDT)        3539578169 - West Virginia Traditional Life, magazine, Vol. 22,
No. 2, Summer 1996, inc. articles on John Henry, $7.50 (ends Jul-27-03
18:39:17 PDT)        3539578444 - FAVORITE OLD-TIME SONGS AND MOUNTAIN BALLADS by
Kincaid, 1930, $9.99 9ends Jul-27-03 18:40:06 PDT)        3539618846 - A Book of British Ballads by Johnson, $7.45 (ends
Jul-27-03 20:20:16 PDT)        2546925270 - Ballads and Songs of the Shanty-Boy by Rickaby,
1926, $9.99 (ends Jul-27-03 20:24:42 PDT)        3539863229 - Folksongs of Florida by Morris, 1950, $9.99 (ends
Jul-28-03 18:41:24 PDT)        3539882687 - ARKANSAS HISTORICAL QUARTERLY - SUMMER 1997,
articles on Leadbelly, Lomax and "The Rock Island Line", $15 (ends
Jul-28-03 19:34:21 PDT)        3539887938 - Bradley Kincaid Book #7, 1936, $9 (ends Jul-28-03
19:49:46 PDT)        3540042781 - ROVINGS - SEA SONGS AND BALLADS by Smith, 1921,
19.90 GBP (ends Jul-29-03 12:45:45 PDT)        3540011051 - Voices from the Mountains by Carawan, 1975, $9.99
(ends Jul-29-03 19:40:00 PDT)        3540314487 - Southern Mountain Folksongs by McNeil, $5 (ends
Jul-30-03 15:03:11 PDT)        3539562510 - ENGLISH AND SCOTTISH POPULAR BALLADS by Sargent &
Kittredge, 1932 edition, $17.59 (ends Jul-30-03 18:01:59 PDT)        3540384563 - SHIPS, SEA SONGS AND SHANTIES by Whall, 1913,
$19.99 (ends Jul-30-03 21:57:24 PDT)        3540401802 - The Rambling Soldier - Life in the Lower Ranks 1750
to 1900 by Palmer, 1977, 2.95 GBP (ends Jul-31-03 02:56:16 PDT)        3540568159 - SMITH,S COLLECTION OF MOUNTAIN BALLADS AND COWBOY
SONGS, 1932, $15.99 (ends Jul-31-03 18:21:25 PDT)        MISCELLANEOUS        3338400746 - Generations of change, video, 1 GBP (ends Jul-27-03
14:49:24 PDT)        2547119164 - A TREASURY OF FIELD RECORDINGS VOL 1 & 2, 2 LPs,
1960, $29.99 (ends Jul-28-03 20:19:48 PDT) Does anyone know anything
about this set?                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: BALLAD-L Digest - 24 Jul 2003 to 26 Jul 2003 (#2003-197)
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 02:36:23 -0500
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---------- Original Message ---------------------------------->From:    Dolores Nichols <[unmask]>
>        2547119164 - A TREASURY OF FIELD RECORDINGS VOL 1 & 2, 2
LPs,1960, $29.99 (ends Jul-28-03 20:19:48 PDT) Does anyone know
anything about this set?Yes, these were recordings made in the Houston, Texas area between
1951 and 1960, including the earliest recordings of Mance Lipscomb
("Anonymous") and George Coleman, who later recorded for Arhoolie
as Bongo Joe. I've been looking for these LPs for a long time so
thank you for bringing this listing to my attention.Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 05:15:21 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 14:30:43 -0400
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 14:36:14 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 14:33:43 -0500
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Subject: Rarity of 77 label issues
From: beasley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 15:41:30 -0400
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Hi,Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label were issued, a master and 99 for sale at the store. "I find this extremely hard to believe, and thus I beg to respectfully dispute your friend's opinion.Records that are issued in small quantities manifest a rarity in the market that 77 Records do not.Also, at the time those records came out, I lived in Louisville, KY, and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by Scrapper Blackwell. I was responding to advertisements, reviews, and mailing pieces, and I mailed in my orders. All this would take time to happen, especially reviews. Yet I was able to obtain all three. They obviously were not restricted to in-store sales, and I would think that if only 100 were pressed, they might be gone by the time that my order reached them. Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at in-store sales?Paul Garon--
Paul and Beth Garon
Beasley Books
1533 W Oakdale
Chicago, IL 60657
773 472 4528
773 472 7857 (fax)
--

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Subject: Re: Rarity of 77 label issues
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 19:18:36 -0400
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Hello,
  The issue of 'limited editions' has been the bane of LP collectors since the 50's when some Westminster (classical) titles were offered as limited editions, but were subsequently repressed repeatedly - though frequently without deluxe packaging.  Origin Jazz Library OJL-1 Charley Patton was initially pressed in an edition of 500 copies as a subscription for which I waited what =seemed= like years for it to actually to appear, but  there developed a large market for blues, and that LP and other early Origin issues were reprinted repeatedly (without the 'limited edition' markings).  The first
Origin's had inserted notes booklets, late editions reduced the notes to the back liner.
  I would be greatly interested to know of any 77 issues which carry an indication of a limited pressing.
  Best wishes, Thomas Stern.beasley wrote:> Hi,
>
> Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label were issued, a master and 99 for sale at the store. "
>
> I find this extremely hard to believe, and thus I beg to respectfully dispute your friend's opinion.
>
> Records that are issued in small quantities manifest a rarity in the market that 77 Records do not.
>
> Also, at the time those records came out, I lived in Louisville, KY, and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by Scrapper Blackwell. I was responding to advertisements, reviews, and mailing pieces, and I mailed in my orders. All this would take time to happen, especially reviews. Yet I was able to obtain all three. They obviously were not restricted to in-store sales, and I would think that if only 100 were pressed, they might be gone by the time that my order reached them. Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at in-store sales?
>
> Paul Garon
>
> --
> Paul and Beth Garon
> Beasley Books
> 1533 W Oakdale
> Chicago, IL 60657
> 773 472 4528
> 773 472 7857 (fax)
> --

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Subject: Re: Rarity of 77 label issues
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 19:22:31 -0400
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P.S. to my note:  the 99 copy limitation in England had something to do with payment of royalties and/or VAT (sales tax).  Hope someone can clarify.  THS."Thomas H. Stern" wrote:> Hello,
>   The issue of 'limited editions' has been the bane of LP collectors since the 50's when some Westminster (classical) titles were offered as limited editions, but were subsequently repressed repeatedly - though frequently without deluxe packaging.  Origin Jazz Library OJL-1 Charley Patton was initially pressed in an edition of 500 copies as a subscription for which I waited what =seemed= like years for it to actually to appear, but  there developed a large market for blues, and that LP and other early Origin issues were reprinted repeatedly (without the 'limited edition' markings).  The first
> Origin's had inserted notes booklets, late editions reduced the notes to the back liner.
>   I would be greatly interested to know of any 77 issues which carry an indication of a limited pressing.
>   Best wishes, Thomas Stern.
>
> beasley wrote:
>
> > Hi,
> >
> > Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label were issued, a master and 99 for sale at the store. "
> >
> > I find this extremely hard to believe, and thus I beg to respectfully dispute your friend's opinion.
> >
> > Records that are issued in small quantities manifest a rarity in the market that 77 Records do not.
> >
> > Also, at the time those records came out, I lived in Louisville, KY, and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by Scrapper Blackwell. I was responding to advertisements, reviews, and mailing pieces, and I mailed in my orders. All this would take time to happen, especially reviews. Yet I was able to obtain all three. They obviously were not restricted to in-store sales, and I would think that if only 100 were pressed, they might be gone by the time that my order reached them. Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at in-store sales?
> >
> > Paul Garon
> >
> > --
> > Paul and Beth Garon
> > Beasley Books
> > 1533 W Oakdale
> > Chicago, IL 60657
> > 773 472 4528
> > 773 472 7857 (fax)
> > --

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Subject: Treasury of Field Recordings
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 27 Jul 2003 22:36:14 -0500
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---------- Original Message ----------------------------------Reply-To: Forum for ballad scholars <[unmask]>>Good point. Mine were devoid of booklets, although I did pick
>them up very cheap, and there is virtually no information on the
>sleeves.I have copies of the booklets for both volumes, so if anyone needs
them feel free to email me off-list for copies. The notes are very
extensive and there are some photos -- your appreciation of the
LPs will greatly increase with the notes.Also:>I spoke this morning with a friend who had worked at Dobell's
>during the
>60s. He mentioned two points of interest.
>
>Only 100 copies of each LP on the 77 label were issued, a master
>and 99 for sale at the store.
>
>Most of the material issued by 77 now belongs to George Buck. It's
>unclear if that ownership only extends to the jazz material or
includes the folk and blues recordings as well.
>
>Who knows, perhaps there's enough interest for George to reissue
what he does own.The "100 copies" bit seems suspicious...why even go to the trouble
of pressing the record and printing large booklets if that's all
you're going to press.Who is George Buck? I'd like to know if the masters to these LPs
still exist. I've talked to Mack McCormick, he says the masters
are lost as far as he knows. I'd love to see these reissued.The LPs were also issued in the USA on Candid, at least Vol. 1
was. I have been unable to determine if Vol. 2 was actually issued.
Nobody I've asked has a copy...Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: Rarity of 77 label issues
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 00:47:25 -0500
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Subject: Re: Treasury of Field Recordings
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 01:06:44 -0500
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George Buck has a number of businesses, all located here in New Orleans.
Radio stations, book publishing [Jazzology Press] and several reissue
labels as well as a fine jazz club, the Palm Court. While most of the
publishing and reissues are jazz oriented there is at least one label
"Black Swan Records" which reissues older blues recordings.As I indicated in my original posting it is not clear if Buck acquired
only jazz material from Dobell or all of the masters. At least I'll have
something interesting to bring up at coffee in the morning. More when I
find out.Andrew Brown wrote:>Who is George Buck? I'd like to know if the masters to these LPs
>still exist. I've talked to Mack McCormick, he says the masters
>are lost as far as he knows. I'd love to see these reissued.
>
>

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Subject: Re: Rarity of 77 label issues
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 10:07:48 +0100
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There was certainly a limitation hence a number of "private pressings" - my
understanding was that it was limited to 499 though.Dave
----- Original Message -----
From: "Thomas H. Stern" <[unmask]>
To: <[unmask]>
Sent: Monday, July 28, 2003 12:22 AM
Subject: Re: Rarity of 77 label issues> P.S. to my note:  the 99 copy limitation in England had something to do
with payment of royalties and/or VAT (sales tax).  Hope someone can clarify.
THS.
>
> "Thomas H. Stern" wrote:
>
> > Hello,
> >   The issue of 'limited editions' has been the bane of LP collectors
since the 50's when some Westminster (classical) titles were offered as
limited editions, but were subsequently repressed repeatedly - though
frequently without deluxe packaging.  Origin Jazz Library OJL-1 Charley
Patton was initially pressed in an edition of 500 copies as a subscription
for which I waited what =seemed= like years for it to actually to appear,
but  there developed a large market for blues, and that LP and other early
Origin issues were reprinted repeatedly (without the 'limited edition'
markings).  The first
> > Origin's had inserted notes booklets, late editions reduced the notes to
the back liner.
> >   I would be greatly interested to know of any 77 issues which carry an
indication of a limited pressing.
> >   Best wishes, Thomas Stern.
> >
> > beasley wrote:
> >
> > > Hi,
> > >
> > > Clifford Ocheltree writes: "Only 100 copies of each LP on the 77 label
were issued, a master and 99 for sale at the store. "
> > >
> > > I find this extremely hard to believe, and thus I beg to respectfully
dispute your friend's opinion.
> > >
> > > Records that are issued in small quantities manifest a rarity in the
market that 77 Records do not.
> > >
> > > Also, at the time those records came out, I lived in Louisville, KY,
and ordered the Treasury Vol I, an LP by Lightnin' Hopkins, and an LP by
Scrapper Blackwell. I was responding to advertisements, reviews, and mailing
pieces, and I mailed in my orders. All this would take time to happen,
especially reviews. Yet I was able to obtain all three. They obviously were
not restricted to in-store sales, and I would think that if only 100 were
pressed, they might be gone by the time that my order reached them.
Possibly, there was an *initial* pressing of 100 (of the Treasury) aimed at
in-store sales?
> > >
> > > Paul Garon
> > >
> > > --
> > > Paul and Beth Garon
> > > Beasley Books
> > > 1533 W Oakdale
> > > Chicago, IL 60657
> > > 773 472 4528
> > > 773 472 7857 (fax)
> > > --
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 05:47:36 EDT
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Subject: Re: Rarity of 77 label issues
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 05:48:12 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 10:05:15 -0500
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Dobell Details, hot off this morning's coffee conversation.My informant, Les Muscutt [plays jazz banjo], worked as a full time
employee at Dobell's from 1958 to 1965.1.] Dobell was a "cheap s.o.b."2.] All recordings issued on the 77 label during the years Les worked
for Dobell were "limited" editions of 99 for sale within the store.
During that time period none of the 77 label recordings were reissued,
when the 99 were sold they were gone. [Les also handled mail orders
during his tenure and insists that most, if not all, were classical
recordings.]3.] The "limited" nature of the issues resulted from financial concerns.
The tax rate paid to the government [not sales or VAT] was considerably
lower as 99 LPs were considered "vanity" publications. The "performance"
rate paid to the UK equivalent of ASCAP / BMI [Chappell?] was much lower.4.] The LP's which make up the pressing of 99 can be identified by a
sticker pasted to the label which shows that "performance" rights were
paid. [On "normal" releases this information was part of the printed
label not attached afterward.] All 77 recordings issued during the time
Les worked at Dobell's should have this sticker affixed, he had to paste
them on.5.] No inserts. Whatever notes there were appeared on the back of the
sleeve.6.] Most, if not all, of the 77 label LPs were 10" not 12"Les recalls regularly taking a cab to pick up the stickers, picking up
the LPs at the pressing plant, riding back to the shop and sitting
around affixing the stickers to the label [and having to fight over
reimbursement for his cab fare].As for George Buck. I can confirm no more than I stated yesterday, he
acquired the rights to the 77 label recordings some years ago. It's
unclear if this applied only to jazz material [his primary interest] or
all material issued by 77 / Dobell. Buck's people all take vacation
during the month of July [this is New Orleans after all] so we may not
be able to get a firm answer until later this week.More to come.

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 11:50:38 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 11:28:38 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<The other thing which puzzles me is the fact that a folkore society in
Texas
should have approached a British based jazz record dealer, and small time
record label, to produce these records. If your friend can remember the
details,
I'd be fascinated to find out.>>A bit of speculation: At the time, it may have seemed like there was more
interest in this kind of material in Britain than in the USA. There was
interest in both urban and country blues, sparked by Paul Oliver and others,
and by programs on the BBC; it was an interest that would lead to a
burgeoning British blues and R&B scene in the 1960s (see "Rolling Stones",
but also people like John Renbourn, who always said he'd started out wanting
to play like Big Bill Broonzy). In the USA, on the other hand, whites were
not, by and large, interested in blues at all, except for a few fanatics,
and it was generally considered that blacks were only interested in modern
urban blues styles rather than in the older forms. (I say "generally
considered" rather than stating it as a fact because I suspect that the
conventional wisdom may have been wrong.)Peace,
Paul

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Subject: Sharp Collection "Still Growing"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 13:12:59 -0400
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CAMSCO Music is happy to be able to offer the new EFDSS publication
"Still Growing" AKA the Sharp Collection at  $15 (or a bit  less,
depending on exact shipping costs from England). EFDSS charges £12.99
(or  $21.11 US)dick greenhaus
CAMSCO Music
28 Powell  St.
Greenwich, CT 06831
800/548-3655
dick @ camsco.com

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Subject: Re: Sharp Collection "Still Growing"
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 28 Jul 2003 13:20:02 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
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Date:Mon, 28 Jul 2003 13:53:07 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
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Date:Mon, 28 Jul 2003 13:33:01 -0500
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Subject: Of interest to anyone?
From: Dave Eyre <[unmask]>
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Date:Mon, 28 Jul 2003 21:22:57 +0100
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 00:23:55 +0100
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Let me say first that my memory regarding the number of records was clearly
wrong and 99+master was correct. A number of folk clubs produced private
records at the time and a check reveals that indeed 99 was the number.Paul's speculations makes some sort of sense. Some of those artists and also
those who eventually became part of the pop world accredit some of their
background to records brought over by G.I.s and that American influence. As
well as Dobell's and other shops (as a northerner it was Rare Records in
Manchester).How about suggesting that the "folk revival" of the 60s and here I use the
word "revival" advisedly -  - came about as a reaction to this. (I am not
sure it needed reviving).Dave----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Monday, July 28, 2003 5:28 PM
Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2> ----- Original Message -----
> From: Fred McCormick <[unmask]>
>
> <<The other thing which puzzles me is the fact that a folkore society in
> Texas
> should have approached a British based jazz record dealer, and small time
> record label, to produce these records. If your friend can remember the
> details,
> I'd be fascinated to find out.>>
>
> A bit of speculation: At the time, it may have seemed like there was more
> interest in this kind of material in Britain than in the USA. There was
> interest in both urban and country blues, sparked by Paul Oliver and
others,
> and by programs on the BBC; it was an interest that would lead to a
> burgeoning British blues and R&B scene in the 1960s (see "Rolling Stones",
> but also people like John Renbourn, who always said he'd started out
wanting
> to play like Big Bill Broonzy). In the USA, on the other hand, whites were
> not, by and large, interested in blues at all, except for a few fanatics,
> and it was generally considered that blacks were only interested in modern
> urban blues styles rather than in the older forms. (I say "generally
> considered" rather than stating it as a fact because I suspect that the
> conventional wisdom may have been wrong.)
>
> Peace,
> Paul
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 00:41:54 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]>>I should point out also, that there was some very healthy interest in blues
> which resulted in some very good research - from
> which we are still benefitting - and which dug out a great many of the old
> time performers. But I doubt that the level of public interest over there
could
> have been matched by was happening here. For example, I remember Eric
> Clapton saying that when Cream toured the States they just "cleaned up",
because
> none of the white American bands had been listening to authentic blues.
This,
> one presumes, was before the days of Paul Butterfield et al.Oddly enough, it wasn't; the first Butterfield album came out in 1965, and
was quite popular; Cream wasn't formed until 1967. But theirs were very
different approaches; Butterfield fronted a straight Chicago blues band (in
fact, I believe he and Mike Bloomfield both graduated from my high school,
but I could be wrong), and they stuck to that style, if you leave aside
"East-West". Cream, on the other hand, mostly played country blues pieces,
but in a high-energy electric style (a whole lot of us got tendinitis trying
to keep up with Clapton on "Crossroads"). They combined that with some
devastatingly good rock-and-roll ("Sunshine of Your Love", etc.) and
extended solos to create an entire genre.I guess I'm saying that Butterfield *was* listening to authentic blues, and
there were other blues-influenced bands in the States at the time too, most
notably the Lovin' Spoonful (who started out as a jug band, and covered
Henry Thomas songs). So Clapton was wrong on that score; Cream were popular
partly because they covered blues, but more because they showed remarkable
musicianship (at least, Clapton and Bruce did; I was never that impressed by
Ginger Baker's drumming) and created a new sound. And the years of
development of the British blues scene helped create it.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 01:08:06 -0500
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----- Original Message -----
From: Dave Eyre <[unmask]><<Paul's speculations makes some sort of sense. Some of those artists and
also
those who eventually became part of the pop world accredit some of their
background to records brought over by G.I.s and that American influence. As
well as Dobell's and other shops (as a northerner it was Rare Records in
Manchester).How about suggesting that the "folk revival" of the 60s and here I use the
word "revival" advisedly -  - came about as a reaction to this. (I am not
sure it needed reviving).>>Certainly a strong strain of the British folk revival did come about as a
reaction to the interest in American music, at the same time as it was
inspired by hearing American traditional music; there was a simultaneous
push-and-pull. Some dug further into blues, while others decided to find out
what sorts of treasures might be there at home. And of course, some (such as
Pentangle) did both.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 04:34:30 EDT
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Subject: Treasury of Field Recordings
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 06:54:07 -0500
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--------- Original Message ---------------------------------->From: Fred McCormick <[unmask]>
>
><<The other thing which puzzles me is the fact that a folkore
society in Texas should have approached a British based jazz
record dealer, and small time record label, to produce these
records. If your friend can remember the details,
>I'd be fascinated to find out.I recently conducted a long interview with Mack McCormick about
the history of the "Treasury" volumes. If I recall correctly, he
said Paul Oliver suggested McCormick to Dobell. Presumably Dobell
was primarily interested in the Lightnin' Hopkins LP [A Rooster
Crows in England].The news about 99 copies is surprising, though would explain why
the LPs remain virtually unknown in Houston. I only recently heard
Volume 2.A projected third volume was planned but never released. The liner
notes also mention an album called "Hurts My Tongue to Talk,"
which were oral history interviews with older black men. The
content was considered too controversial, so that was also
scrapped. It shouldn't be forgotten of course that potential
controversy didn't prevent McCormick from putting out "The
Unexpurgated Folk Songs of Men" not long after the Treasuries.
It would be nice if all three of these rare albums could be
reissued on CD.---Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Blues Revival
From: beasley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 08:04:58 -0400
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Hi,I was in London from August of 1965 to late November of that same year. The folks who put me up had just had Eric Clapton as a house-guest, and I met him (moving out) as I was moving in. His name meant nothing to me--I was already a hardboiled African Americanist--but my hosts explained that he was the great guitarist on a Mayall record they played for me (TELEPHONE BLUES?). Nothing was said about Cream, but would I have remembered?I do remember that at a record shop, that may NOT have been Dobell's, there was a typed list posted on the wall on a 3 x 5: "American Guitarists to Watch". On that list was Mike Bloomfield--who I already knew--but I can't remember the other 4! Ah, senility! Straying off topic....At least I remembered "wall", "list" and "Bloomfield". <g>Paul Garon--
Paul and Beth Garon
Beasley Books
1533 W Oakdale
Chicago, IL 60657
773 472 4528
773 472 7857 (fax)
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 09:46:49 -0500
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Subject: Re: Treasury of Field Recordings
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 10:29:10 -0500
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Did some review of my discographies and find that almost a third of this
material appeared in the US on Candid LP 8026 and Candid LP 8027 with
the anonymous / Mance Lipscomb cut appearing on Blues Classics 16.
Unfortunately I only have Vol. 1 of Leadbitter & Slaven [A to K] so I'm
unable to check the other cuts.One question did come to mind as several artists who should have been in
the volume I do have were not to be found. I was of the opinion that
this was purely blues material but could some have been "country /
old-timey" material by white performers?

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 11:05:13 -0500
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----- Original Message -----
From: Clifford Ocheltree <[unmask]><<As for the suggestion that Dobell was a member of the British Communist
Party Les opined that this was not the case, "the communists all worked
at the folk shop, the jazz side was more conservative.">>Two shops? By the time I got there in '72, I think there was only one. Or am
I now having old-timer's syndrome?Peace,
Paul

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Subject: Re: Blues Revival
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 11:13:14 -0500
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A few points Americans tend to ignore concerning the emphasis on blues
in the UK.1.] British jazz band leaders like Ken Colyer [who recorded early on for
77 Records], Humphrey Lyttleton and others championed the blues,
bringing over American players when it distinctly unfashionable to do
so. During the 50s Chris Barber arranged visits for Muddy Waters [big
scandal], Otis Spann, Big Bill Broonzy, Sonny Terry and Brownie Mc Gee.
Chris also founded the National Jazz League, in part to encourage and
disseminate the "blues" message. Barber's own band included one Tony
Donegan who dropped the name Tony in favor of adopting his beloved
Lonnie Johnson's forename. Donegan's success with Leadbelly's "Rock
Island Line" [1956] helped ignite the skiffle craze in the UK which, in
turn, was a motivating factor for rock guitarists like Clapton, Jimmy
Page and Pete Townsend.2.] Donegan was briefly replaced in Barber's band by Alexis Korner.
Korner, along with Cyril Davies, opened the London Blues & Barrelhouse
Club on Tottenham Court Road in 1957. The club ran for more than 3 years
presenting many US blues performers until they were eventually ejected
because they decided to use some "modest" amplification. In 1962 Korner
and Davies formed Blues Incorporated. Most young UK musicians who went
on to forge the first wave of British blues bands in the early to mid
60s played at one time or another in the band including Jack Bruce and
Ginger Baker [Cream] and most of the Rolling Stones [whose earliest LPs,
@1964-1965 were essentially blues cover albums].

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Subject: Dobell's record shop
From: jkallen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:34:51 +0100
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>----- Original Message -----
>From: Clifford Ocheltree <[unmask]>
>
><<As for the suggestion that Dobell was a member of the British Communist
>Party Les opined that this was not the case, "the communists all worked
>at the folk shop, the jazz side was more conservative.">>
>
>Two shops? By the time I got there in '72, I think there was only one. Or am
>I now having old-timer's syndrome?
>
>Peace,
>PaulI was there in '72 as well -- and I remember two shops, though I confess that
I didn't
spend much time in the jazz shop (probably my loss). Got some good albums in
the folk
shop, though, which I've still got.Ah, memories ...Jeff Kallen

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 12:06:30 -0500
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The two, essentially jazz and folk, were in separate but adjoining
buildings with access both internal and external. The separation was
more in the minds of the staff and in the different addresses. The folk
staff were all "alcoholic communists" and the jazz staff [of which Les
considers himself one] just "a better class of people."Paul Stamler wrote:>----- Original Message -----
>From: Clifford Ocheltree <[unmask]>
>
><<As for the suggestion that Dobell was a member of the British Communist
>Party Les opined that this was not the case, "the communists all worked
>at the folk shop, the jazz side was more conservative.">>
>
>Two shops? By the time I got there in '72, I think there was only one. Or am
>I now having old-timer's syndrome?
>
>Peace,
>Paul
>
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 14:17:14 EDT
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Subject: Re: Treasury of Field Recordings
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 14:17:34 EDT
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Subject: Re: Treasury of Field Recordings
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 14:35:10 -0500
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Subject: Re: Dobell's record shop
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 22:37:29 +0100
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If my memory serves me right, the 'folk shop' was Collett's, while the 'jazz
shop' (which also sold some folk records) was Dobell's. They were just round
the corner from each other, but I thought were totally separate institutions.
It was Collett's which was 'communist'-affiliated.
Steve Roud> >----- Original Message -----
> >From: Clifford Ocheltree <[unmask]>
> >
> ><<As for the suggestion that Dobell was a member of the British Communist
> >Party Les opined that this was not the case, "the communists all worked
> >at the folk shop, the jazz side was more conservative.">>
> >
> >Two shops? By the time I got there in '72, I think there was only one. Or
am
> >I now having old-timer's syndrome?
> >
> >Peace,
> >Paul
>
> I was there in '72 as well -- and I remember two shops, though I confess
that
> I didn't
> spend much time in the jazz shop (probably my loss). Got some good albums in
> the folk
> shop, though, which I've still got.
>
> Ah, memories ...
>
> Jeff Kallen--
Message sent with Supanet E-mail

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Subject: Treasury of Field Recordings
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:17:10 -0500
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>Date:    Tue, 29 Jul 2003 10:29:10 -0500
>From:    Clifford Ocheltree <[unmask]>
>Subject: Re: Treasury of Field Recordings
>
>Did some review of my discographies and find that almost a third
of this material appeared in the US on Candid LP 8026 and Candid LP
8027 with the anonymous / Mance Lipscomb cut appearing on Blues
Classics 16. Unfortunately I only have Vol. 1 of Leadbitter &
Slaven [A to K] so I'm unable to check the other cuts.
>
>One question did come to mind as several artists who should have
been in the volume I do have were not to be found. I was of the
opinion that this was purely blues material but could some have
been "country /old-timey" material by white performers?Has anyone confirmed that Candid 8027 (Vol. 2) was actually
released? I can't find anyone who has it or remembers seeing it.No, the Treasury is not "purely blues material." The concept of the
albums was to get a cross-section of the older musical styles still
being played in the Houston area, along with a few folk revivalists
like John Lomax Jr and eccentrics like George Coleman. There are
cowboy songs, zither songs, etc. Spanish and Polish language
recordings were supposed to go on the proposed Vol. 3 but it never
happened...---Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: Dobell's record shop
From: beasley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:13:55 -0400
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Right! And I think *that* was where I saw the "American Guitarists to Watch" list posted on the wall. I should have mentioned that this was a small list, apparently posted for employee use, and not a broadcast to the public.Paul Garon---------- Original Message ----------------------------------
From: [unmask]
Reply-To: Forum for ballad scholars <[unmask]>
Date:         Tue, 29 Jul 2003 22:37:29 +0100>--
Paul and Beth Garon
Beasley Books
1533 W Oakdale
Chicago, IL 60657
773 472 4528
773 472 7857 (fax)
--

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Subject: Candid 8027
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 17:51:35 -0500
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ANDREW BROWN
> Has anyone confirmed that Candid 8027 (Vol. 2) was actually
> released? I can't find anyone who has it or remembers seeing it.JOHN MEHLBERGhttp://www.01.246.ne.jp/~dolphy/album/album32.htmlAlso check here:http://www.bsnpubs.com/candid.htmlAnd this record was up for auction in 1998 starting at 120 Swiss Francs
(~US$ 80).Best Wishes.John M.

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Subject: Re: Candid 8027
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 18:38:34 -0500
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 23:24:01 -0400
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In the late 80's, there was one shop, the front room for jazz, the back room for
folk and blues.  Thomas Stern.Paul Stamler wrote:> ----- Original Message -----
> From: Clifford Ocheltree <[unmask]>
>
> <<As for the suggestion that Dobell was a member of the British Communist
> Party Les opined that this was not the case, "the communists all worked
> at the folk shop, the jazz side was more conservative.">>
>
> Two shops? By the time I got there in '72, I think there was only one. Or am
> I now having old-timer's syndrome?
>
> Peace,
> Paul

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Subject: Is This Someone We Know?
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 23:40:25 -0400
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Hi!        While searching Ebay I ran across the following -        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)        Is this list member and Folk Legacy owner, Sandy Paton? If so,
will he admit it? :-)                                Dolores        P.S. I am amazed at the opening price on this record!--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Is This Someone We Know?
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 29 Jul 2003 22:51:18 -0700
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Folks:Let this a warning be!  The sins of our youth will eventually be revealed.
Repent now, before your deeds are too widely known.Ed----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Tuesday, July 29, 2003 8:40 pm
Subject: Is This Someone We Know?> Hi!
>
>        While searching Ebay I ran across the following -
>
>        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
> the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)
>
>        Is this list member and Folk Legacy owner, Sandy Paton? If so,
> will he admit it? :-)
>
>                                Dolores
>
>        P.S. I am amazed at the opening price on this record!
>
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>        --- .sig? ----- .what?  Who me?
>
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 00:53:27 -0500
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<<The two, essentially jazz and folk, were in separate but adjoining
buildings with access both internal and external. The separation was
more in the minds of the staff and in the different addresses. The folk
staff were all "alcoholic communists" and the jazz staff [of which Les
considers himself one] just "a better class of people.">>Ahhh...*now* I can picture it. I remember the layout, sort of, and the shelf
where I found the rare Bert Lloyd LP. Rare in the States, at least, although
it was issued here (on Prestige).Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 00:58:40 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]>> Could be. The British folk revival, pre early 1960s, was heavily
influenced
> by the American revival, especially by its left wing wing, so to speak. My
> impression that   Dobell was a CP member came from an article which
appeared in
> the People newspaper about the year 1967. The article "exposed" various
folk
> revival activists, including Ewan MacColl and A.L. Lloyd.An odd pair of "exposures", come to think of it, since Lloyd had been quite
open about his CP membership (it got him in trouble during World War II),
while I believe MacColl had already quit the CP by then in search of more
exotic Maoist affiliations. Or was that later?Peace,
Paul

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Subject: Re: Is This Someone We Know?
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 01:22:16 -0500
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----- Original Message -----
From: Dolores Nichols <[unmask]><<        2548029904 - an LP, Never Trust A Skier and Other Songs Sung In
the Alpen Inn by Sandy Paton, 1961, $59.99 (ends Aug-02-03 18:18:38 PDT)        Is this list member and Folk Legacy owner, Sandy Paton? If so,
will he admit it? :-) >>The repertoire sounds right, and recording for Droll Yankees sounds about
right too.<<        P.S. I am amazed at the opening price on this record!>>Not me -- it's a true rarity. The question is, are there folkie collectors
with enough money to bid?Peace,
Paul

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Subject: Re: Dobell's record shop
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Subject: Re: Dobell's record shop
From: Fred McCormick <[unmask]>
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
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Date:Wed, 30 Jul 2003 04:59:18 EDT
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Subject: Re: Dobell's record shop
From: Clifford Ocheltree <[unmask]>
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Date:Wed, 30 Jul 2003 09:15:06 -0500
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 09:50:15 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<There are a couple of good articles on Lloyd and the foundation of the
postt
WW11 revival, published in the Canadian Journal of Traditional Music. They
are
online at http://cjtm.icaap.org/ >>Hi Fred:Do you know, offhand, which issues they are in? The back-issues are indeed
online, but not indexed in any way.Peace,
Paul

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 17:00:21 +0100
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http://cjtm.icaap.org/content/25/v25art2.html will certainly take you to
one.........I suspect the other is not far away!!Dave----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Wednesday, July 30, 2003 3:50 PM
Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2> ----- Original Message -----
> From: Fred McCormick <[unmask]>
>
> <<There are a couple of good articles on Lloyd and the foundation of the
> postt
> WW11 revival, published in the Canadian Journal of Traditional Music. They
> are
> online at http://cjtm.icaap.org/ >>
>
> Hi Fred:
>
> Do you know, offhand, which issues they are in? The back-issues are indeed
> online, but not indexed in any way.
>
> Peace,
> Paul
>
>

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 13:46:12 EDT
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Subject: "77" Records and Lightnin' Hopkins
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 12:46:52 -0500
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Ran across the following article: Sam “Lightnin ’ Hopkins – A
Description by Mack McCormick (From Jazz Monthly October 1959) which
reads in part:"His isolation and his ignorance is self-imposed, and can be startlingly
complete. During a recent recording session for Doug Dobell's
limited-edition '77' label, Lightnin searched conscientiously for the
proper songs 'to sing for those people over across that water.' He
briefly considered one that begins 'Buses stopped running, trains won't
allow me to ride no more.' He rejected it with the question, 'But do
they have buses and trains over there?' Some insight to the careful
choice of ignorance can be gained if one considers that Lightnin has
been exposed to British-based films just as much as the average American
citizen. He merely disregards the world beyond his culture."And Les' wife Babs, who worked at Collet's, sent me the following:"We tried to remember the 1950s, and what stood where. Between Leicester
Square and Tottenham Road tube
stations, you began with the left-wing International Bookshop, run by
Collet’s and starring James Asman (at
number 52), and Doug Dobell’s (at 77). Past Cambridge Circus and
opposite Foyle’s, you could walk upstairs to the Record Shop (at number
100). At the junction with Tottenham Court Road was Imhof’s, a music and
hi-fi store. To the left, John Rowe’s Attic in Newman Street (84); to
the right, a few yards down New Oxford Street, the new Collet’s record
shop (70) with folk on the ground floor and Ray Smith in the basement –
Ray had replaced trumpeter Al Fairweather, who had wanted nothing to do
with Communism after the Hungarian revolution! For a few years in the
‘60s, there was also Ronnie Scott’s shop in Romilly Street, while James
Asman had long since moved to nearby New Row.

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: John Mehlberg <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 12:58:43 -0500
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FRED MCCORMICK
> > <<There are a couple of good articles on Lloyd and the foundation of the
> > postt
> > WW11 revival, published in the Canadian Journal of Traditional Music.
They
> > are
> > online at http://cjtm.icaap.org/ >>PAUL STAMLER
> > Hi Fred:
> >
> > Do you know, offhand, which issues they are in? The back-issues are
indeed
> > online, but not indexed in any way.JOHN MEHLBERG
I always use google to do a site search.   Here is a search that gives you
all pages that mention "Al Llyod":http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&q=site%3Acjtm.icaap.org+%22al+lloyd%22AOL users click here:   <a
href="http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&q=site%3Acjtm.ica
ap.org+%22al+lloyd%22">Al Lloyd on cjtm.icaap.org</a>Best Wishes!John M.
~Here's to Osama that son of a bitch
May his pecker fall off with the seven year itch
And may they beat on his balls with a big brass hammer
Until his asshole whisles the Star Spangled Banner.[John Valby,  Sept. 13, 2001,  Toad's Place, New Haven, Connectticut]> ----- Original Message -----
> From: "Paul Stamler" <[unmask]>
> To: <[unmask]>
> Sent: Wednesday, July 30, 2003 3:50 PM
> Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
>
>

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Subject: Colletts
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 30 Jul 2003 16:23:38 -0400
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Ah yes.In the folkie section of Colletts at a point in the 1960s - maybe 1964, was
a sign that said "Bert Jansch does not give guitar lessons."
People would meet him in a club, ask him to teach them, he would mumble,
"Meet me in Colletts."
They would turn up and ask when he would appear, Hans or Jill would just
point to the sign.Jolly days.Ewan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Andrew Brown <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 02:13:18 -0500
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If anyone can cite when/where reviews of these albums appeared,
that would be nice. Also, were they released simultaneously?I'm also trying to determine if Vol. 2 with Mance's "Tom Moore's
Farm" appeared prior to, or after, Mance's debut album on
Arhoolie.Thanks,Andrew________________________________________________________________
Sent via the EV1 webmail system at mail.ev1.net

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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 04:49:22 EDT
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 13:17:44 -0400
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Subject: Re: A TREASURY OF FIELD RECORDINGS VOL 1 & 2
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 31 Jul 2003 12:59:23 -0500
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Don't know how much this may help but the "77" Lipscomb cut was recorded
30 June 1960 and the cuts which appeared as Arhoolie F 1001 were
recorded 11 Aug. 1960. Not sure of release dates but I seem to recall a
comment that the "77" records were released in 1960.Andrew Brown wrote:>If anyone can cite when/where reviews of these albums appeared,
>that would be nice. Also, were they released simultaneously?
>
>I'm also trying to determine if Vol. 2 with Mance's "Tom Moore's
>Farm" appeared prior to, or after, Mance's debut album on
>Arhoolie.
>
>
>Thanks,
>
>Andrew
>
>________________________________________________________________
>Sent via the EV1 webmail system at mail.ev1.net
>
>
>

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Subject: Sharp Collection: Still Growing
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 1 Aug 2003 12:51:26 -0400
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Hi-
The books just arrived--a nice production. Unfortunately, shipping costs
were a bit higher than I had estimated--I'm selling the book for $17.50
(EFDSS wants $20.87, or £12.99.) If you want a copy at this somewhat
higher price, please let me know via E-mail. For a review of the book,
check out the Musical Traditions website.dick greenhaus
CAMSCO Music
[unmask]

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Subject: Re: Sharp Collection: Still Growing
From: Dean clamons <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 1 Aug 2003 17:19:52 -0400
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Hi Dick,We would like a copy.Dean Clamons
PO Box 217
Clifton, VA 20124
703-631-9655 (h)----- Original Message -----
From: "dick greenhaus" <[unmask]>
To: <[unmask]>
Sent: Friday, August 01, 2003 12:51 PM
Subject: Sharp Collection: Still Growing> Hi-
> The books just arrived--a nice production. Unfortunately, shipping costs
> were a bit higher than I had estimated--I'm selling the book for $17.50
> (EFDSS wants $20.87, or £12.99.) If you want a copy at this somewhat
> higher price, please let me know via E-mail. For a review of the book,
> check out the Musical Traditions website.
>
> dick greenhaus
> CAMSCO Music
> [unmask]
>

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Subject: Ebay List - 08/01/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 1 Aug 2003 18:23:19 -0400
Content-Type:text/plain
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Hi!        I hope that everyone is having good summer! Here are the latest
Ebay finds.        SONGSTERS        3339357518 - George Guys Original Songster, 1880's?, $5 (ends
Aug-02-03 16:23:28 PDT)        3235426894 - LUCIER'S MINSTRELS LATEST SONG BOOK, 1894, $49.50
(ends Aug-03-03 12:28:38 PDT)        3235506936 - Shamus O'Brien Songster, $9.99 (ends Aug-03-03
20:00:31 PDT)        2548426968 - PATTERSONS IDEAL SONGSTER, 1900, $4 (ends Aug-04-03
17:13:35 PDT)        2549135109 - Howe's 1000 Jigs and Reels, $9.99 (ends Aug-06-03
09:47:27 PDT)        2186028039 - THE CANADIAN BOAT SONGSTER, 1872, $9 (ends
Aug-06-03 21:54:30 PDT)        2186028921 - 2 songsters (JOHNNY PATTERSON'S Irish Clown
Songster and W. FRED AYMARS WONDERFUL CLOWN SONGSTER), 1870's?, $9 (ends
Aug-06-03 22:10:47 PDT)        SONGBOOKS, ETC.        3540916976 - Songs of the Cattle Trail and Cow Camp by Lomax,
1950 edition, $9.99 (ends Aug-02-03 16:39:15 PDT)        3540944036 - Old English Ballads by Gummere, 1894, $8.99 (ends
Aug-02-03 19:42:58 PDT)        3541107672 - The Songs of Ireland by Hatton & Molloy, 1886, 1.20
GBP (ends Aug-03-03 13:15:07 PDT)        3541154978 - ROLL AND GO Songs of American Sailormen by
Colcord, 1924, $6.50 (ends Aug-03-03 16:58:08 PDT)        2548253928 - 2 small books (Songs of Scotland and Songs of
England vol. 1 by Hatton), 1888 & unknown, $11.99 (ends Aug-03-03
19:30:27 PDT)        3541218612 - Minstrelsy of the Scottish Border by Scott, 1931
edition, $9.99 (ends Aug-03-03 21:50:45 PDT)        3541270741 - WESTMINSTER DROLLERIES (1671 & 1675), 1875 reprint,
18 GBP w/reserve (ends Aug-04-03 07:57:08 PDT)        2548365250 - The Book of British Ballads by Hall, 2 volumes,
1842 & 1844, $99 (ends Aug-04-03 11:26:53 PDT)        3541313658 - Minstrelsy of Maine by Eckstrom & Smyth, $11.50
(ends Aug-04-03 11:39:51 PDT)        3235642691 - TONE THE BELL EASY - MUSTANG GRAY: FACT, TRADITION
AND SONG by Dobie, 1965 edition, $19 (ends Aug-04-03 19:44:08 PDT)        2548509615 - Carson Robison's world's greatest collection of
Mountain Ballds and old time songs, 1930, $4.95 (ends Aug-05-03 06:34:06
PDT)        2548946790 - SONGS OF HILL AND MOUNTAIN FOLK by Glass & Singer,
1967, $2.50 (ends Aug-05-03 11:37:21 PDT)        3541611862 - Lamplitin' Time in the Valley - Songs and Ballads.
From The great Smoky Mountains, 1977, $8 (ends Aug-05-03 18:38:35 PDT)        3541672588 - THE VIKING BOOK OF FOLK BALLADS of the English
Speaking World by Friedman, 1956, $4.25 (ends Aug-06-03 05:39:42 PDT)        3541770212 - Street Ballads,Popular Poetry and Household Songs
of Ireland, 1865, $20 (ends Aug-06-03 15:12:57 PDT)        3541785921 - A Book Of SCOTTISH BALLADS by Buchan, $2 (ends
Aug-06-03 16:58:25 PDT)        3340100919 - Tip Top Songs Of The Roaming Ranger, 1935, $5 (ends
Aug-06-03 20:15:00 PDT)        3541826879 - AFRO - AMERICAN FOLKSONGS: A STUDY IN RACIAL AND
NATIONAL MUSIC by Krehbiel, 1914, $7.50 (ends Aug-06-03 21:43:11 PDT)        3541271042 - A TOUCH ON THE TIMES by Palmer, 1974, 2.95 GBP
(ends Aug-07-03 07:59:55 PDT)        2548918787 - A Book of Irish Songs and ballads, pre-1950, $9.99
(ends Aug-07-03 09:22:43 PDT)        3541893629 - THE LAND WHERE THE BLUES BEGAN by Lomax, 1995,
$3.99 (ends Aug-07-03 09:45:12 PDT)        3541938165 - On the Trail of Negro Folk-Songs by Scarborough,
1925, $49.95 (ends Aug-07-03 17:55:55 PDT)        2548730052 - THE TRI COLOURED RIBBON - A SELECTION OF IRISH
SONGS AND BALLADS WITH MUSIC, 1969, 3 GBP (ends Aug-09-03 09:26:21 PDT)        3541790224 - The Ballad Book of John Jacob Niles, 1961, $7.97
(ends Aug-09-03 17:21:09 PDT)        2548886298 - The Overlander SONGBOOK by Edwards, $1 AU (ends
Aug-10-03 05:34:33 PDT)        3541945443 - HUNTING SONGS AND POEMS by Musters, 4 GBP (ends
Aug-10-03 13:13:50 PDT)        MISCELLANEOUS        2548416020 - A Panorama of American Ballads, 78 rpm, issued by
Brunswick, no date given, looks like field recordings of some kind,
$4.99 (ends Aug-04-03 15:55:57 PDT)                        Happy Bidding!
                        Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Books: remainders/overstocks
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 2 Aug 2003 01:52:52 +0100
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I discovered quite by chance the other day that Postscript Books, an online retailer based in the
UK, have a number of remainders and overstocks that may perhaps be of interest. These includePorter & Gower, "Jeannie Robertson: Emergent Singer, Transformative Voice" (£5.99)
Both volumes of Emily Lyle's "Andrew Crawfurd's Collection of Ballads and Songs" (£19.99 the set)
Edward J Cowan, "The People's Past: Scottish Folk, Scottish History" (£3.99)
Nigel Gatherer, "Songs and Ballads of Dundee" (£4.99)
John Lorne Campbell, "Songs Remembered in Exile" (£3.99)There are quite a few books on Jazz and Blues subjects, too, and the usual mix of sensible and silly
folklore and mythology titles. Prices seem pretty good on the whole, and, having yielded to
temptation and bought the Lyle, Gatherer and Campbell books (already have Porter & Gower, or I'd
certainly have added that), I can confirm that they get delivered promptly and, as promised, mint.The website is at:  http://www.secure.psbooks.co.uk/They all seem to be half list price or less (1/3 in the case of Crawfurd).Malcolm Douglas---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.504 / Virus Database: 302 - Release Date: 24/07/03

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Subject: Ebay List - 08/07/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 7 Aug 2003 15:18:18 -0400
Content-Type:text/plain
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Hi!        Here I am again! Sorry there are no songsters this week. Certain
types of books seem to come in bunches or disappear totally for a week.
I don't understand the why or when. :-(        SONGBOOKS, ETC.        3542877900 - THE DIANE GOODE BOOK OF AMERICAN FOLK TALES &
SONGS, 1989, $3.99 (Ends Aug-08-03 10:24:25 PDT)        3542138239 - THE BROADSIDE BALLAD. The Development of the Street
Ballad From Traditional Song to Popular Newspaper by Shepard, 1962,
$9.99 (Ends Aug-08-03 14:06:14 PDT)        3542789204 - AMERICAN FOLK SONGS FOR CHILDREN by Seeger, 1948,
$7.50 (ends Aug-09-03 19:56:51 PDT)        3542405131 - IRISH STREET BALLADS by O Lochlainn, 1952, $1 (ends
Aug-10-03 06:17:44 PDT)        2186439783 - THE REBEL SONGSTER "SONGS THE CONFEDERATES SANG" by
Wellman, 1959, $4.99 (ends Aug-10-03 13:17:09 PDT)        2549590590 - Early Spanish-Californian Folk Songs by Hague,
1922, $3.50 (ends Aug-10-03 18:42:28 PDT)        3542576000 - Body, Boots & Britches folktales, ballads and
speech from country New York by Thompson, 1967 Dover edition, $8 (ends
Aug-10-03 18:50:11 PDT)        3542594687 - DEVIL'S DITTIES by Thomas, 1931, $19.95 (ends
Aug-10-03 20:03:43 PDT)        3236539704 - THE BALLADISTS by Geddie, 1900?, $5 (ends Aug-11-03
17:18:12 PDT)        2549790351 - The Penguin Book of English Folk Songs by Williams
& Lloyd, 1959 edition, $9.99 (ends Aug-11-03 18:45:40 PDT)        3542779353 - English and Scottish Popular Ballads by Sargent &
Kittredge, $2 (ends Aug-11-03 19:11:08 PDT)        3542810340 - A Bonnie Bunch Of Roses- Songs of England, Ireland
& Scotland by Milner & Kaplan, $9 (ends Aug-11-03 23:38:07 PDT)        3542930772 - Texas Folk Songs by Owens, 1976, $24.95 (ends
Aug-12-03 14:08:01 PDT)        3542951669 - Negro Songs from Alabama by Courlander, 1962, $9.99
(ends Aug-12-03 15:56:11 PDT)        2549966560 - The Cumberland Ridge Runners, Mountain Ballads and
Home Songs, 1936, $5 (ends Aug-12-03 15:57:02 PDT)        2186401361 - Penny Magazine, 1838, $4.95 (ends Aug-13-03
08:08:28 PDT) This seller has 3 other auctions of the magazines - all
with ballad articles.        3543156822 - The Folksongs of Virginia: A Checklist of the WPA
Holdings, Alderman Library, University of Virginia by Rosenberg, 1969,
$3 (ends Aug-13-03 15:46:21 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Cecil Sharp Centenary
From: Judy McCulloh <[unmask]>
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Date:Thu, 7 Aug 2003 15:33:01 -0500
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Subject: Randolph books for sale
From: Kate Van Winkle Keller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 8 Aug 2003 10:31:25 -0400
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Dear friends,
We are moving and I have to unload some books. I have Vance Randolph's
two-volume set, "Roll me in your arms" and "Blow the Candle out" in new
condition with dj. $100 plus shipping.
Anyone interested?
Kate Keller

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Subject: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"
From: Mary Stafford <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 9 Aug 2003 13:58:07 -0400
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Can anyone out there help with the words to this old music-hall style tear-jerker? I remember it most imperfectly from my youth. What I remember (and this may be inaccurate in places) is:"A mother was washing her baby one night,
Poor little infant, so slim and so slight
She.................
.........and the angels did say
Your baby has gone down the drainpipe,
Your baby has gone down the plug
Poor little Mike, so slim and so slight
He should have been washed in a jug
Your baby is perfectly happy
'Cause he won't have to bathe any more
Your baby has gone down the plughole
Let's hope he don't stop up the drain!"It was a signature song, I believe, for a fairly well known female singer, who performed more in clubs than in true vaudeville settings.Any information, and words would be greatly appreciated.Funny how the darndest things get stuck in one's head. I can still recall, this one perfectly, Jim Kweskin's early signature tune, "Don't Cry, Lady" (Words supplied upon demand.)Mary Stafford
[unmask]
Allston, MA

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Subject: Re: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 9 Aug 2003 20:52:32 +0100
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Mary,Your main difficulty I suspect is remembering "fings" in a London Cockney
accent. Try
http://www.poetrylibrary.org.uk/poetry/quote/reply.jsp?quote_id=3435Happy daze
Simon----- Original Message -----
From: "Mary Stafford" <[unmask]>
To: <[unmask]>
Sent: Saturday, August 09, 2003 6:58 PM
Subject: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"> Can anyone out there help with the words to this old music-hall style
tear-jerker? I remember it most imperfectly from my youth. What I remember
(and this may be inaccurate in places) is:
>
> "A mother was washing her baby one night,
> Poor little infant, so slim and so slight
> She.................
> .........and the angels did say
> Your baby has gone down the drainpipe,
> Your baby has gone down the plug
> Poor little Mike, so slim and so slight
> He should have been washed in a jug
> Your baby is perfectly happy
> 'Cause he won't have to bathe any more
> Your baby has gone down the plughole
> Let's hope he don't stop up the drain!"
>
> It was a signature song, I believe, for a fairly well known female singer,
who performed more in clubs than in true vaudeville settings.
>
> Any information, and words would be greatly appreciated.
>
> Funny how the darndest things get stuck in one's head. I can still recall,
this one perfectly, Jim Kweskin's early signature tune, "Don't Cry, Lady"
(Words supplied upon demand.)
>
> Mary Stafford
> [unmask]
> Allston, MA
>

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Subject: Re: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 9 Aug 2003 15:06:17 -0700
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And who says the Brits have no sense of humor??!!Ed----- Original Message -----
From: Simon Furey <[unmask]>
Date: Saturday, August 9, 2003 12:52 pm
Subject: Re: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"> Mary,
>
> Your main difficulty I suspect is remembering "fings" in a London Cockney
> accent. Try
> http://www.poetrylibrary.org.uk/poetry/quote/reply.jsp?quote_id=3435
>
> Happy daze
> Simon
>
> ----- Original Message -----
> From: "Mary Stafford" <[unmask]>
> To: <[unmask]>
> Sent: Saturday, August 09, 2003 6:58 PM
> Subject: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"
>
>
> > Can anyone out there help with the words to this old music-hall style
> tear-jerker? I remember it most imperfectly from my youth. What I remember
> (and this may be inaccurate in places) is:
> >
> > "A mother was washing her baby one night,
> > Poor little infant, so slim and so slight
> > She.................
> > .........and the angels did say
> > Your baby has gone down the drainpipe,
> > Your baby has gone down the plug
> > Poor little Mike, so slim and so slight
> > He should have been washed in a jug
> > Your baby is perfectly happy
> > 'Cause he won't have to bathe any more
> > Your baby has gone down the plughole
> > Let's hope he don't stop up the drain!"
> >
> > It was a signature song, I believe, for a fairly well known female singer,
> who performed more in clubs than in true vaudeville settings.
> >
> > Any information, and words would be greatly appreciated.
> >
> > Funny how the darndest things get stuck in one's head. I can still recall,
> this one perfectly, Jim Kweskin's early signature tune, "Don't Cry, Lady"
> (Words supplied upon demand.)
> >
> > Mary Stafford
> > [unmask]
> > Allston, MA
> >
>
>
>

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Subject: Re: Books: remainders/overstocks
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 11 Aug 2003 14:20:07 EDT
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Subject: Re: Books: remainders/overstocks
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 11 Aug 2003 15:08:13 EDT
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Subject: Re: Books: remainders/overstocks
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 11 Aug 2003 15:16:44 -0400
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Subject: Re: Books: remainders/overstocks
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 11 Aug 2003 15:54:17 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<SMITHSONIANFOLKWAYS £13.80
SFWCD40093Classic Old Time Music from Folkkways Recordings  Clarence Ashley,
Wade Ward, New Lost CityRamblers, Doc Watson & Fred Price, George Pegram etc
SFWCD40123Reverend Gary Davis:If I Had My Way-Early Home Recordings.
18glorious tracks recorded by John Cohen in the early 50s
SFWCD40134Classic Blues from Folkways Recordings Cat Iron, KC Douglas,
SonHouse, Etta Baker, Honeyboy Edwards, Elizabeth Cotton, Vera Hall, Gary
Davisetc
SFWCD40145Jean Ritchie:Ballads From Her Appalachian FamilyTradition-Gypsy
Laddie/Lord Bateman/Lord Randall/House Carpenter/LittleMusgrave etc>>I've heard these; we have them at the radio station. They are just as good
as the descriptions would lead you to believe.Peace,
Paul

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Subject: Re: Books: remainders/overstocks
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 04:32:07 EDT
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Subject: Re: Books: remainders/overstocks
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 07:59:29 -0300
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At 04:32 AM 8/12/03 -0400, you wrote:
>BTW. I mentioned that Conversation With The Blues includes a CD copy of
>the old CWTB LP. In fact, it has been heavily augmented and playing time
>now runs to over 70 minutes.Has anyone noticed this combo for sale in the US (as a remainder)?Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Books: remainders/overstocks
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 09:29:52 -0500
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----- Original Message -----
From: Fred McCormick <[unmask]><<Well I can't comment on most of them, although the Old Time Music looks
like
it might be an expanded version of an excellent LP called Friends of Old
Time
Music.>>Not really, although a couple of tracks on it are drawn from that LP.
Basically it's a sampler of great old-time music tracks from Folkways albums
over the years, released to try and interest new listeners in the field
following the broad success of "O Brother". Rounder has done the same thing.
Nice that both labels decided to capitalize on the interest by putting out
serious recordings by great traditional artists.<<Also, the Jean Ritchie is an abridged reissue of two LPs which she made
for
Folkways in 1960. I have both discs and they are absolutely
wonderful,although
the present edition seems to have lost five tracks. I hope Folkways manages
to
squeeze them onto another release. There's a review of the same at
http://www.mustrad.org.uk/reviews/ritchie.htm >>I've suggested to Smithsonian/Folkways that they should consider a "Bits and
Pieces" CD or two, containing the stuff that never made it onto compact disc
when various LPs were compacted, so to speak. For example, there were a
couple of songs from the Clarence Ashley 1960s recordings that never made it
onto the CD reissue, including one of my favorites, "Louisiana Earthquake",
about the great earthquake that hit the New Madrid fault in the Missouri
bootheel. Rang churchbells in Baltimore, so they say.Peace,
Paul

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Subject: Re: Books: remainders/overstocks
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 12:05:08 -0400
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A number of BGO and Catfish releases are available at reduced prices
from Roots N Rhythm, the mailorder spinoff of Downhome Music.
Thomas Stern.Paul Garon wrote:> At 04:32 AM 8/12/03 -0400, you wrote:
> >BTW. I mentioned that Conversation With The Blues includes a CD copy of
> >the old CWTB LP. In fact, it has been heavily augmented and playing time
> >now runs to over 70 minutes.
>
> Has anyone noticed this combo for sale in the US (as a remainder)?
>
> Paul Garon
>
> Paul and Beth Garon
> Beasley Books (ABAA)
> 1533 W. Oakdale
> Chicago, IL 60657
> (773) 472-4528
> (773) 472-7857 FAX
> [unmask]

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Subject: Re: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"
From: Sadie Damascus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 10:31:33 -0700
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Subject: Irish Songs from Old New England
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 11:14:50 -0700
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Folks:It was out of a sense of loyalty or reciprocity to Nancy-Jean Seigel,
who has agreed to write an essay for an anthology I am editing.  So I
responded to her notice on ballad-l that "Irish Songs from Old New
England" (Folk-Legacy CD 132) was available, and purchased a copy.This turned out to be sheer pleasure -- in marked contrast to the dozens
of unread or unreadable volumes by friends who have invited me to their
book signings in years past.The 16 ballads on the CD were culled from the Helen Hartness Flanders
ballad collection at Middlebury College.  (Nancy-Jean is the late Mrs.
Flanders' goddaughter and herself a student of the ballad, hence the
connection.)  The ballads here are recorded/recreated by no less than 14
singers, plus a trio of musicians who appear on a handful of tracks.The result is a ceili of delights.Producer Dan Milner has lined up, quoting from the liner notes, "three
All-Ireland Champions: Frank Harte, Jim McFarland and Len Graham; and
many of North America's finest modern-day ballad singers: Gordon Bok,
Ian Robb, Robbie O'Connell, Sandy and Caroline Paton; plus four leadeers
of the Irish-American traditional song revival: Bob Conroy, Bonnie
Milner, Dan Milner and Deirdre Murtha; and two icons of Britain's folk
song movement whose roots stretch back to the Emerald Isle: Louis Killen
and Martin Carthy..."Each sings just one ballad and if here and there the performances seem
unpolished, that only adds to the sense of casual song swapping Milner
and Folk-Legacy's Sandy and Caroline Paton have infused into the disc.
The true pleasure of the collection is the sheer rarity of the ballads
themselves.  Where else will one hear "Cork Harbor," a version of Laws
K6, "By the Lightning We Lost Our Sight"; or my two favorites, "The
Heights of Alma," sung with stunning intensity by Ian Robb to the melody
Ewan MacColl used for the "Haughs of Cromdale," and "Barney McGee"? (The
latter is a barely noticed stage song a fragment of which I learned in
Los Angeles as a children's playground song in 1960).There truly is not a clinker on the CD, that in itself a marvel to be
cheered.  Here is "The Dark-Eyed Sailor" (Laws N35) sung by Bonnie
Milner to the tune I know as "The Lousy Miner."  Here too is "The
Tanyard Side" (aka "I Wish I Was in Manchester") sung in full voice by
Robbie O'Connell, formerly of County Waterford.  And "Napolean's Defeat"
(Laws J4).  And on, and on.I recommend the disc.  Highly.  Without qualification -- other than to
ask that Paton consider setting the excellent liner notes in larger type
to ease the strain on an old man's eyes.Ed Cray

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Subject: Re: Lyrics and Info: "Your Baby Has Gone Down the Drainpipe"
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 15:05:28 -0400
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Subject: Re: Irish Songs from Old New England
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 13:59:54 -0700
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Thanks for the recommendation, Ed.  I must get one forthwith.
Norm----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Tuesday, August 12, 2003 11:14 AM
Subject: Irish Songs from Old New England> Folks:
>
> It was out of a sense of loyalty or reciprocity to Nancy-Jean Seigel,
> who has agreed to write an essay for an anthology I am editing.  So I
> responded to her notice on ballad-l that "Irish Songs from Old New
> England" (Folk-Legacy CD 132) was available, and purchased a copy.
>
> This turned out to be sheer pleasure -- in marked contrast to the dozens
> of unread or unreadable volumes by friends who have invited me to their
> book signings in years past.
>
> The 16 ballads on the CD were culled from the Helen Hartness Flanders
> ballad collection at Middlebury College.  (Nancy-Jean is the late Mrs.
> Flanders' goddaughter and herself a student of the ballad, hence the
> connection.)  The ballads here are recorded/recreated by no less than 14
> singers, plus a trio of musicians who appear on a handful of tracks.
>
> The result is a ceili of delights.
>
> Producer Dan Milner has lined up, quoting from the liner notes, "three
> All-Ireland Champions: Frank Harte, Jim McFarland and Len Graham; and
> many of North America's finest modern-day ballad singers: Gordon Bok,
> Ian Robb, Robbie O'Connell, Sandy and Caroline Paton; plus four leadeers
> of the Irish-American traditional song revival: Bob Conroy, Bonnie
> Milner, Dan Milner and Deirdre Murtha; and two icons of Britain's folk
> song movement whose roots stretch back to the Emerald Isle: Louis Killen
> and Martin Carthy..."
>
> Each sings just one ballad and if here and there the performances seem
> unpolished, that only adds to the sense of casual song swapping Milner
> and Folk-Legacy's Sandy and Caroline Paton have infused into the disc.
> The true pleasure of the collection is the sheer rarity of the ballads
> themselves.  Where else will one hear "Cork Harbor," a version of Laws
> K6, "By the Lightning We Lost Our Sight"; or my two favorites, "The
> Heights of Alma," sung with stunning intensity by Ian Robb to the melody
> Ewan MacColl used for the "Haughs of Cromdale," and "Barney McGee"? (The
> latter is a barely noticed stage song a fragment of which I learned in
> Los Angeles as a children's playground song in 1960).
>
> There truly is not a clinker on the CD, that in itself a marvel to be
> cheered.  Here is "The Dark-Eyed Sailor" (Laws N35) sung by Bonnie
> Milner to the tune I know as "The Lousy Miner."  Here too is "The
> Tanyard Side" (aka "I Wish I Was in Manchester") sung in full voice by
> Robbie O'Connell, formerly of County Waterford.  And "Napolean's Defeat"
> (Laws J4).  And on, and on.
>
> I recommend the disc.  Highly.  Without qualification -- other than to
> ask that Paton consider setting the excellent liner notes in larger type
> to ease the strain on an old man's eyes.
>
> Ed Cray
>

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Subject: Egregious Error
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Aug 2003 17:47:24 -0700
Content-Type:text/plain
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Folks:In yet another demonstration of why everyone should be edited, I wish to
confess to an error in my notice to ballad-l posted earlier today.Ms. Seigel is the granddaughter, not the goddaughter, of the great
ballad collector Helen Hartness Flanders and her husband, the good and
decent United States Senator, Ralph Flanders -- one of the few to stand
up to Joe McCarthy before Edward Murrow and Joseph Welch knocked the
props out from under that bully.Ed

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Subject: Ebay List - 08/13/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Aug 2003 16:23:03 -0400
Content-Type:text/plain
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Hi!        Another week - another list. The books keep coming! :-)        SONGSTERS        3621765797 - Dr. Sagamores' Latest Popular Songster, 1890?,
$4.99 (ends Aug-16-03 06:09:33 PDT)        2187467461 - several Civil War era items inc. a songster, $5
(ends Aug-16-03 07:28:16 PDT)        3543905926 - The Campaign Lives of Ulysses S. Grant, and
Schuyler Colfax and Campaign Songster, 1868, $9.99 (ends Aug-17-03
16:22:06 PDT)        SONGBOOKS, ETC        3543288782 - Ancient Ballads Traditionally Sung in New England.
Vol, IV by Flanders, 1965, $9.95 (ends Aug-14-03 10:32:29 PDT)        3543312760 - A Bibliography of North American Folklore and
Folksong by Haywood, 2 volumes, 1969 Dover edition, $6.99 (ends
Aug-14-03 12:08:59 PDT) also        2550403647 - 2 books (FOLK SONGS OF THE SOUTH by Cox 1967
edition is of greater interest I suspect), $4.99 (ends Aug-14-03
18:58:32 PDT)        3543391858 - Scots Minstrelsie by Grieg, 6 volumes, 1893, $150
(ends Aug-14-03 19:07:32 PDT)        3543645609 - The Book of British Ballads by Bohn, 185?, $59.99
w/reserve (ends Aug-16-03 11:02:31 PDT)        3543674366 - Journal Of American Folk-Lore, April-June 1922,
$14.99 (ends Aug-16-03 13:57:03 PDT)        3543674650 - Journal of American Folk-Lore, Jan.-March 1927,
$14.99 (ends Aug-16-03 13:59:04 PDT)        3543675001 - Journal of American Folk-Lore, June-Sept. 1925,
$14.99 (ends Aug-16-03 14:01:04 PDT)        3543675190 - Journal of American Folk-Lore, April-June 1939,
$14.99 (ends Aug-16-03 14:02:03 PDT)        3543675650 - Journal of American Folk-Lore, Oct.-Dec. 1934,
$14.99 (ends Aug-16-03 14:05:04 PDT)        2550691024 - Smith's Collection of Mountain Ballads and Cowboy
Songs, 1932, $3.99 (ends Aug-16-03 15:14:54 PDT)        2550706456 - Buried in this large lot of Sing Out! magazines and
other things is FOLKSONG IN S. CAROLINA, $49.99 w/reserve (ends
Aug-16-03 17:25:47 PDT)        3543732402 - SOME BALLAD FOLKS by Burton, 1978, $9.95 (ends
Aug-16-03 20:48:17 PDT)        3543821279 - The Limerick by Legman, "reprint edition", $4 (ends
Aug-17-03 10:20:48 PDT)        2550742202 - British Minstrelsie, 5 volumes, 189?, 0.99 GBP
(ends Aug-17-03 13:15:00 PDT)        3543342873 - Ballads And Songs Of Southern Michigan by Gardner &
Chickering, 1939, $24.50 (ends Aug-17-03 14:18:05 PDT)        3543427545 - SINGING COWBOYS and MUSICAL MOUNTAINEERS Southern
Culture and the Roots of Country Music by Malone, 1993, $4.50 (ends
Aug-18-03 00:42:49 PDT)        3543430495 - 2 books of Australian bush poems and folk songs,
$19 AU (ends Aug-18-03 01:57:55 PDT)        2551022525 - FOLK SONGS of OLD VINCENNES, 1946, $1.50 (ends
Aug-18-03 10:07:18 PDT)        3544113607 - The New Green Mountain Songster Traditional Folk
Songs of VERMONT by Flanders, Ballard, Brown & Barry, 1966 reprint,
$9.99 (ends Aug-18-03 16:04:06 PDT)        3544120434 - The Ballad Tree by Wells, 1950, $9.99 (ends
Aug-18-03 16:47:52 PDT)        3543858859 - A Bibliography of North American Folklore and Folk
Song by Haywood, volume 1 only, 1961 revised edition, $14.99 (ends
Aug-18-03 19:00:00 PDT)        2945629556 - The Colorado Magazine, summer/fall 1979, inc.
article European Legends and American Cowboy Ballads, $8 (ends Aug-19-03
10:58:35 PDT)        3342357235 - Carter Family songbook, 1935, $9.95 (ends Aug-19-03
11:18:19 PDT)        3543923524 - ENGLISH MUSIC PRINTING, 1553-1700 by Krummel, 1975,
$9.99 (ends Aug-20-03 17:44:35 PDT)        MISCELLANEOUS        2549289659 - Rev. Dan Smith Live at Fox Hollow, cassette, $3,
(ends Aug-14-03 19:30:00 PDT)        2187375304 - song manuscript, Away Here in Texas, 1862, $9.50
(ends Aug-20-03 15:29:16 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 08/13/03
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Aug 2003 19:30:48 -0500
Content-Type:text/plain
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On 8/13/03, Dolores Nichols wrote:[ ... ]>      SONGBOOKS, ETC
>
>        3543288782 - Ancient Ballads Traditionally Sung in New England.
>Vol, IV by Flanders, 1965, $9.95 (ends Aug-14-03 10:32:29 PDT)Why is it that they're selling only the volume I already have? :-)
(Serious question. Did they perhaps print more copies of this
volume?)[ ... ]>        3543342873 - Ballads And Songs Of Southern Michigan by Gardner &
>Chickering, 1939, $24.50 (ends Aug-17-03 14:18:05 PDT)I'm quite interested in this one. Anyone else desperate for it?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay List - 08/13/03
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Aug 2003 22:03:47 -0400
Content-Type:text/plain
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At 07:30 PM 8/13/03 -0500, you wrote:> >        3543288782 - Ancient Ballads Traditionally Sung in New England.
> >Vol, IV by Flanders, 1965, $9.95 (ends Aug-14-03 10:32:29 PDT)
>
>Why is it that they're selling only the volume I already have? :-)
>(Serious question. Did they perhaps print more copies of this
>volume?)That's exactly what I was thinking!  They always seem to sell volume IV.
....Doh!!
Lisa<><><><><><><><><><><><><><><><><><><><><><>
Harmonia's Big B. / http://www.harmonias.com
& Black Creek Fiddlers' Reunion -an oldtime music festival in
upstate NY, May 2003:  http://black-creek.org
<><><><><><><><><><><><><><><><><><><><><><>

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Subject: Re: Ebay List - 08/13/03
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 04:14:00 +0100
Content-Type:text/plain
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Subject: Re: [BALLAD-L] Ebay List - 08/13/03Bob Waltz:> > >3543288782 - Ancient Ballads Traditionally Sung in New England.
> > >Vol, IV by Flanders, 1965, $9.95 (ends Aug-14-03 10:32:29 PDT)> >Why is it that they're selling only the volume I already have? :-)
> >(Serious question. Did they perhaps print more copies of this
> >volume?)Lisa:> That's exactly what I was thinking!  They always seem to sell volume IV.Oddly enough, Vol. IV is the only one I have, as well. It shows up much more often in secondhand
listings than do the other volumes, and is usually cheaper than the rest.Malcolm Douglas---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.504 / Virus Database: 302 - Release Date: 24/07/03

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Subject: Re: Ebay List - 08/13/03
From: Cal & Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 00:10:54 -0700
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Hi,
Before posting this I found my copy (of Flanders Vol 4), and so
can't speculate as to why it is more available than the rest.
(With Bronson, the last volume contained the indexes and such,
but not this one.) -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Ebay List - 08/13/03
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 08:55:01 -0700
Content-Type:text/plain
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Bob (and Eavesdroppers):Volume 4 is available largely because purchases fall off as series continue.
The first volumes sell out (eventually), the later entries do not.David Kleiman, who is about to launch a digital Child, told me recently that
Princeton sold just 123 of the fourth and last volume of Bertram Bronson's
"Traditional Tunes."  (Shortly after, John Roberts, Tony Barnard and I figured
out that the three of us owned 2.44 percent of all complete sets of that
invaluable work.)Ed----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
Date: Wednesday, August 13, 2003 5:30 pm
Subject: Re: Ebay List - 08/13/03> On 8/13/03, Dolores Nichols wrote:
>
> [ ... ]
>
> >      SONGBOOKS, ETC
> >
> >        3543288782 - Ancient Ballads Traditionally Sung in New England.
> >Vol, IV by Flanders, 1965, $9.95 (ends Aug-14-03 10:32:29 PDT)
>
> Why is it that they're selling only the volume I already have? :-)
> (Serious question. Did they perhaps print more copies of this
> volume?)
>
> [ ... ]
>
> >        3543342873 - Ballads And Songs Of Southern Michigan by Gardner &
> >Chickering, 1939, $24.50 (ends Aug-17-03 14:18:05 PDT)
>
> I'm quite interested in this one. Anyone else desperate for it?
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>   is that no one ever learns from history."
>
>
>

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Subject: Re: Ebay List - 08/13/03
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 09:31:49 -0700
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Does anyone know how many were printed?  I don't recall ever seeing them
remaindered.
Norm----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Thursday, August 14, 2003 8:55 AM
Subject: Re: Ebay List - 08/13/03> Bob (and Eavesdroppers):
>
> Volume 4 is available largely because purchases fall off as series
continue.
> The first volumes sell out (eventually), the later entries do not.
>
> David Kleiman, who is about to launch a digital Child, told me recently
that
> Princeton sold just 123 of the fourth and last volume of Bertram Bronson's
> "Traditional Tunes."  (Shortly after, John Roberts, Tony Barnard and I
figured
> out that the three of us owned 2.44 percent of all complete sets of that
> invaluable work.)
>
> Ed
>
> ----- Original Message -----
> From: "Robert B. Waltz" <[unmask]>
> Date: Wednesday, August 13, 2003 5:30 pm
> Subject: Re: Ebay List - 08/13/03
>
> > On 8/13/03, Dolores Nichols wrote:
> >
> > [ ... ]
> >
> > >      SONGBOOKS, ETC
> > >
> > >        3543288782 - Ancient Ballads Traditionally Sung in New England.
> > >Vol, IV by Flanders, 1965, $9.95 (ends Aug-14-03 10:32:29 PDT)
> >
> > Why is it that they're selling only the volume I already have? :-)
> > (Serious question. Did they perhaps print more copies of this
> > volume?)
> >
> > [ ... ]
> >
> > >        3543342873 - Ballads And Songs Of Southern Michigan by Gardner
&
> > >Chickering, 1939, $24.50 (ends Aug-17-03 14:18:05 PDT)
> >
> > I'm quite interested in this one. Anyone else desperate for it?
> >
> > --
> > Bob Waltz
> > [unmask]
> >
> > "The one thing we learn from history --
> >   is that no one ever learns from history."
> >
> >
> >
>

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Subject: Re: Ebay List - 08/13/03
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 11:49:35 -0500
Content-Type:text/plain
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On 8/14/03, edward cray wrote:>Bob (and Eavesdroppers):
>
>Volume 4 is available largely because purchases fall off as series continue.
>The first volumes sell out (eventually), the later entries do not.
>
>David Kleiman, who is about to launch a digital Child, told me recently that
>Princeton sold just 123 of the fourth and last volume of Bertram Bronson's
>"Traditional Tunes."  (Shortly after, John Roberts, Tony Barnard and I figured
>out that the three of us owned 2.44 percent of all complete sets of that
>invaluable work.)But don't publishers take that into account and print fewer of the
final volume? I know that the third volume of the first edition of
_The Lord of the Rings_ was printed in such small numbers that it
actually became a collector's item before it was even published. :-)Also, if that's true, where are the unsold copies of Bronson and
where do we go to get them? :-)And can we please point out to the Republicans in Congress that
the Law of Supply and Demand is *not* working? :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay List - 08/13/03
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 13:08:09 -0400
Content-Type:text/plain
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At 11:49 AM 8/14/2003 -0500, Robert B. Waltz wrote:>Also, if that's true, where are the unsold copies of Bronson and
>where do we go to get them? :-)
   At one time they were at Elderly Instruments in Michigan.  That's where
I got mine, back in about 1978.

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Subject: Corrections
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 11:51:38 -0700
Content-Type:text/plain
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Folks:I am rightly admonished by Lani Herrmann that it is BERTRAND, not
Bertram, Bronson -- and error made in email haste, I confess, and one
that proves once more that everyone needs an editor.Secondly, David Kleiman advises me privately that Princeton sold just
173, not 123 copies of the fourth volume of the Bronson collection.  And
he has two copies.  (Which means that Tony, John and I own not 2.44
percent of the complete sets worldwide, but 1.7 percent.)  Now, with
Kleiman's two, Lani's and Norm Cohen's sets, I figure that ballad-l
members account for 4 percent of all complete sets worldwide.Do any other subscribers have complete sets?Ed

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Subject: Finding Bertrand
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 11:53:24 -0700
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Bill:Do you have all four volumes of Bronson?Ed----- Original Message -----
From: Bill McCarthy <[unmask]>
Date: Thursday, August 14, 2003 10:08 am
Subject: Re: Ebay List - 08/13/03> At 11:49 AM 8/14/2003 -0500, Robert B. Waltz wrote:
>
> >Also, if that's true, where are the unsold copies of Bronson and
> >where do we go to get them? :-)
>   At one time they were at Elderly Instruments in Michigan.  That's where
> I got mine, back in about 1978.
>
>
>

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Subject: Re: Corrections
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 15:31:41 EDT
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Sorry, your browser doesn't support iframes.


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Subject: Re: Corrections
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 21:06:31 +0100
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I have vols 1 to 3 - vol 4 got stolen from the library who sold me the other
three. Would David sell me his spare vol 4?
Simon

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Subject: BRONSON
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 16:22:26 EDT
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In a message dated 08/14/03 11:52:22 AM, [unmask] writes:>Do any other subscribers have complete sets?
***************************************
Dear Ed,Please add my name  to those with the complete Bronson.  I ordered them as
they were serially published.At one of the Berkeley Folk Festivals, some of us gathered at the home of a
friend for an informal evening of song;  I remember that Mike and Pete Seeger
were there, as were Barry Olivier, "Slim" Critchlow,  Meritt Herring, and many
other singers;  we sang until about 2:00 am, and guest Bertrand Bronson stayed
right fo the bitter end!  I'm not sure, but I think Lani Hermann may have
been there, too. (She attyended all the Berkeley Festivals.)  Another UC
Professor attended that evening -- George Stewart, author of _Storm_  and many other
books.  He and I had worked side by side a good many years before  (during
WWII) as writers (and I was also an illustrator) with the University of California
Division of War Research on Pt. Loma in  San Diego.  George left UCDWR and
went back to Berkeley  after the Bureau of Ships unceremoniously told him to
stop using the fictional characters he had created  (and I had illustrated) in
the Bureau's _Submarine Supplements to the Sailing Directions_ to point up the
myriad jobs that had to be done on a  wartime submarine.  His created
characters included  an Annapolis grad called by his Chinese nickname, Hi Yi Cue, who
loved to operate submarines, and his Executive Officer Zeke, who liked to fire
torpedoes.  The last time I saw George was not long before he died, and in
his office on the UC Berkeley Campus he had framed a cartoon I had made for  him
during his battle with the Bureau of Ships, showing him, dressed orgive my
loquacity -- a privilege of us old men!Sam Hinton
La Jolla, CA

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Subject: BRONSON
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 16:23:29 EDT
Content-Type:text/plain
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In a message dated 08/14/03 11:52:22 AM, [unmask] writes:>Do any other subscribers have complete sets?
***************************************
Dear Ed,Please add my name  to those with the complete Bronson.  I ordered them as
they were serially published.At one of the Berkeley Folk Festivals, some of us gathered at the home of a
friend for an informal evening of song;  I remember that Mike and Pete Seeger
were there, as were Barry Olivier, "Slim" Critchlow,  Meritt Herring, and many
other singers;  we sang until about 2:00 am, and guest Bertrand Bronson stayed
right fo the bitter end!  I'm not sure, but I think Lani Hermann may have
been there, too. (She attyended all the Berkeley Festivals.)  Another UC
Professor attended that evening -- George Stewart, author of _Storm_  and many other
books.  He and I had worked side by side a good many years before  (during
WWII) as writers (and I was also an illustrator) with the University of California
Division of War Research on Pt. Loma in  San Diego.  George left UCDWR and
went back to Berkeley  after the Bureau of Ships unceremoniously told him to
stop using the fictional characters he had created  (and I had illustrated) in
the Bureau's _Submarine Supplements to the Sailing Directions_ to point up the
myriad jobs that had to be done on a  wartime submarine.  His created
characters included  an Annapolis grad called by his Chinese nickname, Hi Yi Cue, who
loved to operate submarines, and his Executive Officer Zeke, who liked to fire
torpedoes.  The last time I saw George was not long before he died, and in
his office on the UC Berkeley Campus he had framed a cartoon I had made for  him
during his battle with the Bureau of Ships, showing him, dressed as one of
the Three Musketeers, using a pen as a sword in defending  a nonchalant Hi Yi
Cue and Zeke.Please forgive my loquacity -- a privilege of us old men!Sam Hinton
La Jolla, CA

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Subject: Re: Corrections
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 16:33:21 -0400
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edward cray wrote:
>
> Folks:
>
> Do any other subscribers have complete sets?
>
> EdI have all four.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Bronson census
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 16:27:42 -0300
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At 04:33 PM 8/14/03 -0400, you wrote:
>edward cray wrote:
> >
> > Folks:
> >
> > Do any other subscribers have complete sets?
> >
> > EdWhile I don't own the 4-volume set, I did handle one last year. It
ultimately found a home with a musician in Northern Indiana, who isn't a
member of this list (I'm guessing about that.)Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Corrections
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 17:27:46 -0400
Content-Type:text/plain
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On Thu, Aug 14, 2003 at 11:51:38AM -0700, edward cray wrote:
> X-Mailer: iPlanet Messenger Express 5.2 HotFix 1.17 (built Jun 23 2003)
> Date:         Thu, 14 Aug 2003 11:51:38 -0700
> From: edward cray <[unmask]>
> Subject: Corrections
> To: [unmask]
>
> Folks:
>
> I am rightly admonished by Lani Herrmann that it is BERTRAND, not
> Bertram, Bronson -- and error made in email haste, I confess, and one
> that proves once more that everyone needs an editor.
>
> Secondly, David Kleiman advises me privately that Princeton sold just
> 173, not 123 copies of the fourth volume of the Bronson collection.  And
> he has two copies.  (Which means that Tony, John and I own not 2.44
> percent of the complete sets worldwide, but 1.7 percent.)  Now, with
> Kleiman's two, Lani's and Norm Cohen's sets, I figure that ballad-l
> members account for 4 percent of all complete sets worldwide.
>
> Do any other subscribers have complete sets?
>This explains why I have seen NO complete sets or copies of volume 4
come up for sale. I have only seen volume 3 once and the dealer wanted
$300.Oops! Correct all that! I just looked on Abebooks. There is a complete
set for $2250!! Another dealer has volume 1 only for $450!! That is the
most I have ever seen for volume 1. Those of you with complete sets
might want to guard them.We only have the first two volumes and would love to get the other two
but not at those prices.                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Counting Bronson
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 15:05:31 -0700
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Folks:Early returns have the number of ballad-l subscribers who own the
four-volume Bronson are up to 11.  This represents 6.36 percent of the
173 copies of volume 4 (and thus complete sets) sold.Ed

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Subject: Re: Corrections
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 15:15:23 -0700
Content-Type:text/plain
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Simon:I think David will do better than that, but I had best leave a formal
announcement up to him.Ed----- Original Message -----
From: Simon Furey <[unmask]>
Date: Thursday, August 14, 2003 1:06 pm
Subject: Re: Corrections> I have vols 1 to 3 - vol 4 got stolen from the library who sold me the other
> three. Would David sell me his spare vol 4?
> Simon
>
>
>

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Subject: Re: Bronson census
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 17:19:02 -0500
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On 8/14/03, Paul Garon wrote:>At 04:33 PM 8/14/03 -0400, you wrote:
>>edward cray wrote:
>>>
>>> Folks:
>>>
>>> Do any other subscribers have complete sets?
>>>
>>> Ed
>
>
>While I don't own the 4-volume set, I did handle one last year. It
>ultimately found a home with a musician in Northern Indiana, who isn't a
>member of this list (I'm guessing about that.)According to my old college's card catalog, they have it -- but
people can't see it. I *think* I saw it once when a music student
led me into their Holy of Holies.Seems rather silly; the music students don't look at the thing.
It doesn't have any fancy "arrangements."Fortunately for me, a very kind and generous member of this
list gave me photocopies of volumes 2-4. (I have a "real"
copy of volume 1.)
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Corrections
From: Scott Utley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Aug 2003 17:19:10 -0400
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I have another set from the Francis L Utley collection
[unmask]
----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Thursday, August 14, 2003 2:51 PM
Subject: Corrections> Folks:
>
> I am rightly admonished by Lani Herrmann that it is BERTRAND, not
> Bertram, Bronson -- and error made in email haste, I confess, and one
> that proves once more that everyone needs an editor.
>
> Secondly, David Kleiman advises me privately that Princeton sold just
> 173, not 123 copies of the fourth volume of the Bronson collection.  And
> he has two copies.  (Which means that Tony, John and I own not 2.44
> percent of the complete sets worldwide, but 1.7 percent.)  Now, with
> Kleiman's two, Lani's and Norm Cohen's sets, I figure that ballad-l
> members account for 4 percent of all complete sets worldwide.
>
> Do any other subscribers have complete sets?
>
> Ed

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Subject: Re: Ebay List - 08/13/03
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 04:46:49 EDT
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Subject: Bronson Census
From: Ruairidh Greig <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 13:41:49 +0100
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I wonder how many sets made it to the UK? I have all four, bought one by one
from Blackwells in Oxford in the 1970s.Ruairidh Greig----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Thursday, August 14, 2003 11:15 PM
Subject: Re: Corrections> Simon:
>
> I think David will do better than that, but I had best leave a formal
> announcement up to him.
>
> Ed
>
> ----- Original Message -----
> From: Simon Furey <[unmask]>
> Date: Thursday, August 14, 2003 1:06 pm
> Subject: Re: Corrections
>
> > I have vols 1 to 3 - vol 4 got stolen from the library who sold me the
other
> > three. Would David sell me his spare vol 4?
> > Simon
> >
> >
> >
>

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Subject: Re: Ebay List - 08/13/03
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 07:55:10 -0500
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On 8/15/03, Fred McCormick wrote:>Bob Waltz wrote:-
>
>>
>
>>But don't publishers take that into account and print fewer of the
>>>final volume? I know that the third volume of the first edition of
>>>_The Lord of the Rings_ was printed in such small numbers that it
>>>actually became a collector's item before it was even published. :-)
>>
>
>I'd guess it's a function of economics. IE., it's probably as cheap to produce 1,000 books as it is to run off 500, even if only 500 of the final volume end up getting sold.Now quite, because of paper costs. Significant for something like Bronson.
But, of course, the paper costs were low enough that they could make money
off the extra copies by remaindering the thing.>We are used to dealing with books with a very limited appeal. Therefore, for a series like HHF, the publisher would print the same number irresepctive of anticipated final sales. In the case of a book like TLOR, the demand would be far higher than for HHF. If the publisher misjudged the market and ran off, say, 2,0000 copies where a demand for 3,0000 existed, then the resulting shortfall would turn that volume into a collector's item.Which is what happened with LotR. The publisher's readers thought they
had one of the All-Time Great Books on their hands (which was true,
obviously), but that it wouldn't sell. (A reasonable expectation, since
adult fantasy didn't exist as a genre at the time, and had had no
publishing outlet since _Unknown_ magazine had died a decade before).The rest, of course, is publishing history.>Who said the law of supply and demand doesn't work ?I did. Or, rather, I said in effect what you did: That the system
has a few glitches. :-)What it does argue is that we need to publish more books-by-subscription.
Which argues -- hm. They now have books that are "print on demand."
You bring them an electronic file, say "150," and they print and bind
150. Cost is rather high, but nothing compared to a copy of Bronson
for $2250! We might want to start looking into some sort of subscriber
cooperative.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Counting Bronson
From: Margaret Anderson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 09:04:02 -0500
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I have all 4, which I bought between 1969 and 1974 as I could afford them.Margaret

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Subject: Re: Corrections
From: dick greenhaus <[unmask]>
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Date:Fri, 15 Aug 2003 10:36:30 -0400
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Subject: Re: Counting Bronson
From: Paddy Tutty <[unmask]>
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Date:Fri, 15 Aug 2003 11:06:30 -0600
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Alas, I don't have them!   I consult the copy at the University of
Saskatchewan Library.Paddy Tutty
Saskatoon, SKMargaret Anderson wrote:> I have all 4, which I bought between 1969 and 1974 as I could afford them.
>
> Margaret

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Subject: Child, Bronson, Maitland et al
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 10:26:09 -0700
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Folks:David Kleiman has asked me to post this exchange between him and me,
containing as it does what I believe to be a significant announcement
for  those of us interested in building a folk song library.Ed
------------------------------------------------------------------------
From  [unmask]
Sent  Friday, August 15, 2003 8:43 am
To  edward cray <[unmask]>
Cc
Bcc
Subject  Re: Bronson runEd,Actually, I cannot get directly to Ballad-L from my email right now.  I'm in
the process of moving office space since the Child package is now really in
manufacturing.  If you could help by posting the following, it might clear
some things up and help folks on the list.  Please explain that I can't do a
direct login to the list until sometime next week when I have new
service. If
you feel uncomfortable with this let me know and I'll ask someone else..."The Heritage Collector's - The English and Scottish Popular Ballads
(digital
edition) is in final manufacturing.  The factory has promised shippable
product by Labor Day weekend.  If you are interested in the $100 pre-
publication price for individual copies make sure that David gets an email
from you (if you haven't already been in touch with him) in the next week or
so at [unmask]Given the recent threads up on the Ballad-L list David Kleiman also notes
that Heritage Muse has negotiated a contract with Princeton University Press
for the re-publicatoin rights on Bronson.  Because they have only been given
one year on the the contract, Heritage Muse has already started the
editorial
work building the Place Names Index for Bronson (vols 1 & 3 are
complete) and
are converting the tunes to MIDI format.  The Bronson books have been
anticipated in the digital Child with links from each ballad header in Child
to the upcoming Bronson works. Imagaing and full digitization on Bronson
will
begin in Sept once the Child package is actaully in the mail.Lastly, Heritage Muse announced last week at the NY Eisteddfod festval a
series of smaller Heritage Collectors Digital Editions of text only (no
audio
CD), interlinked, and cross-indexed packages.  The first in the new series
(available mid-late Sept 2003): Ballad Collections of James Maidment: A
North
Country Garland & A New Book of Old Ballads."Thanks Ed.  Any thoughts on your schedule and did you want to do the bio of
Maidment or shall I have that done elsewhere?DMK
> David:
>
> I cannot tell you how impressed I am with your publication plans.  This is
> important work you are doing, and doing in a clever fashion with separate
> business partners for each major work.
>
> I happen to have -- Xeroxed from the originals borrowed through
interlibrary
> loan -- an "Appendix" to Motherwell's Minstrelsy, the edition of 1873,
which
> contains 24 pages of notes, and lead sheets for 33 tunes, including
exceedingly
> rare "The Whummil Bore"!
>
> I also have the THREE parts to to C.K. Sharpe's Ballad Book, the third
part of
> which was edited by "the late" David Laing.  All three parts were
published by
> Edmund Goldsmid.
>
> Part III is important in that it has Sr. Walter Scott's annotations to
Sharpe's
> collectanea.
>
> I would be delighted to loan these Xeroxes to you were you interested.
>
> Ed
>
> P.S.  I am idly thinking of doing a bibliography of the Goldsmid
printings.
> While EP Publishing reprinted four of them, others reamin forgotten.
>
>
> ----- Original Message -----> From: [unmask]
> Date: Thursday, August 14, 2003 6:10 pm
> Subject: Re: Bronson run
>
> > Ed,
> >
> > Thanks for the notes and encouragement.  I won't actually announce to
> > Ballad-
> > L until the Child stuff is shipping in the next couple of weeks. But I
> > will
> > put stuff up there.
> >
> > I didn't mention the other Maidment, but it is actually on my list.  I
> > just
> > don't have a copy in hand at the moment to do the editorial pre-work
on it.
> >
> > And actually Ritson's Robin Hood book is also already in the works
but we
> > an
> > over abundance of editions (5 to be exact) to choose from and I haven't
> > determined all of the differences.
> >
> > In terms of a word count etc....I was actually just thinking of 2-3
> > paragraphs placing the two booklets in time/importance in
relationship to
> > both Child and to Ballad collecting in general.  A brief bio would be
> > wonderful.  Tell me what kind of time you might have to do something
short> > and quick.  This does not have to be the definitive edition (we can do
> > that
> > with the second Maidment package).  I want to push this out the door
> > quickly
> > after Child and move on to publishing the other works about one
every two-
> > three months.
> >
> > The Jamieson is a great suggestion.  I too have the two-volume
Motherwell
> > but
> > we're going to use the 1828 edition with his notes if I can arrange it.
> >
> > Ah well, I'm going to keep this short since I'm on battery power
tonight....
> >
> > Later, and thanks again.
> >
> > DMK
> >
> > In terms
> > > David:
> > >
> > > This is great news indeed.  The prospect of the first reprint of
> > Motherwell's> _Minstrelsy_ is marvelous.  (I have the two volume Ticknor
> > and Fields edition of
> > > 1846.  Would you believe I bought them separately about a year
apart from
> > > different dealers?)
> > >
> > > Since you are on a reprint binge, may I suggest Robert Jamieson's
two volume> > > _Popular Ballads and Songs_ (Edinburgh: 1806)?  I have volume one
only.
> > This is
> > > an important work.
> > >
> > > And then there is James Maidment's _Scotish Ballads and Songs,
> > Historical and
> > > Traditionary,_ another two volume set published in Edinburgh in 1868.
> > (I have
> > > both volumes of that.)
> > >
> > > Further, Ritson's volumes command high prices on Abebooks.  You might
> > look at
> > > his Robin Hood ballads, etc.
> > >
> > > I would be happy to write an introduction of the Maitland.  (I
have the EP
> > > Publishing reprint in _Choice Old Scottish Ballads._)  Give me a word
> > count and
> > > a deadline.  It would be good if there were some room for a short
> > biography of
> > > Maitland, who is much undervalued.
> > >
> >
> > > Lastly, I urge you in the strongest terms to announce your series on
> > ballad-l.
> > > It is important.  It will reach a core of real ballad enthusiasts and
> > > purchasers.
> > >> > > Better you do it than me, for your descriptions can be fuller.
And you can
> > > better explain the cross-indexing, etc.
> > >
> > > Ed
> > > ----- Original Message -----
> > > From: [unmask]
> > > Date: Thursday, August 14, 2003 9:57 am
> > > Subject: Bronson run
> > >
> > > > Ed,
> > > >
> > > > Actually there were 173 (not 123) copies of Bronson #4 and I
have two
> > of
> > > > them
> > > > sitting here.
> > > >
> > > > The Digital Child is in manufacturing and should be shipping anyday
> > (as
> > > > soon
> > > > as they call me and tell me I can pick it up).
> > > >
> > > > Here's a couple of other item you can share with folks....
> > > >
> > > > 1. The new Place Names Index to go with Bronson is completed on
> > Bronson
> > > > Vols
> > > > 1 & 3.  Work proceeds apace on Vols 2 & 4.
> > > >
> > > > 2. We've announced, and showed this last weekend at the Eisteddfod
> > > > festival,
> > > > a small product line under the Heritage Collectors banner.
These will
> > be> > > > single digital CDs only (no audio CD) with linked texts.  The
indicies
> > > > work
> > > > across all PDFs including Child and Bronson (when released.) The
works
> > > > include at least (but are not limited to) the following (already in
> > > > production):
> > > >
> > > > "Ballad Collections of James Maidment: A North Country Garland (1824
> > > > revised
> > > > 1891) & A New Book of Old Ballads (1843 revised 1891)" - $15, full
> > text
> > > > with
> > > > new indicies and links into the Child books.  Due out Sept, 2003
> > > >
> > > > "Northern Garlands (The Bishopric Garland, The Yorkshire
Garland, The
> > > > Northumberland Garland, The North-Country Chorister) by Joseph
Ritson
> > > > (1810)" - $ TBA, full text with new indicies and links into the
Child
> > books.> >
> > > > "The Ballad Book by William Allingham (1865)" - $ TBA, full text
with
> > new
> > > > indicies and links into the Child books.
> > > >
> > > > These four books were all sources for Child (and some Bronson) but
> > contain> >
> > > > material FJC ignored or chose to edit out (ie: Maidment).
> > > >
> > > > Now on to not yet publicly announcable stuff:
> > > >
> > > > We also got our hot little noses onto an 1828 copy of Motherwell
WITH
> > his
> > > > own
> > > > publication notes.  If I can convince the UK owner of same to
lend it
> > here
> > > > for 4-6 months we'll do that too (with audio CD of the tunes).
> > > >
> > > > There are other Child sources sitting in my library but we'll
see how
> > the
> > > > smaller stuff moves within the folk and academic community.
> > > >

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Subject: Re: Bronson census
From: DAN MILNER <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 10:33:28 -0700
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No... just the abridgment.  Back when a dollar was a
dollar, I was earning 50 cents.All the best,
Dan Milner--- Paul Garon <[unmask]> wrote:
> At 04:33 PM 8/14/03 -0400, you wrote:
> >edward cray wrote:
> > >
> > > Folks:
> > >
> > > Do any other subscribers have complete sets?
> > >
> > > Ed
>
>
> While I don't own the 4-volume set, I did handle one
> last year. It
> ultimately found a home with a musician in Northern
> Indiana, who isn't a
> member of this list (I'm guessing about that.)
>
> Paul Garon
>
>
> Paul and Beth Garon
> Beasley Books (ABAA)
> 1533 W. Oakdale
> Chicago, IL 60657
> (773) 472-4528
> (773) 472-7857 FAX
> [unmask]

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Subject: Bronson Census
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 10:43:35 -0700
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Folks:Late returns bring the total of complete sets of Bronson cherished by
ballad-l subscribers to 14, or 8.1 percent of the 173 complete sets sold
by Princeton University Press in the late 1960s-early 1970s.Ed

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Subject: Re: Ebay List - 08/13/03
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 14:03:10 EDT
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Subject: Re: Child, Bronson, Maitland et al
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 14:28:19 EDT
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Subject: Re: Bronson Census
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 20:16:21 +0100
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Quite a few sets must have made it; I can cite at least three I know of
apart from mine - one at Sheffield University, one owned by a friend of mine
in Nottingham and another owned by a friend in Sussex. I still remember him
coming into the Lewes Arms folk club waving volume 4 in glee when it first
came out in the 1970s. I suppose there must be one in the Vaughan Williams
Memorial Library too.
Cheers
Simon
----- Original Message -----
From: "Ruairidh Greig" <[unmask]>
To: <[unmask]>
Sent: Friday, August 15, 2003 1:41 PM
Subject: Bronson Census> I wonder how many sets made it to the UK? I have all four, bought one by
one
> from Blackwells in Oxford in the 1970s.
>
> Ruairidh Greig
>

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Subject: FYI: Henry Green
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 14:33:45 -0400
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This site summarizes the murder of Mary Ann Wyatt by Henry Green in
Berlin, NY, in 1845.  I mention it because this is not a folklore
site, although a ballad is given.http://www.homestead.com/familyhistories/green.htmlW. K. McNeil has written on this subject (NEW YORK FOLKLORE QUARTERLY
Vol. XXV, No. 1, March, 1969).
--
john garst    [unmask]

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Subject: Re: Bronson Census
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 17:17:40 -0700
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Folks:The more sets we track down, the more interesting does this become.I assume that perhaps half of the complete four-volume sets went to research
libraries: LC, BL, Sheffield, Edinburgh, UCLA, Berkeley, Illinois, White Library
(Cleveland), Harvard, Princeton (of course).  Some libraries, such as UCLA
Special Collections and its general circulation library, probably bought two
copies.The fact remains that one of the principle resources in ballad scholarship is
very narrowly distributed.  As are the people who use this resource.Ed----- Original Message -----
From: Simon Furey <[unmask]>
Date: Friday, August 15, 2003 12:16 pm
Subject: Re: Bronson Census> Quite a few sets must have made it; I can cite at least three I know of
> apart from mine - one at Sheffield University, one owned by a friend of mine
> in Nottingham and another owned by a friend in Sussex. I still remember him
> coming into the Lewes Arms folk club waving volume 4 in glee when it first
> came out in the 1970s. I suppose there must be one in the Vaughan Williams
> Memorial Library too.
> Cheers
> Simon
> ----- Original Message -----
> From: "Ruairidh Greig" <[unmask]>
> To: <[unmask]>
> Sent: Friday, August 15, 2003 1:41 PM
> Subject: Bronson Census
>
>
> > I wonder how many sets made it to the UK? I have all four, bought one by
> one
> > from Blackwells in Oxford in the 1970s.
> >
> > Ruairidh Greig
> >
>
>
>

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Subject: Re: Bronson Census
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 02:17:29 +0100
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----- Original Message -----
From: [unmask]
Sent: 15 August 2003 20:16
Subject: Re: [BALLAD-L] Bronson Census> Quite a few sets must have made it; I can cite at least three I know of
> apart from mine - one at Sheffield University, one owned by a friend of mine
> in Nottingham and another owned by a friend in Sussex. I still remember him
> coming into the Lewes Arms folk club waving volume 4 in glee when it first
> came out in the 1970s. I suppose there must be one in the Vaughan Williams
> Memorial Library too.Apart from the Sheffield University set (which I have been gradually photocopying for quite some
time, now: I'm about halfway through at the moment), a friend in Sheffield claims to have a set
bought from a college library (I think he keeps it in a box somewhere; I doubt if it's ever used),
and it's possible that "Doc" Rowe has one, which would likely also be in Sheffield now; though I'm
not sure of that. There certainly is a set at the VWML, and I'd be surprised if there were not one
at Leeds, which had a folklore department in those days.Malcolm Douglas---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.504 / Virus Database: 302 - Release Date: 24/07/03

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Subject: Bronson
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 23:43:04 -0500
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>Do any other subscribers have complete sets?Yes, but I cheated and xeroxed mine.   It required three different
interlibrary loan sources to acquire the four volumes to copy.EdieEdie Gale Hays
[unmask]

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Subject: Re: Bronson
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Aug 2003 22:26:49 -0700
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Edie:You must be the fourth or fifth person who has confessed to Xeroxing the four
volumes of Bronson -- a monumental task, to be sure.I suspect you will love, or resent the forthcoming CD reprint of Bronson that
ballad-l list member David Kleiman is preparing for sale.Ed----- Original Message -----
From: Edie Gale Hays <[unmask]>
Date: Friday, August 15, 2003 9:43 pm
Subject: Bronson> >Do any other subscribers have complete sets?
>
> Yes, but I cheated and xeroxed mine.   It required three different
> interlibrary loan sources to acquire the four volumes to copy.
>
> Edie
>
> Edie Gale Hays
> [unmask]
>
>
>

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Subject: PS Books. Conversation with the Blues
From: Fred McCormick <[unmask]>
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Date:Sat, 16 Aug 2003 05:08:35 EDT
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Subject: Re: Bronson
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 08:30:57 -0300
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>    It required three different
>interlibrary loan sources to acquire the four volumes to copy.
>
>EdieThis reminded me to look at OCLC. No, no, no, don't everybody jump on me at
once! I know its weaknesses are legion, but I'm surprised to find that you
had difficulty finding interlibrary loan sources when in fact OCLC
registers 800+ copies of this 4-volume set.Obviously, many libraries signed on to this description when they actually
only had a volume or two, but even if 1/5 of them were true....I gather that many of you are in academia--and I am not--so you probably
have more hands-on experience with OCLC than I do. I am a member of the
Antiquarian Booksellers Association of America and the ABAA subscribes to
OCLC for its members.Or, if I'm getting way too many false positives with my search, maybe
someone could tell me how to do it right?Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Bronson
From: Fred McCormick <[unmask]>
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Subject: Bronson Owners
From: Mary Stafford <[unmask]>
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Date:Fri, 15 Aug 2003 09:06:53 -0400
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I have all four volumes, bought as they were published. I also have the complete 3-book set of Child from Cooper Square, bought second hand years ago.Mary Stafford

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Subject: Re: Bronson
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 10:16:05 -0500
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>I suspect you will love, or resent the forthcoming CD reprint of Bronson that
>ballad-l list member David Kleiman is preparing for sale.I will love it. CDs are far more transportable than four large heavy
notebooks.Edie

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Subject: Re: Bronson
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 10:47:06 -0300
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OCLC stands for something like Online Computer Library Center, and it can
be used as *sort* of a National Union Catalog, although it is not as
participated in as thoroughly as the NUC and it has (apparently) a great
many cataloging errors in it. Still, it's very helpful to find out when a
book was first published, details about the publisher, etc, and how rare it
is (relatively speaking).Unfortunately, it is only available by subscription, usually to libraries
who provide its services to their users. It might be something libraries in
the UK have, but I just don't know. (My knowledge of library science is
entirely from the perspectives of a user and of a subscriber to PROGRESSIVE
LIBRARIAN.)Paul GaronAt 10:29 AM 8/16/03 -0400, you wrote:
>Paul Garon wrote:-
>
>> >This reminded me to look at OCLC. No, no, no, don't everybody jump on
>> me at
>>once! I know its weaknesses are legion, but I'm surprised to find that you
>>had difficulty finding interlibrary loan sources when in fact OCLC
>>registers 800+ copies of this 4-volume set.
>>
>>I hate to show my ignorance, but what is OCLC ? Is it something limited
>>to the USA ? I ask because I order quite a lot of stuff by interlibrary
>>loan, and I deal with a small branch library, whose staff get very
>>confused very easily.
>
>
>If I could direct them to specific sources, it would make life a lot
>easier for them as well as for me.
>
>I still remember the time when I ordered Cecil Sharp's English Folksongs
> From The Southern Appalachians. They came back almost immediately with a
>copy of Maud Karpeles' 80 English Folksongs From The Southern Appalachians
>and the assistant was adamant that she'd got the right book ! Yes, I
>swiped a photocopy, when I eventually managed to persuade them to order
>the one I'd asked for.
>
>Cheers,
>
>Fred McCormickPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Bronson Census
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 12:22:59 -0400
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Ed,I suppose that compiling statistics re partial sets would extend your
inquiry far beyond its original purposes but it might be interesting. I
have volumes 1-3, lacking the elusive volume 4.  I bought volume 1 from
a bookdealer who had beat me out to a house sale. I got to the house
sale late because the newspaper I relied on had somehow listed the wrong
time (his newspaper had the right time). When I later went to the
dealer's shop, he sold me volume 1, which he had got at the house sale.
The price was $25 and the copy was - and is - beautiful in a beautiful
dust jacket. I also bought from him the 3 volume Child reprint published
by Folklore Associates, which he had also purchased at the house sale,
also in dust jacket.  The price was $50 for the set. Considering that he
must have made a considerable profit on the sale to me, I can only
imagine what he paid.  I got volume 2 of Bronson at a book fair at the
end of the day for $28.  No one wanted it for $35, the original asking
price.Lew Becker>>> [unmask] 8/15/2003 1:43:35 PM >>>
Folks:Late returns bring the total of complete sets of Bronson cherished by
ballad-l subscribers to 14, or 8.1 percent of the 173 complete sets
sold
by Princeton University Press in the late 1960s-early 1970s.Ed

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Subject: Re: Bronson
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 09:34:01 -0700
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Edie:Yeah, but then you need something to "play" the CDs on.Ed----- Original Message -----
From: Edie Gale Hays <[unmask]>
Date: Saturday, August 16, 2003 8:16 am
Subject: Re: Bronson> >I suspect you will love, or resent the forthcoming CD reprint of Bronson that
> >ballad-l list member David Kleiman is preparing for sale.
>
> I will love it. CDs are far more transportable than four large heavy
> notebooks.
>
> Edie
>
>
>

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Subject: Re: Bronson
From: Cal & Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 11:07:00 -0700
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On Sat, Aug 16, 2003 at 08:30:57AM -0300, Paul Garon wrote:> This reminded me to look at OCLC. No, no, no, don't everybody jump on me at
> once! I know its weaknesses are legion, but I'm surprised to find that you
> had difficulty finding interlibrary loan sources when in fact OCLC
> registers 800+ copies of this 4-volume set.
>
> Obviously, many libraries signed on to this description when they actually
> only had a volume or two, but even if 1/5 of them were true....        'At's funny, I was about to suggest that someone (with more direct access
to Librarianly resources than I do) check the OCLC database for other copies.
This can count as 'I-almost-told-you-so,' I guess.  -- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Bronson
From: Margaret MacArthur <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 14:10:46 -0500
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In answer to Ed Cray, I have all 4 volumes of Bronson, having inherited
1,2and 3 from the Flanders estate, and been given 4 by John Roberts in
exchange for a complete Child, an inherited duplicate of a set I ownedMargaret MacArthur
Box 15 MacArthur Road
Marlboro VT 05344
802/254/2549
[unmask]
http://www.margaretmacarthur.com
from the heart of the Green Mountains

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Subject: Bronson census
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 11:22:00 -0600
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The University of Arizona music library has a set. Unfortunately, there
are restrictions on who can check them out (i.e., not mere un-affiliated
townies like myself), and someone has the set checked out pretty much in
perpetuity, so I can't even look at them on-site. The library can't
reveal the identity of this unknown scholar, of course...According to their on-line catalog, Arizona State has them, too, but
they're currently  at the bindery. (?!?)I did find volume 2 at a local used bookstore (with no identifying marks
as to the previous owner).~ Becky Nankivell
Tucson, Arizona> Date:    Fri, 15 Aug 2003 17:17:40 -0700
> From:    edward cray <[unmask]>
> Subject: Re: Bronson Census
>
> Folks:
>
> The more sets we track down, the more interesting does this become.
>
> I assume that perhaps half of the complete four-volume sets went to research
> libraries: LC, BL, Sheffield, Edinburgh, UCLA, Berkeley, Illinois, White Library
> (Cleveland), Harvard, Princeton (of course).  Some libraries, such as UCLA
> Special Collections and its general circulation library, probably bought two
> copies.
>
> The fact remains that one of the principle resources in ballad scholarship is
> very narrowly distributed.  As are the people who use this resource.
>
> Ed
>

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Subject: Re: Bronson
From: Fred McCormick <[unmask]>
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Date:Sat, 16 Aug 2003 14:23:08 EDT
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Subject: Re: Bronson
From: Fred McCormick <[unmask]>
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Date:Sat, 16 Aug 2003 14:58:50 EDT
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Subject: Bronson
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 15:00:09 -0400
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     I checked the Boston College holdings and came up with the
following:Bronson, Bertrand Harris, 1902-
Title   The traditional tunes of the Child ballads;  with their texts,
according to the extant records of Great Britain and America.
Imprint Princeton, N.J.,  Princeton University Press,  1959-72.
Descr.  4 v. music. 29 cm.
General Note    Each ballad preceded by historical notes.
Contents        v. 1. Ballads 1 to 53.--v. 2. Ballads 54 to 113.--v. 3.
Ballads 114 to 243.--v. 4. Ballads 245-299, with addenda to volumes 1-4.George F. Madaus
Boisi Professor of Education and Public Policy
Senior Research Fellow
National Board on Educational Testing and Public Policy
Center for the Study of Testing Evaluation and Educational Policy
Carolyn A. and Peter S. Lynch School of Education
Boston College
Chestnut Hill MA 02467
[unmask]
617. 552.4521
617 552 8419 FAX

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Subject: Re: Bronson
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 16:53:29 -0500
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>Yeah, but then you need something to "play" the CDs on.Have laptop computer (complete with CD burner and DVD player), will travel.Edie

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Subject: Re: Bronson Census
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Aug 2003 21:30:33 -0700
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I don't consider myself narrowly distributed.
Norm----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: Friday, August 15, 2003 5:17 PM
Subject: Re: Bronson Census> Folks:
>
> The more sets we track down, the more interesting does this become.
>
> I assume that perhaps half of the complete four-volume sets went to
research
> libraries: LC, BL, Sheffield, Edinburgh, UCLA, Berkeley, Illinois, White
Library
> (Cleveland), Harvard, Princeton (of course).  Some libraries, such as UCLA
> Special Collections and its general circulation library, probably bought
two
> copies.
>
> The fact remains that one of the principle resources in ballad scholarship
is
> very narrowly distributed.  As are the people who use this resource.
>
> Ed
>
> ----- Original Message -----
> From: Simon Furey <[unmask]>
> Date: Friday, August 15, 2003 12:16 pm
> Subject: Re: Bronson Census
>
> > Quite a few sets must have made it; I can cite at least three I know of
> > apart from mine - one at Sheffield University, one owned by a friend of
mine
> > in Nottingham and another owned by a friend in Sussex. I still remember
him
> > coming into the Lewes Arms folk club waving volume 4 in glee when it
first
> > came out in the 1970s. I suppose there must be one in the Vaughan
Williams
> > Memorial Library too.
> > Cheers
> > Simon
> > ----- Original Message -----
> > From: "Ruairidh Greig" <[unmask]>
> > To: <[unmask]>
> > Sent: Friday, August 15, 2003 1:41 PM
> > Subject: Bronson Census
> >
> >
> > > I wonder how many sets made it to the UK? I have all four, bought one
by
> > one
> > > from Blackwells in Oxford in the 1970s.
> > >
> > > Ruairidh Greig
> > >
> >
> >
> >
>

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Subject: Bronson for sale
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Aug 2003 08:09:40 -0300
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HiI don't know whether this is a single volume or a one-volume abridgement or
what, but it just popped up on abebooks.com, if anyone is interested.
----------------
1. The Traditional tunes of the Child ballads : with their texts, according
to the extant records of Great Britain and America. by Bronson, Bertrand
Harris. Page Collector Reprints 1959 New facsimile reproduction of original
edition, quality hardback
The price of the book is US$ 79.00 Hardbound quality facsimile reproduction
of out-of-print titles
  Please reference the seller's book # PC081406060 when ordering.To order this book click here:
http://dogbert.abebooks.com/abe/BookDetails?ph=1&bi=227320708The seller is PageCollector
Beverly Hills, CA, U.S.A..
<mailto:[unmask]>
Terms of sale: New book, Replica edition printed on demand, hardbound
Typically ships within a few business days.
------------
Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Bronson Census
From: Adam Miller <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Aug 2003 07:17:46 -0500
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Dear Readers,I guess I missed this part of the discussion:  what will the 4 Bronson
volumes on CD-ROM retail for?-Adam Miller

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Subject: Re: Bronson Census
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Aug 2003 11:17:32 -0400
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I don't believe this has been announced. Though as I understand it
the plan is to bring it out within the next 12 months, there are
still a number of uncrossed bridges over this river, and getting the
original Child up and marketed must be one of them.John Roberts>Dear Readers,
>
>I guess I missed this part of the discussion:  what will the 4 Bronson
>volumes on CD-ROM retail for?
>
>-Adam Miller

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Subject: Re: Bronson Census
From: Barbara Boock <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 09:10:55 +0200
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Dear all,
Deutsches Volksliedarchiv Freiburg has all four volumes too and a lot of
research material for international folksong-research.
Yours Barbara Boock, librarian
At 17:17 15.08.2003 -0700, you wrote:
>Folks:
>
>The more sets we track down, the more interesting does this become.
>
>I assume that perhaps half of the complete four-volume sets went to research
>libraries: LC, BL, Sheffield, Edinburgh, UCLA, Berkeley, Illinois, White
>Library
>(Cleveland), Harvard, Princeton (of course).  Some libraries, such as UCLA
>Special Collections and its general circulation library, probably bought two
>copies.
>
>The fact remains that one of the principle resources in ballad scholarship is
>very narrowly distributed.  As are the people who use this resource.
>
>Ed
>
>----- Original Message -----
>From: Simon Furey <[unmask]>
>Date: Friday, August 15, 2003 12:16 pm
>Subject: Re: Bronson Census
>
> > Quite a few sets must have made it; I can cite at least three I know of
> > apart from mine - one at Sheffield University, one owned by a friend of
> mine
> > in Nottingham and another owned by a friend in Sussex. I still remember him
> > coming into the Lewes Arms folk club waving volume 4 in glee when it first
> > came out in the 1970s. I suppose there must be one in the Vaughan Williams
> > Memorial Library too.
> > Cheers
> > Simon
> > ----- Original Message -----
> > From: "Ruairidh Greig" <[unmask]>
> > To: <[unmask]>
> > Sent: Friday, August 15, 2003 1:41 PM
> > Subject: Bronson Census
> >
> >
> > > I wonder how many sets made it to the UK? I have all four, bought one by
> > one
> > > from Blackwells in Oxford in the 1970s.
> > >
> > > Ruairidh Greig
> > >
> >
> >
> >Barbara Boock, Bibliothekarin
Deutsches Volksliedarchiv
Arbeitsstelle für internationale Volksliedforschung
Silberbachstr. 13
79100 Freiburg
Tel 0761/7050314
Fax 0761/7050328
http://www.dva.uni-freiburg.de/

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Subject: Some Bright Day
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 14:29:23 EDT
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Subject: Re: Bronson
From: [unmask]
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Date:Mon, 18 Aug 2003 14:48:10 EDT
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Subject: Re: Bronson Census
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 14:54:08 EDT
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Subject: Re: Bronson Census
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 15:34:00 -0400
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[unmask] wrote:
>
> There is a set at the University of Ulster at Coleraine and - apart
> from Fred McCormick - I am the only person who has borrowed it in
> about twenty years - that's another kind of thinness.
>
> John MouldenI got my set of 4 volumes about 2 years ago, for $500.00. They were in
like new condition (but no dust jackets), and in fact, I found no
evidence that any volume had been previously opened.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Subject: Re: Some Bright Day
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 15:46:19 -0400
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Spiritual, but not "a" spiritual, at least in my book. This is the
entry for The Lass of Roch Royal. The particular version (Appendix C,
p.271) begins:I wish I was in my own room
A-sitting on a bed of down
I never would give to you my hand
To sail to a foreign landHush oh hush my dearest
I hate to hear you cry
The best of friends do part
And why not you and IThere are 13 verses, Who will shoe/ + standard floating verses - the
title reference (v.9) is:And if ever I prove false to the one I love
Bright day will surely turn to night
My own true love
Bright day will turn to nightIf you should need the complete text I'll scan it.John Roberts____________I am trying to trace a spiritual, possibly of white origin called
Some Bright Day, and have a version in front of me which was
collected by Cortez D Reece in West Virginia. Roud has an entry for a
song called Bright Day, which is in Davis, Traditional Ballads of
Virginia pp.260-277, recorded from a Mrs Maxie of Altavista, in 1914
(28 Feb). Roud 6868.I want to check whether this is the same song, but I don't have a
copy of Davis and there is no way I can lay my hands on one. Is there
any kind soul out there who might have a set of the words.Many anticipatory thanks,Fred McCormick.

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Subject: Bronson and OCLC
From: Susan Lawlor <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 16:46:08 -0400
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Hello list,I'm coming out of the lurking mode that I've been in since I joined this
list last year, because this is the first time I felt I actually had some
information to contribute, namely about the lack of volume level holdings
information in OCLC.Admittedly one of the gaps in OCLC's functions is the ability to search
multi-volume sets at the holdings (or individual volume) level.  While this
level of searching is available for periodicals, there isn't any way for
libraries to enter that sort of data when we're cataloging books.  So the
only way to find this out is to search the libraries individual catalogs,
which fortunately are becoming more and more accessible through the
internet.  I've worked out a relatively efficient process for doing this
(note that I said "relatively," it still takes a little time).1. You'll still need to do an Worldcat search, or have some friendly
librarian do it for you, and get the holdings listing.  One of the beauties
of Worldcat (as compared to the old style OCLC) is that when it tells you
what libraries have a particular book, it gives the whole name and location
of the library (not just those scrummy little three letter codes).While we're on the subject, there is a similar (though much smaller) entity
in the UK, COPAC http://copac.ac.uk/about.html  which offers a union catalog
of the Consortium of University Research Libraries. COPAC which includes the
holdings of the British Library, which OCLC does not. And even better, COPAC
is a free service, so you don't have to find a member library to get access
to it.2. Once you have the your list, got to this site at Berkeley: Libweb
http://sunsite.berkeley.edu/Libweb/  it currently lists websites for 6600
libraries in 115 countries, divided into categories (public, academic,
school, etc.)  You can also do a keyword search with location=yourstate,
this will give you a list of all the libraries (academic, public, etc)
together. Hint: Use MS Internet Explorer as your browser, the keyword search
results will not come up in Netscape.3. Then you can search the catalogs of each library on your Worldcat or
COPAC list, and most of the time you'll be able to see which individual
volumes the library has. As a trial I went through this process to see which
libraries in Virginia had all four volumes of Bronson.  Worldcat listed 21
libraries in Virginia that owned it.  By copying and pasting the title, this
search took me about 15 minutes and the results were: 9 libraries with all
four volumes; 8 with one, two, or three volumes; and 4 where it was
impossible to determine.  These last four were all catalogs that do not
allow holdings level information to users off-site (nothing's perfect).Back to lurk mode....Susan Lawlor, Technical Services Librarian
Thomas Nelson Community College * Hampton, VA
email: [unmask]
Voice: (757) 825-3530 * Fax: (757) 825-2870

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Subject: Re: Some Bright Day
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 14:35:43 -0700
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Fred:The Davis reference is not correct.  (Nor is it in his "More Traditional
Ballads...")  There is no "Bright Day" or "Some Bright Day" there.I checked the George Pullen Jackson indecies for both "Some Bright Day" and
"Bright Day," but found nothing.Sorry.Ed----- Original Message -----
From: Fred McCormick <[unmask]>
Date: Monday, August 18, 2003 11:29 am
Subject: Some Bright Day> I am trying to trace a spiritual, possibly of white origin called Some Bright
> Day, and have a version in front of me which was collected by Cortez D Reece
> in West Virginia. Roud has an entry for a song called Bright Day, which is in
> Davis, Traditional Ballads of Virginia pp.260-277, recorded from a Mrs Maxie
> of Altavista, in 1914 (28 Feb). Roud 6868.
>
> I want to check whether this is the same song, but I don't have a copy of
> Davis and there is no way I can lay my hands on one. Is there any kind
> soul out
> there who might have a set of the words.
>
> Many anticipatory thanks,
>
> Fred McCormick.
>

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Subject: Re: Bronson and OCLC
From: Paul Garon <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 17:33:06 -0300
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At 04:46 PM 8/18/03 -0400, you wrote:
>I'm coming out of the lurking mode that I've been in since I joined this
>list last year, because this is the first time I felt I actually had some
>information to contribute, namely about the lack of volume level holdings
>information in OCLC.   AND MUCH MORE..... snipWow, this was worth the price of admission alone! Many, many thanks! I
always hoped there was something like Libweb out there, and now I have the
address... Cool.Paul GaronPaul and Beth Garon
Beasley Books (ABAA)
1533 W. Oakdale
Chicago, IL 60657
(773) 472-4528
(773) 472-7857 FAX
[unmask]

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Subject: Re: Bronson Census
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 23:29:20 +0100
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>> Quite a few sets must have made it; I can cite at least three I know of
>> apart from mine - one at Sheffield University, one owned by a friend of
>> mine in Nottingham and another owned by a friend in Sussex. [...]
>> I suppose there must be one in the Vaughan Williams Memorial Library too.
> Apart from the Sheffield University set[...] a friend in Sheffield claims
> to have a set bought from a college library [...] and it's possible that
> "Doc" Rowe has one, which would likely also be in Sheffield now; though
> I'm not sure of that. There certainly is a set at the VWML, and I'd be
> surprised if there were not one at Leeds, which had a folklore department
> in those days.Two in Edinburgh: one in the music section of the public library and one
in the National Library of Scotland across the road.  Edinburgh University
has the one-volume abridgment in the music department library (which is
about to be closed by the same bean-counting shits who imposed prohibitive
charges on outside users a while back - and the whole department is living
on borrowed time too) and I suspect there may be one in the School of
Scottish Studies library as well (which is doubtless next on the hitlist
once they've got rid of the music department).-----------------------------------------------------------------------------
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
<http://www.purr.demon.co.uk/jack>     *     food intolerance data & recipes,
Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro".
---> off-list mail to "j-c" rather than "ballad-l" at this site, please. <---

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Subject: Re: Some Bright Day
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 18:03:37 -0500
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<<I am trying to trace a spiritual, possibly of white origin called Some
Bright
Day, and have a version in front of me which was collected by Cortez D Reece
in West Virginia. Roud has an entry for a song called Bright Day, which is
in
Davis, Traditional Ballads of Virginia pp.260-277, recorded from a Mrs Maxie
of Altavista, in 1914 (28 Feb). Roud 6868.I want to check whether this is the same song, but I don't have a copy of
Davis and there is no way I can lay my hands on one. Is there any kind soul
out
there who might have a set of the words.>>I'm posting this to the list, so that someone else won't go through the
typing. Here are the words to "Bright Day"; it's Appendix C to Davis's #21,
"The Lass of Roch Royal"; punctuation more or less as in the original:"I wish I was in my own room,
A-sitting on a bed of down;
I never would give to you my hand
To sail to a foreign land.""Hush, oh hus, my dearest,
I hate to hear you cry,
The best of friends do part,
And why not you and I?"Oh, don't you see yonder lonesome dove,
Flying from pine to pine,
Mourning for its own true love,
Just like I have mourned for mine."Oh, I wish to the Lord I'd never been born,
Or had died when I was young,
I'd never been here to shed a tear
For no girl under the sun."Oh, who will shoe your pretty little foot?
And who will glove your hand?
And who will kiss your rosy red lips
When I'm in some foreign land?""My father will shoe my feet, my love;
My mother will glove my hand;
And you may kiss my rosy red lips
If you ever return again.""Supposing I go so far away,
Be taken sick and die;
Who will hear me when I cry (pray)
And who will see me when I die?""Oh, if you go so far away,
Be taken sick and die,
Your father will hear you when you cry (pray)
Your mother will see you when you die.""And if ever I prove false to the one I love,
Bright day will surely turn to night,
My own true love,
Bright day will turn to night. *"Oh, I wish to the Lord I'd never been born,
Or had died when I was young,
I'd never been here to shed a tear
For no girl under the sun."That for me the cradle had never been rocked,
Nor to me my mother sung,
Then would I have not been here
To part from you, my dear. *"Oh, if ever I prove false
To you, my own true love,
Bright day will turn to night,
And the raging sea shall burn;
If I false prove to the one I love,
The elements shall mourn. *"Oh, if I had never been born,
Or had died when I was young,
I'd never been here to shed a tear
For no girl under the sun."Davis notes that in the stanzas marked by asterisks (*), the line divisions
are doubtful.It doesn't sound much like a spiritual to me.Peace,
Paul

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Subject: Re: Bronson and OCLC
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 19:06:36 -0400
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Paul Garon wrote:
>
> At 04:46 PM 8/18/03 -0400, you wrote:
> >I'm coming out of the lurking mode that I've been in since I joined this
> >list last year, because this is the first time I felt I actually had some
> >information to contribute, namely about the lack of volume level holdings
> >information in OCLC.   AND MUCH MORE..... snip
>
> Wow, this was worth the price of admission alone! Many, many thanks! I
> always hoped there was something like Libweb out there, and now I have the
> address... Cool.
>
> Paul Garon
>
> Paul and Beth Garon
> Beasley Books (ABAA)
> 1533 W. Oakdale
> Chicago, IL 60657
> (773) 472-4528
> (773) 472-7857 FAX
> [unmask]Seconded!Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Some Bright Day
From: Susan Friedman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 19:43:47 -0400
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Subject: Re: Bronson Census
From: Truman and Suzanne Price <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 16:31:43 -0700
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>>
>> The more sets we track down, the more interesting does this become.
>>
>> I assume that perhaps half of the complete four-volume sets went to research
>> libraries: LC, BL, Sheffield, Edinburgh, UCLA, Berkeley, Illinois, White
>> LibraryThis listing from WorldCat may be of interest:The traditional tunes of the Child ballads; with their texts, according to
the extant records of Great Britain and America.
             Author: Bronson, Bertrand Harris, Child, Francis James,
             Publication: Princeton, N.J., Princeton University Press, 1959
             OCLC member libraries worldwide: 797 (i.e., 797 copies are in OCLC member libraries)Truman--
Suzanne and Truman Price
Columbia Basin Books
7210 Helmick Road
Monmouth, OR 97361Folk music a specialtyemail [unmask]
phone 503-838-5452
abe URL: http://dogbert.abebooks.com/abep/il.dll?vci=3381
also 10,000 childrens books at http:/www.oldchildrensbooks.com
Truman's music: http:/www.oldchildrensbooks.com/musicmember PAUBA Portland Area Used Booksellers Association

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Subject: Re: Bronson Census
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 18:17:48 -0700
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Truman:If I may beg to differ, I would point out that while Princeton may have sold 797
of volume 1, thus beginning the OCLC listing, the fact is that the press sold
just 173 copies of volume 4.  I guessed that about half of that 173 went to
libraries and half to individuals.As I interpret the returns, it suggests that the community of serious ballad
scholars is rather small.  It is almost astounding that 16 subscribers to
ballad-l own an ESTIMATED 18.5 percent of the complete four-volume sets not in
libraries.Ed----- Original Message -----
From: Truman and Suzanne Price <[unmask]>
Date: Monday, August 18, 2003 4:31 pm
Subject: Re: Bronson Census> >>
> >> The more sets we track down, the more interesting does this become.
> >>
> >> I assume that perhaps half of the complete four-volume sets went to
> research>> libraries: LC, BL, Sheffield, Edinburgh, UCLA, Berkeley,
> Illinois, White
> >> Library
>
> This listing from WorldCat may be of interest:
>
> The traditional tunes of the Child ballads; with their texts, according to
> the extant records of Great Britain and America.
>             Author: Bronson, Bertrand Harris, Child, Francis James,
>             Publication: Princeton, N.J., Princeton University Press, 1959
>             OCLC member libraries worldwide: 797
>
> (i.e., 797 copies are in OCLC member libraries)
>
> Truman
>
> --
> Suzanne and Truman Price
> Columbia Basin Books
> 7210 Helmick Road
> Monmouth, OR 97361
>
> Folk music a specialty
>
> email [unmask]
> phone 503-838-5452
> abe URL: http://dogbert.abebooks.com/abep/il.dll?vci=3381
> also 10,000 childrens books at http:/www.oldchildrensbooks.com
> Truman's music: http:/www.oldchildrensbooks.com/music
>
> member PAUBA Portland Area Used Booksellers Association
>
>
>

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Subject: Re: Bronson Census
From: Malcolm Douglas <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 02:58:11 +0100
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----- Original Message -----
From: "edward cray" <[unmask]>
To: <[unmask]>
Sent: 19 August 2003 02:17
Subject: Re: [BALLAD-L] Bronson Census> Truman:
>
> If I may beg to differ, I would point out that while Princeton may have sold 797
> of volume 1, thus beginning the OCLC listing, the fact is that the press sold
> just 173 copies of volume 4.  I guessed that about half of that 173 went to
> libraries and half to individuals.Do we know how many were actually printed, though? Presumably bulk remainders wouldn't have been
included in that figure; or would they?Malcolm Douglas---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.504 / Virus Database: 302 - Release Date: 24/07/03

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Subject: Re: Bronson Census
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Aug 2003 22:42:55 -0700
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Malcolm:I must defer to David Kleiman who first gave me the figure for the sales of the
fourth volume: 173.  Princeton may have remaindered some -- 173 does seem like
an odd press run -- but it would not be many copies.I cite Kleiman as an authority because he has optioned and is preparing a CD
reprint of Bronson's four volumes.  I understand he has just a year to get them
into print, which same is great news for all those who have long sought to own a
complete set.EdP.S.  David, if you are back on line, will you please formally announce this set.
And do explain about midi or whatever musical files you will incorporate, etc.----- Original Message -----
From: Malcolm Douglas <[unmask]>
Date: Monday, August 18, 2003 6:58 pm
Subject: Re: Bronson Census> ----- Original Message -----
> From: "edward cray" <[unmask]>
> To: <[unmask]>
> Sent: 19 August 2003 02:17
> Subject: Re: [BALLAD-L] Bronson Census
>
>
> > Truman:
> >
> > If I may beg to differ, I would point out that while Princeton may have
> sold 797
> > of volume 1, thus beginning the OCLC listing, the fact is that the press
> sold> just 173 copies of volume 4.  I guessed that about half of that 173
> went to
> > libraries and half to individuals.
>
>
> Do we know how many were actually printed, though? Presumably bulk
> remainders wouldn't have been
> included in that figure; or would they?
>
> Malcolm Douglas
>
>
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system (http://www.grisoft.com).
> Version: 6.0.504 / Virus Database: 302 - Release Date: 24/07/03
>
>
>

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Subject: Re: Bronson
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 04:50:26 EDT
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Subject: Re: Some Bright Day
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 04:50:37 EDT
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Subject: Re: Some Bright Day
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 04:50:59 EDT
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Subject: Re: Some Bright Day
From: [unmask]
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Date:Tue, 19 Aug 2003 11:17:25 EDT
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Subject: More on Bronson
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 09:00:22 -0700
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Folks:I am posting this message for David Kleiman, who has optioned from
Princeton University Press the four-volume Bronson.  It was David who
passed on the information that just 173 copies of Volume 4 were sold.Ed
------------------------------------------------------------------------Hi Ed,Just thought this might help...the 173 number came directly from the
contracts and rights management office at Princeton University Press.
Unfortunately, their older records are not available and they moved their
offices on campus within the last year so a lot of their papers are
currently
sitting in warehouses.Given the active discussion thread, and my own interests, I emailed my
contacts there to see if they can pin down a number on the actual press
run.
I already know that: a. they do not have a list of sales made in the past;
and b. they do not even maintain an archival copy.  I'll let you know if I
get anything else out of them.I wonder if Lanni Hermann would have any other information or insights?Best,
DMK
> David:
>

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Subject: Ebay List - 08/19/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 16:07:17 -0400
Content-Type:text/plain
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Hi!        The list is short this week. There was a definite decrease in
new items during the power outage.        SONGSTERS        2187790052 - Jessie Norton's Songster, date unknown, $9.99 (ends
Aug-20-03 19:15:55 PDT)        SONGBOOKS. ETC.        2551338120 - Bawdy Ballads by Cray, 1978, 1 GBP w/reserve (e
SONGSTERS        2187790052 - Jessie Norton's Songster, date unknown, $9.99 (ends
Aug-20-03 19:15:55 PDT)        SONGBOOKS. ETC.        2551338120 - Bawdy Ballads by Cray, 1978, 1 GBP w/reserve (ends
Aug-20-03 00:25:04 PDT)        3544396555 - Robin Hood, 2volumes, 1795, $175 (ends Aug-20-03
07:41:21 PDT)        3544457123 - Traditional British Ballads by Whiting, 1955, $3.99
(ends Aug-20-03 13:11:40 PDT)        3544575940 - Danish Emigrant Ballads and Songs by Wright, 1983,
$9.99 (ends Aug-21-03 06:29:19 PDT)        2551568537 - Cowboy Jamboree Western Songs&Lore by Felton, 1951,
$8 (ends Aug-21-03 08:27:54 PDT)        3544726570 - AN AMERICAN GARLAND : Being A Collection of Ballads
Relating to America 1563-1759 by Firth, 1969 reissue, $9.99 (ends
Aug-21-03 20:30:41 PDT)        3545018797 - JOURNAL OF APPALACHIAN STUDIES, Spring 1996, $4.25
(ends Aug-23-03 15:57:40 PDT)        3545195570 - English Minstrelsie, 1896, $2 (ends Aug-24-03
12:19:02 PDT)        2552380149 - Oahu Folio of Mountain Songs and Priaire Ballads
for Hawaiian Guitar, 1935, $3.50 (ends Aug-25-03 14:49:09 PDT)        3342329875 - 4 Old Mountain music songbooks, $3.99 (ends
Aug-25-03 15:00:00 PDT)        2552015701 - THE ENGLISH BALLAD by Gundry, 1995, $5 (ends
Aug-26-03 19:24:57 PDT)        There are also two live auctions which feature single sheet
broadsides. These close on the 24th and are quite expensive. If anyone
wants the auction numbers, I will be glad to email to individuals or the
group.                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 08/19/03
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 14:10:35 -0700
Content-Type:text/plain
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Guys:Do NOT buy that first edition of "The Erotic Muse," reprinted in Great Britain
as  "Bawdy Ballads." The second edition is far superior, and is available in
hardcover or paper from U of Illinois Press.Furthermore, this was a pirated edition -- one of more than a few I have turned
up.  As I don't have a copy of it, I will splurge for $1.65.Ed----- Original Message -----
From: Dolores Nichols <[unmask]>
Date: Tuesday, August 19, 2003 1:07 pm
Subject: Ebay List - 08/19/03> Hi!
>
>        The list is short this week. There was a definite decrease in
> new items during the power outage.
>
>        SONGSTERS
>
>        2187790052 - Jessie Norton's Songster, date unknown, $9.99 (ends
> Aug-20-03 19:15:55 PDT)
>
>        SONGBOOKS. ETC.
>
>        2551338120 - Bawdy Ballads by Cray, 1978, 1 GBP w/reserve (e
> SONGSTERS
>
>

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Subject: Shaggy Dogs
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 17:53:59 -0700
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Folks:I know, it's an old joke, but just in case one of the younger
subscribers hasn't heard this one (as forwarded by my daughter):An Irish Frog goes into a bank and approaches the teller. He can see
from her nameplate that her name is Patricia Whack. "Miss Whack, I'd
like to get a $30,000 loan to take a holiday." Patty looks at the frog
in disbelief and asks his name. The frog says his name is Kermit Jagger,
his dad is Mick Jagger, and that it's okay, he knows the bank manager.Patty explains that he will need to secure the loan with some collateral
The frog says, "Sure. I have this," and produces a tiny porcelain
elephant, about half an inch tall - bright pink and perfectly formed.
Very confused, Patty explains that she'll have to consult with the bank
manager and disappears into a back office. She finds the manager and
says, "There's a frog called Kermit Jagger out there who claims to know
you and wants to borrow $30,000, and he wants to use this as
collateral." She holds up the tiny pink elephant. "I mean, what in the
world is this?"(you're gonna love this)(its a real treat)(masterpiece)(wait for it)The bank manager looks back at her and says..."It's a knickknack, Patty Whack. Give the frog a
loan. His old man's a Rolling Stone."(You're singing it, aren't you?!!)Ed Cray

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Subject: Re: Shaggy Dogs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 21:25:34 -0400
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edward cray wrote:
>
> "It's a knickknack, Patty Whack. Give the frog a
> loan. His old man's a Rolling Stone."
>
> (You're singing it, aren't you?!!)
>
> Ed CrayHow am I ever going to remember the real words after that?
Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Shaggy Dogs
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 21:04:38 -0500
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On 8/19/03, edward cray wrote:>Folks:
>
>I know, it's an old joke, but just in case one of the younger
>subscribers hasn't heard this one (as forwarded by my daughter):
>
>An Irish Frog goes into a bank and approaches the teller. He can see
>from her nameplate that her name is Patricia Whack. "Miss Whack, I'd
>like to get a $30,000 loan to take a holiday." Patty looks at the frog
>in disbelief and asks his name. The frog says his name is Kermit Jagger,
>his dad is Mick Jagger, and that it's okay, he knows the bank manager.
>
>Patty explains that he will need to secure the loan with some collateral
>The frog says, "Sure. I have this," and produces a tiny porcelain
>elephant, about half an inch tall - bright pink and perfectly formed.
>Very confused, Patty explains that she'll have to consult with the bank
>manager and disappears into a back office. She finds the manager and
>says, "There's a frog called Kermit Jagger out there who claims to know
>you and wants to borrow $30,000, and he wants to use this as
>collateral." She holds up the tiny pink elephant. "I mean, what in the
>world is this?"Just to show that there is folk processing out there still, the
person I heard this from had some detail about how the frog
was descended from Kermit of the Muppets as well as from Mick
Jagger. Details I can't recall. The rest of the story is the
same.What I want to know is, Do kids actually still know "This
Old Man"?
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Shaggy Dogs
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 20:38:12 -0700
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Bruce (et al):Try hard.  As old as we are, we CAN do it.Ed----- Original Message -----
From: Bruce Olson <[unmask]>
Date: Tuesday, August 19, 2003 6:25 pm
Subject: Re: Shaggy Dogs> edward cray wrote:
> >
> > "It's a knickknack, Patty Whack. Give the frog a
> > loan. His old man's a Rolling Stone."
> >
> > (You're singing it, aren't you?!!)
> >
> > Ed Cray
>
> How am I ever going to remember the real words after that?
> Bruce Olson
> --
> Roots of Folk: Old British Isles popular and folk songs, tunes,
> and broadside ballads at Bruce Olson's website <A
> href="http://www.erols.com/olsonw"> Click
>
>
>

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Subject: Re: Shaggy Dogs
From: Edie Gale Hays <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 22:46:21 -0500
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>What I want to know is, Do kids actually still know "This
>Old Man"?The ones who attend summer camp in their elementary school years.  Kids
will sing ANYTHING.Edie

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Subject: The Folk Process Is Not Dead
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Aug 2003 20:54:48 -0700
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Folks:In response to a shaggy dog story I mailed to the list, Bob Waltz commented:Just to show that there is folk processing out there still, the
person I heard this from had some detail about how the frog
was descended from Kermit of the Muppets as well as from Mick
Jagger. Details I can't recall. The rest of the story is the
same.What I want to know is, Do kids actually still know "This
Old Man"?
--To which I replied:Bob:Let me assure you that Emily Igler, 8, and her younger sister, Tessa, soon to be
4, both of Palo Alto, California, are very familiar with "This Old Man."  And
they have never been to summer camp either.Grandpa Ed

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Subject: Re: Shaggy Dogs
From: Fred McCormick <[unmask]>
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Date:Wed, 20 Aug 2003 04:07:44 EDT
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Subject: Cecil Sharp Radio Programme
From: Fred McCormick <[unmask]>
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Date:Wed, 20 Aug 2003 06:19:20 EDT
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Subject: Re: Shaggy Dogs
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 11:08:04 -0400
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That's great. Thanks.  Even some of us 60+ haven't heard it (or perhaps
more accurately and more threateningly - don't remember having heard
it).One question - why is the frog Irish?  It doesn't connect to anything
in the punchline?Lew>>> [unmask] 8/19/2003 8:53:59 PM >>>
Folks:I know, it's an old joke, but just in case one of the younger
subscribers hasn't heard this one (as forwarded by my daughter):An Irish Frog goes into a bank and approaches the teller. He can see
from her nameplate that her name is Patricia Whack. "Miss Whack, I'd
like to get a $30,000 loan to take a holiday." Patty looks at the frog
in disbelief and asks his name. The frog says his name is Kermit
Jagger,
his dad is Mick Jagger, and that it's okay, he knows the bank manager.Patty explains that he will need to secure the loan with some
collateral
The frog says, "Sure. I have this," and produces a tiny porcelain
elephant, about half an inch tall - bright pink and perfectly formed.
Very confused, Patty explains that she'll have to consult with the
bank
manager and disappears into a back office. She finds the manager and
says, "There's a frog called Kermit Jagger out there who claims to
know
you and wants to borrow $30,000, and he wants to use this as
collateral." She holds up the tiny pink elephant. "I mean, what in the
world is this?"(you're gonna love this)(its a real treat)(masterpiece)(wait for it)The bank manager looks back at her and says..."It's a knickknack, Patty Whack. Give the frog a
loan. His old man's a Rolling Stone."(You're singing it, aren't you?!!)Ed Cray

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Subject: Re: Cecil Sharp Radio Programme
From: "Steiner, Margaret" <[unmask]>
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Date:Wed, 20 Aug 2003 10:23:49 -0500
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Subject: Re: Shaggy Dogs
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 11:10:50 -0400
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That's great. Thanks.  Even some of us 60+ haven't heard it (or perhaps
more accurately and more threateningly - don't remember having heard
it).One question - why is the frog Irish?  It doesn't connect to anything
in the punchline.Lew>>> [unmask] 8/19/2003 8:53:59 PM >>>
Folks:I know, it's an old joke, but just in case one of the younger
subscribers hasn't heard this one (as forwarded by my daughter):An Irish Frog goes into a bank and approaches the teller. He can see
from her nameplate that her name is Patricia Whack. "Miss Whack, I'd
like to get a $30,000 loan to take a holiday." Patty looks at the frog
in disbelief and asks his name. The frog says his name is Kermit
Jagger,
his dad is Mick Jagger, and that it's okay, he knows the bank manager.Patty explains that he will need to secure the loan with some
collateral
The frog says, "Sure. I have this," and produces a tiny porcelain
elephant, about half an inch tall - bright pink and perfectly formed.
Very confused, Patty explains that she'll have to consult with the
bank
manager and disappears into a back office. She finds the manager and
says, "There's a frog called Kermit Jagger out there who claims to
know
you and wants to borrow $30,000, and he wants to use this as
collateral." She holds up the tiny pink elephant. "I mean, what in the
world is this?"(you're gonna love this)(its a real treat)(masterpiece)(wait for it)The bank manager looks back at her and says..."It's a knickknack, Patty Whack. Give the frog a
loan. His old man's a Rolling Stone."(You're singing it, aren't you?!!)Ed Cray

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Subject: Re: Shaggy Dogs
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 08:39:31 -0700
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Lew:You got me.  It's a red herring.Ed----- Original Message -----
From: Lewis Becker <[unmask]>
Date: Wednesday, August 20, 2003 8:08 am
Subject: Re: Shaggy Dogs> That's great. Thanks.  Even some of us 60+ haven't heard it (or perhaps
> more accurately and more threateningly - don't remember having heard
> it).
>
> One question - why is the frog Irish?  It doesn't connect to anything
> in the punchline?
>
> Lew
>
> >>> [unmask] 8/19/2003 8:53:59 PM >>>
> Folks:
>
> I know, it's an old joke, but just in case one of the younger
> subscribers hasn't heard this one (as forwarded by my daughter):
>
> An Irish Frog goes into a bank and approaches the teller. He can see
> from her nameplate that her name is Patricia Whack. "Miss Whack, I'd
> like to get a $30,000 loan to take a holiday." Patty looks at the frog
> in disbelief and asks his name. The frog says his name is Kermit
> Jagger,
> his dad is Mick Jagger, and that it's okay, he knows the bank manager.
>
> Patty explains that he will need to secure the loan with some
> collateral
> The frog says, "Sure. I have this," and produces a tiny porcelain
> elephant, about half an inch tall - bright pink and perfectly formed.
> Very confused, Patty explains that she'll have to consult with the
> bank
> manager and disappears into a back office. She finds the manager and
> says, "There's a frog called Kermit Jagger out there who claims to
> know
> you and wants to borrow $30,000, and he wants to use this as
> collateral." She holds up the tiny pink elephant. "I mean, what in the
> world is this?"
>
>
> (you're gonna love this)
>
>
>
> (its a real treat)
>
>
>
> (masterpiece)
>
>
> (wait for it)
>
>
>
>
> The bank manager looks back at her and says...
>
> "It's a knickknack, Patty Whack. Give the frog a
> loan. His old man's a Rolling Stone."
>
> (You're singing it, aren't you?!!)
>
> Ed Cray
>
>
>

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Subject: Re: Shaggy Dogs
From: Elizabeth Hummel <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 11:58:30 -0400
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But Lew-The frog HAS to be Irish for the punch line to work...Bad pun...It's "Paddywack"Liz In New hampshire-----Original Message-----
From: Lewis Becker [mailto:[unmask]]
Sent: Wednesday, August 20, 2003 11:08 AM
To: [unmask]
Subject: Re: Shaggy DogsThat's great. Thanks.  Even some of us 60+ haven't heard it (or perhaps
more accurately and more threateningly - don't remember having heard
it).One question - why is the frog Irish?  It doesn't connect to anything
in the punchline?Lew>>> [unmask] 8/19/2003 8:53:59 PM >>>
Folks:I know, it's an old joke, but just in case one of the younger
subscribers hasn't heard this one (as forwarded by my daughter):An Irish Frog goes into a bank and approaches the teller. He can see
from her nameplate that her name is Patricia Whack. "Miss Whack, I'd
like to get a $30,000 loan to take a holiday." Patty looks at the frog
in disbelief and asks his name. The frog says his name is Kermit
Jagger,
his dad is Mick Jagger, and that it's okay, he knows the bank manager.Patty explains that he will need to secure the loan with some
collateral
The frog says, "Sure. I have this," and produces a tiny porcelain
elephant, about half an inch tall - bright pink and perfectly formed.
Very confused, Patty explains that she'll have to consult with the
bank
manager and disappears into a back office. She finds the manager and
says, "There's a frog called Kermit Jagger out there who claims to
know
you and wants to borrow $30,000, and he wants to use this as
collateral." She holds up the tiny pink elephant. "I mean, what in the
world is this?"(you're gonna love this)(its a real treat)(masterpiece)(wait for it)The bank manager looks back at her and says..."It's a knickknack, Patty Whack. Give the frog a
loan. His old man's a Rolling Stone."(You're singing it, aren't you?!!)Ed Cray

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Subject: Request for Help
From: edward cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 08:59:38 -0700
Content-Type:text/plain
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Good People:A quick search of my fiddle tune books -- Fraser, Francis O'Neill,
Ryan's Mammoth Collection, etc. -- did not turn up anything.Can anyone help Adam?Ed----------------------------------------------------------------------From Adam Miller <[unmask]>
Sent  Wednesday, August 20, 2003 4:02 am
To  [unmask]
Cc
Bcc
Subject  Eagle's WhistleDear Ed,I'm researching the song "Eagle's Whistle".  It's supposed to be one of the
oldest of tunes.  Originally from Ireland, it was the marching tune of the
Clan Donovan.  It is the ancestor of 'Bonaparte's Retreat".Who would you suggest I contact regarding it's alleged ancient origins?I'm asking because I'm working on a new album of Sam Hinton's solo harmonica
performances.  Sam has long told the story that King Cormac McArt liked to
go to sleep listening to this song.  But I haven't been able to find
anything that supports Sam's assertion.  I just visited Sam, but he couldn't
offer any sources.Thanks,Adam Miller
P.O. Box 620754
Woodside, CA  94062
(650)  804-2049
[unmask]

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Subject: Re: Request for Help
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 12:27:51 -0400
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Subject: Re: Request for Help
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 11:49:09 -0500
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The notes to Frank Ferrel's 'Yankee Dreams' state "[l]earned from
Shetland fiddler, Ali Bain, 'The Eagle's Whistle' is an old Irish pipe
march."

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Subject: Re: Shaggy Dogs
From: Cal & Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 10:18:00 -0700
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On Wed, Aug 20, 2003 at 08:39:31AM -0700, edward cray wrote:
> Lew:
>
> You got me.  It's a red herring.
>
> Ed
>
> ----- Original Message -----
> From: Lewis Becker <[unmask]>
> Date: Wednesday, August 20, 2003 8:08 am
> Subject: Re: Shaggy Dogs
>
> > That's great. Thanks.  Even some of us 60+ haven't heard it (or perhaps
> > more accurately and more threateningly - don't remember having heard
> > it).
> >
> > One question - why is the frog Irish?  It doesn't connect to anything
> > in the punchline?
> >
> > LewWell... frogs are spozed to be GREEN, aren't they?  As we're all mandated
to wear something that color on St Pat's??  (okay, back to your cages!)
-- Aloha, Lani<||> Lani Herrmann * [unmask] (or: [unmask])
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360

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Subject: Re: Request for Help
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 14:16:05 -0400
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dick greenhaus wrote:
>
> >From Folk Music Index
>
>      The Eagle's Whistle
>
>           At - Mairsea(i)l Ui Dhonncha ; Eagle's Tune
>
>           Rm - Bonaparte's Retreat
>
>        1. Ferrel, Frank. Yankee Dreams, Flying Fish FF 70572, CD
>           (1991), cut# 4a
>        2. McKenna, Joe and Antoinette. Joe and Antoinette
>           McKenna, Shanachie 29011, LP (1978), cut# 3
>        3. Mitchell, Pat. Uilleann Pipes, Topic 12TS 294, LP
>           (1976), cut# 12
>        4. O'Riada, Sean; and Ceoltoiri Chualann. O'Riada,
>           Gael-Linn CEF 032, LP (197?), cut# 3 (Fead An Iolair)
>
>      Eagle's Whistle (Lullaby)
>
>        1.
>           Hinton, Sam. Real McCoy, Decca DL 857, LP (196?), cut#
>           13
>        2. Hinton, Sam. Whoever Shall Have Some Good Peanuts,
>           Scholastic SC 7530, LP (1964), cut#B.08
>
> edward cray wrote:
>
>      Good People:
>
>      A quick search of my fiddle tune books -- Fraser, Francis
>      O'Neill,
>      Ryan's Mammoth Collection, etc. -- did not turn up anything.
>
>      Can anyone help Adam?
>
>      Ed
>
>      ----------------------------------------------------------------------
>
>      >From Adam Miller <[unmask]>
>      Sent  Wednesday, August 20, 2003 4:02 am
>      To  [unmask]
>      Cc
>      Bcc
>      Subject  Eagle's Whistle
>
>      Dear Ed,
>
>      I'm researching the song "Eagle's Whistle".  It's supposed
>      to be one of the
>      oldest of tunes.  Originally from Ireland, it was the
>      marching tune of the
>      Clan Donovan.  It is the ancestor of 'Bonaparte's Retreat".
>
>      Who would you suggest I contact regarding it's alleged
>      ancient origins?
>
>      I'm asking because I'm working on a new album of Sam
>      Hinton's solo harmonica
>      performances.  Sam has long told the story that King Cormac
>      McArt liked to
>      go to sleep listening to this song.  But I haven't been able
>      to find
>      anything that supports Sam's assertion.  I just visited Sam,
>      but he couldn't
>      offer any sources.
>
>      Thanks,
>
>      Adam Miller
>      P.O. Box 620754
>      Woodside, CA  94062
>      (650)  804-2049
>      [unmask]
>
>What is probably the oldest published version was collected in 1828, and
published in 1829 ('Sources of Irish Traditional Music', #5851) Possibly
older, from a MS of a 'P. Carew' are variants #306 and 306 in the
complete Petrie Collection.and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: FWIW - Away Here in Texas
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 14:32:49 -0400
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eBay can be a source of song texts.  I discovered that earlier with a
W. T. Blankenship broadside.  Recently, Delores included a manuscript
ballet, "Away Here in Texas," on her eBay list.  I didn't bid on it,
but I was delighted that the seller posted a transcription of the
words.The first two verses appeared in The Sacred Harp in 1859.  This song
was later dropped from the Denson line of Sacred Harp editions but
retained in the Cooper line.  Perhaps the first two verses weren't
religious enough for the Denson editors.Anyhow, the seller's transcription supplies 4 "new" verses, including
some religious ones.I don't know whether or not a text beyond the first two verses is
available elsewhere.******January the 1 1862.1. Away here in Texis as the bright sunny south
The coald stormy winter defy
The darke lowring clouds that incircle the north
Seldom darke our beautiful skies2. Away heare in Texis the sun shines so bright
The stores in their beauty appeare
The full mon in splendor illumins the night
And the seasons roll round with yeare3. Away heare in Texis the beautiful flowers
Peculiar brilliant and gay
The birds with thiere music beguile the dull hours
They enchantingly sing all the day4. Away heare in Texis a stranger I roam
Unknown unto all but a few
But I travil in hope of a fair beter world
When I will take my last sad adieu5. Away hear in Texis my journey shal end
My body be laide in the ground
But I hope to arise and to glory asend
When Gabrel his strumpet shal sound6. The a ransom from Texas I'll rise from my tombe
To mete my deare lorde in the air
For the word of his promise will bare me safe home
And forever will dwell with him thare.Jan the 1 1862
John T McCall.
******This was copied mechanically, i.e., electronically, from the seller's
eBay posting.  Thus, if "When Gabrel his strumpet shal sound" is an
error, it isn't mine.
--
john garst    [unmask]

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Subject: Re: Request for Help
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 14:40:40 EDT
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Subject: Re: Request for Help
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 15:20:46 -0400
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Bruce Olson wrote:
>
> What is probably the oldest published version was collected in 1828, and
> published in 1829 ('Sources of Irish Traditional Music', #5851) Possibly
> older, from a MS of a 'P. Carew' are variants #305 [corrected] and 306 >in the  complete Petrie Collection.Wow! I erased part of my last message and sent it at the same time. I
couldn't do that again if I tried.At any rate, the full title to SITM #5851 is "The Eagle's Whistle, or
O'Donoghue's Call" The tune was collected from famed piper James Gandsey
[about whom see Breandan Breathnach's article on Kerry pipers in 'Irish
Folk Music Studies'].I'm assuming here that I have correctly identified the tune. In the file
COMCODE3.TXT on my website are 3 different tunes called "The Eagle's
Whistle"Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Request for Help
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 20 Aug 2003 20:10:35 +0100
Content-Type:text/plain
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text/plain(47 lines)


In article <[unmask]>, edward cray
<[unmask]> wrote:> I'm researching the song "Eagle's Whistle".  It's supposed to be one
> of the oldest of tunes...Song? Can't help. Tune? Maybe...Also called "O'Donovan's March", this one is from Joyce's Old Irish
Folk Music and Songs where he says "I copied the following...from a MS
book lent me by Surgeon-Major-General King of Dublin (about 1885), who
copied them 40 years previously from an old MS. book in Cork. I gave a
setting of this in my 'Ancient Irish Music' and there are two others in
the Stanford-Petrie Collection. These three are in 3/4 time whereas the
setting I now give is in 2/4, which is no doubt the proper original
form, inasmuch as this was the marching tune of O'Donovans (See my
'Ancient Irish Music' p53). The Cork MS has this remark: 'The legend
tells that with this tune the eagle whistles his young to rest.'"X:578
T:Eagle's Whistle, The
B:Joyce, "Old Irish Folk Music & Songs"
Z:Nigel Gatherer
L:1/16
M:2/4
K:G
G | B2 B2 dBAG  | B2 B2 dBAG  | B2 A2 A2 BG | B2 A2 A2 BG |
    B2 B2 dBAG  | B2 B2 dBAG  | E2 G2 G3  A | E2 G2 G3   :|
d | edef  e2 dB | dBdg  d2 BA | d2 g2 dBAG  | B2 A2 A2 BG |
    edef  e2 dB | dBdg  d2 BA | B2 ge dBAG  | E2 GG G3   |]X:579
T:Eagle's Whistle, The
S:Forgotten or lost
Z:Nigel Gatherer
L:1/8
M:3/4
K:G
DGA | B2    dBAG | BA/B/ dBAG    | A2 A>BAG   | A3
DGA | B2    dBAG | BA/B/ dBAB/A/ | G2 GBAB/A/ | G2 G  :|
ABd | ef/e/ degf | ef/e/ dBAG    | A2 A>BAG   | A3
ABd | ef/e/ degf | ef/e/ dBAB/A/ | G2 GBAB/A/ | G2 G :|]--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Irish Songs from Old New England
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Aug 2003 18:23:13 -0400
Content-Type:text/plain
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I too would like to add my unreserved pleasure in this CD. I had the pleasure of being at The Champlain Valley Folk Festival this August where an afternoon concert was dedicated to the presentation of this collection and the newly released CD. A wonderful concert, a fascinating collection and a great CD.
Kathleen---- Original message ----
>Date: Tue, 12 Aug 2003 11:14:50 -0700
>From: edward cray <[unmask]>
>Subject: Irish Songs from Old New England>The r esult is a ceili of delights.
d

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Subject: re, re: Irish Songs from Old New England
From: Pat Holub <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Aug 2003 15:09:19 -0400
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Ed, Kathleen and all:     Now, I can't resist adding my compliments about this wonderful album.
Some people who are--unlike myself--knowledgeable about folklore may be
interested to know that all the songs are from the Flanders collection.
Each of the vocal performances is really outstanding.     I have the album because a good friend of mine saw it and concluded,
"that has Pat's name on it," and bought it for me.  There are times when
there's nothing as valuable as a good friend.Regards,
Pat

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Subject: Re: Request for Help
From: George Madaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 10:05:14 -0400
Content-Type:text/plain
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The Eagle's Whistle I know of is a march played by Irish pipers. It is
on an old recordl that I would have to try an locateGeorgeOn Wednesday, August 20, 2003, at 02:40  PM, Fred McCormick wrote:> If we are talking about the same Eagle's Whistle, see also Claddagh.
> CC 19. Féilim Tonn Rí's Castle (Or the King of Ireland's Son), where
> it is played by Seamus Ennis.
>
> Cheers,
>
> Fred McCormick
>
>
> In a message dated 20/08/2003 19:16:59 GMT Standard Time,
> [unmask] writes:
>
>
> dick greenhaus wrote:
> >
> > >From Folk Music Index
> >
> >      The Eagle's Whistle
> >
> >           At - Mairsea(i)l Ui Dhonncha ; Eagle's Tune
> >
> >           Rm - Bonaparte's Retreat
> >
> >        1. Ferrel, Frank. Yankee Dreams, Flying Fish FF 70572, CD
> >           (1991), cut# 4a
> >        2. McKenna, Joe and Antoinette. Joe and Antoinette
> >           McKenna, Shanachie 29011, LP (1978), cut# 3
> >        3. Mitchell, Pat. Uilleann Pipes, Topic 12TS 294, LP
> >           (1976), cut# 12
> >        4. O'Riada, Sean; and Ceoltoiri Chualann. O'Riada,
> >           Gael-Linn CEF 032, LP (197?), cut# 3 (Fead An Iolair)
> >
> >      Eagle's Whistle (Lullaby)
> >
> >        1.
> >           Hinton, Sam. Real McCoy, Decca DL 857, LP (196?), cut#
> >           13
> >        2. Hinton, Sam. Whoever Shall Have Some Good Peanuts,
> >           Scholastic SC 7530, LP (1964), cut#B.08
> >
> > edward cray wrote:
> >
> >      Good People:
> >
> >      A quick search of my fiddle tune books -- Fraser, Francis
> >      O'Neill,
> >      Ryan's Mammoth Collection, etc. -- did not turn up anything.
> >
> >      Can anyone help Adam?
> >
> >      Ed
> >
>
>
George F. Madaus
Boisi Professor of Education and Public Policy
Senior Research Fellow
National Board on Educational Testing and Public Policy
Center for the Study of Testing Evaluation and Educational Policy
Carolyn A. and Peter S. Lynch School of Education
Boston College
Chestnut Hill MA 02467
[unmask]
617. 552.4521
617 552 8419 FAX

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Subject: Re: Cecil Sharp Radio Programme
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 20:27:37 +0100
Content-Type:text/plain
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The programme is on Tuesday 26th Aug. at 13.30. You can listen live on the
internet, or at any time during the following week, using their 'Listen Again'
facility. Start at:
http://www.bbc.co.uk/radio4/arts/Steve Roud[unmask] wrote:> Fred, I'm confused.  Thursday is the 28th of August.  So, will the program
air on Tuesday, the 26th, or on Thursday the 28th?
>
>     Marge
>
> -----Original Message-----
> From: Fred McCormick [mailto:[unmask]]
> Sent: Wednesday, August 20, 2003 5:19 AM
> To: [unmask]
> Subject: Cecil Sharp Radio Programme
>
>
> Listers able to receive BBC Radio 4 may like to listen in on Thursday 26
August at 13-30 hrs, British Summer Time. Malcolm Taylor, librarian of the
Vaughan Williams Memorial Library, is presenting a 1/2 hour programme on Cecil
Sharp called The Seeds of Love. There is a fair amount of interest in England
just now in reassessing Sharp, so the programme blurb may be significant;-
>
> "......did he appropriate the culture of the rural working class or did he
restore to the English their vanishing musical heritage."
>
> Cheers,
>
> Fred McCormick.
>--
Message sent with Supanet E-mail

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Subject: Re: Cecil Sharp Radio Programme
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 15:05:56 -0500
Content-Type:text/plain
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Thanks for the clarification.  Incidentally, I'm not sure if I E-mailed you a month or so ago re the arrival of the update to the folk Song and Broadside indices.  Haven't had time to deai with them yet, but hope to do so this week.  Thanks for your erstwhile dedication to this work.Cheers!        Marge
-----Original Message-----
From: [unmask] [mailto:[unmask]]
Sent: Saturday, August 23, 2003 2:28 PM
To: [unmask]
Subject: Re: Cecil Sharp Radio ProgrammeThe programme is on Tuesday 26th Aug. at 13.30. You can listen live on the
internet, or at any time during the following week, using their 'Listen Again'
facility. Start at:
http://www.bbc.co.uk/radio4/arts/Steve Roud[unmask] wrote:> Fred, I'm confused.  Thursday is the 28th of August.  So, will the program
air on Tuesday, the 26th, or on Thursday the 28th?
>
>     Marge
>
> -----Original Message-----
> From: Fred McCormick [mailto:[unmask]]
> Sent: Wednesday, August 20, 2003 5:19 AM
> To: [unmask]
> Subject: Cecil Sharp Radio Programme
>
>
> Listers able to receive BBC Radio 4 may like to listen in on Thursday 26
August at 13-30 hrs, British Summer Time. Malcolm Taylor, librarian of the
Vaughan Williams Memorial Library, is presenting a 1/2 hour programme on Cecil
Sharp called The Seeds of Love. There is a fair amount of interest in England
just now in reassessing Sharp, so the programme blurb may be significant;-
>
> "......did he appropriate the culture of the rural working class or did he
restore to the English their vanishing musical heritage."
>
> Cheers,
>
> Fred McCormick.
>--
Message sent with Supanet E-mail

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Subject: real audio question
From: Pat Holub <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 17:54:38 -0400
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Hello,
     Does anyone happen to have the exact http of the Austin TX radio
station which would connect me to the live broadcast of that station?  I
used to have it, but can't find it now.  I've lately been fooling around
with a local message board and, while listening to their audio, I lost a
few things from my real player files.  I recovered some because I had the
right http information, but I can't find the one for KUT.     Thanks in advance.Regards,
Pat Holub

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Subject: Re: real audio question
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 17:20:14 -0500
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Why not just do a Google search, type in KUT, and then follow the links?  Then you can add it to your favorites.        Marge-----Original Message-----
From: Pat Holub [mailto:[unmask]]
Sent: Saturday, August 23, 2003 4:55 PM
To: [unmask]
Subject: real audio questionHello,
     Does anyone happen to have the exact http of the Austin TX radio
station which would connect me to the live broadcast of that station?  I
used to have it, but can't find it now.  I've lately been fooling around
with a local message board and, while listening to their audio, I lost a
few things from my real player files.  I recovered some because I had the
right http information, but I can't find the one for KUT.     Thanks in advance.Regards,
Pat Holub

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Subject: Re: real audio question
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 19:03:32 EDT
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Dear Pat,Try http://kut.org/index.htmlSam Hinton
La Jolla, CA

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Subject: Re: real audio question
From: Pat Holub <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Aug 2003 23:07:41 -0400
Content-Type:text/plain
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At 07:03 PM 8/23/03 -0400, you wrote:
>Dear Pat,
>
>Try http://kut.org/index.html
>
>Sam Hinton
>La Jolla, CA
>Sam, thanks for the suggestion, but it doesn't seem to work for me.Pat

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Subject: Three Nights Drunk and the Market Tup
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 04:56:24 EDT
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Subject: Cecil Sharp Radio Programme Correction
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 05:02:29 EDT
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Subject: Re: real audio question
From: Jeri Corlew <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 10:01:06 -0400
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On Sat, 23 Aug 2003 23:07:41 -0400, Pat Holub <[unmask]>
wrote:>At 07:03 PM 8/23/03 -0400, you wrote:
>>Dear Pat,
>>
>>Try http://kut.org/index.html
>>
>>Sam Hinton
>>La Jolla, CA
>>Sam, thanks for the suggestion, but it doesn't seem to work for me.
>
Pat, Sam's link is to the website for CKUT.
The link directly to the Real Audio broadcast is:
http://www.publicbroadcasting.net/kut/ppr/kut.ram--
Jeri Corlew

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Subject: Ebay List - 08/24/03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 13:08:53 -0400
Content-Type:text/plain
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Hi!        While recovering from a fall down the stairs, I've kept
searching Ebay. Here are the latest finds.        SONGSTERS        3623233747 - Blaine & Logan Campaign Songster, 1884, $24.99
w/reserve (ends Aug-26-03 19:25:23 PDT)        3238657401 - Everybody Works But Father Songster, Dockstader,
1905, $12 (ends Aug-27-03 18:49:15 PDT)        2188879521 - Buffalo Bill's Wild West Songster, $7.85 w/reserve
(ends Aug-29-03 14:07:50 PDT)        SONGBOOKS, ETC.        3545487480 - One Hundred English Folksongs by Sharp, 1944 Dover
edition, $12 (ends Aug-25-03 17:37:55 PDT)        2552191443 - THE PEOPLE'S SONG BOOK by Hill, 1963 printing, $20
(ends Aug-25-03 18:00:00 PDT)        3545506488 - HARD HITTING SONGS FOR HARD-HIT PEOPLE by Lomax,
1967, $9.95 (ends Aug-25-03 19:04:33 PDT)        3545529232 - Folk Songs of Canada by Fowke & Johnson, 1975,
$9.99 (ends Aug-25-03 21:23:20 PDT)        3545972907 - Folk Songs of the Caribbean by Morse, 1958, $6
(ends Aug-27-03 20:43:54 PDT)        3546004560 - ORD'S BOTHY SONGS AND BALLADS, 3.50 GBP (ends
Aug-28-03 06:59:23 PDT)        3546073697 - The Faber Book of Ballads by Hodgart, 1971, $10.50
(ends Aug-28-03 12:31:51 PDT)        3545826332 & 3545829551 - issues of Spin folk song magazine,
early 1960's, 0.99 GBP (ends Aug-30-03 08:32:15 PDT)        2553271979 - The Book of British Ballads by Hall, 2 volumes,
1842 & 1844, 15 GBP (ends Aug-30-03 09:13:21 PDT)        3546437800 - THE MAINE WOODS SONGSTER by Barry, 1939, $50 (ends
Aug-30-03 11:46:37 PDT)        2553325062 - SCHIRMER'S AMERICAN FOLK-SONG SERIES: SET 14, SONGS
OF THE HILL-FOLK: 12 BALLADS FROM KENTUCKY, VIRGINIA, AND NORTH CAROLINA
by Niles, 1934?, $6.99 (ends Aug-30-03 14:15:44 PDT)        2553337117 - 2 Sizemore & Little Jimmy Songbooks, 1936 & 1947,
$5 (ends Aug-30-03 15:49:07 PDT)        3546045198 - ENGLISH FOLK SONGS FROM THE SOUTHERN APPALACHIANS
by Campbell & Sharp, 1917, 62 GBP w/reserve (ends Aug-31-03 10:49:42
PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Cecil Sharp Radio Programme Correction
From: "Steiner, Margaret" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 13:44:56 -0500
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Subject: Re: Ebay List - 08/24/03
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 17:15:18 -0700
Content-Type:text/plain
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I'm interested in Ord's Bothy Ballads; is someone else bidding on this?
Norm Cohen----- Original Message -----
From: "Dolores Nichols" <[unmask]>
To: <[unmask]>
Sent: Sunday, August 24, 2003 10:08 AM
Subject: Ebay List - 08/24/03> Hi!
>
>         While recovering from a fall down the stairs, I've kept
> searching Ebay. Here are the latest finds.
>
>         SONGSTERS
>
>         3623233747 - Blaine & Logan Campaign Songster, 1884, $24.99
> w/reserve (ends Aug-26-03 19:25:23 PDT)
>
>         3238657401 - Everybody Works But Father Songster, Dockstader,
> 1905, $12 (ends Aug-27-03 18:49:15 PDT)
>
>         2188879521 - Buffalo Bill's Wild West Songster, $7.85 w/reserve
> (ends Aug-29-03 14:07:50 PDT)
>
>         SONGBOOKS, ETC.
>
>         3545487480 - One Hundred English Folksongs by Sharp, 1944 Dover
> edition, $12 (ends Aug-25-03 17:37:55 PDT)
>
>         2552191443 - THE PEOPLE'S SONG BOOK by Hill, 1963 printing, $20
> (ends Aug-25-03 18:00:00 PDT)
>
>         3545506488 - HARD HITTING SONGS FOR HARD-HIT PEOPLE by Lomax,
> 1967, $9.95 (ends Aug-25-03 19:04:33 PDT)
>
>         3545529232 - Folk Songs of Canada by Fowke & Johnson, 1975,
> $9.99 (ends Aug-25-03 21:23:20 PDT)
>
>         3545972907 - Folk Songs of the Caribbean by Morse, 1958, $6
> (ends Aug-27-03 20:43:54 PDT)
>
>         3546004560 - ORD'S BOTHY SONGS AND BALLADS, 3.50 GBP (ends
> Aug-28-03 06:59:23 PDT)
>
>         3546073697 - The Faber Book of Ballads by Hodgart, 1971, $10.50
> (ends Aug-28-03 12:31:51 PDT)
>
>         3545826332 & 3545829551 - issues of Spin folk song magazine,
> early 1960's, 0.99 GBP (ends Aug-30-03 08:32:15 PDT)
>
>         2553271979 - The Book of British Ballads by Hall, 2 volumes,
> 1842 & 1844, 15 GBP (ends Aug-30-03 09:13:21 PDT)
>
>         3546437800 - THE MAINE WOODS SONGSTER by Barry, 1939, $50 (ends
> Aug-30-03 11:46:37 PDT)
>
>         2553325062 - SCHIRMER'S AMERICAN FOLK-SONG SERIES: SET 14, SONGS
> OF THE HILL-FOLK: 12 BALLADS FROM KENTUCKY, VIRGINIA, AND NORTH CAROLINA
> by Niles, 1934?, $6.99 (ends Aug-30-03 14:15:44 PDT)
>
>         2553337117 - 2 Sizemore & Little Jimmy Songbooks, 1936 & 1947,
> $5 (ends Aug-30-03 15:49:07 PDT)
>
>         3546045198 - ENGLISH FOLK SONGS FROM THE SOUTHERN APPALACHIANS
> by Campbell & Sharp, 1917, 62 GBP w/reserve (ends Aug-31-03 10:49:42
> PDT)
>
>                                 Happy Bidding!
>                                 Dolores
>
> --
> Dolores Nichols                 |
> D&D Data                        | Voice :       (703) 938-4564
> Disclaimer: from here - None    | Email:     <[unmask]>
>         --- .sig? ----- .what?  Who me?
>

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Subject: Re: Ebay List - 08/24/03
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 24 Aug 2003 21:51:17 -0400
Content-Type:text/plain
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Norm Cohen wrote:
>
> I'm interested in Ord's Bothy Ballads; is someone else bidding on this?
> Norm Cohen
>Original and reprint editions available, over a wide range of prices, at
www.bookfinder.com.  I have the reprint, c 1998, which doesn't give its
date.Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at Bruce Olson's website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: FWIW: Rosin the Beau (very long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Aug 2003 17:06:08 -0400
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There has been some discussion on Fasola of SAWYER'S EXIT and Rosin
the Beau (Bow).  FWIW, here is something on the latter song fromMemoirs of Judge Richard H. Clark
edited by
Lollie Belle Wylie
Atlanta, GA.
Franklin Printing and Publishing Company
Geo. W. Harrison, Manager
1898An entire chapter of this book is devoted to, and entitled, "Rosin
the Beau."  Quoted therefrom: From the beginning and ever afterward during his life, it [Rosin the
Beau] was attributed to a man well known in nearly all parts of
Georgia, and even in several other Southern States, named Lawrence T.
Wilson.  It was claimed by him, and from the evidence then all his
contemporaries conceded it to him.  There was no one to dispute the
title with him.  He went by the name of "Beau Wilson," and the
authorship of this song was supposed to be the cause of this prefix.
He was recognized as a professional gambler, and likewise there was
no one to dispute this, for wherever there was a gathering and a
collection of this class of sports in Georgia, there was Beau Wilson,
and he was a conspicuous figure among them.  Those who do not know
cannot realize the situation then.  The gamblers were a distinct and
well-defined class.  In summer they traveled from one watering-place
to another, and in the winter from one city to another - from
race-course to race-course, from legislature to legislature, and even
from court to court.  They appeared at each place in full force, and
did not disguise their purpose.  This was the custom even as late as
"the war," which scattered them, and they have never rallied in force
since.  During the war "Beau Wilson" disappeared, and has never since
been heard of, except that some time within the four years he died at
Shreveport, La.  He was born at old Petersburg, Ga., in 1801.  He
received a good education for the times, and was a man of good
presence and goo manners.  He was popular with his sort, and had many
friends outside of them.
...
Wilson was inspired to write the song from finding one morning an old
fiddler whom he had often met and befriended dead and laid out on the
counter of one of the saloons he frequented.  He read and sang the
verses to his friends, and they persuaded him to publish them.  Those
verses, as they appear in the music book [The Good Old Songs We Used
to Sing, compiled by J. C. H. (Joel Chandler Harris?), Oliver Ditson
& Co., 1867], are as follows:I live for the good of my nation,
  And my suns are all growing low,
But I hope that the next generation
  Will resemble old Rosin the Beau.I've traveled this country all over,
  And now to the next I will go,
For I know that good quarters await me,
  To welcome old Rosin the Beau.In the gay round of pleasure I traveled
  Nor will I behind leave a foe,
And when my companions are jovial
  They will drink to old Rosin the Beau.But my life is now drawn to a closing,
  And all will at last be so,
So we'll take a full bumper at parting
  To the name of old Rosin the Beau.I'll have to be buried, I reckon,
  And the ladies will all want to know,
And they'll lift up the lid of my coffin
  Saying, "Here lies old Rosin the Beau."Oh! when to my grave I am going,
  The children will all want to know,
They'll run to the doors and the windows
  Saying, "Here goes old Rosin the Beau."Then pick me out six trusty fellows
  And let them all stand in a row,
And dig a big hole for a circle,
  And in it toss Rosin the Beau.Then shape out two little dornicks,
  Place one at my head and my toe,
And do not forget to scratch on it
  The name of old Rosin the Beau.Then pick me out six trusty fellows,
  Oh! let them all stand in a row,
And take down the big-bellied bottle
  And drink to old Rosin the Beau.While it is true that Wilson is the author of this song, it is also
true that there was an older song, which Wilson must have seen, and
from which he got the idea of composing it when he saw his fiddler
friend dead.  This is evident from the similarity, yet slight subtle
difference in name, and that his last two verses are substantially
the same as the older version, and that the tune to his is the same
as the tune to the other.  That other, and the first, is "Rossum the
Beau," and was written by the late Colonel William H. Sparks, the
author of "The Memories of Fifty Years," and other literature.  I
will let Colonel Sparks relate the history of his song in his own
words:Letter from Colonel W. H. Sparks to W. H. Moore, dated Atlanta, Ga,
August 21, 1874:"My Dear Sir: - I am obliged to you for the little paragraph from the
Columbus paper, ascribing to me the authorship of this song, once so
popular throughout the country"It is very true I wrote the lines I send you, and they were the
first that were ever sung to the air which became famous."I will give you a brief history of the writing, and of the man who
inspired them.  When I first went to the West in 1825, I was some
time in selecting a domicile.  Why, it is not necessary for me to
state, as the reason and causes for the delay will form a theme for a
chapter in the second volume of the 'Memories of Fifty Years.'"Finally I located in Mississippi and commenced the practice of law.
It was in the midst of the noblest people I have ever known.  Among
these were two equally remarkable, but very unlike.  One was a
schoolmaster who was quite old, and who had been residing in the
neighborhood over forty years.  His name was James Rossum.  He was
peculiar in his habits.  On Monday morning, neatly dressed and
cleanly shaven, he went to his duties in the old schoolhouse where
two-thirds of his life had been spent, and assiduously devoted
himself to the duties of his vocation until Friday evening.  On the
morning of Saturday he arrayed himself in his best and devoted the
day to visiting the ladies of the neighborhood.  He was a welcome
guest at every house.  This habit had continued so long that he had
acquired the sobriquet of "Rossum the Beau."  The other's name was
Cox, who was a rollicking good fellow, and the best vocalist I ever
knew.  He was in song what Prentiss was in oratory, and they were
boon companions.  Both died young.  Cox was frequently in my office,
and upon one occasion while he was there, Rossum walked by the door,
and his age was apparent in his walk.  Cox looked at him, and, after
a pause, turned to me and remarked in quite a feeling tone, which he
could assume at pleasure, and its eloquence was irresistible, 'Poor
old Rossum!  Some of these sunny mornings he will be found dead, when
he shall have a noble funeral, and all the ladies will honor it with
being present, I know.'"Soon after he left the office, and, being in the humor, I seized the
ideas and wrote the following doggerel lines.  Soon after Cox
returned and I handed them to him.  He got up, walked and hummed
different airs, until he fell upon the old Methodist hymn tune in
which they have ever since been sung."I have always considered Cox more entitled to the authorship than myself."Hundreds of lines have been written to the air by as many persons,
and almost as many have claimed the authorship of the lines, but this
is of no moment.  I claim no merit for my lines, but everything for
Cox's singing of them.  I have seen him draw tears from the eyes of
old and young with the feeling he threw into the song."Now, soon on some soft, sunny morning,
  The first thing my neighbors shall know
Their ears shall be met with the warning,
  Come, bury old Rossum the Beau.My friends then so neatly shall dress me,
  In linen as white as the snow,
And in my new coffin shall press me,
  And whisper, poor Rossum the Beau.And when I'm to be buried, I reckon
  The ladies will all like to go,
Let them form at the foot of my coffin,
  And follow old Rossum the Beau.Then take you a dozen good fellows,
  And let them all staggering go,
And dig a deep hole in the meadow,
  And toss in of Rossum the Beau.Then shape out a couple of dornicks,
  Place one at the head and the toe,
And do not forget to scratch on it
  Here lies old Rossum the Beau.Then take you these dozen good fellows,
  And stand them all round in a row,
And drink out of a big-bellied bottle,
  Farewell to old Rossum the Beau.It necessarily follows from the evidence that Colonel Sparks's
"Rossum the Beau" must have been written at least as far back as
1830.  Wilson's must have been written between that time and 1840.  I
cannot exactly remember when I first heard Wilson's version, but I
know it was before April, 1834, for then I first saw the venerable
beau at Albany, Ga., present at a great horse-race, and who was
pointed out to me as the author of the song, then so generously sung.*******There follows more commentary, including the facts that Sparks was
born in Putnam County, GA, in 1800 and Wilson in Elbert County, GA,
in 1801.  Judge Clark suspected that if the tune was indeed "an old
Methodist hymn tune" that the Methodists must have excommunicated it
after it became associated with such rowdy, secular words.--
john garst    [unmask]

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Subject: Re: FWIW: Rosin the Beau (very long)
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Aug 2003 19:47:29 -0400
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John Garst wrote:
>
> There has been some discussion on Fasola of SAWYER'S EXIT and Rosin
> the Beau (Bow).  FWIW, here is something on the latter song from
>................>    Judge Clark suspected that if the tune was indeed "an old
> Methodist hymn tune" that the Methodists must have excommunicated it
> after it became associated with such rowdy, secular words.
>
> --
> john garst    [unmask]What old Methodist hymn tune?Note that an early sheet music issue of "Rosin then Beau" (not the two
1838 ones) in the Lester Levy Sheet Music Collection (on their website)
calls the song 'A Southern Ballad'.On the tune: There's basically nothing new below here except figuring
out what tunes some of Bayard's sometimes awkward references
actually refer to.S. P. Bayard, 'Dance to the Fiddle, March to the Fife', #620,
traces the tune to a "Gigg" following "The Lowlands
of Holand" in James Oswald's 2nd volume of 'A Collection of
Curious Scots Tunes', n.d. [1742]. I have not found a copy of
that work, but it's repeated (again perceeded by "The Lowlands of
Holand") in his 'Caledonian Pocket Companion', II, c 1745. Bayard
suggested that the tune was composed by Oswald himself (as for
other 'Gigg' and 'Gigga' Oswald scattered around in these works), and
I consider that quite likely also. While I had copied "The
Lowland of Holand" from CPC, I neglected to copy the 'Gigg', and
I was remiss in failing to note down my source for the ABC below,
but am reasonably certain that it was supplied by Jack Campin,
after my request for it on the Scots-L newsgroup.X:1
T:"Gigg" (next to last tune, following "The Low Lands of Holand")
S:CPC book II p36
Q:1/4=120
L:1/8
M:6/8
K:A mixolydian
E| A2 A  (Bc)e| f3    a3 |(ec)A (AB)c|(Bc)A (B^G)
E|(AB)A  (Bc)e| f3    a2f|(ec)A TB2 A| A3-   A2:|
e| a2 a (^ga)g|Tf3 {f}e2c| B2B  (Bc)e| a2^g Tf3 |
   a3    (ec)A|(Bc)e  f2a| efA  TB2 A| A3-   A2:|]Bayard also found the tune in the 2nd strain of "Dumfries House"
in vol. 1 of Gow's 'Complete Repository' (and this would have
been known to many fiddlers). After the 1st (1799)
edition this was attributed to John Riddle.X:2
T:Dumfries House [by Jo. Riddle - in 3rd ed]
S:Gow's 'Complete Repository, vol. 1 [1799 for 1st ed]
S:2nd strain only here
Q:1/4=120
L:1/8
M:6/8
K:G
B/c/|dBd dBd|gag "tr"f2e|dBd d3/2c/2B|AFDD2B/c/|dBd bBd|\
gag"tr"f2e|dcB AGF|"tr"G3/2G2B/c/|dBd dBd|gag"tr"f2e|\
dBd dcB|AFDD2B/c/|dBd ece|fdf gfe|dcB Agf|gdB G||Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at my no-spam website
<A href="http://www.erols.com/olsonw"> Click here for homepage (=
subject index) </a>

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Subject: Rosin the Beau
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Aug 2003 17:46:38 -0700
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As an addendum to John Garst's interesting note, compare the following, from
Beadle's "Dime Song Book" No. 3 [N.Y.: Irwin P. Beadle, c. 1860], page 61.I've traveled this wide world over,
And now to another I'll go,
I know that good quarters are waiting
To welcome old Rosin the Beau.
To welcome old Rosin the Beau,[bis]
I know that good quarters are waiting
To welcome old Rosin the Beau.[Similarly:]When I'm dead and laid out on the counter,
A voice you will hear from below,
Singing out. "Whiskey and water,
To drink to old Rosin the Beau."And when I am dead, I reckon,
The ladies will all want to, I know,
Just lift off the lid of my coffin,
And look at old Rosin the Beau.You must get some dozen good fellows,
And stand them all round in a row,
And drink out of half-gallon bottles
To the name of old Rosin the Beau.Get four or five jovial young fellows.
And let them all staggering go,
And dig a deep hole in the meadow,
And in it toss Rosin the Beau.Then get you a couple of tombstones,
Place one at my head and my toe,
And not fail to scratch on it
The name of old Rosin the Beau.I feel the grim tyrant approaching,
The cruel implacable foe,
Who spares neither age nor condition,
Nor even old Rosin the Beau.- I notice Oscar Brand (Folk Songs for Fun, 1961, p. 142) is very close to
this, except he lacks stanza 7.

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Subject: Bayard (was: Rosin the Beau (very long))
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 09:31:13 +0100
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Bruce Olson wrote:> Bayard also found the tune in the 2nd strain of "Dumfries House"I think I'd enjoy reading Bayard, although I've never seen it. However,
many of the references I've seen linking this tune and that leave me
feeling somewhat suspicious. I consider some of links dubious - what's
your opinion, Bruce?--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Bayard (was: Rosin the Beau (very long))
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 08:43:03 -0400
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Nigel Gatherer wrote:
>
> Bruce Olson wrote:
>
> > Bayard also found the tune in the 2nd strain of "Dumfries House"
>
> I think I'd enjoy reading Bayard, although I've never seen it. However,
> many of the references I've seen linking this tune and that leave me
> feeling somewhat suspicious. I consider some of links dubious - what's
> your opinion, Bruce?
>
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/I only know that his reputation is Sterling, and I am much too
ignorant of music to be able to pass any independent judgement on
him. It is obvious that Bayard takes a very liberal view of what
he considers variants of the same tune.This takes us to the unfinished business of what is a 'tune
family' that Bayard was fond of (but gets no mention in 'Dance to
the Fiddle, March to the Fife'). Bertrand Bronson had to sidestep
this in 'The Traditional Tunes of then Child Ballads' because he
could get no comprehensive definition of the term. I have heard
that musicologists were working on this, but haven't seen that
anything much has yet been accomplished.Search on Google for 'Samuel P. Bayard' for references to some of
Bayard's other work on folk tunes. In an obituary of Bayard that I saw
on the internet, but can't now relocate, mention was made that at his
death he was well along on a work on the tunes of numerous folk songs
that he had collected. No mention was made there of any attempt by
anyone to bring this to completion.I am certain that there are others here that can comment on this
subject much more intelligently than I can, and I wish some would
do so.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at my no-spam website
<A href="http://www.erols.com/olsonw"> Click here for homepage (=
subject index) </a>

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Subject: Re: FWIW: Rosin the Beau (very long)
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 10:29:57 -0400
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>John Garst wrote:
>>
>>  There has been some discussion on Fasola of SAWYER'S EXIT and Rosin
>>  the Beau (Bow).  FWIW, here is something on the latter song from
>>................
>
>>     Judge Clark suspected that if the tune was indeed "an old
>>  Methodist hymn tune" that the Methodists must have excommunicated it
>>  after it became associated with such rowdy, secular words.
>>
>>  --
>>  john garst    [unmask]
>
>What old Methodist hymn tune?Judge Clark does not specify.  He simply quotes an 1874 letter
written by Colonel W. H. Sparks, "he [Cox] fell upon the old
Methodist hymn tune in which they [the words of the poem] have ever
since been sung."  This would have been around 1830 or before.
--
john garst    [unmask]

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Subject: Re: Bayard (was: Rosin the Beau (very long))
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 10:55:16 -0400
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Bruce Olson wrote:
>
> Nigel Gatherer wrote:
> >
> > Bruce Olson wrote:
> >
> > > Bayard also found the tune in the 2nd strain of "Dumfries House"
> >.............In 'The Critics and the Ballad', 1961, edited by MacEdward Leach
and Tristram P. Coffin, is an article by Samuel P. Bayard,
'Prolegomena to a Study of the Principle Melodic Families of Folk
Song'. This contains much discussion about similarities and
differences between tunes, but no precise methodology for
comparison of two tunes, or a basis for judgement as to whether
two tunes are variants based on such comparisons.Use Google to search for 'Tune Family' for a simple definition at
www.britannica.com. I can't see why my direct link won't
work for me. I can get all but the actual text. Maybe it will work
for you, so here it is:
<A href="http://www.britannica.com/article?eu=75687">Tune Family
</a>Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
and broadside ballads at my no-spam website
<A href="http://www.erols.com/olsonw"> Click here for homepage (=
subject index) </a>

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Subject: Re: Bayard (was: Rosin the Beau (very long))
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 11:06:29 -0400
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Bruce Olson wrote:
>
> Nigel Gatherer wrote:
> >Correction:
<A href="http://www.britannica.com/eb/article?eu=75687"> Tune
Family </a>Bruce Olson

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Subject: Maggadee
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 11:31:39 -0400
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Perhaps a year ago I heard Neal Pattman, a local blues singer, sing
"John Henry," including a verse I had not heard, or noticed, before.
This verse is of a common form but not a common content.  It is not
included in Art Rosenbaum's transcription of Neal's "John Henry" in
Art's and Margo's book, Folk Visions and Voices, nor is it included
in Neal's recording of "John Henry" issued on the Global Village CD,
The Blues Ain't Left Yet, Neal Pattman, CD 226.  What follows is not
an exact transcription but what Neal sings is similar.John Henry had a little woman,
  Maggadee was her name,
When John Henry took sick and went to bed
  Maggadee drove steel like a man.What impressed me earlier was John Henry's woman's name, "Maggadee,"
as I thought I heard it.  This is sufficiently close to "Maggie D," a
historically logical name, possibly, that I took it to be significant
and made a note to check the name with Neal.I had my chance last night.  He performed in an outdoor setting and
sang "John Henry" again, including that verse.  Also, I had a chance
to speak with him both before and after his performance.When I asked Neal what John Henry's woman's name was, he first said,
"Maggatee," giving the "t" a distinct enunciation, enough to
distinguish it from a "d."  Then, when he repeated it, he put it
extra syllables, "Magganatee."  In his singing, I again heard
"Maggadee," and so did my wife and a friend, whom I had primed to
listen carefully for John Henry's woman's name.Neal says that he learned "John Henry" from his father when he was 9
years old, the same year he lost his right arm as a result of a
neglected farming injury.  He was born in 1926, so this would have
been 1935.  Neal was one of 13 children.  I don't know where he falls
among them, so I can't readily estimate when his father was born, but
if we make Neal number 7 (middle) and allow an average of 18 months
between births, then he would be 9 years younger than the first
child, so the first child would have been born in about 1917.  That
suggests that Neal's father might have been born around 1900, though
he could have been born earlier, perhaps as early as 1885 or so.  In
any event, he probably learned "John Henry" by 1910.  If John Henry
died at Dunnavant, Alabama, in 1887, this would have been only 23
years later.  Neal's father's version, presumably preserved intact by
Neal, is probably an early one.Regardless of which version of John Henry's woman's name Neal
actually sings, "Maggadee," "Maggatee," or "Magganatee," it is a
plausible corruption of "Maggie D."Family history, in published memoirs, says that Phillip Augustine Lee
Dabney, of Raymond, Mississippi, had a slave boy named Henry who was
a teenager during the Civil War.  Census and marriage records show
that a black, 20-year-old Henry Dabney married Margaret Poston in
1870 in Copiah County, Mississippi.  She might have become known as
"Maggie D," "D" for "Dabney."P. A. L. Dabney's son, Frederick Yeamans Dabney, was a civil engineer
in the railroad construction business.  In 1886 he became Chief
Engineer for the Columbus & Western RR, a subsidiary of the Central
RR and Banking Company of Georgia, later (1895) to become Central of
Georgia.  Captain (Civil War rank) Dabney personally oversaw the
construction of the C & W line between Goodwater, Alabama, and
Birmingham in 1887-1888.  Local lore around Leeds, Alabama, says that
he brought John Henry with him from Mississippi to work on that job.
The contest with a steam drill is supposed, according to one account,
to have occurred on Tuesday, September 20, 1887.Perhaps the Henry Dabney who married Margaret was the slave boy and
also the legendary John Henry.  Perhaps Neal Pattman and his father
have preserved a name, "Maggie D," that has mutated in all other
versions known to me.Notice that Neal's line, "Maggadee was her name," contrasts in form
with the usual, "Her name was Polly Ann."  Neal makes "name" rhyme,
somewhat, with "man" by pronouncing the latter with a long "a,"
"main," just as in his performance of "I'm a Man."Although "Polly Ann" is the most common name one hears for John
Henry's wife/woman, in years past "Magdalene" or "Mary Magdalene"
were occasionally collected.  Here is a speculation."Maggie D" -> "Magdalene" -> "Mary Magdalene" -> "Polly Ann""Maggie D" suggests "Magdalene," which in turn suggests "Mary
Magdalene."  "Polly" is a nickname for "Mary," and "Polly Ann" is not
only a common combination but also it rhymes with "like a man."
--
john garst    [unmask]

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Subject: Short Notice Ebay Auction
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 12:58:33 -0400
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Hi!        This item just appeared and is only a 3 day auction.        3547136825 - Traditional Ballads of Virginia by Davis, 1969,
$14.99 (ends Aug-29-03 14:55:14 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Bayard (was: Rosin the Beau (very long))
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Aug 2003 10:16:13 -0700
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Nigel, Bruce et al:I concur with Bruce in his evaluation of Sam Bayard's reputation.  As I
recall from a conversation with him, he theorized that there were just 12
tune familes in the Anglo-American canon.  D.K. Wilgus -- help me here,
Norm Cohen -- thought there were 24 (?).I recall that Anne Shapiro wrote her doctoral dissertation on the subject.
I have a partial copy of that work, but it is at home and I am in my
office so I cannot summarize her conclusions.EdOn Wed, 27 Aug 2003, Bruce Olson wrote:> Nigel Gatherer wrote:
> >
> > Bruce Olson wrote:
> >
> > > Bayard also found the tune in the 2nd strain of "Dumfries House"
> >
> > I think I'd enjoy reading Bayard, although I've never seen it. However,
> > many of the references I've seen linking this tune and that leave me
> > feeling somewhat suspicious. I consider some of links dubious - what's
> > your opinion, Bruce?
> >
> > --
> > Nigel Gatherer, Crieff, Scotland
> > [unmask]
> > http://www.argonet.co.uk/users/gatherer/
>
> I only know that his reputation is Sterling, and I am much too
> ignorant of music to be able to pass any independent judgement on
> him. It is obvious that Bayard takes a very liberal view of what
> he considers variants of the same tune.
>
> This takes us to the unfinished business of what is a 'tune
> family' that Bayard was fond of (but gets no mention in 'Dance to
> the Fiddle, March to the Fife'). Bertrand Bronson had to sidestep
> this in 'The Traditional Tunes of then Child Ballads' because he
> could get no comprehensive definition of the term. I have heard
> that musicologists were working on this, but haven't seen that
> anything much has yet been accomplished.
>
> Search on Google for 'Samuel P. Bayard' for references to some of
> Bayard's other work on folk tunes. In an obituary of Bayard that I saw
> on the internet, but can't now relocate, mention was made that at his
> death he was well along on a work on the tunes of numerous folk songs
> that he had collected. No mention was made there of any attempt by
> anyone to bring this to completion.
>
> I am certain that there are others here that can comment on this
> subject much more intelligently than I can, and I wish some would
> do so.
>
> Bruce Olson
> --
> Roots of Folk: Old British Isles popular and folk songs, tunes,
> and broadside ballads at my no-spam website
> <A href="http://www.erols.com/olsonw"> Click here for homepage (=
> subject index) </a>
>
>
>

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