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Band 2, Item 1 "Round to Maryinne's" is a grown-up song that children like. It pokes fun at policemen who ignore obvious infringements of the law, at the mock heroism of sea captains, and at the "bravery" of generals in battle. It is the kind of song that your favorite uncle would always sing after Thanksgiving dinner, while your mother would object, "Not in front of the children." (Such songs are often those that children remember with the greatest affection.) Its humorous advocacy of the workingman'a right to license is sure to appeal to young boys in search of a manly role model. Maryanne's is an Irish alehouse. The song probably stems from the period of the nineteenth century when the potato famines in Ireland drove many farmers from their homes to seek a livelihood in America. As a result of the influx of poor Irish competing for work, many songs were written from the fifties to the nineties both for and against the Irish, and the Irish policeman and the Irish biddy joined the ranks of American ethnic stereotypes (80265-2, Don't Give the Name a Bad Place: Types and Stereotypes in American Musical Theater—1870- 1900). Kenneth Atwood is a lumberman who has worked most of his life in Utah. His repertoire reflects his identification with the American workingman. His original song "The Turkey Trail" tells of a wagon-busting, man-challenging trail littered with boulders strewn as thickly as hailstones, an image reminiscent of the Paul Bunyan tales. Other songs of his tell of the rigors of farm life or detail a hardened sailor's advice to a green sailor boy. Atwood learned "Round to Maryanne's" from a cousin. Sunday night in your town, |
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