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The evolution of rhythm and blues developed a rich variety of sounds through its regional influences. It can be regarded as a melding of urban and rural blues styles, but it was also under the sway of the Texas and Kansas City style swing bands, the New Orleans piano style pioneered by Champion Jack Dupree and Professor Longhair, as well as the smooth vocal styling of Californians such as Charles Brown. For this CD volume we have chosen a number of obscure artists that recorded extensively for independent labels, called the "indies". The disc kicks off with a tough little combo formed around pianist/drummer Melvin "Daddy" Merritt who recorded with Jack Dupree, Sonny Terry and Brownie McGhee. The incredible tenor sax on the session is played probably by Al King, who made fine recordings in the jump blues genre under his own name. Bandleader Franz Jackson waxed the storming "Boogie Woogie Camp Meeting" for Decca in 1940, featuring the rocking and rolling Kenny Kersey on piano and this little gem shows how rhythm and blues had its roots in the golden age of the swing bands. Jackson emerged from orchestras like Jimmie Noone, Fletcher Henderson, Earl Hines and Cootie Williams. Franz Jackson (named after Franz Schubert by his mother, as he told me) is still musically active today. Charles Brown's classic "Drifting Blues"(a very influential record) must clearly have inspired guitarist/singer Ulysses James on his own "Poor Boy". The Three Bits of Rhythm offered a large variety of styles, as it was expected by an audience at that time of a club combo: syrupy ballads, jive songs, blues and of course boogie woogies. In the late 1940s the group was led by bassist Ted Rudolph, who doubled on vibraharp. This slick little band consisted of versatile musicians - as one can hear - they must have often switched instruments during their sessions. Unfortunately, no information is available on the other artists on this disc. May the music speak for itself. Have fun! Frank Saturn, February 1994 DISCOGRAPHICAL DETAILS OTIS DUCKER A) Vcl-l/as with Helen Marina, vcl-2; unk. tpt; ts; pno; sbs; dms. New York City, 5 April 1950 76147 Do Me A Favor-1 FRANZ JACKSON B) Franz Jackson and his Jacksonians: Bobby Williams, tpt; Eli Robinson, tb; Joe Eldridge, as; Franz Jackson, clt/ts/ldr; Kenny Kersey, pno; Ted Sturgis, sbs; Panama Francis, dms. New York City, 2 March 1940 67293-A Boogie Woogie Camp Meeting note: the three other titles of this session are out of the scope of this CD. ULYSSES JAMES C) Vcl/gtr with prob. William Staples, ts; Roy Hawkins, pno; Floyd Montgomery, sbs; Madison Little, dms. Oakland Ca., 1948 133 Poor Boy RICHARD KING D) Vcl with unk. as; pno; sbs;dms; ensemble vcl-1.
KH-800A Banks Of The River TINY PARKER & DADDY MERRITT E) Tiny Parker, vcl with Melvin Merritt, pno; prob. Al King, ts; unk. gtr; sbs; dms. New York City, 1950 RST-91578-2 LIL PALMORE F) Vcl/pno with unk. gtr; prob. Willie Dixon, sbs. Chicago, 1948 C-104 I Believe I'll Go Back Home THREE BITS OF RHYTHM G) unk. pno; prob. Hurley Ramey,gtr; unk. steel gtr-1; prob. Bill Oldham, sbs; own vcl. Chicago, 13 March 1941 93592-A I'm Lonesome -1 H) Tommy Askew, pno; Bruce Williams, gtr; unk. 2nd gtr; Ted Rudolph, sbs/vib; unk. Recorded prob. at three different sessions in Los Angeles, 1945-48 MM-118A I Used To Work In Chicago PETE TURNER I) Vcl with unk. tpt; ts; pno; sbs; dms. New York City, 1947 H-1943 Pete Turner Blues |
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