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Subject: Re: BALLAD-L Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-205)
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 00:25:11 CDT
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text/plain(34 lines)


>
> Date:    Thu, 29 Aug 2002 06:52:59 CDT
> From:    [unmask]
> Subject: Re: Two questions..
>
>
> Jock the Leg (282) The Daemon Lover (243) The Earl
> of Aboyne (235) Scarborough Fair / The Elfin Knight (2)
> Lord Gregory / The Lass of Roch Royal (76) The Bonnie
> Earl O' Murray ( 181) Henry Martin (250) Clyde's Water /
> The Mother's Malison (216) The Lover's Ghost / The
> Grey Cock (248).
>
> When two titles are given, the second is the variant
> actually sung on the record.
>
> BTW, are you the same John Cowles who lived in
> Cambridge MA in the '60s?
>
> Hope tis helps  --  TomThank you, Tom! It does help. I am the same John Cowles who lived in
Cambridge in the '60s (and '70s). For the most part of the last twenty
years I've been in Japan, but now I'm (somewhat) established in Texas.  John--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: Re: BALLAD-L Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-205)
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 00:56:54 CDT
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Dear Abby,   I use the first seven volumes of "Greig-Duncan" quite a bit, but it
is arduous (to say the least) without the index! I got the information
that it was complete from Bill Marshall at James Thin before they went
bankrupt. He said that Mercat Press had arranged a management buyout
and was to continue independently (April, 2002), but since then I've
heard nothing.
 Yes!! Discount! Lovely ring to it. Who is Greenhaus of Camsco and where
do I post my "stats"? Thiry-five pounds a volume is a hefty amount when
your book budget comes from your salary!
 Thank you also for your title-listing of the MacColl/Lloyd record! I
didn't find these until the Washington set appeared, and even searching
for almost forty years I've still not found that elusive 7th record.
Some of these (Jock the Leg, James Herries and The Mother's Malison)
appear to be versions I've never heard sung!  John> Date:    Thu, 29 Aug 2002 08:17:15 -0400
> From:    Abby Sale <[unmask]>
> Subject: Re: Two questions..
>
> > Does anyone have any news on the final (8th) volume of the Greig-Duncan
> >Ballad Collection? It was due out a couple of years ago, but as far as I
> >know, it never appeared.
> >
> I'd be much interested, too.  Two publishers have gone out of business
> printing the treasure.  I just tried the James Thin Booksellers website
> but (no surprise) it's gone.  As Ed said, it maybe depends on the
> bankruptcy laws.
>
> About a year ago the site claimed it was finished and would be out "soon."
> This was premature, of course.
>
> I'll write Dr Lyle and ask her if noone here comes up with a better idea
> in the next few days.  (I hate to nag the good lady.)
>
> 1) Has anyone scanned a general index for the set?  That would be handy.
>
> 2) Does Greenhaus of Camsco (in this case) have your stats so he can get
> the volume at "our customary discount" when it _does_ come out.  I'm not
> sure Wally gave him a complete list of everybody who originally or later
> ordered.
>
> If I am counting correctly, that's vol IV, disk 1 of Riverside:
>
> In order, Side A:
> Jock The Leg (282)["...and the Merry Merchant"]  (MacColl)
> Daemon Lover, The (243)(James Herries)  (Lloyd)
> Earl of Aboyne, The (235)  (MacColl)
> Scarborough Fair (2)(The Elfin Knight)  (Lloyd)
> Lord Gregory (76)(Lass of Roch Royal)  (MacColl)
>
> Side B:
> Bonnie Earl o' Murray, The (181)  (MacColl)
> Henry Martin (250)  (Lloyd)
> Clyde's Water (216)(The Mother's Malison)  (MacColl)
> Lover's Ghost, The (248)(The Grey Cock)  (Lloyd)
>
> (This Riverside set was the first one I bought - nearly the day it hit the
> record stores - and still my favorite.  I finally got around to learning
> "Clyde's Water" just last month.  Great song for explaining to kids they
> should heed their parents....well, I guess there are other
> interpretations, too.)
>
> No, best of my knowledge there've been no rumblings of reissue, sadly.
>--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: Re: BALLAD-L Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-205)
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 12:20:33 +0100
Content-Type:text/plain
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>> Does anyone have any news on the final (8th) volume of the Greig-Duncan
>> Ballad Collection? It was due out a couple of years ago, but as far as I
>> know, it never appeared.
> I'd be much interested, too.  Two publishers have gone out of business
> printing the treasure.  I just tried the James Thin Booksellers website
> but (no surprise) it's gone.  As Ed said, it maybe depends on the
> bankruptcy laws.I just phoned them up.  They say it should be out in early October
and they'll send me an email when it happens.  I'll pass on any
message I get.=================== <http://www.purr.demon.co.uk/jack/> ===================

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Subject: Re: Two questions..
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 09:49:48 -0400
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On Thu, 29 Aug 2002 06:52:59 CDT, [unmask] wrote:>BTW, are you the same John Cowles who lived in
>Cambridge MA in the '60s?_I_ lived there in '59-'60 but you don't look familiar...-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: BALLAD-L Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-205)
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 09:49:51 -0400
Content-Type:text/plain
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On Fri, 30 Aug 2002 00:56:54 CDT, John Cowles wrote:> Yes!! Discount! Lovely ring to it. Who is Greenhaus of Camsco and where
>do I post my "stats"? Thiry-five pounds a volume is a hefty amount when
>your book budget comes from your salary!35 pounds plus shipping, yes.  Greenhaus is the same guy that posts here
(but he's probably still recovering from UK food this week - "Oggies all
around, barkeep") and, with Susan, is solely at fault for producing the
Digital Tradition folksong data base
http://www.mudcat.org/folksearch.html.He then took over Camsco records from Wally (and claims to be able to sell
_any_ folk CD at reasonable or cheap.) See http://www.camsco.com.We here at ballad-l put together a syndicate to buy the set from Wally.  I
think with his dealer's discount he was able to give 10% off and free
shipping if we could raise 5 orders and we raised about 12.  A significant
couple of bucks saved for that set.  Especially the shipping.  Dick will
do the same (depending on the possible deal he gets with the new
publisher.)  But he never received the full list of prior orderers.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Volume the eighth
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 07:06:22 -0700
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Abby:Just in case Dick doesn't have my name on his tap list, will you let him
know I'm in?Ed

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Subject: Re: BALLAD-L Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-205)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 10:40:18 -0400
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I will be glad to provide discounts once I find out a)who the publisher will
be (and if he'll give me a trade discount) and b) who wants a copy. I don't
have any lists (maybe Wally still does.)dick greenhaus
CAMSCO MusicAbby Sale wrote:> On Fri, 30 Aug 2002 00:56:54 CDT, John Cowles wrote:
>
> > Yes!! Discount! Lovely ring to it. Who is Greenhaus of Camsco and where
> >do I post my "stats"? Thiry-five pounds a volume is a hefty amount when
> >your book budget comes from your salary!
>
> 35 pounds plus shipping, yes.  Greenhaus is the same guy that posts here
> (but he's probably still recovering from UK food this week - "Oggies all
> around, barkeep") and, with Susan, is solely at fault for producing the
> Digital Tradition folksong data base
> http://www.mudcat.org/folksearch.html.
>
> He then took over Camsco records from Wally (and claims to be able to sell
> _any_ folk CD at reasonable or cheap.) See http://www.camsco.com.
>
> We here at ballad-l put together a syndicate to buy the set from Wally.  I
> think with his dealer's discount he was able to give 10% off and free
> shipping if we could raise 5 orders and we raised about 12.  A significant
> couple of bucks saved for that set.  Especially the shipping.  Dick will
> do the same (depending on the possible deal he gets with the new
> publisher.)  But he never received the full list of prior orderers.
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: BALLAD-L Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-205)
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 11:20:38 -0500
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----- Original Message -----
From: John Cowles <[unmask]><< Yes!! Discount! Lovely ring to it. Who is Greenhaus of Camsco and where
do I post my "stats"? Thiry-five pounds a volume is a hefty amount when
your book budget comes from your salary!>>He's Dick Greenhaus, proprietor of Camsco Music, a supplier of books and
recordings. He can be reached at:[unmask]He was also the chief compiler of the Digital Tradition.Peace,
Paul

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Subject: Re: Volume the eighth
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 12:46:23 -0400
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Ed (et al)-I have no tap list. Anyone wishing to apply can contact me directly--It's
not really necessary to go through Abby.dick greenhaus
[unmask]Ed Cray wrote:> Abby:
>
> Just in case Dick doesn't have my name on his tap list, will you let him
> know I'm in?
>
> Ed

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Subject: Greig-Duncan
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 11:17:00 -0700
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Subject: Re: Greig-Duncan
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 15:04:37 -0400
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Subject: Re: Greig-Duncan
From: Ruairidh Greig <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 30 Aug 2002 19:52:58 +0100
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Interesting point- I did recently see 9 volumes of the Scottish National
Minstrelsy by a JOHN Greig, whom I've never heard of.Ruairidh Greig----- Original Message -----
From: Jon Bartlett
To: [unmask]
Sent: Friday, August 30, 2002 7:17 PM
Subject: Greig-DuncanFor those of us asleep at the switch, is there any way to get this set (8
vols) complete? (I presume this is "Last Leaves" Greig).  Or the first 7?Jon Bartlett

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Subject: Greig-Duncan Volume Eight
From: Ewan McVicar <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 31 Aug 2002 06:22:01 -0400
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I cannot help bragging a little.
I worked on the children's songs for Volume Eight - some of it is
remarkable stuff.
However, Katherine Campbell has had a bigger overall hand in Volume Eight
than me.
Emily Lyle and I share a dislike of waste, and she gave me for reuse a pile
of paper that was only printed on one side.
The printed side of one batch proved to be a draft of the index for all
eight volumes. How handy it has proved to be over the past year!
Another element of Volume Eight, along with all the parting songs and odds
and odds, will be biographical notes on the contributors.
If you are impatient to see the last volume - think how Emily Lyle feels
about it!Ewan McVicarEwan McVicar
84 High Street
Linlithgow
EH49 7AQ
01506 847935

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Subject: Re: Greig-Duncan
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 31 Aug 2002 07:52:07 EDT
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Subject: Recognition...
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 31 Aug 2002 20:32:23 CDT
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> Date:    Fri, 30 Aug 2002 09:49:48 -0400
> From:    Abby Sale <[unmask]>
> Subject: Re: Two questions..
>
> On Thu, 29 Aug 2002 06:52:59 CDT, [unmask] wrote:
>
> >BTW, are you the same John Cowles who lived in
> >Cambridge MA in the '60s?
>
> _I_ lived there in '59-'60 but you don't look familiar...
> This is understandable! I didn't get there until 1963! While I was
there, I sang at coffee houses, hung around Old Joe Clark's, had
a band named "Millrace" with Neil Rossi (the fiddler), wrote a ballad
column for a folk-song newspaper for a year or so, recorded a couple of
songs for Peter Johnson's "Pleasant and Delightful" series, did a yearly
'Child Ballad Orgy' for WHRB and ran a shop on Mass Ave called
"The C & S Talking Machine Co.", specializing in talking machines and
folk 78's. I am new to this list (thanks to Sandy Paton for the
introduction) and the only person I have recognized as an old aquaintance
so far is Mary Stafford (if she is the lady who ran Cafe Yana). For the
past twenty years or so I've been living on and off in Tokyo, Japan but
now am in Plano, Texas.--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: "John Henry" on NPR
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 14:52:15 -0400
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I'm told that a 5-6 minute segment on "John Henry" is scheduled to
broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
there might be a few seconds of me, stating some of the evidence for
John Henry in Alabama.  I'm also told that there will be a
corresponding WWW site set up by NPR.Brits, you might not be able to get this on direct broadcast, but I
think that the segment will be made available eventually for internet
listening.Stephen Wade is the author/producer of the program.
--
john garst    [unmask]

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Subject: "John Henry" on NPR
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 15:53:49 -0400
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>I'm told that a 5-6 minute segment on "John Henry" is scheduled to
>broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
>there might be a few seconds of me, stating some of the evidence for
>John Henry in Alabama.  I'm also told that there will be a
>corresponding WWW site set up by NPR.The WWW site is already there:
http://www.npr.org/programs/morning/features/patc/johnhenry/index.html
--
john garst    [unmask]

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Subject: Re: "John Henry" on NPR
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 13:11:40 -0700
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John, Stephen:Congratulations.  Excellent (and appropriate) programming.EdOn Sun, 1 Sep 2002, John Garst wrote:> I'm told that a 5-6 minute segment on "John Henry" is scheduled to
> broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
> there might be a few seconds of me, stating some of the evidence for
> John Henry in Alabama.  I'm also told that there will be a
> corresponding WWW site set up by NPR.
>
> Brits, you might not be able to get this on direct broadcast, but I
> think that the segment will be made available eventually for internet
> listening.
>
> Stephen Wade is the author/producer of the program.
> --
> john garst    [unmask]
>
>
>

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Subject: "Tom Dooley" parody?
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 22:26:53 -0600
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To anyone who keeps up with semi-popular versions of ballads--Somewhere in our NPR station's (KGNU's) Bluegrass LP library, I once found
an LP (1970s? 80s?) on which a semi-authentic modern group (Dillards?)
played a live parody of the Kingston Trio's "Tom Dooley," with a comical
spoken introduction mimicking the "extremely difficult" banjo figure that
opens it.* The audience was vocally amused.Naturally, I can't find it again; nor recall the group's name; nor does it
ring a bell in the formidable memories of KGNU's dedicated Bluegrassers.
-- Can any listmember supply me with a lead?All best,Michael Bell* - For anyone wondering what the joke is: The KTrio's banjo intro sounds
like the banjoist has just mastered Mel Bay Lesson One.

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Subject: Re: Greig~Duncan & The Three Butchers
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:12 -0400
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Speaking of which, I'm listening to a very nice version of "The Three
Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
Gentlemen."A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
Broadwood version - see/hearable at Lesley's
http://www.contemplator.com/folk6/butchers.html)It's odd that for all the many tunes, the texts vary very little.It also fits into two categories I track...        Ballads Child missed (possibly because he _knew_ it was a
broadside and _thought_ it was not actually in tradition)and
        Ballads with alternate endings the singer may or may not feel the
option to choose the which of while singing in order to keep us in
suspense.  In this case, whether the treacherous lady get caught or not.
We certainly _want_ her to.I've always thought of this as an English and USian ballad but
Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
1906) is that it is "an old English song."Ballad Index gives earliest date as c.1678 but no source.
C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
Collection_ but no date.
Bodley online only has earliest of 1813.So, has anyone (especially Steve or Bruce) early words to this and/or
earliest record and/or is the 1678 reference actually from Roxburghe.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig-Duncan
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:09 -0400
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On Fri, 30 Aug 2002 11:17:00 -0700, Jon Bartlett wrote:>For those of us asleep at the switch, is there any way to get this set (8 vols) complete? (I presume this is "Last Leaves" Greig).  Or the first 7?Yes, Gavin Greig.  Except that LL is compiled of Greig's stuff by
Alexander Keith after Greig's death.  A fine volume.Also a nice book of unedited reprints of his two year's worth of newspaper
articles & songs collected and submitted by the local citizenry.
Published by Folklore Associates in 1963.  Put together by Goldstein &
Arthur Argo.  The late Arthur was Greig's heir of the collection.  His
grand nephew, I think.  For decades Arthur sat on this staggering mass of
superb song seeking an editor, financer, publisher.  He'd practically stop
strangers in the street asking them...well no, not quite.  But he was
desperate that the wonderful collection - the greatest of all the great
Scottish collections - not just die.  Greig was the greatest but unknown
outside Scotland.  He knew of Child and of Child's belief that Scots
folksong was essentially dead as a living tradition.  Child didn't know of
Greig who regularly collected ballads (most of which became "Child
Ballads" -that's what LL is about - others of which Child missed...) _from
tradition_ as living, sung material.In the meantime, his collecting partner, James Duncan's family was sitting
on nearly as extensive a collection with equal frustration.Finally, the whole schmere got put together and brilliantly notated and
edited as one of the true milestones of Brit folksong/ballad publishing.
Begun by senior editor Patrick Shuldham-Shaw and after his death led by
Emily Lyle (of the School of Scottish Studies) and many other leading
scholars.  Even including Ewan.A pretty good book.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig-Duncan Volume Eight
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:14 -0400
Content-Type:text/plain
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On Sat, 31 Aug 2002 06:22:01 -0400, Ewan McVicar wrote:>If you are impatient to see the last volume - think how Emily Lyle feels
>about it!I can barely imagine!About that index...-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:19:56 -0700
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Folks:Abby notes that "Johnson and Jinkson," despite being sung to widely
different tunes, is textually well-preserved in oral tradition.The same is true for the various versions of "Barbara Allen."  There are
four groups of text types, all telling the same story, all rather
internally consistent.  These text types are sung to as many as four
different tune types, higglety-pigglety, with no text type invariably
associated with any tune type.The explanation is simple:  The tunes traveled by oral/aural means.  The
texts were reinforced with broadsides and songster reprints.Ed

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Subject: Re: Recognition...
From: "Donald A. Duncan" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 12:28:54 -0400
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John Cowles wrote:
>
> > On Thu, 29 Aug 2002 06:52:59 CDT, [unmask] wrote:
> >
> > >BTW, are you the same John Cowles who lived in
> > >Cambridge MA in the '60s?
> >
> > _I_ lived there in '59-'60 but you don't look familiar...
> >
>
>  This is understandable! I didn't get there until 1963! While I was
> there, I sang at coffee houses, hung around Old Joe Clark's, had
> a band named "Millrace" with Neil Rossi (the fiddler), wrote a ballad
> column for a folk-song newspaper for a year or so, recorded a couple of
> songs for Peter Johnson's "Pleasant and Delightful" series, did a yearly
> 'Child Ballad Orgy' for WHRB and ran a shop on Mass Ave called
> "The C & S Talking Machine Co.", specializing in talking machines and
> folk 78's. I am new to this list (thanks to Sandy Paton for the
> introduction) and the only person I have recognized as an old aquaintance
> so far is Mary Stafford (if she is the lady who ran Cafe Yana).Well, there's me, and I was wondering the same thing as Tom - it's a
distinctive name.  Old Joe Clark's is still here, and Sandy and Milt and
I still live here.  Sandy still has the old shop as "Sandy's Music" on
Mass. Ave., and our back stairway is impassible because of Edison horns...!Peter Johnson has recently reappeared from many years of anonymity, with
a family, and is now putting on concerts again - with his peripateticity
and financial acumen seemingly unchanged.  Meanwhile, I'm president of
Old Joe's, the Folk Song Society of Greater Boston, and Indian Neck.If you contact me privately, I can fill you in on anyone else you knew
from the '70s.-Don Duncan

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Subject: Re: Greig~Duncan & The Three Butchers
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 11:27:34 -0500
Content-Type:text/plain
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On 9/2/02, Abby Sale wrote:>Speaking of which, I'm listening to a very nice version of "The Three
>Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
>by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
>Gentlemen."
>
>A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
>Broadwood version - see/hearable at Lesley's
>http://www.contemplator.com/folk6/butchers.html)
>
>It's odd that for all the many tunes, the texts vary very little.
>
>It also fits into two categories I track...
>
>        Ballads Child missed (possibly because he _knew_ it was a
>broadside and _thought_ it was not actually in tradition)
>
>and
>        Ballads with alternate endings the singer may or may not feel the
>option to choose the which of while singing in order to keep us in
>suspense.  In this case, whether the treacherous lady get caught or not.
>We certainly _want_ her to.
>
>I've always thought of this as an English and USian ballad but
>Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
>1906) is that it is "an old English song."
>
>Ballad Index gives earliest date as c.1678 but no source.
>C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
>Collection_ but no date.
>Bodley online only has earliest of 1813.
>
>So, has anyone (especially Steve or Bruce) early words to this and/or
>earliest record and/or is the 1678 reference actually from Roxburghe.The c. 1678 citation is based on Kennedy, who cites the
Roxburghe version. And Kennedy prints a stanza, which shows
pretty clearly that it *is* the same song.FWIW, the long list of sources in Kennedy (which includes all
versions found in the Ballad Index except Laws, Copper,
MacColl, and Cazden et al) cites only Grieg from Scotland;
ditto Laws.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Ebay List - 09/02/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 15:07:42 -0400
Content-Type:text/plain
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text/plain(72 lines)


Hi!        Here I am on Labor Day laboring over my weekly list.        SONGSTERS        2135748995 - The Battleship Maine Songster, $4.95 (ends
Sep-04-02 18:19:29 PDT)        903791171 - Eva Tanguay's Great Songster, 1895?, $3.50 (ends
Sep-08-02 19:22:42 PDT0        SONGBOOKS, ETC.        1559045173 - Mountain Ballads by Raine, 1923, $2.25 (ends
Sep-03-02 18:09:56 PDT)        1559055819 - Songs of the Soil, Sizemore, 1937, $1 (ends
Sep-03-02 18:53:33 PDT)        1559272884 - English Minstrelsie, edited by S.Baring-Gould, vol.
1, 1895, $10 w/reserve (ends Sep-04-02 18:14:34 PDT)        902963073 - The Second Book of Irish Ballads by James N. Healy,
1962, $10 (ends Sep-05-02 09:32:25 PDT)        902967739 - SONGS OF THE ISLES by Robertson, 1950, $10 (ends
Sep-05-02 09:46:01 PDT)        903197856 - Texas Folk Songs by Owens, 1950?, $4.50 (ends
Sep-05-02 17:53:54 PDT)        903202374 - Home and Hill Country Ballads, Baker, 1943, $7.90
(ends Sep-05-02 18:14:11 PDT)        1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $9.99 (ends Sep-06-02 05:41:14 PDT)        1560002665 - SONGS OF THE SOUTHLAND by Sizemore, 1947, $6 (ends
Sep-07-02 16:59:16 PDT)        903442889 - The Leadbelly Song Book, 1962, $6 (ends Sep-07-02
06:56:34 PDT)        1559973418 - Adirondack Voices by Bethke, 1994, $6.88 (ends
Sep-07-02 13:57:01 PDT0        903708974 - CAMBRIAN MINSTRELSIE(Alowon Gwalia) A National
 Collection Of Welsh Songs, 1888, vol. 3 of 6, $24.99 (ends Sep-08-02
13:56:22 PDT)        903711022 - Same as above, vol. 5 of 6, $29.95 (ends Sep-08-02
14:05:32 PDT)        1559592337 - Folksongs & Foklore of South Uist by Shaw, 1955,
14.99 GBP (ends Sep-08-02 14:42:08 PDT)        903180010 - The British Broadside Ballad and its Music by
Simpson, 1966, $30 (ends Sep-08-02 16:32:29 PDT)        1559648632 - A Folk Song Chapbook by Kingston, 1955, $7.50 (ends
Sep-08-02 17:52:57 PDT)        Hope everyone is ready for Fall! See you next week!                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 17:46:52 -0400
Content-Type:text/plain
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Abby Sale wrote:
>
> Speaking of which, I'm listening to a very nice version of "The Three
> Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
> by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
> Gentlemen."
>
> A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
> Broadwood version - see/hearable at Lesley's
> http://www.contemplator.com/folk6/butchers.html)
>
> It's odd that for all the many tunes, the texts vary very little.
>
> It also fits into two categories I track...
>
>         Ballads Child missed (possibly because he _knew_ it was a
> broadside and _thought_ it was not actually in tradition)
>
> and
>         Ballads with alternate endings the singer may or may not feel the
> option to choose the which of while singing in order to keep us in
> suspense.  In this case, whether the treacherous lady get caught or not.
> We certainly _want_ her to.
>
> I've always thought of this as an English and USian ballad but
> Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
> 1906) is that it is "an old English song."
>
> Ballad Index gives earliest date as c.1678 but no source.
> C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
> Collection_ but no date.
> Bodley online only has earliest of 1813.
>
> So, has anyone (especially Steve or Bruce) early words to this and/or
> earliest record and/or is the 1678 reference actually from Roxburghe.
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtmlIn the broadside ballad index on my website you'll see that there
are two 17th century versions, and the author of the earliest is
known (ZN782, also cataloged by Laws' # and Roud #), and both
were reprinted by Ebsworth in 'Roxburghe Ballads'.Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Wow
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 16:31:55 -0700
Content-Type:TEXT/PLAIN
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Somebody snatch this.  The starting price is incredible.        1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $9.99 (ends Sep-06-02 05:41:14 PDT)Thank you, Dolores.Ed

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Subject: Another Wow
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 16:33:52 -0700
Content-Type:TEXT/PLAIN
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This is a bit more pricey, but copies don't turn up that often:        903180010 - The British Broadside Ballad and its Music by
Simpson, 1966, $30 (ends Sep-08-02 16:32:29 PDT)Again we are indebted to Dolores Nichols, mistress of ebay.Ed

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Subject: Re: Wow
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 18:14:51 -0700
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Yes, I've already spotted it and would like this very much for the VFSS
Archives.  I'm prepared to go quite high if neccesary. Jon Bartlett
----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Monday, September 02, 2002 4:31 PM
Subject: Wow> Somebody snatch this.  The starting price is incredible.
>
>         1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
> 1928, $9.99 (ends Sep-06-02 05:41:14 PDT)
>
> Thank you, Dolores.
>
> Ed
>

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Subject: E-Bay - Scrimshaw
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 21:24:07 -0400
Content-Type:text/plain
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This isn't directly connected to ballads, but I know there are many on the list interested in nautical folklore in general.  Have a look at "Neptune's Court SCRIMSHAW Extremely Old.RARE. Item # 903734554".Cheers
Jamie

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Subject: Fwd: [mplpost] "My Little Daughters"
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 11:51:46 -0400
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Dear Ballad-eers,
Having marveled at the cumulative knowledge herein, i'm taking the liberty
of passing this along from the Canadian folk music list.  Is it familiar
to anyone?Mary Cliff, TRADITIONS
WETA Radio (Washington, DC)Hello All,I tried posting this message on Mudcat and got no response so I am trying
it
here....I am looking for information about a song known as "My Little Daughers" -
it's been sung in our family for 50 years or so. The only verse we know is:"My little daughters, my little daughters divine, my little daughters, they
are my sunshine. They're lovely and they're fair, they're the picture of my
wife, Oh, my little daughters are the sunshine of my life."Does anyone know who wrote the song, if there are any more verses, when it
dates from, etc? Thanks!Bob MacLean

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Subject: Re: [mplpost] "My Little Daughters"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 11:24:37 -0500
Content-Type:text/plain
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----- Original Message -----
From: Mary Cliff <[unmask]><<"My little daughters, my little daughters divine, my little daughters,
they
are my sunshine. They're lovely and they're fair, they're the picture of my
wife, Oh, my little daughters are the sunshine of my life."Does anyone know who wrote the song, if there are any more verses, when it
dates from, etc? Thanks!>>A negative result: I searched the Harry Fox Agency's songlist under "LITTLE
DAUGHTER", but came up with nothing plausible. (Their software looks at
variant spellings, so "daughter" should find "daughters".)To the original questioner: Is it possible that someone in your family wrote
the song?Peace,
Paul

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Subject: Greig-Duncan v. 8 (and other volumes)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 12:31:40 -0400
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Here's the latest I have on volume 8 of the Greig-Duncan Collection:Mercat (the publisher) states that it will be available at the end of
this month. This should be considered to be encouraging, but not yet a
cause for unrestrained joy (been there; done that.) CAMSCO will be able
to dwliver it at a discount (most likely 25%), but costs (including
shipping) are not clearly defined as yet.Unicorn (in Scotland is advertising the collection for $75 (US) per
volume plus $2.50 plus adctual postage--I will be able to come in  below
that figure by a considerable margin.dick greenhaus

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Subject: Re: Greig-Duncan, Vol. 8
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 16:16:11 -0400
Content-Type:text/plain
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I've learned that Volume 8 is going to the printers this week and should
be out within the next couple of months.Aw-right!-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Sep 2002 07:35:24 -0400
Content-Type:text/plain
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On Mon, 2 Sep 2002 17:46:52 -0400, Bruce Olson wrote:>Abby Sale wrote:
>>
>> Speaking of which, I'm listening to a very nice version of "The Three
>> Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
>
>In the broadside ballad index on my website you'll see that there
>are two 17th century versions, and the author of the earliest is
>known (ZN782, also cataloged by Laws' # and Roud #), and both
>were reprinted by Ebsworth in 'Roxburghe Ballads'.
>
Thanks, Bruce, for the info.  I'm still some confused, though.  I last
downloaded your index in July so I may be out of date.  I find the two
refs but not any dates associated with them.  Neither on the songs nor on
the source refs.  Although I may be missing the source - one day I'll
_have_ to read the instructions...I was also hoping to find an earliest known text.  From your first lines
it doesn't seem to be any I've seen yet - Bodley, etc.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Sep 2002 09:32:39 -0400
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Abby Sale wrote:
-- -
>                   I am Abby Sale - in Orlando, FloridaThe dates are not in my entries unless they're given in the source.
My dating, outside of what's in the source, is given in the headnotes on
printers.At ZN782 in my broadside ballad index you'll see RB7 59, meaning
that it's printed in vol. 7 of 'Roxburghe Ballads' p. 59 (When
all else fails, read the instructions.) The CR 317 means there's
another copy, #317, in the  Crawford collection (now on loan to
NLS), but it's not been reprinted (see headnote of sources near
the beginning of file, for where they are, and if they've been
reprinted, and where). P. Brooksby, one can see from my headnote on
printers, printed broadside ballads from the West Smithfield
address from 1672 to 1684 (when his address changes to
Pye-Corner). (Forget that old c 1678 date, that's from 19th
century bibliography.) The ballad is by Paul Burges, a most
unfamiliar name.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Sep 2002 00:20:20 -0400
Content-Type:text/plain
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>
> Abby Sale wrote:
> -- -
> >                   I am Abby Sale - in Orlando, Florida
>
> The dates are not in my entries unless they're given in the source.
> My dating, outside of what's in the source, is given in the headnotes on
> printers.
>
> At ZN782 in my broadside ballad index you'll see RB7 59, meaning
> that it's printed in vol. 7 of 'Roxburghe Ballads' p. 59 (When
> all else fails, read the instructions.) The CR 317 means there's
> another copy, #317, in the  Crawford collection (now on loan to
> NLS), but it's not been reprinted (see headnote of sources near
> the beginning of file, for where they are, and if they've been
> reprinted, and where). P. Brooksby, one can see from my headnote on
> printers, printed broadside ballads from the West Smithfield
> address from 1672 to 1684 (when his address changes to
> Pye-Corner). (Forget that old c 1678 date, that's from 19th
> century bibliography.) The ballad is by Paul Burges, a most
> unfamiliar name.
>
> Bruce Olson
> -Paul Burgis also wrote another broadside ballad, ZN2238 in my broadside
ballad index, and that was printed by P. Brooksby from his Pye
Corner address. Assuming that his two ballads were written only a
few years apart, then the "Two Butchers" one isn't much earlier
than 1684.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Greig-Duncan
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Sep 2002 10:38:45 -0400
Content-Type:text/plain
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The latest I've been able to find on the Greig-Duncan Collection is as
follows:    Volume 8 is expected by October 1, 2002
    CAMSCO Music will be able to offer them for $42 (US) plus
shipping.    It seems likely, according to Mercat Press, that there will
be a substaintial discount for ordering the entire eight-volume set. My
best estimate for CAMSCO's price on the set is $270 (US) plus shipping.
    Shipping costs aren't available as yet; media rates should keep them
pretty low, though. For comparison's sake, Barnes & Noble and Amazon are
charging about $60 per volume; Unicorn sells them for $75 per.    If anyone wishes, I can take orders now. Credit cards are fine
(Master, VISA, Discover), and I don't enter the tranaction until the day
I ship. The most secure way to send me a credit card number is by phone:
800/548-FOLK (or 3655)--You can E-mail me the information, but it's
probably best to split the number between two E-mails ([unmask]).

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Subject: Ebay List (Songsters) - 09/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Sep 2002 13:07:59 -0400
Content-Type:text/plain
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Hi!        There are enough songsters to justify a separate posting this
week.        2138641034 - The Grant Songster. A Collection of Campaign
Songs, for 1868, $60 (ends Sep-08-02 08:41:10 PDT)        1560372311 - The Bunker Hill Songster, 1850's?, $39.99 (ends
Sep-09-02 06:59:26 PDT)        903955957 - The Banquet of Thalia,or the Fashionable Songsters
Pocket Memorial, 1790, $20.50 (ends Sep-09-02 15:33:00 PDT)        1560770872 - HARRY J. DANIELS LATEST SONGSTER, date unknown,
$9.99 (ends Sep-10-02 19:38:55 PDT)        904730213 - The Popular Songster, 1869, $24.95 (ends Sep-11-02
12:37:43 PDT)        904849979 - FRANKLIN SQUARE SONG COLLECTION, 1891, $9.99 (ends
Sep-11-02 17:13:24 PDT)        The main book list will follow later this afternoon.                                        Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Ebay List (Songbooks, etc.) - 09/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Sep 2002 14:46:23 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(79 lines)


Hi!        Here is the main list. :-)        1560277506 - Ozark Folk Songs, 4 volumes, 1946-1950, $51.05
(ends Sep-08-02 18:47:29 PDT)        903827938 - Slim Irvine the Lonely Cowboy presents a book of
songs old and new from Radio Success. CHWC Regina, 1932, $4.99 (ends
Sep-08-02 22:35:56 PDT)        1560407946 - SONGS I SANG ON AN IOWA FARM by Cromwell. Collected
by Eleanor T. Rogers, 1958, $3.45 (ends Sep-09-02 10:25:03 PDT)        1560408645 - Lot of 7 books on Irish folk music and song, $5.51
(ends Sep-09-02 10:28:07 PDT)        903941185 - Reliques of Ancient English Poetry, Percy, 1847
printing, 3 volumes, $50 (ends Sep-09-02 14:08:42 PDT)
        also 1560751388 - volume 1 only, $2.50 w/reserve (ends Sep-10-02
18:36:09 PDT)        2137469225 - Carson Robison Song Book, Mountain Ballads and Old
Time Songs, 1930, $9.95 (ends Sep-09-02 19:16:54 PDT)        904432915 - 2 songbooks, george b german hamlins cowboy
balladeer, 1937, $9.99 (ends Sep-11-02 05:10:56 PDT)        904251537 - HISPANIC FOLK SONGS of NEW MEXICO by Robb, 1962
reprint, $5 (ends Sep-10-02 19:48:00 PDT)        904254190 - FIVE VIRGINIAN FOLK SONGS by Powell, 1938, $9.50
(ends Sep-10-02 19:59:38 PDT)        904275995 - THE BALLAD BOOK OF JOHN JACOB NILES, 1961, $14.99
(ends Sep-10-02 21:52:32 PDT)        1560966988 - Ballads Of The Great West by Austin and Alta Fife,
1970, $5 (ends Sep-11-02 06:08:41 PDT)        1561005430 - Treasury of American Ballads by Kennedy, 1954, $1
(ends Sep-11-02 07:27:05 PDT)        1561257696 - ENGLISH FOLK SONGS FROM THE SOUTHERN APPALACHIANS,
Sharp, volume 2, 1952 edition, $21.55 w/reserve (ends Sep-11-02 13:09:49
PDT)        904835473 - The Rebel Songster, Wellman, 1959, $9.99 (ends
Sep-11-02 15:54:09 PDT)        1560381980 - AMERICAN WAR BALLADS edited by Eggleston, 1889,
$29.99 (ends Sep-12-02 08:05:52 PDT)        905019588 - SONGS OF THE ISLES, Robertson, 1950, $10 (ends
Sep-12-02 12:01:19 PDT)        1561577443 - A BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC by
Sonneck, 1945, $9.95 (ends Sep-12-02 14:20:02 PDT)        1561661859 - Merry Muses of Caledonia, Burns, 1964 printing,
$4.99 (ends Sep-12-02 20:39:06 PDT)        904080210 - The History of American Folk Song by Ames, 1955,
$9.99 (ends Sep-13-02 07:45:49 PDT)        904393294 - The English Folksinger, paperback, 1979, 1.99 GBP
(ends Sep-14-02 03:34:48 PDT)        1561497946 - The Ballad In Literature by Henderson, 1912, $6
(ends Sep-15-02 10:18:49 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Sep 2002 10:51:24 -0400
Content-Type:text/plain
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Hello,
I am just wondering if there are any ballad singers or scholars in my area
that I could communicate with or perhaps get together on occasion and
exchange some songs or compare notes.
My own main interest is  a cappella Appalachian ballads.  I also play
oldtime clawhammer banjo (mostly accompanying early American fiddle tunes
of Kentucky, WV, etc.).
I live in northern Columbia County in New York state, -about 45 minutes
southeast of Albany.  My email is:  [unmask]
Thank you!
Lisa

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Subject: Re: Greig-Duncan
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 07:29:19 -0400
Content-Type:text/plain
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On Fri, 6 Sep 2002 10:38:45 -0400, dick greenhaus wrote:>Volume 8 is expected by October 1, 2002
>    CAMSCO Music will be able to offer them for $42 (US) plus
>shipping.Sounds good to me.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 07:29:20 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(23 lines)


On Sun, 8 Sep 2002 10:51:24 -0400, Lisa - S. H. wrote:>I am just wondering if there are any ballad singers or scholars in my area
>that I could communicate with or perhaps get together on occasion and
>exchange some songs or compare notes.
>My own main interest is  a cappella Appalachian ballads.>I live in northern Columbia County in New York state, -about 45 minutes
>southeast of Albany.No, but it would be good to meet you, anyway.
How far is that from Marlboro VT?  We know someone there.Also, is John Roberts in Albany?I keep asking the same about the Raleigh/Durham/Chapel Hill area where
you'd _think_ there'd be many but ain't.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 08:15:22 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(14 lines)


>No, but it would be good to meet you, anyway.
>How far is that from Marlboro VT?  We know someone there.
>Also, is John Roberts in Albany?
>                   I am Abby Sale - in Orlando, FloridaMarlboro VT is about 2 hours drive from me.  Does your friend sing a
cappella Appalachian style ballads?
If you mean the John Roberts who is a member of Nowell Sing We Clear, well
they perform in the Albany area but I don't know where he lives.  I have
enjoyed hearing them perform at OldSongs concerts.  I have never heard them
do Appalachian style ballads, though  -does he do that in particular?
Thank you for your helpful comments, Abby.
Lisa

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Subject: Vietnam Songbook
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 13:18:09 -0700
Content-Type:text/plain
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text/plain(13 lines)


I hope this question isn't inappropriate--I'm looking for The Vietnam Songbook, edited by
Barbara Dane and Irwin Silber, 1969. I've checked
ebay, addall.com, amazon z-shops, etc.  I need it
in a hurry!! Anybody want to sell one?Douglas Cooke__________________________________________________
Do you Yahoo!?
Yahoo! News - Today's headlines
http://news.yahoo.com

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Subject: Ebay List (Songbooks, etc.) - 09/12/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 17:03:06 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(74 lines)


Hi!        Here is the main list for this week. The songster list will
follow either later today or tomorrow.        This may be the last large list for a couple of weeks. Don and I
are going out of town on family business. During that time, we will have
little, if any, computer access. I will try to post a short supplement
just before we leave. Then, you are on your own until we return and
catch up on everything.        1561784554 - Pissing in the Snow by Randolph, 1977 hardback
printing, $5.99 (ends Sep-13-02 16:00:41 PDT)        1561822049 - SCOTTISH AND BORDER BATTLES AND BALLADS by Brander,
1983, $5 (ends Sep-13-02 19:39:13 PDT)        1561992410 - Broadside Ballads of the Restoration Period, 1930,
$20 (ends Sep-14-02 18:50:09 PDT)        905486339 - Popular Music of the Olden Time by Chappell, 2
volumes, 1965 Dover edition, $16.50 (ends Sep-14-02 20:36:04 PDT)        1562079858 - 4 paperback books of Irish songs, 1960's, 1.99 GBP
(ends Sep-15-02 07:59:14 PDT)        905564560 - 3 books of cowboy songs, 1930's, $4.95 (ends
Sep-15-02 10:14:57 PDT)        1562190207 - The Country Dance Book by Sharp, one of his dance
collections not songs but uncommon, 1927, 4 GBP (ends Sep-15-02 15:28:48
PDT)        1562205209 - Old Time Ballads, 1879, $9.95 (ends Sep-15-02
16:48:44 PDT)        1562220311 - The Border Ballads by Reed, 1973, $9.50 (ends
Sep-15-02 17:49:44 PDT)        905823135 - ECHOES OF AFRICA IN FOLK SONGS OF THE AMERICAS by
Landeck, 1971, $6.50 (ends Sep-16-02 11:13:57 PDT)        1562387276 - Ancient Ballads Traditionally sung in New England
from the Flanders Ballad Collection, volume 4 only, 1965, $15 (ends
Sep-16-02 11:40:29 PDT)        1562436613 - THE SERBIAN EPIC BALLADS: AN ANTHOLOGY by Locke,
$19.99 (ends Sep-16-02 15:57:01 PDT)        905920104 - Folksongs of Britain and Ireland edited by Kennedy,
$3 (ends Sep-16-02 19:06:22 PDT)        906209205 - Alabama Sings, 1959, $9.99 (ends Sep-18-02 08:43:28
PDT)        1562788280 - Ballads and Lyrical Pieces by Scott, 1807 American
edition, $37.50 (ends Sep-18-02 10:09:07 PDT)        1562200360 - The German Ballad Book by Simonson, 1865, $49.99
(ends Sep-18-02 16:23:08 PDT)        1562594158 - National Ballad & Song: Merry Songs and Ballads
Prior to the Year 1800 A.D by Farms, 5 volume set, 1897, $32 (ends
Sep-20-02 11:33:57 PDT) This set is attracting lots bids. The price is
rising quickly.                                That's it for now.
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Vietnam Songbook
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 18:56:22 -0500
Content-Type:text/plain
Parts/Attachments:

text/plain(27 lines)


Go to www.bookfinder.com. It has links to other book
lists. Good hunting  --  Tom> From: Douglas Cooke <[unmask]>
> Date: 2002/09/12 Thu PM 03:18:09 CDT
> To: [unmask]
> Subject: Vietnam Songbook
>
> I hope this question isn't inappropriate--
>
> I'm looking for The Vietnam Songbook, edited by
> Barbara Dane and Irwin Silber, 1969. I've checked
> ebay, addall.com, amazon z-shops, etc.  I need it
> in a hurry!! Anybody want to sell one?
>
> Douglas Cooke
>
>
___________________________________________
_______
> Do you Yahoo!?
> Yahoo! News - Today's headlines
> http://news.yahoo.com
>Tom Hall  --  Master Wordworker
and Intellecttual Handyman

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Subject: Re: Vietnam Songbook
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 23:10:06 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(21 lines)


Try contacting Barbara Dane, she may be able to supply one or know of a
source.
http://www.barbaradane.net/
[unmask]
Best wishes, Tom Stern.Douglas Cooke wrote:> I hope this question isn't inappropriate--
>
> I'm looking for The Vietnam Songbook, edited by
> Barbara Dane and Irwin Silber, 1969. I've checked
> ebay, addall.com, amazon z-shops, etc.  I need it
> in a hurry!! Anybody want to sell one?
>
> Douglas Cooke
>
> __________________________________________________
> Do you Yahoo!?
> Yahoo! News - Today's headlines
> http://news.yahoo.com

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Subject: Re: Vietnam Songbook
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 02:36:05 -0500
Content-Type:text/plain
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text/plain(13 lines)


Douglas Cooke asked:<<I hope this question isn't inappropriate--I'm looking for The Vietnam Songbook, edited by
Barbara Dane and Irwin Silber, 1969. I've checked
ebay, addall.com, amazon z-shops, etc.  I need it
in a hurry!! Anybody want to sell one?>>In case not, is there any chance you could get it by interlibrary loan?Peace,
Paul

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Subject: FWD: staff opening at American Folklife Center
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 12:50:54 -0400
Content-Type:text/plain
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>We'd like everyone to know that a new position has been posted here at the
>American Folklife Center.  It's a "supervisory librarian" position for the
>person who will serve as the head of the Center's Archive of Folk Culture.
>It's a GS-14 position with a salary range of $78,265-$101,742.  The
>application period closes on September 30.
>
>The announcement number of this position is 020206.
>
>For a detailed description of the position and instructions for applying
>online, go to http://www.loc.gov/hr/employment/
>Select "current job vacancies, and then select "Vacancy #020206."
>
>David Taylor
>American Folklife Center
>Library of Congress
>

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Subject: A Minor Landmark Gone....
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 12:02:44 -0500
Content-Type:text/plain
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I'm a little late to report this, but I didn't really think
about it until now.The Stillwater Jail, in which Cole Younger was imprisoned
after the botched Northfield Bank Robbery, burned down a
bit over a week ago. It's no longer a prison, but the
Minnesota State Prison still occupies a site a very short
distance away.The old buildings were being preserved as a historic
site.The cause of the fire, perhaps ironically, was arson.
The perpetrators are in custody, but if anyone knows
why they did it, it hasn't reached the newspapers.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: EBay List (Songsters) - 09/13/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 18:27:51 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


Hi!        Happy Friday the 13th! :-)        2139600662 - HANCOCK & ENGLISH CAMPAIGN SONGSTER, 1880, $25
(ends Sep-15-02 13:21:28 PDT)        905647810 - "Williams' Colored Singers: The World's Greatest
Harmonizing Octette" song book, 1921?, $4 (ends Sep-15-02 16:14:51 PDT)        2139701627 - SIX MILITARY AND PATRIOTIC ILLUSTRATED SONGS,
Series 1, 1862 approx., $200 (ends Sep-15-02 17:27:37 PDT)        2139959819 - West Bend News (Washington County, Wisconsin)
Songster, 1940's, $5 (ends Sep-16-02 11:28:31 PDT)        2100090920 - LOOKOUT MOUNTAIN NO. 2 SONGSTER, Date Unknown,
$3.99 (ends Sep-16-02 18:28:39 PDT)        2100434050 - The Zion Songster, 1854, $9.99 (ends Sep-17-02
19:24:02 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Vietnam Songbook
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Sep 2002 09:32:00 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(16 lines)


On Thu, 12 Sep 2002 13:18:09 -0700, Douglas Cooke wrote:>I hope this question isn't inappropriate--
>
>I'm looking for The Vietnam Songbook, edited by
>Barbara Dane and Irwin Silber, 1969. I've checked
>ebay, addall.com, amazon z-shops, etc.  I need it
>in a hurry!! Anybody want to sell one?
>
I won't sell you mine but if there's that much urgency and you're only
desperate for a couple of songs, I'd be happy to fax them to you.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Sep 2002 09:31:51 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(43 lines)


On Tue, 10 Sep 2002 08:15:22 -0400, Lisa - S. H. wrote:>>No, but it would be good to meet you, anyway.
>>How far is that from Marlboro VT?  We know someone there.
>>Also, is John Roberts in Albany?
>>                   I am Abby Sale - in Orlando, Florida
>
>Marlboro VT is about 2 hours drive from me.  Does your friend sing a
>cappella Appalachian style ballads?Sorry.  I wasn't trying to be cute.  Both people I had in mind are members
of this group and I was trying to let them speak for them selves.Margaret MacArthur centers in Marlboro VT.  Her web page is
http://www.margaretmacarthur.com.  She doesn't do Appalachian style in the
sense of twang or "high lonesome" but does do many full, excellent texts
of old ballads of similar Scots/English sources to Appalachia.  She sings
them either a cappella or with very simple accompaniment so the texts are
not diminished.  She is good people and one of my favorite singers.I am wildly impressed with what she has recorded and that she has given us
(me, anyway) back the Flanders material.  For decades I've concentrated on
Scots balladry and the relatively few complete Appalachian texts (lots of
frags) and never knew of the superb material available in New England.>If you mean the John Roberts who is a member of Nowell Sing We Clear, well
>they perform in the Albany area but I don't know where he lives.  I have
>enjoyed hearing them perform at OldSongs concerts.  I have never heard them
>do Appalachian style ballads, though  -does he do that in particular?Well, now I'm not sure what you mean by "Appalachian style ballads."  John
does lots of English rural stuff but also many old ballads simply and
cleanly and also with nice vocal ornamentation.  He never lets
instrumentation steal the story or the song.  I was thinking he's local
there because his ISP is @[unmask]  His record company seems to be
Golden Hind Music in Schenectady.  He has a considerable repertoire I've
only heard a bit of (which).-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Supplemental Ebay List - 09/16/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 01:06:47 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(42 lines)


Hi!        Here is my good-by for a couple of weeks.        1562916020 - SOUNDS OF THE SOUTH, edited by Patterson, 1991,
$9.99 (ends Sep-18-02 20:30:06 PDT)        713543625 - MY FAVORITE OLD TIME SONGS AND MOUNTAIN BALLADS by
Bradley Kincaid, 1931, $9.99 (ends Sep-19-02 18:30:08 PDT)        1563278074 - Mormon Songs from the Rocky Mountains, edited by
Cheney, 1968, $9.99 (ends Sep-20-02 15:58:56 PDT)        906733503 - FOLK SONGS & BALLADS OF LANCASHIRE by Boardman,
1973, $2.99 (ends Sep-20-02 19:28:24 PDT)        1563457892 - Spanish Traditional Ballads from Aragon by Michele
S. De Cruz-Saenz, 1995, $4.99 (ends Sep-21-02 14:15:41 PDT)        906925265 - The Scottish Songs by Chambers, volume 2 only, 1829,
$12 (ends Sep-21-02 20:32:47 PDT)        907003535 - The English and Scottish POPULAR BALLADS by Child,
volumes 3 & 4 bound in one book, 1962 printing, $35 (ends Sep-22-02
09:35:16 PDT)        906736620 - ANN JUDY And ZEKE Hillbilly SONGBOOK, 1934, $8.99
(ends Sep-23-02 19:51:36 PDT)        This is not a book but may be of interest.        906690926 - 1866 photograph of Francis J. Child, $8.66 (ends
Sep-23-02 14:51:06 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Supplemental Ebay List - 09/16/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 02:34:11 -0500
Content-Type:text/plain
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----- Original Message -----
From: Dolores Nichols <[unmask]><<906736620 - ANN JUDY And ZEKE Hillbilly SONGBOOK, 1934, $8.99
(ends Sep-23-02 19:51:36 PDT)>>I'm bidding on this. I *might* bid on the Bradley Kincaid, but haven't
decided yet; if someone wants it, jump in.Peace,
Paul

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Subject: Greek Mode Domain
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 16:43:35 -0400
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This newsgroup now contains some more excellent music theoreticians
than when I perviously gave up on the subject here, so I try again.If there's anyone here interested in music theory, I would
like some feedback and/or criticism on a file I just added to my
website. It' GREEKMOD.TXT, and gives a table of 'Greek' based
modes based on a reversal of the usual procedure of deriving
normal hexatonic tunes from the seven 7-note 'Greek modes',
and the normal pentatonics from the hexatonics. For a mode with
a given number of notes the semitone sequences are just cyclic
permutations of a fixed series, and it's relatively easy to fill in
gaps, so one can start with the  2-note scale (ss= semitone
sequence, sum = 12), with ss = 75 (and it's permutation = 57), and go
upwards to modes with a larger number of notes. (I actually had to work
down from pentatonic to get the right starting semitone sequence here.)          ss
          75      C_______G____
          57      C_____F______
  Add to get      C_____F_G____ (Pathagoras loved this one)
               ss =  5   2  5Now the semitone sequence for our 3-note scale is 525, and the
other 2 semitone sequences in the series are 255 and 552. From
the semitone sequence we can determine mode# (explained in file
CODEMTHD.TXT on my website), and lets preceed the semitone
sequences by these to get for them:   66|255     C_D____G____
  528|552    C____F____BbNow mode numbers differ by 2^n (2 to the nth power) when a mode
differs from another by only having one more note, all other
notes in the two modes being the same, so we go up 1 note
(to the right), and up or, down, one. We find out mode#
differences that that 528|552 can't be the top one and 66|552
can't be the bottom one, so we must have the 3 3-note modes in
the order 66, 80, and 528, and our mode number differences work
for the arrangement, and we have:   2-note            derived 3-note
                         66|255   C_D____G____
   64|75   C_______G____
                         80|525   C_____F_G____
   16|57   C_____F______
                        528|552   C____F____BbThis can be repeated as often as necessary, and takes one through
the normal 'Greek' modes of 5, 6, and 7 notes, but there's no
need to stop there, and in the file on my website it goes on to
the 12-note scale with the monotonous semitone sequence
111111111111. (They all start looking alike after about 8 1's in
the semitone sequence.) ABC B324, mode# 2047, on my website is in
this 12-note scale this, and one can get to it via other observed
'Greek' based modes, starting from dorian or aeolian, but that's
not the likeliest way to get there. There is a much more likely path
through much more common non-'Greek' modes to it. See in the file.Another interesting path is that to the most common 10-note mode,
(which doesn't go to an 11-note mode that I've seen), 2038 (11
tunes), which comes from the most common 9-note mode, 2006 (melodic
minor, 114 tunes), which comes from the second most common 8-note
tune, #1750 (av7, 168 tunes), which comes from a common 7-note tune,
#1622 (aeolian with 7th both natural and flat, 6th missing, 63 tunes)
and finally connects with the 'Greek' based hexatonic dorian/aeolian,
#598, with 288 tunes. The numbers of tunes in these modes are much
larger than average for modes of the same number of notes. The mode#
differences here can be seen to be always 2^n between an pair- 2038 -
2006 - 1750 - 1622 - 598, which is a great help when trying to trace
paths of modes. (Mode numbers and semitone sequences of 181 modes can be
seen in my file COMBCOD3.TXT with the search and display program
CODEDSP6.EXE on my website.)There are 66 total 'Greek' based modes of all numbers, 2-12,
unless you want to count the keynote as a 1-note scale, then
there are 67.Thanks for your time, all of you (if anyone) got this far.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A href="http://www.erols.com/olsonw">
Click </a>

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Subject: Re: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Sep 2002 21:18:23 -0400
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At 09:31 AM 9/14/02 -0400, you wrote:
>Well, now I'm not sure what you mean by "Appalachian style ballads."  John
>does lots of English rural stuff but also many old ballads simply and
>cleanly and also with nice vocal ornamentation.  He never lets
>instrumentation steal the story or the song.  I was thinking he's local
>there because his ISP is @[unmask]  His record company seems to be
>Golden Hind Music in Schenectady.  He has a considerable repertoire I've
>only heard a bit of (which).
>-- -I am Abby Sale - in Orlando, FloridaThank you Abby     ;)
I did some browsing on the Golden Hind site ("hindsite"?)  and am going to
buy their "Dark Ships in the Forest" recording, which seems to have quite a
few ballads that I am particularly fond of on it.
-Off to examine my twang and play my merrywang.......
Lisa

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Subject: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 13:37:16 -0400
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I've modified the file MODETABL.TXT on my website to include for
all tune modes I've found: 1- shorthand mode description, 2-
notes in mode (which mode# doesn't give without calculation,
sometimes awkward), 3- mode#, 4- semitone sequence, and 5- # of
observed tunes in the mode.There are 6601 tunes in the data file, COMBCOD3.TXT, but these
include variants, but not duplicates of the same score from
different sources,  so there are less than 6601 totally different
tunes. The modes included in the file are those I've observed
(and coded in file COMBCOD3.TXT) plus locrian, but doesn't
include the unobserved modes listed in my file on 'Greek' modes.
A printout of this summary file would be slghtly less than 4
pages. The file is ASCII in double quotes + ASCII numerical,
so should be readable by most database systems, (after stripping
off the one-line header) and of course you can just read it and
do searches with a word processor. I'e also added a captial G to
the mode description for those modes that are from the 'Greek'
mode domain as I've derived it in file GREEKMOD.TXT.The ABC player and coder program, and the code display program,
have been modified to accept the expanded format of MODETABL.TXT.
Coding is done on all but grace notes. They are in the player
part, but after giving back their time to the main notes they
borrowed it from (timing to find stressed notes is thrown off if
one doesn't do this), they are ignored in the optional coding,
and display of frequency (in octaves), versus time part of the
program. Horizontal display is in measures, so one can compare,
say 4/4 and 6/8 versions of the same tune. A good tune to look at
here are J. Oswald's 4/4 and 6/8 gigga versions of "Saint
Patrick's Day [in the Morning]" in 'The Caledonian Pocket
Companion". The first half of the 2 timings are practically the
same, although casual listening wouldn't suggest this, to me at
any rate. [You're not stuck with this. You can select new x and y
origins and change their scale factors to please.]Programing attempts to exclude counting short notes in unstressed
positions proved to be too much for my meagre programing skills,
so all notes except grace notes are included in the note count
given by the program. Also, all repeats are included, so if the
counted (8) stressed notes aren't done before a repeat (very
rare), the last few notes are done over starting 1st measure
after the repeat. The program doesn't skip over the repeat and
continue on the next phrase.Here are some Child ballad tunes, #1, that you can play and
encode (stressed note and mode) and plot frequency verrses time on
with the player-coder program.X:1
T:Untitled from Pills to Purge Melancholy
S:Bronson, TTCB, C1-1
N:described conditionally as dorian [#854] minus the 7th [The
N:missing 7th makes it d-7 (#342), a common non-'Greek' mode.
N:keynote is 4th most common of 6 notes here.]
Q:1/4=120
L:1/8
M:3/4
K:Gdor
A BA|GG AB cB|\
L:1/8
M:2/4
A2 Bc|
L:1/8
M:3/4
d2 dd d/e/ d/c/|d2zd dc|B2 d2 cB|
L:1/8
M:2/4
A2 GA|\
L:1/8
M:3/4
AB AG AB|G2z|]X:2
T:Untitled from O'Keefe' Highland Reel, c 1788
S:Bronson, TTCB, C1-2
Q:1/4=120
L:1/8
M:3/4
K:G
D DD|G2 E3/2G/2 F3/2A/2|D2 z A AA|c2BA G3/2B/2|d2z2B2|\
d3/2B/2G2E3/2G/2|F3/2A/2 D2z2|G2B3/2G/2 E3/2C/2|\
D2d3/2c/2 B3/2A/2|G3|]X:3
T:There was a Lady in the West
S:Bronson, TTCB, C1-3
N:described as inflected 4th [so mode# = 1402
N:but that and C# are short unaccented notes not to be counted,
N:so mode# 1114, c-6, a very common non-'Greek' hexatonic]
Q:1/4=120
L:1/8
M:6/8
K:G
D|D2GG2A/B/|c2BA2B/c/|d e/d/ d/^c/d2 B|c2BB2G|\
B3/2A/2 G F3|G3B2A|G/(D/ D3/2) z z2 z|G3B2c|\
d/(B/ B3/2) z/2 c/(A/ A3/2) z/2|G3z2|]X:4
T:[The Three Sisters]
S:Bronson, TTCB, C1-4
Q:1/4=120
L:1/8
M:6/8
K:G
G|G2DG2A|c2BA3|GGD GAB|c2BA2 A|AAB c2A|d2G FED|\
G2A Bdc|BcAG2|]X:5
T:The Devil's Nine Questions
S:Bronson, TTCB, C1-5
N:pi1 pentatonic [Mode# 330, scored as ionian]
Q:1/4=120
L:1/4
M:4/4
K:G
D|GAB/B/G|EGD3/2G/|B3/2B/BA|Bdze|dBGB|GEDE/G/|G3/2G/ED|E2G|]X:6
T:The Devil's Nine Questions
S:Bronson, TTCB, C1-6
N:pi1 pentatonic [Mode# 330, scored as ionian]
Q:1/4=120
L:1/4
M:4/4
K:G
D|GGG/G/G|E/E3/2 DB|d3/2d/dA|Bd2d|edBG|A/G3/2EG|AB/B/DD|EG2|]X:7
T:The Three Riddles
S:Bronson, TTCB, C1-7
Q:1/4=120
L:1/8
M:3/4
K:G
E|A3/2A/ d3 B|A3/2A/ F2zc|c3A A3/2A/|A3z zA|Bce3c|\
B3/2B/G2zc|c3G G3/2G/|G3zz|]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 14:02:52 -0400
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Bruce Olson wrote:
>On music from ABCs I forgot to add that there are very good
selections of ABCs on two of our list member's websites, Jack
Campin's and Nigel Gatherer's. Jack has done ABCs for all 200 tunes in
vol. 1 of Aird's 'Airs' which includes the earliest known printing of
"Yankee Doodle". He has also encoded some other rare sources.
Nigel has encoded about 450 ABCs from early Scots sources. Jack also
has file giving a treatment of tune modality with examples as ABCs.
[There are also about 850 ABCs on my website, the broadside ballad ones
having been recently corrected. If you don't have their website
addresses handy, you can click on them from my home page.]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: More Modes
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 19:15:17 -0400
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I'm beginning to think there's no real theory for non-'Greek'
domain names. There are probably just semi-accidental branches
off of the 'Greek' domain chain, accidents that work out very
well.There are only 2 possibilities to get to harmonic minor by adding
just one note at a time to a lower order mode, and we have to go
back to a 4-note scale to do it. Note that all modes in the chain
below are observed (barely at the start), so this isn't just
theoretical. [I've observed less than 9% of the total number of possible
modes. Most don't seem to lead to music.]scheme- n|m, n = mode #, m = # of tunes in my COMBCOD3.TXT file
        :i, is the semitone sequence.Route to harmonic minor, mode #1238, and beyond
scale notes:
     4              5              6               7
 2325:
 82|1                                            harmonic minor
 A_B__D_E____
               \ A_BC_D_E____ ->  A_BC_D_EF___ -> A_BC_D_EF__G#
 A__C_D_E____  /  86|12            214|18          1238|21
G-84|1           :21225           :212214         :2122131
 :3225        8                    9                 10
-> A_BC_D_EF_GG#   ->    A_BC_D_EFF#GG#  -> A_BC_DEbEFF#GG# <-END   1750|168               2006|114          2038|11
   21221211:             212211111          2121111111other 9s from #1750
 1751:1
 1758:7
 1782:3
other 10s from #2006
 2007|5
 2014|8This shows the route, via familiar territory, to a good fraction
of observed 10 note tunes.Note that only #84 is in the 'Greek' mode domain, and we had to
branch off at the level of a 4-note scale to get to harmonic
minor, and once started we could go a long way. Those low note
number of scales are important. Note that in the tunes coded at
the back of Huntington and Herrmann's 'Sam Henry's Songs of the
People' the most common mode is the usual 7-note ionian. The next
most common 7-note scale is aeolian/minor, in 8th place.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 19:22:39 +0100
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Bruce Olson wrote:> On music from ABCs I forgot to add that there are very good
> selections of ABCs on two of our list member's websites, Jack
> Campin's and Nigel Gatherer's....Nigel has encoded about 450 ABCs
> from early Scots sources...Thanks for the name check, Bruce. However, my ABCs are from many
sources - manuscripts, books, records, friends, sessions, etc - and
they are mostly instrumental (not songs); I'm not sure how interesting
they would be for folk in this mailing list. A long-term project is to
build a collection of songs and ballads from my collection, but where
does the time go?I have a half-finished compilation of songs about marriage and
courtship in Scotland for which I did loads of research; I'd like to
finish it one day, if only for my own satisfaction. I carefully
prepared an extensive list of recording of each song, but it's now
rather out of date (to give you an idea, there were no CDs on these
lists!). If I did blow the dust off that project, do you think I could
ask the list for currently available recorded versions of the various
songs? perhaps I could flag up the list of songs on my web site, in
order to reduce clutter here.I'm basically thinking out loud - apologies.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Something about music from ABCs
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 14:32:26 -0500
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        One thing you might try which I find especially useful, if not
perfect, is CDDB. [If you are a MAC user it's the site iTunes uses to
identify the tracks on a CD when it first starts up.] I did a search for
"Ushers Well" and had the following hits:Displaying disc 1-4 of 4 matching CDs               Steeleye Span / Original Masters (Disc 1)
                  The Wife Of Ushers Well
               Jacqui McShees Pentangle / At The Little Theatre
                  The Wife Of Ushers Well
               Amps for Christ / Circuits
                  The Wife Of Ushers Well
               Silver Birch / Silver Birch
                  Ushers Welleach is a link to a detailed description of the CD itself. As I said, not
perfect but useful.        The URL for CDDB is http://www.gracenote.com/  The main page is set
up to search for artist but use the Advanced Search and it will enable you
to search by song title.At 7:22 PM +0100 9/19/02, Nigel Gatherer wrote:
>If I did blow the dust off that project, do you think I could ask the list
>for >currently available recorded versions of the various songs? perhaps I
>could >flag up the list of songs on my web site, in order to reduce
>clutter here.

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Subject: Chappell's Popular Music
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 15:39:55 -0400
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Those of you looking for this might be interested in the new-to-me
reprint edition by Elibron (www.elibron.com), seemingly the same as
the Dover 2 vol edition, for $16.95 per vol. or $9.95 each for an
e-book pdf.There's a set on eBay at the moment with a Buy Now at that price ($33.90).John Roberts.

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 16:31:44 -0400
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Nigel Gatherer wrote:
>
> Bruce Olson wrote:
>
> > On music from ABCs I forgot to add that there are very good
> > selections of ABCs on two of our list member's websites, Jack
> > Campin's and Nigel Gatherer's....Nigel has encoded about 450 ABCs
> > from early Scots sources...
>
> Thanks for the name check, Bruce. However, my ABCs are from many
> sources - manuscripts, books, records, friends, sessions, etc - and
> they are mostly instrumental (not songs); I'm not sure how interesting
> they would be for folk in this mailing list. A long-term project is to
> build a collection of songs and ballads from my collection, but where
> does the time go?
>
>..............................
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/I was embarassed, after my post, that I forgot to mention your
file of traditional tunes, in particular. I suspect many Americans,
which the majority on the list seem to be, aren't familiar with
your work, so I'll plug your recently reprinted 'Songs and Ballads
of Dundee', another mixture of rare old and much more recently collected
traditional songs, most of these being rather rare ones. Should I
mention 'Gatherer's Musical Museum'?Bruce OlsonPS: I've filled in more gaps in the mode relationship tree (it's
starting to look a bit like that with a lot of ivy connecting branches),
but these I'll add in to the file GREEKMOD.TXT on my website, and not
clutter up the list with them. I would plot it on a graph if I could
figure out how. My first two tries quickly came to grief. I've now
gotten almost all of the minorish (flatted 3rd) non-'Greek' based modes
attached to one of rather few branches now.I've also found, that, while it looks simpler and takes less
moves to get to some modes by simply sliding a note up or down a
semitone, it still takes the same number of movements (add or slide) to
connect up all the disconnected modes. Harmonic minor can be made
by simply sliding the normal 7th flat to 7th, saving 2 of the
moves that were in my chain. Now, however, the 5-note and 6-note related
modes are disconnected, and we have to use these 2 moves we saved
to reconnect them.Bruce OlsonBruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 15:09:03 -0500
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----- Original Message -----
From: Clifford J Ocheltree <[unmask]><<        One thing you might try which I find especially useful, if not
perfect, is CDDB. [If you are a MAC user it's the site iTunes uses to
identify the tracks on a CD when it first starts up.] I did a search for
"Ushers Well" and had the following hits:>>[snip]Then of course there's the Traditional Ballad Index, which may have
citations of recordings by source performers. Some material at least has
been issued in the Lomax reissue series, including stuff gathered by Lomax
and Peter Kennedy. Got to watch out for truncated versions, though.Peace,
Paul

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Subject: Re: Something about music from ABCs
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 21:59:10 +0100
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Clifford J Ocheltree wrote:>         One thing you might try which I find especially useful, if
> not perfect, is CDDB....The URL for CDDB is http://www.gracenote.com/
>  The main page is set up to search for artist but use the Advanced
> Search and it will enable you to search by song title.That sounds like just the job! Thanks Clifford.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Flanders books "Ancient Ballads..."
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Sep 2002 13:09:11 -0400
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Greetings
I have only Volume IV (four) of Helen Hartness Flanders "Ancient Ballads
Traditionally Sung in New England".  I am interested in acquiring the other
volumes, and if anyone on this list has perhaps any extra copies in their
collection that they'd consider parting with, please do contact me offlist
at:  [unmask]
Thank you!
Lisa

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Subject: Re: Flanders books "Ancient Ballads..."
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Sep 2002 16:11:04 -0400
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Lisa - S. H. wrote:
>
> Greetings
> I have only Volume IV (four) of Helen Hartness Flanders "Ancient Ballads
> Traditionally Sung in New England".  I am interested in acquiring the other
> volumes, and if anyone on this list has perhaps any extra copies in their
> collection that they'd consider parting with, please do contact me offlist
> at:  [unmask]
> Thank you!
> LisaYou can get vols 1 and 2, or the whole set from www.bookfinder.comBruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 21 Sep 2002 11:06:51 -0400
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Bruce Olson wrote:
>> PS: I've filled in more gaps in the mode relationship tree (it's
> starting to look a bit like that with a lot of ivy connecting branches),
> but these I'll add in to the file GREEKMOD.TXT on my website, and not
> clutter up the list with them. I would plot it on a graph if I could
> figure out how. My first two tries quickly came to grief. I've now
> gotten almost all of the minorish (flatted 3rd) non-'Greek' based modes
> attached to one of rather few branches now.
>>
> Bruce Olson
>I shouldn't have used the 'minorish' above. That gets meaningless above
8 or 9 notes. I justed started at 'minorish' in connecting commonly
found modes into a chain.I don't think I'm going to try to do a graphical display of the
results of my foray into tunes modes. After a day fiddling with
pencil and paper and losing track of what I had covered and
hadn't covered, I finally wrote a subroutine for one of my
computer progams that did the whole thing in about 3 seconds.
For the 181 modes in my file COMBCODE3.TXT there are 422
(observed) n+1 note modes that can be gotten by adding a single
note to some (observed) n note mode. There are also several
isolated modes, but whether they are real or results of my coding
errors remains to be seen.I don't have any graphics programs that will handle data of this
type, and that's more connections than I would want to do one at
a time in a CAD program, which would have to give something like
a multi-layered flow chart, with many connections between layers.
Not too bad if you could see it in 3-D, but unintelligible in
2-D.Why are adjacent modes related by a cyclic permutation of some
reference semitone sequence? That's easy; the 'Greek' modes are
cyclic. Start with lydian, flatten the 4th to get ionian, then
flatten the 7th to get mixolydian, then flatten the 3rd to get
dorian, then flatten the 6th to get aeolian, then flatten the 2nd
to get phrygian, then flatten then 5th to get locrian, then
flatten the 1st and we're back to lydian. (Locrian might be called
lydian with the wrong keynote.)Some statistics for 'Greek' based modes from file COMBCOD.3.TXTmode  mode# % of n-note tunes                 notes=4, total tunes = 9
a-2,6&7  82    11.1(one tune)                 notes=5, total tunes = 264
pi1     330    38.5
pi2     338     5.0
pi3     594    13.4
pi4     596    13.4
               70.3% 'Greek'                 notes=6, total tunes = 1514
f/c    1354    23.6
c/g     346    27.7
g/d     850     6.6
d/a     598    18.6
a/e     724     5.0
               81.5% 'Greek'                 notes=7, total tunes = 3360
f      1386     0.8
c      1370    60.6
g       858     9.8
d       854     9.0
a       726    12.0
b       693     0.0
               92.2% 'Greek'                 notes=8, total tunes = 1161
f+c    1402    12.2
c+g    1882    45.4
g+d     862     4.0
d+a     982     2.5
a+e     727     0.3
e+b     757     0.1
               64.3% 'Greek'                 notes=9, total tunes = 2201
f+c+g  1914    15.9
c+g+d  1886     5.0
g+d+a   990     2.3
d+a+e   983     0.5
a+e+b   759     0.5
               24.2% 'Greek'                notes=10, total tunes = 38
f+c+g+d  1918   7.9
c+g+d+a  2014  21.1
g+d+a+e   991   2.6 (one tune)
d+a+e+b  1015   2.6  "
               34.2% 'Greek'1 11-note mode (with 4 tunes) and 1 12-note tune are also 'Greek'
so here 'Greek' is 100%Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: singing NYC sisters news article
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 21 Sep 2002 21:29:17 -0400
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I came across this article and found it fascinating (and bittersweet also)....
http://www2.bostonherald.com/entertainment/music/koss04112002.htm-Lisa Johnson

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Subject: Re: singing NYC sisters news article
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 15:26:51 -0700
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Lisa:It is sad that the Cohen brothers did not in some way acknowledge the
Kossoy sisters for introducing him to "I'll Fly Away."  On the other hand,
the ladies got the song from a Carter Family record.EdOn Sat, 21 Sep 2002, Lisa - S. H. wrote:> I came across this article and found it fascinating (and bittersweet also)....
> http://www2.bostonherald.com/entertainment/music/koss04112002.htm
>
> -Lisa Johnson
>

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Subject: Re: singing NYC sisters news article
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 19:46:34 -0400
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The problem is that the Cohen Brothers used the Kossoy sister's recording; noty the
Carter Family's.  The other problem is that when the Kossoy sisters recorded the
song, they were minors, and their family signed a contract waiving any rights. Oh
well, who woulda thunk it would ever be worth real money.dick greenhaus.Ed Cray wrote:> Lisa:
>
> It is sad that the Cohen brothers did not in some way acknowledge the
> Kossoy sisters for introducing him to "I'll Fly Away."  On the other hand,
> the ladies got the song from a Carter Family record.
>
> Ed
>
> On Sat, 21 Sep 2002, Lisa - S. H. wrote:
>
> > I came across this article and found it fascinating (and bittersweet also)....
> > http://www2.bostonherald.com/entertainment/music/koss04112002.htm
> >
> > -Lisa Johnson
> >

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Subject: Re: singing NYC sisters news article - access problem
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 21:08:30 -0400
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Hi -
  I am unable to access the article using the link provided, however if I use www.
rather than www2. I get there OK.
  Any techies out there who can explain??  Thanks!
(I'm on Windows 95 and Netscape Communicator 4.73)
Tom Stern."Lisa - S. H." wrote:> I came across this article and found it fascinating (and bittersweet also)....
> http://www2.bostonherald.com/entertainment/music/koss04112002.htm
>
> -Lisa Johnson

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Subject: Re: singing NYC sisters news article
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 22:01:36 -0400
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At 07:46 PM 9/22/02 -0400, you wrote:
>The problem is that the Cohen Brothers used the Kossoy sister's recording;
>noty the
>Carter Family's.  The other problem is that when the Kossoy sisters
>recorded the
>song, they were minors, and their family signed a contract waiving any
>rights. Oh
>well, who woulda thunk it would ever be worth real money.
>dick greenhaus.Well, it's a well guarded fact that talented oldtime musicians have the
potential of making, over the span of a lifetime, tens of dollars!!
Lisa

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Subject: Pseudo Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 07:51:47 -0400
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'Pathagorus', indeed, I can't believe I did that.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Pseudo Greeks
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 13:54:08 +0100
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A pythological dislike of classical roots, perhaps?
;o)
Simon> 'Pathagorus', indeed, I can't believe I did that.
>
> Bruce Olson

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Subject: Re: Pseudo Greeks
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 09:43:03 -0400
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Pat Hagagorus. One of the early Celtic Greeks.Simon Furey wrote:> A pythological dislike of classical roots, perhaps?
> ;o)
> Simon
>
> > 'Pathagorus', indeed, I can't believe I did that.
> >
> > Bruce Olson

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Subject: Re: Pseudo Greeks
From: Martin Ryan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 15:29:27 +0100
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Wasn't he related to yer man Donal Ferentes?Regards________________________________________________________________________
This email has been scanned for all viruses by the MessageLabs SkyScan
service. For more information on a proactive anti-virus service working
around the clock, around the globe, visit http://www.messagelabs.com
________________________________________________________________________

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Subject: Re: Pseudo Greeks
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 12:18:57 -0500
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----- Original Message -----
From: Bruce Olson <[unmask]><<'Pathagorus', indeed, I can't believe I did that.>>Didn't he invent the autopsy?Peace,
Paul

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Subject: Re: Pseudo Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 20:12:04 -0400
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Paul Stamler wrote:
>> Didn't he invent the autopsy?
>
> Peace,
> PaulI thought it was paragoric and pythenogenic.His biggest success was in psychosomatic disorders. He was quick
to correlate the nausea, shaking, finally writhing about on the
ground with the singing of ballads by nearby Locrians. The
principle victims were itinerant folksong collectors, the locals
already knowing enough to scatter at the sight of Locrians, before
the sounds of Locrins could get them. One sturdy individual got
almost all of the first verse of one before that tune laid him low.
Immediate temporary relief could be obtained with ear plugs (like
the Locrians themselves wore), but two weeks in bed with complete
silence were usually necessary before the patient became ambulatory,
and the effects tended to be cumulative, so the victim had to carry
ear plugs around at all times. They tried to get a law passed so
Locrians always sang with Lydians, so it would come out the 11-note
mode #2046, like those on my website, but the Lydians pointed out
that they had done nothing that warranted what was in effect a
death sentence, even if Lydian mode wasn't everyone's cup of tea.Pythagorus tried to help the victims further, but nearly met his
own demise before he discovered the siren in his Early Warning
Locrian Detector had been candelestinely programed to wail in
Locrian, so also clearly warned Locrians that there were detectors
working in the area.The ballads sounded as though they might have been interesting if
one could get more, but impossible is impossible, and anyway the
Locrians had been dominated for a while by the Ionians who had
taken Aphrodite and the sexy parts out so they could pass them
off as their own songs to their Modus Lascivious tunes.Now aren't you sorry you asked?And so back to "Kemp Owyne". It seems likely that the setting is Ulster
in late 589 or early 590 CE. The wife of Caradog Freichfras that the
magic mantle fitted in "The Boy and the Mantle" couldn't have been
Enhinti, Owian's aunt, she's 2 generations too late. In my next post
I'll tell you the last reported (c 578 CE) location of that magic mantle
(one of the 'Thirteen Treasures of Britain").Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: The James M. Carpenter Collection
From: "David M. Kleiman" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 02:09:52 -0500
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Hi Folks,I guess I feel it's time I stepped into this discussion....I have only
followed the thread back as far as the quotes below but:1. I have to agree with Bob.  Hard copy books are still the "warm and
fuzzy" that we all know and love.  Hard cover books are the best, and
truely proven method, of preserving texts.2. Our new digital technologies change standards and media too frequently
to present long term, archival quality works, as of yet. And although
convenient for research and such are not really "comfortable" to read.3. #s 1 and 2 above do not obviate the need for nor the acceptance of
digital text, especially when digital technologies enhance the printed
word.Therefore, we at Heritage Muse and Mark Heiman at Loomis House Press have
both taken the middle road in approaching the new editions of the Child
opus.  Loomis House has released hard copy with announced plans for a
digital copy.  Heritage Muse is shipping (Oct 2002) "The English and
Scottish Popular Ballads (digital edition)" on CD and via the Internet in
searchable and fully printable form.  Anyone who owns a copy of
the "digital edition", can print a full set of the books (2,700+ pages)
and also have the convenience of searchable text, playable MIDI tunes and
CD-quality audio tracks of  ballads in the living singing traditions,
along with hyperlinked glossaries, indexes, maps and a gazetteer.  An
individual's price for the complete digital Child work plus the
enhancements and the bundled audio CD is less than the price of any paper
edition of the same work except for the original release of Dover's 1965
edition.I don't mean for that to sound too much like a plug, but the point is that
a "digital edition" of any classic work can now be quickly, easily, and
economically enhanced by the use of proven, common-use, software
technologies.Also, as Dick G. points out the digital texts can remain inexpensively
available long after hard copy editions have been "sold out".  Text files
can be quickly converted and re-released as file standards and software
and hardware technologies change.As to "libraries are not buying folk music"....with an internet release
available to libraries (and therefore library patrons) these digital works
can be made accessible to an extremely wide range of the reading and
studying public.  More and more often public libraries and school
libraries are subscribing to on-line content servers.  Patrons and
students get free (or nearly free) access to the texts and materials.  We
have already negotiated the release of the Heritage Muse "digital edition"
of Child's work on the net with a major library provider.  Within a few
months of the CD-ROM release it will be available to individuals and
institutions for immediate on-line use, although the music files and maps
may not be included initially.  Based on discussions I had with many folks
down at the American Librarian's Association Conference in Atlanta,
libaries are buying, libraries are eagerly seeking humanities content,
libraries are looking for inexpensive ways to reach a new reading public
that is net aware, tuned-into multi-media, and eager for materials!All this said and done, I must ultimately agree with Sandy...I don't curl
up in the living room easy chair with my computer or digital reader at the
end of the day.Best,
David M. KleimanOn Tue, 28 May 2002 20:17:09 -0400, Sandy Paton <[unmask]>
wrote:>I see in the flyer from Heritage Muse, Inc., that their disc version of
>the complete Child will also be searchable. That will be very helpful,
>but I still like books!
>        Sandy
>
>dick greenhaus wrote:
>>
>> Hi- hardcover plus CD-ROM is the way that Mark Heiman is planning for
his new
>> edition of Child. Perfectly sensible. Especially since the CD-ROM can
remain
>> available even after the more-desireable hard copy goes out of print.
>>
>> Ed Cray wrote:
>>
>> > Bob:
>> >
>> > Until such time as print-on-demand reaches maturity, hardcover books
will
>> > dominate the distribution and permanent storage of knowledge.  (Pace
>> > web-lovers.)
>> >
>> > If libraries are not buying folk music, then the press run will be
that
>> > much smaller, and the per unit cost will go up.  (There is a saying
in the
>> > publishing business that the first copy costs a hundred thousand, the
next
>> > copy a penny.)
>> >
>> > A hardcover edition does not negate publication of a CD-ROM.  Some
might
>> > even buy both, the one for bibliophilic pleasure, the other for quick
>> > research.
>> >
>> > Ed
>> >
>> > On Mon, 27 May 2002, Robert B. Waltz wrote:
>> >
>> > > On 5/27/02, Ed Cray wrote:
>> > >
>> > > >Bob:
>> > > >
>> > > >In my (limited) experience, subscription-supported printing means
that the
>> > > >subscribers underwrite a portion of the costs.  The art presses
such as
>> > > >Zamoro have the entire cost prepaid.  (So too did the Roxburghe
Society,
>> > > >the Rymour Club and the Ballad Society, I understand.)  Others
budget the
>> > > >subscriptions to prepay only a fraction of the cost; the press runs
>> > > >additional copies to sell, and thus recoups the costs, plus the
profit,
>> > > >if any.
>> > > >
>> > > >In deciding the cost of a subscription, the press would have to
calculate
>> > > >what risk it wants to take, a possible list price, whether there
is any
>> > > >foundation support, etc.
>> > > >
>> > > >My guess?  Assume a volume about the size of the Bronson volumes:
$75 per
>> > > >number.  Value once it goes out of print?  Double that -- or more.
>> > >
>> > > But that's just the problem. At that price, we're looking at
>> > > something close to library prices -- and libraries aren't buying
>> > > folk music books any more.
>> > >
>> > > And so it won't sell, and the press runs will be small, and ten
>> > > years from now we'll be paying $150 per volume *if we can get
>> > > it at all.*
>> > >
>> > > This is counter-productive. Nay, it's *stupid*. We need to find
>> > > a way to make these collections truly accessible, and to keep
>> > > them in print. We are doing no one any service by charging these
>> > > prices. We assure publication, yes, but we can't get the number
>> > > of copies that ought to be out there.
>> > >
>> > > I'm not saying CD-R is the answer. I'd rather have an actual
>> > > *book*. But I'd like still more to have two books. Or three.
>> > >
>> > > Along with everything else, we're probably shutting off potential
>> > > future scholars with this approach.
>> > > --
>> > > Bob Waltz
>> > > [unmask]
>> > >
>> > > "The one thing we learn from history --
>> > >    is that no one ever learns from history."
>> > >

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Subject: Re: The James M. Carpenter Collection
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 10:47:39 +0100
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David Kleiman wrote:
(snip)> Heritage Muse is shipping (Oct 2002) "The English and
> Scottish Popular Ballads (digital edition)" on CD and via the Internet in
> searchable and fully printable form.  Anyone who owns a copy of
> the "digital edition", can print a full set of the books (2,700+ pages)
> and also have the convenience of searchable text, playable MIDI tunes and
> CD-quality audio tracks of  ballads in the living singing traditions,
> along with hyperlinked glossaries, indexes, maps and a gazetteer.What splendid news! Will the edition be available (i.e. on sale) at the AFS
conference in Rochester?
Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
well, we'd be really rocking....Simon

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Subject: possible guthrie guitar sold
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 06:58:25 -0700
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Possible Guthrie Guitar SoldThe Associated PressSPOKANE, Wash. (AP) - It may seem extreme to pay
$5,000 for
a 40-year-old acoustic guitar in poor condition,
but not if
it turns out to have belonged to folk singer
Woody Guthrie.The new owner, Jim Kalmenson, suspects just that.Inside the Slingerland May Belle guitar is a
pencil scrawl:
``Property of Woody Guthrie OK.'' Kalmenson is
convinced
it's the real deal, though it may be difficult to
confirm
that.Guthrie emerged from the Dust Bowl to champion
the nation's
downtrodden through his music. His works include
``This
Land is Your Land,'' ``Deportee,'' ``Roll on
Columbia'' and
many more - songs that made powerful statements
and inspired
Bob Dylan and others to follow his example,
seeking to
affect social change through music.There are very few known Guthrie guitars left.
Rumor has it
that one of them was recently sold to billionaire
Microsoft
co-founder Paul Allen for his Seattle-based
Experience
Music Project. The rumored price: $100,000.Officials with the EMP museum did not immediately
return a
call seeking to confirm the those details.Aside from the name and the ``OK,'' the letters
``WWG'' are
faintly scratched on the guitar's back -
Guthrie's
initials.The ultimate proof would be a photograph of
Guthrie with
the guitar. So far, no such photo has been found.09/23/02 07:02 EDT
    Copyright 2002 The Associated Press. The
information
contained in the AP news report may not be
published,
broadcast, rewritten or otherwise distributed
without the prior
written authority of The Associated Press.  All
active
hyperlinks have been inserted by AOL.
*************__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

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Subject: Re: possible guthrie guitar sold
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 09:55:53 -0700
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Folks:There are a lot of Woody Guthrie guitars out there -- some borrowed and
never returned -- some purchased in hockshops (and sold the same way).  He
had good guitars and bad, and didn't much care, after about 1941.  So far
as I know, the only guitar he really cared about was purchased for him by
his second wife, a Spanish (nylon-strung) guitar made by Carlos Barquero
-- though he treated it as abominably as all the other guitars he
abused.Sort proves you don't need a great guitar to be a good songwriter-singer.Ed

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Subject: Re: possible guthrie guitar sold
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:47:58 -0600
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Striking coincidence (with a "moral" of sorts): BBC radio last night
reported on Beatles' memorabilia, real and fake, at auction. One recently
sold object was featured (but I was out of radio earshot); it fetched
something in six figures. But when the interviewer asked the memorabilia
dealer what would be the Holy Grail of Beatles memorabilia, he replied
immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
Do' on it. It would sell for millions."Woody and John, I hope you're having a good laugh about it.CheersMichael Bell

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Subject: Re: possible guthrie guitar sold (fwd)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:51:19 -0600
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I'm trying to re-send this after one bounce-back.... MB---------- Forwarded message ----------
Date: Tue, 24 Sep 2002 12:47:58 -0600 (MDT)
From: Bell Michael <[unmask]>
To: Forum for ballad scholars <[unmask]>
Cc: [unmask]
Subject: Re: possible guthrie guitar soldStriking coincidence (with a "moral" of sorts): BBC radio last night
reported on Beatles' memorabilia, real and fake, at auction. One recently
sold object was featured (but I was out of radio earshot); it fetched
something in six figures. But when the interviewer asked the memorabilia
dealer what would be the Holy Grail of Beatles memorabilia, he replied
immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
Do' on it. It would sell for millions."Woody and John, I hope you're having a good laugh about it.CheersMichael Bell

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Subject: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:33:19 -0700
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Folks:The NY Times this morning reported the death at age 87 of Joan Littlewood,
the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
major figure in the post World War II revival of the English theater.
She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
Hostage," created "Oh, Wahat a Lovely War," and played a role in the
concurrent English folk revival.Ed

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Subject: Re: possible guthrie guitar sold (fwd)
From: dick greenhaus <[unmask]>
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Date:Tue, 24 Sep 2002 16:03:44 -0400
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I suspect that Woody (wherever he is) is still in a state of shock after
having his face put upon a stamp.Bell Michael wrote:> I'm trying to re-send this after one bounce-back.... MB
>
> ---------- Forwarded message ----------
> Date: Tue, 24 Sep 2002 12:47:58 -0600 (MDT)
> From: Bell Michael <[unmask]>
> To: Forum for ballad scholars <[unmask]>
> Cc: [unmask]
> Subject: Re: possible guthrie guitar sold
>
> Striking coincidence (with a "moral" of sorts): BBC radio last night
> reported on Beatles' memorabilia, real and fake, at auction. One recently
> sold object was featured (but I was out of radio earshot); it fetched
> something in six figures. But when the interviewer asked the memorabilia
> dealer what would be the Holy Grail of Beatles memorabilia, he replied
> immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
> Do' on it. It would sell for millions."
>
> Woody and John, I hope you're having a good laugh about it.
>
> Cheers
>
> Michael Bell

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Subject: Re: Joan Littlewood
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Date:Tue, 24 Sep 2002 16:35:20 EDT
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Subject: Re: Joan Littlewood
From: Ed Cray <[unmask]>
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Date:Tue, 24 Sep 2002 18:02:11 -0700
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Fred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24 hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing an
> almost accidental, but nonetheless significant, part in the nascent British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:27:47 -0400
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Well, Topic has just released a fairly massive 4-CD Acoustic Folk Box that seems to
cover the Revival in the UK reasonably well. Starts with  Lonnie Donegan and winds
up, 85 cuts later, with Liza Carthy. (CAMSCO carries it for $50)dick greenhausEd Cray wrote:> Fred et al:
>
> NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
> War."
>
> Has anyone done a history of the folk revival in the UK -- aside from
> Hamish Henderson's various essays in _Alias McAlias?_
>
> Ed
>
> On Tue, 24 Sep 2002, Fred McCormick wrote:
>
> > Ed Cray Wrote
> >
> > >> The NY Times this morning reported the death at age 87 of Joan Littlewood,
> > > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
> > > major figure in the post World War II revival of the English theater.
> > > She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
> > > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > > concurrent English folk revival.
> > >
> > She seems to have died sometime over the weekend. At any rate, I heard a news
> > bulletin on Radio 4 (which is the main British Broadcasting Corporation
> > current affairs channel) early on Saturday or Sunday morning. Then, 24 hours
> > later, I heard a similar announcement on Radio 3 (the BBC's classical music
> > and arts channel), as though it had just happened.
> >
> > That apart, there seems to have been almost total silence from the
> > broadcasting media, unless I've been too distracted with threats of impending
> > war to notice. In any event, the lack of tributes is distinctly odd,
> > remembering what a collossal force she was in British theatre. Apart from
> > founding Theatre Workshop, itself a major theatrical landmark, and playing an
> > almost accidental, but nonetheless significant, part in the nascent British
> > folk revival, a considerable number of important actors learnt their craft
> > via her productions.
> >
> > For that matter, many of the techniques associated with Theatre Workshop
> > found their way (via Ewan MacColl) into the radio ballads, and ended up
> > influencing modern styles of documentary production.
> >
> > It's all very odd. If I do unearth anything, I'll pass it on.
> >
> > Fred McCormick.
> >

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Subject: Britons, Greeks and non-Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 00:18:37 -0400
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I don't have an organization for the non-'Greek' modes yet.
All my theories of such have proved useless, and I was forced to
look at the data. The 'Greek' based modes are 21% of the total
modes. If we take the non-'Greek' modes that differ from a
'Greek' one by 1, 2, or 3 notes we find that for the 3 note
difference there are 4 modes of one tune each. There are also 2
odd tunes where the high notes of the tune are missing, and the
first appears normal and sharp, so they're really cramed into the
low end of the scale. So of 6601 total tunes 99.91% are 'Greek',
or differ by at most 2 notes from some OBSERVED 'Greek' mode.
File MODETABL.TXT on my website now has modes with labels: G-
'Greek' based, H- 1 note off, I- 2 notes off, J- 3 notes off. N-
is for the two compressed scale modes.There are a lot of modes different from the 'Greek' based modes,
but practically nothing that's very different. [One would suspect
this to start with, but it's nice to have some 'hard' numbers.][This whole exercise was a slight variant of the method of constructing
a set of energy levels of an atom or molecule via combination
differences and the Aufbau principle.]
.....................It was undoubtably oldest son and warrior Owain, "Kemp Owyne",
that King Urien of Rheged sent to Ireland to recruit new King
Fiachna Lurgan of Ulster and his army as part of a coalition for
an attack on Bernicia, c 590. The attack succeeding
(temporarily), and an Irish garrison was stationed in Bamburgh
(but probably not for long). It appears the Morcant, one of
Urien's allies, had claims to Bamburgh, and had Urien stabbed to
death, making Owain the new king, but c 595 a British force
managed to kill Owain and the Kingdom of Rheged disappeared.
Someone with a decent work on Irish history might find out how
Fiachna got his kingship, and how many wives he'd had and if one
hadn't given him an ugly daughter. It's not too unlikely that
Owain seduced some such, giving a basis for "Kemp Owyne".The sons of Eliffer (Peredur [Percival] and Gwrgi) won the battle
of Arfderydd? [now Arthuret] in 573, at which the bard Merlin
Sylvester went mad. After wandering in the Celidon woods for some
undetermined number of year (~5?), he was captured, and confined
on Bardsey Island, with 'The Thirteen Treasures of Britain',
including the magic mantle of "The Boy and the Mantle". [In 580
Peredur was killed, and his kingdom, York, passed to English
hands.]If Owain and Percival were knights of the Round Table, who got the
job of changing their diapers there?Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Joan Littlewood
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:25:50 -0500
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Georgina Boyce did one.  Will get the title tomorrow.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, September 24, 2002 8:02 PM
To: [unmask]
Subject: Re: Joan LittlewoodFred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan
Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right
a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and
"The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a
news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24
hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical
music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of
impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing
an
> almost accidental, but nonetheless significant, part in the nascent
British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:26:44 -0500
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P.s.: you might also want to check out that book, Singer, Song, and Scholar,
where ther's a nice essay on Bert Lloyd.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, September 24, 2002 8:02 PM
To: [unmask]
Subject: Re: Joan LittlewoodFred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan
Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right
a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and
"The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a
news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24
hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical
music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of
impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing
an
> almost accidental, but nonetheless significant, part in the nascent
British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 01:04:41 -0400
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Note this entry into the "interminable list" of "who's where" from
Traditions, Saturday nights on WETA radio, Washington, DC:Monday, October 7:
>12:00 n        Georgina Boyes, author of The Imagined Village study of Eng
>Folksong revival talk @ LoC Mary Pickford Theatre, 3rd floor, Jas Madison
>Bldg, 101 Indep Ave SE DCMs. Boyes' husband will perform with his compatriots Coope & Simpson for
the Folklore Society of Greater Washington at Glen Echo Town Hall --
unamplified -- 8 pm on Tuesday, October 8, 2002.Mary Cliff, TRADITIONS
WETA Radio

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Subject: Re: Joan Littlewood
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 07:18:49 +0100
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Ed Cray said:
 (snip)
> Has anyone done a history of the folk revival in the UK -- aside from
> Hamish Henderson's various essays in _Alias McAlias?_See Niall MacKinnon, "The British Folk Scene: Musical Performance and Social
Identity", (Buckingham, Open University Press, 1993). You can have an
interesting game guessing who all the people are on the cover photograph!Cheers
Simon

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Subject: Re: Joan Littlewood
From: Fred McCormick <[unmask]>
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Date:Wed, 25 Sep 2002 06:15:12 EDT
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Subject: Re: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 05:46:01 -0700
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Fred:Thank you for the citations.  As it happens, I have the Russell (unread),
a situation I shall correct (someday).EdOn Wed, 25 Sep 2002, Fred McCormick wrote:> Ed Cray wrote,
>
> > >NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
> > War."
> >
>
> >> Has anyone done a history of the folk revival in the UK -- aside from
> >
>
> The British folk revival can be broken down into three stages for
> convenience:-
> 1.    The late Victorian/Edwardian era
> 2.    The post world war 2 era. 1945  - 1970.
> 3.    Post 1970.
>
> Stage 1 is much better served than stages 2 and 3.
>
> For a general overview of all three stages, you could start with Mike
> Brocken's British Folk Revival which can be read in Musical Traditions
> magazine at http://web.ukonline.co.uk/mustrad/articles/broc_ndx.htm . It's
> Mike's Phd thesis and I should warn you, a lot of what he says is very
> contentious (which is why I got him to let us publish it.). However, it's
> important to remember that Mike is a pop music historian and, to appreciate a
> lot of what he says, you have to understand where he's coming from.
>
> Which moves me on to Studying Popular Music by Richard Middleton (Open
> University Press 1990). Again, a very contentious stand in a book which is
> basically about pop music.
>
> Both authors have some good things to say, but both fail to recognise crucial
> points of difference between folk music and pop music. I therefore tried to
> address some of these in my introduction to The Joe Heaney Interview at
> http://www.mustrad.org.uk/articles/heaney.htm . If anyone wants to read this,
> however, I should explain that I was basically trying to explain Ewan
> MacColl's ideological position.
>
> Other Sorces:-
> Georgina Boyes The Imagine Village, Manchester UP, 1984, is an excellent
> history of the folksong and dance revivals, dealing mainly with stages 1 and
> 2.
> Laing, Dallas, Denselow & Shelton. The Electric Muse; The Story of Folk into
> Rock. Methuen, 1975. Deals mainly with the evolution of folk rock bands like
> Steeleye Span and Fairport Convention, and has some interesting stuff about
> blues and skiffle influences on the revival.
> The People's Past: Ted Cowan, ed. Polygon 1980, has several articles dealing
> with the Scots folk revival.
> See also The Sang's the Thing. Sheila Douglas, Polygon, 1992. A whole stack
> of pen portaits. Some are of Scots revivalists. Most are of traditional
> singers who interacted with the revival.
> Marge Steiner mentioned Vic Gammon's article in Singer, Song and Scholar; Ian
> Russell, ed. Sheffield Academic Press, 1986. Vic's contribution is less about
> Bert Lloyd than it is about his book, Folk Song in England. A truly
> commendable piece, which manages to be both affectionate and iconoclastic.
> There are several other articles about Bert in the same publication.
>
> A couple of autobiographies which might be useful:-
> Frankie Armstrong, As Far as the eye Can Sing. I haven't got round to reading
> it yet, but it's published by The women's Press, 1992.
> Ewan MacColl, Journeyman. Sidgwick and Jackson. 1990. A strange and partial
> book, which tells somewhat less than the whole story.
>
> Finally, English Folk Song: An Introductory Bibliography, David Atkinson,
> EFDSS 1999, has a section devoted to revivals.
>
> Cheers,
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 11:54:42 -0500
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        Picked up an interesting book in London a few years back."Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
by David HARKER [Open University Press: 1985] part of the Popular Music In
Britain series.You might wish to take a look at that as well.

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Subject: Help?
From: John Garst <[unmask]>
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Date:Wed, 25 Sep 2002 13:36:59 -0400
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Three of the weeks that I would have spent writing four short entries
for the upcoming "The Encyclopedia of the Blues" have been devoted
instead to a medical emergency.  Now I'm back at work, but my
deadline is close.  I have three of my entries under control,
bibliographically, so they present no problems.  The fourth consists
of 300 words, plus references, on "blues ballad."  I have what I
believe to be the seminal paper,D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
Style in Traditional Ballad Song." In Narrative Folksong: New
Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
pp. 437-82.I lack references to subsequent writings on this subject.  I recall
reading a suggestion that "nodal ballad" might be a better term than
"blues ballad" and I recall reading that these types of ballads are
frequent in the Irish tradition, but I don't have references at my
fingertips.  I would appreciate any help that might be offered.Thanks.--
john garst    [unmask]

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Subject: Re: Joan Littlewood
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 18:52:35 +0100
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Clifford J Ocheltree said:
(snip)>         Picked up an interesting book in London a few years back.
>
> "Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
> by David HARKER [Open University Press: 1985] part of the Popular Music In
> Britain series.
>
> You might wish to take a look at that as well.Ah.... I wondered when *that* was going to raise its head. It's a
contentious work that received serious criticism in a paper at the centenary
conference of the Folk Song Society in Sheffield in 1998 (C J Bearman,
University of Hull, 'Cecil Sharp in Somerset: Some Further Conclusions').
Unfortunately we are still awaiting the published papers from the conference
(due soon, I believe - Ian Russell should have news on this). All I will say
is "reader beware".Simon

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Subject: The English and Scottish Popular Ballads (digital edition)
From: "David M. Kleiman" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 00:33:53 -0500
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Simon,I will be at the AFS conference with, at a minimum, a full working copy of
the digital edition.  If the manufacturer can get the actual boxed sets of
product, back to us before the conference I will bring sets with me for
sale. Stop by our table in the exhibit area and introduce yourself!In the meantime, anyone interested in the set can email a note of interest
to [unmask] or directly to me at
[unmask] and we'll let you know as soon as we're
ready to ship.In the meantime, check out the web-site at www.heritagemuse.com, and then
check back late next week when the new site goes up.Thanks,
DMKOn Tue, 24 Sep 2002 10:47:39 +0100, Simon Furey
<[unmask]> wrote:>David Kleiman wrote:
>(snip)
>
>> Heritage Muse is shipping (Oct 2002) "The English and
>> Scottish Popular Ballads (digital edition)" on CD and via the Internet
in
>> searchable and fully printable form.  Anyone who owns a copy of
>> the "digital edition", can print a full set of the books (2,700+ pages)
>> and also have the convenience of searchable text, playable MIDI tunes
and
>> CD-quality audio tracks of  ballads in the living singing traditions,
>> along with hyperlinked glossaries, indexes, maps and a gazetteer.
>
>What splendid news! Will the edition be available (i.e. on sale) at the
AFS
>conference in Rochester?
>Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
>well, we'd be really rocking....
>
>Simon

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Subject: Name question
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 00:38:22 -0500
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Hi folks:The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
on the Rounder reissues)? Anyone know for sure? And does anyone have her
birth and death dates?Peace,
Paul

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Subject: Re: Name question
From: Fred McCormick <[unmask]>
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Date:Thu, 26 Sep 2002 04:53:21 EDT
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Subject: Harker and the Folk Revival
From: [unmask]
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Date:Thu, 26 Sep 2002 15:50:25 +0300
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Perhaps list members will forgive this plug, as our stray publications and
recordings often don't get into the hands of those who might be interested:
In 1998, I looked at the role of the Communist Party in the (second) folk
revival (reference below).  Obviously, with Ewan MacColl, AL Lloyd, Hamish
Henderson and Alan Lomax at the forefront, not to mention the folk clubs, the
revival corresponded closely to many radicals' ideas of a 'people's music'.
However, I think I was able to show that Dave Harker's claim that the whole
thing was masterminded from the Party's London HQ, with members fanning out
across the country to infiltrate the clubs, was Cold War paranoia.Gerald Porter"The World's Ill-Divided: The Communist Party and Progressive Song" in A Weapon
in the Struggle. The Cultural History of the Communist Party in Britain
(London: Pluto Press, 1998), edited by Andy Croft, pages 171-91.Quoting Simon Furey <[unmask]>:> Clifford J Ocheltree said:
> (snip)
>
> >         Picked up an interesting book in London a few years back.
> >
> > "Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
> > by David HARKER [Open University Press: 1985] part of the Popular Music
> In
> > Britain series.
> >
> > You might wish to take a look at that as well.
>
> Ah.... I wondered when *that* was going to raise its head. It's a
> contentious work that received serious criticism in a paper at the
> centenary
> conference of the Folk Song Society in Sheffield in 1998 (C J Bearman,
> University of Hull, 'Cecil Sharp in Somerset: Some Further Conclusions').
> Unfortunately we are still awaiting the published papers from the
> conference
> (due soon, I believe - Ian Russell should have news on this). All I will
> say
> is "reader beware".
>
> Simon
>

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 10:14:06 -0400
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>Paul Stamler wrote
>>
>
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?
>...
>Jerrilyn McGregory has an article on her in the current issue of
>Journal of The Alabama Folklife Association; Tributaries, Vol. V. I
>haven't had chance to catch up with it yet, but you can check the
>AFA's website at http://www.alabamafolklife.org/AFApublication.htm
>
>Cheers,
>
>Fred McCormickSince the current issue of Tributaries also contains my "John Henry"
article, I just happen to have a few copies lying around.  According
to Dr. Jerrilyn McGregory, in "Livingston, Alabama Blues: The
Significance of Vera Ward Hall," VWH was born "circa 1906 on a small
farm near near Livingston, Alabama."  The article does not appear to
contain a death date.  Apparently, her last recordings were for Alan
Lomax in 1959.
--
john garst    [unmask]

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 11:09:56 -0400
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>Paul Stamler wrote
>>
>
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?An inquiry on the pre-war blues list led to the following from Alan Balfour:>Blues Records 1943-70 heads-up her entry thus:
>
>VERA HALL (VERA HALL WARD)
>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.
--
john garst    [unmask]

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Subject: Re: Name question
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 12:09:20 -0500
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Alan Balfour & John Garst report:>Blues Records 1943-70 heads-up her entry thus:
>
>VERA HALL (VERA HALL WARD)
>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.Fred McCormick contributes:<<Jerrilyn McGregory, who wrote the introduction to Rounder 11661-1829-2:
Deep River of Song, Alabama, gives her as Vera Ward Hall. >>And John Garst adds:<<Since the current issue of Tributaries also contains my "John Henry"
article, I just happen to have a few copies lying around.  According
to Dr. Jerrilyn McGregory, in "Livingston, Alabama Blues: The
Significance of Vera Ward Hall," >>So far we have one vote on each side (I'm counting McGregory's two citations
as a single vote). Any more data?Peace,
Paul

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Subject: More on the name issue
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 12:26:10 -0500
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Hi folks:Just checked out the Social Security Death Index at Ancestry.com. They had
no record of anyone named Vera W. Hall or Vera H. Ward with a Social
Security card issued in Alabama (which, since she lived in Alabama all her
life, would be a reasonable expectation). Nor did any of the plain Vera
Halls or Vera Wards die in 1964, at least not in Alabama. So far, that's a
washout, leading to the conclusion that she may not have had a Social
Security card. (But in that case, how did she handle money that came in when
she sang at folk festivals?)Peace,
Paul

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Subject: Re: Name question
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 14:07:05 EDT
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Subject: Re: Joan Littlewood
From: Ruairidh Greig <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 19:03:16 +0100
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If anyone hasn't read it, I would thoroughly recommend Joan Littlewood's
autobiography, "Joan's Book" (published London 1994) which includes
fascinating background material about Ewan MacColl/Jimmy Miller as well as
Alan Lomax and Brendan Behan.Ruairidh Greig----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 25, 2002 1:46 PM
Subject: Re: Joan Littlewood> Fred:
>
> Thank you for the citations.  As it happens, I have the Russell (unread),
> a situation I shall correct (someday).
>
> Ed
>
>
> On Wed, 25 Sep 2002, Fred McCormick wrote:
>
> > Ed Cray wrote,
> >
> > > >NPR did an obit this afternoon (9/24) beginning with "Oh, What a
Lovely
> > > War."
> > >
> >
> > >> Has anyone done a history of the folk revival in the UK -- aside from
> > >
> >
> > The British folk revival can be broken down into three stages for
> > convenience:-
> > 1.    The late Victorian/Edwardian era
> > 2.    The post world war 2 era. 1945  - 1970.
> > 3.    Post 1970.
> >
> > Stage 1 is much better served than stages 2 and 3.
> >
> > For a general overview of all three stages, you could start with Mike
> > Brocken's British Folk Revival which can be read in Musical Traditions
> > magazine at http://web.ukonline.co.uk/mustrad/articles/broc_ndx.htm .
It's
> > Mike's Phd thesis and I should warn you, a lot of what he says is very
> > contentious (which is why I got him to let us publish it.). However,
it's
> > important to remember that Mike is a pop music historian and, to
appreciate a
> > lot of what he says, you have to understand where he's coming from.
> >
> > Which moves me on to Studying Popular Music by Richard Middleton (Open
> > University Press 1990). Again, a very contentious stand in a book which
is
> > basically about pop music.
> >
> > Both authors have some good things to say, but both fail to recognise
crucial
> > points of difference between folk music and pop music. I therefore tried
to
> > address some of these in my introduction to The Joe Heaney Interview at
> > http://www.mustrad.org.uk/articles/heaney.htm . If anyone wants to read
this,
> > however, I should explain that I was basically trying to explain Ewan
> > MacColl's ideological position.
> >
> > Other Sorces:-
> > Georgina Boyes The Imagine Village, Manchester UP, 1984, is an excellent
> > history of the folksong and dance revivals, dealing mainly with stages 1
and
> > 2.
> > Laing, Dallas, Denselow & Shelton. The Electric Muse; The Story of Folk
into
> > Rock. Methuen, 1975. Deals mainly with the evolution of folk rock bands
like
> > Steeleye Span and Fairport Convention, and has some interesting stuff
about
> > blues and skiffle influences on the revival.
> > The People's Past: Ted Cowan, ed. Polygon 1980, has several articles
dealing
> > with the Scots folk revival.
> > See also The Sang's the Thing. Sheila Douglas, Polygon, 1992. A whole
stack
> > of pen portaits. Some are of Scots revivalists. Most are of traditional
> > singers who interacted with the revival.
> > Marge Steiner mentioned Vic Gammon's article in Singer, Song and
Scholar; Ian
> > Russell, ed. Sheffield Academic Press, 1986. Vic's contribution is less
about
> > Bert Lloyd than it is about his book, Folk Song in England. A truly
> > commendable piece, which manages to be both affectionate and
iconoclastic.
> > There are several other articles about Bert in the same publication.
> >
> > A couple of autobiographies which might be useful:-
> > Frankie Armstrong, As Far as the eye Can Sing. I haven't got round to
reading
> > it yet, but it's published by The women's Press, 1992.
> > Ewan MacColl, Journeyman. Sidgwick and Jackson. 1990. A strange and
partial
> > book, which tells somewhat less than the whole story.
> >
> > Finally, English Folk Song: An Introductory Bibliography, David
Atkinson,
> > EFDSS 1999, has a section devoted to revivals.
> >
> > Cheers,
> >
> > Fred McCormick.
> >
>

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Subject: Re: The English and Scottish Popular Ballads (digital edition)
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 14:29:21 -0400
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Hi David,
  I contacted you previously, but just to make sure you have me on the
on-order list:
  Thomas Stern
  19 Primrose Avenue West,
  White Plains-Greenburgh,
  New York 10607-1712.            phone 914-949-5367
Best wishes, Tom Stern."David M. Kleiman" wrote:> Simon,
>
> I will be at the AFS conference with, at a minimum, a full working copy of
> the digital edition.  If the manufacturer can get the actual boxed sets of
> product, back to us before the conference I will bring sets with me for
> sale. Stop by our table in the exhibit area and introduce yourself!
>
> In the meantime, anyone interested in the set can email a note of interest
> to [unmask] or directly to me at
> [unmask] and we'll let you know as soon as we're
> ready to ship.
>
> In the meantime, check out the web-site at www.heritagemuse.com, and then
> check back late next week when the new site goes up.
>
> Thanks,
> DMK
>
> On Tue, 24 Sep 2002 10:47:39 +0100, Simon Furey
> <[unmask]> wrote:
>
> >David Kleiman wrote:
> >(snip)
> >
> >> Heritage Muse is shipping (Oct 2002) "The English and
> >> Scottish Popular Ballads (digital edition)" on CD and via the Internet
> in
> >> searchable and fully printable form.  Anyone who owns a copy of
> >> the "digital edition", can print a full set of the books (2,700+ pages)
> >> and also have the convenience of searchable text, playable MIDI tunes
> and
> >> CD-quality audio tracks of  ballads in the living singing traditions,
> >> along with hyperlinked glossaries, indexes, maps and a gazetteer.
> >
> >What splendid news! Will the edition be available (i.e. on sale) at the
> AFS
> >conference in Rochester?
> >Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
> >well, we'd be really rocking....
> >
> >Simon

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Subject: Re: Help?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 08:53:01 -0700
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Hi, John:
There were a few earlier studies by D.K. that might have additional
material.  There was a good early review by Marina Bokelman in the UIllinois
student journal, Autoharp #32 (1968) that gave a summary.  The articles are
Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.  In
the latter he first introducted the concept but called it a "banjo ballad."
D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
Folksongs, p 266).  But all of this may have been covered in the Wilgus/Long
article, which I haven't read in quite a while.
Norm Cohen----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 25, 2002 10:36 AM
Subject: Help?> Three of the weeks that I would have spent writing four short entries
> for the upcoming "The Encyclopedia of the Blues" have been devoted
> instead to a medical emergency.  Now I'm back at work, but my
> deadline is close.  I have three of my entries under control,
> bibliographically, so they present no problems.  The fourth consists
> of 300 words, plus references, on "blues ballad."  I have what I
> believe to be the seminal paper,
>
> D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
> Style in Traditional Ballad Song." In Narrative Folksong: New
> Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
> L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
> pp. 437-82.
>
> I lack references to subsequent writings on this subject.  I recall
> reading a suggestion that "nodal ballad" might be a better term than
> "blues ballad" and I recall reading that these types of ballads are
> frequent in the Irish tradition, but I don't have references at my
> fingertips.  I would appreciate any help that might be offered.
>
> Thanks.
>
> --
> john garst    [unmask]

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Subject: Re: Help?
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 16:11:52 -0400
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Thanks, Norm.  I doubt that I will be able to find the Autoharp
article in timely fashion.  I have "Arch and Gordon" and I'm sure I
can find "Clure and Joe Williams" easily enough (I recall having seen
it).  Today I came across the following sentence in Paul Oliver's
"Songster's and Saints": "A number of songs have been identified as
'blues ballads' by D. K. Wilgus, Marina Bokelman and others."  The
reference is to Bokelman's unpublished Master's thesis, "The Coon-Can
Game: A Blues Ballad Tradition," UCLA, 1968.  Do you know if a paper
based on this thesis has been published?Yes, Wilgus-Long mention the first use of "blues ballad" by W. C.
Handy, though, of course, not necessarily with the same meaning.
Wilgus-Long also refer to Wilgus' notes for an Obray Ramsey album,
1961, which I'm sure I have at home, though I haven't looked for it
yet.  This is evidently Wilgus' first use of the term.  Perhaps he
had reconsidered "banjo ballad" from the "Arch and Gordon" article.Incidentally, as far as I know, Wilgus' brief article is the only
note of the "Arch and Gordon" historical incident in the folklore
literature.  I'm sure that there is an immense amount of material on
this - indeed, I've come across newspaper articles on the murders
while looking for something else - so I'm considering doing some
digging on this, once I get "John Henry" out of the way to my
satisfaction.>Hi, John:
>There were a few earlier studies by D.K. that might have additional
>material.  There was a good early review by Marina Bokelman in the UIllinois
>student journal, Autoharp #32 (1968) that gave a summary.  The articles are
>Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
>JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.  In
>the latter he first introducted the concept but called it a "banjo ballad."
>D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
>earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
>Folksongs, p 266).  But all of this may have been covered in the Wilgus/Long
>article, which I haven't read in quite a while.
>Norm Cohen
>
>----- Original Message -----
>From: "John Garst" <[unmask]>
>To: <[unmask]>
>Sent: Wednesday, September 25, 2002 10:36 AM
>Subject: Help?
>
>
>>  Three of the weeks that I would have spent writing four short entries
>>  for the upcoming "The Encyclopedia of the Blues" have been devoted
>>  instead to a medical emergency.  Now I'm back at work, but my
>>  deadline is close.  I have three of my entries under control,
>>  bibliographically, so they present no problems.  The fourth consists
>>  of 300 words, plus references, on "blues ballad."  I have what I
>>  believe to be the seminal paper,
>>
>>  D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
>>  Style in Traditional Ballad Song." In Narrative Folksong: New
>>  Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
>>  L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
>>  pp. 437-82.
>>
>>  I lack references to subsequent writings on this subject.  I recall
>>  reading a suggestion that "nodal ballad" might be a better term than
>>  "blues ballad" and I recall reading that these types of ballads are
>>  frequent in the Irish tradition, but I don't have references at my
>>  fingertips.  I would appreciate any help that might be offered.
>>
>>  Thanks.
>>
>>  --
>>  john garst    [unmask]--
john garst    [unmask]

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Subject: Celtic Colours
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 15:46:25 CDT
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Is anyone from this list planning to attend the Celtic Colours Festival in
Cape Breton this year? If so, and you'd like to get together, send email!    John--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: Frankie and John Huston
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 18:53:41 -0400
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John Huston (the celebrated playwright, movie director, writer, and
actor) wrote his first play "Frankie and Johnny" in 1928.  That year
he turned 22.  It was published by Albert & Charles Boni, Inc., in
1930.  Shortly before it was published, an article by Courtenay
Terret appeared in The World, New York, stating that John Huston "has
prosecuted researches for several months past which have gone beyond
the findings of other investigators ... to establish the true
identities of the originals of America's most popular folk song."
The rest of the article, which purports to be based entirely on
Huston's research, gives a much more detailed account of the St.
Louis triangle involving Frankie Baker, Allen Britt, and Alice Pryor
than Huston himself gives in his book.This made me wonder if Huston left some research materials that might
be archived somewhere.  I find that the Academy of Motion Picture
Arts and Sciences Library (Beverly Hills, Calif.) has 64 linear feet
of John Huston's papers, but that they are dated 1932-1981, after he
did his "Frankie" research.  Ugh!As far as I can tell, Huston is the first to publish in a national
forum that Frankie, Stack Lee, and Duncan and Brady, all celebrated
in ballads, were St. Louis characters.
--
john garst    [unmask]

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Subject: Re: Harker and the Folk Revival
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 00:01:52 +0100
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> I think I was able to show that Dave Harker's claim that the whole thing
> was masterminded from the Party's London HQ, with members fanning out
> across the country to infiltrate the clubs, was Cold War paranoia.Given Harker's politics (quite a long way left of the CP) "cold
war paranoia" seems a rather strange way to describe his position.
"Trotskyist paranoia", just possibly - though in fact what I've
read of his book seemed reasonably sensible and well-argued.=================== <http://www.purr.demon.co.uk/jack/> ===================

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Subject: spotted on rec.music.early
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 01:36:40 +0100
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This looks useful and the price is right...                    === begin quote ===The Colonial Music Institute announces a new CD-ROM publication:Early American Secular Music and Its European Sources, 1589-1839: An
Index
compiled by Robert M. Keller, Raoul F. Camus, Kate Van Winkle Keller,
and Susan Cifaldi.
Annapolis: The Colonial Music Institute, 2002. CD-ROM:  $25.00This CD-ROM is a series of electronic indexes derived from a database of
text and music information compiled from primary sources covering the
250   years of the initial exploration and settlement of the United
States. Over 75,000
entries are sorted by text (titles, first lines, recitatives, choruses,
&   burdens), by musical incipits (scale degrees,
stressed notes, and interval sequences), with additional indexes of
names and theater works. Most of the   entries
include a representation of the music in a numerical code so that a
researcher can tell how the tune begins.  The original project, The National Tune Index, of which this is an
expansion, was initially sponsored by The
Sonneck Society, now the Society for American Music, and funded by two
major grants from the National
Endowment for the Humanities and several additional grants from the City
University of New York Research
Award Program.  Musical Genres include:
  American Imprints: 270 sources, 11,310 items
  American Manuscripts: 145 sources, 11,192 items
  British Musical Theater & Ballad Opera, 238 sources, 5,784 items
  Dance Collections: 139 sources, 17,239 items
  British and European Instrumental Music: 277 sources, 14,607 items
  Manuscripts from Canada, France, Scotland, England, Ireland, Germany,
and Mexico: 46 sources, 6,059
items
  Songs and Sheet Music: 55 sources, 9,647 items  The Eight Indexes are:
  Texts
  Incipits
  Stress Notes
  Intervals
  Sources
  Genres
  Names
  Theater Works  Database can also be accessed on the web at
http://www.colonialmusic.org  The Colonial Music Institute
  276 Oak Court, Severna Park, MD 21146
  (410) 544-6149
  www.colonialmusic.org
  [unmask]                    ==== end quote ====-----------------------------------------------------------------------------
Jack Campin  *   11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland
tel 0131 660 4760  *  fax 0870 055 4975  *  http://www.purr.demon.co.uk/jack/
food intolerance data & recipes, freeware Mac logic fonts, and Scottish music

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Subject: Re: Help?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 18:01:37 -0700
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I have a copy of the thesis; it was never published.
Norm----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Thursday, September 26, 2002 1:11 PM
Subject: Re: Help?> Thanks, Norm.  I doubt that I will be able to find the Autoharp
> article in timely fashion.  I have "Arch and Gordon" and I'm sure I
> can find "Clure and Joe Williams" easily enough (I recall having seen
> it).  Today I came across the following sentence in Paul Oliver's
> "Songster's and Saints": "A number of songs have been identified as
> 'blues ballads' by D. K. Wilgus, Marina Bokelman and others."  The
> reference is to Bokelman's unpublished Master's thesis, "The Coon-Can
> Game: A Blues Ballad Tradition," UCLA, 1968.  Do you know if a paper
> based on this thesis has been published?
>
> Yes, Wilgus-Long mention the first use of "blues ballad" by W. C.
> Handy, though, of course, not necessarily with the same meaning.
> Wilgus-Long also refer to Wilgus' notes for an Obray Ramsey album,
> 1961, which I'm sure I have at home, though I haven't looked for it
> yet.  This is evidently Wilgus' first use of the term.  Perhaps he
> had reconsidered "banjo ballad" from the "Arch and Gordon" article.
>
> Incidentally, as far as I know, Wilgus' brief article is the only
> note of the "Arch and Gordon" historical incident in the folklore
> literature.  I'm sure that there is an immense amount of material on
> this - indeed, I've come across newspaper articles on the murders
> while looking for something else - so I'm considering doing some
> digging on this, once I get "John Henry" out of the way to my
> satisfaction.
>
> >Hi, John:
> >There were a few earlier studies by D.K. that might have additional
> >material.  There was a good early review by Marina Bokelman in the
UIllinois
> >student journal, Autoharp #32 (1968) that gave a summary.  The articles
are
> >Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
> >JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.
In
> >the latter he first introducted the concept but called it a "banjo
ballad."
> >D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
> >earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
> >Folksongs, p 266).  But all of this may have been covered in the
Wilgus/Long
> >article, which I haven't read in quite a while.
> >Norm Cohen
> >
> >----- Original Message -----
> >From: "John Garst" <[unmask]>
> >To: <[unmask]>
> >Sent: Wednesday, September 25, 2002 10:36 AM
> >Subject: Help?
> >
> >
> >>  Three of the weeks that I would have spent writing four short entries
> >>  for the upcoming "The Encyclopedia of the Blues" have been devoted
> >>  instead to a medical emergency.  Now I'm back at work, but my
> >>  deadline is close.  I have three of my entries under control,
> >>  bibliographically, so they present no problems.  The fourth consists
> >>  of 300 words, plus references, on "blues ballad."  I have what I
> >>  believe to be the seminal paper,
> >>
> >>  D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
> >>  Style in Traditional Ballad Song." In Narrative Folksong: New
> >>  Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
> >>  L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
> >>  pp. 437-82.
> >>
> >>  I lack references to subsequent writings on this subject.  I recall
> >>  reading a suggestion that "nodal ballad" might be a better term than
> >>  "blues ballad" and I recall reading that these types of ballads are
> >>  frequent in the Irish tradition, but I don't have references at my
> >>  fingertips.  I would appreciate any help that might be offered.
> >>
> >>  Thanks.
> >>
> >>  --
> >>  john garst    [unmask]
>
> --
> john garst    [unmask]

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Subject: Re: spotted on rec.music.early
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 21:13:18 -0400
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All true Jack, and as far as I am aware, like the NTI, this still
only works on a Windows operating system.John Roberts.>This looks useful and the price is right...>
>                    === begin quote ===
>
>The Colonial Music Institute announces a new CD-ROM publication:
>
>Early American Secular Music and Its European Sources, 1589-1839: An
>Index
>compiled by Robert M. Keller, Raoul F. Camus, Kate Van Winkle Keller,
>and Susan Cifaldi.
>Annapolis: The Colonial Music Institute, 2002. CD-ROM:  $25.00
>
>This CD-ROM is a series of electronic indexes derived from a database of
>text and music information compiled from primary sources covering the
>250   years of the initial exploration and settlement of the United
>States. Over 75,000
>entries are sorted by text (titles, first lines, recitatives, choruses,
>&   burdens), by musical incipits (scale degrees,
>stressed notes, and interval sequences), with additional indexes of
>names and theater works. Most of the   entries
>include a representation of the music in a numerical code so that a
>researcher can tell how the tune begins.
>
>  The original project, The National Tune Index, of which this is an
>expansion, was initially sponsored by The
>Sonneck Society, now the Society for American Music, and funded by two
>major grants from the National
>Endowment for the Humanities and several additional grants from the City
>University of New York Research
>Award Program.
>
>  Musical Genres include:
>  American Imprints: 270 sources, 11,310 items
>  American Manuscripts: 145 sources, 11,192 items
>  British Musical Theater & Ballad Opera, 238 sources, 5,784 items
>  Dance Collections: 139 sources, 17,239 items
>  British and European Instrumental Music: 277 sources, 14,607 items
>  Manuscripts from Canada, France, Scotland, England, Ireland, Germany,
>and Mexico: 46 sources, 6,059
>items
>  Songs and Sheet Music: 55 sources, 9,647 items
>
>  The Eight Indexes are:
>  Texts
>  Incipits
>  Stress Notes
>  Intervals
>  Sources
>  Genres
>  Names
>  Theater Works
>
>  Database can also be accessed on the web at
>http://www.colonialmusic.org
>
>  The Colonial Music Institute
>  276 Oak Court, Severna Park, MD 21146
>  (410) 544-6149
>  www.colonialmusic.org
>  [unmask]
>
>                    ==== end quote ====
>
>
>-----------------------------------------------------------------------------
>Jack Campin  *   11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland
>tel 0131 660 4760  *  fax 0870 055 4975  *  http://www.purr.demon.co.uk/jack/
>food intolerance data & recipes, freeware Mac logic fonts, and Scottish music

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Subject: Re: More on the name issue
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 00:09:40 -0500
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        One flaw. The SSDI only covers with those who lived to collect
Social Security. If Vera was born c 1906 and died in 1964 she probably
would not have collected and, therefore, would not appear in the SSDI.At 12:26 PM -0500 9/26/02, Paul Stamler wrote:
>Hi folks:
>
>Just checked out the Social Security Death Index at Ancestry.com. They had
>no record of anyone named Vera W. Hall or Vera H. Ward with a Social
>Security card issued in Alabama (which, since she lived in Alabama all her
>life, would be a reasonable expectation). Nor did any of the plain Vera
>Halls or Vera Wards die in 1964, at least not in Alabama. So far, that's a
>washout, leading to the conclusion that she may not have had a Social
>Security card. (But in that case, how did she handle money that came in when
>she sang at folk festivals?)
>
>Peace,
>Paul

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Subject: Re: Name question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 10:16:18 -0400
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Ramblings - no new info.On Thu, 26 Sep 2002 12:09:20 -0500, Paul Stamler wrote:>>VERA HALL (VERA HALL WARD)
>>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.
>
>So far we have one vote on each side (I'm counting McGregory's two citations
>as a single vote). Any more data?
>
Almost all of these listing things are dirivative of each other and often
circular.  That is, they not only steal info from each other but the Other
steals back so there's no way to tell where a datum originated.  The
"Happy!" file has had the same info as above, culled from the good but
non-academic All Music Guide.  AMG also gives a "sometimes known as" for
'Vera Ward-Hall.'For that name she's a member of "the SNCC Freedom Singers" on the
commercial release of Smithsonian Folkways' 1996 Crossroads: Southern
Routes--Music of the American South. Does this name show up elsewhere?  If
not, I'd discount it.Ah!  But looking at the track listing at the actual Smith/Folkways site,
her name is given as Vera Hall Ward for "Travelin' Shoes."  I can't find
her singing that elsewhere.My primary good source, Lawless, doesn't give her.Thing is, with this much info, I can usually confirm stuff with the Social
Security death records.  Since, sadly, she didn't live long enough to
collect SS, that's out.If any wonder what the fuss is about, there are a couple of cuts of the
wonderful singer at Am Memory Collection.  This might work:
http://memory.loc.gov/cgi-bin/query/S?ammem/aasm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottlieb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstg:@FIELD(OTHER+@band(+hall,+vera+))And here's a lovely one I never heard before from The John and Ruby Lomax
1939 Southern States Recording Trip. A game song, "Candy Gal"
http://memory.loc.gov/afc/afcss39/268/2684b2.mp3Here's a tidbit: per Folklife Center News
                   American Folklife Center
                   The Library of Congress
                           Fall 1999
                     Volume XXI, Number 4
She and Dock Reed were cousins.  Didn't know that.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Recognition
From: Mary Stafford <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:15:56 -0400
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To John Cowles and Donald Duncan- yes, I am the Mary Stafford who worked in the kitchen at Cafe Yana for a time, also the Golden Vanity, and even as a pinch-hitter at Unicorn for Byron. I also had many friends at Old Joe Clark's (glad to hear it's still there) and have fond memories of rehearsing for the Woody Guthrie Cantata (or whatever it's called) there, consuming hearty rum-and-cokes to aid my voice and banish stage fright.Nowadays I am less in the folk music scene, though my love of ballads endures; however, I do English country dance when I can.Mary Stafford

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Subject: Re: Recognition
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:31:27 -0500
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<<To John Cowles and Donald Duncan- yes, I am the Mary Stafford who worked
in the kitchen at Cafe Yana for a time, also the Golden Vanity, and even as
a pinch-hitter at Unicorn for Byron. I also had many friends at Old Joe
Clark's (glad to hear it's still there) and have fond memories of rehearsing
for the Woody Guthrie Cantata (or whatever it's called) there, consuming
hearty rum-and-cokes to aid my voice and banish stage fright.>>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
drinks close up your throat. Much better: a hot toddy with lots of lemon.Peace,
Paul

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Subject: Re: Recognition
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 14:08:38 -0400
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>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
>drinks close up your throat. Much better: a hot toddy with lots of lemon.
>Peace,
>PaulI didn't know this.
So what's a good choice for a NON-alcoholic beverage to be drinking in the
several hours before a singing performance?   -What beverages help the
voice be at it's best, and which ones cause particular problems?
I recently heard that eating something before a performance (not performing
on an empty stomache, that is) goes a long way towards lessening stage
fright.....
Lisa

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Subject: Re: Recognition
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:01:24 -0700
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--- Mary Stafford <[unmask]> wrote:
> To John Cowles and Donald Duncan- yes, I am the
> Mary Stafford who worked in the kitchen at Cafe
> Yana for a time, also the Golden Vanity, and
> even as a pinch-hitter at Unicorn for Byron. I
> also had many friends at Old Joe Clark's (glad
> to hear it's still there) and have fond
> memories of rehearsing for the Woody Guthrie
> Cantata (or whatever it's called) there,
> consuming hearty rum-and-cokes to aid my voice
> and banish stage fright.
>Hi. Did you ever work at Club 47? You might be
interested to know that there is a history of
Club 47 to be published soon, written by Millie
Rahn.  I don't know the exact title.
Douglas Cooke
www.richardandmimi.com__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

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Subject: Re: Recognition
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 14:05:46 -0500
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>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
>drinks close up your throat. Much better: a hot toddy with lots of lemon.
>Peace,
>Paul<<I didn't know this.
So what's a good choice for a NON-alcoholic beverage to be drinking in the
several hours before a singing performance?   -What beverages help the
voice be at it's best, and which ones cause particular problems?>>GOOD:
7-Up or Sprite
Orange juice
Lemonade
Seltzer with a twist
White grape juice
(While singing:) Hot water, with a twist
Fresca
Most herbal teasBAD:
Colas
Mountain Dew or similar drinks (SunDrop, Squirt, etc.)
Coffee
Real tea, including iced
Red grape juice
MilkThe unifying factors: most of the good ones are citrus or citrus-related.
The first several bad ones have caffeine, which closes the throat; others
have tannin, ditto. Milk coats the throat with goo.<<I recently heard that eating something before a performance (not
performing
on an empty stomache, that is) goes a long way towards lessening stage
fright.....>>Certainly it cuts down on butterflies. You don't want to eat too much,
though, as being too full limits how much air you can take in, and it also
makes you sleepy. I eat a light, complex-carb meal, maybe just some good
bread, and don't let myself get too full.By the way, you didn't ask, but as far as alcoholic beverages are concerned:GOOD:
Vodka
Bourbon, Irish or Canadian whiskey
White wine (Aunt Jane's choice)NEUTRAL:
BeerBAD:
Scotch whisky
Red wineThe issue, again, is tannins and similar stuff, called "congeners", that
close up the throat. By the way, if you're having problems with a sore
throat or hoarseness, *don't* use alcohol! Its slight anesthetic effect may
encourage you to keep on singing when you really shouldn't, and do long-term
damage.Thanks to "Aunt Jane" Vidrine of the Magnolia Sisters for compiling this
chart, years ago. There were a few other things on it too, but I don't
remember what they were.Peace,
Paul

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Subject: Re: Recognition
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 00:29:09 -0700
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Port and brandy, but an old favourite was rum and blackcurrant.My dad used to drink raw eggs, but I think that's going over the top.
Wonder if Advocaat is any good? Can't stand the stuff.Paul Stamler wrote:
>
> >Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
> >drinks close up your throat. Much better: a hot toddy with lots of lemon.
> >Peace,
> >Paul
>
> <<I didn't know this.
> So what's a good choice for a NON-alcoholic beverage to be drinking in the
> several hours before a singing performance?   -What beverages help the
> voice be at it's best, and which ones cause particular problems?>>
>
> GOOD:
> 7-Up or Sprite
> Orange juice
> Lemonade
> Seltzer with a twist
> White grape juice
> (While singing:) Hot water, with a twist
> Fresca
> Most herbal teas
>
> BAD:
> Colas
> Mountain Dew or similar drinks (SunDrop, Squirt, etc.)
> Coffee
> Real tea, including iced
> Red grape juice
> Milk
>
> The unifying factors: most of the good ones are citrus or citrus-related.
> The first several bad ones have caffeine, which closes the throat; others
> have tannin, ditto. Milk coats the throat with goo.
>
> <<I recently heard that eating something before a performance (not
> performing
> on an empty stomache, that is) goes a long way towards lessening stage
> fright.....>>
>
> Certainly it cuts down on butterflies. You don't want to eat too much,
> though, as being too full limits how much air you can take in, and it also
> makes you sleepy. I eat a light, complex-carb meal, maybe just some good
> bread, and don't let myself get too full.
>
> By the way, you didn't ask, but as far as alcoholic beverages are concerned:
>
> GOOD:
> Vodka
> Bourbon, Irish or Canadian whiskey
> White wine (Aunt Jane's choice)
>
> NEUTRAL:
> Beer
>
> BAD:
> Scotch whisky
> Red wine
>
> The issue, again, is tannins and similar stuff, called "congeners", that
> close up the throat. By the way, if you're having problems with a sore
> throat or hoarseness, *don't* use alcohol! Its slight anesthetic effect may
> encourage you to keep on singing when you really shouldn't, and do long-term
> damage.
>
> Thanks to "Aunt Jane" Vidrine of the Magnolia Sisters for compiling this
> chart, years ago. There were a few other things on it too, but I don't
> remember what they were.
>
> Peace,
> Paul

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Subject: Re: Harker and the Folk Revival
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 00:23:22 -0700
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Jack Campin wrote:
>
> > I think I was able to show that Dave Harker's claim that the whole thing
> > was masterminded from the Party's London HQ, with members fanning out
> > across the country to infiltrate the clubs, was Cold War paranoia.
>
> Given Harker's politics (quite a long way left of the CP) "cold
> war paranoia" seems a rather strange way to describe his position.
> "Trotskyist paranoia", just possibly - though in fact what I've
> read of his book seemed reasonably sensible and well-argued.
>
> =================== <http://www.purr.demon.co.uk/jack/> ===================Hear here. The book is not a bible, but it's certainly not daft, either,
especially considering when - and possibly where - it was written. It is
undoubtedly an "uncomfortable" book, but that's because it sets us
thinking and going beyond Harker's predilection for sensational
sentences, _designed_ to make us feel uncomfortable.

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Subject: Thomas Hart Benton's "Frankie and Johnny"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 10:52:02 -0400
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It is said that Thomas Hart Benton's mural "Frankie and Johnny"
"decorates the wall of the state capital building at Jefferson City,
Missouri.  In a copy of a newspaper illustration of this painting,
Frankie stands at left center and holds a pistol in her right hand,
which she has fired at Johnny (apparently hitting him, as some
versions of the song say, in the rear end), who is to the right of
her.  I have another copy of this, a folio print, in which the scene
is reversed, Frankie holds the pistol in her left hand and Johnny is
to the left of her.Does anyone know which view corresponds to the mural?  (I've not seen it.)Could it be that the mural and the folio print represent different
works by Benton?  In comparing the two copies that I have, I think I
see several minor differences, other than reversal, but these might
be copying artifacts.Is the mural in color?  Both copies that I have are black-and-white.Thanks.
--
john garst    [unmask]

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Subject: Re: singing NYC sisters news article - access problem
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 11:45:58 -0400
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On Sun, Sep 22, 2002 at 09:08:30PM -0400, Thomas H. Stern wrote:        Sorry for the delay in responding, but I was out of town.  I
don't see that anyone else has replied, so I'll do it.> Hi -
>   I am unable to access the article using the link provided, however if I use www.
> rather than www2. I get there OK.
>   Any techies out there who can explain??  Thanks!
> (I'm on Windows 95 and Netscape Communicator 4.73)        It shouldn't make any difference.  I checked, and both names
resolve to the same system, which is actually named:        scratchy.bostonherald.comand has an IP address of: 204.137.14.50        My guess is that your first attempt ran into problems finding a
route to the system, but started the process.  The later attempt, with
the '2' left off the "www" picked up where the previous try left off,
and made it through.        Both "www" and "www2" are aliases to the actual system name, as
is common for systems acting as web servers.  My system is similarly set
up.  The benefit is that I can move the web pages to another system,
change the aliases, and things keep working for people trying to
connect.> Tom Stern.> > http://www2.bostonherald.com/entertainment/music/koss04112002.htm        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Oct 6 sunday in Altamont, New York
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Sep 2002 10:40:25 -0400
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Oct 6 sunday, in Altamont, New York (Albany area)
Oldtime music presented in the OldSongs Dutch Barn
at the Apple Festival in the Altamont Fairgrounds.
12noon-4pm
Brian Sullivan (fiddle)
Mark Schmidt (guitar)
Lisa Johnson (banjo)
(There will also be some Appalachian-style a cappella ballads sung for your
enjoyment -specializing in mayhem, treachery, love, murder & despair!)(contact Brian Sullivan for directions etc, 518-765-9310)

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Subject: Correction! Oct 6 event
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Sep 2002 10:47:37 -0400
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Ooops, not awake yet this morning!!
That would be Steve Kessler on guitar...my apologies!  :-O

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Subject: Re: Harker and the Folk Revival
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 09:05:33 -0400
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All right.  I'll jump in.  I've resisted, so far.  In the section that
covers material I know best, the only section that I checked out carefully
(on Motherwell and his  era), there are way too many errors.  I think that
Porter's piece makes a similar point, that his data just do/does not hold
up.  But if his thesis depends on his data, and his data is/are not
accurate, then where does that leave his thesis?   Too bad, as I have some
sympathy for his thesis.At 12:23 AM 9/28/2002 -0700, Andy Rouse wrote:
>Jack Campin wrote:
> >
> > > I think I was able to show that Dave Harker's claim that the whole thing
> > > was masterminded from the Party's London HQ, with members fanning out
> > > across the country to infiltrate the clubs, was Cold War paranoia.
> >
> > Given Harker's politics (quite a long way left of the CP) "cold
> > war paranoia" seems a rather strange way to describe his position.
> > "Trotskyist paranoia", just possibly - though in fact what I've
> > read of his book seemed reasonably sensible and well-argued.
> >
> > =================== <http://www.purr.demon.co.uk/jack/> ===================
>
>Hear here. The book is not a bible, but it's certainly not daft, either,
>especially considering when - and possibly where - it was written. It is
>undoubtedly an "uncomfortable" book, but that's because it sets us
>thinking and going beyond Harker's predilection for sensational
>sentences, _designed_ to make us feel uncomfortable.

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Subject: Woman looking for AFS roommate
From: "Wolz, Lyn" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 08:56:07 -0500
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Jane Keefer, retired librarian and musician/folklorist/indexer (compiler of
the Folk Music Index on the web), is looking for a female roommate or
roommates at the conference hotel for the American Folklore Society meeting
in Rochester.  She had a roommate lined up but that person just broke her
foot and is not able to attend the conference after all.  Since they had
already paid for their room, the other person will be out her money unless
someone else can join Jane.  Please contact Jane at [unmask] or
at 503-775-2846 asap.  Thanks.Lyn Wolz, Reference/Instruction Librarian
Regents Center Library
University of Kansas, Edwards Campus
[unmask]Archives and Libraries Section
American Folklore Society

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Subject: Ebay Songster List - 09/30/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 15:45:50 -0400
Content-Type:text/plain
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Hi!        Well we are back home and trying to catch up. Here is the
songster list. The main list will follow in a few days.        1565834782 - Old Uncle Ned Songster, 1870's, $24.99 (ends
Oct-01-02 19:34:00 PDT)        909633610 - 3 Civil War Era songsters (reprints?), $15 (ends
Oct-03-02 19:14:21 PDT)        1566070389 - Forget-Me-Not SONGSTER, 1840's?, $15 (ends
Oct-05-02 14:16:14 PDT)                        See you all later!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 16:20:55 -0400
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>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>birth and death dates?
>
>Peace,
>PaulJoey Brackner, Alabama Folklife Program, Alabama State Council on the
Arts (www.arts.state.al.us), consulted Joyce Cauthen on this and sent
me the following response to my enquiry.*******
It's all very confusing.  According to Joyce Cauthen, her name is Adele Vera
Hall.  She had marriages to men named Riddle?, Ward and Adair.  For some
reason, the Ward name is the only other one that she or other folks seem to
use.>From this, I think Vera Hall Ward would be more correct that Vera Ward Hall.
But I think Vera Hall is superior to both.
*******--
john garst    [unmask]

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Subject: Re: Name question
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 18:20:28 -0500
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        Know I mentioned this before. The comment in Sheldon HARRIS' book
that she is cousin to Doc[k] REED and gives as an aka Nora REED. I'm not
that familiar with REED. Perhaps his back story might help.        GOODRICH and DIXON [and RYE] cross reference to Albert "Tongue
Tied" ALLISON, Polly LARKIN, Dock REED, and the Brown Chapel Baptist Church.At 4:20 PM -0400 9/30/02, John Garst wrote:
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?
>>
>>Peace,
>>Paul
>
>Joey Brackner, Alabama Folklife Program, Alabama State Council on the
>Arts (www.arts.state.al.us), consulted Joyce Cauthen on this and sent
>me the following response to my enquiry.
>
>*******
>It's all very confusing.  According to Joyce Cauthen, her name is Adele Vera
>Hall.  She had marriages to men named Riddle?, Ward and Adair.  For some
>reason, the Ward name is the only other one that she or other folks seem to
>use.
>
>>From this, I think Vera Hall Ward would be more correct that Vera Ward Hall.
>But I think Vera Hall is superior to both.
>*******
>
>
>--
>john garst    [unmask]

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Subject: "John Henry" on NPR
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 14:52:15 -0400
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I'm told that a 5-6 minute segment on "John Henry" is scheduled to
broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
there might be a few seconds of me, stating some of the evidence for
John Henry in Alabama.  I'm also told that there will be a
corresponding WWW site set up by NPR.Brits, you might not be able to get this on direct broadcast, but I
think that the segment will be made available eventually for internet
listening.Stephen Wade is the author/producer of the program.
--
john garst    [unmask]

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Subject: "John Henry" on NPR
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 15:53:49 -0400
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>I'm told that a 5-6 minute segment on "John Henry" is scheduled to
>broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
>there might be a few seconds of me, stating some of the evidence for
>John Henry in Alabama.  I'm also told that there will be a
>corresponding WWW site set up by NPR.The WWW site is already there:
http://www.npr.org/programs/morning/features/patc/johnhenry/index.html
--
john garst    [unmask]

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Subject: Re: "John Henry" on NPR
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 13:11:40 -0700
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John, Stephen:Congratulations.  Excellent (and appropriate) programming.EdOn Sun, 1 Sep 2002, John Garst wrote:> I'm told that a 5-6 minute segment on "John Henry" is scheduled to
> broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
> there might be a few seconds of me, stating some of the evidence for
> John Henry in Alabama.  I'm also told that there will be a
> corresponding WWW site set up by NPR.
>
> Brits, you might not be able to get this on direct broadcast, but I
> think that the segment will be made available eventually for internet
> listening.
>
> Stephen Wade is the author/producer of the program.
> --
> john garst    [unmask]
>
>
>

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Subject: "Tom Dooley" parody?
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 22:26:53 -0600
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To anyone who keeps up with semi-popular versions of ballads--Somewhere in our NPR station's (KGNU's) Bluegrass LP library, I once found
an LP (1970s? 80s?) on which a semi-authentic modern group (Dillards?)
played a live parody of the Kingston Trio's "Tom Dooley," with a comical
spoken introduction mimicking the "extremely difficult" banjo figure that
opens it.* The audience was vocally amused.Naturally, I can't find it again; nor recall the group's name; nor does it
ring a bell in the formidable memories of KGNU's dedicated Bluegrassers.
-- Can any listmember supply me with a lead?All best,Michael Bell* - For anyone wondering what the joke is: The KTrio's banjo intro sounds
like the banjoist has just mastered Mel Bay Lesson One.

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Subject: Re: Greig~Duncan & The Three Butchers
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:12 -0400
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Speaking of which, I'm listening to a very nice version of "The Three
Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
Gentlemen."A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
Broadwood version - see/hearable at Lesley's
http://www.contemplator.com/folk6/butchers.html)It's odd that for all the many tunes, the texts vary very little.It also fits into two categories I track...        Ballads Child missed (possibly because he _knew_ it was a
broadside and _thought_ it was not actually in tradition)and
        Ballads with alternate endings the singer may or may not feel the
option to choose the which of while singing in order to keep us in
suspense.  In this case, whether the treacherous lady get caught or not.
We certainly _want_ her to.I've always thought of this as an English and USian ballad but
Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
1906) is that it is "an old English song."Ballad Index gives earliest date as c.1678 but no source.
C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
Collection_ but no date.
Bodley online only has earliest of 1813.So, has anyone (especially Steve or Bruce) early words to this and/or
earliest record and/or is the 1678 reference actually from Roxburghe.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig-Duncan
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:09 -0400
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On Fri, 30 Aug 2002 11:17:00 -0700, Jon Bartlett wrote:>For those of us asleep at the switch, is there any way to get this set (8 vols) complete? (I presume this is "Last Leaves" Greig).  Or the first 7?Yes, Gavin Greig.  Except that LL is compiled of Greig's stuff by
Alexander Keith after Greig's death.  A fine volume.Also a nice book of unedited reprints of his two year's worth of newspaper
articles & songs collected and submitted by the local citizenry.
Published by Folklore Associates in 1963.  Put together by Goldstein &
Arthur Argo.  The late Arthur was Greig's heir of the collection.  His
grand nephew, I think.  For decades Arthur sat on this staggering mass of
superb song seeking an editor, financer, publisher.  He'd practically stop
strangers in the street asking them...well no, not quite.  But he was
desperate that the wonderful collection - the greatest of all the great
Scottish collections - not just die.  Greig was the greatest but unknown
outside Scotland.  He knew of Child and of Child's belief that Scots
folksong was essentially dead as a living tradition.  Child didn't know of
Greig who regularly collected ballads (most of which became "Child
Ballads" -that's what LL is about - others of which Child missed...) _from
tradition_ as living, sung material.In the meantime, his collecting partner, James Duncan's family was sitting
on nearly as extensive a collection with equal frustration.Finally, the whole schmere got put together and brilliantly notated and
edited as one of the true milestones of Brit folksong/ballad publishing.
Begun by senior editor Patrick Shuldham-Shaw and after his death led by
Emily Lyle (of the School of Scottish Studies) and many other leading
scholars.  Even including Ewan.A pretty good book.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig-Duncan Volume Eight
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:14 -0400
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On Sat, 31 Aug 2002 06:22:01 -0400, Ewan McVicar wrote:>If you are impatient to see the last volume - think how Emily Lyle feels
>about it!I can barely imagine!About that index...-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:19:56 -0700
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Folks:Abby notes that "Johnson and Jinkson," despite being sung to widely
different tunes, is textually well-preserved in oral tradition.The same is true for the various versions of "Barbara Allen."  There are
four groups of text types, all telling the same story, all rather
internally consistent.  These text types are sung to as many as four
different tune types, higglety-pigglety, with no text type invariably
associated with any tune type.The explanation is simple:  The tunes traveled by oral/aural means.  The
texts were reinforced with broadsides and songster reprints.Ed

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Subject: Re: Recognition...
From: "Donald A. Duncan" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 12:28:54 -0400
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John Cowles wrote:
>
> > On Thu, 29 Aug 2002 06:52:59 CDT, [unmask] wrote:
> >
> > >BTW, are you the same John Cowles who lived in
> > >Cambridge MA in the '60s?
> >
> > _I_ lived there in '59-'60 but you don't look familiar...
> >
>
>  This is understandable! I didn't get there until 1963! While I was
> there, I sang at coffee houses, hung around Old Joe Clark's, had
> a band named "Millrace" with Neil Rossi (the fiddler), wrote a ballad
> column for a folk-song newspaper for a year or so, recorded a couple of
> songs for Peter Johnson's "Pleasant and Delightful" series, did a yearly
> 'Child Ballad Orgy' for WHRB and ran a shop on Mass Ave called
> "The C & S Talking Machine Co.", specializing in talking machines and
> folk 78's. I am new to this list (thanks to Sandy Paton for the
> introduction) and the only person I have recognized as an old aquaintance
> so far is Mary Stafford (if she is the lady who ran Cafe Yana).Well, there's me, and I was wondering the same thing as Tom - it's a
distinctive name.  Old Joe Clark's is still here, and Sandy and Milt and
I still live here.  Sandy still has the old shop as "Sandy's Music" on
Mass. Ave., and our back stairway is impassible because of Edison horns...!Peter Johnson has recently reappeared from many years of anonymity, with
a family, and is now putting on concerts again - with his peripateticity
and financial acumen seemingly unchanged.  Meanwhile, I'm president of
Old Joe's, the Folk Song Society of Greater Boston, and Indian Neck.If you contact me privately, I can fill you in on anyone else you knew
from the '70s.-Don Duncan

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Subject: Re: Greig~Duncan & The Three Butchers
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 11:27:34 -0500
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On 9/2/02, Abby Sale wrote:>Speaking of which, I'm listening to a very nice version of "The Three
>Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
>by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
>Gentlemen."
>
>A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
>Broadwood version - see/hearable at Lesley's
>http://www.contemplator.com/folk6/butchers.html)
>
>It's odd that for all the many tunes, the texts vary very little.
>
>It also fits into two categories I track...
>
>        Ballads Child missed (possibly because he _knew_ it was a
>broadside and _thought_ it was not actually in tradition)
>
>and
>        Ballads with alternate endings the singer may or may not feel the
>option to choose the which of while singing in order to keep us in
>suspense.  In this case, whether the treacherous lady get caught or not.
>We certainly _want_ her to.
>
>I've always thought of this as an English and USian ballad but
>Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
>1906) is that it is "an old English song."
>
>Ballad Index gives earliest date as c.1678 but no source.
>C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
>Collection_ but no date.
>Bodley online only has earliest of 1813.
>
>So, has anyone (especially Steve or Bruce) early words to this and/or
>earliest record and/or is the 1678 reference actually from Roxburghe.The c. 1678 citation is based on Kennedy, who cites the
Roxburghe version. And Kennedy prints a stanza, which shows
pretty clearly that it *is* the same song.FWIW, the long list of sources in Kennedy (which includes all
versions found in the Ballad Index except Laws, Copper,
MacColl, and Cazden et al) cites only Grieg from Scotland;
ditto Laws.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Ebay List - 09/02/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 15:07:42 -0400
Content-Type:text/plain
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Hi!        Here I am on Labor Day laboring over my weekly list.        SONGSTERS        2135748995 - The Battleship Maine Songster, $4.95 (ends
Sep-04-02 18:19:29 PDT)        903791171 - Eva Tanguay's Great Songster, 1895?, $3.50 (ends
Sep-08-02 19:22:42 PDT0        SONGBOOKS, ETC.        1559045173 - Mountain Ballads by Raine, 1923, $2.25 (ends
Sep-03-02 18:09:56 PDT)        1559055819 - Songs of the Soil, Sizemore, 1937, $1 (ends
Sep-03-02 18:53:33 PDT)        1559272884 - English Minstrelsie, edited by S.Baring-Gould, vol.
1, 1895, $10 w/reserve (ends Sep-04-02 18:14:34 PDT)        902963073 - The Second Book of Irish Ballads by James N. Healy,
1962, $10 (ends Sep-05-02 09:32:25 PDT)        902967739 - SONGS OF THE ISLES by Robertson, 1950, $10 (ends
Sep-05-02 09:46:01 PDT)        903197856 - Texas Folk Songs by Owens, 1950?, $4.50 (ends
Sep-05-02 17:53:54 PDT)        903202374 - Home and Hill Country Ballads, Baker, 1943, $7.90
(ends Sep-05-02 18:14:11 PDT)        1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $9.99 (ends Sep-06-02 05:41:14 PDT)        1560002665 - SONGS OF THE SOUTHLAND by Sizemore, 1947, $6 (ends
Sep-07-02 16:59:16 PDT)        903442889 - The Leadbelly Song Book, 1962, $6 (ends Sep-07-02
06:56:34 PDT)        1559973418 - Adirondack Voices by Bethke, 1994, $6.88 (ends
Sep-07-02 13:57:01 PDT0        903708974 - CAMBRIAN MINSTRELSIE(Alowon Gwalia) A National
 Collection Of Welsh Songs, 1888, vol. 3 of 6, $24.99 (ends Sep-08-02
13:56:22 PDT)        903711022 - Same as above, vol. 5 of 6, $29.95 (ends Sep-08-02
14:05:32 PDT)        1559592337 - Folksongs & Foklore of South Uist by Shaw, 1955,
14.99 GBP (ends Sep-08-02 14:42:08 PDT)        903180010 - The British Broadside Ballad and its Music by
Simpson, 1966, $30 (ends Sep-08-02 16:32:29 PDT)        1559648632 - A Folk Song Chapbook by Kingston, 1955, $7.50 (ends
Sep-08-02 17:52:57 PDT)        Hope everyone is ready for Fall! See you next week!                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 17:46:52 -0400
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Abby Sale wrote:
>
> Speaking of which, I'm listening to a very nice version of "The Three
> Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
> by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
> Gentlemen."
>
> A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
> Broadwood version - see/hearable at Lesley's
> http://www.contemplator.com/folk6/butchers.html)
>
> It's odd that for all the many tunes, the texts vary very little.
>
> It also fits into two categories I track...
>
>         Ballads Child missed (possibly because he _knew_ it was a
> broadside and _thought_ it was not actually in tradition)
>
> and
>         Ballads with alternate endings the singer may or may not feel the
> option to choose the which of while singing in order to keep us in
> suspense.  In this case, whether the treacherous lady get caught or not.
> We certainly _want_ her to.
>
> I've always thought of this as an English and USian ballad but
> Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
> 1906) is that it is "an old English song."
>
> Ballad Index gives earliest date as c.1678 but no source.
> C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
> Collection_ but no date.
> Bodley online only has earliest of 1813.
>
> So, has anyone (especially Steve or Bruce) early words to this and/or
> earliest record and/or is the 1678 reference actually from Roxburghe.
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtmlIn the broadside ballad index on my website you'll see that there
are two 17th century versions, and the author of the earliest is
known (ZN782, also cataloged by Laws' # and Roud #), and both
were reprinted by Ebsworth in 'Roxburghe Ballads'.Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Wow
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 16:31:55 -0700
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Somebody snatch this.  The starting price is incredible.        1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $9.99 (ends Sep-06-02 05:41:14 PDT)Thank you, Dolores.Ed

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Subject: Another Wow
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 16:33:52 -0700
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This is a bit more pricey, but copies don't turn up that often:        903180010 - The British Broadside Ballad and its Music by
Simpson, 1966, $30 (ends Sep-08-02 16:32:29 PDT)Again we are indebted to Dolores Nichols, mistress of ebay.Ed

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Subject: Re: Wow
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 18:14:51 -0700
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Yes, I've already spotted it and would like this very much for the VFSS
Archives.  I'm prepared to go quite high if neccesary. Jon Bartlett
----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Monday, September 02, 2002 4:31 PM
Subject: Wow> Somebody snatch this.  The starting price is incredible.
>
>         1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
> 1928, $9.99 (ends Sep-06-02 05:41:14 PDT)
>
> Thank you, Dolores.
>
> Ed
>

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Subject: E-Bay - Scrimshaw
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 21:24:07 -0400
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This isn't directly connected to ballads, but I know there are many on the list interested in nautical folklore in general.  Have a look at "Neptune's Court SCRIMSHAW Extremely Old.RARE. Item # 903734554".Cheers
Jamie

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Subject: Fwd: [mplpost] "My Little Daughters"
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 11:51:46 -0400
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Dear Ballad-eers,
Having marveled at the cumulative knowledge herein, i'm taking the liberty
of passing this along from the Canadian folk music list.  Is it familiar
to anyone?Mary Cliff, TRADITIONS
WETA Radio (Washington, DC)Hello All,I tried posting this message on Mudcat and got no response so I am trying
it
here....I am looking for information about a song known as "My Little Daughers" -
it's been sung in our family for 50 years or so. The only verse we know is:"My little daughters, my little daughters divine, my little daughters, they
are my sunshine. They're lovely and they're fair, they're the picture of my
wife, Oh, my little daughters are the sunshine of my life."Does anyone know who wrote the song, if there are any more verses, when it
dates from, etc? Thanks!Bob MacLean

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Subject: Re: [mplpost] "My Little Daughters"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 11:24:37 -0500
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----- Original Message -----
From: Mary Cliff <[unmask]><<"My little daughters, my little daughters divine, my little daughters,
they
are my sunshine. They're lovely and they're fair, they're the picture of my
wife, Oh, my little daughters are the sunshine of my life."Does anyone know who wrote the song, if there are any more verses, when it
dates from, etc? Thanks!>>A negative result: I searched the Harry Fox Agency's songlist under "LITTLE
DAUGHTER", but came up with nothing plausible. (Their software looks at
variant spellings, so "daughter" should find "daughters".)To the original questioner: Is it possible that someone in your family wrote
the song?Peace,
Paul

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Subject: Greig-Duncan v. 8 (and other volumes)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 12:31:40 -0400
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Here's the latest I have on volume 8 of the Greig-Duncan Collection:Mercat (the publisher) states that it will be available at the end of
this month. This should be considered to be encouraging, but not yet a
cause for unrestrained joy (been there; done that.) CAMSCO will be able
to dwliver it at a discount (most likely 25%), but costs (including
shipping) are not clearly defined as yet.Unicorn (in Scotland is advertising the collection for $75 (US) per
volume plus $2.50 plus adctual postage--I will be able to come in  below
that figure by a considerable margin.dick greenhaus

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Subject: Re: Greig-Duncan, Vol. 8
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 16:16:11 -0400
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I've learned that Volume 8 is going to the printers this week and should
be out within the next couple of months.Aw-right!-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Sep 2002 07:35:24 -0400
Content-Type:text/plain
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On Mon, 2 Sep 2002 17:46:52 -0400, Bruce Olson wrote:>Abby Sale wrote:
>>
>> Speaking of which, I'm listening to a very nice version of "The Three
>> Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
>
>In the broadside ballad index on my website you'll see that there
>are two 17th century versions, and the author of the earliest is
>known (ZN782, also cataloged by Laws' # and Roud #), and both
>were reprinted by Ebsworth in 'Roxburghe Ballads'.
>
Thanks, Bruce, for the info.  I'm still some confused, though.  I last
downloaded your index in July so I may be out of date.  I find the two
refs but not any dates associated with them.  Neither on the songs nor on
the source refs.  Although I may be missing the source - one day I'll
_have_ to read the instructions...I was also hoping to find an earliest known text.  From your first lines
it doesn't seem to be any I've seen yet - Bodley, etc.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Sep 2002 09:32:39 -0400
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Abby Sale wrote:
-- -
>                   I am Abby Sale - in Orlando, FloridaThe dates are not in my entries unless they're given in the source.
My dating, outside of what's in the source, is given in the headnotes on
printers.At ZN782 in my broadside ballad index you'll see RB7 59, meaning
that it's printed in vol. 7 of 'Roxburghe Ballads' p. 59 (When
all else fails, read the instructions.) The CR 317 means there's
another copy, #317, in the  Crawford collection (now on loan to
NLS), but it's not been reprinted (see headnote of sources near
the beginning of file, for where they are, and if they've been
reprinted, and where). P. Brooksby, one can see from my headnote on
printers, printed broadside ballads from the West Smithfield
address from 1672 to 1684 (when his address changes to
Pye-Corner). (Forget that old c 1678 date, that's from 19th
century bibliography.) The ballad is by Paul Burges, a most
unfamiliar name.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Sep 2002 00:20:20 -0400
Content-Type:text/plain
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>
> Abby Sale wrote:
> -- -
> >                   I am Abby Sale - in Orlando, Florida
>
> The dates are not in my entries unless they're given in the source.
> My dating, outside of what's in the source, is given in the headnotes on
> printers.
>
> At ZN782 in my broadside ballad index you'll see RB7 59, meaning
> that it's printed in vol. 7 of 'Roxburghe Ballads' p. 59 (When
> all else fails, read the instructions.) The CR 317 means there's
> another copy, #317, in the  Crawford collection (now on loan to
> NLS), but it's not been reprinted (see headnote of sources near
> the beginning of file, for where they are, and if they've been
> reprinted, and where). P. Brooksby, one can see from my headnote on
> printers, printed broadside ballads from the West Smithfield
> address from 1672 to 1684 (when his address changes to
> Pye-Corner). (Forget that old c 1678 date, that's from 19th
> century bibliography.) The ballad is by Paul Burges, a most
> unfamiliar name.
>
> Bruce Olson
> -Paul Burgis also wrote another broadside ballad, ZN2238 in my broadside
ballad index, and that was printed by P. Brooksby from his Pye
Corner address. Assuming that his two ballads were written only a
few years apart, then the "Two Butchers" one isn't much earlier
than 1684.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Greig-Duncan
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Sep 2002 10:38:45 -0400
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The latest I've been able to find on the Greig-Duncan Collection is as
follows:    Volume 8 is expected by October 1, 2002
    CAMSCO Music will be able to offer them for $42 (US) plus
shipping.    It seems likely, according to Mercat Press, that there will
be a substaintial discount for ordering the entire eight-volume set. My
best estimate for CAMSCO's price on the set is $270 (US) plus shipping.
    Shipping costs aren't available as yet; media rates should keep them
pretty low, though. For comparison's sake, Barnes & Noble and Amazon are
charging about $60 per volume; Unicorn sells them for $75 per.    If anyone wishes, I can take orders now. Credit cards are fine
(Master, VISA, Discover), and I don't enter the tranaction until the day
I ship. The most secure way to send me a credit card number is by phone:
800/548-FOLK (or 3655)--You can E-mail me the information, but it's
probably best to split the number between two E-mails ([unmask]).

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Subject: Ebay List (Songsters) - 09/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Sep 2002 13:07:59 -0400
Content-Type:text/plain
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Hi!        There are enough songsters to justify a separate posting this
week.        2138641034 - The Grant Songster. A Collection of Campaign
Songs, for 1868, $60 (ends Sep-08-02 08:41:10 PDT)        1560372311 - The Bunker Hill Songster, 1850's?, $39.99 (ends
Sep-09-02 06:59:26 PDT)        903955957 - The Banquet of Thalia,or the Fashionable Songsters
Pocket Memorial, 1790, $20.50 (ends Sep-09-02 15:33:00 PDT)        1560770872 - HARRY J. DANIELS LATEST SONGSTER, date unknown,
$9.99 (ends Sep-10-02 19:38:55 PDT)        904730213 - The Popular Songster, 1869, $24.95 (ends Sep-11-02
12:37:43 PDT)        904849979 - FRANKLIN SQUARE SONG COLLECTION, 1891, $9.99 (ends
Sep-11-02 17:13:24 PDT)        The main book list will follow later this afternoon.                                        Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Ebay List (Songbooks, etc.) - 09/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Sep 2002 14:46:23 -0400
Content-Type:text/plain
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Hi!        Here is the main list. :-)        1560277506 - Ozark Folk Songs, 4 volumes, 1946-1950, $51.05
(ends Sep-08-02 18:47:29 PDT)        903827938 - Slim Irvine the Lonely Cowboy presents a book of
songs old and new from Radio Success. CHWC Regina, 1932, $4.99 (ends
Sep-08-02 22:35:56 PDT)        1560407946 - SONGS I SANG ON AN IOWA FARM by Cromwell. Collected
by Eleanor T. Rogers, 1958, $3.45 (ends Sep-09-02 10:25:03 PDT)        1560408645 - Lot of 7 books on Irish folk music and song, $5.51
(ends Sep-09-02 10:28:07 PDT)        903941185 - Reliques of Ancient English Poetry, Percy, 1847
printing, 3 volumes, $50 (ends Sep-09-02 14:08:42 PDT)
        also 1560751388 - volume 1 only, $2.50 w/reserve (ends Sep-10-02
18:36:09 PDT)        2137469225 - Carson Robison Song Book, Mountain Ballads and Old
Time Songs, 1930, $9.95 (ends Sep-09-02 19:16:54 PDT)        904432915 - 2 songbooks, george b german hamlins cowboy
balladeer, 1937, $9.99 (ends Sep-11-02 05:10:56 PDT)        904251537 - HISPANIC FOLK SONGS of NEW MEXICO by Robb, 1962
reprint, $5 (ends Sep-10-02 19:48:00 PDT)        904254190 - FIVE VIRGINIAN FOLK SONGS by Powell, 1938, $9.50
(ends Sep-10-02 19:59:38 PDT)        904275995 - THE BALLAD BOOK OF JOHN JACOB NILES, 1961, $14.99
(ends Sep-10-02 21:52:32 PDT)        1560966988 - Ballads Of The Great West by Austin and Alta Fife,
1970, $5 (ends Sep-11-02 06:08:41 PDT)        1561005430 - Treasury of American Ballads by Kennedy, 1954, $1
(ends Sep-11-02 07:27:05 PDT)        1561257696 - ENGLISH FOLK SONGS FROM THE SOUTHERN APPALACHIANS,
Sharp, volume 2, 1952 edition, $21.55 w/reserve (ends Sep-11-02 13:09:49
PDT)        904835473 - The Rebel Songster, Wellman, 1959, $9.99 (ends
Sep-11-02 15:54:09 PDT)        1560381980 - AMERICAN WAR BALLADS edited by Eggleston, 1889,
$29.99 (ends Sep-12-02 08:05:52 PDT)        905019588 - SONGS OF THE ISLES, Robertson, 1950, $10 (ends
Sep-12-02 12:01:19 PDT)        1561577443 - A BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC by
Sonneck, 1945, $9.95 (ends Sep-12-02 14:20:02 PDT)        1561661859 - Merry Muses of Caledonia, Burns, 1964 printing,
$4.99 (ends Sep-12-02 20:39:06 PDT)        904080210 - The History of American Folk Song by Ames, 1955,
$9.99 (ends Sep-13-02 07:45:49 PDT)        904393294 - The English Folksinger, paperback, 1979, 1.99 GBP
(ends Sep-14-02 03:34:48 PDT)        1561497946 - The Ballad In Literature by Henderson, 1912, $6
(ends Sep-15-02 10:18:49 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Sep 2002 10:51:24 -0400
Content-Type:text/plain
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Hello,
I am just wondering if there are any ballad singers or scholars in my area
that I could communicate with or perhaps get together on occasion and
exchange some songs or compare notes.
My own main interest is  a cappella Appalachian ballads.  I also play
oldtime clawhammer banjo (mostly accompanying early American fiddle tunes
of Kentucky, WV, etc.).
I live in northern Columbia County in New York state, -about 45 minutes
southeast of Albany.  My email is:  [unmask]
Thank you!
Lisa

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Subject: Re: Greig-Duncan
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 07:29:19 -0400
Content-Type:text/plain
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On Fri, 6 Sep 2002 10:38:45 -0400, dick greenhaus wrote:>Volume 8 is expected by October 1, 2002
>    CAMSCO Music will be able to offer them for $42 (US) plus
>shipping.Sounds good to me.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 07:29:20 -0400
Content-Type:text/plain
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text/plain(23 lines)


On Sun, 8 Sep 2002 10:51:24 -0400, Lisa - S. H. wrote:>I am just wondering if there are any ballad singers or scholars in my area
>that I could communicate with or perhaps get together on occasion and
>exchange some songs or compare notes.
>My own main interest is  a cappella Appalachian ballads.>I live in northern Columbia County in New York state, -about 45 minutes
>southeast of Albany.No, but it would be good to meet you, anyway.
How far is that from Marlboro VT?  We know someone there.Also, is John Roberts in Albany?I keep asking the same about the Raleigh/Durham/Chapel Hill area where
you'd _think_ there'd be many but ain't.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 08:15:22 -0400
Content-Type:text/plain
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>No, but it would be good to meet you, anyway.
>How far is that from Marlboro VT?  We know someone there.
>Also, is John Roberts in Albany?
>                   I am Abby Sale - in Orlando, FloridaMarlboro VT is about 2 hours drive from me.  Does your friend sing a
cappella Appalachian style ballads?
If you mean the John Roberts who is a member of Nowell Sing We Clear, well
they perform in the Albany area but I don't know where he lives.  I have
enjoyed hearing them perform at OldSongs concerts.  I have never heard them
do Appalachian style ballads, though  -does he do that in particular?
Thank you for your helpful comments, Abby.
Lisa

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Subject: Vietnam Songbook
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 13:18:09 -0700
Content-Type:text/plain
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I hope this question isn't inappropriate--I'm looking for The Vietnam Songbook, edited by
Barbara Dane and Irwin Silber, 1969. I've checked
ebay, addall.com, amazon z-shops, etc.  I need it
in a hurry!! Anybody want to sell one?Douglas Cooke__________________________________________________
Do you Yahoo!?
Yahoo! News - Today's headlines
http://news.yahoo.com

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Subject: Ebay List (Songbooks, etc.) - 09/12/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 17:03:06 -0400
Content-Type:text/plain
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Hi!        Here is the main list for this week. The songster list will
follow either later today or tomorrow.        This may be the last large list for a couple of weeks. Don and I
are going out of town on family business. During that time, we will have
little, if any, computer access. I will try to post a short supplement
just before we leave. Then, you are on your own until we return and
catch up on everything.        1561784554 - Pissing in the Snow by Randolph, 1977 hardback
printing, $5.99 (ends Sep-13-02 16:00:41 PDT)        1561822049 - SCOTTISH AND BORDER BATTLES AND BALLADS by Brander,
1983, $5 (ends Sep-13-02 19:39:13 PDT)        1561992410 - Broadside Ballads of the Restoration Period, 1930,
$20 (ends Sep-14-02 18:50:09 PDT)        905486339 - Popular Music of the Olden Time by Chappell, 2
volumes, 1965 Dover edition, $16.50 (ends Sep-14-02 20:36:04 PDT)        1562079858 - 4 paperback books of Irish songs, 1960's, 1.99 GBP
(ends Sep-15-02 07:59:14 PDT)        905564560 - 3 books of cowboy songs, 1930's, $4.95 (ends
Sep-15-02 10:14:57 PDT)        1562190207 - The Country Dance Book by Sharp, one of his dance
collections not songs but uncommon, 1927, 4 GBP (ends Sep-15-02 15:28:48
PDT)        1562205209 - Old Time Ballads, 1879, $9.95 (ends Sep-15-02
16:48:44 PDT)        1562220311 - The Border Ballads by Reed, 1973, $9.50 (ends
Sep-15-02 17:49:44 PDT)        905823135 - ECHOES OF AFRICA IN FOLK SONGS OF THE AMERICAS by
Landeck, 1971, $6.50 (ends Sep-16-02 11:13:57 PDT)        1562387276 - Ancient Ballads Traditionally sung in New England
from the Flanders Ballad Collection, volume 4 only, 1965, $15 (ends
Sep-16-02 11:40:29 PDT)        1562436613 - THE SERBIAN EPIC BALLADS: AN ANTHOLOGY by Locke,
$19.99 (ends Sep-16-02 15:57:01 PDT)        905920104 - Folksongs of Britain and Ireland edited by Kennedy,
$3 (ends Sep-16-02 19:06:22 PDT)        906209205 - Alabama Sings, 1959, $9.99 (ends Sep-18-02 08:43:28
PDT)        1562788280 - Ballads and Lyrical Pieces by Scott, 1807 American
edition, $37.50 (ends Sep-18-02 10:09:07 PDT)        1562200360 - The German Ballad Book by Simonson, 1865, $49.99
(ends Sep-18-02 16:23:08 PDT)        1562594158 - National Ballad & Song: Merry Songs and Ballads
Prior to the Year 1800 A.D by Farms, 5 volume set, 1897, $32 (ends
Sep-20-02 11:33:57 PDT) This set is attracting lots bids. The price is
rising quickly.                                That's it for now.
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Vietnam Songbook
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 18:56:22 -0500
Content-Type:text/plain
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Go to www.bookfinder.com. It has links to other book
lists. Good hunting  --  Tom> From: Douglas Cooke <[unmask]>
> Date: 2002/09/12 Thu PM 03:18:09 CDT
> To: [unmask]
> Subject: Vietnam Songbook
>
> I hope this question isn't inappropriate--
>
> I'm looking for The Vietnam Songbook, edited by
> Barbara Dane and Irwin Silber, 1969. I've checked
> ebay, addall.com, amazon z-shops, etc.  I need it
> in a hurry!! Anybody want to sell one?
>
> Douglas Cooke
>
>
___________________________________________
_______
> Do you Yahoo!?
> Yahoo! News - Today's headlines
> http://news.yahoo.com
>Tom Hall  --  Master Wordworker
and Intellecttual Handyman

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Subject: Re: Vietnam Songbook
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 23:10:06 -0400
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Try contacting Barbara Dane, she may be able to supply one or know of a
source.
http://www.barbaradane.net/
[unmask]
Best wishes, Tom Stern.Douglas Cooke wrote:> I hope this question isn't inappropriate--
>
> I'm looking for The Vietnam Songbook, edited by
> Barbara Dane and Irwin Silber, 1969. I've checked
> ebay, addall.com, amazon z-shops, etc.  I need it
> in a hurry!! Anybody want to sell one?
>
> Douglas Cooke
>
> __________________________________________________
> Do you Yahoo!?
> Yahoo! News - Today's headlines
> http://news.yahoo.com

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Subject: Re: Vietnam Songbook
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 02:36:05 -0500
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Douglas Cooke asked:<<I hope this question isn't inappropriate--I'm looking for The Vietnam Songbook, edited by
Barbara Dane and Irwin Silber, 1969. I've checked
ebay, addall.com, amazon z-shops, etc.  I need it
in a hurry!! Anybody want to sell one?>>In case not, is there any chance you could get it by interlibrary loan?Peace,
Paul

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Subject: FWD: staff opening at American Folklife Center
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 12:50:54 -0400
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>We'd like everyone to know that a new position has been posted here at the
>American Folklife Center.  It's a "supervisory librarian" position for the
>person who will serve as the head of the Center's Archive of Folk Culture.
>It's a GS-14 position with a salary range of $78,265-$101,742.  The
>application period closes on September 30.
>
>The announcement number of this position is 020206.
>
>For a detailed description of the position and instructions for applying
>online, go to http://www.loc.gov/hr/employment/
>Select "current job vacancies, and then select "Vacancy #020206."
>
>David Taylor
>American Folklife Center
>Library of Congress
>

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Subject: A Minor Landmark Gone....
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 12:02:44 -0500
Content-Type:text/plain
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I'm a little late to report this, but I didn't really think
about it until now.The Stillwater Jail, in which Cole Younger was imprisoned
after the botched Northfield Bank Robbery, burned down a
bit over a week ago. It's no longer a prison, but the
Minnesota State Prison still occupies a site a very short
distance away.The old buildings were being preserved as a historic
site.The cause of the fire, perhaps ironically, was arson.
The perpetrators are in custody, but if anyone knows
why they did it, it hasn't reached the newspapers.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: EBay List (Songsters) - 09/13/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 18:27:51 -0400
Content-Type:text/plain
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Hi!        Happy Friday the 13th! :-)        2139600662 - HANCOCK & ENGLISH CAMPAIGN SONGSTER, 1880, $25
(ends Sep-15-02 13:21:28 PDT)        905647810 - "Williams' Colored Singers: The World's Greatest
Harmonizing Octette" song book, 1921?, $4 (ends Sep-15-02 16:14:51 PDT)        2139701627 - SIX MILITARY AND PATRIOTIC ILLUSTRATED SONGS,
Series 1, 1862 approx., $200 (ends Sep-15-02 17:27:37 PDT)        2139959819 - West Bend News (Washington County, Wisconsin)
Songster, 1940's, $5 (ends Sep-16-02 11:28:31 PDT)        2100090920 - LOOKOUT MOUNTAIN NO. 2 SONGSTER, Date Unknown,
$3.99 (ends Sep-16-02 18:28:39 PDT)        2100434050 - The Zion Songster, 1854, $9.99 (ends Sep-17-02
19:24:02 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Vietnam Songbook
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Sep 2002 09:32:00 -0400
Content-Type:text/plain
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On Thu, 12 Sep 2002 13:18:09 -0700, Douglas Cooke wrote:>I hope this question isn't inappropriate--
>
>I'm looking for The Vietnam Songbook, edited by
>Barbara Dane and Irwin Silber, 1969. I've checked
>ebay, addall.com, amazon z-shops, etc.  I need it
>in a hurry!! Anybody want to sell one?
>
I won't sell you mine but if there's that much urgency and you're only
desperate for a couple of songs, I'd be happy to fax them to you.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Sep 2002 09:31:51 -0400
Content-Type:text/plain
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On Tue, 10 Sep 2002 08:15:22 -0400, Lisa - S. H. wrote:>>No, but it would be good to meet you, anyway.
>>How far is that from Marlboro VT?  We know someone there.
>>Also, is John Roberts in Albany?
>>                   I am Abby Sale - in Orlando, Florida
>
>Marlboro VT is about 2 hours drive from me.  Does your friend sing a
>cappella Appalachian style ballads?Sorry.  I wasn't trying to be cute.  Both people I had in mind are members
of this group and I was trying to let them speak for them selves.Margaret MacArthur centers in Marlboro VT.  Her web page is
http://www.margaretmacarthur.com.  She doesn't do Appalachian style in the
sense of twang or "high lonesome" but does do many full, excellent texts
of old ballads of similar Scots/English sources to Appalachia.  She sings
them either a cappella or with very simple accompaniment so the texts are
not diminished.  She is good people and one of my favorite singers.I am wildly impressed with what she has recorded and that she has given us
(me, anyway) back the Flanders material.  For decades I've concentrated on
Scots balladry and the relatively few complete Appalachian texts (lots of
frags) and never knew of the superb material available in New England.>If you mean the John Roberts who is a member of Nowell Sing We Clear, well
>they perform in the Albany area but I don't know where he lives.  I have
>enjoyed hearing them perform at OldSongs concerts.  I have never heard them
>do Appalachian style ballads, though  -does he do that in particular?Well, now I'm not sure what you mean by "Appalachian style ballads."  John
does lots of English rural stuff but also many old ballads simply and
cleanly and also with nice vocal ornamentation.  He never lets
instrumentation steal the story or the song.  I was thinking he's local
there because his ISP is @[unmask]  His record company seems to be
Golden Hind Music in Schenectady.  He has a considerable repertoire I've
only heard a bit of (which).-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Supplemental Ebay List - 09/16/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 01:06:47 -0400
Content-Type:text/plain
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Hi!        Here is my good-by for a couple of weeks.        1562916020 - SOUNDS OF THE SOUTH, edited by Patterson, 1991,
$9.99 (ends Sep-18-02 20:30:06 PDT)        713543625 - MY FAVORITE OLD TIME SONGS AND MOUNTAIN BALLADS by
Bradley Kincaid, 1931, $9.99 (ends Sep-19-02 18:30:08 PDT)        1563278074 - Mormon Songs from the Rocky Mountains, edited by
Cheney, 1968, $9.99 (ends Sep-20-02 15:58:56 PDT)        906733503 - FOLK SONGS & BALLADS OF LANCASHIRE by Boardman,
1973, $2.99 (ends Sep-20-02 19:28:24 PDT)        1563457892 - Spanish Traditional Ballads from Aragon by Michele
S. De Cruz-Saenz, 1995, $4.99 (ends Sep-21-02 14:15:41 PDT)        906925265 - The Scottish Songs by Chambers, volume 2 only, 1829,
$12 (ends Sep-21-02 20:32:47 PDT)        907003535 - The English and Scottish POPULAR BALLADS by Child,
volumes 3 & 4 bound in one book, 1962 printing, $35 (ends Sep-22-02
09:35:16 PDT)        906736620 - ANN JUDY And ZEKE Hillbilly SONGBOOK, 1934, $8.99
(ends Sep-23-02 19:51:36 PDT)        This is not a book but may be of interest.        906690926 - 1866 photograph of Francis J. Child, $8.66 (ends
Sep-23-02 14:51:06 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Supplemental Ebay List - 09/16/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 02:34:11 -0500
Content-Type:text/plain
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----- Original Message -----
From: Dolores Nichols <[unmask]><<906736620 - ANN JUDY And ZEKE Hillbilly SONGBOOK, 1934, $8.99
(ends Sep-23-02 19:51:36 PDT)>>I'm bidding on this. I *might* bid on the Bradley Kincaid, but haven't
decided yet; if someone wants it, jump in.Peace,
Paul

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Subject: Greek Mode Domain
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 16:43:35 -0400
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This newsgroup now contains some more excellent music theoreticians
than when I perviously gave up on the subject here, so I try again.If there's anyone here interested in music theory, I would
like some feedback and/or criticism on a file I just added to my
website. It' GREEKMOD.TXT, and gives a table of 'Greek' based
modes based on a reversal of the usual procedure of deriving
normal hexatonic tunes from the seven 7-note 'Greek modes',
and the normal pentatonics from the hexatonics. For a mode with
a given number of notes the semitone sequences are just cyclic
permutations of a fixed series, and it's relatively easy to fill in
gaps, so one can start with the  2-note scale (ss= semitone
sequence, sum = 12), with ss = 75 (and it's permutation = 57), and go
upwards to modes with a larger number of notes. (I actually had to work
down from pentatonic to get the right starting semitone sequence here.)          ss
          75      C_______G____
          57      C_____F______
  Add to get      C_____F_G____ (Pathagoras loved this one)
               ss =  5   2  5Now the semitone sequence for our 3-note scale is 525, and the
other 2 semitone sequences in the series are 255 and 552. From
the semitone sequence we can determine mode# (explained in file
CODEMTHD.TXT on my website), and lets preceed the semitone
sequences by these to get for them:   66|255     C_D____G____
  528|552    C____F____BbNow mode numbers differ by 2^n (2 to the nth power) when a mode
differs from another by only having one more note, all other
notes in the two modes being the same, so we go up 1 note
(to the right), and up or, down, one. We find out mode#
differences that that 528|552 can't be the top one and 66|552
can't be the bottom one, so we must have the 3 3-note modes in
the order 66, 80, and 528, and our mode number differences work
for the arrangement, and we have:   2-note            derived 3-note
                         66|255   C_D____G____
   64|75   C_______G____
                         80|525   C_____F_G____
   16|57   C_____F______
                        528|552   C____F____BbThis can be repeated as often as necessary, and takes one through
the normal 'Greek' modes of 5, 6, and 7 notes, but there's no
need to stop there, and in the file on my website it goes on to
the 12-note scale with the monotonous semitone sequence
111111111111. (They all start looking alike after about 8 1's in
the semitone sequence.) ABC B324, mode# 2047, on my website is in
this 12-note scale this, and one can get to it via other observed
'Greek' based modes, starting from dorian or aeolian, but that's
not the likeliest way to get there. There is a much more likely path
through much more common non-'Greek' modes to it. See in the file.Another interesting path is that to the most common 10-note mode,
(which doesn't go to an 11-note mode that I've seen), 2038 (11
tunes), which comes from the most common 9-note mode, 2006 (melodic
minor, 114 tunes), which comes from the second most common 8-note
tune, #1750 (av7, 168 tunes), which comes from a common 7-note tune,
#1622 (aeolian with 7th both natural and flat, 6th missing, 63 tunes)
and finally connects with the 'Greek' based hexatonic dorian/aeolian,
#598, with 288 tunes. The numbers of tunes in these modes are much
larger than average for modes of the same number of notes. The mode#
differences here can be seen to be always 2^n between an pair- 2038 -
2006 - 1750 - 1622 - 598, which is a great help when trying to trace
paths of modes. (Mode numbers and semitone sequences of 181 modes can be
seen in my file COMBCOD3.TXT with the search and display program
CODEDSP6.EXE on my website.)There are 66 total 'Greek' based modes of all numbers, 2-12,
unless you want to count the keynote as a 1-note scale, then
there are 67.Thanks for your time, all of you (if anyone) got this far.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A href="http://www.erols.com/olsonw">
Click </a>

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Subject: Re: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Sep 2002 21:18:23 -0400
Content-Type:text/plain
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At 09:31 AM 9/14/02 -0400, you wrote:
>Well, now I'm not sure what you mean by "Appalachian style ballads."  John
>does lots of English rural stuff but also many old ballads simply and
>cleanly and also with nice vocal ornamentation.  He never lets
>instrumentation steal the story or the song.  I was thinking he's local
>there because his ISP is @[unmask]  His record company seems to be
>Golden Hind Music in Schenectady.  He has a considerable repertoire I've
>only heard a bit of (which).
>-- -I am Abby Sale - in Orlando, FloridaThank you Abby     ;)
I did some browsing on the Golden Hind site ("hindsite"?)  and am going to
buy their "Dark Ships in the Forest" recording, which seems to have quite a
few ballads that I am particularly fond of on it.
-Off to examine my twang and play my merrywang.......
Lisa

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Subject: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 13:37:16 -0400
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I've modified the file MODETABL.TXT on my website to include for
all tune modes I've found: 1- shorthand mode description, 2-
notes in mode (which mode# doesn't give without calculation,
sometimes awkward), 3- mode#, 4- semitone sequence, and 5- # of
observed tunes in the mode.There are 6601 tunes in the data file, COMBCOD3.TXT, but these
include variants, but not duplicates of the same score from
different sources,  so there are less than 6601 totally different
tunes. The modes included in the file are those I've observed
(and coded in file COMBCOD3.TXT) plus locrian, but doesn't
include the unobserved modes listed in my file on 'Greek' modes.
A printout of this summary file would be slghtly less than 4
pages. The file is ASCII in double quotes + ASCII numerical,
so should be readable by most database systems, (after stripping
off the one-line header) and of course you can just read it and
do searches with a word processor. I'e also added a captial G to
the mode description for those modes that are from the 'Greek'
mode domain as I've derived it in file GREEKMOD.TXT.The ABC player and coder program, and the code display program,
have been modified to accept the expanded format of MODETABL.TXT.
Coding is done on all but grace notes. They are in the player
part, but after giving back their time to the main notes they
borrowed it from (timing to find stressed notes is thrown off if
one doesn't do this), they are ignored in the optional coding,
and display of frequency (in octaves), versus time part of the
program. Horizontal display is in measures, so one can compare,
say 4/4 and 6/8 versions of the same tune. A good tune to look at
here are J. Oswald's 4/4 and 6/8 gigga versions of "Saint
Patrick's Day [in the Morning]" in 'The Caledonian Pocket
Companion". The first half of the 2 timings are practically the
same, although casual listening wouldn't suggest this, to me at
any rate. [You're not stuck with this. You can select new x and y
origins and change their scale factors to please.]Programing attempts to exclude counting short notes in unstressed
positions proved to be too much for my meagre programing skills,
so all notes except grace notes are included in the note count
given by the program. Also, all repeats are included, so if the
counted (8) stressed notes aren't done before a repeat (very
rare), the last few notes are done over starting 1st measure
after the repeat. The program doesn't skip over the repeat and
continue on the next phrase.Here are some Child ballad tunes, #1, that you can play and
encode (stressed note and mode) and plot frequency verrses time on
with the player-coder program.X:1
T:Untitled from Pills to Purge Melancholy
S:Bronson, TTCB, C1-1
N:described conditionally as dorian [#854] minus the 7th [The
N:missing 7th makes it d-7 (#342), a common non-'Greek' mode.
N:keynote is 4th most common of 6 notes here.]
Q:1/4=120
L:1/8
M:3/4
K:Gdor
A BA|GG AB cB|\
L:1/8
M:2/4
A2 Bc|
L:1/8
M:3/4
d2 dd d/e/ d/c/|d2zd dc|B2 d2 cB|
L:1/8
M:2/4
A2 GA|\
L:1/8
M:3/4
AB AG AB|G2z|]X:2
T:Untitled from O'Keefe' Highland Reel, c 1788
S:Bronson, TTCB, C1-2
Q:1/4=120
L:1/8
M:3/4
K:G
D DD|G2 E3/2G/2 F3/2A/2|D2 z A AA|c2BA G3/2B/2|d2z2B2|\
d3/2B/2G2E3/2G/2|F3/2A/2 D2z2|G2B3/2G/2 E3/2C/2|\
D2d3/2c/2 B3/2A/2|G3|]X:3
T:There was a Lady in the West
S:Bronson, TTCB, C1-3
N:described as inflected 4th [so mode# = 1402
N:but that and C# are short unaccented notes not to be counted,
N:so mode# 1114, c-6, a very common non-'Greek' hexatonic]
Q:1/4=120
L:1/8
M:6/8
K:G
D|D2GG2A/B/|c2BA2B/c/|d e/d/ d/^c/d2 B|c2BB2G|\
B3/2A/2 G F3|G3B2A|G/(D/ D3/2) z z2 z|G3B2c|\
d/(B/ B3/2) z/2 c/(A/ A3/2) z/2|G3z2|]X:4
T:[The Three Sisters]
S:Bronson, TTCB, C1-4
Q:1/4=120
L:1/8
M:6/8
K:G
G|G2DG2A|c2BA3|GGD GAB|c2BA2 A|AAB c2A|d2G FED|\
G2A Bdc|BcAG2|]X:5
T:The Devil's Nine Questions
S:Bronson, TTCB, C1-5
N:pi1 pentatonic [Mode# 330, scored as ionian]
Q:1/4=120
L:1/4
M:4/4
K:G
D|GAB/B/G|EGD3/2G/|B3/2B/BA|Bdze|dBGB|GEDE/G/|G3/2G/ED|E2G|]X:6
T:The Devil's Nine Questions
S:Bronson, TTCB, C1-6
N:pi1 pentatonic [Mode# 330, scored as ionian]
Q:1/4=120
L:1/4
M:4/4
K:G
D|GGG/G/G|E/E3/2 DB|d3/2d/dA|Bd2d|edBG|A/G3/2EG|AB/B/DD|EG2|]X:7
T:The Three Riddles
S:Bronson, TTCB, C1-7
Q:1/4=120
L:1/8
M:3/4
K:G
E|A3/2A/ d3 B|A3/2A/ F2zc|c3A A3/2A/|A3z zA|Bce3c|\
B3/2B/G2zc|c3G G3/2G/|G3zz|]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 14:02:52 -0400
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Bruce Olson wrote:
>On music from ABCs I forgot to add that there are very good
selections of ABCs on two of our list member's websites, Jack
Campin's and Nigel Gatherer's. Jack has done ABCs for all 200 tunes in
vol. 1 of Aird's 'Airs' which includes the earliest known printing of
"Yankee Doodle". He has also encoded some other rare sources.
Nigel has encoded about 450 ABCs from early Scots sources. Jack also
has file giving a treatment of tune modality with examples as ABCs.
[There are also about 850 ABCs on my website, the broadside ballad ones
having been recently corrected. If you don't have their website
addresses handy, you can click on them from my home page.]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: More Modes
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 19:15:17 -0400
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I'm beginning to think there's no real theory for non-'Greek'
domain names. There are probably just semi-accidental branches
off of the 'Greek' domain chain, accidents that work out very
well.There are only 2 possibilities to get to harmonic minor by adding
just one note at a time to a lower order mode, and we have to go
back to a 4-note scale to do it. Note that all modes in the chain
below are observed (barely at the start), so this isn't just
theoretical. [I've observed less than 9% of the total number of possible
modes. Most don't seem to lead to music.]scheme- n|m, n = mode #, m = # of tunes in my COMBCOD3.TXT file
        :i, is the semitone sequence.Route to harmonic minor, mode #1238, and beyond
scale notes:
     4              5              6               7
 2325:
 82|1                                            harmonic minor
 A_B__D_E____
               \ A_BC_D_E____ ->  A_BC_D_EF___ -> A_BC_D_EF__G#
 A__C_D_E____  /  86|12            214|18          1238|21
G-84|1           :21225           :212214         :2122131
 :3225        8                    9                 10
-> A_BC_D_EF_GG#   ->    A_BC_D_EFF#GG#  -> A_BC_DEbEFF#GG# <-END   1750|168               2006|114          2038|11
   21221211:             212211111          2121111111other 9s from #1750
 1751:1
 1758:7
 1782:3
other 10s from #2006
 2007|5
 2014|8This shows the route, via familiar territory, to a good fraction
of observed 10 note tunes.Note that only #84 is in the 'Greek' mode domain, and we had to
branch off at the level of a 4-note scale to get to harmonic
minor, and once started we could go a long way. Those low note
number of scales are important. Note that in the tunes coded at
the back of Huntington and Herrmann's 'Sam Henry's Songs of the
People' the most common mode is the usual 7-note ionian. The next
most common 7-note scale is aeolian/minor, in 8th place.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 19:22:39 +0100
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Bruce Olson wrote:> On music from ABCs I forgot to add that there are very good
> selections of ABCs on two of our list member's websites, Jack
> Campin's and Nigel Gatherer's....Nigel has encoded about 450 ABCs
> from early Scots sources...Thanks for the name check, Bruce. However, my ABCs are from many
sources - manuscripts, books, records, friends, sessions, etc - and
they are mostly instrumental (not songs); I'm not sure how interesting
they would be for folk in this mailing list. A long-term project is to
build a collection of songs and ballads from my collection, but where
does the time go?I have a half-finished compilation of songs about marriage and
courtship in Scotland for which I did loads of research; I'd like to
finish it one day, if only for my own satisfaction. I carefully
prepared an extensive list of recording of each song, but it's now
rather out of date (to give you an idea, there were no CDs on these
lists!). If I did blow the dust off that project, do you think I could
ask the list for currently available recorded versions of the various
songs? perhaps I could flag up the list of songs on my web site, in
order to reduce clutter here.I'm basically thinking out loud - apologies.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Something about music from ABCs
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 14:32:26 -0500
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        One thing you might try which I find especially useful, if not
perfect, is CDDB. [If you are a MAC user it's the site iTunes uses to
identify the tracks on a CD when it first starts up.] I did a search for
"Ushers Well" and had the following hits:Displaying disc 1-4 of 4 matching CDs               Steeleye Span / Original Masters (Disc 1)
                  The Wife Of Ushers Well
               Jacqui McShees Pentangle / At The Little Theatre
                  The Wife Of Ushers Well
               Amps for Christ / Circuits
                  The Wife Of Ushers Well
               Silver Birch / Silver Birch
                  Ushers Welleach is a link to a detailed description of the CD itself. As I said, not
perfect but useful.        The URL for CDDB is http://www.gracenote.com/  The main page is set
up to search for artist but use the Advanced Search and it will enable you
to search by song title.At 7:22 PM +0100 9/19/02, Nigel Gatherer wrote:
>If I did blow the dust off that project, do you think I could ask the list
>for >currently available recorded versions of the various songs? perhaps I
>could >flag up the list of songs on my web site, in order to reduce
>clutter here.

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Subject: Chappell's Popular Music
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 15:39:55 -0400
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Those of you looking for this might be interested in the new-to-me
reprint edition by Elibron (www.elibron.com), seemingly the same as
the Dover 2 vol edition, for $16.95 per vol. or $9.95 each for an
e-book pdf.There's a set on eBay at the moment with a Buy Now at that price ($33.90).John Roberts.

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 16:31:44 -0400
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Nigel Gatherer wrote:
>
> Bruce Olson wrote:
>
> > On music from ABCs I forgot to add that there are very good
> > selections of ABCs on two of our list member's websites, Jack
> > Campin's and Nigel Gatherer's....Nigel has encoded about 450 ABCs
> > from early Scots sources...
>
> Thanks for the name check, Bruce. However, my ABCs are from many
> sources - manuscripts, books, records, friends, sessions, etc - and
> they are mostly instrumental (not songs); I'm not sure how interesting
> they would be for folk in this mailing list. A long-term project is to
> build a collection of songs and ballads from my collection, but where
> does the time go?
>
>..............................
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/I was embarassed, after my post, that I forgot to mention your
file of traditional tunes, in particular. I suspect many Americans,
which the majority on the list seem to be, aren't familiar with
your work, so I'll plug your recently reprinted 'Songs and Ballads
of Dundee', another mixture of rare old and much more recently collected
traditional songs, most of these being rather rare ones. Should I
mention 'Gatherer's Musical Museum'?Bruce OlsonPS: I've filled in more gaps in the mode relationship tree (it's
starting to look a bit like that with a lot of ivy connecting branches),
but these I'll add in to the file GREEKMOD.TXT on my website, and not
clutter up the list with them. I would plot it on a graph if I could
figure out how. My first two tries quickly came to grief. I've now
gotten almost all of the minorish (flatted 3rd) non-'Greek' based modes
attached to one of rather few branches now.I've also found, that, while it looks simpler and takes less
moves to get to some modes by simply sliding a note up or down a
semitone, it still takes the same number of movements (add or slide) to
connect up all the disconnected modes. Harmonic minor can be made
by simply sliding the normal 7th flat to 7th, saving 2 of the
moves that were in my chain. Now, however, the 5-note and 6-note related
modes are disconnected, and we have to use these 2 moves we saved
to reconnect them.Bruce OlsonBruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 15:09:03 -0500
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----- Original Message -----
From: Clifford J Ocheltree <[unmask]><<        One thing you might try which I find especially useful, if not
perfect, is CDDB. [If you are a MAC user it's the site iTunes uses to
identify the tracks on a CD when it first starts up.] I did a search for
"Ushers Well" and had the following hits:>>[snip]Then of course there's the Traditional Ballad Index, which may have
citations of recordings by source performers. Some material at least has
been issued in the Lomax reissue series, including stuff gathered by Lomax
and Peter Kennedy. Got to watch out for truncated versions, though.Peace,
Paul

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Subject: Re: Something about music from ABCs
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 21:59:10 +0100
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Clifford J Ocheltree wrote:>         One thing you might try which I find especially useful, if
> not perfect, is CDDB....The URL for CDDB is http://www.gracenote.com/
>  The main page is set up to search for artist but use the Advanced
> Search and it will enable you to search by song title.That sounds like just the job! Thanks Clifford.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Flanders books "Ancient Ballads..."
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Sep 2002 13:09:11 -0400
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Greetings
I have only Volume IV (four) of Helen Hartness Flanders "Ancient Ballads
Traditionally Sung in New England".  I am interested in acquiring the other
volumes, and if anyone on this list has perhaps any extra copies in their
collection that they'd consider parting with, please do contact me offlist
at:  [unmask]
Thank you!
Lisa

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Subject: Re: Flanders books "Ancient Ballads..."
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Sep 2002 16:11:04 -0400
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Lisa - S. H. wrote:
>
> Greetings
> I have only Volume IV (four) of Helen Hartness Flanders "Ancient Ballads
> Traditionally Sung in New England".  I am interested in acquiring the other
> volumes, and if anyone on this list has perhaps any extra copies in their
> collection that they'd consider parting with, please do contact me offlist
> at:  [unmask]
> Thank you!
> LisaYou can get vols 1 and 2, or the whole set from www.bookfinder.comBruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 21 Sep 2002 11:06:51 -0400
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Bruce Olson wrote:
>> PS: I've filled in more gaps in the mode relationship tree (it's
> starting to look a bit like that with a lot of ivy connecting branches),
> but these I'll add in to the file GREEKMOD.TXT on my website, and not
> clutter up the list with them. I would plot it on a graph if I could
> figure out how. My first two tries quickly came to grief. I've now
> gotten almost all of the minorish (flatted 3rd) non-'Greek' based modes
> attached to one of rather few branches now.
>>
> Bruce Olson
>I shouldn't have used the 'minorish' above. That gets meaningless above
8 or 9 notes. I justed started at 'minorish' in connecting commonly
found modes into a chain.I don't think I'm going to try to do a graphical display of the
results of my foray into tunes modes. After a day fiddling with
pencil and paper and losing track of what I had covered and
hadn't covered, I finally wrote a subroutine for one of my
computer progams that did the whole thing in about 3 seconds.
For the 181 modes in my file COMBCODE3.TXT there are 422
(observed) n+1 note modes that can be gotten by adding a single
note to some (observed) n note mode. There are also several
isolated modes, but whether they are real or results of my coding
errors remains to be seen.I don't have any graphics programs that will handle data of this
type, and that's more connections than I would want to do one at
a time in a CAD program, which would have to give something like
a multi-layered flow chart, with many connections between layers.
Not too bad if you could see it in 3-D, but unintelligible in
2-D.Why are adjacent modes related by a cyclic permutation of some
reference semitone sequence? That's easy; the 'Greek' modes are
cyclic. Start with lydian, flatten the 4th to get ionian, then
flatten the 7th to get mixolydian, then flatten the 3rd to get
dorian, then flatten the 6th to get aeolian, then flatten the 2nd
to get phrygian, then flatten then 5th to get locrian, then
flatten the 1st and we're back to lydian. (Locrian might be called
lydian with the wrong keynote.)Some statistics for 'Greek' based modes from file COMBCOD.3.TXTmode  mode# % of n-note tunes                 notes=4, total tunes = 9
a-2,6&7  82    11.1(one tune)                 notes=5, total tunes = 264
pi1     330    38.5
pi2     338     5.0
pi3     594    13.4
pi4     596    13.4
               70.3% 'Greek'                 notes=6, total tunes = 1514
f/c    1354    23.6
c/g     346    27.7
g/d     850     6.6
d/a     598    18.6
a/e     724     5.0
               81.5% 'Greek'                 notes=7, total tunes = 3360
f      1386     0.8
c      1370    60.6
g       858     9.8
d       854     9.0
a       726    12.0
b       693     0.0
               92.2% 'Greek'                 notes=8, total tunes = 1161
f+c    1402    12.2
c+g    1882    45.4
g+d     862     4.0
d+a     982     2.5
a+e     727     0.3
e+b     757     0.1
               64.3% 'Greek'                 notes=9, total tunes = 2201
f+c+g  1914    15.9
c+g+d  1886     5.0
g+d+a   990     2.3
d+a+e   983     0.5
a+e+b   759     0.5
               24.2% 'Greek'                notes=10, total tunes = 38
f+c+g+d  1918   7.9
c+g+d+a  2014  21.1
g+d+a+e   991   2.6 (one tune)
d+a+e+b  1015   2.6  "
               34.2% 'Greek'1 11-note mode (with 4 tunes) and 1 12-note tune are also 'Greek'
so here 'Greek' is 100%Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: singing NYC sisters news article
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 21 Sep 2002 21:29:17 -0400
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I came across this article and found it fascinating (and bittersweet also)....
http://www2.bostonherald.com/entertainment/music/koss04112002.htm-Lisa Johnson

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Subject: Re: singing NYC sisters news article
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 15:26:51 -0700
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Lisa:It is sad that the Cohen brothers did not in some way acknowledge the
Kossoy sisters for introducing him to "I'll Fly Away."  On the other hand,
the ladies got the song from a Carter Family record.EdOn Sat, 21 Sep 2002, Lisa - S. H. wrote:> I came across this article and found it fascinating (and bittersweet also)....
> http://www2.bostonherald.com/entertainment/music/koss04112002.htm
>
> -Lisa Johnson
>

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Subject: Re: singing NYC sisters news article
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 19:46:34 -0400
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The problem is that the Cohen Brothers used the Kossoy sister's recording; noty the
Carter Family's.  The other problem is that when the Kossoy sisters recorded the
song, they were minors, and their family signed a contract waiving any rights. Oh
well, who woulda thunk it would ever be worth real money.dick greenhaus.Ed Cray wrote:> Lisa:
>
> It is sad that the Cohen brothers did not in some way acknowledge the
> Kossoy sisters for introducing him to "I'll Fly Away."  On the other hand,
> the ladies got the song from a Carter Family record.
>
> Ed
>
> On Sat, 21 Sep 2002, Lisa - S. H. wrote:
>
> > I came across this article and found it fascinating (and bittersweet also)....
> > http://www2.bostonherald.com/entertainment/music/koss04112002.htm
> >
> > -Lisa Johnson
> >

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Subject: Re: singing NYC sisters news article - access problem
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 21:08:30 -0400
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Hi -
  I am unable to access the article using the link provided, however if I use www.
rather than www2. I get there OK.
  Any techies out there who can explain??  Thanks!
(I'm on Windows 95 and Netscape Communicator 4.73)
Tom Stern."Lisa - S. H." wrote:> I came across this article and found it fascinating (and bittersweet also)....
> http://www2.bostonherald.com/entertainment/music/koss04112002.htm
>
> -Lisa Johnson

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Subject: Re: singing NYC sisters news article
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 22:01:36 -0400
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At 07:46 PM 9/22/02 -0400, you wrote:
>The problem is that the Cohen Brothers used the Kossoy sister's recording;
>noty the
>Carter Family's.  The other problem is that when the Kossoy sisters
>recorded the
>song, they were minors, and their family signed a contract waiving any
>rights. Oh
>well, who woulda thunk it would ever be worth real money.
>dick greenhaus.Well, it's a well guarded fact that talented oldtime musicians have the
potential of making, over the span of a lifetime, tens of dollars!!
Lisa

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Subject: Pseudo Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 07:51:47 -0400
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'Pathagorus', indeed, I can't believe I did that.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Pseudo Greeks
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 13:54:08 +0100
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A pythological dislike of classical roots, perhaps?
;o)
Simon> 'Pathagorus', indeed, I can't believe I did that.
>
> Bruce Olson

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Subject: Re: Pseudo Greeks
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 09:43:03 -0400
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Pat Hagagorus. One of the early Celtic Greeks.Simon Furey wrote:> A pythological dislike of classical roots, perhaps?
> ;o)
> Simon
>
> > 'Pathagorus', indeed, I can't believe I did that.
> >
> > Bruce Olson

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Subject: Re: Pseudo Greeks
From: Martin Ryan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 15:29:27 +0100
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Wasn't he related to yer man Donal Ferentes?Regards________________________________________________________________________
This email has been scanned for all viruses by the MessageLabs SkyScan
service. For more information on a proactive anti-virus service working
around the clock, around the globe, visit http://www.messagelabs.com
________________________________________________________________________

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Subject: Re: Pseudo Greeks
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 12:18:57 -0500
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----- Original Message -----
From: Bruce Olson <[unmask]><<'Pathagorus', indeed, I can't believe I did that.>>Didn't he invent the autopsy?Peace,
Paul

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Subject: Re: Pseudo Greeks
From: Bruce Olson <[unmask]>
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Date:Mon, 23 Sep 2002 20:12:04 -0400
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Paul Stamler wrote:
>> Didn't he invent the autopsy?
>
> Peace,
> PaulI thought it was paragoric and pythenogenic.His biggest success was in psychosomatic disorders. He was quick
to correlate the nausea, shaking, finally writhing about on the
ground with the singing of ballads by nearby Locrians. The
principle victims were itinerant folksong collectors, the locals
already knowing enough to scatter at the sight of Locrians, before
the sounds of Locrins could get them. One sturdy individual got
almost all of the first verse of one before that tune laid him low.
Immediate temporary relief could be obtained with ear plugs (like
the Locrians themselves wore), but two weeks in bed with complete
silence were usually necessary before the patient became ambulatory,
and the effects tended to be cumulative, so the victim had to carry
ear plugs around at all times. They tried to get a law passed so
Locrians always sang with Lydians, so it would come out the 11-note
mode #2046, like those on my website, but the Lydians pointed out
that they had done nothing that warranted what was in effect a
death sentence, even if Lydian mode wasn't everyone's cup of tea.Pythagorus tried to help the victims further, but nearly met his
own demise before he discovered the siren in his Early Warning
Locrian Detector had been candelestinely programed to wail in
Locrian, so also clearly warned Locrians that there were detectors
working in the area.The ballads sounded as though they might have been interesting if
one could get more, but impossible is impossible, and anyway the
Locrians had been dominated for a while by the Ionians who had
taken Aphrodite and the sexy parts out so they could pass them
off as their own songs to their Modus Lascivious tunes.Now aren't you sorry you asked?And so back to "Kemp Owyne". It seems likely that the setting is Ulster
in late 589 or early 590 CE. The wife of Caradog Freichfras that the
magic mantle fitted in "The Boy and the Mantle" couldn't have been
Enhinti, Owian's aunt, she's 2 generations too late. In my next post
I'll tell you the last reported (c 578 CE) location of that magic mantle
(one of the 'Thirteen Treasures of Britain").Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: The James M. Carpenter Collection
From: "David M. Kleiman" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 02:09:52 -0500
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Hi Folks,I guess I feel it's time I stepped into this discussion....I have only
followed the thread back as far as the quotes below but:1. I have to agree with Bob.  Hard copy books are still the "warm and
fuzzy" that we all know and love.  Hard cover books are the best, and
truely proven method, of preserving texts.2. Our new digital technologies change standards and media too frequently
to present long term, archival quality works, as of yet. And although
convenient for research and such are not really "comfortable" to read.3. #s 1 and 2 above do not obviate the need for nor the acceptance of
digital text, especially when digital technologies enhance the printed
word.Therefore, we at Heritage Muse and Mark Heiman at Loomis House Press have
both taken the middle road in approaching the new editions of the Child
opus.  Loomis House has released hard copy with announced plans for a
digital copy.  Heritage Muse is shipping (Oct 2002) "The English and
Scottish Popular Ballads (digital edition)" on CD and via the Internet in
searchable and fully printable form.  Anyone who owns a copy of
the "digital edition", can print a full set of the books (2,700+ pages)
and also have the convenience of searchable text, playable MIDI tunes and
CD-quality audio tracks of  ballads in the living singing traditions,
along with hyperlinked glossaries, indexes, maps and a gazetteer.  An
individual's price for the complete digital Child work plus the
enhancements and the bundled audio CD is less than the price of any paper
edition of the same work except for the original release of Dover's 1965
edition.I don't mean for that to sound too much like a plug, but the point is that
a "digital edition" of any classic work can now be quickly, easily, and
economically enhanced by the use of proven, common-use, software
technologies.Also, as Dick G. points out the digital texts can remain inexpensively
available long after hard copy editions have been "sold out".  Text files
can be quickly converted and re-released as file standards and software
and hardware technologies change.As to "libraries are not buying folk music"....with an internet release
available to libraries (and therefore library patrons) these digital works
can be made accessible to an extremely wide range of the reading and
studying public.  More and more often public libraries and school
libraries are subscribing to on-line content servers.  Patrons and
students get free (or nearly free) access to the texts and materials.  We
have already negotiated the release of the Heritage Muse "digital edition"
of Child's work on the net with a major library provider.  Within a few
months of the CD-ROM release it will be available to individuals and
institutions for immediate on-line use, although the music files and maps
may not be included initially.  Based on discussions I had with many folks
down at the American Librarian's Association Conference in Atlanta,
libaries are buying, libraries are eagerly seeking humanities content,
libraries are looking for inexpensive ways to reach a new reading public
that is net aware, tuned-into multi-media, and eager for materials!All this said and done, I must ultimately agree with Sandy...I don't curl
up in the living room easy chair with my computer or digital reader at the
end of the day.Best,
David M. KleimanOn Tue, 28 May 2002 20:17:09 -0400, Sandy Paton <[unmask]>
wrote:>I see in the flyer from Heritage Muse, Inc., that their disc version of
>the complete Child will also be searchable. That will be very helpful,
>but I still like books!
>        Sandy
>
>dick greenhaus wrote:
>>
>> Hi- hardcover plus CD-ROM is the way that Mark Heiman is planning for
his new
>> edition of Child. Perfectly sensible. Especially since the CD-ROM can
remain
>> available even after the more-desireable hard copy goes out of print.
>>
>> Ed Cray wrote:
>>
>> > Bob:
>> >
>> > Until such time as print-on-demand reaches maturity, hardcover books
will
>> > dominate the distribution and permanent storage of knowledge.  (Pace
>> > web-lovers.)
>> >
>> > If libraries are not buying folk music, then the press run will be
that
>> > much smaller, and the per unit cost will go up.  (There is a saying
in the
>> > publishing business that the first copy costs a hundred thousand, the
next
>> > copy a penny.)
>> >
>> > A hardcover edition does not negate publication of a CD-ROM.  Some
might
>> > even buy both, the one for bibliophilic pleasure, the other for quick
>> > research.
>> >
>> > Ed
>> >
>> > On Mon, 27 May 2002, Robert B. Waltz wrote:
>> >
>> > > On 5/27/02, Ed Cray wrote:
>> > >
>> > > >Bob:
>> > > >
>> > > >In my (limited) experience, subscription-supported printing means
that the
>> > > >subscribers underwrite a portion of the costs.  The art presses
such as
>> > > >Zamoro have the entire cost prepaid.  (So too did the Roxburghe
Society,
>> > > >the Rymour Club and the Ballad Society, I understand.)  Others
budget the
>> > > >subscriptions to prepay only a fraction of the cost; the press runs
>> > > >additional copies to sell, and thus recoups the costs, plus the
profit,
>> > > >if any.
>> > > >
>> > > >In deciding the cost of a subscription, the press would have to
calculate
>> > > >what risk it wants to take, a possible list price, whether there
is any
>> > > >foundation support, etc.
>> > > >
>> > > >My guess?  Assume a volume about the size of the Bronson volumes:
$75 per
>> > > >number.  Value once it goes out of print?  Double that -- or more.
>> > >
>> > > But that's just the problem. At that price, we're looking at
>> > > something close to library prices -- and libraries aren't buying
>> > > folk music books any more.
>> > >
>> > > And so it won't sell, and the press runs will be small, and ten
>> > > years from now we'll be paying $150 per volume *if we can get
>> > > it at all.*
>> > >
>> > > This is counter-productive. Nay, it's *stupid*. We need to find
>> > > a way to make these collections truly accessible, and to keep
>> > > them in print. We are doing no one any service by charging these
>> > > prices. We assure publication, yes, but we can't get the number
>> > > of copies that ought to be out there.
>> > >
>> > > I'm not saying CD-R is the answer. I'd rather have an actual
>> > > *book*. But I'd like still more to have two books. Or three.
>> > >
>> > > Along with everything else, we're probably shutting off potential
>> > > future scholars with this approach.
>> > > --
>> > > Bob Waltz
>> > > [unmask]
>> > >
>> > > "The one thing we learn from history --
>> > >    is that no one ever learns from history."
>> > >

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Subject: Re: The James M. Carpenter Collection
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 10:47:39 +0100
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David Kleiman wrote:
(snip)> Heritage Muse is shipping (Oct 2002) "The English and
> Scottish Popular Ballads (digital edition)" on CD and via the Internet in
> searchable and fully printable form.  Anyone who owns a copy of
> the "digital edition", can print a full set of the books (2,700+ pages)
> and also have the convenience of searchable text, playable MIDI tunes and
> CD-quality audio tracks of  ballads in the living singing traditions,
> along with hyperlinked glossaries, indexes, maps and a gazetteer.What splendid news! Will the edition be available (i.e. on sale) at the AFS
conference in Rochester?
Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
well, we'd be really rocking....Simon

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Subject: possible guthrie guitar sold
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 06:58:25 -0700
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Possible Guthrie Guitar SoldThe Associated PressSPOKANE, Wash. (AP) - It may seem extreme to pay
$5,000 for
a 40-year-old acoustic guitar in poor condition,
but not if
it turns out to have belonged to folk singer
Woody Guthrie.The new owner, Jim Kalmenson, suspects just that.Inside the Slingerland May Belle guitar is a
pencil scrawl:
``Property of Woody Guthrie OK.'' Kalmenson is
convinced
it's the real deal, though it may be difficult to
confirm
that.Guthrie emerged from the Dust Bowl to champion
the nation's
downtrodden through his music. His works include
``This
Land is Your Land,'' ``Deportee,'' ``Roll on
Columbia'' and
many more - songs that made powerful statements
and inspired
Bob Dylan and others to follow his example,
seeking to
affect social change through music.There are very few known Guthrie guitars left.
Rumor has it
that one of them was recently sold to billionaire
Microsoft
co-founder Paul Allen for his Seattle-based
Experience
Music Project. The rumored price: $100,000.Officials with the EMP museum did not immediately
return a
call seeking to confirm the those details.Aside from the name and the ``OK,'' the letters
``WWG'' are
faintly scratched on the guitar's back -
Guthrie's
initials.The ultimate proof would be a photograph of
Guthrie with
the guitar. So far, no such photo has been found.09/23/02 07:02 EDT
    Copyright 2002 The Associated Press. The
information
contained in the AP news report may not be
published,
broadcast, rewritten or otherwise distributed
without the prior
written authority of The Associated Press.  All
active
hyperlinks have been inserted by AOL.
*************__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

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Subject: Re: possible guthrie guitar sold
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 09:55:53 -0700
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Folks:There are a lot of Woody Guthrie guitars out there -- some borrowed and
never returned -- some purchased in hockshops (and sold the same way).  He
had good guitars and bad, and didn't much care, after about 1941.  So far
as I know, the only guitar he really cared about was purchased for him by
his second wife, a Spanish (nylon-strung) guitar made by Carlos Barquero
-- though he treated it as abominably as all the other guitars he
abused.Sort proves you don't need a great guitar to be a good songwriter-singer.Ed

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Subject: Re: possible guthrie guitar sold
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:47:58 -0600
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Striking coincidence (with a "moral" of sorts): BBC radio last night
reported on Beatles' memorabilia, real and fake, at auction. One recently
sold object was featured (but I was out of radio earshot); it fetched
something in six figures. But when the interviewer asked the memorabilia
dealer what would be the Holy Grail of Beatles memorabilia, he replied
immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
Do' on it. It would sell for millions."Woody and John, I hope you're having a good laugh about it.CheersMichael Bell

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Subject: Re: possible guthrie guitar sold (fwd)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:51:19 -0600
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I'm trying to re-send this after one bounce-back.... MB---------- Forwarded message ----------
Date: Tue, 24 Sep 2002 12:47:58 -0600 (MDT)
From: Bell Michael <[unmask]>
To: Forum for ballad scholars <[unmask]>
Cc: [unmask]
Subject: Re: possible guthrie guitar soldStriking coincidence (with a "moral" of sorts): BBC radio last night
reported on Beatles' memorabilia, real and fake, at auction. One recently
sold object was featured (but I was out of radio earshot); it fetched
something in six figures. But when the interviewer asked the memorabilia
dealer what would be the Holy Grail of Beatles memorabilia, he replied
immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
Do' on it. It would sell for millions."Woody and John, I hope you're having a good laugh about it.CheersMichael Bell

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Subject: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:33:19 -0700
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Folks:The NY Times this morning reported the death at age 87 of Joan Littlewood,
the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
major figure in the post World War II revival of the English theater.
She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
Hostage," created "Oh, Wahat a Lovely War," and played a role in the
concurrent English folk revival.Ed

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Subject: Re: possible guthrie guitar sold (fwd)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 16:03:44 -0400
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I suspect that Woody (wherever he is) is still in a state of shock after
having his face put upon a stamp.Bell Michael wrote:> I'm trying to re-send this after one bounce-back.... MB
>
> ---------- Forwarded message ----------
> Date: Tue, 24 Sep 2002 12:47:58 -0600 (MDT)
> From: Bell Michael <[unmask]>
> To: Forum for ballad scholars <[unmask]>
> Cc: [unmask]
> Subject: Re: possible guthrie guitar sold
>
> Striking coincidence (with a "moral" of sorts): BBC radio last night
> reported on Beatles' memorabilia, real and fake, at auction. One recently
> sold object was featured (but I was out of radio earshot); it fetched
> something in six figures. But when the interviewer asked the memorabilia
> dealer what would be the Holy Grail of Beatles memorabilia, he replied
> immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
> Do' on it. It would sell for millions."
>
> Woody and John, I hope you're having a good laugh about it.
>
> Cheers
>
> Michael Bell

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Subject: Re: Joan Littlewood
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 16:35:20 EDT
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text/plain(33 lines) , text/html(20 lines)


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Subject: Re: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 18:02:11 -0700
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Fred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24 hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing an
> almost accidental, but nonetheless significant, part in the nascent British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:27:47 -0400
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Well, Topic has just released a fairly massive 4-CD Acoustic Folk Box that seems to
cover the Revival in the UK reasonably well. Starts with  Lonnie Donegan and winds
up, 85 cuts later, with Liza Carthy. (CAMSCO carries it for $50)dick greenhausEd Cray wrote:> Fred et al:
>
> NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
> War."
>
> Has anyone done a history of the folk revival in the UK -- aside from
> Hamish Henderson's various essays in _Alias McAlias?_
>
> Ed
>
> On Tue, 24 Sep 2002, Fred McCormick wrote:
>
> > Ed Cray Wrote
> >
> > >> The NY Times this morning reported the death at age 87 of Joan Littlewood,
> > > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
> > > major figure in the post World War II revival of the English theater.
> > > She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
> > > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > > concurrent English folk revival.
> > >
> > She seems to have died sometime over the weekend. At any rate, I heard a news
> > bulletin on Radio 4 (which is the main British Broadcasting Corporation
> > current affairs channel) early on Saturday or Sunday morning. Then, 24 hours
> > later, I heard a similar announcement on Radio 3 (the BBC's classical music
> > and arts channel), as though it had just happened.
> >
> > That apart, there seems to have been almost total silence from the
> > broadcasting media, unless I've been too distracted with threats of impending
> > war to notice. In any event, the lack of tributes is distinctly odd,
> > remembering what a collossal force she was in British theatre. Apart from
> > founding Theatre Workshop, itself a major theatrical landmark, and playing an
> > almost accidental, but nonetheless significant, part in the nascent British
> > folk revival, a considerable number of important actors learnt their craft
> > via her productions.
> >
> > For that matter, many of the techniques associated with Theatre Workshop
> > found their way (via Ewan MacColl) into the radio ballads, and ended up
> > influencing modern styles of documentary production.
> >
> > It's all very odd. If I do unearth anything, I'll pass it on.
> >
> > Fred McCormick.
> >

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Subject: Britons, Greeks and non-Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 00:18:37 -0400
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I don't have an organization for the non-'Greek' modes yet.
All my theories of such have proved useless, and I was forced to
look at the data. The 'Greek' based modes are 21% of the total
modes. If we take the non-'Greek' modes that differ from a
'Greek' one by 1, 2, or 3 notes we find that for the 3 note
difference there are 4 modes of one tune each. There are also 2
odd tunes where the high notes of the tune are missing, and the
first appears normal and sharp, so they're really cramed into the
low end of the scale. So of 6601 total tunes 99.91% are 'Greek',
or differ by at most 2 notes from some OBSERVED 'Greek' mode.
File MODETABL.TXT on my website now has modes with labels: G-
'Greek' based, H- 1 note off, I- 2 notes off, J- 3 notes off. N-
is for the two compressed scale modes.There are a lot of modes different from the 'Greek' based modes,
but practically nothing that's very different. [One would suspect
this to start with, but it's nice to have some 'hard' numbers.][This whole exercise was a slight variant of the method of constructing
a set of energy levels of an atom or molecule via combination
differences and the Aufbau principle.]
.....................It was undoubtably oldest son and warrior Owain, "Kemp Owyne",
that King Urien of Rheged sent to Ireland to recruit new King
Fiachna Lurgan of Ulster and his army as part of a coalition for
an attack on Bernicia, c 590. The attack succeeding
(temporarily), and an Irish garrison was stationed in Bamburgh
(but probably not for long). It appears the Morcant, one of
Urien's allies, had claims to Bamburgh, and had Urien stabbed to
death, making Owain the new king, but c 595 a British force
managed to kill Owain and the Kingdom of Rheged disappeared.
Someone with a decent work on Irish history might find out how
Fiachna got his kingship, and how many wives he'd had and if one
hadn't given him an ugly daughter. It's not too unlikely that
Owain seduced some such, giving a basis for "Kemp Owyne".The sons of Eliffer (Peredur [Percival] and Gwrgi) won the battle
of Arfderydd? [now Arthuret] in 573, at which the bard Merlin
Sylvester went mad. After wandering in the Celidon woods for some
undetermined number of year (~5?), he was captured, and confined
on Bardsey Island, with 'The Thirteen Treasures of Britain',
including the magic mantle of "The Boy and the Mantle". [In 580
Peredur was killed, and his kingdom, York, passed to English
hands.]If Owain and Percival were knights of the Round Table, who got the
job of changing their diapers there?Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Joan Littlewood
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:25:50 -0500
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Georgina Boyce did one.  Will get the title tomorrow.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, September 24, 2002 8:02 PM
To: [unmask]
Subject: Re: Joan LittlewoodFred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan
Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right
a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and
"The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a
news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24
hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical
music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of
impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing
an
> almost accidental, but nonetheless significant, part in the nascent
British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Marge Steiner <[unmask]>
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Date:Tue, 24 Sep 2002 23:26:44 -0500
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P.s.: you might also want to check out that book, Singer, Song, and Scholar,
where ther's a nice essay on Bert Lloyd.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, September 24, 2002 8:02 PM
To: [unmask]
Subject: Re: Joan LittlewoodFred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan
Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right
a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and
"The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a
news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24
hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical
music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of
impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing
an
> almost accidental, but nonetheless significant, part in the nascent
British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Mary Cliff <[unmask]>
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Date:Wed, 25 Sep 2002 01:04:41 -0400
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Note this entry into the "interminable list" of "who's where" from
Traditions, Saturday nights on WETA radio, Washington, DC:Monday, October 7:
>12:00 n        Georgina Boyes, author of The Imagined Village study of Eng
>Folksong revival talk @ LoC Mary Pickford Theatre, 3rd floor, Jas Madison
>Bldg, 101 Indep Ave SE DCMs. Boyes' husband will perform with his compatriots Coope & Simpson for
the Folklore Society of Greater Washington at Glen Echo Town Hall --
unamplified -- 8 pm on Tuesday, October 8, 2002.Mary Cliff, TRADITIONS
WETA Radio

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Subject: Re: Joan Littlewood
From: Simon Furey <[unmask]>
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Date:Wed, 25 Sep 2002 07:18:49 +0100
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Ed Cray said:
 (snip)
> Has anyone done a history of the folk revival in the UK -- aside from
> Hamish Henderson's various essays in _Alias McAlias?_See Niall MacKinnon, "The British Folk Scene: Musical Performance and Social
Identity", (Buckingham, Open University Press, 1993). You can have an
interesting game guessing who all the people are on the cover photograph!Cheers
Simon

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Subject: Re: Joan Littlewood
From: Fred McCormick <[unmask]>
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Date:Wed, 25 Sep 2002 06:15:12 EDT
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Subject: Re: Joan Littlewood
From: Ed Cray <[unmask]>
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Date:Wed, 25 Sep 2002 05:46:01 -0700
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Fred:Thank you for the citations.  As it happens, I have the Russell (unread),
a situation I shall correct (someday).EdOn Wed, 25 Sep 2002, Fred McCormick wrote:> Ed Cray wrote,
>
> > >NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
> > War."
> >
>
> >> Has anyone done a history of the folk revival in the UK -- aside from
> >
>
> The British folk revival can be broken down into three stages for
> convenience:-
> 1.    The late Victorian/Edwardian era
> 2.    The post world war 2 era. 1945  - 1970.
> 3.    Post 1970.
>
> Stage 1 is much better served than stages 2 and 3.
>
> For a general overview of all three stages, you could start with Mike
> Brocken's British Folk Revival which can be read in Musical Traditions
> magazine at http://web.ukonline.co.uk/mustrad/articles/broc_ndx.htm . It's
> Mike's Phd thesis and I should warn you, a lot of what he says is very
> contentious (which is why I got him to let us publish it.). However, it's
> important to remember that Mike is a pop music historian and, to appreciate a
> lot of what he says, you have to understand where he's coming from.
>
> Which moves me on to Studying Popular Music by Richard Middleton (Open
> University Press 1990). Again, a very contentious stand in a book which is
> basically about pop music.
>
> Both authors have some good things to say, but both fail to recognise crucial
> points of difference between folk music and pop music. I therefore tried to
> address some of these in my introduction to The Joe Heaney Interview at
> http://www.mustrad.org.uk/articles/heaney.htm . If anyone wants to read this,
> however, I should explain that I was basically trying to explain Ewan
> MacColl's ideological position.
>
> Other Sorces:-
> Georgina Boyes The Imagine Village, Manchester UP, 1984, is an excellent
> history of the folksong and dance revivals, dealing mainly with stages 1 and
> 2.
> Laing, Dallas, Denselow & Shelton. The Electric Muse; The Story of Folk into
> Rock. Methuen, 1975. Deals mainly with the evolution of folk rock bands like
> Steeleye Span and Fairport Convention, and has some interesting stuff about
> blues and skiffle influences on the revival.
> The People's Past: Ted Cowan, ed. Polygon 1980, has several articles dealing
> with the Scots folk revival.
> See also The Sang's the Thing. Sheila Douglas, Polygon, 1992. A whole stack
> of pen portaits. Some are of Scots revivalists. Most are of traditional
> singers who interacted with the revival.
> Marge Steiner mentioned Vic Gammon's article in Singer, Song and Scholar; Ian
> Russell, ed. Sheffield Academic Press, 1986. Vic's contribution is less about
> Bert Lloyd than it is about his book, Folk Song in England. A truly
> commendable piece, which manages to be both affectionate and iconoclastic.
> There are several other articles about Bert in the same publication.
>
> A couple of autobiographies which might be useful:-
> Frankie Armstrong, As Far as the eye Can Sing. I haven't got round to reading
> it yet, but it's published by The women's Press, 1992.
> Ewan MacColl, Journeyman. Sidgwick and Jackson. 1990. A strange and partial
> book, which tells somewhat less than the whole story.
>
> Finally, English Folk Song: An Introductory Bibliography, David Atkinson,
> EFDSS 1999, has a section devoted to revivals.
>
> Cheers,
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 11:54:42 -0500
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        Picked up an interesting book in London a few years back."Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
by David HARKER [Open University Press: 1985] part of the Popular Music In
Britain series.You might wish to take a look at that as well.

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Subject: Help?
From: John Garst <[unmask]>
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Date:Wed, 25 Sep 2002 13:36:59 -0400
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Three of the weeks that I would have spent writing four short entries
for the upcoming "The Encyclopedia of the Blues" have been devoted
instead to a medical emergency.  Now I'm back at work, but my
deadline is close.  I have three of my entries under control,
bibliographically, so they present no problems.  The fourth consists
of 300 words, plus references, on "blues ballad."  I have what I
believe to be the seminal paper,D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
Style in Traditional Ballad Song." In Narrative Folksong: New
Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
pp. 437-82.I lack references to subsequent writings on this subject.  I recall
reading a suggestion that "nodal ballad" might be a better term than
"blues ballad" and I recall reading that these types of ballads are
frequent in the Irish tradition, but I don't have references at my
fingertips.  I would appreciate any help that might be offered.Thanks.--
john garst    [unmask]

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Subject: Re: Joan Littlewood
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 18:52:35 +0100
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Clifford J Ocheltree said:
(snip)>         Picked up an interesting book in London a few years back.
>
> "Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
> by David HARKER [Open University Press: 1985] part of the Popular Music In
> Britain series.
>
> You might wish to take a look at that as well.Ah.... I wondered when *that* was going to raise its head. It's a
contentious work that received serious criticism in a paper at the centenary
conference of the Folk Song Society in Sheffield in 1998 (C J Bearman,
University of Hull, 'Cecil Sharp in Somerset: Some Further Conclusions').
Unfortunately we are still awaiting the published papers from the conference
(due soon, I believe - Ian Russell should have news on this). All I will say
is "reader beware".Simon

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Subject: The English and Scottish Popular Ballads (digital edition)
From: "David M. Kleiman" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 00:33:53 -0500
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Simon,I will be at the AFS conference with, at a minimum, a full working copy of
the digital edition.  If the manufacturer can get the actual boxed sets of
product, back to us before the conference I will bring sets with me for
sale. Stop by our table in the exhibit area and introduce yourself!In the meantime, anyone interested in the set can email a note of interest
to [unmask] or directly to me at
[unmask] and we'll let you know as soon as we're
ready to ship.In the meantime, check out the web-site at www.heritagemuse.com, and then
check back late next week when the new site goes up.Thanks,
DMKOn Tue, 24 Sep 2002 10:47:39 +0100, Simon Furey
<[unmask]> wrote:>David Kleiman wrote:
>(snip)
>
>> Heritage Muse is shipping (Oct 2002) "The English and
>> Scottish Popular Ballads (digital edition)" on CD and via the Internet
in
>> searchable and fully printable form.  Anyone who owns a copy of
>> the "digital edition", can print a full set of the books (2,700+ pages)
>> and also have the convenience of searchable text, playable MIDI tunes
and
>> CD-quality audio tracks of  ballads in the living singing traditions,
>> along with hyperlinked glossaries, indexes, maps and a gazetteer.
>
>What splendid news! Will the edition be available (i.e. on sale) at the
AFS
>conference in Rochester?
>Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
>well, we'd be really rocking....
>
>Simon

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Subject: Name question
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 00:38:22 -0500
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Hi folks:The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
on the Rounder reissues)? Anyone know for sure? And does anyone have her
birth and death dates?Peace,
Paul

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Subject: Re: Name question
From: Fred McCormick <[unmask]>
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Date:Thu, 26 Sep 2002 04:53:21 EDT
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Subject: Harker and the Folk Revival
From: [unmask]
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Date:Thu, 26 Sep 2002 15:50:25 +0300
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Perhaps list members will forgive this plug, as our stray publications and
recordings often don't get into the hands of those who might be interested:
In 1998, I looked at the role of the Communist Party in the (second) folk
revival (reference below).  Obviously, with Ewan MacColl, AL Lloyd, Hamish
Henderson and Alan Lomax at the forefront, not to mention the folk clubs, the
revival corresponded closely to many radicals' ideas of a 'people's music'.
However, I think I was able to show that Dave Harker's claim that the whole
thing was masterminded from the Party's London HQ, with members fanning out
across the country to infiltrate the clubs, was Cold War paranoia.Gerald Porter"The World's Ill-Divided: The Communist Party and Progressive Song" in A Weapon
in the Struggle. The Cultural History of the Communist Party in Britain
(London: Pluto Press, 1998), edited by Andy Croft, pages 171-91.Quoting Simon Furey <[unmask]>:> Clifford J Ocheltree said:
> (snip)
>
> >         Picked up an interesting book in London a few years back.
> >
> > "Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
> > by David HARKER [Open University Press: 1985] part of the Popular Music
> In
> > Britain series.
> >
> > You might wish to take a look at that as well.
>
> Ah.... I wondered when *that* was going to raise its head. It's a
> contentious work that received serious criticism in a paper at the
> centenary
> conference of the Folk Song Society in Sheffield in 1998 (C J Bearman,
> University of Hull, 'Cecil Sharp in Somerset: Some Further Conclusions').
> Unfortunately we are still awaiting the published papers from the
> conference
> (due soon, I believe - Ian Russell should have news on this). All I will
> say
> is "reader beware".
>
> Simon
>

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 10:14:06 -0400
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>Paul Stamler wrote
>>
>
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?
>...
>Jerrilyn McGregory has an article on her in the current issue of
>Journal of The Alabama Folklife Association; Tributaries, Vol. V. I
>haven't had chance to catch up with it yet, but you can check the
>AFA's website at http://www.alabamafolklife.org/AFApublication.htm
>
>Cheers,
>
>Fred McCormickSince the current issue of Tributaries also contains my "John Henry"
article, I just happen to have a few copies lying around.  According
to Dr. Jerrilyn McGregory, in "Livingston, Alabama Blues: The
Significance of Vera Ward Hall," VWH was born "circa 1906 on a small
farm near near Livingston, Alabama."  The article does not appear to
contain a death date.  Apparently, her last recordings were for Alan
Lomax in 1959.
--
john garst    [unmask]

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 11:09:56 -0400
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>Paul Stamler wrote
>>
>
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?An inquiry on the pre-war blues list led to the following from Alan Balfour:>Blues Records 1943-70 heads-up her entry thus:
>
>VERA HALL (VERA HALL WARD)
>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.
--
john garst    [unmask]

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Subject: Re: Name question
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 12:09:20 -0500
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Alan Balfour & John Garst report:>Blues Records 1943-70 heads-up her entry thus:
>
>VERA HALL (VERA HALL WARD)
>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.Fred McCormick contributes:<<Jerrilyn McGregory, who wrote the introduction to Rounder 11661-1829-2:
Deep River of Song, Alabama, gives her as Vera Ward Hall. >>And John Garst adds:<<Since the current issue of Tributaries also contains my "John Henry"
article, I just happen to have a few copies lying around.  According
to Dr. Jerrilyn McGregory, in "Livingston, Alabama Blues: The
Significance of Vera Ward Hall," >>So far we have one vote on each side (I'm counting McGregory's two citations
as a single vote). Any more data?Peace,
Paul

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Subject: More on the name issue
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 12:26:10 -0500
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Hi folks:Just checked out the Social Security Death Index at Ancestry.com. They had
no record of anyone named Vera W. Hall or Vera H. Ward with a Social
Security card issued in Alabama (which, since she lived in Alabama all her
life, would be a reasonable expectation). Nor did any of the plain Vera
Halls or Vera Wards die in 1964, at least not in Alabama. So far, that's a
washout, leading to the conclusion that she may not have had a Social
Security card. (But in that case, how did she handle money that came in when
she sang at folk festivals?)Peace,
Paul

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Subject: Re: Name question
From: Fred McCormick <[unmask]>
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Date:Thu, 26 Sep 2002 14:07:05 EDT
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Subject: Re: Joan Littlewood
From: Ruairidh Greig <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 19:03:16 +0100
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If anyone hasn't read it, I would thoroughly recommend Joan Littlewood's
autobiography, "Joan's Book" (published London 1994) which includes
fascinating background material about Ewan MacColl/Jimmy Miller as well as
Alan Lomax and Brendan Behan.Ruairidh Greig----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 25, 2002 1:46 PM
Subject: Re: Joan Littlewood> Fred:
>
> Thank you for the citations.  As it happens, I have the Russell (unread),
> a situation I shall correct (someday).
>
> Ed
>
>
> On Wed, 25 Sep 2002, Fred McCormick wrote:
>
> > Ed Cray wrote,
> >
> > > >NPR did an obit this afternoon (9/24) beginning with "Oh, What a
Lovely
> > > War."
> > >
> >
> > >> Has anyone done a history of the folk revival in the UK -- aside from
> > >
> >
> > The British folk revival can be broken down into three stages for
> > convenience:-
> > 1.    The late Victorian/Edwardian era
> > 2.    The post world war 2 era. 1945  - 1970.
> > 3.    Post 1970.
> >
> > Stage 1 is much better served than stages 2 and 3.
> >
> > For a general overview of all three stages, you could start with Mike
> > Brocken's British Folk Revival which can be read in Musical Traditions
> > magazine at http://web.ukonline.co.uk/mustrad/articles/broc_ndx.htm .
It's
> > Mike's Phd thesis and I should warn you, a lot of what he says is very
> > contentious (which is why I got him to let us publish it.). However,
it's
> > important to remember that Mike is a pop music historian and, to
appreciate a
> > lot of what he says, you have to understand where he's coming from.
> >
> > Which moves me on to Studying Popular Music by Richard Middleton (Open
> > University Press 1990). Again, a very contentious stand in a book which
is
> > basically about pop music.
> >
> > Both authors have some good things to say, but both fail to recognise
crucial
> > points of difference between folk music and pop music. I therefore tried
to
> > address some of these in my introduction to The Joe Heaney Interview at
> > http://www.mustrad.org.uk/articles/heaney.htm . If anyone wants to read
this,
> > however, I should explain that I was basically trying to explain Ewan
> > MacColl's ideological position.
> >
> > Other Sorces:-
> > Georgina Boyes The Imagine Village, Manchester UP, 1984, is an excellent
> > history of the folksong and dance revivals, dealing mainly with stages 1
and
> > 2.
> > Laing, Dallas, Denselow & Shelton. The Electric Muse; The Story of Folk
into
> > Rock. Methuen, 1975. Deals mainly with the evolution of folk rock bands
like
> > Steeleye Span and Fairport Convention, and has some interesting stuff
about
> > blues and skiffle influences on the revival.
> > The People's Past: Ted Cowan, ed. Polygon 1980, has several articles
dealing
> > with the Scots folk revival.
> > See also The Sang's the Thing. Sheila Douglas, Polygon, 1992. A whole
stack
> > of pen portaits. Some are of Scots revivalists. Most are of traditional
> > singers who interacted with the revival.
> > Marge Steiner mentioned Vic Gammon's article in Singer, Song and
Scholar; Ian
> > Russell, ed. Sheffield Academic Press, 1986. Vic's contribution is less
about
> > Bert Lloyd than it is about his book, Folk Song in England. A truly
> > commendable piece, which manages to be both affectionate and
iconoclastic.
> > There are several other articles about Bert in the same publication.
> >
> > A couple of autobiographies which might be useful:-
> > Frankie Armstrong, As Far as the eye Can Sing. I haven't got round to
reading
> > it yet, but it's published by The women's Press, 1992.
> > Ewan MacColl, Journeyman. Sidgwick and Jackson. 1990. A strange and
partial
> > book, which tells somewhat less than the whole story.
> >
> > Finally, English Folk Song: An Introductory Bibliography, David
Atkinson,
> > EFDSS 1999, has a section devoted to revivals.
> >
> > Cheers,
> >
> > Fred McCormick.
> >
>

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Subject: Re: The English and Scottish Popular Ballads (digital edition)
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 14:29:21 -0400
Content-Type:text/plain
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Hi David,
  I contacted you previously, but just to make sure you have me on the
on-order list:
  Thomas Stern
  19 Primrose Avenue West,
  White Plains-Greenburgh,
  New York 10607-1712.            phone 914-949-5367
Best wishes, Tom Stern."David M. Kleiman" wrote:> Simon,
>
> I will be at the AFS conference with, at a minimum, a full working copy of
> the digital edition.  If the manufacturer can get the actual boxed sets of
> product, back to us before the conference I will bring sets with me for
> sale. Stop by our table in the exhibit area and introduce yourself!
>
> In the meantime, anyone interested in the set can email a note of interest
> to [unmask] or directly to me at
> [unmask] and we'll let you know as soon as we're
> ready to ship.
>
> In the meantime, check out the web-site at www.heritagemuse.com, and then
> check back late next week when the new site goes up.
>
> Thanks,
> DMK
>
> On Tue, 24 Sep 2002 10:47:39 +0100, Simon Furey
> <[unmask]> wrote:
>
> >David Kleiman wrote:
> >(snip)
> >
> >> Heritage Muse is shipping (Oct 2002) "The English and
> >> Scottish Popular Ballads (digital edition)" on CD and via the Internet
> in
> >> searchable and fully printable form.  Anyone who owns a copy of
> >> the "digital edition", can print a full set of the books (2,700+ pages)
> >> and also have the convenience of searchable text, playable MIDI tunes
> and
> >> CD-quality audio tracks of  ballads in the living singing traditions,
> >> along with hyperlinked glossaries, indexes, maps and a gazetteer.
> >
> >What splendid news! Will the edition be available (i.e. on sale) at the
> AFS
> >conference in Rochester?
> >Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
> >well, we'd be really rocking....
> >
> >Simon

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Subject: Re: Help?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 08:53:01 -0700
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Hi, John:
There were a few earlier studies by D.K. that might have additional
material.  There was a good early review by Marina Bokelman in the UIllinois
student journal, Autoharp #32 (1968) that gave a summary.  The articles are
Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.  In
the latter he first introducted the concept but called it a "banjo ballad."
D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
Folksongs, p 266).  But all of this may have been covered in the Wilgus/Long
article, which I haven't read in quite a while.
Norm Cohen----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 25, 2002 10:36 AM
Subject: Help?> Three of the weeks that I would have spent writing four short entries
> for the upcoming "The Encyclopedia of the Blues" have been devoted
> instead to a medical emergency.  Now I'm back at work, but my
> deadline is close.  I have three of my entries under control,
> bibliographically, so they present no problems.  The fourth consists
> of 300 words, plus references, on "blues ballad."  I have what I
> believe to be the seminal paper,
>
> D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
> Style in Traditional Ballad Song." In Narrative Folksong: New
> Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
> L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
> pp. 437-82.
>
> I lack references to subsequent writings on this subject.  I recall
> reading a suggestion that "nodal ballad" might be a better term than
> "blues ballad" and I recall reading that these types of ballads are
> frequent in the Irish tradition, but I don't have references at my
> fingertips.  I would appreciate any help that might be offered.
>
> Thanks.
>
> --
> john garst    [unmask]

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Subject: Re: Help?
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 16:11:52 -0400
Content-Type:text/plain
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text/plain(72 lines)


Thanks, Norm.  I doubt that I will be able to find the Autoharp
article in timely fashion.  I have "Arch and Gordon" and I'm sure I
can find "Clure and Joe Williams" easily enough (I recall having seen
it).  Today I came across the following sentence in Paul Oliver's
"Songster's and Saints": "A number of songs have been identified as
'blues ballads' by D. K. Wilgus, Marina Bokelman and others."  The
reference is to Bokelman's unpublished Master's thesis, "The Coon-Can
Game: A Blues Ballad Tradition," UCLA, 1968.  Do you know if a paper
based on this thesis has been published?Yes, Wilgus-Long mention the first use of "blues ballad" by W. C.
Handy, though, of course, not necessarily with the same meaning.
Wilgus-Long also refer to Wilgus' notes for an Obray Ramsey album,
1961, which I'm sure I have at home, though I haven't looked for it
yet.  This is evidently Wilgus' first use of the term.  Perhaps he
had reconsidered "banjo ballad" from the "Arch and Gordon" article.Incidentally, as far as I know, Wilgus' brief article is the only
note of the "Arch and Gordon" historical incident in the folklore
literature.  I'm sure that there is an immense amount of material on
this - indeed, I've come across newspaper articles on the murders
while looking for something else - so I'm considering doing some
digging on this, once I get "John Henry" out of the way to my
satisfaction.>Hi, John:
>There were a few earlier studies by D.K. that might have additional
>material.  There was a good early review by Marina Bokelman in the UIllinois
>student journal, Autoharp #32 (1968) that gave a summary.  The articles are
>Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
>JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.  In
>the latter he first introducted the concept but called it a "banjo ballad."
>D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
>earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
>Folksongs, p 266).  But all of this may have been covered in the Wilgus/Long
>article, which I haven't read in quite a while.
>Norm Cohen
>
>----- Original Message -----
>From: "John Garst" <[unmask]>
>To: <[unmask]>
>Sent: Wednesday, September 25, 2002 10:36 AM
>Subject: Help?
>
>
>>  Three of the weeks that I would have spent writing four short entries
>>  for the upcoming "The Encyclopedia of the Blues" have been devoted
>>  instead to a medical emergency.  Now I'm back at work, but my
>>  deadline is close.  I have three of my entries under control,
>>  bibliographically, so they present no problems.  The fourth consists
>>  of 300 words, plus references, on "blues ballad."  I have what I
>>  believe to be the seminal paper,
>>
>>  D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
>>  Style in Traditional Ballad Song." In Narrative Folksong: New
>>  Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
>>  L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
>>  pp. 437-82.
>>
>>  I lack references to subsequent writings on this subject.  I recall
>>  reading a suggestion that "nodal ballad" might be a better term than
>>  "blues ballad" and I recall reading that these types of ballads are
>>  frequent in the Irish tradition, but I don't have references at my
>>  fingertips.  I would appreciate any help that might be offered.
>>
>>  Thanks.
>>
>>  --
>>  john garst    [unmask]--
john garst    [unmask]

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Subject: Celtic Colours
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 15:46:25 CDT
Content-Type:text/plain
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Is anyone from this list planning to attend the Celtic Colours Festival in
Cape Breton this year? If so, and you'd like to get together, send email!    John--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: Frankie and John Huston
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 18:53:41 -0400
Content-Type:text/plain
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John Huston (the celebrated playwright, movie director, writer, and
actor) wrote his first play "Frankie and Johnny" in 1928.  That year
he turned 22.  It was published by Albert & Charles Boni, Inc., in
1930.  Shortly before it was published, an article by Courtenay
Terret appeared in The World, New York, stating that John Huston "has
prosecuted researches for several months past which have gone beyond
the findings of other investigators ... to establish the true
identities of the originals of America's most popular folk song."
The rest of the article, which purports to be based entirely on
Huston's research, gives a much more detailed account of the St.
Louis triangle involving Frankie Baker, Allen Britt, and Alice Pryor
than Huston himself gives in his book.This made me wonder if Huston left some research materials that might
be archived somewhere.  I find that the Academy of Motion Picture
Arts and Sciences Library (Beverly Hills, Calif.) has 64 linear feet
of John Huston's papers, but that they are dated 1932-1981, after he
did his "Frankie" research.  Ugh!As far as I can tell, Huston is the first to publish in a national
forum that Frankie, Stack Lee, and Duncan and Brady, all celebrated
in ballads, were St. Louis characters.
--
john garst    [unmask]

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Subject: Re: Harker and the Folk Revival
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 00:01:52 +0100
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> I think I was able to show that Dave Harker's claim that the whole thing
> was masterminded from the Party's London HQ, with members fanning out
> across the country to infiltrate the clubs, was Cold War paranoia.Given Harker's politics (quite a long way left of the CP) "cold
war paranoia" seems a rather strange way to describe his position.
"Trotskyist paranoia", just possibly - though in fact what I've
read of his book seemed reasonably sensible and well-argued.=================== <http://www.purr.demon.co.uk/jack/> ===================

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Subject: spotted on rec.music.early
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 01:36:40 +0100
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This looks useful and the price is right...                    === begin quote ===The Colonial Music Institute announces a new CD-ROM publication:Early American Secular Music and Its European Sources, 1589-1839: An
Index
compiled by Robert M. Keller, Raoul F. Camus, Kate Van Winkle Keller,
and Susan Cifaldi.
Annapolis: The Colonial Music Institute, 2002. CD-ROM:  $25.00This CD-ROM is a series of electronic indexes derived from a database of
text and music information compiled from primary sources covering the
250   years of the initial exploration and settlement of the United
States. Over 75,000
entries are sorted by text (titles, first lines, recitatives, choruses,
&   burdens), by musical incipits (scale degrees,
stressed notes, and interval sequences), with additional indexes of
names and theater works. Most of the   entries
include a representation of the music in a numerical code so that a
researcher can tell how the tune begins.  The original project, The National Tune Index, of which this is an
expansion, was initially sponsored by The
Sonneck Society, now the Society for American Music, and funded by two
major grants from the National
Endowment for the Humanities and several additional grants from the City
University of New York Research
Award Program.  Musical Genres include:
  American Imprints: 270 sources, 11,310 items
  American Manuscripts: 145 sources, 11,192 items
  British Musical Theater & Ballad Opera, 238 sources, 5,784 items
  Dance Collections: 139 sources, 17,239 items
  British and European Instrumental Music: 277 sources, 14,607 items
  Manuscripts from Canada, France, Scotland, England, Ireland, Germany,
and Mexico: 46 sources, 6,059
items
  Songs and Sheet Music: 55 sources, 9,647 items  The Eight Indexes are:
  Texts
  Incipits
  Stress Notes
  Intervals
  Sources
  Genres
  Names
  Theater Works  Database can also be accessed on the web at
http://www.colonialmusic.org  The Colonial Music Institute
  276 Oak Court, Severna Park, MD 21146
  (410) 544-6149
  www.colonialmusic.org
  [unmask]                    ==== end quote ====-----------------------------------------------------------------------------
Jack Campin  *   11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland
tel 0131 660 4760  *  fax 0870 055 4975  *  http://www.purr.demon.co.uk/jack/
food intolerance data & recipes, freeware Mac logic fonts, and Scottish music

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Subject: Re: Help?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 18:01:37 -0700
Content-Type:text/plain
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I have a copy of the thesis; it was never published.
Norm----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Thursday, September 26, 2002 1:11 PM
Subject: Re: Help?> Thanks, Norm.  I doubt that I will be able to find the Autoharp
> article in timely fashion.  I have "Arch and Gordon" and I'm sure I
> can find "Clure and Joe Williams" easily enough (I recall having seen
> it).  Today I came across the following sentence in Paul Oliver's
> "Songster's and Saints": "A number of songs have been identified as
> 'blues ballads' by D. K. Wilgus, Marina Bokelman and others."  The
> reference is to Bokelman's unpublished Master's thesis, "The Coon-Can
> Game: A Blues Ballad Tradition," UCLA, 1968.  Do you know if a paper
> based on this thesis has been published?
>
> Yes, Wilgus-Long mention the first use of "blues ballad" by W. C.
> Handy, though, of course, not necessarily with the same meaning.
> Wilgus-Long also refer to Wilgus' notes for an Obray Ramsey album,
> 1961, which I'm sure I have at home, though I haven't looked for it
> yet.  This is evidently Wilgus' first use of the term.  Perhaps he
> had reconsidered "banjo ballad" from the "Arch and Gordon" article.
>
> Incidentally, as far as I know, Wilgus' brief article is the only
> note of the "Arch and Gordon" historical incident in the folklore
> literature.  I'm sure that there is an immense amount of material on
> this - indeed, I've come across newspaper articles on the murders
> while looking for something else - so I'm considering doing some
> digging on this, once I get "John Henry" out of the way to my
> satisfaction.
>
> >Hi, John:
> >There were a few earlier studies by D.K. that might have additional
> >material.  There was a good early review by Marina Bokelman in the
UIllinois
> >student journal, Autoharp #32 (1968) that gave a summary.  The articles
are
> >Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
> >JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.
In
> >the latter he first introducted the concept but called it a "banjo
ballad."
> >D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
> >earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
> >Folksongs, p 266).  But all of this may have been covered in the
Wilgus/Long
> >article, which I haven't read in quite a while.
> >Norm Cohen
> >
> >----- Original Message -----
> >From: "John Garst" <[unmask]>
> >To: <[unmask]>
> >Sent: Wednesday, September 25, 2002 10:36 AM
> >Subject: Help?
> >
> >
> >>  Three of the weeks that I would have spent writing four short entries
> >>  for the upcoming "The Encyclopedia of the Blues" have been devoted
> >>  instead to a medical emergency.  Now I'm back at work, but my
> >>  deadline is close.  I have three of my entries under control,
> >>  bibliographically, so they present no problems.  The fourth consists
> >>  of 300 words, plus references, on "blues ballad."  I have what I
> >>  believe to be the seminal paper,
> >>
> >>  D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
> >>  Style in Traditional Ballad Song." In Narrative Folksong: New
> >>  Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
> >>  L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
> >>  pp. 437-82.
> >>
> >>  I lack references to subsequent writings on this subject.  I recall
> >>  reading a suggestion that "nodal ballad" might be a better term than
> >>  "blues ballad" and I recall reading that these types of ballads are
> >>  frequent in the Irish tradition, but I don't have references at my
> >>  fingertips.  I would appreciate any help that might be offered.
> >>
> >>  Thanks.
> >>
> >>  --
> >>  john garst    [unmask]
>
> --
> john garst    [unmask]

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Subject: Re: spotted on rec.music.early
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 21:13:18 -0400
Content-Type:text/plain
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All true Jack, and as far as I am aware, like the NTI, this still
only works on a Windows operating system.John Roberts.>This looks useful and the price is right...>
>                    === begin quote ===
>
>The Colonial Music Institute announces a new CD-ROM publication:
>
>Early American Secular Music and Its European Sources, 1589-1839: An
>Index
>compiled by Robert M. Keller, Raoul F. Camus, Kate Van Winkle Keller,
>and Susan Cifaldi.
>Annapolis: The Colonial Music Institute, 2002. CD-ROM:  $25.00
>
>This CD-ROM is a series of electronic indexes derived from a database of
>text and music information compiled from primary sources covering the
>250   years of the initial exploration and settlement of the United
>States. Over 75,000
>entries are sorted by text (titles, first lines, recitatives, choruses,
>&   burdens), by musical incipits (scale degrees,
>stressed notes, and interval sequences), with additional indexes of
>names and theater works. Most of the   entries
>include a representation of the music in a numerical code so that a
>researcher can tell how the tune begins.
>
>  The original project, The National Tune Index, of which this is an
>expansion, was initially sponsored by The
>Sonneck Society, now the Society for American Music, and funded by two
>major grants from the National
>Endowment for the Humanities and several additional grants from the City
>University of New York Research
>Award Program.
>
>  Musical Genres include:
>  American Imprints: 270 sources, 11,310 items
>  American Manuscripts: 145 sources, 11,192 items
>  British Musical Theater & Ballad Opera, 238 sources, 5,784 items
>  Dance Collections: 139 sources, 17,239 items
>  British and European Instrumental Music: 277 sources, 14,607 items
>  Manuscripts from Canada, France, Scotland, England, Ireland, Germany,
>and Mexico: 46 sources, 6,059
>items
>  Songs and Sheet Music: 55 sources, 9,647 items
>
>  The Eight Indexes are:
>  Texts
>  Incipits
>  Stress Notes
>  Intervals
>  Sources
>  Genres
>  Names
>  Theater Works
>
>  Database can also be accessed on the web at
>http://www.colonialmusic.org
>
>  The Colonial Music Institute
>  276 Oak Court, Severna Park, MD 21146
>  (410) 544-6149
>  www.colonialmusic.org
>  [unmask]
>
>                    ==== end quote ====
>
>
>-----------------------------------------------------------------------------
>Jack Campin  *   11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland
>tel 0131 660 4760  *  fax 0870 055 4975  *  http://www.purr.demon.co.uk/jack/
>food intolerance data & recipes, freeware Mac logic fonts, and Scottish music

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Subject: Re: More on the name issue
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 00:09:40 -0500
Content-Type:text/plain
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        One flaw. The SSDI only covers with those who lived to collect
Social Security. If Vera was born c 1906 and died in 1964 she probably
would not have collected and, therefore, would not appear in the SSDI.At 12:26 PM -0500 9/26/02, Paul Stamler wrote:
>Hi folks:
>
>Just checked out the Social Security Death Index at Ancestry.com. They had
>no record of anyone named Vera W. Hall or Vera H. Ward with a Social
>Security card issued in Alabama (which, since she lived in Alabama all her
>life, would be a reasonable expectation). Nor did any of the plain Vera
>Halls or Vera Wards die in 1964, at least not in Alabama. So far, that's a
>washout, leading to the conclusion that she may not have had a Social
>Security card. (But in that case, how did she handle money that came in when
>she sang at folk festivals?)
>
>Peace,
>Paul

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Subject: Re: Name question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 10:16:18 -0400
Content-Type:text/plain
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Ramblings - no new info.On Thu, 26 Sep 2002 12:09:20 -0500, Paul Stamler wrote:>>VERA HALL (VERA HALL WARD)
>>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.
>
>So far we have one vote on each side (I'm counting McGregory's two citations
>as a single vote). Any more data?
>
Almost all of these listing things are dirivative of each other and often
circular.  That is, they not only steal info from each other but the Other
steals back so there's no way to tell where a datum originated.  The
"Happy!" file has had the same info as above, culled from the good but
non-academic All Music Guide.  AMG also gives a "sometimes known as" for
'Vera Ward-Hall.'For that name she's a member of "the SNCC Freedom Singers" on the
commercial release of Smithsonian Folkways' 1996 Crossroads: Southern
Routes--Music of the American South. Does this name show up elsewhere?  If
not, I'd discount it.Ah!  But looking at the track listing at the actual Smith/Folkways site,
her name is given as Vera Hall Ward for "Travelin' Shoes."  I can't find
her singing that elsewhere.My primary good source, Lawless, doesn't give her.Thing is, with this much info, I can usually confirm stuff with the Social
Security death records.  Since, sadly, she didn't live long enough to
collect SS, that's out.If any wonder what the fuss is about, there are a couple of cuts of the
wonderful singer at Am Memory Collection.  This might work:
http://memory.loc.gov/cgi-bin/query/S?ammem/aasm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottlieb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstg:@FIELD(OTHER+@band(+hall,+vera+))And here's a lovely one I never heard before from The John and Ruby Lomax
1939 Southern States Recording Trip. A game song, "Candy Gal"
http://memory.loc.gov/afc/afcss39/268/2684b2.mp3Here's a tidbit: per Folklife Center News
                   American Folklife Center
                   The Library of Congress
                           Fall 1999
                     Volume XXI, Number 4
She and Dock Reed were cousins.  Didn't know that.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Recognition
From: Mary Stafford <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:15:56 -0400
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To John Cowles and Donald Duncan- yes, I am the Mary Stafford who worked in the kitchen at Cafe Yana for a time, also the Golden Vanity, and even as a pinch-hitter at Unicorn for Byron. I also had many friends at Old Joe Clark's (glad to hear it's still there) and have fond memories of rehearsing for the Woody Guthrie Cantata (or whatever it's called) there, consuming hearty rum-and-cokes to aid my voice and banish stage fright.Nowadays I am less in the folk music scene, though my love of ballads endures; however, I do English country dance when I can.Mary Stafford

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Subject: Re: Recognition
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:31:27 -0500
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<<To John Cowles and Donald Duncan- yes, I am the Mary Stafford who worked
in the kitchen at Cafe Yana for a time, also the Golden Vanity, and even as
a pinch-hitter at Unicorn for Byron. I also had many friends at Old Joe
Clark's (glad to hear it's still there) and have fond memories of rehearsing
for the Woody Guthrie Cantata (or whatever it's called) there, consuming
hearty rum-and-cokes to aid my voice and banish stage fright.>>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
drinks close up your throat. Much better: a hot toddy with lots of lemon.Peace,
Paul

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Subject: Re: Recognition
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 14:08:38 -0400
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>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
>drinks close up your throat. Much better: a hot toddy with lots of lemon.
>Peace,
>PaulI didn't know this.
So what's a good choice for a NON-alcoholic beverage to be drinking in the
several hours before a singing performance?   -What beverages help the
voice be at it's best, and which ones cause particular problems?
I recently heard that eating something before a performance (not performing
on an empty stomache, that is) goes a long way towards lessening stage
fright.....
Lisa

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Subject: Re: Recognition
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:01:24 -0700
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--- Mary Stafford <[unmask]> wrote:
> To John Cowles and Donald Duncan- yes, I am the
> Mary Stafford who worked in the kitchen at Cafe
> Yana for a time, also the Golden Vanity, and
> even as a pinch-hitter at Unicorn for Byron. I
> also had many friends at Old Joe Clark's (glad
> to hear it's still there) and have fond
> memories of rehearsing for the Woody Guthrie
> Cantata (or whatever it's called) there,
> consuming hearty rum-and-cokes to aid my voice
> and banish stage fright.
>Hi. Did you ever work at Club 47? You might be
interested to know that there is a history of
Club 47 to be published soon, written by Millie
Rahn.  I don't know the exact title.
Douglas Cooke
www.richardandmimi.com__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

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Subject: Re: Recognition
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 14:05:46 -0500
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>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
>drinks close up your throat. Much better: a hot toddy with lots of lemon.
>Peace,
>Paul<<I didn't know this.
So what's a good choice for a NON-alcoholic beverage to be drinking in the
several hours before a singing performance?   -What beverages help the
voice be at it's best, and which ones cause particular problems?>>GOOD:
7-Up or Sprite
Orange juice
Lemonade
Seltzer with a twist
White grape juice
(While singing:) Hot water, with a twist
Fresca
Most herbal teasBAD:
Colas
Mountain Dew or similar drinks (SunDrop, Squirt, etc.)
Coffee
Real tea, including iced
Red grape juice
MilkThe unifying factors: most of the good ones are citrus or citrus-related.
The first several bad ones have caffeine, which closes the throat; others
have tannin, ditto. Milk coats the throat with goo.<<I recently heard that eating something before a performance (not
performing
on an empty stomache, that is) goes a long way towards lessening stage
fright.....>>Certainly it cuts down on butterflies. You don't want to eat too much,
though, as being too full limits how much air you can take in, and it also
makes you sleepy. I eat a light, complex-carb meal, maybe just some good
bread, and don't let myself get too full.By the way, you didn't ask, but as far as alcoholic beverages are concerned:GOOD:
Vodka
Bourbon, Irish or Canadian whiskey
White wine (Aunt Jane's choice)NEUTRAL:
BeerBAD:
Scotch whisky
Red wineThe issue, again, is tannins and similar stuff, called "congeners", that
close up the throat. By the way, if you're having problems with a sore
throat or hoarseness, *don't* use alcohol! Its slight anesthetic effect may
encourage you to keep on singing when you really shouldn't, and do long-term
damage.Thanks to "Aunt Jane" Vidrine of the Magnolia Sisters for compiling this
chart, years ago. There were a few other things on it too, but I don't
remember what they were.Peace,
Paul

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Subject: Re: Recognition
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 00:29:09 -0700
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Port and brandy, but an old favourite was rum and blackcurrant.My dad used to drink raw eggs, but I think that's going over the top.
Wonder if Advocaat is any good? Can't stand the stuff.Paul Stamler wrote:
>
> >Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
> >drinks close up your throat. Much better: a hot toddy with lots of lemon.
> >Peace,
> >Paul
>
> <<I didn't know this.
> So what's a good choice for a NON-alcoholic beverage to be drinking in the
> several hours before a singing performance?   -What beverages help the
> voice be at it's best, and which ones cause particular problems?>>
>
> GOOD:
> 7-Up or Sprite
> Orange juice
> Lemonade
> Seltzer with a twist
> White grape juice
> (While singing:) Hot water, with a twist
> Fresca
> Most herbal teas
>
> BAD:
> Colas
> Mountain Dew or similar drinks (SunDrop, Squirt, etc.)
> Coffee
> Real tea, including iced
> Red grape juice
> Milk
>
> The unifying factors: most of the good ones are citrus or citrus-related.
> The first several bad ones have caffeine, which closes the throat; others
> have tannin, ditto. Milk coats the throat with goo.
>
> <<I recently heard that eating something before a performance (not
> performing
> on an empty stomache, that is) goes a long way towards lessening stage
> fright.....>>
>
> Certainly it cuts down on butterflies. You don't want to eat too much,
> though, as being too full limits how much air you can take in, and it also
> makes you sleepy. I eat a light, complex-carb meal, maybe just some good
> bread, and don't let myself get too full.
>
> By the way, you didn't ask, but as far as alcoholic beverages are concerned:
>
> GOOD:
> Vodka
> Bourbon, Irish or Canadian whiskey
> White wine (Aunt Jane's choice)
>
> NEUTRAL:
> Beer
>
> BAD:
> Scotch whisky
> Red wine
>
> The issue, again, is tannins and similar stuff, called "congeners", that
> close up the throat. By the way, if you're having problems with a sore
> throat or hoarseness, *don't* use alcohol! Its slight anesthetic effect may
> encourage you to keep on singing when you really shouldn't, and do long-term
> damage.
>
> Thanks to "Aunt Jane" Vidrine of the Magnolia Sisters for compiling this
> chart, years ago. There were a few other things on it too, but I don't
> remember what they were.
>
> Peace,
> Paul

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Subject: Re: Harker and the Folk Revival
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 00:23:22 -0700
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Jack Campin wrote:
>
> > I think I was able to show that Dave Harker's claim that the whole thing
> > was masterminded from the Party's London HQ, with members fanning out
> > across the country to infiltrate the clubs, was Cold War paranoia.
>
> Given Harker's politics (quite a long way left of the CP) "cold
> war paranoia" seems a rather strange way to describe his position.
> "Trotskyist paranoia", just possibly - though in fact what I've
> read of his book seemed reasonably sensible and well-argued.
>
> =================== <http://www.purr.demon.co.uk/jack/> ===================Hear here. The book is not a bible, but it's certainly not daft, either,
especially considering when - and possibly where - it was written. It is
undoubtedly an "uncomfortable" book, but that's because it sets us
thinking and going beyond Harker's predilection for sensational
sentences, _designed_ to make us feel uncomfortable.

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Subject: Thomas Hart Benton's "Frankie and Johnny"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 10:52:02 -0400
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It is said that Thomas Hart Benton's mural "Frankie and Johnny"
"decorates the wall of the state capital building at Jefferson City,
Missouri.  In a copy of a newspaper illustration of this painting,
Frankie stands at left center and holds a pistol in her right hand,
which she has fired at Johnny (apparently hitting him, as some
versions of the song say, in the rear end), who is to the right of
her.  I have another copy of this, a folio print, in which the scene
is reversed, Frankie holds the pistol in her left hand and Johnny is
to the left of her.Does anyone know which view corresponds to the mural?  (I've not seen it.)Could it be that the mural and the folio print represent different
works by Benton?  In comparing the two copies that I have, I think I
see several minor differences, other than reversal, but these might
be copying artifacts.Is the mural in color?  Both copies that I have are black-and-white.Thanks.
--
john garst    [unmask]

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Subject: Re: singing NYC sisters news article - access problem
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 11:45:58 -0400
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On Sun, Sep 22, 2002 at 09:08:30PM -0400, Thomas H. Stern wrote:        Sorry for the delay in responding, but I was out of town.  I
don't see that anyone else has replied, so I'll do it.> Hi -
>   I am unable to access the article using the link provided, however if I use www.
> rather than www2. I get there OK.
>   Any techies out there who can explain??  Thanks!
> (I'm on Windows 95 and Netscape Communicator 4.73)        It shouldn't make any difference.  I checked, and both names
resolve to the same system, which is actually named:        scratchy.bostonherald.comand has an IP address of: 204.137.14.50        My guess is that your first attempt ran into problems finding a
route to the system, but started the process.  The later attempt, with
the '2' left off the "www" picked up where the previous try left off,
and made it through.        Both "www" and "www2" are aliases to the actual system name, as
is common for systems acting as web servers.  My system is similarly set
up.  The benefit is that I can move the web pages to another system,
change the aliases, and things keep working for people trying to
connect.> Tom Stern.> > http://www2.bostonherald.com/entertainment/music/koss04112002.htm        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Oct 6 sunday in Altamont, New York
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Sep 2002 10:40:25 -0400
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Oct 6 sunday, in Altamont, New York (Albany area)
Oldtime music presented in the OldSongs Dutch Barn
at the Apple Festival in the Altamont Fairgrounds.
12noon-4pm
Brian Sullivan (fiddle)
Mark Schmidt (guitar)
Lisa Johnson (banjo)
(There will also be some Appalachian-style a cappella ballads sung for your
enjoyment -specializing in mayhem, treachery, love, murder & despair!)(contact Brian Sullivan for directions etc, 518-765-9310)

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Subject: Correction! Oct 6 event
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Sep 2002 10:47:37 -0400
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Ooops, not awake yet this morning!!
That would be Steve Kessler on guitar...my apologies!  :-O

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Subject: Re: Harker and the Folk Revival
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 09:05:33 -0400
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All right.  I'll jump in.  I've resisted, so far.  In the section that
covers material I know best, the only section that I checked out carefully
(on Motherwell and his  era), there are way too many errors.  I think that
Porter's piece makes a similar point, that his data just do/does not hold
up.  But if his thesis depends on his data, and his data is/are not
accurate, then where does that leave his thesis?   Too bad, as I have some
sympathy for his thesis.At 12:23 AM 9/28/2002 -0700, Andy Rouse wrote:
>Jack Campin wrote:
> >
> > > I think I was able to show that Dave Harker's claim that the whole thing
> > > was masterminded from the Party's London HQ, with members fanning out
> > > across the country to infiltrate the clubs, was Cold War paranoia.
> >
> > Given Harker's politics (quite a long way left of the CP) "cold
> > war paranoia" seems a rather strange way to describe his position.
> > "Trotskyist paranoia", just possibly - though in fact what I've
> > read of his book seemed reasonably sensible and well-argued.
> >
> > =================== <http://www.purr.demon.co.uk/jack/> ===================
>
>Hear here. The book is not a bible, but it's certainly not daft, either,
>especially considering when - and possibly where - it was written. It is
>undoubtedly an "uncomfortable" book, but that's because it sets us
>thinking and going beyond Harker's predilection for sensational
>sentences, _designed_ to make us feel uncomfortable.

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Subject: Woman looking for AFS roommate
From: "Wolz, Lyn" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 08:56:07 -0500
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Jane Keefer, retired librarian and musician/folklorist/indexer (compiler of
the Folk Music Index on the web), is looking for a female roommate or
roommates at the conference hotel for the American Folklore Society meeting
in Rochester.  She had a roommate lined up but that person just broke her
foot and is not able to attend the conference after all.  Since they had
already paid for their room, the other person will be out her money unless
someone else can join Jane.  Please contact Jane at [unmask] or
at 503-775-2846 asap.  Thanks.Lyn Wolz, Reference/Instruction Librarian
Regents Center Library
University of Kansas, Edwards Campus
[unmask]Archives and Libraries Section
American Folklore Society

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Subject: Ebay Songster List - 09/30/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 15:45:50 -0400
Content-Type:text/plain
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Hi!        Well we are back home and trying to catch up. Here is the
songster list. The main list will follow in a few days.        1565834782 - Old Uncle Ned Songster, 1870's, $24.99 (ends
Oct-01-02 19:34:00 PDT)        909633610 - 3 Civil War Era songsters (reprints?), $15 (ends
Oct-03-02 19:14:21 PDT)        1566070389 - Forget-Me-Not SONGSTER, 1840's?, $15 (ends
Oct-05-02 14:16:14 PDT)                        See you all later!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 16:20:55 -0400
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>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>birth and death dates?
>
>Peace,
>PaulJoey Brackner, Alabama Folklife Program, Alabama State Council on the
Arts (www.arts.state.al.us), consulted Joyce Cauthen on this and sent
me the following response to my enquiry.*******
It's all very confusing.  According to Joyce Cauthen, her name is Adele Vera
Hall.  She had marriages to men named Riddle?, Ward and Adair.  For some
reason, the Ward name is the only other one that she or other folks seem to
use.>From this, I think Vera Hall Ward would be more correct that Vera Ward Hall.
But I think Vera Hall is superior to both.
*******--
john garst    [unmask]

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Subject: Re: Name question
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 18:20:28 -0500
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        Know I mentioned this before. The comment in Sheldon HARRIS' book
that she is cousin to Doc[k] REED and gives as an aka Nora REED. I'm not
that familiar with REED. Perhaps his back story might help.        GOODRICH and DIXON [and RYE] cross reference to Albert "Tongue
Tied" ALLISON, Polly LARKIN, Dock REED, and the Brown Chapel Baptist Church.At 4:20 PM -0400 9/30/02, John Garst wrote:
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?
>>
>>Peace,
>>Paul
>
>Joey Brackner, Alabama Folklife Program, Alabama State Council on the
>Arts (www.arts.state.al.us), consulted Joyce Cauthen on this and sent
>me the following response to my enquiry.
>
>*******
>It's all very confusing.  According to Joyce Cauthen, her name is Adele Vera
>Hall.  She had marriages to men named Riddle?, Ward and Adair.  For some
>reason, the Ward name is the only other one that she or other folks seem to
>use.
>
>>From this, I think Vera Hall Ward would be more correct that Vera Ward Hall.
>But I think Vera Hall is superior to both.
>*******
>
>
>--
>john garst    [unmask]

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Subject: "John Henry" on NPR
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 14:52:15 -0400
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I'm told that a 5-6 minute segment on "John Henry" is scheduled to
broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
there might be a few seconds of me, stating some of the evidence for
John Henry in Alabama.  I'm also told that there will be a
corresponding WWW site set up by NPR.Brits, you might not be able to get this on direct broadcast, but I
think that the segment will be made available eventually for internet
listening.Stephen Wade is the author/producer of the program.
--
john garst    [unmask]

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Subject: "John Henry" on NPR
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 15:53:49 -0400
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>I'm told that a 5-6 minute segment on "John Henry" is scheduled to
>broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
>there might be a few seconds of me, stating some of the evidence for
>John Henry in Alabama.  I'm also told that there will be a
>corresponding WWW site set up by NPR.The WWW site is already there:
http://www.npr.org/programs/morning/features/patc/johnhenry/index.html
--
john garst    [unmask]

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Subject: Re: "John Henry" on NPR
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 13:11:40 -0700
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John, Stephen:Congratulations.  Excellent (and appropriate) programming.EdOn Sun, 1 Sep 2002, John Garst wrote:> I'm told that a 5-6 minute segment on "John Henry" is scheduled to
> broadcast on NPR on "Morning Edition" on Labor Day.  I'm told that
> there might be a few seconds of me, stating some of the evidence for
> John Henry in Alabama.  I'm also told that there will be a
> corresponding WWW site set up by NPR.
>
> Brits, you might not be able to get this on direct broadcast, but I
> think that the segment will be made available eventually for internet
> listening.
>
> Stephen Wade is the author/producer of the program.
> --
> john garst    [unmask]
>
>
>

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Subject: "Tom Dooley" parody?
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 1 Sep 2002 22:26:53 -0600
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To anyone who keeps up with semi-popular versions of ballads--Somewhere in our NPR station's (KGNU's) Bluegrass LP library, I once found
an LP (1970s? 80s?) on which a semi-authentic modern group (Dillards?)
played a live parody of the Kingston Trio's "Tom Dooley," with a comical
spoken introduction mimicking the "extremely difficult" banjo figure that
opens it.* The audience was vocally amused.Naturally, I can't find it again; nor recall the group's name; nor does it
ring a bell in the formidable memories of KGNU's dedicated Bluegrassers.
-- Can any listmember supply me with a lead?All best,Michael Bell* - For anyone wondering what the joke is: The KTrio's banjo intro sounds
like the banjoist has just mastered Mel Bay Lesson One.

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Subject: Re: Greig~Duncan & The Three Butchers
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:12 -0400
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Speaking of which, I'm listening to a very nice version of "The Three
Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
Gentlemen."A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
Broadwood version - see/hearable at Lesley's
http://www.contemplator.com/folk6/butchers.html)It's odd that for all the many tunes, the texts vary very little.It also fits into two categories I track...        Ballads Child missed (possibly because he _knew_ it was a
broadside and _thought_ it was not actually in tradition)and
        Ballads with alternate endings the singer may or may not feel the
option to choose the which of while singing in order to keep us in
suspense.  In this case, whether the treacherous lady get caught or not.
We certainly _want_ her to.I've always thought of this as an English and USian ballad but
Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
1906) is that it is "an old English song."Ballad Index gives earliest date as c.1678 but no source.
C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
Collection_ but no date.
Bodley online only has earliest of 1813.So, has anyone (especially Steve or Bruce) early words to this and/or
earliest record and/or is the 1678 reference actually from Roxburghe.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig-Duncan
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:09 -0400
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On Fri, 30 Aug 2002 11:17:00 -0700, Jon Bartlett wrote:>For those of us asleep at the switch, is there any way to get this set (8 vols) complete? (I presume this is "Last Leaves" Greig).  Or the first 7?Yes, Gavin Greig.  Except that LL is compiled of Greig's stuff by
Alexander Keith after Greig's death.  A fine volume.Also a nice book of unedited reprints of his two year's worth of newspaper
articles & songs collected and submitted by the local citizenry.
Published by Folklore Associates in 1963.  Put together by Goldstein &
Arthur Argo.  The late Arthur was Greig's heir of the collection.  His
grand nephew, I think.  For decades Arthur sat on this staggering mass of
superb song seeking an editor, financer, publisher.  He'd practically stop
strangers in the street asking them...well no, not quite.  But he was
desperate that the wonderful collection - the greatest of all the great
Scottish collections - not just die.  Greig was the greatest but unknown
outside Scotland.  He knew of Child and of Child's belief that Scots
folksong was essentially dead as a living tradition.  Child didn't know of
Greig who regularly collected ballads (most of which became "Child
Ballads" -that's what LL is about - others of which Child missed...) _from
tradition_ as living, sung material.In the meantime, his collecting partner, James Duncan's family was sitting
on nearly as extensive a collection with equal frustration.Finally, the whole schmere got put together and brilliantly notated and
edited as one of the true milestones of Brit folksong/ballad publishing.
Begun by senior editor Patrick Shuldham-Shaw and after his death led by
Emily Lyle (of the School of Scottish Studies) and many other leading
scholars.  Even including Ewan.A pretty good book.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig-Duncan Volume Eight
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:43:14 -0400
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On Sat, 31 Aug 2002 06:22:01 -0400, Ewan McVicar wrote:>If you are impatient to see the last volume - think how Emily Lyle feels
>about it!I can barely imagine!About that index...-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 09:19:56 -0700
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Folks:Abby notes that "Johnson and Jinkson," despite being sung to widely
different tunes, is textually well-preserved in oral tradition.The same is true for the various versions of "Barbara Allen."  There are
four groups of text types, all telling the same story, all rather
internally consistent.  These text types are sung to as many as four
different tune types, higglety-pigglety, with no text type invariably
associated with any tune type.The explanation is simple:  The tunes traveled by oral/aural means.  The
texts were reinforced with broadsides and songster reprints.Ed

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Subject: Re: Recognition...
From: "Donald A. Duncan" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 12:28:54 -0400
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John Cowles wrote:
>
> > On Thu, 29 Aug 2002 06:52:59 CDT, [unmask] wrote:
> >
> > >BTW, are you the same John Cowles who lived in
> > >Cambridge MA in the '60s?
> >
> > _I_ lived there in '59-'60 but you don't look familiar...
> >
>
>  This is understandable! I didn't get there until 1963! While I was
> there, I sang at coffee houses, hung around Old Joe Clark's, had
> a band named "Millrace" with Neil Rossi (the fiddler), wrote a ballad
> column for a folk-song newspaper for a year or so, recorded a couple of
> songs for Peter Johnson's "Pleasant and Delightful" series, did a yearly
> 'Child Ballad Orgy' for WHRB and ran a shop on Mass Ave called
> "The C & S Talking Machine Co.", specializing in talking machines and
> folk 78's. I am new to this list (thanks to Sandy Paton for the
> introduction) and the only person I have recognized as an old aquaintance
> so far is Mary Stafford (if she is the lady who ran Cafe Yana).Well, there's me, and I was wondering the same thing as Tom - it's a
distinctive name.  Old Joe Clark's is still here, and Sandy and Milt and
I still live here.  Sandy still has the old shop as "Sandy's Music" on
Mass. Ave., and our back stairway is impassible because of Edison horns...!Peter Johnson has recently reappeared from many years of anonymity, with
a family, and is now putting on concerts again - with his peripateticity
and financial acumen seemingly unchanged.  Meanwhile, I'm president of
Old Joe's, the Folk Song Society of Greater Boston, and Indian Neck.If you contact me privately, I can fill you in on anyone else you knew
from the '70s.-Don Duncan

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Subject: Re: Greig~Duncan & The Three Butchers
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 11:27:34 -0500
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On 9/2/02, Abby Sale wrote:>Speaking of which, I'm listening to a very nice version of "The Three
>Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
>by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
>Gentlemen."
>
>A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
>Broadwood version - see/hearable at Lesley's
>http://www.contemplator.com/folk6/butchers.html)
>
>It's odd that for all the many tunes, the texts vary very little.
>
>It also fits into two categories I track...
>
>        Ballads Child missed (possibly because he _knew_ it was a
>broadside and _thought_ it was not actually in tradition)
>
>and
>        Ballads with alternate endings the singer may or may not feel the
>option to choose the which of while singing in order to keep us in
>suspense.  In this case, whether the treacherous lady get caught or not.
>We certainly _want_ her to.
>
>I've always thought of this as an English and USian ballad but
>Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
>1906) is that it is "an old English song."
>
>Ballad Index gives earliest date as c.1678 but no source.
>C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
>Collection_ but no date.
>Bodley online only has earliest of 1813.
>
>So, has anyone (especially Steve or Bruce) early words to this and/or
>earliest record and/or is the 1678 reference actually from Roxburghe.The c. 1678 citation is based on Kennedy, who cites the
Roxburghe version. And Kennedy prints a stanza, which shows
pretty clearly that it *is* the same song.FWIW, the long list of sources in Kennedy (which includes all
versions found in the Ballad Index except Laws, Copper,
MacColl, and Cazden et al) cites only Grieg from Scotland;
ditto Laws.--
Bob Waltz
[unmask]"The one thing we learn from history --
   is that no one ever learns from history."

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Subject: Ebay List - 09/02/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 15:07:42 -0400
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Hi!        Here I am on Labor Day laboring over my weekly list.        SONGSTERS        2135748995 - The Battleship Maine Songster, $4.95 (ends
Sep-04-02 18:19:29 PDT)        903791171 - Eva Tanguay's Great Songster, 1895?, $3.50 (ends
Sep-08-02 19:22:42 PDT0        SONGBOOKS, ETC.        1559045173 - Mountain Ballads by Raine, 1923, $2.25 (ends
Sep-03-02 18:09:56 PDT)        1559055819 - Songs of the Soil, Sizemore, 1937, $1 (ends
Sep-03-02 18:53:33 PDT)        1559272884 - English Minstrelsie, edited by S.Baring-Gould, vol.
1, 1895, $10 w/reserve (ends Sep-04-02 18:14:34 PDT)        902963073 - The Second Book of Irish Ballads by James N. Healy,
1962, $10 (ends Sep-05-02 09:32:25 PDT)        902967739 - SONGS OF THE ISLES by Robertson, 1950, $10 (ends
Sep-05-02 09:46:01 PDT)        903197856 - Texas Folk Songs by Owens, 1950?, $4.50 (ends
Sep-05-02 17:53:54 PDT)        903202374 - Home and Hill Country Ballads, Baker, 1943, $7.90
(ends Sep-05-02 18:14:11 PDT)        1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $9.99 (ends Sep-06-02 05:41:14 PDT)        1560002665 - SONGS OF THE SOUTHLAND by Sizemore, 1947, $6 (ends
Sep-07-02 16:59:16 PDT)        903442889 - The Leadbelly Song Book, 1962, $6 (ends Sep-07-02
06:56:34 PDT)        1559973418 - Adirondack Voices by Bethke, 1994, $6.88 (ends
Sep-07-02 13:57:01 PDT0        903708974 - CAMBRIAN MINSTRELSIE(Alowon Gwalia) A National
 Collection Of Welsh Songs, 1888, vol. 3 of 6, $24.99 (ends Sep-08-02
13:56:22 PDT)        903711022 - Same as above, vol. 5 of 6, $29.95 (ends Sep-08-02
14:05:32 PDT)        1559592337 - Folksongs & Foklore of South Uist by Shaw, 1955,
14.99 GBP (ends Sep-08-02 14:42:08 PDT)        903180010 - The British Broadside Ballad and its Music by
Simpson, 1966, $30 (ends Sep-08-02 16:32:29 PDT)        1559648632 - A Folk Song Chapbook by Kingston, 1955, $7.50 (ends
Sep-08-02 17:52:57 PDT)        Hope everyone is ready for Fall! See you next week!                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 17:46:52 -0400
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Abby Sale wrote:
>
> Speaking of which, I'm listening to a very nice version of "The Three
> Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
> by John Roberts.)  An excellent CD altogether, BTW, "A Present from the
> Gentlemen."
>
> A good new-to-me tune for the deservedly ubiquitous song.  (It's the 1894
> Broadwood version - see/hearable at Lesley's
> http://www.contemplator.com/folk6/butchers.html)
>
> It's odd that for all the many tunes, the texts vary very little.
>
> It also fits into two categories I track...
>
>         Ballads Child missed (possibly because he _knew_ it was a
> broadside and _thought_ it was not actually in tradition)
>
> and
>         Ballads with alternate endings the singer may or may not feel the
> option to choose the which of while singing in order to keep us in
> suspense.  In this case, whether the treacherous lady get caught or not.
> We certainly _want_ her to.
>
> I've always thought of this as an English and USian ballad but
> Greig~Duncan (1st song in Vol 2) give M versions.  The only comment (about
> 1906) is that it is "an old English song."
>
> Ballad Index gives earliest date as c.1678 but no source.
> C# (in _Appalachia_) gives only that it occurs in _The Roxburghe
> Collection_ but no date.
> Bodley online only has earliest of 1813.
>
> So, has anyone (especially Steve or Bruce) early words to this and/or
> earliest record and/or is the 1678 reference actually from Roxburghe.
>
> -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
>                   I am Abby Sale - in Orlando, Florida
>                         Boycott South Carolina!
>         http://www.naacp.org/news/releases/confederateflag011201.shtmlIn the broadside ballad index on my website you'll see that there
are two 17th century versions, and the author of the earliest is
known (ZN782, also cataloged by Laws' # and Roud #), and both
were reprinted by Ebsworth in 'Roxburghe Ballads'.Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Wow
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 16:31:55 -0700
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Somebody snatch this.  The starting price is incredible.        1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
1928, $9.99 (ends Sep-06-02 05:41:14 PDT)Thank you, Dolores.Ed

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Subject: Another Wow
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 16:33:52 -0700
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This is a bit more pricey, but copies don't turn up that often:        903180010 - The British Broadside Ballad and its Music by
Simpson, 1966, $30 (ends Sep-08-02 16:32:29 PDT)Again we are indebted to Dolores Nichols, mistress of ebay.Ed

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Subject: Re: Wow
From: Jon Bartlett <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 18:14:51 -0700
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Yes, I've already spotted it and would like this very much for the VFSS
Archives.  I'm prepared to go quite high if neccesary. Jon Bartlett
----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Monday, September 02, 2002 4:31 PM
Subject: Wow> Somebody snatch this.  The starting price is incredible.
>
>         1559724138 - BALLADS & SEA SONGS FROM NOVA SCOTIA by MacKenzie,
> 1928, $9.99 (ends Sep-06-02 05:41:14 PDT)
>
> Thank you, Dolores.
>
> Ed
>

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Subject: E-Bay - Scrimshaw
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 2 Sep 2002 21:24:07 -0400
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This isn't directly connected to ballads, but I know there are many on the list interested in nautical folklore in general.  Have a look at "Neptune's Court SCRIMSHAW Extremely Old.RARE. Item # 903734554".Cheers
Jamie

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Subject: Fwd: [mplpost] "My Little Daughters"
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 11:51:46 -0400
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Dear Ballad-eers,
Having marveled at the cumulative knowledge herein, i'm taking the liberty
of passing this along from the Canadian folk music list.  Is it familiar
to anyone?Mary Cliff, TRADITIONS
WETA Radio (Washington, DC)Hello All,I tried posting this message on Mudcat and got no response so I am trying
it
here....I am looking for information about a song known as "My Little Daughers" -
it's been sung in our family for 50 years or so. The only verse we know is:"My little daughters, my little daughters divine, my little daughters, they
are my sunshine. They're lovely and they're fair, they're the picture of my
wife, Oh, my little daughters are the sunshine of my life."Does anyone know who wrote the song, if there are any more verses, when it
dates from, etc? Thanks!Bob MacLean

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Subject: Re: [mplpost] "My Little Daughters"
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 11:24:37 -0500
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----- Original Message -----
From: Mary Cliff <[unmask]><<"My little daughters, my little daughters divine, my little daughters,
they
are my sunshine. They're lovely and they're fair, they're the picture of my
wife, Oh, my little daughters are the sunshine of my life."Does anyone know who wrote the song, if there are any more verses, when it
dates from, etc? Thanks!>>A negative result: I searched the Harry Fox Agency's songlist under "LITTLE
DAUGHTER", but came up with nothing plausible. (Their software looks at
variant spellings, so "daughter" should find "daughters".)To the original questioner: Is it possible that someone in your family wrote
the song?Peace,
Paul

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Subject: Greig-Duncan v. 8 (and other volumes)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 12:31:40 -0400
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Here's the latest I have on volume 8 of the Greig-Duncan Collection:Mercat (the publisher) states that it will be available at the end of
this month. This should be considered to be encouraging, but not yet a
cause for unrestrained joy (been there; done that.) CAMSCO will be able
to dwliver it at a discount (most likely 25%), but costs (including
shipping) are not clearly defined as yet.Unicorn (in Scotland is advertising the collection for $75 (US) per
volume plus $2.50 plus adctual postage--I will be able to come in  below
that figure by a considerable margin.dick greenhaus

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Subject: Re: Greig-Duncan, Vol. 8
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 3 Sep 2002 16:16:11 -0400
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I've learned that Volume 8 is going to the printers this week and should
be out within the next couple of months.Aw-right!-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Sep 2002 07:35:24 -0400
Content-Type:text/plain
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On Mon, 2 Sep 2002 17:46:52 -0400, Bruce Olson wrote:>Abby Sale wrote:
>>
>> Speaking of which, I'm listening to a very nice version of "The Three
>> Butchers" (Johnson & Jinkson) as sung by Tony Barrand.  (Unless it's sung
>
>In the broadside ballad index on my website you'll see that there
>are two 17th century versions, and the author of the earliest is
>known (ZN782, also cataloged by Laws' # and Roud #), and both
>were reprinted by Ebsworth in 'Roxburghe Ballads'.
>
Thanks, Bruce, for the info.  I'm still some confused, though.  I last
downloaded your index in July so I may be out of date.  I find the two
refs but not any dates associated with them.  Neither on the songs nor on
the source refs.  Although I may be missing the source - one day I'll
_have_ to read the instructions...I was also hoping to find an earliest known text.  From your first lines
it doesn't seem to be any I've seen yet - Bodley, etc.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 5 Sep 2002 09:32:39 -0400
Content-Type:text/plain
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Abby Sale wrote:
-- -
>                   I am Abby Sale - in Orlando, FloridaThe dates are not in my entries unless they're given in the source.
My dating, outside of what's in the source, is given in the headnotes on
printers.At ZN782 in my broadside ballad index you'll see RB7 59, meaning
that it's printed in vol. 7 of 'Roxburghe Ballads' p. 59 (When
all else fails, read the instructions.) The CR 317 means there's
another copy, #317, in the  Crawford collection (now on loan to
NLS), but it's not been reprinted (see headnote of sources near
the beginning of file, for where they are, and if they've been
reprinted, and where). P. Brooksby, one can see from my headnote on
printers, printed broadside ballads from the West Smithfield
address from 1672 to 1684 (when his address changes to
Pye-Corner). (Forget that old c 1678 date, that's from 19th
century bibliography.) The ballad is by Paul Burges, a most
unfamiliar name.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Greig~Duncan & The Three Butchers
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Sep 2002 00:20:20 -0400
Content-Type:text/plain
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>
> Abby Sale wrote:
> -- -
> >                   I am Abby Sale - in Orlando, Florida
>
> The dates are not in my entries unless they're given in the source.
> My dating, outside of what's in the source, is given in the headnotes on
> printers.
>
> At ZN782 in my broadside ballad index you'll see RB7 59, meaning
> that it's printed in vol. 7 of 'Roxburghe Ballads' p. 59 (When
> all else fails, read the instructions.) The CR 317 means there's
> another copy, #317, in the  Crawford collection (now on loan to
> NLS), but it's not been reprinted (see headnote of sources near
> the beginning of file, for where they are, and if they've been
> reprinted, and where). P. Brooksby, one can see from my headnote on
> printers, printed broadside ballads from the West Smithfield
> address from 1672 to 1684 (when his address changes to
> Pye-Corner). (Forget that old c 1678 date, that's from 19th
> century bibliography.) The ballad is by Paul Burges, a most
> unfamiliar name.
>
> Bruce Olson
> -Paul Burgis also wrote another broadside ballad, ZN2238 in my broadside
ballad index, and that was printed by P. Brooksby from his Pye
Corner address. Assuming that his two ballads were written only a
few years apart, then the "Two Butchers" one isn't much earlier
than 1684.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Greig-Duncan
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 6 Sep 2002 10:38:45 -0400
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The latest I've been able to find on the Greig-Duncan Collection is as
follows:    Volume 8 is expected by October 1, 2002
    CAMSCO Music will be able to offer them for $42 (US) plus
shipping.    It seems likely, according to Mercat Press, that there will
be a substaintial discount for ordering the entire eight-volume set. My
best estimate for CAMSCO's price on the set is $270 (US) plus shipping.
    Shipping costs aren't available as yet; media rates should keep them
pretty low, though. For comparison's sake, Barnes & Noble and Amazon are
charging about $60 per volume; Unicorn sells them for $75 per.    If anyone wishes, I can take orders now. Credit cards are fine
(Master, VISA, Discover), and I don't enter the tranaction until the day
I ship. The most secure way to send me a credit card number is by phone:
800/548-FOLK (or 3655)--You can E-mail me the information, but it's
probably best to split the number between two E-mails ([unmask]).

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Subject: Ebay List (Songsters) - 09/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Sep 2002 13:07:59 -0400
Content-Type:text/plain
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Hi!        There are enough songsters to justify a separate posting this
week.        2138641034 - The Grant Songster. A Collection of Campaign
Songs, for 1868, $60 (ends Sep-08-02 08:41:10 PDT)        1560372311 - The Bunker Hill Songster, 1850's?, $39.99 (ends
Sep-09-02 06:59:26 PDT)        903955957 - The Banquet of Thalia,or the Fashionable Songsters
Pocket Memorial, 1790, $20.50 (ends Sep-09-02 15:33:00 PDT)        1560770872 - HARRY J. DANIELS LATEST SONGSTER, date unknown,
$9.99 (ends Sep-10-02 19:38:55 PDT)        904730213 - The Popular Songster, 1869, $24.95 (ends Sep-11-02
12:37:43 PDT)        904849979 - FRANKLIN SQUARE SONG COLLECTION, 1891, $9.99 (ends
Sep-11-02 17:13:24 PDT)        The main book list will follow later this afternoon.                                        Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Ebay List (Songbooks, etc.) - 09/07/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 7 Sep 2002 14:46:23 -0400
Content-Type:text/plain
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text/plain(79 lines)


Hi!        Here is the main list. :-)        1560277506 - Ozark Folk Songs, 4 volumes, 1946-1950, $51.05
(ends Sep-08-02 18:47:29 PDT)        903827938 - Slim Irvine the Lonely Cowboy presents a book of
songs old and new from Radio Success. CHWC Regina, 1932, $4.99 (ends
Sep-08-02 22:35:56 PDT)        1560407946 - SONGS I SANG ON AN IOWA FARM by Cromwell. Collected
by Eleanor T. Rogers, 1958, $3.45 (ends Sep-09-02 10:25:03 PDT)        1560408645 - Lot of 7 books on Irish folk music and song, $5.51
(ends Sep-09-02 10:28:07 PDT)        903941185 - Reliques of Ancient English Poetry, Percy, 1847
printing, 3 volumes, $50 (ends Sep-09-02 14:08:42 PDT)
        also 1560751388 - volume 1 only, $2.50 w/reserve (ends Sep-10-02
18:36:09 PDT)        2137469225 - Carson Robison Song Book, Mountain Ballads and Old
Time Songs, 1930, $9.95 (ends Sep-09-02 19:16:54 PDT)        904432915 - 2 songbooks, george b german hamlins cowboy
balladeer, 1937, $9.99 (ends Sep-11-02 05:10:56 PDT)        904251537 - HISPANIC FOLK SONGS of NEW MEXICO by Robb, 1962
reprint, $5 (ends Sep-10-02 19:48:00 PDT)        904254190 - FIVE VIRGINIAN FOLK SONGS by Powell, 1938, $9.50
(ends Sep-10-02 19:59:38 PDT)        904275995 - THE BALLAD BOOK OF JOHN JACOB NILES, 1961, $14.99
(ends Sep-10-02 21:52:32 PDT)        1560966988 - Ballads Of The Great West by Austin and Alta Fife,
1970, $5 (ends Sep-11-02 06:08:41 PDT)        1561005430 - Treasury of American Ballads by Kennedy, 1954, $1
(ends Sep-11-02 07:27:05 PDT)        1561257696 - ENGLISH FOLK SONGS FROM THE SOUTHERN APPALACHIANS,
Sharp, volume 2, 1952 edition, $21.55 w/reserve (ends Sep-11-02 13:09:49
PDT)        904835473 - The Rebel Songster, Wellman, 1959, $9.99 (ends
Sep-11-02 15:54:09 PDT)        1560381980 - AMERICAN WAR BALLADS edited by Eggleston, 1889,
$29.99 (ends Sep-12-02 08:05:52 PDT)        905019588 - SONGS OF THE ISLES, Robertson, 1950, $10 (ends
Sep-12-02 12:01:19 PDT)        1561577443 - A BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC by
Sonneck, 1945, $9.95 (ends Sep-12-02 14:20:02 PDT)        1561661859 - Merry Muses of Caledonia, Burns, 1964 printing,
$4.99 (ends Sep-12-02 20:39:06 PDT)        904080210 - The History of American Folk Song by Ames, 1955,
$9.99 (ends Sep-13-02 07:45:49 PDT)        904393294 - The English Folksinger, paperback, 1979, 1.99 GBP
(ends Sep-14-02 03:34:48 PDT)        1561497946 - The Ballad In Literature by Henderson, 1912, $6
(ends Sep-15-02 10:18:49 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 8 Sep 2002 10:51:24 -0400
Content-Type:text/plain
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Hello,
I am just wondering if there are any ballad singers or scholars in my area
that I could communicate with or perhaps get together on occasion and
exchange some songs or compare notes.
My own main interest is  a cappella Appalachian ballads.  I also play
oldtime clawhammer banjo (mostly accompanying early American fiddle tunes
of Kentucky, WV, etc.).
I live in northern Columbia County in New York state, -about 45 minutes
southeast of Albany.  My email is:  [unmask]
Thank you!
Lisa

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Subject: Re: Greig-Duncan
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 07:29:19 -0400
Content-Type:text/plain
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On Fri, 6 Sep 2002 10:38:45 -0400, dick greenhaus wrote:>Volume 8 is expected by October 1, 2002
>    CAMSCO Music will be able to offer them for $42 (US) plus
>shipping.Sounds good to me.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 07:29:20 -0400
Content-Type:text/plain
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text/plain(23 lines)


On Sun, 8 Sep 2002 10:51:24 -0400, Lisa - S. H. wrote:>I am just wondering if there are any ballad singers or scholars in my area
>that I could communicate with or perhaps get together on occasion and
>exchange some songs or compare notes.
>My own main interest is  a cappella Appalachian ballads.>I live in northern Columbia County in New York state, -about 45 minutes
>southeast of Albany.No, but it would be good to meet you, anyway.
How far is that from Marlboro VT?  We know someone there.Also, is John Roberts in Albany?I keep asking the same about the Raleigh/Durham/Chapel Hill area where
you'd _think_ there'd be many but ain't.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 10 Sep 2002 08:15:22 -0400
Content-Type:text/plain
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>No, but it would be good to meet you, anyway.
>How far is that from Marlboro VT?  We know someone there.
>Also, is John Roberts in Albany?
>                   I am Abby Sale - in Orlando, FloridaMarlboro VT is about 2 hours drive from me.  Does your friend sing a
cappella Appalachian style ballads?
If you mean the John Roberts who is a member of Nowell Sing We Clear, well
they perform in the Albany area but I don't know where he lives.  I have
enjoyed hearing them perform at OldSongs concerts.  I have never heard them
do Appalachian style ballads, though  -does he do that in particular?
Thank you for your helpful comments, Abby.
Lisa

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Subject: Vietnam Songbook
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 13:18:09 -0700
Content-Type:text/plain
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I hope this question isn't inappropriate--I'm looking for The Vietnam Songbook, edited by
Barbara Dane and Irwin Silber, 1969. I've checked
ebay, addall.com, amazon z-shops, etc.  I need it
in a hurry!! Anybody want to sell one?Douglas Cooke__________________________________________________
Do you Yahoo!?
Yahoo! News - Today's headlines
http://news.yahoo.com

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Subject: Ebay List (Songbooks, etc.) - 09/12/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 17:03:06 -0400
Content-Type:text/plain
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text/plain(74 lines)


Hi!        Here is the main list for this week. The songster list will
follow either later today or tomorrow.        This may be the last large list for a couple of weeks. Don and I
are going out of town on family business. During that time, we will have
little, if any, computer access. I will try to post a short supplement
just before we leave. Then, you are on your own until we return and
catch up on everything.        1561784554 - Pissing in the Snow by Randolph, 1977 hardback
printing, $5.99 (ends Sep-13-02 16:00:41 PDT)        1561822049 - SCOTTISH AND BORDER BATTLES AND BALLADS by Brander,
1983, $5 (ends Sep-13-02 19:39:13 PDT)        1561992410 - Broadside Ballads of the Restoration Period, 1930,
$20 (ends Sep-14-02 18:50:09 PDT)        905486339 - Popular Music of the Olden Time by Chappell, 2
volumes, 1965 Dover edition, $16.50 (ends Sep-14-02 20:36:04 PDT)        1562079858 - 4 paperback books of Irish songs, 1960's, 1.99 GBP
(ends Sep-15-02 07:59:14 PDT)        905564560 - 3 books of cowboy songs, 1930's, $4.95 (ends
Sep-15-02 10:14:57 PDT)        1562190207 - The Country Dance Book by Sharp, one of his dance
collections not songs but uncommon, 1927, 4 GBP (ends Sep-15-02 15:28:48
PDT)        1562205209 - Old Time Ballads, 1879, $9.95 (ends Sep-15-02
16:48:44 PDT)        1562220311 - The Border Ballads by Reed, 1973, $9.50 (ends
Sep-15-02 17:49:44 PDT)        905823135 - ECHOES OF AFRICA IN FOLK SONGS OF THE AMERICAS by
Landeck, 1971, $6.50 (ends Sep-16-02 11:13:57 PDT)        1562387276 - Ancient Ballads Traditionally sung in New England
from the Flanders Ballad Collection, volume 4 only, 1965, $15 (ends
Sep-16-02 11:40:29 PDT)        1562436613 - THE SERBIAN EPIC BALLADS: AN ANTHOLOGY by Locke,
$19.99 (ends Sep-16-02 15:57:01 PDT)        905920104 - Folksongs of Britain and Ireland edited by Kennedy,
$3 (ends Sep-16-02 19:06:22 PDT)        906209205 - Alabama Sings, 1959, $9.99 (ends Sep-18-02 08:43:28
PDT)        1562788280 - Ballads and Lyrical Pieces by Scott, 1807 American
edition, $37.50 (ends Sep-18-02 10:09:07 PDT)        1562200360 - The German Ballad Book by Simonson, 1865, $49.99
(ends Sep-18-02 16:23:08 PDT)        1562594158 - National Ballad & Song: Merry Songs and Ballads
Prior to the Year 1800 A.D by Farms, 5 volume set, 1897, $32 (ends
Sep-20-02 11:33:57 PDT) This set is attracting lots bids. The price is
rising quickly.                                That's it for now.
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Vietnam Songbook
From: [unmask]
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 18:56:22 -0500
Content-Type:text/plain
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text/plain(27 lines)


Go to www.bookfinder.com. It has links to other book
lists. Good hunting  --  Tom> From: Douglas Cooke <[unmask]>
> Date: 2002/09/12 Thu PM 03:18:09 CDT
> To: [unmask]
> Subject: Vietnam Songbook
>
> I hope this question isn't inappropriate--
>
> I'm looking for The Vietnam Songbook, edited by
> Barbara Dane and Irwin Silber, 1969. I've checked
> ebay, addall.com, amazon z-shops, etc.  I need it
> in a hurry!! Anybody want to sell one?
>
> Douglas Cooke
>
>
___________________________________________
_______
> Do you Yahoo!?
> Yahoo! News - Today's headlines
> http://news.yahoo.com
>Tom Hall  --  Master Wordworker
and Intellecttual Handyman

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Subject: Re: Vietnam Songbook
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 12 Sep 2002 23:10:06 -0400
Content-Type:text/plain
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Try contacting Barbara Dane, she may be able to supply one or know of a
source.
http://www.barbaradane.net/
[unmask]
Best wishes, Tom Stern.Douglas Cooke wrote:> I hope this question isn't inappropriate--
>
> I'm looking for The Vietnam Songbook, edited by
> Barbara Dane and Irwin Silber, 1969. I've checked
> ebay, addall.com, amazon z-shops, etc.  I need it
> in a hurry!! Anybody want to sell one?
>
> Douglas Cooke
>
> __________________________________________________
> Do you Yahoo!?
> Yahoo! News - Today's headlines
> http://news.yahoo.com

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Subject: Re: Vietnam Songbook
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 02:36:05 -0500
Content-Type:text/plain
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text/plain(13 lines)


Douglas Cooke asked:<<I hope this question isn't inappropriate--I'm looking for The Vietnam Songbook, edited by
Barbara Dane and Irwin Silber, 1969. I've checked
ebay, addall.com, amazon z-shops, etc.  I need it
in a hurry!! Anybody want to sell one?>>In case not, is there any chance you could get it by interlibrary loan?Peace,
Paul

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Subject: FWD: staff opening at American Folklife Center
From: James Moreira <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 12:50:54 -0400
Content-Type:text/plain
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>We'd like everyone to know that a new position has been posted here at the
>American Folklife Center.  It's a "supervisory librarian" position for the
>person who will serve as the head of the Center's Archive of Folk Culture.
>It's a GS-14 position with a salary range of $78,265-$101,742.  The
>application period closes on September 30.
>
>The announcement number of this position is 020206.
>
>For a detailed description of the position and instructions for applying
>online, go to http://www.loc.gov/hr/employment/
>Select "current job vacancies, and then select "Vacancy #020206."
>
>David Taylor
>American Folklife Center
>Library of Congress
>

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Subject: A Minor Landmark Gone....
From: "Robert B. Waltz" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 12:02:44 -0500
Content-Type:text/plain
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I'm a little late to report this, but I didn't really think
about it until now.The Stillwater Jail, in which Cole Younger was imprisoned
after the botched Northfield Bank Robbery, burned down a
bit over a week ago. It's no longer a prison, but the
Minnesota State Prison still occupies a site a very short
distance away.The old buildings were being preserved as a historic
site.The cause of the fire, perhaps ironically, was arson.
The perpetrators are in custody, but if anyone knows
why they did it, it hasn't reached the newspapers.--
Robert B. Waltz  - - - - - - - - Ballad Index Editor
1078 Colne Street
Saint Paul, MN 55103-1348
651-489-1930 - - - - - - - - - - e-mail: [unmask]The Ballad Index Web Site:
http://www.csufresno.edu/folklore/BalladIndexTOC.html

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Subject: EBay List (Songsters) - 09/13/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 13 Sep 2002 18:27:51 -0400
Content-Type:text/plain
Parts/Attachments:

text/plain(30 lines)


Hi!        Happy Friday the 13th! :-)        2139600662 - HANCOCK & ENGLISH CAMPAIGN SONGSTER, 1880, $25
(ends Sep-15-02 13:21:28 PDT)        905647810 - "Williams' Colored Singers: The World's Greatest
Harmonizing Octette" song book, 1921?, $4 (ends Sep-15-02 16:14:51 PDT)        2139701627 - SIX MILITARY AND PATRIOTIC ILLUSTRATED SONGS,
Series 1, 1862 approx., $200 (ends Sep-15-02 17:27:37 PDT)        2139959819 - West Bend News (Washington County, Wisconsin)
Songster, 1940's, $5 (ends Sep-16-02 11:28:31 PDT)        2100090920 - LOOKOUT MOUNTAIN NO. 2 SONGSTER, Date Unknown,
$3.99 (ends Sep-16-02 18:28:39 PDT)        2100434050 - The Zion Songster, 1854, $9.99 (ends Sep-17-02
19:24:02 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Vietnam Songbook
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Sep 2002 09:32:00 -0400
Content-Type:text/plain
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On Thu, 12 Sep 2002 13:18:09 -0700, Douglas Cooke wrote:>I hope this question isn't inappropriate--
>
>I'm looking for The Vietnam Songbook, edited by
>Barbara Dane and Irwin Silber, 1969. I've checked
>ebay, addall.com, amazon z-shops, etc.  I need it
>in a hurry!! Anybody want to sell one?
>
I won't sell you mine but if there's that much urgency and you're only
desperate for a couple of songs, I'd be happy to fax them to you.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Re: Local like-minded?
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 14 Sep 2002 09:31:51 -0400
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On Tue, 10 Sep 2002 08:15:22 -0400, Lisa - S. H. wrote:>>No, but it would be good to meet you, anyway.
>>How far is that from Marlboro VT?  We know someone there.
>>Also, is John Roberts in Albany?
>>                   I am Abby Sale - in Orlando, Florida
>
>Marlboro VT is about 2 hours drive from me.  Does your friend sing a
>cappella Appalachian style ballads?Sorry.  I wasn't trying to be cute.  Both people I had in mind are members
of this group and I was trying to let them speak for them selves.Margaret MacArthur centers in Marlboro VT.  Her web page is
http://www.margaretmacarthur.com.  She doesn't do Appalachian style in the
sense of twang or "high lonesome" but does do many full, excellent texts
of old ballads of similar Scots/English sources to Appalachia.  She sings
them either a cappella or with very simple accompaniment so the texts are
not diminished.  She is good people and one of my favorite singers.I am wildly impressed with what she has recorded and that she has given us
(me, anyway) back the Flanders material.  For decades I've concentrated on
Scots balladry and the relatively few complete Appalachian texts (lots of
frags) and never knew of the superb material available in New England.>If you mean the John Roberts who is a member of Nowell Sing We Clear, well
>they perform in the Albany area but I don't know where he lives.  I have
>enjoyed hearing them perform at OldSongs concerts.  I have never heard them
>do Appalachian style ballads, though  -does he do that in particular?Well, now I'm not sure what you mean by "Appalachian style ballads."  John
does lots of English rural stuff but also many old ballads simply and
cleanly and also with nice vocal ornamentation.  He never lets
instrumentation steal the story or the song.  I was thinking he's local
there because his ISP is @[unmask]  His record company seems to be
Golden Hind Music in Schenectady.  He has a considerable repertoire I've
only heard a bit of (which).-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Supplemental Ebay List - 09/16/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 01:06:47 -0400
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Hi!        Here is my good-by for a couple of weeks.        1562916020 - SOUNDS OF THE SOUTH, edited by Patterson, 1991,
$9.99 (ends Sep-18-02 20:30:06 PDT)        713543625 - MY FAVORITE OLD TIME SONGS AND MOUNTAIN BALLADS by
Bradley Kincaid, 1931, $9.99 (ends Sep-19-02 18:30:08 PDT)        1563278074 - Mormon Songs from the Rocky Mountains, edited by
Cheney, 1968, $9.99 (ends Sep-20-02 15:58:56 PDT)        906733503 - FOLK SONGS & BALLADS OF LANCASHIRE by Boardman,
1973, $2.99 (ends Sep-20-02 19:28:24 PDT)        1563457892 - Spanish Traditional Ballads from Aragon by Michele
S. De Cruz-Saenz, 1995, $4.99 (ends Sep-21-02 14:15:41 PDT)        906925265 - The Scottish Songs by Chambers, volume 2 only, 1829,
$12 (ends Sep-21-02 20:32:47 PDT)        907003535 - The English and Scottish POPULAR BALLADS by Child,
volumes 3 & 4 bound in one book, 1962 printing, $35 (ends Sep-22-02
09:35:16 PDT)        906736620 - ANN JUDY And ZEKE Hillbilly SONGBOOK, 1934, $8.99
(ends Sep-23-02 19:51:36 PDT)        This is not a book but may be of interest.        906690926 - 1866 photograph of Francis J. Child, $8.66 (ends
Sep-23-02 14:51:06 PDT)                                Happy Bidding!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Supplemental Ebay List - 09/16/02
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 02:34:11 -0500
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----- Original Message -----
From: Dolores Nichols <[unmask]><<906736620 - ANN JUDY And ZEKE Hillbilly SONGBOOK, 1934, $8.99
(ends Sep-23-02 19:51:36 PDT)>>I'm bidding on this. I *might* bid on the Bradley Kincaid, but haven't
decided yet; if someone wants it, jump in.Peace,
Paul

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Subject: Greek Mode Domain
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 16 Sep 2002 16:43:35 -0400
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This newsgroup now contains some more excellent music theoreticians
than when I perviously gave up on the subject here, so I try again.If there's anyone here interested in music theory, I would
like some feedback and/or criticism on a file I just added to my
website. It' GREEKMOD.TXT, and gives a table of 'Greek' based
modes based on a reversal of the usual procedure of deriving
normal hexatonic tunes from the seven 7-note 'Greek modes',
and the normal pentatonics from the hexatonics. For a mode with
a given number of notes the semitone sequences are just cyclic
permutations of a fixed series, and it's relatively easy to fill in
gaps, so one can start with the  2-note scale (ss= semitone
sequence, sum = 12), with ss = 75 (and it's permutation = 57), and go
upwards to modes with a larger number of notes. (I actually had to work
down from pentatonic to get the right starting semitone sequence here.)          ss
          75      C_______G____
          57      C_____F______
  Add to get      C_____F_G____ (Pathagoras loved this one)
               ss =  5   2  5Now the semitone sequence for our 3-note scale is 525, and the
other 2 semitone sequences in the series are 255 and 552. From
the semitone sequence we can determine mode# (explained in file
CODEMTHD.TXT on my website), and lets preceed the semitone
sequences by these to get for them:   66|255     C_D____G____
  528|552    C____F____BbNow mode numbers differ by 2^n (2 to the nth power) when a mode
differs from another by only having one more note, all other
notes in the two modes being the same, so we go up 1 note
(to the right), and up or, down, one. We find out mode#
differences that that 528|552 can't be the top one and 66|552
can't be the bottom one, so we must have the 3 3-note modes in
the order 66, 80, and 528, and our mode number differences work
for the arrangement, and we have:   2-note            derived 3-note
                         66|255   C_D____G____
   64|75   C_______G____
                         80|525   C_____F_G____
   16|57   C_____F______
                        528|552   C____F____BbThis can be repeated as often as necessary, and takes one through
the normal 'Greek' modes of 5, 6, and 7 notes, but there's no
need to stop there, and in the file on my website it goes on to
the 12-note scale with the monotonous semitone sequence
111111111111. (They all start looking alike after about 8 1's in
the semitone sequence.) ABC B324, mode# 2047, on my website is in
this 12-note scale this, and one can get to it via other observed
'Greek' based modes, starting from dorian or aeolian, but that's
not the likeliest way to get there. There is a much more likely path
through much more common non-'Greek' modes to it. See in the file.Another interesting path is that to the most common 10-note mode,
(which doesn't go to an 11-note mode that I've seen), 2038 (11
tunes), which comes from the most common 9-note mode, 2006 (melodic
minor, 114 tunes), which comes from the second most common 8-note
tune, #1750 (av7, 168 tunes), which comes from a common 7-note tune,
#1622 (aeolian with 7th both natural and flat, 6th missing, 63 tunes)
and finally connects with the 'Greek' based hexatonic dorian/aeolian,
#598, with 288 tunes. The numbers of tunes in these modes are much
larger than average for modes of the same number of notes. The mode#
differences here can be seen to be always 2^n between an pair- 2038 -
2006 - 1750 - 1622 - 598, which is a great help when trying to trace
paths of modes. (Mode numbers and semitone sequences of 181 modes can be
seen in my file COMBCOD3.TXT with the search and display program
CODEDSP6.EXE on my website.)There are 66 total 'Greek' based modes of all numbers, 2-12,
unless you want to count the keynote as a 1-note scale, then
there are 67.Thanks for your time, all of you (if anyone) got this far.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A href="http://www.erols.com/olsonw">
Click </a>

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Subject: Re: Local like-minded?
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 17 Sep 2002 21:18:23 -0400
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At 09:31 AM 9/14/02 -0400, you wrote:
>Well, now I'm not sure what you mean by "Appalachian style ballads."  John
>does lots of English rural stuff but also many old ballads simply and
>cleanly and also with nice vocal ornamentation.  He never lets
>instrumentation steal the story or the song.  I was thinking he's local
>there because his ISP is @[unmask]  His record company seems to be
>Golden Hind Music in Schenectady.  He has a considerable repertoire I've
>only heard a bit of (which).
>-- -I am Abby Sale - in Orlando, FloridaThank you Abby     ;)
I did some browsing on the Golden Hind site ("hindsite"?)  and am going to
buy their "Dark Ships in the Forest" recording, which seems to have quite a
few ballads that I am particularly fond of on it.
-Off to examine my twang and play my merrywang.......
Lisa

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Subject: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 13:37:16 -0400
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I've modified the file MODETABL.TXT on my website to include for
all tune modes I've found: 1- shorthand mode description, 2-
notes in mode (which mode# doesn't give without calculation,
sometimes awkward), 3- mode#, 4- semitone sequence, and 5- # of
observed tunes in the mode.There are 6601 tunes in the data file, COMBCOD3.TXT, but these
include variants, but not duplicates of the same score from
different sources,  so there are less than 6601 totally different
tunes. The modes included in the file are those I've observed
(and coded in file COMBCOD3.TXT) plus locrian, but doesn't
include the unobserved modes listed in my file on 'Greek' modes.
A printout of this summary file would be slghtly less than 4
pages. The file is ASCII in double quotes + ASCII numerical,
so should be readable by most database systems, (after stripping
off the one-line header) and of course you can just read it and
do searches with a word processor. I'e also added a captial G to
the mode description for those modes that are from the 'Greek'
mode domain as I've derived it in file GREEKMOD.TXT.The ABC player and coder program, and the code display program,
have been modified to accept the expanded format of MODETABL.TXT.
Coding is done on all but grace notes. They are in the player
part, but after giving back their time to the main notes they
borrowed it from (timing to find stressed notes is thrown off if
one doesn't do this), they are ignored in the optional coding,
and display of frequency (in octaves), versus time part of the
program. Horizontal display is in measures, so one can compare,
say 4/4 and 6/8 versions of the same tune. A good tune to look at
here are J. Oswald's 4/4 and 6/8 gigga versions of "Saint
Patrick's Day [in the Morning]" in 'The Caledonian Pocket
Companion". The first half of the 2 timings are practically the
same, although casual listening wouldn't suggest this, to me at
any rate. [You're not stuck with this. You can select new x and y
origins and change their scale factors to please.]Programing attempts to exclude counting short notes in unstressed
positions proved to be too much for my meagre programing skills,
so all notes except grace notes are included in the note count
given by the program. Also, all repeats are included, so if the
counted (8) stressed notes aren't done before a repeat (very
rare), the last few notes are done over starting 1st measure
after the repeat. The program doesn't skip over the repeat and
continue on the next phrase.Here are some Child ballad tunes, #1, that you can play and
encode (stressed note and mode) and plot frequency verrses time on
with the player-coder program.X:1
T:Untitled from Pills to Purge Melancholy
S:Bronson, TTCB, C1-1
N:described conditionally as dorian [#854] minus the 7th [The
N:missing 7th makes it d-7 (#342), a common non-'Greek' mode.
N:keynote is 4th most common of 6 notes here.]
Q:1/4=120
L:1/8
M:3/4
K:Gdor
A BA|GG AB cB|\
L:1/8
M:2/4
A2 Bc|
L:1/8
M:3/4
d2 dd d/e/ d/c/|d2zd dc|B2 d2 cB|
L:1/8
M:2/4
A2 GA|\
L:1/8
M:3/4
AB AG AB|G2z|]X:2
T:Untitled from O'Keefe' Highland Reel, c 1788
S:Bronson, TTCB, C1-2
Q:1/4=120
L:1/8
M:3/4
K:G
D DD|G2 E3/2G/2 F3/2A/2|D2 z A AA|c2BA G3/2B/2|d2z2B2|\
d3/2B/2G2E3/2G/2|F3/2A/2 D2z2|G2B3/2G/2 E3/2C/2|\
D2d3/2c/2 B3/2A/2|G3|]X:3
T:There was a Lady in the West
S:Bronson, TTCB, C1-3
N:described as inflected 4th [so mode# = 1402
N:but that and C# are short unaccented notes not to be counted,
N:so mode# 1114, c-6, a very common non-'Greek' hexatonic]
Q:1/4=120
L:1/8
M:6/8
K:G
D|D2GG2A/B/|c2BA2B/c/|d e/d/ d/^c/d2 B|c2BB2G|\
B3/2A/2 G F3|G3B2A|G/(D/ D3/2) z z2 z|G3B2c|\
d/(B/ B3/2) z/2 c/(A/ A3/2) z/2|G3z2|]X:4
T:[The Three Sisters]
S:Bronson, TTCB, C1-4
Q:1/4=120
L:1/8
M:6/8
K:G
G|G2DG2A|c2BA3|GGD GAB|c2BA2 A|AAB c2A|d2G FED|\
G2A Bdc|BcAG2|]X:5
T:The Devil's Nine Questions
S:Bronson, TTCB, C1-5
N:pi1 pentatonic [Mode# 330, scored as ionian]
Q:1/4=120
L:1/4
M:4/4
K:G
D|GAB/B/G|EGD3/2G/|B3/2B/BA|Bdze|dBGB|GEDE/G/|G3/2G/ED|E2G|]X:6
T:The Devil's Nine Questions
S:Bronson, TTCB, C1-6
N:pi1 pentatonic [Mode# 330, scored as ionian]
Q:1/4=120
L:1/4
M:4/4
K:G
D|GGG/G/G|E/E3/2 DB|d3/2d/dA|Bd2d|edBG|A/G3/2EG|AB/B/DD|EG2|]X:7
T:The Three Riddles
S:Bronson, TTCB, C1-7
Q:1/4=120
L:1/8
M:3/4
K:G
E|A3/2A/ d3 B|A3/2A/ F2zc|c3A A3/2A/|A3z zA|Bce3c|\
B3/2B/G2zc|c3G G3/2G/|G3zz|]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 14:02:52 -0400
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Bruce Olson wrote:
>On music from ABCs I forgot to add that there are very good
selections of ABCs on two of our list member's websites, Jack
Campin's and Nigel Gatherer's. Jack has done ABCs for all 200 tunes in
vol. 1 of Aird's 'Airs' which includes the earliest known printing of
"Yankee Doodle". He has also encoded some other rare sources.
Nigel has encoded about 450 ABCs from early Scots sources. Jack also
has file giving a treatment of tune modality with examples as ABCs.
[There are also about 850 ABCs on my website, the broadside ballad ones
having been recently corrected. If you don't have their website
addresses handy, you can click on them from my home page.]Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: More Modes
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 18 Sep 2002 19:15:17 -0400
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I'm beginning to think there's no real theory for non-'Greek'
domain names. There are probably just semi-accidental branches
off of the 'Greek' domain chain, accidents that work out very
well.There are only 2 possibilities to get to harmonic minor by adding
just one note at a time to a lower order mode, and we have to go
back to a 4-note scale to do it. Note that all modes in the chain
below are observed (barely at the start), so this isn't just
theoretical. [I've observed less than 9% of the total number of possible
modes. Most don't seem to lead to music.]scheme- n|m, n = mode #, m = # of tunes in my COMBCOD3.TXT file
        :i, is the semitone sequence.Route to harmonic minor, mode #1238, and beyond
scale notes:
     4              5              6               7
 2325:
 82|1                                            harmonic minor
 A_B__D_E____
               \ A_BC_D_E____ ->  A_BC_D_EF___ -> A_BC_D_EF__G#
 A__C_D_E____  /  86|12            214|18          1238|21
G-84|1           :21225           :212214         :2122131
 :3225        8                    9                 10
-> A_BC_D_EF_GG#   ->    A_BC_D_EFF#GG#  -> A_BC_DEbEFF#GG# <-END   1750|168               2006|114          2038|11
   21221211:             212211111          2121111111other 9s from #1750
 1751:1
 1758:7
 1782:3
other 10s from #2006
 2007|5
 2014|8This shows the route, via familiar territory, to a good fraction
of observed 10 note tunes.Note that only #84 is in the 'Greek' mode domain, and we had to
branch off at the level of a 4-note scale to get to harmonic
minor, and once started we could go a long way. Those low note
number of scales are important. Note that in the tunes coded at
the back of Huntington and Herrmann's 'Sam Henry's Songs of the
People' the most common mode is the usual 7-note ionian. The next
most common 7-note scale is aeolian/minor, in 8th place.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 19:22:39 +0100
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Bruce Olson wrote:> On music from ABCs I forgot to add that there are very good
> selections of ABCs on two of our list member's websites, Jack
> Campin's and Nigel Gatherer's....Nigel has encoded about 450 ABCs
> from early Scots sources...Thanks for the name check, Bruce. However, my ABCs are from many
sources - manuscripts, books, records, friends, sessions, etc - and
they are mostly instrumental (not songs); I'm not sure how interesting
they would be for folk in this mailing list. A long-term project is to
build a collection of songs and ballads from my collection, but where
does the time go?I have a half-finished compilation of songs about marriage and
courtship in Scotland for which I did loads of research; I'd like to
finish it one day, if only for my own satisfaction. I carefully
prepared an extensive list of recording of each song, but it's now
rather out of date (to give you an idea, there were no CDs on these
lists!). If I did blow the dust off that project, do you think I could
ask the list for currently available recorded versions of the various
songs? perhaps I could flag up the list of songs on my web site, in
order to reduce clutter here.I'm basically thinking out loud - apologies.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Re: Something about music from ABCs
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 14:32:26 -0500
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        One thing you might try which I find especially useful, if not
perfect, is CDDB. [If you are a MAC user it's the site iTunes uses to
identify the tracks on a CD when it first starts up.] I did a search for
"Ushers Well" and had the following hits:Displaying disc 1-4 of 4 matching CDs               Steeleye Span / Original Masters (Disc 1)
                  The Wife Of Ushers Well
               Jacqui McShees Pentangle / At The Little Theatre
                  The Wife Of Ushers Well
               Amps for Christ / Circuits
                  The Wife Of Ushers Well
               Silver Birch / Silver Birch
                  Ushers Welleach is a link to a detailed description of the CD itself. As I said, not
perfect but useful.        The URL for CDDB is http://www.gracenote.com/  The main page is set
up to search for artist but use the Advanced Search and it will enable you
to search by song title.At 7:22 PM +0100 9/19/02, Nigel Gatherer wrote:
>If I did blow the dust off that project, do you think I could ask the list
>for >currently available recorded versions of the various songs? perhaps I
>could >flag up the list of songs on my web site, in order to reduce
>clutter here.

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Subject: Chappell's Popular Music
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 15:39:55 -0400
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Those of you looking for this might be interested in the new-to-me
reprint edition by Elibron (www.elibron.com), seemingly the same as
the Dover 2 vol edition, for $16.95 per vol. or $9.95 each for an
e-book pdf.There's a set on eBay at the moment with a Buy Now at that price ($33.90).John Roberts.

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 16:31:44 -0400
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Nigel Gatherer wrote:
>
> Bruce Olson wrote:
>
> > On music from ABCs I forgot to add that there are very good
> > selections of ABCs on two of our list member's websites, Jack
> > Campin's and Nigel Gatherer's....Nigel has encoded about 450 ABCs
> > from early Scots sources...
>
> Thanks for the name check, Bruce. However, my ABCs are from many
> sources - manuscripts, books, records, friends, sessions, etc - and
> they are mostly instrumental (not songs); I'm not sure how interesting
> they would be for folk in this mailing list. A long-term project is to
> build a collection of songs and ballads from my collection, but where
> does the time go?
>
>..............................
> --
> Nigel Gatherer, Crieff, Scotland
> [unmask]
> http://www.argonet.co.uk/users/gatherer/I was embarassed, after my post, that I forgot to mention your
file of traditional tunes, in particular. I suspect many Americans,
which the majority on the list seem to be, aren't familiar with
your work, so I'll plug your recently reprinted 'Songs and Ballads
of Dundee', another mixture of rare old and much more recently collected
traditional songs, most of these being rather rare ones. Should I
mention 'Gatherer's Musical Museum'?Bruce OlsonPS: I've filled in more gaps in the mode relationship tree (it's
starting to look a bit like that with a lot of ivy connecting branches),
but these I'll add in to the file GREEKMOD.TXT on my website, and not
clutter up the list with them. I would plot it on a graph if I could
figure out how. My first two tries quickly came to grief. I've now
gotten almost all of the minorish (flatted 3rd) non-'Greek' based modes
attached to one of rather few branches now.I've also found, that, while it looks simpler and takes less
moves to get to some modes by simply sliding a note up or down a
semitone, it still takes the same number of movements (add or slide) to
connect up all the disconnected modes. Harmonic minor can be made
by simply sliding the normal 7th flat to 7th, saving 2 of the
moves that were in my chain. Now, however, the 5-note and 6-note related
modes are disconnected, and we have to use these 2 moves we saved
to reconnect them.Bruce OlsonBruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 15:09:03 -0500
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----- Original Message -----
From: Clifford J Ocheltree <[unmask]><<        One thing you might try which I find especially useful, if not
perfect, is CDDB. [If you are a MAC user it's the site iTunes uses to
identify the tracks on a CD when it first starts up.] I did a search for
"Ushers Well" and had the following hits:>>[snip]Then of course there's the Traditional Ballad Index, which may have
citations of recordings by source performers. Some material at least has
been issued in the Lomax reissue series, including stuff gathered by Lomax
and Peter Kennedy. Got to watch out for truncated versions, though.Peace,
Paul

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Subject: Re: Something about music from ABCs
From: Nigel Gatherer <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 19 Sep 2002 21:59:10 +0100
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Clifford J Ocheltree wrote:>         One thing you might try which I find especially useful, if
> not perfect, is CDDB....The URL for CDDB is http://www.gracenote.com/
>  The main page is set up to search for artist but use the Advanced
> Search and it will enable you to search by song title.That sounds like just the job! Thanks Clifford.--
Nigel Gatherer, Crieff, Scotland
[unmask]
http://www.argonet.co.uk/users/gatherer/

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Subject: Flanders books "Ancient Ballads..."
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Sep 2002 13:09:11 -0400
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Greetings
I have only Volume IV (four) of Helen Hartness Flanders "Ancient Ballads
Traditionally Sung in New England".  I am interested in acquiring the other
volumes, and if anyone on this list has perhaps any extra copies in their
collection that they'd consider parting with, please do contact me offlist
at:  [unmask]
Thank you!
Lisa

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Subject: Re: Flanders books "Ancient Ballads..."
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 20 Sep 2002 16:11:04 -0400
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Lisa - S. H. wrote:
>
> Greetings
> I have only Volume IV (four) of Helen Hartness Flanders "Ancient Ballads
> Traditionally Sung in New England".  I am interested in acquiring the other
> volumes, and if anyone on this list has perhaps any extra copies in their
> collection that they'd consider parting with, please do contact me offlist
> at:  [unmask]
> Thank you!
> LisaYou can get vols 1 and 2, or the whole set from www.bookfinder.comBruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Something about music from ABCs
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 21 Sep 2002 11:06:51 -0400
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Bruce Olson wrote:
>> PS: I've filled in more gaps in the mode relationship tree (it's
> starting to look a bit like that with a lot of ivy connecting branches),
> but these I'll add in to the file GREEKMOD.TXT on my website, and not
> clutter up the list with them. I would plot it on a graph if I could
> figure out how. My first two tries quickly came to grief. I've now
> gotten almost all of the minorish (flatted 3rd) non-'Greek' based modes
> attached to one of rather few branches now.
>>
> Bruce Olson
>I shouldn't have used the 'minorish' above. That gets meaningless above
8 or 9 notes. I justed started at 'minorish' in connecting commonly
found modes into a chain.I don't think I'm going to try to do a graphical display of the
results of my foray into tunes modes. After a day fiddling with
pencil and paper and losing track of what I had covered and
hadn't covered, I finally wrote a subroutine for one of my
computer progams that did the whole thing in about 3 seconds.
For the 181 modes in my file COMBCODE3.TXT there are 422
(observed) n+1 note modes that can be gotten by adding a single
note to some (observed) n note mode. There are also several
isolated modes, but whether they are real or results of my coding
errors remains to be seen.I don't have any graphics programs that will handle data of this
type, and that's more connections than I would want to do one at
a time in a CAD program, which would have to give something like
a multi-layered flow chart, with many connections between layers.
Not too bad if you could see it in 3-D, but unintelligible in
2-D.Why are adjacent modes related by a cyclic permutation of some
reference semitone sequence? That's easy; the 'Greek' modes are
cyclic. Start with lydian, flatten the 4th to get ionian, then
flatten the 7th to get mixolydian, then flatten the 3rd to get
dorian, then flatten the 6th to get aeolian, then flatten the 2nd
to get phrygian, then flatten then 5th to get locrian, then
flatten the 1st and we're back to lydian. (Locrian might be called
lydian with the wrong keynote.)Some statistics for 'Greek' based modes from file COMBCOD.3.TXTmode  mode# % of n-note tunes                 notes=4, total tunes = 9
a-2,6&7  82    11.1(one tune)                 notes=5, total tunes = 264
pi1     330    38.5
pi2     338     5.0
pi3     594    13.4
pi4     596    13.4
               70.3% 'Greek'                 notes=6, total tunes = 1514
f/c    1354    23.6
c/g     346    27.7
g/d     850     6.6
d/a     598    18.6
a/e     724     5.0
               81.5% 'Greek'                 notes=7, total tunes = 3360
f      1386     0.8
c      1370    60.6
g       858     9.8
d       854     9.0
a       726    12.0
b       693     0.0
               92.2% 'Greek'                 notes=8, total tunes = 1161
f+c    1402    12.2
c+g    1882    45.4
g+d     862     4.0
d+a     982     2.5
a+e     727     0.3
e+b     757     0.1
               64.3% 'Greek'                 notes=9, total tunes = 2201
f+c+g  1914    15.9
c+g+d  1886     5.0
g+d+a   990     2.3
d+a+e   983     0.5
a+e+b   759     0.5
               24.2% 'Greek'                notes=10, total tunes = 38
f+c+g+d  1918   7.9
c+g+d+a  2014  21.1
g+d+a+e   991   2.6 (one tune)
d+a+e+b  1015   2.6  "
               34.2% 'Greek'1 11-note mode (with 4 tunes) and 1 12-note tune are also 'Greek'
so here 'Greek' is 100%Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: singing NYC sisters news article
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 21 Sep 2002 21:29:17 -0400
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I came across this article and found it fascinating (and bittersweet also)....
http://www2.bostonherald.com/entertainment/music/koss04112002.htm-Lisa Johnson

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Subject: Re: singing NYC sisters news article
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 15:26:51 -0700
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Lisa:It is sad that the Cohen brothers did not in some way acknowledge the
Kossoy sisters for introducing him to "I'll Fly Away."  On the other hand,
the ladies got the song from a Carter Family record.EdOn Sat, 21 Sep 2002, Lisa - S. H. wrote:> I came across this article and found it fascinating (and bittersweet also)....
> http://www2.bostonherald.com/entertainment/music/koss04112002.htm
>
> -Lisa Johnson
>

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Subject: Re: singing NYC sisters news article
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 19:46:34 -0400
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The problem is that the Cohen Brothers used the Kossoy sister's recording; noty the
Carter Family's.  The other problem is that when the Kossoy sisters recorded the
song, they were minors, and their family signed a contract waiving any rights. Oh
well, who woulda thunk it would ever be worth real money.dick greenhaus.Ed Cray wrote:> Lisa:
>
> It is sad that the Cohen brothers did not in some way acknowledge the
> Kossoy sisters for introducing him to "I'll Fly Away."  On the other hand,
> the ladies got the song from a Carter Family record.
>
> Ed
>
> On Sat, 21 Sep 2002, Lisa - S. H. wrote:
>
> > I came across this article and found it fascinating (and bittersweet also)....
> > http://www2.bostonherald.com/entertainment/music/koss04112002.htm
> >
> > -Lisa Johnson
> >

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Subject: Re: singing NYC sisters news article - access problem
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 21:08:30 -0400
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Hi -
  I am unable to access the article using the link provided, however if I use www.
rather than www2. I get there OK.
  Any techies out there who can explain??  Thanks!
(I'm on Windows 95 and Netscape Communicator 4.73)
Tom Stern."Lisa - S. H." wrote:> I came across this article and found it fascinating (and bittersweet also)....
> http://www2.bostonherald.com/entertainment/music/koss04112002.htm
>
> -Lisa Johnson

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Subject: Re: singing NYC sisters news article
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 22 Sep 2002 22:01:36 -0400
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At 07:46 PM 9/22/02 -0400, you wrote:
>The problem is that the Cohen Brothers used the Kossoy sister's recording;
>noty the
>Carter Family's.  The other problem is that when the Kossoy sisters
>recorded the
>song, they were minors, and their family signed a contract waiving any
>rights. Oh
>well, who woulda thunk it would ever be worth real money.
>dick greenhaus.Well, it's a well guarded fact that talented oldtime musicians have the
potential of making, over the span of a lifetime, tens of dollars!!
Lisa

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Subject: Pseudo Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 07:51:47 -0400
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'Pathagorus', indeed, I can't believe I did that.Bruce Olson
--
Roots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Pseudo Greeks
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 13:54:08 +0100
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A pythological dislike of classical roots, perhaps?
;o)
Simon> 'Pathagorus', indeed, I can't believe I did that.
>
> Bruce Olson

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Subject: Re: Pseudo Greeks
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 09:43:03 -0400
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Pat Hagagorus. One of the early Celtic Greeks.Simon Furey wrote:> A pythological dislike of classical roots, perhaps?
> ;o)
> Simon
>
> > 'Pathagorus', indeed, I can't believe I did that.
> >
> > Bruce Olson

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Subject: Re: Pseudo Greeks
From: Martin Ryan <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 23 Sep 2002 15:29:27 +0100
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Wasn't he related to yer man Donal Ferentes?Regards________________________________________________________________________
This email has been scanned for all viruses by the MessageLabs SkyScan
service. For more information on a proactive anti-virus service working
around the clock, around the globe, visit http://www.messagelabs.com
________________________________________________________________________

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Subject: Re: Pseudo Greeks
From: Paul Stamler <[unmask]>
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Date:Mon, 23 Sep 2002 12:18:57 -0500
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----- Original Message -----
From: Bruce Olson <[unmask]><<'Pathagorus', indeed, I can't believe I did that.>>Didn't he invent the autopsy?Peace,
Paul

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Subject: Re: Pseudo Greeks
From: Bruce Olson <[unmask]>
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Date:Mon, 23 Sep 2002 20:12:04 -0400
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Paul Stamler wrote:
>> Didn't he invent the autopsy?
>
> Peace,
> PaulI thought it was paragoric and pythenogenic.His biggest success was in psychosomatic disorders. He was quick
to correlate the nausea, shaking, finally writhing about on the
ground with the singing of ballads by nearby Locrians. The
principle victims were itinerant folksong collectors, the locals
already knowing enough to scatter at the sight of Locrians, before
the sounds of Locrins could get them. One sturdy individual got
almost all of the first verse of one before that tune laid him low.
Immediate temporary relief could be obtained with ear plugs (like
the Locrians themselves wore), but two weeks in bed with complete
silence were usually necessary before the patient became ambulatory,
and the effects tended to be cumulative, so the victim had to carry
ear plugs around at all times. They tried to get a law passed so
Locrians always sang with Lydians, so it would come out the 11-note
mode #2046, like those on my website, but the Lydians pointed out
that they had done nothing that warranted what was in effect a
death sentence, even if Lydian mode wasn't everyone's cup of tea.Pythagorus tried to help the victims further, but nearly met his
own demise before he discovered the siren in his Early Warning
Locrian Detector had been candelestinely programed to wail in
Locrian, so also clearly warned Locrians that there were detectors
working in the area.The ballads sounded as though they might have been interesting if
one could get more, but impossible is impossible, and anyway the
Locrians had been dominated for a while by the Ionians who had
taken Aphrodite and the sexy parts out so they could pass them
off as their own songs to their Modus Lascivious tunes.Now aren't you sorry you asked?And so back to "Kemp Owyne". It seems likely that the setting is Ulster
in late 589 or early 590 CE. The wife of Caradog Freichfras that the
magic mantle fitted in "The Boy and the Mantle" couldn't have been
Enhinti, Owian's aunt, she's 2 generations too late. In my next post
I'll tell you the last reported (c 578 CE) location of that magic mantle
(one of the 'Thirteen Treasures of Britain").Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: The James M. Carpenter Collection
From: "David M. Kleiman" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 02:09:52 -0500
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Hi Folks,I guess I feel it's time I stepped into this discussion....I have only
followed the thread back as far as the quotes below but:1. I have to agree with Bob.  Hard copy books are still the "warm and
fuzzy" that we all know and love.  Hard cover books are the best, and
truely proven method, of preserving texts.2. Our new digital technologies change standards and media too frequently
to present long term, archival quality works, as of yet. And although
convenient for research and such are not really "comfortable" to read.3. #s 1 and 2 above do not obviate the need for nor the acceptance of
digital text, especially when digital technologies enhance the printed
word.Therefore, we at Heritage Muse and Mark Heiman at Loomis House Press have
both taken the middle road in approaching the new editions of the Child
opus.  Loomis House has released hard copy with announced plans for a
digital copy.  Heritage Muse is shipping (Oct 2002) "The English and
Scottish Popular Ballads (digital edition)" on CD and via the Internet in
searchable and fully printable form.  Anyone who owns a copy of
the "digital edition", can print a full set of the books (2,700+ pages)
and also have the convenience of searchable text, playable MIDI tunes and
CD-quality audio tracks of  ballads in the living singing traditions,
along with hyperlinked glossaries, indexes, maps and a gazetteer.  An
individual's price for the complete digital Child work plus the
enhancements and the bundled audio CD is less than the price of any paper
edition of the same work except for the original release of Dover's 1965
edition.I don't mean for that to sound too much like a plug, but the point is that
a "digital edition" of any classic work can now be quickly, easily, and
economically enhanced by the use of proven, common-use, software
technologies.Also, as Dick G. points out the digital texts can remain inexpensively
available long after hard copy editions have been "sold out".  Text files
can be quickly converted and re-released as file standards and software
and hardware technologies change.As to "libraries are not buying folk music"....with an internet release
available to libraries (and therefore library patrons) these digital works
can be made accessible to an extremely wide range of the reading and
studying public.  More and more often public libraries and school
libraries are subscribing to on-line content servers.  Patrons and
students get free (or nearly free) access to the texts and materials.  We
have already negotiated the release of the Heritage Muse "digital edition"
of Child's work on the net with a major library provider.  Within a few
months of the CD-ROM release it will be available to individuals and
institutions for immediate on-line use, although the music files and maps
may not be included initially.  Based on discussions I had with many folks
down at the American Librarian's Association Conference in Atlanta,
libaries are buying, libraries are eagerly seeking humanities content,
libraries are looking for inexpensive ways to reach a new reading public
that is net aware, tuned-into multi-media, and eager for materials!All this said and done, I must ultimately agree with Sandy...I don't curl
up in the living room easy chair with my computer or digital reader at the
end of the day.Best,
David M. KleimanOn Tue, 28 May 2002 20:17:09 -0400, Sandy Paton <[unmask]>
wrote:>I see in the flyer from Heritage Muse, Inc., that their disc version of
>the complete Child will also be searchable. That will be very helpful,
>but I still like books!
>        Sandy
>
>dick greenhaus wrote:
>>
>> Hi- hardcover plus CD-ROM is the way that Mark Heiman is planning for
his new
>> edition of Child. Perfectly sensible. Especially since the CD-ROM can
remain
>> available even after the more-desireable hard copy goes out of print.
>>
>> Ed Cray wrote:
>>
>> > Bob:
>> >
>> > Until such time as print-on-demand reaches maturity, hardcover books
will
>> > dominate the distribution and permanent storage of knowledge.  (Pace
>> > web-lovers.)
>> >
>> > If libraries are not buying folk music, then the press run will be
that
>> > much smaller, and the per unit cost will go up.  (There is a saying
in the
>> > publishing business that the first copy costs a hundred thousand, the
next
>> > copy a penny.)
>> >
>> > A hardcover edition does not negate publication of a CD-ROM.  Some
might
>> > even buy both, the one for bibliophilic pleasure, the other for quick
>> > research.
>> >
>> > Ed
>> >
>> > On Mon, 27 May 2002, Robert B. Waltz wrote:
>> >
>> > > On 5/27/02, Ed Cray wrote:
>> > >
>> > > >Bob:
>> > > >
>> > > >In my (limited) experience, subscription-supported printing means
that the
>> > > >subscribers underwrite a portion of the costs.  The art presses
such as
>> > > >Zamoro have the entire cost prepaid.  (So too did the Roxburghe
Society,
>> > > >the Rymour Club and the Ballad Society, I understand.)  Others
budget the
>> > > >subscriptions to prepay only a fraction of the cost; the press runs
>> > > >additional copies to sell, and thus recoups the costs, plus the
profit,
>> > > >if any.
>> > > >
>> > > >In deciding the cost of a subscription, the press would have to
calculate
>> > > >what risk it wants to take, a possible list price, whether there
is any
>> > > >foundation support, etc.
>> > > >
>> > > >My guess?  Assume a volume about the size of the Bronson volumes:
$75 per
>> > > >number.  Value once it goes out of print?  Double that -- or more.
>> > >
>> > > But that's just the problem. At that price, we're looking at
>> > > something close to library prices -- and libraries aren't buying
>> > > folk music books any more.
>> > >
>> > > And so it won't sell, and the press runs will be small, and ten
>> > > years from now we'll be paying $150 per volume *if we can get
>> > > it at all.*
>> > >
>> > > This is counter-productive. Nay, it's *stupid*. We need to find
>> > > a way to make these collections truly accessible, and to keep
>> > > them in print. We are doing no one any service by charging these
>> > > prices. We assure publication, yes, but we can't get the number
>> > > of copies that ought to be out there.
>> > >
>> > > I'm not saying CD-R is the answer. I'd rather have an actual
>> > > *book*. But I'd like still more to have two books. Or three.
>> > >
>> > > Along with everything else, we're probably shutting off potential
>> > > future scholars with this approach.
>> > > --
>> > > Bob Waltz
>> > > [unmask]
>> > >
>> > > "The one thing we learn from history --
>> > >    is that no one ever learns from history."
>> > >

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Subject: Re: The James M. Carpenter Collection
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 10:47:39 +0100
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David Kleiman wrote:
(snip)> Heritage Muse is shipping (Oct 2002) "The English and
> Scottish Popular Ballads (digital edition)" on CD and via the Internet in
> searchable and fully printable form.  Anyone who owns a copy of
> the "digital edition", can print a full set of the books (2,700+ pages)
> and also have the convenience of searchable text, playable MIDI tunes and
> CD-quality audio tracks of  ballads in the living singing traditions,
> along with hyperlinked glossaries, indexes, maps and a gazetteer.What splendid news! Will the edition be available (i.e. on sale) at the AFS
conference in Rochester?
Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
well, we'd be really rocking....Simon

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Subject: possible guthrie guitar sold
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 06:58:25 -0700
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Possible Guthrie Guitar SoldThe Associated PressSPOKANE, Wash. (AP) - It may seem extreme to pay
$5,000 for
a 40-year-old acoustic guitar in poor condition,
but not if
it turns out to have belonged to folk singer
Woody Guthrie.The new owner, Jim Kalmenson, suspects just that.Inside the Slingerland May Belle guitar is a
pencil scrawl:
``Property of Woody Guthrie OK.'' Kalmenson is
convinced
it's the real deal, though it may be difficult to
confirm
that.Guthrie emerged from the Dust Bowl to champion
the nation's
downtrodden through his music. His works include
``This
Land is Your Land,'' ``Deportee,'' ``Roll on
Columbia'' and
many more - songs that made powerful statements
and inspired
Bob Dylan and others to follow his example,
seeking to
affect social change through music.There are very few known Guthrie guitars left.
Rumor has it
that one of them was recently sold to billionaire
Microsoft
co-founder Paul Allen for his Seattle-based
Experience
Music Project. The rumored price: $100,000.Officials with the EMP museum did not immediately
return a
call seeking to confirm the those details.Aside from the name and the ``OK,'' the letters
``WWG'' are
faintly scratched on the guitar's back -
Guthrie's
initials.The ultimate proof would be a photograph of
Guthrie with
the guitar. So far, no such photo has been found.09/23/02 07:02 EDT
    Copyright 2002 The Associated Press. The
information
contained in the AP news report may not be
published,
broadcast, rewritten or otherwise distributed
without the prior
written authority of The Associated Press.  All
active
hyperlinks have been inserted by AOL.
*************__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

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Subject: Re: possible guthrie guitar sold
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 09:55:53 -0700
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Folks:There are a lot of Woody Guthrie guitars out there -- some borrowed and
never returned -- some purchased in hockshops (and sold the same way).  He
had good guitars and bad, and didn't much care, after about 1941.  So far
as I know, the only guitar he really cared about was purchased for him by
his second wife, a Spanish (nylon-strung) guitar made by Carlos Barquero
-- though he treated it as abominably as all the other guitars he
abused.Sort proves you don't need a great guitar to be a good songwriter-singer.Ed

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Subject: Re: possible guthrie guitar sold
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:47:58 -0600
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Striking coincidence (with a "moral" of sorts): BBC radio last night
reported on Beatles' memorabilia, real and fake, at auction. One recently
sold object was featured (but I was out of radio earshot); it fetched
something in six figures. But when the interviewer asked the memorabilia
dealer what would be the Holy Grail of Beatles memorabilia, he replied
immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
Do' on it. It would sell for millions."Woody and John, I hope you're having a good laugh about it.CheersMichael Bell

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Subject: Re: possible guthrie guitar sold (fwd)
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:51:19 -0600
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I'm trying to re-send this after one bounce-back.... MB---------- Forwarded message ----------
Date: Tue, 24 Sep 2002 12:47:58 -0600 (MDT)
From: Bell Michael <[unmask]>
To: Forum for ballad scholars <[unmask]>
Cc: [unmask]
Subject: Re: possible guthrie guitar soldStriking coincidence (with a "moral" of sorts): BBC radio last night
reported on Beatles' memorabilia, real and fake, at auction. One recently
sold object was featured (but I was out of radio earshot); it fetched
something in six figures. But when the interviewer asked the memorabilia
dealer what would be the Holy Grail of Beatles memorabilia, he replied
immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
Do' on it. It would sell for millions."Woody and John, I hope you're having a good laugh about it.CheersMichael Bell

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Subject: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 12:33:19 -0700
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Folks:The NY Times this morning reported the death at age 87 of Joan Littlewood,
the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
major figure in the post World War II revival of the English theater.
She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
Hostage," created "Oh, Wahat a Lovely War," and played a role in the
concurrent English folk revival.Ed

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Subject: Re: possible guthrie guitar sold (fwd)
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 16:03:44 -0400
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I suspect that Woody (wherever he is) is still in a state of shock after
having his face put upon a stamp.Bell Michael wrote:> I'm trying to re-send this after one bounce-back.... MB
>
> ---------- Forwarded message ----------
> Date: Tue, 24 Sep 2002 12:47:58 -0600 (MDT)
> From: Bell Michael <[unmask]>
> To: Forum for ballad scholars <[unmask]>
> Cc: [unmask]
> Subject: Re: possible guthrie guitar sold
>
> Striking coincidence (with a "moral" of sorts): BBC radio last night
> reported on Beatles' memorabilia, real and fake, at auction. One recently
> sold object was featured (but I was out of radio earshot); it fetched
> something in six figures. But when the interviewer asked the memorabilia
> dealer what would be the Holy Grail of Beatles memorabilia, he replied
> immediately: "Lennon's acoustic guitar. A Gibson.  He composed 'Love Me
> Do' on it. It would sell for millions."
>
> Woody and John, I hope you're having a good laugh about it.
>
> Cheers
>
> Michael Bell

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Subject: Re: Joan Littlewood
From: Fred McCormick <[unmask]>
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Date:Tue, 24 Sep 2002 16:35:20 EDT
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Subject: Re: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 18:02:11 -0700
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Fred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24 hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing an
> almost accidental, but nonetheless significant, part in the nascent British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: dick greenhaus <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:27:47 -0400
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Well, Topic has just released a fairly massive 4-CD Acoustic Folk Box that seems to
cover the Revival in the UK reasonably well. Starts with  Lonnie Donegan and winds
up, 85 cuts later, with Liza Carthy. (CAMSCO carries it for $50)dick greenhausEd Cray wrote:> Fred et al:
>
> NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
> War."
>
> Has anyone done a history of the folk revival in the UK -- aside from
> Hamish Henderson's various essays in _Alias McAlias?_
>
> Ed
>
> On Tue, 24 Sep 2002, Fred McCormick wrote:
>
> > Ed Cray Wrote
> >
> > >> The NY Times this morning reported the death at age 87 of Joan Littlewood,
> > > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right a
> > > major figure in the post World War II revival of the English theater.
> > > She was the first to produce Brendan Behan's ""The Quare Fellow" and "The
> > > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > > concurrent English folk revival.
> > >
> > She seems to have died sometime over the weekend. At any rate, I heard a news
> > bulletin on Radio 4 (which is the main British Broadcasting Corporation
> > current affairs channel) early on Saturday or Sunday morning. Then, 24 hours
> > later, I heard a similar announcement on Radio 3 (the BBC's classical music
> > and arts channel), as though it had just happened.
> >
> > That apart, there seems to have been almost total silence from the
> > broadcasting media, unless I've been too distracted with threats of impending
> > war to notice. In any event, the lack of tributes is distinctly odd,
> > remembering what a collossal force she was in British theatre. Apart from
> > founding Theatre Workshop, itself a major theatrical landmark, and playing an
> > almost accidental, but nonetheless significant, part in the nascent British
> > folk revival, a considerable number of important actors learnt their craft
> > via her productions.
> >
> > For that matter, many of the techniques associated with Theatre Workshop
> > found their way (via Ewan MacColl) into the radio ballads, and ended up
> > influencing modern styles of documentary production.
> >
> > It's all very odd. If I do unearth anything, I'll pass it on.
> >
> > Fred McCormick.
> >

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Subject: Britons, Greeks and non-Greeks
From: Bruce Olson <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 00:18:37 -0400
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I don't have an organization for the non-'Greek' modes yet.
All my theories of such have proved useless, and I was forced to
look at the data. The 'Greek' based modes are 21% of the total
modes. If we take the non-'Greek' modes that differ from a
'Greek' one by 1, 2, or 3 notes we find that for the 3 note
difference there are 4 modes of one tune each. There are also 2
odd tunes where the high notes of the tune are missing, and the
first appears normal and sharp, so they're really cramed into the
low end of the scale. So of 6601 total tunes 99.91% are 'Greek',
or differ by at most 2 notes from some OBSERVED 'Greek' mode.
File MODETABL.TXT on my website now has modes with labels: G-
'Greek' based, H- 1 note off, I- 2 notes off, J- 3 notes off. N-
is for the two compressed scale modes.There are a lot of modes different from the 'Greek' based modes,
but practically nothing that's very different. [One would suspect
this to start with, but it's nice to have some 'hard' numbers.][This whole exercise was a slight variant of the method of constructing
a set of energy levels of an atom or molecule via combination
differences and the Aufbau principle.]
.....................It was undoubtably oldest son and warrior Owain, "Kemp Owyne",
that King Urien of Rheged sent to Ireland to recruit new King
Fiachna Lurgan of Ulster and his army as part of a coalition for
an attack on Bernicia, c 590. The attack succeeding
(temporarily), and an Irish garrison was stationed in Bamburgh
(but probably not for long). It appears the Morcant, one of
Urien's allies, had claims to Bamburgh, and had Urien stabbed to
death, making Owain the new king, but c 595 a British force
managed to kill Owain and the Kingdom of Rheged disappeared.
Someone with a decent work on Irish history might find out how
Fiachna got his kingship, and how many wives he'd had and if one
hadn't given him an ugly daughter. It's not too unlikely that
Owain seduced some such, giving a basis for "Kemp Owyne".The sons of Eliffer (Peredur [Percival] and Gwrgi) won the battle
of Arfderydd? [now Arthuret] in 573, at which the bard Merlin
Sylvester went mad. After wandering in the Celidon woods for some
undetermined number of year (~5?), he was captured, and confined
on Bardsey Island, with 'The Thirteen Treasures of Britain',
including the magic mantle of "The Boy and the Mantle". [In 580
Peredur was killed, and his kingdom, York, passed to English
hands.]If Owain and Percival were knights of the Round Table, who got the
job of changing their diapers there?Bruce OlsonRoots of Folk: Old British Isles popular and folk songs, tunes,
broadside ballads at my website <A
href="http://www.erols.com/olsonw"> Click </a>

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Subject: Re: Joan Littlewood
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:25:50 -0500
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Georgina Boyce did one.  Will get the title tomorrow.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, September 24, 2002 8:02 PM
To: [unmask]
Subject: Re: Joan LittlewoodFred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan
Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right
a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and
"The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a
news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24
hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical
music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of
impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing
an
> almost accidental, but nonetheless significant, part in the nascent
British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Marge Steiner <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Tue, 24 Sep 2002 23:26:44 -0500
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P.s.: you might also want to check out that book, Singer, Song, and Scholar,
where ther's a nice essay on Bert Lloyd.        MargeE-mail: [unmask]-----Original Message-----
From: Forum for ballad scholars [mailto:[unmask]]On Behalf
Of Ed Cray
Sent: Tuesday, September 24, 2002 8:02 PM
To: [unmask]
Subject: Re: Joan LittlewoodFred et al:NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
War."Has anyone done a history of the folk revival in the UK -- aside from
Hamish Henderson's various essays in _Alias McAlias?_EdOn Tue, 24 Sep 2002, Fred McCormick wrote:> Ed Cray Wrote
>
> >> The NY Times this morning reported the death at age 87 of Joan
Littlewood,
> > the first wife Ewan MacColl (ne Jimmy Miller), who was in her own right
a
> > major figure in the post World War II revival of the English theater.
> > She was the first to produce Brendan Behan's ""The Quare Fellow" and
"The
> > Hostage," created "Oh, Wahat a Lovely War," and played a role in the
> > concurrent English folk revival.
> >
> She seems to have died sometime over the weekend. At any rate, I heard a
news
> bulletin on Radio 4 (which is the main British Broadcasting Corporation
> current affairs channel) early on Saturday or Sunday morning. Then, 24
hours
> later, I heard a similar announcement on Radio 3 (the BBC's classical
music
> and arts channel), as though it had just happened.
>
> That apart, there seems to have been almost total silence from the
> broadcasting media, unless I've been too distracted with threats of
impending
> war to notice. In any event, the lack of tributes is distinctly odd,
> remembering what a collossal force she was in British theatre. Apart from
> founding Theatre Workshop, itself a major theatrical landmark, and playing
an
> almost accidental, but nonetheless significant, part in the nascent
British
> folk revival, a considerable number of important actors learnt their craft
> via her productions.
>
> For that matter, many of the techniques associated with Theatre Workshop
> found their way (via Ewan MacColl) into the radio ballads, and ended up
> influencing modern styles of documentary production.
>
> It's all very odd. If I do unearth anything, I'll pass it on.
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Mary Cliff <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 01:04:41 -0400
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Note this entry into the "interminable list" of "who's where" from
Traditions, Saturday nights on WETA radio, Washington, DC:Monday, October 7:
>12:00 n        Georgina Boyes, author of The Imagined Village study of Eng
>Folksong revival talk @ LoC Mary Pickford Theatre, 3rd floor, Jas Madison
>Bldg, 101 Indep Ave SE DCMs. Boyes' husband will perform with his compatriots Coope & Simpson for
the Folklore Society of Greater Washington at Glen Echo Town Hall --
unamplified -- 8 pm on Tuesday, October 8, 2002.Mary Cliff, TRADITIONS
WETA Radio

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Subject: Re: Joan Littlewood
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 07:18:49 +0100
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Ed Cray said:
 (snip)
> Has anyone done a history of the folk revival in the UK -- aside from
> Hamish Henderson's various essays in _Alias McAlias?_See Niall MacKinnon, "The British Folk Scene: Musical Performance and Social
Identity", (Buckingham, Open University Press, 1993). You can have an
interesting game guessing who all the people are on the cover photograph!Cheers
Simon

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Subject: Re: Joan Littlewood
From: Fred McCormick <[unmask]>
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Date:Wed, 25 Sep 2002 06:15:12 EDT
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Subject: Re: Joan Littlewood
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 05:46:01 -0700
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Fred:Thank you for the citations.  As it happens, I have the Russell (unread),
a situation I shall correct (someday).EdOn Wed, 25 Sep 2002, Fred McCormick wrote:> Ed Cray wrote,
>
> > >NPR did an obit this afternoon (9/24) beginning with "Oh, What a Lovely
> > War."
> >
>
> >> Has anyone done a history of the folk revival in the UK -- aside from
> >
>
> The British folk revival can be broken down into three stages for
> convenience:-
> 1.    The late Victorian/Edwardian era
> 2.    The post world war 2 era. 1945  - 1970.
> 3.    Post 1970.
>
> Stage 1 is much better served than stages 2 and 3.
>
> For a general overview of all three stages, you could start with Mike
> Brocken's British Folk Revival which can be read in Musical Traditions
> magazine at http://web.ukonline.co.uk/mustrad/articles/broc_ndx.htm . It's
> Mike's Phd thesis and I should warn you, a lot of what he says is very
> contentious (which is why I got him to let us publish it.). However, it's
> important to remember that Mike is a pop music historian and, to appreciate a
> lot of what he says, you have to understand where he's coming from.
>
> Which moves me on to Studying Popular Music by Richard Middleton (Open
> University Press 1990). Again, a very contentious stand in a book which is
> basically about pop music.
>
> Both authors have some good things to say, but both fail to recognise crucial
> points of difference between folk music and pop music. I therefore tried to
> address some of these in my introduction to The Joe Heaney Interview at
> http://www.mustrad.org.uk/articles/heaney.htm . If anyone wants to read this,
> however, I should explain that I was basically trying to explain Ewan
> MacColl's ideological position.
>
> Other Sorces:-
> Georgina Boyes The Imagine Village, Manchester UP, 1984, is an excellent
> history of the folksong and dance revivals, dealing mainly with stages 1 and
> 2.
> Laing, Dallas, Denselow & Shelton. The Electric Muse; The Story of Folk into
> Rock. Methuen, 1975. Deals mainly with the evolution of folk rock bands like
> Steeleye Span and Fairport Convention, and has some interesting stuff about
> blues and skiffle influences on the revival.
> The People's Past: Ted Cowan, ed. Polygon 1980, has several articles dealing
> with the Scots folk revival.
> See also The Sang's the Thing. Sheila Douglas, Polygon, 1992. A whole stack
> of pen portaits. Some are of Scots revivalists. Most are of traditional
> singers who interacted with the revival.
> Marge Steiner mentioned Vic Gammon's article in Singer, Song and Scholar; Ian
> Russell, ed. Sheffield Academic Press, 1986. Vic's contribution is less about
> Bert Lloyd than it is about his book, Folk Song in England. A truly
> commendable piece, which manages to be both affectionate and iconoclastic.
> There are several other articles about Bert in the same publication.
>
> A couple of autobiographies which might be useful:-
> Frankie Armstrong, As Far as the eye Can Sing. I haven't got round to reading
> it yet, but it's published by The women's Press, 1992.
> Ewan MacColl, Journeyman. Sidgwick and Jackson. 1990. A strange and partial
> book, which tells somewhat less than the whole story.
>
> Finally, English Folk Song: An Introductory Bibliography, David Atkinson,
> EFDSS 1999, has a section devoted to revivals.
>
> Cheers,
>
> Fred McCormick.
>

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Subject: Re: Joan Littlewood
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 11:54:42 -0500
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        Picked up an interesting book in London a few years back."Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
by David HARKER [Open University Press: 1985] part of the Popular Music In
Britain series.You might wish to take a look at that as well.

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Subject: Help?
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 13:36:59 -0400
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Three of the weeks that I would have spent writing four short entries
for the upcoming "The Encyclopedia of the Blues" have been devoted
instead to a medical emergency.  Now I'm back at work, but my
deadline is close.  I have three of my entries under control,
bibliographically, so they present no problems.  The fourth consists
of 300 words, plus references, on "blues ballad."  I have what I
believe to be the seminal paper,D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
Style in Traditional Ballad Song." In Narrative Folksong: New
Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
pp. 437-82.I lack references to subsequent writings on this subject.  I recall
reading a suggestion that "nodal ballad" might be a better term than
"blues ballad" and I recall reading that these types of ballads are
frequent in the Irish tradition, but I don't have references at my
fingertips.  I would appreciate any help that might be offered.Thanks.--
john garst    [unmask]

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Subject: Re: Joan Littlewood
From: Simon Furey <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Wed, 25 Sep 2002 18:52:35 +0100
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Clifford J Ocheltree said:
(snip)>         Picked up an interesting book in London a few years back.
>
> "Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
> by David HARKER [Open University Press: 1985] part of the Popular Music In
> Britain series.
>
> You might wish to take a look at that as well.Ah.... I wondered when *that* was going to raise its head. It's a
contentious work that received serious criticism in a paper at the centenary
conference of the Folk Song Society in Sheffield in 1998 (C J Bearman,
University of Hull, 'Cecil Sharp in Somerset: Some Further Conclusions').
Unfortunately we are still awaiting the published papers from the conference
(due soon, I believe - Ian Russell should have news on this). All I will say
is "reader beware".Simon

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Subject: The English and Scottish Popular Ballads (digital edition)
From: "David M. Kleiman" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 00:33:53 -0500
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Simon,I will be at the AFS conference with, at a minimum, a full working copy of
the digital edition.  If the manufacturer can get the actual boxed sets of
product, back to us before the conference I will bring sets with me for
sale. Stop by our table in the exhibit area and introduce yourself!In the meantime, anyone interested in the set can email a note of interest
to [unmask] or directly to me at
[unmask] and we'll let you know as soon as we're
ready to ship.In the meantime, check out the web-site at www.heritagemuse.com, and then
check back late next week when the new site goes up.Thanks,
DMKOn Tue, 24 Sep 2002 10:47:39 +0100, Simon Furey
<[unmask]> wrote:>David Kleiman wrote:
>(snip)
>
>> Heritage Muse is shipping (Oct 2002) "The English and
>> Scottish Popular Ballads (digital edition)" on CD and via the Internet
in
>> searchable and fully printable form.  Anyone who owns a copy of
>> the "digital edition", can print a full set of the books (2,700+ pages)
>> and also have the convenience of searchable text, playable MIDI tunes
and
>> CD-quality audio tracks of  ballads in the living singing traditions,
>> along with hyperlinked glossaries, indexes, maps and a gazetteer.
>
>What splendid news! Will the edition be available (i.e. on sale) at the
AFS
>conference in Rochester?
>Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
>well, we'd be really rocking....
>
>Simon

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Subject: Name question
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 00:38:22 -0500
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Hi folks:The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
on the Rounder reissues)? Anyone know for sure? And does anyone have her
birth and death dates?Peace,
Paul

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Subject: Re: Name question
From: Fred McCormick <[unmask]>
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Date:Thu, 26 Sep 2002 04:53:21 EDT
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Subject: Harker and the Folk Revival
From: [unmask]
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Date:Thu, 26 Sep 2002 15:50:25 +0300
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Perhaps list members will forgive this plug, as our stray publications and
recordings often don't get into the hands of those who might be interested:
In 1998, I looked at the role of the Communist Party in the (second) folk
revival (reference below).  Obviously, with Ewan MacColl, AL Lloyd, Hamish
Henderson and Alan Lomax at the forefront, not to mention the folk clubs, the
revival corresponded closely to many radicals' ideas of a 'people's music'.
However, I think I was able to show that Dave Harker's claim that the whole
thing was masterminded from the Party's London HQ, with members fanning out
across the country to infiltrate the clubs, was Cold War paranoia.Gerald Porter"The World's Ill-Divided: The Communist Party and Progressive Song" in A Weapon
in the Struggle. The Cultural History of the Communist Party in Britain
(London: Pluto Press, 1998), edited by Andy Croft, pages 171-91.Quoting Simon Furey <[unmask]>:> Clifford J Ocheltree said:
> (snip)
>
> >         Picked up an interesting book in London a few years back.
> >
> > "Fakesong: The Manufacture of British 'Folksong' 1700 To The Present Day"
> > by David HARKER [Open University Press: 1985] part of the Popular Music
> In
> > Britain series.
> >
> > You might wish to take a look at that as well.
>
> Ah.... I wondered when *that* was going to raise its head. It's a
> contentious work that received serious criticism in a paper at the
> centenary
> conference of the Folk Song Society in Sheffield in 1998 (C J Bearman,
> University of Hull, 'Cecil Sharp in Somerset: Some Further Conclusions').
> Unfortunately we are still awaiting the published papers from the
> conference
> (due soon, I believe - Ian Russell should have news on this). All I will
> say
> is "reader beware".
>
> Simon
>

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 10:14:06 -0400
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>Paul Stamler wrote
>>
>
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?
>...
>Jerrilyn McGregory has an article on her in the current issue of
>Journal of The Alabama Folklife Association; Tributaries, Vol. V. I
>haven't had chance to catch up with it yet, but you can check the
>AFA's website at http://www.alabamafolklife.org/AFApublication.htm
>
>Cheers,
>
>Fred McCormickSince the current issue of Tributaries also contains my "John Henry"
article, I just happen to have a few copies lying around.  According
to Dr. Jerrilyn McGregory, in "Livingston, Alabama Blues: The
Significance of Vera Ward Hall," VWH was born "circa 1906 on a small
farm near near Livingston, Alabama."  The article does not appear to
contain a death date.  Apparently, her last recordings were for Alan
Lomax in 1959.
--
john garst    [unmask]

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 11:09:56 -0400
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>Paul Stamler wrote
>>
>
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?An inquiry on the pre-war blues list led to the following from Alan Balfour:>Blues Records 1943-70 heads-up her entry thus:
>
>VERA HALL (VERA HALL WARD)
>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.
--
john garst    [unmask]

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Subject: Re: Name question
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 12:09:20 -0500
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Alan Balfour & John Garst report:>Blues Records 1943-70 heads-up her entry thus:
>
>VERA HALL (VERA HALL WARD)
>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.Fred McCormick contributes:<<Jerrilyn McGregory, who wrote the introduction to Rounder 11661-1829-2:
Deep River of Song, Alabama, gives her as Vera Ward Hall. >>And John Garst adds:<<Since the current issue of Tributaries also contains my "John Henry"
article, I just happen to have a few copies lying around.  According
to Dr. Jerrilyn McGregory, in "Livingston, Alabama Blues: The
Significance of Vera Ward Hall," >>So far we have one vote on each side (I'm counting McGregory's two citations
as a single vote). Any more data?Peace,
Paul

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Subject: More on the name issue
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 12:26:10 -0500
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Hi folks:Just checked out the Social Security Death Index at Ancestry.com. They had
no record of anyone named Vera W. Hall or Vera H. Ward with a Social
Security card issued in Alabama (which, since she lived in Alabama all her
life, would be a reasonable expectation). Nor did any of the plain Vera
Halls or Vera Wards die in 1964, at least not in Alabama. So far, that's a
washout, leading to the conclusion that she may not have had a Social
Security card. (But in that case, how did she handle money that came in when
she sang at folk festivals?)Peace,
Paul

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Subject: Re: Name question
From: Fred McCormick <[unmask]>
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Date:Thu, 26 Sep 2002 14:07:05 EDT
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Subject: Re: Joan Littlewood
From: Ruairidh Greig <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 19:03:16 +0100
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If anyone hasn't read it, I would thoroughly recommend Joan Littlewood's
autobiography, "Joan's Book" (published London 1994) which includes
fascinating background material about Ewan MacColl/Jimmy Miller as well as
Alan Lomax and Brendan Behan.Ruairidh Greig----- Original Message -----
From: "Ed Cray" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 25, 2002 1:46 PM
Subject: Re: Joan Littlewood> Fred:
>
> Thank you for the citations.  As it happens, I have the Russell (unread),
> a situation I shall correct (someday).
>
> Ed
>
>
> On Wed, 25 Sep 2002, Fred McCormick wrote:
>
> > Ed Cray wrote,
> >
> > > >NPR did an obit this afternoon (9/24) beginning with "Oh, What a
Lovely
> > > War."
> > >
> >
> > >> Has anyone done a history of the folk revival in the UK -- aside from
> > >
> >
> > The British folk revival can be broken down into three stages for
> > convenience:-
> > 1.    The late Victorian/Edwardian era
> > 2.    The post world war 2 era. 1945  - 1970.
> > 3.    Post 1970.
> >
> > Stage 1 is much better served than stages 2 and 3.
> >
> > For a general overview of all three stages, you could start with Mike
> > Brocken's British Folk Revival which can be read in Musical Traditions
> > magazine at http://web.ukonline.co.uk/mustrad/articles/broc_ndx.htm .
It's
> > Mike's Phd thesis and I should warn you, a lot of what he says is very
> > contentious (which is why I got him to let us publish it.). However,
it's
> > important to remember that Mike is a pop music historian and, to
appreciate a
> > lot of what he says, you have to understand where he's coming from.
> >
> > Which moves me on to Studying Popular Music by Richard Middleton (Open
> > University Press 1990). Again, a very contentious stand in a book which
is
> > basically about pop music.
> >
> > Both authors have some good things to say, but both fail to recognise
crucial
> > points of difference between folk music and pop music. I therefore tried
to
> > address some of these in my introduction to The Joe Heaney Interview at
> > http://www.mustrad.org.uk/articles/heaney.htm . If anyone wants to read
this,
> > however, I should explain that I was basically trying to explain Ewan
> > MacColl's ideological position.
> >
> > Other Sorces:-
> > Georgina Boyes The Imagine Village, Manchester UP, 1984, is an excellent
> > history of the folksong and dance revivals, dealing mainly with stages 1
and
> > 2.
> > Laing, Dallas, Denselow & Shelton. The Electric Muse; The Story of Folk
into
> > Rock. Methuen, 1975. Deals mainly with the evolution of folk rock bands
like
> > Steeleye Span and Fairport Convention, and has some interesting stuff
about
> > blues and skiffle influences on the revival.
> > The People's Past: Ted Cowan, ed. Polygon 1980, has several articles
dealing
> > with the Scots folk revival.
> > See also The Sang's the Thing. Sheila Douglas, Polygon, 1992. A whole
stack
> > of pen portaits. Some are of Scots revivalists. Most are of traditional
> > singers who interacted with the revival.
> > Marge Steiner mentioned Vic Gammon's article in Singer, Song and
Scholar; Ian
> > Russell, ed. Sheffield Academic Press, 1986. Vic's contribution is less
about
> > Bert Lloyd than it is about his book, Folk Song in England. A truly
> > commendable piece, which manages to be both affectionate and
iconoclastic.
> > There are several other articles about Bert in the same publication.
> >
> > A couple of autobiographies which might be useful:-
> > Frankie Armstrong, As Far as the eye Can Sing. I haven't got round to
reading
> > it yet, but it's published by The women's Press, 1992.
> > Ewan MacColl, Journeyman. Sidgwick and Jackson. 1990. A strange and
partial
> > book, which tells somewhat less than the whole story.
> >
> > Finally, English Folk Song: An Introductory Bibliography, David
Atkinson,
> > EFDSS 1999, has a section devoted to revivals.
> >
> > Cheers,
> >
> > Fred McCormick.
> >
>

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Subject: Re: The English and Scottish Popular Ballads (digital edition)
From: "Thomas H. Stern" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 14:29:21 -0400
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Hi David,
  I contacted you previously, but just to make sure you have me on the
on-order list:
  Thomas Stern
  19 Primrose Avenue West,
  White Plains-Greenburgh,
  New York 10607-1712.            phone 914-949-5367
Best wishes, Tom Stern."David M. Kleiman" wrote:> Simon,
>
> I will be at the AFS conference with, at a minimum, a full working copy of
> the digital edition.  If the manufacturer can get the actual boxed sets of
> product, back to us before the conference I will bring sets with me for
> sale. Stop by our table in the exhibit area and introduce yourself!
>
> In the meantime, anyone interested in the set can email a note of interest
> to [unmask] or directly to me at
> [unmask] and we'll let you know as soon as we're
> ready to ship.
>
> In the meantime, check out the web-site at www.heritagemuse.com, and then
> check back late next week when the new site goes up.
>
> Thanks,
> DMK
>
> On Tue, 24 Sep 2002 10:47:39 +0100, Simon Furey
> <[unmask]> wrote:
>
> >David Kleiman wrote:
> >(snip)
> >
> >> Heritage Muse is shipping (Oct 2002) "The English and
> >> Scottish Popular Ballads (digital edition)" on CD and via the Internet
> in
> >> searchable and fully printable form.  Anyone who owns a copy of
> >> the "digital edition", can print a full set of the books (2,700+ pages)
> >> and also have the convenience of searchable text, playable MIDI tunes
> and
> >> CD-quality audio tracks of  ballads in the living singing traditions,
> >> along with hyperlinked glossaries, indexes, maps and a gazetteer.
> >
> >What splendid news! Will the edition be available (i.e. on sale) at the
> AFS
> >conference in Rochester?
> >Now of course if it rolled in the whole of Bronson and Würzbach/Salz as
> >well, we'd be really rocking....
> >
> >Simon

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Subject: Re: Help?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 08:53:01 -0700
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Hi, John:
There were a few earlier studies by D.K. that might have additional
material.  There was a good early review by Marina Bokelman in the UIllinois
student journal, Autoharp #32 (1968) that gave a summary.  The articles are
Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.  In
the latter he first introducted the concept but called it a "banjo ballad."
D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
Folksongs, p 266).  But all of this may have been covered in the Wilgus/Long
article, which I haven't read in quite a while.
Norm Cohen----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Wednesday, September 25, 2002 10:36 AM
Subject: Help?> Three of the weeks that I would have spent writing four short entries
> for the upcoming "The Encyclopedia of the Blues" have been devoted
> instead to a medical emergency.  Now I'm back at work, but my
> deadline is close.  I have three of my entries under control,
> bibliographically, so they present no problems.  The fourth consists
> of 300 words, plus references, on "blues ballad."  I have what I
> believe to be the seminal paper,
>
> D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
> Style in Traditional Ballad Song." In Narrative Folksong: New
> Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
> L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
> pp. 437-82.
>
> I lack references to subsequent writings on this subject.  I recall
> reading a suggestion that "nodal ballad" might be a better term than
> "blues ballad" and I recall reading that these types of ballads are
> frequent in the Irish tradition, but I don't have references at my
> fingertips.  I would appreciate any help that might be offered.
>
> Thanks.
>
> --
> john garst    [unmask]

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Subject: Re: Help?
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 16:11:52 -0400
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Thanks, Norm.  I doubt that I will be able to find the Autoharp
article in timely fashion.  I have "Arch and Gordon" and I'm sure I
can find "Clure and Joe Williams" easily enough (I recall having seen
it).  Today I came across the following sentence in Paul Oliver's
"Songster's and Saints": "A number of songs have been identified as
'blues ballads' by D. K. Wilgus, Marina Bokelman and others."  The
reference is to Bokelman's unpublished Master's thesis, "The Coon-Can
Game: A Blues Ballad Tradition," UCLA, 1968.  Do you know if a paper
based on this thesis has been published?Yes, Wilgus-Long mention the first use of "blues ballad" by W. C.
Handy, though, of course, not necessarily with the same meaning.
Wilgus-Long also refer to Wilgus' notes for an Obray Ramsey album,
1961, which I'm sure I have at home, though I haven't looked for it
yet.  This is evidently Wilgus' first use of the term.  Perhaps he
had reconsidered "banjo ballad" from the "Arch and Gordon" article.Incidentally, as far as I know, Wilgus' brief article is the only
note of the "Arch and Gordon" historical incident in the folklore
literature.  I'm sure that there is an immense amount of material on
this - indeed, I've come across newspaper articles on the murders
while looking for something else - so I'm considering doing some
digging on this, once I get "John Henry" out of the way to my
satisfaction.>Hi, John:
>There were a few earlier studies by D.K. that might have additional
>material.  There was a good early review by Marina Bokelman in the UIllinois
>student journal, Autoharp #32 (1968) that gave a summary.  The articles are
>Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
>JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.  In
>the latter he first introducted the concept but called it a "banjo ballad."
>D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
>earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
>Folksongs, p 266).  But all of this may have been covered in the Wilgus/Long
>article, which I haven't read in quite a while.
>Norm Cohen
>
>----- Original Message -----
>From: "John Garst" <[unmask]>
>To: <[unmask]>
>Sent: Wednesday, September 25, 2002 10:36 AM
>Subject: Help?
>
>
>>  Three of the weeks that I would have spent writing four short entries
>>  for the upcoming "The Encyclopedia of the Blues" have been devoted
>>  instead to a medical emergency.  Now I'm back at work, but my
>>  deadline is close.  I have three of my entries under control,
>>  bibliographically, so they present no problems.  The fourth consists
>>  of 300 words, plus references, on "blues ballad."  I have what I
>>  believe to be the seminal paper,
>>
>>  D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
>>  Style in Traditional Ballad Song." In Narrative Folksong: New
>>  Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
>>  L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
>>  pp. 437-82.
>>
>>  I lack references to subsequent writings on this subject.  I recall
>>  reading a suggestion that "nodal ballad" might be a better term than
>>  "blues ballad" and I recall reading that these types of ballads are
>>  frequent in the Irish tradition, but I don't have references at my
>>  fingertips.  I would appreciate any help that might be offered.
>>
>>  Thanks.
>>
>>  --
>>  john garst    [unmask]--
john garst    [unmask]

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Subject: Celtic Colours
From: John Cowles <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 15:46:25 CDT
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Is anyone from this list planning to attend the Celtic Colours Festival in
Cape Breton this year? If so, and you'd like to get together, send email!    John--
     John Cowles             [unmask]
Telnet: 497-4375             Optimization Technology Manager
Office: 1-972-497-4375       Advanced Technology Center
Home:   1-972-596-6223       TCD Division of Hewlett-Packard
Mobil:  1-214-632-8652       3000 Waterview Pkwy.
Fax:    1-972-497-4848       Richardson, TX  75080

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Subject: Frankie and John Huston
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 18:53:41 -0400
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John Huston (the celebrated playwright, movie director, writer, and
actor) wrote his first play "Frankie and Johnny" in 1928.  That year
he turned 22.  It was published by Albert & Charles Boni, Inc., in
1930.  Shortly before it was published, an article by Courtenay
Terret appeared in The World, New York, stating that John Huston "has
prosecuted researches for several months past which have gone beyond
the findings of other investigators ... to establish the true
identities of the originals of America's most popular folk song."
The rest of the article, which purports to be based entirely on
Huston's research, gives a much more detailed account of the St.
Louis triangle involving Frankie Baker, Allen Britt, and Alice Pryor
than Huston himself gives in his book.This made me wonder if Huston left some research materials that might
be archived somewhere.  I find that the Academy of Motion Picture
Arts and Sciences Library (Beverly Hills, Calif.) has 64 linear feet
of John Huston's papers, but that they are dated 1932-1981, after he
did his "Frankie" research.  Ugh!As far as I can tell, Huston is the first to publish in a national
forum that Frankie, Stack Lee, and Duncan and Brady, all celebrated
in ballads, were St. Louis characters.
--
john garst    [unmask]

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Subject: Re: Harker and the Folk Revival
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 00:01:52 +0100
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> I think I was able to show that Dave Harker's claim that the whole thing
> was masterminded from the Party's London HQ, with members fanning out
> across the country to infiltrate the clubs, was Cold War paranoia.Given Harker's politics (quite a long way left of the CP) "cold
war paranoia" seems a rather strange way to describe his position.
"Trotskyist paranoia", just possibly - though in fact what I've
read of his book seemed reasonably sensible and well-argued.=================== <http://www.purr.demon.co.uk/jack/> ===================

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Subject: spotted on rec.music.early
From: Jack Campin <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 01:36:40 +0100
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This looks useful and the price is right...                    === begin quote ===The Colonial Music Institute announces a new CD-ROM publication:Early American Secular Music and Its European Sources, 1589-1839: An
Index
compiled by Robert M. Keller, Raoul F. Camus, Kate Van Winkle Keller,
and Susan Cifaldi.
Annapolis: The Colonial Music Institute, 2002. CD-ROM:  $25.00This CD-ROM is a series of electronic indexes derived from a database of
text and music information compiled from primary sources covering the
250   years of the initial exploration and settlement of the United
States. Over 75,000
entries are sorted by text (titles, first lines, recitatives, choruses,
&   burdens), by musical incipits (scale degrees,
stressed notes, and interval sequences), with additional indexes of
names and theater works. Most of the   entries
include a representation of the music in a numerical code so that a
researcher can tell how the tune begins.  The original project, The National Tune Index, of which this is an
expansion, was initially sponsored by The
Sonneck Society, now the Society for American Music, and funded by two
major grants from the National
Endowment for the Humanities and several additional grants from the City
University of New York Research
Award Program.  Musical Genres include:
  American Imprints: 270 sources, 11,310 items
  American Manuscripts: 145 sources, 11,192 items
  British Musical Theater & Ballad Opera, 238 sources, 5,784 items
  Dance Collections: 139 sources, 17,239 items
  British and European Instrumental Music: 277 sources, 14,607 items
  Manuscripts from Canada, France, Scotland, England, Ireland, Germany,
and Mexico: 46 sources, 6,059
items
  Songs and Sheet Music: 55 sources, 9,647 items  The Eight Indexes are:
  Texts
  Incipits
  Stress Notes
  Intervals
  Sources
  Genres
  Names
  Theater Works  Database can also be accessed on the web at
http://www.colonialmusic.org  The Colonial Music Institute
  276 Oak Court, Severna Park, MD 21146
  (410) 544-6149
  www.colonialmusic.org
  [unmask]                    ==== end quote ====-----------------------------------------------------------------------------
Jack Campin  *   11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland
tel 0131 660 4760  *  fax 0870 055 4975  *  http://www.purr.demon.co.uk/jack/
food intolerance data & recipes, freeware Mac logic fonts, and Scottish music

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Subject: Re: Help?
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 18:01:37 -0700
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I have a copy of the thesis; it was never published.
Norm----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Thursday, September 26, 2002 1:11 PM
Subject: Re: Help?> Thanks, Norm.  I doubt that I will be able to find the Autoharp
> article in timely fashion.  I have "Arch and Gordon" and I'm sure I
> can find "Clure and Joe Williams" easily enough (I recall having seen
> it).  Today I came across the following sentence in Paul Oliver's
> "Songster's and Saints": "A number of songs have been identified as
> 'blues ballads' by D. K. Wilgus, Marina Bokelman and others."  The
> reference is to Bokelman's unpublished Master's thesis, "The Coon-Can
> Game: A Blues Ballad Tradition," UCLA, 1968.  Do you know if a paper
> based on this thesis has been published?
>
> Yes, Wilgus-Long mention the first use of "blues ballad" by W. C.
> Handy, though, of course, not necessarily with the same meaning.
> Wilgus-Long also refer to Wilgus' notes for an Obray Ramsey album,
> 1961, which I'm sure I have at home, though I haven't looked for it
> yet.  This is evidently Wilgus' first use of the term.  Perhaps he
> had reconsidered "banjo ballad" from the "Arch and Gordon" article.
>
> Incidentally, as far as I know, Wilgus' brief article is the only
> note of the "Arch and Gordon" historical incident in the folklore
> literature.  I'm sure that there is an immense amount of material on
> this - indeed, I've come across newspaper articles on the murders
> while looking for something else - so I'm considering doing some
> digging on this, once I get "John Henry" out of the way to my
> satisfaction.
>
> >Hi, John:
> >There were a few earlier studies by D.K. that might have additional
> >material.  There was a good early review by Marina Bokelman in the
UIllinois
> >student journal, Autoharp #32 (1968) that gave a summary.  The articles
are
> >Wilgus & Montell's "Clure and Joe Williams--Legend and Blues Ballad" (in
> >JAF?) and "Arch and Gordon" by D.K. in Ky Folklore Record VI (1960), 53.
In
> >the latter he first introducted the concept but called it a "banjo
ballad."
> >D.K. also wrote (Sing Out! Jan 1965, 65) that the term "blues ballad" was
> >earlier used by W.C. Handy. (see Scarborough's On the Trail of Negro
> >Folksongs, p 266).  But all of this may have been covered in the
Wilgus/Long
> >article, which I haven't read in quite a while.
> >Norm Cohen
> >
> >----- Original Message -----
> >From: "John Garst" <[unmask]>
> >To: <[unmask]>
> >Sent: Wednesday, September 25, 2002 10:36 AM
> >Subject: Help?
> >
> >
> >>  Three of the weeks that I would have spent writing four short entries
> >>  for the upcoming "The Encyclopedia of the Blues" have been devoted
> >>  instead to a medical emergency.  Now I'm back at work, but my
> >>  deadline is close.  I have three of my entries under control,
> >>  bibliographically, so they present no problems.  The fourth consists
> >>  of 300 words, plus references, on "blues ballad."  I have what I
> >>  believe to be the seminal paper,
> >>
> >>  D.K. Wilgus and Eleanor R. Long. "The Blues Ballad and the Genesis of
> >>  Style in Traditional Ballad Song." In Narrative Folksong: New
> >>  Directions (Essays in Appreciation of W. Edson Richmond). Ed. Carol
> >>  L. Edwards and Kathleen E.B. Manley. Boulder: Westview Press, 1985,
> >>  pp. 437-82.
> >>
> >>  I lack references to subsequent writings on this subject.  I recall
> >>  reading a suggestion that "nodal ballad" might be a better term than
> >>  "blues ballad" and I recall reading that these types of ballads are
> >>  frequent in the Irish tradition, but I don't have references at my
> >>  fingertips.  I would appreciate any help that might be offered.
> >>
> >>  Thanks.
> >>
> >>  --
> >>  john garst    [unmask]
>
> --
> john garst    [unmask]

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Subject: Re: spotted on rec.music.early
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Thu, 26 Sep 2002 21:13:18 -0400
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All true Jack, and as far as I am aware, like the NTI, this still
only works on a Windows operating system.John Roberts.>This looks useful and the price is right...>
>                    === begin quote ===
>
>The Colonial Music Institute announces a new CD-ROM publication:
>
>Early American Secular Music and Its European Sources, 1589-1839: An
>Index
>compiled by Robert M. Keller, Raoul F. Camus, Kate Van Winkle Keller,
>and Susan Cifaldi.
>Annapolis: The Colonial Music Institute, 2002. CD-ROM:  $25.00
>
>This CD-ROM is a series of electronic indexes derived from a database of
>text and music information compiled from primary sources covering the
>250   years of the initial exploration and settlement of the United
>States. Over 75,000
>entries are sorted by text (titles, first lines, recitatives, choruses,
>&   burdens), by musical incipits (scale degrees,
>stressed notes, and interval sequences), with additional indexes of
>names and theater works. Most of the   entries
>include a representation of the music in a numerical code so that a
>researcher can tell how the tune begins.
>
>  The original project, The National Tune Index, of which this is an
>expansion, was initially sponsored by The
>Sonneck Society, now the Society for American Music, and funded by two
>major grants from the National
>Endowment for the Humanities and several additional grants from the City
>University of New York Research
>Award Program.
>
>  Musical Genres include:
>  American Imprints: 270 sources, 11,310 items
>  American Manuscripts: 145 sources, 11,192 items
>  British Musical Theater & Ballad Opera, 238 sources, 5,784 items
>  Dance Collections: 139 sources, 17,239 items
>  British and European Instrumental Music: 277 sources, 14,607 items
>  Manuscripts from Canada, France, Scotland, England, Ireland, Germany,
>and Mexico: 46 sources, 6,059
>items
>  Songs and Sheet Music: 55 sources, 9,647 items
>
>  The Eight Indexes are:
>  Texts
>  Incipits
>  Stress Notes
>  Intervals
>  Sources
>  Genres
>  Names
>  Theater Works
>
>  Database can also be accessed on the web at
>http://www.colonialmusic.org
>
>  The Colonial Music Institute
>  276 Oak Court, Severna Park, MD 21146
>  (410) 544-6149
>  www.colonialmusic.org
>  [unmask]
>
>                    ==== end quote ====
>
>
>-----------------------------------------------------------------------------
>Jack Campin  *   11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland
>tel 0131 660 4760  *  fax 0870 055 4975  *  http://www.purr.demon.co.uk/jack/
>food intolerance data & recipes, freeware Mac logic fonts, and Scottish music

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Subject: Re: More on the name issue
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 00:09:40 -0500
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        One flaw. The SSDI only covers with those who lived to collect
Social Security. If Vera was born c 1906 and died in 1964 she probably
would not have collected and, therefore, would not appear in the SSDI.At 12:26 PM -0500 9/26/02, Paul Stamler wrote:
>Hi folks:
>
>Just checked out the Social Security Death Index at Ancestry.com. They had
>no record of anyone named Vera W. Hall or Vera H. Ward with a Social
>Security card issued in Alabama (which, since she lived in Alabama all her
>life, would be a reasonable expectation). Nor did any of the plain Vera
>Halls or Vera Wards die in 1964, at least not in Alabama. So far, that's a
>washout, leading to the conclusion that she may not have had a Social
>Security card. (But in that case, how did she handle money that came in when
>she sang at folk festivals?)
>
>Peace,
>Paul

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Subject: Re: Name question
From: Abby Sale <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 10:16:18 -0400
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Ramblings - no new info.On Thu, 26 Sep 2002 12:09:20 -0500, Paul Stamler wrote:>>VERA HALL (VERA HALL WARD)
>>Born Livingston, Al, c. 1906. Died Tuscaloosa, Al, 29 Jan 1964.
>
>So far we have one vote on each side (I'm counting McGregory's two citations
>as a single vote). Any more data?
>
Almost all of these listing things are dirivative of each other and often
circular.  That is, they not only steal info from each other but the Other
steals back so there's no way to tell where a datum originated.  The
"Happy!" file has had the same info as above, culled from the good but
non-academic All Music Guide.  AMG also gives a "sometimes known as" for
'Vera Ward-Hall.'For that name she's a member of "the SNCC Freedom Singers" on the
commercial release of Smithsonian Folkways' 1996 Crossroads: Southern
Routes--Music of the American South. Does this name show up elsewhere?  If
not, I'd discount it.Ah!  But looking at the track listing at the actual Smith/Folkways site,
her name is given as Vera Hall Ward for "Travelin' Shoes."  I can't find
her singing that elsewhere.My primary good source, Lawless, doesn't give her.Thing is, with this much info, I can usually confirm stuff with the Social
Security death records.  Since, sadly, she didn't live long enough to
collect SS, that's out.If any wonder what the fuss is about, there are a couple of cuts of the
wonderful singer at Am Memory Collection.  This might work:
http://memory.loc.gov/cgi-bin/query/S?ammem/aasm,ftvbib,rbpebib,musdibib,afcreed,cowellbib,toddbib,lomaxbib,raelbib,gottlieb,scsm,ncpm,omhbib,gmd,dukesm,mussm,amss,varstg:@FIELD(OTHER+@band(+hall,+vera+))And here's a lovely one I never heard before from The John and Ruby Lomax
1939 Southern States Recording Trip. A game song, "Candy Gal"
http://memory.loc.gov/afc/afcss39/268/2684b2.mp3Here's a tidbit: per Folklife Center News
                   American Folklife Center
                   The Library of Congress
                           Fall 1999
                     Volume XXI, Number 4
She and Dock Reed were cousins.  Didn't know that.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
                  I am Abby Sale - in Orlando, Florida
                        Boycott South Carolina!
        http://www.naacp.org/news/releases/confederateflag011201.shtml

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Subject: Recognition
From: Mary Stafford <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:15:56 -0400
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To John Cowles and Donald Duncan- yes, I am the Mary Stafford who worked in the kitchen at Cafe Yana for a time, also the Golden Vanity, and even as a pinch-hitter at Unicorn for Byron. I also had many friends at Old Joe Clark's (glad to hear it's still there) and have fond memories of rehearsing for the Woody Guthrie Cantata (or whatever it's called) there, consuming hearty rum-and-cokes to aid my voice and banish stage fright.Nowadays I am less in the folk music scene, though my love of ballads endures; however, I do English country dance when I can.Mary Stafford

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Subject: Re: Recognition
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:31:27 -0500
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<<To John Cowles and Donald Duncan- yes, I am the Mary Stafford who worked
in the kitchen at Cafe Yana for a time, also the Golden Vanity, and even as
a pinch-hitter at Unicorn for Byron. I also had many friends at Old Joe
Clark's (glad to hear it's still there) and have fond memories of rehearsing
for the Woody Guthrie Cantata (or whatever it's called) there, consuming
hearty rum-and-cokes to aid my voice and banish stage fright.>>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
drinks close up your throat. Much better: a hot toddy with lots of lemon.Peace,
Paul

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Subject: Re: Recognition
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 14:08:38 -0400
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>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
>drinks close up your throat. Much better: a hot toddy with lots of lemon.
>Peace,
>PaulI didn't know this.
So what's a good choice for a NON-alcoholic beverage to be drinking in the
several hours before a singing performance?   -What beverages help the
voice be at it's best, and which ones cause particular problems?
I recently heard that eating something before a performance (not performing
on an empty stomache, that is) goes a long way towards lessening stage
fright.....
Lisa

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Subject: Re: Recognition
From: Douglas Cooke <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 12:01:24 -0700
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--- Mary Stafford <[unmask]> wrote:
> To John Cowles and Donald Duncan- yes, I am the
> Mary Stafford who worked in the kitchen at Cafe
> Yana for a time, also the Golden Vanity, and
> even as a pinch-hitter at Unicorn for Byron. I
> also had many friends at Old Joe Clark's (glad
> to hear it's still there) and have fond
> memories of rehearsing for the Woody Guthrie
> Cantata (or whatever it's called) there,
> consuming hearty rum-and-cokes to aid my voice
> and banish stage fright.
>Hi. Did you ever work at Club 47? You might be
interested to know that there is a history of
Club 47 to be published soon, written by Millie
Rahn.  I don't know the exact title.
Douglas Cooke
www.richardandmimi.com__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

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Subject: Re: Recognition
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 27 Sep 2002 14:05:46 -0500
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>Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
>drinks close up your throat. Much better: a hot toddy with lots of lemon.
>Peace,
>Paul<<I didn't know this.
So what's a good choice for a NON-alcoholic beverage to be drinking in the
several hours before a singing performance?   -What beverages help the
voice be at it's best, and which ones cause particular problems?>>GOOD:
7-Up or Sprite
Orange juice
Lemonade
Seltzer with a twist
White grape juice
(While singing:) Hot water, with a twist
Fresca
Most herbal teasBAD:
Colas
Mountain Dew or similar drinks (SunDrop, Squirt, etc.)
Coffee
Real tea, including iced
Red grape juice
MilkThe unifying factors: most of the good ones are citrus or citrus-related.
The first several bad ones have caffeine, which closes the throat; others
have tannin, ditto. Milk coats the throat with goo.<<I recently heard that eating something before a performance (not
performing
on an empty stomache, that is) goes a long way towards lessening stage
fright.....>>Certainly it cuts down on butterflies. You don't want to eat too much,
though, as being too full limits how much air you can take in, and it also
makes you sleepy. I eat a light, complex-carb meal, maybe just some good
bread, and don't let myself get too full.By the way, you didn't ask, but as far as alcoholic beverages are concerned:GOOD:
Vodka
Bourbon, Irish or Canadian whiskey
White wine (Aunt Jane's choice)NEUTRAL:
BeerBAD:
Scotch whisky
Red wineThe issue, again, is tannins and similar stuff, called "congeners", that
close up the throat. By the way, if you're having problems with a sore
throat or hoarseness, *don't* use alcohol! Its slight anesthetic effect may
encourage you to keep on singing when you really shouldn't, and do long-term
damage.Thanks to "Aunt Jane" Vidrine of the Magnolia Sisters for compiling this
chart, years ago. There were a few other things on it too, but I don't
remember what they were.Peace,
Paul

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Subject: Re: Recognition
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 00:29:09 -0700
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Port and brandy, but an old favourite was rum and blackcurrant.My dad used to drink raw eggs, but I think that's going over the top.
Wonder if Advocaat is any good? Can't stand the stuff.Paul Stamler wrote:
>
> >Rum-and-cokes before singing? Aieeee! No quarrel with the rum, but cola
> >drinks close up your throat. Much better: a hot toddy with lots of lemon.
> >Peace,
> >Paul
>
> <<I didn't know this.
> So what's a good choice for a NON-alcoholic beverage to be drinking in the
> several hours before a singing performance?   -What beverages help the
> voice be at it's best, and which ones cause particular problems?>>
>
> GOOD:
> 7-Up or Sprite
> Orange juice
> Lemonade
> Seltzer with a twist
> White grape juice
> (While singing:) Hot water, with a twist
> Fresca
> Most herbal teas
>
> BAD:
> Colas
> Mountain Dew or similar drinks (SunDrop, Squirt, etc.)
> Coffee
> Real tea, including iced
> Red grape juice
> Milk
>
> The unifying factors: most of the good ones are citrus or citrus-related.
> The first several bad ones have caffeine, which closes the throat; others
> have tannin, ditto. Milk coats the throat with goo.
>
> <<I recently heard that eating something before a performance (not
> performing
> on an empty stomache, that is) goes a long way towards lessening stage
> fright.....>>
>
> Certainly it cuts down on butterflies. You don't want to eat too much,
> though, as being too full limits how much air you can take in, and it also
> makes you sleepy. I eat a light, complex-carb meal, maybe just some good
> bread, and don't let myself get too full.
>
> By the way, you didn't ask, but as far as alcoholic beverages are concerned:
>
> GOOD:
> Vodka
> Bourbon, Irish or Canadian whiskey
> White wine (Aunt Jane's choice)
>
> NEUTRAL:
> Beer
>
> BAD:
> Scotch whisky
> Red wine
>
> The issue, again, is tannins and similar stuff, called "congeners", that
> close up the throat. By the way, if you're having problems with a sore
> throat or hoarseness, *don't* use alcohol! Its slight anesthetic effect may
> encourage you to keep on singing when you really shouldn't, and do long-term
> damage.
>
> Thanks to "Aunt Jane" Vidrine of the Magnolia Sisters for compiling this
> chart, years ago. There were a few other things on it too, but I don't
> remember what they were.
>
> Peace,
> Paul

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Subject: Re: Harker and the Folk Revival
From: Andy Rouse <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 00:23:22 -0700
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Jack Campin wrote:
>
> > I think I was able to show that Dave Harker's claim that the whole thing
> > was masterminded from the Party's London HQ, with members fanning out
> > across the country to infiltrate the clubs, was Cold War paranoia.
>
> Given Harker's politics (quite a long way left of the CP) "cold
> war paranoia" seems a rather strange way to describe his position.
> "Trotskyist paranoia", just possibly - though in fact what I've
> read of his book seemed reasonably sensible and well-argued.
>
> =================== <http://www.purr.demon.co.uk/jack/> ===================Hear here. The book is not a bible, but it's certainly not daft, either,
especially considering when - and possibly where - it was written. It is
undoubtedly an "uncomfortable" book, but that's because it sets us
thinking and going beyond Harker's predilection for sensational
sentences, _designed_ to make us feel uncomfortable.

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Subject: Thomas Hart Benton's "Frankie and Johnny"
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 10:52:02 -0400
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It is said that Thomas Hart Benton's mural "Frankie and Johnny"
"decorates the wall of the state capital building at Jefferson City,
Missouri.  In a copy of a newspaper illustration of this painting,
Frankie stands at left center and holds a pistol in her right hand,
which she has fired at Johnny (apparently hitting him, as some
versions of the song say, in the rear end), who is to the right of
her.  I have another copy of this, a folio print, in which the scene
is reversed, Frankie holds the pistol in her left hand and Johnny is
to the left of her.Does anyone know which view corresponds to the mural?  (I've not seen it.)Could it be that the mural and the folio print represent different
works by Benton?  In comparing the two copies that I have, I think I
see several minor differences, other than reversal, but these might
be copying artifacts.Is the mural in color?  Both copies that I have are black-and-white.Thanks.
--
john garst    [unmask]

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Subject: Re: singing NYC sisters news article - access problem
From: "DoN. Nichols" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 28 Sep 2002 11:45:58 -0400
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On Sun, Sep 22, 2002 at 09:08:30PM -0400, Thomas H. Stern wrote:        Sorry for the delay in responding, but I was out of town.  I
don't see that anyone else has replied, so I'll do it.> Hi -
>   I am unable to access the article using the link provided, however if I use www.
> rather than www2. I get there OK.
>   Any techies out there who can explain??  Thanks!
> (I'm on Windows 95 and Netscape Communicator 4.73)        It shouldn't make any difference.  I checked, and both names
resolve to the same system, which is actually named:        scratchy.bostonherald.comand has an IP address of: 204.137.14.50        My guess is that your first attempt ran into problems finding a
route to the system, but started the process.  The later attempt, with
the '2' left off the "www" picked up where the previous try left off,
and made it through.        Both "www" and "www2" are aliases to the actual system name, as
is common for systems acting as web servers.  My system is similarly set
up.  The benefit is that I can move the web pages to another system,
change the aliases, and things keep working for people trying to
connect.> Tom Stern.> > http://www2.bostonherald.com/entertainment/music/koss04112002.htm        Enjoy,
                DoN.--
 Email:   <[unmask]>   | Voice (all times): (703) 938-4564
        (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html
           --- Black Holes are where God is dividing by zero ---

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Subject: Oct 6 sunday in Altamont, New York
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Sep 2002 10:40:25 -0400
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Oct 6 sunday, in Altamont, New York (Albany area)
Oldtime music presented in the OldSongs Dutch Barn
at the Apple Festival in the Altamont Fairgrounds.
12noon-4pm
Brian Sullivan (fiddle)
Mark Schmidt (guitar)
Lisa Johnson (banjo)
(There will also be some Appalachian-style a cappella ballads sung for your
enjoyment -specializing in mayhem, treachery, love, murder & despair!)(contact Brian Sullivan for directions etc, 518-765-9310)

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Subject: Correction! Oct 6 event
From: "Lisa - S. H." <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sun, 29 Sep 2002 10:47:37 -0400
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Ooops, not awake yet this morning!!
That would be Steve Kessler on guitar...my apologies!  :-O

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Subject: Re: Harker and the Folk Revival
From: Bill McCarthy <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 09:05:33 -0400
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All right.  I'll jump in.  I've resisted, so far.  In the section that
covers material I know best, the only section that I checked out carefully
(on Motherwell and his  era), there are way too many errors.  I think that
Porter's piece makes a similar point, that his data just do/does not hold
up.  But if his thesis depends on his data, and his data is/are not
accurate, then where does that leave his thesis?   Too bad, as I have some
sympathy for his thesis.At 12:23 AM 9/28/2002 -0700, Andy Rouse wrote:
>Jack Campin wrote:
> >
> > > I think I was able to show that Dave Harker's claim that the whole thing
> > > was masterminded from the Party's London HQ, with members fanning out
> > > across the country to infiltrate the clubs, was Cold War paranoia.
> >
> > Given Harker's politics (quite a long way left of the CP) "cold
> > war paranoia" seems a rather strange way to describe his position.
> > "Trotskyist paranoia", just possibly - though in fact what I've
> > read of his book seemed reasonably sensible and well-argued.
> >
> > =================== <http://www.purr.demon.co.uk/jack/> ===================
>
>Hear here. The book is not a bible, but it's certainly not daft, either,
>especially considering when - and possibly where - it was written. It is
>undoubtedly an "uncomfortable" book, but that's because it sets us
>thinking and going beyond Harker's predilection for sensational
>sentences, _designed_ to make us feel uncomfortable.

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Subject: Woman looking for AFS roommate
From: "Wolz, Lyn" <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 08:56:07 -0500
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Jane Keefer, retired librarian and musician/folklorist/indexer (compiler of
the Folk Music Index on the web), is looking for a female roommate or
roommates at the conference hotel for the American Folklore Society meeting
in Rochester.  She had a roommate lined up but that person just broke her
foot and is not able to attend the conference after all.  Since they had
already paid for their room, the other person will be out her money unless
someone else can join Jane.  Please contact Jane at [unmask] or
at 503-775-2846 asap.  Thanks.Lyn Wolz, Reference/Instruction Librarian
Regents Center Library
University of Kansas, Edwards Campus
[unmask]Archives and Libraries Section
American Folklore Society

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Subject: Ebay Songster List - 09/30/02
From: Dolores Nichols <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 15:45:50 -0400
Content-Type:text/plain
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Hi!        Well we are back home and trying to catch up. Here is the
songster list. The main list will follow in a few days.        1565834782 - Old Uncle Ned Songster, 1870's, $24.99 (ends
Oct-01-02 19:34:00 PDT)        909633610 - 3 Civil War Era songsters (reprints?), $15 (ends
Oct-03-02 19:14:21 PDT)        1566070389 - Forget-Me-Not SONGSTER, 1840's?, $15 (ends
Oct-05-02 14:16:14 PDT)                        See you all later!
                                Dolores--
Dolores Nichols                 |
D&D Data                        | Voice :       (703) 938-4564
Disclaimer: from here - None    | Email:     <[unmask]>
        --- .sig? ----- .what?  Who me?

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Subject: Re: Name question
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 16:20:55 -0400
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>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>birth and death dates?
>
>Peace,
>PaulJoey Brackner, Alabama Folklife Program, Alabama State Council on the
Arts (www.arts.state.al.us), consulted Joyce Cauthen on this and sent
me the following response to my enquiry.*******
It's all very confusing.  According to Joyce Cauthen, her name is Adele Vera
Hall.  She had marriages to men named Riddle?, Ward and Adair.  For some
reason, the Ward name is the only other one that she or other folks seem to
use.>From this, I think Vera Hall Ward would be more correct that Vera Ward Hall.
But I think Vera Hall is superior to both.
*******--
john garst    [unmask]

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Subject: Re: Name question
From: Clifford J Ocheltree <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Mon, 30 Sep 2002 18:20:28 -0500
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        Know I mentioned this before. The comment in Sheldon HARRIS' book
that she is cousin to Doc[k] REED and gives as an aka Nora REED. I'm not
that familiar with REED. Perhaps his back story might help.        GOODRICH and DIXON [and RYE] cross reference to Albert "Tongue
Tied" ALLISON, Polly LARKIN, Dock REED, and the Brown Chapel Baptist Church.At 4:20 PM -0400 9/30/02, John Garst wrote:
>>The great singer from Alabama -- was she Vera Hall Ward (so called by Harold
>>Courlander in the liner notes to "Negro Folk Music of Alabama", likewise the
>>Alabama Folklife Assoc., at least one Smithsonian/Folkways reissue and the
>>Ala. Center for Traditional Culture) or Vera Ward Hall (ditto by Alan Lomax
>>on the Rounder reissues)? Anyone know for sure? And does anyone have her
>>birth and death dates?
>>
>>Peace,
>>Paul
>
>Joey Brackner, Alabama Folklife Program, Alabama State Council on the
>Arts (www.arts.state.al.us), consulted Joyce Cauthen on this and sent
>me the following response to my enquiry.
>
>*******
>It's all very confusing.  According to Joyce Cauthen, her name is Adele Vera
>Hall.  She had marriages to men named Riddle?, Ward and Adair.  For some
>reason, the Ward name is the only other one that she or other folks seem to
>use.
>
>>From this, I think Vera Hall Ward would be more correct that Vera Ward Hall.
>But I think Vera Hall is superior to both.
>*******
>
>
>--
>john garst    [unmask]

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Subject: Casey Jones
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 15:52:22 -0400
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At this sitehttp://memory.loc.gov/cgi-bin/query/D?toddbib:61:./temp/~ammem_I0tT::you can listen to Jim Holbert sing "Casey Jones."I have not been able to decipher a word in the fourth line of the third verse:"I'm a **** engineer and I don't have to work."Anybody?By the way, Holbert uses his own tune.  He said he got the text from
a "ballet" given to him by a friend.  It is not clear whether this
was handwritten or printed, but I suspect handwritten.  This version
gets the name of the railroad (IC, Illinois Central) right.--
john garst    [unmask]

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Subject: Re: Casey Jones
From: Norm Cohen <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 13:20:54 -0700
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I thought it was "brave".
Norm----- Original Message -----
From: "John Garst" <[unmask]>
To: <[unmask]>
Sent: Friday, October 04, 2002 12:52 PM
Subject: Casey Jones> At this site
>
> http://memory.loc.gov/cgi-bin/query/D?toddbib:61:./temp/~ammem_I0tT::
>
> you can listen to Jim Holbert sing "Casey Jones."
>
> I have not been able to decipher a word in the fourth line of the third
verse:
>
> "I'm a **** engineer and I don't have to work."
>
> Anybody?
>
>
> By the way, Holbert uses his own tune.  He said he got the text from
> a "ballet" given to him by a friend.  It is not clear whether this
> was handwritten or printed, but I suspect handwritten.  This version
> gets the name of the railroad (IC, Illinois Central) right.
>
>
> --
> john garst    [unmask]

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Subject: Re: Casey Jones
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 16:33:26 -0400
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>I thought it was "brave".
>NormI think you're right, though the pronunciation is a little odd.What does it mean,"I'm a brave engineer and I don't have to work."Is this a derisive comment on Cayce's personality?
--
john garst    [unmask]

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Subject: Exploiting the Casey Jones thread,
From: Bell Michael <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 16:15:02 -0600
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... if I may. I've been listening to the Greenbriar Boys' "Roll On John,"
one of the most beautifully haunting songs I've ever heard. But there's
one word I can't pick up even after repeated listening. The verse goes:I asked that girl / to be my wife,
She _____ and she ?said / and she begin to cry.FWIW, I don't have the liner notes (should they have any enlightenment);
it's a cassette Ralph R. made for me a couple years before he died. Even
the LP scratches are holy (those who knew RR will understand).Also, a listener called last week to ask what the "Blood Red Roses" in
that sea song refer to. I'm disgracefully unschooled in locating websites
that might have the answer; if any listmember can steer me to one, I
promise to get clued-in & not pester the list w/ such questions.All aid gratefully received,Regards,Michael Bell

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Subject: Re: Exploiting the Casey Jones thread,
From: John Roberts <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 18:49:24 -0400
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There's a thread on Mudcat (at least one) where this is discussed at
some length. See:http://www.mudcat.org/thread.cfm?threadid=34080#458781John Roberts.>
>Also, a listener called last week to ask what the "Blood Red Roses" in
>that sea song refer to. I'm disgracefully unschooled in locating websites
>that might have the answer; if any listmember can steer me to one, I
>promise to get clued-in & not pester the list w/ such questions.
>
>All aid gratefully received,
>
>Regards,
>
>Michael Bell

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Subject: Re: Exploiting the Casey Jones thread,
From: Judy McCulloh <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 18:01:31 -0500
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One of the most vivid memories I have of Ralph is his singing "Roll On
John," just him alone and his guitar, in a dim quiet corner at a party in
Washington, D.C.   "Haunting" is the right word, both for the song and for
the performance.  It seemed very special to him, too, as I remember from
watching his face.JudyJudith McCulloh
Assistant Director and Executive Editor
University of Illinois Press
1325 South Oak Street
Champaign, IL 61820-6903
phone: (217) 244 4681
email: [unmask]
www.press.uillinois.edu----- Original Message -----
From: "Bell Michael" <[unmask]>
To: <[unmask]>
Sent: Friday, October 04, 2002 5:15 PM
Subject: Exploiting the Casey Jones thread,> ... I've been listening to the Greenbriar Boys' "Roll On John,"
> one of the most beautifully haunting songs I've ever heard.
...
> Michael Bell
>

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Subject: Re: Exploiting the Casey Jones thread,
From: Ed Cray <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Fri, 4 Oct 2002 17:34:50 -0700
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Michael and friends:I frist heard the shanty "Blood Red Roses" in 1955 on an LP.  And I too
wondered just what it meant.For the record, I do not think such inquires are remiss on this listserve.EdOn Fri, 4 Oct 2002, Bell Michael wrote:> ... if I may. I've been listening to the Greenbriar Boys' "Roll On John,"
> one of the most beautifully haunting songs I've ever heard. But there's
> one word I can't pick up even after repeated listening. The verse goes:
>
> I asked that girl / to be my wife,
> She _____ and she ?said / and she begin to cry.
>
> FWIW, I don't have the liner notes (should they have any enlightenment);
> it's a cassette Ralph R. made for me a couple years before he died. Even
> the LP scratches are holy (those who knew RR will understand).
>
> Also, a listener called last week to ask what the "Blood Red Roses" in
> that sea song refer to. I'm disgracefully unschooled in locating websites
> that might have the answer; if any listmember can steer me to one, I
> promise to get clued-in & not pester the list w/ such questions.
>
> All aid gratefully received,
>
> Regards,
>
> Michael Bell
>

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Subject: Re: Exploiting the Casey Jones thread,
From: Paul Stamler <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Oct 2002 01:30:54 -0500
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----- Original Message -----
From: Ed Cray <[unmask]><<I frist heard the shanty "Blood Red Roses" in 1955 on an LP.  And I too
wondered just what it meant.For the record, I do not think such inquires are remiss on this listserve.>>Nor do I -- they're part of why we're here.According to the Traditional Ballad Index, Doerflinger thinks the chorus
(often sung as, "Go down, you bunch of roses, go down") is from the same
root as "The Bonny Bunch of Roses" -- England, Ireland and Scotland vs.
Napoleon. Editor Bob Waltz expresses his doubts, and I go along with him,
but it's an odd coincidence.Peace,
Paul

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Subject: Re: Exploiting the Casey Jones thread,
From: Fred McCormick <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Oct 2002 05:06:51 EDT
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Sorry, your browser doesn't support iframes.


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Subject: Re: Exploiting the Casey Jones thread,
From: John Garst <[unmask]>
Reply-To:Forum for ballad scholars <[unmask]>
Date:Sat, 5 Oct 2002 09:50:14 -0400
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>Also, a listener called last week to ask what the "Blood Red Roses" in
>that sea song refer to. I'm disgracefully unschooled in locating websites
>that might have the answer; if any listmember can steer me to one, I
>promise to get clued-in & not pester the list w/ such questions.This might be relevant:http://jama.ama-assn.org/issues/v286n21/ffull/jbk1205-4.html
--
john garst    [unmask]

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