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Below is the raw OCR for "Jody Calls, Cadence Calls, and Marching Songs" by
Paul F Gilbert. If you would like to verify the text, please
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VERTICAL FILE
jodí: calí,., 5 call:;,,:, 'aiwü: akd ííaí^uí;g íw.cs
Tño material in this papar was collected from 2o July
to 2$ August 1952 at the Air Force Trrdning Unit
o.a George .Air Force Base, California« Shis location. was
alternately referred to as “The Garden Spot of the V/osfr* in
tho Colorful Ilcgjavc Desert“ and “The Asechóle of the World11«,
ilow to tho subject at hendí thy are these pieces por-»
fornad? First as a release from tho boredom of marching from
place to place in formation«- Whoa a fj.ify.rb (in this rase«. ;
group of tí renter to twenty-live nsa) is aarcMr.g or double -
timing fren place to place? it mustbs in rtri.vt '.liv-mv
¿osmtio.u. s;4 in step* Instead of counting out toy sari:
cadeneo “Hup, two? three, four," all of the wap - the trow.;- •
resort to Cadence calls, Jody calls, and marching songa,
Those are usually c tcliy and enable the flight to keep in ste¿
because everyone in the flight sings who repeat and the chorus
of tho calls and in the case of the norchine songs, they sing
the .entire song as a group, This promotes flight unity or
”espirit do corps," because they have something in cannon*.
As the period of training progresses the flight has common
enemies such as the Tactical Officers (sort of a flight supervisor
otherwise known as s “TAG” Officer or a TO.). They find that
they can release their grievances through the Jody calls without
getting into trouble. For example, numbers through aro
i f a
• • err • ra i. oil t.ccr lie ¿od . -isc:.’La- Fo Fruvzv:
>.CC‘. station u -gar. u.> -•/ U'ltv.rojjibe about nis coy. He
also frequently ucj:o u bemado."*short unxioiri icon vihicb cglk
the- jibe about Mr. Icnobby Jmecs*
Finally, the troopn get a certain ego--satiafaction out of
coming uj. with a nev» piece that the guys in the flight likcv
Most of theca donl with common eoporionco a, the no si- coianorj
being sex along these linos* it nocnr; to bo that the boot ones
are the boldest-. For oxanplc* the First tine number four nos
heard? the performer used the final fisown9 ng the liuaor
or catch to the Implication of a more dirty word rhyming with
"Ifcintuck"» The next guy who performed it grew more bold, mating
to outdo Us predecessor* and substituted the implied word for
tne implication* Finally* when the boldness reached totem
audacity (near the end of caiap)5 the slightly perverted
^llasturbater5's Song” (mmbor thirty-nine) ms performed openly*
Adderoda?
The nafce~up of tills eanp was all young non of .junior or
-senior classification in college« About half of these wore from
schools in Texas? a third of the remainder from the West feast?
and the rest from points in the Midwest and Scuth—ISast->
AH of the -Jody calls are foliesed by the traditional chorus
found OffI (single performer)
§zief Two. (men respond)
Bring it on cutI (single performer)
farce - -
~-nr
______ (men respond)
Rad: it on down! (single performer)
One ? two- throes fourf
One 5 two j tiiree-fourp
inotiicr choj.v.L ic as follanoì
/tà I riifrong? (acn snsusr) Tctrie ri:;hc*
An 1 i i—: ii- or t/rongY (rien ausuer) Ioti re right*
/a I rigiri; 01 ar: I vronz*
Or an 1 right or urong? (ocn answori xoii’t:-* ri giù £
Sound 01* i'l(otc«)
I* ÏEADI3?: CU M. JODY r.LLS
i* -lodo! 7 Ford and a tc.nl: full oí' gas;
Ilouth full oí" titty ncl a hancí full oí ano»
2. I don ' t tacú but 11 ve got a-hundí?
The Colonel1 o dai-ghtcr is a punch«.
3«. I úon;t Imoij bul- Idt got a huneb,
liebre h&Mrid an aníml bunch»
b) I got a gal in oíd Hantuck?
AU ñho doos is cook and Síití« (fucfeD
I got. a gal in .lia AntonA-*;
She2s gol; a craxring for d;ç bons*.
6t* ï got a gal in San Antono5 ?
Siie donst lita to sleep alono*
7« I got a gal in Tiœbnktu;
Sha *11 go v.dth ne but not ralth you^
8.j lí Ï dio en cha Kussian. Front;
Lst se üie en a Eizssian cunto
9U 1 got a gal in Austin tona?
Snap ycxir flngers and sha iays right dorai*
10» I got a gal in liera Orléans;
Shers got a nustaehe in lier Jeans*.
11-s I got a gal in Aoilenas
She puts ont lile a cohe na chiner
12 o I got a gal in Hora Orléans |
Four te en feids and a can oí basns*
13o I taon a gal vho livos on a Mil;
She raoiist do it but her si oten raill o
l?d I taon a gxty nanod Bufíalc Bill;
He raoxvt do it but his Buífalo xrillr.
15© I taon a gal all ¿rosead in Ked;
Matas her livinl in a bsd©
16© I taora a gal all dressed in Iroraai
Metas her livirra lying daim©
I kocn; a gul al'i tteass&d :a?Green
She1 s a Xivin ■ rax aaciiio/j,
10, I got a gal all? dressed rio Kiua;
She1 n for m.- a\id not for yon-,
19v ~ know a gal all dressed in Bladri
Mokes her livin1 on her Mdi<.
20c 2-' tev a gal ail dressed in nihsji
Shy vili even do it in a sink,
21, lach and If ill went- up the MX! 5
-Jill, cane down with a two dollar bill*
22* X don*! know but I*vo been told;
Fischiofs got a red ass hole,
23 & Fischio ? Fi odile-, he's ray ace;
He? 5 the oiuj with the monkey lace *
2bo 1 don? t know but I1 ve got a hunch;
Ideal? ?»ai« a pii« of ¿tmk*
25'c I don't Snow hat 2sve got a fcelin* ; ^
Captain Fi edile 5 s gonna get a poolin’
26» Turn your ijoed to ^ cough end snaeso,
Ilore cono Fischio3s knees-
27B I Imoxia gal from Baton Rouge;
3110*3 got swamp water in her shoes*
Mien it rains that »sweet swamp-daughter 5
Raise3 her shirt awve the water*
She*-s got watermarks on her thighs;
I lovo to see that water rise*
23 o RI ÌIG-BAITG-B00
Plng-Bang-Dooj How what is that?
Round and firm like a puss'-cat;
A hole in the middle and a hair or two 5
TMt * s what 1 sknown as the Ring»Dang«-Boo
Knew a gal who was in her teens,
lived outside of !!ITew Orleansn* ’
then she winked her eye at- you,
Yahhieu slie was hot with the Hing-Dang-Boo
PPG
Pool: nc.da .11 into liar collar,
Tolu no I i k\~a damn mice ’Teller"•
Fed no wi no and whiskey, too;
Let me play with the Iting-Dang-Boo*
ltion she cot home her mother said,
”Ya must hare lost your Gosh-Durii heads
Pad: your bra and panties, too;
Get out of town with the long-Danc'-Poo
She walked the streets and bocaao a whore,
Hung this sign upon her door
“A Ifiekel7 a Dine, A Quarter will do,
lake a Crack at the Ring~ Bang-Deo.
/-long cane a red-hoadcd s on- - of -a—bl t ch,
Had the crabs and the seven year itch,
Had the Gypj', and the Blue-Balls« too;
Gave then all to the ning-Dang-Boo«
Cell, she got old and finally died,
Ten Thousand Ka-dets wept and cried-
Hung her tits on the shit chouse mil.
Pickled her tuat in alcohols
II» cii-hHts ;j:d cadbitcb cali.s
A, I" QUICK Till](120 seeps per minute)
29 o Heide Hoy, Beide I'o,
Uiddley Vaddley Uaddloy Wo,
Heide 2Io, Heide lle^.
Let * s go "back and count some no * *
30 0 Ilaty Katy, Cota^aata-VJadi 3
Cota-nota- Uadi, Dingo-Dong‘s
Ilotch Kotch, Cota-noti-otch9
Gota-noti-oti-oti, dingo dong?
An I right cr wrong? (etc)
31» The wider the river, the greener the grass;
The bigger the boobies, the better the ass*
32c My nano is Bill Bailey, my dick is a whaley-
My balls neigh a hundred and fourty-four pounds 6
ltfs like sledge-hammert l111 fuck her Goddam her;
I311 drive her dann ass'in the ground*
Pi'G
* d
3‘V. AIIII1AL CADHI7CE. CGÜÎJI*
Oohl5 (3 stops)J Ah25 (3 steps)5 Cc*hi. (3 steps)5 Ahl (3 steps).
Oohi, (1 step) 5 Abu®.. (1 step)« Ooh,' 5 '(1 step).. Ah 2 (1 step)
Coh, /ill5 Ooh, Ah5 Ooh* Ah.. Ooh. All, Ooh.* (3 steps) 5 Ahhh*
35* Her father uns there uhon you left, (ansuer) You’re right!
Her nother ms there uhon you left- You*re right!
Her brother ms there mien you left, You're right!
Her doctor ms there when you. loft* You;re right*'
That.1 * * * s the reason you left-
Be III DOUBLE THUS (loO steps per minute)
360. Hup* tuo, three, four (non repeat)
Idol of the Air Corps*
Every day 1 love it" more*
Who5 c the test?
The very best?
Of all the rest.?
C Flight* (or unit none)
Hut 5 tuo* three s four «
Up the hill5
Boun the hill.
Cross the bridge3
Gotta go,
Heed a piece.
Gotta pee
Oh, shit*
Get the ÎAC,
To the pool'
Let 5s stop.
Gotta go,
Hup, tuo5 tiiree5 four®
III» liAKCIIIlTG SOIÏGS
37e (To the tune of "The Girl I &o£t Behind lie")
Oh she jumped in bed and covered up her head.
And said I could not find her.
Well I kneu damn nell she uas lying like Hell,
So I jumped right In behind her*
I Flipity«flop 1 1 ended on top.
And started” ny organ grinder,
She jumped like a goose xihen 1 shot her the juice*
And no\f shee s got a reminders
?_ 5
P'S*
Violi I
fucked h-
end i fuckoa hcr tirio-.
O ^
And I .tildivd h.e once too often
Un Ï broke ber spring o.v romo deem thing*
■And noi/ ohe11 s xn her coffin.
Sang by -tilo whorehouse quartet«
Have Y'y got a hard on? Hot yet?.
Arc ya* renna got one? Son boti
V.
au
Oh I a Vuoi: it rie one ; she s- id be by this 1?; fun
(chorus) ' rut your belly up to nino and ran it on, ran it on» '
Oh I stud: it in two; die said baby I want you»
(chorus) "
Oh 1 stud: it in threer she said baby cone to ne-
(chorus)
Oh I dud: it in four; she said baby give ne moro «,
(chorus)
Oh I stud: it in five; she said baby cone alive,
(chorus)
Oh I stud: it in sisrf she said baby pick up sticks*
(chorus)
Çh I stud: it in seven; she said baby make it eleven*
(chorus)
Oh 1 stuck it in eight; she said baby donH be late.
(chorus)
Oh I stud: it in nine; she said baby lilis is fine-,
(chorus)
Oh I stud: it in ton; she said baby cone again*
(chorus)
Oh I stuck it in eleven; she said baby this if heaven,
(chorus)
Oh I stuck it in twelve; she said baby tills is Helll
"Put your dick in your pants and taire it homo, take it home..
39 0 IbiSîUKBATEE * S SOHG (to tuno of rf Funi culi, Funicula")
fast night I stayed at homo and masturbated»
It felt so good, I knew it would.
Last night I stayed at home and masturbated.
1 did it twice; it felt so nice-
You really ought to see my short stroke*
It is sc neat* I use ny feet«
Smash iti Bash iti Beat it on the floor I (_
Ur-au it around the bed post* slam it in the doors
I beat my meat, I beat ny moat, I boat ny meat *
Some people like intercourse.
Bat I will beat my meato
IV. i&xIETOE 01IEC;:
hOt. üive a dril- Givca shit.,
I coitld alraóat give a shit.-.
ÍShout)
^'•In I iovc tho corpa/ I love the corpa*
EToryday 2 lave ít more»
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