From tzf@LPL.Arizona.EDU Thu Jul 17 14:14:36 1997 Return-Path: Received: from parallax.LPL.Arizona.EDU (parallax.LPL.Arizona.EDU [128.196.145.137]) by almaak.usc.edu (8.8.4/8.8.4/usc) with SMTP id OAA22220 for ; Thu, 17 Jul 1997 14:14:35 -0700 (PDT) Received: by parallax.LPL.Arizona.EDU (SMI-8.6/SMI-SVR4) id OAA01605; Thu, 17 Jul 1997 14:13:23 -0700 Date: Thu, 17 Jul 1997 14:13:23 -0700 From: tzf@LPL.Arizona.EDU (Terry Friedman via parallax ) Message-Id: <199707172113.OAA01605@parallax.LPL.Arizona.EDU> To: cray@rcf.usc.edu Subject: Re: Sexual Life of the Camel X-Sun-Charset: US-ASCII Status: RO X-Status: A Ed, Read the rest of the $%^#*$^%$ message! Or am I just hallucinating that I already included answers - possibly unsatisfactory - with the song? Ok, in case my senility is at fault - I learned camel here in Tucson, from one Dave Firestein, mandolin player extraordinaire but camel seems to be the only thing he ever sings, usually as we're cleaning up after jams. Probably first heard him sing it in 1992, give or take a year or so. I dunno where he learned it, but it is in several published works. Tune: "The sexual life of the camel". If it's based on any earlier tune then it's one I don't know, or perhaps don't recognize in the current rendition. As I may have already said: it's always 3/4-ish (nominally: it's not accented as a waltz), but I suspect that the exact tune changes from month to month. Um, there isn't any problem fitting "Lydia" into the same melodic line as the rest of the song - the melody contours change slightly, but not drastically. That's all I can think of to say, short of writing it out, which isn't really a reasonable task for my email editor. terry