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Subject: Re: Lloyd and MaColl / Child records
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 09:40:01 -0500
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On Mon, 11 Nov 2002 19:36:35 -0800, Dave Eyre wrote:>There may be people interested to know that there are nine volumes of
>A.L.Loyd/Ewan MacColl's Washington Records version of Child for auction on
>Ebay start a search at Item # 920841033 and then "view sellers other
>auctions" for those not familiar.
>
Almost sacrilegious to see these sold separately.Oh well.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Lloyd and MaColl / Child records
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 09:56:26 -0500
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I have 2 sets of #1 - #8 (the records which contain Child ballads; #9 is
"great ballads not included in...").  Drop me a line if you are unsuccessful
in your eBay bid and particularly want these 8 lps.All the best,
Dan Milner----- Original Message -----
From: "Dave Eyre" <[unmask]>
To: <[unmask]>
Sent: Monday, November 11, 2002 10:36 PM
Subject: Lloyd and MaColl / Child records> There may be people interested to know that there are nine volumes of
> A.L.Loyd/Ewan MacColl's Washington Records version of Child for auction on
> Ebay start a search at Item # 920841033 and then "view sellers other
> auctions" for those not familiar.
>
> Dave Eyre
> [unmask]
>

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Subject: Re: which Came first?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 10:09:46 -0500
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On Mon, 11 Nov 2002 16:42:25 -0500, Sandy Ives wrote:>I can take the story behind "The Sick Letter"  back a couple of years beyond Sam's Readers Digest version--to 1944, in fact. I was in Marine basic training on Parris Island, and one evening there was a movie at the outdoor theater. Can't rememberHi Sandy.I like that Marine story but _nobody_ goes back further than Sam... :-)In an earlier post elsewhere (I've saved quite a bit from many sources on
the Sick Note story) Sam wrote:     By the time Gerard Hoffnung read his incomparably funny "sick letter",
 the story was well-established as a sort of urban legend.  It was
 generally cited as an actual letter that had been received by some
 government agency, and I remember reading it somewhere around 1937.  In
 1940 appeared in READER'S DIGEST as an actual letter supposed to have been
 received by a naval officer from an enlisted man who was explaining why he
 had overstayed his leave;.
etc.Cooksey mentions he has an indicator of a simple version in English music
halls in the 1920's.BTW, the reason this comes up now is that while noone ever questions
Cooksey's authorship or the 100s or recordings, seems he's never made a
penny of royalties.  It's not clear why but seems he could never legally
assert copyright until very recently.  He's doing it now.Cooksey posted a notice (ie, the one John Roberts just posted here) for
that purpose.  He was clearly floored by the many posts at Mudcat not only
recognizing him as writer but supporting and congratulating him.  His own
web site gives more and is worth visiting.
http://www.patcooksey.com/index.shtmlObviously, this is one of those recent classics that truly went into
popular lore as anonymous.  I think folk songs are _supposed_ to be
anonymous - even if we know they were written by Scott or Nairne or AP
Carter or MacColl or John Conolly or Pat Cooksey.  Some songs achieve a
life of their own.  That's why we like them.>what the movie was, but one of the pre-feature "selected short subjects'  was a Pete Smith Specialty (Sam, Ed, and the other Sandy can explain about Pete Smith Specialties) on funny accidents, and there in all it glory was a neat dramatization of
>our story. Picture several thousand Marines absolutely paralyzed with laughter, and you'll see why I have never forgotten it.
>        Maybe I can go back further than that. In the late thirties I was a great Fred Allen fan and almost never missed a Thursday (?)night radio program. One of the features was the "Mighty Allen Art Players," and one of that feature's series involved
>the courtroom adventures of Judge Allen.  And there again was our story (the plaintiff narrating "Zip it's the bricks! Zap it's the barrel! etc.")
>        I don't know whether all this helps, but it's been fun remembering.
>
>Sandy-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: question
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 08:46:47 -0800
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Lisa:A chapbook is a single sheet of paper printed in small (6 pt or 8 pt
type), on two sides, then folded in such a way, its edges trimmed so as to
make a small, perhaps 3x3 inch book(let) of 8 or 16 pages with a
self-cover.  Chapbooks flourished from the late 17th C. through to the
20th.  (The most famous, and last leaves of the tradition were
Haldemann-Julius' Little Blue Books which were printed as late as the
1930s which except for the stapled binding and blue cover were chapbooks.
[Vance Randolph wrote/edited a number of them as a freelance
writer to support his collecting habit.])Contents of chapbooks were virtually everything from songs, folktales,
maxims, street cries, alphabet books, recipes, riddles, etc.  They sold
for two or three cents, or so I understand.EdOn Tue, 12 Nov 2002, Lisa - S. H. wrote:> Thanks to everyone for helping me understand the difference between a
> songbook and a songster.
>
> So now, what's a chapbook?  I've always wondered about that.
>
> (hey, at least I know what a hymnal is!)
>
> Lisa
>

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Subject: Pretty Peggy One Last Time
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 13:07:52 -0800
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Folks:I would like to point out that Rosina Emmett, a fine arts painter and
illustrator, compiled "Pretty Peggy and Other Ballads" in 1880.  (I
believe it is from that children's book that Peggy Seeger learned the
ballad.)A half dozen or more copies of that book, in various American and British
imprints, are on abebooks.com.  The price ranges from $75.00 to $100.00,
depending on condition.An interesting footnote:  Rosina Emmett was the mother (and sole support)
of American playwright and historian Robert Emmett Sherwood, four time
Pulitzer Prize winner, FDR speechwriter, author of one of the best books
about the Roosevelt administration, _Roosevelt and Hopkins,_ and founder
of the Voice of America.Ed

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Subject: Greig-Duncan v. 8 ---Guess What's Here!
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 18:11:14 -0500
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To Whom it May Concern--I just received this:
Dick, it's arrived!! It will be available from Monday 18th Nov.Gerry       ----- Original Message -----
       From: dick greenhaus
       To: Gerry McLean
       Sent: Tuesday, November 12, 2002 4:38 PM
       Subject: Re: Greig-Duncan Folk Song Collection vol.8       Please let me know when it arrives. I've had a fairly large
number of enquiries.       Thanx.       dick greenhausIf you're interested in volume 8  or, for that matter, any other volume
or volumes, CAMSCO Music is prepared to offer them at a substantial
discount:$47 per volume (Amazon gets $58-$70; ; Barnes & Noble $61; ScotPress and
Unicorn $75) I previously anticipated a price of $42, but the pound has
gotten stronger (or the dollar weaker.)$305 for the complete 8-volume set (ScotPress is asking $500)All prices plus actual shipping cost (media rates.)I'm assembling an order now. Some of you have placed orders or indicated
interest back in the murky past when v.8 was a will o' the whisp; I'd
much appreciate it if interested parties would contact me soonest to
order/confirm/whatever. I take checks, VISA, MASTER or DISCOVER cards. I
can handle orders from folks in the UK who don't have credit cards and
would prefer to pay in sterling.dick greenhaus

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Subject: Re: Lomax Scottish 1951 Recordings
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 18:10:29 -0500
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FredThanks for this.
I had not known of the Heather and Glen album, I now understand it was only
ever issued in the USA, and in general drew on the 1951 material - but also
I gather had Davie Stewart singing, and he was recorded by Lomax a little
later in London.RegardsEwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Wolf Folklore Collection (Ozarks) on-line
From: Becky Nankivell <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 12 Nov 2002 16:46:13 -0700
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Thanks to the Mudcat for the alert I'll pass on: Lyon College
(Batesville, Arkansas) has put together a web site on their John Quincy
Wolf Folklore Collection, here:
http://www.lyon.edu/wolfcollection/index.html.The components of the site are described on the site as follows:"Ozark Folksongs" contains transcriptions and audio files to hundreds of
folksongs collected by Wolf from 1952-1970. Songs are indexed by song
title. "Sacred Harp" documents Wolf's interest in Sacred Harp singings.
Wolf's recordings of Sacred Harp singings will be added to this site in
early Spring 2003. "Memphis Blues" discusses Wolf's interest in the
blues, and by Spring 2003 will include recordings of several bluesmen
visiting Wolf's folklore classes. "Articles" features a bibliography of
Wolf's folklore writings and several article reprints in full-text.
"Life in the Leatherwoods" links to materials by John Quincy Wolf, Sr.,
and includes six articles about White River that the elder Wolf
published from 1938-1941. "Biography" contains articles about Wolf's
life, "References" lists links and bibliographic materials, and
"Credits" provides information about this Website.~ Becky--
Becky Nankivell, Managing Director
Tucson Friends of Traditional Music
[unmask]   *   www.tftm.org
             520-293-3783
P.O. Box 40654, Tucson, AZ 85717-0654

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Subject: Re: Which came first?
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 00:39:43 -0600
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> Date:    Tue, 12 Nov 2002 10:09:46 -0500
> From:    Abby Sale <[unmask]>
> Subject: Re: which Came first?
>
> Obviously, this is one of those recent classics that truly went into
> popular lore as anonymous.  I think folk songs are _supposed_ to be
> anonymous - even if we know they were written by Scott or Nairne or AP
> Carter or MacColl or John Conolly or Pat Cooksey.  Some songs achieve
> a life of their own.  That's why we like them.
>
Another, not originally a song:  Ogden Nash's "Four Prominent
Bastards."  It got trimmed down to "Three Prominent Bastards".

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Subject: Re: BALLAD-L Digest - 11 Nov 2002 to 12 Nov 2002 - Special issue (#2002-287)
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 00:39:44 -0600
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> Date:    Tue, 12 Nov 2002 09:05:27 -0500
> From:    "George F. Madaus" <[unmask]>
> Subject: Re: which Came first?
>
> I am intrigued by the Pat Cooksey attribution in John Roberts response
> and Paul Stamler's  response "it was copyrighted in, I think, the
> 1920s by an English musical composer."
>
> For me anyway the English music hall just feels right. (Not a very
> strong endorsement I know) It is also reminiscent of other humorous
> navy songs like Paddy Stole The Rope (a disastrous attempt by two
> Irish Laborers to steal from a rural English Church), With My Navy
> Boots On, The Good Ship Ragamuffin (Australian/Irish),Is that last one a variant of The Good Ship Venus?> and even Tim
> Finneran's Wake.I've usually seen/heard that as Finnegan's Wake.  As presumably did
James Joyce, author of Finnegans Wake.

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Subject: Michael Row the Boat Ashore
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 01:44:05 -0600
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Hi folks:Today's version of The Straight Dope deals with a traditional song -- even
references Dena Epstein's classic book. It's such a relief, with all the
misinformation out there, to see someone get it right for a change.http://www.straightdope.com/mailbag/mmichaelrow.htmlPeace,
Paul

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Subject: Re: Lomax Scottish 1951 Recordings
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 03:57:58 EST
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Subject: Heather and Glen
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 06:08:09 -0500
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Many thanks to Fred McCormick for the information about and listing of
Heather and Glen.It's an interesting mixture. A lot of it would have been 1951, but neither
Jeannie Robertson nor Davie Stewart were 'found' then by the folklorists.Jeannie was recorded by Lomax in London in 1953, [the occasion I think when
she was to be part of a Lomax BBC TV broadcast, but was taken ill?] and
Davie in 1957. Lomax did a radio series in 1957 - A Ballad-Hunter Looks At
Britain, an 8 part series. Perhaps Davie was brought down for this?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Heather and Glen
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 09:39:32 EST
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Subject: Re: Which came first?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 10:20:47 -0500
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Odd-
I've been singing Four Prominent Bastards (Originally titled, I believe, A
Ballad for Four Prominent Love Children) for a half-century, now. Which
bastard has been omitted in the trim-down?dick greenhaus
[unmask] wrote:> > Date:    Tue, 12 Nov 2002 10:09:46 -0500
> > From:    Abby Sale <[unmask]>
> > Subject: Re: which Came first?
> >
> > Obviously, this is one of those recent classics that truly went into
> > popular lore as anonymous.  I think folk songs are _supposed_ to be
> > anonymous - even if we know they were written by Scott or Nairne or AP
> > Carter or MacColl or John Conolly or Pat Cooksey.  Some songs achieve
> > a life of their own.  That's why we like them.
> >
> Another, not originally a song:  Ogden Nash's "Four Prominent
> Bastards."  It got trimmed down to "Three Prominent Bastards".

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Subject: Heather & Glen
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 11:35:58 -0600
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Hi folks:I asked my contact at the Alan Lomax Archive whether "Heather and Glen"
would be reissued; he replied:"While we're not going to be reissuing Heather and Glen in its original
form, all the songs will eventually be released in our Scottish series. Some
of the material has already been released in the Portraits albums of John
Strachan, Davey Stewart, and Jeannie Robertson."Peace,
Paul

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Subject: Cowboy song
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 13:37:46 -0600
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Hi folks:A radio listener to Susan Madden's program remembered these lyrics, learned
as a boy in Wisconsin. They ring a very faint bell to me; anyone else? And
can you remember the title and source? Sons of the Pioneers, perhaps?Peace,
PaulWhen I get to that great range up yonder
No hardships to make you feel blue
There'll be just one boss of the outfit
On the wide rolling range to us newAnd boys there'll be one grand reunion
In a land so sunny and fair
And I know that my buddies are waiting
In the land that lies hidden up there.

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Subject: Re: Cowboy song
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 12:14:06 -0800
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It reminds me of (and would sing to) Roll On (They say that there'll be a
big roundup/And the cowboys like dogies will stand...)
Jon Bartlett
----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Wednesday, November 13, 2002 11:37 AM
Subject: Cowboy song> Hi folks:
>
> A radio listener to Susan Madden's program remembered these lyrics,
learned
> as a boy in Wisconsin. They ring a very faint bell to me; anyone else? And
> can you remember the title and source? Sons of the Pioneers, perhaps?
>
> Peace,
> Paul
>
> When I get to that great range up yonder
> No hardships to make you feel blue
> There'll be just one boss of the outfit
> On the wide rolling range to us new
>
> And boys there'll be one grand reunion
> In a land so sunny and fair
> And I know that my buddies are waiting
> In the land that lies hidden up there.

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Subject: Re: Cowboy song
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 17:43:20 EST
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In a message dated 11/13/02 11:35:00 AM, [unmask] writes:>A radio listener to Susan Madden's program remembered these .lyrics, learned
as a boy in Wisconsin. They ring a very faint bell >to me; anyone else?
    <When I get to that great range up yonder    <No hardships to make you feel blue    <There'll be just one boss of the outfit    <On the wide rolling range to us new    <And boys there'll be one grand reunion    <In a land so sunny and fair    <And I know that my buddies are waiting    <In the land that lies hidden up there.
*************************************
I've never heard those particular stanzas,  but would be willing to bet that
they were made up by someone as additions to "The Cowboy's Dream."  which is
No. 61 in John A. Lomax and Alan  Lomax, _Folksong USA_.  (1947) (That book
was actually Alan's work, put together in honor of  his father,  John A.
Lomax,  who died in the year following its publication.)  The song was sung
to the tune of "My Bonnie,"  and Alan ( on page 196 ) tells how it had been a
sort of theme song of Rev. Abe Mulkey.  I think we can be pretty sure that
other Western preachers used it the same way, making up verses to suit their
own preferences.Sam
La Jolla, CA

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Subject: Re: Cowboy song
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 21:23:02 -0500
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The Ranch Boys on some old blue-label Decca records we had when I was a
*very* little kid, possibly.  The tune was the tune of "My Bonnie Lies Over
The Ocean"; the chorus said "Roll on, roll on, roll on little dogies, roll
on, roll on; roll on, roll on, roll on, little dogies, roll on..."
----- Original Message -----
From: "Jon Bartlett" <[unmask]>
To: <[unmask]>
Sent: Wednesday, November 13, 2002 3:14 PM
Subject: Re: Cowboy song> It reminds me of (and would sing to) Roll On (They say that there'll be a
> big roundup/And the cowboys like dogies will stand...)
> Jon Bartlett
> ----- Original Message -----
> From: "Paul Stamler" <[unmask]>
> To: <[unmask]>
> Sent: Wednesday, November 13, 2002 11:37 AM
> Subject: Cowboy song
>
>
> > Hi folks:
> >
> > A radio listener to Susan Madden's program remembered these lyrics,
> learned
> > as a boy in Wisconsin. They ring a very faint bell to me; anyone else?
And
> > can you remember the title and source? Sons of the Pioneers, perhaps?
> >
> > Peace,
> > Paul
> >
> > When I get to that great range up yonder
> > No hardships to make you feel blue
> > There'll be just one boss of the outfit
> > On the wide rolling range to us new
> >
> > And boys there'll be one grand reunion
> > In a land so sunny and fair
> > And I know that my buddies are waiting
> > In the land that lies hidden up there.

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Subject: Four/Three Prominent Bastards (was: Which cam first?
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 13 Nov 2002 23:00:34 -0600
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> Date:    Wed, 13 Nov 2002 10:20:47 -0500
> From:    dick greenhaus <[unmask]>
> Subject: Re: Which came first?
>
> Odd-
> I've been singing Four Prominent Bastards (Originally titled, I
> believe, A Ballad for Four Prominent Love Children) for a
> half-century, now. Which bastard has been omitted in the trim-down?The one who overcame the handicap of a legitimate birth.> dick greenhaus
> [unmask] wrote:
> > Another, not originally a song:  Ogden Nash's "Four Prominent
> > Bastards."  It got trimmed down to "Three Prominent Bastards".
>

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Subject: Berryfields of Blair
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 08:57:54 CST
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I've enjoyed the discussion regarding the Tradition lp "Heather and
Glen". At about the same time, Prestige International issued a record
edited by Hamish Henderson called "The Berryfields of Blair". What is known
about when this recording was made?  John--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: The missing bastard
From: Joe Fineman <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 10:25:41 -0500
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Automatic digest processor <[unmask]> writes:> From:    [unmask]
>
> > From:    Abby Sale <[unmask]>
> > Subject: Re: which Came first?> > Obviously, this is one of those recent classics that truly went
> > into popular lore as anonymous.  I think folk songs are
> > _supposed_ to be anonymous - even if we know they were written
> > by Scott or Nairne or AP Carter or MacColl or John Conolly or
> > Pat Cooksey.  Some songs achieve a life of their own.  That's
> > why we like them.> Another, not originally a song:  Ogden Nash's "Four Prominent
> Bastards."  It got trimmed down to "Three Prominent Bastards".Perhaps not originally a song, but in any case set to music within
the year of its composition (1934).> From:    dick greenhaus <[unmask]>> Odd- I've been singing Four Prominent Bastards (Originally titled,
> I believe, A Ballad for Four Prominent Love Children) for a
> half-century, now. Which bastard has been omitted in the
> trim-down?The final, self-appointed one.  I suspect that responsibility for
deleting that bitter, depression-era stanza belongs to Oscar Brand.The original title seems to have been "Four Prominent Bastards Are
We".  In its first appearance in print it was tactfully retitled
"Four Prominent So and So's".Here are some notes on this song that I posted on rec.music.folk in
1998:----------------------------------------------------------------------
"Four Prominent Bastards Are We", a/k/a "Four Prominent So and So's",
"The Four Bastards", and "Three Prominent Bastards", has been in oral
& MS circulation, as a song and as a recitation, since the 1930s.  I
first heard it recited at a party about 1957, and typed it up from a
copy I was lent at the time, with the note  The person from whom I got this, a member of the faculty at Caltech,
  states that it is among Mr. Nash's unpublished poems, but has been
  in general circulation for some decades.Oscar Brand, who sings it on _Bawdy Songs and Backroom Ballads -- Vol.
III_ (but does not include it in the book of that title), merely says
it is "attributed to a well-known contemporary humorist".Recently I discovered by accident, in the online catalog of the
Harvard University libraries, that this coyness in attribution is
uncalled for.  The song was indeed written by Ogden Nash, and was
published under his name without shame or guile under a reputable
imprint.  Harvard has two versions of it in its library for rare
books, the Houghton.  On the strength of having survived 3 months at
Harvard in 1959, I count as an alumnus, so I was allowed, after due
formalities, to view these documents & take notes on them (in pencil --
no pens allowed in the reading room).The first copy is a printed broadside, titled "Four Prominent Bastards
Are We", with the handwritten notation "Reprinted from typewritten
copy, Worcester, May 1934".  No music is given, and the chorus is
missing.The second is a booklet published by Simon and Schuster, 1934, with
music by Robert Armbruster, and illustrations by Otto Soglow, a well-
known cartoonist of the time, who also illustrated some other books of
Nash's poems.  The title is _Four Prominent So and So's_, presumably
to avoid embarrassing librarians & cataloguers; the word "bastard" is
used in the text.  The text of the four stanzas is substantially the
same as in the broadside, tho I did not make a detailed comparison.
The last stanza is a sort of coda and has a different tune from the
other three.  (For this reason, I suspect that "Four" in the chorus
ought to be "Three" -- as it is, for another reason, on Brand's
record.)The text I got at Caltech was obviously corrupt & made me suspicious
of the attribution:  The senator's stanza is missing the final
couplet, and many lines don't scan.  (Nash is famous for his defiance
of the proprieties of rhyme & meter, but he was perfectly capable of
observing them when he chose to.)  There is also no hint that it was a
song, and the chorus is missing.  Brand's version scans, but is
missing the entire last stanza as well as one couplet from each of the
other three -- the beginning from the banker's, "The hired man..."
from the broker's, and, once again, the ending from the senator's.
His tune is very different from Armbruster's.  There are many
differences in wording.I had always imagined that Roger Babson, whom Brand changes to Walter
Winchell, was another gossip columnist; but it turns out he was a
prominent business statistician.
----------------------------------------------------------------------
--
---  Joe Fineman    [unmask]||:  "That is true, but it is not important."   :||
||:  "Importance is not important.  Truth is."  :||

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Subject: Re: The missing bastard
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 11:28:08 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(115 lines)


Hi-
Reportedly, the 4-stanza version was performed at a Gridiron Club affair
which was inadvertently broadcast on Armed Forces Radio in the early
1940's. Roger Babson was the Literary Digest statistician and
prognosticator who confidently predicted a Landon (I think it was that
campaign) victory in the Presidential race against Roosevelt.I don't know when the thing was set to music, but the tune is, essentially,
Solomon Levi. And the whole thing, IMO, is pointless without the final
verse, The four-stanza version is in The Digital Tradition.dick greenhausJoe Fineman wrote:> Automatic digest processor <[unmask]> writes:
>
> > From:    [unmask]
> >
> > > From:    Abby Sale <[unmask]>
> > > Subject: Re: which Came first?
>
> > > Obviously, this is one of those recent classics that truly went
> > > into popular lore as anonymous.  I think folk songs are
> > > _supposed_ to be anonymous - even if we know they were written
> > > by Scott or Nairne or AP Carter or MacColl or John Conolly or
> > > Pat Cooksey.  Some songs achieve a life of their own.  That's
> > > why we like them.
>
> > Another, not originally a song:  Ogden Nash's "Four Prominent
> > Bastards."  It got trimmed down to "Three Prominent Bastards".
>
> Perhaps not originally a song, but in any case set to music within
> the year of its composition (1934).
>
> > From:    dick greenhaus <[unmask]>
>
> > Odd- I've been singing Four Prominent Bastards (Originally titled,
> > I believe, A Ballad for Four Prominent Love Children) for a
> > half-century, now. Which bastard has been omitted in the
> > trim-down?
>
> The final, self-appointed one.  I suspect that responsibility for
> deleting that bitter, depression-era stanza belongs to Oscar Brand.
>
> The original title seems to have been "Four Prominent Bastards Are
> We".  In its first appearance in print it was tactfully retitled
> "Four Prominent So and So's".
>
> Here are some notes on this song that I posted on rec.music.folk in
> 1998:
>
> ----------------------------------------------------------------------
> "Four Prominent Bastards Are We", a/k/a "Four Prominent So and So's",
> "The Four Bastards", and "Three Prominent Bastards", has been in oral
> & MS circulation, as a song and as a recitation, since the 1930s.  I
> first heard it recited at a party about 1957, and typed it up from a
> copy I was lent at the time, with the note
>
>   The person from whom I got this, a member of the faculty at Caltech,
>   states that it is among Mr. Nash's unpublished poems, but has been
>   in general circulation for some decades.
>
> Oscar Brand, who sings it on _Bawdy Songs and Backroom Ballads -- Vol.
> III_ (but does not include it in the book of that title), merely says
> it is "attributed to a well-known contemporary humorist".
>
> Recently I discovered by accident, in the online catalog of the
> Harvard University libraries, that this coyness in attribution is
> uncalled for.  The song was indeed written by Ogden Nash, and was
> published under his name without shame or guile under a reputable
> imprint.  Harvard has two versions of it in its library for rare
> books, the Houghton.  On the strength of having survived 3 months at
> Harvard in 1959, I count as an alumnus, so I was allowed, after due
> formalities, to view these documents & take notes on them (in pencil --
> no pens allowed in the reading room).
>
> The first copy is a printed broadside, titled "Four Prominent Bastards
> Are We", with the handwritten notation "Reprinted from typewritten
> copy, Worcester, May 1934".  No music is given, and the chorus is
> missing.
>
> The second is a booklet published by Simon and Schuster, 1934, with
> music by Robert Armbruster, and illustrations by Otto Soglow, a well-
> known cartoonist of the time, who also illustrated some other books of
> Nash's poems.  The title is _Four Prominent So and So's_, presumably
> to avoid embarrassing librarians & cataloguers; the word "bastard" is
> used in the text.  The text of the four stanzas is substantially the
> same as in the broadside, tho I did not make a detailed comparison.
> The last stanza is a sort of coda and has a different tune from the
> other three.  (For this reason, I suspect that "Four" in the chorus
> ought to be "Three" -- as it is, for another reason, on Brand's
> record.)
>
> The text I got at Caltech was obviously corrupt & made me suspicious
> of the attribution:  The senator's stanza is missing the final
> couplet, and many lines don't scan.  (Nash is famous for his defiance
> of the proprieties of rhyme & meter, but he was perfectly capable of
> observing them when he chose to.)  There is also no hint that it was a
> song, and the chorus is missing.  Brand's version scans, but is
> missing the entire last stanza as well as one couplet from each of the
> other three -- the beginning from the banker's, "The hired man..."
> from the broker's, and, once again, the ending from the senator's.
> His tune is very different from Armbruster's.  There are many
> differences in wording.
>
> I had always imagined that Roger Babson, whom Brand changes to Walter
> Winchell, was another gossip columnist; but it turns out he was a
> prominent business statistician.
> ----------------------------------------------------------------------
> --
> ---  Joe Fineman    [unmask]
>
> ||:  "That is true, but it is not important."   :||
> ||:  "Importance is not important.  Truth is."  :||

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Subject: Re: The missing bastard
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 11:30:09 -0500
Content-Type:text/plain
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text/plain(119 lines)


Oops-
Memory faileth.Shortly before the 1929 stock market Crash, economic seer Roger Babson
predicted a decline that "may be terrific." At
about the same time, Professors Joseph Lawrence of Princeton and Edward
Kemmerer of Yale saw a bright future for
Wall Street. Virtually every book dealing with the Crash mentions Babson as
a farsighted forecaster, while Lawrence and
Kemmerer are largely forgotten. This is quite common. After most portentous
events we look about, wondering why we
didn't see the train coming, and then locate those who did, elevating them
to super-guru status.dick greenhausJoe Fineman wrote:> Automatic digest processor <[unmask]> writes:
>
> > From:    [unmask]
> >
> > > From:    Abby Sale <[unmask]>
> > > Subject: Re: which Came first?
>
> > > Obviously, this is one of those recent classics that truly went
> > > into popular lore as anonymous.  I think folk songs are
> > > _supposed_ to be anonymous - even if we know they were written
> > > by Scott or Nairne or AP Carter or MacColl or John Conolly or
> > > Pat Cooksey.  Some songs achieve a life of their own.  That's
> > > why we like them.
>
> > Another, not originally a song:  Ogden Nash's "Four Prominent
> > Bastards."  It got trimmed down to "Three Prominent Bastards".
>
> Perhaps not originally a song, but in any case set to music within
> the year of its composition (1934).
>
> > From:    dick greenhaus <[unmask]>
>
> > Odd- I've been singing Four Prominent Bastards (Originally titled,
> > I believe, A Ballad for Four Prominent Love Children) for a
> > half-century, now. Which bastard has been omitted in the
> > trim-down?
>
> The final, self-appointed one.  I suspect that responsibility for
> deleting that bitter, depression-era stanza belongs to Oscar Brand.
>
> The original title seems to have been "Four Prominent Bastards Are
> We".  In its first appearance in print it was tactfully retitled
> "Four Prominent So and So's".
>
> Here are some notes on this song that I posted on rec.music.folk in
> 1998:
>
> ----------------------------------------------------------------------
> "Four Prominent Bastards Are We", a/k/a "Four Prominent So and So's",
> "The Four Bastards", and "Three Prominent Bastards", has been in oral
> & MS circulation, as a song and as a recitation, since the 1930s.  I
> first heard it recited at a party about 1957, and typed it up from a
> copy I was lent at the time, with the note
>
>   The person from whom I got this, a member of the faculty at Caltech,
>   states that it is among Mr. Nash's unpublished poems, but has been
>   in general circulation for some decades.
>
> Oscar Brand, who sings it on _Bawdy Songs and Backroom Ballads -- Vol.
> III_ (but does not include it in the book of that title), merely says
> it is "attributed to a well-known contemporary humorist".
>
> Recently I discovered by accident, in the online catalog of the
> Harvard University libraries, that this coyness in attribution is
> uncalled for.  The song was indeed written by Ogden Nash, and was
> published under his name without shame or guile under a reputable
> imprint.  Harvard has two versions of it in its library for rare
> books, the Houghton.  On the strength of having survived 3 months at
> Harvard in 1959, I count as an alumnus, so I was allowed, after due
> formalities, to view these documents & take notes on them (in pencil --
> no pens allowed in the reading room).
>
> The first copy is a printed broadside, titled "Four Prominent Bastards
> Are We", with the handwritten notation "Reprinted from typewritten
> copy, Worcester, May 1934".  No music is given, and the chorus is
> missing.
>
> The second is a booklet published by Simon and Schuster, 1934, with
> music by Robert Armbruster, and illustrations by Otto Soglow, a well-
> known cartoonist of the time, who also illustrated some other books of
> Nash's poems.  The title is _Four Prominent So and So's_, presumably
> to avoid embarrassing librarians & cataloguers; the word "bastard" is
> used in the text.  The text of the four stanzas is substantially the
> same as in the broadside, tho I did not make a detailed comparison.
> The last stanza is a sort of coda and has a different tune from the
> other three.  (For this reason, I suspect that "Four" in the chorus
> ought to be "Three" -- as it is, for another reason, on Brand's
> record.)
>
> The text I got at Caltech was obviously corrupt & made me suspicious
> of the attribution:  The senator's stanza is missing the final
> couplet, and many lines don't scan.  (Nash is famous for his defiance
> of the proprieties of rhyme & meter, but he was perfectly capable of
> observing them when he chose to.)  There is also no hint that it was a
> song, and the chorus is missing.  Brand's version scans, but is
> missing the entire last stanza as well as one couplet from each of the
> other three -- the beginning from the banker's, "The hired man..."
> from the broker's, and, once again, the ending from the senator's.
> His tune is very different from Armbruster's.  There are many
> differences in wording.
>
> I had always imagined that Roger Babson, whom Brand changes to Walter
> Winchell, was another gossip columnist; but it turns out he was a
> prominent business statistician.
> ----------------------------------------------------------------------
> --
> ---  Joe Fineman    [unmask]
>
> ||:  "That is true, but it is not important."   :||
> ||:  "Importance is not important.  Truth is."  :||

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Subject: Re: Berryfields of Blair
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 11:41:38 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(29 lines)


John Cowles wrote:
>
> I've enjoyed the discussion regarding the Tradition lp "Heather and
> Glen". At about the same time, Prestige International issued a record
> edited by Hamish Henderson called "The Berryfields of Blair". What is known
> about when this recording was made?
>
>   John
>
> --
>      John Cowles             [unmask]
> Telnet: 497-4375             Optimization Technology Manager
> Office: 1-972-497-4375       Advanced Technology Center
> Home:   1-972-596-6223       TCD Division of Hewlett-Packard
> Mobil:  1-214-632-8652       3000 Waterview Pkwy.
> Fax:    1-972-497-4848       Richardson, TX  75080"Folksongs and Music from the Berryfields of Blair", 'Documentary
Series', Prestige/International 25016. There's nothing on the record
jacket to indicate the time of recording. 'Recording and notes by Hamish
Henderson. Produced by Kenneth S. Goldstein in association with The
School of Scottish Studies, Edinburgh.' Perhaps the latter has some
written records.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Berryfields of Blair
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 11:11:22 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(38 lines)


On 11/14/02, Bruce Olson wrote:>John Cowles wrote:
>>
>> I've enjoyed the discussion regarding the Tradition lp "Heather and
>> Glen". At about the same time, Prestige International issued a record
>> edited by Hamish Henderson called "The Berryfields of Blair". What is known
>> about when this recording was made?
>>
>>   John
>>
>> --
>>      John Cowles             [unmask]
>> Telnet: 497-4375             Optimization Technology Manager
>> Office: 1-972-497-4375       Advanced Technology Center
>> Home:   1-972-596-6223       TCD Division of Hewlett-Packard
>> Mobil:  1-214-632-8652       3000 Waterview Pkwy.
>> Fax:    1-972-497-4848       Richardson, TX  75080
>
>"Folksongs and Music from the Berryfields of Blair", 'Documentary
>Series', Prestige/International 25016. There's nothing on the record
>jacket to indicate the time of recording. 'Recording and notes by Hamish
>Henderson. Produced by Kenneth S. Goldstein in association with The
>School of Scottish Studies, Edinburgh.' Perhaps the latter has some
>written records.There is a clue, though, in the title song. Belle Stewart
*wrote* "The Berryfields of Blair." And Peter Kennedy recorded
it from her in 1955. Probably narrows things down a bit.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: The missing bastard
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 11:25:52 -0600
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----- Original Message -----
From: Joe Fineman <[unmask]><<I had always imagined that Roger Babson, whom Brand changes to Walter
Winchell, was another gossip columnist; but it turns out he was a
prominent business statistician.>>And stock market analyst/tipster; he gained fame for predicting the crash of
1929 when everyone else was consumed with "irrational exuberance", to use a
modern phrase. He spent the next several decades financing searches for
anti-gravity substances and devices, with no results.Peace,
Paul

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Subject: Re: Berryfields of Blair
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 14 Nov 2002 13:24:05 EST
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Subject: Re: Berryfields of Blair
From: Fred McCormick <[unmask]>
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Date:Thu, 14 Nov 2002 13:48:07 EST
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Subject: Re: Heather & Glen
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Nov 2002 08:08:21 -0500
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On Wed, 13 Nov 2002 11:35:58 -0600, Paul Stamler wrote:>
>"While we're not going to be reissuing Heather and Glen in its original
>form, all the songs will eventually be released in our Scottish series. Some
>of the material has already been released in the Portraits albums of John
>Strachan, Davey Stewart, and Jeannie Robertson."
>
In the meantime, all prior caveats in mind, all of 'Heather & Glen' is
available as "Scots Drinking & Pipe Songs" from Legacy International.Something to think about.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: (fwd) Important new folk music website
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Nov 2002 08:11:20 -0500
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I pass this on as read.  Good site & growing.  If you play one of the
Audios, you may want to right-click & "open in a new window" so the text
will still be available in the original window.His pragmatic article, "Folksingers and the Re-Creation of Folksong"
Western Folklore, Volume XXVI. No. 2 April 1967 is there, too.  Worth
re-reading.In rec.music.folk, [unmask] (Copperhead) wrote:>If you get a minute, please take a look at the website featuring the
>John Quincy Wolf Collection at the Lyon College library.
>
>http://www.lyon.edu/wolfcollection/
>
>There is information about Sacred Harp singing, Memphis Blues, and the
>most amazing index of Ozark Folksongs.  Many of the folksongs have
>associated audio files of the tunes being performed by Ozark hill
>people.  And the number of audio files is increasing as the librarians
>are able to convert old cassette recordings to .mp3 format.
>
>If you enjoy traditional Ozark folk music, or have a scholarly
>interest, this is a must-visit.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Berryfields of Blair
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 15 Nov 2002 10:32:47 -0500
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On Thu, 14 Nov 2002 08:57:54 CST, John Cowles wrote:>I've enjoyed the discussion regarding the Tradition lp "Heather and
>Glen". At about the same time, Prestige International issued a record
>edited by Hamish Henderson called "The Berryfields of Blair". What is known
>about when this recording was made?
>
>  JohnI only have a tape with most of this and not the sleeve notes but per
_Alias MacAlias_ page 103:"Sleeve note (Prestige/International 25016 Folksongs), 1962"It doesn't give exact dates of the recordings but implies they were very
recent before the record.  Most were made in the Standing Stones berry
field.  (Elsewhere in the book would put 1958 as an absolute earliest but
nothing clearly stated thai it was realy earlier than 1962.)-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Heather and Glen
From: [unmask]
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Date:Sat, 16 Nov 2002 16:10:40 EST
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Subject: The Buffalo Whore (mildly bawdy)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Nov 2002 19:25:02 -0500
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I've been more seriously reintroduced to Great Lakes chanteys and songs.
I picked up this particular rousing sailor song from the group, Hoolie,
who got it from Lee Murdock.  Murdock wrote the tune and added the chorus.
He's been reintroducing the fine, fine, unknown work of Ivan Walton and
took the text from Walton.Ivan Walton recorded the text (no tune recalled) from Norman "Beachie"
MacIvor of Goderich Ontario in 1934.  See _Windjammers: Songs of the Great
Lakes Sailors_; finally edited by Joe Grimm, 2002Murdock sells the book at
http://64.226.151.8/miva/merchant.mv?Screen=CTGY&Store_Code=LMR&Category_Code=Rec
as well as his own CDs. (The song at issue is on _The Lost Lake Sailors_
CD as "Below Niagara Falls.")Thing is, Walton was an extensive collector of the "last leaves" of Laker
windjammer sailors - barely (I gather) as they were dying off in the 20's
& 30's.  No one was interested in their material back then and it took
until 2002 to be published.  Many, fine songs & novel as well as standard
versions of known songs.Much of the point is that salt-sea songs were sung continuously to the
lakes and back to the salt.  Ie, salty sailors would finish their season
and then join the Maine or Michigan logging operations for the winter and
bring their songs with them.  We all know that much but after the logging
season, many would find themselves in Michigan and looking for a "ride"
and a job to get back to the Atlantic.  There was plenty of sail traffic -
ore carriers, of course, but all kinds of goods since la Salle's Le
Griffon 1st tried it on Lake Erie in 1679.The book is a good read.  I only complain that one cannot differentiate
Walton's comments from the editing and commentary of Grimm.  Still, it
gives us much lost material and I think more and more will make its way
onto the "circuit" of folk interests.=========So I learned this song and didn't realize for quite a while that it's an
"A-plus" version of "The Winnipeg Whore."  I don't think Walton or Grimm
or Murdock caught this either.  "The Winnipeg Whore" for me, was one of
those songs we had as kids but since I was always put off by the (usually)
associated childrens' tune, "Reuben & Rachel" or "Reuben, Reuben," I never
learned it.  Murdock may have performed a valued service to a classic
bawdy ballad with his singable tune - or ruined it.  But I like it.Referring to Cray, p. 203, the Walton version has all of the important
elements of all Cray versions cited.        The Buffalo WhoreMy first trip dawn old Lake Erie,
With some sailors to explore;
        A-singing, way, Niagara,
        Below Niagara Falls.
Then I met Rosy O'Flannagan,
Best of all the Buffalo whores.
        A-singing, way, Niagara,
        Below Niagara Falls.She says, "Boy, I think I know you,
Let me sit upon your knee,"
        A-singing, way, Niagara,
        Below Niagara Falls.
"How'd you like to do some lovin'?
A dollar and a half will be my fee."
        A-singing, way, Niagara,
        Below Niagara Falls.
        A-singing, way, Niagara,
        Roustabout Niagara;
        Beware of the rocks that lie
        Below Niagara Falls.Some were singing, some were dancing,
Some were drunk upon the floor;
        A-singing, way, Niagara,
        Below Niagara Falls.
But I was over in a corner
A'making love to the Buffalo whore.
        A-singing, way, Niagara,
        Below Niagara Falls.She was slick as oil on water,
I didn't know what she was about
        A-singing, way, Niagara,
        Below Niagara Falls.
'Til I missed my watch and wallet,
Then I popped her on the snout.
        A-singing, way, Niagara,
        Below Niagara Falls.
        A-singing, way, Niagara,
        Roustabout Niagara;
        Beware of the rocks that lie
        Below Niagara Falls.Out came the whores and sons-of-bitches,
They came at me by the score;
        A-singing, way, Niagara,
        Below Niagara Falls.
You'd have laughed to split your britches
To see me flying out that door!
        A-singing, way, Niagara,
        Below Niagara Falls.So to all of you young sailors
On the Lakes when you explore
        A-singing, way, Niagara,
        Below Niagara Falls.
Keep an eye upon your riggin'
While navigatin' that Buffalo shore.
        A-singing, way, Niagara,
        Below Niagara Falls.
        A-singing, way, Niagara,
        Roustabout Niagara;
        Beware of the rocks that lie
        Below Niagara Falls.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: The Buffalo Whore (mildly bawdy)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Nov 2002 17:32:33 -0800
Content-Type:TEXT/PLAIN
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Abby:Thanks for the Great Lakes song -- and the reference to the book.  I would
have missed it but for your notice.Which same is another way of underscoring the importance of ballad-l to
its subscribers.Ed

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Subject: Ebay List - 11/16/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 16 Nov 2002 23:52:58 -0500
Content-Type:text/plain
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text/plain(98 lines)


Hi!        Another week - another list!
        Not as much out there this week :-(        SONGSTERS        1581575687 - Sabbath School Songster, 1861, $4.99 (ends
Nov-17-02 16:48:00 PST)        921731790 - Lake Geneva Songster, 1930's, $9.99 (ends Nov-19-02
07:46:02 PST)        735570840 - MERCHANT'S GARGLING OIL SONGSTER, 1887, $9.99 (ends
Nov-20-02 09:23:19 PST)        922131574 - Temperance Songster, 1904, $9.99 (ends Nov-20-02
17:49:43 PST)        736538383 - Temperance Songster, 1904?, $5 (ends Nov-20-02
15:12:00 PST)        SONGBOOKS. ETC.        921262299 - Favorite Mountain Ballands and Old Time Songs, 1928,
$5 (ends Nov-17-02 12:37:18 PST)        921306932 - The Lonely Mountaineer's Album of Mountain Ballads
and Cowboy Songs, 1934, $9.99 (ends Nov-17-02 15:01:30 PST)        921357717 - Walter Peterson Mountain Ballads and Old Time Songs
songbook, 1931, $4.99 (ends Nov-17-02 18:04:28 PST)        735376842 - MEXICAN BORDER BALLADS BY BOATRIGHT, 1967 printing,
$7.99 (ends Nov-17-02 18:40:07 PST)        921382156 - Tip Top Songs of the Roaming Ranger, 1935, $5.99
(ends Nov-17-02 19:09:51 PST)        1582022907 - Lays and Ballads of English History by Smedley,
1840?, $24.99 (ends Nov-17-02 19:10:39 PST)        921498984 - Songs of Belfast, edited by Hammond, 1978, $4 (ends
Nov-18-02 09:27:17 PST)        735003167 - Afro-American Folksongs by Krehbiel, 1914, $9.99
w/reserve (ends Nov-18-02 19:33:44 PST)        1582568723 - Broadside Ballads of The Restoration Period, by
Fawcett, 1930, $45 (ends Nov-18-02 19:41:09 PST)        921565971 - THE ARKANSAS WOOD-CHOPPER?S WORLD?S GREATEST
COLLECTION OF COWBOY SONGS, 1932, $9.99 (ends Nov-18-02 20:00:00 PST)        921735528 - THE MINSTRELSY OF SCOTLAND by Moffat, 1896, $35
(ends Nov-19-02 08:09:34 PST)        1583017280 - Bluegrass Breakdown by Cantwell, 1992, $4.50 (ends
Nov-19-02 18:50:25 PST)        922126211 - Old Time Ballads and Cowboy Songs Song Book COMPILED
BY COWBOY LOYE AND JUST PLAIN JOHN, 1930's?, $12.50 (ends Nov-20-02
17:27:06 PST)        1583875416 - One Hundred English Folk Songs collected by Cecil
Sharp, 1975 Dover edition, $4.99 (ends Nov-21-02 13:29:28 PST)        921705546 - British Minstrelsie, 6 volumes, no date given, 15
GBP w/reserve (ends Nov-22-02 03:51:48 PST)        921707452 - The new musical and vocal cabinet, comprising a
selection of the most favorite English, Scotch & Irish melodies, 1820,
51 GBP (ends Nov-22-02 04:16:19 PST)        922626028 - American Negro Folk Songs by White, 1928, $8 (ends
Nov-22-02 14:32:48 PST)        735954432 - THE CARTER FAMILY & THEIR ALBUM OF SMOKEY MOUNTAIN
BALLADS, 1935, $10.50 (ends Nov-24-02 17:00:58 PST)        1584480584 - 2 books (The Viking Book Of Folk Ballads of the
English-Speaking World by Friedman, 1971 and Great American Folklore,
Legends, Tales, Ballads and Superstitions by Battle, 1986), $3.50 (ends
Nov-25-02 17:56:14 PST)        MISCELLANEOUS        1583495391 - 5 issues of the New York Folklore Quarterly,
1970-1979, $7.50 (ends Nov-20-02 18:07:02 PST)                                See you next week!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: The Buffalo Whore (mildly bawdy)
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Nov 2002 10:59:12 -0000
Content-Type:text/plain
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Very interesting - I would love to buy a copy of the book & CD. However, the
web site of the seller askes me to put in my credit card details on a plain
unsecured web page that uses HTTP, not HTTPS. No way, José, so no sale. Pity
really.
Simon

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Subject: Re: The Buffalo Whore (mildly bawdy)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Nov 2002 14:18:51 -0500
Content-Type:text/plain
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On Sun, 17 Nov 2002 10:59:12 -0000, Simon Furey wrote:>Very interesting - I would love to buy a copy of the book & CD. However, the
>web site of the seller askes me to put in my credit card details on a plain
>unsecured web page that uses HTTP, not HTTPS. No way, José, so no sale. Pity
>really.They accept checks.  They even took mine.  I was _extremely_ pleased at
the way they went to _considerable_ extra effort to advise and do some
research and help me out in other areas.There are also one or two other sources for the book/CD but I can't cite
the sites offhand.Murdock is to be highly credited with delving into and now promoting the
Walton material in the mid-west and making it available through his own
singing and freely available to others.  I don't think he had any direct
involvement in publishing or editing it.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Ebay List - 11/16/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 17 Nov 2002 11:18:01 -0600
Content-Type:text/plain
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On 11/16/02, Dolores Nichols wrote:[ ... ]>        922626028 - American Negro Folk Songs by White, 1928, $8 (ends
>Nov-22-02 14:32:48 PST)I have a mild interest in this one (maybe $13 worth). Anyone else want
it more?And, Ed et al, don't tell me that it's worth more than that. I know.
But I'm in the situation where quantity is more important than quality
for me. :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Buffalo Whore
From: Mary Stafford <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Nov 2002 11:26:59 -0500
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I'm interested that no one has commented on the resemblance between this song and one recorded by Oscar Brand which he called "The Winnipeg Whore". Verses were almost identical except for venue and there was no chorus, just a repeat of last line of each verse.Mary Stafford

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Subject: Re: Buffalo Whore
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Nov 2002 13:58:45 -0500
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> I'm interested that no one has commented on the resemblance between this
> song and one recorded by Oscar Brand which he called "The Winnipeg
> Whore". Verses were almost identical except for venue and there was no
> chorus, just a repeat of last line of each verse.
>
> Mary StaffordAs I recall, the very first post on this called it a version of "The
Winnepeg Whore."  I believe that "The Winnepeg Whore" is by far the best
know title.  I'm not in a position (out of town) to look in Cray or
Legman/Randolph, but I'm certain that both contain small dissertations on
this song.John Garst

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Subject: Heritage Muse - The Heritage Collectors - Digital Child (fwd)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 18 Nov 2002 18:57:17 -0800
Content-Type:TEXT/PLAIN
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Folks:David was kind enough to bring me up to date on the CD plans of Heritage.
I am forwarding it FYI.Ed---------- Forwarded message ----------
Date: Mon, 18 Nov 2002 23:08:01 +0000
From: [unmask]
To: Ed Cray <[unmask]>
Subject: Heritage Muse - The Heritage Collectors - Digital ChildHi Ed,Sorry, the new web-site goes live this week.  Since we announced all this at
AFS here is the latest scoop.1 - At AFS, at the NOMAD Festival, and elsewhere, I have been demoing the
actual Child product (Heritage Collectors #1) to live audiences here in the
northeast.2 - Due to technical issues the target release date slipped.  Those issues
have been wonderfully resolved and we are working our proverbial rear-ends off
to put the package in folks hands around Christmas (this year).  It may be
tight but if the manufacturer can move fast enough we can do it.3 - Demos of some of the product features will be available on the web-site by
end of this week.4 - Heritage Collectors # 2, to follow Child, will be "Traditional American
Folk Songs from the Anne & Frank Warner Collection".  We're doing this in an
expanded edition with 20+ new songs/ballads added onto the original.  Same
format aa the Child (digital, searchable text; computer playable tunes; new
maps; an accompanying audio CD; etc.).  SLated for release Spring/Summer 2003.5. - Heritage Collectors # 3 - Bronson's full four volumes of the tunes for
the Child Ballads.  To be published in cooperation with Princeton University
Press.  Same treatment as above.  Slated for Fall/Winter 2003.6. - Heritage Collectors Other Projects - We have an agressive agenda for the
Heritage Collectors Digital Folk Music Library and have already begun work
on: "The Collected Works of Cecil Sharp", "The Abandoned Child", several
previously unreleased, private collections and a two volume set of
Maritime/Naval/Chantey collectors (British and American).  Overall we're
looking at 10-12 projects in the next 5-6 years.  We'll have to see how the
Child and subsequent projects go.I hope this helps.Watch your email for announcements about the web-site and product shipments.Thanks,David M. Kleiman
President
Heritage Muse, Inc. and ESPB
Publishing, Ltd.
165 West End Avenue - Suite 12D
New York, NY 10023
212-724-7840 (office)
917-575-9633 (cell)
[unmask]
www.heritagemuse.com
> Guys:
>
> A check of your website revealed none of the promised informationa bout
> future plans.  Can you advise?
>
> Is the Child available?
>
> Ed
>
>
>

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Subject: Re: Buffalo Whore
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Nov 2002 00:36:38 -0600
Content-Type:text/plain
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<<As I recall, the very first post on this called it a version of "The
Winnepeg Whore."  I believe that "The Winnepeg Whore" is by far the best
know title.  I'm not in a position (out of town) to look in Cray or
Legman/Randolph, but I'm certain that both contain small dissertations on
this song.>>Yes, both under the title "The Winnipeg Whore".Peace,
Paul

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Subject: NAILED!
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Nov 2002 14:13:18 -0500
Content-Type:text/plain
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Well, not quite *really* NAILED, but an important piece of
incremental progress.The W. T. Blankenship broadsides, "John Henry, the Steel Driving Man"
and "The Great Titanic," are "no place, no date."This morning I received in the mail a xerox copy of a third
Blankenship broadside, "Our President."  This is an effusion about
WWI.  At the bottom is printed:                   W. T. BLANKENSHIP
PRICE 5 CENTS                        Huntsville, AlabamaFor several months now I have speculated that W. T. Blankenship lived
in north Alabama or adjacent Tennessee.  This finding nails his
residence (or at least the place of his publishing operation).
--
john garst    [unmask]

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Subject: Re: NAILED!
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 19 Nov 2002 12:54:43 -0800
Content-Type:text/plain
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>Well, not quite *really* NAILED, but an important piece of
>incremental progress.
>
>The W. T. Blankenship broadsides, "John Henry, the Steel Driving Man"
>and "The Great Titanic," are "no place, no date."
>
>This morning I received in the mail a xerox copy of a third
>Blankenship broadside, "Our President."  This is an effusion about
>WWI.  At the bottom is printed:
>
>
>                   W. T. BLANKENSHIP
>PRICE 5 CENTS                        Huntsville, Alabama
>
>
>
>For several months now I have speculated that W. T. Blankenship lived
>in north Alabama or adjacent Tennessee.  This finding nails his
>residence (or at least the place of his publishing operation).
>--
>john garst    [unmask]Isn't it grand when that happens?  All of a sudden it all seems worth it -
especially when one's speculation is so neatly confirmed!Congratulations!An now you can put in your "5 cents worth" whereas all the rest of us just
get 2 :-)David G. Engleemail:  [unmask]
web:    http://www.csufresno.edu/folklore
        http://www.csufresno.edu/forlang        The Traditional Ballad Index:
        http://www.csufresno.edu/folklore/BalladIndexTOC.html---

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Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Nov 2002 20:12:44 -0800
Content-Type:TEXT/PLAIN
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Folks:This is a rare find indeed -- if you can afford it.It contains Edmund Goldsmid reprints of the late 19th C. of C.K. Sharpe's
_A Ballad Book_ (1823), Maidment's _ North Countrie Garland_ (1824),
Kinloch's _The Ballad Book_ (1827), and Maiudment's _A New Book of Old
Ballads_ (1844).Individually, these four books are showing up for $100 or more on
abebooks.com.Ed
---------- Forwarded message ----------
Date: Thu, 21 Nov 2002 22:56:34 +0000
From: Roger Thomas <[unmask]>
To: [unmask]
Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads 3199 Stevenson, T (ed) Choice old Scottish ballads EP Publishing
(Wakefield) 1976/1st thus vg/vg Book has a booksellers sticker on front
pastedown, else unmarked and little used. Dj is priceclipped, o/w complete,
spine strip very sl faded. Reprint of a scarce book first published in this
form in 1868, previously published in 4 separate collections between 1823
and 1844. 408pp. Uncommon title. Hardcover. ISBN 0 7158 1141 X £35.00Dear EdThis book is available and we will reserve it for you for 1 week from today.
Airmail postage to the US will add £6.00, giving a total cost of £41.00,
which is $65.00.
A cheaper option would be surface mail, which will give a total cost of
£38.00 ($60.00), but please note that if sent this way it may take up to 8
weeks to arrive.
Books are sent on receipt of payment.Regarding methods of payment, we take most cards so send us your card
number, type of card, name on the card, expiry date and issue number, if
applicable - for security it is a good idea to send part of this information
in one e-mail message and the rest in a second message.
Alternatively if you have a Paypal account, this would also be a simple way.
Please note our Paypal registered email address is [unmask] .Best wishesRoger Thomas & Jacquie Aucott
Aucott & Thomas
45 Mount Avenue, Barwell, Leicestershire. LE9 8AJ U.K.+44 1455 450195[unmask]View our stock at www.aucott.co.uk

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Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 21 Nov 2002 23:20:30 -0800
Content-Type:text/plain
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text/plain(70 lines)


Ed:
Are you going for this?  If not, I might.
Norm----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Thursday, November 21, 2002 8:12 PM
Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)> Folks:
>
> This is a rare find indeed -- if you can afford it.
>
> It contains Edmund Goldsmid reprints of the late 19th C. of C.K. Sharpe's
> _A Ballad Book_ (1823), Maidment's _ North Countrie Garland_ (1824),
> Kinloch's _The Ballad Book_ (1827), and Maiudment's _A New Book of Old
> Ballads_ (1844).
>
> Individually, these four books are showing up for $100 or more on
> abebooks.com.
>
> Ed
> ---------- Forwarded message ----------
> Date: Thu, 21 Nov 2002 22:56:34 +0000
> From: Roger Thomas <[unmask]>
> To: [unmask]
> Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
>
>  3199 Stevenson, T (ed) Choice old Scottish ballads EP Publishing
> (Wakefield) 1976/1st thus vg/vg Book has a booksellers sticker on front
> pastedown, else unmarked and little used. Dj is priceclipped, o/w
complete,
> spine strip very sl faded. Reprint of a scarce book first published in
this
> form in 1868, previously published in 4 separate collections between 1823
> and 1844. 408pp. Uncommon title. Hardcover. ISBN 0 7158 1141 X £35.00
>
> Dear Ed
>
> This book is available and we will reserve it for you for 1 week from
today.
> Airmail postage to the US will add £6.00, giving a total cost of £41.00,
> which is $65.00.
> A cheaper option would be surface mail, which will give a total cost of
> £38.00 ($60.00), but please note that if sent this way it may take up to 8
> weeks to arrive.
> Books are sent on receipt of payment.
>
> Regarding methods of payment, we take most cards so send us your card
> number, type of card, name on the card, expiry date and issue number, if
> applicable - for security it is a good idea to send part of this
information
> in one e-mail message and the rest in a second message.
> Alternatively if you have a Paypal account, this would also be a simple
way.
> Please note our Paypal registered email address is [unmask] .
>
> Best wishes
>
> Roger Thomas & Jacquie Aucott
> Aucott & Thomas
> 45 Mount Avenue, Barwell, Leicestershire. LE9 8AJ U.K.
>
> +44 1455 450195
>
> [unmask]
>
> View our stock at www.aucott.co.uk

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Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Nov 2002 13:33:48 -0800
Content-Type:text/plain
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text/plain(97 lines)


Hi,I do not wish to push myself forward.I am a second-hand folk book and record dealer and I would certainly be
interested in this if no-one else wants it.I regard myself as third in the queue at the moment and I hope that is OK.Dave Eyrewww.collectorsfolk.co.uk----- Original Message -----
From: "Norm Cohen" <[unmask]>
To: <[unmask]>
Sent: Thursday, November 21, 2002 11:20 PM
Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)> Ed:
> Are you going for this?  If not, I might.
> Norm
>
> ----- Original Message -----
> From: "Ed Cray" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, November 21, 2002 8:12 PM
> Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
>
>
> > Folks:
> >
> > This is a rare find indeed -- if you can afford it.
> >
> > It contains Edmund Goldsmid reprints of the late 19th C. of C.K.
Sharpe's
> > _A Ballad Book_ (1823), Maidment's _ North Countrie Garland_ (1824),
> > Kinloch's _The Ballad Book_ (1827), and Maiudment's _A New Book of Old
> > Ballads_ (1844).
> >
> > Individually, these four books are showing up for $100 or more on
> > abebooks.com.
> >
> > Ed
> > ---------- Forwarded message ----------
> > Date: Thu, 21 Nov 2002 22:56:34 +0000
> > From: Roger Thomas <[unmask]>
> > To: [unmask]
> > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
> >
> >  3199 Stevenson, T (ed) Choice old Scottish ballads EP Publishing
> > (Wakefield) 1976/1st thus vg/vg Book has a booksellers sticker on front
> > pastedown, else unmarked and little used. Dj is priceclipped, o/w
> complete,
> > spine strip very sl faded. Reprint of a scarce book first published in
> this
> > form in 1868, previously published in 4 separate collections between
1823
> > and 1844. 408pp. Uncommon title. Hardcover. ISBN 0 7158 1141 X £35.00
> >
> > Dear Ed
> >
> > This book is available and we will reserve it for you for 1 week from
> today.
> > Airmail postage to the US will add £6.00, giving a total cost of £41.00,
> > which is $65.00.
> > A cheaper option would be surface mail, which will give a total cost of
> > £38.00 ($60.00), but please note that if sent this way it may take up to
8
> > weeks to arrive.
> > Books are sent on receipt of payment.
> >
> > Regarding methods of payment, we take most cards so send us your card
> > number, type of card, name on the card, expiry date and issue number, if
> > applicable - for security it is a good idea to send part of this
> information
> > in one e-mail message and the rest in a second message.
> > Alternatively if you have a Paypal account, this would also be a simple
> way.
> > Please note our Paypal registered email address is [unmask]
.
> >
> > Best wishes
> >
> > Roger Thomas & Jacquie Aucott
> > Aucott & Thomas
> > 45 Mount Avenue, Barwell, Leicestershire. LE9 8AJ U.K.
> >
> > +44 1455 450195
> >
> > [unmask]
> >
> > View our stock at www.aucott.co.uk
>
>

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Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Nov 2002 11:44:13 -0800
Content-Type:TEXT/PLAIN
Parts/Attachments:

TEXT/PLAIN(81 lines)


Norm and All:Feel free.  I have a copy of the reprint, and two of the handsomely
printed original imprints.EdOn Thu, 21 Nov 2002, Norm Cohen wrote:> Ed:
> Are you going for this?  If not, I might.
> Norm
>
> ----- Original Message -----
> From: "Ed Cray" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, November 21, 2002 8:12 PM
> Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
>
>
> > Folks:
> >
> > This is a rare find indeed -- if you can afford it.
> >
> > It contains Edmund Goldsmid reprints of the late 19th C. of C.K. Sharpe's
> > _A Ballad Book_ (1823), Maidment's _ North Countrie Garland_ (1824),
> > Kinloch's _The Ballad Book_ (1827), and Maiudment's _A New Book of Old
> > Ballads_ (1844).
> >
> > Individually, these four books are showing up for $100 or more on
> > abebooks.com.
> >
> > Ed
> > ---------- Forwarded message ----------
> > Date: Thu, 21 Nov 2002 22:56:34 +0000
> > From: Roger Thomas <[unmask]>
> > To: [unmask]
> > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
> >
> >  3199 Stevenson, T (ed) Choice old Scottish ballads EP Publishing
> > (Wakefield) 1976/1st thus vg/vg Book has a booksellers sticker on front
> > pastedown, else unmarked and little used. Dj is priceclipped, o/w
> complete,
> > spine strip very sl faded. Reprint of a scarce book first published in
> this
> > form in 1868, previously published in 4 separate collections between 1823
> > and 1844. 408pp. Uncommon title. Hardcover. ISBN 0 7158 1141 X £35.00
> >
> > Dear Ed
> >
> > This book is available and we will reserve it for you for 1 week from
> today.
> > Airmail postage to the US will add £6.00, giving a total cost of £41.00,
> > which is $65.00.
> > A cheaper option would be surface mail, which will give a total cost of
> > £38.00 ($60.00), but please note that if sent this way it may take up to 8
> > weeks to arrive.
> > Books are sent on receipt of payment.
> >
> > Regarding methods of payment, we take most cards so send us your card
> > number, type of card, name on the card, expiry date and issue number, if
> > applicable - for security it is a good idea to send part of this
> information
> > in one e-mail message and the rest in a second message.
> > Alternatively if you have a Paypal account, this would also be a simple
> way.
> > Please note our Paypal registered email address is [unmask] .
> >
> > Best wishes
> >
> > Roger Thomas & Jacquie Aucott
> > Aucott & Thomas
> > 45 Mount Avenue, Barwell, Leicestershire. LE9 8AJ U.K.
> >
> > +44 1455 450195
> >
> > [unmask]
> >
> > View our stock at www.aucott.co.uk
>

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Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 22 Nov 2002 12:16:40 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(118 lines)


With your permission I'm going to pursue this.
I see some intesting items on your own website; I'll get back to you in a
day or two.
Cordially,
Norm Cohen----- Original Message -----
From: "Dave Eyre" <[unmask]>
To: <[unmask]>
Sent: Friday, November 22, 2002 1:33 PM
Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)> Hi,
>
> I do not wish to push myself forward.
>
> I am a second-hand folk book and record dealer and I would certainly be
> interested in this if no-one else wants it.
>
> I regard myself as third in the queue at the moment and I hope that is OK.
>
> Dave Eyre
>
> www.collectorsfolk.co.uk
>
>
> ----- Original Message -----
> From: "Norm Cohen" <[unmask]>
> To: <[unmask]>
> Sent: Thursday, November 21, 2002 11:20 PM
> Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
>
>
> > Ed:
> > Are you going for this?  If not, I might.
> > Norm
> >
> > ----- Original Message -----
> > From: "Ed Cray" <[unmask]>
> > To: <[unmask]>
> > Sent: Thursday, November 21, 2002 8:12 PM
> > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
(fwd)
> >
> >
> > > Folks:
> > >
> > > This is a rare find indeed -- if you can afford it.
> > >
> > > It contains Edmund Goldsmid reprints of the late 19th C. of C.K.
> Sharpe's
> > > _A Ballad Book_ (1823), Maidment's _ North Countrie Garland_ (1824),
> > > Kinloch's _The Ballad Book_ (1827), and Maiudment's _A New Book of Old
> > > Ballads_ (1844).
> > >
> > > Individually, these four books are showing up for $100 or more on
> > > abebooks.com.
> > >
> > > Ed
> > > ---------- Forwarded message ----------
> > > Date: Thu, 21 Nov 2002 22:56:34 +0000
> > > From: Roger Thomas <[unmask]>
> > > To: [unmask]
> > > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
> > >
> > >  3199 Stevenson, T (ed) Choice old Scottish ballads EP Publishing
> > > (Wakefield) 1976/1st thus vg/vg Book has a booksellers sticker on
front
> > > pastedown, else unmarked and little used. Dj is priceclipped, o/w
> > complete,
> > > spine strip very sl faded. Reprint of a scarce book first published in
> > this
> > > form in 1868, previously published in 4 separate collections between
> 1823
> > > and 1844. 408pp. Uncommon title. Hardcover. ISBN 0 7158 1141 X £35.00
> > >
> > > Dear Ed
> > >
> > > This book is available and we will reserve it for you for 1 week from
> > today.
> > > Airmail postage to the US will add £6.00, giving a total cost of
£41.00,
> > > which is $65.00.
> > > A cheaper option would be surface mail, which will give a total cost
of
> > > £38.00 ($60.00), but please note that if sent this way it may take up
to
> 8
> > > weeks to arrive.
> > > Books are sent on receipt of payment.
> > >
> > > Regarding methods of payment, we take most cards so send us your card
> > > number, type of card, name on the card, expiry date and issue number,
if
> > > applicable - for security it is a good idea to send part of this
> > information
> > > in one e-mail message and the rest in a second message.
> > > Alternatively if you have a Paypal account, this would also be a
simple
> > way.
> > > Please note our Paypal registered email address is
[unmask]
> .
> > >
> > > Best wishes
> > >
> > > Roger Thomas & Jacquie Aucott
> > > Aucott & Thomas
> > > 45 Mount Avenue, Barwell, Leicestershire. LE9 8AJ U.K.
> > >
> > > +44 1455 450195
> > >
> > > [unmask]
> > >
> > > View our stock at www.aucott.co.uk
> >
> >

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Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Nov 2002 01:12:16 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(151 lines)


Thanks for that. I should explain I am a stickler for customer care. I am
one of those people who make store managers tremble just at the sight of me.
And when we most people cannot be bothered - I am!!So.............whatever you as a customer ask for you shall get!! ("How's
that for polishing apples" - Peggy Seeger)I explained to Ed.............I am not full time.....(was hoping to be but
my institution turned me down for early retirement).So.......I deal books and records, direct the artistic side of a folk
festival and work f/t as a lecturer in the GB equivalent of a community
college.And think I am lucky!! Get back to me whenever you are ready.And lovely to meet you.Dave> With your permission I'm going to pursue this.
> I see some intesting items on your own website; I'll get back to you in a
> day or two.
> Cordially,
> Norm Cohen
>
> ----- Original Message -----
> From: "Dave Eyre" <[unmask]>
> To: <[unmask]>
> Sent: Friday, November 22, 2002 1:33 PM
> Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads (fwd)
>
>
> > Hi,
> >
> > I do not wish to push myself forward.
> >
> > I am a second-hand folk book and record dealer and I would certainly be
> > interested in this if no-one else wants it.
> >
> > I regard myself as third in the queue at the moment and I hope that is
OK.
> >
> > Dave Eyre
> >
> > www.collectorsfolk.co.uk
> >
> >
> > ----- Original Message -----
> > From: "Norm Cohen" <[unmask]>
> > To: <[unmask]>
> > Sent: Thursday, November 21, 2002 11:20 PM
> > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
(fwd)
> >
> >
> > > Ed:
> > > Are you going for this?  If not, I might.
> > > Norm
> > >
> > > ----- Original Message -----
> > > From: "Ed Cray" <[unmask]>
> > > To: <[unmask]>
> > > Sent: Thursday, November 21, 2002 8:12 PM
> > > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
> (fwd)
> > >
> > >
> > > > Folks:
> > > >
> > > > This is a rare find indeed -- if you can afford it.
> > > >
> > > > It contains Edmund Goldsmid reprints of the late 19th C. of C.K.
> > Sharpe's
> > > > _A Ballad Book_ (1823), Maidment's _ North Countrie Garland_ (1824),
> > > > Kinloch's _The Ballad Book_ (1827), and Maiudment's _A New Book of
Old
> > > > Ballads_ (1844).
> > > >
> > > > Individually, these four books are showing up for $100 or more on
> > > > abebooks.com.
> > > >
> > > > Ed
> > > > ---------- Forwarded message ----------
> > > > Date: Thu, 21 Nov 2002 22:56:34 +0000
> > > > From: Roger Thomas <[unmask]>
> > > > To: [unmask]
> > > > Subject: Re: abebooks.com Book Inquiry: Choice old Scottish ballads
> > > >
> > > >  3199 Stevenson, T (ed) Choice old Scottish ballads EP Publishing
> > > > (Wakefield) 1976/1st thus vg/vg Book has a booksellers sticker on
> front
> > > > pastedown, else unmarked and little used. Dj is priceclipped, o/w
> > > complete,
> > > > spine strip very sl faded. Reprint of a scarce book first published
in
> > > this
> > > > form in 1868, previously published in 4 separate collections between
> > 1823
> > > > and 1844. 408pp. Uncommon title. Hardcover. ISBN 0 7158 1141 X
£35.00
> > > >
> > > > Dear Ed
> > > >
> > > > This book is available and we will reserve it for you for 1 week
from
> > > today.
> > > > Airmail postage to the US will add £6.00, giving a total cost of
> £41.00,
> > > > which is $65.00.
> > > > A cheaper option would be surface mail, which will give a total cost
> of
> > > > £38.00 ($60.00), but please note that if sent this way it may take
up
> to
> > 8
> > > > weeks to arrive.
> > > > Books are sent on receipt of payment.
> > > >
> > > > Regarding methods of payment, we take most cards so send us your
card
> > > > number, type of card, name on the card, expiry date and issue
number,
> if
> > > > applicable - for security it is a good idea to send part of this
> > > information
> > > > in one e-mail message and the rest in a second message.
> > > > Alternatively if you have a Paypal account, this would also be a
> simple
> > > way.
> > > > Please note our Paypal registered email address is
> [unmask]
> > .
> > > >
> > > > Best wishes
> > > >
> > > > Roger Thomas & Jacquie Aucott
> > > > Aucott & Thomas
> > > > 45 Mount Avenue, Barwell, Leicestershire. LE9 8AJ U.K.
> > > >
> > > > +44 1455 450195
> > > >
> > > > [unmask]
> > > >
> > > > View our stock at www.aucott.co.uk
> > >
> > >
>
>

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Subject: Ebay List - 11/23/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 23 Nov 2002 01:25:28 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(81 lines)


Hi!        Another week - another list! Enjoy!        SONGSTERS        923181450 - 3 books from the 1880's, $14.99 (ends Nov-24-02
16:17:32 PST)        1585578818 - 3 McGuffey's publications inc. ECLECTIC READER
REVIVAL SONGSTER, 1859, $15.50 (ends Nov-24-02 19:20:12 PST)        1971486371 - "OUR BOYS" Songster, WWI era, $4.99 (ends Nov-28-02
12:30:35 PST)        923743537 - MORRIS BROTHERS: PELL & TROWBRIDGE'S Songs, 1860,
$14.95 (ends Nov-26-02 18:34:55 PST)        SONGBOOKS, ETC.        1584902600 - The Minstrelsy of the Scottish Border by Scott,
1979 printing, 1.99 GBP (ends Nov-23-02 16:56:38 PST)        922901389 - FOLK MUSIC IN AMERICA: A Reference Guide by Miller,
1986, $29.99 (ends Nov-23-02 18:29:56 PST)        923546566 - JIM & JANE'S MOUNTAIN AND WESTERN BALLADS, early
1940's, $5 (ends Nov-24-02 10:15:00 PST)        923195950 - Songs of the Hill-Folk by Niles, 1934, $5.99 (ends
Nov-24-02 17:01:03 PST)        923276167 - T. Moore's Irish Melodies, 1800's, $5 (ends
Nov-24-02 20:24:53 PST)        737601180 - NEGRO FOLK SONGS AS SUNG BY LEAD BELLY by Lomax,
1936, $19.99 w/reserve (ends Nov-24-02 21:04:52 PST)        737799697 - Canal Water and Whiskey by Rapp, 1965, $29.99 (ends
Nov-25-02 13:33:01 PST)        1970280554 - HAITI SINGING by Courlander, 1939, $69.95 (ends
Nov-25-02 19:05:29 PST)        923609884 - IN DUBLIN'S FAIR CITY, 1968, $6 (ends Nov-26-02
09:17:46 PST)        1584769031 - Folksongs and Folklore of South Uist by Shaw, 1955,
$10 w/reserve (ends Nov-26-02 11:40:07 PST)        923826450 - folk songs as sung by Stoney Cooper and Wilma Lee,
$4.99 (ends Nov-27-02 05:39:44 PST)        1971917371 - Handmade notebook of Civil War songs, $9.99 (ends
Nov-27-02 11:28:14 PST)        1971237549 - More Irish Street Ballads by O'Lochlainn, 1978
reprint, $1.75 (ends Nov-27-02 19:59:06 PST)        1585652771 - Ozark Folksongs by Randolph, volume 3, 1980, $39
(ends Nov-27-02 20:49:38 PST)        924122653 - One Hundred English Folksongs by Sharp, 1975 Dover
edition, $4.99 (ends Nov-28-02 09:53:20 PST)        MISCELLANEOUS        1585531624 - The Country Dance Book Part III by Sharp, 1912,
$7.50 (ends Nov-24-02 18:27:57 PST)        1585004907 - THAT HIGH LONESOME SOUND, video, $3 (ends Nov-26-02
20:21:14 PST)                                Happy bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Missing Manuscript
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Nov 2002 11:20:19 -0800
Content-Type:TEXT/PLAIN
Parts/Attachments:

TEXT/PLAIN(40 lines)


Folks:I would like to locate the apparently unpublished Goldstein-Fowke
manuscript.  Anyone have any ideas where it might be?Ed---------- Forwarded message ----------
Date: Tue, 26 Nov 2002 12:08:06 -0500
From: dick greenhaus <[unmask]>
Reply-To: [unmask]
To: Ed Cray <[unmask]>
Subject: Re: Can You Locate?Hi Ed-
Unfortunately, the book never got published. Wilfrid Laurier Press
(Canadian, BTW) informs me that it was originally scheduled for 2001, then
slipped to 2003 and at this time has been dropped with no plans for release.
The lady there told me that the woman who was the driving force for
publishing this (Linda Morley?) died.dick greenhausEd Cray wrote:> Dick:
>
> I understand that Wilfrid Laurier University Press, a British publisher,
> is to bring out Kenneth Goldstein and Edith Fowke's _Bawdy Ballads and
> Dirty Ditties from Ontario and Newfoundland_ in Janaury, 2003.  The ISBN
> number is 0889203849.
>
> My local bookstore could find no mention of it in forthcoming
> announcements, which leads me to believe it will not be published here.
>
> Can you find it?  I would rather give the money to you than to
> Amazon.co.uk, which lists the book at 18.33 BP with a US list of $28.95.
>
> Ed

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Subject: Re: Missing Manuscript
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Nov 2002 16:20:24 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(44 lines)


I understand that the editor is Rochelle Goldstien.  She lives in (or just
outside) Philadelphia.At 11:20 AM 11/26/2002 -0800, Ed Cray wrote:
>Folks:
>
>I would like to locate the apparently unpublished Goldstein-Fowke
>manuscript.  Anyone have any ideas where it might be?
>
>Ed
>
>
>---------- Forwarded message ----------
>Date: Tue, 26 Nov 2002 12:08:06 -0500
>From: dick greenhaus <[unmask]>
>Reply-To: [unmask]
>To: Ed Cray <[unmask]>
>Subject: Re: Can You Locate?
>
>Hi Ed-
>Unfortunately, the book never got published. Wilfrid Laurier Press
>(Canadian, BTW) informs me that it was originally scheduled for 2001, then
>slipped to 2003 and at this time has been dropped with no plans for release.
>The lady there told me that the woman who was the driving force for
>publishing this (Linda Morley?) died.
>
>dick greenhaus
>
>Ed Cray wrote:
>
> > Dick:
> >
> > I understand that Wilfrid Laurier University Press, a British publisher,
> > is to bring out Kenneth Goldstein and Edith Fowke's _Bawdy Ballads and
> > Dirty Ditties from Ontario and Newfoundland_ in Janaury, 2003.  The ISBN
> > number is 0889203849.
> >
> > My local bookstore could find no mention of it in forthcoming
> > announcements, which leads me to believe it will not be published here.
> >
> > Can you find it?  I would rather give the money to you than to
> > Amazon.co.uk, which lists the book at 18.33 BP with a US list of $28.95.
> >
> > Ed

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Subject: Heather and Glen
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Nov 2002 21:23:56 -0800
Content-Type:multipart/alternative
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text/plain(9 lines) , text/html(20 lines)


Sorry, your browser doesn't support iframes.


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Subject: Re: Missing Manuscript
From: Cal & Lani Herrmann <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Nov 2002 13:54:24 -0800
Content-Type:text/plain
Parts/Attachments:

text/plain(24 lines)


On Tue, Nov 26, 2002 at 11:20:19AM -0800, Ed Cray wrote:
> Folks:
>
> I would like to locate the apparently unpublished Goldstein-Fowke
> manuscript.  Anyone have any ideas where it might be?
>
> Ed        Several years ago I was sent a copy of the ms for review by Judy
McCulloh of UI Press (as were you, Ed!).  Eventually I delivered my
report, recommending publication, but evidently that press passed on
the opportunity to publish, and whoever was parenting that project
must have found the Canadian press, with the result that Dick describes.
        My understanding was that Rachelle Goldstein, Ken Goldstein's
widow, was backing the effort -- and she is, as of the last AFS
meeting in Rochester, very much alive and dancing.
        I was, however, distressed to learn that something dreadful might
have happened to my friend Linda Morley, whom I met and used to see
at AFS meetings.  Does anyone on this list know more? -- Aloha, Lani<||> Lani Herrmann * [unmask]
<||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
*** FRIENDS: If your Reply message is Rejected by my spam-fighting ISP,
please try sending it to: [unmask] OR [unmask]

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Subject: Re: Missing Manuscript
From: Judy McCulloh <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 26 Nov 2002 16:58:25 -0600
Content-Type:text/plain
Parts/Attachments:

text/plain(84 lines)


OK, youse guys, since you've made this part of the project public, I'll add
what I can.  Usually this kind of information stays behind the scenes.  Let
me ask you all to keep it thus.  I would not want to jinx a fine project
that has already been subject to so much stress.I had indeed gotten a couple of good reports on the manuscript, pretty much
on a yes/no basis, since neither Kenny nor Edith was still around to revise.
However, when we discussed this in house (director plus department heads
plus moi), the consensus was that we wouldn't find a sufficient market for
this big, expensive book with a Canadian focus.  I suggested to Rochelle
that she try to place this with a Canadian publisher, with the thought of
then finding an American distributor who could handle a smaller number of
books than it would have been economically feasible to print from scratch.
I had some correspondence with Sandra Woolfrey at Wilfrid Laurier UP and
sent her the readers' reports.  One of the reviewers had suggested that I
write an intro or foreword, which I declined.  Then Sandra left (presumably
no cause&effect).  Maybe she was the mystery woman who was championing this
"labour intensive" project, and it wasn't that she died but that she
retired?  Anyway, in December, 1999, the new director at WLUP, Brian
Henderson, asked me to resend the reports, which I did.  In February, 2000,
he asked about the disks.  I replied that I had never seen any disks, only
hard copy, the full text and sample music transcriptions.  In November,
2001, he wrote that "during the editorial process" they realized they didn't
have the most recent version of the manuscript on disk, and wondered if I
still had the disks.  I again replied No but noted that Rochelle had
mentioned having the music prepared on computer.  He replied that Rochelle
was rechecking the disks she had and they were eking their way forward.
That's the last communication about the project I can find.Rochelle spoke with one person I know of at AFS, asking who might serve as
editor.  That might mean she has a publisher who required an in-kind subsidy
in the form of editing and/or keystroking, or she was thinking of publishing
the collection herself, or she wanted to get it into the shape publishers
require nowadays and then submit it with presumably a better chance of
acceptance.  The manuscript was large and would have been very
expensive--especially if it had to be typeset from scratch rather than from
disk.  Ed, it sounds to me like Rochelle has the manuscript.I almost think that Web publication might be the best way to go, at least
for starters, working from disk or shooting clean pages.JudyJudith McCulloh
Assistant Director and Executive Editor
University of Illinois Press
1325 South Oak Street
Champaign, IL 61820-6903
phone: (217) 244 4681
email: [unmask]
www.press.uillinois.edu----- Original Message -----
From: "Cal & Lani Herrmann" <[unmask]>
To: <[unmask]>
Sent: Tuesday, November 26, 2002 3:54 PM
Subject: Re: Missing Manuscript> On Tue, Nov 26, 2002 at 11:20:19AM -0800, Ed Cray wrote:
> > Folks:
> >
> > I would like to locate the apparently unpublished Goldstein-Fowke
> > manuscript.  Anyone have any ideas where it might be?
> >
> > Ed
>
>         Several years ago I was sent a copy of the ms for review by Judy
> McCulloh of UI Press (as were you, Ed!).  Eventually I delivered my
> report, recommending publication, but evidently that press passed on
> the opportunity to publish, and whoever was parenting that project
> must have found the Canadian press, with the result that Dick describes.
>         My understanding was that Rachelle Goldstein, Ken Goldstein's
> widow, was backing the effort -- and she is, as of the last AFS
> meeting in Rochester, very much alive and dancing.
>         I was, however, distressed to learn that something dreadful might
> have happened to my friend Linda Morley, whom I met and used to see
> at AFS meetings.  Does anyone on this list know more? -- Aloha, Lani
>
> <||> Lani Herrmann * [unmask]
> <||> 5621 Sierra Ave. * Richmond, CA 94805 * (510) 237-7360
> *** FRIENDS: If your Reply message is Rejected by my spam-fighting ISP,
> please try sending it to: [unmask] OR [unmask]

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Subject: Missing Manuscript
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Nov 2002 05:02:15 -0500
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Another example of booksellers offering for sale something never published.There are two books I wrote that Amazon claim to be able to supply.
One was announced by the publisher but never published. The other publisher
went out of business 6 years ago, and I know that no stocks ever got to
Amazon.Ewan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Missing Manuscript
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 27 Nov 2002 09:59:48 -0500
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In the computer world, this is known as "vaporware". However, on the brighter
side, the long-awaited Volume 8 of the Greig-Duncan Collection has arrived at
my office; I'll start filling orders on Monday.dick greenhausEwan McVicar wrote:> Another example of booksellers offering for sale something never published.
>
> There are two books I wrote that Amazon claim to be able to supply.
> One was announced by the publisher but never published. The other publisher
> went out of business 6 years ago, and I know that no stocks ever got to
> Amazon.
>
> Ewan McVicar
> 84 High Street
> Linlithgow
> EH49 7AQ
> 01506 847935

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Subject: John Henry
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Nov 2002 12:50:07 -0500
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Subject: Ebay List - 11/28.03
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 28 Nov 2002 13:17:28 -0500
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Hi!        Happy Thanksgiving to everyone in the U.S.! Happy beginning of
winter to everyone else!        SONGSTERS        1972494699 - Universal Songster, 1834, $9.99 w/reserve (ends
Nov-30-02 17:48:18 PST)        741176886 - Walter L. Main Circus Shows Songster, 1890, $7.50
(ends Dec-01-02 19:22:27 PST)        740957422 - Merchant's Medicines American Songster, 1885, $15,
(ends Dec-03-02 11:13:06 PST)        SONGBOOKS, ETC.        924651758 - FOLKSONGS OF SOUTHEAST ALASKA,AND THE YUKON.
PANHANDLER SONGBOOK,VOLUME 1, 1979, $5 (ends Nov-28-02 12:05:36 PST) I
apologize for not giving more warning on this one. :-(        924487911 - Folk Songs of Old New England, Linscott, 1939, $4.74
(ends Nov-29-02 17:32:37 PST)        1972354164 - Ancient Ballads Traditionally Sung in New England,
volume 4, Flanders, 1965, $8.50 (ends Nov-30-02 12:00:56 PST)        924699792 - Folksongs of the Maritimes, Pottie & Ellis, 1992,
$19.99 (ends Nov-30-02 15:31:18 PST)        924868056 - Maver's Genuine Scottish Melodies, 1866, $19.99
(ends Dec-01-02 09:15:23 PST)        924965714 - Chantez la Louisiane - Louisiana French Folksongs,
1974, $1.99 (ends Dec-01-02 14:05:11 PST)        1973071894 - The Harvest and The Reapers, Oral Traditions of
Kentucky , Clarke, $5 (ends Dec-01-02 18:14:21 PST)        740359519 - American Negro Songs and Spirituals, Work, 1940's,
$7.89 (ends Dec-01-02 19:37:07 PST)        1972081682 - The Border Ballads, Reed, 1973, $4.99 GBP (ends
Dec-02-02 18:26:48 PST)        924504205 - Songs of the Irish, O'Sullivan, 1960, $9.99 (ends
Dec-02-02 18:46:21 PST)        1972106065 - VERMONT FOLK-SONGS & BALLADS, Flanders, $9.99 (ends
Dec-02-02 19:10:55 PST)        925340008 - Bradley Kincaid, the Kentucky Mountain boy, Favorite
Mountain Ballads, 1937, $2.95 (ends Dec-02-02 19:28:45 PST)        739500696 - Rolling Along in Song: Survey of American Negro
Music, 1937, $9.95 (ends Dec-02-02 19:45:00 PST)        925439141 - A SHORT DISCOGRAPHY OF IRISH FOLK MUSIC, Carolan,
1987, $9 (ends Dec-03-02 09:08:49 PST)        925536501 - Smiths Mountain Ballads & Cowboy Songs, 1932, $5.99
(ends Dec-03-02 15:26:13 PST)        1973989972 - Ballads of Kentucky Highlands, Fuson, 1931, $35.23
(ends Dec-03-02 16:14:42 PST)        1974186778 - Bushranger Ballads, Scott, 1976, $12 AU (ends
Dec-03-02 22:05:29 PST)        925575334 - The Happy Ranger Collection of Cowboy Songs, 1938,
$19.99 (ends Dec-06-02 18:00:11 PST)        925637206 - Victorian Folk Songs, $7 AU (ends Dec-06-02 22:26:22 PST)                                Good Luck Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: THE PARSON AND THE ... (easy quiz)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Nov 2002 11:25:35 -0500
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I came across this tale in _Norwegian Folk Tales_, from the collection of
Peter Christen  Asbjørnsen, 1812-1885 and Jørgen Engebretsen Moe,
1813-1882, (trans. Pat Shaw Iverson & Carl Norman) New York, Viking Press,
1960.Thought you might find it interesting.                  THE PARSON AND THE SEXTON        There was once a parson who was such a blusterer that whenever he
saw anyone come driving towards him on the highway, he would roar from
afar: "Off the Road! Off the road! here comes the parson himself!"
        Once when he was carrying on like this, he met the king.
        "Off the road! Off the road!" he shouted a long way off; but the
king kept on driving straight ahead. So, for once, the parson had to turn
his horse aside. And when the king came alongside he said, "Tomorrow you
shall come to the court. And if you can't answer three questions I am
going to put to you, you shall lose both frock and collar for the sake of
your pride!"
        This was quite a different tune from what the parson was used to.
Bluster and bellow he could, and carry on worse than bad, too. But
question-and-answer was out of his field. So he went to the sexton, who
was said to have a better head on his shoulders than the parson, and told
him that he wasn't keen on going, "for one fool can ask more than ten wise
men can answer," he said. And so he got the sexton to go in his place.
        Well, the sexton went; and he came to the royal manor dressed in
the parson's frock and ruff collar. The king met him out on the porch,
wearing both crown and scepter, and looking so grand he fairly shone.
        "So you're there, are you?" said the king.
        Yes he was .... that was sure enough.
        "Now, tell me first," said the king, "how far is it from east to
west?"
        "That's a day's journey, that is," said the sexton.
        "How so?" asked the king.
        "We....ll, the sun rises in the east and sets in the west, and
does it nicely in a day," said the sexton.
        "All right," said the king, "but tell me now, what do you think
I'm worth, just as you see me here?"
        "Let's see, Christ was valued at thirty pieces of silver, so I'd
better not set you any higher than.... twenty-nine," said the sexton.
        "Mmmmmmmmmmmm!" said the king. "Well, since you're so wise on all
counts, tell me what I'm thinking now!"
        "Oh, I suppose you're thinking that it's the parson who's standing
here before you. But I'm sorry to say you're wrong, for it's the sexton!"
        "Aha! Then go home with you, and you be parson and let him be
sexton!" said the king.
        And so it was!-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: THE PARSON AND THE ... (easy quiz)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Nov 2002 11:52:17 -0500
Content-Type:text/plain
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On Fri, 29 Nov 2002 11:25:35 -0500, Abby Sale wrote:>To: [unmask]
>Subject: THE PARSON AND THE ...  (easy quiz)
>From: Abby Sale <[unmask]>Interesting... I tried to send this several times with subject: "THE
PARSON AND THE SEXTON."  The ballad-l filters would not permit the word
'sexton' to go through.  Too suggestive, I guess.I feel safer now.The (easy) quiz part was Which ballad is this?   Of it it has been said,
"The oldest known version was discovered by Professor C. C. Torrey in the
Conquest of Egypt, an Arabic historical work of about 850 A.D., and is
thought by him to be 'a genuine bit of Coptic folk-lore,' current in Egypt
long before the Arab invasion in the seventh century."(Nicely sung by Margaret M. - I know no other tunes.)-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: THE PARSON AND THE ... (easy quiz)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 29 Nov 2002 09:26:44 -0800
Content-Type:TEXT/PLAIN
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Abby:This is one of the most studied of folktales and ballads: Mt. 922 "The
Shepherd Substituting for the Priest," or Child 45, "King John and the
Bishop [of Canterbury]."  Its range in tale and ballad (Child's notes
are awe-inspiring) is about as widespread as any known, from India to the
United States, in both English-language and Spanish versions; from the
Scandinavian countries to the Cape Verde Islands.There are also a number of bawdy or obscene versions of the tale told in
joke form.EdOn Fri, 29 Nov 2002, Abby Sale wrote:> On Fri, 29 Nov 2002 11:25:35 -0500, Abby Sale wrote:
>
> >To: [unmask]
> >Subject: THE PARSON AND THE ...  (easy quiz)
> >From: Abby Sale <[unmask]>
>
> Interesting... I tried to send this several times with subject: "THE
> PARSON AND THE SEXTON."  The ballad-l filters would not permit the word
> 'sexton' to go through.  Too suggestive, I guess.
>
> I feel safer now.
>
> The (easy) quiz part was Which ballad is this?   Of it it has been said,
> "The oldest known version was discovered by Professor C. C. Torrey in the
> Conquest of Egypt, an Arabic historical work of about 850 A.D., and is
> thought by him to be 'a genuine bit of Coptic folk-lore,' current in Egypt
> long before the Arab invasion in the seventh century."
>
> (Nicely sung by Margaret M. - I know no other tunes.)
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml
>

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Subject: Man of Constant...question
From: kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 10:35:02 -0600
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I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
there with a copy of Sharp handy who could check on this?Many thanks in advance,Dave Gardner

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Subject: Re: Man of Constant...question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 12:35:44 -0500
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On Sun, 1 Dec 2002 10:35:02 -0600, kaiser wrote:>I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
>MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
>Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
>there with a copy of Sharp handy who could check on this?
>Yep.A
I was born in old Virginny,
South Carolina I did go,
Courted there a fair young lady,
O her name I do not know.C
I am a man of constant sorrow,
I have seen trouble all my days.
I'll bid farewell to old Virginia,
The place where I was partly raised.Tune seems right.
Sharp gives no notes on it.
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Man of Constant...question
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 13:38:55 EST
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Subject: Re: Man of Constant...question
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 11:08:45 -0800
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Dave:Yes, the "C" version of "In Old Virginny" as printed in Sharp-Karpeles,
II, p. 233-34, has this opening stanza:I am a man of constant sorrow,
I have seen troubles all my days.
I'll bid farewell to old Virginia,
The place where I was partly raised.EdOn Sun, 1 Dec 2002, kaiser wrote:> I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
> MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
> Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
> there with a copy of Sharp handy who could check on this?
>
> Many thanks in advance,
>
> Dave Gardner
>

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Subject: Re: Man of Constant...question
From: kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 20:13:45 -0600
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Thanks to Ed and Fred for the answer!DG----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Sunday, December 01, 2002 1:08 PM
Subject: Re: Man of Constant...question> Dave:
>
> Yes, the "C" version of "In Old Virginny" as printed in Sharp-Karpeles,
> II, p. 233-34, has this opening stanza:
>
> I am a man of constant sorrow,
> I have seen troubles all my days.
> I'll bid farewell to old Virginia,
> The place where I was partly raised.
>
> Ed
>
>
> On Sun, 1 Dec 2002, kaiser wrote:
>
> > I found a reference in Jackson's _Spiritual Folksongs_ to the title
verse of
> > MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from
the
> > Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member
out
> > there with a copy of Sharp handy who could check on this?
> >
> > Many thanks in advance,
> >
> > Dave Gardner
> >

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Subject: Re: Man of Constant...question
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 19:09:43 -0800
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Dave:An early riser, Abby was first.EdOn Sun, 1 Dec 2002, kaiser wrote:> Thanks to Ed and Fred for the answer!
>
> DG
>
> ----- Original Message -----
> From: "Ed Cray" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, December 01, 2002 1:08 PM
> Subject: Re: Man of Constant...question
>
>
> > Dave:
> >
> > Yes, the "C" version of "In Old Virginny" as printed in Sharp-Karpeles,
> > II, p. 233-34, has this opening stanza:
> >
> > I am a man of constant sorrow,
> > I have seen troubles all my days.
> > I'll bid farewell to old Virginia,
> > The place where I was partly raised.
> >
> > Ed
> >
> >
> > On Sun, 1 Dec 2002, kaiser wrote:
> >
> > > I found a reference in Jackson's _Spiritual Folksongs_ to the title
> verse of
> > > MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from
> the
> > > Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member
> out
> > > there with a copy of Sharp handy who could check on this?
> > >
> > > Many thanks in advance,
> > >
> > > Dave Gardner
> > >
>

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Subject: Re: Man of Constant...question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Dec 2002 08:11:55 -0500
Content-Type:text/plain
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On Sun, 1 Dec 2002 19:09:43 -0800, Ed Cray wrote:>An early riser, Abby was first.Early to rise and early to bed
Makes a man health, wealthy and dead.James Thurber-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Hic!
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 01:54:16 -0600
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Hi folks:Anyone got an Earliest Date citation for "How Dry I Am?" So far 1939 is as
far back as I've gotten, but I'm morally certain it's older.Thanks in advance!Peace,
Paul(perhaps "morally certain" isn't the best phrase)

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Subject: Re: Hic!
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 06:40:45 -0800
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Paul:Clifford Leach, _Bottoms Up! (NYC: Paull-Pioneer Music Corproation, 1933),
p. 14, has this under the title "How Dry I am":How dry I am!  How dry I am!
Nobody knows how dry I am.EdOn Tue, 3 Dec 2002, Paul Stamler wrote:> Hi folks:
>
> Anyone got an Earliest Date citation for "How Dry I Am?" So far 1939 is as
> far back as I've gotten, but I'm morally certain it's older.
>
> Thanks in advance!
>
> Peace,
> Paul
>
> (perhaps "morally certain" isn't the best phrase)
>

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Subject: Re: Hic!
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 10:01:49 -0500
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Paul,According to Lax & Smith's _Great Song Thesaurus_, it was two years into Prohibition.  They give they following info:"1921, w. Phillip Dodridge, m. Edward F. Rimbault.  This adaptation of 1921is based originally on the traditional hymn "Oh Happy Day" of 1855."Cheers
Jamie

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Subject: Adam McNaughtan
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 11:43:59 -0500
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Sorry to bother the list with this - I'm looking for a current
address for Adam McNaughtan, author of such balladic epics as "Oor
Hamlet"; and I thought the membership here would be a likely source.
Please contact me offlist if you can help.Thanks,
John Roberts
[unmask]

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Subject: Ebay List - 12/03/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 18:39:14 -0500
Content-Type:text/plain
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Hi!        I hope that everyone has recovered from all that food at
Thanksgiving (w/o too much left over). Here is the latest list.        SONGSTERS        741964440 - The Red, White and Blue Songster for Soldiers,
Sailors and Marines, undated (WWI?), $7 (ends Dec-05-02 18:52:02 PST)        742389634 - ROYAL VICTORIA SONGSTER, 7.50 GBP (ends Dec-07-02
02:36:07 PST)        1975623992 - Eolian Songster, 1852, $9.99 (ends Dec-10-02
09:13:13 PST)        926579775 - THE AMERICAN SONGSTER, 1836, $24.99 w/reserve (ends
Dec-10-02 14:57:05 PST)        SONGBOOKS        741483256 - famous Negro Spirituals, Frey, 1924, $29.99 (ends
Dec-04-02 13:56:11 PST)        742217175 - Lot of 3 books of which 2 are of interest (Kentucky
Mountain Folk-Songs by Wheeler & Kentucky Mountain Songs by Niles), 1937
& 1928, $10.99 (ends Dec-04-02 15:15:06 PST)        925837189 - 2 books (Folk Ballads and songs of the Lower
Labrador Coast by Leach & Songs of the Newfoundland Outports volume 2 by
Peacock), 1965, $8.50 (ends Dec-04-02 15:31:10 PST)        1974800356 - AMERICAN SEA SONGS & CHANTEYS, Shay, 1948, $7 (ends
Dec-05-02 10:01:14 PST)        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
(ends Dec-06-02 11:40:45 PST)        926375609 - Singin' In the Saddle, Sherwin, 1944, $4.99 (ends
Dec-06-02 18:01:11 PST)        1975546017 - The Second Book of Irish Ballads, Healy, 1964, 2
GBP (ends Dec-07-02 04:21:22 PST)        926507866 - The Shanty Book Part 1, Terry, 1921, 10.50 GBP (ends
Dec-07-02 10:12:06 PST)        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
$4.44 (ends Dec-07-02 17:45:06 PST)        925882986 - Wit and Mirth: or Pills to Purge Melancholy,
D'Urfey, 1876? printing, $98 w/reserve (ends Dec-07-02 18:46:30 PST)        925914577 - Weep Some More, My Lady, Spaeth, 1927, $9.99 (ends
Dec-07-02 20:36:49 PST)        925993667 - In the Pine Selected Kentucky Folk Songs, Roberts &
Agey, 1978, $14.99 (ends Dec-08-02 07:51:30 PST)        926790039 - Mountain Ballads, Kincaid, 1936, $9.95 (ends
Dec-08-02 10:46:40 PST)        1970835350 - The Merry Muses of Caledonia, Burns, 1959 printing,
$9.99 (ends Dec-10-02 18:04:00 PST)        738412759 - Kansas Folklore, Sackett & Koch, 1961, $9.99 (ends
Dec-10-02 18:08:00 PST)        1976244880 - Maritime Folk Songs, Creighton, 1962, $8 (ends
Dec-11-02 12:59:10 PST)        That's it for this week. Now to go find our snow shovel. :-(                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Adam McNaughtan
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 19:45:36 -0500
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Many thanks to those who replied. I now have the information I need.John Roberts.

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Subject: Re: Ebay List - 12/03/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 19:34:56 -0600
Content-Type:text/plain
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On 12/3/02, Dolores Nichols wrote:[ ... ]>        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
>(ends Dec-06-02 11:40:45 PST)[ ... ]>        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
>$4.44 (ends Dec-07-02 17:45:06 PST)I have some interest in these two, particularly Thomas. Anyone
else planning to go after them?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay List - 12/03/02
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 18:03:50 -0800
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Yes, I has my eye on the Thomas. Jon Bartlett
----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 03, 2002 5:34 PM
Subject: Re: Ebay List - 12/03/02> On 12/3/02, Dolores Nichols wrote:
>
> [ ... ]
>
> >        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
> >(ends Dec-06-02 11:40:45 PST)
>
> [ ... ]
>
> >        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
> >$4.44 (ends Dec-07-02 17:45:06 PST)
>
> I have some interest in these two, particularly Thomas. Anyone
> else planning to go after them?
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>    is that no one ever learns from history."

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Subject: Re: Ebay List - 12/03/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 4 Dec 2002 07:45:53 -0600
Content-Type:text/plain
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On 12/3/02, Jon Bartlett wrote:>Yes, I has my eye on the Thomas. Jon Bartlett
>----- Original Message -----
>From: "Robert B. Waltz" <[unmask]>
>To: <[unmask]>
>Sent: Tuesday, December 03, 2002 5:34 PM
>Subject: Re: Ebay List - 12/03/02
>
>
>> On 12/3/02, Dolores Nichols wrote:
>>
>> [ ... ]
>>
>> >        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
>> >(ends Dec-06-02 11:40:45 PST)
>>
>> [ ... ]
>>
>> >        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
>> >$4.44 (ends Dec-07-02 17:45:06 PST)
>>
>> I have some interest in these two, particularly Thomas. Anyone
> > else planning to go after them?All right, I'll devote my efforts to Korson. Or is someone else
after that?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Hic!
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 4 Dec 2002 20:48:19 -0500
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My late father, who attended Univ of Virginia, Yale and Cornell
(undergraduate and law student) in the 1920's knew it well, and used to sing
it to me when I was little -- in fact, he might have learned it at the
secondary school he attended in Virginia around the time of WWI.  I am quite
sure it goes back a *long* way...
----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 03, 2002 2:54 AM
Subject: Hic!> Hi folks:
>
> Anyone got an Earliest Date citation for "How Dry I Am?" So far 1939 is as
> far back as I've gotten, but I'm morally certain it's older.
>
> Thanks in advance!
>
> Peace,
> Paul
>
> (perhaps "morally certain" isn't the best phrase)

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Subject: Re: Hic!
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Dec 2003 09:37:52 -0500
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http://memory.loc.gov/cgi-bin/query/D?varstg:1:./temp/~ammem_fH0V::@@@mdb=aasm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottlieb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstgAmer Mem gives the following ref but the link to the song seems broken.Page 4 gives the script.   I'm thinking that "How Dry I Am" may be so well
known and so old that it is also the accepted _name_ of the 4 notes (in
the same fashion as "My dog has fleas.")  Anyway, this gives that it was
well-known before Roy's dad would have learned it in the war.  And just
what was Dad doing singing a drinking song to a little kid, anyway?
(Actually I'm a bit envious that _I_ didn't have such a fortuitously early
start drinking and singing - oh the wasted years...)
---
The American Variety Stage: Vaudeville and Popular Entertainment,
1870-1920Item 1 of 23View this itemA one man vaudeville show : a comedy sketch / written by Joe Cook.Cook, JoeCREATED/PUBLISHED
1916NOTES
From the collections of the Rare Book and Special Collections Division.SUBJECTS
multiple characters -- one actor
magician
ventriloquist
games -- playing cards
song reference -- "Hang On The Bell Nellie" -- dramatization
dialects -- New York -- New York City -- Bowery dialect
musical instruments -- banjo
musical instruments -- violin
musical instruments -- ukelele
Hawaii
musical instruments -- Australian Woozophone
song title -- "Yankee Doodle"
song title -- "How Dry I Am"
musical instruments -- sleigh bells
high wire act -- burlesqueDIGITAL ID
(h) varsep s42725-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Young Freddie and his Fiddle
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Dec 2003 10:45:02 -0500
Content-Type:text/plain
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Still reading _Norwegian Folk Tales_, from the collection of Peter
Christen Asbjørnsen, 1812-1885 and Jørgen Engebretsen Moe, 1813-1882,
(trans. Pat Shaw Iverson & Carl Norman) New York, Viking Press, 1960.I've seen the same (following) tale in Irish collections but with all
different gift-details and thought nothing of it.In Asbjørnsen/Moe the tale is called "Little Freddie with his Fiddle." One
of the elements is a magic fiddle "Freddie" receives as a boon.  While he
plays, everyone in hearing range is forced to continue dancing, even past
exhaustion and pain.  He uses it to great effect when he is attacked. His
attackers always agree to leave him alone if he will stop playing.  (I
suppose many have offered "anything you like" to novice fiddler if s/he
would only stop playing, but that has nothing to do with my question.)I'd very much like to know if Grieg uses this story (or, especially, any
folksong based on it) in any of his works.The reason for my question in that on reading the tale I was struck by the
similarity to a song in the musical play, "Song of Norway."  I'm sure you
know the show was based, with some historical accuracy, on Grieg's life
and used selections from many of his pieces.  I saw the play on Broadway
in 1945 and one or two bits stay with me.  Possibly because the music was
so compelling to me back then. One song to the tune (I now know) of
Norwegian Dance No. 2 in A (from Opus 35) was "Freddy and his Fiddle.  To
the best of my recollection some of the words were:        Freddie and his fiddle will keep it up until we get
          unsteady in the middle...from wear and tear
        Freddie and his fiddle are at it in the square.I had always assumed that the writers of the show just used his music, not
any text and that this fantasy song just had to do with a skilled
musician, not a magic fiddle.  However, the similarities seem far too
great to be coincidence.Can you point me to the full words to this song in Song of Norway
AND/OR
the words (in English, hopefully) to any song Grieg may have used
for his "Dance No 2 in A" or a Freddie piece in any other of his material
AND/OR
Any recorded version of "Little Freddie with his Fiddle" as a trad song?I've done considerable web and library search but no luck so far.  The
show seems well-known (a movie and in small-theater production
continuously) but not archived on any of the musicals web-sites I've found
so far.I thank you for your trouble and advice.Abby Sale-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Man of Constant...question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Dec 2002 14:25:20 -0500
Content-Type:text/plain
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>I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
>MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
>Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
>there with a copy of Sharp handy who could check on this?
>
>Many thanks in advance,
>
>Dave GardnerFor more information see my article,"Man of Constant Sorrow": Antecedants and TraditioninCountry Music Annual 2002
Charles K. Wolfe and James E. Akenson, Editors
University Press of Kentucky
663 South Limestone Street
Lexington, KY 40508-4008The version in Sharp, mixed with "I was born in East Virginia" ("In
Old Virginny"), was sung by Frances Richards, Callaway, Virginia, in
1918.  It shares a phrase, not found in the common versions nowadays,
with that of Almeda Riddle, which she dates to 1850 and the
California gold rush.Richards: "I'll hang my head like a humble Christian"
Riddle:   "I will bow my head like an humble Christian"--
john garst    [unmask]

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Subject: Re: Hic!
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Dec 2002 20:56:59 -0500
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My father sang me a great variety of songs, ranging from college drinking
songs to parlor/vaudeville/country songs to Gilbert & Sullivan songs.  He
had evidently been quite a hellraiser in his younger days, but by the time I
was aware of things he had pretty much settled down. So he didn't do much
drinking (or, after a few years, singing, either) in those days.  I had to
get to drinking on my own, and not until I was *considerably* older.
In fact, Abby, there is little to be envious about in my upbringing -- or,
for that matter, in my relationship with my father.
To be fair, he did teach me some songs, and he did teach me how to tie my
own bowties (he was fond of saying that it is the mark of a gentleman that
he ties his own bowties). While he had played guitar and mandolin in his
younger days, he no longer played by the time I was born, so I didn't learn
any music from him, either.
One other point:  his version of "How Dry I Am" went
     How dry I am
     How dry I am
     Nobody knows
     Nobody cares
rather than repeating the third line again...
----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Friday, December 05, 2003 9:37 AM
Subject: Re: Hic!>
http://memory.loc.gov/cgi-bin/query/D?varstg:1:./temp/~ammem_fH0V::@@@mdb=aa
sm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottli
eb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstg
>
> Amer Mem gives the following ref but the link to the song seems broken.
>
> Page 4 gives the script.   I'm thinking that "How Dry I Am" may be so well
> known and so old that it is also the accepted _name_ of the 4 notes (in
> the same fashion as "My dog has fleas.")  Anyway, this gives that it was
> well-known before Roy's dad would have learned it in the war.  And just
> what was Dad doing singing a drinking song to a little kid, anyway?
> (Actually I'm a bit envious that _I_ didn't have such a fortuitously early
> start drinking and singing - oh the wasted years...)
> ---
> The American Variety Stage: Vaudeville and Popular Entertainment,
> 1870-1920
>
> Item 1 of 23
>
> View this item
>
> A one man vaudeville show : a comedy sketch / written by Joe Cook.
>
> Cook, Joe
>
> CREATED/PUBLISHED
> 1916
>
> NOTES
> From the collections of the Rare Book and Special Collections Division.
>
> SUBJECTS
> multiple characters -- one actor
> magician
> ventriloquist
> games -- playing cards
> song reference -- "Hang On The Bell Nellie" -- dramatization
> dialects -- New York -- New York City -- Bowery dialect
> musical instruments -- banjo
> musical instruments -- violin
> musical instruments -- ukelele
> Hawaii
> musical instruments -- Australian Woozophone
> song title -- "Yankee Doodle"
> song title -- "How Dry I Am"
> musical instruments -- sleigh bells
> high wire act -- burlesque
>
> DIGITAL ID
> (h) varsep s42725
>
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Young Freddie and his Fiddle
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Dec 2002 21:01:58 -0800
Content-Type:text/plain
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It began,
I can't dance, you can't dance,
But let's admit we're definitely dancing.
That is a phenomenon nobody doubts,
Yet it's very common on nights hereabouts,  [love that rhyme!]
Freddie and his fiddle are at it in the square again,
Freddie and his fiddle will  make a preacher dance,
An undertaker hop, ......    and never let it stop.....
[my memory fails around here]
Norm----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Friday, December 05, 2003 7:45 AM
Subject: Young Freddie and his Fiddle> Still reading _Norwegian Folk Tales_, from the collection of Peter
> Christen Asbjørnsen, 1812-1885 and Jørgen Engebretsen Moe, 1813-1882,
> (trans. Pat Shaw Iverson & Carl Norman) New York, Viking Press, 1960.
>
> I've seen the same (following) tale in Irish collections but with all
> different gift-details and thought nothing of it.
>
> In Asbjørnsen/Moe the tale is called "Little Freddie with his Fiddle." One
> of the elements is a magic fiddle "Freddie" receives as a boon.  While he
> plays, everyone in hearing range is forced to continue dancing, even past
> exhaustion and pain.  He uses it to great effect when he is attacked. His
> attackers always agree to leave him alone if he will stop playing.  (I
> suppose many have offered "anything you like" to novice fiddler if s/he
> would only stop playing, but that has nothing to do with my question.)
>
> I'd very much like to know if Grieg uses this story (or, especially, any
> folksong based on it) in any of his works.
>
> The reason for my question in that on reading the tale I was struck by the
> similarity to a song in the musical play, "Song of Norway."  I'm sure you
> know the show was based, with some historical accuracy, on Grieg's life
> and used selections from many of his pieces.  I saw the play on Broadway
> in 1945 and one or two bits stay with me.  Possibly because the music was
> so compelling to me back then. One song to the tune (I now know) of
> Norwegian Dance No. 2 in A (from Opus 35) was "Freddy and his Fiddle.  To
> the best of my recollection some of the words were:
>
>         Freddie and his fiddle will keep it up until we get
>           unsteady in the middle...from wear and tear
>         Freddie and his fiddle are at it in the square.
>
> I had always assumed that the writers of the show just used his music, not
> any text and that this fantasy song just had to do with a skilled
> musician, not a magic fiddle.  However, the similarities seem far too
> great to be coincidence.
>
> Can you point me to the full words to this song in Song of Norway
> AND/OR
> the words (in English, hopefully) to any song Grieg may have used
> for his "Dance No 2 in A" or a Freddie piece in any other of his material
> AND/OR
> Any recorded version of "Little Freddie with his Fiddle" as a trad song?
>
> I've done considerable web and library search but no luck so far.  The
> show seems well-known (a movie and in small-theater production
> continuously) but not archived on any of the musicals web-sites I've found
> so far.
>
> I thank you for your trouble and advice.
>
> Abby Sale
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Hic!
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Dec 2002 12:03:50 EST
Content-Type:text/plain
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When I was a little kid (c.1959) I used to sing:How dry I am,
How wet I'll be
If I don't find
The bathroom keyI don't remember where I learned it... possibly camp, possibly school.  I
certainly did
not know anything about the original nor was I particularly aware that it was
a parody.- Mark Gilston

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Subject: "Cripple Creek" inquiry
From: Sue Attalla <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Dec 2002 20:54:25 -0600
Content-Type:text/plain
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I'm looking for a particular variation of the "Cripple Creek" lyric, and a source citation.  The Internet offers many variants, but some don't match my needs, and most fail to acknowledge a source.Since I'm planning to use this information for a last minute addition to an article already accepted for publication, would like to find a scholarly source that reprints the relevant lyric. What I need is this chorus--of a very slight variant:Going down to Cripple Creek,
Going on the run,
Going down to Cripple Creek
To have some fun.I believe that one is fairly common, but I'm also hoping to find a version with a line about Cripple Creek being a good place for people who don't have any "mun."If anyone can help me locate such a version of the song, I'd appreciate your contacting me.  Once I know where to look, I should be able to quickly locate a copy of the appropriate source.Sue Attalla

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Subject: Death of Paddy Tunney
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Dec 2002 06:41:00 EST
Content-Type:multipart/alternative
Parts/Attachments:
Parts/Attachments

text/plain(10 lines) , text/html(7 lines)


Sorry, your browser doesn't support iframes.


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Subject: Re: "Cripple Creek" inquiry
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Dec 2002 06:40:19 -0800
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Sue:The "A" version of "Cripple Creek" in the Frank C. Brown Collection of
North Carolina Folklore, Vol. 3, pp. 324-5, is a three-stanza text, with
the third stanza reading:Going up Cripple Creek,
Going on the run,
Going up Cripple Creek
To have a little fun.Six other sources are cited.EdOn Fri, 6 Dec 2002, Sue Attalla wrote:> I'm looking for a particular variation of the "Cripple Creek" lyric, and a source citation.  The Internet offers many variants, but some don't match my needs, and most fail to acknowledge a source.
>
> Since I'm planning to use this information for a last minute addition to an article already accepted for publication, would like to find a scholarly source that reprints the relevant lyric. What I need is this chorus--of a very slight variant:
>
> Going down to Cripple Creek,
> Going on the run,
> Going down to Cripple Creek
> To have some fun.
>
> I believe that one is fairly common, but I'm also hoping to find a version with a line about Cripple Creek being a good place for people who don't have any "mun."
>
> If anyone can help me locate such a version of the song, I'd appreciate your contacting me.  Once I know where to look, I should be able to quickly locate a copy of the appropriate source.
>
> Sue Attalla
>

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Subject: Re: Death of Paddy Tunney
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Dec 2002 16:08:35 -0800
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Subject: Re: "Cripple Creek" inquiry
From: [unmask]
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Date:Sat, 7 Dec 2002 16:35:27 EST
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<PRE>Marais & Miranda recorded that version in the second of thier Chicago
Concerts of '58.  No scholarly citations though.

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Subject: Re: "Cripple Creek" inquiry
From: Sue Attalla <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Dec 2002 20:22:53 -0600
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Thanks for the information.Did their recording include the line about not having any "mun"?---------- Original Message ----------------------------------
From: [unmask]
Reply-To: Forum for ballad scholars <[unmask]>
Date:          Sat, 7 Dec 2002 16:35:27 EST><PRE>Marais & Miranda recorded that version in the second of thier Chicago
>Concerts of '58.  No scholarly citations though.
>

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Subject: Ebay List - 12/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Dec 2002 00:34:53 -0500
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Hi!        Here is your weekly opportunity to spend money and get addicted
to Ebay. :-)        SONGSTERS        1977325544 - Tyneside Songster, 1832, 25 GBP (ends Dec-10-02
12:53:07 PST)        927836900 - Tudor & Sands Funny Couple Songster, 1870?, $12
(ends Dec-11-02 19:03:05 PST)        744703275 - Merchant Gargling Oil Songster, 1886, $3.50 (ends
Dec-11-02 21:08:27 PST)        1978738149 - BRYANT'S PROGRAMME & SONGS FOR THIS EVENING, 1859,
$42 (ends Dec-12-02 20:15:18 PST)        SONGBOOKS        1976205213 - THE MINSTRELSY OF THE SCOTTISH BORDER, Scott,
volume 1 of 2, 1 GBP (ends Dec-08-02 11:55:42 PST)        928055713 - Negro Folk-Songs The HAMPTON SERIES BOOKS I-IV,
Curtis-Burlin, $12.99 (ends Dec-08-02 13:35:55 PST)        1976647216 - Gaelic Songs in Nova Scotia, Creighton, 1964,
$15.95 (ends Dec-09-02 01:47:33 PST)        927748162 - My Favorite Old Time Songs and Mountain Ballads,
Kincaid, 1931, $9 (ends Dec-09-02 13:09:28 PST)        927174747 - 6 songbooks from the 1930's inc. Kincaid, Sizemore &
others, $9.99 (ends Dec-09-02 14:18:13 PST)        928359268 - Spanish-American Folk-Songs, 1917, $15.95 (ends
Dec-09-02 14:46:45 PST)        927375653 - SONGS AND RECITATIONS OF IRELAND, 1976, $9 (ends
Dec-10-02 09:20:18 PST)        1977476456 - Ballads of the Kentucky Highlands, Fuson, 1931,
$15.23 (ends Dec-10-02 17:54:39 PST)        927569676 - Folk Songs of the Southern Appalachians as sung by
JEAN RITCHIE, 1965, $9.99 (ends Dec-10-02 19:57:08 PST)        1977612316 - The Scottish Folksinger, Buchan & Hall, 1979, $4.99
(ends Dec-10-02 20:48:45 PST)        1977997487 - THE QUEST OF THE BALLAD, MacKenzie, 1919, $60 (ends
Dec-11-02 17:43:45 PST)        1978004132 - One Hundred English Folksongs, Sharp, 1916, $49.99
(ends Dec-11-02 17:54:34 PST)        1977973727 - A Song Catcher In Southern Mountains: American
Folk Songs of British Ancestry, Scarborough, 1937, $95 (ends Dec-11-02
18:18:35 PST)        1979240239 - Cumbrian Songs and Ballads, Gregson, 1980, 4.99 GBP
(ends Dec-12-02 03:11:02 PST)        1978678289 - Folk Songs of The Negro, Thomas, 1936 reprint,
$24.99 (ends Dec-12-02 19:03:53 PST)        928423286 - Oregon's Favorite Yodeling Cowboy Sensational
Collection of Cowboy Songs and Mountain Ballads, 1950, $5 (ends
Dec-13-02 19:45:08 PST)        927567259 - Lonsome Tunes Folk Songs from the Kentucky Mountain,
Wyman, 1916, $9.99 (ends Dec-13-02 19:49:57 PST)        1979179511 - RELIQUES OF ANCIENT ENGLISH POETRY, 3 volumes,
Percy, 1966 Dover edition, $5 (ends Dec-13-02 20:30:58 PST)        928609661 - Early American Folk Hymns, Wilcox, 1996, $9.95 (ends
Dec-14-02 14:33:39 PST)        928180317 - The Book of British Ballads, Hall, 1853, $19.99
(ends Dec-15-02 20:07:10 PST)        1978972187 - Songs of the American West, Lingenfelter, Dwyer &
Cohen, 1968, $12 (ends Dec-16-02 12:03:10 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: "Cripple Creek" inquiry
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Dec 2002 21:07:45 EST
Content-Type:text/plain
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I've got a gal & she loves me,
She's as sweet as sweet can be.
She's got eyes of baby blue,
& My love for her is true.Cripple Creek's wide & Cripple Creek's deep,
Wade ol' Cripple Creek 'fore I sleep.
Roll my britches to my knees
Wade ol' Cripple Creek when I please.Ride in the buggy, that's for me,
See the wheels roll merrily
?
?I went down to Cripple Creek,
To see what my love had to eat.
He got drunk and fell against the wall,
Old corn licker was the cause of it all.There were at two other verses which I can't remember at all.  No mention of
'mun' that I remember, but I'll try to find the recording and listen to it
sometime this week and if the 'mun' verse or something related is there, I'll
write again.-Mark

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Subject: Re: "Cripple Creek" inquiry
From: Sue Attalla <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Dec 2002 22:49:42 -0600
Content-Type:text/plain
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text/plain(38 lines)


Thanks for the follow-up.Sue---------- Original Message ----------------------------------
From: [unmask]
Reply-To: Forum for ballad scholars <[unmask]>
Date:          Sun, 8 Dec 2002 21:07:45 EST>I've got a gal & she loves me,
>She's as sweet as sweet can be.
>She's got eyes of baby blue,
>& My love for her is true.
>
>Cripple Creek's wide & Cripple Creek's deep,
>Wade ol' Cripple Creek 'fore I sleep.
>Roll my britches to my knees
>Wade ol' Cripple Creek when I please.
>
>Ride in the buggy, that's for me,
>See the wheels roll merrily
>?
>?
>
>I went down to Cripple Creek,
>To see what my love had to eat.
>He got drunk and fell against the wall,
>Old corn licker was the cause of it all.
>
>There were at two other verses which I can't remember at all.  No mention of
>'mun' that I remember, but I'll try to find the recording and listen to it
>sometime this week and if the 'mun' verse or something related is there, I'll
>write again.
>
>-Mark
>

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Subject: Singing In The Streets
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 07:21:33 -0500
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A GENERAL ANNOUNCEMENTOn Sunday morning, 11am, 15th December, there will be a 30 minute programme
on BBC Radio Scotland about my search for Scots who in 1951 sang children's
'street / playground songs' for Alan Lomax.
Some of the 1951 recordings will be played, and present day interviews with
informants from South Uist, Aberdeen and Edinburgh, and others.
The programme should then be available for seven days on the BBC Scotland
website. [No, sorry, I do not have that address! Try BBC and work your way
in, I fear.]Best regardsEwan McVicar

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Subject: Re: Singing In The Streets
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 08:08:26 -0500
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Thank you, Ewan.  I look forward to it, as I'm sure we all do.All the best,
Dan Milner> A GENERAL ANNOUNCEMENT
>
> On Sunday morning, 11am, 15th December, there will be a 30 minute
programme
> on BBC Radio Scotland about my search for Scots who in 1951 sang
children's
> 'street / playground songs' for Alan Lomax.
> Some of the 1951 recordings will be played, and present day interviews
with
> informants from South Uist, Aberdeen and Edinburgh, and others.
> The programme should then be available for seven days on the BBC Scotland
> website. [No, sorry, I do not have that address! Try BBC and work your way
> in, I fear.]
>
> Best regards
>
> Ewan McVicar

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Subject: Re: Singing In The Streets
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 10:15:40 -0500
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On Wed, 11 Dec 2002 07:21:33 -0500, Ewan McVicar wrote:>A GENERAL ANNOUNCEMENT
>
>On Sunday morning, 11am, 15th December, there will be a 30 minute programme
>on BBC Radio Scotland about my search for Scots who in 1951 sang children's
>'street / playground songs' for Alan Lomax.
>Some of the 1951 recordings will be played, and present day interviews with
>informants from South Uist, Aberdeen and Edinburgh, and others.
>The programme should then be available for seven days on the BBC Scotland
>website.Funny, I just got this announcement from another source.  Ewan added that
the BBC is http://www.bbc.co.uk/scotland/radioscotland/index.shtmlLive listen is
http://www.bbc.co.uk/scotland/radioscotland/includes/html/listen.shtmlOr the following command _should_ open RealPlayer, go online and play the
show.  (Correct the directory for where you keep RP & leave a space
between the RP command and the URL.)
It can be used in Start | Run or as the command line of a new icon or in
Task Scheduler.
"C:\program files\Real\RealPlayer\realplay.exe" [space]
"http://www.bbc.co.uk/scotland/radioscotland/media/radioscotland.ram"
I like this because it avoids opening your browser and the Radio Scotland
ad.Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in my
head.)I wouldn't miss it.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Singing In The Streets
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 21:01:13 -0500
Content-Type:text/plain
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No, Abby.  It's five hours earlier here in the U.s., so the broadcast would
be on at six A.M. here!  Ouch!        Marge
E-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Abby Sale
Sent: Wednesday, December 11, 2002 10:16 AM
To: [unmask]
Subject: Re: Singing In The StreetsOn Wed, 11 Dec 2002 07:21:33 -0500, Ewan McVicar wrote:>A GENERAL ANNOUNCEMENT
>
>On Sunday morning, 11am, 15th December, there will be a 30 minute programme
>on BBC Radio Scotland about my search for Scots who in 1951 sang children's
>'street / playground songs' for Alan Lomax.
>Some of the 1951 recordings will be played, and present day interviews with
>informants from South Uist, Aberdeen and Edinburgh, and others.
>The programme should then be available for seven days on the BBC Scotland
>website.Funny, I just got this announcement from another source.  Ewan added that
the BBC is http://www.bbc.co.uk/scotland/radioscotland/index.shtmlLive listen is
http://www.bbc.co.uk/scotland/radioscotland/includes/html/listen.shtmlOr the following command _should_ open RealPlayer, go online and play the
show.  (Correct the directory for where you keep RP & leave a space
between the RP command and the URL.)
It can be used in Start | Run or as the command line of a new icon or in
Task Scheduler.
"C:\program files\Real\RealPlayer\realplay.exe" [space]
"http://www.bbc.co.uk/scotland/radioscotland/media/radioscotland.ram"
I like this because it avoids opening your browser and the Radio Scotland
ad.Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in my
head.)I wouldn't miss it.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: on Radio Scotland broadcast
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 21:03:01 -0500
Content-Type:text/plain
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To abby and others: Eastern Time U.s. is five hours earlier than Greenwich
Mean Time, which means that the broadcast would air at six A.M. on Sunday
morning.  Ouch!        MargeE-mail: [unmask]

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Subject: Double Ouch!
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 20:56:18 -0800
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Marge:And for those of us on the Left Coast, it would air at 3 a.m. on Sunday
morning.  I rather doubt I will hear the original broadcast.EdOn Wed, 11 Dec 2002, Marge Steiner wrote:> To abby and others: Eastern Time U.s. is five hours earlier than Greenwich
> Mean Time, which means that the broadcast would air at six A.M. on Sunday
> morning.  Ouch!
>
>         Marge
>
>
> E-mail: [unmask]
>

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Subject: Re: Singing In The Streets
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 22:02:59 -0800
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All I can say is (from the far west of BC) it's just as well that it'll be
on the website.  It sounds utterly fascinating, of course, and I do hope I
can access it.

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Subject: Ebay List - 12/14/02 (Part 1)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 01:11:23 -0500
Content-Type:text/plain
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Hi!        It's time to do you last minute holiday shopping on Ebay! This
list is the songbooks and miscellaneous. Later today I will post part 2
with the songsters.        SONGBOOKS, ETC.        1979555229 - Folk-Songs of the Southern United States by Combs,
1969 reprint, $15 (ends Dec-14-02 18:30:52 PST)        1979604171 - ADVENTURES OF A BALLAD HUNTER by John A. Lomax,
1947, $12.50 (ends Dec-14-02 20:00:42 PST)        1980102818 - Lumbering Songs from the Northern Woods by Fowke,
1970, $9.99 (ends Dec-15-02 18:08:48 PST)        1980220454 - FOLK-SONGS and SINGING GAMES by Farnsworth & Sharp,
1900?, $9.95 (ends Dec-15-02 20:26:59 PST)        1980338368 - North Pennsylvania Minstrelsy by Shoemaker, 1923,
$11 (ends Dec-16-02 16:00:00 PST)        1980679619 - Early Child Ballads, $1 (ends Dec-16-02 19:50:37
PST) (Warning: The publisher of this has a somewhat different view of
ballads from folklorists. Be sure you understand this before bidding.)        1980769280 - The Hell-Bound Train - A Cowboy Songbook by Ohrlin,
1973, $19.99 (ends Dec-17-02 01:49:16 PST)        1980836894 - My Pious Friends & Drunken Companions And More
Pious Friends & Drunken Companions by Shay, 1950's Dover edition, $9
(ends Dec-17-02 08:07:03 PST)        929347879 - Lonzo and Oscar's Folio of Mountain Ballads and
comedy songs, 1948, $3.99 (ends Dec-17-02 08:14:17 PST)        929747311 - BRADLEY KINCAID's Folio No. 12, 1941, $9.95 (ends
Dec-18-02 16:52:14 PST)        1981715722 - An American Sailor's Treasury by Shay, $5.97 (ends
Dec-18-02 21:40:37 PST)        1982202852 - BALLADS MIGRANT IN NEW ENGLAND by Flanders & Olney,
1953, $9.99 w/reserve (ends Dec-19-02 18:35:18 PST)        930238423 - The Book of Ballads by Leach, 1967, $9.99 (ends
Dec-20-02 09:14:40 PST)        1982152500 - Folk Visions & Voices, Traditional Music & Song in
North Georgia by Rosenbaum, 1983, $26 (ends Dec-22-02 17:02:32 PST)        MISCELLANEOUS        747293801 - The Morris Book part V by Sharp & Macilaine, 1913,
4.99 GBP (ends Dec-18-02 05:12:16 PST)        1981701251 - Sailortown by Hugill, 1967, $9.99 (ends Dec-18-02
20:55:41 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: query: W Campbell; "Oh, the Britches Full of Stitches"
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 12:03:16 -0500
Content-Type:text/plain
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Dear listmembers,
Lisa Ornstein was inquiring about this fiddle tune verse's origins on
Fiddle-L, and I suggested she ask this list for possible information, but
she was unable to successfully subscribe and has asked me to forward her
question to Ballad-L.   Lisa is a wonderful fiddler and a music scholar.  I
thought if anyone knew an answer for her question they would be on this
list.  (Note: don't get confused because we're both named Lisa.)  Please
read her question below.  If you reply with any information she is seeking,
I would greatly appreciate it if you would be so kind as to send a "Cc" or
a copy of your message DIRECTLY to her
at:  [unmask]    -otherwise I will have to keep forwarding
individual copies of replies to her.
Thank you so much   :)
Lisa Johnson>Date: Sat, 14 Dec 2002 09:26:05 -0500
>From: Lisa Ornstein <[unmask]>
>Organization: Acadian Archives/Archives acadiennes
>Subject: Re: Fwd: W Campbell; "Oh, the Britches Full of Stitches"
>
>Dear Lisa,
>     Thank you so much for responding to my query concerning the verse
> "Oh, the Britches Full of Stitches." I'd be grateful for any help the
> Ballad-list might be able to muster, although I don't think we're looking
> at a ballad, or even a short song, but rather one of those  four-line
> short rhymes which fiddlers in the British Isles and American traditions
> have used to gladden the playing of a tune, and to help them remember it
> as well. I tried to do a posting to the Ballad-list but did not
> succeed--something is messed up on my passwording. If you would be so
> kind to pass along the message, I'd much appreciate it. The lyrics in
> question vary considerably, but the jist of them is:
>"Oh the britches full of stitches  [or Leather Breeches full of stitches]
>Mammy sewed the buttons on
>My wife she threw me out of bed
>Because I had my britches on.
>
>I think that this verse may relate to an old Irish march/polka variously
>entitled "The Breeches On" or "The Briches full of Stitches" (and other
>variant titles) but I can't find a published source to corroborate my
>hunch. Any documented mention of the existence of this verse in the
>British Isles would be very helpful (with the reference, of course!).
>Thanks!
>Lisa Ornstein, Director
>Acadian Archives/Archives acadiennes
>University of Maine at Fort Kent
>25 Pleasant St.
>Fort Kent, ME
>USA 04743
>email: [unmask]
>Tel.: (207) 834-7536
>Fax: (207) 834-7518

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Subject: Ebay List - 12/14/02 (Part 2)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 11:43:59 -0500
Content-Type:text/plain
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Hi!        As promised, here is part 2 - Songsters.        746281253 - Beadles Dime Songster number 3, 1865?, $5.99 (ends
Dec-15-02 17:18:39 PST)        746776616 - Republican Campaign Songs for 1888, $35 (ends
Dec-16-02 18:52:09 PST)        747145966 - The Bunker Hill Songster, $2.52 (ends Dec-17-02
18:08:03 PST)        1981360759 - The New Gaelic Songster or Revival of the Old Alban
Tongue by MacDonald, 1892, $10 (ends Dec-18-02 09:35:20 PST)        1982229600 - The Forecastle Songster, 1847, $5 (ends Dec-22-02
19:13:40 PST)        OK - that's it for now. There will probably be one more list
before Christmas.                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Singing In The Streets
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 18:17:26 -0500
Content-Type:text/plain
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On Wed, 11 Dec 2002 10:15:40 -0500, Abby Sale wrote:>Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in my
>head.)Well, that just proves how good my head works.  I'll use the calculator
next time.OK.  Now it's 11 pm Scotland and time for the Archie Fisher show.  I never
listed to that since (although he certainly knows plenty) he never plays
ballads.So this seems an appropriate time to catch Ewan's (now) archived show.HELP!
BBC tells me to check "Missing Voices" at
http://www.bbc.co.uk/scotland/radioscotland/programmes/other/radio_scotland_features.shtmlAnd that tells mwe to click
http://www.bbc.co.uk/scotland/radioscotland/media/sun_feature1_demand.ramAnd _that_ tells me the story behind the writing of "White Christmas," a
solid Jewish piece straight from the shetls.Something's amiss.  Still.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Carols from Sheffield
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 00:12:55 -0800
Content-Type:text/plain
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There will be those who know or have heard of the thriving carolling
tradition in Sheffield.There is a programme on BBC Radio 4 at 11.00 am Christmas Day when well
known singers (Norma Waterson, Kate Rusby, Jim Boyes will talk about what
the carols mean to them.(Information from Stirrings www.stirrings.co.uk)Dave Eyre
www.collectorsfolk.co.uk----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Saturday, December 14, 2002 3:17 PM
Subject: Re: Singing In The Streets> On Wed, 11 Dec 2002 10:15:40 -0500, Abby Sale wrote:
>
> >Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in
my
> >head.)
>
> Well, that just proves how good my head works.  I'll use the calculator
> next time.
>
> OK.  Now it's 11 pm Scotland and time for the Archie Fisher show.  I never
> listed to that since (although he certainly knows plenty) he never plays
> ballads.
>
> So this seems an appropriate time to catch Ewan's (now) archived show.
>
> HELP!
> BBC tells me to check "Missing Voices" at
>
http://www.bbc.co.uk/scotland/radioscotland/programmes/other/radio_scotland_
features.shtml
>
> And that tells mwe to click
> http://www.bbc.co.uk/scotland/radioscotland/media/sun_feature1_demand.ram
>
> And _that_ tells me the story behind the writing of "White Christmas," a
> solid Jewish piece straight from the shetls.
>
> Something's amiss.  Still.
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml
>
>

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Subject: Re: Singing In The Streets
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 01:11:02 +0000
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> OK.  Now it's 11 pm Scotland and time for the Archie Fisher show. [...]
> So this seems an appropriate time to catch Ewan's (now) archived show.Wrong day - it's 11am tomorrow.[BBC link goes to the Songlines programme...]
> And _that_ tells me the story behind the writing of "White Christmas,"
> a solid Jewish piece straight from the shetls.I liked the Songlines programmes, they were trying to do something
I don't recall any other radio show doing, i.e. document how specific
songs entered popular culture and the life they led after first being
composed and recorded.But this programme gave a different analysis than you're suggesting.
They didn't attribute any melodic features of the song to Jewish
tradition; instead they pointed to Berlin's idiosyncratic composing
methods (musically illiterate, and working at a mutant piano with a
transposing lever so he only needed to play in C).  I would kinda
prefer it to have a traditional background, but can you identify
anything specific?Knowing neither that Berlin was Jewish nor that he worked in such an
odd way I'd have guessed the melody owed most to a theme in Beethoven's
fourth piano concerto.=================== <http://www.purr.demon.co.uk/jack/> ===================

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Subject: Re: Carols from Sheffield
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 04:18:02 EST
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text/plain(29 lines) , text/html(27 lines)


Sorry, your browser doesn't support iframes.


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Subject: The Missing Singing In The Street Voices
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 05:29:08 -0500
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Caroline Barbour of BBC Scotland Features who made the Songlines
programmes, also made the Missing Voices programme, using my research and
informants and linking text.
Abby, Songlines had the same timeslot, hence the website directs you to the
last Songlines programme, from last [Saturday] night.
The Songlines were great stuff. Over the period she covered La Mer / This
Land Is Your Land / Nkosi S'Kilele Afrika / The Freedom Come All Ye / White
Christmas and much else.Ewan

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Subject: kudos to Ewan McVicar
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 06:27:31 -0500
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I just listened to "Missing Voices," Ewan McVicar's documentary on the
Scottish children who sang for Alan Lomax in 1951.  I loved hte
reminiscences of all three informants--including Mr. Mearns telling the
story of Lomax stomping on the roof of the downstairs neighbor and getting
away with it.  If you missed the program, you'll just have to catch the
replay on the web.  Anyhow, great job, Ewan!        Marge

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Subject: Re: Singing In The Streets
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 13:09:41 -0500
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On Sun, 15 Dec 2002 01:11:02 +0000, Jack Campin wrote:>> OK.  Now it's 11 pm Scotland and time for the Archie Fisher show. [...]
>> So this seems an appropriate time to catch Ewan's (now) archived show.
>
>Wrong day - it's 11am tomorrow.Ok.  So now I've got GMT occurring in Samoa and a day early.  This is
getting worse.No - there it is now, where it should be
http://www.bbc.co.uk/scotland/radioscotland/programmes/other/radio_scotland_features.shtml
>
>[BBC link goes to the Songlines programme...]
>> And _that_ tells me the story behind the writing of "White Christmas,"
>> a solid Jewish piece straight from the shetls.
>
>I liked the Songlines programmes, they were trying to do something
>I don't recall any other radio show doing, i.e. document how specific
>songs entered popular culture and the life they led after first being
>composed and recorded.
>
>But this programme gave a different analysis than you're suggesting.I was but kidding.  I took that from the show's intro's brief bio of
Berlin.  Songlines did not pass over the irony of an Eastern European
Jewish refugee writing the world's most popular "secular" Christmas song.
Of course there's no musical connection.Yes, it's a valid and interesting show.  I just didn't expect it to pop up
in the "Missing Voices" link.---OK.  A fine show, Ewan.  You wonder about these people and I think you've
given some fine new insights into the singers, songs, settings.  Also some
very interesting material about Alan's style of collecting from the
subject's POV.  I think I've only come across comments in the past from
Leadbelly and that was mainly John, of course.Thanks for letting us know about the 'cast.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Singing In The Streets and Crosses
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 15:30:57 -0500
Content-Type:text/plain
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'Long as I'm feeling slightly askew and thinking children' stuff, I'll
relate that once I was driving through central England en route to
Plymouth and I picked up a youthful hitchhiker.  He was not, in fact,
touring the Galaxy, but only going a few miles home and dusk and some
chill were settling."Just drop me at the Cross," he says."Wha?" says I."At the Cross.....[pause].....at Banbury Cross.""Wha?""You know, _Banbury Cross_.""'Fraid I don't.  What's Banbury Cross?""You don't know the rhyme?"  (Stunned and incredulous.)"Nope.""Ride a cock horse.........?""Oh yeah.  I've heard that, I think.  So you want to go where?"  (I'm
trying to work this out...cocks, horses, crosses what's he on about?)"In the town of Banbury, you see."(We're just driving into it now.  A small sign tells me.  It's already
past 8 pm and the town seems closed.  Rolled up and put away for the
evening.  Much like driving through Speedtrap, Illinois on the old Lincoln
Highway.  All I could see is the street I'm driving and the cross street
and a big sort of celtic cross in the middle.  Well, times change and a
look at MapQuest for Banbury shows lots more streets (7 or 8) and likely a
MacDonalds.  And... a look at Microsoft Streets doesn't really search out
the Lincoln Highway at all which is a real shame.  -  I-Roads now, you
know.  What would Guthrie have written about I-Roads?  But scattered bits
of it as US 30 do exist.)"There," he says, "Banbury Cross."  And he indicates to stop and gets out
at the cross.  (I still don't know if he meant the Cross or the
cross-street since I've often heard cross-streets referred to at "the
cross" in Scotland.)I've also since learned that, like the world-famous TREE in Christmas,
Florida, the Banbury Cross has been quietly replaced several times over
the years but the locals kind of let on it's medieval.I still feel bad about the insult I inadvertently done the young man.
Kind of like meeting a visitor to Orlando who never heard of Walt Disney.
Well, I'd sort of applaud the visitor's upbringing and education but the
Banburger had little else as a claim to fame.Bells on her toes, huh?-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Blatant Semi-Commercial Announcement to Follow?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 18:30:06 -0500
Content-Type:text/plain
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In case anyone missed an earlier annoumcement, all or any of the
Greig-Duncan Folk Song Collection (including the long-awaited volume 8)
are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
[3655])Single volumes: $47 (US)
Complete Set:: $305If anyone is interested in the University of North Carolina's "Sodom
Laurel Album" book cum CD, I can get that at a substantial discount
(better than Amazon.com or B&N)

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Subject: Re: Singing In The Streets and Crosses
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 23:50:58 -0800
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 like the world-famous TREE in Christmas,
Florida,The what?Dave

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Subject: Missing Voices
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 04:41:25 -0500
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Thanks to Abby Sale and others for kind comments.
Much of the credit for the radio show should have gone to the BBC Radio
Scotland features person who suggested / recorded / edited/ scripted /
produced the show - three cheers for Caroline Barbour.Mind you, I had first to track informants down.
Through newspaper and radio stories I found over 20 people who took part in
J R  Ritchie's film The Singing Street, but only one of the singers he
recorded - Peggy MacGillivray. I also got through Ritchie's niece a
photocopy of his notebook listing all the singers on the film.
Jack Mearns of Aberdeen I found through Ian Russell of the Elphinstone
Institute. He in turn tracked down all his pals of 50 years ago.
South Uist was the hardest, and most surprising. I had thought the visit of
a Texan to a small school in the Outer Hebrides would have been a major
memory, but found no-one who remembered him coming or recording. Annie who
we interviewed was great on the school life of the time, and would have
been there that day. She said to me that he would have been just one more
among many visitors brought to the school by Calum and Sorley Maclean.As regards Lomax as a collector, Hamish Henderson wrote about their trips -
Lomax recorded a lot of singing from Hamish as well as being 'guided' by
him. Ewan MacColl in his autobiography, and Joan Littlewood in hers, both
write about Lomax turning up and seeking to record Ewan. MacColl,
Littlewood, MacGillivray and Mearns all talk about him playing guitar and
singing - to pass the time while Theatre Workshop were dismantling scenery
/ because he was requested to / in order to set an atmosphere for the
recording. Maybe he did not do that in South Uist, and hence is not
recalled?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Missing Voices
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 05:09:16 -0500
Content-Type:text/plain
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It seems that Lomax is remembered fondly in by the informants in the
documentary, but I know that he was not universally liked.  would some have
been to go on record about this?        Marge onE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ewan McVicar
Sent: Monday, December 16, 2002 4:41 AM
To: [unmask]
Subject: Missing VoicesThanks to Abby Sale and others for kind comments.
Much of the credit for the radio show should have gone to the BBC Radio
Scotland features person who suggested / recorded / edited/ scripted /
produced the show - three cheers for Caroline Barbour.Mind you, I had first to track informants down.
Through newspaper and radio stories I found over 20 people who took part in
J R  Ritchie's film The Singing Street, but only one of the singers he
recorded - Peggy MacGillivray. I also got through Ritchie's niece a
photocopy of his notebook listing all the singers on the film.
Jack Mearns of Aberdeen I found through Ian Russell of the Elphinstone
Institute. He in turn tracked down all his pals of 50 years ago.
South Uist was the hardest, and most surprising. I had thought the visit of
a Texan to a small school in the Outer Hebrides would have been a major
memory, but found no-one who remembered him coming or recording. Annie who
we interviewed was great on the school life of the time, and would have
been there that day. She said to me that he would have been just one more
among many visitors brought to the school by Calum and Sorley Maclean.As regards Lomax as a collector, Hamish Henderson wrote about their trips -
Lomax recorded a lot of singing from Hamish as well as being 'guided' by
him. Ewan MacColl in his autobiography, and Joan Littlewood in hers, both
write about Lomax turning up and seeking to record Ewan. MacColl,
Littlewood, MacGillivray and Mearns all talk about him playing guitar and
singing - to pass the time while Theatre Workshop were dismantling scenery
/ because he was requested to / in order to set an atmosphere for the
recording. Maybe he did not do that in South Uist, and hence is not
recalled?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Singing In The Streets and Crosses
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 11:35:01 -0500
Content-Type:text/plain
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On Sun, 15 Dec 2002 23:50:58 -0800, Dave Eyre wrote:> like the world-famous TREE in Christmas,
>Florida,
>
>The what?
>
Christmas, Florida, (the original fort begun Christmas day) is a town of
about 12 or 13 people between Orlando and the Coast.  It's main industry
is reforwarding mail to get the town postmark around Christmas day.  It
has a huge live (well over 6 feet) tree out front you can see from Rte 50
and they claim it's the original one.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 11:34:36 -0500
Content-Type:text/plain
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This one should have been easy but help would be appreciated.  I am asked
to authenticate for someone that "Banks of the Ohio" is PD and not
copyright.Thinking this would be easy as anything I pulled down Sharp then Lomax
then this & that but found practically nothing hard.  Found no copy in any
of the US broadside websites, either.  Not even in Hunter or Amer Memory.
I get the impression it's much rarer in trad than it is commercially.Ballad Index gives 1915 but not the source it was 1915 in.  My contact
seems to need to produce an actual copy of an older source or he will not
be permitted to sing the song at the gig.Any ideas?NAME: Banks of the Ohio [Laws F5]
DESCRIPTION: The singer takes his sweetheart walking, hoping to discuss
   marriage. She seemingly refuses him (because she is too young?). Rather
   than wait, he throws her into the river to drown. In most versions he is
   not caught, though in some texts she haunts him
AUTHOR: unknown
EARLIEST DATE: 1915
KEYWORDS: murder river drowning
REFERENCES (10 citations):
Laws F5, "On the Banks of the Ohio"
Randolph 160, "Down on the Banks of the Ohio" (3 texts, 2 tunes)
Eddy 104, "The Murdered Girl" (7 texts, 2 tunes, but Laws considers only
the B text -- "On the Banks of the Old Pedee" -- to belong with this
ballad)
Asch/Dunson/Raim, p. 110, "Down on the Banks of the Ohio" (1 text, 1 tune)
Cohen/Seeger/Wood, pp. 138-139, "Banks of the Ohio" (1 text, 1 tune)
Botkin-MRFolklr, p. 577, "On the Banks of the Ohio" (1 text, 1 tune)
LPound-ABS, 45, p. 108, "The Old Shawnee"; p. 109, "On the Banks of the
Old Pedee" (2 texts)
Darling-NAS, pp. 201-202, "On the Banks of the Ohio" (1 text)
Silber-FSWB, p. 180, "Banks Of The Ohio" (1 text)-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Banks of the Ohio
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 13:59:41 -0500
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>Ballad Index gives 1915 but not the source it was 1915 in.  My contact
>seems to need to produce an actual copy of an older source or he will not
>be permitted to sing the song at the gig.
>
>Any ideas?Several more refs, including Henry, Folk-Songs from the Southern
Highlands, are given by Laws in Native American Balladry.  My guess
is that Henry's informant might have dated it to 1915, but I have not
checked this source.
--
john garst    [unmask]

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Subject: Re: Banks of the Ohio
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 14:09:24 -0500
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Forum for ballad scholars <[unmask]> writes:
>Ballad Index gives 1915 but not the source it was 1915 in.
>
Abby,I can at least help with the 1915 ref.  Louise Pound gives two versions, one "obtained" from a Lilliian Gear Boswell at Junction, Wyoming in 1915, the other from an Ms. copy owned by L. C. Wimberly in 1916.   It isn't clear if the date is when she
saw the Ms., or when the Ms. was compiled.The ballad appears to have been in oral circulation in places as far apart as the Carolina's and Wyoming by the 1920s and Laws notes its possible derivation from an English broadside.  Neither of these facts put the song in the public domain, but
I'd hate to be the person who had to come up with proof of copyright ownership.The person should bear in mind, however, that limited copyright can exist on specific arrangements of the ballad.>My contact>seems to need to produce an actual copy of an older source or he will not
>be permitted to sing the song at the gig.This is intriguing!  What are the grounds from this prohibition?Cheers
Jamie

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Subject: Re: Banks of the Ohio
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 11:15:47 -0800
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Abby, John:I will check that source and a few other early collections when I get
home.Stay tuned --EdOn Mon, 16 Dec 2002, John Garst wrote:> >Ballad Index gives 1915 but not the source it was 1915 in.  My contact
> >seems to need to produce an actual copy of an older source or he will not
> >be permitted to sing the song at the gig.
> >
> >Any ideas?
>
> Several more refs, including Henry, Folk-Songs from the Southern
> Highlands, are given by Laws in Native American Balladry.  My guess
> is that Henry's informant might have dated it to 1915, but I have not
> checked this source.
> --
> john garst    [unmask]
>

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Subject: Re: Banks of the Ohio
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 15:35:34 -0600
Content-Type:text/plain
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On 12/16/02, Abby Sale wrote:>This one should have been easy but help would be appreciated.  I am asked
>to authenticate for someone that "Banks of the Ohio" is PD and not
>copyright.
>
>Thinking this would be easy as anything I pulled down Sharp then Lomax
>then this & that but found practically nothing hard.  Found no copy in any
>of the US broadside websites, either.  Not even in Hunter or Amer Memory.
>I get the impression it's much rarer in trad than it is commercially.
>
>Ballad Index gives 1915 but not the source it was 1915 in.  My contact
>seems to need to produce an actual copy of an older source or he will not
>be permitted to sing the song at the gig.
>
>Any ideas?
>
>NAME: Banks of the Ohio [Laws F5]
>DESCRIPTION: The singer takes his sweetheart walking, hoping to discuss
>   marriage. She seemingly refuses him (because she is too young?). Rather
>   than wait, he throws her into the river to drown. In most versions he is
>   not caught, though in some texts she haunts him
>AUTHOR: unknown
>EARLIEST DATE: 1915
>KEYWORDS: murder river drowning
>REFERENCES (10 citations):
>Laws F5, "On the Banks of the Ohio"
>Randolph 160, "Down on the Banks of the Ohio" (3 texts, 2 tunes)
>Eddy 104, "The Murdered Girl" (7 texts, 2 tunes, but Laws considers only
>the B text -- "On the Banks of the Old Pedee" -- to belong with this
>ballad)
>Asch/Dunson/Raim, p. 110, "Down on the Banks of the Ohio" (1 text, 1 tune)
>Cohen/Seeger/Wood, pp. 138-139, "Banks of the Ohio" (1 text, 1 tune)
>Botkin-MRFolklr, p. 577, "On the Banks of the Ohio" (1 text, 1 tune)
>LPound-ABS, 45, p. 108, "The Old Shawnee"; p. 109, "On the Banks of the
>Old Pedee" (2 texts)
>Darling-NAS, pp. 201-202, "On the Banks of the Ohio" (1 text)
>Silber-FSWB, p. 180, "Banks Of The Ohio" (1 text)As someone pointed out, the 1915 date is from Pound. Looking at the
lists in Laws and other places, I don't think we're going to get
much that's *demonstrably* older than that. But how much supporting
evidence is needed? I can point to about nine versions earlier than
1940 (Randolph, Eddy, Pound, Brown, Henry). They're all distinct,
and none list an author. What does it take to prove a song is
traditional?
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Singing In The Streets and Crosses
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 21:48:05 -0000
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Abby Sale said:>Christmas, Florida, (the original fort begun Christmas day) is a town
>of about 12 or 13 people between Orlando and the Coast.12 or13 people??? And that's a town? Wow! What do you call a village or a
hamlet then?;oDSeason's greetings and good wishes to one and all.Simon

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: Lewis Becker <[unmask]>
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Dick,I would like to purchase volume 8.  Can I do so by just transmitting to
you credit card info and my address?Lew Becker>>> [unmask] 12/15/02 06:30PM >>>
In case anyone missed an earlier annoumcement, all or any of the
Greig-Duncan Folk Song Collection (including the long-awaited volume
8)
are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
[3655])Single volumes: $47 (US)
Complete Set:: $305If anyone is interested in the University of North Carolina's "Sodom
Laurel Album" book cum CD, I can get that at a substantial discount
(better than Amazon.com or B&N)

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: folkmusic <[unmask]>
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Date:Mon, 16 Dec 2002 17:13:45 -0500
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Dear Lew,If you would find it more convenient, please send me your entire check book.
I will forward $47 to my friend Dick and use the rest to spread joy and
mirth during the "Holiday Season."All the best,
Dan----- Original Message -----
From: "Lewis Becker" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 4:52 PM
Subject: Re: Blatant Semi-Commercial Announcement to Follow?> Dick,
>
> I would like to purchase volume 8.  Can I do so by just transmitting to
> you credit card info and my address?
>
> Lew Becker
>
> >>> [unmask] 12/15/02 06:30PM >>>
> In case anyone missed an earlier annoumcement, all or any of the
> Greig-Duncan Folk Song Collection (including the long-awaited volume
> 8)
> are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> [3655])
>
> Single volumes: $47 (US)
> Complete Set:: $305
>
> If anyone is interested in the University of North Carolina's "Sodom
> Laurel Album" book cum CD, I can get that at a substantial discount
> (better than Amazon.com or B&N)

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Subject: Re: Banks of the Ohio
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 14:30:27 -0800
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>Bob Waltz asks:
...
>As someone pointed out, the 1915 date is from Pound. Looking at the
>lists in Laws and other places, I don't think we're going to get
>much that's *demonstrably* older than that. But how much supporting
>evidence is needed? I can point to about nine versions earlier than
>1940 (Randolph, Eddy, Pound, Brown, Henry). They're all distinct,
>and none list an author. What does it take to prove a song is
>traditional?In my courses I proceed from Barre Toelken's characterization (if not
definition) of the "materials of folklore" as being
characterized as "'tradition-based communicative units informally exchanged
in dynamic variation through space and time.'  Tradition is here understood
to mean not some static, immutable force from the past, but those
pre-existing culture-specific materials and options that bear upon the
performer more heavily than do his or her own personal tastes and talents.
We recognize in the use of tradition that such matters as content and style
have been for the most part passed on but not invented by the performer."
(Toelken 32)
"Dynamic recognizes, on the other hand, that in the processing of these
contents and styles in performance, the artist's own unique talents of
inventiveness within the tradition are highly valued and are expected to
operate strongly.  Time and space dimensions remind us that the resulting
variations may spread geographically with great rapidity (as jokes do) as
well as down through time (good luck beliefs).  Folklore is made up of
informal expressions passed around long enough to have become recurrent in
form and content, but changeable in performance.  (Toelken, 32)Page numbers refer to Toelken, Barre, _The Dynamics of Folklore_, first ed.
Boston: Houghton, 1979.Now it seems to me that the real answer is not that this or that copyright
(e.g., Luisa Pound's) has expired.  That is chance.The real demonstration is that the song varies dynamically through time and
(or) space, thereby demonstratingthat the song has not been _treated_by
those singing it  as a "standardized" text produced (and metaphorically
"owned") by any single individual.  That would seem to be a sort of "common
law" test.  (analagous to: If everybody treats my back forty as a public
thoroughfare, eventually it will become one...)Secondly the song is certainly "traditional" in that the dynamic variation
is not so "unbridled" as to make the song unrecognizable (as might be the
case in some loose blues ad lib improvisations).  No, all these "variants"
are different iterations (varying dynamically among themselves) of  a
single traditional "idea," with is the song "Banks of the Ohio."John Meier (_Kunstlieder im Volksmunde_, Halle: Niemeyer, 1906) said that
ALL folksongs (he was not confronted by blues, the poor man!) have a single
author, but that when those singing the song do not care who the author
was, and treat it as their own, varying it freely (or not) according to
their own (more or less traditional) tastes, then the song becomes a
folksong.  This is the so-called "Herrschaftsverhaeltnis  zum Volkslied"
["ownership" is a good translation].Who owns the "Banks of  the Ohio"?  We do, this person and [note the "and"
rather than "or"] that person,  singing the  song  as they see  fit.  There
is no record of anyone  giving this or that individual credit for it (e.g.,
it is not an "Irving Berlin" song).  Notably, singers are not disturbed if
one version is not like another: both are valid, co-valent, as it were,
because there is no standard text "owned" by some songwriter.  Is it
traditional?  Yes, it fits the image of "traditional song", containing
typical, vernacular and traditional plot elements, stock situations, stock
relationships, turns of phrase, formulas, and melodic conventions.  Is it
dynamic: yes, there is variation between performances; no one performance
is viewed as the standard by which others are judged (in distinction,
perhaps, to variations embedded in a Beethoven sonata).End of discourse...Side bar:
I would submit, that when people like me said back in the  60's "But that
is a Joan Baez song", we were treating  it as if it were a commercial pop.
song, just like a "Beatles-" song or a "Beach Boys-" song.  The
distinction, I would submit, is that WE were not a folk group then, but
rather kids performing radio-songs (a school group, a kids group, a church
group, etc).  As we "matured" in our musical practice, and learned that
there were other versions, and that each had its own merits, then things
changed.  As we began hearing  all sorts of tunes and songs in all sorts of
variations all around us, and as we  _accepted_ that variation, I would
submit we became a folk group (of musicians/musical audience).  It was at
that point that we  stopped saying, this  song or that was a "Joan Baez"
song, but rather the "'Banks of the Ohio' like JB (or Doc Watson, or Omie
Wise's cousin) does it."  In a very real sense, then, the folk group makes
the folk song.These collections were made in folk groups.I bet, Abby, your questioner could begin to argue that one.Finally, to return to Toelken, I strongly stand behind his use of the word
"characterization" rather than "definition."  We can typify that which is
traditional, but we  cannot "definitively" delimit that which is dynamic
(even as a matter of pure logic).David EngleDavid G. Engleemail:  [unmask]
web:    http://www.csufresno.edu/folklore
        http://www.csufresno.edu/forlang        The Traditional Ballad Index:
        http://www.csufresno.edu/folklore/BalladIndexTOC.html---

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 17:58:52 -0500
Content-Type:text/plain
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Dan,Thanks for your offer but I think I'll pass.Don Nichols also pointed out my mistake to me.  My apologies to all for
sending what I thought was a private message to the list. I'll get it
right eventually.Happy holidays to all.Lew>>> [unmask] 12/16/02 05:13PM >>>
Dear Lew,If you would find it more convenient, please send me your entire check
book.
I will forward $47 to my friend Dick and use the rest to spread joy
and
mirth during the "Holiday Season."All the best,
Dan----- Original Message -----
From: "Lewis Becker" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 4:52 PM
Subject: Re: Blatant Semi-Commercial Announcement to Follow?> Dick,
>
> I would like to purchase volume 8.  Can I do so by just transmitting
to
> you credit card info and my address?
>
> Lew Becker
>
> >>> [unmask] 12/15/02 06:30PM >>>
> In case anyone missed an earlier annoumcement, all or any of the
> Greig-Duncan Folk Song Collection (including the long-awaited volume
> 8)
> are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> [3655])
>
> Single volumes: $47 (US)
> Complete Set:: $305
>
> If anyone is interested in the University of North Carolina's "Sodom
> Laurel Album" book cum CD, I can get that at a substantial discount
> (better than Amazon.com or B&N)

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 18:22:44 -0500
Content-Type:text/plain
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Yep. If you don't want to E-mail it, call me (free) ay 800/548-FOLK (3655)
dick
Lewis Becker wrote:> Dick,
>
> I would like to purchase volume 8.  Can I do so by just transmitting to
> you credit card info and my address?
>
> Lew Becker
>
> >>> [unmask] 12/15/02 06:30PM >>>
> In case anyone missed an earlier annoumcement, all or any of the
> Greig-Duncan Folk Song Collection (including the long-awaited volume
> 8)
> are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> [3655])
>
> Single volumes: $47 (US)
> Complete Set:: $305
>
> If anyone is interested in the University of North Carolina's "Sodom
> Laurel Album" book cum CD, I can get that at a substantial discount
> (better than Amazon.com or B&N)

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 18:32:16 -0500
Content-Type:text/plain
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On Mon, 20 Aug 2001 13:18:53 -0700, Barry O'Neill wrote:
                  ^
>Hi Bob,
>
>In my mind, from some old Folkways record, is this first verse:
>
>Twas on the tenth day of October,
>In '74 which caus-ed woe
>The Indian savages did cover
>The pleasant banks of the Ohio.
>
(There was a brief Banks of the Ohio thread there.  The "happy?" file
confirms this:10/10/1774: The Virginia Militia was attacked by British-paid Shawnees.
This is officially (by act of Congress) the 1st shot of Revolutionary War
(ie before Lex-Concord) from "The Battle of Point Pleasant"; _The American
Revolution_; Folkways FH5277.  A good record, BTW.>Three pieces of evidence that this was the origin of the well-known murder
>ballad (and therefore the origin was not some murder ballad referring to
>another river) is that the tune is somewhat similar to the well-known one
>(unless someone just recently set that tune to it); that the phrase banks
>of the Ohio is always used in the last line of the verses of this song, as
>it is in the murder balled; and that when people make up new versions, the
>remnants of the old song are often there in some way or other, and here we
>have the them of killing along the river banks.
>
>A google search of "October 10 1774" turned up the Battle of Point
>Pleasant, the "first battle of the American Revolution" .
>
>A further search on "point pleasant" and "indian savages" turned up the
>song at a local history website
>http://appalachian_home.tripod.com/shawnee_song.htm
>and a related song at
>http://www.blueridgeinstitute.org/ballads/kanawhasong.html
>
>Do you think the first one is the inspiration?
>
>BarryThe raw term "banks of the Ohio" seems common enough, though.  Before
asking here (in 2002) a Amer. Memory search found several instances
unrelated to either ballad.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 19:55:51 -0500
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No apology necessary Lew.  Just having a joke and, by the way, joy and mirth
to all during the "Holiday Season."Dan----- Original Message -----
From: "Lewis Becker" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 5:58 PM
Subject: Re: Blatant Semi-Commercial Announcement to Follow?> Dan,
>
> Thanks for your offer but I think I'll pass.
>
> Don Nichols also pointed out my mistake to me.  My apologies to all for
> sending what I thought was a private message to the list. I'll get it
> right eventually.
>
> Happy holidays to all.
>
> Lew
>
> >>> [unmask] 12/16/02 05:13PM >>>
> Dear Lew,
>
> If you would find it more convenient, please send me your entire check
> book.
> I will forward $47 to my friend Dick and use the rest to spread joy
> and
> mirth during the "Holiday Season."
>
> All the best,
> Dan
>
> ----- Original Message -----
> From: "Lewis Becker" <[unmask]>
> To: <[unmask]>
> Sent: Monday, December 16, 2002 4:52 PM
> Subject: Re: Blatant Semi-Commercial Announcement to Follow?
>
>
> > Dick,
> >
> > I would like to purchase volume 8.  Can I do so by just transmitting
> to
> > you credit card info and my address?
> >
> > Lew Becker
> >
> > >>> [unmask] 12/15/02 06:30PM >>>
> > In case anyone missed an earlier annoumcement, all or any of the
> > Greig-Duncan Folk Song Collection (including the long-awaited volume
> > 8)
> > are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> > [3655])
> >
> > Single volumes: $47 (US)
> > Complete Set:: $305
> >
> > If anyone is interested in the University of North Carolina's "Sodom
> > Laurel Album" book cum CD, I can get that at a substantial discount
> > (better than Amazon.com or B&N)

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Subject: Banks of the Ohio
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 17:48:41 -0800
Content-Type:TEXT/PLAIN
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Abby et al:Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
in which "a youth asks his swetheart to take a walk, and talks of theay
when their wedding is to be.  She says she will never be his."The two stanzas printed are these:From my breast I drew a knife,
And she gave a shrilling cry,
"Oh Willie dear don't murder me,
For I am not prepared to die."Then I took her lily white hands
And swung her around and again around,
Until she fell in the waters cruel,
And there I watched my true love drown.I believe the Carter Family also recorded it, and it was from there that
the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
Tradition LP and thus spread the song to the revival.There is no question that the song itself is in the public domain, though
as someone pointed out a particular version such as the Carter family's
may well be protected.EdP.S. Are more early versions needed to prove the public domain status of
the ballad?

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Subject: Re: Banks of the Ohio
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 21:37:46 -0500
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Grayson and Whitter had the first recording in (I believe) 1928.
dick greenhausEd Cray wrote:> Abby et al:
>
> Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
> West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
> page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
> in which "a youth asks his swetheart to take a walk, and talks of theay
> when their wedding is to be.  She says she will never be his."
>
> The two stanzas printed are these:
>
> >From my breast I drew a knife,
> And she gave a shrilling cry,
> "Oh Willie dear don't murder me,
> For I am not prepared to die."
>
> Then I took her lily white hands
> And swung her around and again around,
> Until she fell in the waters cruel,
> And there I watched my true love drown.
>
> I believe the Carter Family also recorded it, and it was from there that
> the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
> Tradition LP and thus spread the song to the revival.
>
> There is no question that the song itself is in the public domain, though
> as someone pointed out a particular version such as the Carter family's
> may well be protected.
>
> Ed
>
> P.S. Are more early versions needed to prove the public domain status of
> the ballad?

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Subject: Banks of the Ohio (cont.)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 20:22:45 -0800
Content-Type:TEXT/PLAIN
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Abby et al:Foprgive me my sins of spelling in the original nmessage, to which I add
the following:Mellinger E. Henry has two versions, dated to 1929 and 1930 in his _Folk
Songs from the Southern Highlands_ (NYC: J.J. Augustin, 1938), pp. 220-21.B.L. Lunsford also sang a version recording in 1947 in Los Angeles for
record store owner Ralph Auf Der Heide and released on Folkways somewhat
later.Ed---------- Forwarded message ----------
Date: Mon, 16 Dec 2002 17:48:41 -0800
From: Ed Cray <[unmask]>
Reply-To: Forum for ballad scholars <[unmask]>
To: [unmask]
Subject: Banks of the OhioAbby et al:Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
in which "a youth asks his swetheart to take a walk, and talks of theay
when their wedding is to be.  She says she will never be his."The two stanzas printed are these:From my breast I drew a knife,
And she gave a shrilling cry,
"Oh Willie dear don't murder me,
For I am not prepared to die."Then I took her lily white hands
And swung her around and again around,
Until she fell in the waters cruel,
And there I watched my true love drown.I believe the Carter Family also recorded it, and it was from there that
the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
Tradition LP and thus spread the song to the revival.There is no question that the song itself is in the public domain, though
as someone pointed out a particular version such as the Carter family's
may well be protected.EdP.S. Are more early versions needed to prove the public domain status of
the ballad?

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 03:03:15 -0600
Content-Type:text/plain
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<<Grayson and Whitter had the first recording in (I believe) 1928.
dick greenhaus>>It seems to have been recorded in 1927, although it was released in 1928.
Also in 1928, recordings were issued by Ernest V. Stoneman, Clarence Green,
and Red Patterson's Piedmont Log Rollers. The Stoneman & Green recordings
were issued later in the year, though, while the Grayson/Whitter & Patterson
recordings came out almost simultaneously early in the year.Peace,
Paul

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 03:14:04 -0600
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On Mon, 20 Aug 2001 13:18:53 -0700, Barry O'Neill wrote:>...that the phrase banks
>of the Ohio is always used in the last line of the verses of this song, as
>it is in the murder balled;But it isn't; the phrase is only used in the chorus of the murder ballad.Peace,
Paul the nitpicker

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 09:44:54 -0500
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On Mon, 16 Dec 2002 14:09:24 -0500, James Moreira wrote:>>seems to need to produce an actual copy of an older source or he will not
>>be permitted to sing the song at the gig.
>
>This is intriguing!  What are the grounds from this prohibition?Ok.  Thanks All.  And Ed twice.  I think that's enough for the guy.  But I
am a bit surprised the song wasn't more often reported.Seems my correspondant is doing new arrangements of trad songs for some
kind of revue.  The theater wants to be sure there's no copyright
infringement (or, I guess, fees to pay) and wants any copyright (or
printing) to be pre-1922.I advised him to get the Pound book from Inter-Library Loan.I think under the old law that would be correct.  I am absolutely not
going to get into that area, though.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Banks of the Ohio
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 09:46:19 -0600
Content-Type:text/plain
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The Piedmont Log Rollers version, titled "Down On The Banks Of The Ohio," was
recorded in Charlotte N.C. on 12 Aug. 1927 and released in January of 1928. The
Grayson/Whitter version, titled "I'll Never Be Yours." was recorded in NYC 10
Oct. 1927 [some sources give 15 Oct. 1927]. Not sure of the release date. The
Clarence Green version was recorded in Atlanta 5 Nov. 1927 but was not issued
until Dec. 1928. The Stoneman version was recorded and released in 1928. The
final version in the 20s was recorded by Bill Shafer as "Broken Engagements" @
Oct 1929.Six additional versions were recorded in the 30s. Walter Coon [31 Dec 1930],
Clayton McMichen's Georgia Wildcats [28 Oct. 1931], Callahan Brothers [17 Aug.
1934], Blue Sky Boys [16 June 1936], Monroe Brothers [21 June 1936] and the
Philyaw Brothers [16 Dec. 1937].Paul Stamler wrote:> <<Grayson and Whitter had the first recording in (I believe) 1928.
> dick greenhaus>>
>
> It seems to have been recorded in 1927, although it was released in 1928.
> Also in 1928, recordings were issued by Ernest V. Stoneman, Clarence Green,
> and Red Patterson's Piedmont Log Rollers. The Stoneman & Green recordings
> were issued later in the year, though, while the Grayson/Whitter & Patterson
> recordings came out almost simultaneously early in the year.
>
> Peace,
> Paul

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 11:41:32 -0600
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----- Original Message -----
From: Clifford Ocheltree <[unmask]><<Six additional versions were recorded in the 30s. Walter Coon [31 Dec
1930],
Clayton McMichen's Georgia Wildcats [28 Oct. 1931], Callahan Brothers [17
Aug.
1934], Blue Sky Boys [16 June 1936], Monroe Brothers [21 June 1936] and the
Philyaw Brothers [16 Dec. 1937].>>Can you supply titles, record numbers and release dates for the Coon,
McMichen, and Philyaw Bros. recordings? The Ballad Index thanks you!Peace,
Paul

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Subject: Re: Banks of the Ohio
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 09:48:22 -0800
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There was a songs "Banks of the Ohio" in the 1840s.  I quote from the
brochure notes to the Jimmie Tarlton LP on Testament Records in ca 1967:
"Of the chorus, the editors of the Brown Collection remark cryptically that
it 'seems to have been taken over from a song of the pioneers.'  Presumably
they refer to the early emigrant song, 'The Banks of Ohio,'....  [which
appeared in songsters in the 1840s and on broadsides of the 1820s].   Only
with extensive textual revisions could this song extolling the virtues of
the Ohio territory have contributed to the murdered girl ballad.  The only
suggestive line in the songster text is "And we'll folk you in our arms on
the pleasant Ohio."
Norm Cohen

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Subject: Re: Banks of the Ohio
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 14:43:57 -0600
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Not a problem."On The Banks Of The Ohio"  (S 16982-B) - Walter Coon (vcl w/gtr & hac) - 31
Dec. 1930. Richmond, IN. Released as by Frank Stanton on Superior 2544 - Dec
1930. (Aware the release date makes no sense when compared to the recording
date but it is as cataloged.)"On The Banks Of The Ohio"  (W 151968- ) - Clayton McMichen's Georgia Wildcats
(vcl w/vln, gtrs & tbjo) - 28 Oct. 28 Oct. 1931. Atlanta, GA. Unissued
Columbia recording."On The Banks Of The Ohio"  (22186- ) - Philyaw Brothers (vcl duet w/2 gtrs) -
16 Dec. 1937. NYC. Unissued ARC recording.Info taken from Country Music Sources by Guthrie Meade (w/ Dick Spottswood &
Douglas Meade)Paul Stamler wrote:> ----- Original Message -----
> From: Clifford Ocheltree <[unmask]>
>
> <<Six additional versions were recorded in the 30s. Walter Coon [31 Dec
> 1930],
> Clayton McMichen's Georgia Wildcats [28 Oct. 1931], Callahan Brothers [17
> Aug.
> 1934], Blue Sky Boys [16 June 1936], Monroe Brothers [21 June 1936] and the
> Philyaw Brothers [16 Dec. 1937].>>
>
> Can you supply titles, record numbers and release dates for the Coon,
> McMichen, and Philyaw Bros. recordings? The Ballad Index thanks you!
>
> Peace,
> Paul

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Subject: Re: Banks of the Ohio
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 20:21:11 -0500
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I seem to remember something like "On The Banks Of The O.B.D. (or the Old
Pee Dee?)" on an LP of the McPeake Family of Belfast, probably collected by
Kenny Goldstein back in the late fifties/early sixties.  Same story line and
pretty much the same narrative.
----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 8:48 PM
Subject: Banks of the Ohio> Abby et al:
>
> Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
> West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
> page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
> in which "a youth asks his swetheart to take a walk, and talks of theay
> when their wedding is to be.  She says she will never be his."
>
> The two stanzas printed are these:
>
> From my breast I drew a knife,
> And she gave a shrilling cry,
> "Oh Willie dear don't murder me,
> For I am not prepared to die."
>
> Then I took her lily white hands
> And swung her around and again around,
> Until she fell in the waters cruel,
> And there I watched my true love drown.
>
> I believe the Carter Family also recorded it, and it was from there that
> the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
> Tradition LP and thus spread the song to the revival.
>
> There is no question that the song itself is in the public domain, though
> as someone pointed out a particular version such as the Carter family's
> may well be protected.
>
> Ed
>
> P.S. Are more early versions needed to prove the public domain status of
> the ballad?

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 10:09:00 -0500
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On Mon, 16 Dec 2002 14:30:27 -0800, David G. Engle wrote:>In my courses I proceed from Barre Toelken's characterization (if not
>definition) of the "materials of folklore" as being
>characterized as "'tradition-based communicative units informally exchanged
>in dynamic variation through space and time.'  Tradition is here understood
>to mean not some static, immutable force from the past, but those
>pre-existing culture-specific materials and options that bear upon the
>performer more heavily than do his or her own personal tastes and talents.
>We recognize in the use of tradition that such matters as content and style
>have been for the most part passed on but not invented by the performer."
>(Toelken 32)Well, I wouldn't disagree with any of that but ASCAP might.  Further, the
mere fact that a song has passed into tradition and is sung (improperly
without payment) does not necessarily disqualify the copyright.When Monroe sang "Happy Birthday, Mr President" she was certainly meeting
all the elements of the characterization (including the Dynamic one) but
was singing a song still under valid copyright.  (Smith & Smith, 1924 ©
Summy-Birchard, Inc. [c/o Warner/Chappell Music, Inc.] Licensed by ASCAP.)Or take the laboring ballad, "Paddy and the Barrel, The Bricklayer, The
Sick Letter, The Barrel Song, The Sick Note, Why Paddy's Not at Work
Today, Why Yassir's Not at Work Today, The Excuse Note, Paddy's Excuse.
(I think it may enter the rolls as the most-titled songs out there having
only _one_ version.)  Been recorded maybe 100 times - 50 without credit
and in _everybody's_ repertoire.  Yet, the song version's undisputed
author, Pat Cooksey (1969) has only been able to assert his copyright this
year.  It does not _stop_ being a folk song under the definition.I'm not nit-picking here.  I don't expect a characterization to cover all
possible cases - that's why you were careful to stress this is not a
'definition.'   But for purposes of having a certainty of obeying the
rules & regs when working with a theater or Arts Council...  Proof may be
needed.BTW, To my utter amazement the Pound book was in the Orange County library
system catalog.  I advised my Questioner to go have a look.  (I have to
use the Seminole County system or else pay huge ($35/year, I think) fees.He writes that although there are many tunes in the book, "Banks of the
Ohio" doesn't have one.  Now he's worried that the text might be PD but
the tune might be _later_ and still protected.I wrote back that this is essentially a one-tune song (as a murder ballad)
and it's been recorded endless times and he has a xerox of the pre-1920
text in hand and he should sing the fucking song and stop worrying about
it.This reminded me that 1915 is just before the Event Horizon of
systematically printing trad tunes along with trad or collected texts.
All those tuneless collected songs out there!  Thank God for Greig~Duncan
and Shaw & Lyle (& even Ewan) for completing this monumental task.  It has
an index now, you know....(Ok, that's at least three threads - sorry.)-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Banks of the Ohio
From: Jane Keefer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 07:34:59 -0800
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I have this recording and the liner notes by Samuel  Charters indicates that
Francis McPeake Sr learned it from his daughter - the air used by the
McPeakes, Sr. and Jr.
is similar to the standard one used today.  The record production is by
Goldstein and Ewan McColl and was probably done in the early 60's.Jane Keefer
(Folk Music Index)----- Original Message -----
From: Roy Berkeley <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 17, 2002 5:21 PM
Subject: Re: Banks of the Ohio> I seem to remember something like "On The Banks Of The O.B.D. (or the Old
> Pee Dee?)" on an LP of the McPeake Family of Belfast, probably collected
by
> Kenny Goldstein back in the late fifties/early sixties.  Same story line
and
> pretty much the same narrative.
> ----- Original Message -----
> From: "Ed Cray" <[unmask]>
> To: <[unmask]>
> Sent: Monday, December 16, 2002 8:48 PM
> Subject: Banks of the Ohio
>
>
> > Abby et al:
> >
> > Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
> > West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints
on
> > page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
> > in which "a youth asks his swetheart to take a walk, and talks of theay
> > when their wedding is to be.  She says she will never be his."
> >
> > The two stanzas printed are these:
> >
> > From my breast I drew a knife,
> > And she gave a shrilling cry,
> > "Oh Willie dear don't murder me,
> > For I am not prepared to die."
> >
> > Then I took her lily white hands
> > And swung her around and again around,
> > Until she fell in the waters cruel,
> > And there I watched my true love drown.
> >
> > I believe the Carter Family also recorded it, and it was from there that
> > the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
> > Tradition LP and thus spread the song to the revival.
> >
> > There is no question that the song itself is in the public domain,
though
> > as someone pointed out a particular version such as the Carter family's
> > may well be protected.
> >
> > Ed
> >
> > P.S. Are more early versions needed to prove the public domain status of
> > the ballad?

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Subject: Re: Banks of the Ohio
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 11:21:53 -0500
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That's right.Was not the O.B.D. the Old Belfast Docks or some such?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 12:51:54 -0600
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<<Was not the O.B.D. the Old Belfast Docks or some such?>>Perhaps, but there's also a river in the USA called the Peedee.Peace,
Paul

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Subject: Re: Banks of the Ohio
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Date:Thu, 19 Dec 2002 05:28:58 EST
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Subject: Re: Banks of the Ohio
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 09:05:34 -0500
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The OBD song I vaguely recall is surely a relative rather than the same
song?The McPeakes also recorded an instrumental called Juanita that I have
encountered in a US context, and the name suggests an US or Spanish origin.There was much more two-way traffic in songs and tunes between North
America and the British Isles than the collections would lead us to think -
some collectors at least filtered out what they did not want to find.And some collecters were singers too. As I recall both Jeannie Robertson
and Lizzie Higgins sang songs given to them by Sandie Paton.EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Banks of the Ohio
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 09:13:50 -0500
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Hello, Ewan.  When I worked in Norther Ireland, I got versions of "When the
work's All Done This Fall," and the Hollywwood version of "Bury Me Not on
the Lone Prairie."  and it may be that others, both in Ireland and Canada,
got songs from my singing.Peace.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ewan McVicar
Sent: Thursday, December 19, 2002 9:06 AM
To: [unmask]
Subject: Re: Banks of the OhioThe OBD song I vaguely recall is surely a relative rather than the same
song?The McPeakes also recorded an instrumental called Juanita that I have
encountered in a US context, and the name suggests an US or Spanish origin.There was much more two-way traffic in songs and tunes between North
America and the British Isles than the collections would lead us to think -
some collectors at least filtered out what they did not want to find.And some collecters were singers too. As I recall both Jeannie Robertson
and Lizzie Higgins sang songs given to them by Sandie Paton.EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 11:55:29 -0600
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----- Original Message -----
From: <[unmask]><<Prestige International 13018 - but absolutely no information as to how the
song came to be in the McPeake repertory. It's not that uncommon for songs
of
north American origin to get into the Irish repertory - DK Wilgus wrote
about
it. Lakes of Ponchartrain, Banks of Brandywine, even Finnigan's Wake are all
migratory in Ireland. Nevertheless the McPeake's version is pre-Joan Baez
which is how the Banks of the Ohio got to Britain.>>Could they have gotten it from Alan Lomax? He'd been in Ireland a few years
earlier.Peace,
Paul

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Subject: Re: Banks of the Ohio
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Date:Thu, 19 Dec 2002 13:14:53 EST
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Subject: Reverse Transmittal
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 10:41:37 -0800
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Folks:I would add that a number of American blackface minstrel songs enjoyed
long popularity in Great Britain -- including early printings of "Jump
Jim Crow," ca. 1840's.Their popularity, and tours of American minstrel companies continued, into
the 1890s, witness the three volumes handsomely gotten up of "The Christy
Minstrel's Song Book" by Boosey and Co. at that time.Ed

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Subject: Re: Reverse Transmittal
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 15:40:14 -0500
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T.D. Rice originator of Jim Crow appeared at the Surrey Theatre in the
Summer of 1836, London and was quite popular.
The song Trip to Greenwich sung by Jim Crow was included when the
tabletop/toy theatre of Harlequin and Guy Fawkes came out in  the same
year. The Pantomime itself closed before Rice arrived....So there....my trivia on Crow....ConradEd Cray wrote:
>
> Folks:
>
> I would add that a number of American blackface minstrel songs enjoyed
> long popularity in Great Britain -- including early printings of "Jump
> Jim Crow," ca. 1840's.
>
> Their popularity, and tours of American minstrel companies continued, into
> the 1890s, witness the three volumes handsomely gotten up of "The Christy
> Minstrel's Song Book" by Boosey and Co. at that time.
>
> Ed--
Adam Lay Ybounden
Adam lay ybounden, bounden in a bond; four thousand winter thought he not
too long.
And all was for an apple, an apple that he took, as clerkes finden written
in their book.
Ne had the able taken been, the apple taken been,
Ne had never our lady abeen heavene queen.
Blessed be the time that apple taken was,
therefore we mourn singen Deo Gracias!- Sloan MS (15 Century)
for music go here:
http://www.channel1.com/users/gsilvis/mids/warladam.mid*******************************************************************************************
What is the Crying at Jordan
What is the crying at Jordan? Who Hears, O God, the prophesy?
Dark is the season, dark our hearts and shut to mystery.
Who then shall stir in this darkness, prepare for joy in the winter night?
Mortal in darkness we lie down, blind-hearted seeing no light.
Lord, give us grace to awake us, to see the branch that begins to bloom;
in great humility is hid all heaven in a little room
Now comes the day of salvation, in joy and terror the Word is born!
God gives himself into our lives;
O let salvation dawn!- Carol Christopher Drake
______________________________________________________________

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Subject: Re: Banks of the Ohio
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 18:24:55 -0500
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Marge's point about singers and Hollywood reminds me of a few other
wellknown countertransferences.1) Popular kids song Ye Canny Shove Yer Grannie Aff A Bus is based on
She'll Be Coming Round The Mountain, sung on BBC repeatedly in the 1940s by
Big Bill Campbell's Rocky Mountaineers. Big Bill was as I recall Canadian,
the rest were British.2) Glasgow pub song Doon In The Wee Room Underneath The Stair uses a tune
and format from a song sung I am told in a Laurel and Hardie movie - Down
In The Forest Underneath The Trees.3) A dozen anti-Polaris songs of the late 1950s utilised American tunes
because a] they were wellknown to the protesters, b] they had the needed
bounce and simplicity, and c] using them against the US Navy made a
political point.4] Volume 8 of Greig Duncan has a couple of fragments at least of American
songs - Jim Crow and John Brown's Knapsack.Ewan

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Subject: EBay List - 12/20/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 00:54:46 -0500
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Hi!        Here is the weekly list for all the last minute shoppers :-)        SONGSTER        930999011 - The Rising of the Moon Songster and the Handy Andy
Dime Song Book, 1860's, $6 (ends Dec-23-02 17:46:24 PST)        SONGBOOKS, ETC.        2900067318 - The Ballad Book of John Jacob Niles, 1960, $4.99
(ends Dec-20-02 12:29:51 PST)        930300244 - Ballads from PUBS of IRELAND VOL. I by Healy, 1996
edition, $7.95 (ends Dec-20-02 14:32:48 PST)        2900199608 - The Folk Songs of North America in the English
Language by A. Lomax, $4.99 (ends Dec-21-02 08:43:19 PST)        930478706 - The Erotic Muse by Cray, 1992, $5 (ends Dec-21-02
12:03:39 PST)        930554227 - The Cowboy Sings, 1932, $7 (ends Dec-21-02 18:34:52
PST)        2900798412 - Reliques of Ancient English Poetry by Percy, Volume
1, 1823, $7.95 (ends Dec-22-02 12:58:48 PST)        2900449439 - American Naval Songs & Ballads by Neeser, 1938, $30
(ends Dec-22-02 16:21:00 PST)        2900473269 - Irish Minstrelsy by Sparling, 1887, $9 (ends
Dec-22-02 16:22:18 PST)        2900841270 - A Singer and Her Songs - Almeda Riddle's Book of
Ballads by Abrahams, $8 w/reserve (ends Dec-22-02 18:15:47 PST)        930903152 - Songs of England, edited by Hatton, 1874, $9.95
(ends Dec-23-02 09:26:31 PST)        2900634858 - AMERICAN NEGRO SONGS AND SPIRITUALS by Work, 1940,
$4.99 (ends Dec-23-02 13:04:59 PST)        2150438841 - COWBOY SONGS and Other Frontier Ballads by Lomax &
Lomax, 1957, $9.99 (ends Dec-23-02 16:06:09 PST)        931079958 - The Singing' Gatherin by Thomas & Leeder, 1939,
$9.49 (ends Dec-24-02 06:10:47 PST)        2900753543 - Backwoods America by Wilson, 1934, $5 (ends
Dec-24-02 07:43:10 PST)        930521004 - Wilma Lee and Stoney Cooper Song Book, 1938, $22.95
(ends Dec-24-02 15:23:44 PST)        2150240066 - FOLIO OF WESTERN SONGS BY LONESOME COWBOY, 1942,
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Dec-25-02 14:06:36 PST)        2901049960 - RADIO'S 'KENTUCKY MOUNTAIN BOY' BRADLEY KINCAID
by Jones, 1988, $9.99 (ends Dec-26-02 06:45:25 PST)        2900672507 - BALLADS AND FOLK SONGS OF THE SOUTHWEST by Moore,
1966, $4 (ends Dec-26-02 17:19:12 PST)        MISCELLANEOUS        2900365930 - 7 issues of Northeast Folklore, 1975-1989, $7.50
(ends Dec-22-02 07:33:44 PST)        2150526196 - Ticket to "Twelve lectures on the popular
ballads of England and Scotland, by Prof. Francis J. Child, of Harvard
University, Wednesday and Saturday Evenings, to begin January 8, 1879,
doors closed at 7 1/2 o'clock", $4.99 (ends Dec-24-02 12:56:03 PST)        2900819470, 2900852042, 2900854319 - 3 issues of the Journal of
American Folklore dated 1941, 1935 & 1935, $9.95 (end Dec-27-02 15:14:32
PST, Dec-27-02 19:18:39 PST, & Dec-27-02 19:30:46 PST)                                Happy Holidays!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Child Ticket
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 09:08:25 -0800
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Folks:I am going to bid on the ticket to the Child lectures Dolores found on
ebay.Ed

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Subject: Re: Child Ticket
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 12:19:16 -0500
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Hasn't that lecture been cancelled ? :-)
J.>Folks:
>
>I am going to bid on the ticket to the Child lectures Dolores found on
>ebay.
>
>Ed

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Subject: Unidentified songster
From: "McBride, Jerry" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 14:39:53 -0500
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I've an 18th-century songster that is missing the first 10 pages and some of
the back pages. I'm hoping that someone can provide some suggestions on how
it might be identified or perhaps may be able to check their own
collections. I've not been able to identify it using Sonneck-Upton or
Lowens. Of course, it may be either American or British.On p. 11, there is a song starting half way down the page, "The Sun that
Lights the Roses," whose first line is: Tho' dimple cheeks may give delight,
.... The last page that I have is p. 84 on which are printed two songs,
        The Rose Will Cease to Blow (1st line: the same), and
        Swift as the Flash! (1st line: Swift as the flash, that mocks the
sight ....The book contains illustrations and measures 3 x 2 13/4 in (7.5 x 6.7 cm.).
On the inside of the front cover the owner's name and date (1771) is written
in ink.Any help would be greatly appreciated.Jerry McBride, Music Librarian       Music Library, Center for the Arts
[unmask]    Middlebury College
(802) 443-5217                             72 Porter Field Road
Fax: (802) 443-2332                     Middlebury, VT 05753-6177
http://www.middlebury.edu/~lib/musiclib/musiclib.html

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Subject: Re: Child Ticket
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 11:01:46 -0800
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That's really a neat item; good luck.
Norm----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Friday, December 20, 2002 9:08 AM
Subject: Child Ticket> Folks:
>
> I am going to bid on the ticket to the Child lectures Dolores found on
> ebay.
>
> Ed

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Subject: Follow-Up : Sodom Laurel Album (commercial)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 16:17:44 -0500
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A couple of folks have asked me for more information on this book/CD
package. I just received my first copies, so I can provide more detail.It'a a handsome hard-covered book, 166 pages, measuring 9-1/2" x 10".
The bulk of those pages consist of photos by Rob Amberg; with some
descriptive text, including interviews with many of the subjects of
those photos. The book focuses on the small mountain community of Sodom
Laurel, North Carolina,  one of the richest sources for Anglo-American
and American song and balladry that ever was.The CD has  a total of 20 tracks, and features Dellie Norton, Cas
Wallin, Berzillia Wallin, Doug Wallin, Evelyn Ramsey and .Sheila Kay
Adams.Altogether, the Sodom Laurel Album presents (IMO) the finest picture of
a Southern Appalachian community I've ever seen and/or heard.Available from CAMSCO Music for $32 (cheap) plus actual postage.

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 17:20:38 -0500
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On Thu, 19 Dec 2002 09:05:34 -0500, Ewan McVicar wrote:>And some collecters were singers too. As I recall both Jeannie Robertson
>and Lizzie Higgins sang songs given to them by Sandie Paton.And at least Jeanie got at least one from Jean Ritchie.I guess a good song is a goos song.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: EBay List - 12/20/02
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 19:06:43 -0500
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Yes, the Child ticket is very cool.  Good luck, Ed.I will go after the Rising of the Moon and Handy Andy songsters.All the best,
Dan Milner

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Subject: Re: Child Ticket
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 18:14:07 -0800
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John:Not at all.I attended the entire series.EdOn Fri, 20 Dec 2002, John Roberts wrote:> Hasn't that lecture been cancelled ? :-)
> J.
>
>
> >Folks:
> >
> >I am going to bid on the ticket to the Child lectures Dolores found on
> >ebay.
> >
> >Ed
>

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Subject: new series on British music hall on bBC Radio 4
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 08:24:34 -0500
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Hello, all.  As I speak, I am listening to a new series on The British Music
Hall, which, I assume, is to be broadcast each Tuesday oat eight-thirty A.M.
Eastern time, or fifteen-thirty GMT.Cheers, and merry Christmas!        MargeE-mail: [unmask]

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Subject: music hall series
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 08:40:27 -0500
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The aforementioned series on British music hall is entitled "A Bit of What
you Fancy."        MargeE-mail: [unmask]

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Subject: Re: new series on British music hall on bBC Radio 4
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:11:55 EST
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Subject: Season's Greetings
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 09:31:57 -0800
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Good People:I would hope to wish you and yours peace in these troubled days.Ed

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Subject: Re: Season's Greetings
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:56:50 -0500
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pewace to you, Ed, and to all Balladeers.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, December 24, 2002 12:32 PM
To: [unmask]
Subject: Season's GreetingsGood People:I would hope to wish you and yours peace in these troubled days.Ed

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Subject: Re: new series on British music hall on bBC Radio 4
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:58:09 -0500
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Subject: "a Little of What you fancy"
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:59:34 -0500
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The next installment of "A Little Bit of What you Fancy" will be broadcast
on New Year's Eve at fifteen-thirty GMT, or eight-thirty A.M. Eastern Time.        MargeE-mail: [unmask]

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Subject: Matt McGinn
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 18:14:32 +0000
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Since we're alerting each other on Radio broadcasts, these may be of
interest:"McGinn of the Calton" on Radio Scotland tomorrow morning (Christmas
Day) at 11.30am. It's the story of Matt McGinn, and it's repeated
Boxing Day, 10.30pm.There is a series about the musical connections between Scotland and
The Alamo each night from Monday-Thursday at 10.30pmNew Year's Day, 5.05pm, a one-hour programme about Hamish Henderson's
life.--
Nigel Gatherer, Crieff <mailto:[unmask]>
Matt McGinn page:
www.argonet.co.uk/users/gatherer/scottish/artists/matt.html

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Subject: Re: Matt McGinn
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 14:03:04 -0500
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Sounds like a lot of good stuff on Radio Scotland.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Nigel Gatherer
Sent: Tuesday, December 24, 2002 1:15 PM
To: [unmask]
Subject: Matt McGinnSince we're alerting each other on Radio broadcasts, these may be of
interest:"McGinn of the Calton" on Radio Scotland tomorrow morning (Christmas
Day) at 11.30am. It's the story of Matt McGinn, and it's repeated
Boxing Day, 10.30pm.There is a series about the musical connections between Scotland and
The Alamo each night from Monday-Thursday at 10.30pmNew Year's Day, 5.05pm, a one-hour programme about Hamish Henderson's
life.--
Nigel Gatherer, Crieff <mailto:[unmask]>
Matt McGinn page:
www.argonet.co.uk/users/gatherer/scottish/artists/matt.html

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Subject: Re: Greetings
From: rcohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 14:14:15 -0600
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Dear Marge: Greetings from Ron Cohen, up here at Indiana University NOrthwest.
I have now subscribed to Ballad-L, so am getting all sorts of good
information. This was Ed Cray's idea, a good friend who is doing wonders with
his biography of Woody Guthrie.
   I have been keeping busy with my various folk music projects since the
Richard Reuss Conference so many years ago. I have just published RAINBOW
QUEST: THE FOLK MUSIC REVIVAL AND AMERICAN SOCIETY, 1940-1970, published by
the University of Massachusetts Press, and am also editing a book of Alan
Lomax's writings for Routledge, which will be out next spring.
  I hope you are well and everything is fine in Bloomington. I have not
traveled down state for a few years, but hope to make it before too long.
  Have a good holiday, peace, ron cohen

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Subject: Re: Greetings
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 16:08:06 -0500
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Hi, Ron.  I want to read your revival book, and, of course your edited book
on Lomax.  I further hope to attend the Alan Lomax conference in New York.
As you may know, I've sort of been an Alan Lomax wannabe, at least with
regard to folksong collecting, and have done so, to some extent, hav ing
been constrained by financial and other logistical constraints.anyhow, I look forward to reading your works and maybe coming to the
conference.Peace, and happy holidays.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of rcohen
Sent: Tuesday, December 24, 2002 3:14 PM
To: [unmask]
Subject: Re: GreetingsDear Marge: Greetings from Ron Cohen, up here at Indiana University
NOrthwest.
I have now subscribed to Ballad-L, so am getting all sorts of good
information. This was Ed Cray's idea, a good friend who is doing wonders
with
his biography of Woody Guthrie.
   I have been keeping busy with my various folk music projects since the
Richard Reuss Conference so many years ago. I have just published RAINBOW
QUEST: THE FOLK MUSIC REVIVAL AND AMERICAN SOCIETY, 1940-1970, published by
the University of Massachusetts Press, and am also editing a book of Alan
Lomax's writings for Routledge, which will be out next spring.
  I hope you are well and everything is fine in Bloomington. I have not
traveled down state for a few years, but hope to make it before too long.
  Have a good holiday, peace, ron cohen

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Subject: Re: Matt McGinn
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 21:40:39 -0800
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Hi everyone,> Since we're alerting each other on Radio broadcasts, these may be of
> interest:And may I addDown in Yon Forest..., BBC Radio 4, Christmas Day 11.02am (repeated Tuesday
31 December 11.30am) features Norma Waterson, Kate Rusby and Jim Boyes among
the many Yorkshire and Derbyshire singers talking about their enthusiasm for
local carols.And for any British viewers with Digital TV (or more likely friends with
Digital TV) BBC Four have scheduled a Folk Night featuring a feast of folk roots
programming. Kicking off at 7pm is Cambridge Folk Festival 2002, presented
by Eliza Carthy and Mark Radcliffe. 90 minutes of Martin Carthy and Friends
follows at 9pm, then then Christy Moore Uncovered at 11.30pm, Down from the
Mountain at 11.55pm and Nick Drake: A Skin Too Few at 01.30amFull details of this at:http://www.bbc.co.uk/radio2/folk/features/f_bbc4_folknight.shtmlBest wishes for a happy and peaceful Christmas and New Year.Dave

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Subject: Re: Matt McGinn
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 22:26:38 +0000
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My Matt McGinn page has moved, and I forgot to change the sig URL.
Sorry about that. It's atwww.argonet.co.uk/users/gatherer/perf/singers1/matt.html--
Nigel Gatherer, Crieff <mailto:[unmask]>
Matt McGinn page:
www.argonet.co.uk/users/gatherer/perf/singers1/matt.html

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Subject: Re: Matt McGinn
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 12:23:31 +0000
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I DID remember, and I recorded it. Anyone who wants a copy on cassette,
contact me and we can arrange a swap. In the programme, Tom Paxton
describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
apt.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Ebay List (songsters) - 12/25/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 11:12:53 -0500
Content-Type:text/plain
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Hi!        Through the falling snow, Rudolph led me to the following
songsters on Ebay -        749298904 - America First: Republican Campaign Song Book for
Harding & Coolidge, 1920, $20.50 (ends Dec-26-02 18:30:00 PST)        749511284 - True Blue Republican Campaign Songs for Harrison,
1892, $9.99 (ends Dec-27-02 18:15:00 PST)        932055756 - Uncle Hez, Comedy Songster Program, 1900?, $9.99
(ends Dec-29-02 12:38:27 PST)        749973758 - The Great Barnum & Bailey's Clown Songster, ca 1900,
$9.99 w/reserve (ends Dec-30-02 10:14:07 PST)        The main Ebay list will be postly late tomorrow hopefully.                        Happy Holidays!
                (and for those lucky folks like us - Happy Shoveling!)
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Matt McGinn
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 12:20:50 -0500
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Yes, i heard the program and wish I'd recorded it.  I know that I'd love a
copy of it, and if you or anyone copied the program on Yorkshire pub
caroling, I'd love that, too.  That was wonderful as well.Anyhow, merry Christmas, and may we sing this poor broken world into sanity
and wholeness.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Nigel Gatherer
Sent: Wednesday, December 25, 2002 7:24 AM
To: [unmask]
Subject: Re: Matt McGinnI DID remember, and I recorded it. Anyone who wants a copy on cassette,
contact me and we can arrange a swap. In the programme, Tom Paxton
describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
apt.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: new series on British music hall on BBC Radio 4
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 13:15:17 EST
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Subject: Yorkshire Carols
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 21:18:08 -0800
Content-Type:text/plain
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Hi Marge and anyone else who would like a copy.......I recorded the programme of carols and would be delighted to send you a
copy. It might take a day or two since I am away from the 27th until the New
Year. However listen closely and you can hear my awful singing coming
through loud and clear on the singing from the Royal at Dungworth - which
public house I can actually see as I look out of the window as I type!! That
has to be worth something!!Incidentally I am not sure how many who subscribe to this list in the USA
are aware of it, but there is an IDENTICAL tradition in Glen Rock, York
County, Pennsylvania. The story of the Glen Rock Carolers is to be found at
www.glenrockcarolers.org  and we were privileged for them to visit Sheffield
UK this year, for our bi-ennial festival of carols.The remarkable and well-documented story of how a tiny village (1,700
people) in Pennsylvania came to be singing these particular carols has to be
one of the most fascinating stories of recent folklore and I am proud to be
the one who "made" the connection. It does seem remarkable that noone had
ever made the connection before - except that any self-respecting folklorist
would be in bed when the tradition happens - from midnight Christmas Eve to
7.00 am approx. Xmas Day. Thank goodness for the World Wide Web!!Dave
www.collectorsfolk.co.uk

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Subject: Re: Yorkshire Carols
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 17:18:02 -0500
Content-Type:text/plain
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Hi, Dave.  I was unaware of the Glen Rock Pennsylvania tradition: perhaps I
can go visit there nerxt year, and, since I'm both a passionate singer and a
folklorist, I would love to visit both Glen Rock and sheffield to sing and
perhaps write some later.  Oh, my address is 409 Vernon Drive, Bloomington,
Indiana 47408, and I'd be happy to reimburse you for the tape or perhaps I
could send you something nifty.I'm now going to look at the Glen Rock website.Cheers, and good singing to you.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Dave Eyre
Sent: Thursday, December 26, 2002 12:18 AM
To: [unmask]
Subject: Yorkshire CarolsHi Marge and anyone else who would like a copy.......I recorded the programme of carols and would be delighted to send you a
copy. It might take a day or two since I am away from the 27th until the New
Year. However listen closely and you can hear my awful singing coming
through loud and clear on the singing from the Royal at Dungworth - which
public house I can actually see as I look out of the window as I type!! That
has to be worth something!!Incidentally I am not sure how many who subscribe to this list in the USA
are aware of it, but there is an IDENTICAL tradition in Glen Rock, York
County, Pennsylvania. The story of the Glen Rock Carolers is to be found at
www.glenrockcarolers.org  and we were privileged for them to visit Sheffield
UK this year, for our bi-ennial festival of carols.The remarkable and well-documented story of how a tiny village (1,700
people) in Pennsylvania came to be singing these particular carols has to be
one of the most fascinating stories of recent folklore and I am proud to be
the one who "made" the connection. It does seem remarkable that noone had
ever made the connection before - except that any self-respecting folklorist
would be in bed when the tradition happens - from midnight Christmas Eve to
7.00 am approx. Xmas Day. Thank goodness for the World Wide Web!!Dave
www.collectorsfolk.co.uk

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Subject: Ebay auction
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 16:38:00 -0800
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Subject: Re: Matt McGinn
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 20:12:14 -0500
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Hi Marge!I heard the McGinn program too but the archived program.  I believe you
should be able to listen to it again by going to the BBC Radio Scotland.All the best,
Dan----- Original Message -----
From: "Marge Steiner" <[unmask]>
To: <[unmask]>
Sent: Wednesday, December 25, 2002 12:20 PM
Subject: Re: Matt McGinn> Yes, i heard the program and wish I'd recorded it.  I know that I'd love a
> copy of it, and if you or anyone copied the program on Yorkshire pub
> caroling, I'd love that, too.  That was wonderful as well.
>
> Anyhow, merry Christmas, and may we sing this poor broken world into
sanity
> and wholeness.
>
>         Marge
>
>
> E-mail: [unmask]
>
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]On Behalf
> Of Nigel Gatherer
> Sent: Wednesday, December 25, 2002 7:24 AM
> To: [unmask]
> Subject: Re: Matt McGinn
>
>
> I DID remember, and I recorded it. Anyone who wants a copy on cassette,
> contact me and we can arrange a swap. In the programme, Tom Paxton
> describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
> apt.
>
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Matt McGinn
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 00:26:50 -0500
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Yeah, I know.  I did catch it the first time.  Thanks.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of folkmusic
Sent: Wednesday, December 25, 2002 8:12 PM
To: [unmask]
Subject: Re: Matt McGinnHi Marge!I heard the McGinn program too but the archived program.  I believe you
should be able to listen to it again by going to the BBC Radio Scotland.All the best,
Dan----- Original Message -----
From: "Marge Steiner" <[unmask]>
To: <[unmask]>
Sent: Wednesday, December 25, 2002 12:20 PM
Subject: Re: Matt McGinn> Yes, i heard the program and wish I'd recorded it.  I know that I'd love a
> copy of it, and if you or anyone copied the program on Yorkshire pub
> caroling, I'd love that, too.  That was wonderful as well.
>
> Anyhow, merry Christmas, and may we sing this poor broken world into
sanity
> and wholeness.
>
>         Marge
>
>
> E-mail: [unmask]
>
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]On Behalf
> Of Nigel Gatherer
> Sent: Wednesday, December 25, 2002 7:24 AM
> To: [unmask]
> Subject: Re: Matt McGinn
>
>
> I DID remember, and I recorded it. Anyone who wants a copy on cassette,
> contact me and we can arrange a swap. In the programme, Tom Paxton
> describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
> apt.
>
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Yorkshire Carols
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 01:22:31 -0600
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----- Original Message -----
From: Dave Eyre <[unmask]><<The remarkable and well-documented story of how a tiny village (1,700
people) in Pennsylvania came to be singing these particular carols has to be
one of the most fascinating stories of recent folklore and I am proud to be
the one who "made" the connection. It does seem remarkable that noone had
ever made the connection before - except that any self-respecting folklorist
would be in bed when the tradition happens - from midnight Christmas Eve to
7.00 am approx. Xmas Day. >>Folklorists sleep? The ones I know don't!Merry Christmas,
Paul

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Subject: Re: Yorkshire Carols
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 11:17:12 -0800
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Of course, some of the DIsreputable ones might also be found in bed at
that time!Have amerry one everyone!Dave Eyre wrote:
>
> Hi Marge and anyone else who would like a copy.......
>
> I recorded the programme of carols and would be delighted to send you a
> copy. It might take a day or two since I am away from the 27th until the New
> Year. However listen closely and you can hear my awful singing coming
> through loud and clear on the singing from the Royal at Dungworth - which
> public house I can actually see as I look out of the window as I type!! That
> has to be worth something!!
>
> Incidentally I am not sure how many who subscribe to this list in the USA
> are aware of it, but there is an IDENTICAL tradition in Glen Rock, York
> County, Pennsylvania. The story of the Glen Rock Carolers is to be found at
> www.glenrockcarolers.org  and we were privileged for them to visit Sheffield
> UK this year, for our bi-ennial festival of carols.
>
> The remarkable and well-documented story of how a tiny village (1,700
> people) in Pennsylvania came to be singing these particular carols has to be
> one of the most fascinating stories of recent folklore and I am proud to be
> the one who "made" the connection. It does seem remarkable that noone had
> ever made the connection before - except that any self-respecting folklorist
> would be in bed when the tradition happens - from midnight Christmas Eve to
> 7.00 am approx. Xmas Day. Thank goodness for the World Wide Web!!
>
> Dave
> www.collectorsfolk.co.uk

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Subject: Re: Yorkshire Carols
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 10:13:36 -0800
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> Folklorists sleep? The ones I know don't!Well the ones I know tend to fall asleep after about.........pints followed
by copious amounts of whisky!! (Can anyone account for the love of
folklorists for whisky and is there any research done on early ones to
establish it as a long term trend?)On the other hand I certainly know of one dedicated folklorist who was up at
5.00 am on Christmas Day participating in a traditional folk event, so maybe
you are right!!!Wassail,Dave
www.collectorsfolk.co.uk

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 10:31:35 -0800
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Subject: Re: Yorkshire Carols
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 08:08:34 -0500
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I have certanly stayed up until five or six A.M.--and more--in the line of
scholarly research, but as one ages... Well.  anyhow, my hope is either to
be in Sheffield next December or in Glen Rock, and my hoe would be to adjust
my sleep schedule accordingly in time to participate without flagging.Wassail!        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Dave Eyre
Sent: Thursday, December 26, 2002 1:14 PM
To: [unmask]
Subject: Re: Yorkshire Carols> Folklorists sleep? The ones I know don't!Well the ones I know tend to fall asleep after about.........pints followed
by copious amounts of whisky!! (Can anyone account for the love of
folklorists for whisky and is there any research done on early ones to
establish it as a long term trend?)On the other hand I certainly know of one dedicated folklorist who was up at
5.00 am on Christmas Day participating in a traditional folk event, so maybe
you are right!!!Wassail,Dave
www.collectorsfolk.co.uk

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 08:11:06 -0600
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On 12/26/02, Dave Eyre wrote:[ ... ]>As a dealer I may sometimes be prepared to pay more than the members of this list and thus if I do not bid then the seller is being deprived of a fair price.
>
>Generally speaking you all should be able to offer more than me since I hope to make a profit.
>
>I would be really grateful for others thoughts on these matters.I'm trying to see this from your standpoint, though this poses
problems for me because I buy music books, literally, as a
public service (I literally do *nothing* with many of the books
I buy except use them to research the Ballad Index).But there are actually two sides here: If you get into a bidding
war with someone here, and lose, you've gained money for the
*seller* of the item, but you've *cost* someone on the list money.
And if you *win*, well, you've cost *yourself* money. And if you
lose, you've seen your competitor spend money which he might
instead have given to you. :-)It appears to me that, even in your current situation, you would
be better off talking with the people on the list who wish to
bid. If you talk to each other about the maximum you can bid, then
one or the other of you can back down and the other may get a
cheaper purchase.What you really need to do is find a way to find items that
don't get listed here. :-)You might actually be pleasantly surprised at the outcome.
I, for instance, tend not to fight very hard for items. Since
my task is to eventually index *every* true folk song book,
I tend to retreat when I meet strong resistance and save my
money for the next auction. So if you're going against me,
unless it's a really major book, you can probably get me to
back down.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Ebay auction
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:34:10 -0500
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Well, a good part of the problem is people _not_ on the list. If
listmembers who might want a book politely decline to bid in favor of
x, and x chooses to bid only $15, say, a last-minute sniper will get
it for $16 even though other list members might have happily paid $20
or more. Dave might be willing to pay more as a dealer with a
prospective client, Jon B might pay more since he's bidding on behalf
of a folk organization's library.I see Ed Cray did win his Child lecture series ticket, though.
Congratulations, Ed.John Roberts.>On 12/26/02, Dave Eyre wrote:
>
>[ ... ]
>
>>As a dealer I may sometimes be prepared to pay more than the
>>members of this list and thus if I do not bid then the seller is
>>being deprived of a fair price.
>>
>>Generally speaking you all should be able to offer more than me
>>since I hope to make a profit.
>>
>>I would be really grateful for others thoughts on these matters.
>
>I'm trying to see this from your standpoint, though this poses
>problems for me because I buy music books, literally, as a
>public service (I literally do *nothing* with many of the books
>I buy except use them to research the Ballad Index).
>
>But there are actually two sides here: If you get into a bidding
>war with someone here, and lose, you've gained money for the
>*seller* of the item, but you've *cost* someone on the list money.
>And if you *win*, well, you've cost *yourself* money. And if you
>lose, you've seen your competitor spend money which he might
>instead have given to you. :-)
>
>It appears to me that, even in your current situation, you would
>be better off talking with the people on the list who wish to
>bid. If you talk to each other about the maximum you can bid, then
>one or the other of you can back down and the other may get a
>cheaper purchase.
>
>What you really need to do is find a way to find items that
>don't get listed here. :-)
>
>You might actually be pleasantly surprised at the outcome.
>I, for instance, tend not to fight very hard for items. Since
>my task is to eventually index *every* true folk song book,
>I tend to retreat when I meet strong resistance and save my
>money for the next auction. So if you're going against me,
>unless it's a really major book, you can probably get me to
>back down.
>
>
>--
>Robert B. Waltz  - - - - - - - - Ballad Index Editor
>1078 Colne Street
>Saint Paul, MN 55103-1348
>651-489-1930 - - - - - - - - - - e-mail: [unmask]
>
>The Ballad Index Web Site:
>http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: save our sounds
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 10:57:34 -0800
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Don't forget....
"Save Our Sounds"
Tonight on the History Channel.
http://www.historychannel.com/saveourhistory/__________________________________________________
Do you Yahoo!?
Yahoo! Mail Plus - Powerful. Affordable. Sign up now.
http://mailplus.yahoo.com

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 12:59:43 -0600
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On 12/26/02, Robert B. Waltz wrote:>On 12/26/02, Dave Eyre wrote:
>
>[ ... ]
>
>>As a dealer I may sometimes be prepared to pay more than the members of this list and thus if I do not bid then the seller is being deprived of a fair price.
>>
>>Generally speaking you all should be able to offer more than me since I hope to make a profit.
>>
>>I would be really grateful for others thoughts on these matters.
>
>I'm trying to see this from your standpoint, though this poses
>problems for me because I buy music books, literally, as a
>public service (I literally do *nothing* with many of the books
>I buy except use them to research the Ballad Index).I have to add an addendum to my own comment. I suddenly find myself
bothered: Why have folk music books become collectors' items?Obviously certain books have gone out of print, and will be hard
to find. But *everything* is hard to find now. We all know that
prices have gone through the roof. But -- without saying anything
about Dave Eyre -- why should used book dealers be making so
much money off these books just because we're all crazy? :-)
Shouldn't we be trying to make these books available to the
public so folk music *isn't* something that requires a very
expensive initiation to "join the club"?I don't particularly feel I'm cheating the people on eBay when
I get an item for a low price; if they aren't willing to accept
their minimum bid, they should have set it higher. But that
won't solve the real problem. How do we make more material
available?I've made a small contribution; I put together a book for the
Fresno online reprint series that Dave Engle hopes to set up
one of these days. Can we do more?
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 14:04:45 -0500
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>...If
>listmembers who might want a book politely decline to bid in favor of
>x, and x chooses to bid only $15, say, a last-minute sniper will get
>it for $16 even though other list members might have happily paid $20
>or more. Dave might be willing to pay more as a dealer with a
>prospective client, Jon B might pay more since he's bidding on behalf
>of a folk organization's library....These are illustrative of the kinds of troubles that can be caused by
well-intentioned bidding agreements.  I don't subscribe to any such
agreement.
--
john garst    [unmask]

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:08:25 -0600
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On 12/26/02, John Roberts wrote:>Well, a good part of the problem is people _not_ on the list. If
>listmembers who might want a book politely decline to bid in favor of
>x, and x chooses to bid only $15, say, a last-minute sniper will get
>it for $16 even though other list members might have happily paid $20
>or more. Dave might be willing to pay more as a dealer with a
>prospective client, Jon B might pay more since he's bidding on behalf
>of a folk organization's library.But this is precisely the reverse of the actual situation I'm
describing. Obviously "outsiders" get many of these books (in
which case the moral question is moot). But take the case of
two Ballad-L bidders wanting the same book. If we're both going
after, say, Brown II, and you're willing to spend $50 and I am
only willing to spend $30 (after all, Brown II has been indexed
and will be included in the next Ballad Index update), then
if I yield to you, *you* bid your $50 and you either get the
book or you don't. But if you and I are the only bidders willing
to bid above $25 (again, arbitrarily), then *my* bidding will
push you up above $30, whereas if I hadn't bid, then you
would stop at $25.If you and I agree that you, since you are willing to go higher,
will be the only one of us to bid, then it can only help you win
the book at a lower price.And note that this even helps Dave Eyre, as a reseller. Because
he too gets a lower-priced book.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:15:30 -0600
Content-Type:text/plain
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On 12/26/02, John Garst wrote:>>...If
>>listmembers who might want a book politely decline to bid in favor of
>>x, and x chooses to bid only $15, say, a last-minute sniper will get
>>it for $16 even though other list members might have happily paid $20
>>or more. Dave might be willing to pay more as a dealer with a
>>prospective client, Jon B might pay more since he's bidding on behalf
>>of a folk organization's library....
>
>These are illustrative of the kinds of troubles that can be caused by
>well-intentioned bidding agreements.  I don't subscribe to any such
>agreement.Actually, that's an ill-intentioned *lack* of agreement, because
what is described is exactly what I *won't* do. It's stupid and
counterproductive.What you are saying, with your *lack* of bidding agreements, is
"go ahead, hit me." I know, if you bid, that there is no point
in sounding you out on how high you're willing to go. If we both
want the book, then there are only three possible outcomes: We
both lose the book, you lose the book to me, or, because we've
bid against each other, you pay more than you otherwise would
have.The whole idea is that one of us backs down. With a single
exception, while I was still developing my strategy, I have
*always* backed down *before placing a bid*. But I now know
that that is a useless strategy with you because you don't
deal. :-)I don't know the answer for Dave Eyre, because he's buyer
and seller. But I know your strategy is bad game theory (unless
you too are a buyer and seller). Read about Prisoner's Dilemma.
The best strategy (and this *is* Prisoner's Dilemma, with some
complications) is cooperation at first and then tit for tat.
And you just made the first hostile move.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 11:25:54 -0800
Content-Type:TEXT/PLAIN
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John et al:Thank you.  The ticket will eventually go to the Library of Congress --
along with the gravestone rubbing ballad-l member Linn Schulz made in the
Child family plot.  Meanwhile, I shall hoard it.  Heh, heh, heh.As for the ebay question, I would suggest that we NOT compete.  If folks
see something they want, PRIVATELY email their top bid to the others
interested in the item.EdOn Thu, 26 Dec 2002, John Roberts wrote:> Well, a good part of the problem is people _not_ on the list. If
> listmembers who might want a book politely decline to bid in favor of
> x, and x chooses to bid only $15, say, a last-minute sniper will get
> it for $16 even though other list members might have happily paid $20
> or more. Dave might be willing to pay more as a dealer with a
> prospective client, Jon B might pay more since he's bidding on behalf
> of a folk organization's library.
>
> I see Ed Cray did win his Child lecture series ticket, though.
> Congratulations, Ed.
>
> John Roberts.
>
>
>
> >On 12/26/02, Dave Eyre wrote:
> >
> >[ ... ]
> >
> >>As a dealer I may sometimes be prepared to pay more than the
> >>members of this list and thus if I do not bid then the seller is
> >>being deprived of a fair price.
> >>
> >>Generally speaking you all should be able to offer more than me
> >>since I hope to make a profit.
> >>
> >>I would be really grateful for others thoughts on these matters.
> >
> >I'm trying to see this from your standpoint, though this poses
> >problems for me because I buy music books, literally, as a
> >public service (I literally do *nothing* with many of the books
> >I buy except use them to research the Ballad Index).
> >
> >But there are actually two sides here: If you get into a bidding
> >war with someone here, and lose, you've gained money for the
> >*seller* of the item, but you've *cost* someone on the list money.
> >And if you *win*, well, you've cost *yourself* money. And if you
> >lose, you've seen your competitor spend money which he might
> >instead have given to you. :-)
> >
> >It appears to me that, even in your current situation, you would
> >be better off talking with the people on the list who wish to
> >bid. If you talk to each other about the maximum you can bid, then
> >one or the other of you can back down and the other may get a
> >cheaper purchase.
> >
> >What you really need to do is find a way to find items that
> >don't get listed here. :-)
> >
> >You might actually be pleasantly surprised at the outcome.
> >I, for instance, tend not to fight very hard for items. Since
> >my task is to eventually index *every* true folk song book,
> >I tend to retreat when I meet strong resistance and save my
> >money for the next auction. So if you're going against me,
> >unless it's a really major book, you can probably get me to
> >back down.
> >
> >
> >--
> >Robert B. Waltz  - - - - - - - - Ballad Index Editor
> >1078 Colne Street
> >Saint Paul, MN 55103-1348
> >651-489-1930 - - - - - - - - - - e-mail: [unmask]
> >
> >The Ballad Index Web Site:
> >http://www.csufresno.edu/folklore/BalladIndexTOC.html
>

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Subject: Re: Ebay auction
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 11:27:56 -0800
Content-Type:TEXT/PLAIN
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TEXT/PLAIN(48 lines)


Folks:Seems sensible to me.EdOn Thu, 26 Dec 2002, Robert B. Waltz wrote:> On 12/26/02, John Roberts wrote:
>
> >Well, a good part of the problem is people _not_ on the list. If
> >listmembers who might want a book politely decline to bid in favor of
> >x, and x chooses to bid only $15, say, a last-minute sniper will get
> >it for $16 even though other list members might have happily paid $20
> >or more. Dave might be willing to pay more as a dealer with a
> >prospective client, Jon B might pay more since he's bidding on behalf
> >of a folk organization's library.
>
> But this is precisely the reverse of the actual situation I'm
> describing. Obviously "outsiders" get many of these books (in
> which case the moral question is moot). But take the case of
> two Ballad-L bidders wanting the same book. If we're both going
> after, say, Brown II, and you're willing to spend $50 and I am
> only willing to spend $30 (after all, Brown II has been indexed
> and will be included in the next Ballad Index update), then
> if I yield to you, *you* bid your $50 and you either get the
> book or you don't. But if you and I are the only bidders willing
> to bid above $25 (again, arbitrarily), then *my* bidding will
> push you up above $30, whereas if I hadn't bid, then you
> would stop at $25.
>
> If you and I agree that you, since you are willing to go higher,
> will be the only one of us to bid, then it can only help you win
> the book at a lower price.
>
> And note that this even helps Dave Eyre, as a reseller. Because
> he too gets a lower-priced book.
>
> --
> Robert B. Waltz  - - - - - - - - Ballad Index Editor
> 1078 Colne Street
> Saint Paul, MN 55103-1348
> 651-489-1930 - - - - - - - - - - e-mail: [unmask]
>
> The Ballad Index Web Site:
> http://www.csufresno.edu/folklore/BalladIndexTOC.html
>

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 14:36:10 -0500
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>On 12/26/02, John Garst wrote:...>Actually, that's an ill-intentioned *lack* of agreement, because
>what is described is exactly what I *won't* do. It's stupid and
>counterproductive.
>
>What you are saying, with your *lack* of bidding agreements, is
>"go ahead, hit me." I know, if you bid, that there is no point
>in sounding you out on how high you're willing to go. If we both
>want the book, then there are only three possible outcomes: We
>both lose the book, you lose the book to me, or, because we've
>bid against each other, you pay more than you otherwise would
>have.Wrong.  There are too many variables.  None of us can control them.
The only fair method is to bid away.I speak from experience on this, having been party to a similar
bidding agreement previously.  Little good came of it.  The most
frequent adverse results were that (1) some outsider won the bid
because the agreed-upon bidding member of the group was not willing
to go as high as some of the other (nonbidding) members would have
and (2) the agreed-upon bidder did not exercise due diligence in the
closing moments of the auction, falling victim to a cheap sniper.As a matter of principle, I stopped participating in such agreements.
--
john garst    [unmask]

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:22:06 -0800
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Hi Robert and others,Thanks for your kind thoughts which are appreciated.>
> But there are actually two sides here: If you get into a bidding
> war with someone here, and lose, you've gained money for the
> *seller* of the item, but you've *cost* someone on the list money.
> And if you *win*, well, you've cost *yourself* money. And if you
> lose, you've seen your competitor spend money which he might
> instead have given to you. :-)I nearly got lost there :-). In fact the more I think about it I have!!> It appears to me that, even in your current situation, you would
> be better off talking with the people on the list who wish to
> bid. If you talk to each other about the maximum you can bid, then
> one or the other of you can back down and the other may get a
> cheaper purchase.Such behaviour in a normal auction in the UK would in fact be illegal.  The
problem here, further, is that I also sell on ebay and would probably resent
such behaviour. Don't mis-understand me, Jon and I have had some friendly
rivalry and still remained friends. (I think).>
> What you really need to do is find a way to find items that
> don't get listed here. :-)I do that of course, and I am really grateful for a lovely broadside not
being  "listed" recently, and judging by the price no-one else seemed to
notice it.  I belong to the list for others' erudition and the hope I might
get to contribute to it occasionally, and certainly not for the list of
books.
>
> You might actually be pleasantly surprised at the outcome.
> I, for instance, tend not to fight very hard for items. Since
> my task is to eventually index *every* true folk song book,
> I tend to retreat when I meet strong resistance and save my
> money for the next auction. So if you're going against me,
> unless it's a really major book, you can probably get me to
> back down.
>
I personally think that perhaps the best way is not for others to draw
attention to items they are bidding on. I am not setting myself up as a para
gon of virtue and I can be as devious as anyone - indeed I would hardly be a
dealer if I weren't!!But I am still willing to listen to any other ideas about this conundrum.
And thanks for contributions so far.Grenoside Sword, and Carols today. Been busy!!Best wishes,Dave

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:44:16 -0800
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> John et al:
>
> Thank you.  The ticket will eventually go to the Library of Congress --Whilst - as far as I know - the Library of Congress is not an offender, a
library tends to be the quickest way to get something well hidden and or
sold on to people like me!!However I think the discussion is livening up and peoples' thoughts have
certainly been a great help to clearing my own mind. Which is still not made
up.Wassail.Dave

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:56:25 -0800
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Hi again,> The most
> frequent adverse results were that (1) some outsider won the bid
> because the agreed-upon bidding member of the group was not willing
> to go as high as some of the other (nonbidding) members would have
> and (2) the agreed-upon bidder did not exercise due diligence in the
> closing moments of the auction, falling victim to a cheap sniper.Which is where my thoughts are leading me at the moment. However generally
speaking, I am that outsider so to speak - which takes me back to where we
came in!!
>
Dave

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 15:30:44 -0600
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On 12/26/02, Dave Eyre wrote:>Hi Robert and others,
>
>Thanks for your kind thoughts which are appreciated.
>
>>
>> But there are actually two sides here: If you get into a bidding
>> war with someone here, and lose, you've gained money for the
>> *seller* of the item, but you've *cost* someone on the list money.
>> And if you *win*, well, you've cost *yourself* money. And if you
>> lose, you've seen your competitor spend money which he might
>> instead have given to you. :-)
>
>I nearly got lost there :-). In fact the more I think about it I have!!Break it up into parts, and let's use us as two examples.Suppose you and I both wish to bid on a book. Suppose you are
willing to make the higher bid ($50, perhaps). I'm willing to
make the second-highest bid (say, $40). The next highest bidder
is willing to bid $30.If I weren't bidding, you would get the book for $30.50. With
me bidding, you have to pay $40.50. All we have accomplished,
by bidding against each other (Prisoner's Dilemma, Tit for Tat)
is to cost you an extra $10.If I were the one willing to bid the most, then *you* have cost
*me* $10.If we are not the two with the highest thresholds, then it's
all irrelevant. But you can only benefit, if you are bidding,
by me not being there.Your situation is complicated in that your best interests as a
seller are in conflict with your best interests as a buyer.
But the more I think about it, the less I think even *that* matters.
You want to buy low and sell high. Well, you can control the
price at which you sell: You set a minimum bid. So your greatest
concern is to minimize what you pay for the items you wish to
acquire.Therefore your optimal strategy is to eliminate potential
counter-bidders.> > It appears to me that, even in your current situation, you would
>> be better off talking with the people on the list who wish to
>> bid. If you talk to each other about the maximum you can bid, then
>> one or the other of you can back down and the other may get a
>> cheaper purchase.
>
>Such behaviour in a normal auction in the UK would in fact be illegal.I find this difficult to believe. Obviously, in an auction, if
someone inserts false bids, *this* is collusion. But we are not
inserting false bids; we are *eliminating* bids. eBay is not a
closed bidding universe; such behavior cannot be stopped. Nor
is it in any sense unreasonable: In essence, we're saying, "You
take this and I'll take that." Nothing wrong there.>The
>problem here, further, is that I also sell on ebay and would probably resent
>such behaviour. Don't mis-understand me, Jon and I have had some friendly
>rivalry and still remained friends. (I think).But, again, you are only hurting yourself. You really need to study
game theory. That's what it's *for*: To determine the best way to
proceed in a situation like this.[ ... ]> > You might actually be pleasantly surprised at the outcome.
>> I, for instance, tend not to fight very hard for items. Since
>> my task is to eventually index *every* true folk song book,
>> I tend to retreat when I meet strong resistance and save my
>> money for the next auction. So if you're going against me,
>> unless it's a really major book, you can probably get me to
>> back down.
>>
>I personally think that perhaps the best way is not for others to draw
>attention to items they are bidding on. I am not setting myself up as a para
>gon of virtue and I can be as devious as anyone - indeed I would hardly be a
>dealer if I weren't!!But, again, you are inviting "tit for tat" behavior. By bidding
against me, you are saying, "Go ahead, bid back." The best
strategy, in a situation like this, *is* cooperation. And if
the other will not cooperate, *then* the best strategy is
retaliation.I have volunteered to cooperate with anyone who lays his cards
on the table. That will generally mean that the other person
will get the book.But if you, or John Garst, will *not* put your cards on the
table, then you invite retaliation: I have no reason not to
bid against you. Ultimately, that *will* cost you money. It
will cost you on *every auction where you are the bidder
with the highest threshold and I am the #2 bidder.* Every
one. And it will *never gain you a penny.*If you or John Garst have had bad experiences, it's in the
way you have managed your agreements with others. I'll allow
that that might happen -- but then you need to go to shift
from cooperation to retaliation. But you cooperate *first*.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:37:37 -0800
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Dave:A point of clarification.  I should have said that ticket and rubbing will
go to the Archive of American Folk Culture at the Library of Congress.
THEY don't lose things related to folklore and song.EdOn Thu, 26 Dec 2002, Dave Eyre wrote:> > John et al:
> >
> > Thank you.  The ticket will eventually go to the Library of Congress --
>
> Whilst - as far as I know - the Library of Congress is not an offender, a
> library tends to be the quickest way to get something well hidden and or
> sold on to people like me!!
>
> However I think the discussion is livening up and peoples' thoughts have
> certainly been a great help to clearing my own mind. Which is still not made
> up.
>
> Wassail.
>
> Dave
>

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Subject: Re: Ebay auction (Game Theory)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 18:14:53 -0600
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I realize suddenly that I've been using game theory, and
sort of taking it for granted that people understand what
I'm talking about. I should probably clarify."Game theory" is a branch of mathematics devoted to
strategy -- how best to act in a particular situation
to achieve maximum payoff. Game theory can apply to
anything, as long as the rules are fixed.Note that a "game" need not be an actual *game*. It can
apply to competition between two retail outlets, or to
deciding which bills to pay in a timely manner. All that
matters is that there be rules and some sort of measure
of value.The goal of game theory is to find the "optimal strategy" --
the method for obtaining the greatest chance of the best
payoff. Sometimes this is obvious: If the New York Yankees
are scheduled to play a series of exhibition games against
your local Podunk Semipros, and someone is giving even odds
on either, bet on the Yankees. :-) Some games don't have
an optimal strategy -- if you're betting on coin tosses,
you can bet on heads on every toss, or tails, or alternate,
or do anything, and you still can expect a 50% payoff
rate.Most "real world" games are somewhere in between. They have
an optimal strategy, but it will pay off only sometimes.The eBay auction very much resembles a classic example
of game theory called The Prisoner's Dilemma. In simplest
form, Prisoner's Dilemma involves two prisoners who are
being interrogated. At any given time, either prisoner
can rat on the other or he can NOT rat on the other.Now here's the situation: If neither rats on the other,
both are punished lightly. If both rat on the other,
both are punished in an intermediate way. If one rats
but the other doesn't, then the one who rats is punished
in an intermediate way and the one who was ratted upon
without ratting himself receives a more severe punishment.If I were really trying to teach you game theory (and I'm
not, because I'm not a high-order expert), I'd be drawing
tables of outcomes and running all sorts of calculations.
But I won't. I'll just tell you the optimal strategy for
Prisoner's Dilemma.The strategy is, Do not rat on the first turn, then in
each succeeding turn, do whatever the other guy did to
you last time. The technical name for this strategy is
"tit for tat": If the other guy is also smart and doesn't
rat on you, then you never get more than minimum punishment.
If he *does* rat on you, you try to teach him a lesson
until he cooperates.And the more you cooperate, the better off you both are.This is *exactly* the same as the eBay auction where two
bidders are aware of each other: if you cooperate (e.g.
if one stays out of the other's way), the one who is
left will get the best possible price in the context of
the auction. But if you bid against each other, the price
will ALWAYS be greater than or equal to what it would have
been otherwise.I'm not making this up. Again, I urge you, if you don't
believe me, to get a book on game theory and look it up.It may be objected that an eBay auction is not like
Prisoner's Dilemma because of sniping and such. This is
true in the sense that the auction often takes on an
irrational tinge -- "gotta have that whatever it costs."
This makes it difficult to devise an *overall* optimal
strategy -- sniping works in some cases, but in the long
run can be costly because you're trying to snipe in such
a way as to ensure a victory. It *may* cause you to
overpay, particularly if *you* get irrationally
exuberant. This means that the best strategy, if you have
a finite budget and an effectively infinite number of
auctions to address, is to set your budget for each auction,
bid your limit, and accept that you'll lose. Overall, you'll
get more for your money.And *that* in turn reduces the auction back to Prisoner's
Dilemma. Which means that cooperation is the best
strategy.QED. :-)None of this, to repeat, applies to "gotta have it" items.
I don't know what the optimal strategy is in that case; I
rather suspect there is none. But we're talking about a
dealer -- someone whose chief goal is not to get a particular
item but to get a reasonable collection of items.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Matt McGinn
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:57:46 -0500
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On Wed, 25 Dec 2002 20:12:14 -0500, folkmusic wrote:>I heard the McGinn program too but the archived program.  I believe you
>should be able to listen to it again by going to the BBC Radio Scotland.Yes, but I don't think it will be there long.
http://www.bbc.co.uk/scotland/radioscotland/listen_again.shtml/
seems to take you direct to the archived shows, then scroll some.I've lost track (the archived clip misses the beginning) - was it Ewan
that put this together?  It's definitely a fine job.  Definitely.The show alludes to something given a few lines in the book, _McGinn of
the Calton_...  The family remarks on the volume and distraction of McGinn
loudly learning songs all over the house - repeating them repeatedly until
they were learned.  I mentioned this to my daughter - "see?  McGinn did
that and he was a fine singer, you shouldn't complain about me.""Yes," she said, "but maybe his being a fine singer made it easier for
_his_ family."The wife got to share a stage with McGinn one time.  I regret that was the
only time we got to hear him in person.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Ebay List - 12/26/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 20:03:21 -0500
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Hi!        First, congratulations to Ed on his win! That ticket had been
listed at least once before and had no bidders. I hesitated about
listing it. Finally, I decided it was relevant enough.        Second, I would like to state some of my listing policies. I may
have posted these before but it has been a while.        I do not list things like the Peter, Paul, & Mary Songbook, The
Kingston Trio Songbook, and other similar publications from the folk
revival. I also do not list most of the Botkin books. Both of these
categories are easy to find. There are always several examples of each on
Ebay.        If a book that I list does not sell and is relisted immediately,
I do not list the book again (especially if the seller has made no
change in price, etc.) There is usually a link from the old listing to
the new one.        I do not claim that I find every folk music book on Ebay. In
fact, I am sure that I miss some. My searches are not perfect. I do make
frequent changes that I hope are improvements.        Also some books are taken by Buy Nows between when I find them
and when I post the list. Some buyers are very quick!        Now - on to this weeks list of songbooks. I'll start with the
book that started the entire discussion.        932406593 - Ballads and Sea Songs from Nova Scotia by MacKenzie,
1963 reprint, $15 (ends Dec-29-02 11:44:11 PST)        931769496 - TEXAS FOLK SONGS by William A Owens, 1950, $9 (ends
Dec-27-02 20:53:10 PST)        2901374160 - American Songbag by Sandburg, 1937, $9 (ends
Dec-28-02 11:53:09 PST)        2901399585 - Singing Games and Dances by McIntosh, 1957, $7.95
(ends Dec-28-02 14:51:46 PST)        2901735227 - Victorian Street Ballads by Henderson, 1937, $15
(ends Dec-28-02 16:31:11 PST)        931915281 - Mountain Ministry of Pennsylvania by Shoemaker,
1931, $17.03 (ends Dec-28-02 18:11:53 PST)        2901109433 - A Book of Ballads, 1938, $9.50 (ends Dec-29-02
13:40:03 PST)        931529024 - The Songs of England, 3 volumes by Haton & Fanning,
1890?, $9.99 (ends Dec-29-02 14:13:00 PST)        2901161480 - Voices of a People The Story of Yiddish Folksong by
Rubin, 1973, $16 (ends Dec-29-02 20:02:24 PST)        2901626272 - The Ballad of America -- the History of the United
States in Song and Story by Scott, 1966, $7 (ends Dec-29-02 20:47:37
PST)        932071945 - HANK KEENE'S COLLECTION, 1935, $5.95 (ends Dec-29-02
13:51:58 PST)        932207049 - 2 Asher Sizemore & Little Jimmy Songbooks, 1934 &
1936, $3.50 (ends Dec-30-02 07:07:26 PST)        2901724262 - THE KENTUCKY FOLK-LORE AND POETRY MAGAZINE, 1930,
$9.99 (ends Dec-30-02 14:44:51 PST)        931813503 - Penguin Book Of English Folksongs, 1968, 4.70 GBP
(ends Dec-31-02 06:27:10 PST)        2901818917 - Das Schamlose Volkslied Eine sammlung Erotischer
Volkslieder by Schidrowitz, 1921, $27.50 (ends Dec-31-02 10:17:27 PST)        932580156 - 6 country/old time songbooks from 1930's, $9.99
(ends Jan-01-03 20:12:00 PST)        2902023602 - Selected Writings of Louise Pound, 1949, $45 (ends
Jan-02-03 02:33:32 PST)        2902035356 - WHITE SPIRITUALS IN THE SOUTHERN UPLANDS by
Jackson, 1965, $49.99 (ends Jan-02-03 03:25:22 PST)        2151107136 - Two Penny Ballads and Four Dollar Whiskey by
Byington & Goldstein, 1966, $9.89 (ends Jan-02-03 18:22:32 PST)        2901969540 - The Musical Miscellany: or, Songster's Companion,
1789, $124.50 (ends Jan-04-03 19:45:41 PST)        932687618 - ASHER SIZEMORE AND LITTLE JIMMIE'S FAVORITE SONGS,
1934, $9 (ends Jan-05-03 05:26:36 PST)                                Happy Bidding!
                                Dolores
--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 12/26/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:51:02 -0600
Content-Type:text/plain
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Well, after all this discussion, this may get me in trouble, but
*I* will follow both the rules of politeness and the rules of
game theory:On 12/26/02, Dolores Nichols wrote:[ ... ]>        932406593 - Ballads and Sea Songs from Nova Scotia by MacKenzie,
>1963 reprint, $15 (ends Dec-29-02 11:44:11 PST)I gather someone (I forget who) is going after this? Yes? No? If
not, I'm going to try.>        931769496 - TEXAS FOLK SONGS by William A Owens, 1950, $9 (ends
>Dec-27-02 20:53:10 PST)I'm also mildly interested in this, but I'm not going to fight
for it. Anyone want it?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay List - 12/26/02
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:16:38 -0800
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Yes, Bob, it's me going after the Mackenzie.  I really appreciate your game
theory seminar.  I accept all you say as to the most logical bidding
protocol.  But but but but....  I can't say for any item what my TOP price
will be.  This irrational behaviour may be unique to me but I suspect not.
I blow hot and cold and a low price can rev me up as a high initial price
can put me off (even if I eventually bid more on the first than the second).
I'm keeping a list of ebay sales for a variety of books since I work on the
basis that knowledge ( thank you, Dolores, for all your listing work!)
benefits everyone.  I'm happy to send the list (now at over 1,000 sold
items, covering maybe 200 books or LP's) to any Listmember who'd like it.
It gives for each sale the listing and final price, and the number of bids.
I'm not sure (still, after the excellent discussion on this point friend
Dave brought up) how I stand on informing people that I'm after a particular
book.  Does the question of individual honesty come into play in game
theory?  If I tell you (dishonestly) that my top price is $1000 and that
discourages you (and anyone else I tell, like the List) from bidding,
haven't I just a) removed a large number of potential bidders by bluff and
b) acted unethically? What if I don't *know* what my top price would be?Thanks again to Dave and Bob and others for elucidating this problem:  and
thanks to all the Listmembers at the turning of the year for their
kindnesses to me and Rika in guiding a couple of tyros into the arcane
mysteries of the ballad.  We hope very much to get to Austin this June to
see some of you lovely folk.Jon Bartlett----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
To: <[unmask]>
Sent: Thursday, December 26, 2002 5:51 PM
Subject: Re: Ebay List - 12/26/02> Well, after all this discussion, this may get me in trouble, but
> *I* will follow both the rules of politeness and the rules of
> game theory:
>
> On 12/26/02, Dolores Nichols wrote:
>
> [ ... ]
>
> >        932406593 - Ballads and Sea Songs from Nova Scotia by MacKenzie,
> >1963 reprint, $15 (ends Dec-29-02 11:44:11 PST)
>
> I gather someone (I forget who) is going after this? Yes? No? If
> not, I'm going to try.
>

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Subject: Re: Ebay auction (Game Theory)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 23:13:27 -0500
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Seems to me that it's what used to be called, quaintly, restraint of
trade.dick greenhaus"Robert B. Waltz" wrote:> I realize suddenly that I've been using game theory, and
> sort of taking it for granted that people understand what
> I'm talking about. I should probably clarify.
>
> "Game theory" is a branch of mathematics devoted to
> strategy -- how best to act in a particular situation
> to achieve maximum payoff. Game theory can apply to
> anything, as long as the rules are fixed.
>
> Note that a "game" need not be an actual *game*. It can
> apply to competition between two retail outlets, or to
> deciding which bills to pay in a timely manner. All that
> matters is that there be rules and some sort of measure
> of value.
>
> The goal of game theory is to find the "optimal strategy" --
> the method for obtaining the greatest chance of the best
> payoff. Sometimes this is obvious: If the New York Yankees
> are scheduled to play a series of exhibition games against
> your local Podunk Semipros, and someone is giving even odds
> on either, bet on the Yankees. :-) Some games don't have
> an optimal strategy -- if you're betting on coin tosses,
> you can bet on heads on every toss, or tails, or alternate,
> or do anything, and you still can expect a 50% payoff
> rate.
>
> Most "real world" games are somewhere in between. They have
> an optimal strategy, but it will pay off only sometimes.
>
> The eBay auction very much resembles a classic example
> of game theory called The Prisoner's Dilemma. In simplest
> form, Prisoner's Dilemma involves two prisoners who are
> being interrogated. At any given time, either prisoner
> can rat on the other or he can NOT rat on the other.
>
> Now here's the situation: If neither rats on the other,
> both are punished lightly. If both rat on the other,
> both are punished in an intermediate way. If one rats
> but the other doesn't, then the one who rats is punished
> in an intermediate way and the one who was ratted upon
> without ratting himself receives a more severe punishment.
>
> If I were really trying to teach you game theory (and I'm
> not, because I'm not a high-order expert), I'd be drawing
> tables of outcomes and running all sorts of calculations.
> But I won't. I'll just tell you the optimal strategy for
> Prisoner's Dilemma.
>
> The strategy is, Do not rat on the first turn, then in
> each succeeding turn, do whatever the other guy did to
> you last time. The technical name for this strategy is
> "tit for tat": If the other guy is also smart and doesn't
> rat on you, then you never get more than minimum punishment.
> If he *does* rat on you, you try to teach him a lesson
> until he cooperates.
>
> And the more you cooperate, the better off you both are.
>
> This is *exactly* the same as the eBay auction where two
> bidders are aware of each other: if you cooperate (e.g.
> if one stays out of the other's way), the one who is
> left will get the best possible price in the context of
> the auction. But if you bid against each other, the price
> will ALWAYS be greater than or equal to what it would have
> been otherwise.
>
> I'm not making this up. Again, I urge you, if you don't
> believe me, to get a book on game theory and look it up.
>
> It may be objected that an eBay auction is not like
> Prisoner's Dilemma because of sniping and such. This is
> true in the sense that the auction often takes on an
> irrational tinge -- "gotta have that whatever it costs."
> This makes it difficult to devise an *overall* optimal
> strategy -- sniping works in some cases, but in the long
> run can be costly because you're trying to snipe in such
> a way as to ensure a victory. It *may* cause you to
> overpay, particularly if *you* get irrationally
> exuberant. This means that the best strategy, if you have
> a finite budget and an effectively infinite number of
> auctions to address, is to set your budget for each auction,
> bid your limit, and accept that you'll lose. Overall, you'll
> get more for your money.
>
> And *that* in turn reduces the auction back to Prisoner's
> Dilemma. Which means that cooperation is the best
> strategy.
>
> QED. :-)
>
> None of this, to repeat, applies to "gotta have it" items.
> I don't know what the optimal strategy is in that case; I
> rather suspect there is none. But we're talking about a
> dealer -- someone whose chief goal is not to get a particular
> item but to get a reasonable collection of items.
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>    is that no one ever learns from history."

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Subject: Austin
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Subject: Re: Austin
From: Jon Bartlett <[unmask]>
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Date:Thu, 26 Dec 2002 22:06:10 -0800
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Subject: Re: Ebay auction (Game Theory)
From: Dean Clamons <[unmask]>
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Date:Fri, 27 Dec 2002 01:27:28 -0500
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What Bob Waltz said about game theory is true if you accept that bidding on ebay is "exactly" like the prisoners' dilemna. I don't think it is for a couple of reasons. The most obvious is that bidding on ebay is not a two person game. Secondly, if two bidders have a different idea of the value of the item (or worse yet a different idea of the value of money) then the bidders' perception of the "penalties" is different and the idea of optimal strategy breaks down.I personally think that my best strategy is to decide what I am willing to pay for an item and bid that as my limit. Let ebay keep track of things and raise my actual bid until my limit is reached. That way I never pay more than I thought the item was worth to me and often I pay less.On the other hand if someone on the list says they are interested in an item that I have some (but not a strong) interest in I am likely to not bid on that item.Dean Clamons

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Subject: Re: Ebay List - 12/26/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 01:24:53 -0600
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Jon wrote:<< Does the question of individual honesty come into play in game
theory?  If I tell you (dishonestly) that my top price is $1000 and that
discourages you (and anyone else I tell, like the List) from bidding,
haven't I just a) removed a large number of potential bidders by bluff and
b) acted unethically? >>Yes, but you're assuming the game will only be played once. In a unique
encounter ratting is the optimal strategy. But "Prisoner's Dilemma"-type
games assume that the game will be played a large number of times, so that
other players will begin to understand your predilections and play
accordingly. If you act as described above, you'll get caught the first time
someone from outside the list beats you out with a low bid. At that point,
list members who keep an eye on the bidding histories will realize that you
were bluffing, and will begin bidding against you rather than dropping out.
At that point you're in a non-cooperative situation, and everyone loses as
prices go up.Incidentally, Bob slightly oversimplified the optimal strategy for
"Prisoner's Dilemma". He stated that it was to begin by cooperating, then to
follow a "tit-for-tat" strategy by imitating your fellow-competitor's action
on the previous move. (Rat if s/he rats, don't if s/he doesn't.) In fact,
experiments have showed that a modified strategy is more successful: if
initial cooperation is followed by a "forgiving" tit-for-tat strategy. In
other words, if s/he rats, you rat back most of the time, but once in a
while you don't rat even when ratted against. Players using that strategy
scored consistently highest on extended games. (A moment of forgiveness
breaks the string of rattings if the other player is playing straight
tit-for-tat. Since mutual cooperation brings both players the highest
scores, this improves things all around.)<<What if I don't *know* what my top price would be?>>That's a whole 'nother ballgame.Peace,
Paul

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Subject: Re: Ebay auction (legal thing)
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 09:22:52 -0800
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Hi,> I find this difficult to believe. Obviously, in an auction, if
> someone inserts false bids, *this* is collusion. But we are not
> inserting false bids; we are *eliminating* bids.Whilst I am not a lawyer the rules governing auctions are strict.Any
strategy for "lowering" prices - whether by two (or more) - is illegal.
This is because collusion could result in a lower price for the seller and
the seller is not aware of the collusion. What brought this act in was the
existence of "auction rings" who would collude to keep the price low and
then have a later auction between themselves, the auction "ring". In fact
that would be so easy for this list to do with ebay stuff.Let me stress that this probably cannot apply to on-line auctions.Depsite the erudition of the game theorists Robert et al - and I cannot fail
to agree with their logic, I tend towards suggesting that people do not
announce the fact that they were bidding. That is instinct.However that will be my last contribution for a few days to what has been a
fascinating discussion.I am off to Allendale for the Bonfire and also to see a man about some very
interesting books.Catch you all in the New YearDave

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Subject: Re: Ebay List - 12/26/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 08:36:00 -0600
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On 12/26/02, Jon Bartlett wrote:>Yes, Bob, it's me going after the Mackenzie.  I really appreciate your game
>theory seminar.  I accept all you say as to the most logical bidding
>protocol.  But but but but....  I can't say for any item what my TOP price
>will be.  This irrational behaviour may be unique to me but I suspect not.Probably not -- and game theorists are now trying to develop tools
to deal with such behavior. It isn't easy. :-) Paul Stamler mentioned
this: The optimal strategy in "real world" prisoner's dilemma is
not the optimal strategy in theory, because your opponents are
not entirely rational. Hence the notion of "forgiveness." The
problem is, you have to know how far to deviate in the direction
of "forgiveness." :-) The first strategy is the "Nash Equilibrium,"
after the guy in "A Beautiful Mind." The Nash Equilibrium can be
computed by pure mathematics, if it exists. The "real world
equilibrium" has to be found experimentally, and -- last I read --
there was no consensus on a name for it yet. In some games, it is
very different from the Nash Equilibrium. (E.g. the Nash Equilibrium
for blackjack is NOT TO BET. But people play anyway, in which case
there is an alternate strategy for minimizing losses.) However,
the Nash Equilibrium is generally the place to start when looking
for the real-world optimal strategy.In the long run, anything else will cost yourself money. Of course, if
your goal is to get one or two particular books, then that isn't
important. This analysis really does apply only to people who are
trying to acquire large collections (which includes me, and also
Dave Eyre).This is another of the points Paul Stamler brought up: Prisoner's
Dilemma is a response to a *sequence* of purchases. If you are
only going after one book, then you need another technique.>I blow hot and cold and a low price can rev me up as a high initial price
>can put me off (even if I eventually bid more on the first than the second).
>I'm keeping a list of ebay sales for a variety of books since I work on the
>basis that knowledge ( thank you, Dolores, for all your listing work!)
>benefits everyone.  I'm happy to send the list (now at over 1,000 sold
>items, covering maybe 200 books or LP's) to any Listmember who'd like it.
>It gives for each sale the listing and final price, and the number of bids.
>I'm not sure (still, after the excellent discussion on this point friend
>Dave brought up) how I stand on informing people that I'm after a particular
>book.  Does the question of individual honesty come into play in game
>theory?  If I tell you (dishonestly) that my top price is $1000 and that
>discourages you (and anyone else I tell, like the List) from bidding,
>haven't I just a) removed a large number of potential bidders by bluff and
>b) acted unethically? What if I don't *know* what my top price would be?Then we have a problem. Note that I said, in my long post, that this
strategy does not apply if you *really* want a particular item.In fact, if you aren't "honest" (or consistent), and are willing to
admit that fact, then you probably shouldn't play this game, because
you *will* invite retaliatory behavior. That's the "tit for tat"
response (I wish they had a better spelling for that; my "clean
language" checker keeps bugging me about it. :-) In Prisoner's
Dilemma, if the other guy does you dirt (in this case, lies about
bidding preference), then you do him dirt. In eBay bidding, if
you discover that one of us doesn't play fair, then you don't
play fair either. :-) We've already learned that John Garst, for
instance, won't play our game. So you go after him with everything
you've got. Seriously. That's your optimal strategy for dealing
with him.[ ... ]On 12/27/02, Dean Clamons wrote:>What Bob Waltz said about game theory is true if you accept that bidding on ebay is "exactly" like the prisoners' dilemna. I don't think it is for a couple of reasons. The most obvious is that bidding on ebay is not a two person game. Secondly, if two bidders have a different idea of the value of the item (or worse yet a different idea of the value of money) then the bidders' perception of the "penalties" is different and the idea of optimal strategy breaks down.This is of course true -- but not really relevant. The whole analysis
applies only if the two list members are the two bidders willing to
bid highest. If someone else is the #1 potential bidder, then nothing
we as listers do can affect things. And if someone else is the
potential #2 bidder, then the list member who is #1 will gain no
benefit from having the other Ballad-L lister back out (but will
gain no *benefit*, either).It's only analogous to Prisoner's Dilemma in the case of the
Balladeers being the two highest potential bidders. But that's
also the only case where prior agreement will affect the outcome.>I personally think that my best strategy is to decide what I am willing to pay for an item and bid that as my limit. Let ebay keep track of things and raise my actual bid until my limit is reached. That way I never pay more than I thought the item was worth to me and often I pay less.
>
>On the other hand if someone on the list says they are interested in an item that I have some (but not a strong) interest in I am likely to not bid on that item.You'll note that this is essentially the strategy I recommended: Set
your price and bid it. And if you have a conflict, the one with less
interest backs down.Ultimately, having read the various posts to this thread, I guess
what it comes down to is this: For those who are willing to play
the game (i.e. reach agreement), it *is* the optimal strategy
(and I can't see that it's illegal -- after all, the person offering
the item for auction has set a minimum price which he or she will
accept. And our agreement actually *encourages* one of us to bid.
If I saw Paul Stamler bidding on something, say, I might otherwise
pass -- but if I can reach an agreement with him, then the one
of us with the *higher* maximum will be the one bidding).If you aren't willing to play the game, well, you are mostly
hurting yourself. But it's best that you say so and stay out
of it.I will play the game, of course, and will prove my honesty
by not bidding on Mackenzie. :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction (Game Theory)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 10:10:19 -0500
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On Thu, 26 Dec 2002 23:13:27 -0500, dick greenhaus wrote:>Seems to me that it's what used to be called, quaintly, restraint of
>trade.
>
>"Robert B. Waltz" wrote:
>
>> This is *exactly* the same as the eBay auction where two
>> bidders are aware of each other: if you cooperate (e.g.
>> if one stays out of the other's way), the one who is
>> left will get the best possible price in the context of
>> the auction. But if you bid against each other, the price
>> will ALWAYS be greater than or equal to what it would have
>> been otherwise.I'm just babbling here out of the dimness of my mind & memory, not
moralizing or suggesting anything...I may have gotten this from the currently-showing-in-the-US early 70's
"Lovejoy" TV series - but I think I got it from the series of detective
novels on which it is based.  I was always interested in the presented
vast amount of folklore, jargon, "trade practices" and customs in the
English antique trade.One game they played at, for example, an estate auction, was the
"knock-down auction."  This would generally be aimed at a single
spectacular piece but maybe several pieces.  Seems all the professionals
at these public auctions would (by signs & winks, etc) agree that only
_one_ of them would bid.Since all the other generally recognizable pros apparently disdained to
bid, it was expected that the private bidders would not get excited and
the item would be acquired at a much lower price than if they bid against
each other (but well within the bidding pro's opinion of its resale
price).After the whole auction closed these pros (or informal syndicate, if you
like) would meet and hold a private auction among themselves for the
piece(s).There was more to it than that but the idea was clear that 1) it was a
known "game" to all the pros and 2) was a disreputable one & possibly
illegal and had to be kept secret and 3) involved lots of fun jargon and
customs.I see Dave calls these "auction rings."-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: eBay and other auctions
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 11:08:06 -0600
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Having been involved in antiques and auctions for many years, I
should like to add some observations.What Abby described, called a "ring" by Dave, is known around
here as "pooling."  It still goes on and is still illegal, but is not as
common as it once was. This is due to the presence of "amateurs."
These are those with more money than brains who will bid up
whatever they want to prices far above what the market will bear.
This is most annoying to serious collectors.One friend who is a major collector in his field, and who can afford
to bid high, refuses to pay too much for an item and thus loses
some pieces that would really grace his collection. He is
concerned that the "amateurs" do serious damage to the  market
by falsely inflating prices.  Many of these high winning bids go into
the record and become benchmarks for setting retail prices.Another practise that goes on is "deferring" and I think that this is
what we are really talking about here.At any given auction, one dealer may have his eye on a piece that
he has a ready buyer for. He tells his friends, and they "defer" to
him. This is nothing more than a common courtesy in the trade.A couple of weeks back, there was an auction loaded with fine folk
instruments, including three concertinas. There were two young
players who were interested in them and those of us who played
concertina, backed off, allowing the young lads a better chance.
One of them, incorrectly described as "English, possibly
Wheatstone" went to an "amateur."  The Crabb English and the
Linota went to the lads at very reasonable prrices..It seems to me that what is happening here is that some are
courteously deferring to another;s desire for a particular item.  A
couple months back, I bid on a songbook that took my fancy. When
I saw that John Roberts had entered the bidding, I backed out and
John kindly offered me a photocopy of it. It sold for far more than
either of us were willing to pay.I rarely buy on eBay or at any auction. Prices are just usually too
high to be able to make a reasonable return on my investment.One final thought; when participating in any auction, always
predetermine your absolute maximum price, and stick to it.  Too
many people have gotten wrapped up in the excitement of bidding
an ended up paying far more for an item than they would have in a
shop.Going, going, gone  --  TomTom Hall  --  Master Wordworker
and Intellectual Handyman

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Subject: Re: Ebay List - 12/26/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 12:17:37 -0600
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----- Original Message -----
From: Robert B. Waltz <[unmask]><< The optimal strategy in "real world" prisoner's dilemma is
not the optimal strategy in theory, because your opponents are
not entirely rational. Hence the notion of "forgiveness.">>Well, I'm not sure that the strategy of occasional forgiveness is predicated
on the non-rationality of the opponent(s). It works two ways: If the
opponent is playing by a strict tit-for-tat strategy, which is rational and
in fact mechanistic, then it automatically breaks the cycle of cheating and
causes both players to play their most productive strategy, which is to
cooperate. On the other hand, if the opponent is thinking rather than just
reacting, it sends a signal that you are *prepared* to cooperate if s/he
will cooperate with you, to which the rational answer is always cooperation.
So it's still based on the expectation of rational behavior on the
opponent's part.Irrational behavior would be if the opponent responded to forgiveness with
more cheating, as s/he would then garner a lower overall score as you both
resumed strict tit-for-tat.Peace,
Paul

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Subject: Re: Ebay List - 12/26/02
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 13:17:44 -0500
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On Fri, Dec 27, 2002 at 08:36:00AM -0600, Robert B. Waltz wrote:> On 12/27/02, Dean Clamons wrote:
>
> >I personally think that my best strategy is to decide what I am
+ willing to pay for an item and bid that as my limit. Let ebay keep track
+ of things and raise my actual bid until my limit is reached. That way I
+ never pay more than I thought the item was worth to me and often I pay
+ less.        [ ... ]> You'll note that this is essentially the strategy I recommended: Set
> your price and bid it. And if you have a conflict, the one with less
> interest backs down.
>
> Ultimately, having read the various posts to this thread, I guess
> what it comes down to is this: For those who are willing to play
> the game (i.e. reach agreement), it *is* the optimal strategy
> (and I can't see that it's illegal -- after all, the person offering
> the item for auction has set a minimum price which he or she will
> accept. And our agreement actually *encourages* one of us to bid.
> If I saw Paul Stamler bidding on something, say, I might otherwise
> pass -- but if I can reach an agreement with him, then the one
> of us with the *higher* maximum will be the one bidding).        There is something else which applies in eBay bidding -- that is
the *timing* of the bid.  Earlier in the thread there was mention of
sniping.  For any who don't know, this is the practice of placing your
bid at the last possible moment.  You may think that this will not have
any effect if you bid what you are willing to pay as your maximum bid,
but it *does* in the real world of eBay.  Since your maximum is not
revealed until someone bids more, nobody knows that you may have made a
preemptive bid, and if you bid this *early*, you will see (on some
auctions) people bidding a little above the showing bid amount,
incrementally until they finally pass you -- or give up.  Assuming that
your bid *was* a preemptive amount, and that they give up after N tries
to pass your bid -- you *still* are paying more for the item than you
otherwise would have had you placed the bid at the last possible minute.
And you *may* lose it to someone who gets caught up and keeps
incrementing until s/he passes you.  I've seen as many as twelve bids in
a row trying to find a previous bidder's maximum.  This is obviously
someone who does not believe in the proxy system which eBay uses, or
they would have found the same information in a single bid. :-)        I think that this was what was referred to as "due diligence",
and of course actually remembering to get your bid in before the auction
closes.  Note that sometimes the "sniping" pattern can lose you the
auction, if that happens to be the time that either eBay as a whole, or
at least your net connection to eBay slows down to a crawl, so what you
thought was sufficient time to place your bid turns out to be
insufficient.  We have lost items in this way, much to my frustration.        And of course, even a "sniping" bid which comes in in the last
few seconds can lose to someone who has placed a higher maximum bid
earlier -- or another sniper.        These are the hazards even in the face of an agreement.  The bid
should be placed at the last possible moment to avoid the
"feeler-for-maximum" types, but soon enough to beat the end-of-auction
time.  And you *still* may lose.  If it were a competition between just
two individuals, and if bids could safely be placed at any time before
closing, it would be much simpler.        Just my thoughts,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 14:14:42 -0500
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>...
>The best strategy (and this *is* Prisoner's Dilemma, with some
>complications) is cooperation at first and then tit for tat.
>And you just made the first hostile move.
>--
>Bob WaltzAs others have noted, if it were a two-person game, or even if the
bidders were confined to agreeing members of this list, then the
Prisoner's Dilemma (or an expanded version) might apply.
Unfortunately, neither condition is true.That said, I've not noticed many list members competing for the items
I have been interested in, and vice versa.  Therefore, as far as I am
concerned, this may be a non-problem.
--
john garst    [unmask]

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Subject: Re: Ebay auction (Game Theory)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 14:16:58 -0700
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After the whole auction closed these pros (or informal syndicate, if you
like) would meet and hold a private auction among themselves for the
piece(s).There was more to it than that but the idea was clear that 1) it was a
known "game" to all the pros and 2) was a disreputable one & possibly
illegal and had to be kept secret [snip]-- This is also out of dimness of memory (well, chiaroscuro): In a
long-ago _New Yorker_ profile of Basil Blackwell, he described an almost
identical practice among rare-book dealers, who/which would often
victimize the widows of dedicated collectors whose main assets were their
books. BB started a counter-movement which exposed the practice and got it
more or less abolished.

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Subject: Auctions (possible duplicate posting)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 14:22:10 -0700
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Hi, all-- I'm trying this reply again, to <[unmask]> only,
after getting a rejection from "Cc: [unmask]" the
first time. -- Cheers, Michael Bell---------- Forwarded message ----------
Date: Fri, 27 Dec 2002 14:16:58 -0700 (MST)
From: Bell Michael <[unmask]>
To: Forum for ballad scholars <[unmask]>
Cc: [unmask]
Subject: Re: Ebay auction (Game Theory)After the whole auction closed these pros (or informal syndicate, if you
like) would meet and hold a private auction among themselves for the
piece(s).There was more to it than that but the idea was clear that 1) it was a
known "game" to all the pros and 2) was a disreputable one & possibly
illegal and had to be kept secret [snip]-- This is also out of dimness of memory (well, chiaroscuro): In a
long-ago _New Yorker_ profile of Basil Blackwell, he described an almost
identical practice among rare-book dealers, who/which would often
victimize the widows of dedicated collectors whose main assets were their
books. BB started a counter-movement which exposed the practice and got it
more or less abolished.

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Subject: Re: eBay and other auctions
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 17:11:32 -0600
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On 12/27/02, [unmask] wrote:>Having been involved in antiques and auctions for many years, I
>should like to add some observations.Thank you. This is helpful.>What Abby described, called a "ring" by Dave, is known around
>here as "pooling."  It still goes on and is still illegal, but is not as
>common as it once was.And it's not what we are describing. :-)>This is due to the presence of "amateurs."
>These are those with more money than brains who will bid up
>whatever they want to prices far above what the market will bear.
>This is most annoying to serious collectors.And this is what makes life difficult for folks like me. I don't
have the budget for these sorts of games.[ ... ]>Another practise that goes on is "deferring" and I think that this is
>what we are really talking about here.
>
>At any given auction, one dealer may have his eye on a piece that
>he has a ready buyer for. He tells his friends, and they "defer" to
>him. This is nothing more than a common courtesy in the trade.This is exactly what I'm describing. In effect, we're saying to
each other, "I want this one more," and letting the one who wants
it most (as measured by the objective criterion of being willing
to pay most) go ahead.Thank you for letting us know this is legal. :-)[ ... ]>I rarely buy on eBay or at any auction. Prices are just usually too
>high to be able to make a reasonable return on my investment.This is another reason for deferring. I aam getting less and less
likely to bid high anyway. :-)>One final thought; when participating in any auction, always
>predetermine your absolute maximum price, and stick to it.  Too
>many people have gotten wrapped up in the excitement of bidding
>an ended up paying far more for an item than they would have in a
>shop.This is inherent in the whole game theory approach. You must
have a predetermined amount you are willing to pay. If you don't,
you don't have rational expectations.Now, back to the math. The rest of you can tune out. :-)On 12/27/02, Paul Stamler wrote:><< The optimal strategy in "real world" prisoner's dilemma is
>not the optimal strategy in theory, because your opponents are
>not entirely rational. Hence the notion of "forgiveness.">>
>
>Well, I'm not sure that the strategy of occasional forgiveness is predicated
>on the non-rationality of the opponent(s). It works two ways: If the
>opponent is playing by a strict tit-for-tat strategy, which is rational and
>in fact mechanistic, then it automatically breaks the cycle of cheating and
>causes both players to play their most productive strategy, which is to
>cooperate. On the other hand, if the opponent is thinking rather than just
>reacting, it sends a signal that you are *prepared* to cooperate if s/he
>will cooperate with you, to which the rational answer is always cooperation.
>So it's still based on the expectation of rational behavior on the
>opponent's part.
>
>Irrational behavior would be if the opponent responded to forgiveness with
>more cheating, as s/he would then garner a lower overall score as you both
>resumed strict tit-for-tat.At this point you're confusing two concepts. One is the optimal
mathematical strategy. That *is* tit-for-tat; the whole reason
we talk about Prisoner's Dilemma is that it is a solved problem
and tit-for-tat is the optimal strategy.But human beings *are* irrational, in the formal sense that they
don't always play the optimal strategy. *Experimentally*, you are
likely to have your best success with "forgiveness." But even this
depends on your opponent. And if by some chance you're playing
Prisoner's Dilemma with someone from Arcturus, well, whatever
you came up with probably won't work.Dealing with an individual person, you may evolve a new strategy
by trial and error. But in general your optimal strategy must
*start with* the Nash Equilibrium (the actual optimal strategy,
which in Prisoner's Dilemma is tit-for-tat) and observe what
people actually do.On 12/27/02, DoN. Nichols wrote:[ ... ]>        There is something else which applies in eBay bidding -- that is
>the *timing* of the bid.  Earlier in the thread there was mention of
>sniping.  For any who don't know, this is the practice of placing your
>bid at the last possible moment.  You may think that this will not have
>any effect if you bid what you are willing to pay as your maximum bid,
>but it *does* in the real world of eBay.  Since your maximum is not
>revealed until someone bids more, nobody knows that you may have made a
>preemptive bid, and if you bid this *early*, you will see (on some
>auctions) people bidding a little above the showing bid amount,
>incrementally until they finally pass you -- or give up.  Assuming that
>your bid *was* a preemptive amount, and that they give up after N tries
>to pass your bid -- you *still* are paying more for the item than you
>otherwise would have had you placed the bid at the last possible minute.
>And you *may* lose it to someone who gets caught up and keeps
>incrementing until s/he passes you.  I've seen as many as twelve bids in
>a row trying to find a previous bidder's maximum.  This is obviously
>someone who does not believe in the proxy system which eBay uses, or
>they would have found the same information in a single bid. :-)Note, however, that this is a different problem. It's a genuine
problem, but it differs in several particulars from the situation
outlined.At no point did I say that the above strategy guarantees victory;
it's just a way for two bidders *who know each other* ought
to react when interested in the same item. Note that there is no
assumption about other players; the optimal strategy for our two
players is dependent only on those two.The above, though, makes several assumptions. First, it assumes
rational expectations: That our two bidders each has a particular
price he/she is willing to pay for the item. If you don't have
such a price, you can't really play the game. Second, it assumes
that the whole thing is a process: That you expect ultimately
to buy multiple items on eBay. There are other underlying
assumptions -- e.g. that you aren't bidding for the fun of
it; you actually want the item.None of this applies to the case of being *desperate* to get
a particular item. It's a completely different problem. I
don't think it is really subject to game theory constraints,
either; each "desperate" person will behave differently.Note that this process of "deferring" says nothing about
*how* you place your bid; you can bid at any time. It
simply controls the number of bidders.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: eBay and other auctions
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 20:12:32 -0500
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On Fri, Dec 27, 2002 at 05:11:32PM -0600, Robert B. Waltz wrote:> On 12/27/02, DoN. Nichols wrote:
>
> [ ... ]
>
> >        There is something else which applies in eBay bidding -- that is
> >the *timing* of the bid.  Earlier in the thread there was mention of
> >sniping.  For any who don't know, this is the practice of placing your
> >bid at the last possible moment.  You may think that this will not have
> >any effect if you bid what you are willing to pay as your maximum bid,
> >but it *does* in the real world of eBay.        [ ... ]> None of this applies to the case of being *desperate* to get
> a particular item. It's a completely different problem. I
> don't think it is really subject to game theory constraints,
> either; each "desperate" person will behave differently.
>
> Note that this process of "deferring" says nothing about
> *how* you place your bid; you can bid at any time. It
> simply controls the number of bidders.        However, in the practical case of "deferring", it is expected
that the one who has received the benefit of the deferral will bid in
such a way as to maximize the chance of winning.        I, for one, would be unhappy if I deferred to another, and that
other placed his/her bid so early that someone else found the maximum by
incremental testing, that the individual had given it away.        I would also be displeased if the recipient of the deferral did
not manage to get a bid in before the close of the auction.  (Though I
know that this sometimes can happen through problems in internet
connections between a given site an eBay's site.        Now -- if I *knew* that the other was going to bid early, and
had no plans to place a later snipe bid, and I saw that person outbid
before the close of the auction, I would place a new bid in spite of the
deferral, so at least *one* of us had a chance of winding up with it.
But it is very difficult to know this in practice.        Now, some of these scenarios would apply only if I deferred to
the other on some other basis than being willing to spend more for the
item.  But early bids when a deferral is in place are awkward things.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: eBay and other auctions
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Dec 2002 10:54:26 -0500
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On Fri, 27 Dec 2002 11:08:06 -0600, [unmask] wrote:>One final thought; when participating in any auction, always
>predetermine your absolute maximum price, and stick to it.  Too
>many people have gotten wrapped up in the excitement of bidding
>an ended up paying far more for an item than they would have in a
>shop.Any notes on whether the fixed pre-auction offer price "Buy-it-now"
compares well with the final sale price typically?Obviously, it all depends but I've several times picked up something there
when I knew I'd have little time to sit on the auction and the price
seemed low and reasonable compared to used book dealers.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: eBay and other auctions
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Dec 2002 13:43:32 -0500
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On Sat, Dec 28, 2002 at 10:54:26AM -0500, Abby Sale wrote:        [ ... ]> On Fri, 27 Dec 2002 11:08:06 -0600, [unmask] wrote:
>
> >One final thought; when participating in any auction, always
> >predetermine your absolute maximum price, and stick to it.  Too
> >many people have gotten wrapped up in the excitement of bidding
> >an ended up paying far more for an item than they would have in a
> >shop.
>
> Any notes on whether the fixed pre-auction offer price "Buy-it-now"
> compares well with the final sale price typically?        I think that varies on a case-by-case basis.> Obviously, it all depends but I've several times picked up something there
> when I knew I'd have little time to sit on the auction and the price
> seemed low and reasonable compared to used book dealers.        If you *really* want something, and are willing to spend what
the Buy-it-now price is set to -- go for it.        If you would be willing to pay less, but not the buy-it-now
price, prudence suggests placing a minimal bid at the start to clear the
buy-it-now option so others won't use it to get the item before closing,
and then hope that the eventual price does not go above your personal
threshold.  (Note that it does have to meet reserve to clear the
buy-it-now option, and sometimes reserve is set not much below the
buy-it-now price.        I have done this bidding low to clear buy-it-now at times, when
I wanted the item, but did not want to start out by committing myself to
the buy-it-now price, and wound up paying a bit more than the buy-it-now
price.  Other times, I have wound up with the item for the starting
price or little more.        I have also seen auctions for many identical items (e.g. pairs a
particular style of hydraulic coupling, if anyone cares), where someone
had gone through and bid the minimum on every one of the auctions, and
eventually got just one.  I wound up bidding on one of the later ones,
and later found that he had listed more of the item with a fresh
buy-it-now price which would have saved me a couple of dollars.  I'm
sure that the seller was happy, since all of that first batch sold for
more than the original buy-it-now. :-)        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Dec 2002 13:56:28 -0500
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>As a matter of principle, I stopped participating in such agreements.I suppose it's time to confess.On items of mild interest, on which I would have bid on if other list
members had not expressed interest, I have refrained.  I guess that
makes me a less principled person than I would like to be.
--
john garst    [unmask]

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Subject: Re: new series on British music hall on bBC Radio 4
From: Thomas H Stern <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Dec 2002 16:10:47 -0500
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Subject: series on music hall
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 31 Dec 2002 08:00:31 -0500
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Hello, all.  Just a reminder that on BBC Radio 4, in less than a half-hour,
the series on the British Music Hall continues.  Today's episode focuses on
the rise of the music hall superstars like Marie Lloyd and includes accounts
of perceived exploitation and job actions.  Anyhow, that's BBC Radio 4 in
mere moments!        MargeE-mail: [unmask]

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Subject: Dear Dr. Child...
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 31 Dec 2002 12:20:17 -0600
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Hi folks:If you haven't discovered this website yet, you should check it out:http://www.pipeline.com/~everyman/writings/etiquette.htmlThe writer has recast the works of Francis James Child as an advice column;
Glenlogie, meet Dear Abby. The results are truly warped.Peace,
Paul"Never doubt that a small group of thoughtful, committed citizens can change
the world. Indeed, it's the only thing that ever has." -- Margaret Mead

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Subject: Re: Dear Dr. Child...
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 31 Dec 2002 14:30:33 EST
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Subject: Re: Dear Dr. Child...
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 31 Dec 2002 15:29:30 -0500
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Dear Dr. Child,Please answer as quickly as you can. I am in danger of drowning and I
find myself in a difficult ethical dilemma.  I entered into a
contractual arrangement with my employer (a sea captain of the Golden
Vanity) and now find, after performing my end of the bargain (swimming
to an enemy ship and drilling nine holes in her side), that he refuses
to go ahead with his agreement.  Since I am perilously close to going
down for the last time, recourse to a court of law is unavailable as a
remedy.  Should I "do unto her as I have done to them" and thereby take
my revenge upon my employer or should I not do anything - and simply
drown - because of my desire not to hurt my comrades, who were innocent
of any wrongdoing.  Please let me know as soon as possible.  I have a
portable fax machine with me so I'd appreciate an answer quickly.(Signed). Cabin boy.Dear Cabin Boy,Unfortunately there is very little I can tell you.  You seem a decent
sort, so I'm sure you know the right thing to do.  You perhaps could
have structured the agreement with your employer differently, but I am
sure that you are not interested at this time in post mortems.Regretfully but respectfully,Francis Child.>>> [unmask] 12/31/02 01:20PM >>>
Hi folks:If you haven't discovered this website yet, you should check it out:http://www.pipeline.com/~everyman/writings/etiquette.htmlThe writer has recast the works of Francis James Child as an advice
column;
Glenlogie, meet Dear Abby. The results are truly warped.Peace,
Paul"Never doubt that a small group of thoughtful, committed citizens can
change
the world. Indeed, it's the only thing that ever has." -- Margaret
Mead

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Subject: Man of Constant...question
From: kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 10:35:02 -0600
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I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
there with a copy of Sharp handy who could check on this?Many thanks in advance,Dave Gardner

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Subject: Re: Man of Constant...question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 12:35:44 -0500
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On Sun, 1 Dec 2002 10:35:02 -0600, kaiser wrote:>I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
>MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
>Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
>there with a copy of Sharp handy who could check on this?
>Yep.A
I was born in old Virginny,
South Carolina I did go,
Courted there a fair young lady,
O her name I do not know.C
I am a man of constant sorrow,
I have seen trouble all my days.
I'll bid farewell to old Virginia,
The place where I was partly raised.Tune seems right.
Sharp gives no notes on it.
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Man of Constant...question
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 13:38:55 EST
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Subject: Re: Man of Constant...question
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 11:08:45 -0800
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Dave:Yes, the "C" version of "In Old Virginny" as printed in Sharp-Karpeles,
II, p. 233-34, has this opening stanza:I am a man of constant sorrow,
I have seen troubles all my days.
I'll bid farewell to old Virginia,
The place where I was partly raised.EdOn Sun, 1 Dec 2002, kaiser wrote:> I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
> MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
> Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
> there with a copy of Sharp handy who could check on this?
>
> Many thanks in advance,
>
> Dave Gardner
>

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Subject: Re: Man of Constant...question
From: kaiser <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 20:13:45 -0600
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Thanks to Ed and Fred for the answer!DG----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Sunday, December 01, 2002 1:08 PM
Subject: Re: Man of Constant...question> Dave:
>
> Yes, the "C" version of "In Old Virginny" as printed in Sharp-Karpeles,
> II, p. 233-34, has this opening stanza:
>
> I am a man of constant sorrow,
> I have seen troubles all my days.
> I'll bid farewell to old Virginia,
> The place where I was partly raised.
>
> Ed
>
>
> On Sun, 1 Dec 2002, kaiser wrote:
>
> > I found a reference in Jackson's _Spiritual Folksongs_ to the title
verse of
> > MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from
the
> > Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member
out
> > there with a copy of Sharp handy who could check on this?
> >
> > Many thanks in advance,
> >
> > Dave Gardner
> >

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Subject: Re: Man of Constant...question
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Dec 2002 19:09:43 -0800
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Dave:An early riser, Abby was first.EdOn Sun, 1 Dec 2002, kaiser wrote:> Thanks to Ed and Fred for the answer!
>
> DG
>
> ----- Original Message -----
> From: "Ed Cray" <[unmask]>
> To: <[unmask]>
> Sent: Sunday, December 01, 2002 1:08 PM
> Subject: Re: Man of Constant...question
>
>
> > Dave:
> >
> > Yes, the "C" version of "In Old Virginny" as printed in Sharp-Karpeles,
> > II, p. 233-34, has this opening stanza:
> >
> > I am a man of constant sorrow,
> > I have seen troubles all my days.
> > I'll bid farewell to old Virginia,
> > The place where I was partly raised.
> >
> > Ed
> >
> >
> > On Sun, 1 Dec 2002, kaiser wrote:
> >
> > > I found a reference in Jackson's _Spiritual Folksongs_ to the title
> verse of
> > > MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from
> the
> > > Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member
> out
> > > there with a copy of Sharp handy who could check on this?
> > >
> > > Many thanks in advance,
> > >
> > > Dave Gardner
> > >
>

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Subject: Re: Man of Constant...question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Dec 2002 08:11:55 -0500
Content-Type:text/plain
Parts/Attachments:

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On Sun, 1 Dec 2002 19:09:43 -0800, Ed Cray wrote:>An early riser, Abby was first.Early to rise and early to bed
Makes a man health, wealthy and dead.James Thurber-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Hic!
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 01:54:16 -0600
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Hi folks:Anyone got an Earliest Date citation for "How Dry I Am?" So far 1939 is as
far back as I've gotten, but I'm morally certain it's older.Thanks in advance!Peace,
Paul(perhaps "morally certain" isn't the best phrase)

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Subject: Re: Hic!
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 06:40:45 -0800
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Paul:Clifford Leach, _Bottoms Up! (NYC: Paull-Pioneer Music Corproation, 1933),
p. 14, has this under the title "How Dry I am":How dry I am!  How dry I am!
Nobody knows how dry I am.EdOn Tue, 3 Dec 2002, Paul Stamler wrote:> Hi folks:
>
> Anyone got an Earliest Date citation for "How Dry I Am?" So far 1939 is as
> far back as I've gotten, but I'm morally certain it's older.
>
> Thanks in advance!
>
> Peace,
> Paul
>
> (perhaps "morally certain" isn't the best phrase)
>

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Subject: Re: Hic!
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 10:01:49 -0500
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Paul,According to Lax & Smith's _Great Song Thesaurus_, it was two years into Prohibition.  They give they following info:"1921, w. Phillip Dodridge, m. Edward F. Rimbault.  This adaptation of 1921is based originally on the traditional hymn "Oh Happy Day" of 1855."Cheers
Jamie

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Subject: Adam McNaughtan
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 11:43:59 -0500
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Sorry to bother the list with this - I'm looking for a current
address for Adam McNaughtan, author of such balladic epics as "Oor
Hamlet"; and I thought the membership here would be a likely source.
Please contact me offlist if you can help.Thanks,
John Roberts
[unmask]

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Subject: Ebay List - 12/03/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 18:39:14 -0500
Content-Type:text/plain
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Hi!        I hope that everyone has recovered from all that food at
Thanksgiving (w/o too much left over). Here is the latest list.        SONGSTERS        741964440 - The Red, White and Blue Songster for Soldiers,
Sailors and Marines, undated (WWI?), $7 (ends Dec-05-02 18:52:02 PST)        742389634 - ROYAL VICTORIA SONGSTER, 7.50 GBP (ends Dec-07-02
02:36:07 PST)        1975623992 - Eolian Songster, 1852, $9.99 (ends Dec-10-02
09:13:13 PST)        926579775 - THE AMERICAN SONGSTER, 1836, $24.99 w/reserve (ends
Dec-10-02 14:57:05 PST)        SONGBOOKS        741483256 - famous Negro Spirituals, Frey, 1924, $29.99 (ends
Dec-04-02 13:56:11 PST)        742217175 - Lot of 3 books of which 2 are of interest (Kentucky
Mountain Folk-Songs by Wheeler & Kentucky Mountain Songs by Niles), 1937
& 1928, $10.99 (ends Dec-04-02 15:15:06 PST)        925837189 - 2 books (Folk Ballads and songs of the Lower
Labrador Coast by Leach & Songs of the Newfoundland Outports volume 2 by
Peacock), 1965, $8.50 (ends Dec-04-02 15:31:10 PST)        1974800356 - AMERICAN SEA SONGS & CHANTEYS, Shay, 1948, $7 (ends
Dec-05-02 10:01:14 PST)        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
(ends Dec-06-02 11:40:45 PST)        926375609 - Singin' In the Saddle, Sherwin, 1944, $4.99 (ends
Dec-06-02 18:01:11 PST)        1975546017 - The Second Book of Irish Ballads, Healy, 1964, 2
GBP (ends Dec-07-02 04:21:22 PST)        926507866 - The Shanty Book Part 1, Terry, 1921, 10.50 GBP (ends
Dec-07-02 10:12:06 PST)        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
$4.44 (ends Dec-07-02 17:45:06 PST)        925882986 - Wit and Mirth: or Pills to Purge Melancholy,
D'Urfey, 1876? printing, $98 w/reserve (ends Dec-07-02 18:46:30 PST)        925914577 - Weep Some More, My Lady, Spaeth, 1927, $9.99 (ends
Dec-07-02 20:36:49 PST)        925993667 - In the Pine Selected Kentucky Folk Songs, Roberts &
Agey, 1978, $14.99 (ends Dec-08-02 07:51:30 PST)        926790039 - Mountain Ballads, Kincaid, 1936, $9.95 (ends
Dec-08-02 10:46:40 PST)        1970835350 - The Merry Muses of Caledonia, Burns, 1959 printing,
$9.99 (ends Dec-10-02 18:04:00 PST)        738412759 - Kansas Folklore, Sackett & Koch, 1961, $9.99 (ends
Dec-10-02 18:08:00 PST)        1976244880 - Maritime Folk Songs, Creighton, 1962, $8 (ends
Dec-11-02 12:59:10 PST)        That's it for this week. Now to go find our snow shovel. :-(                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Adam McNaughtan
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 19:45:36 -0500
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Many thanks to those who replied. I now have the information I need.John Roberts.

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Subject: Re: Ebay List - 12/03/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 19:34:56 -0600
Content-Type:text/plain
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On 12/3/02, Dolores Nichols wrote:[ ... ]>        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
>(ends Dec-06-02 11:40:45 PST)[ ... ]>        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
>$4.44 (ends Dec-07-02 17:45:06 PST)I have some interest in these two, particularly Thomas. Anyone
else planning to go after them?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay List - 12/03/02
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Dec 2002 18:03:50 -0800
Content-Type:text/plain
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Yes, I has my eye on the Thomas. Jon Bartlett
----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 03, 2002 5:34 PM
Subject: Re: Ebay List - 12/03/02> On 12/3/02, Dolores Nichols wrote:
>
> [ ... ]
>
> >        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
> >(ends Dec-06-02 11:40:45 PST)
>
> [ ... ]
>
> >        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
> >$4.44 (ends Dec-07-02 17:45:06 PST)
>
> I have some interest in these two, particularly Thomas. Anyone
> else planning to go after them?
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>    is that no one ever learns from history."

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Subject: Re: Ebay List - 12/03/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 4 Dec 2002 07:45:53 -0600
Content-Type:text/plain
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On 12/3/02, Jon Bartlett wrote:>Yes, I has my eye on the Thomas. Jon Bartlett
>----- Original Message -----
>From: "Robert B. Waltz" <[unmask]>
>To: <[unmask]>
>Sent: Tuesday, December 03, 2002 5:34 PM
>Subject: Re: Ebay List - 12/03/02
>
>
>> On 12/3/02, Dolores Nichols wrote:
>>
>> [ ... ]
>>
>> >        1975249168 - Pennsylvania Songs and Legends, Korson, 1949, $7.50
>> >(ends Dec-06-02 11:40:45 PST)
>>
>> [ ... ]
>>
>> >        926617103 - Ballad Makin' In The Mountains of Kentucky, Thomas,
>> >$4.44 (ends Dec-07-02 17:45:06 PST)
>>
>> I have some interest in these two, particularly Thomas. Anyone
> > else planning to go after them?All right, I'll devote my efforts to Korson. Or is someone else
after that?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Hic!
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 4 Dec 2002 20:48:19 -0500
Content-Type:text/plain
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My late father, who attended Univ of Virginia, Yale and Cornell
(undergraduate and law student) in the 1920's knew it well, and used to sing
it to me when I was little -- in fact, he might have learned it at the
secondary school he attended in Virginia around the time of WWI.  I am quite
sure it goes back a *long* way...
----- Original Message -----
From: "Paul Stamler" <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 03, 2002 2:54 AM
Subject: Hic!> Hi folks:
>
> Anyone got an Earliest Date citation for "How Dry I Am?" So far 1939 is as
> far back as I've gotten, but I'm morally certain it's older.
>
> Thanks in advance!
>
> Peace,
> Paul
>
> (perhaps "morally certain" isn't the best phrase)

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Subject: Re: Hic!
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Dec 2003 09:37:52 -0500
Content-Type:text/plain
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http://memory.loc.gov/cgi-bin/query/D?varstg:1:./temp/~ammem_fH0V::@@@mdb=aasm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottlieb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstgAmer Mem gives the following ref but the link to the song seems broken.Page 4 gives the script.   I'm thinking that "How Dry I Am" may be so well
known and so old that it is also the accepted _name_ of the 4 notes (in
the same fashion as "My dog has fleas.")  Anyway, this gives that it was
well-known before Roy's dad would have learned it in the war.  And just
what was Dad doing singing a drinking song to a little kid, anyway?
(Actually I'm a bit envious that _I_ didn't have such a fortuitously early
start drinking and singing - oh the wasted years...)
---
The American Variety Stage: Vaudeville and Popular Entertainment,
1870-1920Item 1 of 23View this itemA one man vaudeville show : a comedy sketch / written by Joe Cook.Cook, JoeCREATED/PUBLISHED
1916NOTES
From the collections of the Rare Book and Special Collections Division.SUBJECTS
multiple characters -- one actor
magician
ventriloquist
games -- playing cards
song reference -- "Hang On The Bell Nellie" -- dramatization
dialects -- New York -- New York City -- Bowery dialect
musical instruments -- banjo
musical instruments -- violin
musical instruments -- ukelele
Hawaii
musical instruments -- Australian Woozophone
song title -- "Yankee Doodle"
song title -- "How Dry I Am"
musical instruments -- sleigh bells
high wire act -- burlesqueDIGITAL ID
(h) varsep s42725-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Young Freddie and his Fiddle
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 5 Dec 2003 10:45:02 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(57 lines)


Still reading _Norwegian Folk Tales_, from the collection of Peter
Christen Asbjørnsen, 1812-1885 and Jørgen Engebretsen Moe, 1813-1882,
(trans. Pat Shaw Iverson & Carl Norman) New York, Viking Press, 1960.I've seen the same (following) tale in Irish collections but with all
different gift-details and thought nothing of it.In Asbjørnsen/Moe the tale is called "Little Freddie with his Fiddle." One
of the elements is a magic fiddle "Freddie" receives as a boon.  While he
plays, everyone in hearing range is forced to continue dancing, even past
exhaustion and pain.  He uses it to great effect when he is attacked. His
attackers always agree to leave him alone if he will stop playing.  (I
suppose many have offered "anything you like" to novice fiddler if s/he
would only stop playing, but that has nothing to do with my question.)I'd very much like to know if Grieg uses this story (or, especially, any
folksong based on it) in any of his works.The reason for my question in that on reading the tale I was struck by the
similarity to a song in the musical play, "Song of Norway."  I'm sure you
know the show was based, with some historical accuracy, on Grieg's life
and used selections from many of his pieces.  I saw the play on Broadway
in 1945 and one or two bits stay with me.  Possibly because the music was
so compelling to me back then. One song to the tune (I now know) of
Norwegian Dance No. 2 in A (from Opus 35) was "Freddy and his Fiddle.  To
the best of my recollection some of the words were:        Freddie and his fiddle will keep it up until we get
          unsteady in the middle...from wear and tear
        Freddie and his fiddle are at it in the square.I had always assumed that the writers of the show just used his music, not
any text and that this fantasy song just had to do with a skilled
musician, not a magic fiddle.  However, the similarities seem far too
great to be coincidence.Can you point me to the full words to this song in Song of Norway
AND/OR
the words (in English, hopefully) to any song Grieg may have used
for his "Dance No 2 in A" or a Freddie piece in any other of his material
AND/OR
Any recorded version of "Little Freddie with his Fiddle" as a trad song?I've done considerable web and library search but no luck so far.  The
show seems well-known (a movie and in small-theater production
continuously) but not archived on any of the musicals web-sites I've found
so far.I thank you for your trouble and advice.Abby Sale-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Man of Constant...question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Dec 2002 14:25:20 -0500
Content-Type:text/plain
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text/plain(32 lines)


>I found a reference in Jackson's _Spiritual Folksongs_ to the title verse of
>MOCS; he refers to "In Old Virginny" in Sharp _English Folksongs from the
>Southern Appalachians_, vol. 2 p.232-234.  Is there a kind list member out
>there with a copy of Sharp handy who could check on this?
>
>Many thanks in advance,
>
>Dave GardnerFor more information see my article,"Man of Constant Sorrow": Antecedants and TraditioninCountry Music Annual 2002
Charles K. Wolfe and James E. Akenson, Editors
University Press of Kentucky
663 South Limestone Street
Lexington, KY 40508-4008The version in Sharp, mixed with "I was born in East Virginia" ("In
Old Virginny"), was sung by Frances Richards, Callaway, Virginia, in
1918.  It shares a phrase, not found in the common versions nowadays,
with that of Almeda Riddle, which she dates to 1850 and the
California gold rush.Richards: "I'll hang my head like a humble Christian"
Riddle:   "I will bow my head like an humble Christian"--
john garst    [unmask]

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Subject: Re: Hic!
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Dec 2002 20:56:59 -0500
Content-Type:text/plain
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My father sang me a great variety of songs, ranging from college drinking
songs to parlor/vaudeville/country songs to Gilbert & Sullivan songs.  He
had evidently been quite a hellraiser in his younger days, but by the time I
was aware of things he had pretty much settled down. So he didn't do much
drinking (or, after a few years, singing, either) in those days.  I had to
get to drinking on my own, and not until I was *considerably* older.
In fact, Abby, there is little to be envious about in my upbringing -- or,
for that matter, in my relationship with my father.
To be fair, he did teach me some songs, and he did teach me how to tie my
own bowties (he was fond of saying that it is the mark of a gentleman that
he ties his own bowties). While he had played guitar and mandolin in his
younger days, he no longer played by the time I was born, so I didn't learn
any music from him, either.
One other point:  his version of "How Dry I Am" went
     How dry I am
     How dry I am
     Nobody knows
     Nobody cares
rather than repeating the third line again...
----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Friday, December 05, 2003 9:37 AM
Subject: Re: Hic!>
http://memory.loc.gov/cgi-bin/query/D?varstg:1:./temp/~ammem_fH0V::@@@mdb=aa
sm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottli
eb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstg
>
> Amer Mem gives the following ref but the link to the song seems broken.
>
> Page 4 gives the script.   I'm thinking that "How Dry I Am" may be so well
> known and so old that it is also the accepted _name_ of the 4 notes (in
> the same fashion as "My dog has fleas.")  Anyway, this gives that it was
> well-known before Roy's dad would have learned it in the war.  And just
> what was Dad doing singing a drinking song to a little kid, anyway?
> (Actually I'm a bit envious that _I_ didn't have such a fortuitously early
> start drinking and singing - oh the wasted years...)
> ---
> The American Variety Stage: Vaudeville and Popular Entertainment,
> 1870-1920
>
> Item 1 of 23
>
> View this item
>
> A one man vaudeville show : a comedy sketch / written by Joe Cook.
>
> Cook, Joe
>
> CREATED/PUBLISHED
> 1916
>
> NOTES
> From the collections of the Rare Book and Special Collections Division.
>
> SUBJECTS
> multiple characters -- one actor
> magician
> ventriloquist
> games -- playing cards
> song reference -- "Hang On The Bell Nellie" -- dramatization
> dialects -- New York -- New York City -- Bowery dialect
> musical instruments -- banjo
> musical instruments -- violin
> musical instruments -- ukelele
> Hawaii
> musical instruments -- Australian Woozophone
> song title -- "Yankee Doodle"
> song title -- "How Dry I Am"
> musical instruments -- sleigh bells
> high wire act -- burlesque
>
> DIGITAL ID
> (h) varsep s42725
>
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Young Freddie and his Fiddle
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Dec 2002 21:01:58 -0800
Content-Type:text/plain
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It began,
I can't dance, you can't dance,
But let's admit we're definitely dancing.
That is a phenomenon nobody doubts,
Yet it's very common on nights hereabouts,  [love that rhyme!]
Freddie and his fiddle are at it in the square again,
Freddie and his fiddle will  make a preacher dance,
An undertaker hop, ......    and never let it stop.....
[my memory fails around here]
Norm----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Friday, December 05, 2003 7:45 AM
Subject: Young Freddie and his Fiddle> Still reading _Norwegian Folk Tales_, from the collection of Peter
> Christen Asbjørnsen, 1812-1885 and Jørgen Engebretsen Moe, 1813-1882,
> (trans. Pat Shaw Iverson & Carl Norman) New York, Viking Press, 1960.
>
> I've seen the same (following) tale in Irish collections but with all
> different gift-details and thought nothing of it.
>
> In Asbjørnsen/Moe the tale is called "Little Freddie with his Fiddle." One
> of the elements is a magic fiddle "Freddie" receives as a boon.  While he
> plays, everyone in hearing range is forced to continue dancing, even past
> exhaustion and pain.  He uses it to great effect when he is attacked. His
> attackers always agree to leave him alone if he will stop playing.  (I
> suppose many have offered "anything you like" to novice fiddler if s/he
> would only stop playing, but that has nothing to do with my question.)
>
> I'd very much like to know if Grieg uses this story (or, especially, any
> folksong based on it) in any of his works.
>
> The reason for my question in that on reading the tale I was struck by the
> similarity to a song in the musical play, "Song of Norway."  I'm sure you
> know the show was based, with some historical accuracy, on Grieg's life
> and used selections from many of his pieces.  I saw the play on Broadway
> in 1945 and one or two bits stay with me.  Possibly because the music was
> so compelling to me back then. One song to the tune (I now know) of
> Norwegian Dance No. 2 in A (from Opus 35) was "Freddy and his Fiddle.  To
> the best of my recollection some of the words were:
>
>         Freddie and his fiddle will keep it up until we get
>           unsteady in the middle...from wear and tear
>         Freddie and his fiddle are at it in the square.
>
> I had always assumed that the writers of the show just used his music, not
> any text and that this fantasy song just had to do with a skilled
> musician, not a magic fiddle.  However, the similarities seem far too
> great to be coincidence.
>
> Can you point me to the full words to this song in Song of Norway
> AND/OR
> the words (in English, hopefully) to any song Grieg may have used
> for his "Dance No 2 in A" or a Freddie piece in any other of his material
> AND/OR
> Any recorded version of "Little Freddie with his Fiddle" as a trad song?
>
> I've done considerable web and library search but no luck so far.  The
> show seems well-known (a movie and in small-theater production
> continuously) but not archived on any of the musicals web-sites I've found
> so far.
>
> I thank you for your trouble and advice.
>
> Abby Sale
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Hic!
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Dec 2002 12:03:50 EST
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When I was a little kid (c.1959) I used to sing:How dry I am,
How wet I'll be
If I don't find
The bathroom keyI don't remember where I learned it... possibly camp, possibly school.  I
certainly did
not know anything about the original nor was I particularly aware that it was
a parody.- Mark Gilston

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Subject: "Cripple Creek" inquiry
From: Sue Attalla <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Dec 2002 20:54:25 -0600
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I'm looking for a particular variation of the "Cripple Creek" lyric, and a source citation.  The Internet offers many variants, but some don't match my needs, and most fail to acknowledge a source.Since I'm planning to use this information for a last minute addition to an article already accepted for publication, would like to find a scholarly source that reprints the relevant lyric. What I need is this chorus--of a very slight variant:Going down to Cripple Creek,
Going on the run,
Going down to Cripple Creek
To have some fun.I believe that one is fairly common, but I'm also hoping to find a version with a line about Cripple Creek being a good place for people who don't have any "mun."If anyone can help me locate such a version of the song, I'd appreciate your contacting me.  Once I know where to look, I should be able to quickly locate a copy of the appropriate source.Sue Attalla

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Subject: Death of Paddy Tunney
From: [unmask]
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Date:Sat, 7 Dec 2002 06:41:00 EST
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Subject: Re: "Cripple Creek" inquiry
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Dec 2002 06:40:19 -0800
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Sue:The "A" version of "Cripple Creek" in the Frank C. Brown Collection of
North Carolina Folklore, Vol. 3, pp. 324-5, is a three-stanza text, with
the third stanza reading:Going up Cripple Creek,
Going on the run,
Going up Cripple Creek
To have a little fun.Six other sources are cited.EdOn Fri, 6 Dec 2002, Sue Attalla wrote:> I'm looking for a particular variation of the "Cripple Creek" lyric, and a source citation.  The Internet offers many variants, but some don't match my needs, and most fail to acknowledge a source.
>
> Since I'm planning to use this information for a last minute addition to an article already accepted for publication, would like to find a scholarly source that reprints the relevant lyric. What I need is this chorus--of a very slight variant:
>
> Going down to Cripple Creek,
> Going on the run,
> Going down to Cripple Creek
> To have some fun.
>
> I believe that one is fairly common, but I'm also hoping to find a version with a line about Cripple Creek being a good place for people who don't have any "mun."
>
> If anyone can help me locate such a version of the song, I'd appreciate your contacting me.  Once I know where to look, I should be able to quickly locate a copy of the appropriate source.
>
> Sue Attalla
>

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Subject: Re: Death of Paddy Tunney
From: Dave Eyre <[unmask]>
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Date:Sat, 7 Dec 2002 16:08:35 -0800
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Subject: Re: "Cripple Creek" inquiry
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Date:Sat, 7 Dec 2002 16:35:27 EST
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<PRE>Marais & Miranda recorded that version in the second of thier Chicago
Concerts of '58.  No scholarly citations though.

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Subject: Re: "Cripple Creek" inquiry
From: Sue Attalla <[unmask]>
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Date:Sat, 7 Dec 2002 20:22:53 -0600
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Thanks for the information.Did their recording include the line about not having any "mun"?---------- Original Message ----------------------------------
From: [unmask]
Reply-To: Forum for ballad scholars <[unmask]>
Date:          Sat, 7 Dec 2002 16:35:27 EST><PRE>Marais & Miranda recorded that version in the second of thier Chicago
>Concerts of '58.  No scholarly citations though.
>

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Subject: Ebay List - 12/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Dec 2002 00:34:53 -0500
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Hi!        Here is your weekly opportunity to spend money and get addicted
to Ebay. :-)        SONGSTERS        1977325544 - Tyneside Songster, 1832, 25 GBP (ends Dec-10-02
12:53:07 PST)        927836900 - Tudor & Sands Funny Couple Songster, 1870?, $12
(ends Dec-11-02 19:03:05 PST)        744703275 - Merchant Gargling Oil Songster, 1886, $3.50 (ends
Dec-11-02 21:08:27 PST)        1978738149 - BRYANT'S PROGRAMME & SONGS FOR THIS EVENING, 1859,
$42 (ends Dec-12-02 20:15:18 PST)        SONGBOOKS        1976205213 - THE MINSTRELSY OF THE SCOTTISH BORDER, Scott,
volume 1 of 2, 1 GBP (ends Dec-08-02 11:55:42 PST)        928055713 - Negro Folk-Songs The HAMPTON SERIES BOOKS I-IV,
Curtis-Burlin, $12.99 (ends Dec-08-02 13:35:55 PST)        1976647216 - Gaelic Songs in Nova Scotia, Creighton, 1964,
$15.95 (ends Dec-09-02 01:47:33 PST)        927748162 - My Favorite Old Time Songs and Mountain Ballads,
Kincaid, 1931, $9 (ends Dec-09-02 13:09:28 PST)        927174747 - 6 songbooks from the 1930's inc. Kincaid, Sizemore &
others, $9.99 (ends Dec-09-02 14:18:13 PST)        928359268 - Spanish-American Folk-Songs, 1917, $15.95 (ends
Dec-09-02 14:46:45 PST)        927375653 - SONGS AND RECITATIONS OF IRELAND, 1976, $9 (ends
Dec-10-02 09:20:18 PST)        1977476456 - Ballads of the Kentucky Highlands, Fuson, 1931,
$15.23 (ends Dec-10-02 17:54:39 PST)        927569676 - Folk Songs of the Southern Appalachians as sung by
JEAN RITCHIE, 1965, $9.99 (ends Dec-10-02 19:57:08 PST)        1977612316 - The Scottish Folksinger, Buchan & Hall, 1979, $4.99
(ends Dec-10-02 20:48:45 PST)        1977997487 - THE QUEST OF THE BALLAD, MacKenzie, 1919, $60 (ends
Dec-11-02 17:43:45 PST)        1978004132 - One Hundred English Folksongs, Sharp, 1916, $49.99
(ends Dec-11-02 17:54:34 PST)        1977973727 - A Song Catcher In Southern Mountains: American
Folk Songs of British Ancestry, Scarborough, 1937, $95 (ends Dec-11-02
18:18:35 PST)        1979240239 - Cumbrian Songs and Ballads, Gregson, 1980, 4.99 GBP
(ends Dec-12-02 03:11:02 PST)        1978678289 - Folk Songs of The Negro, Thomas, 1936 reprint,
$24.99 (ends Dec-12-02 19:03:53 PST)        928423286 - Oregon's Favorite Yodeling Cowboy Sensational
Collection of Cowboy Songs and Mountain Ballads, 1950, $5 (ends
Dec-13-02 19:45:08 PST)        927567259 - Lonsome Tunes Folk Songs from the Kentucky Mountain,
Wyman, 1916, $9.99 (ends Dec-13-02 19:49:57 PST)        1979179511 - RELIQUES OF ANCIENT ENGLISH POETRY, 3 volumes,
Percy, 1966 Dover edition, $5 (ends Dec-13-02 20:30:58 PST)        928609661 - Early American Folk Hymns, Wilcox, 1996, $9.95 (ends
Dec-14-02 14:33:39 PST)        928180317 - The Book of British Ballads, Hall, 1853, $19.99
(ends Dec-15-02 20:07:10 PST)        1978972187 - Songs of the American West, Lingenfelter, Dwyer &
Cohen, 1968, $12 (ends Dec-16-02 12:03:10 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: "Cripple Creek" inquiry
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Dec 2002 21:07:45 EST
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I've got a gal & she loves me,
She's as sweet as sweet can be.
She's got eyes of baby blue,
& My love for her is true.Cripple Creek's wide & Cripple Creek's deep,
Wade ol' Cripple Creek 'fore I sleep.
Roll my britches to my knees
Wade ol' Cripple Creek when I please.Ride in the buggy, that's for me,
See the wheels roll merrily
?
?I went down to Cripple Creek,
To see what my love had to eat.
He got drunk and fell against the wall,
Old corn licker was the cause of it all.There were at two other verses which I can't remember at all.  No mention of
'mun' that I remember, but I'll try to find the recording and listen to it
sometime this week and if the 'mun' verse or something related is there, I'll
write again.-Mark

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Subject: Re: "Cripple Creek" inquiry
From: Sue Attalla <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Dec 2002 22:49:42 -0600
Content-Type:text/plain
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Thanks for the follow-up.Sue---------- Original Message ----------------------------------
From: [unmask]
Reply-To: Forum for ballad scholars <[unmask]>
Date:          Sun, 8 Dec 2002 21:07:45 EST>I've got a gal & she loves me,
>She's as sweet as sweet can be.
>She's got eyes of baby blue,
>& My love for her is true.
>
>Cripple Creek's wide & Cripple Creek's deep,
>Wade ol' Cripple Creek 'fore I sleep.
>Roll my britches to my knees
>Wade ol' Cripple Creek when I please.
>
>Ride in the buggy, that's for me,
>See the wheels roll merrily
>?
>?
>
>I went down to Cripple Creek,
>To see what my love had to eat.
>He got drunk and fell against the wall,
>Old corn licker was the cause of it all.
>
>There were at two other verses which I can't remember at all.  No mention of
>'mun' that I remember, but I'll try to find the recording and listen to it
>sometime this week and if the 'mun' verse or something related is there, I'll
>write again.
>
>-Mark
>

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Subject: Singing In The Streets
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 07:21:33 -0500
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A GENERAL ANNOUNCEMENTOn Sunday morning, 11am, 15th December, there will be a 30 minute programme
on BBC Radio Scotland about my search for Scots who in 1951 sang children's
'street / playground songs' for Alan Lomax.
Some of the 1951 recordings will be played, and present day interviews with
informants from South Uist, Aberdeen and Edinburgh, and others.
The programme should then be available for seven days on the BBC Scotland
website. [No, sorry, I do not have that address! Try BBC and work your way
in, I fear.]Best regardsEwan McVicar

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Subject: Re: Singing In The Streets
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 08:08:26 -0500
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Thank you, Ewan.  I look forward to it, as I'm sure we all do.All the best,
Dan Milner> A GENERAL ANNOUNCEMENT
>
> On Sunday morning, 11am, 15th December, there will be a 30 minute
programme
> on BBC Radio Scotland about my search for Scots who in 1951 sang
children's
> 'street / playground songs' for Alan Lomax.
> Some of the 1951 recordings will be played, and present day interviews
with
> informants from South Uist, Aberdeen and Edinburgh, and others.
> The programme should then be available for seven days on the BBC Scotland
> website. [No, sorry, I do not have that address! Try BBC and work your way
> in, I fear.]
>
> Best regards
>
> Ewan McVicar

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Subject: Re: Singing In The Streets
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 10:15:40 -0500
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On Wed, 11 Dec 2002 07:21:33 -0500, Ewan McVicar wrote:>A GENERAL ANNOUNCEMENT
>
>On Sunday morning, 11am, 15th December, there will be a 30 minute programme
>on BBC Radio Scotland about my search for Scots who in 1951 sang children's
>'street / playground songs' for Alan Lomax.
>Some of the 1951 recordings will be played, and present day interviews with
>informants from South Uist, Aberdeen and Edinburgh, and others.
>The programme should then be available for seven days on the BBC Scotland
>website.Funny, I just got this announcement from another source.  Ewan added that
the BBC is http://www.bbc.co.uk/scotland/radioscotland/index.shtmlLive listen is
http://www.bbc.co.uk/scotland/radioscotland/includes/html/listen.shtmlOr the following command _should_ open RealPlayer, go online and play the
show.  (Correct the directory for where you keep RP & leave a space
between the RP command and the URL.)
It can be used in Start | Run or as the command line of a new icon or in
Task Scheduler.
"C:\program files\Real\RealPlayer\realplay.exe" [space]
"http://www.bbc.co.uk/scotland/radioscotland/media/radioscotland.ram"
I like this because it avoids opening your browser and the Radio Scotland
ad.Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in my
head.)I wouldn't miss it.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Singing In The Streets
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 21:01:13 -0500
Content-Type:text/plain
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No, Abby.  It's five hours earlier here in the U.s., so the broadcast would
be on at six A.M. here!  Ouch!        Marge
E-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Abby Sale
Sent: Wednesday, December 11, 2002 10:16 AM
To: [unmask]
Subject: Re: Singing In The StreetsOn Wed, 11 Dec 2002 07:21:33 -0500, Ewan McVicar wrote:>A GENERAL ANNOUNCEMENT
>
>On Sunday morning, 11am, 15th December, there will be a 30 minute programme
>on BBC Radio Scotland about my search for Scots who in 1951 sang children's
>'street / playground songs' for Alan Lomax.
>Some of the 1951 recordings will be played, and present day interviews with
>informants from South Uist, Aberdeen and Edinburgh, and others.
>The programme should then be available for seven days on the BBC Scotland
>website.Funny, I just got this announcement from another source.  Ewan added that
the BBC is http://www.bbc.co.uk/scotland/radioscotland/index.shtmlLive listen is
http://www.bbc.co.uk/scotland/radioscotland/includes/html/listen.shtmlOr the following command _should_ open RealPlayer, go online and play the
show.  (Correct the directory for where you keep RP & leave a space
between the RP command and the URL.)
It can be used in Start | Run or as the command line of a new icon or in
Task Scheduler.
"C:\program files\Real\RealPlayer\realplay.exe" [space]
"http://www.bbc.co.uk/scotland/radioscotland/media/radioscotland.ram"
I like this because it avoids opening your browser and the Radio Scotland
ad.Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in my
head.)I wouldn't miss it.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: on Radio Scotland broadcast
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 21:03:01 -0500
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To abby and others: Eastern Time U.s. is five hours earlier than Greenwich
Mean Time, which means that the broadcast would air at six A.M. on Sunday
morning.  Ouch!        MargeE-mail: [unmask]

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Subject: Double Ouch!
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 20:56:18 -0800
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Marge:And for those of us on the Left Coast, it would air at 3 a.m. on Sunday
morning.  I rather doubt I will hear the original broadcast.EdOn Wed, 11 Dec 2002, Marge Steiner wrote:> To abby and others: Eastern Time U.s. is five hours earlier than Greenwich
> Mean Time, which means that the broadcast would air at six A.M. on Sunday
> morning.  Ouch!
>
>         Marge
>
>
> E-mail: [unmask]
>

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Subject: Re: Singing In The Streets
From: Murray Shoolbraid <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 11 Dec 2002 22:02:59 -0800
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All I can say is (from the far west of BC) it's just as well that it'll be
on the website.  It sounds utterly fascinating, of course, and I do hope I
can access it.

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Subject: Ebay List - 12/14/02 (Part 1)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 01:11:23 -0500
Content-Type:text/plain
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Hi!        It's time to do you last minute holiday shopping on Ebay! This
list is the songbooks and miscellaneous. Later today I will post part 2
with the songsters.        SONGBOOKS, ETC.        1979555229 - Folk-Songs of the Southern United States by Combs,
1969 reprint, $15 (ends Dec-14-02 18:30:52 PST)        1979604171 - ADVENTURES OF A BALLAD HUNTER by John A. Lomax,
1947, $12.50 (ends Dec-14-02 20:00:42 PST)        1980102818 - Lumbering Songs from the Northern Woods by Fowke,
1970, $9.99 (ends Dec-15-02 18:08:48 PST)        1980220454 - FOLK-SONGS and SINGING GAMES by Farnsworth & Sharp,
1900?, $9.95 (ends Dec-15-02 20:26:59 PST)        1980338368 - North Pennsylvania Minstrelsy by Shoemaker, 1923,
$11 (ends Dec-16-02 16:00:00 PST)        1980679619 - Early Child Ballads, $1 (ends Dec-16-02 19:50:37
PST) (Warning: The publisher of this has a somewhat different view of
ballads from folklorists. Be sure you understand this before bidding.)        1980769280 - The Hell-Bound Train - A Cowboy Songbook by Ohrlin,
1973, $19.99 (ends Dec-17-02 01:49:16 PST)        1980836894 - My Pious Friends & Drunken Companions And More
Pious Friends & Drunken Companions by Shay, 1950's Dover edition, $9
(ends Dec-17-02 08:07:03 PST)        929347879 - Lonzo and Oscar's Folio of Mountain Ballads and
comedy songs, 1948, $3.99 (ends Dec-17-02 08:14:17 PST)        929747311 - BRADLEY KINCAID's Folio No. 12, 1941, $9.95 (ends
Dec-18-02 16:52:14 PST)        1981715722 - An American Sailor's Treasury by Shay, $5.97 (ends
Dec-18-02 21:40:37 PST)        1982202852 - BALLADS MIGRANT IN NEW ENGLAND by Flanders & Olney,
1953, $9.99 w/reserve (ends Dec-19-02 18:35:18 PST)        930238423 - The Book of Ballads by Leach, 1967, $9.99 (ends
Dec-20-02 09:14:40 PST)        1982152500 - Folk Visions & Voices, Traditional Music & Song in
North Georgia by Rosenbaum, 1983, $26 (ends Dec-22-02 17:02:32 PST)        MISCELLANEOUS        747293801 - The Morris Book part V by Sharp & Macilaine, 1913,
4.99 GBP (ends Dec-18-02 05:12:16 PST)        1981701251 - Sailortown by Hugill, 1967, $9.99 (ends Dec-18-02
20:55:41 PST)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: query: W Campbell; "Oh, the Britches Full of Stitches"
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 12:03:16 -0500
Content-Type:text/plain
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Dear listmembers,
Lisa Ornstein was inquiring about this fiddle tune verse's origins on
Fiddle-L, and I suggested she ask this list for possible information, but
she was unable to successfully subscribe and has asked me to forward her
question to Ballad-L.   Lisa is a wonderful fiddler and a music scholar.  I
thought if anyone knew an answer for her question they would be on this
list.  (Note: don't get confused because we're both named Lisa.)  Please
read her question below.  If you reply with any information she is seeking,
I would greatly appreciate it if you would be so kind as to send a "Cc" or
a copy of your message DIRECTLY to her
at:  [unmask]    -otherwise I will have to keep forwarding
individual copies of replies to her.
Thank you so much   :)
Lisa Johnson>Date: Sat, 14 Dec 2002 09:26:05 -0500
>From: Lisa Ornstein <[unmask]>
>Organization: Acadian Archives/Archives acadiennes
>Subject: Re: Fwd: W Campbell; "Oh, the Britches Full of Stitches"
>
>Dear Lisa,
>     Thank you so much for responding to my query concerning the verse
> "Oh, the Britches Full of Stitches." I'd be grateful for any help the
> Ballad-list might be able to muster, although I don't think we're looking
> at a ballad, or even a short song, but rather one of those  four-line
> short rhymes which fiddlers in the British Isles and American traditions
> have used to gladden the playing of a tune, and to help them remember it
> as well. I tried to do a posting to the Ballad-list but did not
> succeed--something is messed up on my passwording. If you would be so
> kind to pass along the message, I'd much appreciate it. The lyrics in
> question vary considerably, but the jist of them is:
>"Oh the britches full of stitches  [or Leather Breeches full of stitches]
>Mammy sewed the buttons on
>My wife she threw me out of bed
>Because I had my britches on.
>
>I think that this verse may relate to an old Irish march/polka variously
>entitled "The Breeches On" or "The Briches full of Stitches" (and other
>variant titles) but I can't find a published source to corroborate my
>hunch. Any documented mention of the existence of this verse in the
>British Isles would be very helpful (with the reference, of course!).
>Thanks!
>Lisa Ornstein, Director
>Acadian Archives/Archives acadiennes
>University of Maine at Fort Kent
>25 Pleasant St.
>Fort Kent, ME
>USA 04743
>email: [unmask]
>Tel.: (207) 834-7536
>Fax: (207) 834-7518

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Subject: Ebay List - 12/14/02 (Part 2)
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 11:43:59 -0500
Content-Type:text/plain
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Hi!        As promised, here is part 2 - Songsters.        746281253 - Beadles Dime Songster number 3, 1865?, $5.99 (ends
Dec-15-02 17:18:39 PST)        746776616 - Republican Campaign Songs for 1888, $35 (ends
Dec-16-02 18:52:09 PST)        747145966 - The Bunker Hill Songster, $2.52 (ends Dec-17-02
18:08:03 PST)        1981360759 - The New Gaelic Songster or Revival of the Old Alban
Tongue by MacDonald, 1892, $10 (ends Dec-18-02 09:35:20 PST)        1982229600 - The Forecastle Songster, 1847, $5 (ends Dec-22-02
19:13:40 PST)        OK - that's it for now. There will probably be one more list
before Christmas.                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Singing In The Streets
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Dec 2002 18:17:26 -0500
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On Wed, 11 Dec 2002 10:15:40 -0500, Abby Sale wrote:>Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in my
>head.)Well, that just proves how good my head works.  I'll use the calculator
next time.OK.  Now it's 11 pm Scotland and time for the Archie Fisher show.  I never
listed to that since (although he certainly knows plenty) he never plays
ballads.So this seems an appropriate time to catch Ewan's (now) archived show.HELP!
BBC tells me to check "Missing Voices" at
http://www.bbc.co.uk/scotland/radioscotland/programmes/other/radio_scotland_features.shtmlAnd that tells mwe to click
http://www.bbc.co.uk/scotland/radioscotland/media/sun_feature1_demand.ramAnd _that_ tells me the story behind the writing of "White Christmas," a
solid Jewish piece straight from the shetls.Something's amiss.  Still.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Carols from Sheffield
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 00:12:55 -0800
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There will be those who know or have heard of the thriving carolling
tradition in Sheffield.There is a programme on BBC Radio 4 at 11.00 am Christmas Day when well
known singers (Norma Waterson, Kate Rusby, Jim Boyes will talk about what
the carols mean to them.(Information from Stirrings www.stirrings.co.uk)Dave Eyre
www.collectorsfolk.co.uk----- Original Message -----
From: "Abby Sale" <[unmask]>
To: <[unmask]>
Sent: Saturday, December 14, 2002 3:17 PM
Subject: Re: Singing In The Streets> On Wed, 11 Dec 2002 10:15:40 -0500, Abby Sale wrote:
>
> >Let's see 11 plus 5 would be 4 pm real time, I guess.  (Did that one in
my
> >head.)
>
> Well, that just proves how good my head works.  I'll use the calculator
> next time.
>
> OK.  Now it's 11 pm Scotland and time for the Archie Fisher show.  I never
> listed to that since (although he certainly knows plenty) he never plays
> ballads.
>
> So this seems an appropriate time to catch Ewan's (now) archived show.
>
> HELP!
> BBC tells me to check "Missing Voices" at
>
http://www.bbc.co.uk/scotland/radioscotland/programmes/other/radio_scotland_
features.shtml
>
> And that tells mwe to click
> http://www.bbc.co.uk/scotland/radioscotland/media/sun_feature1_demand.ram
>
> And _that_ tells me the story behind the writing of "White Christmas," a
> solid Jewish piece straight from the shetls.
>
> Something's amiss.  Still.
>
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml
>
>

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Subject: Re: Singing In The Streets
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 01:11:02 +0000
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> OK.  Now it's 11 pm Scotland and time for the Archie Fisher show. [...]
> So this seems an appropriate time to catch Ewan's (now) archived show.Wrong day - it's 11am tomorrow.[BBC link goes to the Songlines programme...]
> And _that_ tells me the story behind the writing of "White Christmas,"
> a solid Jewish piece straight from the shetls.I liked the Songlines programmes, they were trying to do something
I don't recall any other radio show doing, i.e. document how specific
songs entered popular culture and the life they led after first being
composed and recorded.But this programme gave a different analysis than you're suggesting.
They didn't attribute any melodic features of the song to Jewish
tradition; instead they pointed to Berlin's idiosyncratic composing
methods (musically illiterate, and working at a mutant piano with a
transposing lever so he only needed to play in C).  I would kinda
prefer it to have a traditional background, but can you identify
anything specific?Knowing neither that Berlin was Jewish nor that he worked in such an
odd way I'd have guessed the melody owed most to a theme in Beethoven's
fourth piano concerto.=================== <http://www.purr.demon.co.uk/jack/> ===================

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Subject: Re: Carols from Sheffield
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 04:18:02 EST
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text/plain(29 lines) , text/html(27 lines)


Sorry, your browser doesn't support iframes.


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Subject: The Missing Singing In The Street Voices
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 05:29:08 -0500
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Caroline Barbour of BBC Scotland Features who made the Songlines
programmes, also made the Missing Voices programme, using my research and
informants and linking text.
Abby, Songlines had the same timeslot, hence the website directs you to the
last Songlines programme, from last [Saturday] night.
The Songlines were great stuff. Over the period she covered La Mer / This
Land Is Your Land / Nkosi S'Kilele Afrika / The Freedom Come All Ye / White
Christmas and much else.Ewan

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Subject: kudos to Ewan McVicar
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 06:27:31 -0500
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I just listened to "Missing Voices," Ewan McVicar's documentary on the
Scottish children who sang for Alan Lomax in 1951.  I loved hte
reminiscences of all three informants--including Mr. Mearns telling the
story of Lomax stomping on the roof of the downstairs neighbor and getting
away with it.  If you missed the program, you'll just have to catch the
replay on the web.  Anyhow, great job, Ewan!        Marge

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Subject: Re: Singing In The Streets
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 13:09:41 -0500
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On Sun, 15 Dec 2002 01:11:02 +0000, Jack Campin wrote:>> OK.  Now it's 11 pm Scotland and time for the Archie Fisher show. [...]
>> So this seems an appropriate time to catch Ewan's (now) archived show.
>
>Wrong day - it's 11am tomorrow.Ok.  So now I've got GMT occurring in Samoa and a day early.  This is
getting worse.No - there it is now, where it should be
http://www.bbc.co.uk/scotland/radioscotland/programmes/other/radio_scotland_features.shtml
>
>[BBC link goes to the Songlines programme...]
>> And _that_ tells me the story behind the writing of "White Christmas,"
>> a solid Jewish piece straight from the shetls.
>
>I liked the Songlines programmes, they were trying to do something
>I don't recall any other radio show doing, i.e. document how specific
>songs entered popular culture and the life they led after first being
>composed and recorded.
>
>But this programme gave a different analysis than you're suggesting.I was but kidding.  I took that from the show's intro's brief bio of
Berlin.  Songlines did not pass over the irony of an Eastern European
Jewish refugee writing the world's most popular "secular" Christmas song.
Of course there's no musical connection.Yes, it's a valid and interesting show.  I just didn't expect it to pop up
in the "Missing Voices" link.---OK.  A fine show, Ewan.  You wonder about these people and I think you've
given some fine new insights into the singers, songs, settings.  Also some
very interesting material about Alan's style of collecting from the
subject's POV.  I think I've only come across comments in the past from
Leadbelly and that was mainly John, of course.Thanks for letting us know about the 'cast.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Singing In The Streets and Crosses
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 15:30:57 -0500
Content-Type:text/plain
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'Long as I'm feeling slightly askew and thinking children' stuff, I'll
relate that once I was driving through central England en route to
Plymouth and I picked up a youthful hitchhiker.  He was not, in fact,
touring the Galaxy, but only going a few miles home and dusk and some
chill were settling."Just drop me at the Cross," he says."Wha?" says I."At the Cross.....[pause].....at Banbury Cross.""Wha?""You know, _Banbury Cross_.""'Fraid I don't.  What's Banbury Cross?""You don't know the rhyme?"  (Stunned and incredulous.)"Nope.""Ride a cock horse.........?""Oh yeah.  I've heard that, I think.  So you want to go where?"  (I'm
trying to work this out...cocks, horses, crosses what's he on about?)"In the town of Banbury, you see."(We're just driving into it now.  A small sign tells me.  It's already
past 8 pm and the town seems closed.  Rolled up and put away for the
evening.  Much like driving through Speedtrap, Illinois on the old Lincoln
Highway.  All I could see is the street I'm driving and the cross street
and a big sort of celtic cross in the middle.  Well, times change and a
look at MapQuest for Banbury shows lots more streets (7 or 8) and likely a
MacDonalds.  And... a look at Microsoft Streets doesn't really search out
the Lincoln Highway at all which is a real shame.  -  I-Roads now, you
know.  What would Guthrie have written about I-Roads?  But scattered bits
of it as US 30 do exist.)"There," he says, "Banbury Cross."  And he indicates to stop and gets out
at the cross.  (I still don't know if he meant the Cross or the
cross-street since I've often heard cross-streets referred to at "the
cross" in Scotland.)I've also since learned that, like the world-famous TREE in Christmas,
Florida, the Banbury Cross has been quietly replaced several times over
the years but the locals kind of let on it's medieval.I still feel bad about the insult I inadvertently done the young man.
Kind of like meeting a visitor to Orlando who never heard of Walt Disney.
Well, I'd sort of applaud the visitor's upbringing and education but the
Banburger had little else as a claim to fame.Bells on her toes, huh?-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Blatant Semi-Commercial Announcement to Follow?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 18:30:06 -0500
Content-Type:text/plain
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In case anyone missed an earlier annoumcement, all or any of the
Greig-Duncan Folk Song Collection (including the long-awaited volume 8)
are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
[3655])Single volumes: $47 (US)
Complete Set:: $305If anyone is interested in the University of North Carolina's "Sodom
Laurel Album" book cum CD, I can get that at a substantial discount
(better than Amazon.com or B&N)

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Subject: Re: Singing In The Streets and Crosses
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 15 Dec 2002 23:50:58 -0800
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 like the world-famous TREE in Christmas,
Florida,The what?Dave

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Subject: Missing Voices
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 04:41:25 -0500
Content-Type:text/plain
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Thanks to Abby Sale and others for kind comments.
Much of the credit for the radio show should have gone to the BBC Radio
Scotland features person who suggested / recorded / edited/ scripted /
produced the show - three cheers for Caroline Barbour.Mind you, I had first to track informants down.
Through newspaper and radio stories I found over 20 people who took part in
J R  Ritchie's film The Singing Street, but only one of the singers he
recorded - Peggy MacGillivray. I also got through Ritchie's niece a
photocopy of his notebook listing all the singers on the film.
Jack Mearns of Aberdeen I found through Ian Russell of the Elphinstone
Institute. He in turn tracked down all his pals of 50 years ago.
South Uist was the hardest, and most surprising. I had thought the visit of
a Texan to a small school in the Outer Hebrides would have been a major
memory, but found no-one who remembered him coming or recording. Annie who
we interviewed was great on the school life of the time, and would have
been there that day. She said to me that he would have been just one more
among many visitors brought to the school by Calum and Sorley Maclean.As regards Lomax as a collector, Hamish Henderson wrote about their trips -
Lomax recorded a lot of singing from Hamish as well as being 'guided' by
him. Ewan MacColl in his autobiography, and Joan Littlewood in hers, both
write about Lomax turning up and seeking to record Ewan. MacColl,
Littlewood, MacGillivray and Mearns all talk about him playing guitar and
singing - to pass the time while Theatre Workshop were dismantling scenery
/ because he was requested to / in order to set an atmosphere for the
recording. Maybe he did not do that in South Uist, and hence is not
recalled?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Missing Voices
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 05:09:16 -0500
Content-Type:text/plain
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It seems that Lomax is remembered fondly in by the informants in the
documentary, but I know that he was not universally liked.  would some have
been to go on record about this?        Marge onE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ewan McVicar
Sent: Monday, December 16, 2002 4:41 AM
To: [unmask]
Subject: Missing VoicesThanks to Abby Sale and others for kind comments.
Much of the credit for the radio show should have gone to the BBC Radio
Scotland features person who suggested / recorded / edited/ scripted /
produced the show - three cheers for Caroline Barbour.Mind you, I had first to track informants down.
Through newspaper and radio stories I found over 20 people who took part in
J R  Ritchie's film The Singing Street, but only one of the singers he
recorded - Peggy MacGillivray. I also got through Ritchie's niece a
photocopy of his notebook listing all the singers on the film.
Jack Mearns of Aberdeen I found through Ian Russell of the Elphinstone
Institute. He in turn tracked down all his pals of 50 years ago.
South Uist was the hardest, and most surprising. I had thought the visit of
a Texan to a small school in the Outer Hebrides would have been a major
memory, but found no-one who remembered him coming or recording. Annie who
we interviewed was great on the school life of the time, and would have
been there that day. She said to me that he would have been just one more
among many visitors brought to the school by Calum and Sorley Maclean.As regards Lomax as a collector, Hamish Henderson wrote about their trips -
Lomax recorded a lot of singing from Hamish as well as being 'guided' by
him. Ewan MacColl in his autobiography, and Joan Littlewood in hers, both
write about Lomax turning up and seeking to record Ewan. MacColl,
Littlewood, MacGillivray and Mearns all talk about him playing guitar and
singing - to pass the time while Theatre Workshop were dismantling scenery
/ because he was requested to / in order to set an atmosphere for the
recording. Maybe he did not do that in South Uist, and hence is not
recalled?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Singing In The Streets and Crosses
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 11:35:01 -0500
Content-Type:text/plain
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On Sun, 15 Dec 2002 23:50:58 -0800, Dave Eyre wrote:> like the world-famous TREE in Christmas,
>Florida,
>
>The what?
>
Christmas, Florida, (the original fort begun Christmas day) is a town of
about 12 or 13 people between Orlando and the Coast.  It's main industry
is reforwarding mail to get the town postmark around Christmas day.  It
has a huge live (well over 6 feet) tree out front you can see from Rte 50
and they claim it's the original one.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 11:34:36 -0500
Content-Type:text/plain
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This one should have been easy but help would be appreciated.  I am asked
to authenticate for someone that "Banks of the Ohio" is PD and not
copyright.Thinking this would be easy as anything I pulled down Sharp then Lomax
then this & that but found practically nothing hard.  Found no copy in any
of the US broadside websites, either.  Not even in Hunter or Amer Memory.
I get the impression it's much rarer in trad than it is commercially.Ballad Index gives 1915 but not the source it was 1915 in.  My contact
seems to need to produce an actual copy of an older source or he will not
be permitted to sing the song at the gig.Any ideas?NAME: Banks of the Ohio [Laws F5]
DESCRIPTION: The singer takes his sweetheart walking, hoping to discuss
   marriage. She seemingly refuses him (because she is too young?). Rather
   than wait, he throws her into the river to drown. In most versions he is
   not caught, though in some texts she haunts him
AUTHOR: unknown
EARLIEST DATE: 1915
KEYWORDS: murder river drowning
REFERENCES (10 citations):
Laws F5, "On the Banks of the Ohio"
Randolph 160, "Down on the Banks of the Ohio" (3 texts, 2 tunes)
Eddy 104, "The Murdered Girl" (7 texts, 2 tunes, but Laws considers only
the B text -- "On the Banks of the Old Pedee" -- to belong with this
ballad)
Asch/Dunson/Raim, p. 110, "Down on the Banks of the Ohio" (1 text, 1 tune)
Cohen/Seeger/Wood, pp. 138-139, "Banks of the Ohio" (1 text, 1 tune)
Botkin-MRFolklr, p. 577, "On the Banks of the Ohio" (1 text, 1 tune)
LPound-ABS, 45, p. 108, "The Old Shawnee"; p. 109, "On the Banks of the
Old Pedee" (2 texts)
Darling-NAS, pp. 201-202, "On the Banks of the Ohio" (1 text)
Silber-FSWB, p. 180, "Banks Of The Ohio" (1 text)-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Banks of the Ohio
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 13:59:41 -0500
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>Ballad Index gives 1915 but not the source it was 1915 in.  My contact
>seems to need to produce an actual copy of an older source or he will not
>be permitted to sing the song at the gig.
>
>Any ideas?Several more refs, including Henry, Folk-Songs from the Southern
Highlands, are given by Laws in Native American Balladry.  My guess
is that Henry's informant might have dated it to 1915, but I have not
checked this source.
--
john garst    [unmask]

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Subject: Re: Banks of the Ohio
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 14:09:24 -0500
Content-Type:text/plain
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Forum for ballad scholars <[unmask]> writes:
>Ballad Index gives 1915 but not the source it was 1915 in.
>
Abby,I can at least help with the 1915 ref.  Louise Pound gives two versions, one "obtained" from a Lilliian Gear Boswell at Junction, Wyoming in 1915, the other from an Ms. copy owned by L. C. Wimberly in 1916.   It isn't clear if the date is when she
saw the Ms., or when the Ms. was compiled.The ballad appears to have been in oral circulation in places as far apart as the Carolina's and Wyoming by the 1920s and Laws notes its possible derivation from an English broadside.  Neither of these facts put the song in the public domain, but
I'd hate to be the person who had to come up with proof of copyright ownership.The person should bear in mind, however, that limited copyright can exist on specific arrangements of the ballad.>My contact>seems to need to produce an actual copy of an older source or he will not
>be permitted to sing the song at the gig.This is intriguing!  What are the grounds from this prohibition?Cheers
Jamie

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Subject: Re: Banks of the Ohio
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 11:15:47 -0800
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Abby, John:I will check that source and a few other early collections when I get
home.Stay tuned --EdOn Mon, 16 Dec 2002, John Garst wrote:> >Ballad Index gives 1915 but not the source it was 1915 in.  My contact
> >seems to need to produce an actual copy of an older source or he will not
> >be permitted to sing the song at the gig.
> >
> >Any ideas?
>
> Several more refs, including Henry, Folk-Songs from the Southern
> Highlands, are given by Laws in Native American Balladry.  My guess
> is that Henry's informant might have dated it to 1915, but I have not
> checked this source.
> --
> john garst    [unmask]
>

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Subject: Re: Banks of the Ohio
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 15:35:34 -0600
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On 12/16/02, Abby Sale wrote:>This one should have been easy but help would be appreciated.  I am asked
>to authenticate for someone that "Banks of the Ohio" is PD and not
>copyright.
>
>Thinking this would be easy as anything I pulled down Sharp then Lomax
>then this & that but found practically nothing hard.  Found no copy in any
>of the US broadside websites, either.  Not even in Hunter or Amer Memory.
>I get the impression it's much rarer in trad than it is commercially.
>
>Ballad Index gives 1915 but not the source it was 1915 in.  My contact
>seems to need to produce an actual copy of an older source or he will not
>be permitted to sing the song at the gig.
>
>Any ideas?
>
>NAME: Banks of the Ohio [Laws F5]
>DESCRIPTION: The singer takes his sweetheart walking, hoping to discuss
>   marriage. She seemingly refuses him (because she is too young?). Rather
>   than wait, he throws her into the river to drown. In most versions he is
>   not caught, though in some texts she haunts him
>AUTHOR: unknown
>EARLIEST DATE: 1915
>KEYWORDS: murder river drowning
>REFERENCES (10 citations):
>Laws F5, "On the Banks of the Ohio"
>Randolph 160, "Down on the Banks of the Ohio" (3 texts, 2 tunes)
>Eddy 104, "The Murdered Girl" (7 texts, 2 tunes, but Laws considers only
>the B text -- "On the Banks of the Old Pedee" -- to belong with this
>ballad)
>Asch/Dunson/Raim, p. 110, "Down on the Banks of the Ohio" (1 text, 1 tune)
>Cohen/Seeger/Wood, pp. 138-139, "Banks of the Ohio" (1 text, 1 tune)
>Botkin-MRFolklr, p. 577, "On the Banks of the Ohio" (1 text, 1 tune)
>LPound-ABS, 45, p. 108, "The Old Shawnee"; p. 109, "On the Banks of the
>Old Pedee" (2 texts)
>Darling-NAS, pp. 201-202, "On the Banks of the Ohio" (1 text)
>Silber-FSWB, p. 180, "Banks Of The Ohio" (1 text)As someone pointed out, the 1915 date is from Pound. Looking at the
lists in Laws and other places, I don't think we're going to get
much that's *demonstrably* older than that. But how much supporting
evidence is needed? I can point to about nine versions earlier than
1940 (Randolph, Eddy, Pound, Brown, Henry). They're all distinct,
and none list an author. What does it take to prove a song is
traditional?
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Singing In The Streets and Crosses
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 21:48:05 -0000
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Abby Sale said:>Christmas, Florida, (the original fort begun Christmas day) is a town
>of about 12 or 13 people between Orlando and the Coast.12 or13 people??? And that's a town? Wow! What do you call a village or a
hamlet then?;oDSeason's greetings and good wishes to one and all.Simon

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: Lewis Becker <[unmask]>
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Date:Mon, 16 Dec 2002 16:52:35 -0500
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Dick,I would like to purchase volume 8.  Can I do so by just transmitting to
you credit card info and my address?Lew Becker>>> [unmask] 12/15/02 06:30PM >>>
In case anyone missed an earlier annoumcement, all or any of the
Greig-Duncan Folk Song Collection (including the long-awaited volume
8)
are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
[3655])Single volumes: $47 (US)
Complete Set:: $305If anyone is interested in the University of North Carolina's "Sodom
Laurel Album" book cum CD, I can get that at a substantial discount
(better than Amazon.com or B&N)

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: folkmusic <[unmask]>
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Date:Mon, 16 Dec 2002 17:13:45 -0500
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Dear Lew,If you would find it more convenient, please send me your entire check book.
I will forward $47 to my friend Dick and use the rest to spread joy and
mirth during the "Holiday Season."All the best,
Dan----- Original Message -----
From: "Lewis Becker" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 4:52 PM
Subject: Re: Blatant Semi-Commercial Announcement to Follow?> Dick,
>
> I would like to purchase volume 8.  Can I do so by just transmitting to
> you credit card info and my address?
>
> Lew Becker
>
> >>> [unmask] 12/15/02 06:30PM >>>
> In case anyone missed an earlier annoumcement, all or any of the
> Greig-Duncan Folk Song Collection (including the long-awaited volume
> 8)
> are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> [3655])
>
> Single volumes: $47 (US)
> Complete Set:: $305
>
> If anyone is interested in the University of North Carolina's "Sodom
> Laurel Album" book cum CD, I can get that at a substantial discount
> (better than Amazon.com or B&N)

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Subject: Re: Banks of the Ohio
From: "David G. Engle" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 14:30:27 -0800
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>Bob Waltz asks:
...
>As someone pointed out, the 1915 date is from Pound. Looking at the
>lists in Laws and other places, I don't think we're going to get
>much that's *demonstrably* older than that. But how much supporting
>evidence is needed? I can point to about nine versions earlier than
>1940 (Randolph, Eddy, Pound, Brown, Henry). They're all distinct,
>and none list an author. What does it take to prove a song is
>traditional?In my courses I proceed from Barre Toelken's characterization (if not
definition) of the "materials of folklore" as being
characterized as "'tradition-based communicative units informally exchanged
in dynamic variation through space and time.'  Tradition is here understood
to mean not some static, immutable force from the past, but those
pre-existing culture-specific materials and options that bear upon the
performer more heavily than do his or her own personal tastes and talents.
We recognize in the use of tradition that such matters as content and style
have been for the most part passed on but not invented by the performer."
(Toelken 32)
"Dynamic recognizes, on the other hand, that in the processing of these
contents and styles in performance, the artist's own unique talents of
inventiveness within the tradition are highly valued and are expected to
operate strongly.  Time and space dimensions remind us that the resulting
variations may spread geographically with great rapidity (as jokes do) as
well as down through time (good luck beliefs).  Folklore is made up of
informal expressions passed around long enough to have become recurrent in
form and content, but changeable in performance.  (Toelken, 32)Page numbers refer to Toelken, Barre, _The Dynamics of Folklore_, first ed.
Boston: Houghton, 1979.Now it seems to me that the real answer is not that this or that copyright
(e.g., Luisa Pound's) has expired.  That is chance.The real demonstration is that the song varies dynamically through time and
(or) space, thereby demonstratingthat the song has not been _treated_by
those singing it  as a "standardized" text produced (and metaphorically
"owned") by any single individual.  That would seem to be a sort of "common
law" test.  (analagous to: If everybody treats my back forty as a public
thoroughfare, eventually it will become one...)Secondly the song is certainly "traditional" in that the dynamic variation
is not so "unbridled" as to make the song unrecognizable (as might be the
case in some loose blues ad lib improvisations).  No, all these "variants"
are different iterations (varying dynamically among themselves) of  a
single traditional "idea," with is the song "Banks of the Ohio."John Meier (_Kunstlieder im Volksmunde_, Halle: Niemeyer, 1906) said that
ALL folksongs (he was not confronted by blues, the poor man!) have a single
author, but that when those singing the song do not care who the author
was, and treat it as their own, varying it freely (or not) according to
their own (more or less traditional) tastes, then the song becomes a
folksong.  This is the so-called "Herrschaftsverhaeltnis  zum Volkslied"
["ownership" is a good translation].Who owns the "Banks of  the Ohio"?  We do, this person and [note the "and"
rather than "or"] that person,  singing the  song  as they see  fit.  There
is no record of anyone  giving this or that individual credit for it (e.g.,
it is not an "Irving Berlin" song).  Notably, singers are not disturbed if
one version is not like another: both are valid, co-valent, as it were,
because there is no standard text "owned" by some songwriter.  Is it
traditional?  Yes, it fits the image of "traditional song", containing
typical, vernacular and traditional plot elements, stock situations, stock
relationships, turns of phrase, formulas, and melodic conventions.  Is it
dynamic: yes, there is variation between performances; no one performance
is viewed as the standard by which others are judged (in distinction,
perhaps, to variations embedded in a Beethoven sonata).End of discourse...Side bar:
I would submit, that when people like me said back in the  60's "But that
is a Joan Baez song", we were treating  it as if it were a commercial pop.
song, just like a "Beatles-" song or a "Beach Boys-" song.  The
distinction, I would submit, is that WE were not a folk group then, but
rather kids performing radio-songs (a school group, a kids group, a church
group, etc).  As we "matured" in our musical practice, and learned that
there were other versions, and that each had its own merits, then things
changed.  As we began hearing  all sorts of tunes and songs in all sorts of
variations all around us, and as we  _accepted_ that variation, I would
submit we became a folk group (of musicians/musical audience).  It was at
that point that we  stopped saying, this  song or that was a "Joan Baez"
song, but rather the "'Banks of the Ohio' like JB (or Doc Watson, or Omie
Wise's cousin) does it."  In a very real sense, then, the folk group makes
the folk song.These collections were made in folk groups.I bet, Abby, your questioner could begin to argue that one.Finally, to return to Toelken, I strongly stand behind his use of the word
"characterization" rather than "definition."  We can typify that which is
traditional, but we  cannot "definitively" delimit that which is dynamic
(even as a matter of pure logic).David EngleDavid G. Engleemail:  [unmask]
web:    http://www.csufresno.edu/folklore
        http://www.csufresno.edu/forlang        The Traditional Ballad Index:
        http://www.csufresno.edu/folklore/BalladIndexTOC.html---

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: Lewis Becker <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 17:58:52 -0500
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Dan,Thanks for your offer but I think I'll pass.Don Nichols also pointed out my mistake to me.  My apologies to all for
sending what I thought was a private message to the list. I'll get it
right eventually.Happy holidays to all.Lew>>> [unmask] 12/16/02 05:13PM >>>
Dear Lew,If you would find it more convenient, please send me your entire check
book.
I will forward $47 to my friend Dick and use the rest to spread joy
and
mirth during the "Holiday Season."All the best,
Dan----- Original Message -----
From: "Lewis Becker" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 4:52 PM
Subject: Re: Blatant Semi-Commercial Announcement to Follow?> Dick,
>
> I would like to purchase volume 8.  Can I do so by just transmitting
to
> you credit card info and my address?
>
> Lew Becker
>
> >>> [unmask] 12/15/02 06:30PM >>>
> In case anyone missed an earlier annoumcement, all or any of the
> Greig-Duncan Folk Song Collection (including the long-awaited volume
> 8)
> are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> [3655])
>
> Single volumes: $47 (US)
> Complete Set:: $305
>
> If anyone is interested in the University of North Carolina's "Sodom
> Laurel Album" book cum CD, I can get that at a substantial discount
> (better than Amazon.com or B&N)

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 18:22:44 -0500
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Yep. If you don't want to E-mail it, call me (free) ay 800/548-FOLK (3655)
dick
Lewis Becker wrote:> Dick,
>
> I would like to purchase volume 8.  Can I do so by just transmitting to
> you credit card info and my address?
>
> Lew Becker
>
> >>> [unmask] 12/15/02 06:30PM >>>
> In case anyone missed an earlier annoumcement, all or any of the
> Greig-Duncan Folk Song Collection (including the long-awaited volume
> 8)
> are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> [3655])
>
> Single volumes: $47 (US)
> Complete Set:: $305
>
> If anyone is interested in the University of North Carolina's "Sodom
> Laurel Album" book cum CD, I can get that at a substantial discount
> (better than Amazon.com or B&N)

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 18:32:16 -0500
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On Mon, 20 Aug 2001 13:18:53 -0700, Barry O'Neill wrote:
                  ^
>Hi Bob,
>
>In my mind, from some old Folkways record, is this first verse:
>
>Twas on the tenth day of October,
>In '74 which caus-ed woe
>The Indian savages did cover
>The pleasant banks of the Ohio.
>
(There was a brief Banks of the Ohio thread there.  The "happy?" file
confirms this:10/10/1774: The Virginia Militia was attacked by British-paid Shawnees.
This is officially (by act of Congress) the 1st shot of Revolutionary War
(ie before Lex-Concord) from "The Battle of Point Pleasant"; _The American
Revolution_; Folkways FH5277.  A good record, BTW.>Three pieces of evidence that this was the origin of the well-known murder
>ballad (and therefore the origin was not some murder ballad referring to
>another river) is that the tune is somewhat similar to the well-known one
>(unless someone just recently set that tune to it); that the phrase banks
>of the Ohio is always used in the last line of the verses of this song, as
>it is in the murder balled; and that when people make up new versions, the
>remnants of the old song are often there in some way or other, and here we
>have the them of killing along the river banks.
>
>A google search of "October 10 1774" turned up the Battle of Point
>Pleasant, the "first battle of the American Revolution" .
>
>A further search on "point pleasant" and "indian savages" turned up the
>song at a local history website
>http://appalachian_home.tripod.com/shawnee_song.htm
>and a related song at
>http://www.blueridgeinstitute.org/ballads/kanawhasong.html
>
>Do you think the first one is the inspiration?
>
>BarryThe raw term "banks of the Ohio" seems common enough, though.  Before
asking here (in 2002) a Amer. Memory search found several instances
unrelated to either ballad.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Blatant Semi-Commercial Announcement to Follow?
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 19:55:51 -0500
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No apology necessary Lew.  Just having a joke and, by the way, joy and mirth
to all during the "Holiday Season."Dan----- Original Message -----
From: "Lewis Becker" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 5:58 PM
Subject: Re: Blatant Semi-Commercial Announcement to Follow?> Dan,
>
> Thanks for your offer but I think I'll pass.
>
> Don Nichols also pointed out my mistake to me.  My apologies to all for
> sending what I thought was a private message to the list. I'll get it
> right eventually.
>
> Happy holidays to all.
>
> Lew
>
> >>> [unmask] 12/16/02 05:13PM >>>
> Dear Lew,
>
> If you would find it more convenient, please send me your entire check
> book.
> I will forward $47 to my friend Dick and use the rest to spread joy
> and
> mirth during the "Holiday Season."
>
> All the best,
> Dan
>
> ----- Original Message -----
> From: "Lewis Becker" <[unmask]>
> To: <[unmask]>
> Sent: Monday, December 16, 2002 4:52 PM
> Subject: Re: Blatant Semi-Commercial Announcement to Follow?
>
>
> > Dick,
> >
> > I would like to purchase volume 8.  Can I do so by just transmitting
> to
> > you credit card info and my address?
> >
> > Lew Becker
> >
> > >>> [unmask] 12/15/02 06:30PM >>>
> > In case anyone missed an earlier annoumcement, all or any of the
> > Greig-Duncan Folk Song Collection (including the long-awaited volume
> > 8)
> > are now available from CAMSCO Music (dick@camsco com or 800/548-FOLK
> > [3655])
> >
> > Single volumes: $47 (US)
> > Complete Set:: $305
> >
> > If anyone is interested in the University of North Carolina's "Sodom
> > Laurel Album" book cum CD, I can get that at a substantial discount
> > (better than Amazon.com or B&N)

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Subject: Banks of the Ohio
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 17:48:41 -0800
Content-Type:TEXT/PLAIN
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Abby et al:Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
in which "a youth asks his swetheart to take a walk, and talks of theay
when their wedding is to be.  She says she will never be his."The two stanzas printed are these:From my breast I drew a knife,
And she gave a shrilling cry,
"Oh Willie dear don't murder me,
For I am not prepared to die."Then I took her lily white hands
And swung her around and again around,
Until she fell in the waters cruel,
And there I watched my true love drown.I believe the Carter Family also recorded it, and it was from there that
the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
Tradition LP and thus spread the song to the revival.There is no question that the song itself is in the public domain, though
as someone pointed out a particular version such as the Carter family's
may well be protected.EdP.S. Are more early versions needed to prove the public domain status of
the ballad?

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Subject: Re: Banks of the Ohio
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 21:37:46 -0500
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Grayson and Whitter had the first recording in (I believe) 1928.
dick greenhausEd Cray wrote:> Abby et al:
>
> Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
> West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
> page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
> in which "a youth asks his swetheart to take a walk, and talks of theay
> when their wedding is to be.  She says she will never be his."
>
> The two stanzas printed are these:
>
> >From my breast I drew a knife,
> And she gave a shrilling cry,
> "Oh Willie dear don't murder me,
> For I am not prepared to die."
>
> Then I took her lily white hands
> And swung her around and again around,
> Until she fell in the waters cruel,
> And there I watched my true love drown.
>
> I believe the Carter Family also recorded it, and it was from there that
> the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
> Tradition LP and thus spread the song to the revival.
>
> There is no question that the song itself is in the public domain, though
> as someone pointed out a particular version such as the Carter family's
> may well be protected.
>
> Ed
>
> P.S. Are more early versions needed to prove the public domain status of
> the ballad?

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Subject: Banks of the Ohio (cont.)
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Dec 2002 20:22:45 -0800
Content-Type:TEXT/PLAIN
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Abby et al:Foprgive me my sins of spelling in the original nmessage, to which I add
the following:Mellinger E. Henry has two versions, dated to 1929 and 1930 in his _Folk
Songs from the Southern Highlands_ (NYC: J.J. Augustin, 1938), pp. 220-21.B.L. Lunsford also sang a version recording in 1947 in Los Angeles for
record store owner Ralph Auf Der Heide and released on Folkways somewhat
later.Ed---------- Forwarded message ----------
Date: Mon, 16 Dec 2002 17:48:41 -0800
From: Ed Cray <[unmask]>
Reply-To: Forum for ballad scholars <[unmask]>
To: [unmask]
Subject: Banks of the OhioAbby et al:Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
in which "a youth asks his swetheart to take a walk, and talks of theay
when their wedding is to be.  She says she will never be his."The two stanzas printed are these:From my breast I drew a knife,
And she gave a shrilling cry,
"Oh Willie dear don't murder me,
For I am not prepared to die."Then I took her lily white hands
And swung her around and again around,
Until she fell in the waters cruel,
And there I watched my true love drown.I believe the Carter Family also recorded it, and it was from there that
the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
Tradition LP and thus spread the song to the revival.There is no question that the song itself is in the public domain, though
as someone pointed out a particular version such as the Carter family's
may well be protected.EdP.S. Are more early versions needed to prove the public domain status of
the ballad?

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 03:03:15 -0600
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<<Grayson and Whitter had the first recording in (I believe) 1928.
dick greenhaus>>It seems to have been recorded in 1927, although it was released in 1928.
Also in 1928, recordings were issued by Ernest V. Stoneman, Clarence Green,
and Red Patterson's Piedmont Log Rollers. The Stoneman & Green recordings
were issued later in the year, though, while the Grayson/Whitter & Patterson
recordings came out almost simultaneously early in the year.Peace,
Paul

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 03:14:04 -0600
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On Mon, 20 Aug 2001 13:18:53 -0700, Barry O'Neill wrote:>...that the phrase banks
>of the Ohio is always used in the last line of the verses of this song, as
>it is in the murder balled;But it isn't; the phrase is only used in the chorus of the murder ballad.Peace,
Paul the nitpicker

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 09:44:54 -0500
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On Mon, 16 Dec 2002 14:09:24 -0500, James Moreira wrote:>>seems to need to produce an actual copy of an older source or he will not
>>be permitted to sing the song at the gig.
>
>This is intriguing!  What are the grounds from this prohibition?Ok.  Thanks All.  And Ed twice.  I think that's enough for the guy.  But I
am a bit surprised the song wasn't more often reported.Seems my correspondant is doing new arrangements of trad songs for some
kind of revue.  The theater wants to be sure there's no copyright
infringement (or, I guess, fees to pay) and wants any copyright (or
printing) to be pre-1922.I advised him to get the Pound book from Inter-Library Loan.I think under the old law that would be correct.  I am absolutely not
going to get into that area, though.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Banks of the Ohio
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 09:46:19 -0600
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The Piedmont Log Rollers version, titled "Down On The Banks Of The Ohio," was
recorded in Charlotte N.C. on 12 Aug. 1927 and released in January of 1928. The
Grayson/Whitter version, titled "I'll Never Be Yours." was recorded in NYC 10
Oct. 1927 [some sources give 15 Oct. 1927]. Not sure of the release date. The
Clarence Green version was recorded in Atlanta 5 Nov. 1927 but was not issued
until Dec. 1928. The Stoneman version was recorded and released in 1928. The
final version in the 20s was recorded by Bill Shafer as "Broken Engagements" @
Oct 1929.Six additional versions were recorded in the 30s. Walter Coon [31 Dec 1930],
Clayton McMichen's Georgia Wildcats [28 Oct. 1931], Callahan Brothers [17 Aug.
1934], Blue Sky Boys [16 June 1936], Monroe Brothers [21 June 1936] and the
Philyaw Brothers [16 Dec. 1937].Paul Stamler wrote:> <<Grayson and Whitter had the first recording in (I believe) 1928.
> dick greenhaus>>
>
> It seems to have been recorded in 1927, although it was released in 1928.
> Also in 1928, recordings were issued by Ernest V. Stoneman, Clarence Green,
> and Red Patterson's Piedmont Log Rollers. The Stoneman & Green recordings
> were issued later in the year, though, while the Grayson/Whitter & Patterson
> recordings came out almost simultaneously early in the year.
>
> Peace,
> Paul

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 11:41:32 -0600
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----- Original Message -----
From: Clifford Ocheltree <[unmask]><<Six additional versions were recorded in the 30s. Walter Coon [31 Dec
1930],
Clayton McMichen's Georgia Wildcats [28 Oct. 1931], Callahan Brothers [17
Aug.
1934], Blue Sky Boys [16 June 1936], Monroe Brothers [21 June 1936] and the
Philyaw Brothers [16 Dec. 1937].>>Can you supply titles, record numbers and release dates for the Coon,
McMichen, and Philyaw Bros. recordings? The Ballad Index thanks you!Peace,
Paul

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Subject: Re: Banks of the Ohio
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 09:48:22 -0800
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There was a songs "Banks of the Ohio" in the 1840s.  I quote from the
brochure notes to the Jimmie Tarlton LP on Testament Records in ca 1967:
"Of the chorus, the editors of the Brown Collection remark cryptically that
it 'seems to have been taken over from a song of the pioneers.'  Presumably
they refer to the early emigrant song, 'The Banks of Ohio,'....  [which
appeared in songsters in the 1840s and on broadsides of the 1820s].   Only
with extensive textual revisions could this song extolling the virtues of
the Ohio territory have contributed to the murdered girl ballad.  The only
suggestive line in the songster text is "And we'll folk you in our arms on
the pleasant Ohio."
Norm Cohen

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Subject: Re: Banks of the Ohio
From: Clifford Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 14:43:57 -0600
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Not a problem."On The Banks Of The Ohio"  (S 16982-B) - Walter Coon (vcl w/gtr & hac) - 31
Dec. 1930. Richmond, IN. Released as by Frank Stanton on Superior 2544 - Dec
1930. (Aware the release date makes no sense when compared to the recording
date but it is as cataloged.)"On The Banks Of The Ohio"  (W 151968- ) - Clayton McMichen's Georgia Wildcats
(vcl w/vln, gtrs & tbjo) - 28 Oct. 28 Oct. 1931. Atlanta, GA. Unissued
Columbia recording."On The Banks Of The Ohio"  (22186- ) - Philyaw Brothers (vcl duet w/2 gtrs) -
16 Dec. 1937. NYC. Unissued ARC recording.Info taken from Country Music Sources by Guthrie Meade (w/ Dick Spottswood &
Douglas Meade)Paul Stamler wrote:> ----- Original Message -----
> From: Clifford Ocheltree <[unmask]>
>
> <<Six additional versions were recorded in the 30s. Walter Coon [31 Dec
> 1930],
> Clayton McMichen's Georgia Wildcats [28 Oct. 1931], Callahan Brothers [17
> Aug.
> 1934], Blue Sky Boys [16 June 1936], Monroe Brothers [21 June 1936] and the
> Philyaw Brothers [16 Dec. 1937].>>
>
> Can you supply titles, record numbers and release dates for the Coon,
> McMichen, and Philyaw Bros. recordings? The Ballad Index thanks you!
>
> Peace,
> Paul

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Subject: Re: Banks of the Ohio
From: Roy Berkeley <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Dec 2002 20:21:11 -0500
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I seem to remember something like "On The Banks Of The O.B.D. (or the Old
Pee Dee?)" on an LP of the McPeake Family of Belfast, probably collected by
Kenny Goldstein back in the late fifties/early sixties.  Same story line and
pretty much the same narrative.
----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Monday, December 16, 2002 8:48 PM
Subject: Banks of the Ohio> Abby et al:
>
> Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
> West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints on
> page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
> in which "a youth asks his swetheart to take a walk, and talks of theay
> when their wedding is to be.  She says she will never be his."
>
> The two stanzas printed are these:
>
> From my breast I drew a knife,
> And she gave a shrilling cry,
> "Oh Willie dear don't murder me,
> For I am not prepared to die."
>
> Then I took her lily white hands
> And swung her around and again around,
> Until she fell in the waters cruel,
> And there I watched my true love drown.
>
> I believe the Carter Family also recorded it, and it was from there that
> the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
> Tradition LP and thus spread the song to the revival.
>
> There is no question that the song itself is in the public domain, though
> as someone pointed out a particular version such as the Carter family's
> may well be protected.
>
> Ed
>
> P.S. Are more early versions needed to prove the public domain status of
> the ballad?

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 10:09:00 -0500
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On Mon, 16 Dec 2002 14:30:27 -0800, David G. Engle wrote:>In my courses I proceed from Barre Toelken's characterization (if not
>definition) of the "materials of folklore" as being
>characterized as "'tradition-based communicative units informally exchanged
>in dynamic variation through space and time.'  Tradition is here understood
>to mean not some static, immutable force from the past, but those
>pre-existing culture-specific materials and options that bear upon the
>performer more heavily than do his or her own personal tastes and talents.
>We recognize in the use of tradition that such matters as content and style
>have been for the most part passed on but not invented by the performer."
>(Toelken 32)Well, I wouldn't disagree with any of that but ASCAP might.  Further, the
mere fact that a song has passed into tradition and is sung (improperly
without payment) does not necessarily disqualify the copyright.When Monroe sang "Happy Birthday, Mr President" she was certainly meeting
all the elements of the characterization (including the Dynamic one) but
was singing a song still under valid copyright.  (Smith & Smith, 1924 ©
Summy-Birchard, Inc. [c/o Warner/Chappell Music, Inc.] Licensed by ASCAP.)Or take the laboring ballad, "Paddy and the Barrel, The Bricklayer, The
Sick Letter, The Barrel Song, The Sick Note, Why Paddy's Not at Work
Today, Why Yassir's Not at Work Today, The Excuse Note, Paddy's Excuse.
(I think it may enter the rolls as the most-titled songs out there having
only _one_ version.)  Been recorded maybe 100 times - 50 without credit
and in _everybody's_ repertoire.  Yet, the song version's undisputed
author, Pat Cooksey (1969) has only been able to assert his copyright this
year.  It does not _stop_ being a folk song under the definition.I'm not nit-picking here.  I don't expect a characterization to cover all
possible cases - that's why you were careful to stress this is not a
'definition.'   But for purposes of having a certainty of obeying the
rules & regs when working with a theater or Arts Council...  Proof may be
needed.BTW, To my utter amazement the Pound book was in the Orange County library
system catalog.  I advised my Questioner to go have a look.  (I have to
use the Seminole County system or else pay huge ($35/year, I think) fees.He writes that although there are many tunes in the book, "Banks of the
Ohio" doesn't have one.  Now he's worried that the text might be PD but
the tune might be _later_ and still protected.I wrote back that this is essentially a one-tune song (as a murder ballad)
and it's been recorded endless times and he has a xerox of the pre-1920
text in hand and he should sing the fucking song and stop worrying about
it.This reminded me that 1915 is just before the Event Horizon of
systematically printing trad tunes along with trad or collected texts.
All those tuneless collected songs out there!  Thank God for Greig~Duncan
and Shaw & Lyle (& even Ewan) for completing this monumental task.  It has
an index now, you know....(Ok, that's at least three threads - sorry.)-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Banks of the Ohio
From: Jane Keefer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 07:34:59 -0800
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I have this recording and the liner notes by Samuel  Charters indicates that
Francis McPeake Sr learned it from his daughter - the air used by the
McPeakes, Sr. and Jr.
is similar to the standard one used today.  The record production is by
Goldstein and Ewan McColl and was probably done in the early 60's.Jane Keefer
(Folk Music Index)----- Original Message -----
From: Roy Berkeley <[unmask]>
To: <[unmask]>
Sent: Tuesday, December 17, 2002 5:21 PM
Subject: Re: Banks of the Ohio> I seem to remember something like "On The Banks Of The O.B.D. (or the Old
> Pee Dee?)" on an LP of the McPeake Family of Belfast, probably collected
by
> Kenny Goldstein back in the late fifties/early sixties.  Same story line
and
> pretty much the same narrative.
> ----- Original Message -----
> From: "Ed Cray" <[unmask]>
> To: <[unmask]>
> Sent: Monday, December 16, 2002 8:48 PM
> Subject: Banks of the Ohio
>
>
> > Abby et al:
> >
> > Louise Pound published in 1915 "Folk-Song of Nebraska and the Central
> > West" (Nebraska Academy of Sciences Publications Vol IX, No. 3) prints
on
> > page 17, a report of "On the Banks of the Old P.D., The Old Shawnee,"
> > in which "a youth asks his swetheart to take a walk, and talks of theay
> > when their wedding is to be.  She says she will never be his."
> >
> > The two stanzas printed are these:
> >
> > From my breast I drew a knife,
> > And she gave a shrilling cry,
> > "Oh Willie dear don't murder me,
> > For I am not prepared to die."
> >
> > Then I took her lily white hands
> > And swung her around and again around,
> > Until she fell in the waters cruel,
> > And there I watched my true love drown.
> >
> > I believe the Carter Family also recorded it, and it was from there that
> > the Kossoy sisters, Ellen and Irene, got it.  They sang it on their
> > Tradition LP and thus spread the song to the revival.
> >
> > There is no question that the song itself is in the public domain,
though
> > as someone pointed out a particular version such as the Carter family's
> > may well be protected.
> >
> > Ed
> >
> > P.S. Are more early versions needed to prove the public domain status of
> > the ballad?

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Subject: Re: Banks of the Ohio
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 11:21:53 -0500
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That's right.Was not the O.B.D. the Old Belfast Docks or some such?EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Dec 2002 12:51:54 -0600
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<<Was not the O.B.D. the Old Belfast Docks or some such?>>Perhaps, but there's also a river in the USA called the Peedee.Peace,
Paul

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Subject: Re: Banks of the Ohio
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Date:Thu, 19 Dec 2002 05:28:58 EST
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Subject: Re: Banks of the Ohio
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 09:05:34 -0500
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The OBD song I vaguely recall is surely a relative rather than the same
song?The McPeakes also recorded an instrumental called Juanita that I have
encountered in a US context, and the name suggests an US or Spanish origin.There was much more two-way traffic in songs and tunes between North
America and the British Isles than the collections would lead us to think -
some collectors at least filtered out what they did not want to find.And some collecters were singers too. As I recall both Jeannie Robertson
and Lizzie Higgins sang songs given to them by Sandie Paton.EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Banks of the Ohio
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 09:13:50 -0500
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Hello, Ewan.  When I worked in Norther Ireland, I got versions of "When the
work's All Done This Fall," and the Hollywwood version of "Bury Me Not on
the Lone Prairie."  and it may be that others, both in Ireland and Canada,
got songs from my singing.Peace.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ewan McVicar
Sent: Thursday, December 19, 2002 9:06 AM
To: [unmask]
Subject: Re: Banks of the OhioThe OBD song I vaguely recall is surely a relative rather than the same
song?The McPeakes also recorded an instrumental called Juanita that I have
encountered in a US context, and the name suggests an US or Spanish origin.There was much more two-way traffic in songs and tunes between North
America and the British Isles than the collections would lead us to think -
some collectors at least filtered out what they did not want to find.And some collecters were singers too. As I recall both Jeannie Robertson
and Lizzie Higgins sang songs given to them by Sandie Paton.EwanEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Banks of the Ohio
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 11:55:29 -0600
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----- Original Message -----
From: <[unmask]><<Prestige International 13018 - but absolutely no information as to how the
song came to be in the McPeake repertory. It's not that uncommon for songs
of
north American origin to get into the Irish repertory - DK Wilgus wrote
about
it. Lakes of Ponchartrain, Banks of Brandywine, even Finnigan's Wake are all
migratory in Ireland. Nevertheless the McPeake's version is pre-Joan Baez
which is how the Banks of the Ohio got to Britain.>>Could they have gotten it from Alan Lomax? He'd been in Ireland a few years
earlier.Peace,
Paul

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Subject: Re: Banks of the Ohio
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Subject: Reverse Transmittal
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 10:41:37 -0800
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Folks:I would add that a number of American blackface minstrel songs enjoyed
long popularity in Great Britain -- including early printings of "Jump
Jim Crow," ca. 1840's.Their popularity, and tours of American minstrel companies continued, into
the 1890s, witness the three volumes handsomely gotten up of "The Christy
Minstrel's Song Book" by Boosey and Co. at that time.Ed

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Subject: Re: Reverse Transmittal
From: Conrad Bladey ***Peasant**** <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 15:40:14 -0500
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T.D. Rice originator of Jim Crow appeared at the Surrey Theatre in the
Summer of 1836, London and was quite popular.
The song Trip to Greenwich sung by Jim Crow was included when the
tabletop/toy theatre of Harlequin and Guy Fawkes came out in  the same
year. The Pantomime itself closed before Rice arrived....So there....my trivia on Crow....ConradEd Cray wrote:
>
> Folks:
>
> I would add that a number of American blackface minstrel songs enjoyed
> long popularity in Great Britain -- including early printings of "Jump
> Jim Crow," ca. 1840's.
>
> Their popularity, and tours of American minstrel companies continued, into
> the 1890s, witness the three volumes handsomely gotten up of "The Christy
> Minstrel's Song Book" by Boosey and Co. at that time.
>
> Ed--
Adam Lay Ybounden
Adam lay ybounden, bounden in a bond; four thousand winter thought he not
too long.
And all was for an apple, an apple that he took, as clerkes finden written
in their book.
Ne had the able taken been, the apple taken been,
Ne had never our lady abeen heavene queen.
Blessed be the time that apple taken was,
therefore we mourn singen Deo Gracias!- Sloan MS (15 Century)
for music go here:
http://www.channel1.com/users/gsilvis/mids/warladam.mid*******************************************************************************************
What is the Crying at Jordan
What is the crying at Jordan? Who Hears, O God, the prophesy?
Dark is the season, dark our hearts and shut to mystery.
Who then shall stir in this darkness, prepare for joy in the winter night?
Mortal in darkness we lie down, blind-hearted seeing no light.
Lord, give us grace to awake us, to see the branch that begins to bloom;
in great humility is hid all heaven in a little room
Now comes the day of salvation, in joy and terror the Word is born!
God gives himself into our lives;
O let salvation dawn!- Carol Christopher Drake
______________________________________________________________

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Subject: Re: Banks of the Ohio
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Dec 2002 18:24:55 -0500
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Marge's point about singers and Hollywood reminds me of a few other
wellknown countertransferences.1) Popular kids song Ye Canny Shove Yer Grannie Aff A Bus is based on
She'll Be Coming Round The Mountain, sung on BBC repeatedly in the 1940s by
Big Bill Campbell's Rocky Mountaineers. Big Bill was as I recall Canadian,
the rest were British.2) Glasgow pub song Doon In The Wee Room Underneath The Stair uses a tune
and format from a song sung I am told in a Laurel and Hardie movie - Down
In The Forest Underneath The Trees.3) A dozen anti-Polaris songs of the late 1950s utilised American tunes
because a] they were wellknown to the protesters, b] they had the needed
bounce and simplicity, and c] using them against the US Navy made a
political point.4] Volume 8 of Greig Duncan has a couple of fragments at least of American
songs - Jim Crow and John Brown's Knapsack.Ewan

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Subject: EBay List - 12/20/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 00:54:46 -0500
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Hi!        Here is the weekly list for all the last minute shoppers :-)        SONGSTER        930999011 - The Rising of the Moon Songster and the Handy Andy
Dime Song Book, 1860's, $6 (ends Dec-23-02 17:46:24 PST)        SONGBOOKS, ETC.        2900067318 - The Ballad Book of John Jacob Niles, 1960, $4.99
(ends Dec-20-02 12:29:51 PST)        930300244 - Ballads from PUBS of IRELAND VOL. I by Healy, 1996
edition, $7.95 (ends Dec-20-02 14:32:48 PST)        2900199608 - The Folk Songs of North America in the English
Language by A. Lomax, $4.99 (ends Dec-21-02 08:43:19 PST)        930478706 - The Erotic Muse by Cray, 1992, $5 (ends Dec-21-02
12:03:39 PST)        930554227 - The Cowboy Sings, 1932, $7 (ends Dec-21-02 18:34:52
PST)        2900798412 - Reliques of Ancient English Poetry by Percy, Volume
1, 1823, $7.95 (ends Dec-22-02 12:58:48 PST)        2900449439 - American Naval Songs & Ballads by Neeser, 1938, $30
(ends Dec-22-02 16:21:00 PST)        2900473269 - Irish Minstrelsy by Sparling, 1887, $9 (ends
Dec-22-02 16:22:18 PST)        2900841270 - A Singer and Her Songs - Almeda Riddle's Book of
Ballads by Abrahams, $8 w/reserve (ends Dec-22-02 18:15:47 PST)        930903152 - Songs of England, edited by Hatton, 1874, $9.95
(ends Dec-23-02 09:26:31 PST)        2900634858 - AMERICAN NEGRO SONGS AND SPIRITUALS by Work, 1940,
$4.99 (ends Dec-23-02 13:04:59 PST)        2150438841 - COWBOY SONGS and Other Frontier Ballads by Lomax &
Lomax, 1957, $9.99 (ends Dec-23-02 16:06:09 PST)        931079958 - The Singing' Gatherin by Thomas & Leeder, 1939,
$9.49 (ends Dec-24-02 06:10:47 PST)        2900753543 - Backwoods America by Wilson, 1934, $5 (ends
Dec-24-02 07:43:10 PST)        930521004 - Wilma Lee and Stoney Cooper Song Book, 1938, $22.95
(ends Dec-24-02 15:23:44 PST)        2150240066 - FOLIO OF WESTERN SONGS BY LONESOME COWBOY, 1942,
$9.99 (ends Dec-24-02 21:34:03 PST)        2900959735 - Songs and Ballads of Scott, 1911, $7.99 (ends
Dec-25-02 14:06:36 PST)        2901049960 - RADIO'S 'KENTUCKY MOUNTAIN BOY' BRADLEY KINCAID
by Jones, 1988, $9.99 (ends Dec-26-02 06:45:25 PST)        2900672507 - BALLADS AND FOLK SONGS OF THE SOUTHWEST by Moore,
1966, $4 (ends Dec-26-02 17:19:12 PST)        MISCELLANEOUS        2900365930 - 7 issues of Northeast Folklore, 1975-1989, $7.50
(ends Dec-22-02 07:33:44 PST)        2150526196 - Ticket to "Twelve lectures on the popular
ballads of England and Scotland, by Prof. Francis J. Child, of Harvard
University, Wednesday and Saturday Evenings, to begin January 8, 1879,
doors closed at 7 1/2 o'clock", $4.99 (ends Dec-24-02 12:56:03 PST)        2900819470, 2900852042, 2900854319 - 3 issues of the Journal of
American Folklore dated 1941, 1935 & 1935, $9.95 (end Dec-27-02 15:14:32
PST, Dec-27-02 19:18:39 PST, & Dec-27-02 19:30:46 PST)                                Happy Holidays!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Child Ticket
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 09:08:25 -0800
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Folks:I am going to bid on the ticket to the Child lectures Dolores found on
ebay.Ed

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Subject: Re: Child Ticket
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 12:19:16 -0500
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Hasn't that lecture been cancelled ? :-)
J.>Folks:
>
>I am going to bid on the ticket to the Child lectures Dolores found on
>ebay.
>
>Ed

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Subject: Unidentified songster
From: "McBride, Jerry" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 14:39:53 -0500
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I've an 18th-century songster that is missing the first 10 pages and some of
the back pages. I'm hoping that someone can provide some suggestions on how
it might be identified or perhaps may be able to check their own
collections. I've not been able to identify it using Sonneck-Upton or
Lowens. Of course, it may be either American or British.On p. 11, there is a song starting half way down the page, "The Sun that
Lights the Roses," whose first line is: Tho' dimple cheeks may give delight,
.... The last page that I have is p. 84 on which are printed two songs,
        The Rose Will Cease to Blow (1st line: the same), and
        Swift as the Flash! (1st line: Swift as the flash, that mocks the
sight ....The book contains illustrations and measures 3 x 2 13/4 in (7.5 x 6.7 cm.).
On the inside of the front cover the owner's name and date (1771) is written
in ink.Any help would be greatly appreciated.Jerry McBride, Music Librarian       Music Library, Center for the Arts
[unmask]    Middlebury College
(802) 443-5217                             72 Porter Field Road
Fax: (802) 443-2332                     Middlebury, VT 05753-6177
http://www.middlebury.edu/~lib/musiclib/musiclib.html

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Subject: Re: Child Ticket
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 11:01:46 -0800
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That's really a neat item; good luck.
Norm----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Friday, December 20, 2002 9:08 AM
Subject: Child Ticket> Folks:
>
> I am going to bid on the ticket to the Child lectures Dolores found on
> ebay.
>
> Ed

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Subject: Follow-Up : Sodom Laurel Album (commercial)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 16:17:44 -0500
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A couple of folks have asked me for more information on this book/CD
package. I just received my first copies, so I can provide more detail.It'a a handsome hard-covered book, 166 pages, measuring 9-1/2" x 10".
The bulk of those pages consist of photos by Rob Amberg; with some
descriptive text, including interviews with many of the subjects of
those photos. The book focuses on the small mountain community of Sodom
Laurel, North Carolina,  one of the richest sources for Anglo-American
and American song and balladry that ever was.The CD has  a total of 20 tracks, and features Dellie Norton, Cas
Wallin, Berzillia Wallin, Doug Wallin, Evelyn Ramsey and .Sheila Kay
Adams.Altogether, the Sodom Laurel Album presents (IMO) the finest picture of
a Southern Appalachian community I've ever seen and/or heard.Available from CAMSCO Music for $32 (cheap) plus actual postage.

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Subject: Re: Banks of the Ohio
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 17:20:38 -0500
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On Thu, 19 Dec 2002 09:05:34 -0500, Ewan McVicar wrote:>And some collecters were singers too. As I recall both Jeannie Robertson
>and Lizzie Higgins sang songs given to them by Sandie Paton.And at least Jeanie got at least one from Jean Ritchie.I guess a good song is a goos song.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: EBay List - 12/20/02
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 19:06:43 -0500
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Yes, the Child ticket is very cool.  Good luck, Ed.I will go after the Rising of the Moon and Handy Andy songsters.All the best,
Dan Milner

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Subject: Re: Child Ticket
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Dec 2002 18:14:07 -0800
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John:Not at all.I attended the entire series.EdOn Fri, 20 Dec 2002, John Roberts wrote:> Hasn't that lecture been cancelled ? :-)
> J.
>
>
> >Folks:
> >
> >I am going to bid on the ticket to the Child lectures Dolores found on
> >ebay.
> >
> >Ed
>

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Subject: new series on British music hall on bBC Radio 4
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 08:24:34 -0500
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Hello, all.  As I speak, I am listening to a new series on The British Music
Hall, which, I assume, is to be broadcast each Tuesday oat eight-thirty A.M.
Eastern time, or fifteen-thirty GMT.Cheers, and merry Christmas!        MargeE-mail: [unmask]

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Subject: music hall series
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 08:40:27 -0500
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The aforementioned series on British music hall is entitled "A Bit of What
you Fancy."        MargeE-mail: [unmask]

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Subject: Re: new series on British music hall on bBC Radio 4
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:11:55 EST
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Subject: Season's Greetings
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 09:31:57 -0800
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Good People:I would hope to wish you and yours peace in these troubled days.Ed

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Subject: Re: Season's Greetings
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:56:50 -0500
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pewace to you, Ed, and to all Balladeers.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, December 24, 2002 12:32 PM
To: [unmask]
Subject: Season's GreetingsGood People:I would hope to wish you and yours peace in these troubled days.Ed

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Subject: Re: new series on British music hall on bBC Radio 4
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:58:09 -0500
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Subject: "a Little of What you fancy"
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 12:59:34 -0500
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The next installment of "A Little Bit of What you Fancy" will be broadcast
on New Year's Eve at fifteen-thirty GMT, or eight-thirty A.M. Eastern Time.        MargeE-mail: [unmask]

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Subject: Matt McGinn
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 18:14:32 +0000
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Since we're alerting each other on Radio broadcasts, these may be of
interest:"McGinn of the Calton" on Radio Scotland tomorrow morning (Christmas
Day) at 11.30am. It's the story of Matt McGinn, and it's repeated
Boxing Day, 10.30pm.There is a series about the musical connections between Scotland and
The Alamo each night from Monday-Thursday at 10.30pmNew Year's Day, 5.05pm, a one-hour programme about Hamish Henderson's
life.--
Nigel Gatherer, Crieff <mailto:[unmask]>
Matt McGinn page:
www.argonet.co.uk/users/gatherer/scottish/artists/matt.html

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Subject: Re: Matt McGinn
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 14:03:04 -0500
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Sounds like a lot of good stuff on Radio Scotland.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Nigel Gatherer
Sent: Tuesday, December 24, 2002 1:15 PM
To: [unmask]
Subject: Matt McGinnSince we're alerting each other on Radio broadcasts, these may be of
interest:"McGinn of the Calton" on Radio Scotland tomorrow morning (Christmas
Day) at 11.30am. It's the story of Matt McGinn, and it's repeated
Boxing Day, 10.30pm.There is a series about the musical connections between Scotland and
The Alamo each night from Monday-Thursday at 10.30pmNew Year's Day, 5.05pm, a one-hour programme about Hamish Henderson's
life.--
Nigel Gatherer, Crieff <mailto:[unmask]>
Matt McGinn page:
www.argonet.co.uk/users/gatherer/scottish/artists/matt.html

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Subject: Re: Greetings
From: rcohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 14:14:15 -0600
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Dear Marge: Greetings from Ron Cohen, up here at Indiana University NOrthwest.
I have now subscribed to Ballad-L, so am getting all sorts of good
information. This was Ed Cray's idea, a good friend who is doing wonders with
his biography of Woody Guthrie.
   I have been keeping busy with my various folk music projects since the
Richard Reuss Conference so many years ago. I have just published RAINBOW
QUEST: THE FOLK MUSIC REVIVAL AND AMERICAN SOCIETY, 1940-1970, published by
the University of Massachusetts Press, and am also editing a book of Alan
Lomax's writings for Routledge, which will be out next spring.
  I hope you are well and everything is fine in Bloomington. I have not
traveled down state for a few years, but hope to make it before too long.
  Have a good holiday, peace, ron cohen

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Subject: Re: Greetings
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 16:08:06 -0500
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Hi, Ron.  I want to read your revival book, and, of course your edited book
on Lomax.  I further hope to attend the Alan Lomax conference in New York.
As you may know, I've sort of been an Alan Lomax wannabe, at least with
regard to folksong collecting, and have done so, to some extent, hav ing
been constrained by financial and other logistical constraints.anyhow, I look forward to reading your works and maybe coming to the
conference.Peace, and happy holidays.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of rcohen
Sent: Tuesday, December 24, 2002 3:14 PM
To: [unmask]
Subject: Re: GreetingsDear Marge: Greetings from Ron Cohen, up here at Indiana University
NOrthwest.
I have now subscribed to Ballad-L, so am getting all sorts of good
information. This was Ed Cray's idea, a good friend who is doing wonders
with
his biography of Woody Guthrie.
   I have been keeping busy with my various folk music projects since the
Richard Reuss Conference so many years ago. I have just published RAINBOW
QUEST: THE FOLK MUSIC REVIVAL AND AMERICAN SOCIETY, 1940-1970, published by
the University of Massachusetts Press, and am also editing a book of Alan
Lomax's writings for Routledge, which will be out next spring.
  I hope you are well and everything is fine in Bloomington. I have not
traveled down state for a few years, but hope to make it before too long.
  Have a good holiday, peace, ron cohen

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Subject: Re: Matt McGinn
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 21:40:39 -0800
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Hi everyone,> Since we're alerting each other on Radio broadcasts, these may be of
> interest:And may I addDown in Yon Forest..., BBC Radio 4, Christmas Day 11.02am (repeated Tuesday
31 December 11.30am) features Norma Waterson, Kate Rusby and Jim Boyes among
the many Yorkshire and Derbyshire singers talking about their enthusiasm for
local carols.And for any British viewers with Digital TV (or more likely friends with
Digital TV) BBC Four have scheduled a Folk Night featuring a feast of folk roots
programming. Kicking off at 7pm is Cambridge Folk Festival 2002, presented
by Eliza Carthy and Mark Radcliffe. 90 minutes of Martin Carthy and Friends
follows at 9pm, then then Christy Moore Uncovered at 11.30pm, Down from the
Mountain at 11.55pm and Nick Drake: A Skin Too Few at 01.30amFull details of this at:http://www.bbc.co.uk/radio2/folk/features/f_bbc4_folknight.shtmlBest wishes for a happy and peaceful Christmas and New Year.Dave

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Subject: Re: Matt McGinn
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Dec 2002 22:26:38 +0000
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My Matt McGinn page has moved, and I forgot to change the sig URL.
Sorry about that. It's atwww.argonet.co.uk/users/gatherer/perf/singers1/matt.html--
Nigel Gatherer, Crieff <mailto:[unmask]>
Matt McGinn page:
www.argonet.co.uk/users/gatherer/perf/singers1/matt.html

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Subject: Re: Matt McGinn
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 12:23:31 +0000
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I DID remember, and I recorded it. Anyone who wants a copy on cassette,
contact me and we can arrange a swap. In the programme, Tom Paxton
describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
apt.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Ebay List (songsters) - 12/25/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 11:12:53 -0500
Content-Type:text/plain
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Hi!        Through the falling snow, Rudolph led me to the following
songsters on Ebay -        749298904 - America First: Republican Campaign Song Book for
Harding & Coolidge, 1920, $20.50 (ends Dec-26-02 18:30:00 PST)        749511284 - True Blue Republican Campaign Songs for Harrison,
1892, $9.99 (ends Dec-27-02 18:15:00 PST)        932055756 - Uncle Hez, Comedy Songster Program, 1900?, $9.99
(ends Dec-29-02 12:38:27 PST)        749973758 - The Great Barnum & Bailey's Clown Songster, ca 1900,
$9.99 w/reserve (ends Dec-30-02 10:14:07 PST)        The main Ebay list will be postly late tomorrow hopefully.                        Happy Holidays!
                (and for those lucky folks like us - Happy Shoveling!)
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Matt McGinn
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 12:20:50 -0500
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Yes, i heard the program and wish I'd recorded it.  I know that I'd love a
copy of it, and if you or anyone copied the program on Yorkshire pub
caroling, I'd love that, too.  That was wonderful as well.Anyhow, merry Christmas, and may we sing this poor broken world into sanity
and wholeness.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Nigel Gatherer
Sent: Wednesday, December 25, 2002 7:24 AM
To: [unmask]
Subject: Re: Matt McGinnI DID remember, and I recorded it. Anyone who wants a copy on cassette,
contact me and we can arrange a swap. In the programme, Tom Paxton
describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
apt.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: new series on British music hall on BBC Radio 4
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 13:15:17 EST
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Subject: Yorkshire Carols
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 21:18:08 -0800
Content-Type:text/plain
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Hi Marge and anyone else who would like a copy.......I recorded the programme of carols and would be delighted to send you a
copy. It might take a day or two since I am away from the 27th until the New
Year. However listen closely and you can hear my awful singing coming
through loud and clear on the singing from the Royal at Dungworth - which
public house I can actually see as I look out of the window as I type!! That
has to be worth something!!Incidentally I am not sure how many who subscribe to this list in the USA
are aware of it, but there is an IDENTICAL tradition in Glen Rock, York
County, Pennsylvania. The story of the Glen Rock Carolers is to be found at
www.glenrockcarolers.org  and we were privileged for them to visit Sheffield
UK this year, for our bi-ennial festival of carols.The remarkable and well-documented story of how a tiny village (1,700
people) in Pennsylvania came to be singing these particular carols has to be
one of the most fascinating stories of recent folklore and I am proud to be
the one who "made" the connection. It does seem remarkable that noone had
ever made the connection before - except that any self-respecting folklorist
would be in bed when the tradition happens - from midnight Christmas Eve to
7.00 am approx. Xmas Day. Thank goodness for the World Wide Web!!Dave
www.collectorsfolk.co.uk

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Subject: Re: Yorkshire Carols
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 17:18:02 -0500
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Hi, Dave.  I was unaware of the Glen Rock Pennsylvania tradition: perhaps I
can go visit there nerxt year, and, since I'm both a passionate singer and a
folklorist, I would love to visit both Glen Rock and sheffield to sing and
perhaps write some later.  Oh, my address is 409 Vernon Drive, Bloomington,
Indiana 47408, and I'd be happy to reimburse you for the tape or perhaps I
could send you something nifty.I'm now going to look at the Glen Rock website.Cheers, and good singing to you.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Dave Eyre
Sent: Thursday, December 26, 2002 12:18 AM
To: [unmask]
Subject: Yorkshire CarolsHi Marge and anyone else who would like a copy.......I recorded the programme of carols and would be delighted to send you a
copy. It might take a day or two since I am away from the 27th until the New
Year. However listen closely and you can hear my awful singing coming
through loud and clear on the singing from the Royal at Dungworth - which
public house I can actually see as I look out of the window as I type!! That
has to be worth something!!Incidentally I am not sure how many who subscribe to this list in the USA
are aware of it, but there is an IDENTICAL tradition in Glen Rock, York
County, Pennsylvania. The story of the Glen Rock Carolers is to be found at
www.glenrockcarolers.org  and we were privileged for them to visit Sheffield
UK this year, for our bi-ennial festival of carols.The remarkable and well-documented story of how a tiny village (1,700
people) in Pennsylvania came to be singing these particular carols has to be
one of the most fascinating stories of recent folklore and I am proud to be
the one who "made" the connection. It does seem remarkable that noone had
ever made the connection before - except that any self-respecting folklorist
would be in bed when the tradition happens - from midnight Christmas Eve to
7.00 am approx. Xmas Day. Thank goodness for the World Wide Web!!Dave
www.collectorsfolk.co.uk

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Subject: Ebay auction
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 16:38:00 -0800
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Subject: Re: Matt McGinn
From: folkmusic <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Dec 2002 20:12:14 -0500
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Hi Marge!I heard the McGinn program too but the archived program.  I believe you
should be able to listen to it again by going to the BBC Radio Scotland.All the best,
Dan----- Original Message -----
From: "Marge Steiner" <[unmask]>
To: <[unmask]>
Sent: Wednesday, December 25, 2002 12:20 PM
Subject: Re: Matt McGinn> Yes, i heard the program and wish I'd recorded it.  I know that I'd love a
> copy of it, and if you or anyone copied the program on Yorkshire pub
> caroling, I'd love that, too.  That was wonderful as well.
>
> Anyhow, merry Christmas, and may we sing this poor broken world into
sanity
> and wholeness.
>
>         Marge
>
>
> E-mail: [unmask]
>
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]On Behalf
> Of Nigel Gatherer
> Sent: Wednesday, December 25, 2002 7:24 AM
> To: [unmask]
> Subject: Re: Matt McGinn
>
>
> I DID remember, and I recorded it. Anyone who wants a copy on cassette,
> contact me and we can arrange a swap. In the programme, Tom Paxton
> describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
> apt.
>
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Matt McGinn
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 00:26:50 -0500
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Yeah, I know.  I did catch it the first time.  Thanks.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of folkmusic
Sent: Wednesday, December 25, 2002 8:12 PM
To: [unmask]
Subject: Re: Matt McGinnHi Marge!I heard the McGinn program too but the archived program.  I believe you
should be able to listen to it again by going to the BBC Radio Scotland.All the best,
Dan----- Original Message -----
From: "Marge Steiner" <[unmask]>
To: <[unmask]>
Sent: Wednesday, December 25, 2002 12:20 PM
Subject: Re: Matt McGinn> Yes, i heard the program and wish I'd recorded it.  I know that I'd love a
> copy of it, and if you or anyone copied the program on Yorkshire pub
> caroling, I'd love that, too.  That was wonderful as well.
>
> Anyhow, merry Christmas, and may we sing this poor broken world into
sanity
> and wholeness.
>
>         Marge
>
>
> E-mail: [unmask]
>
>
> -----Original Message-----
> From: Forum for ballad scholars [mailto:[unmask]]On Behalf
> Of Nigel Gatherer
> Sent: Wednesday, December 25, 2002 7:24 AM
> To: [unmask]
> Subject: Re: Matt McGinn
>
>
> I DID remember, and I recorded it. Anyone who wants a copy on cassette,
> contact me and we can arrange a swap. In the programme, Tom Paxton
> describes McGinn as "Scotland's Woody Guthrie" which, in my opinion, is
> apt.
>
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Yorkshire Carols
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 01:22:31 -0600
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----- Original Message -----
From: Dave Eyre <[unmask]><<The remarkable and well-documented story of how a tiny village (1,700
people) in Pennsylvania came to be singing these particular carols has to be
one of the most fascinating stories of recent folklore and I am proud to be
the one who "made" the connection. It does seem remarkable that noone had
ever made the connection before - except that any self-respecting folklorist
would be in bed when the tradition happens - from midnight Christmas Eve to
7.00 am approx. Xmas Day. >>Folklorists sleep? The ones I know don't!Merry Christmas,
Paul

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Subject: Re: Yorkshire Carols
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 11:17:12 -0800
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Of course, some of the DIsreputable ones might also be found in bed at
that time!Have amerry one everyone!Dave Eyre wrote:
>
> Hi Marge and anyone else who would like a copy.......
>
> I recorded the programme of carols and would be delighted to send you a
> copy. It might take a day or two since I am away from the 27th until the New
> Year. However listen closely and you can hear my awful singing coming
> through loud and clear on the singing from the Royal at Dungworth - which
> public house I can actually see as I look out of the window as I type!! That
> has to be worth something!!
>
> Incidentally I am not sure how many who subscribe to this list in the USA
> are aware of it, but there is an IDENTICAL tradition in Glen Rock, York
> County, Pennsylvania. The story of the Glen Rock Carolers is to be found at
> www.glenrockcarolers.org  and we were privileged for them to visit Sheffield
> UK this year, for our bi-ennial festival of carols.
>
> The remarkable and well-documented story of how a tiny village (1,700
> people) in Pennsylvania came to be singing these particular carols has to be
> one of the most fascinating stories of recent folklore and I am proud to be
> the one who "made" the connection. It does seem remarkable that noone had
> ever made the connection before - except that any self-respecting folklorist
> would be in bed when the tradition happens - from midnight Christmas Eve to
> 7.00 am approx. Xmas Day. Thank goodness for the World Wide Web!!
>
> Dave
> www.collectorsfolk.co.uk

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Subject: Re: Yorkshire Carols
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 10:13:36 -0800
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> Folklorists sleep? The ones I know don't!Well the ones I know tend to fall asleep after about.........pints followed
by copious amounts of whisky!! (Can anyone account for the love of
folklorists for whisky and is there any research done on early ones to
establish it as a long term trend?)On the other hand I certainly know of one dedicated folklorist who was up at
5.00 am on Christmas Day participating in a traditional folk event, so maybe
you are right!!!Wassail,Dave
www.collectorsfolk.co.uk

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 10:31:35 -0800
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Subject: Re: Yorkshire Carols
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 08:08:34 -0500
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I have certanly stayed up until five or six A.M.--and more--in the line of
scholarly research, but as one ages... Well.  anyhow, my hope is either to
be in Sheffield next December or in Glen Rock, and my hoe would be to adjust
my sleep schedule accordingly in time to participate without flagging.Wassail!        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Dave Eyre
Sent: Thursday, December 26, 2002 1:14 PM
To: [unmask]
Subject: Re: Yorkshire Carols> Folklorists sleep? The ones I know don't!Well the ones I know tend to fall asleep after about.........pints followed
by copious amounts of whisky!! (Can anyone account for the love of
folklorists for whisky and is there any research done on early ones to
establish it as a long term trend?)On the other hand I certainly know of one dedicated folklorist who was up at
5.00 am on Christmas Day participating in a traditional folk event, so maybe
you are right!!!Wassail,Dave
www.collectorsfolk.co.uk

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 08:11:06 -0600
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On 12/26/02, Dave Eyre wrote:[ ... ]>As a dealer I may sometimes be prepared to pay more than the members of this list and thus if I do not bid then the seller is being deprived of a fair price.
>
>Generally speaking you all should be able to offer more than me since I hope to make a profit.
>
>I would be really grateful for others thoughts on these matters.I'm trying to see this from your standpoint, though this poses
problems for me because I buy music books, literally, as a
public service (I literally do *nothing* with many of the books
I buy except use them to research the Ballad Index).But there are actually two sides here: If you get into a bidding
war with someone here, and lose, you've gained money for the
*seller* of the item, but you've *cost* someone on the list money.
And if you *win*, well, you've cost *yourself* money. And if you
lose, you've seen your competitor spend money which he might
instead have given to you. :-)It appears to me that, even in your current situation, you would
be better off talking with the people on the list who wish to
bid. If you talk to each other about the maximum you can bid, then
one or the other of you can back down and the other may get a
cheaper purchase.What you really need to do is find a way to find items that
don't get listed here. :-)You might actually be pleasantly surprised at the outcome.
I, for instance, tend not to fight very hard for items. Since
my task is to eventually index *every* true folk song book,
I tend to retreat when I meet strong resistance and save my
money for the next auction. So if you're going against me,
unless it's a really major book, you can probably get me to
back down.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Ebay auction
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:34:10 -0500
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Well, a good part of the problem is people _not_ on the list. If
listmembers who might want a book politely decline to bid in favor of
x, and x chooses to bid only $15, say, a last-minute sniper will get
it for $16 even though other list members might have happily paid $20
or more. Dave might be willing to pay more as a dealer with a
prospective client, Jon B might pay more since he's bidding on behalf
of a folk organization's library.I see Ed Cray did win his Child lecture series ticket, though.
Congratulations, Ed.John Roberts.>On 12/26/02, Dave Eyre wrote:
>
>[ ... ]
>
>>As a dealer I may sometimes be prepared to pay more than the
>>members of this list and thus if I do not bid then the seller is
>>being deprived of a fair price.
>>
>>Generally speaking you all should be able to offer more than me
>>since I hope to make a profit.
>>
>>I would be really grateful for others thoughts on these matters.
>
>I'm trying to see this from your standpoint, though this poses
>problems for me because I buy music books, literally, as a
>public service (I literally do *nothing* with many of the books
>I buy except use them to research the Ballad Index).
>
>But there are actually two sides here: If you get into a bidding
>war with someone here, and lose, you've gained money for the
>*seller* of the item, but you've *cost* someone on the list money.
>And if you *win*, well, you've cost *yourself* money. And if you
>lose, you've seen your competitor spend money which he might
>instead have given to you. :-)
>
>It appears to me that, even in your current situation, you would
>be better off talking with the people on the list who wish to
>bid. If you talk to each other about the maximum you can bid, then
>one or the other of you can back down and the other may get a
>cheaper purchase.
>
>What you really need to do is find a way to find items that
>don't get listed here. :-)
>
>You might actually be pleasantly surprised at the outcome.
>I, for instance, tend not to fight very hard for items. Since
>my task is to eventually index *every* true folk song book,
>I tend to retreat when I meet strong resistance and save my
>money for the next auction. So if you're going against me,
>unless it's a really major book, you can probably get me to
>back down.
>
>
>--
>Robert B. Waltz  - - - - - - - - Ballad Index Editor
>1078 Colne Street
>Saint Paul, MN 55103-1348
>651-489-1930 - - - - - - - - - - e-mail: [unmask]
>
>The Ballad Index Web Site:
>http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: save our sounds
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 10:57:34 -0800
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Don't forget....
"Save Our Sounds"
Tonight on the History Channel.
http://www.historychannel.com/saveourhistory/__________________________________________________
Do you Yahoo!?
Yahoo! Mail Plus - Powerful. Affordable. Sign up now.
http://mailplus.yahoo.com

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 12:59:43 -0600
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On 12/26/02, Robert B. Waltz wrote:>On 12/26/02, Dave Eyre wrote:
>
>[ ... ]
>
>>As a dealer I may sometimes be prepared to pay more than the members of this list and thus if I do not bid then the seller is being deprived of a fair price.
>>
>>Generally speaking you all should be able to offer more than me since I hope to make a profit.
>>
>>I would be really grateful for others thoughts on these matters.
>
>I'm trying to see this from your standpoint, though this poses
>problems for me because I buy music books, literally, as a
>public service (I literally do *nothing* with many of the books
>I buy except use them to research the Ballad Index).I have to add an addendum to my own comment. I suddenly find myself
bothered: Why have folk music books become collectors' items?Obviously certain books have gone out of print, and will be hard
to find. But *everything* is hard to find now. We all know that
prices have gone through the roof. But -- without saying anything
about Dave Eyre -- why should used book dealers be making so
much money off these books just because we're all crazy? :-)
Shouldn't we be trying to make these books available to the
public so folk music *isn't* something that requires a very
expensive initiation to "join the club"?I don't particularly feel I'm cheating the people on eBay when
I get an item for a low price; if they aren't willing to accept
their minimum bid, they should have set it higher. But that
won't solve the real problem. How do we make more material
available?I've made a small contribution; I put together a book for the
Fresno online reprint series that Dave Engle hopes to set up
one of these days. Can we do more?
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 14:04:45 -0500
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>...If
>listmembers who might want a book politely decline to bid in favor of
>x, and x chooses to bid only $15, say, a last-minute sniper will get
>it for $16 even though other list members might have happily paid $20
>or more. Dave might be willing to pay more as a dealer with a
>prospective client, Jon B might pay more since he's bidding on behalf
>of a folk organization's library....These are illustrative of the kinds of troubles that can be caused by
well-intentioned bidding agreements.  I don't subscribe to any such
agreement.
--
john garst    [unmask]

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:08:25 -0600
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On 12/26/02, John Roberts wrote:>Well, a good part of the problem is people _not_ on the list. If
>listmembers who might want a book politely decline to bid in favor of
>x, and x chooses to bid only $15, say, a last-minute sniper will get
>it for $16 even though other list members might have happily paid $20
>or more. Dave might be willing to pay more as a dealer with a
>prospective client, Jon B might pay more since he's bidding on behalf
>of a folk organization's library.But this is precisely the reverse of the actual situation I'm
describing. Obviously "outsiders" get many of these books (in
which case the moral question is moot). But take the case of
two Ballad-L bidders wanting the same book. If we're both going
after, say, Brown II, and you're willing to spend $50 and I am
only willing to spend $30 (after all, Brown II has been indexed
and will be included in the next Ballad Index update), then
if I yield to you, *you* bid your $50 and you either get the
book or you don't. But if you and I are the only bidders willing
to bid above $25 (again, arbitrarily), then *my* bidding will
push you up above $30, whereas if I hadn't bid, then you
would stop at $25.If you and I agree that you, since you are willing to go higher,
will be the only one of us to bid, then it can only help you win
the book at a lower price.And note that this even helps Dave Eyre, as a reseller. Because
he too gets a lower-priced book.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:15:30 -0600
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On 12/26/02, John Garst wrote:>>...If
>>listmembers who might want a book politely decline to bid in favor of
>>x, and x chooses to bid only $15, say, a last-minute sniper will get
>>it for $16 even though other list members might have happily paid $20
>>or more. Dave might be willing to pay more as a dealer with a
>>prospective client, Jon B might pay more since he's bidding on behalf
>>of a folk organization's library....
>
>These are illustrative of the kinds of troubles that can be caused by
>well-intentioned bidding agreements.  I don't subscribe to any such
>agreement.Actually, that's an ill-intentioned *lack* of agreement, because
what is described is exactly what I *won't* do. It's stupid and
counterproductive.What you are saying, with your *lack* of bidding agreements, is
"go ahead, hit me." I know, if you bid, that there is no point
in sounding you out on how high you're willing to go. If we both
want the book, then there are only three possible outcomes: We
both lose the book, you lose the book to me, or, because we've
bid against each other, you pay more than you otherwise would
have.The whole idea is that one of us backs down. With a single
exception, while I was still developing my strategy, I have
*always* backed down *before placing a bid*. But I now know
that that is a useless strategy with you because you don't
deal. :-)I don't know the answer for Dave Eyre, because he's buyer
and seller. But I know your strategy is bad game theory (unless
you too are a buyer and seller). Read about Prisoner's Dilemma.
The best strategy (and this *is* Prisoner's Dilemma, with some
complications) is cooperation at first and then tit for tat.
And you just made the first hostile move.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 11:25:54 -0800
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John et al:Thank you.  The ticket will eventually go to the Library of Congress --
along with the gravestone rubbing ballad-l member Linn Schulz made in the
Child family plot.  Meanwhile, I shall hoard it.  Heh, heh, heh.As for the ebay question, I would suggest that we NOT compete.  If folks
see something they want, PRIVATELY email their top bid to the others
interested in the item.EdOn Thu, 26 Dec 2002, John Roberts wrote:> Well, a good part of the problem is people _not_ on the list. If
> listmembers who might want a book politely decline to bid in favor of
> x, and x chooses to bid only $15, say, a last-minute sniper will get
> it for $16 even though other list members might have happily paid $20
> or more. Dave might be willing to pay more as a dealer with a
> prospective client, Jon B might pay more since he's bidding on behalf
> of a folk organization's library.
>
> I see Ed Cray did win his Child lecture series ticket, though.
> Congratulations, Ed.
>
> John Roberts.
>
>
>
> >On 12/26/02, Dave Eyre wrote:
> >
> >[ ... ]
> >
> >>As a dealer I may sometimes be prepared to pay more than the
> >>members of this list and thus if I do not bid then the seller is
> >>being deprived of a fair price.
> >>
> >>Generally speaking you all should be able to offer more than me
> >>since I hope to make a profit.
> >>
> >>I would be really grateful for others thoughts on these matters.
> >
> >I'm trying to see this from your standpoint, though this poses
> >problems for me because I buy music books, literally, as a
> >public service (I literally do *nothing* with many of the books
> >I buy except use them to research the Ballad Index).
> >
> >But there are actually two sides here: If you get into a bidding
> >war with someone here, and lose, you've gained money for the
> >*seller* of the item, but you've *cost* someone on the list money.
> >And if you *win*, well, you've cost *yourself* money. And if you
> >lose, you've seen your competitor spend money which he might
> >instead have given to you. :-)
> >
> >It appears to me that, even in your current situation, you would
> >be better off talking with the people on the list who wish to
> >bid. If you talk to each other about the maximum you can bid, then
> >one or the other of you can back down and the other may get a
> >cheaper purchase.
> >
> >What you really need to do is find a way to find items that
> >don't get listed here. :-)
> >
> >You might actually be pleasantly surprised at the outcome.
> >I, for instance, tend not to fight very hard for items. Since
> >my task is to eventually index *every* true folk song book,
> >I tend to retreat when I meet strong resistance and save my
> >money for the next auction. So if you're going against me,
> >unless it's a really major book, you can probably get me to
> >back down.
> >
> >
> >--
> >Robert B. Waltz  - - - - - - - - Ballad Index Editor
> >1078 Colne Street
> >Saint Paul, MN 55103-1348
> >651-489-1930 - - - - - - - - - - e-mail: [unmask]
> >
> >The Ballad Index Web Site:
> >http://www.csufresno.edu/folklore/BalladIndexTOC.html
>

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Subject: Re: Ebay auction
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 11:27:56 -0800
Content-Type:TEXT/PLAIN
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Folks:Seems sensible to me.EdOn Thu, 26 Dec 2002, Robert B. Waltz wrote:> On 12/26/02, John Roberts wrote:
>
> >Well, a good part of the problem is people _not_ on the list. If
> >listmembers who might want a book politely decline to bid in favor of
> >x, and x chooses to bid only $15, say, a last-minute sniper will get
> >it for $16 even though other list members might have happily paid $20
> >or more. Dave might be willing to pay more as a dealer with a
> >prospective client, Jon B might pay more since he's bidding on behalf
> >of a folk organization's library.
>
> But this is precisely the reverse of the actual situation I'm
> describing. Obviously "outsiders" get many of these books (in
> which case the moral question is moot). But take the case of
> two Ballad-L bidders wanting the same book. If we're both going
> after, say, Brown II, and you're willing to spend $50 and I am
> only willing to spend $30 (after all, Brown II has been indexed
> and will be included in the next Ballad Index update), then
> if I yield to you, *you* bid your $50 and you either get the
> book or you don't. But if you and I are the only bidders willing
> to bid above $25 (again, arbitrarily), then *my* bidding will
> push you up above $30, whereas if I hadn't bid, then you
> would stop at $25.
>
> If you and I agree that you, since you are willing to go higher,
> will be the only one of us to bid, then it can only help you win
> the book at a lower price.
>
> And note that this even helps Dave Eyre, as a reseller. Because
> he too gets a lower-priced book.
>
> --
> Robert B. Waltz  - - - - - - - - Ballad Index Editor
> 1078 Colne Street
> Saint Paul, MN 55103-1348
> 651-489-1930 - - - - - - - - - - e-mail: [unmask]
>
> The Ballad Index Web Site:
> http://www.csufresno.edu/folklore/BalladIndexTOC.html
>

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 14:36:10 -0500
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>On 12/26/02, John Garst wrote:...>Actually, that's an ill-intentioned *lack* of agreement, because
>what is described is exactly what I *won't* do. It's stupid and
>counterproductive.
>
>What you are saying, with your *lack* of bidding agreements, is
>"go ahead, hit me." I know, if you bid, that there is no point
>in sounding you out on how high you're willing to go. If we both
>want the book, then there are only three possible outcomes: We
>both lose the book, you lose the book to me, or, because we've
>bid against each other, you pay more than you otherwise would
>have.Wrong.  There are too many variables.  None of us can control them.
The only fair method is to bid away.I speak from experience on this, having been party to a similar
bidding agreement previously.  Little good came of it.  The most
frequent adverse results were that (1) some outsider won the bid
because the agreed-upon bidding member of the group was not willing
to go as high as some of the other (nonbidding) members would have
and (2) the agreed-upon bidder did not exercise due diligence in the
closing moments of the auction, falling victim to a cheap sniper.As a matter of principle, I stopped participating in such agreements.
--
john garst    [unmask]

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:22:06 -0800
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Hi Robert and others,Thanks for your kind thoughts which are appreciated.>
> But there are actually two sides here: If you get into a bidding
> war with someone here, and lose, you've gained money for the
> *seller* of the item, but you've *cost* someone on the list money.
> And if you *win*, well, you've cost *yourself* money. And if you
> lose, you've seen your competitor spend money which he might
> instead have given to you. :-)I nearly got lost there :-). In fact the more I think about it I have!!> It appears to me that, even in your current situation, you would
> be better off talking with the people on the list who wish to
> bid. If you talk to each other about the maximum you can bid, then
> one or the other of you can back down and the other may get a
> cheaper purchase.Such behaviour in a normal auction in the UK would in fact be illegal.  The
problem here, further, is that I also sell on ebay and would probably resent
such behaviour. Don't mis-understand me, Jon and I have had some friendly
rivalry and still remained friends. (I think).>
> What you really need to do is find a way to find items that
> don't get listed here. :-)I do that of course, and I am really grateful for a lovely broadside not
being  "listed" recently, and judging by the price no-one else seemed to
notice it.  I belong to the list for others' erudition and the hope I might
get to contribute to it occasionally, and certainly not for the list of
books.
>
> You might actually be pleasantly surprised at the outcome.
> I, for instance, tend not to fight very hard for items. Since
> my task is to eventually index *every* true folk song book,
> I tend to retreat when I meet strong resistance and save my
> money for the next auction. So if you're going against me,
> unless it's a really major book, you can probably get me to
> back down.
>
I personally think that perhaps the best way is not for others to draw
attention to items they are bidding on. I am not setting myself up as a para
gon of virtue and I can be as devious as anyone - indeed I would hardly be a
dealer if I weren't!!But I am still willing to listen to any other ideas about this conundrum.
And thanks for contributions so far.Grenoside Sword, and Carols today. Been busy!!Best wishes,Dave

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:44:16 -0800
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> John et al:
>
> Thank you.  The ticket will eventually go to the Library of Congress --Whilst - as far as I know - the Library of Congress is not an offender, a
library tends to be the quickest way to get something well hidden and or
sold on to people like me!!However I think the discussion is livening up and peoples' thoughts have
certainly been a great help to clearing my own mind. Which is still not made
up.Wassail.Dave

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Subject: Re: Ebay auction
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:56:25 -0800
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Hi again,> The most
> frequent adverse results were that (1) some outsider won the bid
> because the agreed-upon bidding member of the group was not willing
> to go as high as some of the other (nonbidding) members would have
> and (2) the agreed-upon bidder did not exercise due diligence in the
> closing moments of the auction, falling victim to a cheap sniper.Which is where my thoughts are leading me at the moment. However generally
speaking, I am that outsider so to speak - which takes me back to where we
came in!!
>
Dave

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Subject: Re: Ebay auction
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 15:30:44 -0600
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On 12/26/02, Dave Eyre wrote:>Hi Robert and others,
>
>Thanks for your kind thoughts which are appreciated.
>
>>
>> But there are actually two sides here: If you get into a bidding
>> war with someone here, and lose, you've gained money for the
>> *seller* of the item, but you've *cost* someone on the list money.
>> And if you *win*, well, you've cost *yourself* money. And if you
>> lose, you've seen your competitor spend money which he might
>> instead have given to you. :-)
>
>I nearly got lost there :-). In fact the more I think about it I have!!Break it up into parts, and let's use us as two examples.Suppose you and I both wish to bid on a book. Suppose you are
willing to make the higher bid ($50, perhaps). I'm willing to
make the second-highest bid (say, $40). The next highest bidder
is willing to bid $30.If I weren't bidding, you would get the book for $30.50. With
me bidding, you have to pay $40.50. All we have accomplished,
by bidding against each other (Prisoner's Dilemma, Tit for Tat)
is to cost you an extra $10.If I were the one willing to bid the most, then *you* have cost
*me* $10.If we are not the two with the highest thresholds, then it's
all irrelevant. But you can only benefit, if you are bidding,
by me not being there.Your situation is complicated in that your best interests as a
seller are in conflict with your best interests as a buyer.
But the more I think about it, the less I think even *that* matters.
You want to buy low and sell high. Well, you can control the
price at which you sell: You set a minimum bid. So your greatest
concern is to minimize what you pay for the items you wish to
acquire.Therefore your optimal strategy is to eliminate potential
counter-bidders.> > It appears to me that, even in your current situation, you would
>> be better off talking with the people on the list who wish to
>> bid. If you talk to each other about the maximum you can bid, then
>> one or the other of you can back down and the other may get a
>> cheaper purchase.
>
>Such behaviour in a normal auction in the UK would in fact be illegal.I find this difficult to believe. Obviously, in an auction, if
someone inserts false bids, *this* is collusion. But we are not
inserting false bids; we are *eliminating* bids. eBay is not a
closed bidding universe; such behavior cannot be stopped. Nor
is it in any sense unreasonable: In essence, we're saying, "You
take this and I'll take that." Nothing wrong there.>The
>problem here, further, is that I also sell on ebay and would probably resent
>such behaviour. Don't mis-understand me, Jon and I have had some friendly
>rivalry and still remained friends. (I think).But, again, you are only hurting yourself. You really need to study
game theory. That's what it's *for*: To determine the best way to
proceed in a situation like this.[ ... ]> > You might actually be pleasantly surprised at the outcome.
>> I, for instance, tend not to fight very hard for items. Since
>> my task is to eventually index *every* true folk song book,
>> I tend to retreat when I meet strong resistance and save my
>> money for the next auction. So if you're going against me,
>> unless it's a really major book, you can probably get me to
>> back down.
>>
>I personally think that perhaps the best way is not for others to draw
>attention to items they are bidding on. I am not setting myself up as a para
>gon of virtue and I can be as devious as anyone - indeed I would hardly be a
>dealer if I weren't!!But, again, you are inviting "tit for tat" behavior. By bidding
against me, you are saying, "Go ahead, bid back." The best
strategy, in a situation like this, *is* cooperation. And if
the other will not cooperate, *then* the best strategy is
retaliation.I have volunteered to cooperate with anyone who lays his cards
on the table. That will generally mean that the other person
will get the book.But if you, or John Garst, will *not* put your cards on the
table, then you invite retaliation: I have no reason not to
bid against you. Ultimately, that *will* cost you money. It
will cost you on *every auction where you are the bidder
with the highest threshold and I am the #2 bidder.* Every
one. And it will *never gain you a penny.*If you or John Garst have had bad experiences, it's in the
way you have managed your agreements with others. I'll allow
that that might happen -- but then you need to go to shift
from cooperation to retaliation. But you cooperate *first*.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 13:37:37 -0800
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Dave:A point of clarification.  I should have said that ticket and rubbing will
go to the Archive of American Folk Culture at the Library of Congress.
THEY don't lose things related to folklore and song.EdOn Thu, 26 Dec 2002, Dave Eyre wrote:> > John et al:
> >
> > Thank you.  The ticket will eventually go to the Library of Congress --
>
> Whilst - as far as I know - the Library of Congress is not an offender, a
> library tends to be the quickest way to get something well hidden and or
> sold on to people like me!!
>
> However I think the discussion is livening up and peoples' thoughts have
> certainly been a great help to clearing my own mind. Which is still not made
> up.
>
> Wassail.
>
> Dave
>

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Subject: Re: Ebay auction (Game Theory)
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 18:14:53 -0600
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I realize suddenly that I've been using game theory, and
sort of taking it for granted that people understand what
I'm talking about. I should probably clarify."Game theory" is a branch of mathematics devoted to
strategy -- how best to act in a particular situation
to achieve maximum payoff. Game theory can apply to
anything, as long as the rules are fixed.Note that a "game" need not be an actual *game*. It can
apply to competition between two retail outlets, or to
deciding which bills to pay in a timely manner. All that
matters is that there be rules and some sort of measure
of value.The goal of game theory is to find the "optimal strategy" --
the method for obtaining the greatest chance of the best
payoff. Sometimes this is obvious: If the New York Yankees
are scheduled to play a series of exhibition games against
your local Podunk Semipros, and someone is giving even odds
on either, bet on the Yankees. :-) Some games don't have
an optimal strategy -- if you're betting on coin tosses,
you can bet on heads on every toss, or tails, or alternate,
or do anything, and you still can expect a 50% payoff
rate.Most "real world" games are somewhere in between. They have
an optimal strategy, but it will pay off only sometimes.The eBay auction very much resembles a classic example
of game theory called The Prisoner's Dilemma. In simplest
form, Prisoner's Dilemma involves two prisoners who are
being interrogated. At any given time, either prisoner
can rat on the other or he can NOT rat on the other.Now here's the situation: If neither rats on the other,
both are punished lightly. If both rat on the other,
both are punished in an intermediate way. If one rats
but the other doesn't, then the one who rats is punished
in an intermediate way and the one who was ratted upon
without ratting himself receives a more severe punishment.If I were really trying to teach you game theory (and I'm
not, because I'm not a high-order expert), I'd be drawing
tables of outcomes and running all sorts of calculations.
But I won't. I'll just tell you the optimal strategy for
Prisoner's Dilemma.The strategy is, Do not rat on the first turn, then in
each succeeding turn, do whatever the other guy did to
you last time. The technical name for this strategy is
"tit for tat": If the other guy is also smart and doesn't
rat on you, then you never get more than minimum punishment.
If he *does* rat on you, you try to teach him a lesson
until he cooperates.And the more you cooperate, the better off you both are.This is *exactly* the same as the eBay auction where two
bidders are aware of each other: if you cooperate (e.g.
if one stays out of the other's way), the one who is
left will get the best possible price in the context of
the auction. But if you bid against each other, the price
will ALWAYS be greater than or equal to what it would have
been otherwise.I'm not making this up. Again, I urge you, if you don't
believe me, to get a book on game theory and look it up.It may be objected that an eBay auction is not like
Prisoner's Dilemma because of sniping and such. This is
true in the sense that the auction often takes on an
irrational tinge -- "gotta have that whatever it costs."
This makes it difficult to devise an *overall* optimal
strategy -- sniping works in some cases, but in the long
run can be costly because you're trying to snipe in such
a way as to ensure a victory. It *may* cause you to
overpay, particularly if *you* get irrationally
exuberant. This means that the best strategy, if you have
a finite budget and an effectively infinite number of
auctions to address, is to set your budget for each auction,
bid your limit, and accept that you'll lose. Overall, you'll
get more for your money.And *that* in turn reduces the auction back to Prisoner's
Dilemma. Which means that cooperation is the best
strategy.QED. :-)None of this, to repeat, applies to "gotta have it" items.
I don't know what the optimal strategy is in that case; I
rather suspect there is none. But we're talking about a
dealer -- someone whose chief goal is not to get a particular
item but to get a reasonable collection of items.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Matt McGinn
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:57:46 -0500
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On Wed, 25 Dec 2002 20:12:14 -0500, folkmusic wrote:>I heard the McGinn program too but the archived program.  I believe you
>should be able to listen to it again by going to the BBC Radio Scotland.Yes, but I don't think it will be there long.
http://www.bbc.co.uk/scotland/radioscotland/listen_again.shtml/
seems to take you direct to the archived shows, then scroll some.I've lost track (the archived clip misses the beginning) - was it Ewan
that put this together?  It's definitely a fine job.  Definitely.The show alludes to something given a few lines in the book, _McGinn of
the Calton_...  The family remarks on the volume and distraction of McGinn
loudly learning songs all over the house - repeating them repeatedly until
they were learned.  I mentioned this to my daughter - "see?  McGinn did
that and he was a fine singer, you shouldn't complain about me.""Yes," she said, "but maybe his being a fine singer made it easier for
_his_ family."The wife got to share a stage with McGinn one time.  I regret that was the
only time we got to hear him in person.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Ebay List - 12/26/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 20:03:21 -0500
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Hi!        First, congratulations to Ed on his win! That ticket had been
listed at least once before and had no bidders. I hesitated about
listing it. Finally, I decided it was relevant enough.        Second, I would like to state some of my listing policies. I may
have posted these before but it has been a while.        I do not list things like the Peter, Paul, & Mary Songbook, The
Kingston Trio Songbook, and other similar publications from the folk
revival. I also do not list most of the Botkin books. Both of these
categories are easy to find. There are always several examples of each on
Ebay.        If a book that I list does not sell and is relisted immediately,
I do not list the book again (especially if the seller has made no
change in price, etc.) There is usually a link from the old listing to
the new one.        I do not claim that I find every folk music book on Ebay. In
fact, I am sure that I miss some. My searches are not perfect. I do make
frequent changes that I hope are improvements.        Also some books are taken by Buy Nows between when I find them
and when I post the list. Some buyers are very quick!        Now - on to this weeks list of songbooks. I'll start with the
book that started the entire discussion.        932406593 - Ballads and Sea Songs from Nova Scotia by MacKenzie,
1963 reprint, $15 (ends Dec-29-02 11:44:11 PST)        931769496 - TEXAS FOLK SONGS by William A Owens, 1950, $9 (ends
Dec-27-02 20:53:10 PST)        2901374160 - American Songbag by Sandburg, 1937, $9 (ends
Dec-28-02 11:53:09 PST)        2901399585 - Singing Games and Dances by McIntosh, 1957, $7.95
(ends Dec-28-02 14:51:46 PST)        2901735227 - Victorian Street Ballads by Henderson, 1937, $15
(ends Dec-28-02 16:31:11 PST)        931915281 - Mountain Ministry of Pennsylvania by Shoemaker,
1931, $17.03 (ends Dec-28-02 18:11:53 PST)        2901109433 - A Book of Ballads, 1938, $9.50 (ends Dec-29-02
13:40:03 PST)        931529024 - The Songs of England, 3 volumes by Haton & Fanning,
1890?, $9.99 (ends Dec-29-02 14:13:00 PST)        2901161480 - Voices of a People The Story of Yiddish Folksong by
Rubin, 1973, $16 (ends Dec-29-02 20:02:24 PST)        2901626272 - The Ballad of America -- the History of the United
States in Song and Story by Scott, 1966, $7 (ends Dec-29-02 20:47:37
PST)        932071945 - HANK KEENE'S COLLECTION, 1935, $5.95 (ends Dec-29-02
13:51:58 PST)        932207049 - 2 Asher Sizemore & Little Jimmy Songbooks, 1934 &
1936, $3.50 (ends Dec-30-02 07:07:26 PST)        2901724262 - THE KENTUCKY FOLK-LORE AND POETRY MAGAZINE, 1930,
$9.99 (ends Dec-30-02 14:44:51 PST)        931813503 - Penguin Book Of English Folksongs, 1968, 4.70 GBP
(ends Dec-31-02 06:27:10 PST)        2901818917 - Das Schamlose Volkslied Eine sammlung Erotischer
Volkslieder by Schidrowitz, 1921, $27.50 (ends Dec-31-02 10:17:27 PST)        932580156 - 6 country/old time songbooks from 1930's, $9.99
(ends Jan-01-03 20:12:00 PST)        2902023602 - Selected Writings of Louise Pound, 1949, $45 (ends
Jan-02-03 02:33:32 PST)        2902035356 - WHITE SPIRITUALS IN THE SOUTHERN UPLANDS by
Jackson, 1965, $49.99 (ends Jan-02-03 03:25:22 PST)        2151107136 - Two Penny Ballads and Four Dollar Whiskey by
Byington & Goldstein, 1966, $9.89 (ends Jan-02-03 18:22:32 PST)        2901969540 - The Musical Miscellany: or, Songster's Companion,
1789, $124.50 (ends Jan-04-03 19:45:41 PST)        932687618 - ASHER SIZEMORE AND LITTLE JIMMIE'S FAVORITE SONGS,
1934, $9 (ends Jan-05-03 05:26:36 PST)                                Happy Bidding!
                                Dolores
--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Ebay List - 12/26/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:51:02 -0600
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Well, after all this discussion, this may get me in trouble, but
*I* will follow both the rules of politeness and the rules of
game theory:On 12/26/02, Dolores Nichols wrote:[ ... ]>        932406593 - Ballads and Sea Songs from Nova Scotia by MacKenzie,
>1963 reprint, $15 (ends Dec-29-02 11:44:11 PST)I gather someone (I forget who) is going after this? Yes? No? If
not, I'm going to try.>        931769496 - TEXAS FOLK SONGS by William A Owens, 1950, $9 (ends
>Dec-27-02 20:53:10 PST)I'm also mildly interested in this, but I'm not going to fight
for it. Anyone want it?--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay List - 12/26/02
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 19:16:38 -0800
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Yes, Bob, it's me going after the Mackenzie.  I really appreciate your game
theory seminar.  I accept all you say as to the most logical bidding
protocol.  But but but but....  I can't say for any item what my TOP price
will be.  This irrational behaviour may be unique to me but I suspect not.
I blow hot and cold and a low price can rev me up as a high initial price
can put me off (even if I eventually bid more on the first than the second).
I'm keeping a list of ebay sales for a variety of books since I work on the
basis that knowledge ( thank you, Dolores, for all your listing work!)
benefits everyone.  I'm happy to send the list (now at over 1,000 sold
items, covering maybe 200 books or LP's) to any Listmember who'd like it.
It gives for each sale the listing and final price, and the number of bids.
I'm not sure (still, after the excellent discussion on this point friend
Dave brought up) how I stand on informing people that I'm after a particular
book.  Does the question of individual honesty come into play in game
theory?  If I tell you (dishonestly) that my top price is $1000 and that
discourages you (and anyone else I tell, like the List) from bidding,
haven't I just a) removed a large number of potential bidders by bluff and
b) acted unethically? What if I don't *know* what my top price would be?Thanks again to Dave and Bob and others for elucidating this problem:  and
thanks to all the Listmembers at the turning of the year for their
kindnesses to me and Rika in guiding a couple of tyros into the arcane
mysteries of the ballad.  We hope very much to get to Austin this June to
see some of you lovely folk.Jon Bartlett----- Original Message -----
From: "Robert B. Waltz" <[unmask]>
To: <[unmask]>
Sent: Thursday, December 26, 2002 5:51 PM
Subject: Re: Ebay List - 12/26/02> Well, after all this discussion, this may get me in trouble, but
> *I* will follow both the rules of politeness and the rules of
> game theory:
>
> On 12/26/02, Dolores Nichols wrote:
>
> [ ... ]
>
> >        932406593 - Ballads and Sea Songs from Nova Scotia by MacKenzie,
> >1963 reprint, $15 (ends Dec-29-02 11:44:11 PST)
>
> I gather someone (I forget who) is going after this? Yes? No? If
> not, I'm going to try.
>

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Subject: Re: Ebay auction (Game Theory)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Dec 2002 23:13:27 -0500
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Seems to me that it's what used to be called, quaintly, restraint of
trade.dick greenhaus"Robert B. Waltz" wrote:> I realize suddenly that I've been using game theory, and
> sort of taking it for granted that people understand what
> I'm talking about. I should probably clarify.
>
> "Game theory" is a branch of mathematics devoted to
> strategy -- how best to act in a particular situation
> to achieve maximum payoff. Game theory can apply to
> anything, as long as the rules are fixed.
>
> Note that a "game" need not be an actual *game*. It can
> apply to competition between two retail outlets, or to
> deciding which bills to pay in a timely manner. All that
> matters is that there be rules and some sort of measure
> of value.
>
> The goal of game theory is to find the "optimal strategy" --
> the method for obtaining the greatest chance of the best
> payoff. Sometimes this is obvious: If the New York Yankees
> are scheduled to play a series of exhibition games against
> your local Podunk Semipros, and someone is giving even odds
> on either, bet on the Yankees. :-) Some games don't have
> an optimal strategy -- if you're betting on coin tosses,
> you can bet on heads on every toss, or tails, or alternate,
> or do anything, and you still can expect a 50% payoff
> rate.
>
> Most "real world" games are somewhere in between. They have
> an optimal strategy, but it will pay off only sometimes.
>
> The eBay auction very much resembles a classic example
> of game theory called The Prisoner's Dilemma. In simplest
> form, Prisoner's Dilemma involves two prisoners who are
> being interrogated. At any given time, either prisoner
> can rat on the other or he can NOT rat on the other.
>
> Now here's the situation: If neither rats on the other,
> both are punished lightly. If both rat on the other,
> both are punished in an intermediate way. If one rats
> but the other doesn't, then the one who rats is punished
> in an intermediate way and the one who was ratted upon
> without ratting himself receives a more severe punishment.
>
> If I were really trying to teach you game theory (and I'm
> not, because I'm not a high-order expert), I'd be drawing
> tables of outcomes and running all sorts of calculations.
> But I won't. I'll just tell you the optimal strategy for
> Prisoner's Dilemma.
>
> The strategy is, Do not rat on the first turn, then in
> each succeeding turn, do whatever the other guy did to
> you last time. The technical name for this strategy is
> "tit for tat": If the other guy is also smart and doesn't
> rat on you, then you never get more than minimum punishment.
> If he *does* rat on you, you try to teach him a lesson
> until he cooperates.
>
> And the more you cooperate, the better off you both are.
>
> This is *exactly* the same as the eBay auction where two
> bidders are aware of each other: if you cooperate (e.g.
> if one stays out of the other's way), the one who is
> left will get the best possible price in the context of
> the auction. But if you bid against each other, the price
> will ALWAYS be greater than or equal to what it would have
> been otherwise.
>
> I'm not making this up. Again, I urge you, if you don't
> believe me, to get a book on game theory and look it up.
>
> It may be objected that an eBay auction is not like
> Prisoner's Dilemma because of sniping and such. This is
> true in the sense that the auction often takes on an
> irrational tinge -- "gotta have that whatever it costs."
> This makes it difficult to devise an *overall* optimal
> strategy -- sniping works in some cases, but in the long
> run can be costly because you're trying to snipe in such
> a way as to ensure a victory. It *may* cause you to
> overpay, particularly if *you* get irrationally
> exuberant. This means that the best strategy, if you have
> a finite budget and an effectively infinite number of
> auctions to address, is to set your budget for each auction,
> bid your limit, and accept that you'll lose. Overall, you'll
> get more for your money.
>
> And *that* in turn reduces the auction back to Prisoner's
> Dilemma. Which means that cooperation is the best
> strategy.
>
> QED. :-)
>
> None of this, to repeat, applies to "gotta have it" items.
> I don't know what the optimal strategy is in that case; I
> rather suspect there is none. But we're talking about a
> dealer -- someone whose chief goal is not to get a particular
> item but to get a reasonable collection of items.
>
> --
> Bob Waltz
> [unmask]
>
> "The one thing we learn from history --
>    is that no one ever learns from history."

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Subject: Austin
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Subject: Re: Austin
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Subject: Re: Ebay auction (Game Theory)
From: Dean Clamons <[unmask]>
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Date:Fri, 27 Dec 2002 01:27:28 -0500
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What Bob Waltz said about game theory is true if you accept that bidding on ebay is "exactly" like the prisoners' dilemna. I don't think it is for a couple of reasons. The most obvious is that bidding on ebay is not a two person game. Secondly, if two bidders have a different idea of the value of the item (or worse yet a different idea of the value of money) then the bidders' perception of the "penalties" is different and the idea of optimal strategy breaks down.I personally think that my best strategy is to decide what I am willing to pay for an item and bid that as my limit. Let ebay keep track of things and raise my actual bid until my limit is reached. That way I never pay more than I thought the item was worth to me and often I pay less.On the other hand if someone on the list says they are interested in an item that I have some (but not a strong) interest in I am likely to not bid on that item.Dean Clamons

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Subject: Re: Ebay List - 12/26/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 01:24:53 -0600
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Jon wrote:<< Does the question of individual honesty come into play in game
theory?  If I tell you (dishonestly) that my top price is $1000 and that
discourages you (and anyone else I tell, like the List) from bidding,
haven't I just a) removed a large number of potential bidders by bluff and
b) acted unethically? >>Yes, but you're assuming the game will only be played once. In a unique
encounter ratting is the optimal strategy. But "Prisoner's Dilemma"-type
games assume that the game will be played a large number of times, so that
other players will begin to understand your predilections and play
accordingly. If you act as described above, you'll get caught the first time
someone from outside the list beats you out with a low bid. At that point,
list members who keep an eye on the bidding histories will realize that you
were bluffing, and will begin bidding against you rather than dropping out.
At that point you're in a non-cooperative situation, and everyone loses as
prices go up.Incidentally, Bob slightly oversimplified the optimal strategy for
"Prisoner's Dilemma". He stated that it was to begin by cooperating, then to
follow a "tit-for-tat" strategy by imitating your fellow-competitor's action
on the previous move. (Rat if s/he rats, don't if s/he doesn't.) In fact,
experiments have showed that a modified strategy is more successful: if
initial cooperation is followed by a "forgiving" tit-for-tat strategy. In
other words, if s/he rats, you rat back most of the time, but once in a
while you don't rat even when ratted against. Players using that strategy
scored consistently highest on extended games. (A moment of forgiveness
breaks the string of rattings if the other player is playing straight
tit-for-tat. Since mutual cooperation brings both players the highest
scores, this improves things all around.)<<What if I don't *know* what my top price would be?>>That's a whole 'nother ballgame.Peace,
Paul

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Subject: Re: Ebay auction (legal thing)
From: Dave Eyre <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 09:22:52 -0800
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Hi,> I find this difficult to believe. Obviously, in an auction, if
> someone inserts false bids, *this* is collusion. But we are not
> inserting false bids; we are *eliminating* bids.Whilst I am not a lawyer the rules governing auctions are strict.Any
strategy for "lowering" prices - whether by two (or more) - is illegal.
This is because collusion could result in a lower price for the seller and
the seller is not aware of the collusion. What brought this act in was the
existence of "auction rings" who would collude to keep the price low and
then have a later auction between themselves, the auction "ring". In fact
that would be so easy for this list to do with ebay stuff.Let me stress that this probably cannot apply to on-line auctions.Depsite the erudition of the game theorists Robert et al - and I cannot fail
to agree with their logic, I tend towards suggesting that people do not
announce the fact that they were bidding. That is instinct.However that will be my last contribution for a few days to what has been a
fascinating discussion.I am off to Allendale for the Bonfire and also to see a man about some very
interesting books.Catch you all in the New YearDave

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Subject: Re: Ebay List - 12/26/02
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 08:36:00 -0600
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On 12/26/02, Jon Bartlett wrote:>Yes, Bob, it's me going after the Mackenzie.  I really appreciate your game
>theory seminar.  I accept all you say as to the most logical bidding
>protocol.  But but but but....  I can't say for any item what my TOP price
>will be.  This irrational behaviour may be unique to me but I suspect not.Probably not -- and game theorists are now trying to develop tools
to deal with such behavior. It isn't easy. :-) Paul Stamler mentioned
this: The optimal strategy in "real world" prisoner's dilemma is
not the optimal strategy in theory, because your opponents are
not entirely rational. Hence the notion of "forgiveness." The
problem is, you have to know how far to deviate in the direction
of "forgiveness." :-) The first strategy is the "Nash Equilibrium,"
after the guy in "A Beautiful Mind." The Nash Equilibrium can be
computed by pure mathematics, if it exists. The "real world
equilibrium" has to be found experimentally, and -- last I read --
there was no consensus on a name for it yet. In some games, it is
very different from the Nash Equilibrium. (E.g. the Nash Equilibrium
for blackjack is NOT TO BET. But people play anyway, in which case
there is an alternate strategy for minimizing losses.) However,
the Nash Equilibrium is generally the place to start when looking
for the real-world optimal strategy.In the long run, anything else will cost yourself money. Of course, if
your goal is to get one or two particular books, then that isn't
important. This analysis really does apply only to people who are
trying to acquire large collections (which includes me, and also
Dave Eyre).This is another of the points Paul Stamler brought up: Prisoner's
Dilemma is a response to a *sequence* of purchases. If you are
only going after one book, then you need another technique.>I blow hot and cold and a low price can rev me up as a high initial price
>can put me off (even if I eventually bid more on the first than the second).
>I'm keeping a list of ebay sales for a variety of books since I work on the
>basis that knowledge ( thank you, Dolores, for all your listing work!)
>benefits everyone.  I'm happy to send the list (now at over 1,000 sold
>items, covering maybe 200 books or LP's) to any Listmember who'd like it.
>It gives for each sale the listing and final price, and the number of bids.
>I'm not sure (still, after the excellent discussion on this point friend
>Dave brought up) how I stand on informing people that I'm after a particular
>book.  Does the question of individual honesty come into play in game
>theory?  If I tell you (dishonestly) that my top price is $1000 and that
>discourages you (and anyone else I tell, like the List) from bidding,
>haven't I just a) removed a large number of potential bidders by bluff and
>b) acted unethically? What if I don't *know* what my top price would be?Then we have a problem. Note that I said, in my long post, that this
strategy does not apply if you *really* want a particular item.In fact, if you aren't "honest" (or consistent), and are willing to
admit that fact, then you probably shouldn't play this game, because
you *will* invite retaliatory behavior. That's the "tit for tat"
response (I wish they had a better spelling for that; my "clean
language" checker keeps bugging me about it. :-) In Prisoner's
Dilemma, if the other guy does you dirt (in this case, lies about
bidding preference), then you do him dirt. In eBay bidding, if
you discover that one of us doesn't play fair, then you don't
play fair either. :-) We've already learned that John Garst, for
instance, won't play our game. So you go after him with everything
you've got. Seriously. That's your optimal strategy for dealing
with him.[ ... ]On 12/27/02, Dean Clamons wrote:>What Bob Waltz said about game theory is true if you accept that bidding on ebay is "exactly" like the prisoners' dilemna. I don't think it is for a couple of reasons. The most obvious is that bidding on ebay is not a two person game. Secondly, if two bidders have a different idea of the value of the item (or worse yet a different idea of the value of money) then the bidders' perception of the "penalties" is different and the idea of optimal strategy breaks down.This is of course true -- but not really relevant. The whole analysis
applies only if the two list members are the two bidders willing to
bid highest. If someone else is the #1 potential bidder, then nothing
we as listers do can affect things. And if someone else is the
potential #2 bidder, then the list member who is #1 will gain no
benefit from having the other Ballad-L lister back out (but will
gain no *benefit*, either).It's only analogous to Prisoner's Dilemma in the case of the
Balladeers being the two highest potential bidders. But that's
also the only case where prior agreement will affect the outcome.>I personally think that my best strategy is to decide what I am willing to pay for an item and bid that as my limit. Let ebay keep track of things and raise my actual bid until my limit is reached. That way I never pay more than I thought the item was worth to me and often I pay less.
>
>On the other hand if someone on the list says they are interested in an item that I have some (but not a strong) interest in I am likely to not bid on that item.You'll note that this is essentially the strategy I recommended: Set
your price and bid it. And if you have a conflict, the one with less
interest backs down.Ultimately, having read the various posts to this thread, I guess
what it comes down to is this: For those who are willing to play
the game (i.e. reach agreement), it *is* the optimal strategy
(and I can't see that it's illegal -- after all, the person offering
the item for auction has set a minimum price which he or she will
accept. And our agreement actually *encourages* one of us to bid.
If I saw Paul Stamler bidding on something, say, I might otherwise
pass -- but if I can reach an agreement with him, then the one
of us with the *higher* maximum will be the one bidding).If you aren't willing to play the game, well, you are mostly
hurting yourself. But it's best that you say so and stay out
of it.I will play the game, of course, and will prove my honesty
by not bidding on Mackenzie. :-)--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: Ebay auction (Game Theory)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 10:10:19 -0500
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On Thu, 26 Dec 2002 23:13:27 -0500, dick greenhaus wrote:>Seems to me that it's what used to be called, quaintly, restraint of
>trade.
>
>"Robert B. Waltz" wrote:
>
>> This is *exactly* the same as the eBay auction where two
>> bidders are aware of each other: if you cooperate (e.g.
>> if one stays out of the other's way), the one who is
>> left will get the best possible price in the context of
>> the auction. But if you bid against each other, the price
>> will ALWAYS be greater than or equal to what it would have
>> been otherwise.I'm just babbling here out of the dimness of my mind & memory, not
moralizing or suggesting anything...I may have gotten this from the currently-showing-in-the-US early 70's
"Lovejoy" TV series - but I think I got it from the series of detective
novels on which it is based.  I was always interested in the presented
vast amount of folklore, jargon, "trade practices" and customs in the
English antique trade.One game they played at, for example, an estate auction, was the
"knock-down auction."  This would generally be aimed at a single
spectacular piece but maybe several pieces.  Seems all the professionals
at these public auctions would (by signs & winks, etc) agree that only
_one_ of them would bid.Since all the other generally recognizable pros apparently disdained to
bid, it was expected that the private bidders would not get excited and
the item would be acquired at a much lower price than if they bid against
each other (but well within the bidding pro's opinion of its resale
price).After the whole auction closed these pros (or informal syndicate, if you
like) would meet and hold a private auction among themselves for the
piece(s).There was more to it than that but the idea was clear that 1) it was a
known "game" to all the pros and 2) was a disreputable one & possibly
illegal and had to be kept secret and 3) involved lots of fun jargon and
customs.I see Dave calls these "auction rings."-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: eBay and other auctions
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 11:08:06 -0600
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Having been involved in antiques and auctions for many years, I
should like to add some observations.What Abby described, called a "ring" by Dave, is known around
here as "pooling."  It still goes on and is still illegal, but is not as
common as it once was. This is due to the presence of "amateurs."
These are those with more money than brains who will bid up
whatever they want to prices far above what the market will bear.
This is most annoying to serious collectors.One friend who is a major collector in his field, and who can afford
to bid high, refuses to pay too much for an item and thus loses
some pieces that would really grace his collection. He is
concerned that the "amateurs" do serious damage to the  market
by falsely inflating prices.  Many of these high winning bids go into
the record and become benchmarks for setting retail prices.Another practise that goes on is "deferring" and I think that this is
what we are really talking about here.At any given auction, one dealer may have his eye on a piece that
he has a ready buyer for. He tells his friends, and they "defer" to
him. This is nothing more than a common courtesy in the trade.A couple of weeks back, there was an auction loaded with fine folk
instruments, including three concertinas. There were two young
players who were interested in them and those of us who played
concertina, backed off, allowing the young lads a better chance.
One of them, incorrectly described as "English, possibly
Wheatstone" went to an "amateur."  The Crabb English and the
Linota went to the lads at very reasonable prrices..It seems to me that what is happening here is that some are
courteously deferring to another;s desire for a particular item.  A
couple months back, I bid on a songbook that took my fancy. When
I saw that John Roberts had entered the bidding, I backed out and
John kindly offered me a photocopy of it. It sold for far more than
either of us were willing to pay.I rarely buy on eBay or at any auction. Prices are just usually too
high to be able to make a reasonable return on my investment.One final thought; when participating in any auction, always
predetermine your absolute maximum price, and stick to it.  Too
many people have gotten wrapped up in the excitement of bidding
an ended up paying far more for an item than they would have in a
shop.Going, going, gone  --  TomTom Hall  --  Master Wordworker
and Intellectual Handyman

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Subject: Re: Ebay List - 12/26/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 12:17:37 -0600
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----- Original Message -----
From: Robert B. Waltz <[unmask]><< The optimal strategy in "real world" prisoner's dilemma is
not the optimal strategy in theory, because your opponents are
not entirely rational. Hence the notion of "forgiveness.">>Well, I'm not sure that the strategy of occasional forgiveness is predicated
on the non-rationality of the opponent(s). It works two ways: If the
opponent is playing by a strict tit-for-tat strategy, which is rational and
in fact mechanistic, then it automatically breaks the cycle of cheating and
causes both players to play their most productive strategy, which is to
cooperate. On the other hand, if the opponent is thinking rather than just
reacting, it sends a signal that you are *prepared* to cooperate if s/he
will cooperate with you, to which the rational answer is always cooperation.
So it's still based on the expectation of rational behavior on the
opponent's part.Irrational behavior would be if the opponent responded to forgiveness with
more cheating, as s/he would then garner a lower overall score as you both
resumed strict tit-for-tat.Peace,
Paul

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Subject: Re: Ebay List - 12/26/02
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 13:17:44 -0500
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On Fri, Dec 27, 2002 at 08:36:00AM -0600, Robert B. Waltz wrote:> On 12/27/02, Dean Clamons wrote:
>
> >I personally think that my best strategy is to decide what I am
+ willing to pay for an item and bid that as my limit. Let ebay keep track
+ of things and raise my actual bid until my limit is reached. That way I
+ never pay more than I thought the item was worth to me and often I pay
+ less.        [ ... ]> You'll note that this is essentially the strategy I recommended: Set
> your price and bid it. And if you have a conflict, the one with less
> interest backs down.
>
> Ultimately, having read the various posts to this thread, I guess
> what it comes down to is this: For those who are willing to play
> the game (i.e. reach agreement), it *is* the optimal strategy
> (and I can't see that it's illegal -- after all, the person offering
> the item for auction has set a minimum price which he or she will
> accept. And our agreement actually *encourages* one of us to bid.
> If I saw Paul Stamler bidding on something, say, I might otherwise
> pass -- but if I can reach an agreement with him, then the one
> of us with the *higher* maximum will be the one bidding).        There is something else which applies in eBay bidding -- that is
the *timing* of the bid.  Earlier in the thread there was mention of
sniping.  For any who don't know, this is the practice of placing your
bid at the last possible moment.  You may think that this will not have
any effect if you bid what you are willing to pay as your maximum bid,
but it *does* in the real world of eBay.  Since your maximum is not
revealed until someone bids more, nobody knows that you may have made a
preemptive bid, and if you bid this *early*, you will see (on some
auctions) people bidding a little above the showing bid amount,
incrementally until they finally pass you -- or give up.  Assuming that
your bid *was* a preemptive amount, and that they give up after N tries
to pass your bid -- you *still* are paying more for the item than you
otherwise would have had you placed the bid at the last possible minute.
And you *may* lose it to someone who gets caught up and keeps
incrementing until s/he passes you.  I've seen as many as twelve bids in
a row trying to find a previous bidder's maximum.  This is obviously
someone who does not believe in the proxy system which eBay uses, or
they would have found the same information in a single bid. :-)        I think that this was what was referred to as "due diligence",
and of course actually remembering to get your bid in before the auction
closes.  Note that sometimes the "sniping" pattern can lose you the
auction, if that happens to be the time that either eBay as a whole, or
at least your net connection to eBay slows down to a crawl, so what you
thought was sufficient time to place your bid turns out to be
insufficient.  We have lost items in this way, much to my frustration.        And of course, even a "sniping" bid which comes in in the last
few seconds can lose to someone who has placed a higher maximum bid
earlier -- or another sniper.        These are the hazards even in the face of an agreement.  The bid
should be placed at the last possible moment to avoid the
"feeler-for-maximum" types, but soon enough to beat the end-of-auction
time.  And you *still* may lose.  If it were a competition between just
two individuals, and if bids could safely be placed at any time before
closing, it would be much simpler.        Just my thoughts,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: Ebay auction
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 14:14:42 -0500
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>...
>The best strategy (and this *is* Prisoner's Dilemma, with some
>complications) is cooperation at first and then tit for tat.
>And you just made the first hostile move.
>--
>Bob WaltzAs others have noted, if it were a two-person game, or even if the
bidders were confined to agreeing members of this list, then the
Prisoner's Dilemma (or an expanded version) might apply.
Unfortunately, neither condition is true.That said, I've not noticed many list members competing for the items
I have been interested in, and vice versa.  Therefore, as far as I am
concerned, this may be a non-problem.
--
john garst    [unmask]

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Subject: Re: Ebay auction (Game Theory)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 14:16:58 -0700
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After the whole auction closed these pros (or informal syndicate, if you
like) would meet and hold a private auction among themselves for the
piece(s).There was more to it than that but the idea was clear that 1) it was a
known "game" to all the pros and 2) was a disreputable one & possibly
illegal and had to be kept secret [snip]-- This is also out of dimness of memory (well, chiaroscuro): In a
long-ago _New Yorker_ profile of Basil Blackwell, he described an almost
identical practice among rare-book dealers, who/which would often
victimize the widows of dedicated collectors whose main assets were their
books. BB started a counter-movement which exposed the practice and got it
more or less abolished.

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Subject: Auctions (possible duplicate posting)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 14:22:10 -0700
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Hi, all-- I'm trying this reply again, to <[unmask]> only,
after getting a rejection from "Cc: [unmask]" the
first time. -- Cheers, Michael Bell---------- Forwarded message ----------
Date: Fri, 27 Dec 2002 14:16:58 -0700 (MST)
From: Bell Michael <[unmask]>
To: Forum for ballad scholars <[unmask]>
Cc: [unmask]
Subject: Re: Ebay auction (Game Theory)After the whole auction closed these pros (or informal syndicate, if you
like) would meet and hold a private auction among themselves for the
piece(s).There was more to it than that but the idea was clear that 1) it was a
known "game" to all the pros and 2) was a disreputable one & possibly
illegal and had to be kept secret [snip]-- This is also out of dimness of memory (well, chiaroscuro): In a
long-ago _New Yorker_ profile of Basil Blackwell, he described an almost
identical practice among rare-book dealers, who/which would often
victimize the widows of dedicated collectors whose main assets were their
books. BB started a counter-movement which exposed the practice and got it
more or less abolished.

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Subject: Re: eBay and other auctions
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 17:11:32 -0600
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On 12/27/02, [unmask] wrote:>Having been involved in antiques and auctions for many years, I
>should like to add some observations.Thank you. This is helpful.>What Abby described, called a "ring" by Dave, is known around
>here as "pooling."  It still goes on and is still illegal, but is not as
>common as it once was.And it's not what we are describing. :-)>This is due to the presence of "amateurs."
>These are those with more money than brains who will bid up
>whatever they want to prices far above what the market will bear.
>This is most annoying to serious collectors.And this is what makes life difficult for folks like me. I don't
have the budget for these sorts of games.[ ... ]>Another practise that goes on is "deferring" and I think that this is
>what we are really talking about here.
>
>At any given auction, one dealer may have his eye on a piece that
>he has a ready buyer for. He tells his friends, and they "defer" to
>him. This is nothing more than a common courtesy in the trade.This is exactly what I'm describing. In effect, we're saying to
each other, "I want this one more," and letting the one who wants
it most (as measured by the objective criterion of being willing
to pay most) go ahead.Thank you for letting us know this is legal. :-)[ ... ]>I rarely buy on eBay or at any auction. Prices are just usually too
>high to be able to make a reasonable return on my investment.This is another reason for deferring. I aam getting less and less
likely to bid high anyway. :-)>One final thought; when participating in any auction, always
>predetermine your absolute maximum price, and stick to it.  Too
>many people have gotten wrapped up in the excitement of bidding
>an ended up paying far more for an item than they would have in a
>shop.This is inherent in the whole game theory approach. You must
have a predetermined amount you are willing to pay. If you don't,
you don't have rational expectations.Now, back to the math. The rest of you can tune out. :-)On 12/27/02, Paul Stamler wrote:><< The optimal strategy in "real world" prisoner's dilemma is
>not the optimal strategy in theory, because your opponents are
>not entirely rational. Hence the notion of "forgiveness.">>
>
>Well, I'm not sure that the strategy of occasional forgiveness is predicated
>on the non-rationality of the opponent(s). It works two ways: If the
>opponent is playing by a strict tit-for-tat strategy, which is rational and
>in fact mechanistic, then it automatically breaks the cycle of cheating and
>causes both players to play their most productive strategy, which is to
>cooperate. On the other hand, if the opponent is thinking rather than just
>reacting, it sends a signal that you are *prepared* to cooperate if s/he
>will cooperate with you, to which the rational answer is always cooperation.
>So it's still based on the expectation of rational behavior on the
>opponent's part.
>
>Irrational behavior would be if the opponent responded to forgiveness with
>more cheating, as s/he would then garner a lower overall score as you both
>resumed strict tit-for-tat.At this point you're confusing two concepts. One is the optimal
mathematical strategy. That *is* tit-for-tat; the whole reason
we talk about Prisoner's Dilemma is that it is a solved problem
and tit-for-tat is the optimal strategy.But human beings *are* irrational, in the formal sense that they
don't always play the optimal strategy. *Experimentally*, you are
likely to have your best success with "forgiveness." But even this
depends on your opponent. And if by some chance you're playing
Prisoner's Dilemma with someone from Arcturus, well, whatever
you came up with probably won't work.Dealing with an individual person, you may evolve a new strategy
by trial and error. But in general your optimal strategy must
*start with* the Nash Equilibrium (the actual optimal strategy,
which in Prisoner's Dilemma is tit-for-tat) and observe what
people actually do.On 12/27/02, DoN. Nichols wrote:[ ... ]>        There is something else which applies in eBay bidding -- that is
>the *timing* of the bid.  Earlier in the thread there was mention of
>sniping.  For any who don't know, this is the practice of placing your
>bid at the last possible moment.  You may think that this will not have
>any effect if you bid what you are willing to pay as your maximum bid,
>but it *does* in the real world of eBay.  Since your maximum is not
>revealed until someone bids more, nobody knows that you may have made a
>preemptive bid, and if you bid this *early*, you will see (on some
>auctions) people bidding a little above the showing bid amount,
>incrementally until they finally pass you -- or give up.  Assuming that
>your bid *was* a preemptive amount, and that they give up after N tries
>to pass your bid -- you *still* are paying more for the item than you
>otherwise would have had you placed the bid at the last possible minute.
>And you *may* lose it to someone who gets caught up and keeps
>incrementing until s/he passes you.  I've seen as many as twelve bids in
>a row trying to find a previous bidder's maximum.  This is obviously
>someone who does not believe in the proxy system which eBay uses, or
>they would have found the same information in a single bid. :-)Note, however, that this is a different problem. It's a genuine
problem, but it differs in several particulars from the situation
outlined.At no point did I say that the above strategy guarantees victory;
it's just a way for two bidders *who know each other* ought
to react when interested in the same item. Note that there is no
assumption about other players; the optimal strategy for our two
players is dependent only on those two.The above, though, makes several assumptions. First, it assumes
rational expectations: That our two bidders each has a particular
price he/she is willing to pay for the item. If you don't have
such a price, you can't really play the game. Second, it assumes
that the whole thing is a process: That you expect ultimately
to buy multiple items on eBay. There are other underlying
assumptions -- e.g. that you aren't bidding for the fun of
it; you actually want the item.None of this applies to the case of being *desperate* to get
a particular item. It's a completely different problem. I
don't think it is really subject to game theory constraints,
either; each "desperate" person will behave differently.Note that this process of "deferring" says nothing about
*how* you place your bid; you can bid at any time. It
simply controls the number of bidders.
--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Re: eBay and other auctions
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Dec 2002 20:12:32 -0500
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On Fri, Dec 27, 2002 at 05:11:32PM -0600, Robert B. Waltz wrote:> On 12/27/02, DoN. Nichols wrote:
>
> [ ... ]
>
> >        There is something else which applies in eBay bidding -- that is
> >the *timing* of the bid.  Earlier in the thread there was mention of
> >sniping.  For any who don't know, this is the practice of placing your
> >bid at the last possible moment.  You may think that this will not have
> >any effect if you bid what you are willing to pay as your maximum bid,
> >but it *does* in the real world of eBay.        [ ... ]> None of this applies to the case of being *desperate* to get
> a particular item. It's a completely different problem. I
> don't think it is really subject to game theory constraints,
> either; each "desperate" person will behave differently.
>
> Note that this process of "deferring" says nothing about
> *how* you place your bid; you can bid at any time. It
> simply controls the number of bidders.        However, in the practical case of "deferring", it is expected
that the one who has received the benefit of the deferral will bid in
such a way as to maximize the chance of winning.        I, for one, would be unhappy if I deferred to another, and that
other placed his/her bid so early that someone else found the maximum by
incremental testing, that the individual had given it away.        I would also be displeased if the recipient of the deferral did
not manage to get a bid in before the close of the auction.  (Though I
know that this sometimes can happen through problems in internet
connections between a given site an eBay's site.        Now -- if I *knew* that the other was going to bid early, and
had no plans to place a later snipe bid, and I saw that person outbid
before the close of the auction, I would place a new bid in spite of the
deferral, so at least *one* of us had a chance of winding up with it.
But it is very difficult to know this in practice.        Now, some of these scenarios would apply only if I deferred to
the other on some other basis than being willing to spend more for the
item.  But early bids when a deferral is in place are awkward things.        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Re: eBay and other auctions
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Dec 2002 10:54:26 -0500
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On Fri, 27 Dec 2002 11:08:06 -0600, [unmask] wrote:>One final thought; when participating in any auction, always
>predetermine your absolute maximum price, and stick to it.  Too
>many people have gotten wrapped up in the excitement of bidding
>an ended up paying far more for an item than they would have in a
>shop.Any notes on whether the fixed pre-auction offer price "Buy-it-now"
compares well with the final sale price typically?Obviously, it all depends but I've several times picked up something there
when I knew I'd have little time to sit on the auction and the price
seemed low and reasonable compared to used book dealers.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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